1 00:00:03,000 --> 00:00:06,200 Speaker 1: I have to tell you like I mean I, I 2 00:00:06,600 --> 00:00:09,520 Speaker 1: loved it. I loved I lost train of thought. What 3 00:00:09,600 --> 00:00:11,200 Speaker 1: were we talking? We were talking about stranger things. Oh 4 00:00:11,240 --> 00:00:18,919 Speaker 1: my god, take that out. You know what, Rose, You 5 00:00:19,320 --> 00:00:22,160 Speaker 1: don't own me. I have never claimed to own you. 6 00:00:22,480 --> 00:00:25,560 Speaker 1: If there's one thing that the film First Wives Club 7 00:00:25,640 --> 00:00:28,040 Speaker 1: has taught me, it's that I am not owned by anyone. 8 00:00:28,080 --> 00:00:32,600 Speaker 1: In fact, I spend my days wearing white skirt suits 9 00:00:32,880 --> 00:00:36,400 Speaker 1: and um dancing with my girlfriends while getting revenge on 10 00:00:36,479 --> 00:00:38,760 Speaker 1: my ex husband. If there's one thing the film The 11 00:00:38,760 --> 00:00:41,080 Speaker 1: First Wives Club taught me, it's like you could never 12 00:00:41,120 --> 00:00:45,720 Speaker 1: have enough Jupiterman your lips. Absolutely, there is no maximum. 13 00:00:45,720 --> 00:00:48,480 Speaker 1: The limit does not exist. And today on the pod 14 00:00:48,600 --> 00:00:52,640 Speaker 1: we have Jack Francis, the artists formerly known as Jack 15 00:00:52,760 --> 00:00:56,120 Speaker 1: This Tripper. If you've ever followed her on Instagram, We're 16 00:00:56,200 --> 00:00:58,720 Speaker 1: so excited to talk to her about all things First 17 00:00:58,720 --> 00:01:02,360 Speaker 1: Wives Club, plus some tan in Son, Coyote, Ugly, and 18 00:01:02,720 --> 00:01:06,680 Speaker 1: other other faves of ours. Jack is an amazing artist 19 00:01:07,160 --> 00:01:09,960 Speaker 1: who is going on tour by the way, check out 20 00:01:09,959 --> 00:01:14,160 Speaker 1: her tour Divorced in Paradise on her website. And I 21 00:01:14,160 --> 00:01:16,959 Speaker 1: don't know if there's a better person to discuss a 22 00:01:17,080 --> 00:01:21,479 Speaker 1: truly queer cannon film. I mean not even queer canon. 23 00:01:21,520 --> 00:01:23,640 Speaker 1: It's like kind of bag cannon. I don't know if 24 00:01:23,680 --> 00:01:26,120 Speaker 1: that if that or maybe divorcee canon is what it 25 00:01:26,120 --> 00:01:28,800 Speaker 1: actually is. Um. I also think this film is lesbian 26 00:01:28,840 --> 00:01:31,280 Speaker 1: cannon because of its like iconic bar scene, and today 27 00:01:31,280 --> 00:01:33,760 Speaker 1: we're going to reclaim it for more than just sis gays, 28 00:01:33,840 --> 00:01:36,039 Speaker 1: because this is like a virgin the show where we 29 00:01:36,080 --> 00:01:39,400 Speaker 1: give yesterday's pop culture today's tapes. I'm Rose, damn you 30 00:01:39,800 --> 00:01:46,920 Speaker 1: and I'm Fran Toronto. Hi listen. We had a bit 31 00:01:46,959 --> 00:01:50,760 Speaker 1: of an ordeal setting up our microphone guard. I thought 32 00:01:50,800 --> 00:01:54,320 Speaker 1: that would never happen. Oh my god, Fire Island. You know, 33 00:01:54,400 --> 00:01:57,240 Speaker 1: we're on island time. We are on island time. That's 34 00:01:57,360 --> 00:02:02,000 Speaker 1: excuse everything that happens. No, but like what just happened. 35 00:02:02,400 --> 00:02:07,240 Speaker 1: I could do alone in my apartment extremely easily. But here, 36 00:02:07,760 --> 00:02:10,000 Speaker 1: it's just I was possible issue. It was a ten 37 00:02:10,040 --> 00:02:13,000 Speaker 1: minute or deal. Well, okay, so I we need to 38 00:02:13,040 --> 00:02:15,720 Speaker 1: set the scene for the Virgins in a couple of 39 00:02:15,720 --> 00:02:19,360 Speaker 1: different ways. So we are currently on vacation. Yes, we're 40 00:02:19,360 --> 00:02:22,560 Speaker 1: on Fire Island. And if you've heard of it, a 41 00:02:22,600 --> 00:02:27,200 Speaker 1: gorgeous transgender home yes, truly perfect. We're in a beautiful 42 00:02:27,760 --> 00:02:32,440 Speaker 1: vacation rental and we are recording, are you know the 43 00:02:32,520 --> 00:02:38,480 Speaker 1: opening of this week's podcast episode from Gay Paradise Gay Paradise, 44 00:02:38,560 --> 00:02:43,920 Speaker 1: We also do both happen to be very stone, which 45 00:02:44,040 --> 00:02:47,680 Speaker 1: was we decided that this is what we were Yes, well, 46 00:02:47,720 --> 00:02:50,040 Speaker 1: I had therapy right before this, and we decided to 47 00:02:50,200 --> 00:02:53,520 Speaker 1: use the fifteen minutes between ending therapy and starting this 48 00:02:53,560 --> 00:02:57,720 Speaker 1: podcast recording to get really really hot. Maybe a little 49 00:02:57,760 --> 00:03:01,040 Speaker 1: more than I anticipated, but I was not expecting this. 50 00:03:01,160 --> 00:03:06,640 Speaker 1: I only had like like three puffs three max. Yeah, 51 00:03:06,800 --> 00:03:09,600 Speaker 1: and I I don't know, I feel like but we're 52 00:03:09,639 --> 00:03:11,120 Speaker 1: in a good stay right now, and this has been 53 00:03:11,160 --> 00:03:14,600 Speaker 1: a wonderful vacation right yes, um we have listen, We've 54 00:03:14,639 --> 00:03:18,240 Speaker 1: been having so much fun. Um. The past week has 55 00:03:18,280 --> 00:03:20,920 Speaker 1: been amazing, not just because we've been on vacation, but 56 00:03:20,960 --> 00:03:25,160 Speaker 1: because we did our first ever live show. It was incredible. 57 00:03:25,360 --> 00:03:29,399 Speaker 1: I mean, like, the night was beyond the drag. Performers 58 00:03:29,480 --> 00:03:33,560 Speaker 1: and Honey were so good. They were amazing, but also 59 00:03:33,840 --> 00:03:36,040 Speaker 1: we were the stars of the show. Yeah, well know, 60 00:03:36,200 --> 00:03:39,160 Speaker 1: the real stars of the show were the virgins who 61 00:03:39,200 --> 00:03:43,320 Speaker 1: came out. It was that, I know, I know, it's corny, 62 00:03:43,480 --> 00:03:45,720 Speaker 1: but we know on this podcast that I do get 63 00:03:45,760 --> 00:03:50,520 Speaker 1: a little corny sometimes, and you know, listen, we record 64 00:03:50,560 --> 00:03:54,120 Speaker 1: this podcast, like obviously we're recording together each us on 65 00:03:54,120 --> 00:03:58,360 Speaker 1: Fire Island right now, but we mostly record this audience, 66 00:03:58,400 --> 00:04:00,600 Speaker 1: like the three of us either in a studio on 67 00:04:00,720 --> 00:04:04,120 Speaker 1: zoom and we have so much fun doing it. But 68 00:04:04,240 --> 00:04:06,360 Speaker 1: getting to do it in a room full of people, 69 00:04:06,960 --> 00:04:10,480 Speaker 1: with all those performers who were with us, like with 70 00:04:10,520 --> 00:04:13,960 Speaker 1: everyone who works on this podcast involved was so cool 71 00:04:14,240 --> 00:04:16,760 Speaker 1: and like it came to life in a way that 72 00:04:16,880 --> 00:04:20,719 Speaker 1: I was not prepared for but was really really excited 73 00:04:20,760 --> 00:04:23,400 Speaker 1: and moved by. Yeah, and it was also really nice 74 00:04:23,440 --> 00:04:26,240 Speaker 1: to like decompress with everyone after and to just like 75 00:04:26,960 --> 00:04:29,720 Speaker 1: meet all of you and yeah, I don't know, I 76 00:04:29,800 --> 00:04:32,800 Speaker 1: want to do more. Yes, I love the Virgins. The 77 00:04:32,880 --> 00:04:36,240 Speaker 1: Virgins are so cool. Everyone was really well dressed at 78 00:04:36,240 --> 00:04:40,120 Speaker 1: our show. The vibes were immaculated, were immaculate. So tell 79 00:04:40,160 --> 00:04:42,919 Speaker 1: us where you want us to come or bring you 80 00:04:42,960 --> 00:04:46,159 Speaker 1: want to go on tour, So like get your college 81 00:04:46,279 --> 00:04:52,640 Speaker 1: to bring up money. Um, we're downt We're available. Anyways, 82 00:04:53,440 --> 00:04:56,960 Speaker 1: we do have at least a little culture to catch 83 00:04:57,040 --> 00:05:00,680 Speaker 1: up on, because I mean, excuse me, I must coming 84 00:05:00,680 --> 00:05:04,440 Speaker 1: down with something. I think we have Minions fever rows. 85 00:05:04,440 --> 00:05:10,080 Speaker 1: Oh my god, someone got the doctor. We have Neither 86 00:05:10,200 --> 00:05:13,800 Speaker 1: Frand nor myself have ever seen a Minions movie, not 87 00:05:13,880 --> 00:05:16,039 Speaker 1: a single one. I don't I've never seen anything in 88 00:05:16,080 --> 00:05:19,719 Speaker 1: that even cinematic universe. I guess that they originate from 89 00:05:20,000 --> 00:05:27,680 Speaker 1: just Despicable Me. Okay, um, same, But it feels like 90 00:05:28,080 --> 00:05:31,040 Speaker 1: the name on everybody's lips is going to be Minions. 91 00:05:31,240 --> 00:05:34,479 Speaker 1: Minions for sure, And let me tell you, we need 92 00:05:34,520 --> 00:05:37,839 Speaker 1: to be sent more memes. We've been getting some memes 93 00:05:37,920 --> 00:05:40,880 Speaker 1: from y'all about Minions, but like, I feel like we 94 00:05:40,960 --> 00:05:42,960 Speaker 1: could be you know, I need so many more. And 95 00:05:43,000 --> 00:05:46,640 Speaker 1: I really appreciate everyone who's been tagging us in Minions memes. 96 00:05:46,640 --> 00:05:50,640 Speaker 1: Really appreciate the support. We love Minions memes, but there 97 00:05:50,680 --> 00:05:53,600 Speaker 1: needs to be more. I don't ever want to know 98 00:05:53,800 --> 00:05:56,200 Speaker 1: who the Minions are, what they do, what the context is. Like, 99 00:05:56,320 --> 00:05:58,080 Speaker 1: I don't think I'm going to see the movie. I 100 00:05:58,120 --> 00:06:00,440 Speaker 1: don't think I'm ever going to see any Minions content. 101 00:06:00,839 --> 00:06:03,800 Speaker 1: But it's that's not what it's about. It's about vibes. Yeah, 102 00:06:03,839 --> 00:06:05,920 Speaker 1: it really is, and it's about you know, let me 103 00:06:05,960 --> 00:06:10,360 Speaker 1: tell you this soundtrack was impeccable produced by Our King 104 00:06:10,480 --> 00:06:14,360 Speaker 1: and Jack Antonov, which like, I'm so glad he did it, 105 00:06:14,440 --> 00:06:17,000 Speaker 1: but he really needs a break. He should be in 106 00:06:17,080 --> 00:06:19,080 Speaker 1: Fire Island with us right now because the girls have 107 00:06:19,160 --> 00:06:24,120 Speaker 1: been running him ragged. But listen, girl, like this soundtrack 108 00:06:24,320 --> 00:06:28,080 Speaker 1: is Jack Antonov's best work since what his last Taylor 109 00:06:28,120 --> 00:06:30,520 Speaker 1: album Black, I don't even I feel like he really 110 00:06:30,640 --> 00:06:34,120 Speaker 1: popped off with this. Very well curated and produced. If 111 00:06:34,120 --> 00:06:36,680 Speaker 1: you haven't listened to it, It's lots of covers of 112 00:06:36,960 --> 00:06:45,640 Speaker 1: seventies songs like Carolaid, Polycheck does Bang Bang My Baby, Caliucus, 113 00:06:46,000 --> 00:06:49,320 Speaker 1: Diana Ross does a song with tam Impala which is insane. 114 00:06:49,600 --> 00:06:53,840 Speaker 1: St Vincent covering Funky Town that one, Oh, and um 115 00:06:53,839 --> 00:06:57,239 Speaker 1: Tierra Wag Tierra Whack is actually one of my favorite covers. 116 00:06:57,839 --> 00:06:59,919 Speaker 1: It really is a culture. We've been playing it on blasts. 117 00:07:00,240 --> 00:07:04,359 Speaker 1: We have been bumping the Minion soundtrack by the pool 118 00:07:04,480 --> 00:07:06,160 Speaker 1: at least once a day. I actually don't think we 119 00:07:06,240 --> 00:07:09,040 Speaker 1: listened to it yesterday, which does hurt my heart a 120 00:07:09,080 --> 00:07:11,679 Speaker 1: little bit. Yeah yeah, but we'll listen today. We'll listen today. 121 00:07:12,040 --> 00:07:15,640 Speaker 1: I have seen more Minion pussies this week then I 122 00:07:15,760 --> 00:07:21,480 Speaker 1: ever expected to in my life and I'm embracing that. Yeah. Yeah, look, 123 00:07:21,520 --> 00:07:24,120 Speaker 1: this is this is our culture. Now, this is this 124 00:07:24,160 --> 00:07:25,600 Speaker 1: is what we come to talk about. This is a 125 00:07:25,680 --> 00:07:30,960 Speaker 1: minion We are minions advocates. Yes, we are allies to 126 00:07:31,000 --> 00:07:35,720 Speaker 1: the minion community. It's l g B t q M 127 00:07:35,720 --> 00:07:47,240 Speaker 1: now truly. On this vacation, I have had taken I 128 00:07:47,280 --> 00:07:50,360 Speaker 1: have I've scooped my brain fully out of my skull 129 00:07:50,600 --> 00:07:54,400 Speaker 1: to just be no thoughts, had empty girl there and 130 00:07:54,440 --> 00:07:57,320 Speaker 1: that's been working really well. Oh yeah, oh yeah. We're 131 00:07:57,400 --> 00:08:02,480 Speaker 1: now on day fine of of a weeklong vacation and 132 00:08:02,960 --> 00:08:07,600 Speaker 1: you know it's out. Yes, very much. So different people 133 00:08:07,640 --> 00:08:11,240 Speaker 1: here today. Okay, there was something else you wanted to do. 134 00:08:11,280 --> 00:08:13,240 Speaker 1: We want to talk about Stranger Things a little bit. 135 00:08:13,440 --> 00:08:19,080 Speaker 1: I mean we've only watched the first episode. Yeah, we 136 00:08:19,120 --> 00:08:23,200 Speaker 1: watched episode eight. We still haven't watched episode nine because 137 00:08:23,240 --> 00:08:28,320 Speaker 1: it is the length of the movie Avatar. So long. 138 00:08:28,520 --> 00:08:31,880 Speaker 1: We'll get around to it, but so far, I really 139 00:08:31,920 --> 00:08:36,080 Speaker 1: liked the first part. Spoiler spoilers if you watch Stranger Things. 