WEBVTT - Thinking Sideways: Toynbee Tiles

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<v Speaker 1>Thinking sideways. I don't you never know what story is

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<v Speaker 1>of things. We simply don't know the answer to toy

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<v Speaker 1>the idea in movie two thousand one resurrect dead on

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<v Speaker 1>planet Jupiter um and and but it's a gas planet,

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<v Speaker 1>and it's like, what's going on here? You're like Sherlock

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<v Speaker 1>Holmes on a cocaine bender. No, You've got notes and

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<v Speaker 1>hastily written notes every what is okay? Okay, you're a

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<v Speaker 1>little too into this in your forehead. Just the thing

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<v Speaker 1>is is that this is one of those mysteries that

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<v Speaker 1>so many people have dealt into, and I feel like

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<v Speaker 1>there's like a curse attached to it, like you just

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<v Speaker 1>fall into it. It's like it never It's like Alice

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<v Speaker 1>in the looking glass. It's just how many more metaphors

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<v Speaker 1>can I come up? I really don't know. Yeah, and

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<v Speaker 1>you just fall in and there's no you know, I

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<v Speaker 1>I know. I was expressing to Steve earlier that I

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<v Speaker 1>don't know if I'm really ready for this, just because

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<v Speaker 1>there's so much information out there. It's been going on

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<v Speaker 1>for so long you can't do anything about it. But

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<v Speaker 1>I really want to talk about this one because it's

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<v Speaker 1>like one of my favorite mysteries, and I feel like

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<v Speaker 1>it's time, but I'm so sorry I can't make it through.

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<v Speaker 1>Let's talk about you're gonna help me with us, because

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<v Speaker 1>if we're going to solve it, I don't want to

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<v Speaker 1>solve it. I really want to solve it. It's the thing, Okay.

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<v Speaker 1>The thing about this mystery is that it seems like

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<v Speaker 1>there's just an obvious answer, right. It's one of those

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<v Speaker 1>ones where you like, you read through it and you're like, well,

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<v Speaker 1>I'm just I'm I'm like an idiot, Like I'm clearly

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<v Speaker 1>I'm just not making the right connections, Like there should

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<v Speaker 1>be a really simple answer at this, but there's just not. No. No,

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<v Speaker 1>I can perspective there is a simple answer. Somebody's making

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<v Speaker 1>these things and putting them out there, right, but who

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<v Speaker 1>and why? And that's let's start the beginning. There are

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<v Speaker 1>for dear friends who are listening today alright and don't

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<v Speaker 1>know what's going on. Okay, so what's your This is, well,

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<v Speaker 1>this is Thinking Sideways the podcast. I'm so sorry everyone.

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<v Speaker 1>My name is Devin, and I'm joined as always by

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<v Speaker 1>and we're gonna go out of mystery. By now, you

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<v Speaker 1>probably know we're going to do the toy be tiles.

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<v Speaker 1>So these tiles, um they're sometimes called plaques started showing

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<v Speaker 1>up maybe in the early nineteen eighties, definitely, people can

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<v Speaker 1>pretty solidly recall in like three these things cropping up.

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<v Speaker 1>But for sure there were recorded sightings in the early nineties.

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<v Speaker 1>So theyve been around, what they've been around a while,

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<v Speaker 1>happening a while, I should say happening I think, been

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<v Speaker 1>around because it's often a lot of times they have

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<v Speaker 1>been around for a while, but sometimes they haven't, and

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<v Speaker 1>that's kind of well, you know, they could be one

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<v Speaker 1>of them could be around for a long time before

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<v Speaker 1>you even notice it. You know, the one that's over

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<v Speaker 1>near my house, it's seventh in Hawthorne, which I went

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<v Speaker 1>and looked at today that it actually is there. It's

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<v Speaker 1>still there. Yeah, but I've been I've been driving over

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<v Speaker 1>that thing and passed that thing forgot for years now,

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<v Speaker 1>never even noticed because they you know, that's kind of

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<v Speaker 1>part of it. They crop up in the middle of

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<v Speaker 1>asphalt streets or sidewalks, but but more they crop up

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<v Speaker 1>in the street kind of places where you don't necessarily

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<v Speaker 1>see them. Um and by the way, yeah, and as

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<v Speaker 1>it's because you know, as it's gotten more recent, it's

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<v Speaker 1>kind of we we see them more in visible pedestrian spaces.

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<v Speaker 1>We'll talk about this in a little bit. It's a

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<v Speaker 1>big there's a distinction. Okay, most of them are are

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<v Speaker 1>just this phrase to be idea in movie two thousand

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<v Speaker 1>one resurrect dead on planet Jupiter. The most common variations

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<v Speaker 1>you'll see are instead of in movie, it will say

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<v Speaker 1>in Cubricks two thousand one, because he directed it the

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<v Speaker 1>movie and I think he wrote it to things a

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<v Speaker 1>little mysterious to me is this two thousand one resurrect

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<v Speaker 1>down on Jupiter. I mean, in the movie they go

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<v Speaker 1>to Jupiter, but they're not going there to resurrect the dead. Well,

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<v Speaker 1>we'll talk about this. There's so much to talk about

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<v Speaker 1>with So officially we kind of consider anything that cropped up,

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<v Speaker 1>not anything, but most of them that cropped up until

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<v Speaker 1>about two thousand two to be old style or original tiles.

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<v Speaker 1>And then since two thousand to a lot of um

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<v Speaker 1>copycats have kind of cropped up. You know, the ones

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<v Speaker 1>here are considered to be copycats UM, and that I

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<v Speaker 1>think is due in part to the fact that forums

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<v Speaker 1>got ahold of her some somehow realized how these were

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<v Speaker 1>being done. And they posted on the Internet, so people

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<v Speaker 1>who were toying be tile enthusiasts now knew how they

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<v Speaker 1>were made, how to make them themselves. And we're kind

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<v Speaker 1>of going out and copying and propagating the it becomes

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<v Speaker 1>a movement. Yes, it makes sense. Yeah, street art absolutely.

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<v Speaker 1>I'm actually thinking about creating one myself. I did in college. Yeah,

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<v Speaker 1>I did um in Illinois. Is it still there? I

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<v Speaker 1>have no idea. He was never on Google street View.

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<v Speaker 1>I guess we'll start by talking about how they're made,

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<v Speaker 1>because that's the simplest thing to attack in this whole situation.

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<v Speaker 1>It's the simplest thing to attack. And I understand that

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<v Speaker 1>this is, you know, again propagating the mystery a little bit.

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<v Speaker 1>You know, we're about to say to all of our

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<v Speaker 1>millions of viewers or listeners, at least one percent of

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<v Speaker 1>whom we're going to want to run right out totally.

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<v Speaker 1>So now you'll know how to do it, not that. Yeah,

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<v Speaker 1>and it's not that you couldn't just google it before.

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<v Speaker 1>So they're they're actually made of linoleum linolium tiles, just

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<v Speaker 1>like you can buy at home depot um. The theory

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<v Speaker 1>is and again, since you know that it's pretty easy

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<v Speaker 1>to tell. You just carve out your message in the linoleum.

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<v Speaker 1>And the older style ones, we're really colorful and kind

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<v Speaker 1>of like look like mosaics and we'll we'll post pictures

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<v Speaker 1>of these so you can kind of see. But they're

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<v Speaker 1>really beautiful. Yeah, they're kind of. But so the older ones,

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<v Speaker 1>I mean like they had like color the letters in.

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<v Speaker 1>Now did they just lay lay the cut out lin

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<v Speaker 1>only on top of another piece of material to get

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<v Speaker 1>the color or did they actually cut out different colored pieces.

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<v Speaker 1>So essentially what you do is you put down a

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<v Speaker 1>piece of tar paper, which is what they use when

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<v Speaker 1>you're reroofing when you put shingles on, and you can

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<v Speaker 1>again you can just get it at home deepot or whatever.

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<v Speaker 1>So you get a layer of tar paper, which they

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<v Speaker 1>also used to patch cement and asphall cracks. Um. You

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<v Speaker 1>lay that down and then you would cut out your

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<v Speaker 1>basic outline so you're big, you're like main color of

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<v Speaker 1>the tile, and then you cut out the little bits,

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<v Speaker 1>carve out, carve out the letters and stick them in

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<v Speaker 1>the holes um and then you put a bunch of

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<v Speaker 1>Olmoer's glue on there and all over it. You just

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<v Speaker 1>like it's like making a sandwich a little bit, Yeah,

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<v Speaker 1>and you just like smother your mayonnaise or jam or

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<v Speaker 1>whatever it is in there, and then you use asphalt

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<v Speaker 1>crack filler as well a little bit, and then you

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<v Speaker 1>stick another layer of tar paper on there, and you've

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<v Speaker 1>got yourself a little like sandwich packet. Well, and I

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<v Speaker 1>think I think the answer Joe's question is, and it

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<v Speaker 1>took me a while to figure this out. You're talking

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<v Speaker 1>about the original ones were much more colorful. Yeah, because

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<v Speaker 1>what somebody was doing was carving the letters out and

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<v Speaker 1>making a negative space in the linoleum and then adding

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<v Speaker 1>a positive and then cutting out another piece of linoleum

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<v Speaker 1>that was the letter in laying in there to make

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<v Speaker 1>the positive. It would be that hard. Actually, you could

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<v Speaker 1>use it as a stencil, extremely time consumed. If you

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<v Speaker 1>think about that, I carved the letter are, and then

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<v Speaker 1>I've got to carve the letter are smaller and in

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<v Speaker 1>relatively the same shape proportionately to fit in there. So

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<v Speaker 1>if the leg or the curve is too big, i

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<v Speaker 1>gotta go back and shave it down to get them

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<v Speaker 1>all in there. And you know, the really interesting thing.

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<v Speaker 1>The other thing that you kind of notice is as

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<v Speaker 1>you start to look at the pictures of these tiles,

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<v Speaker 1>you can kind of instinctively know if it's an original

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<v Speaker 1>or copycat because there's really distinct handwriting that goes with

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<v Speaker 1>the very obvious style. It's really really obvious, and it's

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<v Speaker 1>really consistent. It's not like an amateur carver. And even

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<v Speaker 1>and we'll get into this, there are these like original

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<v Speaker 1>like trial runs that were found and you look at

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<v Speaker 1>them and you're like, oh, that's the guy, Like that

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<v Speaker 1>was made by the same person. And there's there's the screeds,

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<v Speaker 1>which are just tons and tons of little writing that

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<v Speaker 1>it's just so much and it's a very consistent style.

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<v Speaker 1>So the style is the key, Yeah, it absolutely is.

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<v Speaker 1>Um it's it's like a fingerprint. Yeah, I think I

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<v Speaker 1>think that's true. And the guy, the guy who does

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<v Speaker 1>a squeeze sounds like a little bit unbalanced. Well, so yeah,

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<v Speaker 1>we call those man I'm in it, you guys, I'm

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<v Speaker 1>in it. Those are called they're referred to most often

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<v Speaker 1>as the manifesto tiles, and we'll talk about that but

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<v Speaker 1>a little bit later. But so they've floated this theory

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<v Speaker 1>that the person the tyler will refer to this person

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<v Speaker 1>as the Tyler. You often see that kind of in

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<v Speaker 1>the net sphere, the infosphere, and we don't actually, we

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<v Speaker 1>don't have a verified name. Yeah, there's and and it's

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<v Speaker 1>pretty widely accepted that it was just one person. So

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<v Speaker 1>we'll just go ahead and throw that out there in

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<v Speaker 1>the beginning. So there was this theory that the Tyler

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<v Speaker 1>had a car that was missing a floorboard, so you

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<v Speaker 1>would just you would drop your little sandwich packet and it

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<v Speaker 1>it would go and then drive away. And the way

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<v Speaker 1>when I did, it would know did you cut a

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<v Speaker 1>hole in the bottom of your card? I didn't have.

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<v Speaker 1>That's good. That's good. Okay. So it hits the ground.

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<v Speaker 1>So it hits the ground, and then the heat of

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<v Speaker 1>the tires driving over it, uh, kind of embeds it

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<v Speaker 1>in the asphalt. It just like deep deep embeds it

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<v Speaker 1>and then eventually wears the tar paper part away after

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<v Speaker 1>all of the like tar and asphalt and glue have

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<v Speaker 1>solidified into the been pushed around because they're they're they're

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<v Speaker 1>it's it's kind of a sticky liquid way to say it.

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<v Speaker 1>So it gets pushed away from the base material totally

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<v Speaker 1>on the top. Yeah, so it all gets embedded and

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<v Speaker 1>then it'll wear a wait at the paper, so they

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<v Speaker 1>just eventually kind of reveal themselves, which is really cool

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<v Speaker 1>if you think about it, and really ingenious. Yeah, super

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<v Speaker 1>super smart. Yeah, I think that I don't think that

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<v Speaker 1>I would go to the lengths of cutting ahold the

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<v Speaker 1>bottom of my car though. I think I just like

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<v Speaker 1>roll down my window and drop it out that way.

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<v Speaker 1>You have the thing about a car with a hole

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<v Speaker 1>in the floorboard, is nobody plans to have that, but

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<v Speaker 1>you end up with it because I hadn't. I had

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<v Speaker 1>a car that I discovered had a hole in the

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<v Speaker 1>floorboard once and I wasn't planning on habit it. But

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<v Speaker 1>once I had it, I had it. So I don't

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<v Speaker 1>know how how much I like this theory, to be

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<v Speaker 1>totally honest with you. Um, there's a there's a dropping

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<v Speaker 1>it through the floorboard thing. There's a documentary that we're

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<v Speaker 1>going to like refer a lot to in this because

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<v Speaker 1>it's kind of like the end all be all of

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<v Speaker 1>information on the TONB tiles. It's called Resurrect Dead, and

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<v Speaker 1>they talk a lot about this car as it refers

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<v Speaker 1>to the person that they think is responsible for this.

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<v Speaker 1>They find a car they did not, but they have

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<v Speaker 1>descriptions of it, and it's a crazy well car. But

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<v Speaker 1>I think, you know, in some instances that makes sense.

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<v Speaker 1>But to say that that's how this person exclusively did that,

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<v Speaker 1>I just don't think that's the case. I don't. I

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<v Speaker 1>just don't. Can I can I break in here for

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<v Speaker 1>a second, because this is the thing that we've We've

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<v Speaker 1>had a couple of stories where there's been documentaries out

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<v Speaker 1>there about him. I know the last one we did Hubert,

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<v Speaker 1>there was a documentary that was done. And the thing

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<v Speaker 1>that I always I want to bring bring up and

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<v Speaker 1>and make people think about, is that when you watch

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<v Speaker 1>a documentary, they have come to a conclusion typically of

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<v Speaker 1>what the answer is gonna be, at least for the

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<v Speaker 1>most part. So they're going to bring that stuff to

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<v Speaker 1>the forefront. And it's a little frustrating to me at

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<v Speaker 1>times because I don't always agree with it, and I

0:12:32.920 --> 0:12:36.360
<v Speaker 1>don't always think the logic is sound, And I think

0:12:36.360 --> 0:12:38.960
<v Speaker 1>that it's very easy for folks to go and let's say,

0:12:38.960 --> 0:12:42.760
<v Speaker 1>watch this documentary and say, oh, well, that's the absolute answer.

0:12:43.440 --> 0:12:45.679
<v Speaker 1>But I still see some holes and not that these

0:12:45.679 --> 0:12:48.600
<v Speaker 1>guys didn't do a ton of leg work. They did,

0:12:49.920 --> 0:12:52.320
<v Speaker 1>And again I think you know, if you watch this movie,

0:12:52.679 --> 0:12:55.560
<v Speaker 1>you will get exactly the idea of what I was

0:12:55.640 --> 0:12:58.640
<v Speaker 1>just talking about earlier, is you fall down this rabbit hole.

0:12:58.960 --> 0:13:01.040
<v Speaker 1>And even you know, they're an instance where a guy

0:13:01.080 --> 0:13:03.160
<v Speaker 1>comes in and he's like a total skeptic and he

0:13:03.280 --> 0:13:06.280
<v Speaker 1>like doesn't totally he's not really into the idea, and

0:13:06.320 --> 0:13:07.680
<v Speaker 1>by the end of it, he's like one of the

0:13:07.720 --> 0:13:10.880
<v Speaker 1>only people who still like involved in the whole situation.

