WEBVTT - “Our Very First Night” Recap Season 1 Episode 2

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<v Speaker 1>That was rough that our technical difficulties. We were hoping

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<v Speaker 1>we were gonna.

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<v Speaker 2>Well, we're three, three, four episodes in now, and I

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<v Speaker 2>feel like we should be pros at this and not

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<v Speaker 2>wondering where do we find the microphone button? Is it

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<v Speaker 2>to the right.

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<v Speaker 3>I'm still struggling. I'm still struggling with the technology. So yeah,

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<v Speaker 3>it's just I've just never felt older than I did

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<v Speaker 3>trying to trying to start recording today's podcast.

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<v Speaker 2>So hello, hello, by Now we've listened to our first

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<v Speaker 2>three episodes of this podcast. And how do you feel

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<v Speaker 2>now after having listened to your voice for three hours straight?

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<v Speaker 1>Oh?

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<v Speaker 3>Well, I I made the smart decision to not listen

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<v Speaker 3>to it three hours in a row, like to break

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<v Speaker 3>it up, because yeah, it's like listen, you know, you

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<v Speaker 3>hate that, like when you leave a voicemail and you're like, God,

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<v Speaker 3>is that is that really what I sound like? Imagine

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<v Speaker 3>that but much better quality? And yes, that is what

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<v Speaker 3>you sound like. But part of your job is listening

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<v Speaker 3>to it. So yeah, it's nothing like listening to your

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<v Speaker 3>own voice. But I loved it, I thought, I mean,

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<v Speaker 3>I am very happy with it. I mean, it doesn't

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<v Speaker 3>really matter what we think though, because you and I

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<v Speaker 3>could you know, sit in a room by ourselves and

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<v Speaker 3>be like, this is great, We're irrelevant.

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<v Speaker 1>This is all.

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<v Speaker 3>It's really all about the tana Ritos and if yeah,

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<v Speaker 3>if they are, if they're on board with us, and

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<v Speaker 3>I feel like they are.

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<v Speaker 1>I feel like they are.

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<v Speaker 2>I feel like we're going to bring them on this

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<v Speaker 2>journey with us, regardless of how many times we screw

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<v Speaker 2>up the facts or right ourselves.

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<v Speaker 3>Well, speaking of screwing up the facts, didn't we decide

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<v Speaker 3>that it's going to be fanner Rito's.

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<v Speaker 2>Oh yeah, faner Rito's.

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<v Speaker 1>See.

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<v Speaker 2>Well, this brings me to an important point that there

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<v Speaker 2>there's already arguments going on about you is it?

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<v Speaker 1>Wait?

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<v Speaker 2>What? Well, everyone's debating whether it's tanner Ritos or tanner Ritos,

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<v Speaker 2>Like is it spelled with an enter? At which I

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<v Speaker 2>know the answer, but does it really matter? People care?

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<v Speaker 2>Like I don't wait, why wait?

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<v Speaker 1>You mean it's spelled with it? Oh? Is it tanner Reno's.

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<v Speaker 2>In the original show Full House, it was spelled tanner Reno's,

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<v Speaker 2>but they changed the spelling in Fuller House so to

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<v Speaker 2>tanner Ritos. But I just say it the same way.

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<v Speaker 2>I just say, oh, lot tantos, Like I just say it.

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<v Speaker 2>I don't think about how it's spelled, but people are

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<v Speaker 2>noticing the spelling.

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<v Speaker 3>It's sort of is it like the yanny sound like

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<v Speaker 3>what do you hear? Do you hear tanner Reno's or

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<v Speaker 3>do you hear tanner Rito's. It's like the blue or

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<v Speaker 3>gold dress right right right?

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<v Speaker 1>I don't know.

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<v Speaker 3>I don't know which is correct, because I feel like,

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<v Speaker 3>whichever camp I pick, it's technically.

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<v Speaker 2>Are you team tanner Renos or team Tantrina? It sounds

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<v Speaker 2>the same.

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<v Speaker 1>Here's the thing.

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<v Speaker 3>I think I originally was team tanner Renos because I

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<v Speaker 3>seem to remember when we first heard it, or you

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<v Speaker 3>said it in the script in fuller, weren't we all

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<v Speaker 3>kind of like, wait, was that it? Or was it

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<v Speaker 3>Tanto Renos? We all kind of were thrown by it, right,

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<v Speaker 3>and then we talked about it and we're like, now

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<v Speaker 3>we're just going with Tantaerto's. And then we were like, yeah,

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<v Speaker 3>I guess it sort of sounds like okay, fine, etoses,

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<v Speaker 3>but whatever. Technically we're both right and we're both wrong,

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<v Speaker 3>and really that's that's as much agreement as we're gonna

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<v Speaker 3>get in today's times.

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<v Speaker 2>And Ironically, nobody ever picked up on this because they're

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<v Speaker 2>watching Full House, they're not reading the scripts like we are.

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<v Speaker 2>Until we named our podcast how Rude Tantarritos, And now

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<v Speaker 2>everybody's now, well, that was.

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<v Speaker 3>Why we did it, just to it was purely for

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<v Speaker 3>the obviously huge controversy.

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<v Speaker 2>So we're so scandalous on this.

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<v Speaker 1>Yeah, yes, I mean that's really that's huge.

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<v Speaker 2>Breaking up right, Well now that now that we've mumbled

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<v Speaker 2>for a few minutes, should we get into this this episode,

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<v Speaker 2>our next episode, or any more you want to chat about?

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<v Speaker 3>I'm well, I look, there's always things I want to

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<v Speaker 3>chat about, one of which is that we saw our

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<v Speaker 3>mutual friend or I saw our mutual friend.

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<v Speaker 1>Gwen Victor two days in a row, which was wonderful.

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<v Speaker 3>Yes, she was our dialogue coach that worked with us

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<v Speaker 3>in later years and she Yeah, I got to see

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<v Speaker 3>her at a play reading that I did and also

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<v Speaker 3>out at the picket lines.

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<v Speaker 2>Oh that's so awesome. I love all of this. And yeah,

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<v Speaker 2>I love Gwen so much. She's fantastic. Yes, yeah, I

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<v Speaker 2>love her.

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<v Speaker 3>Anyway, just that was a fun little mutual friend moment

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<v Speaker 3>that that I said I would tell her that you

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<v Speaker 3>said hello, or that you'll you know what I mean.

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<v Speaker 2>Maybe she's listening to this podcast. I don't know. She

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<v Speaker 2>doesn't do social media, so I don't know if she's

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<v Speaker 2>ever gonna hear this show.

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<v Speaker 1>She's the smartest one out of all of us, for sure. Sorry,

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<v Speaker 1>I just knocked over a leak.

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<v Speaker 2>This is maybe by season two we'll get our acts together,

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<v Speaker 2>and I hope the Taylortos are still wrong.

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<v Speaker 1>You've worked with me for years and seasons. You know

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<v Speaker 1>how this go.

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<v Speaker 2>We never get it together.

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<v Speaker 1>No, no, no no, and I'm always knocking things over

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<v Speaker 1>all right, all right, so yeah, I guess we should get.

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<v Speaker 3>Into the next episode since that's sort of the point

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<v Speaker 3>of the podcast.

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<v Speaker 2>So that's why we're here.

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<v Speaker 3>Yeah, well, great, the only reason we're here, but it's

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<v Speaker 3>like ninety nine percent of it.

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<v Speaker 2>All right. Well, welcome back everybody to how Rude Tanner Ritos.

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<v Speaker 2>We're here to discuss season one, episode two, which is

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<v Speaker 2>titled Our Very First Night. It aired on September twenty fourth,

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<v Speaker 2>nineteen eighty seven, and it goes a little something like this.

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<v Speaker 2>The girls are rocking when Uncle Jesse is left in

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<v Speaker 2>charge of them for the night, but Danny is really

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<v Speaker 2>when he arrives home to find Jesse conducting a band practice.

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<v Speaker 2>This episode was directed by joel's Wick, who has directed

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<v Speaker 2>every single TV show he on the planet.

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<v Speaker 3>He's directed so many things. He didn't do the He

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<v Speaker 3>did not do the.

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<v Speaker 1>Pilot though, did he or did he do the pilot?

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<v Speaker 2>I think he did the pilot. Yes, he did do the.

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<v Speaker 3>Pilot, and I think he did a lot of Yeah,

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<v Speaker 3>he did a lot of the first season, but not

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<v Speaker 3>all of it, I don't think, But yes he did.

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<v Speaker 1>He's directed a ton.

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<v Speaker 2>Of stuff and he wrote the book on sitcom directing?

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<v Speaker 2>Did you read that before?

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<v Speaker 1>I read that book?

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<v Speaker 3>I did read that book, and he was one of

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<v Speaker 3>the people that inspired me to to really try it out.

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<v Speaker 1>He was like, jokes, you know what you're doing, you

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<v Speaker 1>need to try this.

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<v Speaker 2>Uh.

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<v Speaker 1>And we were actually at breakfast at a deli by

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<v Speaker 1>the how Arts Deli, So yeah, I mean, imagine Joel

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<v Speaker 1>and his delis. He's always happiest there.

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<v Speaker 2>I love Joel. This episode was written by Jeff Franklin

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<v Speaker 2>and it had a few guest stars. Judy Aarrenson stars

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<v Speaker 2>as Raven, who is the only female member of Jesse's band.

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<v Speaker 2>She has also known for weird Science, Friday the Thirteenth,

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<v Speaker 2>The Final Chapter and Beverly Hills nine O two one,

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<v Speaker 2>Oh very cool. And then this is also guest starring

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<v Speaker 2>David Wakefield, The Pizza Man, which we'll get to The

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<v Speaker 2>Pizza Man just yeah eat.

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<v Speaker 3>Well, I you know, ironically, I actually still talk to

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<v Speaker 3>Judy Aaronson, like we're social media friends and yeah, and

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<v Speaker 3>I saw her at an event that Caitlin was hosting

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<v Speaker 3>Stemos's wife for like a political thing, So yeah, I

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<v Speaker 3>still she is still around and awesome. And I mean

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<v Speaker 3>she the purple hair is is not there anymore.

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<v Speaker 2>But I was gonna that was my next question is ye,

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<v Speaker 2>no more purple hair?

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<v Speaker 1>No darn it at least last I saw.

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<v Speaker 2>Well, maybe she'll bring it back after we talk about

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<v Speaker 2>this episode. We'll see. Okay, we are opening the show. Oh,

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<v Speaker 2>in Michelle's room, where Jesse and Joey are finishing up

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<v Speaker 2>changing her diaper, they say, seventeen minutes, we beat our

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<v Speaker 2>old record by thirty seven minutes, and then they enthusiastically

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<v Speaker 2>high five. No, wait, I did the math on this.

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<v Speaker 2>Does this mean it used to take them fifty four

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<v Speaker 2>minutes to change one diaper?

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<v Speaker 1>Yes? I the math part.

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<v Speaker 3>I'm not gonna attempt to do, but yes, because if

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<v Speaker 3>they beat it by thirty seven minutes, that means that

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<v Speaker 3>they have to add that it. Yeah, so basically they

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<v Speaker 3>got to the house and they've just been changing a diaper.

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<v Speaker 1>That's all they've.

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<v Speaker 3>Been doing the entire time that that that they're there.

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<v Speaker 3>But can I can I say do they did you

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<v Speaker 3>see the part where they throw the baby wipes in

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<v Speaker 3>the thing that is not a trash can.

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<v Speaker 2>Oh, it's like a big toy. Yeah, the stacked rings.

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<v Speaker 3>Yeah, they're using it as a genie or whatever. It

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<v Speaker 3>is just a toy that they are throwing trash in.

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<v Speaker 3>I just had to comment on that.

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<v Speaker 1>There.

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<v Speaker 2>You know, that's a common thread in these first few

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<v Speaker 2>episodes that Jesse and Joey are incompetent parents. Yes, one,

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<v Speaker 2>Joey comes up with this brilliant idea that if they

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<v Speaker 2>triple change, if they triple the diaper, they'll get three

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<v Speaker 2>times the protection but only have to change her one

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<v Speaker 2>third as often. So they wrap three diapers around Michelle

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<v Speaker 2>and grab her jammies out of the closet.

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<v Speaker 1>Also incredibly unsanitary. It's that poor child.

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<v Speaker 3>They've never heard of diaper rash. I mean, you just

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<v Speaker 3>wrap them in three diapers. But I guess that's sort

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<v Speaker 3>of the point. But is this what people who don't

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<v Speaker 3>have experience around babies think you're supposed to do around babies, Like.

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<v Speaker 2>It's been so long since I've I've changed a diaper

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<v Speaker 2>that I would never think to triple diaper though, make

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<v Speaker 2>I maybe get an extra absorbent nighttime diaper, but three diapers.

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<v Speaker 2>Come on, it's a silly look.

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<v Speaker 3>If you're wrapping a baby in three diapers. You don't

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<v Speaker 3>even know that the diapers come in different forms. You

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<v Speaker 3>don't even know that there's a nighttime one. All right, anyway, exactly.

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<v Speaker 1>But doesn't he first just putting the kid in a

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<v Speaker 1>bag in like a trash bag.

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<v Speaker 2>Oh yeah, in a hefty bag.

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<v Speaker 3>Yes, again, with the kids in the bags in an

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<v Speaker 3>oven bag.

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<v Speaker 2>The oven bags, they got to use a hefty use

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<v Speaker 2>a hefty bag. So they realize they can't fit the

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<v Speaker 2>baby who's wearing three diapers into her pjs, so they

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<v Speaker 2>just start tying different pairs of pajamas around her waist

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<v Speaker 2>and around her neck. This Olsen twin, whichever one it is,

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<v Speaker 2>is very tolerant of all these machinations.