140 00:08:36,080 --> 00:08:40,920 Speaker 1: Spoiler I'm glad that Papa is dead. I also wish 141 00:08:40,960 --> 00:08:44,160 Speaker 1: we didn't have to call him Papa. It's really awkward. 142 00:08:44,240 --> 00:08:47,960 Speaker 1: It's really not right, but like the drama was kick 143 00:08:48,000 --> 00:08:51,120 Speaker 1: it like it was really like I loved every minute 144 00:08:51,120 --> 00:08:53,319 Speaker 1: of it. Yeah. I also loved when they were at 145 00:08:53,320 --> 00:08:56,120 Speaker 1: the guns store and everyone in town was just they're 146 00:08:56,120 --> 00:08:59,760 Speaker 1: buying the guns. You're like, there was the lesbian moment. 147 00:09:00,280 --> 00:09:03,080 Speaker 1: I hope that gets resolved to have a feeling that 148 00:09:03,160 --> 00:09:05,400 Speaker 1: and with an em is going to come back and 149 00:09:05,480 --> 00:09:08,600 Speaker 1: she does actually want to be with Robin. Also renew 150 00:09:08,679 --> 00:09:12,280 Speaker 1: and with an ease show my God on the records 151 00:09:12,280 --> 00:09:15,280 Speaker 1: saying and with an evening, I could say it now 152 00:09:15,520 --> 00:09:19,960 Speaker 1: on convergive. I really liked it. I'm so excited to 153 00:09:19,960 --> 00:09:23,840 Speaker 1: watch more. Um, I find the Russia plot very boring, 154 00:09:23,920 --> 00:09:26,120 Speaker 1: and every time we're there, I disagree. Let's say, back 155 00:09:26,160 --> 00:09:29,080 Speaker 1: to Hawkins, I don't know, you look great, but I'm 156 00:09:29,120 --> 00:09:32,000 Speaker 1: just not you know the I love Hopper, I love 157 00:09:32,040 --> 00:09:34,360 Speaker 1: his potline. I think the Russia thing is so off 158 00:09:34,400 --> 00:09:36,600 Speaker 1: the rails, and I think that's all. I think it's 159 00:09:36,640 --> 00:09:39,559 Speaker 1: amazing because I think it embraces how crazy it is. 160 00:09:39,920 --> 00:09:42,800 Speaker 1: But I was also going to say I prefer those 161 00:09:42,840 --> 00:09:46,240 Speaker 1: scenes over the gay scene that we got, Like what 162 00:09:46,280 --> 00:09:49,560 Speaker 1: did you think? My god? Okay, so it took like 163 00:09:49,720 --> 00:09:51,880 Speaker 1: I don't think everyone who were watching it with realize 164 00:09:51,920 --> 00:09:55,200 Speaker 1: that that was Will like confessing his feelings about Mike, 165 00:09:55,280 --> 00:09:58,400 Speaker 1: but using the language of talking about how Levin feels 166 00:09:58,440 --> 00:10:02,080 Speaker 1: about him, Like that's oh gay to be talking about 167 00:10:02,080 --> 00:10:06,160 Speaker 1: your feelings, but in a pretend way. Um, I don't 168 00:10:06,240 --> 00:10:09,959 Speaker 1: know if we're going to get more than that. Yeah, 169 00:10:10,000 --> 00:10:12,440 Speaker 1: I really, because where would it lead? You know, I 170 00:10:12,440 --> 00:10:16,160 Speaker 1: think he's going to die. No, who do you think 171 00:10:16,240 --> 00:10:18,320 Speaker 1: is going to die? Because obviously some people are gonna die. 172 00:10:18,400 --> 00:10:20,560 Speaker 1: I think, Okay, I don't think it's going to die, 173 00:10:20,559 --> 00:10:24,320 Speaker 1: but I think something about him being in the upside 174 00:10:24,320 --> 00:10:28,080 Speaker 1: down and like his connection the monster they was gonna 175 00:10:28,200 --> 00:10:30,480 Speaker 1: come back. They would kill the gay one. He's going 176 00:10:30,520 --> 00:10:33,600 Speaker 1: to turn because look, we already have one evil twin Vecna, 177 00:10:33,760 --> 00:10:36,120 Speaker 1: and now we need another. When we need there always 178 00:10:36,120 --> 00:10:38,520 Speaker 1: has to be too. It's like six in Star Wars. 179 00:10:38,600 --> 00:10:42,360 Speaker 1: There are always to master and apprentice, and one will 180 00:10:42,440 --> 00:10:44,720 Speaker 1: kill the other the rule of the two or hem rhins, 181 00:10:44,840 --> 00:10:47,080 Speaker 1: there's always too. Who else do you think is going 182 00:10:47,160 --> 00:10:49,520 Speaker 1: to die? I mean I don't. I didn't really predict, 183 00:10:49,559 --> 00:10:51,720 Speaker 1: to be honest, I think your prediction of Max I 184 00:10:51,760 --> 00:10:55,120 Speaker 1: think is also. Yeah, I think Max is she's going 185 00:10:55,160 --> 00:10:57,080 Speaker 1: to be running up that hill to make a deal 186 00:10:57,120 --> 00:11:01,280 Speaker 1: with God sooner rather than later. Yeah, or at least. 187 00:11:01,280 --> 00:11:02,800 Speaker 1: But the only thing is they're kind of setting it 188 00:11:02,920 --> 00:11:04,800 Speaker 1: up that way, so it might be too obvious. Well 189 00:11:04,800 --> 00:11:07,280 Speaker 1: that's how I feel about Steve dying, because everyone is 190 00:11:07,480 --> 00:11:10,160 Speaker 1: theorizing that Steve is going to die. But like the 191 00:11:10,200 --> 00:11:13,120 Speaker 1: Netflix literally put it on their billboard like Pratty for 192 00:11:13,240 --> 00:11:15,640 Speaker 1: Steve or something, so to me, that means he's not 193 00:11:15,679 --> 00:11:19,079 Speaker 1: gonna die, because they would not, like, I just don't 194 00:11:19,080 --> 00:11:22,320 Speaker 1: think it would be it's too obvious. But you know, 195 00:11:22,440 --> 00:11:25,440 Speaker 1: like the Duffer Brothers really like to play into tropes, 196 00:11:25,840 --> 00:11:28,600 Speaker 1: which which one Steve the main character. Steve's the with 197 00:11:28,640 --> 00:11:31,840 Speaker 1: the hair, the one who we saw at um at 198 00:11:32,240 --> 00:11:36,319 Speaker 1: Um fig Oh my god. One time we were having 199 00:11:36,320 --> 00:11:41,640 Speaker 1: dinner at Figro Bistro, which is where celebrities. It's a 200 00:11:41,679 --> 00:11:43,800 Speaker 1: restaurant you should go to if you either want to 201 00:11:43,840 --> 00:11:46,720 Speaker 1: like sit and people watch, or if you want to 202 00:11:46,880 --> 00:11:49,120 Speaker 1: if you need some like affirmation that you're wearing a 203 00:11:49,160 --> 00:11:52,240 Speaker 1: cute look you want to walk through everyone dyning, that's 204 00:11:52,280 --> 00:11:54,720 Speaker 1: a good place to go. Also, they have incredible steak tartar. 205 00:11:54,800 --> 00:11:58,120 Speaker 1: But we were having dinner there at one time, and um, 206 00:11:58,280 --> 00:12:01,840 Speaker 1: the guy who plays Steve was inside, um with some 207 00:12:01,960 --> 00:12:04,840 Speaker 1: hot girl. I honestly can never remember any of their names. 208 00:12:04,880 --> 00:12:09,319 Speaker 1: For me, it's always like will like Will to Billy, Billy, 209 00:12:09,040 --> 00:12:12,000 Speaker 1: Billy too, Yeah, this is the one with the one 210 00:12:12,040 --> 00:12:13,920 Speaker 1: with the long billy too, and then and then you 211 00:12:13,960 --> 00:12:16,400 Speaker 1: know that but he's not as hot as Billy Yeah. 212 00:12:16,440 --> 00:12:20,319 Speaker 1: And then there's Hopper guy, and then there's one writer 213 00:12:21,520 --> 00:12:23,920 Speaker 1: w is her character name. It should all just be 214 00:12:24,000 --> 00:12:27,679 Speaker 1: every Stranger Things character should be, not oneonah one, not 215 00:12:27,720 --> 00:12:32,679 Speaker 1: when I she's so good every time, I want her 216 00:12:32,720 --> 00:12:35,959 Speaker 1: to be in more things. Though. She made that m 217 00:12:36,880 --> 00:12:39,920 Speaker 1: rom com with Keanu Reeves a couple of years ago 218 00:12:40,080 --> 00:12:42,800 Speaker 1: that was like it was such because it was like 219 00:12:42,920 --> 00:12:46,400 Speaker 1: their back baby, and then literally no one including me 220 00:12:46,520 --> 00:12:49,760 Speaker 1: saw it. Oh that's so sad. Well, I mean I 221 00:12:49,760 --> 00:12:52,160 Speaker 1: would watch more Things if she would be more Things, 222 00:12:52,200 --> 00:12:54,760 Speaker 1: because I think she Stranger Things is amazing for her, 223 00:12:54,840 --> 00:12:58,680 Speaker 1: and I think Stranger Things is amazing because of her. Well, 224 00:12:58,679 --> 00:13:02,839 Speaker 1: that's definitely the reason it was put on everyone's radars. Yes, 225 00:13:02,880 --> 00:13:04,800 Speaker 1: because she lent her name to it and that, But 226 00:13:04,800 --> 00:13:07,120 Speaker 1: but I also feel like she doesn't need to be 227 00:13:07,400 --> 00:13:09,520 Speaker 1: entrapped to the stranger, Like I just need her in 228 00:13:09,600 --> 00:13:12,679 Speaker 1: more movies and and Prestige TV. You know what I mean. 229 00:13:12,679 --> 00:13:14,920 Speaker 1: I hope, I hope she's making a lot of money. 230 00:13:15,240 --> 00:13:17,480 Speaker 1: I'm sure. Yeah, I mean, I'm sure she is. I'm 231 00:13:17,480 --> 00:13:21,000 Speaker 1: sure she is there anything else? What has been your 232 00:13:21,000 --> 00:13:24,120 Speaker 1: favorite part of the trip so far? Rose? Hanging out 233 00:13:24,160 --> 00:13:27,480 Speaker 1: with everyone at the house, Like dinners together have been 234 00:13:27,520 --> 00:13:29,920 Speaker 1: really lovely. I think people when they think of Fire 235 00:13:29,960 --> 00:13:35,080 Speaker 1: Island and immediately obviously you think like parties, vodka, SODA's, 236 00:13:35,160 --> 00:13:37,680 Speaker 1: you know, going to tee, like a lot of sex 237 00:13:37,760 --> 00:13:41,200 Speaker 1: or like whatever. And like this trip has been I mean, 238 00:13:41,400 --> 00:13:44,400 Speaker 1: sorry to say, like so wholesome, Like it's been so 239 00:13:44,520 --> 00:13:48,280 Speaker 1: beautiful and so community driven, and it's been incredible in 240 00:13:48,280 --> 00:13:50,480 Speaker 1: a way that I have never experienced on this island 241 00:13:50,559 --> 00:13:54,120 Speaker 1: because you know, like this island is like really made 242 00:13:54,360 --> 00:13:58,719 Speaker 1: for very specific kind of queer people that don't include us, 243 00:13:58,720 --> 00:14:01,280 Speaker 1: that don't include us. And you know, I've always come 244 00:14:01,320 --> 00:14:03,360 Speaker 1: to this island like as a guest of other people 245 00:14:03,440 --> 00:14:05,680 Speaker 1: or like someone just like figuring it out, and that's 246 00:14:05,679 --> 00:14:09,520 Speaker 1: been amazing. But to come here and have a house 247 00:14:09,800 --> 00:14:13,160 Speaker 1: and like like Fran who really like put all this 248 00:14:13,280 --> 00:14:16,200 Speaker 1: together to have really curated it in such a way that, 249 00:14:16,559 --> 00:14:19,080 Speaker 1: you know, like making space for people who would not 250 00:14:19,280 --> 00:14:23,040 Speaker 1: usually have a space like this out here. All of 251 00:14:23,120 --> 00:14:26,600 Speaker 1: us doing it together has been so fun, Like I 252 00:14:26,640 --> 00:14:29,000 Speaker 1: love being the freak cows. Yeah, we are the freak 253 00:14:29,000 --> 00:14:31,480 Speaker 1: cows and the poppy juice houses out here too. They 254 00:14:31,520 --> 00:14:34,280 Speaker 1: always like cycle fun people through and we've been like 255 00:14:34,320 --> 00:14:38,800 Speaker 1: partying together and having late nights and cooking gorgeous dinners ribs. 256 00:14:38,960 --> 00:14:44,000 Speaker 1: Laurel is making lobster tonight. What yes fuck I got? 257 00:14:44,280 --> 00:14:47,960 Speaker 1: She brought lobster tail. Babe, It's gonna be well. I 258 00:14:48,000 --> 00:14:50,640 Speaker 1: made the eggs this morning. Um. France, okay, wait Rose 259 00:14:50,720 --> 00:14:54,360 Speaker 1: made a gorgeous pie yesterday. Um that you should maybe 260 00:14:54,400 --> 00:14:57,280 Speaker 1: we should start doing recipes. I won't, I won't. But 261 00:14:58,080 --> 00:15:03,760 Speaker 1: Fran made a peach basil and something blueberry pie yesterday. 262 00:15:03,880 --> 00:15:07,440 Speaker 1: It was chef's kiss and I stuck a bunch of 263 00:15:07,520 --> 00:15:11,640 Speaker 1: candles into it and surprised Rose with her on birthday 264 00:15:11,960 --> 00:15:16,000 Speaker 1: was my birthday pie A week early, A week early? Um? 265 00:15:16,080 --> 00:15:19,800 Speaker 1: What else has been nice? Um? You know yesterday we 266 00:15:19,800 --> 00:15:21,720 Speaker 1: were on the beach and I was sitting with two 267 00:15:21,720 --> 00:15:24,360 Speaker 1: other trans people have like very quickly we started talking 268 00:15:24,400 --> 00:15:27,000 Speaker 1: about trauma and you know, to be doing that next 269 00:15:27,000 --> 00:15:30,320 Speaker 1: to a body of water is I love it surrounded 270 00:15:30,320 --> 00:15:32,320 Speaker 1: by a bunch of a bunch of faggots, but like 271 00:15:32,520 --> 00:15:36,200 Speaker 1: a safe distance away. Yeah, it's been great. I love 272 00:15:36,240 --> 00:15:38,680 Speaker 1: Fire Island. I want to come back every summer forever. 