0:13:11.400 --> 0:13:13.559
<v Speaker 1>But I think you just you don't. I think there

0:13:13.640 --> 0:13:16.080
<v Speaker 1>is that feeling of thinking, well, there must just be

0:13:16.120 --> 0:13:18.360
<v Speaker 1>this really simple answer it or just like that I'm

0:13:18.440 --> 0:13:20.920
<v Speaker 1>just too stupid to see. And that's that's what drives

0:13:20.920 --> 0:13:23.640
<v Speaker 1>me crazy sometimes when we see these documentaries, which are

0:13:23.679 --> 0:13:25.719
<v Speaker 1>well made. I'm not going to knock on them, but

0:13:26.440 --> 0:13:30.400
<v Speaker 1>then you start thinking about it after the facts. Well, okay,

0:13:30.440 --> 0:13:33.160
<v Speaker 1>so I agenda is not the right word to use,

0:13:33.240 --> 0:13:35.720
<v Speaker 1>but they have an agenda that they that they are

0:13:35.800 --> 0:13:39.679
<v Speaker 1>putting forward and that's what they're going to support. But

0:13:39.760 --> 0:13:42.559
<v Speaker 1>that doesn't mean that that's the only or the absolute

0:13:42.679 --> 0:13:46.400
<v Speaker 1>or correct answer, right right Anyway, I didn't mean to interrupt,

0:13:46.400 --> 0:13:48.440
<v Speaker 1>but I just I had to say that because we've

0:13:48.480 --> 0:13:50.560
<v Speaker 1>had this come up a couple of times. I agree, yeah,

0:13:50.559 --> 0:13:54.120
<v Speaker 1>and I think it's it's worth saying for sure. They

0:13:54.000 --> 0:13:59.080
<v Speaker 1>the theory kind of commonly accepted knowledge is that there's

0:13:59.080 --> 0:14:03.640
<v Speaker 1>about a hundred and fifty like old style tiles, originals

0:14:03.720 --> 0:14:07.760
<v Speaker 1>originals essentially that people have have identified, and you know,

0:14:07.760 --> 0:14:09.840
<v Speaker 1>there may be more that nobody's ever seen. They may

0:14:09.840 --> 0:14:11.760
<v Speaker 1>have gotten destroyed before anybody ever had to see them,

0:14:11.760 --> 0:14:15.840
<v Speaker 1>because they're getting well. And the thing of it that's

0:14:15.880 --> 0:14:21.640
<v Speaker 1>really interesting is that it's it almost seems like it's

0:14:21.680 --> 0:14:25.320
<v Speaker 1>a really big effort to pave over these things. There

0:14:25.360 --> 0:14:28.480
<v Speaker 1>have been cities who like Chicago, for instance, which is

0:14:28.520 --> 0:14:32.760
<v Speaker 1>where these majority of them started out at, right, Philadelphia, Philadelphia,

0:14:32.880 --> 0:14:35.440
<v Speaker 1>you're right, but Chicago saw like two of them and

0:14:35.480 --> 0:14:38.720
<v Speaker 1>they were like, Nope, this is a huge act of vandalism.

0:14:38.760 --> 0:14:41.280
<v Speaker 1>We will do everything we can to pave over them

0:14:41.600 --> 0:14:45.800
<v Speaker 1>and destroy them. When truly, I mean, it's not destroying

0:14:45.840 --> 0:14:48.880
<v Speaker 1>the street. Like if I were a conspiracy theory not

0:14:49.600 --> 0:14:53.280
<v Speaker 1>it would totally feed into my conspiracy theory because it's

0:14:53.320 --> 0:14:55.360
<v Speaker 1>like a couple of tiles in the middle of the street.

0:14:55.560 --> 0:14:59.800
<v Speaker 1>It's not like gang graffiti like written on the side

0:14:59.840 --> 0:15:03.680
<v Speaker 1>of like some giant tourist trap or anything like that,

0:15:03.840 --> 0:15:06.920
<v Speaker 1>and now the government suppressing it. Yeah, I mean a

0:15:06.960 --> 0:15:10.520
<v Speaker 1>little bit. It's a lot of money to repay the street, Like,

0:15:10.560 --> 0:15:12.360
<v Speaker 1>it cost a lot of money to even just repay

0:15:12.440 --> 0:15:15.240
<v Speaker 1>a tiny little bit of street. And these are just

0:15:15.320 --> 0:15:17.720
<v Speaker 1>like chilling in the middle of the street. They're not like,

0:15:18.360 --> 0:15:20.880
<v Speaker 1>it's not a problem, see the infrastructure, you know, it's

0:15:20.920 --> 0:15:26.280
<v Speaker 1>not dangerous. Well, they're just some little graffiti's but graffiti

0:15:26.320 --> 0:15:28.560
<v Speaker 1>on a wall could be thought of the same way.

0:15:29.240 --> 0:15:33.640
<v Speaker 1>Don't appreciate it because that's not what that surfaces intended for.

0:15:34.000 --> 0:15:37.120
<v Speaker 1>I understand both sides just have to Yeah, no, I

0:15:37.200 --> 0:15:39.800
<v Speaker 1>think that's totally fair, because I don't want to say

0:15:39.960 --> 0:15:43.800
<v Speaker 1>this is like a conspiracy thing, because I listen to

0:15:43.800 --> 0:15:47.440
<v Speaker 1>the show. You know, I'm not a conspiracy person, But

0:15:47.480 --> 0:15:50.480
<v Speaker 1>I do want to say that the level that some

0:15:50.520 --> 0:15:53.240
<v Speaker 1>cities have gone to to say we're getting rid of

0:15:53.280 --> 0:15:57.360
<v Speaker 1>this stuff, it's it's a little crazy anyway. So there

0:15:57.400 --> 0:16:00.440
<v Speaker 1>are three hundred like copycats so far that they seen

0:16:01.000 --> 0:16:04.960
<v Speaker 1>um and we talked a little bit about what they

0:16:05.000 --> 0:16:09.720
<v Speaker 1>look like. There's this group called the House of Hades,

0:16:10.400 --> 0:16:12.720
<v Speaker 1>and they've been credited with at least a hundred of

0:16:12.760 --> 0:16:15.920
<v Speaker 1>the copycats and they're the ones who are doing it

0:16:15.920 --> 0:16:20.200
<v Speaker 1>in Portland, and the message is different. Often uh it

0:16:20.280 --> 0:16:22.800
<v Speaker 1>often says something about House of Hades. There's also the

0:16:22.840 --> 0:16:25.840
<v Speaker 1>Cult of the Hellian who are kind of the same

0:16:25.880 --> 0:16:27.640
<v Speaker 1>thing as the House of Hades, and they're they're doing

0:16:27.680 --> 0:16:29.920
<v Speaker 1>a lot of copycats as well. But it's just I mean,

0:16:30.080 --> 0:16:32.440
<v Speaker 1>you could do it individually. The thing is is that

0:16:32.760 --> 0:16:35.160
<v Speaker 1>to do it individually it costs a lot of money

0:16:35.200 --> 0:16:37.600
<v Speaker 1>because you have to get a whole role of our paper, okay,

0:16:37.720 --> 0:16:39.920
<v Speaker 1>and that's like fifty bucks of pop. And then you

0:16:40.000 --> 0:16:41.760
<v Speaker 1>gotta get linoleum, and then you have to get a

0:16:41.760 --> 0:16:43.800
<v Speaker 1>different color olium, and then you have to invest the

0:16:43.880 --> 0:16:47.000
<v Speaker 1>time and energy to like carve it. Just to have

0:16:47.000 --> 0:16:49.480
<v Speaker 1>said like, oh, I was like one tiny little part

0:16:49.480 --> 0:16:51.920
<v Speaker 1>of this movement that somebody may never see, that's not

0:16:52.000 --> 0:16:54.360
<v Speaker 1>something a lot of people do. So this guy, the

0:16:54.400 --> 0:16:57.480
<v Speaker 1>guy the tyler must have been like in home construction.

0:16:58.240 --> 0:17:00.840
<v Speaker 1>Just kidding, but actually that would make sense. So maybe

0:17:00.840 --> 0:17:03.960
<v Speaker 1>although to do like a hundred and fifty of them, Well,

0:17:03.960 --> 0:17:05.840
<v Speaker 1>but if you've got if you're working on jobs and

0:17:05.880 --> 0:17:10.640
<v Speaker 1>you're just collecting scraps, yeah, that suddenly affords you this

0:17:10.880 --> 0:17:14.760
<v Speaker 1>hobby at no cost your time. Yeah, or if you

0:17:14.920 --> 0:17:16.920
<v Speaker 1>like have a lot of time to like walk around

0:17:18.280 --> 0:17:20.359
<v Speaker 1>and just like pick up. Because you walk up to

0:17:20.440 --> 0:17:21.720
<v Speaker 1>URF and you say, hey, man, can I have like

0:17:21.760 --> 0:17:24.000
<v Speaker 1>a little piece of your tar paper? They're like, yeah,

0:17:24.480 --> 0:17:28.560
<v Speaker 1>it's in the trash taking what they or they don't

0:17:28.600 --> 0:17:31.080
<v Speaker 1>even notice or at late night and you go into

0:17:31.119 --> 0:17:34.480
<v Speaker 1>a dumpster. Not a big deal. The well actually, and

0:17:34.520 --> 0:17:37.399
<v Speaker 1>there's there are stores where you can actually buy you know,

0:17:37.560 --> 0:17:40.280
<v Speaker 1>scraps of various things like this. There's one that's not

0:17:40.359 --> 0:17:42.560
<v Speaker 1>very far away from here that has a lot of

0:17:42.600 --> 0:17:45.040
<v Speaker 1>stuff like that. You can you can buy small leftover

0:17:45.280 --> 0:17:49.040
<v Speaker 1>chunks of stuff like that because it's yeah, and they

0:17:49.080 --> 0:17:50.639
<v Speaker 1>make they make a little money off the whole thing,

0:17:50.720 --> 0:17:53.160
<v Speaker 1>and it doesn't go into the landfill. Yeah, for sure.

0:17:53.480 --> 0:17:56.119
<v Speaker 1>So this is um, this is what the House of

0:17:56.160 --> 0:17:59.520
<v Speaker 1>Hades tiles kind of look like. I didn't ever get

0:17:59.520 --> 0:18:02.440
<v Speaker 1>to connect and maybe that's just because I missed it.

0:18:02.480 --> 0:18:05.040
<v Speaker 1>But is the House of Hades something to do with

0:18:05.119 --> 0:18:08.960
<v Speaker 1>the original tiles or is it just some offshoot group

0:18:09.040 --> 0:18:11.320
<v Speaker 1>that just picked it up and took it. No, it's

0:18:11.320 --> 0:18:13.520
<v Speaker 1>a it's an offshoot group. And you can see they're

0:18:13.640 --> 0:18:17.240
<v Speaker 1>very clearly made with will post pictures. Of course they're

0:18:17.320 --> 0:18:20.760
<v Speaker 1>very clearly made with just like single tiles or double

0:18:20.800 --> 0:18:22.960
<v Speaker 1>wide of like just a floor tile. They just went

0:18:23.000 --> 0:18:27.160
<v Speaker 1>to like house deepot, home depot or something. And so

0:18:27.200 --> 0:18:31.160
<v Speaker 1>this one reads, there's often do reads House of Hades.

0:18:31.359 --> 0:18:34.280
<v Speaker 1>I make and glue tiles with the bones of dead journalists,

0:18:34.320 --> 0:18:37.640
<v Speaker 1>which is a reference to what is referred to as

0:18:37.680 --> 0:18:42.880
<v Speaker 1>the side tiles from the tiles and we'll talk about Yeah,

0:18:42.960 --> 0:18:45.720
<v Speaker 1>we'll talk about these because it's um there are a

0:18:45.760 --> 0:18:49.120
<v Speaker 1>lot of things that take this from being an art

0:18:49.160 --> 0:18:53.600
<v Speaker 1>project to being legitimate somebody trying to get their message

0:18:53.600 --> 0:18:55.040
<v Speaker 1>across the only way they can figure out how to

0:18:55.080 --> 0:18:58.359
<v Speaker 1>do it. Um. So the House of Hades does tiles

0:18:58.400 --> 0:19:01.360
<v Speaker 1>like that. It's just like to color is kind of

0:19:01.400 --> 0:19:03.520
<v Speaker 1>a lot of work, but like not the most work

0:19:04.240 --> 0:19:07.679
<v Speaker 1>as opposed to like this is one of the original

0:19:07.720 --> 0:19:15.720
<v Speaker 1>tiles and it's multiple colors and beautiful so much really

0:19:15.840 --> 0:19:18.000
<v Speaker 1>like a lot of work. And you can even see

0:19:18.080 --> 0:19:21.640
<v Speaker 1>while the House of Hades tries to emulate the way

0:19:21.680 --> 0:19:24.480
<v Speaker 1>that the handwriting is I'm going to call it handwriting,

0:19:25.200 --> 0:19:28.920
<v Speaker 1>it's it's still not quite the same. It's for me

0:19:29.240 --> 0:19:33.800
<v Speaker 1>when I see this text done because of how consistent

0:19:33.920 --> 0:19:38.280
<v Speaker 1>it is. I'm surprised that I have never come across

0:19:38.320 --> 0:19:41.520
<v Speaker 1>a toy be font. To be quite honest, I'm surprised

0:19:41.600 --> 0:19:44.680
<v Speaker 1>nobody has turned this into a font because it is

0:19:45.240 --> 0:19:48.600
<v Speaker 1>so consistent. You look at the d's, the a's, the

0:19:48.720 --> 0:19:54.080
<v Speaker 1>t are these things john very precisely East Tide. I

0:19:54.119 --> 0:19:56.480
<v Speaker 1>would guess that if I didn't know better, I would

0:19:56.520 --> 0:19:59.480
<v Speaker 1>say that somebody had to die to stamp these things

0:19:59.520 --> 0:20:03.240
<v Speaker 1>out with. Maybe night that might have made a stencil

0:20:03.280 --> 0:20:06.800
<v Speaker 1>set that very well could be. Yeah, but you know,

0:20:06.880 --> 0:20:09.160
<v Speaker 1>actually that's that suggests an idea. I think that since

0:20:09.240 --> 0:20:11.600
<v Speaker 1>this is not copyrighted, nobody else it, why don't we

0:20:11.720 --> 0:20:16.480
<v Speaker 1>invent that fonte a lot of money? You know, No,

0:20:16.560 --> 0:20:19.000
<v Speaker 1>I don't because I made before, and trust me, you

0:20:19.000 --> 0:20:20.240
<v Speaker 1>don't want to do it, and I don't want to

0:20:20.240 --> 0:20:24.679
<v Speaker 1>make money off of anything tany be related all. I

0:20:24.720 --> 0:20:29.320
<v Speaker 1>just don't. So, so I guess like mystery solved, right,

0:20:29.320 --> 0:20:31.919
<v Speaker 1>It was like one guy just like dropping some tiles

0:20:31.960 --> 0:20:35.359
<v Speaker 1>in between. We don't know who it is, but whatever, Okay,

0:20:35.400 --> 0:20:39.240
<v Speaker 1>just kidding, So Joe, I know this was your question,

0:20:39.320 --> 0:20:41.640
<v Speaker 1>is what do they mean? Because they think taken at

0:20:41.640 --> 0:20:46.959
<v Speaker 1>face value, it's just like a weird note, right, Okay, okay,

0:20:47.040 --> 0:20:50.000
<v Speaker 1>So Toynbee was like this, there were a couple of

0:20:50.040 --> 0:20:52.840
<v Speaker 1>different people that it might have referred to, and two

0:20:52.840 --> 0:20:55.080
<v Speaker 1>thousand one of Space Odyssey. It's just like a Stanley

0:20:55.160 --> 0:20:58.399
<v Speaker 1>Hurick film, and like there's nothing really about resurrecting the

0:20:58.480 --> 0:21:02.240
<v Speaker 1>dead jupe Her and Jupiter, Like what a weird place.

0:21:02.280 --> 0:21:06.920
<v Speaker 1>It's just a gas planet there. Yeah, it's weird. So

0:21:06.920 --> 0:21:11.040
<v Speaker 1>so you know, actually, um, I'm reminded. This reminds me

0:21:11.200 --> 0:21:15.159
<v Speaker 1>of what is the word for those puzzles where you

0:21:15.200 --> 0:21:17.359
<v Speaker 1>take a bunch of words and you take the letgers

0:21:17.359 --> 0:21:22.320
<v Speaker 1>of those words and rearrange them. Okay, grammatically, okay, So

0:21:22.840 --> 0:21:25.359
<v Speaker 1>this looks to me like an anagram. It looks like

0:21:25.480 --> 0:21:29.680
<v Speaker 1>somebody has taken some words and rearrange the letters into

0:21:29.760 --> 0:21:33.040
<v Speaker 1>these sort of meaningless phrases. So that's really interesting. And

0:21:33.080 --> 0:21:37.000
<v Speaker 1>that's actually not a theory that I've seen I have before. Really, Yes,

0:21:37.119 --> 0:21:42.359
<v Speaker 1>I've read stuff that Toynbee can be rearranged into I

0:21:42.400 --> 0:21:46.400
<v Speaker 1>think teen Boy, and they've gone people have gone through

0:21:46.440 --> 0:21:49.920
<v Speaker 1>and taken everything in it and rearranged it to make

0:21:49.960 --> 0:21:53.720
<v Speaker 1>different And there's multiple variances on the messages that don't

0:21:53.760 --> 0:21:56.879
<v Speaker 1>make any more sense. Well, so there they can do it.

0:21:57.080 --> 0:21:58.760
<v Speaker 1>This is the thing that I want to say. The

0:21:58.800 --> 0:22:00.399
<v Speaker 1>other thing I want to say about this is that

0:22:00.440 --> 0:22:05.000
<v Speaker 1>there I hesitate to say wrong answers, but there are

0:22:05.119 --> 0:22:08.160
<v Speaker 1>so many wrong answers out there about the Twin be Tiles.

