WEBVTT - Classic Replay Music Saved Me with Brian Harris-CEO of MedRhythms

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<v Speaker 1>Music Saved Me.

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<v Speaker 2>We're understanding in a much more objective way the power

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<v Speaker 2>of music on the human brain. Do we know that

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<v Speaker 2>it activates our brain like nothing else on earth? You

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<v Speaker 2>know that when you just listen to music, the parts

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<v Speaker 2>of your brain that are responsible for movement, language, attention, memory, emotion,

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<v Speaker 2>all of these things are activated when we just listen

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<v Speaker 2>to music. And there's nothing else on earth that activates

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<v Speaker 2>our brain like music does.

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<v Speaker 3>I'm Lyn Hoffman, and welcome and thank you so much

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<v Speaker 3>for joining us for another episode of the Music Saved

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<v Speaker 3>Me Podcast, the podcast where we discuss the healing powers

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<v Speaker 3>of music with artists and musicians. Now, if you like

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<v Speaker 3>this podcast, we think you'll like our companion podcast called

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<v Speaker 3>Taken a Walk, hosted by the awesome buzz Night. Now,

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<v Speaker 3>today we're taking a slightly different angle with our discussion,

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<v Speaker 3>because today we get to talk about the actual scientific

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<v Speaker 3>connection of music's healing powers with one get this of

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<v Speaker 3>only two hundred and fifty music therapy fellows in the

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<v Speaker 3>world and the creator of the first ever FDA approved

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<v Speaker 3>prescription music product for stroke victims, mister Brian Harris, who

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<v Speaker 3>is also the CEO of med Rhythms, a company he

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<v Speaker 3>founded after carving out a quite remarkable career as a

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<v Speaker 3>neurological music therapist. Brian Harris, Welcome to Music Saved Me.

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<v Speaker 4>Well, thank you so much. It's really an honor to

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<v Speaker 4>be here.

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<v Speaker 3>Well, this is fascinating stuff because everyone understands that music

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<v Speaker 3>can be very powerful as a tool, but it would

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<v Speaker 3>seem that you have proven, beyond a shadow of a

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<v Speaker 3>doubt that the healing power of music is really far

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<v Speaker 3>bigger than anyone could have ever imagined.

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<v Speaker 4>Am I right, Yeah, it's really incredible.

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<v Speaker 2>I think all of us as humans have the experience

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<v Speaker 2>where music has changed us in some way. It's made

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<v Speaker 2>us feel emotions, happy, sad, etc. But now, through the

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<v Speaker 2>advancements of neurotechnology, neuroimaging, neuroscience, we can begin to understand

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<v Speaker 2>music in a completely different way. And that way is

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<v Speaker 2>really through the objective power that it has to impact

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<v Speaker 2>our brain, which is much bigger than I think what

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<v Speaker 2>we expected or what we've known to date. And it's

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<v Speaker 2>really an exciting time to be doing this work.

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<v Speaker 3>It sure is now I've read I'm going to go

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<v Speaker 3>a little out of order here because usually I like

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<v Speaker 3>to start at the beginning, like where were you when

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<v Speaker 3>things first began. But I read something so powerful yesterday

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<v Speaker 3>that I have to share it with our audience. You said,

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<v Speaker 3>you believe that right now, what you and your colleagues

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<v Speaker 3>know about the power of music through the lens of

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<v Speaker 3>neuroscience and what you're seeing in real clinical practice, is

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<v Speaker 3>that music will change the future of global healthcare. Can

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<v Speaker 3>you explain to us exactly what that means, because it

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<v Speaker 3>sounds so exciting and promising.

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<v Speaker 4>Yeah, it is very exciting.

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<v Speaker 2>And I think when we think about that very statement

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<v Speaker 2>that I make in a lot of my presentations when

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<v Speaker 2>I talk about the science, is I believe to my

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<v Speaker 2>core that it will change.

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<v Speaker 4>The future landscape of global healthcare.

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<v Speaker 2>Because number one, we're understanding in a much more objective

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<v Speaker 2>way the power of music on the human brain. That

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<v Speaker 2>we know that it activates our brain like nothing else

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<v Speaker 2>on earth. You know that when you just listen to music,

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<v Speaker 2>the parts of your brain that are wasponsible for movement, language, attention, memory, emotion,

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<v Speaker 2>all of these things are activated when we just listen

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<v Speaker 2>to music. And there's nothing else on earth that activates

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<v Speaker 2>our brain like music does. But it's also been shown

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<v Speaker 2>that when you engage in music, so when we actually

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<v Speaker 2>provide these interventions to our patients that have diagnoses across

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<v Speaker 2>the board from stroke, Parkinson's disease, multiple scrosses, whatever it

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<v Speaker 2>might be, that we can actually improve those functions that

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<v Speaker 2>I just mentioned. So we can help somebody to walk

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<v Speaker 2>better with the power of music, we can help somebody

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<v Speaker 2>speak better with the power of music. And this is

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<v Speaker 2>through objective science that we can see these outcomes. And

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<v Speaker 2>so when you think about the broad applicability of how

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<v Speaker 2>music impacts our brain and literally how it can be

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<v Speaker 2>applied to our patients across the board with a number

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<v Speaker 2>of disease states, the power is there to change the

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<v Speaker 2>landscape of healthcare.

