WEBVTT - Podcast update, and a chat with Patrick Wolf

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<v Speaker 1>Good evening to all of you. Midnight Chats were Wolves.

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<v Speaker 1>It's been a little while, hasn't it. Stue here with

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<v Speaker 1>a little bit of an update on the podcast, something

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<v Speaker 1>that's a bit of a bonus and something that I

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<v Speaker 1>hope will will intrigue you with something else that I'm

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<v Speaker 1>doing right now. Midnight Chats is still on hold for

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<v Speaker 1>the time being. No sign of it coming back just yet,

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<v Speaker 1>but it's not the end of the world because there's

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<v Speaker 1>so many episodes of it that I'm sure there's ones

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<v Speaker 1>that you've missed, for better or worse, so please do

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<v Speaker 1>keep listening to those, and whenever we have more information

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<v Speaker 1>on bringing back Midnight Chats as it was, I'll let

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<v Speaker 1>you know here on this feed. But there is a

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<v Speaker 1>new podcast that I've been making simply called the Loud

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<v Speaker 1>and Quiet Podcast, and I wanted to share one episode

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<v Speaker 1>of it here in the hope that you like it

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<v Speaker 1>and then you give it a follow wherever you're listening

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<v Speaker 1>to this. By just putting in the Loud and Quiet

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<v Speaker 1>Podcast and giving that show a follow, it's not a

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<v Speaker 1>million miles away from Midnight Chats. It's often a conversation

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<v Speaker 1>with a musical artist, this one that I'm about to

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<v Speaker 1>play you is with Patrick Wolf. It's part one. Part

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<v Speaker 1>two is also out today, but I won't drop that

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<v Speaker 1>here in the Midnight Chats Feed. We're going to keep

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<v Speaker 1>this the Midnight Chats Feed, but if you want to

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<v Speaker 1>listen to part one you can do that here. But

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<v Speaker 1>Part two and Part one and some other stuff is

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<v Speaker 1>on the Loud and Quiet podcast Feed. Please do check

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<v Speaker 1>it out. You can subscribe, as I say, wherever you're

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<v Speaker 1>listening to this on Spotify or Apple or wherever you're listening

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<v Speaker 1>to your podcasts, or you can also subscribe to it

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<v Speaker 1>on the Loud and Quiet substack, which is just Loud

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<v Speaker 1>and Quiet dot substack dot com. But for now, here

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<v Speaker 1>is an very interesting conversation I had with Patrick Wolf

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<v Speaker 1>as you're here. It's it's like a good old fashioned

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<v Speaker 1>midnights in many ways, lots to get into with Patrick Wolf,

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<v Speaker 1>and I won't tee it up now because I'm about

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<v Speaker 1>to tee it up in two seconds time on this recording.

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<v Speaker 1>I hope you've all been doing well. I hope twenty

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<v Speaker 1>twenty fives going to plan so far, it's been an

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<v Speaker 1>absolute dustbin fire for me so far, and Greg's faring

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<v Speaker 1>much better. It was his birthday at the weekend, his fortieth,

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<v Speaker 1>and that wasn't even enough to dampen his spirits. Meanwhile,

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<v Speaker 1>my life is on fire. Please do enjoy Patrick Wolf

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<v Speaker 1>here on the Midnight Chats feed and then give us

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<v Speaker 1>a follow. Keep following Midnight Chats, but give us a

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<v Speaker 1>follow on the Loud and Quiet podcast wherever you get

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<v Speaker 1>your podcasts. This is the Loud and Quiet Podcast. I'm

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<v Speaker 1>Stuart Stubbs and today I'm joined by Patrick Wolf. Patrick

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<v Speaker 1>is currently aged forty one years old. He was born

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<v Speaker 1>and grew up in Southwest London, and in two thousand

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<v Speaker 1>and three released his debut Albumlyanthropy. Since then, he has

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<v Speaker 1>released five more albums and a few EPs. His music

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<v Speaker 1>usually consists of violin, piano, keyboards, ukulele, accordion, mandolin, guitar

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<v Speaker 1>and bass, giving a baroque pop fill, but it also

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<v Speaker 1>features elements of what became known in the mid two

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<v Speaker 1>thousands as folktronica. Patrick sings in a very deep croon

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<v Speaker 1>and I have been a fan of his since the beginning.

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<v Speaker 1>Really two thousand and five is when I started doing

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<v Speaker 1>Loud and Quiet in its original form as a printed fanzine,

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<v Speaker 1>and around that time, we had him on the cover

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<v Speaker 1>of one of our very early fanzines, something that I

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<v Speaker 1>took to him when we recorded this interview and presented

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<v Speaker 1>to him, so stay tuned to hear his reactions. I

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<v Speaker 1>think he took it quite well. In two thousand and

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<v Speaker 1>seven Patrick had some major label success with his third record,

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<v Speaker 1>The Magic Position, and in the same year he also

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<v Speaker 1>modeled for Birbury. But over the last ten years Patrick

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<v Speaker 1>has experienced some of the most traumatic and dramatic things

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<v Speaker 1>that anyone can go through, including addiction, grief, financial and

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<v Speaker 1>legal troubles, and serious injury. I had a great idea

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<v Speaker 1>for us to do this, walking along the Kent coast

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<v Speaker 1>with the sea dropping away to our side, beautiful sunshine,

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<v Speaker 1>seagulls in the air. But on the day of recording,

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<v Speaker 1>when I got to our meeting place a little earlier,

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<v Speaker 1>just to see what conditions were like, it was clear

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<v Speaker 1>that that was a terrible idea. So I carried on

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<v Speaker 1>driving to Patrick's house where in his garden he has

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<v Speaker 1>got the most incredible garden studio that I've certainly ever seen.

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<v Speaker 1>It's in a converted double garage and in this one

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<v Speaker 1>room he has four corners as most rooms have, but

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<v Speaker 1>each corner has been set up with a different station.

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<v Speaker 1>He's got a writing area and a library. He's got

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<v Speaker 1>a TV studio that he uses for his Patreon concerts.

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<v Speaker 1>He's got his recording studio of all of his instruments

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<v Speaker 1>in one corner, and then in this final corner where

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<v Speaker 1>we're going to start this conversation, he's got all of

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<v Speaker 1>his clothes and his stage costumes and the sewing machine

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<v Speaker 1>that he makes them on.

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<v Speaker 2>In the other corner is the recent edition. I got

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<v Speaker 2>rid of my bicycle because I've never cycled since I

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<v Speaker 2>moved down. There are too many cliffs and hills and

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<v Speaker 2>it's my costume making area. So I realized how much

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<v Speaker 2>I was making, especially for the album artwork. I you know,

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<v Speaker 2>I don't have any of the connections I used to

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<v Speaker 2>living in London, and I kind of don't want them.

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<v Speaker 2>So in terms of, you know, stylists or calling up

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<v Speaker 2>designers for pieces, I can't call Alexander McQueen's studio anymore

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<v Speaker 2>because I think they probably think I'm dead, you know.

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<v Speaker 2>So I decided to get back to what I.

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<v Speaker 3>Used to do, was make all my own clothes.

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<v Speaker 1>Yeah, are you enjoying that? You enjoying getting back in time.

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<v Speaker 3>I'm really enjoying.

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<v Speaker 2>It feels very If I'm furious about something then although

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<v Speaker 2>the sewing machine is not the place to take your

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<v Speaker 2>anger up because it registers it and everything goes wrong,

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<v Speaker 2>but there's something about I think I have to calm

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<v Speaker 2>down in order to be productive there. It's a very

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<v Speaker 2>very holistic area for me. Yeah, very pragmatic. Sure, it's

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<v Speaker 2>either gardening or sewing gets me into get some of

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<v Speaker 2>the rage out of me of the modern world.