0:22:08.720 --> 0:22:10.600
<v Speaker 1>They're just are I mean, you know, people are like,

0:22:10.640 --> 0:22:16.080
<v Speaker 1>we was aliens, No it wasn't. Well it's a Soviet conspiracy. Well,

0:22:16.240 --> 0:22:19.320
<v Speaker 1>I mean maybe it might have been, you know, oh

0:22:19.400 --> 0:22:22.520
<v Speaker 1>it was just a journalist. Oh, it's just some dudes

0:22:22.640 --> 0:22:26.840
<v Speaker 1>art project. And there are just so many answers that

0:22:27.359 --> 0:22:31.440
<v Speaker 1>are really they feed into the conspiracy theory aspect um.

0:22:31.560 --> 0:22:36.479
<v Speaker 1>They're just crazy talk. I mean, there are so many weird,

0:22:36.560 --> 0:22:39.879
<v Speaker 1>wrong answers, and I would put the kind of anagram

0:22:40.080 --> 0:22:44.160
<v Speaker 1>theory into in my mind a wrong answer, if only

0:22:44.240 --> 0:22:49.400
<v Speaker 1>because you can only really rearrange one line to make

0:22:49.520 --> 0:22:53.040
<v Speaker 1>more sense than it makes. Right. Now, that's exactly right.

0:22:53.080 --> 0:22:57.600
<v Speaker 1>It doesn't make any more sense to be teen boy. Yeah, yeah,

0:22:57.600 --> 0:23:00.199
<v Speaker 1>exactly what it could be though that it's not not

0:23:00.560 --> 0:23:03.040
<v Speaker 1>a word by a word thing. So in other words,

0:23:03.040 --> 0:23:04.720
<v Speaker 1>the letters that go into toy B, which could be

0:23:04.720 --> 0:23:08.840
<v Speaker 1>re arranged to be team boy, might form be mixed

0:23:08.880 --> 0:23:11.080
<v Speaker 1>together with letters from other words in this phrase to

0:23:11.119 --> 0:23:14.359
<v Speaker 1>make good other words. But but when they're done, and

0:23:14.400 --> 0:23:16.280
<v Speaker 1>I think this is one of the things that people

0:23:16.600 --> 0:23:20.520
<v Speaker 1>grab onto each line when you see them on the

0:23:20.520 --> 0:23:25.680
<v Speaker 1>different tiles, sometimes they're they're very blocked. So two words,

0:23:25.920 --> 0:23:30.199
<v Speaker 1>three words, two words, three words. Um, it's not like

0:23:30.200 --> 0:23:32.560
<v Speaker 1>a high coup, but it's very organized in that manner,

0:23:32.600 --> 0:23:35.520
<v Speaker 1>and so it makes one think that, Okay, well, if

0:23:35.560 --> 0:23:39.360
<v Speaker 1>I'm going to rearrange this, then I have to do

0:23:39.440 --> 0:23:43.199
<v Speaker 1>it a line by line because they're always written the

0:23:43.240 --> 0:23:49.800
<v Speaker 1>same way. It's never Toynbee idea in toy be idea,

0:23:50.000 --> 0:23:52.520
<v Speaker 1>and you know, you see where I'm heading with this.

0:23:52.640 --> 0:23:56.680
<v Speaker 1>They never they never get interjected into a different line.

0:23:56.920 --> 0:24:00.160
<v Speaker 1>So then it would be a little strange to say, oh, well,

0:24:00.359 --> 0:24:03.760
<v Speaker 1>you can mix and match them across the whole thing,

0:24:03.840 --> 0:24:06.119
<v Speaker 1>because it's it's just distinctly and when they're done in

0:24:06.160 --> 0:24:09.680
<v Speaker 1>the colors, the colors sometimes are done in blocks, so

0:24:09.800 --> 0:24:13.520
<v Speaker 1>toin the idea, the outside frame of it is one color.

0:24:14.160 --> 0:24:16.879
<v Speaker 1>In movie two thousand one is in another color, so

0:24:16.920 --> 0:24:22.800
<v Speaker 1>they're very distinctly blocked out. It's very organized and methodical

0:24:22.920 --> 0:24:24.919
<v Speaker 1>that way. So that's why I don't know that it

0:24:24.920 --> 0:24:27.199
<v Speaker 1>could be an anagram where you just take all the

0:24:27.280 --> 0:24:32.000
<v Speaker 1>letters in this and make a whole new statement from anywhere.

0:24:32.040 --> 0:24:34.119
<v Speaker 1>Take the J from Jupiter and it goes into the

0:24:34.160 --> 0:24:38.200
<v Speaker 1>first line that I have a hard time following. That. Also,

0:24:38.920 --> 0:24:42.440
<v Speaker 1>we can make sense out of this somewhat, I mean

0:24:42.760 --> 0:24:46.320
<v Speaker 1>a little bit. I think, Um. Actually, you know, as

0:24:46.359 --> 0:24:49.720
<v Speaker 1>we said, there's documentaries and they decide, well, it's just this,

0:24:49.880 --> 0:24:54.639
<v Speaker 1>and but I think that there's some really strong evidence

0:24:54.680 --> 0:24:58.639
<v Speaker 1>for this kind of following the same kind of thread. Um,

0:24:58.680 --> 0:25:02.359
<v Speaker 1>so we'll just kind of jump into it. The people

0:25:02.400 --> 0:25:04.720
<v Speaker 1>generally feel and I feel that this is true, is

0:25:04.760 --> 0:25:08.040
<v Speaker 1>that Toynbee refers to Arnold Toynbee, who was a kind

0:25:08.080 --> 0:25:15.000
<v Speaker 1>of general historian of human existence, one of those historians

0:25:15.000 --> 0:25:18.760
<v Speaker 1>that don't really exist anymore. He was just like, oh humans, yeah,

0:25:18.840 --> 0:25:21.600
<v Speaker 1>let's talk about all of it. And it was a

0:25:21.600 --> 0:25:25.159
<v Speaker 1>little volume set. Yeah, and it was and it was

0:25:25.359 --> 0:25:28.879
<v Speaker 1>really philosophical as well as historic. Well, and that was

0:25:28.920 --> 0:25:32.320
<v Speaker 1>the writing of the time totally. So he wrote this

0:25:32.359 --> 0:25:37.040
<v Speaker 1>book called Experiences and there's a really long quote from it. Joe,

0:25:37.200 --> 0:25:39.480
<v Speaker 1>can you read this, because I think you probably better

0:25:39.480 --> 0:25:46.760
<v Speaker 1>and kept encapsulate Arnold Toynbee how to read. That's true. Yeah,

0:25:46.840 --> 0:25:50.080
<v Speaker 1>so take it away. No one has ever been or

0:25:50.119 --> 0:25:53.840
<v Speaker 1>ever met a living human soul without a body. Someone

0:25:53.840 --> 0:25:56.600
<v Speaker 1>who accepts as I myself do, taking it on trust,

0:25:56.960 --> 0:26:00.440
<v Speaker 1>the present day scientific account of the universe may find

0:26:00.440 --> 0:26:03.760
<v Speaker 1>it impossible to believe that a living creature, once dead,

0:26:04.040 --> 0:26:06.399
<v Speaker 1>can come to life again. And this this is jumping

0:26:06.400 --> 0:26:10.240
<v Speaker 1>a little bit ahead, but there were these media packets

0:26:10.280 --> 0:26:13.720
<v Speaker 1>that were circulated that were attributed to the Tyler with

0:26:13.760 --> 0:26:17.879
<v Speaker 1>this group that he's associated with called the Minority Alliance,

0:26:18.320 --> 0:26:20.440
<v Speaker 1>which we're not even going to get into. And this

0:26:20.560 --> 0:26:23.640
<v Speaker 1>is pre the Tiles. This is pre the Tiles. And

0:26:23.720 --> 0:26:26.840
<v Speaker 1>this is one of those things that if you're really

0:26:26.840 --> 0:26:29.080
<v Speaker 1>interested in this mystery, you should go out and research this.

0:26:30.119 --> 0:26:33.040
<v Speaker 1>But I just don't think there's value in us sitting

0:26:33.040 --> 0:26:36.040
<v Speaker 1>here and talking about it. For there's a there's so

0:26:36.119 --> 0:26:38.919
<v Speaker 1>much information, So I think I think what I think

0:26:38.960 --> 0:26:41.960
<v Speaker 1>what you're getting at is we're trying to give kind

0:26:41.960 --> 0:26:45.280
<v Speaker 1>of the surface overview. Otherwise this would be a four

0:26:45.320 --> 0:26:49.000
<v Speaker 1>hour episode more than because we can dive in, as

0:26:49.000 --> 0:26:53.119
<v Speaker 1>you said, and we'll go down that and have to

0:26:53.160 --> 0:26:55.399
<v Speaker 1>come back out and go down and this yeah, I

0:26:56.040 --> 0:27:00.280
<v Speaker 1>had to stop reading on this. So anyways, there's a

0:27:02.000 --> 0:27:07.560
<v Speaker 1>early account of the like pre tile formation of this

0:27:07.640 --> 0:27:11.960
<v Speaker 1>kind of Toynbee idea situation attributed to this group called

0:27:12.000 --> 0:27:15.000
<v Speaker 1>the Minority Association. Will maybe get a little bit into

0:27:15.040 --> 0:27:17.720
<v Speaker 1>that a little bit later, but for now, just I

0:27:17.800 --> 0:27:21.879
<v Speaker 1>just believe me. It is the thing. And they circulated

0:27:21.920 --> 0:27:25.879
<v Speaker 1>these kind of media packets which we're only able to

0:27:25.920 --> 0:27:29.600
<v Speaker 1>be tracked down from one person um, but they had

0:27:29.680 --> 0:27:32.159
<v Speaker 1>this quote. It had a more expansive version of this

0:27:32.280 --> 0:27:37.040
<v Speaker 1>quote in it. So okay, so pause on that idea

0:27:37.080 --> 0:27:41.000
<v Speaker 1>for a second. Next idea two one. You know in

0:27:41.080 --> 0:27:44.199
<v Speaker 1>movie two thousand one, right, so at the at the

0:27:44.440 --> 0:27:49.359
<v Speaker 1>end of that movie, you guys remember it, right, this movie.

0:27:49.480 --> 0:27:52.600
<v Speaker 1>I did not get this movie. Yes, we talked about

0:27:52.640 --> 0:27:54.199
<v Speaker 1>it when I watched it for the first time ever,

0:27:54.240 --> 0:27:57.119
<v Speaker 1>because I just recently watched it. I don't get that movie.

0:27:57.440 --> 0:28:01.200
<v Speaker 1>So at the end, the protagonist like sees himself dying

0:28:01.960 --> 0:28:06.080
<v Speaker 1>and then suddenly he's like he's dying and then there's

0:28:06.119 --> 0:28:09.320
<v Speaker 1>this light and he's like a fetus and an embryo

0:28:09.359 --> 0:28:12.440
<v Speaker 1>again like a baby, and he like floats off into

0:28:12.520 --> 0:28:16.600
<v Speaker 1>space and it's like super weird. A lot of people. Yeah,

0:28:16.600 --> 0:28:20.160
<v Speaker 1>people kind of refer to this as like a proto

0:28:20.240 --> 0:28:23.960
<v Speaker 1>religious like ending to a movie, or a protoo religious

0:28:23.960 --> 0:28:26.960
<v Speaker 1>experience of watching this movie. For instance. Well, I never

0:28:27.000 --> 0:28:29.360
<v Speaker 1>really got that whole baby thing if that was him

0:28:29.480 --> 0:28:31.920
<v Speaker 1>or if that was just representing the rebirth of the

0:28:32.000 --> 0:28:35.639
<v Speaker 1>human race. I've heard that it's a metaphor of you know,

0:28:35.760 --> 0:28:37.919
<v Speaker 1>he it was he was found by aliens when he

0:28:37.960 --> 0:28:41.040
<v Speaker 1>went through the wormhole for lack of a better better term,

0:28:41.200 --> 0:28:43.360
<v Speaker 1>and then they didn't know what to do with him.

0:28:43.400 --> 0:28:44.920
<v Speaker 1>And then when they died, they figured out how to

0:28:44.960 --> 0:28:46.600
<v Speaker 1>bring it back, and they figured out how to get

0:28:46.680 --> 0:28:48.360
<v Speaker 1>him back where he'd come from. So then they were

0:28:48.360 --> 0:28:52.280
<v Speaker 1>taking him back to Earth. And it's like, wow, how

0:28:52.280 --> 0:28:56.760
<v Speaker 1>did you draw that conclusion? Yea, my understanding of the

0:28:56.800 --> 0:28:58.680
<v Speaker 1>whole thing, And because I read the book as well

0:28:58.680 --> 0:29:01.120
<v Speaker 1>as saw the movie and that did even that didn't

0:29:01.160 --> 0:29:02.960
<v Speaker 1>make the whole baby in the sky thing any more

0:29:02.960 --> 0:29:08.720
<v Speaker 1>comprehensible than But yeah, he goes through the sky. Yeah,

0:29:08.760 --> 0:29:10.920
<v Speaker 1>he does go through some worms, and he winds up

0:29:10.920 --> 0:29:13.840
<v Speaker 1>in this in this place of aliens who he never sees.

0:29:13.880 --> 0:29:17.560
<v Speaker 1>By the way, they and they've actually built a room

0:29:17.640 --> 0:29:19.760
<v Speaker 1>form actually a series of rooms like a nice little

0:29:19.760 --> 0:29:23.920
<v Speaker 1>apartment for him, just and and nothing actually works as advertised,

0:29:23.920 --> 0:29:26.640
<v Speaker 1>like the doors don't open, the drawers and stuff like that,

0:29:26.840 --> 0:29:29.680
<v Speaker 1>but it looks just like a normal, nice, nice quality

0:29:29.720 --> 0:29:33.120
<v Speaker 1>apartment or something like that. And apparently he lives out

0:29:33.120 --> 0:29:37.720
<v Speaker 1>the rest of his days there in captivity with the aliens. Okay, yeah,

0:29:37.760 --> 0:29:43.080
<v Speaker 1>and so so okay, so let's um just trust some

0:29:43.200 --> 0:29:48.760
<v Speaker 1>people on an interpretation of the end of this movie,

0:29:49.160 --> 0:29:52.120
<v Speaker 1>because I think we all can kind that, Like I

0:29:52.160 --> 0:29:54.400
<v Speaker 1>can watch that a million times and still be like,

0:29:54.480 --> 0:29:57.720
<v Speaker 1>I have no idea. Yeah, I don't know. Yeah. So

0:29:57.800 --> 0:30:01.880
<v Speaker 1>there are some kind of especially taken in contact with

0:30:01.920 --> 0:30:06.120
<v Speaker 1>the Toynbee tiles and the toy Bee kind of phies

0:30:06.360 --> 0:30:09.640
<v Speaker 1>sort of situations. So if you merge these two things

0:30:09.640 --> 0:30:14.080
<v Speaker 1>together and add a little bit of Christian flavor of

0:30:14.080 --> 0:30:17.000
<v Speaker 1>our own, which is definitely referred to in the manifesto

0:30:17.160 --> 0:30:20.360
<v Speaker 1>and often the side tiles kind of heaven idea, we

0:30:20.520 --> 0:30:23.800
<v Speaker 1>can kind of think of what happened at the end

0:30:23.840 --> 0:30:28.760
<v Speaker 1>of two thousand one as being human and science, or

0:30:28.760 --> 0:30:35.360
<v Speaker 1>maybe alien and science resurrection or reanimation of human molecules

0:30:35.400 --> 0:30:41.400
<v Speaker 1>as whole humans in space, therefore creating heaven and space,

0:30:41.640 --> 0:30:46.520
<v Speaker 1>fulfilling God's like quote unquote promise to resurrect dead people

0:30:46.680 --> 0:30:52.920
<v Speaker 1>after heaven in heaven. Right, So so we would do

0:30:53.000 --> 0:30:56.160
<v Speaker 1>that through we would fulfill his promise as humans through

0:30:56.280 --> 0:30:59.360
<v Speaker 1>science which he gave us. Okay, these are all like,

0:30:59.400 --> 0:31:01.960
<v Speaker 1>this is like the train of thought. We're following through

0:31:02.120 --> 0:31:08.600
<v Speaker 1>that train of thought, the Toynbee resurrection, once dead can

0:31:08.760 --> 0:31:12.120
<v Speaker 1>come alive again a human without a soul, without a

0:31:12.160 --> 0:31:17.560
<v Speaker 1>body two thousand one curate kind of saying, oh, well,

0:31:17.560 --> 0:31:21.120
<v Speaker 1>obviously we're going to resurrect ourselves in space in Jupiter,

0:31:21.320 --> 0:31:23.800
<v Speaker 1>which is where they went. It was Project Jupiter in

0:31:23.800 --> 0:31:29.080
<v Speaker 1>two thousand one. So maybe the movie is about humans

0:31:29.520 --> 0:31:33.440
<v Speaker 1>being resurrected in Jupiter, which is you know, if you just, like,

0:31:34.400 --> 0:31:39.560
<v Speaker 1>according to some documents that have been procured, um, if

0:31:39.600 --> 0:31:42.680
<v Speaker 1>you would just you know, like put an oxygen bomb

0:31:42.760 --> 0:31:49.600
<v Speaker 1>on Jupiter, it would turn into a totally human hospitable environment. Yeah. No,

0:31:49.920 --> 0:31:54.040
<v Speaker 1>obviously that's a problem. But that Jupiter would become heaven

0:31:54.240 --> 0:31:57.160
<v Speaker 1>in space and we would be able to resurrect are

0:31:57.200 --> 0:31:59.480
<v Speaker 1>dead there and that would be heaven. It's a heck

0:31:59.520 --> 0:32:03.120
<v Speaker 1>of a son that, Yeah, that would be Um. I mean,

0:32:03.200 --> 0:32:05.040
<v Speaker 1>I don't know I don't remember what the gravity is

0:32:05.040 --> 0:32:09.520
<v Speaker 1>on Jupiter, but it's staggeringly higher than ours is. So yeah,

0:32:10.000 --> 0:32:14.120
<v Speaker 1>the theory is the visibility is terrible. But I did

0:32:14.120 --> 0:32:16.680
<v Speaker 1>think it was interesting to think about. And this is

0:32:16.760 --> 0:32:21.480
<v Speaker 1>something that's been discovered since this whole like two doesn't

0:32:21.560 --> 0:32:25.440
<v Speaker 1>want everything, is that it turns out that one of

0:32:25.520 --> 0:32:30.600
<v Speaker 1>Jupiter's moons may actually be a fairly viable terraforming place.

