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Speaker 1: That was rough that our technical difficulties. We were hoping

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Speaker 1: we were gonna.

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Speaker 2: Well, we're three, three, four episodes in now, and I

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Speaker 2: feel like we should be pros at this and not

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Speaker 2: wondering where do we find the microphone button? Is it

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Speaker 2: to the right.

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Speaker 3: I'm still struggling. I'm still struggling with the technology. So yeah,

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Speaker 3: it's just I've just never felt older than I did

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Speaker 3: trying to trying to start recording today's podcast.

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Speaker 2: So hello, hello, by Now we've listened to our first

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Speaker 2: three episodes of this podcast. And how do you feel

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Speaker 2: now after having listened to your voice for three hours straight?

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Speaker 1: Oh?

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Speaker 3: Well, I I made the smart decision to not listen

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Speaker 3: to it three hours in a row, like to break

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Speaker 3: it up, because yeah, it's like listen, you know, you

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Speaker 3: hate that, like when you leave a voicemail and you're like, God,

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Speaker 3: is that is that really what I sound like? Imagine

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Speaker 3: that but much better quality? And yes, that is what

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Speaker 3: you sound like. But part of your job is listening

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Speaker 3: to it. So yeah, it's nothing like listening to your

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Speaker 3: own voice. But I loved it, I thought, I mean,

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Speaker 3: I am very happy with it. I mean, it doesn't

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Speaker 3: really matter what we think though, because you and I

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Speaker 3: could you know, sit in a room by ourselves and

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Speaker 3: be like, this is great, We're irrelevant.

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Speaker 1: This is all.

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Speaker 3: It's really all about the tana Ritos and if yeah,

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Speaker 3: if they are, if they're on board with us, and

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Speaker 3: I feel like they are.

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Speaker 1: I feel like they are.

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Speaker 2: I feel like we're going to bring them on this

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Speaker 2: journey with us, regardless of how many times we screw

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Speaker 2: up the facts or right ourselves.

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Speaker 3: Well, speaking of screwing up the facts, didn't we decide

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Speaker 3: that it's going to be fanner Rito's.

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Speaker 2: Oh yeah, faner Rito's.

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Speaker 1: See.

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Speaker 2: Well, this brings me to an important point that there

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Speaker 2: there's already arguments going on about you is it?

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Speaker 1: Wait?

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Speaker 2: What? Well, everyone's debating whether it's tanner Ritos or tanner Ritos,

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Speaker 2: Like is it spelled with an enter? At which I

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Speaker 2: know the answer, but does it really matter? People care?

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Speaker 2: Like I don't wait, why wait?

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Speaker 1: You mean it's spelled with it? Oh? Is it tanner Reno's.

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Speaker 2: In the original show Full House, it was spelled tanner Reno's,

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Speaker 2: but they changed the spelling in Fuller House so to

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Speaker 2: tanner Ritos. But I just say it the same way.

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Speaker 2: I just say, oh, lot tantos, Like I just say it.

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Speaker 2: I don't think about how it's spelled, but people are

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Speaker 2: noticing the spelling.

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Speaker 3: It's sort of is it like the yanny sound like

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Speaker 3: what do you hear? Do you hear tanner Reno's or

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Speaker 3: do you hear tanner Rito's. It's like the blue or

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Speaker 3: gold dress right right right?

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Speaker 1: I don't know.

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Speaker 3: I don't know which is correct, because I feel like,

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Speaker 3: whichever camp I pick, it's technically.

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Speaker 2: Are you team tanner Renos or team Tantrina? It sounds

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Speaker 2: the same.

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Speaker 1: Here's the thing.

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Speaker 3: I think I originally was team tanner Renos because I

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Speaker 3: seem to remember when we first heard it, or you

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Speaker 3: said it in the script in fuller, weren't we all

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Speaker 3: kind of like, wait, was that it? Or was it

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Speaker 3: Tanto Renos? We all kind of were thrown by it, right,

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Speaker 3: and then we talked about it and we're like, now

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Speaker 3: we're just going with Tantaerto's. And then we were like, yeah,

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Speaker 3: I guess it sort of sounds like okay, fine, etoses,

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Speaker 3: but whatever. Technically we're both right and we're both wrong,

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Speaker 3: and really that's that's as much agreement as we're gonna

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Speaker 3: get in today's times.

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Speaker 2: And Ironically, nobody ever picked up on this because they're

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Speaker 2: watching Full House, they're not reading the scripts like we are.

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Speaker 2: Until we named our podcast how Rude Tantarritos, And now

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Speaker 2: everybody's now, well, that was.

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Speaker 3: Why we did it, just to it was purely for

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Speaker 3: the obviously huge controversy.

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Speaker 2: So we're so scandalous on this.

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Speaker 1: Yeah, yes, I mean that's really that's huge.

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Speaker 2: Breaking up right, Well now that now that we've mumbled

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Speaker 2: for a few minutes, should we get into this this episode,

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Speaker 2: our next episode, or any more you want to chat about?

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Speaker 3: I'm well, I look, there's always things I want to

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Speaker 3: chat about, one of which is that we saw our

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Speaker 3: mutual friend or I saw our mutual friend.

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Speaker 1: Gwen Victor two days in a row, which was wonderful.

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Speaker 3: Yes, she was our dialogue coach that worked with us

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Speaker 3: in later years and she Yeah, I got to see

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Speaker 3: her at a play reading that I did and also

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Speaker 3: out at the picket lines.

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Speaker 2: Oh that's so awesome. I love all of this. And yeah,

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Speaker 2: I love Gwen so much. She's fantastic. Yes, yeah, I

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Speaker 2: love her.

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Speaker 3: Anyway, just that was a fun little mutual friend moment

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Speaker 3: that that I said I would tell her that you

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Speaker 3: said hello, or that you'll you know what I mean.

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Speaker 2: Maybe she's listening to this podcast. I don't know. She

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Speaker 2: doesn't do social media, so I don't know if she's

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Speaker 2: ever gonna hear this show.

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Speaker 1: She's the smartest one out of all of us, for sure. Sorry,

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Speaker 1: I just knocked over a leak.

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Speaker 2: This is maybe by season two we'll get our acts together,

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Speaker 2: and I hope the Taylortos are still wrong.

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Speaker 1: You've worked with me for years and seasons. You know

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Speaker 1: how this go.

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Speaker 2: We never get it together.

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Speaker 1: No, no, no no, and I'm always knocking things over

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Speaker 1: all right, all right, so yeah, I guess we should get.

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Speaker 3: Into the next episode since that's sort of the point

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Speaker 3: of the podcast.

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Speaker 2: So that's why we're here.

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Speaker 3: Yeah, well, great, the only reason we're here, but it's

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Speaker 3: like ninety nine percent of it.

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Speaker 2: All right. Well, welcome back everybody to how Rude Tanner Ritos.

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Speaker 2: We're here to discuss season one, episode two, which is

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Speaker 2: titled Our Very First Night. It aired on September twenty fourth,

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Speaker 2: nineteen eighty seven, and it goes a little something like this.

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Speaker 2: The girls are rocking when Uncle Jesse is left in

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Speaker 2: charge of them for the night, but Danny is really

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Speaker 2: when he arrives home to find Jesse conducting a band practice.

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Speaker 2: This episode was directed by joel's Wick, who has directed

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Speaker 2: every single TV show he on the planet.

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Speaker 3: He's directed so many things. He didn't do the He

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Speaker 3: did not do the.

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Speaker 1: Pilot though, did he or did he do the pilot?

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Speaker 2: I think he did the pilot. Yes, he did do the.

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Speaker 3: Pilot, and I think he did a lot of Yeah,

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Speaker 3: he did a lot of the first season, but not

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Speaker 3: all of it, I don't think, But yes he did.

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Speaker 1: He's directed a ton.

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Speaker 2: Of stuff and he wrote the book on sitcom directing?

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Speaker 2: Did you read that before?

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Speaker 1: I read that book?

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Speaker 3: I did read that book, and he was one of

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Speaker 3: the people that inspired me to to really try it out.

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Speaker 1: He was like, jokes, you know what you're doing, you

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Speaker 1: need to try this.

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Speaker 2: Uh.

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Speaker 1: And we were actually at breakfast at a deli by

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Speaker 1: the how Arts Deli, So yeah, I mean, imagine Joel

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Speaker 1: and his delis. He's always happiest there.

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Speaker 2: I love Joel. This episode was written by Jeff Franklin

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Speaker 2: and it had a few guest stars. Judy Aarrenson stars

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Speaker 2: as Raven, who is the only female member of Jesse's band.

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Speaker 2: She has also known for weird Science, Friday the Thirteenth,

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Speaker 2: The Final Chapter and Beverly Hills nine O two one,

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Speaker 2: Oh very cool. And then this is also guest starring

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Speaker 2: David Wakefield, The Pizza Man, which we'll get to The

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Speaker 2: Pizza Man just yeah eat.

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Speaker 3: Well, I you know, ironically, I actually still talk to

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Speaker 3: Judy Aaronson, like we're social media friends and yeah, and

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Speaker 3: I saw her at an event that Caitlin was hosting

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Speaker 3: Stemos's wife for like a political thing, So yeah, I

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Speaker 3: still she is still around and awesome. And I mean

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Speaker 3: she the purple hair is is not there anymore.

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Speaker 2: But I was gonna that was my next question is ye,

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Speaker 2: no more purple hair?

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Speaker 1: No darn it at least last I saw.

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Speaker 2: Well, maybe she'll bring it back after we talk about

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Speaker 2: this episode. We'll see. Okay, we are opening the show. Oh,

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Speaker 2: in Michelle's room, where Jesse and Joey are finishing up

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Speaker 2: changing her diaper, they say, seventeen minutes, we beat our

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Speaker 2: old record by thirty seven minutes, and then they enthusiastically

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Speaker 2: high five. No, wait, I did the math on this.

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Speaker 2: Does this mean it used to take them fifty four

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Speaker 2: minutes to change one diaper?

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Speaker 1: Yes? I the math part.

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Speaker 3: I'm not gonna attempt to do, but yes, because if

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Speaker 3: they beat it by thirty seven minutes, that means that

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Speaker 3: they have to add that it. Yeah, so basically they

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Speaker 3: got to the house and they've just been changing a diaper.

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Speaker 1: That's all they've.

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Speaker 3: Been doing the entire time that that that they're there.

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Speaker 3: But can I can I say do they did you

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Speaker 3: see the part where they throw the baby wipes in

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Speaker 3: the thing that is not a trash can.

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Speaker 2: Oh, it's like a big toy. Yeah, the stacked rings.

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Speaker 3: Yeah, they're using it as a genie or whatever. It

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Speaker 3: is just a toy that they are throwing trash in.

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Speaker 3: I just had to comment on that.

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Speaker 1: There.

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Speaker 2: You know, that's a common thread in these first few

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Speaker 2: episodes that Jesse and Joey are incompetent parents. Yes, one,

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Speaker 2: Joey comes up with this brilliant idea that if they

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Speaker 2: triple change, if they triple the diaper, they'll get three

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Speaker 2: times the protection but only have to change her one

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Speaker 2: third as often. So they wrap three diapers around Michelle

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Speaker 2: and grab her jammies out of the closet.

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Speaker 1: Also incredibly unsanitary. It's that poor child.

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Speaker 3: They've never heard of diaper rash. I mean, you just

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Speaker 3: wrap them in three diapers. But I guess that's sort

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Speaker 3: of the point. But is this what people who don't

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Speaker 3: have experience around babies think you're supposed to do around babies, Like.

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Speaker 2: It's been so long since I've I've changed a diaper

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Speaker 2: that I would never think to triple diaper though, make

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Speaker 2: I maybe get an extra absorbent nighttime diaper, but three diapers.

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Speaker 2: Come on, it's a silly look.

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Speaker 3: If you're wrapping a baby in three diapers. You don't

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Speaker 3: even know that the diapers come in different forms. You

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Speaker 3: don't even know that there's a nighttime one. All right, anyway, exactly.

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Speaker 1: But doesn't he first just putting the kid in a

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Speaker 1: bag in like a trash bag.

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Speaker 2: Oh yeah, in a hefty bag.

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Speaker 3: Yes, again, with the kids in the bags in an

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Speaker 3: oven bag.