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<v Speaker 1>So it's like the perfect perfect space. I think, like

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<v Speaker 1>you've got these four zones. It's a beautiful garden. It's

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<v Speaker 1>a lovely day. We're in rams Gay. How long have

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<v Speaker 1>you been here?

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<v Speaker 3>So it's coming out to like five years?

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<v Speaker 1>Okay.

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<v Speaker 2>I was thinking about it when I got When I

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<v Speaker 2>got sober was in June twenty twenty, and then I

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<v Speaker 2>was here by May May the first, the year after,

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<v Speaker 2>and then I moved into this house on Halloween.

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<v Speaker 1>Kent as an area, I know it's because Kent, Kent.

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<v Speaker 3>I'm very specifical.

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<v Speaker 1>Okay, Yeah, why is that?

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<v Speaker 2>Well, you know, like Middle Kent is like Tunbridge Wells,

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<v Speaker 2>North Kent is getting I like Medway I'm not saying

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<v Speaker 2>I don't like these places. I just feel an affinity

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<v Speaker 2>with something about you know, East Kent goes I don't know.

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<v Speaker 2>I don't know that even like the local folklore changes

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<v Speaker 2>when you get to East Kent. There are some very

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<v Speaker 2>specific things about the border land of East Kent, of

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<v Speaker 2>seeing France on the other side of the cliffs of

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<v Speaker 2>the of the the rhythm here. It's not Tunbridge Wells. Yeah, yeah,

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<v Speaker 2>it is very different than Tumbridge and and Medway has

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<v Speaker 2>that slight dystopian paradise about it.

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<v Speaker 1>It's interesting actually because I'm from Essex. I'm from South

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<v Speaker 1>End in Essex. And you know, people talk about Essex

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<v Speaker 1>probably in a similar way to the way they talk

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<v Speaker 1>about Kent and by lumping it all together. But you're

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<v Speaker 1>dead right. You don't actually have to travel far within

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<v Speaker 1>a county like Kent or Essex to realize how different

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<v Speaker 1>places are. Like the north of Essex is completely unrecognizable

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<v Speaker 1>to where I grew up. I know this place is

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<v Speaker 1>has become really special to you, But what what made

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<v Speaker 1>what drew you to? What made you move here?

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<v Speaker 2>So like I live between Ramsgate and broad Stairs. So

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<v Speaker 2>actually the name of the place where in between. It's

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<v Speaker 2>quite unfortunate has the word dump in it, so so

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<v Speaker 2>I live in the dump right So, but but Broadstairs.

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<v Speaker 1>I saw a.

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<v Speaker 3>Clip of it on.

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<v Speaker 2>The Alan Bennett film Lady in the Van. There's a

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<v Speaker 2>bit where she gets in the van and she she

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<v Speaker 2>vanishes and he finds her on Broadstairs and and I

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<v Speaker 2>just loved there was something about the about about the bay,

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<v Speaker 2>and I just was like, I need to find where

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<v Speaker 2>that is and I need I need to go. So

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<v Speaker 2>my partner and I then we we would make it

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<v Speaker 2>our escape out of London because so it was only

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<v Speaker 2>felt like an hour and a half and it just

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<v Speaker 2>became like a romantic place to come to.

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<v Speaker 3>And then and then.

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<v Speaker 2>The the week that I was declared bankrupt by by

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<v Speaker 2>the court, then I am I was pretty shell shocked

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<v Speaker 2>and and my partner took me down to Broadstairs and

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<v Speaker 2>there was just a sense of like a feeling of

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<v Speaker 2>like this is where I start again. I don't know,

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<v Speaker 2>I don't know what I felt, but I just remember

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<v Speaker 2>staying up all night and watching two seagulls fight.

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<v Speaker 3>Over like a bottle of beer or something like outside

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<v Speaker 3>and just watching that and watching it was it was.

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<v Speaker 2>A January January, and it was on January February really

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<v Speaker 2>really bleak, and I just felt at home. I just

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<v Speaker 2>felt like in this out of season. And the strange

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<v Speaker 2>thing is like on Wind and the Wires, my second album,

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<v Speaker 2>I had imagined I had a lover down in who

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<v Speaker 2>had a family in Penzance and Hail, and the whole

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<v Speaker 2>mythology of Wind and the Wires was based around this.

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<v Speaker 3>Really, I wouldn't, I wouldn't.

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<v Speaker 2>I'd say it was too hardcore for Thomas Hardy, but

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<v Speaker 2>it was like this very tragic romantic relationship in set

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<v Speaker 2>in this area. But that set off my imagination to

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<v Speaker 2>into out of season. And I say imagination because it

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<v Speaker 2>was i'd grow I grew up in Wandsworth, but I

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<v Speaker 2>started to I think I was using the imaginary the

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<v Speaker 2>places I saw on the train trips down there, like Tigemouth,

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<v Speaker 2>the ferris wheel on the but I don't even know if.

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<v Speaker 3>There was a firest wheel, but I was.

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<v Speaker 2>I was sketching out this how I felt, but using

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<v Speaker 2>out of low season England to tell that story. And

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<v Speaker 2>then when I and I think it was like that

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<v Speaker 2>always felt like home wherever that was where I was describing,

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<v Speaker 2>and then it wasn't until I did my first winter

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<v Speaker 2>here that I realized there's a song called This Weather

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<v Speaker 2>and it basically like like prophetically describes what it is

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<v Speaker 2>to do a winter here. And I just was like,

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<v Speaker 2>I think I kind of wrote about this place, and

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<v Speaker 2>I'd like to say it was a prophecy. Yeah, do

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<v Speaker 2>the wise that was I was describing where I needed

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<v Speaker 2>to to I was going to live one day.

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<v Speaker 1>Yeah, and now you found it. Was it just that

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<v Speaker 1>you were sort of bored of London? Did you just

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<v Speaker 1>need to change it up? Did you want to quieter,

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<v Speaker 1>quieter existence?

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<v Speaker 2>No, I was, you know, I was very ill and

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<v Speaker 2>am tired of London. I I guess in a way,

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<v Speaker 2>I felt like I had spated me out and and

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<v Speaker 2>strange like luckily I always lived in central London, so

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<v Speaker 2>like I lived in Southwark opposite the Tate Modern, like

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<v Speaker 2>in this very you know, like very bougie penthouse apartment,

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<v Speaker 2>and then moved to this little mewse house and I

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<v Speaker 2>lived like a really like I lived in central London

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<v Speaker 2>and I lived in Bloomsbury for like four years and

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<v Speaker 2>and yeah, I know, but like for a flat that

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<v Speaker 2>was eight hundred pounds a month, like rent like old.

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<v Speaker 2>It was like it was an old Art Deco building

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<v Speaker 2>that was for that was built for single it was

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<v Speaker 2>like a feminist architect who built it for single women.

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<v Speaker 2>And and for some reason, the rent had just stayed

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<v Speaker 2>really low. So I stayed there on about about eight

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<v Speaker 2>hundred pounds a month during the period that I was

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<v Speaker 2>bankrupt as well, so you know, And and then my

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<v Speaker 2>mother died and sorry, that's just some some great, great

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<v Speaker 2>positive moments in my life, just to draw a dump

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<v Speaker 2>on everybody, but the yeah, but basically I was like

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<v Speaker 2>I had when she died. I had a lump sum

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<v Speaker 2>of money and I was like, well, I'm going to

0:13:52.400 --> 0:13:55.319
<v Speaker 2>try to stay in London, which led me to buying

0:13:55.559 --> 0:13:58.920
<v Speaker 2>like the literally the cheapest flat you could could in

0:13:58.960 --> 0:14:02.080
<v Speaker 2>London on right move. I was just like, okay, because

0:14:02.080 --> 0:14:05.120
<v Speaker 2>it's it's my last last chance of holding on here

0:14:05.160 --> 0:14:08.319
<v Speaker 2>financially if I can stay, And it was just the

0:14:08.920 --> 0:14:12.920
<v Speaker 2>it was like it was I really spiraled there mentally.