0:32:30.960 --> 0:32:33.800
<v Speaker 1>And I could be misremembering this, but it's like almost

0:32:33.880 --> 0:32:36.640
<v Speaker 1>an ice planet, and they think that there's actually like

0:32:36.800 --> 0:32:39.120
<v Speaker 1>surface underneath there. So it's got a lot of water

0:32:40.000 --> 0:32:41.920
<v Speaker 1>and it's like a surface, so like if we could

0:32:41.960 --> 0:32:44.480
<v Speaker 1>just dry it out a little bit, I don't think

0:32:44.520 --> 0:32:47.680
<v Speaker 1>the Yeah, I mean, it's never gonna be habitable with

0:32:47.720 --> 0:32:50.000
<v Speaker 1>an atmosphere, and the only the only planet really we

0:32:50.080 --> 0:32:54.000
<v Speaker 1>have any chance of terraforming could be Mars. It's it's

0:32:54.760 --> 0:32:58.040
<v Speaker 1>because they because it's covered in ice, they can tell

0:32:58.120 --> 0:33:01.720
<v Speaker 1>that there's some They believe that there's some kind of

0:33:01.800 --> 0:33:07.640
<v Speaker 1>either tectonic or tidal forces being exerted on the planet

0:33:07.680 --> 0:33:10.600
<v Speaker 1>because of the way that the ice moves and cracks

0:33:10.600 --> 0:33:14.560
<v Speaker 1>and breaks, and they believe that it's liquid underneath, and

0:33:14.640 --> 0:33:16.800
<v Speaker 1>so it's some more, it's just so much of terraforming

0:33:16.920 --> 0:33:22.760
<v Speaker 1>as it's plausible to actually have life on it. It's

0:33:22.960 --> 0:33:28.640
<v Speaker 1>in the fluid or water underneath this ice. Plus uh

0:33:28.680 --> 0:33:30.720
<v Speaker 1>you know. The other thing of note and interest about

0:33:30.760 --> 0:33:33.320
<v Speaker 1>it is it might might make a really nice little resource.

0:33:33.400 --> 0:33:35.240
<v Speaker 1>I mean, if you have space qualities out there, it's

0:33:35.240 --> 0:33:40.080
<v Speaker 1>full of water, methane, whatever, those are highly useful things. Yeah, yeah,

0:33:40.240 --> 0:33:42.680
<v Speaker 1>probably so. I you know, I guess that was my

0:33:42.840 --> 0:33:46.720
<v Speaker 1>own little interesting tidbit that like, okay, Jupiter, probably not

0:33:46.920 --> 0:33:51.920
<v Speaker 1>like but something really close to Jupiter maybe probably not again,

0:33:52.360 --> 0:33:54.680
<v Speaker 1>but who knows. You know, it's only been like what

0:33:54.880 --> 0:33:59.120
<v Speaker 1>forty years since fifty years since uh two one came out,

0:33:59.360 --> 0:34:05.440
<v Speaker 1>it's been it came out in years, So in that

0:34:05.480 --> 0:34:08.879
<v Speaker 1>amount of time we've done incredible things. So who's to say,

0:34:08.960 --> 0:34:12.600
<v Speaker 1>you know, another forty five years another whatever, we wouldn't

0:34:12.600 --> 0:34:15.840
<v Speaker 1>be like, oh no, obviously we're going to colonize europea

0:34:16.040 --> 0:34:19.600
<v Speaker 1>like duh, or it was Mars all along, you know,

0:34:19.640 --> 0:34:23.000
<v Speaker 1>who knows? Who knows? So we're good with kind of

0:34:23.040 --> 0:34:25.960
<v Speaker 1>what it might mean, right, I mean, I guess I'm

0:34:26.000 --> 0:34:28.160
<v Speaker 1>not good with it, but I can understand. I mean,

0:34:28.200 --> 0:34:30.800
<v Speaker 1>the better theory, No, no, I don't have a theory.

0:34:31.719 --> 0:34:35.040
<v Speaker 1>I think that this one. The theories are kind of

0:34:35.040 --> 0:34:39.640
<v Speaker 1>far fetched, at least from my perspective, okay, but the

0:34:39.800 --> 0:34:44.839
<v Speaker 1>message is so vague that the far fetched idea is

0:34:44.880 --> 0:34:47.759
<v Speaker 1>the closest to being plausible. So when I say I'm

0:34:47.800 --> 0:34:50.719
<v Speaker 1>not okay with it, it's just because it doesn't make

0:34:50.760 --> 0:34:54.920
<v Speaker 1>sense to me. The whole thing still is just really

0:34:55.160 --> 0:35:00.399
<v Speaker 1>really odd to me. It really, you're right, does make

0:35:00.400 --> 0:35:02.880
<v Speaker 1>no sense. I mean, this message makes no sense, and

0:35:02.960 --> 0:35:07.400
<v Speaker 1>let's just some sort of a code. Yeah, So I guess, um,

0:35:07.440 --> 0:35:13.560
<v Speaker 1>I think that this interpretation, when you can kind of

0:35:13.640 --> 0:35:19.680
<v Speaker 1>take it in with this overarching idea of who may

0:35:19.719 --> 0:35:23.719
<v Speaker 1>have done them and felt, yeah, I guess in the context,

0:35:24.280 --> 0:35:28.279
<v Speaker 1>makes some sense. You know, there's these side tiles that

0:35:28.320 --> 0:35:30.880
<v Speaker 1>crop ups. You see these pictures, It's like a license

0:35:30.880 --> 0:35:34.400
<v Speaker 1>plate sized tile that has the like four lines the

0:35:34.440 --> 0:35:37.040
<v Speaker 1>toy idea in two thousand one space or not two

0:35:37.520 --> 0:35:40.480
<v Speaker 1>s in cubics, or a movie two thousand one resurrected

0:35:40.719 --> 0:35:43.760
<v Speaker 1>on planet Jupiter. And then there are these like little

0:35:43.840 --> 0:35:49.400
<v Speaker 1>side messages and they are often I think, more interesting,

0:35:50.400 --> 0:35:56.359
<v Speaker 1>You're more informative. It's super repetitive. Okay, So like here's

0:35:56.360 --> 0:35:57.960
<v Speaker 1>a picture of like one of the original ones, and

0:35:58.000 --> 0:36:00.920
<v Speaker 1>we can see if we can see the what are

0:36:00.960 --> 0:36:04.200
<v Speaker 1>you doing kind of looking at it from different angle?

0:36:04.239 --> 0:36:06.799
<v Speaker 1>That's why I'm turning my head like this, because I'm

0:36:06.840 --> 0:36:09.320
<v Speaker 1>trying to I'm just trying to see if there's perhaps

0:36:09.320 --> 0:36:13.120
<v Speaker 1>something that we're missing. Maybe it's a draw exactly what,

0:36:13.640 --> 0:36:16.000
<v Speaker 1>because you feel like it's like it's one of those

0:36:16.040 --> 0:36:17.840
<v Speaker 1>mysteries where you feel like the answer is on the

0:36:17.880 --> 0:36:21.240
<v Speaker 1>tip of your brain, right, It's like there's an obvious

0:36:21.360 --> 0:36:24.520
<v Speaker 1>answer here that we are just too dumb to see.

0:36:25.680 --> 0:36:27.600
<v Speaker 1>Don't you feel that way right now? Do you remember

0:36:27.760 --> 0:36:32.960
<v Speaker 1>in the nineties when those those images were being everybody

0:36:33.040 --> 0:36:36.680
<v Speaker 1>was selling and it was just a super fine print

0:36:36.719 --> 0:36:39.880
<v Speaker 1>of some repetitive pattern, and you were supposed to stare

0:36:39.920 --> 0:36:43.240
<v Speaker 1>at it for about five minutes and the real image

0:36:43.280 --> 0:36:46.719
<v Speaker 1>would hop forward. Ye see it, because the way it was,

0:36:48.040 --> 0:36:51.759
<v Speaker 1>I think, I think that's where Joe might be heading here.

0:36:51.800 --> 0:36:58.480
<v Speaker 1>I still figured out, yeah, but I don't see the schooner.

0:36:58.640 --> 0:37:01.759
<v Speaker 1>But this phenomena is exactly what I'm talking about. When

0:37:01.760 --> 0:37:07.080
<v Speaker 1>you like start to get into this, you just keep thinking, well,

0:37:07.120 --> 0:37:10.640
<v Speaker 1>there's got to be something that somebody missed or we're

0:37:10.719 --> 0:37:17.279
<v Speaker 1>just like overlooking the obvious answer. That's not. Yeah, there isn't.

0:37:17.320 --> 0:37:19.399
<v Speaker 1>I mean, I suppose that you could say, is that

0:37:19.640 --> 0:37:23.440
<v Speaker 1>if you look at the wide outline part, but it

0:37:23.480 --> 0:37:26.200
<v Speaker 1>almost looks like it's sort of a crude drawing of

0:37:26.239 --> 0:37:28.719
<v Speaker 1>a zigaratte. And I don't know if you and you've

0:37:28.760 --> 0:37:30.480
<v Speaker 1>heard the story, of course about the Tower of Babel,

0:37:31.000 --> 0:37:32.680
<v Speaker 1>which really wasn't a tower at all. It was a

0:37:32.680 --> 0:37:37.719
<v Speaker 1>cigarette yea, and a cigarette is zigarette is like a

0:37:37.920 --> 0:37:43.480
<v Speaker 1>sort of like like flattened pyramids popular ancient civilizations in

0:37:43.520 --> 0:37:45.680
<v Speaker 1>the Middle East. You know, the Tower of Babble was

0:37:45.719 --> 0:37:50.279
<v Speaker 1>basically about the collapse of a civilization. Um and to

0:37:50.760 --> 0:37:54.399
<v Speaker 1>one of recurring themes, was spent a lot of time

0:37:54.520 --> 0:37:58.600
<v Speaker 1>thinking about and writing about how civilizations collapse and why

0:37:58.640 --> 0:38:01.840
<v Speaker 1>the why civilizations parish, you know, why they flourished for

0:38:01.880 --> 0:38:05.520
<v Speaker 1>a while and then eventually they crumble and they go away. Okay,

0:38:05.520 --> 0:38:11.600
<v Speaker 1>it's a long shot. I know, it's got as much

0:38:11.680 --> 0:38:14.359
<v Speaker 1>validity as anything else that we've come across here so far,

0:38:14.480 --> 0:38:17.400
<v Speaker 1>so I'm I'm willing to back it. That's a message

0:38:17.400 --> 0:38:22.600
<v Speaker 1>about Babel. Can you understand the message now? Yeah? Yeah,

0:38:22.719 --> 0:38:28.000
<v Speaker 1>of course not we're going to crumble. So okay, side

0:38:28.000 --> 0:38:32.799
<v Speaker 1>texts is where we were starting before I got off

0:38:32.800 --> 0:38:36.239
<v Speaker 1>on my little tangent there. Sorry about that again. You know,

0:38:36.280 --> 0:38:38.799
<v Speaker 1>they're they're pretty interesting, um, and a lot of the

0:38:38.960 --> 0:38:42.600
<v Speaker 1>old original tiles, the old style tiles are pretty destroyed

0:38:42.640 --> 0:38:46.080
<v Speaker 1>at this point. I mean, Lilyam isn't the most durable

0:38:47.840 --> 0:38:49.480
<v Speaker 1>when they're in the middle of the street, and when

0:38:49.680 --> 0:38:54.319
<v Speaker 1>cities are like really actively trying to cover them up. Well,

0:38:54.400 --> 0:38:56.319
<v Speaker 1>let's even talk about I mean, you see some of

0:38:56.360 --> 0:39:00.000
<v Speaker 1>the photos and you can tell that the main exterior,

0:39:00.120 --> 0:39:04.440
<v Speaker 1>your piece of linolium has worn or been pulled away,

0:39:04.600 --> 0:39:07.319
<v Speaker 1>and all this left are the letters and then they

0:39:07.400 --> 0:39:11.279
<v Speaker 1>start moving on that that tar substrate and suddenly it

0:39:11.280 --> 0:39:15.400
<v Speaker 1>looks like alphabet soup because they're all just jammed together

0:39:15.560 --> 0:39:18.400
<v Speaker 1>and it's unreadable. So yeah, these things, I'm guessing what

0:39:18.520 --> 0:39:20.840
<v Speaker 1>they have a two year three year life show, well

0:39:21.280 --> 0:39:23.799
<v Speaker 1>at the best. So I guess that's kind of part

0:39:23.800 --> 0:39:27.319
<v Speaker 1>of it is that there are some that are in

0:39:27.440 --> 0:39:31.520
<v Speaker 1>like Philly Philadelphia that have been around since the eighties.

0:39:32.200 --> 0:39:35.600
<v Speaker 1>Probably depends on the amount of traffic they they're not. Um,

0:39:35.640 --> 0:39:39.600
<v Speaker 1>Philadelphia isn't actively trying to pave over them. And Philadelphia

0:39:39.719 --> 0:39:42.799
<v Speaker 1>is one of those places where they don't pave a

0:39:42.840 --> 0:39:46.720
<v Speaker 1>lot have money for they don't really have that. So

0:39:47.200 --> 0:39:52.120
<v Speaker 1>and Philadelphia is the epicenter of these It is I

0:39:52.160 --> 0:39:54.719
<v Speaker 1>think accepted at this point. I would say pretty much

0:39:54.760 --> 0:40:02.520
<v Speaker 1>everybody agrees that the Tyler lived in Philadelphia. And probably yeah,

0:40:02.520 --> 0:40:06.759
<v Speaker 1>and we'll talk a little bit, isn't Bruce Willis from Philadelphia? Yeah,

0:40:06.840 --> 0:40:16.520
<v Speaker 1>I think we solved it. Yeah, so okay, Chile hard Um.

0:40:16.600 --> 0:40:19.799
<v Speaker 1>So there are these little side guys. So, like one

0:40:19.840 --> 0:40:24.040
<v Speaker 1>of them says, and this is like a really destroyed tile, um,

0:40:24.080 --> 0:40:27.720
<v Speaker 1>but somehow the sidebar has stuck around more than the tile.

0:40:28.239 --> 0:40:30.600
<v Speaker 1>This one says, I'm only one man. When I got

0:40:30.640 --> 0:40:35.000
<v Speaker 1>a fatal disease, they gloated, enjoy over its death. It's death. Yeah.

0:40:35.280 --> 0:40:40.480
<v Speaker 1>So another one says you must make in glue tiles

0:40:40.920 --> 0:40:45.200
<v Speaker 1>you as media is and there's like a missing chunk,

0:40:45.680 --> 0:40:48.000
<v Speaker 1>and then it says you must make in glue tile

0:40:48.120 --> 0:40:53.479
<v Speaker 1>you must as media ussa. And then another one, which

0:40:53.960 --> 0:40:56.359
<v Speaker 1>is really interesting, it says, I'm only one man, and

0:40:56.400 --> 0:40:59.960
<v Speaker 1>when I caught a fatal disease, they gloated over its death.

0:41:00.239 --> 0:41:04.160
<v Speaker 1>That's when I it's broken up. They I think it's

0:41:04.400 --> 0:41:11.560
<v Speaker 1>begged them not to destroy thank you and something because

0:41:11.560 --> 0:41:14.399
<v Speaker 1>it's again it's it's just it's like that, it's just like,

0:41:14.640 --> 0:41:18.400
<v Speaker 1>come off the Yeah, these side tiles are just really

0:41:19.440 --> 0:41:23.200
<v Speaker 1>really interesting. Um well, it seems like the side tiles

0:41:23.239 --> 0:41:27.439
<v Speaker 1>are where the personality of the tyler actually comes through

0:41:28.560 --> 0:41:33.000
<v Speaker 1>paroid personality. So yeah, so the side tiles and then

0:41:33.120 --> 0:41:36.920
<v Speaker 1>particularly the what they call the manifesto tile are what

0:41:37.080 --> 0:41:40.879
<v Speaker 1>for me makes this a real thing because I think

0:41:40.880 --> 0:41:42.920
<v Speaker 1>it's very easy to look at these tiles and say, oh,

0:41:42.960 --> 0:41:46.040
<v Speaker 1>this is someone's art project, right is it was the

0:41:46.040 --> 0:41:49.799
<v Speaker 1>early eighties too, Like early odds, there's a time when

0:41:49.800 --> 0:41:53.880
<v Speaker 1>a lot of people are doing experimental surrealist art. All right,

0:41:54.000 --> 0:41:56.880
<v Speaker 1>So it's just somebody who's like got an art project

0:41:56.880 --> 0:42:00.600
<v Speaker 1>going on. They've got some kind of nonsense phrase that

0:42:00.600 --> 0:42:03.360
<v Speaker 1>they're just regurgitating over and over again. Let's say that

0:42:03.400 --> 0:42:05.400
<v Speaker 1>they're putting down knowing that people who got a puzzle

0:42:05.400 --> 0:42:10.799
<v Speaker 1>overord for totally for years. Yeah. So the manifesto, you

0:42:10.800 --> 0:42:13.719
<v Speaker 1>guys have both seen that it's a set of four

0:42:13.800 --> 0:42:18.719
<v Speaker 1>linoleum tiles and it has hundreds of words on it.