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Speaker 2: The oven bags, they got to use a hefty use

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Speaker 2: a hefty bag. So they realize they can't fit the

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Speaker 2: baby who's wearing three diapers into her pjs, so they

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Speaker 2: just start tying different pairs of pajamas around her waist

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Speaker 2: and around her neck. This Olsen twin, whichever one it is,

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Speaker 2: is very tolerant of all these machinations.

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Speaker 1: Yeah, I was impressed. I was very impressed.

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Speaker 3: And also I do the same thing when I struggle

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Speaker 3: putting on my pajamas. I just start tying them around

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Speaker 3: random parts of my body.

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Speaker 1: It works. Yeah, yeah, yeah, yeah.

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Speaker 2: It's much cooler that way. There's more airflow.

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Speaker 1: It's true. It's true.

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Speaker 2: So Danny walks in and Jesse and Joey very proudly

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Speaker 2: hold Michelle up and say tada. Danny is not impressed

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Speaker 2: with this, and he tells the boys that he will

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Speaker 2: take it from there. Jesse and Joey leave the room

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Speaker 2: while Danny tells Michelle she really is a good sport,

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Speaker 2: which she is.

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Speaker 3: He is he really doubting his decision making at that point,

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Speaker 3: you know, is Danny like, oh, what have I done?

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Speaker 2: I think it's coming. I think it's this episode later

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Speaker 2: on where he starts to question Yeah, every decision he's

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Speaker 2: ever made in his life. Yeah, particularly this one about yes,

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Speaker 2: inviting his brother in law and his best friend to

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Speaker 2: live with him.

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Speaker 1: But that creates the stakes for the rest of the show.

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Speaker 3: But yeah, I feel like Danny at this point is like,

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Speaker 3: I've really just added two more children to the.

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Speaker 2: Mix, exactly. It's a very full house. We cut to boy,

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Speaker 2: that's only one. I've only done it once. Just wait,

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Speaker 2: it's only been like three episodes. That means there's gonna

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Speaker 2: be more. There's so many puns to come. We cut

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Speaker 2: to Uncle Jesse's room, where Uncle Jesse is singing an

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Speaker 2: Elvis song while redecorating his room, which brings us to

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Speaker 2: our Everywhere You Look segment where we talk about cool set.

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Speaker 1: Cool set deck. But also do you remember John singing

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Speaker 1: that song all the time? Because I do, you do?

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Speaker 3: Maybe he would just sing that that was part, just

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Speaker 3: that one part, but like that was where you could

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Speaker 3: hear him around set. He'd just be walking around and

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Speaker 3: like sing that, going to his room, going to the

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Speaker 3: dressing room, going to craft service. So when I heard

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Speaker 3: that little bit, I was like, oh yeah, that was like.

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Speaker 2: Your thing unlocked a memory.

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Speaker 1: Yeah yeah, yeah, yeah, for sure.

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Speaker 2: That's kind of like our version of Jody Sweetened.

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Speaker 1: Right exactly, walking the halls thing. Yep.

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Speaker 2: I love that tick of his. So yeah, okay, So

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Speaker 2: we're in Jesse's room, which looks fantastic. We see a jukebox,

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Speaker 2: We see a pink lawn flamingo.

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Speaker 1: It's not even a lawn flaming. It is a giant flamingo.

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Speaker 3: I it's like, well, maybe there was a lawn one,

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Speaker 3: but there's also like a very large flamingo.

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Speaker 1: Yeah.

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Speaker 2: And I don't think it's a it's a blow up flamingo.

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Speaker 2: I think it's like a like an actual like.

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Speaker 1: An action statues statuary.

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Speaker 2: Wow, yeah, crazy?

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Speaker 1: It was the sock hop uh neon light, Yes.

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Speaker 2: The sock Hop neon sign, a blow up saxophone guitar

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Speaker 2: and display records on the wall. Uh and Elvis posters

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Speaker 2: of course. Oh oh. But then the most random item

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Speaker 2: of all, a postage stamp dispenser vending machine. Right, what

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Speaker 2: is that? Like? Why why would you need a postage

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Speaker 2: stamp vending machine?

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Speaker 1: Why would you need it in your room?

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Speaker 3: That?

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Speaker 1: You know what I mean? Where is Jesse sending letters

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Speaker 1: off to?

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Speaker 2: What is he's he writing to?

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Speaker 1: Maybe was a collector's edition thing?

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Speaker 3: Also question if it's taken them an hour to change

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Speaker 3: one diaper and this is still like the first night, right.

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Speaker 2: Is this the fit?

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Speaker 1: Oh?

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Speaker 3: Yeah? Right?

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Speaker 1: So how the hell they get all that stuff in there?

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Speaker 2: They've been working very they had time to move.

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Speaker 1: They've been so busy changing one diaper.

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Speaker 2: You know what I mean, well, and who's watching the

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Speaker 2: rest of the children while Jess and Joe changing diap

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Speaker 2: there's hour after hour.

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Speaker 1: That's who's that's who's moving them in is the kids?

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Speaker 3: I mean, DJ has obviously already proven herself to be

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Speaker 3: an excellent mover.

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Speaker 1: So that's okay, never mind, but DJ, she's moved them in.

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Speaker 1: Got it? Great? Okay, keep going, This is awesome.

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Speaker 2: Okay. So Stephanie walks in the room and asks, what

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Speaker 2: happened to my room? She is upset that Jesse is

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Speaker 2: covering up her pink bunnies on the wall with his Elvis.

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Speaker 1: Posters postage stamp machine.

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Speaker 2: She says, my mom, Oh yeah, I mean, how rude. Right. Uh.

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Speaker 2: Stephanie says, my mom made those bunnies just for me.

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Speaker 2: Don't you like them? And Jesse immediately rips down the

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Speaker 2: Elvis poster and says, oh, he loves these bunnies. Do

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Speaker 2: you remember the scene? Do you remember being in the room,

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Speaker 2: do you remember the.

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Speaker 3: I remember the bunnies. I mean I very clearly remember

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Speaker 3: the bunnies. I didn't know, like wallpaper bunnies were a thing,

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Speaker 3: and I have to say, having seen them up close,

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Speaker 3: Steph's mom did an incredible job with cutting these things,

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Speaker 3: just perfectly lined edges.

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Speaker 1: They look fantastic.

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Speaker 3: But no, I remember, I remember like that I would

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Speaker 3: feel the edge of them on the wall, you know

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Speaker 3: what I mean, You could like just sort of peel

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Speaker 3: along the edge of the bunnies, and I remember I

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Speaker 3: would like trace along the edges of the bunnies in

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Speaker 3: that room.

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Speaker 1: I don't know, just a weird little memory.

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Speaker 2: Like a tactile thing. Yeah, very much like it's like

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Speaker 2: a sensory yeah, five year old Joey's.

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Speaker 1: But like I remember it, I vividly remember it.

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Speaker 2: Yeah, I love it. Danny enters to announce that it's bedtime.

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Speaker 2: Joey comes to the door and tells Steph that the

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Speaker 2: Sandman Express is there to pick her up. With Harmonica

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Speaker 2: in his mouth, he shuffles into the room on all

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Speaker 2: fours and says, all aboard.

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Speaker 3: I wish somebody would still take me to bed like this.

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Speaker 3: It's so much more fun. I'd probably, you know what

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Speaker 3: I mean, I'd get much better.

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Speaker 2: Husbandscal won't feel like into the.

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Speaker 3: Bedroom A lot to ask, that feels, you know what

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Speaker 3: I mean. But like I just somebody, I don't know,

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Speaker 3: like just I want a little train ride.

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Speaker 2: Maybe Dave can provide the service to you.

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Speaker 1: And now now it's just okay. Now I made it anywhere.

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Speaker 2: Now it's weird. I made it weird. Uh Steph, Stephanie

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Speaker 2: jumps on his back. They say whoo woo, and they

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Speaker 2: exit the scene like a chow choo train.

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Speaker 1: I can't remember.

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Speaker 3: I can't believe though I was that Like, I'm sorry,

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Speaker 3: I keep interrupting. This is just how my brain.

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Speaker 2: So that's what we do. Just that's how we do.

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Speaker 3: I'm the bus driver, you're the Every time I see

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Speaker 3: like me, I barely am like Bob's waist high and

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Speaker 3: like jumping on Dave's back, I'm like.

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Speaker 1: Oh my gosh. I I have literally.

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Speaker 3: Known them all of my life. It just it hits

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Speaker 3: me every time I watch something like that where I'm like, wow,

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Speaker 3: like the it really is family. I remember like being

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Speaker 3: that little and jump you know, and.

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Speaker 2: You were you were tiny. I feel like you were

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Speaker 2: tiny for your age, or maybe you were just smart

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Speaker 2: for your age, so you acted older than you were.

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Speaker 2: I don't know. I mean, I know you skipped a

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Speaker 2: grade and you learned how to read at age two

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Speaker 2: or whatever. I don't know. You're you throw that fact out. Now. Well,

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Speaker 2: we'll get there.

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Speaker 1: In the in the next episode, which is the first

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Speaker 1: day of school.

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Speaker 2: But let's see, let's save it. Let's say we'll save

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Speaker 2: that all right. So now we are in DJ and

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Speaker 2: Stephanie's room and Joey as the Sandman Express, enters the room.

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Speaker 2: It says, last stop Stephanie's bed. Danny and Jesse enter

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Speaker 2: and say it's time to say good night. Stephanie then

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Speaker 2: asks Jesse for a bedtime story, to which he responds

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Speaker 2: Uncle Jesse doesn't know any bedtime stories, to which she

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Speaker 2: slyly says yes he does, returns with no, he doesn't. Oh,

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Speaker 2: yeah you could. You can see the setup. They go

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Speaker 2: back and forth like this before steph does a sad

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Speaker 2: fake cry with her hands rubbing her eyes, and she says,

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Speaker 2: I got yes he does.

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Speaker 1: The juice in my eyes one of the two.

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Speaker 2: Or dust from them?

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Speaker 3: Yeah you really?

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Speaker 2: So Stephanie effectively trips Jesse into this bedtime story. He agrees.

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Speaker 2: Stephanie jumps into DJ's bed, and then the five of

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Speaker 2: them begin a story game where Stephanie starts the story

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Speaker 2: and then points to a different family member to keep

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Speaker 2: adding to the story in their own unique way.

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Speaker 1: I remember doing that too. I remember it, you do.

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Speaker 3: Yeah, I remember sitting in that bed like I'm so

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Speaker 3: excited to I don't know why I've thought this scene

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Speaker 3: was really fun because it was, you know, bouncing back

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Speaker 3: and forth, and I got to make a noise instead.

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Speaker 3: I get like that. I just was really excited to

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Speaker 3: do that.

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Speaker 1: Yeah.

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Speaker 2: Yeah, And you were kind of in control of the

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Speaker 2: game too, pointing at the different adults to see whose

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Speaker 2: turn it was.

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Speaker 3: That may have been. Actually what I was enjoying was

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Speaker 3: the being in charge.

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Speaker 2: What follows is a convoluted bedtime story involving Cinderella, a

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Speaker 2: big bad wolf, and a Joey Bullwinkle impression. Before Jesse

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Speaker 2: just ends this story abruptly. DJ replies, no monsters, no witches,

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Speaker 2: but that story was very scary. We end the scene

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Speaker 2: with Stephanie handing her dad a bunch of storybooks and

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Speaker 2: telling him you need to star.

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Speaker 3: Oh wait, I also I have another everywhere you look moment.

400
00:19:04,160 --> 00:19:08,120
Speaker 3: There is an Easter egg on the wall of DJ's

401
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Speaker 3: room that is like a little moment of what's to come.

402
00:19:13,040 --> 00:19:15,359
Speaker 1: Maybe did we talk about it already, Maybe we didn't.

403
00:19:15,400 --> 00:19:16,720
Speaker 2: The maybe the Bengals poster.

404
00:19:17,119 --> 00:19:20,000
Speaker 1: No, no, the the Golden Retriever poster.

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Speaker 2: Oh, I didn't notice that.

406
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Speaker 1: There's a whole there's a poster of a whole bunch

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Speaker 1: of Golden Retriever puppies over DJ's desk.

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Speaker 2: It's foreshadowing, yeah, or it was just an available poster

409
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Speaker 2: that they could use for free.

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Speaker 1: Probably that, but also Golden Retrievers.

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Speaker 2: Maybe that's your poster that gave Jeff the idea for

412
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Speaker 2: the Golden Retriever.