0:14:14.040 --> 0:14:15.480
<v Speaker 1>And where was that flat in.

0:14:17.360 --> 0:14:20.680
<v Speaker 3>Perry Vale? And you might you might Lewisham, you said you're.

0:14:20.560 --> 0:14:24.880
<v Speaker 1>From, I'm living in Lewisham. Now yeah, where right?

0:14:24.960 --> 0:14:25.160
<v Speaker 3>Yeah?

0:14:25.200 --> 0:14:31.760
<v Speaker 2>So it's like between sydonym and Catford, and it's like

0:14:31.880 --> 0:14:34.560
<v Speaker 2>it's like a small area in between there, but it

0:14:34.600 --> 0:14:36.720
<v Speaker 2>was and it was like I moved in there three

0:14:36.760 --> 0:14:40.680
<v Speaker 2>months before the pandemic hit, on an eighth floor of

0:14:40.720 --> 0:14:45.680
<v Speaker 2>the of a tower block. And and the thing, like

0:14:45.920 --> 0:14:48.960
<v Speaker 2>romantically I I all I saw was this view over.

0:14:49.120 --> 0:14:52.000
<v Speaker 2>I could see across the whole of London from a distance,

0:14:52.400 --> 0:14:55.720
<v Speaker 2>and on the other side I could see in my head.

0:14:55.720 --> 0:14:59.560
<v Speaker 3>It was like this liminal world where I could like

0:14:59.640 --> 0:15:00.680
<v Speaker 3>wander and wonder. And and.

0:15:03.080 --> 0:15:07.880
<v Speaker 2>When I actually started exploring, like in so there was

0:15:07.920 --> 0:15:10.080
<v Speaker 2>London that side, I was like, okay, I've lived here.

0:15:10.120 --> 0:15:11.880
<v Speaker 3>I'm like, how old am I now? I'm like thirty five.

0:15:11.880 --> 0:15:13.920
<v Speaker 2>But in the distance, I was still looking for one.

0:15:13.960 --> 0:15:16.000
<v Speaker 2>I was looking for something that would inspire me to

0:15:16.720 --> 0:15:19.440
<v Speaker 2>work and to come back to life and come back

0:15:19.480 --> 0:15:22.920
<v Speaker 2>to what, come back to writing. And I thought I

0:15:22.920 --> 0:15:26.360
<v Speaker 2>would find it there, but you know, I would just

0:15:26.640 --> 0:15:29.360
<v Speaker 2>wander and I couldn't get and keep on walking and

0:15:29.400 --> 0:15:31.560
<v Speaker 2>walking for like hours and I just end up in

0:15:31.560 --> 0:15:36.520
<v Speaker 2>Bromley or Beckenham or and I just felt like completely

0:15:36.560 --> 0:15:39.120
<v Speaker 2>trapped by this city. It just was like endless and

0:15:39.280 --> 0:15:40.760
<v Speaker 2>just got and I was like, well, how do I

0:15:40.760 --> 0:15:43.520
<v Speaker 2>get inspired by this area or research people that you

0:15:43.600 --> 0:15:46.560
<v Speaker 2>used that lived or made stuff here. And so I

0:15:46.680 --> 0:15:50.480
<v Speaker 2>ended up discovering like the Bromley contingent and listening to

0:15:50.480 --> 0:15:53.040
<v Speaker 2>Susie the Banchies for the first time and like really

0:15:53.040 --> 0:15:53.560
<v Speaker 2>getting into that.

0:15:53.600 --> 0:15:54.560
<v Speaker 3>But it really didn't help.

0:15:55.000 --> 0:15:57.360
<v Speaker 2>It just it just made me feel it, like to

0:15:57.400 --> 0:16:01.640
<v Speaker 2>get darker and more anxious and like, you know, it

0:16:01.800 --> 0:16:03.480
<v Speaker 2>was like the most inspiring thing I could find was

0:16:03.480 --> 0:16:05.560
<v Speaker 2>Sir Chiselhurst Caves, you know, And I said, oh, I'm

0:16:05.560 --> 0:16:07.160
<v Speaker 2>going to make an album in the caves and I

0:16:07.200 --> 0:16:08.000
<v Speaker 2>got permission to.

0:16:07.960 --> 0:16:10.320
<v Speaker 3>Do it, and and.

0:16:12.400 --> 0:16:15.600
<v Speaker 2>The pandemic happened, and I realized I was had gone

0:16:15.640 --> 0:16:22.400
<v Speaker 2>from getting clean in twenty sixteen to becoming a full

0:16:22.440 --> 0:16:28.760
<v Speaker 2>blown alcoholic. Like what do they say some people use

0:16:28.760 --> 0:16:32.360
<v Speaker 2>the word functioning, like but whatever, the opposite of functioning is,

0:16:32.360 --> 0:16:35.080
<v Speaker 2>you know, so deathly and when.

0:16:35.200 --> 0:16:37.200
<v Speaker 1>You weren't funk, you weren't functioning.

0:16:36.840 --> 0:16:38.000
<v Speaker 3>No, like malfunctioning.

0:16:38.160 --> 0:16:42.120
<v Speaker 2>Yeah, and and and very ill, and the whole the

0:16:42.160 --> 0:16:44.800
<v Speaker 2>whole building just became possessed in that in that way

0:16:45.120 --> 0:16:48.600
<v Speaker 2>before me and London just felt like I had reached

0:16:48.680 --> 0:16:51.160
<v Speaker 2>completely not the end of the road, but I've been

0:16:51.240 --> 0:16:55.720
<v Speaker 2>kicked off the road, you know, And and I just thought,

0:16:55.720 --> 0:16:58.920
<v Speaker 2>there's no way back there, and and I don't want

0:16:58.920 --> 0:17:03.800
<v Speaker 2>to go back, and and and I knew that if

0:17:03.800 --> 0:17:05.359
<v Speaker 2>I was going to be sober, then I needed to

0:17:05.520 --> 0:17:11.800
<v Speaker 2>be I needed to every day have something that I

0:17:11.800 --> 0:17:14.920
<v Speaker 2>didn't put in my body that gave me a sense

0:17:14.920 --> 0:17:20.359
<v Speaker 2>of wonder. And for me, that was an element bigger

0:17:20.400 --> 0:17:24.720
<v Speaker 2>than me. So for me that's always been the center

0:17:24.760 --> 0:17:27.080
<v Speaker 2>of a city can feel like bigger than you. That's exciting,

0:17:27.160 --> 0:17:30.720
<v Speaker 2>you know, being in the desert, being up a mountain,

0:17:30.960 --> 0:17:33.840
<v Speaker 2>being in a huge forest, lost, having something as a

0:17:33.920 --> 0:17:36.520
<v Speaker 2>human being, it's really important to have to not.

0:17:36.400 --> 0:17:37.920
<v Speaker 3>Feel like you're on top.

0:17:37.760 --> 0:17:42.000
<v Speaker 2>Of it, like you're bigger than everything, or you're too

0:17:42.000 --> 0:17:44.120
<v Speaker 2>big for this space. To have something that completely makes

0:17:44.160 --> 0:17:46.480
<v Speaker 2>you feel small. So I needed to be by the sea.