0:42:18.800 --> 0:42:22.920
<v Speaker 1>And I have a transcript of what it says um,

0:42:22.960 --> 0:42:27.800
<v Speaker 1>but it's really paranoid, and I think it's worth hearing.

0:42:28.680 --> 0:42:31.640
<v Speaker 1>So Steve, Yeah, I can run this. Not that I'm

0:42:31.640 --> 0:42:33.719
<v Speaker 1>the paranoid of the group. Well you might be, though,

0:42:35.120 --> 0:42:42.279
<v Speaker 1>No I'm not. Stop looking, No I'm not. Really. Yeah,

0:42:42.360 --> 0:42:45.760
<v Speaker 1>let's let's go ahead and do this. So John Knight,

0:42:46.080 --> 0:42:50.280
<v Speaker 1>owner of the Philadelphia Inquired Hell you and Jew, who's

0:42:50.360 --> 0:42:54.120
<v Speaker 1>hated this movement's guts for years, takes money from the

0:42:54.160 --> 0:42:57.280
<v Speaker 1>mafia to make the mafia look good in his newspapers,

0:42:57.600 --> 0:43:01.040
<v Speaker 1>so he has the mafia in his back pocket. John

0:43:01.120 --> 0:43:05.719
<v Speaker 1>Knight sent the mafia to murder me in May. There's

0:43:05.719 --> 0:43:09.080
<v Speaker 1>an unreadable bit. Journalists, all of them gloated in my

0:43:09.160 --> 0:43:14.360
<v Speaker 1>face about my death and night ritters great power to destroy.

0:43:14.400 --> 0:43:17.480
<v Speaker 1>In fact, John Knight went into helly and binge of

0:43:17.600 --> 0:43:22.440
<v Speaker 1>joy over Night Ritters great power to destroy. I secured

0:43:22.560 --> 0:43:26.880
<v Speaker 1>house with blast doors and fled the country. In June,

0:43:27.800 --> 0:43:33.520
<v Speaker 1>NBC attorneys, journalists, and security officials at Rockefeller Center fraudulently

0:43:34.920 --> 0:43:38.880
<v Speaker 1>something has disappeared Under the Freedom of Information Act. All

0:43:39.480 --> 0:43:43.680
<v Speaker 1>orders of NBC executives got the US Federal District Attorney's

0:43:43.719 --> 0:43:47.719
<v Speaker 1>opposite office, and I got the FBI to get interpolled

0:43:47.800 --> 0:43:52.120
<v Speaker 1>to establish task force that located me in Dover, England,

0:43:52.560 --> 0:43:56.200
<v Speaker 1>when back Home, Inquirer got union goons from their own

0:43:56.239 --> 0:44:00.719
<v Speaker 1>employer union to send out a sports journalists who with

0:44:00.840 --> 0:44:04.800
<v Speaker 1>baseball bat bashed in lights and windows of neighborhood cars

0:44:05.200 --> 0:44:08.799
<v Speaker 1>as well as men outside my house. They stationed there

0:44:08.920 --> 0:44:17.759
<v Speaker 1>still waiting for me. NBC, CBS, Group, W, Westinghouse, Time, Time, Warner, Fox, Universal,

0:44:18.360 --> 0:44:21.600
<v Speaker 1>all of the Cult of the Hellion each were much

0:44:21.640 --> 0:44:26.080
<v Speaker 1>worse than night Ridder ever, was mostly Hellion Jews. When

0:44:26.280 --> 0:44:30.640
<v Speaker 1>k y W and n By, NBC executives told John Knight,

0:44:30.719 --> 0:44:35.000
<v Speaker 1>the whole coven gloated on how their Soviet pals had

0:44:35.040 --> 0:44:43.160
<v Speaker 1>found a way to turn it into a that's a

0:44:43.160 --> 0:44:46.880
<v Speaker 1>little bit paranoid and that's that's that's that's that's a screen.

0:44:47.000 --> 0:44:49.560
<v Speaker 1>That's not a manifesto to me, that's a screen that's

0:44:49.680 --> 0:44:52.320
<v Speaker 1>definitely paranoise. Well what did that? What did that appear?

0:44:53.360 --> 0:44:57.160
<v Speaker 1>It was discovered in seven and I think it looked

0:44:57.200 --> 0:45:01.800
<v Speaker 1>like it was a little aged aged. So this it's

0:45:01.800 --> 0:45:04.959
<v Speaker 1>it's had it had been about let's just say twelve,

0:45:05.000 --> 0:45:08.680
<v Speaker 1>the fifteen years before from the originals to when this

0:45:08.840 --> 0:45:14.600
<v Speaker 1>happened I'm I'm encapsulating start to win that one totally. Um. Yes.

0:45:14.880 --> 0:45:16.880
<v Speaker 1>So And the other thing that strikes me about this

0:45:17.000 --> 0:45:19.239
<v Speaker 1>is that, like you know, you're talking how the handwriting

0:45:19.280 --> 0:45:23.600
<v Speaker 1>looks really really like the handwriting is really consistent throughout

0:45:23.680 --> 0:45:27.400
<v Speaker 1>all of the original like old style and hand writing,

0:45:27.400 --> 0:45:31.120
<v Speaker 1>and this is also super consistent. But this is not

0:45:31.960 --> 0:45:35.120
<v Speaker 1>a planned This is not something that somebody writes and

0:45:35.160 --> 0:45:37.719
<v Speaker 1>then reads and it's like yeah that reads well, this

0:45:37.800 --> 0:45:42.960
<v Speaker 1>is something that somebody like scribbles out this carson as

0:45:43.000 --> 0:45:47.640
<v Speaker 1>they go with carving as they went. Totally um. And

0:45:47.719 --> 0:45:51.799
<v Speaker 1>handwriting is still like really consistent, and it's so paranoid.

0:45:52.360 --> 0:45:55.200
<v Speaker 1>And this is on what I look at in the pictures.

0:45:55.960 --> 0:46:00.520
<v Speaker 1>It looks like it's it's for one foot square tie els.

0:46:00.520 --> 0:46:03.680
<v Speaker 1>Would that be pretty close to accurate? Yeah? So they're

0:46:03.719 --> 0:46:08.560
<v Speaker 1>like a standard um like a linoleum tiles by eight

0:46:08.600 --> 0:46:11.160
<v Speaker 1>or twelve twelve something like that. So I mean it's this,

0:46:11.640 --> 0:46:16.759
<v Speaker 1>all of that text is in a sixteen by sixteen

0:46:16.840 --> 0:46:21.000
<v Speaker 1>or twenty four by twenty four inch square area and

0:46:21.080 --> 0:46:25.520
<v Speaker 1>it's actually it turns out legible, yeah, totally legible. And

0:46:25.520 --> 0:46:28.359
<v Speaker 1>this is where in Philadelphia. Yeah. So the the other

0:46:28.400 --> 0:46:32.200
<v Speaker 1>really interesting thing about this whole situation is that in

0:46:32.320 --> 0:46:37.839
<v Speaker 1>ninety three there was a small little article published in

0:46:38.040 --> 0:46:43.760
<v Speaker 1>the Philadelphia Inquirer about the ideas of the Minority Association

0:46:44.360 --> 0:46:50.919
<v Speaker 1>and the Toynbee idea to resurrect Dead on Jupiter ideas resurrected. Yeah,

0:46:50.960 --> 0:46:53.719
<v Speaker 1>so this whole like the idea, right, Toybee idea here

0:46:55.239 --> 0:46:59.840
<v Speaker 1>space odyssey, this has been propagated ostensibly for a while before.

0:47:00.440 --> 0:47:02.880
<v Speaker 1>And there was an article written in the Inquirer that

0:47:03.080 --> 0:47:06.560
<v Speaker 1>was a reference to Philadelphia based campaign to resurrect Dead

0:47:06.560 --> 0:47:10.560
<v Speaker 1>on Jupiter that didn't ever, it didn't reference the tiles,

0:47:11.520 --> 0:47:14.839
<v Speaker 1>but it may have been pre tiles um and all

0:47:14.840 --> 0:47:18.040
<v Speaker 1>of the ideas that were spoken about in this article

0:47:18.120 --> 0:47:21.719
<v Speaker 1>in the Inquirer, which they referenced in the manifesto. Tiles

0:47:21.760 --> 0:47:26.400
<v Speaker 1>pretty frequently are there. That's odd. So I don't know

0:47:26.440 --> 0:47:31.520
<v Speaker 1>how the article talked about this idea to resurrected it,

0:47:31.520 --> 0:47:36.720
<v Speaker 1>but it didn't actually mentions. Okay, so the article again

0:47:36.760 --> 0:47:39.719
<v Speaker 1>it's this like little, this little tidbit of prehistory, and

0:47:39.760 --> 0:47:41.640
<v Speaker 1>the only place I've ever heard of it is in

0:47:41.680 --> 0:47:43.840
<v Speaker 1>this documentary and in this group that did this research

0:47:43.920 --> 0:47:47.160
<v Speaker 1>for this documentary. In the like prehistory of the tiles

0:47:47.440 --> 0:47:53.360
<v Speaker 1>in the Minority Association Umn. They went deep down the

0:47:53.440 --> 0:47:58.400
<v Speaker 1>rabbit hole. Again. I will direct you to said documentary.

0:47:58.440 --> 0:48:01.120
<v Speaker 1>If you're really interested in this, be aware that your

0:48:01.160 --> 0:48:07.480
<v Speaker 1>life will be sucked in. You may. But they found

0:48:07.480 --> 0:48:10.360
<v Speaker 1>this article in the Inquirer, and I think it was

0:48:10.400 --> 0:48:14.000
<v Speaker 1>titled you want to run that by me? Again? Yes,

0:48:15.600 --> 0:48:19.360
<v Speaker 1>it had this interview, not interview, but it had this

0:48:19.440 --> 0:48:22.239
<v Speaker 1>information from a guy who had written in from He

0:48:22.280 --> 0:48:26.200
<v Speaker 1>claimed to be from the Minority Association. Uh. And he

0:48:26.280 --> 0:48:32.680
<v Speaker 1>said his name was Joe Morocco, Morosco, Morosco, James Morosco,

0:48:32.719 --> 0:48:35.399
<v Speaker 1>I'm sorry, and he was part of this group called

0:48:35.440 --> 0:48:38.560
<v Speaker 1>the Minority Association and they were working on a campaign

0:48:38.680 --> 0:48:42.640
<v Speaker 1>to resurrect dead people on planet Jupiter. And it was

0:48:42.680 --> 0:48:46.160
<v Speaker 1>like a four paragraph long maybe at the most article.

0:48:46.440 --> 0:48:50.200
<v Speaker 1>It wasn't real big. But the fact that the manifesto

0:48:50.480 --> 0:48:54.720
<v Speaker 1>like kind of schizoid like ramblings of a crazy person

0:48:55.480 --> 0:48:59.600
<v Speaker 1>talk about the Inquirer that much is very interesting to me,

0:48:59.640 --> 0:49:02.880
<v Speaker 1>because is um as far as I understand it, those

0:49:03.280 --> 0:49:06.360
<v Speaker 1>that wasn't made public, like they didn't make the archives

0:49:06.360 --> 0:49:09.640
<v Speaker 1>public until early two thousand's and I could be wrong

0:49:09.680 --> 0:49:11.440
<v Speaker 1>about that, but that's just as far as I know.

0:49:12.840 --> 0:49:16.319
<v Speaker 1>So that's interesting to me. That's an interesting little like pin.

0:49:17.160 --> 0:49:18.920
<v Speaker 1>I don't have a good answer. I don't have a

0:49:18.920 --> 0:49:24.080
<v Speaker 1>good reason. Yeah, except that they may be the same person. Yeah, yeah,

0:49:24.160 --> 0:49:28.200
<v Speaker 1>I don't know that that one's a I know that

0:49:28.360 --> 0:49:30.919
<v Speaker 1>in the documentary that is a giant leap for them.

0:49:32.640 --> 0:49:35.840
<v Speaker 1>I'm not sure. I'm not. Yeah, I'm not so convinced.

0:49:35.920 --> 0:49:39.760
<v Speaker 1>But that's just because this thing is so fragmented. Yeah,

0:49:39.840 --> 0:49:43.759
<v Speaker 1>it is really fragmented. And you know, when you try

0:49:43.800 --> 0:49:46.319
<v Speaker 1>to make sense out of something like this, you have

0:49:46.400 --> 0:49:50.200
<v Speaker 1>to accept the fact also that it sounds like whoever

0:49:50.600 --> 0:49:54.200
<v Speaker 1>created these things was probably mentally imbalanced. So trying to

0:49:54.200 --> 0:49:57.600
<v Speaker 1>make sense out of insanity can can really kind of

0:49:57.680 --> 0:50:00.520
<v Speaker 1>drive you insane. Yeah. Maybe. Well, and the other the

0:50:00.560 --> 0:50:03.520
<v Speaker 1>other dangerous part about and we've I know, all three

0:50:03.520 --> 0:50:06.839
<v Speaker 1>of us have fallen in this. When researching something is

0:50:07.560 --> 0:50:12.640
<v Speaker 1>we see, let's say, a hint of a name, and

0:50:12.680 --> 0:50:18.120
<v Speaker 1>we and I'm simplifying this greatly, but we get a

0:50:18.400 --> 0:50:21.800
<v Speaker 1>name in our head of how it should be spelled,

0:50:22.360 --> 0:50:27.919
<v Speaker 1>and so we are madly researching that spelling of that name,

0:50:28.000 --> 0:50:33.640
<v Speaker 1>not taking into consideration that Moroscoe could be spelled differently

0:50:33.840 --> 0:50:36.359
<v Speaker 1>because in the movie they make a point there's one

0:50:36.400 --> 0:50:38.759
<v Speaker 1>guy named James Morosco in the area that they can find,

0:50:38.760 --> 0:50:41.759
<v Speaker 1>and he's nowhere near where he's supposed to be. But

0:50:41.880 --> 0:50:44.800
<v Speaker 1>then you go and you think, well, they keep spelling

0:50:44.840 --> 0:50:48.239
<v Speaker 1>it one way. Well, I can think of when I

0:50:48.280 --> 0:50:51.320
<v Speaker 1>looked at the name, about three or four different ways

0:50:51.360 --> 0:50:55.719
<v Speaker 1>that I could perceive that being spelled. So then what

0:50:55.920 --> 0:50:59.120
<v Speaker 1>happens and then it branches out and it gets even harder,

0:50:59.480 --> 0:51:02.279
<v Speaker 1>particularly if it was like a phone interview, and I

0:51:02.640 --> 0:51:05.000
<v Speaker 1>don't know that that was ever specified. And again this

0:51:05.120 --> 0:51:08.920
<v Speaker 1>is this this kind of like pre tile situation that

0:51:09.080 --> 0:51:11.120
<v Speaker 1>I don't I really don't think we should go too

0:51:11.120 --> 0:51:15.080
<v Speaker 1>far into. I think we're already going there. We have

0:51:15.160 --> 0:51:17.480
<v Speaker 1>been a little bit. So I guess the only place

0:51:17.520 --> 0:51:20.120
<v Speaker 1>that this leaves us is to talk about who may

0:51:20.160 --> 0:51:26.000
<v Speaker 1>have done this right, who this person might be according

0:51:26.080 --> 0:51:29.440
<v Speaker 1>to that manifesto. Maybe so I guess there are three

0:51:29.640 --> 0:51:33.840
<v Speaker 1>kind of good suspects that they talk about, and they

0:51:33.880 --> 0:51:35.960
<v Speaker 1>talk about this in the documentary, but they also like

0:51:36.080 --> 0:51:38.920
<v Speaker 1>just wide why it's widely accepted that these are kind

0:51:38.920 --> 0:51:43.680
<v Speaker 1>of the three main people. One is called Railroad Joe.

