1 00:00:00,760 --> 00:00:17,320 Speaker 1: I am all in. Oh, that's just you. I am 2 00:00:17,360 --> 00:00:20,640 Speaker 1: all in with Scott Patterson and I Heart Radio podcast. 3 00:00:21,680 --> 00:00:25,959 Speaker 1: Hey everybody, Scott Patterson, I am all in podcast, I 4 00:00:26,040 --> 00:00:29,800 Speaker 1: Heart Radio one of them productions with Amy Sugarman, Taraes, 5 00:00:30,000 --> 00:00:34,760 Speaker 1: Danielle Romo, Tara takes Away. We're doing pop culture for 6 00:00:35,640 --> 00:00:40,400 Speaker 1: season three, episode eighteen, Happy Birthday, Baby go ahead. So 7 00:00:40,440 --> 00:00:42,800 Speaker 1: we're gonna start with Tobin, the night manager, talking to 8 00:00:42,880 --> 00:00:46,040 Speaker 1: Laura Lee about how to revive the inn. Lauraa says, hm, 9 00:00:46,159 --> 00:00:48,400 Speaker 1: how can we get a celebrity here, Tobin says, I know, 10 00:00:48,479 --> 00:00:51,199 Speaker 1: Tony Randall and Renee Es. I'd be happy to put 11 00:00:51,240 --> 00:01:01,160 Speaker 1: in a call, especially Renee Estevez. That's like Charlie's brother, Yes, sister, 12 00:01:01,440 --> 00:01:09,040 Speaker 1: Charlie's brother or sister sisters from It's the sister of 13 00:01:09,080 --> 00:01:13,440 Speaker 1: Amelia and Charlie Sheen and daughter of Martin Sheen. And 14 00:01:13,480 --> 00:01:16,640 Speaker 1: she has a referring role of the office assistant Nanny 15 00:01:17,160 --> 00:01:21,480 Speaker 1: Office Assistant Nancy on the West Wing. Father played the 16 00:01:21,520 --> 00:01:26,160 Speaker 1: President yep and Tony Randall was an American actor. He's 17 00:01:26,200 --> 00:01:29,120 Speaker 1: best known for portraying the role of Felix Unger in 18 00:01:29,160 --> 00:01:32,520 Speaker 1: the TV adaptation of the play The Odd couple by 19 00:01:32,600 --> 00:01:37,200 Speaker 1: Neil Simon. Yes, all right, and then this is Loralai 20 00:01:37,360 --> 00:01:40,680 Speaker 1: going around the house making a handyman list for Luke. 21 00:01:41,480 --> 00:01:45,080 Speaker 1: Uh Rory says, Luken sweep about the chimney. Lorelai says, 22 00:01:45,120 --> 00:01:47,360 Speaker 1: why not. Rory says, because you need to be a 23 00:01:47,440 --> 00:01:50,320 Speaker 1: chimney sweep to sweep at chimney. Loriala says, please, If 24 00:01:50,360 --> 00:01:52,880 Speaker 1: Dick van Dyke can do it, so can Luke. And 25 00:01:52,960 --> 00:01:56,919 Speaker 1: this is referring to Dick Van Dyke's character um Bert, 26 00:01:57,040 --> 00:02:00,440 Speaker 1: who laid a chimney sweep in Mary Poppins. Love Dick 27 00:02:00,520 --> 00:02:04,120 Speaker 1: Van Dyke. I'm having a moment. He's still alive, right, yes, 28 00:02:04,480 --> 00:02:06,800 Speaker 1: thank God, thank god. Who was one of the great 29 00:02:07,200 --> 00:02:11,400 Speaker 1: great actors and great personalities of his generation. And he's 30 00:02:11,400 --> 00:02:15,320 Speaker 1: still dancing and he's like very old one in a 31 00:02:15,440 --> 00:02:21,320 Speaker 1: magnetic personnelity. Dian Dyke show was fantastic show. Did you 32 00:02:21,360 --> 00:02:25,440 Speaker 1: see the newer version of Mary Poppins with Blunt? And 33 00:02:25,480 --> 00:02:27,760 Speaker 1: he showed up at the end and yes, and then 34 00:02:27,800 --> 00:02:30,120 Speaker 1: he was just at the Kennedy Center honors or something 35 00:02:30,120 --> 00:02:33,880 Speaker 1: and he gets honored. He dances. God, let's get him on, 36 00:02:34,960 --> 00:02:39,800 Speaker 1: sang I love him. I love that guy. All right. 