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<v Speaker 4>We just have to implement it the right way.

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<v Speaker 3>So if we could rewind, because that's just incredible news,

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<v Speaker 3>and I'm sure a lot of people are very perked

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<v Speaker 3>up right now to think about the application. Do you

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<v Speaker 3>remember and we're going to get to that, by the way,

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<v Speaker 3>I want to talk about all of this stuff, but

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<v Speaker 3>first I want to know when your first personal connection

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<v Speaker 3>with music was and how it impacted you and made

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<v Speaker 3>you really get interested in it.

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<v Speaker 2>Yeah, I've always been a musician. I've loved to play.

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<v Speaker 2>I grew up as a violist first and then learned

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<v Speaker 2>to play the drums and became a drum set player

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<v Speaker 2>and just really loved that. And for me, when I

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<v Speaker 2>think about the moment, there was a singular moment that

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<v Speaker 2>actually changed my life when I witnessed the power of

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<v Speaker 2>music that really threw me down to this trajectory to

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<v Speaker 2>try to answer these questions and try to bring this

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<v Speaker 2>to people. And that moment was when I was in

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<v Speaker 2>my undergrad I went to the University of Maine and

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<v Speaker 2>I took an online course in music therapy that at

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<v Speaker 2>the time was taught by the only private practicing music

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<v Speaker 2>therapist in the state of Maine, so there was very

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<v Speaker 2>very few people that were doing this work. And I

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<v Speaker 2>had an opportunity to intern with him one summer, and

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<v Speaker 2>he was working with children and adults with severe developmental delays.

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<v Speaker 2>And the very first time I ever witnessed music therapy

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<v Speaker 2>in the presence of one of his clients. He was

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<v Speaker 2>working with an eighteen year old that was physically and

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<v Speaker 2>cognitively functioning at about a one year old level, so

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<v Speaker 2>he was wheelchair round, couldn't speak, really had limited interactions

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<v Speaker 2>with his environment at all. And this music therapist was

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<v Speaker 2>not trained at the time in the neuroscience of music,

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<v Speaker 2>but began to do live music with this boy, and

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<v Speaker 2>within about ten minutes of him being in the presence

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<v Speaker 2>of this music, he began to cognitively function at a

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<v Speaker 2>higher level than what anybody in his life had seen before.

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<v Speaker 2>So literally, his family and the people that worked with

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<v Speaker 2>him every day came in the room and they were

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<v Speaker 2>in tears because they couldn't believe how this boy was functioning.

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<v Speaker 2>And it was at that moment in time that literally

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<v Speaker 2>changed my life because I said, a I need to

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<v Speaker 2>be using music in this way. This is my calling

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<v Speaker 2>in life. And number two, if we can understand how

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<v Speaker 2>this happened, And while witnessing this in real time was

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<v Speaker 2>really a magical thing to witness, right, But I said,

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<v Speaker 2>there must be a reason why his brain allowed himself

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<v Speaker 2>to respond this way to music. And if we can

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<v Speaker 2>answer that question, that's when we can really harness the

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<v Speaker 2>power of music and then replicate it to help a

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<v Speaker 2>lot of people. So not trying to take the feeling out,

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<v Speaker 2>but take the magic out and put the science in

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<v Speaker 2>so that we replicate it with more people.

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<v Speaker 3>Well, how did your career path after that happen take

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<v Speaker 3>you to Spalding Rehabilitation Hospital in Boston, which really was

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<v Speaker 3>the genesis of men rhythms, right.

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<v Speaker 4>Yeah. Absolutely.

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<v Speaker 2>After that moment, I decided that I was going to

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<v Speaker 2>get a master's degree in music therapy, to become a

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<v Speaker 2>board certified music therapist and really focus all of my

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<v Speaker 2>energy on understanding the neuroscience of music, but more specifically

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<v Speaker 2>than just the neuroscience of music, but really understanding how

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<v Speaker 2>it can be clinically applied, which is through a sector

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<v Speaker 2>of the field that's called neurologic music therapy that does

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<v Speaker 2>just that. And so I spent a lot of time

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<v Speaker 2>and energy learning and focusing on that, and then went

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<v Speaker 2>to Spalding and I was very fortunate enough to get

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<v Speaker 2>an internship there, and then they turned that internship into

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<v Speaker 2>a full time role, and it was in that role

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<v Speaker 2>of building their music therapy program. I was working primarily

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<v Speaker 2>with stroke and brain injury patients. And after I started

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<v Speaker 2>their program there, what we were seeing was that patients

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<v Speaker 2>were getting better, faster, with greater results. And we now

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<v Speaker 2>had the neuroscience to not only explain how it was possible,

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<v Speaker 2>but also how we could standardize and replicate it so

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<v Speaker 2>we could tell you here's why this patient's able to

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<v Speaker 2>walk better, faster, etc. When we do this intervention, and

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<v Speaker 2>here's how we can replicate this intervention with different patients,

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<v Speaker 2>and we would see these replicable outcomes. And so very

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<v Speaker 2>quickly after I started that program, that demand for the

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<v Speaker 2>services within the hospital, so from doctors who are asking

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<v Speaker 2>me to see their patients, but also from patients and

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<v Speaker 2>their family members who were saying, you know, Brian, you

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<v Speaker 2>helped my dad walk again.