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<v Speaker 1>Yeah, I was impressed. I was very impressed.

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<v Speaker 3>And also I do the same thing when I struggle

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<v Speaker 3>putting on my pajamas. I just start tying them around

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<v Speaker 3>random parts of my body.

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<v Speaker 1>It works. Yeah, yeah, yeah, yeah.

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<v Speaker 2>It's much cooler that way. There's more airflow.

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<v Speaker 1>It's true. It's true.

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<v Speaker 2>So Danny walks in and Jesse and Joey very proudly

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<v Speaker 2>hold Michelle up and say tada. Danny is not impressed

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<v Speaker 2>with this, and he tells the boys that he will

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<v Speaker 2>take it from there. Jesse and Joey leave the room

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<v Speaker 2>while Danny tells Michelle she really is a good sport,

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<v Speaker 2>which she is.

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<v Speaker 3>He is he really doubting his decision making at that point,

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<v Speaker 3>you know, is Danny like, oh, what have I done?

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<v Speaker 2>I think it's coming. I think it's this episode later

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<v Speaker 2>on where he starts to question Yeah, every decision he's

0:11:16.880 --> 0:11:21.600
<v Speaker 2>ever made in his life. Yeah, particularly this one about yes,

0:11:21.840 --> 0:11:24.240
<v Speaker 2>inviting his brother in law and his best friend to

0:11:24.240 --> 0:11:24.760
<v Speaker 2>live with him.

0:11:25.080 --> 0:11:27.720
<v Speaker 1>But that creates the stakes for the rest of the show.

0:11:27.880 --> 0:11:29.960
<v Speaker 3>But yeah, I feel like Danny at this point is like,

0:11:30.080 --> 0:11:32.480
<v Speaker 3>I've really just added two more children to the.

0:11:32.440 --> 0:11:37.400
<v Speaker 2>Mix, exactly. It's a very full house. We cut to boy,

0:11:38.280 --> 0:11:40.640
<v Speaker 2>that's only one. I've only done it once. Just wait,

0:11:41.000 --> 0:11:45.200
<v Speaker 2>it's only been like three episodes. That means there's gonna

0:11:45.240 --> 0:11:49.880
<v Speaker 2>be more. There's so many puns to come. We cut

0:11:49.880 --> 0:11:52.600
<v Speaker 2>to Uncle Jesse's room, where Uncle Jesse is singing an

0:11:52.600 --> 0:11:56.160
<v Speaker 2>Elvis song while redecorating his room, which brings us to

0:11:56.400 --> 0:12:01.439
<v Speaker 2>our Everywhere You Look segment where we talk about cool set.

0:12:00.920 --> 0:12:02.960
<v Speaker 1>Cool set deck. But also do you remember John singing

0:12:03.040 --> 0:12:05.520
<v Speaker 1>that song all the time? Because I do, you do?

0:12:06.320 --> 0:12:09.720
<v Speaker 3>Maybe he would just sing that that was part, just

0:12:09.760 --> 0:12:12.280
<v Speaker 3>that one part, but like that was where you could

0:12:12.320 --> 0:12:15.240
<v Speaker 3>hear him around set. He'd just be walking around and

0:12:15.280 --> 0:12:17.520
<v Speaker 3>like sing that, going to his room, going to the

0:12:17.559 --> 0:12:20.240
<v Speaker 3>dressing room, going to craft service. So when I heard

0:12:20.320 --> 0:12:23.760
<v Speaker 3>that little bit, I was like, oh yeah, that was like.

0:12:23.720 --> 0:12:25.480
<v Speaker 2>Your thing unlocked a memory.

0:12:25.559 --> 0:12:26.960
<v Speaker 1>Yeah yeah, yeah, yeah, for sure.

0:12:27.120 --> 0:12:29.720
<v Speaker 2>That's kind of like our version of Jody Sweetened.

0:12:29.360 --> 0:12:33.200
<v Speaker 1>Right exactly, walking the halls thing. Yep.

0:12:34.000 --> 0:12:38.000
<v Speaker 2>I love that tick of his. So yeah, okay, So

0:12:38.040 --> 0:12:42.000
<v Speaker 2>we're in Jesse's room, which looks fantastic. We see a jukebox,

0:12:42.960 --> 0:12:45.200
<v Speaker 2>We see a pink lawn flamingo.

0:12:45.800 --> 0:12:49.439
<v Speaker 1>It's not even a lawn flaming. It is a giant flamingo.

0:12:49.559 --> 0:12:51.880
<v Speaker 3>I it's like, well, maybe there was a lawn one,

0:12:51.920 --> 0:12:54.280
<v Speaker 3>but there's also like a very large flamingo.

0:12:54.600 --> 0:12:54.800
<v Speaker 1>Yeah.

0:12:54.840 --> 0:12:57.400
<v Speaker 2>And I don't think it's a it's a blow up flamingo.

0:12:57.440 --> 0:12:59.679
<v Speaker 2>I think it's like a like an actual like.

0:12:59.600 --> 0:13:01.800
<v Speaker 1>An action statues statuary.

0:13:02.040 --> 0:13:03.320
<v Speaker 2>Wow, yeah, crazy?

0:13:03.440 --> 0:13:06.880
<v Speaker 1>It was the sock hop uh neon light, Yes.

0:13:06.880 --> 0:13:11.559
<v Speaker 2>The sock Hop neon sign, a blow up saxophone guitar

0:13:11.720 --> 0:13:16.840
<v Speaker 2>and display records on the wall. Uh and Elvis posters

0:13:16.920 --> 0:13:20.680
<v Speaker 2>of course. Oh oh. But then the most random item

0:13:20.760 --> 0:13:27.920
<v Speaker 2>of all, a postage stamp dispenser vending machine. Right, what

0:13:28.120 --> 0:13:30.760
<v Speaker 2>is that? Like? Why why would you need a postage

0:13:30.800 --> 0:13:32.160
<v Speaker 2>stamp vending machine?

0:13:32.880 --> 0:13:35.160
<v Speaker 1>Why would you need it in your room?

0:13:35.360 --> 0:13:35.440
<v Speaker 3>That?

0:13:35.640 --> 0:13:37.760
<v Speaker 1>You know what I mean? Where is Jesse sending letters

0:13:37.760 --> 0:13:38.080
<v Speaker 1>off to?

0:13:38.679 --> 0:13:40.080
<v Speaker 2>What is he's he writing to?

0:13:40.440 --> 0:13:42.520
<v Speaker 1>Maybe was a collector's edition thing?

0:13:42.960 --> 0:13:46.120
<v Speaker 3>Also question if it's taken them an hour to change

0:13:46.160 --> 0:13:49.559
<v Speaker 3>one diaper and this is still like the first night, right.

0:13:49.480 --> 0:13:50.360
<v Speaker 2>Is this the fit?

0:13:50.559 --> 0:13:50.679
<v Speaker 1>Oh?

0:13:50.760 --> 0:13:51.120
<v Speaker 3>Yeah? Right?

0:13:51.640 --> 0:13:55.000
<v Speaker 1>So how the hell they get all that stuff in there?

0:13:55.160 --> 0:13:57.480
<v Speaker 2>They've been working very they had time to move.

0:13:57.320 --> 0:13:59.280
<v Speaker 1>They've been so busy changing one diaper.

0:13:59.360 --> 0:14:01.800
<v Speaker 2>You know what I mean, well, and who's watching the

0:14:01.840 --> 0:14:04.319
<v Speaker 2>rest of the children while Jess and Joe changing diap

0:14:04.400 --> 0:14:05.560
<v Speaker 2>there's hour after hour.

0:14:05.480 --> 0:14:07.880
<v Speaker 1>That's who's that's who's moving them in is the kids?

0:14:08.200 --> 0:14:10.600
<v Speaker 3>I mean, DJ has obviously already proven herself to be

0:14:10.760 --> 0:14:11.640
<v Speaker 3>an excellent mover.

0:14:11.840 --> 0:14:16.360
<v Speaker 1>So that's okay, never mind, but DJ, she's moved them in.

0:14:16.400 --> 0:14:19.520
<v Speaker 1>Got it? Great? Okay, keep going, This is awesome.

0:14:21.280 --> 0:14:23.520
<v Speaker 2>Okay. So Stephanie walks in the room and asks, what

0:14:23.640 --> 0:14:26.200
<v Speaker 2>happened to my room? She is upset that Jesse is

0:14:26.240 --> 0:14:29.400
<v Speaker 2>covering up her pink bunnies on the wall with his Elvis.

0:14:29.040 --> 0:14:30.680
<v Speaker 1>Posters postage stamp machine.

0:14:30.720 --> 0:14:34.680
<v Speaker 2>She says, my mom, Oh yeah, I mean, how rude. Right. Uh.

0:14:34.880 --> 0:14:37.840
<v Speaker 2>Stephanie says, my mom made those bunnies just for me.

0:14:38.400 --> 0:14:41.360
<v Speaker 2>Don't you like them? And Jesse immediately rips down the

0:14:41.400 --> 0:14:45.040
<v Speaker 2>Elvis poster and says, oh, he loves these bunnies. Do

0:14:45.080 --> 0:14:47.680
<v Speaker 2>you remember the scene? Do you remember being in the room,

0:14:47.760 --> 0:14:48.520
<v Speaker 2>do you remember the.

0:14:48.640 --> 0:14:51.680
<v Speaker 3>I remember the bunnies. I mean I very clearly remember

0:14:51.680 --> 0:14:56.600
<v Speaker 3>the bunnies. I didn't know, like wallpaper bunnies were a thing,

0:14:57.320 --> 0:15:00.400
<v Speaker 3>and I have to say, having seen them up close,

0:15:01.160 --> 0:15:04.920
<v Speaker 3>Steph's mom did an incredible job with cutting these things,

0:15:05.000 --> 0:15:06.760
<v Speaker 3>just perfectly lined edges.

0:15:06.960 --> 0:15:08.520
<v Speaker 1>They look fantastic.

0:15:09.320 --> 0:15:13.480
<v Speaker 3>But no, I remember, I remember like that I would

0:15:13.520 --> 0:15:16.160
<v Speaker 3>feel the edge of them on the wall, you know

0:15:16.200 --> 0:15:17.920
<v Speaker 3>what I mean, You could like just sort of peel

0:15:18.400 --> 0:15:19.920
<v Speaker 3>along the edge of the bunnies, and I remember I

0:15:19.920 --> 0:15:22.040
<v Speaker 3>would like trace along the edges of the bunnies in

0:15:22.040 --> 0:15:22.400
<v Speaker 3>that room.

0:15:22.440 --> 0:15:24.880
<v Speaker 1>I don't know, just a weird little memory.

0:15:25.160 --> 0:15:27.680
<v Speaker 2>Like a tactile thing. Yeah, very much like it's like

0:15:27.720 --> 0:15:30.359
<v Speaker 2>a sensory yeah, five year old Joey's.

0:15:30.680 --> 0:15:33.360
<v Speaker 1>But like I remember it, I vividly remember it.

0:15:33.760 --> 0:15:38.560
<v Speaker 2>Yeah, I love it. Danny enters to announce that it's bedtime.

0:15:38.800 --> 0:15:40.680
<v Speaker 2>Joey comes to the door and tells Steph that the

0:15:40.720 --> 0:15:44.440
<v Speaker 2>Sandman Express is there to pick her up. With Harmonica

0:15:44.440 --> 0:15:46.200
<v Speaker 2>in his mouth, he shuffles into the room on all

0:15:46.240 --> 0:15:47.760
<v Speaker 2>fours and says, all aboard.

0:15:48.280 --> 0:15:50.800
<v Speaker 3>I wish somebody would still take me to bed like this.

0:15:50.840 --> 0:15:52.960
<v Speaker 3>It's so much more fun. I'd probably, you know what

0:15:53.000 --> 0:15:54.080
<v Speaker 3>I mean, I'd get much better.

0:15:54.200 --> 0:15:57.200
<v Speaker 2>Husbandscal won't feel like into the.

0:15:57.200 --> 0:15:59.680
<v Speaker 3>Bedroom A lot to ask, that feels, you know what

0:15:59.720 --> 0:16:01.840
<v Speaker 3>I mean. But like I just somebody, I don't know,

0:16:02.040 --> 0:16:04.200
<v Speaker 3>like just I want a little train ride.

0:16:05.160 --> 0:16:07.640
<v Speaker 2>Maybe Dave can provide the service to you.

0:16:07.760 --> 0:16:09.920
<v Speaker 1>And now now it's just okay. Now I made it anywhere.

0:16:09.960 --> 0:16:13.400
<v Speaker 2>Now it's weird. I made it weird. Uh Steph, Stephanie

0:16:13.480 --> 0:16:15.520
<v Speaker 2>jumps on his back. They say whoo woo, and they

0:16:15.520 --> 0:16:17.200
<v Speaker 2>exit the scene like a chow choo train.

0:16:17.520 --> 0:16:18.280
<v Speaker 1>I can't remember.

0:16:18.360 --> 0:16:20.560
<v Speaker 3>I can't believe though I was that Like, I'm sorry,

0:16:20.560 --> 0:16:22.160
<v Speaker 3>I keep interrupting. This is just how my brain.

0:16:22.200 --> 0:16:23.720
<v Speaker 2>So that's what we do. Just that's how we do.

0:16:23.800 --> 0:16:26.800
<v Speaker 3>I'm the bus driver, you're the Every time I see

0:16:26.920 --> 0:16:32.440
<v Speaker 3>like me, I barely am like Bob's waist high and

0:16:32.520 --> 0:16:35.280
<v Speaker 3>like jumping on Dave's back, I'm like.

0:16:35.320 --> 0:16:39.680
<v Speaker 1>Oh my gosh. I I have literally.