273 00:15:39,240 --> 00:15:41,400 Speaker 1: It's just like the movie. And this house is like 274 00:15:41,560 --> 00:15:46,560 Speaker 1: Nancy Meyer's level. Caucasian is like so gorgeous. I I 275 00:15:46,600 --> 00:15:49,280 Speaker 1: put on matching linen set the other day and walked 276 00:15:49,320 --> 00:15:52,360 Speaker 1: around here while everyone was up the beach and definitely 277 00:15:52,440 --> 00:15:57,360 Speaker 1: felt like, you know, the protagonist and something's got to give, 278 00:15:57,480 --> 00:15:59,800 Speaker 1: and something's got to be giving. One of my favorite 279 00:15:59,800 --> 00:16:02,200 Speaker 1: part about the trip, honestly, Rose has been like putting 280 00:16:02,200 --> 00:16:05,560 Speaker 1: on cute little fits and walking to the pantry. Yeah, 281 00:16:05,280 --> 00:16:08,840 Speaker 1: you do it. You like always look adorable, so you 282 00:16:08,920 --> 00:16:12,560 Speaker 1: all you always come to start. Okay, you've start, You've 283 00:16:12,600 --> 00:16:14,600 Speaker 1: been serving, We have been, we have been. You're the 284 00:16:14,600 --> 00:16:19,240 Speaker 1: most popular girl, Well I'm I'm the most popular doll. 285 00:16:20,240 --> 00:16:22,880 Speaker 1: We're the most popular dolls in the pantry. I love 286 00:16:23,000 --> 00:16:26,920 Speaker 1: changing like five times a day. Yeah, it's been incredible, 287 00:16:26,960 --> 00:16:30,080 Speaker 1: just doing little variations on the same outfit to swim 288 00:16:30,120 --> 00:16:33,040 Speaker 1: suits today. Fran has been doing a lot of whale tales. 289 00:16:33,240 --> 00:16:35,400 Speaker 1: Oh yeah, a lot of a lot of you know, 290 00:16:35,800 --> 00:16:39,320 Speaker 1: thong in the afternoon and as you know, a more 291 00:16:39,440 --> 00:16:43,440 Speaker 1: modest speedo in the evening. I wonder if anyone is 292 00:16:43,600 --> 00:16:47,200 Speaker 1: currently like listening to our podcast somewhere on this island. 293 00:16:47,520 --> 00:16:52,560 Speaker 1: Probably not Alo on this island, you say, we've also 294 00:16:52,640 --> 00:16:57,960 Speaker 1: been Also, we've also discovered our mutual affection for the 295 00:16:58,320 --> 00:17:01,120 Speaker 1: Broadway musical Once on This Island done a particular line 296 00:17:01,160 --> 00:17:05,520 Speaker 1: from it, which like this, Oh find the tree, I'll 297 00:17:05,560 --> 00:17:12,520 Speaker 1: come back with an goes juicy fat and well bed 298 00:17:12,680 --> 00:17:14,880 Speaker 1: she's cutting us off. I hope you include this, TB. 299 00:17:15,000 --> 00:17:19,000 Speaker 1: I hope you include the way that you silenced again silent. 300 00:17:19,160 --> 00:17:21,720 Speaker 1: We will not be silent. Were you silent or were 301 00:17:21,720 --> 00:17:24,920 Speaker 1: you silent when it comes to Phoebe being our producer? 302 00:17:25,000 --> 00:17:27,360 Speaker 1: We were silent, and I swear to God you better 303 00:17:27,440 --> 00:17:41,240 Speaker 1: include all of this. CB. I want everyone to know. 304 00:17:41,680 --> 00:17:43,640 Speaker 1: For the audience you can't see me right now, I'm 305 00:17:43,680 --> 00:17:48,600 Speaker 1: wearing a Versaci inspired tennis skirt, forty four spray time 306 00:17:49,560 --> 00:17:54,639 Speaker 1: um yellow, a F one's a future for Sacchi coat 307 00:17:54,840 --> 00:18:00,840 Speaker 1: and diamond tennis bracelet. Yes, the diamond tennis aunt Janet, 308 00:18:00,880 --> 00:18:04,320 Speaker 1: Can I tell you the story about so my aunt? 309 00:18:04,760 --> 00:18:08,320 Speaker 1: Um she is. I'm inspired by her a lot. She's 310 00:18:08,359 --> 00:18:11,640 Speaker 1: really free spirited, super athletic, really artistic. I just wanted 311 00:18:11,680 --> 00:18:13,560 Speaker 1: to travel and see the world. She was in the 312 00:18:13,600 --> 00:18:15,879 Speaker 1: Las Vegas airport and she was running to catch her 313 00:18:15,880 --> 00:18:18,600 Speaker 1: flight and she was dragging her roly suitcase. But something 314 00:18:18,640 --> 00:18:21,040 Speaker 1: was stuck in her suitcase, and she was like, what 315 00:18:21,119 --> 00:18:23,120 Speaker 1: the funk is this? And she looks down and there's 316 00:18:23,160 --> 00:18:25,840 Speaker 1: a diamond tennis bracelet stuck in the wheel of her suitcase. 317 00:18:26,640 --> 00:18:28,879 Speaker 1: And she picks it up and she takes it to 318 00:18:28,920 --> 00:18:32,200 Speaker 1: airport security and she's like, hey, I found this, UM, 319 00:18:32,240 --> 00:18:34,359 Speaker 1: here's my phone number. If anybody calls looking for it, 320 00:18:34,359 --> 00:18:36,760 Speaker 1: I would like them to have it. And no one 321 00:18:36,760 --> 00:18:41,399 Speaker 1: ever called a family And she went skiing in the 322 00:18:41,440 --> 00:18:47,359 Speaker 1: sky seven years ago last week and uh I and 323 00:18:47,480 --> 00:18:49,840 Speaker 1: I got and I took this with me. So and 324 00:18:49,840 --> 00:18:51,680 Speaker 1: you know, it's crazy. I never started wearing it until 325 00:18:51,680 --> 00:18:53,919 Speaker 1: I moved to l A because I wasn't worth I was. 326 00:18:54,040 --> 00:18:58,520 Speaker 1: I struggle with worthiness a lot, and I was always 327 00:18:58,520 --> 00:19:01,800 Speaker 1: like saving the tennis bracelet for a special occasion or something, 328 00:19:01,880 --> 00:19:03,879 Speaker 1: and I was like, no, every day is a special 329 00:19:03,880 --> 00:19:08,040 Speaker 1: occasion put on that bracelet. That is the power of jewelry. 330 00:19:08,240 --> 00:19:11,120 Speaker 1: I do think very nicely leads us into what we're 331 00:19:11,119 --> 00:19:13,879 Speaker 1: talking about today, because this kind of bracelet, to you 332 00:19:14,320 --> 00:19:16,359 Speaker 1: is what the pearls are to the women of the 333 00:19:16,359 --> 00:19:19,920 Speaker 1: First wi The pearls which are kind, which are really 334 00:19:19,920 --> 00:19:22,120 Speaker 1: the inciting It's well, the inciting incident of the film 335 00:19:22,160 --> 00:19:27,000 Speaker 1: is soccer Channing committing suicide. But the pearls with with 336 00:19:27,080 --> 00:19:30,199 Speaker 1: the fantastic voice over acting. It was such an interesting 337 00:19:30,280 --> 00:19:32,760 Speaker 1: choice to read. But they used all of their voices 338 00:19:33,040 --> 00:19:36,120 Speaker 1: in the in the flashback. Yeah it is. It is 339 00:19:36,359 --> 00:19:39,240 Speaker 1: so for anyone who doesn't know. The First Wives Club 340 00:19:39,280 --> 00:19:41,439 Speaker 1: is a film about a bunch of women who have 341 00:19:41,480 --> 00:19:44,520 Speaker 1: been left by their husbands and decided to get revenge. 342 00:19:44,600 --> 00:19:46,800 Speaker 1: That is the basic cremise as played by Goldie Hawn, 343 00:19:47,119 --> 00:19:51,720 Speaker 1: Bette Midler, Diane Keaton and then the soccer channing soccer 344 00:19:52,280 --> 00:19:55,520 Speaker 1: the scene. But yeah, you're right, and that the prologue 345 00:19:55,560 --> 00:19:58,360 Speaker 1: of the movie where they're all you know, young when 346 00:19:58,400 --> 00:20:01,760 Speaker 1: they meet at college and form their lifelong friendships. Um, 347 00:20:01,800 --> 00:20:04,760 Speaker 1: the actresses do dub all the younger actors and it 348 00:20:04,880 --> 00:20:09,879 Speaker 1: is extremely uncanny. Yeah, it's it's it's an interesting choice. 349 00:20:10,160 --> 00:20:14,439 Speaker 1: Was this movie like important to your childhood? Um, like 350 00:20:14,480 --> 00:20:16,400 Speaker 1: when did it come into your life? Or like what 351 00:20:16,440 --> 00:20:19,240 Speaker 1: were the what are the formative elements of it? Honestly, 352 00:20:19,359 --> 00:20:23,919 Speaker 1: I love I've never really connected with romantic partnerships as 353 00:20:23,920 --> 00:20:26,200 Speaker 1: a plot line that I really was drawn to in 354 00:20:26,600 --> 00:20:29,320 Speaker 1: film and narrative. Like I I'm much more interested in 355 00:20:29,400 --> 00:20:34,080 Speaker 1: ambition and friendship as like things that drive a plot. 356 00:20:34,640 --> 00:20:37,600 Speaker 1: And this movie was all about like girlfriends coming together 357 00:20:37,600 --> 00:20:40,760 Speaker 1: to support each other, sisters are doing it for themselves. Yes, 358 00:20:40,840 --> 00:20:43,520 Speaker 1: and the wardrobes were great, and that they all went 359 00:20:43,520 --> 00:20:45,600 Speaker 1: off to do different things and then came back together. 360 00:20:45,600 --> 00:20:49,959 Speaker 1: That just seemed like a real fantasy to me. And um, 361 00:20:50,000 --> 00:20:52,240 Speaker 1: you know Eliza with Berkeley, isn't it as as a 362 00:20:52,280 --> 00:20:56,000 Speaker 1: new wife? I just I just I think just the 363 00:20:56,040 --> 00:20:57,639 Speaker 1: story of them all coming together and at the end 364 00:20:57,680 --> 00:20:59,920 Speaker 1: having their community center and then wearing power suits and 365 00:21:00,000 --> 00:21:01,400 Speaker 1: singing at the end, I was like, that's the happy 366 00:21:01,480 --> 00:21:04,280 Speaker 1: ending I wanted my life. My happy ending is friendship. 367 00:21:04,520 --> 00:21:09,080 Speaker 1: My happy ending is community and connecting with my girlfriends 368 00:21:09,440 --> 00:21:12,960 Speaker 1: and supporting each other. And that was honestly one of 369 00:21:13,000 --> 00:21:17,360 Speaker 1: the first movies where I saw that as an opportunity 370 00:21:17,400 --> 00:21:20,160 Speaker 1: as something that was possible as a happy ending where 371 00:21:20,400 --> 00:21:22,480 Speaker 1: they didn't drive off the cliff at the end. Yes, 372 00:21:24,760 --> 00:21:27,560 Speaker 1: one of my favorite movies. It's one of my favorite 373 00:21:27,560 --> 00:21:30,760 Speaker 1: movies as well. And I love the ending because I 374 00:21:30,760 --> 00:21:32,719 Speaker 1: think the ending was a really bold choice. But like 375 00:21:32,840 --> 00:21:36,800 Speaker 1: I like happy endings, yeah, me too. I also like similarly, 376 00:21:36,800 --> 00:21:39,040 Speaker 1: like I have a hard time latching onto like you know, 377 00:21:39,160 --> 00:21:42,000 Speaker 1: romance plot lines, and like for the engine of this 378 00:21:42,040 --> 00:21:47,479 Speaker 1: movie to be revenge is very like that is my tea. Honestly. 379 00:21:47,480 --> 00:21:49,800 Speaker 1: We were just talking about The Northman, that Nicole Kinman 380 00:21:49,880 --> 00:21:51,879 Speaker 1: movie that came out, and the whole the engine of 381 00:21:51,880 --> 00:21:55,280 Speaker 1: that entire movie is revenge, like Crystal Clear, and I 382 00:21:55,320 --> 00:21:58,280 Speaker 1: was just locked into a movie that I normally would 383 00:21:58,320 --> 00:22:01,119 Speaker 1: not be, you know, concerned with, because as revenge as 384 00:22:01,119 --> 00:22:04,000 Speaker 1: a concept I think is very amazing. But also in 385 00:22:04,080 --> 00:22:07,439 Speaker 1: revenge movies, like I think you eventually have to reckon 386 00:22:07,560 --> 00:22:11,360 Speaker 1: with what comes after revenge, which I think is very 387 00:22:11,440 --> 00:22:14,800 Speaker 1: much the end of this movie, because they realize, you know, 388 00:22:14,880 --> 00:22:18,640 Speaker 1: kind of at the last minute, that just getting revenge 389 00:22:18,680 --> 00:22:20,639 Speaker 1: on their husbands is not enough. They actually want to 390 00:22:20,720 --> 00:22:25,240 Speaker 1: do something that helps the world. They're paying it forward 391 00:22:25,400 --> 00:22:28,640 Speaker 1: and how it brought them together. You know, this challenge 392 00:22:28,840 --> 00:22:30,439 Speaker 1: that they were all facing, and they also they were 393 00:22:30,480 --> 00:22:32,760 Speaker 1: all suffering in silence, right, they were all getting together. 