0:17:46.640 --> 0:17:52.280
<v Speaker 1>I realized that, as Patrick's already alluded to, there's been

0:17:52.400 --> 0:17:55.520
<v Speaker 1>a long gap between his last album and what is

0:17:55.560 --> 0:17:57.680
<v Speaker 1>going to be a new album that comes out later

0:17:57.720 --> 0:18:00.920
<v Speaker 1>this year in June twenty twenty five. It's been thirteen

0:18:01.000 --> 0:18:04.400
<v Speaker 1>years since he released Sun Dark, River Lights in twenty twelve,

0:18:04.760 --> 0:18:08.760
<v Speaker 1>which was an album that celebrated his first decade in

0:18:08.960 --> 0:18:13.119
<v Speaker 1>music by reimagining old songs. It was sort of a

0:18:13.160 --> 0:18:16.720
<v Speaker 1>best of that boiled some of his songs from previous

0:18:16.760 --> 0:18:21.159
<v Speaker 1>albums back down to more traditional folk songs. But between

0:18:21.200 --> 0:18:24.639
<v Speaker 1>its release and where we are now in spring of

0:18:24.680 --> 0:18:29.800
<v Speaker 1>twenty twenty five, this man has experienced one tragedy after another.

0:18:30.520 --> 0:18:35.359
<v Speaker 1>It includes addiction to alcohol and hard drugs. In twenty eighteen,

0:18:35.760 --> 0:18:38.520
<v Speaker 1>his mother died, he was involved in a hit and

0:18:38.680 --> 0:18:42.440
<v Speaker 1>run accident where he was a pedestrian whilst in Italy,

0:18:43.080 --> 0:18:46.720
<v Speaker 1>and in twenty seventeen he was declared bankrupt after it

0:18:46.760 --> 0:18:49.919
<v Speaker 1>turned out his manager and accountant had been failing to

0:18:49.960 --> 0:18:50.960
<v Speaker 1>pay his taxes.

0:18:52.600 --> 0:18:58.720
<v Speaker 3>I have a theory that chaos begets chaos, you know,

0:18:58.840 --> 0:19:04.680
<v Speaker 3>so if you are you know, at the at the

0:19:04.720 --> 0:19:05.280
<v Speaker 3>heart of.

0:19:05.240 --> 0:19:11.920
<v Speaker 2>All of this stuff is is somebody without any self control,

0:19:12.200 --> 0:19:16.879
<v Speaker 2>without any healing of any raw nerve, all the all

0:19:16.920 --> 0:19:24.040
<v Speaker 2>the nerve endings like like you've you've wider plug and

0:19:24.080 --> 0:19:27.600
<v Speaker 2>put the earth in the but all the different colors

0:19:27.600 --> 0:19:30.480
<v Speaker 2>in the wrong places. And and there is a sense

0:19:30.520 --> 0:19:35.359
<v Speaker 2>of responsibility that that I take for all of those.

0:19:35.080 --> 0:19:35.920
<v Speaker 3>Things that happened.

0:19:35.960 --> 0:19:40.160
<v Speaker 2>I the bankruptcy came through financial abuse through a management

0:19:40.240 --> 0:19:41.920
<v Speaker 2>system and accountant.

0:19:41.440 --> 0:19:43.760
<v Speaker 3>For eight years of my life.

0:19:44.520 --> 0:19:46.679
<v Speaker 2>I you know, at the end of the day, the

0:19:46.680 --> 0:19:49.040
<v Speaker 2>only person that could ever have found that out was

0:19:49.080 --> 0:19:53.760
<v Speaker 2>somebody that that decided to take a little bit of

0:19:53.920 --> 0:19:57.159
<v Speaker 2>responsibility for their financeing and investigate these things. But of

0:19:57.200 --> 0:19:59.879
<v Speaker 2>course they should never have done those things in the

0:20:00.040 --> 0:20:02.040
<v Speaker 2>first place. But at the end of the day, it

0:20:02.080 --> 0:20:05.760
<v Speaker 2>didn't stop until I.

0:20:04.480 --> 0:20:05.360
<v Speaker 3>Wised up a bit.

0:20:07.520 --> 0:20:11.240
<v Speaker 2>I'm sorry those things happened to me in one way,

0:20:11.240 --> 0:20:14.200
<v Speaker 2>but I also believe that things got that those things

0:20:14.200 --> 0:20:21.560
<v Speaker 2>stopped happening when I decided to to change my behavior.

0:20:22.400 --> 0:20:23.919
<v Speaker 3>You know, yeah, I do know.

0:20:24.320 --> 0:20:27.119
<v Speaker 2>You know, there is there's a pattern of people entering

0:20:27.280 --> 0:20:30.600
<v Speaker 2>rock bottom that It's not just that they can't stop

0:20:30.680 --> 0:20:34.280
<v Speaker 2>drinking or they can't stop using. It's that they're losing

0:20:34.320 --> 0:20:38.840
<v Speaker 2>their relationships, their house, they're breaking their mobile phone every week,

0:20:38.880 --> 0:20:43.879
<v Speaker 2>they've lost their ten passports like me, like they like

0:20:43.960 --> 0:20:47.119
<v Speaker 2>I used to go through a phone every month, you know,

0:20:47.240 --> 0:20:48.400
<v Speaker 2>and I kin't and I.

0:20:48.240 --> 0:20:50.760
<v Speaker 1>Am from from what from just drop.

0:20:50.600 --> 0:20:54.080
<v Speaker 2>Drop, dropping it, running it over, putting it in the bath,

0:20:54.240 --> 0:20:57.159
<v Speaker 2>just like you. You know, I went ten passports. I

0:20:57.200 --> 0:21:00.800
<v Speaker 2>had the government people warning me up saying you're not

0:21:00.840 --> 0:21:02.960
<v Speaker 2>allowed another one. We think you might be committing fraud,

0:21:03.040 --> 0:21:05.040
<v Speaker 2>you know, like I haven't lost a passport since I've

0:21:05.040 --> 0:21:07.719
<v Speaker 2>got since I've got sober, I haven't. I still had

0:21:07.720 --> 0:21:09.879
<v Speaker 2>the same phone, you know, there's and and if you

0:21:09.880 --> 0:21:12.119
<v Speaker 2>look at that on a macro scale, of course, it

0:21:12.160 --> 0:21:16.119
<v Speaker 2>were most likely that I would get run over or

0:21:16.520 --> 0:21:18.160
<v Speaker 2>or you know.

0:21:18.720 --> 0:21:21.119
<v Speaker 1>So even even that, even like being hit by a

0:21:21.160 --> 0:21:25.680
<v Speaker 1>car in Italy, you take a certain amount of responsibilief.

0:21:25.720 --> 0:21:28.399
<v Speaker 2>I take it as a big warning sign that you

0:21:28.440 --> 0:21:30.800
<v Speaker 2>know as well. But you know, I had to romanticize

0:21:30.800 --> 0:21:33.199
<v Speaker 2>it because like on one side at the end of

0:21:33.200 --> 0:21:39.399
<v Speaker 2>that road was where Byrons it was a beach in

0:21:39.680 --> 0:21:45.280
<v Speaker 2>Lago del Puccini in Via Reggio, was where Byron's body

0:21:45.359 --> 0:21:47.200
<v Speaker 2>was washed up on the shore. You know, some like

0:21:47.320 --> 0:21:49.600
<v Speaker 2>romanticizing it at the time, you know, and still like

0:21:49.880 --> 0:21:52.719
<v Speaker 2>and it's like, yeah, you know, it's like near it was.