37 00:02:39,960 --> 00:02:42,400 Speaker 1: The next one, we have Rory in Paris on the phone. 38 00:02:42,840 --> 00:02:45,079 Speaker 1: Paris says, my parents returned tomorrow. I think my mom 39 00:02:45,160 --> 00:02:48,320 Speaker 1: is bringing home a new face. Rory says, really. Harris says, 40 00:02:48,320 --> 00:02:50,600 Speaker 1: there's a doctor in France who injects some kind of 41 00:02:50,639 --> 00:02:52,760 Speaker 1: gel into your head and molds it to give you 42 00:02:52,800 --> 00:02:56,280 Speaker 1: better cheekbones. Rory says, you're kidding me. Paris says she 43 00:02:56,320 --> 00:02:58,639 Speaker 1: needs to sleep on her back for a month otherwise 44 00:02:58,639 --> 00:03:01,839 Speaker 1: her face will flatten like are He says, Oh my god, 45 00:03:01,880 --> 00:03:06,640 Speaker 1: it's Brazil. I missed that whole thing somehow. Brazil is 46 00:03:06,680 --> 00:03:12,200 Speaker 1: the DeNiro movie, the Terry Gilliam movie. Um, yeah, Rory's 47 00:03:12,200 --> 00:03:14,839 Speaker 1: referring to the movie Brazil, where the character miss i'd 48 00:03:14,880 --> 00:03:17,560 Speaker 1: allow reyes having her face pulled to look twenty five 49 00:03:17,639 --> 00:03:21,480 Speaker 1: years younger while talking to her son, and during production, 50 00:03:21,800 --> 00:03:25,600 Speaker 1: actress Katherine Hellman Uh spent ten hours a day with 51 00:03:25,760 --> 00:03:28,639 Speaker 1: the mask glued to her face, and her scenes have 52 00:03:28,720 --> 00:03:31,840 Speaker 1: to be postponed to the due to the blisters. At 53 00:03:31,840 --> 00:03:35,640 Speaker 1: that match. Sounds awful. You have to look up the picture, 54 00:03:35,720 --> 00:03:38,440 Speaker 1: by the way, because I looked it up. You know, 55 00:03:38,600 --> 00:03:43,680 Speaker 1: they stretched the cellophone over alright, So this next one 56 00:03:43,800 --> 00:03:46,960 Speaker 1: is Lorelei on the phone with Richard Um. Richard says, 57 00:03:47,000 --> 00:03:49,440 Speaker 1: I don't have the time. I don't have the time. Now, 58 00:03:49,640 --> 00:03:52,800 Speaker 1: Lori Lai says, we'll put Mrs hoe Wiggins on the phone, 59 00:03:52,880 --> 00:03:58,720 Speaker 1: have her tell me. Mrs Wiggins is a series of 60 00:03:58,840 --> 00:04:02,320 Speaker 1: comedy sketches Feet on the Carol Burnett Show, with one 61 00:04:02,360 --> 00:04:06,240 Speaker 1: installment airing on Carol Burnett and Company, and Carol Burnett 62 00:04:06,280 --> 00:04:09,240 Speaker 1: played the secretary of Mrs Wiggins. And by the way, 63 00:04:09,480 --> 00:04:13,280 Speaker 1: the way laurel I says Hoe Wiggins is the reference 64 00:04:13,320 --> 00:04:16,279 Speaker 1: to how Mr tudd Bull would say her name, which 65 00:04:16,320 --> 00:04:19,080 Speaker 1: is who she was assisting. All right, So next one 66 00:04:19,279 --> 00:04:23,120 Speaker 1: is Nicole Taylor going over paperwork while at Luke's. Nicole says, 67 00:04:23,160 --> 00:04:25,480 Speaker 1: why don't we leave the wording like it is for 68 00:04:25,560 --> 00:04:27,480 Speaker 1: now and see how things go. We can always get 69 00:04:27,560 --> 00:04:31,120 Speaker 1: tougher later if necessary. Luke says, yeah, you can send 70 00:04:31,160 --> 00:04:33,200 Speaker 1: over a couple of Opa loompas to keep a crap 71 00:04:33,279 --> 00:04:38,480 Speaker 1: out of punt Philly Candy. Can I just say how 