394 00:22:32,800 --> 00:22:35,320 Speaker 1: I mean like I'm fine, I'm fine. In reality, everybody 395 00:22:35,400 --> 00:22:39,880 Speaker 1: was really struggling and needed support and getting together with 396 00:22:39,920 --> 00:22:44,320 Speaker 1: your girlfriends and having a moment, a really staggering moment 397 00:22:44,840 --> 00:22:47,720 Speaker 1: two realize that, like, hey, I'm going to be vulnerable 398 00:22:47,760 --> 00:22:49,560 Speaker 1: and share something that I am not proud of or 399 00:22:49,560 --> 00:22:52,720 Speaker 1: that makes me uncomfortable or that I'm ashamed of. And 400 00:22:52,720 --> 00:22:55,600 Speaker 1: and then everybody share something similar. Well, that's one of 401 00:22:55,680 --> 00:22:57,639 Speaker 1: my favorite parts of the movie is you know, so 402 00:22:57,960 --> 00:22:59,840 Speaker 1: they go to the funual, they go to stoccer Chan 403 00:23:00,160 --> 00:23:02,840 Speaker 1: funeral and have brunch afterwards, and they're all kind of 404 00:23:02,840 --> 00:23:06,520 Speaker 1: telling these like spinning these bullshit you know, stories about 405 00:23:06,520 --> 00:23:09,159 Speaker 1: their lives, and you know, after a couple of Bloody Mary's, 406 00:23:09,280 --> 00:23:11,520 Speaker 1: the truth comes out and they realize they're all fucking 407 00:23:11,560 --> 00:23:14,439 Speaker 1: miserable and decide to team up and do something about it. 408 00:23:14,480 --> 00:23:17,800 Speaker 1: And who hasn't had that experience of like, you, even 409 00:23:17,840 --> 00:23:20,160 Speaker 1: even with the people you're closest to, you want to spin, 410 00:23:20,280 --> 00:23:23,000 Speaker 1: You want to present the best version of yourself. Um, 411 00:23:23,040 --> 00:23:26,240 Speaker 1: but usually when you finally let that guard down and 412 00:23:26,240 --> 00:23:29,280 Speaker 1: they're like, Okay, actually, everything fucking sucks right now. That 413 00:23:29,359 --> 00:23:32,560 Speaker 1: other person, if they're really a good judy, they usually 414 00:23:32,760 --> 00:23:34,600 Speaker 1: are going to meet you halfway and be like, yeah, 415 00:23:34,640 --> 00:23:37,560 Speaker 1: my life fucking sucks right now too. Yeah. And I 416 00:23:37,600 --> 00:23:40,000 Speaker 1: had a moment exactly like that that strengthened me to 417 00:23:40,080 --> 00:23:42,320 Speaker 1: make some really significant changes in my life. What was it? 418 00:23:42,960 --> 00:23:45,439 Speaker 1: I was um at dinner. It was like a COVID 419 00:23:45,480 --> 00:23:49,800 Speaker 1: dinner in New York outside coldest ship. We're all wearing 420 00:23:49,880 --> 00:23:52,360 Speaker 1: right and UM, a couple of and you know my 421 00:23:52,640 --> 00:23:54,520 Speaker 1: art camp collective. It was a couple of us and 422 00:23:54,560 --> 00:23:56,879 Speaker 1: we were getting ready to go wheat pasting. We like 423 00:23:56,920 --> 00:23:59,680 Speaker 1: go and put up art at night, like park. It's 424 00:23:59,720 --> 00:24:05,760 Speaker 1: fun do art, make crimes make Yeah, and U and 425 00:24:06,280 --> 00:24:09,640 Speaker 1: one of the girls was talking about UM, a challenge 426 00:24:09,680 --> 00:24:13,159 Speaker 1: she was having with this chick she was seeing, And 427 00:24:13,200 --> 00:24:15,440 Speaker 1: it turned out it was the same problem we were 428 00:24:15,480 --> 00:24:18,639 Speaker 1: all having, and we had never We've been friends for 429 00:24:18,680 --> 00:24:20,560 Speaker 1: two years and none of us knew that we all 430 00:24:20,600 --> 00:24:26,040 Speaker 1: had the same challenge with our partners. And now I'm 431 00:24:26,080 --> 00:24:29,840 Speaker 1: divorced and I hadn't I hadn't left my marriage yet. 432 00:24:29,880 --> 00:24:32,560 Speaker 1: So and like everybody has challenges, right, it doesn't really matter, 433 00:24:32,760 --> 00:24:35,840 Speaker 1: Like everybody has challenges, they're they're pretty normal. I think 434 00:24:36,000 --> 00:24:39,480 Speaker 1: normalizing our problems is really important and not stigmatizing them 435 00:24:39,480 --> 00:24:41,119 Speaker 1: and not blaming, just being like, yeah, this is a 436 00:24:41,200 --> 00:24:43,000 Speaker 1: challenge and like you can fight through it, or you 437 00:24:43,040 --> 00:24:45,560 Speaker 1: can you can remove yourself from the situation. You have options. 438 00:24:45,600 --> 00:24:47,920 Speaker 1: But it's it's nice to talk about the options with 439 00:24:47,960 --> 00:24:51,840 Speaker 1: your girls. I mean I exclusively have to workshop things 440 00:24:51,840 --> 00:24:53,679 Speaker 1: with my girls. There are things that like obviously my 441 00:24:53,760 --> 00:24:55,960 Speaker 1: therapists can help me with, but like it's like, no, 442 00:24:56,160 --> 00:24:57,760 Speaker 1: my girls are going to give me the real, real 443 00:24:57,960 --> 00:25:00,959 Speaker 1: because therapists, I mean I know that there are like 444 00:25:01,040 --> 00:25:04,400 Speaker 1: you know that that's actual professional reasons why you can't 445 00:25:04,400 --> 00:25:07,000 Speaker 1: just tell me what to do because but like therapists 446 00:25:07,040 --> 00:25:09,119 Speaker 1: just don't tell you what to do sometimes sometimes you 447 00:25:09,280 --> 00:25:11,800 Speaker 1: I need a therapist to be a little prescriptive. I 448 00:25:11,840 --> 00:25:14,399 Speaker 1: have a similar problem with mine and that she is 449 00:25:14,480 --> 00:25:17,600 Speaker 1: more of a sounding board. And like my therapist, my 450 00:25:17,680 --> 00:25:20,600 Speaker 1: therapist is really good at being that person who is saying, 451 00:25:21,000 --> 00:25:23,320 Speaker 1: I'm an objective voice telling you that the thing that 452 00:25:23,359 --> 00:25:25,760 Speaker 1: you're thinking about your life is not crazy, You're not 453 00:25:25,800 --> 00:25:28,240 Speaker 1: blowing it out of proportion, and I want to give 454 00:25:28,280 --> 00:25:31,000 Speaker 1: you the tools to deal with it, but sometimes I 455 00:25:31,040 --> 00:25:33,160 Speaker 1: want to say, like, can you just tell me what 456 00:25:33,240 --> 00:25:35,920 Speaker 1: I should do in this situation? Also, I need my friends, 457 00:25:37,400 --> 00:25:40,159 Speaker 1: and your friends can. But also I do find like 458 00:25:40,200 --> 00:25:42,040 Speaker 1: you have to find that balance with your friends because 459 00:25:42,160 --> 00:25:44,840 Speaker 1: I don't always want every conversation I have with my 460 00:25:44,880 --> 00:25:47,880 Speaker 1: friends to be processing to be talking about trauma. She's 461 00:25:47,920 --> 00:25:52,520 Speaker 1: talking about me. I have that girl I'm talking about 462 00:25:52,560 --> 00:25:55,120 Speaker 1: how I show up to our friendship. I don't always 463 00:25:55,160 --> 00:25:56,840 Speaker 1: want to show up to my friends and be like 464 00:25:57,160 --> 00:25:59,000 Speaker 1: I'm going to spend the next hour that we're talking 465 00:25:59,080 --> 00:26:01,320 Speaker 1: talking about everything that's going on in my life. You know, 466 00:26:01,400 --> 00:26:03,679 Speaker 1: we should, that should be part of it, but it 467 00:26:03,720 --> 00:26:06,240 Speaker 1: doesn't always need to. Well, there's also a very big 468 00:26:06,240 --> 00:26:09,560 Speaker 1: difference between coming to your friends because you want to 469 00:26:09,680 --> 00:26:11,919 Speaker 1: vent and coming to your friends because you want a 470 00:26:11,920 --> 00:26:15,680 Speaker 1: problem solve. Because like, if you come to me, I'm 471 00:26:15,680 --> 00:26:18,040 Speaker 1: not just gonna let you vent unless you tell me 472 00:26:18,200 --> 00:26:20,440 Speaker 1: that that's what you need. But like, if you come 473 00:26:20,480 --> 00:26:23,440 Speaker 1: to me to complain about something, I will hold space 474 00:26:23,440 --> 00:26:25,800 Speaker 1: for it very quickly, and then I'm gonna be like, Okay, 475 00:26:25,880 --> 00:26:28,639 Speaker 1: so what's the game plan let's do this. And I 476 00:26:29,119 --> 00:26:32,200 Speaker 1: not everyone wants that, you know, like not everyone. Sometimes 477 00:26:32,200 --> 00:26:34,720 Speaker 1: people just want to externally process and that's okay too. 478 00:26:35,080 --> 00:26:38,199 Speaker 1: Something I unfortunately have this like logic mechanism in my 479 00:26:38,200 --> 00:26:40,560 Speaker 1: brain that can't turn off. You do, but you can 480 00:26:40,680 --> 00:26:43,440 Speaker 1: turn it off. Can. I have this problem a lot 481 00:26:43,520 --> 00:26:46,840 Speaker 1: with my mother where I go to her and it 482 00:26:47,160 --> 00:26:49,760 Speaker 1: kind of is like maybe a little similar to Diane 483 00:26:49,880 --> 00:26:52,399 Speaker 1: Keaton's relationship with her mother in the movie. I go 484 00:26:52,480 --> 00:26:54,920 Speaker 1: to my mom and I want to vent about what's 485 00:26:54,960 --> 00:26:56,919 Speaker 1: going on with me, and what I want from her 486 00:26:57,119 --> 00:27:01,520 Speaker 1: is her to go, oh no, sweetie, that awful. I'm 487 00:27:01,680 --> 00:27:04,600 Speaker 1: so sorry. That sucks. But my mom is like, well, 488 00:27:04,640 --> 00:27:06,840 Speaker 1: here's what you should do, here's the plan. How do 489 00:27:06,960 --> 00:27:10,280 Speaker 1: we spend this? Like and I just sometimes have to 490 00:27:10,280 --> 00:27:12,399 Speaker 1: say to her, I, please don't do that to me 491 00:27:12,520 --> 00:27:15,520 Speaker 1: right now. I just want you to like do the whatever. 492 00:27:15,760 --> 00:27:19,240 Speaker 1: Like conversation version is of like stroking my hair and 493 00:27:19,640 --> 00:27:23,080 Speaker 1: it's all going to be okay, yeah, And I'm like you, 494 00:27:23,520 --> 00:27:26,200 Speaker 1: I like, I'm like, okay, we're going to mood board this. Yeah, yeah, 495 00:27:26,320 --> 00:27:28,040 Speaker 1: We're going to make our well for me. It's and 496 00:27:28,080 --> 00:27:30,000 Speaker 1: this is what First Wives Club about. It was like, yes, 497 00:27:30,040 --> 00:27:34,000 Speaker 1: you convent, but creativity is healing, having a project, a 498 00:27:34,119 --> 00:27:36,120 Speaker 1: thing to do. If it's revenge, but it's like it's 499 00:27:36,240 --> 00:27:41,600 Speaker 1: especially you know what's funny because I so not a 500 00:27:41,640 --> 00:27:44,680 Speaker 1: memory of like ruining their ex husbands lives through their 501 00:27:44,760 --> 00:27:47,560 Speaker 1: project to me, the remaining Like, yes, it was kind 502 00:27:47,560 --> 00:27:50,320 Speaker 1: of the initial motivation, but it was really all of 503 00:27:50,359 --> 00:27:53,360 Speaker 1: them finding purpose and work together. And they also knew 504 00:27:53,400 --> 00:27:59,760 Speaker 1: that their husbands were corrupt, Like they weren't doing something 505 00:28:00,000 --> 00:28:02,520 Speaker 1: showing who were just like fine, they were just giving 506 00:28:02,520 --> 00:28:06,440 Speaker 1: them a taste of the Yes, it's very satiated. One 507 00:28:06,480 --> 00:28:08,919 Speaker 1: of them was not cruel, it's just how it is. 508 00:28:09,119 --> 00:28:11,520 Speaker 1: I mean, one of them was sucking a teenager, one 509 00:28:11,560 --> 00:28:15,760 Speaker 1: of them was scamming people and like selling stolen property. 510 00:28:16,359 --> 00:28:22,360 Speaker 1: And then one of them was fucking there counselor, which 511 00:28:22,520 --> 00:28:26,200 Speaker 1: Sara Jessica Parker was with Morty who's the scamper. Oh 512 00:28:25,960 --> 00:28:30,280 Speaker 1: my god, she's so good enough, so sexy three Sex 513 00:28:30,280 --> 00:28:33,720 Speaker 1: in the City Sara Jessica Parker Sex in the City. Yeah, 514 00:28:33,880 --> 00:28:37,080 Speaker 1: I didn't know that. Wow, that's crazy. I mean, I yeah, 515 00:28:37,400 --> 00:28:40,520 Speaker 1: revenge is I think I think it gets a bad rap, 516 00:28:40,560 --> 00:28:45,680 Speaker 1: but I actually think it's a very productive motive sometimes, 517 00:28:45,760 --> 00:28:48,760 Speaker 1: Like I think there's something I think you were saying earlier, 518 00:28:48,800 --> 00:28:51,280 Speaker 1: like the way they paid it forward, Like I think 519 00:28:51,320 --> 00:28:54,320 Speaker 1: that is an effective way to kind of work through 520 00:28:54,600 --> 00:28:58,240 Speaker 1: something in a revenge like with the revenge path. Have 521 00:28:58,320 --> 00:29:02,800 Speaker 1: either of you ever gotten revenge on somebody, because I 522 00:29:02,840 --> 00:29:06,400 Speaker 1: think I have. I feel like of my success is 523 00:29:06,440 --> 00:29:08,760 Speaker 1: like a product of like revenge. Well, I do. I 524 00:29:08,840 --> 00:29:11,600 Speaker 1: do subscribe to the idea that living well is the 525 00:29:11,600 --> 00:29:15,880 Speaker 1: best revenge. I don't know that I've ever enacted vengeance 526 00:29:15,920 --> 00:29:20,880 Speaker 1: on someone. I certainly have let things play out in 527 00:29:20,920 --> 00:29:23,720 Speaker 1: a way where someone who did me wrong got what 528 00:29:23,960 --> 00:29:26,880 Speaker 1: was coming to them. And I also have let my 529 00:29:27,000 --> 00:29:30,680 Speaker 1: life play out in a way where my own success 530 00:29:30,880 --> 00:29:34,120 Speaker 1: has proven people who have done me wrong wrong, And 531 00:29:34,160 --> 00:29:37,520 Speaker 1: to me, that is the best kind of revenge. Yeah, 532 00:29:37,920 --> 00:29:44,400 Speaker 1: I'm going to echo that SENTI I definitely like I 533 00:29:44,400 --> 00:29:47,920 Speaker 1: I feel like I was like hustling my way through 534 00:29:47,960 --> 00:29:50,960 Speaker 1: my first like years in New York being like I'm 535 00:29:50,960 --> 00:29:54,040 Speaker 1: going to prove every single high school bully that I 536 00:29:54,120 --> 00:29:56,720 Speaker 1: ever had, like that I can be successful any person 537 00:29:56,720 --> 00:29:59,440 Speaker 1: that ever didn't believe in me or whatever. But beyond that, 538 00:29:59,480 --> 00:30:01,360 Speaker 1: I actually I mean, I'm going to be very vague 539 00:30:01,400 --> 00:30:03,200 Speaker 1: because I don't want this to get back to the person. 