1 00:00:00,200 --> 00:00:05,440 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:04,640 --> 00:00:08,160 Speaker 2: Richard Estepp again, I was impressed by the history of 3 00:00:08,200 --> 00:00:11,520 Speaker 2: Ashmore Estates that you put together a that it was 4 00:00:11,560 --> 00:00:14,920 Speaker 2: so progressive it seems for its time of where you know, 5 00:00:15,000 --> 00:00:18,680 Speaker 2: the residents of that part of Illinois pitched in, put 6 00:00:18,760 --> 00:00:21,160 Speaker 2: up money, took care of people who couldn't take care 7 00:00:21,160 --> 00:00:23,840 Speaker 2: of themselves. Pretty impressive that they did that back then, 8 00:00:23,880 --> 00:00:27,080 Speaker 2: because I'm not sure the taxpayers in that area would 9 00:00:27,080 --> 00:00:28,840 Speaker 2: be willing to spend that kind of money to do 10 00:00:28,880 --> 00:00:31,960 Speaker 2: the same thing now. And secondly, impressed by the historical 11 00:00:32,000 --> 00:00:35,600 Speaker 2: research that you did about just the impressive history of 12 00:00:35,640 --> 00:00:38,360 Speaker 2: what went on there. It strikes me that a lot 13 00:00:38,400 --> 00:00:42,559 Speaker 2: of people who have exploited the supposed history of the 14 00:00:42,600 --> 00:00:45,120 Speaker 2: area didn't do the same kind of research that you did. 15 00:00:47,240 --> 00:00:49,199 Speaker 3: Thank you very much, Georgin. I'd like to say that, 16 00:00:49,280 --> 00:00:51,280 Speaker 3: like any rights, from standing on the shoulders of a 17 00:00:51,280 --> 00:00:53,160 Speaker 3: whole bunch of other people when I do this stuff, 18 00:00:53,200 --> 00:00:58,520 Speaker 3: so research is like Julie Vasquez and others that have 19 00:00:58,560 --> 00:01:01,080 Speaker 3: been to Ashmore and just and have fallen in love 20 00:01:01,120 --> 00:01:02,840 Speaker 3: with the place did a lot of the legwork and 21 00:01:02,880 --> 00:01:07,560 Speaker 3: they left that research available for any anybody that was 22 00:01:07,560 --> 00:01:09,320 Speaker 3: trying to tell the story openly. You know, it's not 23 00:01:09,360 --> 00:01:13,240 Speaker 3: like this stuff is a secret, and I really appreciate 24 00:01:13,319 --> 00:01:15,520 Speaker 3: the fact that they work to bring that stuff to light. 25 00:01:16,880 --> 00:01:18,800 Speaker 3: Now I'm not gonna I'm not going to sugarcoat the 26 00:01:19,280 --> 00:01:22,720 Speaker 3: whole location. Bad things happened there. There was trauma and 27 00:01:22,800 --> 00:01:25,040 Speaker 3: we can talk about some of that. There were accidents, 28 00:01:25,080 --> 00:01:29,319 Speaker 3: you know, illness. I mean, the place survived the Great 29 00:01:29,319 --> 00:01:34,400 Speaker 3: Influenza pandemics as well, so there were plenty of depths. 30 00:01:34,560 --> 00:01:36,920 Speaker 3: And one of the tragedies I think is there is 31 00:01:37,040 --> 00:01:42,039 Speaker 3: a unique cemetery for the Coles County portfil which is 32 00:01:42,080 --> 00:01:46,400 Speaker 3: now Ashmore Estates, and it's not accessible because it's on 33 00:01:46,520 --> 00:01:51,400 Speaker 3: private land that is about a mile away from Ashmore Estates. 34 00:01:51,720 --> 00:01:54,480 Speaker 3: The graves there are kind of overgrown, some of them 35 00:01:54,480 --> 00:01:59,280 Speaker 3: are difficult to make out. It's inaccessible to anybody but 36 00:01:59,440 --> 00:02:02,960 Speaker 3: the landowner. And so there's a real danger of these 37 00:02:03,040 --> 00:02:06,160 Speaker 3: names and these people being forgotten. And that hugged at 38 00:02:06,200 --> 00:02:08,880 Speaker 3: my heart strings. Is I think you would at anybody. 