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Speaker 3: I thought Jeff always liked the Golden Retrievers. Anyway, it

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Speaker 3: was just an everywhere you look kind of moment. I

415
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Speaker 3: now that's all I pay attention to when like we

416
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Speaker 3: enter a new scene, I'm just looking at all of

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Speaker 3: the background stuff.

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Speaker 2: Oh good, okay, great, good, Well, I'm trying to figure

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Speaker 2: out what's going on in the scene. You're you're looking

420
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Speaker 2: at deckor and stuff. This is good.

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Speaker 1: That's exactly how things went when we work together to.

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Speaker 2: Okay, where are we? Oh okay. Now we're in the

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Speaker 2: living room and the three guys reached the front door

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Speaker 2: at the same time. They're all trying to leave the

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Speaker 2: house at the same time, and Danny's like, guys, wait,

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Speaker 2: who's gonna watch the kids. They start arguing. Jesse says

427
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Speaker 2: he has band rehearsal, Joey says he has a ten

428
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Speaker 2: thirty slot at the laugh Machine, and Danny responds that

429
00:20:26,000 --> 00:20:28,080
Speaker 2: he has to do the ten o'clock sports. So the

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Speaker 2: three of them are arguing over whose job is more

431
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Speaker 2: important and why.

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Speaker 3: Well, Joey has a rubber chicken and a Grover puppet

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Speaker 3: in his bag, So I'm just saying, as far as

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00:20:39,359 --> 00:20:43,680
Speaker 3: things go, that is pretty important, you know what I mean?

435
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Speaker 2: Yeah, like all of his arguments, like it doesn't hold

436
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Speaker 2: any waste.

437
00:20:47,280 --> 00:20:50,480
Speaker 3: If you didn't know that Joey was a comedian then

438
00:20:50,640 --> 00:20:53,879
Speaker 3: obviously with a rubber chicken and a Grover puppet in

439
00:20:53,920 --> 00:20:56,960
Speaker 3: his bag, that is what makes you go, oh he's

440
00:20:57,000 --> 00:20:58,439
Speaker 3: a comedian, right, I got it?

441
00:20:58,480 --> 00:20:58,840
Speaker 1: Okay?

442
00:20:59,119 --> 00:21:01,520
Speaker 2: Do we think is he get paid for this appearance

443
00:21:01,600 --> 00:21:04,040
Speaker 2: at the laugh Factory or the laugh Machine or is

444
00:21:04,080 --> 00:21:04,840
Speaker 2: it like a look.

445
00:21:05,000 --> 00:21:08,720
Speaker 3: Is somebody that's done some stand up before? I mean

446
00:21:09,680 --> 00:21:11,280
Speaker 3: not much, No, probably not.

447
00:21:11,560 --> 00:21:13,240
Speaker 2: It's experience.

448
00:21:13,480 --> 00:21:17,879
Speaker 3: It's getting pay experience, it's pay in theory.

449
00:21:18,960 --> 00:21:21,440
Speaker 2: So the three men are going back and forth, insulting

450
00:21:21,440 --> 00:21:25,920
Speaker 2: each other's professions with names like Ozzy Osbourne, riptailor Bozo

451
00:21:26,480 --> 00:21:30,760
Speaker 2: and Charro. And this is a fun fact. Did you

452
00:21:30,800 --> 00:21:34,120
Speaker 2: know that decades later in two thousand and four, Dave

453
00:21:34,160 --> 00:21:37,240
Speaker 2: would appear on the Surreal Life with Charro.

454
00:21:38,359 --> 00:21:39,320
Speaker 1: Well, there you go.

455
00:21:39,760 --> 00:21:42,960
Speaker 2: I would say foreshadowing, but like there's that wasn't foreshadowing.

456
00:21:42,960 --> 00:21:49,240
Speaker 2: That was just coincidental, right, coincidental? And my guess is

457
00:21:49,320 --> 00:21:55,920
Speaker 2: that that joke doesn't really land with most people anymore. Correct, Yes, yes.

458
00:21:55,640 --> 00:21:58,679
Speaker 1: And yeah, there's a couple in this one where I'm like.

459
00:21:58,720 --> 00:22:01,720
Speaker 2: Wait what, Yeah, there's a lot of weight that should

460
00:22:01,720 --> 00:22:02,399
Speaker 2: be another segment.

461
00:22:02,440 --> 00:22:06,840
Speaker 3: Wait what wait what eight nineteen eighties references for.

462
00:22:06,840 --> 00:22:08,280
Speaker 1: You and before.

463
00:22:09,520 --> 00:22:11,920
Speaker 2: After a series of back and forth, it is determined

464
00:22:11,920 --> 00:22:14,480
Speaker 2: that it is Jesse who will stay behind to watch

465
00:22:14,520 --> 00:22:18,119
Speaker 2: the girls. Danny apologizes to Jesse and says, I know

466
00:22:18,200 --> 00:22:21,280
Speaker 2: I can trust you. The girls are upstairs sleeping. Jesse

467
00:22:21,400 --> 00:22:23,960
Speaker 2: turns around to see that the girls are running down

468
00:22:24,000 --> 00:22:26,880
Speaker 2: the stairs. They are not sleeping. They say hi, Uncle Jesse,

469
00:22:27,280 --> 00:22:29,240
Speaker 2: and everyone heads into the kitchen.

470
00:22:29,560 --> 00:22:32,560
Speaker 1: Again, with John parkouring over the couch.

471
00:22:33,040 --> 00:22:34,760
Speaker 2: Oh he did he leap over the couch again?

472
00:22:34,800 --> 00:22:38,399
Speaker 3: Oh? Let he stepped on it, like one foot on

473
00:22:38,520 --> 00:22:40,919
Speaker 3: the cushion, one foot on the back, one on the

474
00:22:41,040 --> 00:22:42,760
Speaker 3: arm and leapt through the thing.

475
00:22:42,960 --> 00:22:45,520
Speaker 1: Yeah, it was it was quite It was quite skilled.

476
00:22:45,680 --> 00:22:48,040
Speaker 2: Really, did he ever take a spill or miss a

477
00:22:48,080 --> 00:22:49,840
Speaker 2: step or wall in his face?

478
00:22:50,240 --> 00:22:52,919
Speaker 3: I don't remember. I don't remember, but that would have

479
00:22:52,920 --> 00:22:53,600
Speaker 3: been embarrassing.

480
00:22:53,840 --> 00:22:56,800
Speaker 2: Yeah. I don't remember any mishaps like that either. Maybe

481
00:22:56,840 --> 00:22:57,159
Speaker 2: he no.

482
00:22:57,359 --> 00:22:58,080
Speaker 1: I wish I did.

483
00:22:58,320 --> 00:23:00,480
Speaker 2: I know me too. I wish we could talk about it.

484
00:23:00,600 --> 00:23:01,360
Speaker 1: I remember my own.

485
00:23:01,440 --> 00:23:04,600
Speaker 2: But yeah. So we're in the kitchen. The girls are

486
00:23:04,640 --> 00:23:07,639
Speaker 2: explaining to Uncle Jesse that Dad always lets them have

487
00:23:07,680 --> 00:23:10,080
Speaker 2: a late night snack when they're hungry and can't sleep.

488
00:23:10,359 --> 00:23:12,159
Speaker 2: They pull ice cream out of the fridge and explain

489
00:23:12,200 --> 00:23:15,480
Speaker 2: why they also need cookies, but not so fast. Jesse

490
00:23:15,600 --> 00:23:18,040
Speaker 2: tells them to sit and asks, do you think I'm

491
00:23:18,040 --> 00:23:20,280
Speaker 2: an idiot or something? I know what's going on here.

492
00:23:20,680 --> 00:23:23,679
Speaker 2: The girls give innocent looks before Jesse says that they

493
00:23:23,680 --> 00:23:26,160
Speaker 2: can have ice cream and chocolate milk, but not cookies.

494
00:23:26,520 --> 00:23:27,359
Speaker 2: The girls cheer.

495
00:23:28,119 --> 00:23:31,360
Speaker 3: This is the argument I have with myself every night.

496
00:23:31,600 --> 00:23:34,480
Speaker 3: I go, Okay, here's what we're doing. You can I

497
00:23:34,960 --> 00:23:36,280
Speaker 3: get ice cream and cookies?

498
00:23:36,359 --> 00:23:38,560
Speaker 1: No? No, no, no, it's not what you do.

499
00:23:39,000 --> 00:23:42,239
Speaker 2: Oh you drive a hard bargain. We are now up

500
00:23:42,240 --> 00:23:45,320
Speaker 2: in DJ and Stephanie's room. Moments later, where the girls

501
00:23:45,320 --> 00:23:48,080
Speaker 2: are in the middle of a huge sugar rush, we

502
00:23:48,119 --> 00:23:51,399
Speaker 2: see empty containers of ice cream on the table. The

503
00:23:51,440 --> 00:23:54,800
Speaker 2: girls are jumping rope and doing the hand jive as

504
00:23:54,840 --> 00:23:57,960
Speaker 2: Stephanie declares she cannot stop jumping and she may never

505
00:23:58,080 --> 00:24:01,120
Speaker 2: sleep again. I'm impressed with her and in this scene

506
00:24:01,160 --> 00:24:03,679
Speaker 2: because you you just had to jump for I mean,

507
00:24:03,760 --> 00:24:04,320
Speaker 2: I was straight.

508
00:24:04,920 --> 00:24:07,919
Speaker 3: That's the power of being you know five, right, you

509
00:24:07,960 --> 00:24:11,200
Speaker 3: can just jump and run and you get up from

510
00:24:11,200 --> 00:24:13,080
Speaker 3: a chair and just run for no reason.

511
00:24:13,320 --> 00:24:15,000
Speaker 1: You know, that's just what you do a five.

512
00:24:15,240 --> 00:24:17,880
Speaker 3: Yeah, very now, I was. I was looking at going,

513
00:24:17,880 --> 00:24:19,679
Speaker 3: Oh my knees. That would have sucked. You know.

514
00:24:21,560 --> 00:24:24,199
Speaker 2: Did you and Candice get to eat this ice cream

515
00:24:24,800 --> 00:24:26,760
Speaker 2: or did you ask if you could taste it or

516
00:24:27,119 --> 00:24:28,520
Speaker 2: tell me it was?

517
00:24:28,640 --> 00:24:30,800
Speaker 3: But I do remember like the weird sort of faded

518
00:24:30,840 --> 00:24:33,959
Speaker 3: purple color on it because I matched my outfit like

519
00:24:34,119 --> 00:24:38,520
Speaker 3: match the the ice cream container. But I don't think

520
00:24:38,560 --> 00:24:41,919
Speaker 3: we got to eat really too much of it that

521
00:24:42,000 --> 00:24:44,680
Speaker 3: I remember. But I just remember it being like the

522
00:24:44,720 --> 00:24:47,959
Speaker 3: containers were all sticky and yeah, yeah, yeah, And I

523
00:24:48,000 --> 00:24:52,399
Speaker 3: remember I don't think i'd ever heard that Zoro whatever song,

524
00:24:53,359 --> 00:24:56,080
Speaker 3: the jumping rope song, like I feel like mine were

525
00:24:56,240 --> 00:24:58,600
Speaker 3: like more Miss Mary or stuff like that.

526
00:24:58,640 --> 00:25:01,000
Speaker 1: But I'd never heard that one before.

527
00:25:02,000 --> 00:25:04,440
Speaker 2: That took me. That took me back not too far.

528
00:25:04,520 --> 00:25:07,119
Speaker 2: But we did a Fuller House episode where we had

529
00:25:07,160 --> 00:25:10,280
Speaker 2: to jump rope up in the up in Kimmy's room

530
00:25:10,280 --> 00:25:12,199
Speaker 2: in the attic and the other like but and I

531
00:25:12,240 --> 00:25:13,879
Speaker 2: was in my forties then, so that like, I'm like,

532
00:25:13,960 --> 00:25:16,600
Speaker 2: this is not does not please rewrite this bit because

533
00:25:16,720 --> 00:25:18,760
Speaker 2: like I was not coordinated.

534
00:25:19,000 --> 00:25:21,440
Speaker 1: I don't remember. That's right. We had to jump rope

535
00:25:21,440 --> 00:25:24,640
Speaker 1: together together. It was right. We had to because yeah,

536
00:25:24,720 --> 00:25:25,560
Speaker 1: we were like jumping.