0:21:52.800 --> 0:21:57.760
<v Speaker 2>It was all quite like, you know, kind of glamorous

0:21:57.800 --> 0:22:03.000
<v Speaker 2>and felt like part of ye know, I didn't take it.

0:22:03.040 --> 0:22:06.000
<v Speaker 2>I just didn't take it very seriously for another few years, basically,

0:22:06.080 --> 0:22:08.160
<v Speaker 2>but I saw it that that I do take it.

0:22:08.359 --> 0:22:10.960
<v Speaker 2>I do take it as a one of the many

0:22:10.960 --> 0:22:14.240
<v Speaker 2>things that happened because I was a bit of a

0:22:14.320 --> 0:22:17.040
<v Speaker 2>vortex really, Yeah, as a black hole.

0:22:18.000 --> 0:22:19.879
<v Speaker 1>Way back when that last YEW came out, we actually

0:22:19.880 --> 0:22:21.920
<v Speaker 1>spoke on the phone for an interview for the magazine,

0:22:22.560 --> 0:22:24.720
<v Speaker 1>and I think, I don't know if you were just there,

0:22:24.840 --> 0:22:26.280
<v Speaker 1>you just happened to be there. But were you living

0:22:26.280 --> 0:22:28.800
<v Speaker 1>in LA at that point and you spoke to me

0:22:28.840 --> 0:22:29.400
<v Speaker 1>from LA?

0:22:30.840 --> 0:22:32.119
<v Speaker 3>That would have been terrifying.

0:22:32.200 --> 0:22:34.600
<v Speaker 2>Okay, yeah, that's not a great place for me.

0:22:35.040 --> 0:22:37.080
<v Speaker 1>Was that it was? But you were there at that

0:22:37.119 --> 0:22:41.040
<v Speaker 1>point around that time they're releasing that record? What was

0:22:41.080 --> 0:22:45.040
<v Speaker 1>the sort of plan? Obviously it's you know, thirteen years

0:22:45.040 --> 0:22:47.600
<v Speaker 1>between records, obviously very long time. It's a lot's happened.

0:22:48.240 --> 0:22:50.760
<v Speaker 1>But when you think back to that time of twenty twelve,

0:22:50.920 --> 0:22:54.560
<v Speaker 1>was the plan to put out that record, tour it,

0:22:54.760 --> 0:22:58.040
<v Speaker 1>promote it, and then make another record within you know,

0:22:58.520 --> 0:23:00.400
<v Speaker 1>as you normally, you know, as an art as normally

0:23:00.440 --> 0:23:05.480
<v Speaker 1>would within two or three four years. Can you remember

0:23:05.520 --> 0:23:09.000
<v Speaker 1>what you what? What was the plan back then? Or

0:23:09.040 --> 0:23:09.680
<v Speaker 1>was there not one?

0:23:10.320 --> 0:23:15.320
<v Speaker 2>I do remember because I had started to work out

0:23:15.400 --> 0:23:20.720
<v Speaker 2>that there was something very dark sided happening with my

0:23:20.760 --> 0:23:28.439
<v Speaker 2>management and perhaps with my accounts and I and I

0:23:28.480 --> 0:23:32.080
<v Speaker 2>needed to get out of that situation, and because I

0:23:32.119 --> 0:23:34.040
<v Speaker 2>didn't really know any other alternative, I was like, well,

0:23:34.080 --> 0:23:35.760
<v Speaker 2>I just need I just need all this to stop

0:23:35.800 --> 0:23:39.399
<v Speaker 2>so I can work out what's going on. And so

0:23:39.680 --> 0:23:42.600
<v Speaker 2>I decided I.

0:23:41.720 --> 0:23:42.320
<v Speaker 3>Started to.

0:23:45.960 --> 0:23:49.919
<v Speaker 2>Make I started to sew to to sew seeds in

0:23:50.240 --> 0:23:53.000
<v Speaker 2>my management's management's head, saying that I was going to

0:23:53.640 --> 0:23:55.359
<v Speaker 2>this is going to be my last album for a while.

0:23:55.359 --> 0:23:58.639
<v Speaker 2>I was going to go and learn sculpture, and that

0:23:58.720 --> 0:24:03.600
<v Speaker 2>I was going to and I was basically looking like

0:24:03.720 --> 0:24:06.520
<v Speaker 2>trying to say to everybody, like you can't make.

0:24:06.400 --> 0:24:07.440
<v Speaker 3>Money out of me anymore.

0:24:07.560 --> 0:24:10.040
<v Speaker 2>I'm going to this is my last record for a

0:24:10.080 --> 0:24:12.800
<v Speaker 2>long time. And I was kind of putting it like

0:24:13.200 --> 0:24:17.320
<v Speaker 2>kind of I'm kind of use that word manifest.

0:24:17.480 --> 0:24:19.760
<v Speaker 1>Yeah, that's a clay to use that.

0:24:19.880 --> 0:24:22.639
<v Speaker 2>No, I guess, like you know, manifest what manifests, like,

0:24:22.760 --> 0:24:28.800
<v Speaker 2>you know, we manifest everything apparently these days. So but

0:24:28.880 --> 0:24:33.399
<v Speaker 2>I was, you know, without without really going into the

0:24:33.960 --> 0:24:38.160
<v Speaker 2>grotesquery of of of of what was happening at that time,

0:24:38.960 --> 0:24:42.920
<v Speaker 2>I was setting up a period of a break as

0:24:42.920 --> 0:24:45.240
<v Speaker 2>a test to to the people around me to see

0:24:45.240 --> 0:24:48.000
<v Speaker 2>how they react about me not making money for them anymore.

0:24:48.440 --> 0:24:50.560
<v Speaker 2>But also because and but in order to do that,

0:24:50.600 --> 0:24:52.160
<v Speaker 2>I realized that I was going to have to.

0:24:55.119 --> 0:24:56.240
<v Speaker 3>To physically take time.

0:24:56.320 --> 0:24:58.119
<v Speaker 2>And when I was and I was starting to realize

0:24:58.160 --> 0:25:00.240
<v Speaker 2>at the end of Sun Dark and Riverlight, and I

0:25:00.359 --> 0:25:04.520
<v Speaker 2>was also just a feeling of like I did, I

0:25:04.560 --> 0:25:09.080
<v Speaker 2>just felt like a sense of a chapter of work ending.

0:25:09.240 --> 0:25:11.280
<v Speaker 2>And I'm talking about not like the recent album, but

0:25:11.320 --> 0:25:13.879
<v Speaker 2>the thing, the thing I started at eighteen, I felt

0:25:13.960 --> 0:25:17.520
<v Speaker 2>like was coming to a natural end. I don't like

0:25:17.880 --> 0:25:23.600
<v Speaker 2>in this studio, I've got two albums I'm preparing to

0:25:23.640 --> 0:25:28.240
<v Speaker 2>come after this album. I've always had another project on

0:25:28.280 --> 0:25:30.879
<v Speaker 2>the go. When I was making the Chan three, I

0:25:30.920 --> 0:25:33.800
<v Speaker 2>was demoing some songs for the Magic Position. When I

0:25:33.800 --> 0:25:36.680
<v Speaker 2>was doing Wind in the Wires, some of the songs

0:25:36.680 --> 0:25:38.159
<v Speaker 2>set up on the batch. There's always like kind of

0:25:38.160 --> 0:25:40.560
<v Speaker 2>a two album, like there's always a long distance element

0:25:40.600 --> 0:25:42.320
<v Speaker 2>to what I was doing. And there was just nothing

0:25:42.359 --> 0:25:43.560
<v Speaker 2>coming to me at all, And.

0:25:43.520 --> 0:25:48.280
<v Speaker 3>It was like, so yeah, I was. I remember, I felt.