72 00:04:38,560 --> 00:04:43,280 Speaker 1: inappropriate that scene was? You know? To this Luke in 73 00:04:43,440 --> 00:04:46,839 Speaker 1: front of him to a woman that he's dating, try 74 00:04:46,920 --> 00:04:50,160 Speaker 1: to set up what his nephew. Can I give you 75 00:04:50,240 --> 00:04:53,880 Speaker 1: his number. I mean, listen where I'm from. I don't 76 00:04:53,920 --> 00:04:56,119 Speaker 1: care who Taylor is or what his ages. He's getting 77 00:04:56,160 --> 00:04:59,680 Speaker 1: wamp It's only funny because they're such an arch nemesis. No, 78 00:04:59,800 --> 00:05:02,720 Speaker 1: I know why it's funny. Thanks for explaining that I 79 00:05:02,880 --> 00:05:06,920 Speaker 1: was in the show. Appreciate that. The education. Now I 80 00:05:07,080 --> 00:05:13,159 Speaker 1: get it. Now I get it. Thank you. Oh no, yeah, 81 00:05:13,200 --> 00:05:15,479 Speaker 1: I don't even know what So what I was saying 82 00:05:15,520 --> 00:05:17,600 Speaker 1: so relevant because now I understand, Do you explain it 83 00:05:17,680 --> 00:05:24,280 Speaker 1: to me? Thanks? That's amazing. Hey, So, just so you know, 84 00:05:24,360 --> 00:05:28,040 Speaker 1: Scotty on the show, his name is Luke and he's 85 00:05:28,080 --> 00:05:32,320 Speaker 1: age nemesis dude Taylor, and that's why that makes double 86 00:05:32,480 --> 00:05:42,520 Speaker 1: double secret agent acting the double acting double secret agent acting. Yeah, 87 00:05:42,600 --> 00:05:44,880 Speaker 1: I'm only giving you this note because the people are 88 00:05:44,920 --> 00:05:48,120 Speaker 1: giving you this note. It's not I just want you 89 00:05:48,160 --> 00:05:51,680 Speaker 1: to know that people would make sure that you're explaining 90 00:05:52,240 --> 00:05:56,760 Speaker 1: why the reference makes sense. Right. So this one with 91 00:05:57,360 --> 00:06:00,480 Speaker 1: Lumpa's uh Willy Wonka, the Chocolate Factor is where that 92 00:06:00,600 --> 00:06:03,960 Speaker 1: character comes from from Roll Dolls book Charlie and the 93 00:06:04,040 --> 00:06:06,719 Speaker 1: Chocolate Factory then created into a movie and they're talking 94 00:06:06,760 --> 00:06:11,920 Speaker 1: about the candy shop and starts, uh ye all right, 95 00:06:12,160 --> 00:06:15,119 Speaker 1: So the next one is Richard gives Laura Lie seventy 96 00:06:15,160 --> 00:06:18,400 Speaker 1: five her property investment. Laura, do you think it was 97 00:06:18,440 --> 00:06:22,760 Speaker 1: going to be more? I was disappointed that it was 98 00:06:23,560 --> 00:06:27,640 Speaker 1: grand because they were just a part owner. He bought 99 00:06:27,760 --> 00:06:33,200 Speaker 1: like in part of this property. So I thought a 100 00:06:33,360 --> 00:06:36,760 Speaker 1: thirty five year investment only turned into seventy five grand, 101 00:06:37,040 --> 00:06:39,440 Speaker 1: and he couldn't put in a thousand bucks. Come on, 102 00:06:39,600 --> 00:06:46,080 Speaker 1: money bags, let's go up to Annie when she's born. Alright, 103 00:06:46,160 --> 00:06:49,599 Speaker 1: so little like seventy five thousand dollars. Seventy five thousand dollars. 104 00:06:49,640 --> 00:06:51,679 Speaker 1: Oh my god, that's like a hundred and fifty pairs 105 00:06:51,760 --> 00:06:54,400 Speaker 1: of Jimmy Choose. Richard says, what are Jimmy choose? Lotal 106 00:06:54,480 --> 00:06:57,479 Speaker 1: Li says, shoes. Richard says, a hundred and fifty pairs. 