537
00:25:25,560 --> 00:25:28,720
Speaker 2: We were tied together with a fake umbilical cord, so

538
00:25:28,800 --> 00:25:29,400
Speaker 2: we had to jump.

539
00:25:29,480 --> 00:25:31,440
Speaker 3: Yeah, yeah, I do. I think they wrote that part out.

540
00:25:31,520 --> 00:25:33,840
Speaker 3: I think I think that that one was like this

541
00:25:33,880 --> 00:25:34,720
Speaker 3: isn't happening.

542
00:25:34,560 --> 00:25:36,720
Speaker 2: Like, don't don't make forty year old women jump rope

543
00:25:36,880 --> 00:25:40,399
Speaker 2: on a stage please? Uh? The girls hear music playing

544
00:25:40,440 --> 00:25:45,040
Speaker 2: downstairs and DJ says to Stephanie, party time. Then we

545
00:25:45,080 --> 00:25:47,720
Speaker 2: get to this epic scene in the living room. We

546
00:25:47,760 --> 00:25:50,560
Speaker 2: see Jesse and his band which is called Jesse and

547
00:25:50,600 --> 00:25:52,480
Speaker 2: the Rippers. Although we don't know that yet.

548
00:25:53,080 --> 00:25:54,960
Speaker 3: No, but there are some There are some of the

549
00:25:55,040 --> 00:25:58,440
Speaker 3: rippers in the background. Gary Griffiths, some of the rippers. Yes,

550
00:25:58,440 --> 00:26:02,000
Speaker 3: Anny Cordola, oh you remember their name screen, I still.

551
00:26:01,840 --> 00:26:04,760
Speaker 1: Talk to him. Yeah, yeah, yeah, good.

552
00:26:04,800 --> 00:26:05,440
Speaker 2: How are they doing.

553
00:26:05,840 --> 00:26:07,520
Speaker 1: They're doing well, They're doing very well.

554
00:26:07,680 --> 00:26:08,240
Speaker 2: That's awesome.

555
00:26:08,920 --> 00:26:11,480
Speaker 1: Lannie actually taught me to play guitar on later episodes

556
00:26:11,560 --> 00:26:13,680
Speaker 1: of Ohlows. That was who taught me how.

557
00:26:13,720 --> 00:26:16,040
Speaker 3: But but yes, we see the rippers for the first time,

558
00:26:16,520 --> 00:26:19,119
Speaker 3: and can I tell you too, Like, looking also at

559
00:26:19,200 --> 00:26:23,120
Speaker 3: the rippers who have been around for thirty some odd years,

560
00:26:23,119 --> 00:26:23,800
Speaker 3: I'm like, oh, my.

561
00:26:24,600 --> 00:26:27,280
Speaker 1: Well, they were babies. They were all babies.

562
00:26:27,400 --> 00:26:28,399
Speaker 2: Mm hmmm hm.

563
00:26:29,000 --> 00:26:31,880
Speaker 3: And Gary Griffin had some pretty awesome yellow pants, that's

564
00:26:31,960 --> 00:26:32,440
Speaker 3: all the thing.

565
00:26:33,560 --> 00:26:34,960
Speaker 1: They were like highlighter yellow.

566
00:26:35,359 --> 00:26:37,720
Speaker 2: He tried to convince me that he was like he

567
00:26:37,840 --> 00:26:40,280
Speaker 2: had this backstory in his mind that he was actually

568
00:26:40,280 --> 00:26:43,520
Speaker 2: like Gary Gibbler, like he was a Gibbler, like my

569
00:26:43,840 --> 00:26:45,720
Speaker 2: long long walcked and this is only an idea that

570
00:26:45,760 --> 00:26:47,760
Speaker 2: he had in his head. I'm convinced this was not

571
00:26:47,920 --> 00:26:52,320
Speaker 2: like Cannon or whatever. So about my uncle Gibbler, Sure,

572
00:26:52,359 --> 00:26:52,639
Speaker 2: why not?

573
00:26:53,440 --> 00:26:55,439
Speaker 3: Then you never really talked to him though? When you

574
00:26:55,440 --> 00:26:59,160
Speaker 3: saw him. Maybe it was like, oh, he's in the band. Fine, fine,

575
00:26:59,200 --> 00:27:01,000
Speaker 3: he's there. You know you're not going to talk to

576
00:27:01,080 --> 00:27:01,920
Speaker 3: him anyway.

577
00:27:02,200 --> 00:27:05,119
Speaker 2: Anyways, Jesse tells his bandmates that they have to be

578
00:27:05,200 --> 00:27:08,159
Speaker 2: quiet because the three girls are sound asleep upstairs. So

579
00:27:08,200 --> 00:27:09,200
Speaker 2: they start to play.

580
00:27:09,040 --> 00:27:11,520
Speaker 3: Which is why you invite an entire band in your

581
00:27:11,560 --> 00:27:15,920
Speaker 3: living room to bring their instruments. Also, have you ever

582
00:27:16,000 --> 00:27:20,040
Speaker 3: seen a band set up that takes a while? There

583
00:27:20,040 --> 00:27:22,560
Speaker 3: you got to run chords in and the thing and

584
00:27:22,600 --> 00:27:23,840
Speaker 3: loading and a drum kid.

585
00:27:24,960 --> 00:27:26,199
Speaker 2: They has time for this?

586
00:27:26,400 --> 00:27:27,879
Speaker 1: Who has time for this?

587
00:27:28,040 --> 00:27:30,840
Speaker 3: But not only that, they did it in record time, right,

588
00:27:30,840 --> 00:27:32,840
Speaker 3: It was in the process of eating a bowl of

589
00:27:32,880 --> 00:27:35,040
Speaker 3: ice cream there was a band in the living room.

590
00:27:35,119 --> 00:27:38,359
Speaker 2: So well, maybe it's because Michelle was triple diaper that

591
00:27:38,400 --> 00:27:39,040
Speaker 2: they had time on.

592
00:27:39,080 --> 00:27:41,040
Speaker 3: They need to do live shows, is all I'm saying.

593
00:27:41,080 --> 00:27:44,840
Speaker 3: They can just strike a set like nobody's business. Okay,

594
00:27:46,160 --> 00:27:47,280
Speaker 3: So the band starts.

595
00:27:47,040 --> 00:27:50,200
Speaker 2: To play awkwardly with no real amplified sound when DJ

596
00:27:50,320 --> 00:27:53,159
Speaker 2: and Stephanie appear at the top of the stairs dressed

597
00:27:53,200 --> 00:27:57,040
Speaker 2: in their cute eighties rock clothes and they yell over

598
00:27:57,040 --> 00:28:01,680
Speaker 2: the balcony they dressed us who our hair? I loved

599
00:28:01,720 --> 00:28:02,160
Speaker 2: your hair.

600
00:28:02,240 --> 00:28:05,359
Speaker 3: This is my question, the teased hair, saying it didn't

601
00:28:05,359 --> 00:28:08,440
Speaker 3: look great, the tease this the little half up, half

602
00:28:08,520 --> 00:28:09,800
Speaker 3: downside pony.

603
00:28:09,840 --> 00:28:10,720
Speaker 1: The whole outside.

604
00:28:10,720 --> 00:28:14,040
Speaker 3: I felt so cool in that out Let me tell

605
00:28:14,080 --> 00:28:18,679
Speaker 3: you I felt so cool because Roberta haze Uh and

606
00:28:18,760 --> 00:28:24,439
Speaker 3: Gina traconas our wardrobe, our costumers for women's wardrobe. Roberta

607
00:28:24,560 --> 00:28:28,560
Speaker 3: especially was just super cool and so she was really

608
00:28:28,600 --> 00:28:32,560
Speaker 3: excited to get to like put us in fun little outfits.

609
00:28:32,600 --> 00:28:34,520
Speaker 1: And I remember the.

610
00:28:34,560 --> 00:28:38,920
Speaker 3: Like ripped jeans, and it was so not something that

611
00:28:39,000 --> 00:28:40,720
Speaker 3: like I normally would wear.

612
00:28:41,240 --> 00:28:43,520
Speaker 1: And I just I felt really really cool.

613
00:28:43,720 --> 00:28:46,400
Speaker 2: You guys love purple hair. Very cool? Oh yes, you

614
00:28:46,440 --> 00:28:49,880
Speaker 2: looked so cool and but you still age appropriate. Like

615
00:28:49,920 --> 00:28:52,320
Speaker 2: it wasn't like you were in slight clothes like you

616
00:28:52,360 --> 00:28:53,440
Speaker 2: guys looble.

617
00:28:53,920 --> 00:28:54,960
Speaker 1: No, we just looked.

618
00:28:55,000 --> 00:28:58,920
Speaker 3: I mean I had look I had like matching socks

619
00:28:59,080 --> 00:29:01,520
Speaker 3: and scrunchy sock and a scrunchy and a thing.

620
00:29:01,720 --> 00:29:06,000
Speaker 1: It was all very eighties. But again, who did the hair?

621
00:29:06,680 --> 00:29:08,680
Speaker 1: It looks so great? Who put you?

622
00:29:08,760 --> 00:29:08,840
Speaker 2: Know?

623
00:29:08,960 --> 00:29:10,760
Speaker 1: These a ten and a five year old.

624
00:29:11,000 --> 00:29:12,640
Speaker 3: Let me tell you what my kids look like at

625
00:29:12,640 --> 00:29:15,040
Speaker 3: ten and five walking out of the house okay. My

626
00:29:15,120 --> 00:29:16,840
Speaker 3: mom was like, are you sure you want them out

627
00:29:16,880 --> 00:29:20,400
Speaker 3: in public like that? Meanwhile, Stephan DJ at eleven pm

628
00:29:20,680 --> 00:29:23,959
Speaker 3: after jumping rope, are like fashion plates.

629
00:29:24,000 --> 00:29:26,000
Speaker 1: I love Ready loves sitcom Land.

630
00:29:26,320 --> 00:29:28,240
Speaker 2: The sitcom Land is the best place to live.

631
00:29:28,560 --> 00:29:30,160
Speaker 1: Your hair looks the best there, for sure.

632
00:29:30,600 --> 00:29:33,120
Speaker 2: For sure, Jesse says, you're supposed to be in bed.

633
00:29:33,120 --> 00:29:36,080
Speaker 2: What would your dad say? DJ reassures Jesse that her

634
00:29:36,160 --> 00:29:38,760
Speaker 2: dad would be totally okay with them being up this late.

635
00:29:39,200 --> 00:29:41,000
Speaker 1: He would say, why is there a band in my

636
00:29:41,080 --> 00:29:42,520
Speaker 1: living room? Is what he would say.

637
00:29:42,920 --> 00:29:44,840
Speaker 3: There's a lot of things he would say, I like,

638
00:29:44,880 --> 00:29:47,520
Speaker 3: obviously the kids are awake, there is a band in

639
00:29:47,560 --> 00:29:48,360
Speaker 3: my living room.

640
00:29:49,480 --> 00:29:50,440
Speaker 1: That's what he would say.

641
00:29:52,080 --> 00:29:54,760
Speaker 2: So DJ now goes over to Raven and comments on

642
00:29:54,840 --> 00:29:58,240
Speaker 2: the purple streaks and her hair, and Raven says, sure, DJ,

643
00:29:58,360 --> 00:30:00,520
Speaker 2: I'll show you how to do it. It spray right on

644
00:30:01,320 --> 00:30:04,240
Speaker 2: the doorbell rings. DJ answers it and it's the pizza

645
00:30:04,280 --> 00:30:07,760
Speaker 2: guy again. She assures Jesse that eleven o'clock pizza is

646
00:30:07,920 --> 00:30:11,960
Speaker 2: totally normal. The pizza guy then asks if he can

647
00:30:12,040 --> 00:30:15,840
Speaker 2: check out the band, and DJ says, come in, open party.

648
00:30:16,400 --> 00:30:20,320
Speaker 3: This is how every eighties movie party montage starts though,

649
00:30:20,480 --> 00:30:23,800
Speaker 3: is like some pizza do some dude like, hey broke,

650
00:30:23,880 --> 00:30:26,240
Speaker 3: can I check out the band? And then like then

651
00:30:26,400 --> 00:30:28,760
Speaker 3: all of a sudden, it's party montage. Ah, and then

652
00:30:28,760 --> 00:30:32,480
Speaker 3: they cut to you know, the parents coming home. So that, yeah,

653
00:30:32,640 --> 00:30:37,120
Speaker 3: that was totally right on brand for like nineteen eighty seven.