540 00:30:03,480 --> 00:30:07,000 Speaker 1: But one time I always seeing someone for a while, 541 00:30:07,120 --> 00:30:09,600 Speaker 1: Like I was super duber like in love with this person, 542 00:30:10,120 --> 00:30:12,320 Speaker 1: and we broke up in a way that was like 543 00:30:12,400 --> 00:30:15,440 Speaker 1: just not amicable, and they did something that was like 544 00:30:15,720 --> 00:30:19,000 Speaker 1: very shitty on the kind of quasi cheating level that 545 00:30:19,080 --> 00:30:20,800 Speaker 1: was just like very painful or whatever, and I forgot 546 00:30:20,800 --> 00:30:24,160 Speaker 1: about this person for like years. Good revenge, yes, yes, yes, 547 00:30:24,240 --> 00:30:27,800 Speaker 1: yes that the best revenge happens years later. And I 548 00:30:27,840 --> 00:30:34,600 Speaker 1: also yes, exactly exactly, And um, you know, I ended 549 00:30:34,640 --> 00:30:38,239 Speaker 1: up hooking up with this person years later in New 550 00:30:38,320 --> 00:30:40,600 Speaker 1: York while they were seeing someone else, So they were 551 00:30:40,680 --> 00:30:43,600 Speaker 1: cheating on their new partner while hooking up with me 552 00:30:43,720 --> 00:30:46,560 Speaker 1: on the side. I know, I'm not proud of it, 553 00:30:46,600 --> 00:30:49,080 Speaker 1: but I'm but I also don't care. Um. And one 554 00:30:49,120 --> 00:30:52,120 Speaker 1: time I got into an uberpool, remember uberpool, Like I 555 00:30:52,160 --> 00:30:59,200 Speaker 1: was getting home. Yeah, it's so fun to pay three 556 00:30:59,200 --> 00:31:02,600 Speaker 1: dollars and seven the sixth cents to to sit in 557 00:31:02,680 --> 00:31:06,800 Speaker 1: the backseat of a Toyota camera with two people who 558 00:31:06,840 --> 00:31:09,280 Speaker 1: are doing meth and trying to figure out if you 559 00:31:09,280 --> 00:31:11,880 Speaker 1: want to come home with them. So my god, You're like, 560 00:31:11,920 --> 00:31:13,880 Speaker 1: I'm just trying to get to the airport. Yeah. And 561 00:31:13,920 --> 00:31:15,640 Speaker 1: this was like an era of nightlife where like I 562 00:31:15,720 --> 00:31:18,200 Speaker 1: only took uber pools. It was all I could afford. 563 00:31:18,240 --> 00:31:20,240 Speaker 1: And like I got into an uber pool and sat 564 00:31:20,240 --> 00:31:22,520 Speaker 1: there for like three minutes and the woman next to 565 00:31:22,560 --> 00:31:25,880 Speaker 1: me goes like, are you fran or whatever? And I 566 00:31:25,920 --> 00:31:28,080 Speaker 1: was like, what, Okay, now I've had a conversation with 567 00:31:28,120 --> 00:31:30,200 Speaker 1: this person. And this person was like, oh, I would 568 00:31:30,200 --> 00:31:32,160 Speaker 1: have gotten out yeah, but this person was like, oh, 569 00:31:32,240 --> 00:31:35,760 Speaker 1: I'm mutual friends with blank, this person that I was, 570 00:31:36,080 --> 00:31:38,360 Speaker 1: this new person that I was hooking up with, and 571 00:31:38,400 --> 00:31:41,040 Speaker 1: they were like, oh, yeah, he seems like super happy. 572 00:31:41,080 --> 00:31:43,440 Speaker 1: I'm really good friends with him and his partner and 573 00:31:43,480 --> 00:31:46,760 Speaker 1: blah blah blah, they seem so happy or whatever. And 574 00:31:46,880 --> 00:31:49,640 Speaker 1: I think I was a little drunk and I was 575 00:31:49,720 --> 00:31:52,600 Speaker 1: I remember being like, you know, I have known blah 576 00:31:52,600 --> 00:31:54,720 Speaker 1: blah blah for a very long time, and I will 577 00:31:54,760 --> 00:31:58,080 Speaker 1: say like I don't think he's being true to his 578 00:31:58,200 --> 00:32:01,240 Speaker 1: partner or whatever. And I basically wanted a very small 579 00:32:01,280 --> 00:32:04,760 Speaker 1: seed that was just like I don't like this person 580 00:32:04,880 --> 00:32:07,280 Speaker 1: is kind of maybe cheating on your friend or whatever 581 00:32:07,840 --> 00:32:11,080 Speaker 1: with me, But like I didn't say that, but I 582 00:32:11,200 --> 00:32:13,400 Speaker 1: like and and then like I never saw that person again, 583 00:32:13,440 --> 00:32:15,040 Speaker 1: and like, I think we stopped talking up or whatever, 584 00:32:15,160 --> 00:32:16,360 Speaker 1: and I don't know if it ever got back to 585 00:32:16,400 --> 00:32:20,080 Speaker 1: that person, but if it did, it's like years later. 586 00:32:20,120 --> 00:32:32,239 Speaker 1: Revenge basically, you know what is part of all this? 587 00:32:32,360 --> 00:32:34,360 Speaker 1: Like living well, it's the best. Revenge is something that 588 00:32:34,440 --> 00:32:37,360 Speaker 1: I feel is very much a product of of knowing 589 00:32:37,400 --> 00:32:41,320 Speaker 1: that that is something that I am uh striving for. 590 00:32:41,600 --> 00:32:43,840 Speaker 1: Is when I go and look at who watches my 591 00:32:43,880 --> 00:32:49,840 Speaker 1: Instagram stories? Yeah, that it's like an intricate little like 592 00:32:50,280 --> 00:32:53,840 Speaker 1: vanity exercise, like or like I go and scroll through 593 00:32:54,760 --> 00:32:58,360 Speaker 1: my social media looking at it as if I am 594 00:32:58,400 --> 00:33:00,920 Speaker 1: a person who was looking at it from the outside 595 00:33:01,240 --> 00:33:04,880 Speaker 1: and trying to understand the story it tells. I do 596 00:33:04,960 --> 00:33:07,960 Speaker 1: think that social media, like by and large, is a 597 00:33:07,960 --> 00:33:11,920 Speaker 1: byproduct of that idea of wanting to, you know, stick 598 00:33:12,000 --> 00:33:15,040 Speaker 1: it to the people who have stuck it to you. 599 00:33:15,360 --> 00:33:17,280 Speaker 1: Try not to look at like my story views. But 600 00:33:17,440 --> 00:33:22,480 Speaker 1: I do often see my people that have sextually, you know, 601 00:33:22,560 --> 00:33:26,640 Speaker 1: ghosted me watching every story and I'm like, you can't 602 00:33:26,640 --> 00:33:29,920 Speaker 1: get enough. No, no, it's hot. You put on a 603 00:33:29,920 --> 00:33:34,400 Speaker 1: great show. I put on a great show, and that's appreciated. 604 00:33:34,880 --> 00:33:37,080 Speaker 1: And there's so much value in putting on a great show. 605 00:33:37,720 --> 00:33:40,400 Speaker 1: You know, entertainment has so much value people. It's really 606 00:33:40,480 --> 00:33:43,160 Speaker 1: vulnerable to put yourself out there and a lot of 607 00:33:43,160 --> 00:33:46,200 Speaker 1: people just can't do it. And like on topic, I 608 00:33:46,240 --> 00:33:49,560 Speaker 1: do have divorce energy, like I feel like a lot 609 00:33:49,600 --> 00:33:51,440 Speaker 1: of it. What does that mean to you? I think 610 00:33:51,480 --> 00:33:54,720 Speaker 1: I feel like a lot of like what I feel like, 611 00:33:54,760 --> 00:33:57,640 Speaker 1: I'm kind of like a very like I don't need 612 00:33:57,680 --> 00:34:00,160 Speaker 1: a man, like I'm just a solo queen or ever, 613 00:34:00,360 --> 00:34:07,480 Speaker 1: kind of like Eartha Kit Tracy Ellis Ross. I actually 614 00:34:07,480 --> 00:34:12,399 Speaker 1: think you have second wife energy. I think you're more 615 00:34:12,440 --> 00:34:15,360 Speaker 1: of the Sarah Jessica Parker would love in the situation. 616 00:34:15,520 --> 00:34:17,359 Speaker 1: And I'm too smart to be a trophy wife though, 617 00:34:17,360 --> 00:34:18,759 Speaker 1: but I would love to be. Wait, I'm going to 618 00:34:18,800 --> 00:34:21,279 Speaker 1: stop you right there. Yeah you're like if you are, 619 00:34:21,520 --> 00:34:29,320 Speaker 1: you are that's that's hor phobic. It is okay call me. 620 00:34:29,640 --> 00:34:31,480 Speaker 1: You are not too smart to be a trophy wive. 621 00:34:31,560 --> 00:34:33,640 Speaker 1: I've learned so much from trophy wives. A lot of 622 00:34:34,200 --> 00:34:35,920 Speaker 1: a lot of people I really care about love and 623 00:34:35,960 --> 00:34:39,080 Speaker 1: trust have taught me a lot about worthiness because I 624 00:34:39,080 --> 00:34:42,879 Speaker 1: think trophy wifery is just like full time sex work 625 00:34:43,280 --> 00:34:45,960 Speaker 1: kind of yeah, it's one client, and like you can 626 00:34:46,120 --> 00:34:49,600 Speaker 1: agree or disagree, but like somebody's taking care of you 627 00:34:49,719 --> 00:34:52,440 Speaker 1: and paying for your life and you can get your 628 00:34:52,520 --> 00:34:54,319 Speaker 1: nails done and all that stuff or whatever it means 629 00:34:54,360 --> 00:34:56,440 Speaker 1: to you. But I think it's just kind of owning 630 00:34:56,560 --> 00:34:59,319 Speaker 1: the job. It's like, I'm not apologizing. It's kind of 631 00:34:59,320 --> 00:35:05,400 Speaker 1: sex work that is legitimized by our social structure, right 632 00:35:05,400 --> 00:35:07,200 Speaker 1: because you've got a man, so you're legit now. And 633 00:35:07,239 --> 00:35:09,920 Speaker 1: it's also super problematic, right because like now, like the 634 00:35:09,960 --> 00:35:12,200 Speaker 1: trophy wife exit strategy is kind of like what a 635 00:35:12,200 --> 00:35:16,160 Speaker 1: lot of strippers want, being like a wife in a 636 00:35:16,200 --> 00:35:19,600 Speaker 1: heterosexual relationship. Even sometimes, like I think a lot about 637 00:35:19,640 --> 00:35:22,400 Speaker 1: that that Paris is Burning clip where that girl is 638 00:35:22,440 --> 00:35:25,040 Speaker 1: like that there's a sex worker in Paris is Burning 639 00:35:25,040 --> 00:35:26,680 Speaker 1: and she's kind of giving a spield to the camera 640 00:35:26,680 --> 00:35:29,279 Speaker 1: and she's like, why is what I do like any 641 00:35:29,320 --> 00:35:32,960 Speaker 1: different than the wife who really wants that washer and 642 00:35:33,080 --> 00:35:35,960 Speaker 1: dryer and the man her husband doesn't want to give 643 00:35:35,960 --> 00:35:37,799 Speaker 1: it to her, but she's going to give him what 644 00:35:37,840 --> 00:35:40,360 Speaker 1: he wants that evening and so the next morning he 645 00:35:40,400 --> 00:35:42,279 Speaker 1: buys the washer and dry or like, why is that 646 00:35:42,280 --> 00:35:44,120 Speaker 1: any different than what I do. Like, I think a 647 00:35:44,120 --> 00:35:46,560 Speaker 1: lot about that. Clean clothes are amazing. Do you ever 648 00:35:46,560 --> 00:35:49,719 Speaker 1: watch Real Houseyes of Beverly Hills. I don't, Okay, So 649 00:35:49,840 --> 00:35:54,239 Speaker 1: that is trophy whiffery to the like nth degree. Not all, 650 00:35:54,320 --> 00:35:56,319 Speaker 1: not all of them, because a lot of them the 651 00:35:56,360 --> 00:35:59,200 Speaker 1: women are are the ones who are bringing the capital 652 00:35:59,239 --> 00:36:02,640 Speaker 1: to the relationship, as in First Wives Club, Because you know, 653 00:36:02,719 --> 00:36:06,920 Speaker 1: you have Goldie Hawn, who is this Oscar winning actress 654 00:36:07,000 --> 00:36:09,800 Speaker 1: who is the one who made her director husband's career. 655 00:36:10,360 --> 00:36:12,640 Speaker 1: You have Bette Midler who says like she's the one 656 00:36:12,640 --> 00:36:16,919 Speaker 1: who supported her husband until he became successful, and once 657 00:36:16,960 --> 00:36:20,120 Speaker 1: he gained success, that's when he left her. And then 658 00:36:20,200 --> 00:36:22,719 Speaker 1: Diane Keaton who like, you know, we don't really know 659 00:36:22,760 --> 00:36:24,120 Speaker 1: what her deal is, but like she has a very 660 00:36:24,160 --> 00:36:28,960 Speaker 1: nice apartment, so she's still sleeping with her anymore and 661 00:36:29,160 --> 00:36:32,680 Speaker 1: ends up buying his advertising agency. I think because she 662 00:36:32,840 --> 00:36:36,600 Speaker 1: maybe got out of the business to have their child. 663 00:36:37,239 --> 00:36:40,360 Speaker 1: That's maybe what we're supposed to understand is like she 664 00:36:40,520 --> 00:36:43,680 Speaker 1: let him be the one who focused on his career 665 00:36:43,719 --> 00:36:47,160 Speaker 1: while she focused on more domestic pursuits. So raising a 666 00:36:47,239 --> 00:36:52,719 Speaker 1: lesbian yeah, raising, oh my god, iconic this is, And 667 00:36:52,760 --> 00:36:56,200 Speaker 1: I'm just thinking of like where what this movie meant 668 00:36:56,200 --> 00:36:58,239 Speaker 1: to me and the ways that I experienced it as 669 00:36:58,280 --> 00:37:01,600 Speaker 1: a child, like definitely younger than I should have. I 670 00:37:01,640 --> 00:37:04,440 Speaker 1: think I probably saw it for the first time on HBO. 671 00:37:04,560 --> 00:37:07,279 Speaker 1: It was definitely on HBO a lot when I was 672 00:37:07,320 --> 00:37:09,719 Speaker 1: a kid, and I think, like the things that I 673 00:37:09,960 --> 00:37:15,720 Speaker 1: responded to were these fabulous women. I think also because 674 00:37:15,760 --> 00:37:18,960 Speaker 1: I was a child of divorce, there was something in 675 00:37:19,040 --> 00:37:22,080 Speaker 1: it that I like. It was like like calling to 676 00:37:22,200 --> 00:37:26,880 Speaker 1: like um and then also all the gay stuff um 677 00:37:28,640 --> 00:37:33,360 Speaker 1: of the gay as revenge. I feel like gay is revenge. 