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<v Speaker 4>How do I get more of this when I leave

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<v Speaker 4>the hospital?

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<v Speaker 2>And at the time when I was delivering this care

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<v Speaker 2>in the hospital, the answer was there's nothing you can do.

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<v Speaker 2>And really, you know, as a clinician, that was really

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<v Speaker 2>an awful conversation they have with patients and their family

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<v Speaker 2>members on a regular basis. And so it was really

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<v Speaker 2>based upon those results that we were seeing in the

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<v Speaker 2>clinic and the demand that we were seeing that we

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<v Speaker 2>started med Rhythms really around that fundamental mission of how

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<v Speaker 2>can we bring this important care from inside the hospital

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<v Speaker 2>to patients around the world that we believe not only

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<v Speaker 2>need it, but really fundamentally deserve to have access to it.

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<v Speaker 4>And that was really the genesis of the company.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, Well, first of all, I don't know how many

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<v Speaker 3>of us, even hearing you talk right now, knew that

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<v Speaker 3>there was anything like music therapy that was offered, let

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<v Speaker 3>alone all the way up the chain into neuroscience and

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<v Speaker 3>what you're doing. So congratulations on bringing it to the forefront.

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<v Speaker 3>I want to talk about med rhythms and how neuroscience

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<v Speaker 3>and music intersect, specifically intersect, because it's fascinating and I'm

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<v Speaker 3>guessing it's like in your company name, rhythm has a

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<v Speaker 3>lot to do with it.

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<v Speaker 1>Is that correct?

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<v Speaker 2>Yeah, rhythm has a lot to do with it, and

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<v Speaker 2>rhythm is a primary driver of the brain functions in

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<v Speaker 2>terms of how we see outcomes. It's a really important

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<v Speaker 2>queue for the human brain that allows it to function

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<v Speaker 2>more efficiently and activates parts of the brain that other

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<v Speaker 2>things can't.

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<v Speaker 1>Can you give it?

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<v Speaker 3>I heard you speak about things like live preferred music

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<v Speaker 3>and neuroplasticity, and I know that's very scientific for people

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<v Speaker 3>listening right.

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<v Speaker 1>Now, they're like, oh, wait a minute, what are you

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<v Speaker 1>talking about?

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<v Speaker 3>But I mean a specific example maybe of what you've

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<v Speaker 3>witnessed beyond what we just talked about in terms of

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<v Speaker 3>using your product, which we're going to get to exactly

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<v Speaker 3>what it is, but rhythms, meaning like people walking on

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<v Speaker 3>a rhythm, or how certain things connect in the brain

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<v Speaker 3>to make you understand that you need to do more

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<v Speaker 3>with your speech or your movement after suffering from a stroke.

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<v Speaker 2>Yeah, So what's really amazing about the power of music,

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<v Speaker 2>and if we think about rhythms specifically, what the research

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<v Speaker 2>shows is that when we as humans and these are

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<v Speaker 2>this is objective neuroscience, so regardless of age or culture,

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<v Speaker 2>or ability or disability, everybody's brain objectively responds the same

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<v Speaker 2>to music. And when we think about rhythm, what's really

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<v Speaker 2>exciting about that is what the research shows is that

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<v Speaker 2>when we hear an external rhythm in our environment, like

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<v Speaker 2>the rhythm of music, that it activates the auditory system

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<v Speaker 2>of the human brain. So the part of your brain

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<v Speaker 2>that's responsible for hearing because you hear the rhythm, but

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<v Speaker 2>that the auditory system and the motor system, so the

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<v Speaker 2>part of your brain that's responsible for movement are actually

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<v Speaker 2>richly connected at both what we call the conscious and

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<v Speaker 2>the subconscious levels in the brain, such that you can

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<v Speaker 2>use an external rhythm to activate the motor system or

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<v Speaker 2>the part of your brain that's responsible for movement.

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<v Speaker 1>Can give me an example of that real yes.

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<v Speaker 2>And so what this means for typically for people who

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<v Speaker 2>are neurologically healthy, is that that's the reason why when

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<v Speaker 2>we listen to music that has a strong beat to it,

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<v Speaker 2>we want to tap our feet, we want to move

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<v Speaker 2>our bodies, we want to tap our fingers. That's not

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<v Speaker 2>an emotional reaction to music. That's the rhythm literally telling

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<v Speaker 2>our motor system to fire. And if you ever wanted

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<v Speaker 2>to actually test this out, I would encourage you to either,

0:11:20.800 --> 0:11:22.600
<v Speaker 2>you know, listen to music that has a strong beat

0:11:22.640 --> 0:11:25.600
<v Speaker 2>to it, try to tap along to the beat of

0:11:25.600 --> 0:11:26.040
<v Speaker 2>the music.