0:16:39.280 --> 0:16:42.360
<v Speaker 3>Known them all of my life. It just it hits

0:16:42.400 --> 0:16:45.720
<v Speaker 3>me every time I watch something like that where I'm like, wow,

0:16:46.200 --> 0:16:50.520
<v Speaker 3>like the it really is family. I remember like being

0:16:50.560 --> 0:16:54.120
<v Speaker 3>that little and jump you know, and.

0:16:54.080 --> 0:16:55.760
<v Speaker 2>You were you were tiny. I feel like you were

0:16:55.760 --> 0:16:58.280
<v Speaker 2>tiny for your age, or maybe you were just smart

0:16:58.960 --> 0:17:02.680
<v Speaker 2>for your age, so you acted older than you were.

0:17:02.760 --> 0:17:04.119
<v Speaker 2>I don't know. I mean, I know you skipped a

0:17:04.160 --> 0:17:06.920
<v Speaker 2>grade and you learned how to read at age two

0:17:07.040 --> 0:17:09.800
<v Speaker 2>or whatever. I don't know. You're you throw that fact out. Now. Well,

0:17:09.840 --> 0:17:10.560
<v Speaker 2>we'll get there.

0:17:10.480 --> 0:17:12.360
<v Speaker 1>In the in the next episode, which is the first

0:17:12.440 --> 0:17:12.920
<v Speaker 1>day of school.

0:17:12.920 --> 0:17:15.240
<v Speaker 2>But let's see, let's save it. Let's say we'll save

0:17:15.280 --> 0:17:17.119
<v Speaker 2>that all right. So now we are in DJ and

0:17:17.160 --> 0:17:21.360
<v Speaker 2>Stephanie's room and Joey as the Sandman Express, enters the room.

0:17:21.359 --> 0:17:24.960
<v Speaker 2>It says, last stop Stephanie's bed. Danny and Jesse enter

0:17:25.119 --> 0:17:27.919
<v Speaker 2>and say it's time to say good night. Stephanie then

0:17:28.000 --> 0:17:30.959
<v Speaker 2>asks Jesse for a bedtime story, to which he responds

0:17:31.240 --> 0:17:34.080
<v Speaker 2>Uncle Jesse doesn't know any bedtime stories, to which she

0:17:34.280 --> 0:17:39.919
<v Speaker 2>slyly says yes he does, returns with no, he doesn't. Oh,

0:17:40.000 --> 0:17:43.000
<v Speaker 2>yeah you could. You can see the setup. They go

0:17:43.080 --> 0:17:45.520
<v Speaker 2>back and forth like this before steph does a sad

0:17:45.640 --> 0:17:49.320
<v Speaker 2>fake cry with her hands rubbing her eyes, and she says,

0:17:49.440 --> 0:17:50.600
<v Speaker 2>I got yes he does.

0:17:50.680 --> 0:17:52.720
<v Speaker 1>The juice in my eyes one of the two.

0:17:54.040 --> 0:17:55.399
<v Speaker 2>Or dust from them?

0:17:55.720 --> 0:17:57.960
<v Speaker 3>Yeah you really?

0:17:58.760 --> 0:18:02.680
<v Speaker 2>So Stephanie effectively trips Jesse into this bedtime story. He agrees.

0:18:03.040 --> 0:18:05.679
<v Speaker 2>Stephanie jumps into DJ's bed, and then the five of

0:18:05.720 --> 0:18:08.800
<v Speaker 2>them begin a story game where Stephanie starts the story

0:18:09.119 --> 0:18:11.800
<v Speaker 2>and then points to a different family member to keep

0:18:11.840 --> 0:18:14.359
<v Speaker 2>adding to the story in their own unique way.

0:18:14.720 --> 0:18:17.239
<v Speaker 1>I remember doing that too. I remember it, you do.

0:18:17.359 --> 0:18:19.919
<v Speaker 3>Yeah, I remember sitting in that bed like I'm so

0:18:20.080 --> 0:18:22.200
<v Speaker 3>excited to I don't know why I've thought this scene

0:18:22.240 --> 0:18:24.200
<v Speaker 3>was really fun because it was, you know, bouncing back

0:18:24.240 --> 0:18:26.639
<v Speaker 3>and forth, and I got to make a noise instead.

0:18:27.400 --> 0:18:29.800
<v Speaker 3>I get like that. I just was really excited to

0:18:29.800 --> 0:18:29.960
<v Speaker 3>do that.

0:18:30.040 --> 0:18:30.240
<v Speaker 1>Yeah.

0:18:30.280 --> 0:18:31.639
<v Speaker 2>Yeah, And you were kind of in control of the

0:18:31.680 --> 0:18:34.040
<v Speaker 2>game too, pointing at the different adults to see whose

0:18:34.080 --> 0:18:34.600
<v Speaker 2>turn it was.

0:18:34.720 --> 0:18:37.000
<v Speaker 3>That may have been. Actually what I was enjoying was

0:18:37.080 --> 0:18:39.919
<v Speaker 3>the being in charge.

0:18:40.560 --> 0:18:43.960
<v Speaker 2>What follows is a convoluted bedtime story involving Cinderella, a

0:18:44.000 --> 0:18:48.119
<v Speaker 2>big bad wolf, and a Joey Bullwinkle impression. Before Jesse

0:18:48.240 --> 0:18:52.480
<v Speaker 2>just ends this story abruptly. DJ replies, no monsters, no witches,

0:18:52.600 --> 0:18:56.360
<v Speaker 2>but that story was very scary. We end the scene

0:18:56.400 --> 0:18:58.560
<v Speaker 2>with Stephanie handing her dad a bunch of storybooks and

0:18:58.600 --> 0:18:59.920
<v Speaker 2>telling him you need to star.

0:19:00.760 --> 0:19:03.639
<v Speaker 3>Oh wait, I also I have another everywhere you look moment.

0:19:04.160 --> 0:19:08.120
<v Speaker 3>There is an Easter egg on the wall of DJ's

0:19:08.200 --> 0:19:12.440
<v Speaker 3>room that is like a little moment of what's to come.

0:19:13.040 --> 0:19:15.359
<v Speaker 1>Maybe did we talk about it already, Maybe we didn't.

0:19:15.400 --> 0:19:16.720
<v Speaker 2>The maybe the Bengals poster.

0:19:17.119 --> 0:19:20.000
<v Speaker 1>No, no, the the Golden Retriever poster.

0:19:20.359 --> 0:19:22.040
<v Speaker 2>Oh, I didn't notice that.

0:19:22.080 --> 0:19:24.880
<v Speaker 1>There's a whole there's a poster of a whole bunch

0:19:24.880 --> 0:19:28.679
<v Speaker 1>of Golden Retriever puppies over DJ's desk.

0:19:28.960 --> 0:19:32.720
<v Speaker 2>It's foreshadowing, yeah, or it was just an available poster

0:19:32.800 --> 0:19:33.920
<v Speaker 2>that they could use for free.

0:19:34.920 --> 0:19:40.200
<v Speaker 1>Probably that, but also Golden Retrievers.

0:19:40.520 --> 0:19:44.639
<v Speaker 2>Maybe that's your poster that gave Jeff the idea for

0:19:44.840 --> 0:19:45.680
<v Speaker 2>the Golden Retriever.

0:19:45.880 --> 0:19:48.159
<v Speaker 3>I thought Jeff always liked the Golden Retrievers. Anyway, it

0:19:48.200 --> 0:19:50.000
<v Speaker 3>was just an everywhere you look kind of moment. I

0:19:50.080 --> 0:19:52.000
<v Speaker 3>now that's all I pay attention to when like we

0:19:52.119 --> 0:19:54.000
<v Speaker 3>enter a new scene, I'm just looking at all of

0:19:54.040 --> 0:19:54.840
<v Speaker 3>the background stuff.

0:19:54.880 --> 0:19:57.359
<v Speaker 2>Oh good, okay, great, good, Well, I'm trying to figure

0:19:57.359 --> 0:19:59.240
<v Speaker 2>out what's going on in the scene. You're you're looking

0:19:59.280 --> 0:20:01.400
<v Speaker 2>at deckor and stuff. This is good.

0:20:01.600 --> 0:20:04.480
<v Speaker 1>That's exactly how things went when we work together to.

0:20:08.080 --> 0:20:09.800
<v Speaker 2>Okay, where are we? Oh okay. Now we're in the

0:20:09.800 --> 0:20:12.640
<v Speaker 2>living room and the three guys reached the front door

0:20:12.680 --> 0:20:14.600
<v Speaker 2>at the same time. They're all trying to leave the

0:20:14.600 --> 0:20:16.800
<v Speaker 2>house at the same time, and Danny's like, guys, wait,

0:20:16.880 --> 0:20:20.520
<v Speaker 2>who's gonna watch the kids. They start arguing. Jesse says

0:20:20.520 --> 0:20:22.679
<v Speaker 2>he has band rehearsal, Joey says he has a ten

0:20:22.840 --> 0:20:25.960
<v Speaker 2>thirty slot at the laugh Machine, and Danny responds that

0:20:26.000 --> 0:20:28.080
<v Speaker 2>he has to do the ten o'clock sports. So the

0:20:28.119 --> 0:20:30.280
<v Speaker 2>three of them are arguing over whose job is more

0:20:30.320 --> 0:20:31.520
<v Speaker 2>important and why.

0:20:32.280 --> 0:20:35.640
<v Speaker 3>Well, Joey has a rubber chicken and a Grover puppet

0:20:35.680 --> 0:20:39.280
<v Speaker 3>in his bag, So I'm just saying, as far as

0:20:39.359 --> 0:20:43.680
<v Speaker 3>things go, that is pretty important, you know what I mean?

0:20:43.880 --> 0:20:46.720
<v Speaker 2>Yeah, like all of his arguments, like it doesn't hold

0:20:46.720 --> 0:20:47.240
<v Speaker 2>any waste.

0:20:47.280 --> 0:20:50.480
<v Speaker 3>If you didn't know that Joey was a comedian then

0:20:50.640 --> 0:20:53.879
<v Speaker 3>obviously with a rubber chicken and a Grover puppet in

0:20:53.920 --> 0:20:56.960
<v Speaker 3>his bag, that is what makes you go, oh he's

0:20:57.000 --> 0:20:58.439
<v Speaker 3>a comedian, right, I got it?

0:20:58.480 --> 0:20:58.840
<v Speaker 1>Okay?

0:20:59.119 --> 0:21:01.520
<v Speaker 2>Do we think is he get paid for this appearance

0:21:01.600 --> 0:21:04.040
<v Speaker 2>at the laugh Factory or the laugh Machine or is

0:21:04.080 --> 0:21:04.840
<v Speaker 2>it like a look.

0:21:05.000 --> 0:21:08.720
<v Speaker 3>Is somebody that's done some stand up before? I mean

0:21:09.680 --> 0:21:11.280
<v Speaker 3>not much, No, probably not.

0:21:11.560 --> 0:21:13.240
<v Speaker 2>It's experience.

0:21:13.480 --> 0:21:17.879
<v Speaker 3>It's getting pay experience, it's pay in theory.

0:21:18.960 --> 0:21:21.440
<v Speaker 2>So the three men are going back and forth, insulting

0:21:21.440 --> 0:21:25.920
<v Speaker 2>each other's professions with names like Ozzy Osbourne, riptailor Bozo

0:21:26.480 --> 0:21:30.760
<v Speaker 2>and Charro. And this is a fun fact. Did you

0:21:30.800 --> 0:21:34.120
<v Speaker 2>know that decades later in two thousand and four, Dave

0:21:34.160 --> 0:21:37.240
<v Speaker 2>would appear on the Surreal Life with Charro.

0:21:38.359 --> 0:21:39.320
<v Speaker 1>Well, there you go.

0:21:39.760 --> 0:21:42.960
<v Speaker 2>I would say foreshadowing, but like there's that wasn't foreshadowing.

0:21:42.960 --> 0:21:49.240
<v Speaker 2>That was just coincidental, right, coincidental? And my guess is

0:21:49.320 --> 0:21:55.920
<v Speaker 2>that that joke doesn't really land with most people anymore. Correct, Yes, yes.

0:21:55.640 --> 0:21:58.679
<v Speaker 1>And yeah, there's a couple in this one where I'm like.

0:21:58.720 --> 0:22:01.720
<v Speaker 2>Wait what, Yeah, there's a lot of weight that should

0:22:01.720 --> 0:22:02.399
<v Speaker 2>be another segment.

0:22:02.440 --> 0:22:06.840
<v Speaker 3>Wait what wait what eight nineteen eighties references for.

0:22:06.840 --> 0:22:08.280
<v Speaker 1>You and before.

0:22:09.520 --> 0:22:11.920
<v Speaker 2>After a series of back and forth, it is determined

0:22:11.920 --> 0:22:14.480
<v Speaker 2>that it is Jesse who will stay behind to watch

0:22:14.520 --> 0:22:18.119
<v Speaker 2>the girls. Danny apologizes to Jesse and says, I know

0:22:18.200 --> 0:22:21.280
<v Speaker 2>I can trust you. The girls are upstairs sleeping. Jesse

0:22:21.400 --> 0:22:23.960
<v Speaker 2>turns around to see that the girls are running down

0:22:24.000 --> 0:22:26.880
<v Speaker 2>the stairs. They are not sleeping. They say hi, Uncle Jesse,

0:22:27.280 --> 0:22:29.240
<v Speaker 2>and everyone heads into the kitchen.

0:22:29.560 --> 0:22:32.560
<v Speaker 1>Again, with John parkouring over the couch.

0:22:33.040 --> 0:22:34.760
<v Speaker 2>Oh he did he leap over the couch again?