678 00:37:33,840 --> 00:37:35,600 Speaker 1: You know. This is like I still struggle with my 679 00:37:35,800 --> 00:37:38,640 Speaker 1: like identity sexually, not struggle. I don't struggle with it more, 680 00:37:38,680 --> 00:37:41,120 Speaker 1: but but it's my who I want to fuck right 681 00:37:41,280 --> 00:37:44,040 Speaker 1: is basically is sexuality to me. It's also a personal expression. 682 00:37:44,040 --> 00:37:46,840 Speaker 1: But it's always changing. Yeah, it's always like who, what 683 00:37:46,880 --> 00:37:48,839 Speaker 1: I'm attracted to, what I want to call in who 684 00:37:48,880 --> 00:37:51,960 Speaker 1: I think is intriguing. It's it's changing because I'm an 685 00:37:51,960 --> 00:37:54,440 Speaker 1: Aquarius and I get bored, so I like to change. 686 00:37:54,640 --> 00:37:56,560 Speaker 1: So what does that mean with my sexual identity. I 687 00:37:56,600 --> 00:37:59,600 Speaker 1: don't know, but like the whole like gay as as 688 00:37:59,640 --> 00:38:02,000 Speaker 1: a revenge like daddy, I'm a lesbian, a big one, 689 00:38:02,080 --> 00:38:04,399 Speaker 1: you know, like as to funk with him. Like part 690 00:38:04,400 --> 00:38:06,319 Speaker 1: of me was like, that's fucking amazing, and part of 691 00:38:06,360 --> 00:38:10,759 Speaker 1: me was like, wait what it's because it's yeah, that's 692 00:38:10,760 --> 00:38:15,240 Speaker 1: the worst possible thing this man could hear is that? Yeah? Yeah, yeah, 693 00:38:15,880 --> 00:38:19,600 Speaker 1: because if the yeah exactly, if the conflict is queerness, 694 00:38:19,760 --> 00:38:25,480 Speaker 1: like that is like right, it was a nineties movie, 695 00:38:25,560 --> 00:38:29,200 Speaker 1: and I still love the movie. Nothing's perfect. Things perfect, 696 00:38:29,440 --> 00:38:31,759 Speaker 1: There's plenty of things that aren't perfect about it, but 697 00:38:32,160 --> 00:38:36,040 Speaker 1: like it's very long, it's a little long. It's it's 698 00:38:36,080 --> 00:38:38,759 Speaker 1: a little long, is it. I loved every minute you 699 00:38:38,760 --> 00:38:40,600 Speaker 1: know what else is really long nine to five, which 700 00:38:40,640 --> 00:38:42,840 Speaker 1: is kind of in such a good movie. That's another 701 00:38:42,880 --> 00:38:47,040 Speaker 1: real I mean I enjoyed every minute of it. And 702 00:38:47,080 --> 00:38:49,400 Speaker 1: how they wrote that movie too, how it came together, 703 00:38:50,120 --> 00:38:53,640 Speaker 1: Like apparently I have I fan called really hard on 704 00:38:53,680 --> 00:38:57,720 Speaker 1: all of those actresses, right, so um, apparently they really 705 00:38:57,760 --> 00:39:00,520 Speaker 1: did all smoke pot and talk about the anses of 706 00:39:00,520 --> 00:39:01,759 Speaker 1: what they would do to their boss, and that's how 707 00:39:01,760 --> 00:39:04,719 Speaker 1: they wrote those scenes. No where, Yeah, I think they 708 00:39:04,719 --> 00:39:08,800 Speaker 1: were all smoking pot. Who is the Who's probably probably 709 00:39:08,840 --> 00:39:11,840 Speaker 1: with Jane Well they're all stone. Well, I think Lily 710 00:39:11,840 --> 00:39:13,359 Speaker 1: would be the one to bring it out, to bring 711 00:39:13,400 --> 00:39:15,920 Speaker 1: the weight. And apparently that was like a real they 712 00:39:15,920 --> 00:39:18,239 Speaker 1: really did interact and like have that moment, and that's 713 00:39:18,239 --> 00:39:19,919 Speaker 1: how they wrote it into the movie, which is how 714 00:39:19,960 --> 00:39:22,120 Speaker 1: I make my movies. Is I really just write what 715 00:39:22,239 --> 00:39:25,880 Speaker 1: really happened in real life. And then I hid and 716 00:39:25,960 --> 00:39:29,280 Speaker 1: Jane was like the engine that made that movie happen. 717 00:39:29,560 --> 00:39:31,799 Speaker 1: And I remember she brought in Lily because she was 718 00:39:31,960 --> 00:39:35,080 Speaker 1: because she was a lesbian. She was like Lily brings 719 00:39:35,200 --> 00:39:39,080 Speaker 1: that in factor. She know, she brings in a certain audience. 720 00:39:39,440 --> 00:39:42,480 Speaker 1: She's not your average woman, Like this is like perfect. 721 00:39:42,520 --> 00:39:44,719 Speaker 1: And then of course like she brought in Dolly. I 722 00:39:44,719 --> 00:39:46,840 Speaker 1: think they had already worked together or something, but like, 723 00:39:47,200 --> 00:39:50,719 Speaker 1: wasn't that Dolly's first acting person only still not only no, 724 00:39:50,719 --> 00:39:54,879 Speaker 1: no no, and she's no phenominal best little her house. 725 00:39:55,000 --> 00:39:59,720 Speaker 1: Yes she did. That's a good movie. Yeah yeah, um 726 00:39:59,760 --> 00:40:02,120 Speaker 1: I love also but yeah that that movie is so good. 727 00:40:02,200 --> 00:40:05,719 Speaker 1: And she I remember, didn't she like didn't Dolly write 728 00:40:05,760 --> 00:40:09,560 Speaker 1: the song? My she she didn't nails like like the 729 00:40:10,080 --> 00:40:14,120 Speaker 1: she I can do it right now? Yeah she did that, 730 00:40:14,200 --> 00:40:15,560 Speaker 1: she wrote it and she was like I got the 731 00:40:15,600 --> 00:40:17,239 Speaker 1: song idea and then she went up to Jane and 732 00:40:17,280 --> 00:40:18,520 Speaker 1: Lily it was like, what do you think? And she 733 00:40:18,640 --> 00:40:20,440 Speaker 1: sang it and did the rhythm with her nails and 734 00:40:20,440 --> 00:40:22,359 Speaker 1: they were like, they were like, it's a hit, yeah, 735 00:40:22,440 --> 00:40:26,520 Speaker 1: And it was. Honestly, it was the probably like an 736 00:40:26,560 --> 00:40:29,040 Speaker 1: imminent part of like what happens when you when a 737 00:40:29,200 --> 00:40:32,759 Speaker 1: song defines movie promotion or whatever, because that movie, that 738 00:40:32,880 --> 00:40:36,279 Speaker 1: song was everywhere along with the movie's promotion, and it 739 00:40:36,280 --> 00:40:41,000 Speaker 1: reminds me of like um Hold My Hand by Lady Gaga, 740 00:40:41,400 --> 00:40:45,000 Speaker 1: or I was going to say, um Survivor for Charlie's Angel. 741 00:40:45,160 --> 00:40:49,239 Speaker 1: Oh no, wait, was yea independent woman? Independent woman? Sorry? 742 00:40:49,280 --> 00:40:52,080 Speaker 1: Sorry sorry for that was like kind of the moment 743 00:40:53,040 --> 00:40:56,040 Speaker 1: Camerondi and Destiny. Yes, I also love that one. When 744 00:40:56,040 --> 00:40:58,160 Speaker 1: we when we emailed you and asked you about topics, 745 00:40:58,200 --> 00:41:02,239 Speaker 1: one of your alts was Coyote Ugly. Oh yeah, which 746 00:41:02,719 --> 00:41:04,439 Speaker 1: we got it. I would love to talk about Kyote 747 00:41:04,520 --> 00:41:08,839 Speaker 1: Ugly to me canonically, Kyoe Ugly. I don't know why 748 00:41:08,920 --> 00:41:12,760 Speaker 1: this is, but it's a Thanksgiving movie. I always watched 749 00:41:12,760 --> 00:41:15,920 Speaker 1: it on Thanksgiving and like, I don't know, there's just 750 00:41:15,960 --> 00:41:18,080 Speaker 1: something about it. But they're all sitting around the table 751 00:41:18,160 --> 00:41:23,040 Speaker 1: counting money together food movie about chosen family. It is 752 00:41:23,080 --> 00:41:25,920 Speaker 1: a movie about chosen family. That movie made me want 753 00:41:25,920 --> 00:41:28,560 Speaker 1: to be a stripper, hands down. Yeah. I mean it 754 00:41:28,600 --> 00:41:31,360 Speaker 1: was because remember that when tire Banks is like we 755 00:41:31,400 --> 00:41:33,440 Speaker 1: made three dollars tonight, and she had all this cash 756 00:41:33,640 --> 00:41:36,280 Speaker 1: and all these girls were sitting around the table. Romantic 757 00:41:36,440 --> 00:41:40,120 Speaker 1: plotline be gone, not that inc It was girls hanging 758 00:41:40,120 --> 00:41:42,520 Speaker 1: out together talking about money. And this is what I 759 00:41:42,560 --> 00:41:44,640 Speaker 1: like to do. I like to hang out with my girls, 760 00:41:44,640 --> 00:41:45,759 Speaker 1: and I like to talk about how we're going to 761 00:41:45,840 --> 00:41:48,080 Speaker 1: get money and that. And they all looked hot and 762 00:41:48,080 --> 00:41:50,760 Speaker 1: they were slutty, and I wanted all of those things. 763 00:41:51,520 --> 00:41:55,799 Speaker 1: And then some amazing music and she's an artist, she 764 00:41:55,960 --> 00:41:58,279 Speaker 1: becomes she does this job because she needs the gear 765 00:41:58,440 --> 00:42:00,640 Speaker 1: to make her music so that she can be songwriter. 766 00:42:01,000 --> 00:42:06,200 Speaker 1: Because being an artist costs money and time and time 767 00:42:06,239 --> 00:42:07,920 Speaker 1: to do it. So you take these jobs that are 768 00:42:08,000 --> 00:42:10,360 Speaker 1: higher paying so that you have the time and the 769 00:42:10,400 --> 00:42:12,359 Speaker 1: freedom to create your art. And I just saw her 770 00:42:12,400 --> 00:42:15,480 Speaker 1: doing that. I remember on her like Apple computer that 771 00:42:15,560 --> 00:42:17,040 Speaker 1: was like the new remember they came out and they 772 00:42:17,040 --> 00:42:19,799 Speaker 1: all had colors, and I was just like, I want 773 00:42:19,800 --> 00:42:21,600 Speaker 1: to be hanging out in my New York loft, like 774 00:42:21,680 --> 00:42:24,160 Speaker 1: making a bunch of cash and making art when she 775 00:42:24,200 --> 00:42:26,520 Speaker 1: gets robbed, and when she gets robbed, keeps the money 776 00:42:26,520 --> 00:42:28,799 Speaker 1: in the freezer and they find it. Yeah, but then 777 00:42:28,800 --> 00:42:31,439 Speaker 1: she rebuilds. Oh and also her best friend is played 778 00:42:31,480 --> 00:42:35,800 Speaker 1: by Melanie Lynskey, who who played those kinds of roles 779 00:42:35,960 --> 00:42:39,040 Speaker 1: for literally decades before. She's now getting her flowers and 780 00:42:39,120 --> 00:42:41,759 Speaker 1: yellow jackets. How when did you remember when you saw Okay, 781 00:42:42,239 --> 00:42:44,759 Speaker 1: Like how old you were or like I was probably like, 782 00:42:46,600 --> 00:42:49,000 Speaker 1: oh my god, well what year did it come out? 783 00:42:49,040 --> 00:42:53,080 Speaker 1: Two thousand? I turned fourteen. I was thirteen and fourteen, 784 00:42:53,400 --> 00:42:55,719 Speaker 1: Oh my gosh, like decade little did you know that? 785 00:42:55,800 --> 00:42:58,400 Speaker 1: Like a decade later or however long? It was literally 786 00:42:58,440 --> 00:43:01,560 Speaker 1: a decade later I became Mr bart three and like 787 00:43:02,000 --> 00:43:03,920 Speaker 1: and not just I mean like literally, like you are 788 00:43:03,960 --> 00:43:06,759 Speaker 1: sitting at home idolizing like strippers on Petty Ugly and 789 00:43:06,840 --> 00:43:10,160 Speaker 1: then like you know, years and years later j Lo 790 00:43:10,360 --> 00:43:13,520 Speaker 1: would be motor boating you and hustlers like truly, like 791 00:43:13,600 --> 00:43:18,479 Speaker 1: that is the full it is a full circle moment. Yeah. Yeah, 792 00:43:18,560 --> 00:43:22,759 Speaker 1: when you walk differently after Jlo feels you up, I 793 00:43:22,800 --> 00:43:24,759 Speaker 1: have to. I mean, I don't know if you. I mean, 794 00:43:24,760 --> 00:43:25,840 Speaker 1: we can take it out if you don't want to 795 00:43:25,800 --> 00:43:27,280 Speaker 1: talk about it. I would love to know more about 796 00:43:27,320 --> 00:43:30,360 Speaker 1: like just being on Hustlers. I remember after the movie, 797 00:43:30,480 --> 00:43:33,480 Speaker 1: shortly after the movie came out, you wrote a really long, 798 00:43:33,760 --> 00:43:38,239 Speaker 1: super thoughtful, like kind of Instagram story post just about 799 00:43:38,239 --> 00:43:41,520 Speaker 1: the nuances of like that movie's relationship to like sex work, 800 00:43:41,600 --> 00:43:43,480 Speaker 1: and like your relationship to it. Like what was the 801 00:43:43,560 --> 00:43:45,200 Speaker 1: story of like being a part of that movie. It 802 00:43:45,239 --> 00:43:48,640 Speaker 1: was amazing. It was my big break. Literally, I got 803 00:43:48,680 --> 00:43:52,560 Speaker 1: an email around my birthday, from my thirty first birthday, 804 00:43:52,600 --> 00:43:55,200 Speaker 1: I think, uh, saying, hey, do you want an audition 805 00:43:55,239 --> 00:43:57,560 Speaker 1: for Hustlers starring Jennifer Lopez? And I was like, and 806 00:43:57,600 --> 00:44:02,399 Speaker 1: also every other stars yes. And I remember I think 807 00:44:02,440 --> 00:44:05,239 Speaker 1: I was driving or something, and I was like, I'm 808 00:44:05,239 --> 00:44:07,319 Speaker 1: going to be in that fucking movie. I just said it. 809 00:44:07,320 --> 00:44:08,840 Speaker 1: I was like, I'm going to be in this fucking movie. 