0:51:44.520 --> 0:51:48.080
<v Speaker 1>One is James Moresco, and one is a man by

0:51:48.080 --> 0:51:52.600
<v Speaker 1>the name of Sevy Verna. So why should we believe

0:51:52.640 --> 0:51:54.560
<v Speaker 1>that any of these guys did it. Well, we'll get

0:51:54.600 --> 0:51:58.080
<v Speaker 1>into that in like literally right now, Okay, perfect alright,

0:51:58.239 --> 0:52:01.960
<v Speaker 1>railroad Joe. Okay. I guess I should preface this all

0:52:01.960 --> 0:52:05.200
<v Speaker 1>by saying there was a tile found in South America

0:52:05.840 --> 0:52:09.040
<v Speaker 1>and it was the first and only accepted original or

0:52:09.040 --> 0:52:14.080
<v Speaker 1>old style tile to have been found outside of the US. Okay,

0:52:14.800 --> 0:52:18.880
<v Speaker 1>and it had a po box and a street address

0:52:18.920 --> 0:52:23.279
<v Speaker 1>in Philadelphia, which then everybody's lashed onto, yes to find

0:52:23.320 --> 0:52:28.680
<v Speaker 1>their point of origin, because I mean it makes sense, right, Like, Okay, yes,

0:52:28.760 --> 0:52:33.160
<v Speaker 1>we're dealing with potentially a mentally unhinged person. But why

0:52:33.200 --> 0:52:36.000
<v Speaker 1>would somebody write down just like a random street address

0:52:36.040 --> 0:52:38.960
<v Speaker 1>in Philadelphia and leave it in South America attached to

0:52:39.000 --> 0:52:43.520
<v Speaker 1>this idea unless they wanted people to pay attention to

0:52:43.520 --> 0:52:46.799
<v Speaker 1>that street address. Well, but I wanted to harass the

0:52:46.840 --> 0:52:50.040
<v Speaker 1>person I was about to say, unless they consider the

0:52:50.080 --> 0:52:53.160
<v Speaker 1>person that's there to be an enemy of some kind,

0:52:53.880 --> 0:52:57.000
<v Speaker 1>and then this is a great way to get revenge.

0:52:57.200 --> 0:53:01.319
<v Speaker 1>That's true, South America. Traveling all the way to South

0:53:01.360 --> 0:53:03.239
<v Speaker 1>America to do that it's not that's a little weird.

0:53:03.280 --> 0:53:05.719
<v Speaker 1>It's a little weird. Well, but you know, I mean,

0:53:05.920 --> 0:53:09.160
<v Speaker 1>stranger things have happened. But I'm just saying, and again,

0:53:09.200 --> 0:53:13.240
<v Speaker 1>this is one of those things, Okay, but we're always

0:53:13.280 --> 0:53:17.040
<v Speaker 1>looking at it as at face value. This is truthful

0:53:17.640 --> 0:53:20.399
<v Speaker 1>in terms of I put this down so you'll find me,

0:53:20.640 --> 0:53:25.359
<v Speaker 1>instead of subterfuge. I'm gonna put this down so you

0:53:25.440 --> 0:53:28.720
<v Speaker 1>don't find me. But now you're gonna bug the heck

0:53:28.760 --> 0:53:31.520
<v Speaker 1>out of this guy who has been my mortal enemy.

0:53:32.080 --> 0:53:36.640
<v Speaker 1>So yes, my counter to that is that if you

0:53:36.680 --> 0:53:40.640
<v Speaker 1>walk in within like a three block radius of this place,

0:53:41.280 --> 0:53:46.399
<v Speaker 1>you find these little trial runs of the tiles. They're

0:53:46.440 --> 0:53:51.560
<v Speaker 1>just little like bits of linoleum or kind of like nonsense,

0:53:51.640 --> 0:53:55.120
<v Speaker 1>just letter engravings that are embedded in the asphalt. They're tiny,

0:53:55.360 --> 0:53:57.759
<v Speaker 1>they're little scraps, they're cast offs, both in the three

0:53:57.760 --> 0:54:00.479
<v Speaker 1>block radius of this one apartment. And yeah, of course,

0:54:00.520 --> 0:54:03.880
<v Speaker 1>if you that's the greatest form of misdirection is to

0:54:04.320 --> 0:54:11.839
<v Speaker 1>name the suspect and then start dropping clues around or

0:54:11.960 --> 0:54:16.000
<v Speaker 1>evidence around that suspect. That's true. I'm not buying into that,

0:54:16.280 --> 0:54:19.040
<v Speaker 1>but I'm going to take the skeptic standpoint on this

0:54:19.080 --> 0:54:21.239
<v Speaker 1>and say, if we're gonna run, if I'm going to

0:54:21.360 --> 0:54:25.080
<v Speaker 1>run with the I did this to get that guy,

0:54:25.200 --> 0:54:27.520
<v Speaker 1>I'm gonna do it. Well, you know what, It's really easy.

0:54:27.640 --> 0:54:30.440
<v Speaker 1>Once a month, I go to his neighborhood and just

0:54:31.040 --> 0:54:34.280
<v Speaker 1>drop some of my scrap garbage that I've been making

0:54:34.320 --> 0:54:38.520
<v Speaker 1>these with and just walk away. Yeah, and looking they're

0:54:38.520 --> 0:54:41.600
<v Speaker 1>all knugging at his door. That's awesome. That's totally true.

0:54:41.840 --> 0:54:43.879
<v Speaker 1>I think that's a great point to bring up, because

0:54:43.920 --> 0:54:46.520
<v Speaker 1>I think that's a point that's not brought up enough. However,

0:54:46.560 --> 0:54:49.239
<v Speaker 1>since I'm presenting this history, I have to take the

0:54:49.360 --> 0:54:57.319
<v Speaker 1>totally believers to okay. So um, there's been a lot

0:54:57.400 --> 0:54:59.680
<v Speaker 1>of research done in this area, and as far as

0:54:59.719 --> 0:55:01.960
<v Speaker 1>any and he can remember, there's only been to people

0:55:02.000 --> 0:55:05.239
<v Speaker 1>who ever lived in this this at this address. One

0:55:05.360 --> 0:55:07.920
<v Speaker 1>was railroad Joe. That's what they call him. I don't

0:55:07.960 --> 0:55:10.200
<v Speaker 1>remember his whole name. I don't think it's super important.

0:55:10.280 --> 0:55:12.359
<v Speaker 1>That was what everybody called. Everybody calls him railroad Joe

0:55:12.440 --> 0:55:15.719
<v Speaker 1>because he worked on a railroad. Out on a railroad.

0:55:16.440 --> 0:55:20.120
<v Speaker 1>It's a tongue twister for me, I'm sorry, on conway

0:55:20.239 --> 0:55:23.839
<v Speaker 1>rail or conrail. So one of the things they talked

0:55:23.880 --> 0:55:27.360
<v Speaker 1>about with this guy is that they do some familial

0:55:27.480 --> 0:55:34.880
<v Speaker 1>research on him, and his family were gravestone engravers. So

0:55:34.920 --> 0:55:38.160
<v Speaker 1>that's a let's look pretty easy to make, you know,

0:55:38.239 --> 0:55:43.040
<v Speaker 1>somebody handwriting and totally be a quick carver. Right, It's

0:55:43.080 --> 0:55:45.160
<v Speaker 1>not like this would be taking new days to do

0:55:45.320 --> 0:55:47.040
<v Speaker 1>because you might be great at it might just take

0:55:47.080 --> 0:55:50.960
<v Speaker 1>you an hour or two or maybe less. Also, Conrail

0:55:51.200 --> 0:55:55.240
<v Speaker 1>at the time that this man was working for Conrail, Uh,

0:55:55.280 --> 0:56:01.799
<v Speaker 1>their railway lines perfectly mirrored the spread of where the

0:56:01.800 --> 0:56:04.279
<v Speaker 1>original tiles have all been found, so all of the

0:56:04.280 --> 0:56:07.520
<v Speaker 1>major city. Okay, but wait, no, that's not true. Act,

0:56:08.440 --> 0:56:12.520
<v Speaker 1>so it only goes as far south as Conrail went.

0:56:12.800 --> 0:56:15.080
<v Speaker 1>It only goes as far west as Conrail went, and

0:56:15.080 --> 0:56:18.400
<v Speaker 1>it stopped in every single major city which major city, okay,

0:56:18.960 --> 0:56:22.400
<v Speaker 1>major city. However, in the same in the same time

0:56:22.440 --> 0:56:26.000
<v Speaker 1>that he was working for this rail system, there's an

0:56:26.080 --> 0:56:28.359
<v Speaker 1>article to prove this that names him by name as

0:56:28.400 --> 0:56:34.560
<v Speaker 1>the railway foreman for Conrail. Conrail was shipping a telescope

0:56:34.560 --> 0:56:38.200
<v Speaker 1>that was made in Philadelphia to South America where they

0:56:38.239 --> 0:56:45.240
<v Speaker 1>found that one tile. Conrail was Apparently they were yeah,

0:56:45.520 --> 0:56:47.040
<v Speaker 1>I don't remember if they were building it or if

0:56:47.080 --> 0:56:49.600
<v Speaker 1>they were involved in there. Somehow they were involved because

0:56:49.640 --> 0:56:52.560
<v Speaker 1>there was an article that was written about the shipping

0:56:52.600 --> 0:56:56.800
<v Speaker 1>of this telescope and that this guy was named Railroad

0:56:56.840 --> 0:57:00.480
<v Speaker 1>Joe was named by first and last name as being

0:57:00.520 --> 0:57:06.239
<v Speaker 1>the railway foreman for this project. So that's an interesting

0:57:06.480 --> 0:57:10.800
<v Speaker 1>The only thing about this is that Railway Joe, Railroad

0:57:10.880 --> 0:57:19.360
<v Speaker 1>Joe died. Okay, there's a problem. When did the Chile appear.

0:57:20.240 --> 0:57:22.760
<v Speaker 1>It was in the early eighties. He would have been alive,

0:57:23.400 --> 0:57:27.280
<v Speaker 1>but their tiles have been dated too much later than

0:57:27.320 --> 0:57:30.880
<v Speaker 1>that in the correct style. In the correct style, it

0:57:30.920 --> 0:57:32.920
<v Speaker 1>would have been the original ones. So he would have

0:57:32.920 --> 0:57:35.680
<v Speaker 1>had been laying them past the grave, which doesn't seem

0:57:35.680 --> 0:57:44.360
<v Speaker 1>super likely. That's maybe he was successful. Yeah, yeah, yeah,

0:57:44.400 --> 0:57:48.240
<v Speaker 1>I think he's been. He's been traveling for commuting, if

0:57:48.280 --> 0:57:53.000
<v Speaker 1>you will. So James Moresco, next one who's named in

0:57:53.040 --> 0:57:58.000
<v Speaker 1>the he's named in the Inquirer article. He's also okay,

0:57:58.000 --> 0:57:59.439
<v Speaker 1>So I guess we do have to delve a little

0:57:59.440 --> 0:58:03.040
<v Speaker 1>bit into this back history of the Minority Association. And

0:58:03.080 --> 0:58:05.520
<v Speaker 1>there was this press packet that went out and there

0:58:05.520 --> 0:58:09.200
<v Speaker 1>were these wheat paste posters that went up in the

0:58:09.440 --> 0:58:13.440
<v Speaker 1>early eighties. Correct me if I'm wrong, but a wheat

0:58:13.560 --> 0:58:19.560
<v Speaker 1>paste poster is literally you slap paste when you're in

0:58:19.560 --> 0:58:23.840
<v Speaker 1>grade school paste. It's some version of that onto a

0:58:23.880 --> 0:58:26.720
<v Speaker 1>poster and then just slapping against the wall to adhere

0:58:26.760 --> 0:58:28.880
<v Speaker 1>it rather than using a staple or tape or something

0:58:28.960 --> 0:58:31.440
<v Speaker 1>like that. That's what a wheat paste posters. Yeah, okay,

0:58:31.440 --> 0:58:33.440
<v Speaker 1>just making sure I was under are the ones that

0:58:33.640 --> 0:58:36.080
<v Speaker 1>like stick up for years and years? Yeah, you cannot

0:58:36.160 --> 0:58:39.080
<v Speaker 1>because they're sealed, and okay, you got it. Just making

0:58:39.080 --> 0:58:41.840
<v Speaker 1>sure I understood that. And where did disappear in Philadelphia?

0:58:42.560 --> 0:58:46.640
<v Speaker 1>In kind of like lower income hubs, so like greyhound stations,

0:58:46.840 --> 0:58:50.880
<v Speaker 1>union station, things like that. And they had the same

0:58:50.920 --> 0:58:54.680
<v Speaker 1>messaging that the tiles do. And that's about as far

0:58:54.720 --> 0:58:56.400
<v Speaker 1>as I'm willing really to go in. It wasn't the

0:58:56.440 --> 0:59:00.760
<v Speaker 1>same verbiage, but the same idea, same idea. Okay. So

0:59:00.800 --> 0:59:05.960
<v Speaker 1>the Minority Association is fairly widely accepted to be the

0:59:06.000 --> 0:59:12.360
<v Speaker 1>predecessor to these tiles, and on all of the media information,

0:59:12.800 --> 0:59:14.760
<v Speaker 1>they had this press packet that we talked about a

0:59:14.760 --> 0:59:18.320
<v Speaker 1>little bit earlier. The name that appears is James Moresco.

0:59:18.920 --> 0:59:22.280
<v Speaker 1>He's a good candidate, so he was the spokesman. He

0:59:22.360 --> 0:59:26.560
<v Speaker 1>was there. He was there's publicity manager essentially, but you know,

0:59:26.560 --> 0:59:31.240
<v Speaker 1>as we were just talking a client, he probably served

0:59:31.280 --> 0:59:34.360
<v Speaker 1>as in every every SEP. Actually he probably was the

0:59:34.480 --> 0:59:37.520
<v Speaker 1>entire organization. Here's the thing is that actually he didn't.

0:59:37.920 --> 0:59:41.160
<v Speaker 1>It was him and his brother and his his brother's

0:59:41.400 --> 0:59:46.720
<v Speaker 1>wife and like one other person. And there's actually apparently

0:59:46.800 --> 0:59:49.920
<v Speaker 1>some kind of signed documentation of this that there were

0:59:49.920 --> 0:59:55.400
<v Speaker 1>more than just him involved. Anyways, Um, so there's been

0:59:55.440 --> 0:59:59.160
<v Speaker 1>some searches on this name based on any information that

0:59:59.200 --> 1:00:03.920
<v Speaker 1>could be gained from the journalist that wrote this article.

1:00:04.840 --> 1:00:09.919
<v Speaker 1>And there was one guy named James Moresco who would

1:00:09.960 --> 1:00:11.800
<v Speaker 1>have been in his seventies. He's the one you read

1:00:11.800 --> 1:00:14.600
<v Speaker 1>about when you just do like a prolifer google search

1:00:14.880 --> 1:00:19.880
<v Speaker 1>on Toynbe tiles, because he's the one that comes up there.

1:00:20.280 --> 1:00:21.800
<v Speaker 1>That's the one that they say. But he would have

1:00:21.800 --> 1:00:23.920
<v Speaker 1>been in his seventies or eighties when the tiles were

1:00:23.920 --> 1:00:26.880
<v Speaker 1>being laid. But we think he's the best candidate. It's

1:00:26.880 --> 1:00:33.919
<v Speaker 1>because again this is where I say spelling right. Alternately,

1:00:34.600 --> 1:00:36.880
<v Speaker 1>the theory was floated, and I think this is probably

1:00:36.960 --> 1:00:39.320
<v Speaker 1>the strongest theory, is that it was a pseudo name.

1:00:40.040 --> 1:00:43.920
<v Speaker 1>M hmm. Yeah, And that it was actually the guy

1:00:44.120 --> 1:00:49.560
<v Speaker 1>who lived at the address after Railroad Joe died, named

1:00:49.640 --> 1:00:54.840
<v Speaker 1>sevy Verna, who was has been discounted because his mother

1:00:54.920 --> 1:00:57.560
<v Speaker 1>says he has a lung disease. Therefore he's never been

1:00:57.600 --> 1:01:01.960
<v Speaker 1>able to travel. He's bit of a shot. He's totally

1:01:02.000 --> 1:01:04.480
<v Speaker 1>he's a super shut in, which he really ever sees

1:01:04.560 --> 1:01:09.000
<v Speaker 1>him could make it possible that he is or completely

1:01:09.080 --> 1:01:15.560
<v Speaker 1>plausible that he isn't. He was attacked in the in

1:01:15.560 --> 1:01:19.120
<v Speaker 1>in his home over this. He was not over this,

1:01:19.280 --> 1:01:23.800
<v Speaker 1>it was over a different dispute ute because of that,

1:01:23.920 --> 1:01:27.040
<v Speaker 1>he it has been documented by his neighbors that he

1:01:28.120 --> 1:01:31.959
<v Speaker 1>put up plywood in his windows and barred his door

1:01:32.120 --> 1:01:36.080
<v Speaker 1>just like that manifesto says the person did. He's really

1:01:36.120 --> 1:01:38.640
<v Speaker 1>really smart apparently and totally a shut in and kind

1:01:38.640 --> 1:01:41.560
<v Speaker 1>of crazy. He apparently drove a car that was missing

1:01:41.560 --> 1:01:47.960
<v Speaker 1>a fourboard um and also had this giant antenna that

1:01:48.440 --> 1:01:53.360
<v Speaker 1>broadcasted like a kind of pirate radio short wave thing.