0:11:26.240 --> 0:11:29.160
<v Speaker 4>You'll be able to do that very easily and quickly.

0:11:29.720 --> 0:11:31.320
<v Speaker 2>And then if you try to do the same thing

0:11:31.360 --> 0:11:34.240
<v Speaker 2>but not tap along to the beat of the music,

0:11:34.480 --> 0:11:38.080
<v Speaker 2>it's nearly impossible for you to not entrain what we

0:11:38.120 --> 0:11:40.280
<v Speaker 2>call entrainment, which is like moving to the beat.

0:11:40.120 --> 0:11:40.600
<v Speaker 4>Of the music.

0:11:41.000 --> 0:11:44.440
<v Speaker 2>It's nearly impossible because the rhythm is literally giving your

0:11:44.440 --> 0:11:47.240
<v Speaker 2>motor system a signal to fire. And in order for

0:11:47.320 --> 0:11:49.920
<v Speaker 2>you to not move along to the rhythm, you actually

0:11:49.920 --> 0:11:52.920
<v Speaker 2>have to come up with some sort of strategy cognitively

0:11:53.400 --> 0:11:56.680
<v Speaker 2>to not listen to what's in your environment. So what's

0:11:56.720 --> 0:11:59.679
<v Speaker 2>amazing about that is that That also applies to those

0:11:59.679 --> 0:12:04.000
<v Speaker 2>who have damage to the motor system stroke, Parkinson's disease, etc.

0:12:04.520 --> 0:12:07.959
<v Speaker 2>We can use an external rhythm to engage the part

0:12:07.960 --> 0:12:10.240
<v Speaker 2>of their brain that's responsible for movement, and when we

0:12:10.320 --> 0:12:13.800
<v Speaker 2>do that, it improves their walking ability, it improves their

0:12:13.840 --> 0:12:14.640
<v Speaker 2>clinical outcomes.

0:12:15.800 --> 0:12:19.080
<v Speaker 3>And what about with speech, because I do know that

0:12:19.600 --> 0:12:23.520
<v Speaker 3>stroke sufferers do have a really hard time expressing what

0:12:23.559 --> 0:12:25.880
<v Speaker 3>they're thinking in their mind getting it out of their mouth,

0:12:26.120 --> 0:12:28.800
<v Speaker 3>and that's going to be extremely frustrating for people who

0:12:28.800 --> 0:12:30.880
<v Speaker 3>are still in the prime of their lives trying to

0:12:30.920 --> 0:12:31.560
<v Speaker 3>get through it.

0:12:32.080 --> 0:12:33.960
<v Speaker 1>This is going to be a game changer for people.

0:12:34.760 --> 0:12:38.000
<v Speaker 2>Yeah, And as we think specifically about language, what's really

0:12:38.360 --> 0:12:42.280
<v Speaker 2>fascinating is that these patients who have it's called aphasia

0:12:42.360 --> 0:12:45.040
<v Speaker 2>as a clinical term, that which is the inability to

0:12:45.160 --> 0:12:49.040
<v Speaker 2>speak language. But we've noticed that many times people who

0:12:49.080 --> 0:12:53.320
<v Speaker 2>can't speak can sing. So they have no expressive language,

0:12:53.320 --> 0:12:56.360
<v Speaker 2>but they could sing lines of songs. And the reason

0:12:56.440 --> 0:13:00.000
<v Speaker 2>why that is is because, as I mentioned earlier, music

0:13:00.120 --> 0:13:04.640
<v Speaker 2>really activates the entire brain, and the speech center of

0:13:04.679 --> 0:13:08.160
<v Speaker 2>the brain is localized to one very specific area. So

0:13:08.200 --> 0:13:11.280
<v Speaker 2>if there's damage to that speech center, we can use

0:13:11.480 --> 0:13:14.959
<v Speaker 2>music to activate the rest of the brain to help

0:13:15.200 --> 0:13:19.280
<v Speaker 2>improve the language outcomes and essentially teach the brain to

0:13:19.520 --> 0:13:23.520
<v Speaker 2>use the undamaged parts of the brain to speak language.

0:13:23.559 --> 0:13:26.240
<v Speaker 2>So we teach people to speak again through what looks

0:13:26.360 --> 0:13:27.200
<v Speaker 2>like singing.

0:13:27.920 --> 0:13:32.760
<v Speaker 3>That's incredible, absolutely incredible. You and your team, as I

0:13:32.800 --> 0:13:37.200
<v Speaker 3>mentioned upfront in the intro, created the first product for this.

0:13:37.320 --> 0:13:38.920
<v Speaker 3>I can't even believe I'm saying it, but you created

0:13:38.920 --> 0:13:41.440
<v Speaker 3>the first product for stroke survivors listed with the FDA.