39 00:02:09,280 --> 00:02:12,520 Speaker 2: Are there unmarked graves. You anticipate that there are places 40 00:02:12,520 --> 00:02:13,119 Speaker 2: that aren't. 41 00:02:12,880 --> 00:02:16,120 Speaker 3: Mark at all. There are we can almost guarantee this 42 00:02:16,240 --> 00:02:20,440 Speaker 3: because there are accounts from one of the superintendent's daughters 43 00:02:20,440 --> 00:02:23,400 Speaker 3: who when she was a little girl, had very distinct 44 00:02:23,440 --> 00:02:28,400 Speaker 3: and vivid memories of seeing men digging in what is 45 00:02:28,440 --> 00:02:34,280 Speaker 3: now a cornfield fairly close to the main building itself, 46 00:02:35,200 --> 00:02:37,280 Speaker 3: doing what appeared to be burials, and there are no 47 00:02:37,400 --> 00:02:40,760 Speaker 3: markers left, so it's known that there is more than 48 00:02:40,760 --> 00:02:43,280 Speaker 3: one cemetery, and only one of them really has Marcus. 49 00:02:43,919 --> 00:02:46,240 Speaker 3: You can guarantee that there are bodies out there in 50 00:02:46,280 --> 00:02:47,680 Speaker 3: what is now farming fields. 51 00:02:48,120 --> 00:02:51,080 Speaker 2: So for something to qualify as sort of a paranormal hotspot, 52 00:02:51,160 --> 00:02:54,680 Speaker 2: do you generally need an underpinning of evil, like, you know, 53 00:02:54,720 --> 00:02:59,040 Speaker 2: people murdered there or tortured, or is it enough just 54 00:02:59,080 --> 00:03:00,639 Speaker 2: to have a lot of people who died in a 55 00:03:00,720 --> 00:03:03,280 Speaker 2: building or location to turn it into sort of a 56 00:03:03,320 --> 00:03:05,079 Speaker 2: spiritual gathering spot. 57 00:03:06,240 --> 00:03:08,600 Speaker 3: You know, when you get these sources of great tragedy, 58 00:03:08,639 --> 00:03:12,040 Speaker 3: of course you have the possibility of a haunting, but 59 00:03:12,080 --> 00:03:14,440 Speaker 3: also there's the fact that there's all that positive, strong, 60 00:03:14,480 --> 00:03:17,760 Speaker 3: good family energy as well. When I started investigating the 61 00:03:17,800 --> 00:03:20,200 Speaker 3: paranormal in the mid nineties in the UK where I 62 00:03:20,280 --> 00:03:23,480 Speaker 3: come from, a lot of the cases I investigated were 63 00:03:23,520 --> 00:03:27,000 Speaker 3: these old stately homes where people just loved them a 64 00:03:27,040 --> 00:03:29,880 Speaker 3: lot during their lifetime, and that love seemed to keep 65 00:03:29,919 --> 00:03:32,680 Speaker 3: a piece of them behind. George, you know, there was 66 00:03:32,720 --> 00:03:36,400 Speaker 3: nothing scary, there was nothing dark or negative. You just 67 00:03:36,480 --> 00:03:39,480 Speaker 3: had remnants. I think of a human personality that seems 68 00:03:39,520 --> 00:03:42,400 Speaker 3: to have survived death or splintered off at the moment 69 00:03:42,400 --> 00:03:48,080 Speaker 3: of death. Paranormal enthusiasts love debating exactly how this stuff works, 70 00:03:48,920 --> 00:03:51,760 Speaker 3: whether it's a disembodied consciousness or whatever. But I think 71 00:03:51,800 --> 00:03:55,760 Speaker 3: at a place like Ashmore State, you have both. You know, 72 00:03:56,200 --> 00:04:01,640 Speaker 3: you have a number of terribly deaths, such as the 73 00:04:01,720 --> 00:04:06,280 Speaker 3: young girl Elder Skinner, who suffered ultimately life ending burns 74 00:04:06,320 --> 00:04:11,480 Speaker 3: when a candle accidentally set fire to her night dress, 75 00:04:12,240 --> 00:04:16,680 Speaker 3: you know. And you have Joe Bloxam, who was the handyman, 76 00:04:16,839 --> 00:04:19,560 Speaker 3: and he was an older gentleman, especially in each gentleman, 77 00:04:20,360 --> 00:04:24,359 Speaker 3: and he was hit by a train with life threatening injuries. 