107 00:06:57,960 --> 00:07:02,280 Speaker 1: That's it, um, And then loyal I says, Dad, they're 108 00:07:02,360 --> 00:07:05,679 Speaker 1: Jimmy Choose, And so loyalizes estimating the cost of Jimmy Choose, 109 00:07:05,760 --> 00:07:09,240 Speaker 1: which a pair costs about five dollar for heels. Um, 110 00:07:11,160 --> 00:07:14,040 Speaker 1: but well, that was probably like estimating. But right now, 111 00:07:14,160 --> 00:07:17,880 Speaker 1: the most inexpensive shoe on the website costs seven so 112 00:07:18,000 --> 00:07:22,760 Speaker 1: technically and in dollars, would be about a hundred and 113 00:07:22,880 --> 00:07:25,680 Speaker 1: eight pairs. You know what I did like about that 114 00:07:25,840 --> 00:07:32,200 Speaker 1: scene is that Richard never even remotely criticized her. If 115 00:07:32,320 --> 00:07:34,400 Speaker 1: she was going to buy a hundred pairs of shoes, 116 00:07:34,600 --> 00:07:37,000 Speaker 1: He's like, he went with it because it's her money, 117 00:07:37,400 --> 00:07:41,480 Speaker 1: so he's buy four regulations. Like I actually liked that 118 00:07:41,600 --> 00:07:46,760 Speaker 1: that he never like. Yeah, I think he stopped resisting 119 00:07:46,840 --> 00:07:50,120 Speaker 1: and realized that there's nothing he could do just go 120 00:07:50,320 --> 00:07:55,280 Speaker 1: along with. Right. Also, I'm just a fun fact. One 121 00:07:55,320 --> 00:07:58,200 Speaker 1: of the first celebrities to showcase Jimmy Choose was Princess 122 00:07:58,280 --> 00:08:02,920 Speaker 1: Diana m m m alright. So the next one is 123 00:08:03,000 --> 00:08:05,120 Speaker 1: Luke trying to talk to Jess about knowing he skipped 124 00:08:05,200 --> 00:08:08,880 Speaker 1: school to go work at Walmart. Luke says, just offering 125 00:08:09,320 --> 00:08:12,240 Speaker 1: how was work. Luke says, the cleaned up version of 126 00:08:12,320 --> 00:08:14,560 Speaker 1: The Eminem Show seems to be selling pretty well, so 127 00:08:14,680 --> 00:08:18,880 Speaker 1: the world is basically coming to an end. But Eminem 128 00:08:18,960 --> 00:08:23,600 Speaker 1: Show is the fourth studio album released UM on two 129 00:08:23,680 --> 00:08:26,240 Speaker 1: thousand two. It was the best selling album in two 130 00:08:26,280 --> 00:08:29,440 Speaker 1: thousand two, and of course from the rapper eminem Um. 131 00:08:29,520 --> 00:08:31,800 Speaker 1: Eminem said in an interview with Spin magazine, one of 132 00:08:31,840 --> 00:08:35,360 Speaker 1: the frustrating things was people saying he's got to he's 133 00:08:35,360 --> 00:08:39,160 Speaker 1: got to cuss to sell records. And that's why with 134 00:08:39,280 --> 00:08:41,480 Speaker 1: this album, I toned it down a bit as far 135 00:08:41,559 --> 00:08:45,680 Speaker 1: as a shock value. So that was timely back then. Yeah, 136 00:08:45,800 --> 00:08:50,760 Speaker 1: that was This could be what Jess was referencing because 137 00:08:50,920 --> 00:08:54,760 Speaker 1: Eminem toned it down a bit. Smart. Okay, that's a 138 00:08:55,280 --> 00:09:02,480 Speaker 1: deep reference, but you'd really have to know what's going on. Yeah, yeah, 139 00:09:06,320 --> 00:09:08,120 Speaker 1: all right, So this is Tobin the night manager gives 140 00:09:08,160 --> 00:09:11,640 Speaker 1: Lorelai a second um birthday gift. Tobin says, that is 141 00:09:11,679 --> 00:09:14,800 Speaker 1: the jacket that Joe Strummer awards during the nineteen seventy 142 00:09:14,880 --> 00:09:18,320 