0:25:48.080 --> 0:25:50.280
<v Speaker 2>Like it was the ending of something. I didn't realize

0:25:50.320 --> 0:25:54.000
<v Speaker 2>how how long it would be, but you know, you

0:25:54.040 --> 0:25:58.359
<v Speaker 2>can't like it was. It was really when my voicelessness

0:25:58.920 --> 0:26:03.399
<v Speaker 2>took over and I lost my voice to quite a

0:26:03.400 --> 0:26:09.359
<v Speaker 2>furious addiction for the next four or five years.

0:26:09.400 --> 0:26:13.240
<v Speaker 1>Yeah, has there ever been a point within that period

0:26:13.280 --> 0:26:18.240
<v Speaker 1>of time where you sort of told yourself, I don't

0:26:18.240 --> 0:26:21.200
<v Speaker 1>think I'm going to make another record. I don't got

0:26:21.200 --> 0:26:21.520
<v Speaker 1>it in me.

0:26:22.640 --> 0:26:26.040
<v Speaker 3>I mean exactly that. And it was when.

0:26:27.680 --> 0:26:32.480
<v Speaker 2>I was assigned a psychotherapist by the NHS. I'd gone

0:26:32.480 --> 0:26:35.120
<v Speaker 2>to them about some you know, things that were troubling

0:26:35.160 --> 0:26:39.119
<v Speaker 2>them my behavior, and they they wanted to diagnose me

0:26:39.320 --> 0:26:42.959
<v Speaker 2>with with with something. They wanted to work out what

0:26:43.040 --> 0:26:46.320
<v Speaker 2>was wrong with me. And I was given a psychiatrist,

0:26:46.320 --> 0:26:50.520
<v Speaker 2>so it's a clinical psychotherapist. And the first thing he

0:26:50.600 --> 0:26:54.600
<v Speaker 2>did it was like, you haven't worked for for.

0:26:54.640 --> 0:26:55.320
<v Speaker 3>Like eight years.

0:26:55.320 --> 0:26:57.479
<v Speaker 2>That's not usual for somebody in that, you know, you

0:26:57.560 --> 0:27:02.760
<v Speaker 2>haven't whatever it's like if you were because I wasn't unemployed,

0:27:02.760 --> 0:27:05.720
<v Speaker 2>because I still receiving royalties for like the magic position,

0:27:05.840 --> 0:27:08.240
<v Speaker 2>and from you know, like it wasn't like what he

0:27:08.320 --> 0:27:09.840
<v Speaker 2>realized was like, the first thing we're going to do

0:27:09.920 --> 0:27:14.000
<v Speaker 2>is work out why you why you can't function with

0:27:14.040 --> 0:27:15.800
<v Speaker 2>the thing that you're meant to be doing in your life.

0:27:15.880 --> 0:27:18.560
<v Speaker 2>And then and it was it was like that was

0:27:18.600 --> 0:27:22.880
<v Speaker 2>I didn't realize it was like a clinically diagnosed that

0:27:23.200 --> 0:27:26.280
<v Speaker 2>like I hadn't worked for like eight years, I hadn't

0:27:26.280 --> 0:27:28.920
<v Speaker 2>finished anything, and we went about.

0:27:28.880 --> 0:27:33.160
<v Speaker 1>Were you aware of it, Like, was that like being

0:27:33.200 --> 0:27:36.600
<v Speaker 1>told that number. Was that like a sudden realization or

0:27:36.640 --> 0:27:40.200
<v Speaker 1>were you constantly aware of the fact that, like, shit,

0:27:40.280 --> 0:27:41.520
<v Speaker 1>I've not made something again.

0:27:41.960 --> 0:27:44.920
<v Speaker 2>Well, I always always used to feel that the New

0:27:45.000 --> 0:27:48.320
<v Speaker 2>Year's Eve of like, oh my god, Patrick, another year

0:27:48.359 --> 0:27:48.800
<v Speaker 2>has gone.

0:27:48.640 --> 0:27:51.840
<v Speaker 3>By and you haven't Year's I.

0:27:51.760 --> 0:27:55.920
<v Speaker 2>Mean literally, like the thing is I was still doing.

0:27:58.080 --> 0:27:58.280
<v Speaker 3>That.

0:27:58.320 --> 0:28:03.040
<v Speaker 2>I mean that the the synchronicity of this whole period,

0:28:03.280 --> 0:28:11.520
<v Speaker 2>you know, is really blessed because despite all this malevolence

0:28:11.560 --> 0:28:13.960
<v Speaker 2>going on, there were people really lifting me and carrying

0:28:13.960 --> 0:28:20.360
<v Speaker 2>me for so like that weekend where I played there

0:28:20.400 --> 0:28:22.920
<v Speaker 2>was like this like about a month basically where I'd

0:28:22.960 --> 0:28:26.400
<v Speaker 2>already been playing a fiddle with Patty Smith in her

0:28:26.480 --> 0:28:32.399
<v Speaker 2>band at the end of Lupekalia and into Sundarken River

0:28:32.520 --> 0:28:35.160
<v Speaker 2>Light during this so twenty ten to twenty twelve, I

0:28:35.160 --> 0:28:37.480
<v Speaker 2>had met Patty at Land Festival.

0:28:37.680 --> 0:28:38.400
<v Speaker 3>And then she.

0:28:39.840 --> 0:28:42.720
<v Speaker 2>And then I had fired my management, which meant I

0:28:42.720 --> 0:28:46.760
<v Speaker 2>also had to lose my booking agent, my accountant, like

0:28:46.800 --> 0:28:49.760
<v Speaker 2>I lost basically all contacts to the music industry very

0:28:49.920 --> 0:28:53.040
<v Speaker 2>very rapidly. And so the weekend that I lost my

0:28:53.080 --> 0:28:57.240
<v Speaker 2>booking agent, I did a show with Patti at World

0:28:57.320 --> 0:29:01.080
<v Speaker 2>Festival Hall for like the Yoko own know, the Double

0:29:01.080 --> 0:29:05.040
<v Speaker 2>Fantasy album, So I had to sing three Yoko and

0:29:05.120 --> 0:29:07.480
<v Speaker 2>John Lennon songs and did a song with Patty. We

0:29:07.520 --> 0:29:12.800
<v Speaker 2>did Beautiful Boy anyway, so that was already magical. But

0:29:13.240 --> 0:29:15.880
<v Speaker 2>she then her booking agent was in the room and

0:29:15.920 --> 0:29:19.200
<v Speaker 2>she said, Andy, look after Patrick. He hasn't got a

0:29:19.200 --> 0:29:22.360
<v Speaker 2>booking agent. And then and then basically he put me

0:29:22.400 --> 0:29:24.320
<v Speaker 2>on tour because then I had all these I had

0:29:24.360 --> 0:29:28.160
<v Speaker 2>all these legal problems with because I'd fire the management.

0:29:28.160 --> 0:29:30.320
<v Speaker 2>But then I had to get a lump sum in

0:29:30.400 --> 0:29:35.560
<v Speaker 2>order to get my uh to get my rights back

0:29:35.840 --> 0:29:39.120
<v Speaker 2>off them of my my early work, so that it

0:29:39.160 --> 0:29:41.720
<v Speaker 2>wasn't like so anyway I had to I had to

0:29:41.720 --> 0:29:44.280
<v Speaker 2>come up with this huge amount of money to to

0:29:44.440 --> 0:29:46.000
<v Speaker 2>get that back, and then he put me on the

0:29:46.040 --> 0:29:49.880
<v Speaker 2>road to do that. And in the meantime, over those years,

0:29:49.960 --> 0:29:54.080
<v Speaker 2>I was playing with Patty every three months or quite

0:29:54.080 --> 0:29:55.959
<v Speaker 2>a lot of shows. Even if I was in La

0:29:56.000 --> 0:29:57.680
<v Speaker 2>I'd do a show over there. But so I was

0:29:57.720 --> 0:30:00.520
<v Speaker 2>still like functioning as a musician. I was still doing things.