0:22:34.800 --> 0:22:38.399
<v Speaker 3>Oh? Let he stepped on it, like one foot on

0:22:38.520 --> 0:22:40.919
<v Speaker 3>the cushion, one foot on the back, one on the

0:22:41.040 --> 0:22:42.760
<v Speaker 3>arm and leapt through the thing.

0:22:42.960 --> 0:22:45.520
<v Speaker 1>Yeah, it was it was quite It was quite skilled.

0:22:45.680 --> 0:22:48.040
<v Speaker 2>Really, did he ever take a spill or miss a

0:22:48.080 --> 0:22:49.840
<v Speaker 2>step or wall in his face?

0:22:50.240 --> 0:22:52.919
<v Speaker 3>I don't remember. I don't remember, but that would have

0:22:52.920 --> 0:22:53.600
<v Speaker 3>been embarrassing.

0:22:53.840 --> 0:22:56.800
<v Speaker 2>Yeah. I don't remember any mishaps like that either. Maybe

0:22:56.840 --> 0:22:57.159
<v Speaker 2>he no.

0:22:57.359 --> 0:22:58.080
<v Speaker 1>I wish I did.

0:22:58.320 --> 0:23:00.480
<v Speaker 2>I know me too. I wish we could talk about it.

0:23:00.600 --> 0:23:01.360
<v Speaker 1>I remember my own.

0:23:01.440 --> 0:23:04.600
<v Speaker 2>But yeah. So we're in the kitchen. The girls are

0:23:04.640 --> 0:23:07.639
<v Speaker 2>explaining to Uncle Jesse that Dad always lets them have

0:23:07.680 --> 0:23:10.080
<v Speaker 2>a late night snack when they're hungry and can't sleep.

0:23:10.359 --> 0:23:12.159
<v Speaker 2>They pull ice cream out of the fridge and explain

0:23:12.200 --> 0:23:15.480
<v Speaker 2>why they also need cookies, but not so fast. Jesse

0:23:15.600 --> 0:23:18.040
<v Speaker 2>tells them to sit and asks, do you think I'm

0:23:18.040 --> 0:23:20.280
<v Speaker 2>an idiot or something? I know what's going on here.

0:23:20.680 --> 0:23:23.679
<v Speaker 2>The girls give innocent looks before Jesse says that they

0:23:23.680 --> 0:23:26.160
<v Speaker 2>can have ice cream and chocolate milk, but not cookies.

0:23:26.520 --> 0:23:27.359
<v Speaker 2>The girls cheer.

0:23:28.119 --> 0:23:31.360
<v Speaker 3>This is the argument I have with myself every night.

0:23:31.600 --> 0:23:34.480
<v Speaker 3>I go, Okay, here's what we're doing. You can I

0:23:34.960 --> 0:23:36.280
<v Speaker 3>get ice cream and cookies?

0:23:36.359 --> 0:23:38.560
<v Speaker 1>No? No, no, no, it's not what you do.

0:23:39.000 --> 0:23:42.239
<v Speaker 2>Oh you drive a hard bargain. We are now up

0:23:42.240 --> 0:23:45.320
<v Speaker 2>in DJ and Stephanie's room. Moments later, where the girls

0:23:45.320 --> 0:23:48.080
<v Speaker 2>are in the middle of a huge sugar rush, we

0:23:48.119 --> 0:23:51.399
<v Speaker 2>see empty containers of ice cream on the table. The

0:23:51.440 --> 0:23:54.800
<v Speaker 2>girls are jumping rope and doing the hand jive as

0:23:54.840 --> 0:23:57.960
<v Speaker 2>Stephanie declares she cannot stop jumping and she may never

0:23:58.080 --> 0:24:01.120
<v Speaker 2>sleep again. I'm impressed with her and in this scene

0:24:01.160 --> 0:24:03.679
<v Speaker 2>because you you just had to jump for I mean,

0:24:03.760 --> 0:24:04.320
<v Speaker 2>I was straight.

0:24:04.920 --> 0:24:07.919
<v Speaker 3>That's the power of being you know five, right, you

0:24:07.960 --> 0:24:11.200
<v Speaker 3>can just jump and run and you get up from

0:24:11.200 --> 0:24:13.080
<v Speaker 3>a chair and just run for no reason.

0:24:13.320 --> 0:24:15.000
<v Speaker 1>You know, that's just what you do a five.

0:24:15.240 --> 0:24:17.880
<v Speaker 3>Yeah, very now, I was. I was looking at going,

0:24:17.880 --> 0:24:19.679
<v Speaker 3>Oh my knees. That would have sucked. You know.

0:24:21.560 --> 0:24:24.199
<v Speaker 2>Did you and Candice get to eat this ice cream

0:24:24.800 --> 0:24:26.760
<v Speaker 2>or did you ask if you could taste it or

0:24:27.119 --> 0:24:28.520
<v Speaker 2>tell me it was?

0:24:28.640 --> 0:24:30.800
<v Speaker 3>But I do remember like the weird sort of faded

0:24:30.840 --> 0:24:33.959
<v Speaker 3>purple color on it because I matched my outfit like

0:24:34.119 --> 0:24:38.520
<v Speaker 3>match the the ice cream container. But I don't think

0:24:38.560 --> 0:24:41.919
<v Speaker 3>we got to eat really too much of it that

0:24:42.000 --> 0:24:44.680
<v Speaker 3>I remember. But I just remember it being like the

0:24:44.720 --> 0:24:47.959
<v Speaker 3>containers were all sticky and yeah, yeah, yeah, And I

0:24:48.000 --> 0:24:52.399
<v Speaker 3>remember I don't think i'd ever heard that Zoro whatever song,

0:24:53.359 --> 0:24:56.080
<v Speaker 3>the jumping rope song, like I feel like mine were

0:24:56.240 --> 0:24:58.600
<v Speaker 3>like more Miss Mary or stuff like that.

0:24:58.640 --> 0:25:01.000
<v Speaker 1>But I'd never heard that one before.

0:25:02.000 --> 0:25:04.440
<v Speaker 2>That took me. That took me back not too far.

0:25:04.520 --> 0:25:07.119
<v Speaker 2>But we did a Fuller House episode where we had

0:25:07.160 --> 0:25:10.280
<v Speaker 2>to jump rope up in the up in Kimmy's room

0:25:10.280 --> 0:25:12.199
<v Speaker 2>in the attic and the other like but and I

0:25:12.240 --> 0:25:13.879
<v Speaker 2>was in my forties then, so that like, I'm like,

0:25:13.960 --> 0:25:16.600
<v Speaker 2>this is not does not please rewrite this bit because

0:25:16.720 --> 0:25:18.760
<v Speaker 2>like I was not coordinated.

0:25:19.000 --> 0:25:21.440
<v Speaker 1>I don't remember. That's right. We had to jump rope

0:25:21.440 --> 0:25:24.640
<v Speaker 1>together together. It was right. We had to because yeah,

0:25:24.720 --> 0:25:25.560
<v Speaker 1>we were like jumping.

0:25:25.560 --> 0:25:28.720
<v Speaker 2>We were tied together with a fake umbilical cord, so

0:25:28.800 --> 0:25:29.400
<v Speaker 2>we had to jump.

0:25:29.480 --> 0:25:31.440
<v Speaker 3>Yeah, yeah, I do. I think they wrote that part out.

0:25:31.520 --> 0:25:33.840
<v Speaker 3>I think I think that that one was like this

0:25:33.880 --> 0:25:34.720
<v Speaker 3>isn't happening.

0:25:34.560 --> 0:25:36.720
<v Speaker 2>Like, don't don't make forty year old women jump rope

0:25:36.880 --> 0:25:40.399
<v Speaker 2>on a stage please? Uh? The girls hear music playing

0:25:40.440 --> 0:25:45.040
<v Speaker 2>downstairs and DJ says to Stephanie, party time. Then we

0:25:45.080 --> 0:25:47.720
<v Speaker 2>get to this epic scene in the living room. We

0:25:47.760 --> 0:25:50.560
<v Speaker 2>see Jesse and his band which is called Jesse and

0:25:50.600 --> 0:25:52.480
<v Speaker 2>the Rippers. Although we don't know that yet.

0:25:53.080 --> 0:25:54.960
<v Speaker 3>No, but there are some There are some of the

0:25:55.040 --> 0:25:58.440
<v Speaker 3>rippers in the background. Gary Griffiths, some of the rippers. Yes,

0:25:58.440 --> 0:26:02.000
<v Speaker 3>Anny Cordola, oh you remember their name screen, I still.

0:26:01.840 --> 0:26:04.760
<v Speaker 1>Talk to him. Yeah, yeah, yeah, good.

0:26:04.800 --> 0:26:05.440
<v Speaker 2>How are they doing.

0:26:05.840 --> 0:26:07.520
<v Speaker 1>They're doing well, They're doing very well.

0:26:07.680 --> 0:26:08.240
<v Speaker 2>That's awesome.

0:26:08.920 --> 0:26:11.480
<v Speaker 1>Lannie actually taught me to play guitar on later episodes

0:26:11.560 --> 0:26:13.680
<v Speaker 1>of Ohlows. That was who taught me how.

0:26:13.720 --> 0:26:16.040
<v Speaker 3>But but yes, we see the rippers for the first time,

0:26:16.520 --> 0:26:19.119
<v Speaker 3>and can I tell you too, Like, looking also at

0:26:19.200 --> 0:26:23.120
<v Speaker 3>the rippers who have been around for thirty some odd years,

0:26:23.119 --> 0:26:23.800
<v Speaker 3>I'm like, oh, my.

0:26:24.600 --> 0:26:27.280
<v Speaker 1>Well, they were babies. They were all babies.

0:26:27.400 --> 0:26:28.399
<v Speaker 2>Mm hmmm hm.

0:26:29.000 --> 0:26:31.880
<v Speaker 3>And Gary Griffin had some pretty awesome yellow pants, that's

0:26:31.960 --> 0:26:32.440
<v Speaker 3>all the thing.

0:26:33.560 --> 0:26:34.960
<v Speaker 1>They were like highlighter yellow.

0:26:35.359 --> 0:26:37.720
<v Speaker 2>He tried to convince me that he was like he

0:26:37.840 --> 0:26:40.280
<v Speaker 2>had this backstory in his mind that he was actually

0:26:40.280 --> 0:26:43.520
<v Speaker 2>like Gary Gibbler, like he was a Gibbler, like my

0:26:43.840 --> 0:26:45.720
<v Speaker 2>long long walcked and this is only an idea that

0:26:45.760 --> 0:26:47.760
<v Speaker 2>he had in his head. I'm convinced this was not

0:26:47.920 --> 0:26:52.320
<v Speaker 2>like Cannon or whatever. So about my uncle Gibbler, Sure,

0:26:52.359 --> 0:26:52.639
<v Speaker 2>why not?

0:26:53.440 --> 0:26:55.439
<v Speaker 3>Then you never really talked to him though? When you

0:26:55.440 --> 0:26:59.160
<v Speaker 3>saw him. Maybe it was like, oh, he's in the band. Fine, fine,

0:26:59.200 --> 0:27:01.000
<v Speaker 3>he's there. You know you're not going to talk to

0:27:01.080 --> 0:27:01.920
<v Speaker 3>him anyway.

0:27:02.200 --> 0:27:05.119
<v Speaker 2>Anyways, Jesse tells his bandmates that they have to be

0:27:05.200 --> 0:27:08.159
<v Speaker 2>quiet because the three girls are sound asleep upstairs. So

0:27:08.200 --> 0:27:09.200
<v Speaker 2>they start to play.

0:27:09.040 --> 0:27:11.520
<v Speaker 3>Which is why you invite an entire band in your

0:27:11.560 --> 0:27:15.920
<v Speaker 3>living room to bring their instruments. Also, have you ever

0:27:16.000 --> 0:27:20.040
<v Speaker 3>seen a band set up that takes a while? There

0:27:20.040 --> 0:27:22.560
<v Speaker 3>you got to run chords in and the thing and

0:27:22.600 --> 0:27:23.840
<v Speaker 3>loading and a drum kid.

0:27:24.960 --> 0:27:26.199
<v Speaker 2>They has time for this?

0:27:26.400 --> 0:27:27.879
<v Speaker 1>Who has time for this?

0:27:28.040 --> 0:27:30.840
<v Speaker 3>But not only that, they did it in record time, right,

0:27:30.840 --> 0:27:32.840
<v Speaker 3>It was in the process of eating a bowl of

0:27:32.880 --> 0:27:35.040
<v Speaker 3>ice cream there was a band in the living room.

0:27:35.119 --> 0:27:38.359
<v Speaker 2>So well, maybe it's because Michelle was triple diaper that

0:27:38.400 --> 0:27:39.040
<v Speaker 2>they had time on.

0:27:39.080 --> 0:27:41.040
<v Speaker 3>They need to do live shows, is all I'm saying.

0:27:41.080 --> 0:27:44.840
<v Speaker 3>They can just strike a set like nobody's business. Okay,

0:27:46.160 --> 0:27:47.280
<v Speaker 3>So the band starts.

0:27:47.040 --> 0:27:50.200
<v Speaker 2>To play awkwardly with no real amplified sound when DJ

0:27:50.320 --> 0:27:53.159
<v Speaker 2>and Stephanie appear at the top of the stairs dressed

0:27:53.200 --> 0:27:57.040
<v Speaker 2>in their cute eighties rock clothes and they yell over

0:27:57.040 --> 0:28:01.680
<v Speaker 2>the balcony they dressed us who our hair? I loved

0:28:01.720 --> 0:28:02.160
<v Speaker 2>your hair.