Speaker 1: nine Pearl Harvard tour. Lorelai says no, Tobin says yes. 143 00:09:18,760 --> 00:09:23,000 Speaker 1: Michelle says, Who's Who's Joe Strummer? Loreli says, tell me, 144 00:09:23,080 --> 00:09:27,000 Speaker 1: you're kidding. Michelle says, who's Joe Strummer? Joe Strummer. Laurel 145 00:09:27,040 --> 00:09:29,320 Speaker 1: I says, you did not get me this. Michelle says 146 00:09:29,440 --> 00:09:33,480 Speaker 1: he's He's a Hell's angelman, and Tobin says Joe Strummer 147 00:09:33,600 --> 00:09:38,079 Speaker 1: is from the Clash. So Sandy Pearlman, producer of Give 148 00:09:38,160 --> 00:09:42,000 Speaker 1: Him Enough Rope, disliked Joe Strummer's voice. He felt so 149 00:09:42,160 --> 00:09:45,000 Speaker 1: strongly that he even makes Strummer's voice more quietly than 150 00:09:45,040 --> 00:09:48,800 Speaker 1: the drums throughout the album. In nineteen seventy seven, the 151 00:09:48,880 --> 00:09:54,360 Speaker 1: band was arrested for some strange crimes. For example, Strummer 152 00:09:54,440 --> 00:09:57,439 Speaker 1: and he Didn't were arrested for stealing pillowcases from a 153 00:09:57,480 --> 00:10:03,959 Speaker 1: hotel room in Newcastle. Didn't like Joe Strummer's voice. Jesus, 154 00:10:04,120 --> 00:10:09,720 Speaker 1: what what's like a hit clash song rock the cos Ba? 155 00:10:10,120 --> 00:10:14,079 Speaker 1: Oh yeah, yeah, yeah, okay, all right, and this is 156 00:10:14,120 --> 00:10:19,240 Speaker 1: the last one for today's short. I know uh. This 157 00:10:19,320 --> 00:10:21,800 Speaker 1: is when Roy was arguing with Joe, Kirk and Pete 158 00:10:21,880 --> 00:10:25,000 Speaker 1: saying the better deliver her the pizza she creates as 159 00:10:25,080 --> 00:10:28,640 Speaker 1: she ordered. Um. Roy says, no, butts, that was the concept. 160 00:10:28,760 --> 00:10:30,760 Speaker 1: Get back to the concept. This is not Gangs of 161 00:10:30,880 --> 00:10:34,440 Speaker 1: New York with Cameron d This is Gangs of New 162 00:10:34,559 --> 00:10:38,040 Speaker 1: York twenty years ago with Meryl Streeps. We're casey originally 163 00:10:38,080 --> 00:10:41,280 Speaker 1: imagined it. Come back, refocus Remember the goal? Am I 164 00:10:41,400 --> 00:10:44,120 Speaker 1: making myself clear? Joe says, Cameron Di has it's hot. 165 00:10:45,200 --> 00:10:55,000 Speaker 1: Ray says not the point tho, yeah, yeah, person. I 166 00:10:55,120 --> 00:11:00,320 Speaker 1: never could see Meryl Streep with Leo's a whole lot 167 00:11:00,400 --> 00:11:03,280 Speaker 1: of gangs in New York. Amy taking the gloves off 168 00:11:03,400 --> 00:11:07,880 Speaker 1: there and so it is true. In nineteen seventy, Martin 169 00:11:07,920 --> 00:11:11,920 Speaker 1: Scorsese was inspired by the book Herbert's asked by the 170 00:11:11,960 --> 00:11:14,960 Speaker 1: book Herbert Asbury's The Gangs of New York and Informal 171 00:11:15,080 --> 00:11:18,920 Speaker 1: History of the Underworld, about the city's nineteenth century criminal underworld, 172 00:11:18,960 --> 00:11:21,520 Speaker 1: and found it to be revelation. It took him twenty 173 00:11:21,640 --> 00:11:24,520 Speaker 1: years to develop the film, thirty years to get it funded. 