654
00:30:37,680 --> 00:30:40,160
Speaker 3: But like this pizza guys.

655
00:30:39,920 --> 00:30:40,560
Speaker 1: In your house?

656
00:30:40,720 --> 00:30:43,360
Speaker 2: Of course you do a ten year old, A ten

657
00:30:43,440 --> 00:30:45,880
Speaker 2: year old says he can come Like this is giving

658
00:30:45,880 --> 00:30:48,000
Speaker 2: shades of it's always open, like the Tanners are not

659
00:30:48,040 --> 00:30:50,960
Speaker 2: concerned about how safety at all, like just anybody can

660
00:30:51,000 --> 00:30:53,400
Speaker 2: come in at any time, right.

661
00:30:53,400 --> 00:30:56,800
Speaker 3: For yeah, I mean for you know, a sort of

662
00:30:56,880 --> 00:31:01,440
Speaker 3: quote unquote model family of stuff. They're really they're they're

663
00:31:01,520 --> 00:31:05,880
Speaker 3: skating very dangerously close to public safety issues, you know,

664
00:31:06,280 --> 00:31:09,040
Speaker 3: totally yeah, yeah, a ten year old just and a

665
00:31:09,080 --> 00:31:10,680
Speaker 3: ten year old that bites you into a house and

666
00:31:10,720 --> 00:31:11,800
Speaker 3: you're like, okay.

667
00:31:12,800 --> 00:31:16,920
Speaker 2: Cool, Like this is not odd in full house Land,

668
00:31:17,000 --> 00:31:17,920
Speaker 2: this is totally normal.

669
00:31:18,240 --> 00:31:20,480
Speaker 1: Maybe that's something they did in San Francisco nineteen eighty seven.

670
00:31:20,520 --> 00:31:23,640
Speaker 3: Maybe it was just it was a trend back then.

671
00:31:23,920 --> 00:31:25,600
Speaker 3: I don't know, I mean it appeared in a lot

672
00:31:25,600 --> 00:31:27,400
Speaker 3: of movies. I guess that was just the thing people did.

673
00:31:27,440 --> 00:31:27,880
Speaker 1: What do I.

674
00:31:29,440 --> 00:31:32,080
Speaker 2: So we cut to later in the night. DJ and

675
00:31:32,120 --> 00:31:35,120
Speaker 2: Stuff are dancing on the speakers with the purple spray

676
00:31:35,160 --> 00:31:37,760
Speaker 2: in their hair. Well, Uncle Jesse and the band are

677
00:31:37,760 --> 00:31:42,080
Speaker 2: singing Little Sister by Elvis Presle. Your dance moves are

678
00:31:42,080 --> 00:31:44,000
Speaker 2: so cute in this You're doing like I don't even

679
00:31:44,000 --> 00:31:46,160
Speaker 2: know what these moves are called, but you are so cute.

680
00:31:46,240 --> 00:31:48,000
Speaker 2: You and Candae both like are rocking out.

681
00:31:48,040 --> 00:31:48,800
Speaker 1: At one point.

682
00:31:48,880 --> 00:31:51,959
Speaker 3: I do notice that I tried to like do the snake,

683
00:31:52,520 --> 00:31:55,880
Speaker 3: but like kids, like, the fluidity isn't always there, so

684
00:31:56,000 --> 00:31:59,080
Speaker 3: I just was like, like just doing this.

685
00:31:59,080 --> 00:32:01,240
Speaker 2: Weird movement like a broken neck movie.

686
00:32:01,320 --> 00:32:04,040
Speaker 3: Yeah. Yeah, Like I got a little better with that

687
00:32:04,120 --> 00:32:06,800
Speaker 3: as time went on, but I was I didn't care.

688
00:32:06,840 --> 00:32:08,360
Speaker 3: I was so into it. I was like, I am

689
00:32:08,360 --> 00:32:11,880
Speaker 3: on a speaker dancing to music. I was having the

690
00:32:11,880 --> 00:32:12,680
Speaker 3: best time.

691
00:32:13,120 --> 00:32:14,120
Speaker 2: I could tell I could.

692
00:32:14,160 --> 00:32:16,160
Speaker 1: That was Yeah, that was who.

693
00:32:16,000 --> 00:32:18,520
Speaker 3: I was at five, which I think really should have

694
00:32:20,000 --> 00:32:22,320
Speaker 3: been a tipping point for a lot of people.

695
00:32:22,400 --> 00:32:25,200
Speaker 2: But that was the first read fu.

696
00:32:25,320 --> 00:32:27,160
Speaker 3: Yeah, I was like, this is where I belong. It

697
00:32:27,160 --> 00:32:31,080
Speaker 3: should have been like okay, but yeah, I loved that scene.

698
00:32:31,120 --> 00:32:32,160
Speaker 3: It was so much fun.

699
00:32:32,360 --> 00:32:33,440
Speaker 2: Oh, it looked fun.

700
00:32:33,480 --> 00:32:36,160
Speaker 1: Pizza Guy and all you know, Pizza.

701
00:32:35,880 --> 00:32:39,320
Speaker 2: Guy was there at a party, right. Well, then Joey

702
00:32:39,320 --> 00:32:42,760
Speaker 2: walks in the door and yells conga and starts a

703
00:32:42,920 --> 00:32:44,240
Speaker 2: conga line around.

704
00:32:45,240 --> 00:32:50,520
Speaker 1: On playing Elvison's playing a conga? Does he care? No, No,

705
00:32:50,880 --> 00:32:52,360
Speaker 1: conga's were also big in eighties.

706
00:32:52,680 --> 00:32:55,200
Speaker 2: Pizza Guy and they start a conga?

707
00:32:56,160 --> 00:32:59,320
Speaker 1: Was that a thing that people did, just congaing around?

708
00:32:59,760 --> 00:33:03,520
Speaker 3: Well, you know what, Wait, Gloria Stefan, I take it

709
00:33:03,560 --> 00:33:07,560
Speaker 3: all back, of course, come on, isay?

710
00:33:07,720 --> 00:33:10,080
Speaker 1: Of course congre is worth thing. Never mind, there.

711
00:33:09,960 --> 00:33:12,760
Speaker 2: Weren't nearly enough congo lines in Fuller House, like I

712
00:33:13,520 --> 00:33:13,920
Speaker 2: love this.

713
00:33:14,760 --> 00:33:17,360
Speaker 3: I think there was one, and I'm pretty sure I

714
00:33:17,360 --> 00:33:21,520
Speaker 3: said that was too many, So I think I think,

715
00:33:21,560 --> 00:33:24,200
Speaker 3: actually we're I think there was a congo line actually,

716
00:33:24,360 --> 00:33:25,720
Speaker 3: and I was on crutches.

717
00:33:26,240 --> 00:33:27,640
Speaker 2: Oh yes, I think you.

718
00:33:29,280 --> 00:33:29,560
Speaker 1: Right?

719
00:33:29,960 --> 00:33:33,040
Speaker 3: Yeah, that was that was one too many for me.

720
00:33:34,080 --> 00:33:36,440
Speaker 3: And this is where it started my hatred of congo lines.

721
00:33:36,600 --> 00:33:39,560
Speaker 2: Yeah, it started young. I can see why Danny walks

722
00:33:39,560 --> 00:33:41,520
Speaker 2: in the front door at this very moment he takes

723
00:33:41,560 --> 00:33:44,320
Speaker 2: in the scene before him. The band stops the music.

724
00:33:44,920 --> 00:33:47,680
Speaker 2: Joey leans into Jesse and says, boy, are you gonna

725
00:33:47,800 --> 00:33:52,280
Speaker 2: get it, Danny Yills, how could you possibly let this happen?

726
00:33:52,880 --> 00:33:55,760
Speaker 2: Joey makes excuses for himself, declaring that he is a

727
00:33:55,880 --> 00:33:59,640
Speaker 2: conga holic. And I can see both Bob and Dave

728
00:34:00,160 --> 00:34:02,760
Speaker 2: to break here, like they are so trying to crack

729
00:34:02,800 --> 00:34:05,800
Speaker 2: each other up, and they're so trying to not laugh.

730
00:34:06,160 --> 00:34:10,080
Speaker 2: It is ye wonderful to watch from this pre connective.

731
00:34:10,200 --> 00:34:12,719
Speaker 3: It really is great, yeah, watching it, Like you can

732
00:34:12,760 --> 00:34:16,360
Speaker 3: see when they're just they can't look each other in

733
00:34:16,400 --> 00:34:17,880
Speaker 3: the eye. They can't you know what I mean, Like

734
00:34:17,920 --> 00:34:20,480
Speaker 3: they just are ready to absolutely crack up.

735
00:34:20,760 --> 00:34:22,200
Speaker 2: And that's a trick that I feel like you and

736
00:34:22,200 --> 00:34:24,400
Speaker 2: I have perfected too, because we would easily get in

737
00:34:24,440 --> 00:34:27,440
Speaker 2: those moves where I could not look great active. Look right,

738
00:34:27,480 --> 00:34:29,480
Speaker 2: you're in the middle of my forehead, right, you're.

739
00:34:29,560 --> 00:34:33,799
Speaker 3: The hairline on your forehead sometimes, which is equal.

740
00:34:33,920 --> 00:34:36,280
Speaker 2: Distracting because then it feels like you're doing a scene

741
00:34:36,280 --> 00:34:38,480
Speaker 2: with someone who's had a stroke because they're looking like

742
00:34:38,520 --> 00:34:42,640
Speaker 2: they're looking well, no, it's just it looks like there's

743
00:34:42,440 --> 00:34:46,400
Speaker 2: it's distracting because you're not making eye contact, because if

744
00:34:46,400 --> 00:34:47,879
Speaker 2: we make eye contact, we're gonna laugh.

745
00:34:48,840 --> 00:34:53,680
Speaker 3: Sorry for being funny, I'm sorry, sorry for making your

746
00:34:53,680 --> 00:34:54,520
Speaker 3: life enjoyable.

747
00:34:54,600 --> 00:34:56,759
Speaker 2: Abe, Hey, don't apologize for that.

748
00:34:56,880 --> 00:34:59,960
Speaker 3: Back to Conga's. Okay, back to Conga's, back to the importance.

749
00:35:00,120 --> 00:35:04,000
Speaker 3: Yeah and not that sounded totally inappropriate.

750
00:35:06,040 --> 00:35:08,600
Speaker 2: DJ and Stephanie try to sneak out, but Danny tells

751
00:35:08,640 --> 00:35:11,440
Speaker 2: them they are in just as much trouble. DJ tries

752
00:35:11,480 --> 00:35:14,200
Speaker 2: to explain, but Jesse stops her and he takes the

753
00:35:14,239 --> 00:35:17,959
Speaker 2: blame instead. We hear Michelle start crying at this moment,

754
00:35:18,000 --> 00:35:21,120
Speaker 2: and everyone heads upstairs to Michelle's.

755
00:35:20,600 --> 00:35:24,520
Speaker 3: Room because there's a baby in the house with a

756
00:35:24,719 --> 00:35:26,560
Speaker 3: band with the band.

757
00:35:26,800 --> 00:35:31,680
Speaker 1: The band in the house with a baby. What are

758
00:35:31,719 --> 00:35:34,920
Speaker 1: you doing, sir? How did any what if the baby's

759
00:35:34,920 --> 00:35:37,120
Speaker 1: been crying for an out? Nobody could hurt it.

760
00:35:37,200 --> 00:35:38,280
Speaker 2: Nobody could hear her.

761
00:35:38,560 --> 00:35:41,879
Speaker 1: Nobody nobody asked me no, but nobody could hear her, you.

762
00:35:41,840 --> 00:35:44,960
Speaker 2: Know, like well and in later seasons, or you'd have

763
00:35:45,000 --> 00:35:47,759
Speaker 2: to have like a baby monitor established just to prove

764
00:35:47,760 --> 00:35:49,719
Speaker 2: that you're not like a terrible parent. But I don't

765
00:35:49,760 --> 00:35:52,800
Speaker 2: remember seeing a baby monitor in this Uh it was

766
00:35:52,880 --> 00:35:53,280
Speaker 2: the eighties.

767
00:35:53,400 --> 00:35:56,320
Speaker 3: There was eight There was literally a commercial that asked

768
00:35:56,400 --> 00:35:57,600
Speaker 3: do you know where your kids are?