78 00:04:24,640 --> 00:04:27,159 Speaker 3: A get Samarad and brought him back to Ashmore Estates 79 00:04:27,200 --> 00:04:30,839 Speaker 3: in his truck, and despite the best efforts of doctors 80 00:04:30,839 --> 00:04:35,200 Speaker 3: of the time, he died. And those are two of 81 00:04:34,320 --> 00:04:38,040 Speaker 3: the better known spirits that are said to haunt Ashmore 82 00:04:38,120 --> 00:04:39,039 Speaker 3: Estates to this day. 83 00:04:39,360 --> 00:04:39,560 Speaker 1: Yeah. 84 00:04:39,600 --> 00:04:42,040 Speaker 2: So this guy, Joe, his name pops up several times 85 00:04:42,080 --> 00:04:44,600 Speaker 2: in your book by different people who think they've encountered 86 00:04:44,920 --> 00:04:45,920 Speaker 2: his spirit, right. 87 00:04:47,040 --> 00:04:49,559 Speaker 3: Absolutely, you know, and he's known for he's a big, 88 00:04:49,640 --> 00:04:53,120 Speaker 3: tall guy, was very much a handyman. He would cut 89 00:04:53,160 --> 00:04:55,919 Speaker 3: the grass, he would do the odd jobs that needed doing. 90 00:04:57,040 --> 00:05:00,599 Speaker 3: And we don't know the specifics other than from records 91 00:05:00,640 --> 00:05:02,680 Speaker 3: of the fact that he was hit by a train, 92 00:05:02,839 --> 00:05:05,520 Speaker 3: given serious injuries and brought back to Bashmore Estates. But 93 00:05:06,040 --> 00:05:08,800 Speaker 3: you know, whether he was distracted or what how that happened, 94 00:05:08,839 --> 00:05:11,480 Speaker 3: We're not sure, but we do know that his injuries 95 00:05:11,480 --> 00:05:15,040 Speaker 3: were suppose to bee that he died. And you know, 96 00:05:15,240 --> 00:05:21,440 Speaker 3: for many years, Joe Bloxham has been seen and experienced 97 00:05:21,480 --> 00:05:26,040 Speaker 3: walking around inside Ashmore Estates, often as a very tall 98 00:05:27,080 --> 00:05:30,640 Speaker 3: shadow figure. You know. Elba, on the other hand, is 99 00:05:31,000 --> 00:05:34,279 Speaker 3: a little bit more mobile. There was a little girl 100 00:05:34,320 --> 00:05:37,080 Speaker 3: that lived just down the street from Ashmore and her 101 00:05:37,120 --> 00:05:39,200 Speaker 3: mom came one day to talk to Robin and Norma 102 00:05:39,839 --> 00:05:42,320 Speaker 3: and said, you know the little girl you have flaunting here, 103 00:05:42,360 --> 00:05:45,280 Speaker 3: I think she has latched onto my daughter. She had 104 00:05:45,279 --> 00:05:48,800 Speaker 3: a young daughter herself, about seven years old, I believe, 105 00:05:49,200 --> 00:05:52,320 Speaker 3: And when Robin asked for the story. It turned out 106 00:05:52,360 --> 00:05:56,080 Speaker 3: that this little girl was visiting the lady's daughter and 107 00:05:56,320 --> 00:06:00,480 Speaker 3: she had bandages on her legs and bandages on body, 108 00:06:01,279 --> 00:06:04,400 Speaker 3: and warned her that her mother's candle needed to be 109 00:06:04,400 --> 00:06:07,960 Speaker 3: put out because that's how she'd got her at ashmal Estates. 