0:13:42.520 --> 0:13:46.840
<v Speaker 3>Can you tell us about the world's first prescription music product,

0:13:46.840 --> 0:13:48.479
<v Speaker 3>now there's a prescription I would.

0:13:48.280 --> 0:13:52.680
<v Speaker 2>Like, Yeah, it's certainly it's an exciting moment for us.

0:13:52.679 --> 0:13:54.840
<v Speaker 2>I mean, especially as a as a music therapist to

0:13:54.880 --> 0:13:58.840
<v Speaker 2>be bringing the science but also bringing this application into

0:13:58.880 --> 0:14:02.280
<v Speaker 2>the world and the The product that we've built is

0:14:02.320 --> 0:14:04.880
<v Speaker 2>a product that's called our first product for chronic stroke survivors,

0:14:05.000 --> 0:14:08.640
<v Speaker 2>is called in Tandem, and it essentially uses rhythm to

0:14:08.720 --> 0:14:11.560
<v Speaker 2>help patients improve their walking who have had a stroke.

0:14:12.120 --> 0:14:16.760
<v Speaker 2>And it uses an intervention that's called rhythmic auditory stimulation.

0:14:17.120 --> 0:14:18.959
<v Speaker 4>So we're using rhythm to activate.

0:14:18.600 --> 0:14:21.240
<v Speaker 2>The auditory system, which act activates the part of the

0:14:21.240 --> 0:14:24.800
<v Speaker 2>brain that's responsible for a movement to improve those outcomes.

0:14:25.280 --> 0:14:28.400
<v Speaker 2>As we were building the product, we did multiple successful

0:14:28.400 --> 0:14:31.880
<v Speaker 2>clinical trials, so we believe that it worked. I saw

0:14:32.120 --> 0:14:34.320
<v Speaker 2>that it would work in clinic when I was doing

0:14:34.400 --> 0:14:37.120
<v Speaker 2>it with live music treating patients in the hospital, And

0:14:37.240 --> 0:14:40.720
<v Speaker 2>essentially I taught the product how to think like a

0:14:40.760 --> 0:14:43.200
<v Speaker 2>clinician because we wanted it to be able to be

0:14:43.240 --> 0:14:46.440
<v Speaker 2>delivered autonomously in the home setting, without the need of

0:14:46.440 --> 0:14:49.320
<v Speaker 2>a clinician to be present. So we built a product

0:14:49.360 --> 0:14:51.920
<v Speaker 2>that has sensors that connect to the shoe that collect

0:14:52.000 --> 0:14:55.680
<v Speaker 2>clinical grade data about how patients are walking. That data

0:14:55.720 --> 0:14:58.200
<v Speaker 2>feeds into an algorithm that's based upon a mobile device,

0:14:58.360 --> 0:15:01.080
<v Speaker 2>and then we deliver music via Ahead fund and the

0:15:01.120 --> 0:15:04.600
<v Speaker 2>core being these algorithms where I essentially I taught the algorithm.

0:15:04.600 --> 0:15:07.000
<v Speaker 2>You know, when you see X data from the walking,

0:15:07.360 --> 0:15:09.800
<v Speaker 2>do why with the music? When you see why data

0:15:09.880 --> 0:15:12.880
<v Speaker 2>come in, do zee with the music. And because of that,

0:15:13.200 --> 0:15:15.680
<v Speaker 2>it can be an autonomous system where every patient gets

0:15:15.680 --> 0:15:18.920
<v Speaker 2>a customize intervention based upon how they're walking in that moment.

0:15:19.360 --> 0:15:22.760
<v Speaker 2>But we had to go through multiple successful clinical trials

0:15:23.800 --> 0:15:27.480
<v Speaker 2>really in a clinically rigorous way, right, because if we're

0:15:27.520 --> 0:15:29.320
<v Speaker 2>going to claim about the product or we want it

0:15:29.360 --> 0:15:32.040
<v Speaker 2>to be used with patients. It's really important for us

0:15:32.040 --> 0:15:33.680
<v Speaker 2>that we believe that it can work and that we

0:15:33.760 --> 0:15:36.040
<v Speaker 2>prove that it can work. And so we did multiple

0:15:36.040 --> 0:15:38.880
<v Speaker 2>successful clinical trials there and then we were able to

0:15:38.960 --> 0:15:41.960
<v Speaker 2>list it with the FDA as a Class two prescription

0:15:42.040 --> 0:15:45.280
<v Speaker 2>medical device, and then you know, now on our way

0:15:45.320 --> 0:15:48.400
<v Speaker 2>to actually bringing it to patients who needed and that's

0:15:48.520 --> 0:15:51.480
<v Speaker 2>a very long process. I set it in about thirty seconds.

0:15:51.600 --> 0:15:54.360
<v Speaker 2>That's a very long, years long process to get through that,

0:15:54.480 --> 0:15:57.160
<v Speaker 2>to demonstrate its efficacy, and now we're at a point

0:15:57.160 --> 0:15:59.520
<v Speaker 2>where we can begin to bring into the patients who

0:15:59.560 --> 0:15:59.800
<v Speaker 2>need it.