174 00:11:25,120 --> 00:11:28,360 Speaker 1: Um he had worked with Meryl Street. Took him fifty 175 00:11:28,440 --> 00:11:32,520 Speaker 1: years to finally Yeah, twenty years to develop a thirty 176 00:11:32,600 --> 00:11:36,760 Speaker 1: years for funding. I never saw it, did you guys 177 00:11:36,800 --> 00:11:39,640 Speaker 1: all see it? Gangs in New York was great, No, 178 00:11:40,360 --> 00:11:44,680 Speaker 1: it was we were really busy watching You never saw 179 00:11:44,760 --> 00:11:47,360 Speaker 1: Gangs of New York with this Daniel day Lewis coming 180 00:11:47,400 --> 00:11:52,160 Speaker 1: back from being a cobbler. My left my left foot 181 00:11:53,280 --> 00:11:57,080 Speaker 1: in there now watching other I was watching other movies. 182 00:11:57,400 --> 00:12:00,840 Speaker 1: That was a great movie. Was There was nothing wrong 183 00:12:00,840 --> 00:12:03,920 Speaker 1: with Cameron in that film. She's great, But I loved 184 00:12:05,200 --> 00:12:07,920 Speaker 1: other movies. Do you know who was originally cast um 185 00:12:08,280 --> 00:12:12,920 Speaker 1: as the role instead of Cameron Diaz? Don't um? You 186 00:12:13,000 --> 00:12:16,599 Speaker 1: mean like a contemporary actress who she don't tell on 187 00:12:16,720 --> 00:12:24,560 Speaker 1: a hit TV show in the late nineties, Shannon Doherty 188 00:12:25,800 --> 00:12:37,200 Speaker 1: No Vampires, Vampires, Oh, Sarah Michelle Geller. Sarah Michelle Geller 189 00:12:37,280 --> 00:12:41,040 Speaker 1: was supposed to be that's crazy. Scorsesey chose her to 190 00:12:41,160 --> 00:12:45,319 Speaker 1: play that role originally, and then what happened was he 191 00:12:45,520 --> 00:12:50,280 Speaker 1: always attached to direct it. She I don't know the 192 00:12:50,320 --> 00:12:52,600 Speaker 1: answer to that, but she backed out because of scheduling 193 00:12:52,640 --> 00:12:57,719 Speaker 1: conflicts with Buffy the Vampires. Wait a minute, he do 194 00:12:57,880 --> 00:13:03,000 Speaker 1: a Scorsesey film. I know it's really dumb. It's also 195 00:13:03,080 --> 00:13:07,160 Speaker 1: Buffy though, so right, Yeah, but you know what you 196 00:13:07,640 --> 00:13:11,280 Speaker 1: you delay the filming schedule on Buffy to I mean 197 00:13:11,400 --> 00:13:13,839 Speaker 1: Sarah Michelle gellar, would you know what? They were afraid 198 00:13:13,920 --> 00:13:15,719 Speaker 1: she was going to become a huge film star and 199 00:13:15,760 --> 00:13:21,880 Speaker 1: they never see her again. Yeah, yeah, that's crazy. I 200 00:13:22,000 --> 00:13:24,720 Speaker 1: love Sarah Michelle Gellers. She's got a new show coming. See, 201 00:13:24,760 --> 00:13:28,880 Speaker 1: these actors got to negotiate these things into the contracts beforehand. 202 00:13:29,160 --> 00:13:32,240 Speaker 1: If there's got to be a film clause, if if 203 00:13:32,280 --> 00:13:36,080 Speaker 1: you know, you put this podcast in your contract. Goddamn 204 00:13:36,160 --> 00:13:43,360 Speaker 1: right at the kidding me? Are you kidding me? Yeah? 205 00:13:44,640 --> 00:13:46,719 Speaker 1: I mean they were trying to come over and give me. Uh, 206 00:13:49,000 --> 00:13:50,880 Speaker 1: they were coming over and trying to give me a 207 00:13:50,960 --> 00:13:54,959 Speaker 1: COVID test, and I said, here's your window. Here's your window, right, 208 00:13:55,480 --> 00:13:58,160 Speaker 1: And the guy forgot the swabs. What do you go here? 209 00:13:58,320 --> 00:14:01,800 Speaker 1: So go all the way back and get this job. 210 00:14:02,280 --> 00:14:04,000 Speaker 1: And I thought he was just I was I was just. 211 00:14:04,200 --> 00:14:06,240 Speaker 1: I thought he was just going. These people are great. 