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Speaker 1: We owned a motherfucker bootleg care podcast. We owned a

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Speaker 1: motherfucker bootleg care podcast, and Deity, Welcome to another edition

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Speaker 1: of the Bootleg Cat motherfucking Podcast. I hope everyone's enjoying.

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Speaker 1: Uh shit, the last week of life, man, and a

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Speaker 1: lot of crazy shit going on in the world, A

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Speaker 1: lot of crazy stuff going on in hip hop and entertainment. Man.

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Speaker 1: So this week gonna drop a podcast with the homie

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Speaker 1: my boy dub Pa Checks. We did a podcast a

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Speaker 1: few weeks ago talking about just topical shit, talking about

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Speaker 1: jay Z's discography. We're gonna do another one of those

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Speaker 1: this week. That one performed very very well. Got a

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Speaker 1: shout out everybody who's listening every week, definitely appreciate you.

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Speaker 1: Got a lot of dope stuff in the can man.

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Speaker 1: We got a Conway interview that's gonna be coming out.

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Speaker 1: Gonna be sitting down with Warren g Dave East, and

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Speaker 1: just so many other people. So you know, we're gonna

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Speaker 1: keep this thing moving. Shout out to our our podcast sponsor, Vapin.

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Speaker 1: There's just so much great stuff on there. I would

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Speaker 1: suggest everyone get the Diamond pen. That Diamond Pen is

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Speaker 1: a straight movie, so make sure you do that. Also,

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Speaker 1: go to the herbal Wellness Center. All right, that's in Phoenix.

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Speaker 1: So if you're in Phoenix and you're listening to this

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Speaker 1: and you're trying to get some of that shmoke, hit

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Speaker 1: that rbal well Iness Center on Indian school Man Survive

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Speaker 1: over there. Shout outs to vapin much Love, Much Love.

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Speaker 1: So this week's episode, we're gonna be talking with Filthy Rich.

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Speaker 1: So Filthy Rich for people who are not familiar with

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Speaker 1: Filthy Rich is a I would just say, an independent

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Speaker 1: juggernaut from the Bay Area. He has put out I mean,

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Speaker 1: in the interview he told us he's put out over

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Speaker 1: one hundred projects, which is crazy to think, right, but

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Speaker 1: you know the guy. You know, whether or not you're

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Speaker 1: a fan of his music. I think this podcast is dope,

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Speaker 1: great conversation, probably the best Filthy Rich interview that's ever

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Speaker 1: been recorded, because I've interviewed Filthy before in the past

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Speaker 1: that it was less the Desira boom. So he was

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Speaker 1: super engaged during this interview, talked a lot about his

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Speaker 1: independent hustle, and I just think it was a great conversation, man,

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Speaker 1: So shout out to Filthy Rich's new album is out.

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Speaker 1: Like I said, even if you're not a fan of

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Speaker 1: his music, this is a dope conversation. Nonetheless, we're gonna

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Speaker 1: be doing another podcast on Wednesday that's not going to

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Speaker 1: be interview based, so that's dropping Wednesday, And like I said,

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Speaker 1: tons of good stuff in the worst for the bootleg

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Speaker 1: kV podcast, big, big, big thank you to everyone who's

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Speaker 1: been listening, everyone who's been tagging me on Twitter, tagging

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Speaker 1: me on Instagram. Got a ton of love from the

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Speaker 1: Chappelle Lacy episode. Shout out to Chappelle. Gonna try to

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Speaker 1: like work him in as like a regular guest. Low Key.

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Speaker 1: Also getting a lot of love from the Benny the

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Speaker 1: Butcher interview from last week. Shout out to Benny the whole, Griselda,

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Speaker 1: and Yeah, super excited for the future of the podcast.

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Speaker 1: And I just want to really really say I appreciate

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Speaker 1: everybody who listens to shit means a lot. We're gonna

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Speaker 1: keep it going. We ain't slowing down. And let's get

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Speaker 1: into the Filthy Rich Interview podcast officially COVID Free. Y'all

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Speaker 1: caught that coronavirus. Filthy Rich? You did? Yeah, I'm like,

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Speaker 1: you know what happened? No? No, you good? I'm good.

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Speaker 1: I got two negative tests. I respect it, man, But

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Speaker 1: you know what happened. Bro. Remember when you was out

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Speaker 1: in Asy and I was out Inzy and we was

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Speaker 1: texting each other. I was out there, you know, deep

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Speaker 1: and some shit. You know what I'm saying, d jye

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Speaker 1: And oh yeah, I was doing it. So I was

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Speaker 1: running up a bag. No exactly. Well, yeah, everybody out

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Speaker 1: there got that ship was running up many salute to

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Speaker 1: Arizona man. But yeah, we got Filthy Rich in the building.