0:16:00.120 --> 0:16:03.880
<v Speaker 3>Brian, I watched a video from twenty eighteen where you

0:16:04.080 --> 0:16:07.200
<v Speaker 3>showed someone who had survived a stroke walking with a

0:16:07.240 --> 0:16:12.440
<v Speaker 3>lot of help doing therapy, and minutes after you did

0:16:12.440 --> 0:16:15.200
<v Speaker 3>a test with them with that rhythm, the therapy that

0:16:15.200 --> 0:16:17.000
<v Speaker 3>you were talking about. This is back in twenty eighteen,

0:16:17.320 --> 0:16:21.640
<v Speaker 3>and they showed him walking totally different, like immediate, It

0:16:21.680 --> 0:16:24.960
<v Speaker 3>was almost immediate. So after seeing that, I was I

0:16:25.080 --> 0:16:27.240
<v Speaker 3>just can't even describe to you what I was thinking.

0:16:27.280 --> 0:16:29.720
<v Speaker 3>And I here we are twenty twenty five, and you're

0:16:29.880 --> 0:16:33.440
<v Speaker 3>like on the cusp of everything exploding in such a

0:16:33.440 --> 0:16:36.600
<v Speaker 3>fantastic way. Another thing that gets me excited is you

0:16:36.600 --> 0:16:39.600
<v Speaker 3>have a collaboration with a number of partners, including Universal

0:16:39.720 --> 0:16:42.120
<v Speaker 3>Music who is incredible too.

0:16:42.280 --> 0:16:43.360
<v Speaker 1>Can you tell us about that.

0:16:43.920 --> 0:16:46.640
<v Speaker 3>I'm like, I'm tearing up here because I'm just thinking

0:16:46.680 --> 0:16:48.840
<v Speaker 3>about the applications and how many people you're gonna help

0:16:48.840 --> 0:16:50.000
<v Speaker 3>and it's phenomenal.

0:16:50.520 --> 0:16:52.040
<v Speaker 4>Well, I appreciate the comment.

0:16:52.400 --> 0:16:55.280
<v Speaker 2>It's exciting for us too, and you know, our partnership

0:16:55.280 --> 0:16:57.880
<v Speaker 2>with Universal Music Group has been amazing. And you know,

0:16:57.920 --> 0:17:01.640
<v Speaker 2>we use music obviously as we deliver for the intervention,

0:17:01.960 --> 0:17:03.800
<v Speaker 2>and what the research shows is that if you can

0:17:03.800 --> 0:17:07.520
<v Speaker 2>do rhythmic auditory stimulation, so this intervention with music that

0:17:07.560 --> 0:17:11.600
<v Speaker 2>people like, it actually enhances the clinical outcomes. But also,

0:17:11.640 --> 0:17:14.520
<v Speaker 2>in addition to enhancing the clinical outcomes, we want people

0:17:14.600 --> 0:17:16.199
<v Speaker 2>to do this on their own and their home, so

0:17:16.200 --> 0:17:17.760
<v Speaker 2>we want it to be engaging and we want it

0:17:17.800 --> 0:17:20.880
<v Speaker 2>to be motivating, and so we worked with Universal Music

0:17:20.920 --> 0:17:24.439
<v Speaker 2>Group to actually get access to their catalog of music,

0:17:24.960 --> 0:17:27.960
<v Speaker 2>so you know a number of different artists that patients

0:17:28.000 --> 0:17:30.000
<v Speaker 2>can choose from, so they get to choose the music

0:17:30.000 --> 0:17:32.919
<v Speaker 2>that they love, and then our algorithms essentially make it

0:17:33.000 --> 0:17:36.040
<v Speaker 2>therapeutically valuable for them and it's really been an honor

0:17:36.080 --> 0:17:38.119
<v Speaker 2>to work. I mean for me coming up from a

0:17:38.800 --> 0:17:42.920
<v Speaker 2>musician's background becoming a clinician, to have the music industry

0:17:43.080 --> 0:17:46.760
<v Speaker 2>engage what we're doing in what we're doing in such

0:17:46.760 --> 0:17:50.080
<v Speaker 2>a profound and exciting way. UMG has just been amazing

0:17:50.119 --> 0:17:53.200
<v Speaker 2>partners to us. I mean, they've made it very clear

0:17:53.240 --> 0:17:54.960
<v Speaker 2>that they care about our patients, which is what I

0:17:55.000 --> 0:17:58.040
<v Speaker 2>care about the most, but that they're supporting us across

0:17:58.080 --> 0:18:00.960
<v Speaker 2>the board. And that's really been an amazing partnership from us.