0:28:02.240 --> 0:28:05.359
<v Speaker 3>This is my question, the teased hair, saying it didn't

0:28:05.359 --> 0:28:08.440
<v Speaker 3>look great, the tease this the little half up, half

0:28:08.520 --> 0:28:09.800
<v Speaker 3>downside pony.

0:28:09.840 --> 0:28:10.720
<v Speaker 1>The whole outside.

0:28:10.720 --> 0:28:14.040
<v Speaker 3>I felt so cool in that out Let me tell

0:28:14.080 --> 0:28:18.679
<v Speaker 3>you I felt so cool because Roberta haze Uh and

0:28:18.760 --> 0:28:24.439
<v Speaker 3>Gina traconas our wardrobe, our costumers for women's wardrobe. Roberta

0:28:24.560 --> 0:28:28.560
<v Speaker 3>especially was just super cool and so she was really

0:28:28.600 --> 0:28:32.560
<v Speaker 3>excited to get to like put us in fun little outfits.

0:28:32.600 --> 0:28:34.520
<v Speaker 1>And I remember the.

0:28:34.560 --> 0:28:38.920
<v Speaker 3>Like ripped jeans, and it was so not something that

0:28:39.000 --> 0:28:40.720
<v Speaker 3>like I normally would wear.

0:28:41.240 --> 0:28:43.520
<v Speaker 1>And I just I felt really really cool.

0:28:43.720 --> 0:28:46.400
<v Speaker 2>You guys love purple hair. Very cool? Oh yes, you

0:28:46.440 --> 0:28:49.880
<v Speaker 2>looked so cool and but you still age appropriate. Like

0:28:49.920 --> 0:28:52.320
<v Speaker 2>it wasn't like you were in slight clothes like you

0:28:52.360 --> 0:28:53.440
<v Speaker 2>guys looble.

0:28:53.920 --> 0:28:54.960
<v Speaker 1>No, we just looked.

0:28:55.000 --> 0:28:58.920
<v Speaker 3>I mean I had look I had like matching socks

0:28:59.080 --> 0:29:01.520
<v Speaker 3>and scrunchy sock and a scrunchy and a thing.

0:29:01.720 --> 0:29:06.000
<v Speaker 1>It was all very eighties. But again, who did the hair?

0:29:06.680 --> 0:29:08.680
<v Speaker 1>It looks so great? Who put you?

0:29:08.760 --> 0:29:08.840
<v Speaker 2>Know?

0:29:08.960 --> 0:29:10.760
<v Speaker 1>These a ten and a five year old.

0:29:11.000 --> 0:29:12.640
<v Speaker 3>Let me tell you what my kids look like at

0:29:12.640 --> 0:29:15.040
<v Speaker 3>ten and five walking out of the house okay. My

0:29:15.120 --> 0:29:16.840
<v Speaker 3>mom was like, are you sure you want them out

0:29:16.880 --> 0:29:20.400
<v Speaker 3>in public like that? Meanwhile, Stephan DJ at eleven pm

0:29:20.680 --> 0:29:23.959
<v Speaker 3>after jumping rope, are like fashion plates.

0:29:24.000 --> 0:29:26.000
<v Speaker 1>I love Ready loves sitcom Land.

0:29:26.320 --> 0:29:28.240
<v Speaker 2>The sitcom Land is the best place to live.

0:29:28.560 --> 0:29:30.160
<v Speaker 1>Your hair looks the best there, for sure.

0:29:30.600 --> 0:29:33.120
<v Speaker 2>For sure, Jesse says, you're supposed to be in bed.

0:29:33.120 --> 0:29:36.080
<v Speaker 2>What would your dad say? DJ reassures Jesse that her

0:29:36.160 --> 0:29:38.760
<v Speaker 2>dad would be totally okay with them being up this late.

0:29:39.200 --> 0:29:41.000
<v Speaker 1>He would say, why is there a band in my

0:29:41.080 --> 0:29:42.520
<v Speaker 1>living room? Is what he would say.

0:29:42.920 --> 0:29:44.840
<v Speaker 3>There's a lot of things he would say, I like,

0:29:44.880 --> 0:29:47.520
<v Speaker 3>obviously the kids are awake, there is a band in

0:29:47.560 --> 0:29:48.360
<v Speaker 3>my living room.

0:29:49.480 --> 0:29:50.440
<v Speaker 1>That's what he would say.

0:29:52.080 --> 0:29:54.760
<v Speaker 2>So DJ now goes over to Raven and comments on

0:29:54.840 --> 0:29:58.240
<v Speaker 2>the purple streaks and her hair, and Raven says, sure, DJ,

0:29:58.360 --> 0:30:00.520
<v Speaker 2>I'll show you how to do it. It spray right on

0:30:01.320 --> 0:30:04.240
<v Speaker 2>the doorbell rings. DJ answers it and it's the pizza

0:30:04.280 --> 0:30:07.760
<v Speaker 2>guy again. She assures Jesse that eleven o'clock pizza is

0:30:07.920 --> 0:30:11.960
<v Speaker 2>totally normal. The pizza guy then asks if he can

0:30:12.040 --> 0:30:15.840
<v Speaker 2>check out the band, and DJ says, come in, open party.

0:30:16.400 --> 0:30:20.320
<v Speaker 3>This is how every eighties movie party montage starts though,

0:30:20.480 --> 0:30:23.800
<v Speaker 3>is like some pizza do some dude like, hey broke,

0:30:23.880 --> 0:30:26.240
<v Speaker 3>can I check out the band? And then like then

0:30:26.400 --> 0:30:28.760
<v Speaker 3>all of a sudden, it's party montage. Ah, and then

0:30:28.760 --> 0:30:32.480
<v Speaker 3>they cut to you know, the parents coming home. So that, yeah,

0:30:32.640 --> 0:30:37.120
<v Speaker 3>that was totally right on brand for like nineteen eighty seven.

0:30:37.680 --> 0:30:40.160
<v Speaker 3>But like this pizza guys.

0:30:39.920 --> 0:30:40.560
<v Speaker 1>In your house?

0:30:40.720 --> 0:30:43.360
<v Speaker 2>Of course you do a ten year old, A ten

0:30:43.440 --> 0:30:45.880
<v Speaker 2>year old says he can come Like this is giving

0:30:45.880 --> 0:30:48.000
<v Speaker 2>shades of it's always open, like the Tanners are not

0:30:48.040 --> 0:30:50.960
<v Speaker 2>concerned about how safety at all, like just anybody can

0:30:51.000 --> 0:30:53.400
<v Speaker 2>come in at any time, right.

0:30:53.400 --> 0:30:56.800
<v Speaker 3>For yeah, I mean for you know, a sort of

0:30:56.880 --> 0:31:01.440
<v Speaker 3>quote unquote model family of stuff. They're really they're they're

0:31:01.520 --> 0:31:05.880
<v Speaker 3>skating very dangerously close to public safety issues, you know,

0:31:06.280 --> 0:31:09.040
<v Speaker 3>totally yeah, yeah, a ten year old just and a

0:31:09.080 --> 0:31:10.680
<v Speaker 3>ten year old that bites you into a house and

0:31:10.720 --> 0:31:11.800
<v Speaker 3>you're like, okay.

0:31:12.800 --> 0:31:16.920
<v Speaker 2>Cool, Like this is not odd in full house Land,

0:31:17.000 --> 0:31:17.920
<v Speaker 2>this is totally normal.

0:31:18.240 --> 0:31:20.480
<v Speaker 1>Maybe that's something they did in San Francisco nineteen eighty seven.

0:31:20.520 --> 0:31:23.640
<v Speaker 3>Maybe it was just it was a trend back then.

0:31:23.920 --> 0:31:25.600
<v Speaker 3>I don't know, I mean it appeared in a lot

0:31:25.600 --> 0:31:27.400
<v Speaker 3>of movies. I guess that was just the thing people did.

0:31:27.440 --> 0:31:27.880
<v Speaker 1>What do I.

0:31:29.440 --> 0:31:32.080
<v Speaker 2>So we cut to later in the night. DJ and

0:31:32.120 --> 0:31:35.120
<v Speaker 2>Stuff are dancing on the speakers with the purple spray

0:31:35.160 --> 0:31:37.760
<v Speaker 2>in their hair. Well, Uncle Jesse and the band are

0:31:37.760 --> 0:31:42.080
<v Speaker 2>singing Little Sister by Elvis Presle. Your dance moves are

0:31:42.080 --> 0:31:44.000
<v Speaker 2>so cute in this You're doing like I don't even

0:31:44.000 --> 0:31:46.160
<v Speaker 2>know what these moves are called, but you are so cute.

0:31:46.240 --> 0:31:48.000
<v Speaker 2>You and Candae both like are rocking out.

0:31:48.040 --> 0:31:48.800
<v Speaker 1>At one point.

0:31:48.880 --> 0:31:51.959
<v Speaker 3>I do notice that I tried to like do the snake,

0:31:52.520 --> 0:31:55.880
<v Speaker 3>but like kids, like, the fluidity isn't always there, so

0:31:56.000 --> 0:31:59.080
<v Speaker 3>I just was like, like just doing this.

0:31:59.080 --> 0:32:01.240
<v Speaker 2>Weird movement like a broken neck movie.

0:32:01.320 --> 0:32:04.040
<v Speaker 3>Yeah. Yeah, Like I got a little better with that

0:32:04.120 --> 0:32:06.800
<v Speaker 3>as time went on, but I was I didn't care.

0:32:06.840 --> 0:32:08.360
<v Speaker 3>I was so into it. I was like, I am

0:32:08.360 --> 0:32:11.880
<v Speaker 3>on a speaker dancing to music. I was having the

0:32:11.880 --> 0:32:12.680
<v Speaker 3>best time.

0:32:13.120 --> 0:32:14.120
<v Speaker 2>I could tell I could.

0:32:14.160 --> 0:32:16.160
<v Speaker 1>That was Yeah, that was who.

0:32:16.000 --> 0:32:18.520
<v Speaker 3>I was at five, which I think really should have

0:32:20.000 --> 0:32:22.320
<v Speaker 3>been a tipping point for a lot of people.

0:32:22.400 --> 0:32:25.200
<v Speaker 2>But that was the first read fu.

0:32:25.320 --> 0:32:27.160
<v Speaker 3>Yeah, I was like, this is where I belong. It

0:32:27.160 --> 0:32:31.080
<v Speaker 3>should have been like okay, but yeah, I loved that scene.

0:32:31.120 --> 0:32:32.160
<v Speaker 3>It was so much fun.

0:32:32.360 --> 0:32:33.440
<v Speaker 2>Oh, it looked fun.

0:32:33.480 --> 0:32:36.160
<v Speaker 1>Pizza Guy and all you know, Pizza.

0:32:35.880 --> 0:32:39.320
<v Speaker 2>Guy was there at a party, right. Well, then Joey

0:32:39.320 --> 0:32:42.760
<v Speaker 2>walks in the door and yells conga and starts a

0:32:42.920 --> 0:32:44.240
<v Speaker 2>conga line around.

0:32:45.240 --> 0:32:50.520
<v Speaker 1>On playing Elvison's playing a conga? Does he care? No, No,

0:32:50.880 --> 0:32:52.360
<v Speaker 1>conga's were also big in eighties.

0:32:52.680 --> 0:32:55.200
<v Speaker 2>Pizza Guy and they start a conga?

0:32:56.160 --> 0:32:59.320
<v Speaker 1>Was that a thing that people did, just congaing around?

0:32:59.760 --> 0:33:03.520
<v Speaker 3>Well, you know what, Wait, Gloria Stefan, I take it

0:33:03.560 --> 0:33:07.560
<v Speaker 3>all back, of course, come on, isay?

0:33:07.720 --> 0:33:10.080
<v Speaker 1>Of course congre is worth thing. Never mind, there.

0:33:09.960 --> 0:33:12.760
<v Speaker 2>Weren't nearly enough congo lines in Fuller House, like I

0:33:13.520 --> 0:33:13.920
<v Speaker 2>love this.

0:33:14.760 --> 0:33:17.360
<v Speaker 3>I think there was one, and I'm pretty sure I

0:33:17.360 --> 0:33:21.520
<v Speaker 3>said that was too many, So I think I think,

0:33:21.560 --> 0:33:24.200
<v Speaker 3>actually we're I think there was a congo line actually,

0:33:24.360 --> 0:33:25.720
<v Speaker 3>and I was on crutches.

0:33:26.240 --> 0:33:27.640
<v Speaker 2>Oh yes, I think you.

0:33:29.280 --> 0:33:29.560
<v Speaker 1>Right?

0:33:29.960 --> 0:33:33.040
<v Speaker 3>Yeah, that was that was one too many for me.

0:33:34.080 --> 0:33:36.440
<v Speaker 3>And this is where it started my hatred of congo lines.

0:33:36.600 --> 0:33:39.560
<v Speaker 2>Yeah, it started young. I can see why Danny walks

0:33:39.560 --> 0:33:41.520
<v Speaker 2>in the front door at this very moment he takes

0:33:41.560 --> 0:33:44.320
<v Speaker 2>in the scene before him. The band stops the music.

0:33:44.920 --> 0:33:47.680
<v Speaker 2>Joey leans into Jesse and says, boy, are you gonna

0:33:47.800 --> 0:33:52.280
<v Speaker 2>get it, Danny Yills, how could you possibly let this happen?

0:33:52.880 --> 0:33:55.760
<v Speaker 2>Joey makes excuses for himself, declaring that he is a

0:33:55.880 --> 0:33:59.640
<v Speaker 2>conga holic. And I can see both Bob and Dave

0:34:00.160 --> 0:34:02.760
<v Speaker 2>to break here, like they are so trying to crack

0:34:02.800 --> 0:34:05.800
<v Speaker 2>each other up, and they're so trying to not laugh.