810 00:44:09,120 --> 00:44:11,839 Speaker 1: So I auditioned, and I meet Lorene Scafaria, the writer 811 00:44:11,880 --> 00:44:15,360 Speaker 1: and director who I really admire, who is a badass. 812 00:44:15,880 --> 00:44:18,680 Speaker 1: And I do the audition and then they offered me 813 00:44:18,719 --> 00:44:20,400 Speaker 1: the part and they're like, also, will you be the 814 00:44:20,400 --> 00:44:26,880 Speaker 1: intimacy coordinator? Yeah? Yeah, So I was like sure, we 815 00:44:26,920 --> 00:44:29,760 Speaker 1: called it stripper consultant, comfort consultant because there weren't sex scenes. 816 00:44:29,840 --> 00:44:32,799 Speaker 1: They weren't simulating sex, but like they needed help, you know, 817 00:44:33,320 --> 00:44:35,680 Speaker 1: making the stripper scenes real. And so I was there. 818 00:44:35,719 --> 00:44:37,400 Speaker 1: So j Low was like what would I say in 819 00:44:37,440 --> 00:44:39,439 Speaker 1: a situation like this? And like how would I move? 820 00:44:39,600 --> 00:44:41,400 Speaker 1: And like you know, what is this like? And like 821 00:44:41,440 --> 00:44:42,799 Speaker 1: what would I say to a guy in this? And 822 00:44:42,840 --> 00:44:44,960 Speaker 1: I just you know, she asked a lot of thoughtful 823 00:44:45,000 --> 00:44:47,640 Speaker 1: questions and she didn't need that much help. She's Jennifer 824 00:44:47,640 --> 00:44:51,279 Speaker 1: Lopez just called them all scum. Yeah. Well I was like, 825 00:44:51,320 --> 00:44:52,719 Speaker 1: I was like, well, I told her. She was like, 826 00:44:52,719 --> 00:44:54,399 Speaker 1: what would I say if Usher walked in the club? 827 00:44:54,440 --> 00:44:59,000 Speaker 1: And I was like, ask him his name? Yeah. The 828 00:44:59,480 --> 00:45:01,080 Speaker 1: movie that was The Couch, It's like what's your name? 829 00:45:02,160 --> 00:45:04,200 Speaker 1: Because that's what you have to do when there's somebody 830 00:45:04,200 --> 00:45:06,000 Speaker 1: who's big, you got to act like they're just a 831 00:45:06,040 --> 00:45:11,360 Speaker 1: regular person. And it was a great scene. It was 832 00:45:11,440 --> 00:45:15,800 Speaker 1: such a cool experience. I wouldn't have traded it for anything, 833 00:45:15,800 --> 00:45:18,120 Speaker 1: you know, because it I wanted. I've always wanted to 834 00:45:18,160 --> 00:45:20,080 Speaker 1: be in movies and make movies, and that was my opportunity. 835 00:45:20,120 --> 00:45:22,799 Speaker 1: And that's a pretty good one. Do you think do 836 00:45:22,800 --> 00:45:27,680 Speaker 1: you think it's a really like fair and thoughtful depiction 837 00:45:27,840 --> 00:45:34,960 Speaker 1: of that industry, of the industry experience. I did not 838 00:45:35,200 --> 00:45:36,839 Speaker 1: scam a bunch of guys out of that much money. 839 00:45:36,840 --> 00:45:39,319 Speaker 1: But let me tell you, I wish I did. I 840 00:45:39,360 --> 00:45:41,760 Speaker 1: wish I did because I remember when that cut article 841 00:45:41,840 --> 00:45:45,759 Speaker 1: came out and I was working in the clubs in Manhattan, 842 00:45:45,840 --> 00:45:49,319 Speaker 1: and look, stripping in Manhattan is the hardest ship I've 843 00:45:49,440 --> 00:45:51,840 Speaker 1: I've done a lot of hard things, but it's tough. 844 00:45:52,120 --> 00:45:54,759 Speaker 1: It is tough. I learned so much about myself. I 845 00:45:54,880 --> 00:45:58,920 Speaker 1: became so much stronger. But it's a really intense. It's 846 00:45:59,000 --> 00:46:02,240 Speaker 1: capitalism on steroids, right, It's like all of these people, 847 00:46:03,120 --> 00:46:06,320 Speaker 1: uh who work in New York and who can afford 848 00:46:06,719 --> 00:46:10,799 Speaker 1: New York City strip clubs, they're intense, intense. They want 849 00:46:10,840 --> 00:46:14,600 Speaker 1: your soul because they've sold theirs and they want yours, 850 00:46:15,239 --> 00:46:16,920 Speaker 1: you know. And I don't want to say all everyone, 851 00:46:17,120 --> 00:46:20,440 Speaker 1: but it's intense, and like, sometimes don't you just wish 852 00:46:20,440 --> 00:46:23,920 Speaker 1: they were fucking sleeping instead of trying to gnaw on 853 00:46:24,000 --> 00:46:28,960 Speaker 1: your nipples? Yeah, Like if I could give someone ketamine 854 00:46:29,080 --> 00:46:32,160 Speaker 1: to go have a nice nap instead of chewing on 855 00:46:32,239 --> 00:46:38,959 Speaker 1: my tits, go to sleep, go to sleep sleep. Yeah. 856 00:46:39,560 --> 00:46:42,000 Speaker 1: So so, look like I know what, I love a 857 00:46:42,040 --> 00:46:45,279 Speaker 1: movie about women doing bad things because I am not 858 00:46:45,680 --> 00:46:51,080 Speaker 1: a good person. This is why why we love I mean, 859 00:46:52,080 --> 00:46:54,200 Speaker 1: they were like, you know, catech good. I feel they were. 860 00:46:54,200 --> 00:46:56,320 Speaker 1: They were good. I mean, honestly, I think it's just 861 00:46:56,400 --> 00:46:58,200 Speaker 1: kind of like owning that, like a we all have 862 00:46:58,239 --> 00:47:11,200 Speaker 1: shadow sides, we all do things, we all do bad things. Yeah, 863 00:47:11,680 --> 00:47:14,160 Speaker 1: for so long, we only got one of these movies, 864 00:47:14,200 --> 00:47:18,799 Speaker 1: like a decade um and in In I think, like 865 00:47:18,880 --> 00:47:23,080 Speaker 1: other versions of them, the women were always punished. And 866 00:47:23,160 --> 00:47:25,600 Speaker 1: that's one great thing about these films is that the 867 00:47:25,640 --> 00:47:30,480 Speaker 1: women aren't punished for doing bad things or forgetting what 868 00:47:30,520 --> 00:47:32,680 Speaker 1: they want. I think now we're to place in media 869 00:47:32,760 --> 00:47:36,960 Speaker 1: where stories that center women doing bad things, like we 870 00:47:37,600 --> 00:47:39,640 Speaker 1: there's like an embarrassment of riches. We have a lot 871 00:47:39,760 --> 00:47:42,400 Speaker 1: of them, and the women don't have to be punished 872 00:47:42,440 --> 00:47:44,120 Speaker 1: at the end of them. Let us, let let us 873 00:47:44,320 --> 00:47:47,000 Speaker 1: learn the lesson, let us take the lesson and keep going. Yeah, 874 00:47:48,080 --> 00:47:50,239 Speaker 1: and I've got a new movie about strippers coming out 875 00:47:50,239 --> 00:47:53,080 Speaker 1: in the fall. Are you allowed to talk about it? Yeah? 876 00:47:53,080 --> 00:47:55,360 Speaker 1: I sure am, Yeah, it's my movie. I can do 877 00:47:55,400 --> 00:48:00,480 Speaker 1: whatever I wrote, directed, executive produced, co directed, and started 878 00:48:00,719 --> 00:48:03,920 Speaker 1: my first film. It's called Tuesdays with Brian so excited. 879 00:48:03,960 --> 00:48:06,160 Speaker 1: I had a character that I did a lot on 880 00:48:06,160 --> 00:48:08,920 Speaker 1: Instagram a couple of years ago. So it stars Brian 881 00:48:09,040 --> 00:48:11,440 Speaker 1: played by me, and it's a guy going to a 882 00:48:11,480 --> 00:48:13,839 Speaker 1: strip club. It's just into regular Tuesday, all of those, 883 00:48:13,880 --> 00:48:16,000 Speaker 1: all of that just there's so much fodder in that. 884 00:48:16,440 --> 00:48:19,160 Speaker 1: And the whole cast and crew is predominantly people who 885 00:48:19,200 --> 00:48:21,840 Speaker 1: are familiar with the industry have worked in it, so 886 00:48:22,239 --> 00:48:25,879 Speaker 1: it's told by people who have done the work, and 887 00:48:26,120 --> 00:48:29,280 Speaker 1: it's funny, I honestly think. I mean, in the array 888 00:48:29,360 --> 00:48:31,759 Speaker 1: of like sex worker movies that I can think of, 889 00:48:32,160 --> 00:48:35,439 Speaker 1: I feel like I have yet to see one that 890 00:48:35,600 --> 00:48:39,080 Speaker 1: feels like sex workers had like I played a super 891 00:48:39,080 --> 00:48:41,760 Speaker 1: meaningful part and like what was be made outside of hustlers. 892 00:48:41,880 --> 00:48:46,200 Speaker 1: I also think like Zola, like Zola like that that 893 00:48:46,280 --> 00:48:51,560 Speaker 1: kind of ye. So the way they portrayed um sex 894 00:48:51,600 --> 00:48:55,560 Speaker 1: work as like I'm just trying to work, just trying 895 00:48:55,560 --> 00:48:57,000 Speaker 1: to get the money, and you have to deal with 896 00:48:57,239 --> 00:49:04,480 Speaker 1: all of that sex works of like I'm just trying 897 00:49:04,480 --> 00:49:07,040 Speaker 1: to get twenty People think that the dancing is what 898 00:49:07,080 --> 00:49:09,799 Speaker 1: you get paid for when you're a stripper, right that 899 00:49:09,840 --> 00:49:11,840 Speaker 1: it's like the twenty lap dance, Like I had to 900 00:49:11,840 --> 00:49:14,359 Speaker 1: spend ten minutes talking to this guy to convince him 901 00:49:14,400 --> 00:49:17,080 Speaker 1: to buy one. That's the work. The three and a 902 00:49:17,080 --> 00:49:19,200 Speaker 1: half minutes where I'm dancing is where I can just 903 00:49:19,280 --> 00:49:21,279 Speaker 1: kind of move my body and breathe and just tune 904 00:49:21,320 --> 00:49:23,440 Speaker 1: it out and just do my It is a lot 905 00:49:23,440 --> 00:49:25,959 Speaker 1: of it is very anticlimactic, and so much of sex 906 00:49:25,960 --> 00:49:29,319 Speaker 1: work and my experience of it was waiting and just 907 00:49:29,400 --> 00:49:33,520 Speaker 1: kind of like getting ready being on call. Yeah, getting ready, 908 00:49:33,000 --> 00:49:39,759 Speaker 1: I mean ready is fun. Sometimes the waiting is not. 909 00:49:39,960 --> 00:49:43,040 Speaker 1: And then I always loved like the aftermath of like Okay, 910 00:49:43,040 --> 00:49:47,000 Speaker 1: now I'm going to order a burrito and just vibe. 911 00:49:47,440 --> 00:49:52,440 Speaker 1: It really helped me with valuing performance and art as 912 00:49:52,600 --> 00:49:55,799 Speaker 1: as work, because now as an artist, I treat my 913 00:49:55,840 --> 00:49:58,040 Speaker 1: creativity and my craft and my time and my body 914 00:49:58,400 --> 00:50:00,799 Speaker 1: with the same care, because it's really essential that I'm 915 00:50:00,800 --> 00:50:03,960 Speaker 1: in good health, that my hands work, that my voice works, 916 00:50:04,000 --> 00:50:06,640 Speaker 1: that my body is strong so that I can continue 917 00:50:06,680 --> 00:50:07,880 Speaker 1: to do the things that I need to do to 918 00:50:07,920 --> 00:50:10,239 Speaker 1: make a living. And that's really what stripping tommy and 919 00:50:10,280 --> 00:50:13,719 Speaker 1: that's how my performance as a comedian I know is 920 00:50:14,200 --> 00:50:17,440 Speaker 1: enhanced eight thousand times because of my work on stage 921 00:50:17,440 --> 00:50:19,880 Speaker 1: as a stripper and my ability to talk to people, 922 00:50:20,400 --> 00:50:24,360 Speaker 1: and most importantly, my comfort with asking for money, because 923 00:50:24,400 --> 00:50:26,440 Speaker 1: if you want to be an artist, you if you 924 00:50:26,480 --> 00:50:28,400 Speaker 1: want to fall in love with art, you have to 925 00:50:28,400 --> 00:50:30,600 Speaker 1: fall in love with asking for money all the time. 926 00:50:30,960 --> 00:50:33,520 Speaker 1: It's it's it's for I mean, it's I still ask 927 00:50:33,560 --> 00:50:37,000 Speaker 1: for money. Every single thing that I do to make 928 00:50:37,040 --> 00:50:41,319 Speaker 1: a living is eventually me asking for money. Yeah, occasionally, 929 00:50:41,719 --> 00:50:45,560 Speaker 1: occasionally people will offer me money, but it's very much 930 00:50:45,600 --> 00:50:49,839 Speaker 1: asking for it all the time. And um, it used 931 00:50:49,840 --> 00:50:52,560 Speaker 1: to be revengeful that, you know a man, Haiti. I 932 00:50:52,560 --> 00:50:55,360 Speaker 1: started stripping. I'm a survivor. I got into stripping and 933 00:50:55,400 --> 00:50:58,680 Speaker 1: I have really hated men, and I felt like that 934 00:50:58,760 --> 00:51:00,879 Speaker 1: was a place where I could take my power back 935 00:51:00,920 --> 00:51:05,640 Speaker 1: and get paid and be safe. And over many, many, 936 00:51:05,719 --> 00:51:08,359 Speaker 1: many years, I've sort of like healed parts of that. 937 00:51:08,840 --> 00:51:12,760 Speaker 1: And then money is a lot of things. It's sexy, Yeah, 938 00:51:12,800 --> 00:51:16,399 Speaker 1: it is sex. I love cash undeniably. I love them. 939 00:51:16,719 --> 00:51:21,000 Speaker 1: I love In First Wives Club, when Goldie Hahn takes 940 00:51:21,080 --> 00:51:24,680 Speaker 1: all of her ex husband's possessions and then sells them 941 00:51:24,680 --> 00:51:26,680 Speaker 1: at auction and gives him her cut of it, which 942 00:51:26,719 --> 00:51:34,239 Speaker 1: is yeah, whatever, Yes, the Lamborghini, the Liechtenstein, Yeah, that 943 00:51:34,360 --> 00:51:37,200 Speaker 1: Miller is so good, and that maybe she is Goldie 944 00:51:37,200 --> 00:51:43,359 Speaker 1: hand every day. That is literally I took that when 945 00:51:43,360 --> 00:51:45,239 Speaker 1: I the first time I got Fillers. I took that 946 00:51:45,280 --> 00:51:47,640 Speaker 1: photo with me and said, this is what I want. 947 00:51:47,760 --> 00:51:51,800 Speaker 1: I want. But she's in the chair and she's like more. 948 00:51:52,200 --> 00:51:56,640 Speaker 1: She is so Goldie. Hawn is one of the greats 949 00:51:56,680 --> 00:52:00,200 Speaker 1: of our lifetime, one of the greatest comedic actress is 950 00:52:00,239 --> 00:52:02,680 Speaker 1: And I think she is not thought of in that 951 00:52:02,800 --> 00:52:06,960 Speaker 1: way enough because I think, like because she is like 952 00:52:07,239 --> 00:52:11,560 Speaker 1: so beautiful and so glamorous, but she is a comedic genius. 