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Speaker 1: You got a new album out? How many albums is

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Speaker 1: this for you? Officially? Oh shit, I don't know. You

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Speaker 1: don't know how? Like? What what number album this is?

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Speaker 1: I mean we're past like ten at least? What are

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Speaker 1: we like fifteen? Twenty dropped twelve in a year? Oh Jesus,

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Speaker 1: so are we are we north of past one? Hundred.

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Speaker 1: You're past one hundred albums, one hundred projects, one hundred

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Speaker 1: projects for sure. Are all those on the DSPs or

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Speaker 1: just some of those like in like on DAP piff

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Speaker 1: or like are they all on Spotify? That's crazy. By

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Speaker 1: the way, shout out to Brian Samson for being loud

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Speaker 1: of shit in the background. Yeah, I've been pasted on

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Speaker 1: un that's crazy. When do you remember the year that

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Speaker 1: you put your first project out? My first project that

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Speaker 1: went like online and everything was on two thousand and eight.

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Speaker 1: Damn twelve years. You don't have to wear the mask.

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Speaker 1: I don't have the runa bro. I took two tests.

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Speaker 1: I took two. If I get him, I leave here.

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Speaker 1: I got double negative. I'm gonna have Empire invoice you.

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Speaker 1: All right? All right? Speaking of Empire, So I listen

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Speaker 1: to the album Man Dope Body of Work. Do you

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Speaker 1: feel like this is like a like the coronavirus everything

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Speaker 1: has been going on. I feel like you. It feels

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Speaker 1: like you took a lot of time on this project, Like, uh,

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Speaker 1: it felt real personal too. It is because of the title,

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Speaker 1: like it's kind of like the sequel to Fake Love

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Speaker 1: and then No Real Hate. But I feel like the

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Speaker 1: previous project, Hometown hero before that was like that also,

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Speaker 1: like I feel like you like like vulnerable on this album.

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Speaker 1: I feel like on Hometown Heroes like that too. I'm

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Speaker 1: just growing, you know. You know, we're growing every day

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Speaker 1: and going through different thing. So I mean me as

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Speaker 1: an artist, I've been just like giving you me like

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Speaker 1: what I'm going through, how I'm feeling. So it just

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Speaker 1: that and then another thing too, you know, we grow

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Speaker 1: as artists every day as we gain new fan base

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Speaker 1: every day too, so maybe more people might be more

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Speaker 1: be tuning in more lately and just probably just missed

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Speaker 1: out on the past stuff. I think it's dope that independently,

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Speaker 1: what you've built over the last twelve years, it's very impressive.

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Speaker 1: I'm sure that there's opportunities for you to, you know,

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Speaker 1: go to major label out plenty of times I'm curious

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Speaker 1: what they want. They want everything, of course they do.

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Speaker 1: I had a few interviews whatever, and they was like

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Speaker 1: they wanted whole catalog and merge touring and all that,

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Speaker 1: we want to cut it all everything, And I'm like, well,

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Speaker 1: I didn't know y'all in two thousand and eight, right

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Speaker 1: right right right far from here on up right even forward. Yeah,

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Speaker 1: like we I can't do that. I can't take down

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Speaker 1: what I already built up and then give it to you.

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Speaker 1: And then just so happened, I didn't do it, and

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Speaker 1: then Corona hit. I would have been asked out. So

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Speaker 1: that was something that was recently them. I mean, it

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Speaker 1: made a few times, but yet the last one was

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Speaker 1: right before. Can you tell us who it was with

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Speaker 1: rock Nation? So rock Nation was was was trying to

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Speaker 1: do business with Filthy Rich and they, Yeah, I had

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Speaker 1: I had a mean sat down out here, and that

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Speaker 1: was something that it looked like it would have been

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Speaker 1: like more of a three sixty situation like they were

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Speaker 1: they were gonna want a piece of everything you had

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Speaker 1: going on, including your old catalog everything. Yeah, see that

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Speaker 1: that doesn't make sense, like you said, from here forward. Yeah,

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Speaker 1: from me having an independent mindset, like I'm seeing money

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Speaker 1: off digital, you know, and royalties and sound and change

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Speaker 1: and ass cap and YouTube or whatever. So it's like, okay,