0:34:06.160 --> 0:34:10.080
<v Speaker 2>It is ye wonderful to watch from this pre connective.

0:34:10.200 --> 0:34:12.719
<v Speaker 3>It really is great, yeah, watching it, Like you can

0:34:12.760 --> 0:34:16.360
<v Speaker 3>see when they're just they can't look each other in

0:34:16.400 --> 0:34:17.880
<v Speaker 3>the eye. They can't you know what I mean, Like

0:34:17.920 --> 0:34:20.480
<v Speaker 3>they just are ready to absolutely crack up.

0:34:20.760 --> 0:34:22.200
<v Speaker 2>And that's a trick that I feel like you and

0:34:22.200 --> 0:34:24.400
<v Speaker 2>I have perfected too, because we would easily get in

0:34:24.440 --> 0:34:27.440
<v Speaker 2>those moves where I could not look great active. Look right,

0:34:27.480 --> 0:34:29.480
<v Speaker 2>you're in the middle of my forehead, right, you're.

0:34:29.560 --> 0:34:33.799
<v Speaker 3>The hairline on your forehead sometimes, which is equal.

0:34:33.920 --> 0:34:36.280
<v Speaker 2>Distracting because then it feels like you're doing a scene

0:34:36.280 --> 0:34:38.480
<v Speaker 2>with someone who's had a stroke because they're looking like

0:34:38.520 --> 0:34:42.640
<v Speaker 2>they're looking well, no, it's just it looks like there's

0:34:42.440 --> 0:34:46.400
<v Speaker 2>it's distracting because you're not making eye contact, because if

0:34:46.400 --> 0:34:47.879
<v Speaker 2>we make eye contact, we're gonna laugh.

0:34:48.840 --> 0:34:53.680
<v Speaker 3>Sorry for being funny, I'm sorry, sorry for making your

0:34:53.680 --> 0:34:54.520
<v Speaker 3>life enjoyable.

0:34:54.600 --> 0:34:56.759
<v Speaker 2>Abe, Hey, don't apologize for that.

0:34:56.880 --> 0:34:59.960
<v Speaker 3>Back to Conga's. Okay, back to Conga's, back to the importance.

0:35:00.120 --> 0:35:04.000
<v Speaker 3>Yeah and not that sounded totally inappropriate.

0:35:06.040 --> 0:35:08.600
<v Speaker 2>DJ and Stephanie try to sneak out, but Danny tells

0:35:08.640 --> 0:35:11.440
<v Speaker 2>them they are in just as much trouble. DJ tries

0:35:11.480 --> 0:35:14.200
<v Speaker 2>to explain, but Jesse stops her and he takes the

0:35:14.239 --> 0:35:17.959
<v Speaker 2>blame instead. We hear Michelle start crying at this moment,

0:35:18.000 --> 0:35:21.120
<v Speaker 2>and everyone heads upstairs to Michelle's.

0:35:20.600 --> 0:35:24.520
<v Speaker 3>Room because there's a baby in the house with a

0:35:24.719 --> 0:35:26.560
<v Speaker 3>band with the band.

0:35:26.800 --> 0:35:31.680
<v Speaker 1>The band in the house with a baby. What are

0:35:31.719 --> 0:35:34.920
<v Speaker 1>you doing, sir? How did any what if the baby's

0:35:34.920 --> 0:35:37.120
<v Speaker 1>been crying for an out? Nobody could hurt it.

0:35:37.200 --> 0:35:38.280
<v Speaker 2>Nobody could hear her.

0:35:38.560 --> 0:35:41.879
<v Speaker 1>Nobody nobody asked me no, but nobody could hear her, you.

0:35:41.840 --> 0:35:44.960
<v Speaker 2>Know, like well and in later seasons, or you'd have

0:35:45.000 --> 0:35:47.759
<v Speaker 2>to have like a baby monitor established just to prove

0:35:47.760 --> 0:35:49.719
<v Speaker 2>that you're not like a terrible parent. But I don't

0:35:49.760 --> 0:35:52.800
<v Speaker 2>remember seeing a baby monitor in this Uh it was

0:35:52.880 --> 0:35:53.280
<v Speaker 2>the eighties.

0:35:53.400 --> 0:35:56.320
<v Speaker 3>There was eight There was literally a commercial that asked

0:35:56.400 --> 0:35:57.600
<v Speaker 3>do you know where your kids are?

0:35:57.640 --> 0:35:58.280
<v Speaker 1>At ten pm?

0:35:58.400 --> 0:36:02.120
<v Speaker 3>And a majority people were like, no, I just know

0:36:02.120 --> 0:36:05.360
<v Speaker 3>they're not here bothering me. So I really think the

0:36:05.480 --> 0:36:08.400
<v Speaker 3>whole thing was very The landscape parenting was very different.

0:36:08.800 --> 0:36:11.399
<v Speaker 3>It's because apparently you having a band in your living

0:36:11.480 --> 0:36:14.200
<v Speaker 3>room was totally fine with a baby.

0:36:15.080 --> 0:36:16.960
<v Speaker 1>Well, I guess that's the thing is it wasn't.

0:36:16.840 --> 0:36:18.600
<v Speaker 2>Right, So that's that's part of the joke.

0:36:18.760 --> 0:36:21.760
<v Speaker 1>Still, baby, it's a baby and a band.

0:36:22.239 --> 0:36:24.919
<v Speaker 2>So Michelle is crying in her room, we find out

0:36:24.920 --> 0:36:30.320
<v Speaker 2>because she is teething, which Danny describes as imagine a sharp, pointy,

0:36:30.520 --> 0:36:35.600
<v Speaker 2>calcified projectile ripping and knifing its way through your soft,

0:36:35.800 --> 0:36:37.280
<v Speaker 2>tender gum tissue.

0:36:38.239 --> 0:36:42.960
<v Speaker 3>Very projectile is the wrong word in that sentence, just

0:36:43.920 --> 0:36:46.200
<v Speaker 3>I'd ask your opinion as an English major. But I

0:36:46.719 --> 0:36:49.440
<v Speaker 3>projectile to me feels like something that is moving through space.

0:36:49.520 --> 0:36:51.400
<v Speaker 2>But that's it would have to project Well maybe he

0:36:51.480 --> 0:36:54.960
<v Speaker 2>meant it's like projecting through the gum. But yeah, it's

0:36:54.960 --> 0:36:57.520
<v Speaker 2>I agree. It's not the best choice of words, but

0:36:58.040 --> 0:36:59.040
<v Speaker 2>it's okay. It adds to them.

0:36:59.080 --> 0:37:03.680
<v Speaker 1>I mean, the whole thing sounds terrifying, really and awful.

0:37:03.800 --> 0:37:05.719
<v Speaker 2>Like her tooth is just coming out like that's it.

0:37:05.719 --> 0:37:07.160
<v Speaker 2>It's not it's not.

0:37:07.160 --> 0:37:08.719
<v Speaker 1>That she's already got like five teeth.

0:37:09.719 --> 0:37:13.040
<v Speaker 2>She's been teething for a while. Right. Danny gives her

0:37:13.040 --> 0:37:15.960
<v Speaker 2>a teething ring, which she immediately throws out of her crib.

0:37:16.440 --> 0:37:19.200
<v Speaker 2>Jesse offers to help and sticks his finger in her mouth.

0:37:19.920 --> 0:37:21.600
<v Speaker 2>Miraculously she stops crying.

0:37:21.920 --> 0:37:24.400
<v Speaker 1>Gross again, unsanitary.

0:37:24.480 --> 0:37:28.440
<v Speaker 3>You've just been playing a guitar, sir, with a band

0:37:29.920 --> 0:37:34.160
<v Speaker 3>with people, and maybe eating pizza to me, eating things

0:37:34.400 --> 0:37:37.759
<v Speaker 3>with a random pizza delivery man, and you're going to

0:37:37.920 --> 0:37:40.960
<v Speaker 3>just take your finger and stick it in a baby's mouth?

0:37:41.920 --> 0:37:43.600
<v Speaker 1>Again? Questionable?

0:37:44.280 --> 0:37:46.640
<v Speaker 2>I had the same reaction. I didn't know if if

0:37:46.680 --> 0:37:51.920
<v Speaker 2>I was just overcompensating because you know, in post COVID

0:37:51.960 --> 0:37:53.640
<v Speaker 2>times here, I'm just like, oh, don't stick your finger

0:37:53.680 --> 0:37:56.279
<v Speaker 2>in that person. Yeah, But like I mean, I guess.

0:37:55.880 --> 0:37:59.560
<v Speaker 1>Yeah, I maybe you know again, where are your kids?

0:37:59.640 --> 0:37:59.840
<v Speaker 2>You know?

0:38:00.120 --> 0:38:03.120
<v Speaker 3>With fingers? People were giving kids like car keys to

0:38:03.200 --> 0:38:06.200
<v Speaker 3>chew on. Right that we're probably like dipped in lead paint.

0:38:06.280 --> 0:38:10.080
<v Speaker 3>So you know what, I again have to remember to

0:38:10.200 --> 0:38:11.680
<v Speaker 3>view it with a different lens.

0:38:11.960 --> 0:38:12.560
<v Speaker 1>Right, right?

0:38:13.000 --> 0:38:17.440
<v Speaker 2>How did we survive all of this? Danny takes this

0:38:17.480 --> 0:38:20.279
<v Speaker 2>moment to scold Jesse about not being adult enough to

0:38:20.320 --> 0:38:22.760
<v Speaker 2>take care of the kids. He says, well, your brain

0:38:22.840 --> 0:38:26.440
<v Speaker 2>isn't working tonight, but your fingers doing great. He exits

0:38:26.560 --> 0:38:28.879
<v Speaker 2>the room, leaving Jesse with his finger in Michelle's mouth

0:38:29.000 --> 0:38:33.480
<v Speaker 2>as a human teething ring. We cut two DJ and

0:38:33.480 --> 0:38:36.960
<v Speaker 2>Stephanie's room, where Stephanie says Uncle Jesse was the best

0:38:36.960 --> 0:38:40.439
<v Speaker 2>babysitter ever, and DJ responds, yeah, but I think he's

0:38:40.440 --> 0:38:42.920
<v Speaker 2>in big trouble. There's a knock on the door, and

0:38:42.960 --> 0:38:44.799
<v Speaker 2>the girls turn off the lights and hustle into their

0:38:44.800 --> 0:38:48.160
<v Speaker 2>beds and fake snore and fake being asleep.

0:38:48.680 --> 0:38:52.040
<v Speaker 1>Yeah. Yeah, it was almost as good as my fate crying.

0:38:52.640 --> 0:38:54.920
<v Speaker 2>Oh yeah, And I love the lighting placement here, Like

0:38:54.960 --> 0:38:57.360
<v Speaker 2>as soon as DJ turns off the lights, like suddenly

0:38:57.440 --> 0:38:59.880
<v Speaker 2>there's like spotlights directly over your heads.

0:39:00.640 --> 0:39:06.480
<v Speaker 3>Those are obviously skylights from the roof, which has an

0:39:06.480 --> 0:39:08.800
<v Speaker 3>attic above it, which we don't see.

0:39:08.840 --> 0:39:10.600
<v Speaker 1>But that's not neither.

0:39:10.320 --> 0:39:13.560
<v Speaker 3>Here nor there, so all right, but it's beautifully placed

0:39:13.719 --> 0:39:17.200
<v Speaker 3>and lit on the Yeah, it's a beautifully lip.

0:39:17.840 --> 0:39:20.600
<v Speaker 2>Danny enters the room, The girls squint to their eyes

0:39:20.640 --> 0:39:23.480
<v Speaker 2>and pretend they are just waking up. Stephanie says, is

0:39:23.520 --> 0:39:27.480
<v Speaker 2>it morning, which is so precious Danny starts to talk

0:39:27.520 --> 0:39:30.359
<v Speaker 2>to the girls about how irresponsible uncle Jesse is when

0:39:30.400 --> 0:39:33.560
<v Speaker 2>he happens to look down and see the empty curtains

0:39:33.600 --> 0:39:34.480
<v Speaker 2>of ice cream.

0:39:34.840 --> 0:39:39.360
<v Speaker 3>Uh oh, the girls wait, but weren't the kids he

0:39:39.400 --> 0:39:43.360
<v Speaker 3>walked in? We were like dancing on the speaker, right, Oh, yeah,

0:39:43.440 --> 0:39:46.239
<v Speaker 3>Danny walked in. Yeah, he can't really only be mad

0:39:46.280 --> 0:39:48.640
<v Speaker 3>at Jesse, Like you know what I mean. I'd be like,

0:39:48.840 --> 0:39:51.839
<v Speaker 3>you know, I wouldn't be like Jesse's really irresponsible. I'd

0:39:51.840 --> 0:39:56.000
<v Speaker 3>be like, you were very well dressed and your hair

0:39:56.000 --> 0:39:58.000
<v Speaker 3>looks amazing, by the way, but you were dancing on

0:39:58.040 --> 0:39:58.560
<v Speaker 3>a speaker.

0:40:00.160 --> 0:40:02.239
<v Speaker 2>Well, but Jesse is the adult, like he was the

0:40:02.280 --> 0:40:04.920
<v Speaker 2>adult left in charge. So ultimately I feel like the

0:40:05.320 --> 0:40:09.640
<v Speaker 2>responsibility falls on him, although you know, DJ and Stephanie

0:40:09.640 --> 0:40:12.640
<v Speaker 2>are easily just as at assault.

0:40:12.840 --> 0:40:14.680
<v Speaker 1>I want that blaming anyone. I'm not blaming anyway.

0:40:14.719 --> 0:40:17.399
<v Speaker 3>I'm just saying like, until he finds the ice cream,

0:40:17.360 --> 0:40:19.000
<v Speaker 3>he's pretty quick to let these kids off the hook.