110 00:06:08,240 --> 00:06:10,040 Speaker 3: And it was one of those cases, George, I think 111 00:06:10,040 --> 00:06:15,400 Speaker 3: because imaginary friends are not always imaginary as some parents 112 00:06:15,440 --> 00:06:16,080 Speaker 3: think they are. 113 00:06:18,360 --> 00:06:21,080 Speaker 2: Yeah, I'll have to tell you my story sometime. So 114 00:06:21,360 --> 00:06:24,360 Speaker 2: you and your team, you have a team that you 115 00:06:24,400 --> 00:06:26,320 Speaker 2: can tell us a little bit about. You get permission 116 00:06:26,320 --> 00:06:27,680 Speaker 2: to go ahead and go there. You're going to spend 117 00:06:27,680 --> 00:06:30,440 Speaker 2: some time, and you know, you go in with sort 118 00:06:30,440 --> 00:06:33,080 Speaker 2: of a jaundiced I about some of the other stories 119 00:06:33,080 --> 00:06:37,400 Speaker 2: that have been told somewhat exaggerated. I guess about demonic activity, 120 00:06:38,560 --> 00:06:42,080 Speaker 2: people seeing demons all over the place, and evil spirits 121 00:06:42,080 --> 00:06:44,599 Speaker 2: and things of that sort. You're going into it with 122 00:06:44,720 --> 00:06:48,840 Speaker 2: an open mind, but you recognize the history of the 123 00:06:48,880 --> 00:06:51,160 Speaker 2: place doesn't suggest that that would be what you're going 124 00:06:51,200 --> 00:06:51,720 Speaker 2: to encounter. 125 00:06:52,720 --> 00:06:53,400 Speaker 1: So you go there. 126 00:06:53,440 --> 00:06:55,640 Speaker 2: Tell me about your team and how you set up 127 00:06:55,760 --> 00:06:58,240 Speaker 2: shop and how you go about this investigation. 128 00:06:59,320 --> 00:07:03,680 Speaker 3: Absolutely, I work with a team of individuals that all 129 00:07:03,720 --> 00:07:06,040 Speaker 3: bring something unique to the table in terms of their 130 00:07:06,040 --> 00:07:11,920 Speaker 3: skill sets. So, for example, Erin is a works in 131 00:07:12,040 --> 00:07:16,440 Speaker 3: the field of psychiatry and counseling. She has master's degrees 132 00:07:17,680 --> 00:07:21,000 Speaker 3: that I couldn't possibly name in the mental health field. 133 00:07:21,640 --> 00:07:26,040 Speaker 3: Catlin is a professor of religious studies and comparative religions. 134 00:07:26,440 --> 00:07:31,000 Speaker 3: She's a PhD and teaches that, so she has kind 135 00:07:31,000 --> 00:07:35,000 Speaker 3: of the metaphysical side of things covered, you know. Susan 136 00:07:35,280 --> 00:07:38,760 Speaker 3: is an attorney. She's a lawyer and brings that kind 137 00:07:38,760 --> 00:07:44,480 Speaker 3: of analytical mindset that the team really benefits from. So 138 00:07:44,560 --> 00:07:47,000 Speaker 3: when I work with somebody, what I'm really looking for 139 00:07:47,120 --> 00:07:50,560 Speaker 3: is kind of a skill set that helps us delve 140 00:07:50,800 --> 00:07:54,720 Speaker 3: into the mysteries of the location, into the historical research, 141 00:07:54,760 --> 00:07:58,160 Speaker 3: and into the paranormal experiments we conduct. So we have 142 00:07:58,200 --> 00:08:00,880 Speaker 3: a fairly small footprint. Usually when I an investigation, I 143 00:08:00,880 --> 00:08:04,120 Speaker 3: have no more than six or seven people ashmore estates. 