212 00:14:06,280 --> 00:14:10,000 Speaker 1: I don't want to I'm not down. These people keep 213 00:14:10,000 --> 00:14:12,800 Speaker 1: it safe. They're great guys. You know all those people 214 00:14:12,840 --> 00:14:15,079 Speaker 1: working over there, they're they're on set and they know 215 00:14:15,559 --> 00:14:19,400 Speaker 1: the COVID compliance people are doing. They're doing a great 216 00:14:19,520 --> 00:14:22,640 Speaker 1: they really are. But I had scheduled the podcast for 217 00:14:22,640 --> 00:14:25,000 Speaker 1: the last time, right, And I told him, I said, listen, 218 00:14:25,120 --> 00:14:27,560 Speaker 1: this is the window. I gave him, like, you know, 219 00:14:27,600 --> 00:14:30,520 Speaker 1: a two hour window. And it was an off day 220 00:14:30,600 --> 00:14:33,480 Speaker 1: and I said, here's your window, and uh, you know, 221 00:14:33,560 --> 00:14:36,520 Speaker 1: I'm available. Guy I forgot his cute tips. And I 222 00:14:36,640 --> 00:14:38,960 Speaker 1: thought he was going down to get his car and 223 00:14:39,080 --> 00:14:40,640 Speaker 1: he was going to get the swamps. But he had 224 00:14:40,680 --> 00:14:43,800 Speaker 1: to drive all the way back to the facility, the 225 00:14:43,920 --> 00:14:47,520 Speaker 1: medical distility, come back, and I kept getting text from 226 00:14:47,560 --> 00:14:49,960 Speaker 1: our line producer thing he's almost there. I said, I'm 227 00:14:50,000 --> 00:14:53,000 Speaker 1: already podcasting, you know, sorry, can't I'm not going to 228 00:14:53,080 --> 00:14:55,920 Speaker 1: stop the podcast for this. People listening should know it's 229 00:14:55,920 --> 00:14:58,160 Speaker 1: a real priority and we appreciate it. And I'm not 230 00:14:58,360 --> 00:15:01,840 Speaker 1: being funny being thinking we couldn't take a break for 231 00:15:01,880 --> 00:15:03,400 Speaker 1: you to get a swab though, if you'd ever need to, 232 00:15:03,960 --> 00:15:07,440 Speaker 1: had they not, had they not been so great about this, 233 00:15:08,280 --> 00:15:12,240 Speaker 1: I wouldn't have taken this job. See everyone listening, Gilmore 234 00:15:12,440 --> 00:15:23,080 Speaker 1: will always come first, forever, matter what incarnation of Gilmore. Wait, Scott, 235 00:15:23,720 --> 00:15:28,720 Speaker 1: how many days till you see Matt Zukari? Two days? Tara, 236 00:15:29,120 --> 00:15:32,040 Speaker 1: you're both seeing Zukar in two days. You know what 237 00:15:32,160 --> 00:15:37,000 Speaker 1: else we're saying. We're seeing Sean Gun, We're seeing Jannan Truesdale. Oh, 238 00:15:37,040 --> 00:15:41,320 Speaker 1: tell him he's been crushing it. Yeah, I could not. 239 00:15:41,400 --> 00:15:45,600 Speaker 1: I could never back is hurting. Tell him he's literally 240 00:15:46,080 --> 00:15:49,000 Speaker 1: I can't tell him that. You can't tell him that 241 00:15:49,080 --> 00:15:51,120 Speaker 1: he's Oh, he's going to get a big head. I 242 00:15:51,240 --> 00:15:56,080 Speaker 1: got the other way with Tara. You've been doing a 243 00:15:56,120 --> 00:16:01,560 Speaker 1: great job in episodes we've been rewatching from twenty years. Scott. Yeah, Scott, 244 00:16:01,960 --> 00:16:04,800 Speaker 1: let's practice what you're gonna say to Matt. You used 245 00:16:04,840 --> 00:16:13,640 Speaker 1: to be really funny to you. Really you really got that, Tobin. 