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Speaker 1: I gotta give y'all all of this. I don't even

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Speaker 1: know y'all, Like I don't know what you're about to

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Speaker 1: do for me or not gonna do for me, you

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Speaker 1: know what I'm saying so I'm making a chance as

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Speaker 1: in believing in y'all and hoping that y'all are going

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Speaker 1: to do something. If y'all don't, then I'm just out

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Speaker 1: of paid y'all already. Yeah, and then you're like you're

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Speaker 1: you're left with less than you had before. Who Now,

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Speaker 1: obviously you know everyone associates Rock Nation would whole like,

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Speaker 1: who was it that initially worked? Like? It was it

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Speaker 1: like do you know if like jay Z was aware

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Speaker 1: of like your what you got going on? Or because

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Speaker 1: you know they have their own an rs and their

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Speaker 1: own people, and it was it was the rock Nation management.

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Speaker 1: It wasn't the label side got you, but they was

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Speaker 1: willing to bring me to a label and it was

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Speaker 1: I mean it it's no like bad Blood or anything,

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Speaker 1: of course not. No. I mean, look, people, you should

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Speaker 1: always take every meeting. I take that to everybody. But

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Speaker 1: his name is Daniel actually the Lion spaper dad, Oh

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Speaker 1: that's what's up? Yeah, man, that's crazy because Daniel though

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Speaker 1: even just believing in me, want to sit down talk

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Speaker 1: to me, like he came to my neighborhood, like he

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Speaker 1: came to I think at least party album least party

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Speaker 1: or I had going on. He tapped in. He really

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Speaker 1: came to the hood. THEAP was really trying to Yeah,

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Speaker 1: and I had a video shoot out here and Inglewood

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Speaker 1: he came through, so he really was rocking with me though,

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Speaker 1: and I just talked. I just talked to him to

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Speaker 1: the Actually that's so. But I want to talk about

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Speaker 1: your like, like, because a lot of people who are

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Speaker 1: watching this might not be necessarily familiar with who Filthy

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Speaker 1: Rich is. Like, obviously you've been doing this for a

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Speaker 1: long time independently from Oakland the like, I feel like

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Speaker 1: there's something about the Bay Area and independence. They go

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Speaker 1: hand in hand. It's been like that forever, like since

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Speaker 1: since they say Master peve been out there, you know

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Speaker 1: what I'm saying, giving out the game, all the older

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Speaker 1: older guys been you know, with the independent route. Because

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Speaker 1: I guess it's just something that just like grew from

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Speaker 1: there to how I'll see it because like everywhere I

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Speaker 1: go anywhere else, they not really hip to it. True,

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Speaker 1: they're not really hip to it like they were more

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Speaker 1: like hell labeled this is this and all that. So

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Speaker 1: it's like and then like a lot of people when

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Speaker 1: they think of California, they don't think of Oakland, think

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Speaker 1: of La. Yeah, like, yeah, man, I'm about to come

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Speaker 1: to California. IM about to come with us. You can

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Speaker 1: get a deal. I'm like, man, ain't no labels out here.

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Speaker 1: The Empire the best thing going on right in the

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Speaker 1: Bay Area. So I'm like, you mean you're going to

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Speaker 1: La or something like right, right right, it ain't the same.

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Speaker 1: This is one of the biggest states of the hood.

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Speaker 1: So when it comes to your strategy, Like, I'm curious

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Speaker 1: because I feel like a lot of artists who are

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Speaker 1: watching this are probably real Like most people, man, Brian

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Speaker 1: Samson bro never ceases to fucking amaze me anyway, I

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Speaker 1: feel like a lot of artists are obviously, if presented

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Speaker 1: with any record deal, would just take it. Like I'm

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Speaker 1: talking about like used to say they got a record right, right,

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Speaker 1: And it's kind of different when you getting money already, true,

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Speaker 1: you know what I'm saying. So it's like a lot

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Speaker 1: of these like I was just talking a lot of

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Speaker 1: these people, it's like, you're not fee the record me

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Speaker 1: and nobody go check out the podcastles you got something

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Speaker 1: to do with it? Or I mean that's not I mean,

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Speaker 1: that's not necessarily true. I mean I got homies that

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Speaker 1: do for me to give somebody else if this is

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Speaker 1: how you can pay. So a lot of artists they're

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Speaker 1: nothing to recommend another artist to get signed, knowing that

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Speaker 1: this person can be bigger than them, can take from them.