144 00:08:04,200 --> 00:08:06,360 Speaker 3: We were actually down to I think just five, four 145 00:08:06,440 --> 00:08:09,800 Speaker 3: or five and we were living on site, you know, 146 00:08:09,880 --> 00:08:12,200 Speaker 3: so we didn't leave. We were staying on site throughout 147 00:08:12,240 --> 00:08:15,560 Speaker 3: the day, throughout the night and really getting to know 148 00:08:15,600 --> 00:08:19,440 Speaker 3: the rhythms of the building. When I was a volunteer firefighter, 149 00:08:19,480 --> 00:08:21,840 Speaker 3: I was always taught you know, it's not the fire 150 00:08:21,880 --> 00:08:23,840 Speaker 3: that kills you most of the time, it's the building 151 00:08:23,880 --> 00:08:27,280 Speaker 3: and the way it reacts. So studying its architecture, the 152 00:08:27,280 --> 00:08:30,640 Speaker 3: way the air moved, the way it's constructed, the way 153 00:08:30,720 --> 00:08:33,760 Speaker 3: sound travels through the building. And I think too that 154 00:08:34,280 --> 00:08:36,720 Speaker 3: to get into the more metaphysical side of things, George, 155 00:08:36,960 --> 00:08:38,800 Speaker 3: do you know how when a hunter goes out into 156 00:08:38,800 --> 00:08:41,959 Speaker 3: the woods. At first, you know, all of the wildlife 157 00:08:42,040 --> 00:08:44,839 Speaker 3: just kind of stops because there's this disturbance. And then 158 00:08:44,880 --> 00:08:47,280 Speaker 3: if the hunter just kind of finds a hide, lays 159 00:08:47,320 --> 00:08:50,880 Speaker 3: down weight, everything goes back to normal slowly. If the 160 00:08:50,920 --> 00:08:53,160 Speaker 3: animals get used to this new presence, it stops being 161 00:08:53,160 --> 00:08:56,079 Speaker 3: a disturbance. Well, I think it's the same way when 162 00:08:56,120 --> 00:08:59,480 Speaker 3: investigators go to a haunted location. You can't just breathe 163 00:08:59,520 --> 00:09:02,680 Speaker 3: in for an hour or two, start demanding that the 164 00:09:02,679 --> 00:09:07,000 Speaker 3: spirits show themselves like performing monkeys. And you know, I've 165 00:09:07,000 --> 00:09:10,360 Speaker 3: seen too many people that do that, when in reality, 166 00:09:10,400 --> 00:09:12,440 Speaker 3: you have to get in, let them get used to you. 167 00:09:12,440 --> 00:09:15,640 Speaker 3: You know, I like to behave like a house guest, 168 00:09:15,840 --> 00:09:18,880 Speaker 3: because I really am. If we truly do believe we're 169 00:09:18,880 --> 00:09:22,600 Speaker 3: dealing with the spirits of dead people, here, they were 170 00:09:22,720 --> 00:09:25,679 Speaker 3: at Ashmore Estates or any haunted place long before I was. 171 00:09:26,360 --> 00:09:28,760 Speaker 3: You know, how rude would it be if I came 172 00:09:28,800 --> 00:09:31,720 Speaker 3: to your home started throwing my weight around and making 173 00:09:31,760 --> 00:09:34,120 Speaker 3: demands of you. You show me the door pretty quickly. 174 00:09:35,040 --> 00:09:39,320 Speaker 2: Seems like your approaches is to have conversations, is to 175 00:09:39,360 --> 00:09:44,080 Speaker 2: converse in a polite terms, not demanding anything, but just 176 00:09:44,120 --> 00:09:46,800 Speaker 2: saying there's anybody around that wants to have a chat. 177 00:09:47,679 --> 00:09:50,240 Speaker 3: Yeah, And I think as a golden rule, you know, 178 00:09:50,960 --> 00:09:53,160 Speaker 3: treat the dead like you would treat the living, and 179 00:09:53,200 --> 00:09:56,760 Speaker 3: hopefully that's with respect and courtesy. And I also like 180 00:09:56,800 --> 00:09:58,800 Speaker 3: to tell them when I'm working on a book project, Hey, 181 00:09:58,800 --> 00:10:01,920 Speaker 3: I'm trying to tell your story. If there are elements 182 00:10:01,920 --> 00:10:04,800 Speaker 3: that are untrue, please let me figure this out. Do 183 00:10:04,960 --> 00:10:08,840 Speaker 3: what you can please to help me, you know, correct 184 00:10:08,880 --> 00:10:12,319 Speaker 3: the record. And I'm not claiming that, you know, people 185 00:10:12,320 --> 00:10:14,559 Speaker 3: have