0:18:01.240 --> 0:18:03.600
<v Speaker 2>Because we're also as we build the product, right, you know,

0:18:03.640 --> 0:18:06.560
<v Speaker 2>we have to demonstrate the music aspect. We have to

0:18:06.560 --> 0:18:09.520
<v Speaker 2>demonstrate the clinical efficacy. You know, this is not just

0:18:09.760 --> 0:18:12.120
<v Speaker 2>here's a random playlist for you to listen to while

0:18:12.160 --> 0:18:14.320
<v Speaker 2>you walk, because we know that that doesn't work to

0:18:14.400 --> 0:18:18.040
<v Speaker 2>yield outcomes. We have to pair the user experience and

0:18:18.080 --> 0:18:22.159
<v Speaker 2>the music with our own clinical algorithms to show that

0:18:22.200 --> 0:18:25.840
<v Speaker 2>we can actually make a clinical change in these patients' lives.

0:18:25.880 --> 0:18:27.880
<v Speaker 4>And UMG has been a really important part of.

0:18:27.800 --> 0:18:31.520
<v Speaker 3>That certainly, and such exciting stuff to look forward to.

0:18:31.880 --> 0:18:35.280
<v Speaker 3>Can I what does it look like the device? I

0:18:35.320 --> 0:18:37.240
<v Speaker 3>know that sounds like an odd question, but I'm trying

0:18:37.280 --> 0:18:39.640
<v Speaker 3>to envision what this is. Is it just like an

0:18:39.640 --> 0:18:41.640
<v Speaker 3>earpiece or yeah.

0:18:41.680 --> 0:18:47.400
<v Speaker 2>So the kit has three components. There's two biomechanical footborn sensors,

0:18:47.480 --> 0:18:50.480
<v Speaker 2>so they actually are small sensors that are I guess

0:18:50.520 --> 0:18:56.800
<v Speaker 2>about the size of two thumbs together. That clip onto

0:18:56.880 --> 0:18:59.639
<v Speaker 2>any shoe, so a patient can wear any shoe that

0:18:59.640 --> 0:19:01.760
<v Speaker 2>they want, as long as a safe shoe for them

0:19:01.800 --> 0:19:06.200
<v Speaker 2>to wear. Clip the sensor on. Then there's a mobile device,

0:19:06.920 --> 0:19:10.119
<v Speaker 2>so a small mobile device that has just our application

0:19:10.200 --> 0:19:14.200
<v Speaker 2>on it. And then there's a set of headphones. All

0:19:14.240 --> 0:19:17.159
<v Speaker 2>of that is Bluetooth connected. Before a patient gets in,

0:19:17.480 --> 0:19:19.600
<v Speaker 2>so all they have to do is open the product

0:19:19.880 --> 0:19:22.479
<v Speaker 2>and put it on. So they connect the sensor one

0:19:22.520 --> 0:19:26.560
<v Speaker 2>to each shoe, they start the program on the mobile device,

0:19:26.720 --> 0:19:30.200
<v Speaker 2>and then they put the headphones on they begin to walk.

0:19:30.400 --> 0:19:32.960
<v Speaker 2>As they begin to walk, the sensors are collecting the

0:19:33.040 --> 0:19:35.560
<v Speaker 2>data about how they're walking, which is all the things

0:19:35.560 --> 0:19:37.359
<v Speaker 2>that I would be looking at as a clinician if

0:19:37.359 --> 0:19:38.359
<v Speaker 2>I was treating a patient.

0:19:38.840 --> 0:19:39.919
<v Speaker 4>That data is feeding.

0:19:39.680 --> 0:19:42.120
<v Speaker 2>Into the algorithm, and then the music that they hear

0:19:42.640 --> 0:19:45.880
<v Speaker 2>is changing based upon how they're walking, and throughout a

0:19:45.920 --> 0:19:49.280
<v Speaker 2>real thirty minute session, the music's changing to actually drive

0:19:49.359 --> 0:19:53.359
<v Speaker 2>them to walk faster with better quality. So it's pushing

0:19:53.359 --> 0:19:55.720
<v Speaker 2>them again, it's not just a random playlist. It's actually

0:19:56.040 --> 0:19:59.879
<v Speaker 2>modifying what they're hearing such that it's pushing them to

0:20:00.040 --> 0:20:02.480
<v Speaker 2>improve their walking speed and their walking quality.

0:20:03.119 --> 0:20:07.720
<v Speaker 3>Now, not just stroke victims, Brian's helping with auditory issues

0:20:07.760 --> 0:20:10.520
<v Speaker 3>and mobile issues, but also I read something about the

0:20:10.560 --> 0:20:14.400
<v Speaker 3>potential breakthroughs in Parkinson's. Do you see that on the horizon?

0:20:15.040 --> 0:20:17.280
<v Speaker 2>Yeah, it's an exciting time as we think about what

0:20:17.320 --> 0:20:20.040
<v Speaker 2>the real power here is of music. And as I mentioned,

0:20:20.240 --> 0:20:24.399
<v Speaker 2>we've seen it practically as we're treating patients clinically across

0:20:24.440 --> 0:20:27.280
<v Speaker 2>a number of diagnoses that this can be really helpful

0:20:27.680 --> 0:20:30.760
<v Speaker 2>for them. At med Rhythms, we've developed a product that

0:20:30.760 --> 0:20:35.520
<v Speaker 2>does rhythmic auditory stimulation for walking, and we've done two

0:20:35.560 --> 0:20:40.240
<v Speaker 2>successful clinical trials thus far in Parkinson's disease and are

0:20:40.320 --> 0:20:42.199
<v Speaker 2>working through what the next steps may look like for

0:20:42.280 --> 0:20:45.560
<v Speaker 2>that product as well. So it's exciting as we continue

0:20:45.600 --> 0:20:49.520
<v Speaker 2>to expand across these diagnosis to really understand what the

0:20:49.560 --> 0:20:50.439
<v Speaker 2>power of this could be.