769
00:35:57,640 --> 00:35:58,280
Speaker 1: At ten pm?

770
00:35:58,400 --> 00:36:02,120
Speaker 3: And a majority people were like, no, I just know

771
00:36:02,120 --> 00:36:05,360
Speaker 3: they're not here bothering me. So I really think the

772
00:36:05,480 --> 00:36:08,400
Speaker 3: whole thing was very The landscape parenting was very different.

773
00:36:08,800 --> 00:36:11,399
Speaker 3: It's because apparently you having a band in your living

774
00:36:11,480 --> 00:36:14,200
Speaker 3: room was totally fine with a baby.

775
00:36:15,080 --> 00:36:16,960
Speaker 1: Well, I guess that's the thing is it wasn't.

776
00:36:16,840 --> 00:36:18,600
Speaker 2: Right, So that's that's part of the joke.

777
00:36:18,760 --> 00:36:21,760
Speaker 1: Still, baby, it's a baby and a band.

778
00:36:22,239 --> 00:36:24,919
Speaker 2: So Michelle is crying in her room, we find out

779
00:36:24,920 --> 00:36:30,320
Speaker 2: because she is teething, which Danny describes as imagine a sharp, pointy,

780
00:36:30,520 --> 00:36:35,600
Speaker 2: calcified projectile ripping and knifing its way through your soft,

781
00:36:35,800 --> 00:36:37,280
Speaker 2: tender gum tissue.

782
00:36:38,239 --> 00:36:42,960
Speaker 3: Very projectile is the wrong word in that sentence, just

783
00:36:43,920 --> 00:36:46,200
Speaker 3: I'd ask your opinion as an English major. But I

784
00:36:46,719 --> 00:36:49,440
Speaker 3: projectile to me feels like something that is moving through space.

785
00:36:49,520 --> 00:36:51,400
Speaker 2: But that's it would have to project Well maybe he

786
00:36:51,480 --> 00:36:54,960
Speaker 2: meant it's like projecting through the gum. But yeah, it's

787
00:36:54,960 --> 00:36:57,520
Speaker 2: I agree. It's not the best choice of words, but

788
00:36:58,040 --> 00:36:59,040
Speaker 2: it's okay. It adds to them.

789
00:36:59,080 --> 00:37:03,680
Speaker 1: I mean, the whole thing sounds terrifying, really and awful.

790
00:37:03,800 --> 00:37:05,719
Speaker 2: Like her tooth is just coming out like that's it.

791
00:37:05,719 --> 00:37:07,160
Speaker 2: It's not it's not.

792
00:37:07,160 --> 00:37:08,719
Speaker 1: That she's already got like five teeth.

793
00:37:09,719 --> 00:37:13,040
Speaker 2: She's been teething for a while. Right. Danny gives her

794
00:37:13,040 --> 00:37:15,960
Speaker 2: a teething ring, which she immediately throws out of her crib.

795
00:37:16,440 --> 00:37:19,200
Speaker 2: Jesse offers to help and sticks his finger in her mouth.

796
00:37:19,920 --> 00:37:21,600
Speaker 2: Miraculously she stops crying.

797
00:37:21,920 --> 00:37:24,400
Speaker 1: Gross again, unsanitary.

798
00:37:24,480 --> 00:37:28,440
Speaker 3: You've just been playing a guitar, sir, with a band

799
00:37:29,920 --> 00:37:34,160
Speaker 3: with people, and maybe eating pizza to me, eating things

800
00:37:34,400 --> 00:37:37,759
Speaker 3: with a random pizza delivery man, and you're going to

801
00:37:37,920 --> 00:37:40,960
Speaker 3: just take your finger and stick it in a baby's mouth?

802
00:37:41,920 --> 00:37:43,600
Speaker 1: Again? Questionable?

803
00:37:44,280 --> 00:37:46,640
Speaker 2: I had the same reaction. I didn't know if if

804
00:37:46,680 --> 00:37:51,920
Speaker 2: I was just overcompensating because you know, in post COVID

805
00:37:51,960 --> 00:37:53,640
Speaker 2: times here, I'm just like, oh, don't stick your finger

806
00:37:53,680 --> 00:37:56,279
Speaker 2: in that person. Yeah, But like I mean, I guess.

807
00:37:55,880 --> 00:37:59,560
Speaker 1: Yeah, I maybe you know again, where are your kids?

808
00:37:59,640 --> 00:37:59,840
Speaker 2: You know?

809
00:38:00,120 --> 00:38:03,120
Speaker 3: With fingers? People were giving kids like car keys to

810
00:38:03,200 --> 00:38:06,200
Speaker 3: chew on. Right that we're probably like dipped in lead paint.

811
00:38:06,280 --> 00:38:10,080
Speaker 3: So you know what, I again have to remember to

812
00:38:10,200 --> 00:38:11,680
Speaker 3: view it with a different lens.

813
00:38:11,960 --> 00:38:12,560
Speaker 1: Right, right?

814
00:38:13,000 --> 00:38:17,440
Speaker 2: How did we survive all of this? Danny takes this

815
00:38:17,480 --> 00:38:20,279
Speaker 2: moment to scold Jesse about not being adult enough to

816
00:38:20,320 --> 00:38:22,760
Speaker 2: take care of the kids. He says, well, your brain

817
00:38:22,840 --> 00:38:26,440
Speaker 2: isn't working tonight, but your fingers doing great. He exits

818
00:38:26,560 --> 00:38:28,879
Speaker 2: the room, leaving Jesse with his finger in Michelle's mouth

819
00:38:29,000 --> 00:38:33,480
Speaker 2: as a human teething ring. We cut two DJ and

820
00:38:33,480 --> 00:38:36,960
Speaker 2: Stephanie's room, where Stephanie says Uncle Jesse was the best

821
00:38:36,960 --> 00:38:40,439
Speaker 2: babysitter ever, and DJ responds, yeah, but I think he's

822
00:38:40,440 --> 00:38:42,920
Speaker 2: in big trouble. There's a knock on the door, and

823
00:38:42,960 --> 00:38:44,799
Speaker 2: the girls turn off the lights and hustle into their

824
00:38:44,800 --> 00:38:48,160
Speaker 2: beds and fake snore and fake being asleep.

825
00:38:48,680 --> 00:38:52,040
Speaker 1: Yeah. Yeah, it was almost as good as my fate crying.

826
00:38:52,640 --> 00:38:54,920
Speaker 2: Oh yeah, And I love the lighting placement here, Like

827
00:38:54,960 --> 00:38:57,360
Speaker 2: as soon as DJ turns off the lights, like suddenly

828
00:38:57,440 --> 00:38:59,880
Speaker 2: there's like spotlights directly over your heads.

829
00:39:00,640 --> 00:39:06,480
Speaker 3: Those are obviously skylights from the roof, which has an

830
00:39:06,480 --> 00:39:08,800
Speaker 3: attic above it, which we don't see.

831
00:39:08,840 --> 00:39:10,600
Speaker 1: But that's not neither.

832
00:39:10,320 --> 00:39:13,560
Speaker 3: Here nor there, so all right, but it's beautifully placed

833
00:39:13,719 --> 00:39:17,200
Speaker 3: and lit on the Yeah, it's a beautifully lip.

834
00:39:17,840 --> 00:39:20,600
Speaker 2: Danny enters the room, The girls squint to their eyes

835
00:39:20,640 --> 00:39:23,480
Speaker 2: and pretend they are just waking up. Stephanie says, is

836
00:39:23,520 --> 00:39:27,480
Speaker 2: it morning, which is so precious Danny starts to talk

837
00:39:27,520 --> 00:39:30,359
Speaker 2: to the girls about how irresponsible uncle Jesse is when

838
00:39:30,400 --> 00:39:33,560
Speaker 2: he happens to look down and see the empty curtains

839
00:39:33,600 --> 00:39:34,480
Speaker 2: of ice cream.

840
00:39:34,840 --> 00:39:39,360
Speaker 3: Uh oh, the girls wait, but weren't the kids he

841
00:39:39,400 --> 00:39:43,360
Speaker 3: walked in? We were like dancing on the speaker, right, Oh, yeah,

842
00:39:43,440 --> 00:39:46,239
Speaker 3: Danny walked in. Yeah, he can't really only be mad

843
00:39:46,280 --> 00:39:48,640
Speaker 3: at Jesse, Like you know what I mean. I'd be like,

844
00:39:48,840 --> 00:39:51,839
Speaker 3: you know, I wouldn't be like Jesse's really irresponsible. I'd

845
00:39:51,840 --> 00:39:56,000
Speaker 3: be like, you were very well dressed and your hair

846
00:39:56,000 --> 00:39:58,000
Speaker 3: looks amazing, by the way, but you were dancing on

847
00:39:58,040 --> 00:39:58,560
Speaker 3: a speaker.

848
00:40:00,160 --> 00:40:02,239
Speaker 2: Well, but Jesse is the adult, like he was the

849
00:40:02,280 --> 00:40:04,920
Speaker 2: adult left in charge. So ultimately I feel like the

850
00:40:05,320 --> 00:40:09,640
Speaker 2: responsibility falls on him, although you know, DJ and Stephanie

851
00:40:09,640 --> 00:40:12,640
Speaker 2: are easily just as at assault.

852
00:40:12,840 --> 00:40:14,680
Speaker 1: I want that blaming anyone. I'm not blaming anyway.

853
00:40:14,719 --> 00:40:17,399
Speaker 3: I'm just saying like, until he finds the ice cream,

854
00:40:17,360 --> 00:40:19,000
Speaker 3: he's pretty quick to let these kids off the hook.

855
00:40:19,360 --> 00:40:21,520
Speaker 2: Yes, he's definitely quick to give you guys the benefit

856
00:40:21,560 --> 00:40:25,240
Speaker 2: of the doubt until he sees these empty ice cream curtains.

857
00:40:24,920 --> 00:40:26,640
Speaker 1: Which we were terrible at getting rid of.

858
00:40:26,719 --> 00:40:29,320
Speaker 3: Apparently we cleaned all of it up off the record

859
00:40:29,320 --> 00:40:32,200
Speaker 3: player and then left it on the floor, left it

860
00:40:32,239 --> 00:40:33,560
Speaker 3: sitting under the table.

861
00:40:33,840 --> 00:40:36,120
Speaker 1: That was stupid. That was very dumb of us.

862
00:40:36,480 --> 00:40:38,880
Speaker 2: You were more interested in jumping rope and doing the

863
00:40:38,920 --> 00:40:40,719
Speaker 2: hand jive than cleaning clean.

864
00:40:40,800 --> 00:40:43,320
Speaker 3: Well, we cleaned it all off of everything. The dripping

865
00:40:43,400 --> 00:40:46,480
Speaker 3: is gone, but we didn't throw away the evidence. I mean,

866
00:40:46,480 --> 00:40:48,200
Speaker 3: that's pretty typical, though. I've seen how my kids try

867
00:40:48,239 --> 00:40:48,879
Speaker 3: and get rid of stuff.

868
00:40:49,000 --> 00:40:49,720
Speaker 2: Rookie mistake.

869
00:40:49,960 --> 00:40:51,240
Speaker 1: Yeah, they're awful.

870
00:40:52,960 --> 00:40:56,279
Speaker 2: DJ comes clean about everything and promises that they will

871
00:40:56,320 --> 00:40:59,640
Speaker 2: apologize to Uncle Jesse. DJ asks are we going to

872
00:40:59,680 --> 00:41:02,279
Speaker 2: be in t and Stephanie interrupts and says, but wait

873
00:41:02,440 --> 00:41:05,520
Speaker 2: before you answer that. She goes over to the chest

874
00:41:05,560 --> 00:41:07,520
Speaker 2: at the end of her bed and retrieves a stale

875
00:41:07,520 --> 00:41:10,200
Speaker 2: piece of pizza and says, we saved you a piece

876
00:41:10,239 --> 00:41:10,720
Speaker 2: of pizza.

877
00:41:11,360 --> 00:41:13,120
Speaker 1: How's I mean, that's where I keep my pizza.

878
00:41:13,200 --> 00:41:15,719
Speaker 2: That's a good piece offering and I think stale piece

879
00:41:15,719 --> 00:41:16,400
Speaker 2: of pizza if.

880
00:41:16,280 --> 00:41:19,640
Speaker 3: Someone, I mean, it's not that stay yeah what at

881
00:41:19,760 --> 00:41:23,280
Speaker 3: most it's what two hours old?