0:30:01.320 --> 0:30:05.800
<v Speaker 1>You were doing enough to not realize, not realize and

0:30:05.880 --> 0:30:08.880
<v Speaker 1>to not necessarily need to because you sort of had.

0:30:08.920 --> 0:30:11.560
<v Speaker 1>I guess you had while I'm doing this and I'm

0:30:11.800 --> 0:30:14.680
<v Speaker 1>still I'm working musician, I'm just not making a record

0:30:14.720 --> 0:30:16.440
<v Speaker 1>right now. And that's yeah.

0:30:16.520 --> 0:30:16.800
<v Speaker 3>I was.

0:30:16.840 --> 0:30:19.120
<v Speaker 2>I was very I was very aware and the you know,

0:30:19.240 --> 0:30:23.400
<v Speaker 2>the the the addiction was, it's just you know, and

0:30:23.560 --> 0:30:27.200
<v Speaker 2>the way, the type of addiction it was is a

0:30:27.240 --> 0:30:30.120
<v Speaker 2>swallower of people's voices and souls, you know, And and

0:30:30.360 --> 0:30:32.800
<v Speaker 2>i'd noticed that we are. I was going down that

0:30:33.280 --> 0:30:36.680
<v Speaker 2>path quite quite quickly. And I think when I started

0:30:36.680 --> 0:30:38.560
<v Speaker 2>to realize the co morbidity of it all it was

0:30:38.760 --> 0:30:43.520
<v Speaker 2>just because I was a a songwriter who hadn't released,

0:30:43.560 --> 0:30:44.840
<v Speaker 2>who hadn't finished the song in ages.

0:30:44.840 --> 0:30:46.840
<v Speaker 3>It was because I was an addict, you know, and.

0:30:48.440 --> 0:30:51.959
<v Speaker 2>Co morbidity of it all was was when I realized

0:30:51.960 --> 0:30:54.560
<v Speaker 2>I had a very very big problem on top of that.

0:30:54.600 --> 0:30:55.520
<v Speaker 3>If you think.

0:30:57.120 --> 0:30:59.920
<v Speaker 2>Without management, without booking agent, with that record label, without

0:31:00.080 --> 0:31:03.000
<v Speaker 2>all of those things, like, how do you even begin

0:31:03.120 --> 0:31:08.080
<v Speaker 2>to work your way back into any of those situations too?

0:31:09.360 --> 0:31:13.280
<v Speaker 2>To release to release anything again? I mean, now I

0:31:13.320 --> 0:31:17.840
<v Speaker 2>have all this all those things. It wasn't easy to

0:31:17.880 --> 0:31:19.840
<v Speaker 2>come by and to build that all up again. And

0:31:19.880 --> 0:31:24.400
<v Speaker 2>it's quite a huge infrastructure that goes into releasing a

0:31:24.440 --> 0:31:27.040
<v Speaker 2>song or like in this the way that we're doing it,

0:31:27.080 --> 0:31:29.040
<v Speaker 2>you know, or putting a tour together, like you need.

0:31:29.120 --> 0:31:30.000
<v Speaker 3>There's a lot of people.

0:31:30.040 --> 0:31:32.520
<v Speaker 2>I didn't have one person I had. I had my

0:31:32.560 --> 0:31:36.920
<v Speaker 2>booking agent, but that was on a very like the

0:31:36.960 --> 0:31:41.160
<v Speaker 2>other artists that he represented were people that didn't need

0:31:41.160 --> 0:31:45.080
<v Speaker 2>those things anymore, like Lou Read and marrying faithful Patti Smith.

0:31:45.120 --> 0:31:46.680
<v Speaker 2>You know, I was like the youngest person in all

0:31:46.680 --> 0:31:51.960
<v Speaker 2>this group of people. But yeah, that that part is

0:31:52.080 --> 0:31:55.520
<v Speaker 2>we really don't underestimate that that side. It just it

0:31:55.600 --> 0:31:58.080
<v Speaker 2>just felt like I was just completely not in the

0:31:58.160 --> 0:31:59.880
<v Speaker 2>music industry anymore at all.

0:32:00.040 --> 0:32:02.640
<v Speaker 1>I think that's quite interesting because I think people would

0:32:03.280 --> 0:32:07.400
<v Speaker 1>listening would maybe just presume, but you're Patrick Wolf and

0:32:07.440 --> 0:32:11.120
<v Speaker 1>you're you're like, you're a tried and tested name, you've

0:32:11.160 --> 0:32:13.880
<v Speaker 1>been signed to like a major, you've been you've done

0:32:13.880 --> 0:32:17.320
<v Speaker 1>things yourself, you've done things independently. I think people would

0:32:17.320 --> 0:32:19.239
<v Speaker 1>just presume that, yeah, you'd been away for a lot

0:32:19.240 --> 0:32:22.480
<v Speaker 1>of time, but you can still call some be like, yeah,

0:32:22.520 --> 0:32:25.760
<v Speaker 1>I'm ready to go. No, I need a man. You know,

0:32:25.960 --> 0:32:27.640
<v Speaker 1>you can call a manager and get a manager. You

0:32:27.680 --> 0:32:28.920
<v Speaker 1>can call a booker and get a booker.

0:32:28.960 --> 0:32:32.000
<v Speaker 2>But and let me let me tell you this, Like that,

0:32:32.080 --> 0:32:35.000
<v Speaker 2>when I was ready to go back to work, because

0:32:35.040 --> 0:32:37.959
<v Speaker 2>of the amount of time that I had taken away

0:32:38.240 --> 0:32:41.640
<v Speaker 2>the I had to prove every step of the way

0:32:41.640 --> 0:32:43.480
<v Speaker 2>that I still had an audience. So I knew I

0:32:43.520 --> 0:32:45.400
<v Speaker 2>hadn't still had an audience. I knew what kind of

0:32:45.480 --> 0:32:47.760
<v Speaker 2>venues I could sell out, but working with a new

0:32:47.760 --> 0:32:53.040
<v Speaker 2>booking agent, I had to slam my fist down on

0:32:53.040 --> 0:32:55.640
<v Speaker 2>the table and say, book me in this city, book

0:32:55.680 --> 0:32:56.240
<v Speaker 2>me in this.

0:32:56.160 --> 0:32:57.680
<v Speaker 3>Town, book me in this venue.

0:32:58.680 --> 0:33:01.560
<v Speaker 2>Even when I first when I finished my EP that

0:33:01.840 --> 0:33:04.280
<v Speaker 2>the people putting it out didn't think that I would.