0:20:50.840 --> 0:20:54.240
<v Speaker 3>Wow, the power of this is just exponential in the world,

0:20:54.280 --> 0:20:56.439
<v Speaker 3>and we're right on the precipice right now with AI

0:20:56.680 --> 0:20:59.560
<v Speaker 3>exploding in ways that we haven't even begun to realize

0:21:00.119 --> 0:21:02.000
<v Speaker 3>that are going to be so incredibly helpful to us,

0:21:02.240 --> 0:21:06.359
<v Speaker 3>and we shouldn't be scared of it. We should embrace it.

0:21:06.359 --> 0:21:08.320
<v Speaker 3>It's only going to help us. It's like taking a

0:21:08.400 --> 0:21:10.800
<v Speaker 3>vitamin supplement. This is just going to supplement all the

0:21:10.840 --> 0:21:14.359
<v Speaker 3>things that we do to the one hundredth power. And

0:21:14.400 --> 0:21:19.240
<v Speaker 3>you're doing it. You're living proof, which is incredible. So first,

0:21:19.680 --> 0:21:21.720
<v Speaker 3>I'm not worthy to even have you on the show.

0:21:21.760 --> 0:21:24.600
<v Speaker 3>I mean, I feel like I'm humbled by what you're doing,

0:21:24.760 --> 0:21:27.080
<v Speaker 3>and I'm so excited for you and your team in

0:21:27.119 --> 0:21:28.840
<v Speaker 3>the future. And if there's any way that we can

0:21:29.080 --> 0:21:32.320
<v Speaker 3>help move that needle with you in the future by

0:21:32.320 --> 0:21:35.679
<v Speaker 3>any means, we'd love to partner with you on that.

0:21:35.760 --> 0:21:38.360
<v Speaker 3>And thank you for the amazing work of med Rhythms

0:21:38.440 --> 0:21:40.840
<v Speaker 3>and for coming on music Save Me to talk about

0:21:40.840 --> 0:21:43.399
<v Speaker 3>it is how can our listeners learn more before I

0:21:43.480 --> 0:21:43.960
<v Speaker 3>let you go?

0:21:44.880 --> 0:21:46.800
<v Speaker 2>Well, I appreciate that, and I just want to say

0:21:46.920 --> 0:21:48.679
<v Speaker 2>it's an honor for me to be here, and it's

0:21:48.680 --> 0:21:50.240
<v Speaker 2>an honor for me to do this work. Every day

0:21:50.280 --> 0:21:52.720
<v Speaker 2>I get excited and I feel privileged that I have

0:21:52.760 --> 0:21:55.000
<v Speaker 2>the opportunity to be using music in this way and

0:21:55.000 --> 0:21:57.400
<v Speaker 2>more importantly, doing what we can to make an impact

0:21:57.440 --> 0:21:58.800
<v Speaker 2>in the lives of people.

0:21:58.600 --> 0:21:59.160
<v Speaker 4>Who need it.

0:22:00.040 --> 0:22:01.560
<v Speaker 2>People want to learn more about the company, they can

0:22:01.600 --> 0:22:05.840
<v Speaker 2>go to www. Dot Medrhythms dot com and we also

0:22:05.880 --> 0:22:08.439
<v Speaker 2>have our first product is called in Tandem. They can

0:22:08.480 --> 0:22:12.159
<v Speaker 2>also go to in tandemarx dot com as well to

0:22:12.200 --> 0:22:13.639
<v Speaker 2>learn more about that specific product.

0:22:13.680 --> 0:22:16.440
<v Speaker 3>And I also want to let everyone know that you're

0:22:16.480 --> 0:22:19.000
<v Speaker 3>not paying to be on this show. This is not

0:22:19.040 --> 0:22:23.720
<v Speaker 3>a commercial for your product. This is really collaborative people

0:22:23.760 --> 0:22:27.119
<v Speaker 3>who want to help the greater good coming together to

0:22:27.200 --> 0:22:30.240
<v Speaker 3>share to hopefully change lives for the better.

0:22:30.560 --> 0:22:32.080
<v Speaker 1>And so I thank you for that as well.

0:22:32.680 --> 0:22:35.280
<v Speaker 4>Yeah, thank you. It's certainly an honor and a privilege,

0:22:35.320 --> 0:22:36.160
<v Speaker 4>So thank you very much.

0:22:36.240 --> 0:22:37.160
<v Speaker 1>Thanks to meet you, Brian