0:40:19.360 --> 0:40:21.520
<v Speaker 2>Yes, he's definitely quick to give you guys the benefit

0:40:21.560 --> 0:40:25.240
<v Speaker 2>of the doubt until he sees these empty ice cream curtains.

0:40:24.920 --> 0:40:26.640
<v Speaker 1>Which we were terrible at getting rid of.

0:40:26.719 --> 0:40:29.320
<v Speaker 3>Apparently we cleaned all of it up off the record

0:40:29.320 --> 0:40:32.200
<v Speaker 3>player and then left it on the floor, left it

0:40:32.239 --> 0:40:33.560
<v Speaker 3>sitting under the table.

0:40:33.840 --> 0:40:36.120
<v Speaker 1>That was stupid. That was very dumb of us.

0:40:36.480 --> 0:40:38.880
<v Speaker 2>You were more interested in jumping rope and doing the

0:40:38.920 --> 0:40:40.719
<v Speaker 2>hand jive than cleaning clean.

0:40:40.800 --> 0:40:43.320
<v Speaker 3>Well, we cleaned it all off of everything. The dripping

0:40:43.400 --> 0:40:46.480
<v Speaker 3>is gone, but we didn't throw away the evidence. I mean,

0:40:46.480 --> 0:40:48.200
<v Speaker 3>that's pretty typical, though. I've seen how my kids try

0:40:48.239 --> 0:40:48.879
<v Speaker 3>and get rid of stuff.

0:40:49.000 --> 0:40:49.720
<v Speaker 2>Rookie mistake.

0:40:49.960 --> 0:40:51.240
<v Speaker 1>Yeah, they're awful.

0:40:52.960 --> 0:40:56.279
<v Speaker 2>DJ comes clean about everything and promises that they will

0:40:56.320 --> 0:40:59.640
<v Speaker 2>apologize to Uncle Jesse. DJ asks are we going to

0:40:59.680 --> 0:41:02.279
<v Speaker 2>be in t and Stephanie interrupts and says, but wait

0:41:02.440 --> 0:41:05.520
<v Speaker 2>before you answer that. She goes over to the chest

0:41:05.560 --> 0:41:07.520
<v Speaker 2>at the end of her bed and retrieves a stale

0:41:07.520 --> 0:41:10.200
<v Speaker 2>piece of pizza and says, we saved you a piece

0:41:10.239 --> 0:41:10.720
<v Speaker 2>of pizza.

0:41:11.360 --> 0:41:13.120
<v Speaker 1>How's I mean, that's where I keep my pizza.

0:41:13.200 --> 0:41:15.719
<v Speaker 2>That's a good piece offering and I think stale piece

0:41:15.719 --> 0:41:16.400
<v Speaker 2>of pizza if.

0:41:16.280 --> 0:41:19.640
<v Speaker 3>Someone, I mean, it's not that stay yeah what at

0:41:19.760 --> 0:41:23.280
<v Speaker 3>most it's what two hours old?

0:41:24.080 --> 0:41:26.080
<v Speaker 1>You know it's not that stale. It's probably still a

0:41:26.120 --> 0:41:28.560
<v Speaker 1>little bit warm after being in that That.

0:41:28.840 --> 0:41:32.840
<v Speaker 2>Fox easily edible for sure, still for sure, Yeah, totally.

0:41:33.040 --> 0:41:34.840
<v Speaker 2>By the way, did you see this blow up weebl

0:41:34.880 --> 0:41:36.280
<v Speaker 2>doll in the background?

0:41:36.360 --> 0:41:37.479
<v Speaker 1>Oh my god, I wrote it down.

0:41:39.320 --> 0:41:42.320
<v Speaker 3>It's a weebled weebel wobbles, but it won't fall down.

0:41:42.640 --> 0:41:45.760
<v Speaker 1>Do you remember those? Yes? Yeah, they were so fun.

0:41:45.960 --> 0:41:48.239
<v Speaker 1>Just I remember I would punch the crap out of

0:41:48.239 --> 0:41:48.919
<v Speaker 1>that thing, and.

0:41:49.040 --> 0:41:50.360
<v Speaker 2>You know, a great stress reliever.

0:41:50.640 --> 0:41:52.120
<v Speaker 1>Yeah, yeah, yeah, yeah, But I didn't.

0:41:52.360 --> 0:41:54.160
<v Speaker 2>I didn't see the weebel wobble in any of the

0:41:54.160 --> 0:41:56.319
<v Speaker 2>previous episodes, so I think this is a new, a

0:41:56.360 --> 0:41:57.040
<v Speaker 2>new appearance.

0:41:57.280 --> 0:41:59.239
<v Speaker 3>It was like probably tucked in a corner or something,

0:41:59.239 --> 0:42:02.759
<v Speaker 3>but it was very dominantly featured right in between. It

0:42:02.840 --> 0:42:05.920
<v Speaker 3>was a three shot basically of DJ Steph and the

0:42:05.960 --> 0:42:08.560
<v Speaker 3>weeble wobble in the background, really kind of pulling focus.

0:42:08.560 --> 0:42:10.839
<v Speaker 3>I was a little upset, you know, I mean, Buddy does.

0:42:10.880 --> 0:42:12.320
<v Speaker 2>Darn weebles upstaging you?

0:42:13.280 --> 0:42:14.840
<v Speaker 1>Just really seriously.

0:42:15.640 --> 0:42:18.200
<v Speaker 2>We cut to Michelle's room, where Jesse still has his

0:42:18.239 --> 0:42:21.760
<v Speaker 2>finger in her mouth. He asks her the meaning of life.

0:42:21.640 --> 0:42:23.200
<v Speaker 1>He washed his hands.

0:42:23.960 --> 0:42:25.800
<v Speaker 2>Jesse says, you know what, it's bedtime, and he carries

0:42:25.800 --> 0:42:29.839
<v Speaker 2>Michelle out of her room and into Jesse's bedroom. DJ

0:42:29.920 --> 0:42:32.399
<v Speaker 2>and Steph walk in to offer their apologies to Uncle

0:42:32.480 --> 0:42:34.800
<v Speaker 2>Jay and promise that they will try to do better.

0:42:35.239 --> 0:42:38.040
<v Speaker 2>Stephanie says, you can cover up my bunnies if you want.

0:42:38.920 --> 0:42:44.239
<v Speaker 1>Oh, Steph, No, no, Steph, don't let anyone cover up

0:42:44.280 --> 0:42:44.960
<v Speaker 1>your bunnies.

0:42:45.640 --> 0:42:49.520
<v Speaker 2>She feels bad. Jesse says, well, your bunnies are starting

0:42:49.560 --> 0:42:52.560
<v Speaker 2>to grow on me. Steph says, we really love you,

0:42:52.800 --> 0:42:55.839
<v Speaker 2>and Jesse replies, I love you too, but the next

0:42:55.840 --> 0:42:59.320
<v Speaker 2>time you pull that stuff on me, I am still

0:42:59.400 --> 0:43:03.719
<v Speaker 2>gonna love you. Oh. That's such a sweet moment. And

0:43:03.760 --> 0:43:08.240
<v Speaker 2>there's a perfectly timed coup from Michelle that was genuine.

0:43:08.239 --> 0:43:09.880
<v Speaker 2>I don't think she you know, she wasn't prompted to

0:43:09.880 --> 0:43:11.640
<v Speaker 2>do that. She just cooed right at the.

0:43:11.719 --> 0:43:13.759
<v Speaker 1>Didn't we know we had baby? We had remember the

0:43:13.800 --> 0:43:15.360
<v Speaker 1>baby lady that made the baby noises?

0:43:15.680 --> 0:43:17.680
<v Speaker 2>Yeah? But I think this was an organic coup.

0:43:20.840 --> 0:43:23.200
<v Speaker 1>I think this was just like she was just.

0:43:23.440 --> 0:43:25.960
<v Speaker 3>I want to make so many jokes about an organic

0:43:26.080 --> 0:43:30.279
<v Speaker 3>coup right now, but I'm not going to.

0:43:30.880 --> 0:43:33.640
<v Speaker 2>You, but practice your restraint, Jody.

0:43:33.880 --> 0:43:37.160
<v Speaker 1>Farm to table, farm to table coup.

0:43:37.719 --> 0:43:39.160
<v Speaker 2>Anyways, it's such a sweet.

0:43:38.960 --> 0:43:40.960
<v Speaker 1>Moment from a genuine baby.

0:43:41.040 --> 0:43:43.880
<v Speaker 2>This was such a great moment from Jesse, who is

0:43:44.200 --> 0:43:46.640
<v Speaker 2>trying to been he's been trying to prove how like

0:43:46.680 --> 0:43:48.760
<v Speaker 2>what a tough guy he is and he's not really

0:43:49.040 --> 0:43:51.279
<v Speaker 2>like a kid person. But then he admits to the

0:43:51.320 --> 0:43:52.440
<v Speaker 2>girls that he's got.

0:43:52.239 --> 0:43:56.479
<v Speaker 3>A giant blow up flamingo and an inflatable saxophone. Okay, sir,

0:43:57.320 --> 0:43:59.640
<v Speaker 3>sit down, you're not that much of anything.

0:43:59.680 --> 0:44:04.319
<v Speaker 2>He's really he's really not. Okay, where are we? Oh?

0:44:04.320 --> 0:44:09.080
<v Speaker 2>They all hug and we're right after the organic coup.

0:44:09.280 --> 0:44:11.560
<v Speaker 1>Okay, right after the organic coop.

0:44:11.680 --> 0:44:13.840
<v Speaker 2>Danny walks in, followed by Joey, who says, well, I

0:44:13.840 --> 0:44:15.839
<v Speaker 2>couldn't find the teething ring, so I got the next

0:44:15.960 --> 0:44:19.760
<v Speaker 2>best thing, an ice cold carrot finger.

0:44:19.960 --> 0:44:26.640
<v Speaker 3>No, it's a little, it's just a finger that they've

0:44:26.719 --> 0:44:32.440
<v Speaker 3>kept him all right, that this took a dark turn. Sorry, sorry,

0:44:32.440 --> 0:44:36.040
<v Speaker 3>I was thinking of of the Big Lebowski.

0:44:37.280 --> 0:44:39.440
<v Speaker 1>By three o'clock. It's a great and easy.

0:44:40.400 --> 0:44:44.000
<v Speaker 2>But this is full house. They're using an ice cold carrot,

0:44:44.680 --> 0:44:47.280
<v Speaker 2>full on carrot with like the green the green?

0:44:47.360 --> 0:44:51.520
<v Speaker 1>Is it a carrot in your pocket with a with

0:44:51.760 --> 0:44:54.279
<v Speaker 1>stalks and everything. It's like he just ripped it out

0:44:54.280 --> 0:44:54.840
<v Speaker 1>of the ground.

0:44:55.080 --> 0:44:57.360
<v Speaker 2>Yes, Like who buys a carrot like a bit of

0:44:57.440 --> 0:45:00.200
<v Speaker 2>bugs bunny carrot. It is a full sized carrot. It's

0:45:00.200 --> 0:45:01.600
<v Speaker 2>not like a baby carrot or anything.

0:45:02.440 --> 0:45:04.359
<v Speaker 3>And it didn't even set up a bugs bunny joke,

0:45:04.400 --> 0:45:06.480
<v Speaker 3>which I was surely thought.

0:45:06.520 --> 0:45:09.080
<v Speaker 2>I thought so too, or an impression like I wonder if.

0:45:09.280 --> 0:45:09.839
<v Speaker 1>That's what I mean.

0:45:09.880 --> 0:45:11.480
<v Speaker 3>I thought for sure we were going there, and it

0:45:11.520 --> 0:45:13.080
<v Speaker 3>didn't because they were short.

0:45:12.880 --> 0:45:16.040
<v Speaker 2>On time they needed to cut some jokes. So but yeah,

0:45:16.080 --> 0:45:17.520
<v Speaker 2>that was a that would have been a great setup.

0:45:17.560 --> 0:45:19.919
<v Speaker 1>So they left the carrot in the pocket but got

0:45:19.920 --> 0:45:20.319
<v Speaker 1>the joke.

0:45:21.480 --> 0:45:25.000
<v Speaker 2>Danny apologizes to Jesse and gets emotional, saying how much

0:45:25.040 --> 0:45:28.799
<v Speaker 2>the girls mean now, especially with Pam gone. Jesse mentions

0:45:28.840 --> 0:45:33.040
<v Speaker 2>how he's only been there for twelve hours, That's what

0:45:33.080 --> 0:45:33.680
<v Speaker 2>I'm saying.

0:45:33.880 --> 0:45:38.920
<v Speaker 3>Since they moved here there, How did where did all

0:45:38.920 --> 0:45:42.399
<v Speaker 3>this stuff come from? Jesse rolled up on a motorcycle

0:45:42.440 --> 0:45:46.279
<v Speaker 3>from Reno, Okay, which with the whole Cogan's and his

0:45:46.320 --> 0:45:49.120
<v Speaker 3>sister in law all right, He rolled up on a

0:45:49.320 --> 0:45:53.480
<v Speaker 3>motorcycle with a guitar in no case strapped to his back.

0:45:53.480 --> 0:45:54.759
<v Speaker 3>And now all of a sudden he's got a case

0:45:54.800 --> 0:45:57.720
<v Speaker 3>and a flamingo, and Joey's got a mannequin.

0:45:57.800 --> 0:45:59.840
<v Speaker 1>Where did the mannequin come from? He walked in with

0:45:59.840 --> 0:46:02.759
<v Speaker 1>the already laundry. Now we've got a planetary system in

0:46:02.800 --> 0:46:04.560
<v Speaker 1>the alcove and matching.