1:01:53.440 --> 1:01:56.720
<v Speaker 1>And again that's something that like I don't even want

1:01:56.720 --> 1:02:00.440
<v Speaker 1>to touch. But the short wave connection, short wave connection,

1:02:00.680 --> 1:02:03.160
<v Speaker 1>if you're super interested, go look it up. There's no

1:02:03.800 --> 1:02:09.080
<v Speaker 1>that's so far down there. That's another at least. Yeah. Additionally,

1:02:09.920 --> 1:02:13.720
<v Speaker 1>in these papers that were uncovered of this original kind

1:02:13.760 --> 1:02:18.680
<v Speaker 1>of minority association situation, all of the all of the

1:02:18.760 --> 1:02:24.520
<v Speaker 1>references to themselves referred to James Moresco, with one exception

1:02:25.080 --> 1:02:28.160
<v Speaker 1>that appears to be a typo which refers to themselves

1:02:28.240 --> 1:02:33.840
<v Speaker 1>as Sevrino virna. So we messed up and broke characters

1:02:33.920 --> 1:02:37.880
<v Speaker 1>way there. It's that's what that infers. Yeah, so it

1:02:37.960 --> 1:02:40.320
<v Speaker 1>seems to be a fairly strong connection to this guy

1:02:40.360 --> 1:02:43.960
<v Speaker 1>who lives in the place where the tile referred people.

1:02:44.080 --> 1:02:45.960
<v Speaker 1>He's kind of crazy, he's kind of a shut in,

1:02:47.520 --> 1:02:50.720
<v Speaker 1>and the neighbors kind of describe him as this without

1:02:51.240 --> 1:02:54.960
<v Speaker 1>it seems, knowing anything about the situation. You know, these

1:02:54.960 --> 1:02:56.920
<v Speaker 1>are people you say, hey, tell me, can you tell

1:02:56.960 --> 1:02:59.280
<v Speaker 1>me a little about this guy? And they say, oh, yeah,

1:02:59.320 --> 1:03:01.720
<v Speaker 1>he's um, he's really really smart, and he's kind of shutting,

1:03:01.760 --> 1:03:04.240
<v Speaker 1>he's really shy, he's very scared. Oh and he drove

1:03:04.280 --> 1:03:07.440
<v Speaker 1>this car that like I think like the bottom rusted out,

1:03:07.560 --> 1:03:09.720
<v Speaker 1>like just to kind of tell people how eccentric this

1:03:09.760 --> 1:03:13.080
<v Speaker 1>guy was, without having knowledge of the fact that people

1:03:13.080 --> 1:03:15.240
<v Speaker 1>think that he's the tyler. And again, this is hard

1:03:15.280 --> 1:03:19.080
<v Speaker 1>to verify this, right, Okay. You and I talked about

1:03:19.160 --> 1:03:23.000
<v Speaker 1>this before we started recording to night, is that this

1:03:23.120 --> 1:03:28.280
<v Speaker 1>is one of those A plus F draws conclusion of

1:03:28.440 --> 1:03:33.360
<v Speaker 1>c kind of scenarios to me, which is not always

1:03:33.600 --> 1:03:36.440
<v Speaker 1>the right way to approach it, but it's the easy

1:03:36.480 --> 1:03:41.080
<v Speaker 1>thing to see and go to. The example. The example

1:03:41.120 --> 1:03:44.920
<v Speaker 1>that you and I talked about is in the documentary

1:03:44.960 --> 1:03:49.000
<v Speaker 1>they talk about where some of them the text could

1:03:49.040 --> 1:03:51.760
<v Speaker 1>come from, and there was that play or was it

1:03:51.840 --> 1:03:55.360
<v Speaker 1>a play? Yeah, David Mammitt, Yeah, Free Am is the

1:03:55.440 --> 1:03:57.480
<v Speaker 1>name of it, which all it's a play. It's a

1:03:57.520 --> 1:04:01.400
<v Speaker 1>two man play about somebody calling into a radio DJ

1:04:01.960 --> 1:04:05.840
<v Speaker 1>and spouting all these crazy ideas, which are very in

1:04:05.960 --> 1:04:12.720
<v Speaker 1>line with some of the stuff. Yeah, it's very very close. Okay,

1:04:12.720 --> 1:04:15.640
<v Speaker 1>Well I'm going to make a jump in the same

1:04:15.720 --> 1:04:17.720
<v Speaker 1>kind of logical quell. Okay, and I guess we should

1:04:17.800 --> 1:04:20.200
<v Speaker 1>like add caveat to that is that David Mammett believes

1:04:20.240 --> 1:04:22.640
<v Speaker 1>that these tiles are a homage to his play, So

1:04:22.720 --> 1:04:25.120
<v Speaker 1>let's just throw that out there. Yeah, but I'm I'm

1:04:25.160 --> 1:04:27.960
<v Speaker 1>just trying to get across this why people jump to

1:04:28.000 --> 1:04:31.520
<v Speaker 1>say it's sevy. Is this this basic I'm following this

1:04:31.560 --> 1:04:34.200
<v Speaker 1>train and it just seems so easy. Okay, Well, when

1:04:34.200 --> 1:04:37.400
<v Speaker 1>I was watching the documentary, one of the guys and

1:04:37.400 --> 1:04:39.880
<v Speaker 1>I think it's I can't remember who it was. Just

1:04:40.120 --> 1:04:45.560
<v Speaker 1>as he finds a freshly laid tile that has been

1:04:45.600 --> 1:04:49.360
<v Speaker 1>on the ground for minutes because he peels at a party,

1:04:49.440 --> 1:04:52.520
<v Speaker 1>discovers it and he says, I was I went to

1:04:52.600 --> 1:04:56.280
<v Speaker 1>the store and it must have been about four am

1:04:56.320 --> 1:04:59.280
<v Speaker 1>in the morning, and then I found this. Okay, well,

1:05:00.280 --> 1:05:03.640
<v Speaker 1>I can run this logic that says, well, they're following

1:05:03.880 --> 1:05:06.320
<v Speaker 1>part of that. They're now incorporating the play which is

1:05:06.360 --> 1:05:08.520
<v Speaker 1>called four am, which is supposed to be the time

1:05:08.520 --> 1:05:10.600
<v Speaker 1>that this call was made in this call in show,

1:05:11.160 --> 1:05:14.440
<v Speaker 1>and whoever is doing this is now as an homage

1:05:14.880 --> 1:05:17.920
<v Speaker 1>following that and dropping these things at four a m.

1:05:18.320 --> 1:05:20.760
<v Speaker 1>And now let's go okay, well to me, okay, well,

1:05:20.800 --> 1:05:23.240
<v Speaker 1>let's just follow well, okay, yeah, you can see the

1:05:23.280 --> 1:05:26.080
<v Speaker 1>logic in that, and that could get build steam and

1:05:26.120 --> 1:05:31.680
<v Speaker 1>get built upon. But it's a connection that is very,

1:05:31.840 --> 1:05:35.120
<v Speaker 1>very loose, and I think that it's only by the

1:05:35.160 --> 1:05:38.600
<v Speaker 1>pounding of feet on top of it that it gets

1:05:38.600 --> 1:05:41.479
<v Speaker 1>so strong. So that's that's my thing. When everybody says

1:05:41.480 --> 1:05:45.560
<v Speaker 1>the sevy, I actually feel bad for seven. Well, and

1:05:45.640 --> 1:05:49.520
<v Speaker 1>so here's my thing about Sevy is his mother says

1:05:49.560 --> 1:05:54.640
<v Speaker 1>that he has this this long disease, and the tiles

1:05:54.720 --> 1:05:59.400
<v Speaker 1>very clearly refer to this man having a terminal disease

1:05:59.440 --> 1:06:02.520
<v Speaker 1>of some kind and struggling with the idea of death.

1:06:03.200 --> 1:06:07.120
<v Speaker 1>And I think that the man that you've described as

1:06:07.160 --> 1:06:10.760
<v Speaker 1>this kind of manic, reclusive, really smart, the kind of

1:06:10.800 --> 1:06:14.240
<v Speaker 1>scared man who may have signed kind of mental thing,

1:06:14.400 --> 1:06:18.120
<v Speaker 1>who's also struggling with a terminal illness. He I just think,

1:06:18.160 --> 1:06:21.640
<v Speaker 1>I just feel like he really fits the image that

1:06:21.680 --> 1:06:24.000
<v Speaker 1>you have of the kind of person that would make

1:06:24.160 --> 1:06:30.360
<v Speaker 1>these tiles. Yeah. Again, my problem is you've built that.

1:06:30.400 --> 1:06:33.360
<v Speaker 1>They totally built that image, and and and it's it's

1:06:33.520 --> 1:06:38.960
<v Speaker 1>it's almost too conveniently molded. That's my problem. That's totally

1:06:39.760 --> 1:06:44.080
<v Speaker 1>it's almost seems too easy. Absolutely, So let me ter

1:06:44.160 --> 1:06:46.160
<v Speaker 1>up for a second. So this guy is how old now?

1:06:46.160 --> 1:06:49.640
<v Speaker 1>And is he's still alive? Yeah, he's um, I think

1:06:50.200 --> 1:06:53.320
<v Speaker 1>in his but he would have been in his early

1:06:53.360 --> 1:06:56.120
<v Speaker 1>twenties when these things first started kind of which was

1:06:56.160 --> 1:07:04.480
<v Speaker 1>the eighties. Yeah, mid seventies when all this stuff happens. Okay,

1:07:04.720 --> 1:07:08.960
<v Speaker 1>and so and then he moved in after um Roadroad,

1:07:10.320 --> 1:07:14.200
<v Speaker 1>after Railroad Joe, he moved in there or maybe earlier.

1:07:14.240 --> 1:07:15.880
<v Speaker 1>I don't know. I don't know that, I haven't seen

1:07:15.920 --> 1:07:18.640
<v Speaker 1>the record. He maybe that Railroad Joe moved out to

1:07:19.000 --> 1:07:22.400
<v Speaker 1>live in a facility while he died or something. But

1:07:23.000 --> 1:07:25.560
<v Speaker 1>in the Railroad Joe was remembered to have lived there

1:07:25.560 --> 1:07:28.720
<v Speaker 1>in the very early eighties at the very least. Yeah, yeah,

1:07:28.920 --> 1:07:32.120
<v Speaker 1>so so interesting. Yeah, I wonder if Railroad Joe maybe

1:07:32.760 --> 1:07:34.800
<v Speaker 1>laid some of the original ones down for the year

1:07:34.880 --> 1:07:37.040
<v Speaker 1>funt of it and then moved out lesson on those

1:07:37.080 --> 1:07:41.600
<v Speaker 1>materials behind. Maybe it was just a continuation, and you know,

1:07:41.720 --> 1:07:43.680
<v Speaker 1>that was that was the thought that came to me

1:07:43.720 --> 1:07:46.360
<v Speaker 1>as well as that, like how convenient that these two

1:07:46.400 --> 1:07:50.000
<v Speaker 1>people who like the story is totally kind of a

1:07:50.000 --> 1:07:53.440
<v Speaker 1>little bit fit, Like maybe they knew each other maybe,

1:07:53.640 --> 1:07:55.600
<v Speaker 1>like how did he find this place? You know? Like

1:07:55.800 --> 1:07:58.600
<v Speaker 1>how did were they friends? Did they like we can

1:07:58.600 --> 1:08:01.280
<v Speaker 1>say that maybe they were both is the Minority Association

1:08:01.360 --> 1:08:03.680
<v Speaker 1>said the name of it? They were both in it,

1:08:03.800 --> 1:08:07.560
<v Speaker 1>and Joe started it and created the template and then

1:08:07.760 --> 1:08:10.320
<v Speaker 1>somebody else picked it up, whether it was SEVN or

1:08:10.360 --> 1:08:13.520
<v Speaker 1>somebody else. You know, if he creates a template then

1:08:13.600 --> 1:08:16.439
<v Speaker 1>you just start following the template. And if you follow

1:08:16.439 --> 1:08:20.560
<v Speaker 1>a template, after enough time, you don't need the template.

1:08:21.200 --> 1:08:24.559
<v Speaker 1>You can do it freehand. After years of doing this

1:08:24.640 --> 1:08:26.600
<v Speaker 1>kind of thing, and then when they start doing a

1:08:26.680 --> 1:08:31.000
<v Speaker 1>little little side tiles or the manifesto, you just automatically

1:08:31.080 --> 1:08:33.439
<v Speaker 1>carve in that manner. Because I'm holding this let's just

1:08:33.479 --> 1:08:35.840
<v Speaker 1>say it's a box dive, because that's what I would

1:08:35.840 --> 1:08:37.800
<v Speaker 1>carve littally in with. Okay, it's a box life. I

1:08:37.880 --> 1:08:40.360
<v Speaker 1>hold box knife and I cut this way every time,

1:08:40.400 --> 1:08:42.960
<v Speaker 1>and then just being bang boom, and just you just

1:08:43.080 --> 1:08:49.000
<v Speaker 1>automatically muscle memory. Yeah. So I guess for me, I

1:08:49.080 --> 1:08:51.439
<v Speaker 1>have this picture, and I've always had this picture of

1:08:51.479 --> 1:08:57.479
<v Speaker 1>this person who feels like they've discovered the answer to

1:08:57.720 --> 1:09:02.439
<v Speaker 1>eternal human life, and whether that's all legitimate discovery or not,

1:09:03.640 --> 1:09:05.160
<v Speaker 1>but the rest of us are just too dumb to

1:09:05.200 --> 1:09:08.599
<v Speaker 1>catch on totally. It's again it goes back to that feeling.

1:09:09.280 --> 1:09:12.760
<v Speaker 1>It's kind of just this overarching feeling of like frustration

1:09:12.840 --> 1:09:15.639
<v Speaker 1>with this case, either on any side of it, even

1:09:15.680 --> 1:09:18.759
<v Speaker 1>if it's the person of the tyler, right, I feel

1:09:18.760 --> 1:09:23.000
<v Speaker 1>that there's this like feeling of frustration because one of

1:09:23.040 --> 1:09:26.240
<v Speaker 1>the side tiles says, kill all journalists, I beg you.

1:09:26.560 --> 1:09:29.840
<v Speaker 1>And there's a fairly well documented history of somebody kind

1:09:29.880 --> 1:09:32.240
<v Speaker 1>of in the early eighties trying to reach out to

1:09:32.439 --> 1:09:36.519
<v Speaker 1>journalists to give this idea to them, to the media,

1:09:36.600 --> 1:09:40.240
<v Speaker 1>to the main media, large media. So I get this

1:09:40.360 --> 1:09:44.479
<v Speaker 1>image of this person who, for whatever reasons, is really

1:09:44.560 --> 1:09:47.360
<v Speaker 1>uncomfortable with the idea of death, like more uncomfortable than

1:09:47.400 --> 1:09:52.920
<v Speaker 1>the normal human being, right, And they that's fair. Some

1:09:52.960 --> 1:09:55.439
<v Speaker 1>people are some people aren't. And you get this idea

1:09:55.479 --> 1:09:58.360
<v Speaker 1>in your head and you think, oh my god, I

1:09:58.360 --> 1:10:01.800
<v Speaker 1>figured it out. I know, like obviously Hurick was trying

1:10:01.840 --> 1:10:04.120
<v Speaker 1>to tell us this Toynbe was trying to tell us this.

1:10:04.439 --> 1:10:07.479
<v Speaker 1>The answer to this is we just resurrect the death,

1:10:07.600 --> 1:10:09.960
<v Speaker 1>Like this is something that people have known about, you know.

1:10:10.080 --> 1:10:13.000
<v Speaker 1>Conspiracy theorists get these things in their head. They think

1:10:13.520 --> 1:10:16.480
<v Speaker 1>it's a moment of cla. People have known this forever,

1:10:17.040 --> 1:10:20.759
<v Speaker 1>but it's being kept from the general population for whatever reason.