882
00:41:24,080 --> 00:41:26,080
Speaker 1: You know it's not that stale. It's probably still a

883
00:41:26,120 --> 00:41:28,560
Speaker 1: little bit warm after being in that That.

884
00:41:28,840 --> 00:41:32,840
Speaker 2: Fox easily edible for sure, still for sure, Yeah, totally.

885
00:41:33,040 --> 00:41:34,840
Speaker 2: By the way, did you see this blow up weebl

886
00:41:34,880 --> 00:41:36,280
Speaker 2: doll in the background?

887
00:41:36,360 --> 00:41:37,479
Speaker 1: Oh my god, I wrote it down.

888
00:41:39,320 --> 00:41:42,320
Speaker 3: It's a weebled weebel wobbles, but it won't fall down.

889
00:41:42,640 --> 00:41:45,760
Speaker 1: Do you remember those? Yes? Yeah, they were so fun.

890
00:41:45,960 --> 00:41:48,239
Speaker 1: Just I remember I would punch the crap out of

891
00:41:48,239 --> 00:41:48,919
Speaker 1: that thing, and.

892
00:41:49,040 --> 00:41:50,360
Speaker 2: You know, a great stress reliever.

893
00:41:50,640 --> 00:41:52,120
Speaker 1: Yeah, yeah, yeah, yeah, But I didn't.

894
00:41:52,360 --> 00:41:54,160
Speaker 2: I didn't see the weebel wobble in any of the

895
00:41:54,160 --> 00:41:56,319
Speaker 2: previous episodes, so I think this is a new, a

896
00:41:56,360 --> 00:41:57,040
Speaker 2: new appearance.

897
00:41:57,280 --> 00:41:59,239
Speaker 3: It was like probably tucked in a corner or something,

898
00:41:59,239 --> 00:42:02,759
Speaker 3: but it was very dominantly featured right in between. It

899
00:42:02,840 --> 00:42:05,920
Speaker 3: was a three shot basically of DJ Steph and the

900
00:42:05,960 --> 00:42:08,560
Speaker 3: weeble wobble in the background, really kind of pulling focus.

901
00:42:08,560 --> 00:42:10,839
Speaker 3: I was a little upset, you know, I mean, Buddy does.

902
00:42:10,880 --> 00:42:12,320
Speaker 2: Darn weebles upstaging you?

903
00:42:13,280 --> 00:42:14,840
Speaker 1: Just really seriously.

904
00:42:15,640 --> 00:42:18,200
Speaker 2: We cut to Michelle's room, where Jesse still has his

905
00:42:18,239 --> 00:42:21,760
Speaker 2: finger in her mouth. He asks her the meaning of life.

906
00:42:21,640 --> 00:42:23,200
Speaker 1: He washed his hands.

907
00:42:23,960 --> 00:42:25,800
Speaker 2: Jesse says, you know what, it's bedtime, and he carries

908
00:42:25,800 --> 00:42:29,839
Speaker 2: Michelle out of her room and into Jesse's bedroom. DJ

909
00:42:29,920 --> 00:42:32,399
Speaker 2: and Steph walk in to offer their apologies to Uncle

910
00:42:32,480 --> 00:42:34,800
Speaker 2: Jay and promise that they will try to do better.

911
00:42:35,239 --> 00:42:38,040
Speaker 2: Stephanie says, you can cover up my bunnies if you want.

912
00:42:38,920 --> 00:42:44,239
Speaker 1: Oh, Steph, No, no, Steph, don't let anyone cover up

913
00:42:44,280 --> 00:42:44,960
Speaker 1: your bunnies.

914
00:42:45,640 --> 00:42:49,520
Speaker 2: She feels bad. Jesse says, well, your bunnies are starting

915
00:42:49,560 --> 00:42:52,560
Speaker 2: to grow on me. Steph says, we really love you,

916
00:42:52,800 --> 00:42:55,839
Speaker 2: and Jesse replies, I love you too, but the next

917
00:42:55,840 --> 00:42:59,320
Speaker 2: time you pull that stuff on me, I am still

918
00:42:59,400 --> 00:43:03,719
Speaker 2: gonna love you. Oh. That's such a sweet moment. And

919
00:43:03,760 --> 00:43:08,240
Speaker 2: there's a perfectly timed coup from Michelle that was genuine.

920
00:43:08,239 --> 00:43:09,880
Speaker 2: I don't think she you know, she wasn't prompted to

921
00:43:09,880 --> 00:43:11,640
Speaker 2: do that. She just cooed right at the.

922
00:43:11,719 --> 00:43:13,759
Speaker 1: Didn't we know we had baby? We had remember the

923
00:43:13,800 --> 00:43:15,360
Speaker 1: baby lady that made the baby noises?

924
00:43:15,680 --> 00:43:17,680
Speaker 2: Yeah? But I think this was an organic coup.

925
00:43:20,840 --> 00:43:23,200
Speaker 1: I think this was just like she was just.

926
00:43:23,440 --> 00:43:25,960
Speaker 3: I want to make so many jokes about an organic

927
00:43:26,080 --> 00:43:30,279
Speaker 3: coup right now, but I'm not going to.

928
00:43:30,880 --> 00:43:33,640
Speaker 2: You, but practice your restraint, Jody.

929
00:43:33,880 --> 00:43:37,160
Speaker 1: Farm to table, farm to table coup.

930
00:43:37,719 --> 00:43:39,160
Speaker 2: Anyways, it's such a sweet.

931
00:43:38,960 --> 00:43:40,960
Speaker 1: Moment from a genuine baby.

932
00:43:41,040 --> 00:43:43,880
Speaker 2: This was such a great moment from Jesse, who is

933
00:43:44,200 --> 00:43:46,640
Speaker 2: trying to been he's been trying to prove how like

934
00:43:46,680 --> 00:43:48,760
Speaker 2: what a tough guy he is and he's not really

935
00:43:49,040 --> 00:43:51,279
Speaker 2: like a kid person. But then he admits to the

936
00:43:51,320 --> 00:43:52,440
Speaker 2: girls that he's got.

937
00:43:52,239 --> 00:43:56,479
Speaker 3: A giant blow up flamingo and an inflatable saxophone. Okay, sir,

938
00:43:57,320 --> 00:43:59,640
Speaker 3: sit down, you're not that much of anything.

939
00:43:59,680 --> 00:44:04,319
Speaker 2: He's really he's really not. Okay, where are we? Oh?

940
00:44:04,320 --> 00:44:09,080
Speaker 2: They all hug and we're right after the organic coup.

941
00:44:09,280 --> 00:44:11,560
Speaker 1: Okay, right after the organic coop.

942
00:44:11,680 --> 00:44:13,840
Speaker 2: Danny walks in, followed by Joey, who says, well, I

943
00:44:13,840 --> 00:44:15,839
Speaker 2: couldn't find the teething ring, so I got the next

944
00:44:15,960 --> 00:44:19,760
Speaker 2: best thing, an ice cold carrot finger.

945
00:44:19,960 --> 00:44:26,640
Speaker 3: No, it's a little, it's just a finger that they've

946
00:44:26,719 --> 00:44:32,440
Speaker 3: kept him all right, that this took a dark turn. Sorry, sorry,

947
00:44:32,440 --> 00:44:36,040
Speaker 3: I was thinking of of the Big Lebowski.

948
00:44:37,280 --> 00:44:39,440
Speaker 1: By three o'clock. It's a great and easy.

949
00:44:40,400 --> 00:44:44,000
Speaker 2: But this is full house. They're using an ice cold carrot,

950
00:44:44,680 --> 00:44:47,280
Speaker 2: full on carrot with like the green the green?

951
00:44:47,360 --> 00:44:51,520
Speaker 1: Is it a carrot in your pocket with a with

952
00:44:51,760 --> 00:44:54,279
Speaker 1: stalks and everything. It's like he just ripped it out

953
00:44:54,280 --> 00:44:54,840
Speaker 1: of the ground.

954
00:44:55,080 --> 00:44:57,360
Speaker 2: Yes, Like who buys a carrot like a bit of

955
00:44:57,440 --> 00:45:00,200
Speaker 2: bugs bunny carrot. It is a full sized carrot. It's

956
00:45:00,200 --> 00:45:01,600
Speaker 2: not like a baby carrot or anything.

957
00:45:02,440 --> 00:45:04,359
Speaker 3: And it didn't even set up a bugs bunny joke,

958
00:45:04,400 --> 00:45:06,480
Speaker 3: which I was surely thought.

959
00:45:06,520 --> 00:45:09,080
Speaker 2: I thought so too, or an impression like I wonder if.

960
00:45:09,280 --> 00:45:09,839
Speaker 1: That's what I mean.

961
00:45:09,880 --> 00:45:11,480
Speaker 3: I thought for sure we were going there, and it

962
00:45:11,520 --> 00:45:13,080
Speaker 3: didn't because they were short.

963
00:45:12,880 --> 00:45:16,040
Speaker 2: On time they needed to cut some jokes. So but yeah,

964
00:45:16,080 --> 00:45:17,520
Speaker 2: that was a that would have been a great setup.

965
00:45:17,560 --> 00:45:19,919
Speaker 1: So they left the carrot in the pocket but got

966
00:45:19,920 --> 00:45:20,319
Speaker 1: the joke.

967
00:45:21,480 --> 00:45:25,000
Speaker 2: Danny apologizes to Jesse and gets emotional, saying how much

968
00:45:25,040 --> 00:45:28,799
Speaker 2: the girls mean now, especially with Pam gone. Jesse mentions

969
00:45:28,840 --> 00:45:33,040
Speaker 2: how he's only been there for twelve hours, That's what

970
00:45:33,080 --> 00:45:33,680
Speaker 2: I'm saying.

971
00:45:33,880 --> 00:45:38,920
Speaker 3: Since they moved here there, How did where did all

972
00:45:38,920 --> 00:45:42,399
Speaker 3: this stuff come from? Jesse rolled up on a motorcycle

973
00:45:42,440 --> 00:45:46,279
Speaker 3: from Reno, Okay, which with the whole Cogan's and his

974
00:45:46,320 --> 00:45:49,120
Speaker 3: sister in law all right, He rolled up on a

975
00:45:49,320 --> 00:45:53,480
Speaker 3: motorcycle with a guitar in no case strapped to his back.

976
00:45:53,480 --> 00:45:54,759
Speaker 3: And now all of a sudden he's got a case

977
00:45:54,800 --> 00:45:57,720
Speaker 3: and a flamingo, and Joey's got a mannequin.

978
00:45:57,800 --> 00:45:59,840
Speaker 1: Where did the mannequin come from? He walked in with

979
00:45:59,840 --> 00:46:02,759
Speaker 1: the already laundry. Now we've got a planetary system in

980
00:46:02,800 --> 00:46:04,560
Speaker 1: the alcove and matching.

981
00:46:04,640 --> 00:46:08,560
Speaker 2: Sure, I'm just impressed with this. It'spended with which.

982
00:46:08,480 --> 00:46:12,319
Speaker 3: They have again caused DJ's moving company. I'm telling you

983
00:46:12,800 --> 00:46:16,399
Speaker 3: it is on time. They get in, they get out,

984
00:46:16,520 --> 00:46:20,400
Speaker 3: they do the job quickly, quickly because DJ moved all

985
00:46:20,480 --> 00:46:24,919
Speaker 3: of that out and back, and the guys moved their

986
00:46:24,960 --> 00:46:28,560
Speaker 3: stuff in all in less than twelve hours, by the way,

987
00:46:29,200 --> 00:46:31,759
Speaker 3: one of which they were spending changing a diaper, So

988
00:46:31,880 --> 00:46:36,080
Speaker 3: really eleven hours they've they've been there eleven hours.

989
00:46:36,160 --> 00:46:39,040
Speaker 2: They have packed a lot into these twelve hours, for sure.

990
00:46:39,160 --> 00:46:40,320
Speaker 1: Yeah, I'm impressed.

991
00:46:40,920 --> 00:46:43,759
Speaker 3: It's it's been a very busy day, as it's been

992
00:46:43,760 --> 00:46:47,000
Speaker 3: a very There's been a band, there's been a movie.

993
00:46:47,040 --> 00:46:50,120
Speaker 3: There's been a carrot, there's been a disappearing child. It's

994
00:46:50,160 --> 00:46:51,400
Speaker 3: been a kid in a pot.