0:46:04.640 --> 0:46:08.560
<v Speaker 2>Sure, I'm just impressed with this. It'spended with which.

0:46:08.480 --> 0:46:12.319
<v Speaker 3>They have again caused DJ's moving company. I'm telling you

0:46:12.800 --> 0:46:16.399
<v Speaker 3>it is on time. They get in, they get out,

0:46:16.520 --> 0:46:20.400
<v Speaker 3>they do the job quickly, quickly because DJ moved all

0:46:20.480 --> 0:46:24.919
<v Speaker 3>of that out and back, and the guys moved their

0:46:24.960 --> 0:46:28.560
<v Speaker 3>stuff in all in less than twelve hours, by the way,

0:46:29.200 --> 0:46:31.759
<v Speaker 3>one of which they were spending changing a diaper, So

0:46:31.880 --> 0:46:36.080
<v Speaker 3>really eleven hours they've they've been there eleven hours.

0:46:36.160 --> 0:46:39.040
<v Speaker 2>They have packed a lot into these twelve hours, for sure.

0:46:39.160 --> 0:46:40.320
<v Speaker 1>Yeah, I'm impressed.

0:46:40.920 --> 0:46:43.759
<v Speaker 3>It's it's been a very busy day, as it's been

0:46:43.760 --> 0:46:47.000
<v Speaker 3>a very There's been a band, there's been a movie.

0:46:47.040 --> 0:46:50.120
<v Speaker 3>There's been a carrot, there's been a disappearing child. It's

0:46:50.160 --> 0:46:51.400
<v Speaker 3>been a kid in a pot.

0:46:51.320 --> 0:46:51.879
<v Speaker 1>You know what I mean?

0:46:52.080 --> 0:46:55.280
<v Speaker 2>Like this, Yes, there's so much happening in this house.

0:46:56.560 --> 0:46:59.279
<v Speaker 2>Danny explains that it's okay to say no and that

0:46:59.400 --> 0:47:03.400
<v Speaker 2>kids need limits. Joey joins his conversation, saying, you know

0:47:03.440 --> 0:47:06.000
<v Speaker 2>he was an only child, so he only had imaginary

0:47:06.400 --> 0:47:09.560
<v Speaker 2>brothers and sisters. Feels great to be in a real

0:47:09.600 --> 0:47:11.560
<v Speaker 2>house with real people. And then he turns to look

0:47:11.600 --> 0:47:17.000
<v Speaker 2>behind him and says, isn't that right Leon, which I

0:47:17.040 --> 0:47:19.839
<v Speaker 2>assume is the imaginary brother that he's referring to.

0:47:20.080 --> 0:47:23.440
<v Speaker 1>Well, I know that I get the I'm not that

0:47:24.480 --> 0:47:26.920
<v Speaker 1>well I was, but not about I thought he said Leeah?

0:47:27.000 --> 0:47:27.600
<v Speaker 2>Is it Leah?

0:47:27.680 --> 0:47:28.200
<v Speaker 1>Was Leon?

0:47:28.320 --> 0:47:29.600
<v Speaker 2>Maybe it's Leah. I don't know.

0:47:30.239 --> 0:47:35.000
<v Speaker 1>My hearing is terrible, so it could it could be Leon. Yeah,

0:47:35.080 --> 0:47:35.640
<v Speaker 1>Leon Lee.

0:47:36.040 --> 0:47:38.600
<v Speaker 2>With the show, tell us who is the imaginary Leon?

0:47:38.760 --> 0:47:39.600
<v Speaker 2>Leah or Leon?

0:47:39.840 --> 0:47:41.480
<v Speaker 1>It's Leah Tannery.

0:47:41.560 --> 0:47:46.400
<v Speaker 3>No, it's who That's who I heard was Leah Tanner

0:47:46.440 --> 0:47:52.160
<v Speaker 3>rotraddiction right, unless you've got a character procket.

0:47:52.239 --> 0:47:59.520
<v Speaker 2>Okay, now we're getting sappy Joey Yell's KNGA and the

0:47:59.600 --> 0:48:03.000
<v Speaker 2>guys do the Kong out of them and that is

0:48:03.040 --> 0:48:03.680
<v Speaker 2>our episode.

0:48:03.760 --> 0:48:07.400
<v Speaker 3>That's what you do, and the band's already gone. That

0:48:07.520 --> 0:48:11.799
<v Speaker 3>was quick that I mean, I am. The speed at

0:48:11.840 --> 0:48:14.880
<v Speaker 3>which the Tanner family moves is efficient.

0:48:15.040 --> 0:48:17.440
<v Speaker 2>I will say that I would love to have this

0:48:17.520 --> 0:48:20.200
<v Speaker 2>kind of efficiency in my life, where I just go

0:48:20.280 --> 0:48:22.160
<v Speaker 2>into one room and I come out and the living

0:48:22.239 --> 0:48:23.920
<v Speaker 2>room is completely cleaned up right, and.

0:48:24.400 --> 0:48:27.000
<v Speaker 3>To be surrounded by completely inept people and still be

0:48:27.080 --> 0:48:27.640
<v Speaker 3>that efficient.

0:48:27.760 --> 0:48:31.680
<v Speaker 2>I mean, my god, it's definitely an alternate universe.

0:48:31.760 --> 0:48:34.640
<v Speaker 1>Yeah, but I love it.

0:48:34.719 --> 0:48:37.319
<v Speaker 3>Like I love watching the show and seeing all of

0:48:37.360 --> 0:48:40.480
<v Speaker 3>those things that like obviously you know or what like

0:48:40.480 --> 0:48:41.200
<v Speaker 3>don't make sense or.

0:48:41.160 --> 0:48:45.440
<v Speaker 1>Whatever, but like that you watch the show and that you're.

0:48:45.280 --> 0:48:47.319
<v Speaker 3>So connected to these people and the story and what's

0:48:47.360 --> 0:48:49.200
<v Speaker 3>going on, and also that you know, you know it's

0:48:49.200 --> 0:48:51.600
<v Speaker 3>a sitcom, but like that you're so in it that

0:48:52.320 --> 0:48:53.880
<v Speaker 3>of course you don't think about that stuff, you know

0:48:53.920 --> 0:48:55.719
<v Speaker 3>what I mean, Like we think about it because we've

0:48:55.760 --> 0:48:57.560
<v Speaker 3>seen it and we do it, and that's worth, you know,

0:48:57.600 --> 0:49:00.400
<v Speaker 3>being silly about it. But like it was such a

0:49:00.440 --> 0:49:04.319
<v Speaker 3>great establishing moment of like who everybody in the house was.

0:49:04.560 --> 0:49:06.879
<v Speaker 1>In this episode, I noticed just.

0:49:06.840 --> 0:49:09.080
<v Speaker 2>How much chemistry the cast has already. I mean, this

0:49:09.160 --> 0:49:12.960
<v Speaker 2>is only episode two and you guys already have so

0:49:13.080 --> 0:49:16.520
<v Speaker 2>much chemistry, especially between the three guys. It's it's incredible.

0:49:17.280 --> 0:49:18.040
<v Speaker 2>I loved it.

0:49:18.040 --> 0:49:20.719
<v Speaker 1>It's yeah, yeah, I really really did. You know.

0:49:20.760 --> 0:49:22.839
<v Speaker 3>What I will say too, is that the one thing

0:49:22.880 --> 0:49:26.239
<v Speaker 3>I noticed, and we see this in in a couple episodes.

0:49:26.719 --> 0:49:30.359
<v Speaker 1>DJ was a little devious. She did not turn out

0:49:30.719 --> 0:49:31.160
<v Speaker 1>that way.

0:49:32.040 --> 0:49:33.799
<v Speaker 2>She was kind of a goodie wonder.

0:49:34.840 --> 0:49:37.160
<v Speaker 1>Yeah, yeah, yeah, but like I wonder if the.

0:49:38.719 --> 0:49:41.480
<v Speaker 3>You know, if that if there she might have been,

0:49:41.880 --> 0:49:44.440
<v Speaker 3>like maybe it would have been DJ in the bathroom

0:49:44.480 --> 0:49:47.640
<v Speaker 3>smoking with GeOH, who knows, you know what I'm saying,

0:49:47.719 --> 0:49:48.839
<v Speaker 3>alternate universe, just.

0:49:48.760 --> 0:49:51.880
<v Speaker 1>Saying food for thought. But yeah, it's just funny.

0:49:51.920 --> 0:49:53.839
<v Speaker 3>DJ seems to be the one that's like, hey, let's

0:49:53.840 --> 0:49:55.600
<v Speaker 3>go do this, let's go get ice cream. Less she's

0:49:55.640 --> 0:49:58.160
<v Speaker 3>the instigator, and later on I feel like Steph is

0:49:58.160 --> 0:49:59.320
<v Speaker 3>the instigator.

0:49:58.800 --> 0:50:02.359
<v Speaker 2>Swap rolls later on in the in the series. Yeah,

0:50:02.360 --> 0:50:04.480
<v Speaker 2>well I love this. I love this type of bottle

0:50:04.480 --> 0:50:06.560
<v Speaker 2>episode where it's just it's focused really on just the

0:50:06.560 --> 0:50:09.160
<v Speaker 2>immediate family, Like there's not too many guest stars coming

0:50:09.200 --> 0:50:11.839
<v Speaker 2>in and out. It's really just well, there's the pizza guy,

0:50:11.920 --> 0:50:14.400
<v Speaker 2>there's the pizza guy, and there's the bands. But aside

0:50:14.400 --> 0:50:15.000
<v Speaker 2>from that.

0:50:15.080 --> 0:50:17.560
<v Speaker 3>And there's just a it's aside from the extra eight

0:50:17.600 --> 0:50:19.840
<v Speaker 3>people that are in the living room for three scenes,

0:50:19.920 --> 0:50:21.839
<v Speaker 3>I'd say there's not a lot of extra.

0:50:21.600 --> 0:50:25.080
<v Speaker 2>People in it. Aside from that, it's just the six

0:50:25.120 --> 0:50:25.319
<v Speaker 2>of you.

0:50:25.760 --> 0:50:27.520
<v Speaker 1>Aside from that huge party scene.

0:50:27.640 --> 0:50:29.680
<v Speaker 3>I'd say, there's really not a big change in how

0:50:29.719 --> 0:50:30.840
<v Speaker 3>many people are in the house.

0:50:32.239 --> 0:50:34.240
<v Speaker 2>Ah, the world is small, but the house is full.

0:50:36.680 --> 0:50:42.000
<v Speaker 2>I say, Well, any other remaining thoughts about this episode

0:50:42.080 --> 0:50:44.359
<v Speaker 2>or are you ready to wrap it up and move on?

0:50:44.680 --> 0:50:48.479
<v Speaker 1>I you know, I think I have interrupted you enough.

0:50:48.600 --> 0:50:51.920
<v Speaker 3>I have. I'm so sorry. That's that's gonna be the

0:50:51.960 --> 0:50:53.000
<v Speaker 3>note that we get you.

0:50:53.160 --> 0:50:55.360
<v Speaker 2>No, that's okay, because we're we're so close, we're friends,

0:50:55.400 --> 0:50:56.960
<v Speaker 2>we talk over each other all the time. I'm not

0:50:57.000 --> 0:50:59.040
<v Speaker 2>bumped by this at all, because this is just like.

0:50:59.040 --> 0:51:02.279
<v Speaker 3>I'm so just like, look, this is actually her rein dad.

0:51:02.560 --> 0:51:05.799
<v Speaker 3>This is how it you know, right, I'm being conscientious

0:51:05.800 --> 0:51:09.520
<v Speaker 3>of it. But no, my brain, you know, your brain

0:51:09.640 --> 0:51:11.719
<v Speaker 3>is like the layout of the whole thing, and mine

0:51:11.800 --> 0:51:12.600
<v Speaker 3>is like, oh my god.

0:51:12.480 --> 0:51:15.720
<v Speaker 1>Look at that stupid thing over so right exactly.

0:51:15.760 --> 0:51:19.560
<v Speaker 3>So if I don't, you know, if I just I

0:51:19.600 --> 0:51:21.040
<v Speaker 3>didn't mean to interrupt you a bunch, If I did

0:51:21.160 --> 0:51:23.120
<v Speaker 3>do not what I mean, I didn't mean this. I'm

0:51:23.160 --> 0:51:25.440
<v Speaker 3>not apologizing to you. I'm letting the listeners know. Okay,

0:51:26.920 --> 0:51:28.640
<v Speaker 3>just deal with it. Okay, guys, this sounds going to

0:51:28.719 --> 0:51:30.239
<v Speaker 3>be this is what we do.

0:51:30.400 --> 0:51:35.280
<v Speaker 2>This is how we are well Tanner Ritos, don't forget

0:51:35.320 --> 0:51:37.080
<v Speaker 2>to tell us. What do you want to know? What

0:51:37.440 --> 0:51:40.200
<v Speaker 2>questions you have, what stories you want us to tell.

0:51:40.480 --> 0:51:43.160
<v Speaker 2>Let us know on our social media at how Rude

0:51:43.239 --> 0:51:45.800
<v Speaker 2>podcast or you can email us at how Rude podcast

0:51:46.120 --> 0:51:49.400
<v Speaker 2>at gmail dot com. Until next time, yea't wait to

0:51:49.440 --> 0:51:50.280
<v Speaker 2>hear from you, guys.

0:51:50.400 --> 0:51:53.200
<v Speaker 1>And remember the world is small, but the house is full.

0:51:53.320 --> 0:51:57.920
<v Speaker 1>J and Barber. It doesn't work like that barber.

0:51:58.360 --> 0:52:01.640
<v Speaker 2>That's the one A