1:10:20.800 --> 1:10:22.439
<v Speaker 1>And maybe it didn't start out that way. Maybe it

1:10:22.479 --> 1:10:25.040
<v Speaker 1>starts out with, oh my god, this is what this

1:10:25.080 --> 1:10:27.080
<v Speaker 1>person is trying to tell us. And you reach out

1:10:27.120 --> 1:10:28.600
<v Speaker 1>to the media and you say, hey, this is what

1:10:28.640 --> 1:10:31.439
<v Speaker 1>this person is trying to tell us, and the media says, Okay,

1:10:31.479 --> 1:10:34.360
<v Speaker 1>you're a crackpot, and you face this ridicule and this

1:10:34.560 --> 1:10:38.200
<v Speaker 1>like taunting, and since you're maybe a little crazy already,

1:10:38.280 --> 1:10:41.000
<v Speaker 1>it starts to cycle on itself. You reach out and

1:10:41.000 --> 1:10:44.599
<v Speaker 1>you say, hey, this idea and they say that idea

1:10:44.800 --> 1:10:48.920
<v Speaker 1>and you say, oh, they hate me, oh, and you

1:10:49.000 --> 1:10:52.360
<v Speaker 1>vilify them the more. I don't even think that's saying

1:10:52.400 --> 1:10:56.800
<v Speaker 1>that they're crazy or imbalanced. But if you're constantly being rejected,

1:10:56.840 --> 1:10:59.160
<v Speaker 1>it's rejection, is what it is. You're being rejected on

1:10:59.200 --> 1:11:03.960
<v Speaker 1>this idea that will push you to either stop or

1:11:04.120 --> 1:11:06.920
<v Speaker 1>go to greater and greater extremes to get your message. Well,

1:11:06.960 --> 1:11:09.679
<v Speaker 1>I think you become reactive and you vilify the people

1:11:09.720 --> 1:11:14.040
<v Speaker 1>who are saying no to you. So you come up

1:11:14.080 --> 1:11:17.400
<v Speaker 1>with this other method, and your other method happens to

1:11:17.400 --> 1:11:20.040
<v Speaker 1>be these tiles, and you start laying these tiles over

1:11:20.080 --> 1:11:21.760
<v Speaker 1>and over again because you feel like this is the

1:11:21.800 --> 1:11:25.080
<v Speaker 1>only way you can get out. And then suddenly, because

1:11:25.120 --> 1:11:28.120
<v Speaker 1>you're you don't you're so reactive and so close did

1:11:28.240 --> 1:11:30.680
<v Speaker 1>people start coming to you and saying, hey, we think

1:11:30.680 --> 1:11:33.720
<v Speaker 1>you're doing this, and you go, no, no, I know

1:11:33.880 --> 1:11:36.559
<v Speaker 1>I'm not doing that. Stay away from me because if

1:11:36.600 --> 1:11:38.000
<v Speaker 1>I tell you I'm doing that, You're going to make

1:11:38.000 --> 1:11:41.559
<v Speaker 1>fun of me. It's kind of illegal. You could be fine, sure,

1:11:41.880 --> 1:11:44.559
<v Speaker 1>but you know, I think that there are some people

1:11:44.600 --> 1:11:47.880
<v Speaker 1>who have approached him in this very really honest way

1:11:47.960 --> 1:11:50.559
<v Speaker 1>and he who and if it's that person or not,

1:11:50.760 --> 1:11:55.840
<v Speaker 1>it doesn't matter. But to like react that strongly of

1:11:55.960 --> 1:12:00.200
<v Speaker 1>no reaction, you know, like just a complete like shut down,

1:12:00.520 --> 1:12:04.960
<v Speaker 1>just shoves him back and never answers, the door pushes away,

1:12:05.120 --> 1:12:08.120
<v Speaker 1>and you have not done anything for the last what

1:12:08.479 --> 1:12:12.280
<v Speaker 1>fifteen years at this point, right, Who's two thousand two

1:12:12.439 --> 1:12:17.800
<v Speaker 1>was the last ten twelve years? And that could be

1:12:17.920 --> 1:12:22.240
<v Speaker 1>all of the attention. It could be that the person

1:12:22.320 --> 1:12:25.720
<v Speaker 1>that's really doing it has died. It could be if

1:12:25.720 --> 1:12:28.000
<v Speaker 1>we're if we're going to run down it, Sevy. It

1:12:28.080 --> 1:12:31.240
<v Speaker 1>might be that he's so afraid to do it anymore,

1:12:32.360 --> 1:12:36.960
<v Speaker 1>or maybe he's disillusioned because of the copycat I mean again,

1:12:37.720 --> 1:12:41.200
<v Speaker 1>there is a thousand It's like, you know, there's so

1:12:41.280 --> 1:12:46.760
<v Speaker 1>much a million different directions speculation, but so but the

1:12:46.800 --> 1:12:48.800
<v Speaker 1>thing about it is is like, you know, if he's

1:12:48.840 --> 1:12:51.440
<v Speaker 1>got some sort of message for the world about about

1:12:51.520 --> 1:12:55.040
<v Speaker 1>his ideas for resurrecting the dead. Then he could have

1:12:55.120 --> 1:12:58.200
<v Speaker 1>picked a better format than you know, viol on the street,

1:12:58.240 --> 1:13:01.760
<v Speaker 1>because I mean and and on an telligible messages. I mean,

1:13:01.800 --> 1:13:04.240
<v Speaker 1>if he really has something to tell us about this,

1:13:05.240 --> 1:13:07.720
<v Speaker 1>then he could write a book, you know, you could

1:13:07.720 --> 1:13:11.439
<v Speaker 1>write letters to the editor, write something that's coherence. Actually,

1:13:12.040 --> 1:13:13.920
<v Speaker 1>I can't believe I'm going to do this. Step up.

1:13:14.040 --> 1:13:16.680
<v Speaker 1>I'm going to step up and and defend s a

1:13:16.680 --> 1:13:20.120
<v Speaker 1>little bit on this, okay, or whoever whoever it is.

1:13:20.640 --> 1:13:23.080
<v Speaker 1>I can't. I can't write a book because nobody will

1:13:23.080 --> 1:13:26.560
<v Speaker 1>publish it, and I don't have the money to self publish.

1:13:26.600 --> 1:13:29.000
<v Speaker 1>I can write letters to the editor till I'm blue

1:13:29.000 --> 1:13:31.680
<v Speaker 1>in the face, but that doesn't mean that they're going

1:13:31.720 --> 1:13:34.440
<v Speaker 1>to publish it, because you know they get a gazillion

1:13:34.680 --> 1:13:38.240
<v Speaker 1>every day. But and let's go a step further from that, right, Okay,

1:13:38.320 --> 1:13:40.800
<v Speaker 1>So if we're going to go with the David Mammitt

1:13:40.800 --> 1:13:43.720
<v Speaker 1>play connection a little bit, right, because it is a

1:13:43.760 --> 1:13:46.519
<v Speaker 1>little uncanny. You start to read it, really is that

1:13:46.600 --> 1:13:49.120
<v Speaker 1>David Mammitt stuff, and read everything you can about the

1:13:49.160 --> 1:13:51.840
<v Speaker 1>Toybee tiles and it's like some of it is like

1:13:51.920 --> 1:13:56.120
<v Speaker 1>phrase for phrase. Okay, So David Mammitt said oh no,

1:13:56.320 --> 1:13:58.240
<v Speaker 1>there was no caller. This like totally came up. I

1:13:58.240 --> 1:14:01.720
<v Speaker 1>think actually these tiles are reference to my play. But

1:14:01.920 --> 1:14:05.439
<v Speaker 1>very early, like right after he published the play, he said, yeah,

1:14:05.439 --> 1:14:07.559
<v Speaker 1>I heard an interview on Larry King Live at like

1:14:07.600 --> 1:14:10.600
<v Speaker 1>four o'clock in the morning, and uh, that's where I

1:14:10.600 --> 1:14:13.920
<v Speaker 1>got this idea. So okay, So Sevy or whoever it is, right,

1:14:14.080 --> 1:14:17.000
<v Speaker 1>calls Larry King Live and gets this phone interview and

1:14:17.000 --> 1:14:19.719
<v Speaker 1>then there's nothing done about it. So he like writes

1:14:19.840 --> 1:14:22.240
<v Speaker 1>to some dude at the Inquirer and there's like a

1:14:22.280 --> 1:14:25.120
<v Speaker 1>little like super skeptical kind of making fun of him thing,

1:14:25.160 --> 1:14:27.479
<v Speaker 1>and he like writes other letters to the editor. People

1:14:27.520 --> 1:14:30.559
<v Speaker 1>are just like saying no, no, no, no, no, dismissed,

1:14:30.560 --> 1:14:33.800
<v Speaker 1>dismiss dismiss. So he does these paste four or the

1:14:33.840 --> 1:14:37.840
<v Speaker 1>wheat paste stuff, right, but that's coming down that's not

1:14:37.880 --> 1:14:41.599
<v Speaker 1>permanent enough for him. What else can I do? Oh well,

1:14:41.600 --> 1:14:46.439
<v Speaker 1>but these tiles in it's more permanent. It's a way

1:14:46.479 --> 1:14:48.680
<v Speaker 1>that he knows how to get his message across a

1:14:48.720 --> 1:14:51.759
<v Speaker 1>little bit. And it probably so the person who writes

1:14:51.800 --> 1:14:55.200
<v Speaker 1>that makes total sense. Let's let's be totally honest here.

1:14:55.439 --> 1:15:02.520
<v Speaker 1>I agree with that, But those four lines that makes

1:15:02.720 --> 1:15:05.120
<v Speaker 1>But have you considered another possibility, which is that the

1:15:05.120 --> 1:15:08.680
<v Speaker 1>guy wasn't insane, You just really hated pedestrians, and a

1:15:08.760 --> 1:15:11.000
<v Speaker 1>really great way to get get people run out because

1:15:11.000 --> 1:15:12.960
<v Speaker 1>they're gonna stop and look at this and scratch their

1:15:12.960 --> 1:15:15.320
<v Speaker 1>head and not even noticed that bus coming towards. The

1:15:16.040 --> 1:15:20.360
<v Speaker 1>old ones. The old style ones are like there was

1:15:20.439 --> 1:15:24.240
<v Speaker 1>one in the entrance to like a turnpike, Um tunnel,

1:15:25.760 --> 1:15:28.240
<v Speaker 1>Holland Tunnel, and then like another one in the middle

1:15:28.240 --> 1:15:30.720
<v Speaker 1>of a fruit a different freeway, and they're like in

1:15:30.720 --> 1:15:33.160
<v Speaker 1>the middle of the streets and stuff like that. They're

1:15:33.200 --> 1:15:37.120
<v Speaker 1>not just on pedestrians. And the news style ones are

1:15:37.760 --> 1:15:41.840
<v Speaker 1>almost a hud geared towards pedestrians there in the middle

1:15:41.840 --> 1:15:43.960
<v Speaker 1>of the street, but they're like turned so that a

1:15:44.000 --> 1:15:47.080
<v Speaker 1>pedestrian on the sidewalk could see it. Instead of being

1:15:47.200 --> 1:15:50.439
<v Speaker 1>geared towards like the traffic going down the street, they're

1:15:50.479 --> 1:15:55.559
<v Speaker 1>turned horizontally so that the pedestrians could read it from

1:15:55.560 --> 1:15:58.080
<v Speaker 1>the sidewalk or they're in the middle of a crosswalk,

1:15:58.640 --> 1:16:01.760
<v Speaker 1>or they're on a sidewalk. And one of the things

1:16:01.760 --> 1:16:03.559
<v Speaker 1>that mystifies me about the one around the hot torn

1:16:03.600 --> 1:16:06.960
<v Speaker 1>as it picked probably one of the most one of

1:16:07.000 --> 1:16:11.920
<v Speaker 1>the least pedestrian intensive scratches of the street. Yeah, there's

1:16:11.920 --> 1:16:15.680
<v Speaker 1>one on MLK on like one of the least pedestrian

1:16:15.720 --> 1:16:19.200
<v Speaker 1>intense spaces too. And that's the other kind of question

1:16:19.240 --> 1:16:21.479
<v Speaker 1>mark about this is that, like, okay, so you're doing

1:16:21.520 --> 1:16:25.439
<v Speaker 1>these tiles in the middle of a freeway, Like, who

1:16:25.439 --> 1:16:27.639
<v Speaker 1>the hell is going to see that? Like you might

1:16:27.720 --> 1:16:30.160
<v Speaker 1>drive over it and be like, oh, there was something there,

1:16:30.560 --> 1:16:33.559
<v Speaker 1>but you can't read those four lines while driving over it,

1:16:33.840 --> 1:16:36.240
<v Speaker 1>you know. And it's not geared towards that it's not

1:16:36.400 --> 1:16:38.800
<v Speaker 1>written the opposite the way that they do signs, like

1:16:38.840 --> 1:16:42.519
<v Speaker 1>you know, in the middle of the accident, could have dropped.

1:16:43.560 --> 1:16:47.000
<v Speaker 1>That was a couple of accidents, though, don't you think. Okay,

1:16:47.000 --> 1:16:50.639
<v Speaker 1>so let's let's run with the guy's got a hole

1:16:50.760 --> 1:16:52.880
<v Speaker 1>in the floorboard of his car and he's got a

1:16:52.920 --> 1:16:55.280
<v Speaker 1>stack of these things prepped. Yeah, and he takes a

1:16:55.320 --> 1:17:00.080
<v Speaker 1>corner a little too fast and he runs over a

1:17:00.240 --> 1:17:02.840
<v Speaker 1>coup and then the car goes from whoo, and the

1:17:02.880 --> 1:17:06.040
<v Speaker 1>top one off the stack slides off, and there's no

1:17:06.080 --> 1:17:09.320
<v Speaker 1>way he's going to stop to grab it. That was

1:17:09.800 --> 1:17:14.080
<v Speaker 1>go on, Oh, well, I would just say that that

1:17:14.200 --> 1:17:17.400
<v Speaker 1>happened to be a very lucky landing because it looks

1:17:17.840 --> 1:17:22.200
<v Speaker 1>really intentional. Yeah, not like in a weird little It

1:17:22.320 --> 1:17:25.000
<v Speaker 1>is a lucky landing. And our of course said it

1:17:25.080 --> 1:17:28.880
<v Speaker 1>would about that would have landed upside down and reverse lettering.

1:17:29.280 --> 1:17:32.800
<v Speaker 1>I don't feel like we're missing something obvious here, don't

1:17:32.840 --> 1:17:35.320
<v Speaker 1>I mean, don't you don't right now. I just feel

1:17:35.360 --> 1:17:37.160
<v Speaker 1>like the answer is like literally on the tip of

1:17:37.200 --> 1:17:41.120
<v Speaker 1>my brain. I feel like I'm missing all of it. Really,

1:17:41.280 --> 1:17:46.240
<v Speaker 1>I mean, I still don't understand what this is about. Yeah, Scott,

1:17:46.520 --> 1:17:50.640
<v Speaker 1>the whole thing is just goofy. Yeah. So not not

1:17:50.760 --> 1:17:52.880
<v Speaker 1>that sounds like I'm dismissing you or being a jerk.

1:17:52.920 --> 1:17:55.280
<v Speaker 1>I just in my head it's goofy. I don't care,

1:17:56.080 --> 1:17:58.800
<v Speaker 1>And this is you know, this is one There have

1:17:59.000 --> 1:18:01.960
<v Speaker 1>not been any listener suggestions for it, but it has

1:18:02.000 --> 1:18:05.080
<v Speaker 1>been like, literally since we started talking about doing this show,

1:18:05.720 --> 1:18:09.000
<v Speaker 1>you know, years ago, this has been one that I've

1:18:09.000 --> 1:18:13.000
<v Speaker 1>been thinking, I got to do that. And I was

1:18:13.120 --> 1:18:16.000
<v Speaker 1>just saying to Steve like literally an hour before we recorded,

1:18:16.040 --> 1:18:20.639
<v Speaker 1>I was like, I'm not ready. I can't do it, um.

1:18:20.680 --> 1:18:23.200
<v Speaker 1>And I think that's just kind of how it's always

1:18:23.200 --> 1:18:28.200
<v Speaker 1>going to be with this story. So I guess um,

1:18:28.240 --> 1:18:30.200
<v Speaker 1>if you want to check out the pictures of the

1:18:30.240 --> 1:18:34.240
<v Speaker 1>tiles or any of the links, UH will link the

1:18:34.240 --> 1:18:37.920
<v Speaker 1>documentary that we've been talking about. Um, you can find

1:18:37.920 --> 1:18:40.440
<v Speaker 1>all that stuff at our website, which is Thinking Sideways

1:18:40.560 --> 1:18:44.000
<v Speaker 1>podcast dot com. If you come up with a really

1:18:44.120 --> 1:18:48.040
<v Speaker 1>brilliant theory of some kind, please email us, like seriously,

1:18:48.080 --> 1:18:52.320
<v Speaker 1>please email us. UM. It's Thinking Sideways Podcast at gmail

1:18:52.360 --> 1:18:55.360
<v Speaker 1>dot com. And by the way, if you are the tyler,

1:18:55.439 --> 1:18:57.920
<v Speaker 1>would you just as a as a little president, do

1:18:58.320 --> 1:19:00.360
<v Speaker 1>some of those tiles, a whole bunch of them thinking

1:19:00.439 --> 1:19:02.960
<v Speaker 1>Sideways and put them on the streets. We would really

1:19:03.000 --> 1:19:08.280
<v Speaker 1>appreciate it. That would be great awesome. You can also

1:19:08.520 --> 1:19:10.719
<v Speaker 1>you can always leave us a comment on our website

1:19:10.720 --> 1:19:13.439
<v Speaker 1>if you're listening there. UM, a lot of people are

1:19:13.439 --> 1:19:15.599
<v Speaker 1>trying to get in touch with us. With us that way,

1:19:15.640 --> 1:19:17.600
<v Speaker 1>we try to get back to you, you know, in

1:19:17.640 --> 1:19:20.680
<v Speaker 1>a fairly timely manner. UM. If you're not listening on

1:19:20.680 --> 1:19:24.760
<v Speaker 1>our website, you're probably listening on iTunes. You are leave

1:19:24.840 --> 1:19:26.759
<v Speaker 1>us a comment in a rating so that other people

1:19:27.040 --> 1:19:30.240
<v Speaker 1>can listen to us and find us. Find us on Facebook,

1:19:30.920 --> 1:19:33.200
<v Speaker 1>you can stream us on Stitcher. If you forget to

1:19:33.320 --> 1:19:38.839
<v Speaker 1>download us UM on any mobile ready device. Yeah, so

1:19:39.320 --> 1:19:45.599
<v Speaker 1>I guess my Yeah, I think so. I think that's

1:19:45.600 --> 1:19:48.000
<v Speaker 1>my feeling, right like, I can't verbalize it any better

1:19:48.040 --> 1:19:55.120
<v Speaker 1>than that, but so I'm tired of this story anyway. No,

1:19:56.120 --> 1:20:00.360
<v Speaker 1>this just doesn't deserve it, you right, Sorry, Sorry, I

1:20:00.400 --> 1:20:03.800
<v Speaker 1>think it's David Mabbott. You know that would be a

1:20:03.880 --> 1:20:05.400
<v Speaker 1>hell of a publicity stunt.