been lying about Ashmore Estates all this time or 186 00:10:14,600 --> 00:10:18,160 Speaker 3: anything like that. I do think some narratives gain traction 187 00:10:18,280 --> 00:10:23,679 Speaker 3: more easily than others, especially when those narratives are on 188 00:10:23,760 --> 00:10:26,000 Speaker 3: the dark side of things, you know. I think that's 189 00:10:26,040 --> 00:10:29,840 Speaker 3: one of the big issues the field of paranormal entertainment has. 190 00:10:29,880 --> 00:10:31,240 Speaker 3: In fact, as. 191 00:10:31,320 --> 00:10:34,359 Speaker 2: As it's possible that different people bring out different reactions 192 00:10:34,360 --> 00:10:35,200 Speaker 2: in places like that. 193 00:10:36,520 --> 00:10:38,440 Speaker 3: Yeah, that's fair as well. I think there's a degree 194 00:10:38,440 --> 00:10:40,520 Speaker 3: of you get what you take in with you, you know, 195 00:10:41,520 --> 00:10:44,160 Speaker 3: and certainly there are individuals there that have very bad 196 00:10:44,240 --> 00:10:48,640 Speaker 3: experiences that have left screaming in the middle of the night. 197 00:10:50,080 --> 00:10:52,560 Speaker 3: I talk about some of them in the book. Under 198 00:10:52,559 --> 00:10:56,120 Speaker 3: the previous owner, I think he seemed very open minded 199 00:10:56,160 --> 00:11:00,880 Speaker 3: about the haunting there, just as Robin is, and I 200 00:11:00,960 --> 00:11:04,720 Speaker 3: found newspaper accounts of a lady that had the fright 201 00:11:04,800 --> 00:11:08,480 Speaker 3: of her life inside. Ashmore estates when a figure came 202 00:11:08,520 --> 00:11:11,960 Speaker 3: out of a wall at her and she felt threatened. Now, 203 00:11:12,000 --> 00:11:14,880 Speaker 3: what's interesting is how do you perceive that? Is it 204 00:11:15,000 --> 00:11:18,760 Speaker 3: the objective reality of what's going on? You know, you're 205 00:11:18,800 --> 00:11:21,200 Speaker 3: in a haunted building, you're told it's haunted, it's dark, 206 00:11:22,440 --> 00:11:25,320 Speaker 3: you're already terrified, your heart rates already one hundred and twenty, 207 00:11:26,040 --> 00:11:28,440 Speaker 3: and then you see the shadowy figure step out of 208 00:11:28,480 --> 00:11:33,200 Speaker 3: a wall. It's really easy to, I think, misconstrue that 209 00:11:33,320 --> 00:11:36,280 Speaker 3: as an attack or as a threat, when often I 210 00:11:36,320 --> 00:11:38,320 Speaker 3: think it's just them doing what they do. 211 00:11:39,120 --> 00:11:41,600 Speaker 2: So, which parts of this building did you think might 212 00:11:41,600 --> 00:11:44,960 Speaker 2: have been the heart of the activity, and did you 213 00:11:45,200 --> 00:11:46,200 Speaker 2: check those out first? 214 00:11:48,520 --> 00:11:51,760 Speaker 3: You know, I always ask about hotspots, and there's a 215 00:11:51,800 --> 00:11:55,880 Speaker 3: lot of ground to cover. Ashmore, though, is so consistently 216 00:11:55,960 --> 00:12:01,360 Speaker 3: weird and active. I almost think I've asked so many 217 00:12:01,440 --> 00:12:03,839 Speaker 3: visitors this question, and I've some have told me, oh, 218 00:12:03,840 --> 00:12:06,720 Speaker 3: it's the basement. Others have said no, no, no, no, no, 219 00:12:06,760 --> 00:12:10,120 Speaker 3: it's the second floor. No it's the stairwell. And there 220 00:12:10,160 --> 00:12:13,080 Speaker 3: are no consistent answers because people have had strange things 221 00:12:13,080 --> 00:12:15,040 Speaker 3: go on pretty much in all parts of the building. 