995
00:46:51,320 --> 00:46:51,879
Speaker 1: You know what I mean?

996
00:46:52,080 --> 00:46:55,280
Speaker 2: Like this, Yes, there's so much happening in this house.

997
00:46:56,560 --> 00:46:59,279
Speaker 2: Danny explains that it's okay to say no and that

998
00:46:59,400 --> 00:47:03,400
Speaker 2: kids need limits. Joey joins his conversation, saying, you know

999
00:47:03,440 --> 00:47:06,000
Speaker 2: he was an only child, so he only had imaginary

1000
00:47:06,400 --> 00:47:09,560
Speaker 2: brothers and sisters. Feels great to be in a real

1001
00:47:09,600 --> 00:47:11,560
Speaker 2: house with real people. And then he turns to look

1002
00:47:11,600 --> 00:47:17,000
Speaker 2: behind him and says, isn't that right Leon, which I

1003
00:47:17,040 --> 00:47:19,839
Speaker 2: assume is the imaginary brother that he's referring to.

1004
00:47:20,080 --> 00:47:23,440
Speaker 1: Well, I know that I get the I'm not that

1005
00:47:24,480 --> 00:47:26,920
Speaker 1: well I was, but not about I thought he said Leeah?

1006
00:47:27,000 --> 00:47:27,600
Speaker 2: Is it Leah?

1007
00:47:27,680 --> 00:47:28,200
Speaker 1: Was Leon?

1008
00:47:28,320 --> 00:47:29,600
Speaker 2: Maybe it's Leah. I don't know.

1009
00:47:30,239 --> 00:47:35,000
Speaker 1: My hearing is terrible, so it could it could be Leon. Yeah,

1010
00:47:35,080 --> 00:47:35,640
Speaker 1: Leon Lee.

1011
00:47:36,040 --> 00:47:38,600
Speaker 2: With the show, tell us who is the imaginary Leon?

1012
00:47:38,760 --> 00:47:39,600
Speaker 2: Leah or Leon?

1013
00:47:39,840 --> 00:47:41,480
Speaker 1: It's Leah Tannery.

1014
00:47:41,560 --> 00:47:46,400
Speaker 3: No, it's who That's who I heard was Leah Tanner

1015
00:47:46,440 --> 00:47:52,160
Speaker 3: rotraddiction right, unless you've got a character procket.

1016
00:47:52,239 --> 00:47:59,520
Speaker 2: Okay, now we're getting sappy Joey Yell's KNGA and the

1017
00:47:59,600 --> 00:48:03,000
Speaker 2: guys do the Kong out of them and that is

1018
00:48:03,040 --> 00:48:03,680
Speaker 2: our episode.

1019
00:48:03,760 --> 00:48:07,400
Speaker 3: That's what you do, and the band's already gone. That

1020
00:48:07,520 --> 00:48:11,799
Speaker 3: was quick that I mean, I am. The speed at

1021
00:48:11,840 --> 00:48:14,880
Speaker 3: which the Tanner family moves is efficient.

1022
00:48:15,040 --> 00:48:17,440
Speaker 2: I will say that I would love to have this

1023
00:48:17,520 --> 00:48:20,200
Speaker 2: kind of efficiency in my life, where I just go

1024
00:48:20,280 --> 00:48:22,160
Speaker 2: into one room and I come out and the living

1025
00:48:22,239 --> 00:48:23,920
Speaker 2: room is completely cleaned up right, and.

1026
00:48:24,400 --> 00:48:27,000
Speaker 3: To be surrounded by completely inept people and still be

1027
00:48:27,080 --> 00:48:27,640
Speaker 3: that efficient.

1028
00:48:27,760 --> 00:48:31,680
Speaker 2: I mean, my god, it's definitely an alternate universe.

1029
00:48:31,760 --> 00:48:34,640
Speaker 1: Yeah, but I love it.

1030
00:48:34,719 --> 00:48:37,319
Speaker 3: Like I love watching the show and seeing all of

1031
00:48:37,360 --> 00:48:40,480
Speaker 3: those things that like obviously you know or what like

1032
00:48:40,480 --> 00:48:41,200
Speaker 3: don't make sense or.

1033
00:48:41,160 --> 00:48:45,440
Speaker 1: Whatever, but like that you watch the show and that you're.

1034
00:48:45,280 --> 00:48:47,319
Speaker 3: So connected to these people and the story and what's

1035
00:48:47,360 --> 00:48:49,200
Speaker 3: going on, and also that you know, you know it's

1036
00:48:49,200 --> 00:48:51,600
Speaker 3: a sitcom, but like that you're so in it that

1037
00:48:52,320 --> 00:48:53,880
Speaker 3: of course you don't think about that stuff, you know

1038
00:48:53,920 --> 00:48:55,719
Speaker 3: what I mean, Like we think about it because we've

1039
00:48:55,760 --> 00:48:57,560
Speaker 3: seen it and we do it, and that's worth, you know,

1040
00:48:57,600 --> 00:49:00,400
Speaker 3: being silly about it. But like it was such a

1041
00:49:00,440 --> 00:49:04,319
Speaker 3: great establishing moment of like who everybody in the house was.

1042
00:49:04,560 --> 00:49:06,879
Speaker 1: In this episode, I noticed just.

1043
00:49:06,840 --> 00:49:09,080
Speaker 2: How much chemistry the cast has already. I mean, this

1044
00:49:09,160 --> 00:49:12,960
Speaker 2: is only episode two and you guys already have so

1045
00:49:13,080 --> 00:49:16,520
Speaker 2: much chemistry, especially between the three guys. It's it's incredible.

1046
00:49:17,280 --> 00:49:18,040
Speaker 2: I loved it.

1047
00:49:18,040 --> 00:49:20,719
Speaker 1: It's yeah, yeah, I really really did. You know.

1048
00:49:20,760 --> 00:49:22,839
Speaker 3: What I will say too, is that the one thing

1049
00:49:22,880 --> 00:49:26,239
Speaker 3: I noticed, and we see this in in a couple episodes.

1050
00:49:26,719 --> 00:49:30,359
Speaker 1: DJ was a little devious. She did not turn out

1051
00:49:30,719 --> 00:49:31,160
Speaker 1: that way.

1052
00:49:32,040 --> 00:49:33,799
Speaker 2: She was kind of a goodie wonder.

1053
00:49:34,840 --> 00:49:37,160
Speaker 1: Yeah, yeah, yeah, but like I wonder if the.

1054
00:49:38,719 --> 00:49:41,480
Speaker 3: You know, if that if there she might have been,

1055
00:49:41,880 --> 00:49:44,440
Speaker 3: like maybe it would have been DJ in the bathroom

1056
00:49:44,480 --> 00:49:47,640
Speaker 3: smoking with GeOH, who knows, you know what I'm saying,

1057
00:49:47,719 --> 00:49:48,839
Speaker 3: alternate universe, just.

1058
00:49:48,760 --> 00:49:51,880
Speaker 1: Saying food for thought. But yeah, it's just funny.

1059
00:49:51,920 --> 00:49:53,839
Speaker 3: DJ seems to be the one that's like, hey, let's

1060
00:49:53,840 --> 00:49:55,600
Speaker 3: go do this, let's go get ice cream. Less she's

1061
00:49:55,640 --> 00:49:58,160
Speaker 3: the instigator, and later on I feel like Steph is

1062
00:49:58,160 --> 00:49:59,320
Speaker 3: the instigator.

1063
00:49:58,800 --> 00:50:02,359
Speaker 2: Swap rolls later on in the in the series. Yeah,

1064
00:50:02,360 --> 00:50:04,480
Speaker 2: well I love this. I love this type of bottle

1065
00:50:04,480 --> 00:50:06,560
Speaker 2: episode where it's just it's focused really on just the

1066
00:50:06,560 --> 00:50:09,160
Speaker 2: immediate family, Like there's not too many guest stars coming

1067
00:50:09,200 --> 00:50:11,839
Speaker 2: in and out. It's really just well, there's the pizza guy,

1068
00:50:11,920 --> 00:50:14,400
Speaker 2: there's the pizza guy, and there's the bands. But aside

1069
00:50:14,400 --> 00:50:15,000
Speaker 2: from that.

1070
00:50:15,080 --> 00:50:17,560
Speaker 3: And there's just a it's aside from the extra eight

1071
00:50:17,600 --> 00:50:19,840
Speaker 3: people that are in the living room for three scenes,

1072
00:50:19,920 --> 00:50:21,839
Speaker 3: I'd say there's not a lot of extra.

1073
00:50:21,600 --> 00:50:25,080
Speaker 2: People in it. Aside from that, it's just the six

1074
00:50:25,120 --> 00:50:25,319
Speaker 2: of you.

1075
00:50:25,760 --> 00:50:27,520
Speaker 1: Aside from that huge party scene.

1076
00:50:27,640 --> 00:50:29,680
Speaker 3: I'd say, there's really not a big change in how

1077
00:50:29,719 --> 00:50:30,840
Speaker 3: many people are in the house.

1078
00:50:32,239 --> 00:50:34,240
Speaker 2: Ah, the world is small, but the house is full.

1079
00:50:36,680 --> 00:50:42,000
Speaker 2: I say, Well, any other remaining thoughts about this episode

1080
00:50:42,080 --> 00:50:44,359
Speaker 2: or are you ready to wrap it up and move on?

1081
00:50:44,680 --> 00:50:48,479
Speaker 1: I you know, I think I have interrupted you enough.

1082
00:50:48,600 --> 00:50:51,920
Speaker 3: I have. I'm so sorry. That's that's gonna be the

1083
00:50:51,960 --> 00:50:53,000
Speaker 3: note that we get you.

1084
00:50:53,160 --> 00:50:55,360
Speaker 2: No, that's okay, because we're we're so close, we're friends,

1085
00:50:55,400 --> 00:50:56,960
Speaker 2: we talk over each other all the time. I'm not

1086
00:50:57,000 --> 00:50:59,040
Speaker 2: bumped by this at all, because this is just like.

1087
00:50:59,040 --> 00:51:02,279
Speaker 3: I'm so just like, look, this is actually her rein dad.

1088
00:51:02,560 --> 00:51:05,799
Speaker 3: This is how it you know, right, I'm being conscientious

1089
00:51:05,800 --> 00:51:09,520
Speaker 3: of it. But no, my brain, you know, your brain

1090
00:51:09,640 --> 00:51:11,719
Speaker 3: is like the layout of the whole thing, and mine

1091
00:51:11,800 --> 00:51:12,600
Speaker 3: is like, oh my god.

1092
00:51:12,480 --> 00:51:15,720
Speaker 1: Look at that stupid thing over so right exactly.

1093
00:51:15,760 --> 00:51:19,560
Speaker 3: So if I don't, you know, if I just I

1094
00:51:19,600 --> 00:51:21,040
Speaker 3: didn't mean to interrupt you a bunch, If I did

1095
00:51:21,160 --> 00:51:23,120
Speaker 3: do not what I mean, I didn't mean this. I'm

1096
00:51:23,160 --> 00:51:25,440
Speaker 3: not apologizing to you. I'm letting the listeners know. Okay,

1097
00:51:26,920 --> 00:51:28,640
Speaker 3: just deal with it. Okay, guys, this sounds going to

1098
00:51:28,719 --> 00:51:30,239
Speaker 3: be this is what we do.

1099
00:51:30,400 --> 00:51:35,280
Speaker 2: This is how we are well Tanner Ritos, don't forget

1100
00:51:35,320 --> 00:51:37,080
Speaker 2: to tell us. What do you want to know? What

1101
00:51:37,440 --> 00:51:40,200
Speaker 2: questions you have, what stories you want us to tell.

1102
00:51:40,480 --> 00:51:43,160
Speaker 2: Let us know on our social media at how Rude

1103
00:51:43,239 --> 00:51:45,800
Speaker 2: podcast or you can email us at how Rude podcast

1104
00:51:46,120 --> 00:51:49,400
Speaker 2: at gmail dot com. Until next time, yea't wait to

1105
00:51:49,440 --> 00:51:50,280
Speaker 2: hear from you, guys.

1106
00:51:50,400 --> 00:51:53,200
Speaker 1: And remember the world is small, but the house is full.

1107
00:51:53,320 --> 00:51:57,920
Speaker 1: J and Barber. It doesn't work like that barber.

1108
00:51:58,360 --> 00:52:01,640
Speaker 2: That's the one A