953 00:52:11,600 --> 00:52:14,400 Speaker 1: We were actually just talking recently about I I just 954 00:52:14,480 --> 00:52:16,960 Speaker 1: saw a production of Into the Woods in New York, 955 00:52:16,960 --> 00:52:20,120 Speaker 1: the Steven Sonheim musical, and there was supposed to be 956 00:52:20,160 --> 00:52:23,080 Speaker 1: a movie version of it with her and Share and 957 00:52:23,200 --> 00:52:26,600 Speaker 1: Robin Williams. I'm so sad that we were robbed of that, 958 00:52:26,719 --> 00:52:29,640 Speaker 1: and I wish she was doing movies doing movies. Wasn't 959 00:52:29,640 --> 00:52:31,720 Speaker 1: the last movie she did? That movie with Amy Schumer. 960 00:52:33,360 --> 00:52:36,640 Speaker 1: My favorite of hers is The House Sitter. I've never 961 00:52:36,719 --> 00:52:38,839 Speaker 1: seen it. Oh my god, what is it about? Oh 962 00:52:38,920 --> 00:52:44,240 Speaker 1: my god? Steve Martin. Goldie Han is it's a squatting movie. 963 00:52:44,320 --> 00:52:48,640 Speaker 1: She starts squatting in Steve Martin's house and she's so 964 00:52:48,800 --> 00:52:51,080 Speaker 1: hot knit she wears her body suits in her jeans 965 00:52:51,640 --> 00:52:55,640 Speaker 1: and she's just like being amazing the premises. She meets 966 00:52:55,680 --> 00:52:59,279 Speaker 1: Steve Martin at a bar or something and she find 967 00:52:59,360 --> 00:53:01,480 Speaker 1: and he and he I don't know, and he has 968 00:53:01,520 --> 00:53:03,799 Speaker 1: like a beautiful house. He's an architect, but he's like 969 00:53:03,840 --> 00:53:05,719 Speaker 1: not living in it because I think he proposed to 970 00:53:05,840 --> 00:53:07,600 Speaker 1: his girlfriend and she was like it was such a 971 00:53:07,640 --> 00:53:09,920 Speaker 1: good scene. He builds this beautiful house for her and 972 00:53:09,960 --> 00:53:11,919 Speaker 1: he drives up in the converted to this beautiful house 973 00:53:12,080 --> 00:53:14,239 Speaker 1: and he's presenting the house and he's like, marry me 974 00:53:14,680 --> 00:53:18,680 Speaker 1: and this bitch I love her. She's like no. So 975 00:53:18,800 --> 00:53:21,040 Speaker 1: he's so bummed. Right, he goes drinking and he's like drawing, 976 00:53:21,080 --> 00:53:22,440 Speaker 1: Oh my god, I really ate so much to so 977 00:53:22,440 --> 00:53:24,960 Speaker 1: many parts of this movie. He's like drawing on a 978 00:53:25,000 --> 00:53:28,279 Speaker 1: cocktail napkin the house and Goldie Han finds it, and 979 00:53:28,320 --> 00:53:30,000 Speaker 1: she finds the house and she just starts living in 980 00:53:30,040 --> 00:53:32,200 Speaker 1: it because no one's there, and she's pretending that she's 981 00:53:32,280 --> 00:53:34,799 Speaker 1: his new girlfriend, but he doesn't know because he's not there. 982 00:53:36,000 --> 00:53:38,960 Speaker 1: It's such a good movie. It's such an inspiration. And 983 00:53:39,040 --> 00:53:43,279 Speaker 1: three of them are like the are great, they're amazing actresses. 984 00:53:43,400 --> 00:53:48,319 Speaker 1: Yan Keene is an amazing way. She's still she really 985 00:53:48,360 --> 00:53:52,359 Speaker 1: has showed kind of how much she sucks. But that year, 986 00:53:52,520 --> 00:53:55,600 Speaker 1: I'm sorry, this is this anatirist is probably told to death. 987 00:53:55,719 --> 00:53:58,279 Speaker 1: But like Bet the fact that Bett used to like 988 00:53:58,400 --> 00:54:02,200 Speaker 1: singing like gay bath houses, Like did you know that 989 00:54:02,239 --> 00:54:04,720 Speaker 1: she used to like she like used to do before 990 00:54:04,760 --> 00:54:07,319 Speaker 1: she was like famous famous, Her agent will book her 991 00:54:07,360 --> 00:54:10,440 Speaker 1: for like three dollars to like sing songs at like 992 00:54:10,880 --> 00:54:14,000 Speaker 1: gay bathhouses where there was like you know, back when 993 00:54:14,040 --> 00:54:16,239 Speaker 1: like you know, gay sex was criminalized. This is where 994 00:54:16,239 --> 00:54:20,560 Speaker 1: they were the origin. I love it. I love the 995 00:54:20,560 --> 00:54:23,000 Speaker 1: money you get to do weird Ship because it's a 996 00:54:23,040 --> 00:54:26,480 Speaker 1: gig my idea. A gig is a gig and they 997 00:54:26,480 --> 00:54:29,480 Speaker 1: are not all great, but they're all great stories. Could 998 00:54:29,520 --> 00:54:31,920 Speaker 1: you imagine Bette Midler performing to a room full of 999 00:54:31,920 --> 00:54:38,640 Speaker 1: wi yes, yes, yes, I I'm sure there's plenty of 1000 00:54:38,680 --> 00:54:42,640 Speaker 1: gay men who still have sex while Bette Midler is 1001 00:54:42,800 --> 00:54:45,759 Speaker 1: in the room in some way or another. Well, in 1002 00:54:45,880 --> 00:54:49,160 Speaker 1: the Politician season two, there's so many different ways to 1003 00:54:49,200 --> 00:54:51,239 Speaker 1: put on a show and share a story and be 1004 00:54:51,360 --> 00:54:53,759 Speaker 1: a great entertainer. And these are the stories we talked 1005 00:54:53,800 --> 00:54:57,120 Speaker 1: about thirty years later. You can put on a show 1006 00:54:57,120 --> 00:55:00,440 Speaker 1: at your you know, women's shelter at the end of 1007 00:55:00,800 --> 00:55:06,000 Speaker 1: the opening while no one is there. Yes, because it 1008 00:55:06,080 --> 00:55:08,279 Speaker 1: just feels so good to do it. I'm just so 1009 00:55:08,320 --> 00:55:11,600 Speaker 1: happy that that film had the self awareness to put 1010 00:55:11,640 --> 00:55:15,600 Speaker 1: that scene at the end of them doing a number. Yeah, 1011 00:55:15,640 --> 00:55:18,160 Speaker 1: it's going to end in a dance finale. It has 1012 00:55:18,200 --> 00:55:24,279 Speaker 1: to end in the most celebratory way. Yes, I feel 1013 00:55:24,320 --> 00:55:28,560 Speaker 1: like that movie is now like a beloved like gay film. 1014 00:55:28,600 --> 00:55:31,719 Speaker 1: I think it's a beloved like lesbian film. I think 1015 00:55:31,760 --> 00:55:33,880 Speaker 1: a lot of trans people love this film. And I 1016 00:55:33,920 --> 00:55:36,799 Speaker 1: think that, like a lot of things that had mass 1017 00:55:36,800 --> 00:55:39,080 Speaker 1: appeal when it came out in the nineties, have like 1018 00:55:39,160 --> 00:55:41,799 Speaker 1: a cruden value to where we are now. And I 1019 00:55:41,840 --> 00:55:44,839 Speaker 1: think like revenge and like powerful women like getting that 1020 00:55:44,960 --> 00:55:47,960 Speaker 1: revenge to kind of suck the patriarchy. Like, it's amazing 1021 00:55:48,000 --> 00:55:52,000 Speaker 1: how much that message has like just become even more 1022 00:55:52,200 --> 00:55:54,840 Speaker 1: kind of resident also passes the back tol test because 1023 00:55:54,880 --> 00:55:57,880 Speaker 1: like they start off talking about their husbands and then 1024 00:55:57,920 --> 00:56:01,319 Speaker 1: the real drama becomes their relation chips with each other. 1025 00:56:02,160 --> 00:56:06,840 Speaker 1: You know, there's the scene where she throws the golden globe. 1026 00:56:07,000 --> 00:56:10,439 Speaker 1: I think when they all fight and when Goldie Hans 1027 00:56:10,440 --> 00:56:13,160 Speaker 1: says one of her best lines ever, I have feelings. 1028 00:56:13,160 --> 00:56:17,839 Speaker 1: I'm an actress. I have, all of them have. And 1029 00:56:17,880 --> 00:56:21,560 Speaker 1: also you know, just like the the zane nous of it, 1030 00:56:21,600 --> 00:56:25,640 Speaker 1: when they're in the scaffold, the window washing thing, and 1031 00:56:25,760 --> 00:56:29,160 Speaker 1: it falls like that. They just don't make movies like 1032 00:56:29,200 --> 00:56:32,799 Speaker 1: this anymore. They don't, They literally don't. But we can't. Well, 1033 00:56:32,800 --> 00:56:35,719 Speaker 1: I'm gonna so I'm I'm moving into like much more 1034 00:56:35,719 --> 00:56:38,080 Speaker 1: serious filmmaking. So rest assured, I'm going to be making 1035 00:56:38,480 --> 00:56:44,239 Speaker 1: way more buddy comedies. All the rich people listening. If 1036 00:56:44,280 --> 00:56:46,640 Speaker 1: you want to finance Queer, Fast and the Furious, you 1037 00:56:46,680 --> 00:56:49,200 Speaker 1: can email me yes, because I want to make a 1038 00:56:49,239 --> 00:56:53,600 Speaker 1: car movie about bitches that Why does that not exist? Going? 1039 00:56:53,640 --> 00:56:56,400 Speaker 1: I'm making it, you're making it, That's why? Why don't 1040 00:56:56,680 --> 00:57:03,200 Speaker 1: tell me? That's right? Don't? We are all by the 1041 00:57:03,200 --> 00:57:05,680 Speaker 1: way virgins. If you if you're trying to picture us 1042 00:57:05,719 --> 00:57:08,360 Speaker 1: in your minds, we're all wearing white powers. So we 1043 00:57:08,480 --> 00:57:23,680 Speaker 1: just um and we are stomping away. What do y'all want? 1044 00:57:23,680 --> 00:57:26,360 Speaker 1: To see us discuss next because honestly, we have no 1045 00:57:26,560 --> 00:57:30,560 Speaker 1: idea we are really running load. It could be a book, 1046 00:57:30,600 --> 00:57:35,680 Speaker 1: a movie, a cultural phenomenon, a moment of celebrity, something 1047 00:57:35,680 --> 00:57:38,840 Speaker 1: that was just very specifically interesting to you as a 1048 00:57:38,920 --> 00:57:41,520 Speaker 1: baby queer or you know, siss het. If you are 1049 00:57:41,560 --> 00:57:44,080 Speaker 1: out there, Um, you can call us to confess at 1050 00:57:44,080 --> 00:57:46,919 Speaker 1: three to three penance. That's three to three, seven three, 1051 00:57:46,960 --> 00:57:49,240 Speaker 1: six to six to three. But you can also leave 1052 00:57:49,280 --> 00:57:53,800 Speaker 1: suggestions as a review on Apple podcast, as an Instagram story, 1053 00:57:54,040 --> 00:57:55,880 Speaker 1: just like any way you want to reach us. You 1054 00:57:55,920 --> 00:57:59,440 Speaker 1: know there are middling degrees of success, and also tag 1055 00:57:59,520 --> 00:58:03,760 Speaker 1: our earner Instagram account at like a virgin for which 1056 00:58:03,800 --> 00:58:05,760 Speaker 1: is probably the best way to get to us. Yes, 1057 00:58:05,840 --> 00:58:07,440 Speaker 1: we do check the d m s. We do not 1058 00:58:07,560 --> 00:58:09,960 Speaker 1: always respond to them. Yeah, yeah, yeah, I don't know 1059 00:58:10,000 --> 00:58:11,720 Speaker 1: if we're yeah, I don't know if we're always You're trying, 1060 00:58:11,760 --> 00:58:14,760 Speaker 1: but we will see. Um. I'm your co host fran Toronto. 1061 00:58:14,880 --> 00:58:16,960 Speaker 1: You can find me at Frans Squish Co. Wherever you 1062 00:58:17,000 --> 00:58:19,560 Speaker 1: want social I'm Rose Damn. You you can find me 1063 00:58:19,600 --> 00:58:25,040 Speaker 1: at Rose Damn you want, Instagram, TikTok, Twitter, LinkedIn, LinkedIn 1064 00:58:25,240 --> 00:58:28,600 Speaker 1: farmers Only Farmer's only um, what was that? What's the 1065 00:58:28,680 --> 00:58:31,120 Speaker 1: Jewish dating app called j j D j D. I 1066 00:58:31,160 --> 00:58:34,520 Speaker 1: am not on JD. Unfortunately. You can subscribe to Like 1067 00:58:34,560 --> 00:58:38,520 Speaker 1: a Virgin anywhere you listen and uh leave us a review. Obviously, 1068 00:58:38,880 --> 00:58:40,840 Speaker 1: Like a Virgin is an I Heeart radio production. Our 1069 00:58:40,840 --> 00:58:44,480 Speaker 1: producer is Phoebe W The Phoebe Winter with support from 1070 00:58:44,560 --> 00:58:47,680 Speaker 1: Lindsay Hoffman, Julian Weller, Jess Cranechitch and Nicky E. Tour 1071 00:58:48,160 --> 00:58:52,880 Speaker 1: until next week, See you later, virgins. That was really 1072 00:58:52,920 --> 00:58:56,880 Speaker 1: fun and everyone's tids looked really great. Yeah, okay, you 1073 00:58:56,920 --> 00:58:59,280 Speaker 1: better include that too, though, Phoebe. Wait, let's get a 1074 00:58:59,280 --> 00:59:08,400 Speaker 1: boom shot booby but amazing booms