222 00:12:15,800 --> 00:12:18,440 Speaker 3: The minute I walked inside for the first time, I 223 00:12:18,600 --> 00:12:22,480 Speaker 3: was with Brad cling and investigated from Texas, who he 224 00:12:22,520 --> 00:12:24,640 Speaker 3: and his brother Barry start in the show Ghost Lab. 225 00:12:25,440 --> 00:12:27,560 Speaker 3: No sooner have we walked into the building than we 226 00:12:27,600 --> 00:12:32,800 Speaker 3: had very clearly the sound of a person whistling. So 227 00:12:32,960 --> 00:12:35,320 Speaker 3: we're like, there's somebody in here, There is an intruder 228 00:12:35,360 --> 00:12:37,400 Speaker 3: in here already, we need to go sweep the place. 229 00:12:38,120 --> 00:12:41,200 Speaker 3: And Robin did not appear to be bothered, not least 230 00:12:41,200 --> 00:12:43,960 Speaker 3: because I learned later he has a camera system with 231 00:12:44,520 --> 00:12:46,640 Speaker 3: all of the motion sensors and stuff like that. It 232 00:12:46,640 --> 00:12:48,600 Speaker 3: had not been tripped, no one could have been in 233 00:12:48,640 --> 00:12:52,400 Speaker 3: that building gained access without tripping the camera system. But 234 00:12:52,520 --> 00:12:55,440 Speaker 3: we went from room to room, floor to floor, didn't 235 00:12:55,440 --> 00:12:58,160 Speaker 3: find anybody there at all, no evidence of an intruder. 236 00:12:58,400 --> 00:13:01,840 Speaker 3: I have the recording plain as day. Somebody was whistling 237 00:13:01,840 --> 00:13:08,560 Speaker 3: a tune, and numerous investigators have gotten that same jaunty whistling, 238 00:13:08,840 --> 00:13:11,080 Speaker 3: the kind of thing that you do when you're going 239 00:13:11,120 --> 00:13:14,720 Speaker 3: about your chores or tasks, you know, so. 240 00:13:14,720 --> 00:13:17,200 Speaker 2: You heard a lot of other things. I you know, 241 00:13:17,240 --> 00:13:19,280 Speaker 2: we're going to take a break out about three minutes, 242 00:13:19,320 --> 00:13:23,400 Speaker 2: but let's start with the equipment that you use and 243 00:13:23,440 --> 00:13:25,120 Speaker 2: the kind of recording. If you were able to make 244 00:13:25,280 --> 00:13:28,400 Speaker 2: a general description absolutely well. 245 00:13:28,480 --> 00:13:32,120 Speaker 3: Like many paranormal investigators, I'm a believer of these radio 246 00:13:32,160 --> 00:13:36,400 Speaker 3: frequency helping devices, which they're nicknamed spirit boxes. They're kind 247 00:13:36,400 --> 00:13:39,320 Speaker 3: of controversial. Some people believe in them, some don't. But 248 00:13:39,520 --> 00:13:44,439 Speaker 3: you add a set of industrial quality noise canceling headphones 249 00:13:44,800 --> 00:13:47,640 Speaker 3: to the mix, and you are often able to hear 250 00:13:47,800 --> 00:13:53,960 Speaker 3: voices coming out between the frequencies, stating names, dates, answering 251 00:13:54,000 --> 00:13:58,160 Speaker 3: your questions directly. So I'm a big fan of using 252 00:13:58,240 --> 00:14:02,760 Speaker 3: that particular techniques known as the Esther's methods, because it 253 00:14:02,800 --> 00:14:05,320 Speaker 3: was popularized in this part of Colorado up at the 254 00:14:05,360 --> 00:14:08,720 Speaker 3: Family Hotel, which of course is the basis for Stephen 255 00:14:08,800 --> 00:14:13,200 Speaker 3: Kings to shining. So we liked recording those sessions. I'm 256 00:14:13,200 --> 00:14:16,920 Speaker 3: a believer in using both audio tape, analog tape and 257 00:14:17,000 --> 00:14:20,920 Speaker 3: digital recorders. I thank an investigator called John Tenny for 258 00:14:21,000 --> 00:14:24,240 Speaker 3: pointing that out. We live in the digital age, right, George. 