0:33:04.960 --> 0:33:07.280
<v Speaker 2>They thought, oh, would just to go straight to digital

0:33:07.320 --> 0:33:09.920
<v Speaker 2>because we don't know if Patrick they're enough people that

0:33:09.960 --> 0:33:12.560
<v Speaker 2>are interested in buying vinyl anymore. So I said, I

0:33:12.680 --> 0:33:15.600
<v Speaker 2>dare you to press up a thousand copies. And we

0:33:15.680 --> 0:33:18.840
<v Speaker 2>sold out the first one thousand in the first month,

0:33:19.360 --> 0:33:21.800
<v Speaker 2>actually the first week, first two weeks, we sold out

0:33:21.880 --> 0:33:24.240
<v Speaker 2>the first to London. We sold out the first London

0:33:24.280 --> 0:33:27.600
<v Speaker 2>show in two hours. I had to for like eight years,

0:33:27.760 --> 0:33:30.280
<v Speaker 2>and during that lost period, I had lost all my

0:33:30.360 --> 0:33:33.920
<v Speaker 2>self confidence and faith in myself and possibilities. So I

0:33:33.920 --> 0:33:37.840
<v Speaker 2>had to like when suddenly I got back to work

0:33:37.960 --> 0:33:42.360
<v Speaker 2>and people were doubting that I could be successful whatever

0:33:42.400 --> 0:33:46.000
<v Speaker 2>that means. But successful in terms of just functioning as

0:33:46.040 --> 0:33:48.680
<v Speaker 2>an artist. Putting out a thousand copies of record, doing

0:33:48.680 --> 0:33:51.040
<v Speaker 2>a four hundred and fifty capacity venue, small things in

0:33:51.120 --> 0:33:53.560
<v Speaker 2>terms of what I've done in the past. But like

0:33:54.000 --> 0:33:55.840
<v Speaker 2>I felt like I was being punished for taking that

0:33:55.920 --> 0:33:59.000
<v Speaker 2>time away. There was no that apart from my management,

0:33:59.280 --> 0:34:03.160
<v Speaker 2>there wasn't there was no faith in the fact that

0:34:03.400 --> 0:34:07.680
<v Speaker 2>like it's like the music industry says, take take time,

0:34:07.760 --> 0:34:09.920
<v Speaker 2>take you know, your mental health and stuff, but it's like,

0:34:10.000 --> 0:34:12.400
<v Speaker 2>but not too long, because then we don't you're useless

0:34:12.440 --> 0:34:12.799
<v Speaker 2>to us.

0:34:13.080 --> 0:34:13.279
<v Speaker 1>Yeah.

0:34:13.560 --> 0:34:16.920
<v Speaker 2>So it was a lot of that, and even last

0:34:17.000 --> 0:34:19.200
<v Speaker 2>year I had to really prove that there was an

0:34:19.239 --> 0:34:22.200
<v Speaker 2>audience still in Berlin. There's an audience still in all

0:34:22.239 --> 0:34:24.279
<v Speaker 2>the major cities that I worked really hard for since

0:34:24.280 --> 0:34:24.880
<v Speaker 2>I was eighteen.

0:34:28.160 --> 0:34:29.960
<v Speaker 1>I realize now as we get to the end of

0:34:29.960 --> 0:34:32.759
<v Speaker 1>this episode that I'm really making you wait for it.

0:34:32.840 --> 0:34:36.040
<v Speaker 1>But there are happier times coming for Patrick. Wolfe. I've

0:34:36.120 --> 0:34:39.359
<v Speaker 1>chopped this episode into part one and part two because

0:34:39.400 --> 0:34:41.719
<v Speaker 1>we did spend a lot of time talking and there

0:34:41.800 --> 0:34:45.560
<v Speaker 1>was just a lot to get into. As we've already heard,

0:34:46.080 --> 0:34:49.640
<v Speaker 1>it's been a thirteen year hiatus and it's not been

0:34:49.800 --> 0:34:53.880
<v Speaker 1>the easiest thirteen years. But in part two of my

0:34:54.000 --> 0:34:56.360
<v Speaker 1>chat with Patrick Wolfe, which I'll put out next week,

0:34:57.280 --> 0:35:02.080
<v Speaker 1>is talk of the Haye of the major labels and

0:35:02.120 --> 0:35:04.920
<v Speaker 1>the amount of money he spent audaciously.

0:35:05.000 --> 0:35:07.759
<v Speaker 2>I thought should be on a major label. I was like, well,

0:35:07.760 --> 0:35:09.839
<v Speaker 2>why isn't this on a major? Why isn't it got

0:35:09.840 --> 0:35:12.799
<v Speaker 2>the same treatment as Girls Allowed? I end up on

0:35:12.800 --> 0:35:14.600
<v Speaker 2>the same label as like Girls Allowed, you know, and

0:35:14.680 --> 0:35:16.600
<v Speaker 2>it's like, I didn't know if you looked at it

0:35:16.640 --> 0:35:18.200
<v Speaker 2>from the outside, if I looked at it at him, like

0:35:18.239 --> 0:35:19.439
<v Speaker 2>what are you doing there?

0:35:20.040 --> 0:35:20.160
<v Speaker 3>Like?

0:35:20.239 --> 0:35:21.959
<v Speaker 2>But it was it was a fun game to play

0:35:21.960 --> 0:35:24.160
<v Speaker 2>in it, and I don't think actually I lost.

0:35:24.600 --> 0:35:26.560
<v Speaker 1>And of course where he is now. There's a new

0:35:26.600 --> 0:35:30.680
<v Speaker 1>album coming in June of this year called Crying the Neck.

0:35:30.760 --> 0:35:34.799
<v Speaker 1>We get into what that is about, how some of

0:35:34.840 --> 0:35:37.440
<v Speaker 1>the songs on there, how he feels about it, and

0:35:37.440 --> 0:35:40.839
<v Speaker 1>how he's adapting to being a musician again in a

0:35:40.880 --> 0:35:43.040
<v Speaker 1>world that is very different to the one that he

0:35:43.160 --> 0:35:46.960
<v Speaker 1>left twenty twelve. Things were not asked of musicians that

0:35:47.160 --> 0:35:52.560
<v Speaker 1>are being asked of them today with promotion and social

0:35:52.600 --> 0:35:57.000
<v Speaker 1>media and content creation. Luckily for Patrick Wolfe, he's got

0:35:57.040 --> 0:35:59.080
<v Speaker 1>a lot of that in his locker because he's always

0:35:59.120 --> 0:36:04.280
<v Speaker 1>been a very industrious person. And there's something very unique

0:36:04.320 --> 0:36:07.520
<v Speaker 1>about Patrick wolf in the sense that he is a

0:36:07.600 --> 0:36:11.520
<v Speaker 1>man who has done it both ways. He's done extremely

0:36:11.560 --> 0:36:15.560
<v Speaker 1>DIY records where he's done everything himself. He's done big

0:36:15.600 --> 0:36:18.839
<v Speaker 1>major label records where he's had huge budgets to work with.

0:36:19.400 --> 0:36:22.480
<v Speaker 1>So we talk a lot about that and get into it.

0:36:22.480 --> 0:36:26.840
<v Speaker 1>It's not all sad. Thank you to Patrick for taking

0:36:26.880 --> 0:36:29.520
<v Speaker 1>the time. We spoke for a long time, which is

0:36:29.520 --> 0:36:32.120
<v Speaker 1>why it is in two and as you've already heard,

0:36:32.440 --> 0:36:36.920
<v Speaker 1>he's very honest and open, so hopefully you've enjoyed part

0:36:36.960 --> 0:36:40.120
<v Speaker 1>one to come back for part two. The best thing

0:36:40.160 --> 0:36:43.200
<v Speaker 1>to do is if you just subscribe wherever you're listening

0:36:43.200 --> 0:36:48.120
<v Speaker 1>to this, then you will know exactly when it arrives,

0:36:48.760 --> 0:36:52.760
<v Speaker 1>or give us a follow on substack land quiet dot

0:36:52.920 --> 0:36:57.040
<v Speaker 1>substack dot com and you'll receive an email as soon

0:36:57.200 --> 0:37:01.120
<v Speaker 1>as this is ready to go. Thank you for listening.

0:37:01.200 --> 0:37:04.920
<v Speaker 1>Thank you to Patrick, and thank you to me.