246 00:16:15,920 --> 00:16:20,080 Speaker 1: Then you you look a lot better in person. Don't 247 00:16:20,080 --> 00:16:23,320 Speaker 1: they say that you look better on screen? What are 248 00:16:23,320 --> 00:16:28,000 Speaker 1: you going to say to Matt Hey, Matt, Okay, not that, 249 00:16:28,400 --> 00:16:37,120 Speaker 1: but don't do that, Matt. How's it go? I don't even. 250 00:16:37,240 --> 00:16:43,600 Speaker 1: I don't even. I won't even talk to Mat i've met. Yeah, 251 00:16:43,720 --> 00:16:45,640 Speaker 1: that's how I would be. I would be too dorky 252 00:16:45,720 --> 00:16:48,200 Speaker 1: if I saw him. I just gonna run because I can't. 253 00:16:48,320 --> 00:16:51,040 Speaker 1: I can't. Yeah, I'll probably run. I would run. You 254 00:16:51,120 --> 00:16:56,080 Speaker 1: have just good ideas? Run sprint or do this? This 255 00:16:56,240 --> 00:17:04,359 Speaker 1: is what I do? Did we finish? Cameron Diaz, go, 256 00:17:04,760 --> 00:17:08,600 Speaker 1: Sarah Michelle Geller? Yeah, not a lot of pop culture 257 00:17:08,640 --> 00:17:11,000 Speaker 1: in this one, No, but there were some good ones 258 00:17:11,040 --> 00:17:14,840 Speaker 1: in there. You know. There was some super qua high quality. Yeah, 259 00:17:15,280 --> 00:17:18,200 Speaker 1: super high and the clash also saying should I stay 260 00:17:18,240 --> 00:17:23,399 Speaker 1: or should I go? Yep, m amazing band amazing for 261 00:17:23,640 --> 00:17:26,600 Speaker 1: the jacket, wouldn't Tobin could not have afforded that Jack 262 00:17:27,040 --> 00:17:30,119 Speaker 1: it was It was a lie. He said that in 263 00:17:30,280 --> 00:17:33,400 Speaker 1: Yannick should have pointed that out. Michelle should have pointed 264 00:17:33,440 --> 00:17:39,680 Speaker 1: out he had a certificate of auth, authentication certificate. That's 265 00:17:39,720 --> 00:17:44,119 Speaker 1: a fabricated document. You're not you're not getting slipping that 266 00:17:44,240 --> 00:17:49,840 Speaker 1: by anyway, I think we're good. It's time for I 267 00:17:50,080 --> 00:17:56,000 Speaker 1: have fun with um. Yeah, we'll see everybody down there 268 00:17:56,240 --> 00:17:59,920 Speaker 1: at the Epics and chill in Charleston, South Carolina Mountain 269 00:18:00,080 --> 00:18:03,639 Speaker 1: Mount Pleasant, South Carolina writer instead of Charleston, and uh, 270 00:18:03,840 --> 00:18:05,720 Speaker 1: come rock and roll with us because we are gonna 271 00:18:05,880 --> 00:18:09,280 Speaker 1: light it up. Man. Let's tell you right everybody. Thank 272 00:18:09,320 --> 00:18:14,119 Speaker 1: you Danielle, thank you, Tara, thank you Amy, and uh, 273 00:18:14,320 --> 00:18:19,000 Speaker 1: I guess Tara, I'll be seeing you yeah in person 274 00:18:19,119 --> 00:18:21,520 Speaker 1: in a couple of days. All right, anyway, let the 275 00:18:21,560 --> 00:18:54,240 Speaker 1: games begin, see everybody. Thanks for downloading. Hey everybody, and 276 00:18:54,280 --> 00:18:57,760 Speaker 1: don't forget follow us on Instagram at I Am all 277 00:18:57,960 --> 00:19:02,040 Speaker 1: In podcast and email us at Gilmore at I heart 278 00:19:02,200 --> 00:19:05,320 Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking 279 00:19:05,359 --> 00:19:07,080 Speaker 1: for the best cup of coffee in the world, go 280 00:19:07,200 --> 00:19:10,920 Speaker 1: to my website for my company scott EP dot com, 281 00:19:11,080 --> 00:19:13,240 Speaker 1: s C O T. T y P dot com, scott 282 00:19:13,280 --> 00:19:24,200 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.