259 00:14:24,280 --> 00:14:26,800 Speaker 3: You know you can do EVPs now on your cell phone, 260 00:14:27,360 --> 00:14:31,400 Speaker 3: but digital recorders use a series of ones and zeros 261 00:14:31,400 --> 00:14:36,480 Speaker 3: on a hard drive to record sound. Magnetic tape work differently, 262 00:14:37,480 --> 00:14:41,360 Speaker 3: and I've seen the magnetic tape recorder capture EVPs that 263 00:14:41,440 --> 00:14:45,440 Speaker 3: the digital recorders didn't pick up, and vice versa. So 264 00:14:45,480 --> 00:14:48,720 Speaker 3: it's important to go old school, you know, nineteen seventies 265 00:14:48,760 --> 00:14:53,080 Speaker 3: era tape recorder, cassette recorder alongside the newer high tech 266 00:14:53,400 --> 00:14:55,680 Speaker 3: electronic digital solutions. 267 00:14:56,560 --> 00:14:59,480 Speaker 2: And you've got quite a few recordings, I guess quite 268 00:14:59,520 --> 00:15:03,480 Speaker 2: a few throughout much of your visit, right, different kinds 269 00:15:03,480 --> 00:15:08,080 Speaker 2: of you're encountering, different individuals, what sound like different individuals? 270 00:15:08,560 --> 00:15:11,040 Speaker 3: Absolutely. I mean one thing that I took joy in 271 00:15:11,080 --> 00:15:13,800 Speaker 3: myself is a little strange, and the video is out 272 00:15:13,840 --> 00:15:17,440 Speaker 3: there on YouTube if anyone wants to suffer this themselves. 273 00:15:17,720 --> 00:15:20,760 Speaker 3: But there is a room with children's toys and books, 274 00:15:21,360 --> 00:15:25,640 Speaker 3: and I put on a child tiara and sat and 275 00:15:25,760 --> 00:15:30,240 Speaker 3: read a bedtime story because we know there are child 276 00:15:30,400 --> 00:15:33,280 Speaker 3: spirits there. You know, what could be more natural than 277 00:15:33,360 --> 00:15:36,560 Speaker 3: reading a bedtime story to the children and kind of 278 00:15:36,560 --> 00:15:38,160 Speaker 3: putting them at ease. That was a good way to 279 00:15:38,160 --> 00:15:41,560 Speaker 3: get into activity that didn't involve, you know, yelling and 280 00:15:41,600 --> 00:15:45,280 Speaker 3: shouting and that kind of thing, and didn't work. So 281 00:15:46,360 --> 00:15:49,560 Speaker 3: you know, we got a lot of shadowy figure activity 282 00:15:49,640 --> 00:15:53,080 Speaker 3: after we did that, if you was to be careful, 283 00:15:53,240 --> 00:15:55,880 Speaker 3: because there was at least one bat in Ashmore at 284 00:15:55,920 --> 00:15:58,160 Speaker 3: that time that we adopted and we called him Lablow. 285 00:15:58,800 --> 00:16:01,120 Speaker 3: So when the shadows of movie, sometimes it is as 286 00:16:01,160 --> 00:16:05,600 Speaker 3: simple as a flying rodent. But we also got human 287 00:16:05,960 --> 00:16:09,640 Speaker 3: shaped figures, at least one of which triggered the motion 288 00:16:09,800 --> 00:16:13,520 Speaker 3: centers on the security system in a completely empty stairwell. 289 00:16:14,600 --> 00:16:16,800 Speaker 3: We had stones that were thrown as well, not in 290 00:16:16,920 --> 00:16:19,640 Speaker 3: a threatening away but more of a hey, I'm here 291 00:16:19,720 --> 00:16:20,880 Speaker 3: and I'm going to prove it. 292 00:16:21,480 --> 00:16:24,720 Speaker 1: Listen to more Coast to Coast AM every weeknight at 293 00:16:24,760 --> 00:16:28,040 Speaker 1: one am Eastern and go to Coast to coastam dot 294 00:16:28,040 --> 00:16:28,800 Speaker 1: com for more