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Speaker 1: They have nothing to do with it unless they got

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Speaker 1: unless they co sign or sign to them. So especially

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Speaker 1: like if your artist has coming in and you already

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Speaker 1: you know, up to they level. There are situations, but

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Speaker 1: they're very few and far between where where there's some

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Speaker 1: genuine like you know, I got some genuine people. Yeah, yeah,

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Speaker 1: but the ones I've met, like you know, I mean,

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Speaker 1: it's the rap industry, this the game, so everybody looking

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Speaker 1: for it come up. This guy might be not popping

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Speaker 1: into music, but he got ties and connections with a

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Speaker 1: whole different you know, with what you need. So he's like, okay, man,

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Speaker 1: you gotta sign to me and I bring you up here,

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Speaker 1: or we gotta you gotta sign our management, you gotta

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Speaker 1: sign on our label. Whatever. So would you suggest artists

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Speaker 1: to stay independent and just you know, because like I'm

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Speaker 1: assuming at what point in time because if you started

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Speaker 1: in oh wait, I would say, like, at what point

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Speaker 1: in time were you making like real money off a rap.

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Speaker 1: What took a minute because it don't happen right away.

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Speaker 1: I was just talking to my bro Neft yesterday and

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Speaker 1: he was telling me about he had checked his dash

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Speaker 1: for that empire and he had like two hundred dollars

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Speaker 1: on it, and I was like, bro, you only put

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Speaker 1: out one song. You know what I'm saying. So I'm like,

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Speaker 1: it took a while. Like I used to give my

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Speaker 1: fifty dollars to go pay my metro bill. I be

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Speaker 1: with it. But the more I put out, I started

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Speaker 1: noticing more money. So that's that's what the independent game

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Speaker 1: came from. Like okay, man, So I'm looking at like

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Speaker 1: the catalog, keep me yeah, at the dope game, like

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Speaker 1: the like the CDs is the dope now, you know

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Speaker 1: what I'm saying. So the more I put out, the

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Speaker 1: more money I get. So it took for me to

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Speaker 1: go up there one day not to empire to a

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Speaker 1: different company. While back and I was they had to

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Speaker 1: check for me for five g's wow. And somebody I

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Speaker 1: was with was another artist and he was like, man,

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Speaker 1: how he get that? Like he was like, man, got

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Speaker 1: he's been dropping. He's been dropping. So I've seen that.

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Speaker 1: I've just been on it has that because I feel

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Speaker 1: like that still holds true now in the streaming era,

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Speaker 1: where like the more you drop, the more your Spotify

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Speaker 1: builds up. Like you know what I'm saying, Like, I mean,

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Speaker 1: like my biggest iTunes check like seventy five thousand. That's crazy.

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Speaker 1: That's for a month. Yeah wow, like once once it generates,

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Speaker 1: you know, it went from ten twenty fifty. That's crazy.

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Speaker 1: It was thirty at one point, and it goes up.

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Speaker 1: And that's when you get that call from Ghazi and

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Speaker 1: be like, hey, let me get this big old bag upfront.

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Speaker 1: You know what I'm saying. I wanted to ask you

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Speaker 1: about there's a line on the intro where you say

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Speaker 1: the ops you're on the same label as the ops.

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Speaker 1: Now obviously you're on the empire. Our empire's got probably

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Speaker 1: they distributed so may like three thousand artists. I was

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Speaker 1: about to say it it's a lot, but I took

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Speaker 1: that at like what like what like I don't know

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Speaker 1: who all your ops are obviously, but I kind of

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Speaker 1: took that as like, Okay, is this Mazi thing is

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Speaker 1: still going on? Because I mean both both you and

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Speaker 1: MASI are both marquee artists and Empire uh now at

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Speaker 1: that time being, I wasn't even talking about him, okay,

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Speaker 1: because it's a lot of people at Empire that I

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Speaker 1: don't I'm fool with. Okay, So so those holiday parties

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Speaker 1: are interesting, Yeah, yo, I can't imagine that'd be interesting.

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Speaker 1: The last one was interesting. I didn't even see anybody,

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Speaker 1: I'm sure out of respect though, for like the company

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Speaker 1: and for Gazi, like it's yeah, yeah, me and gods

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Speaker 1: you talking. I'm gonna keep it real like like like

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Speaker 1: that situation is just like some rap shit or whatever.

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Speaker 1: But it never went further than that. But Ghazi has

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Speaker 1: tried to play a big part in it, like suicide

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Speaker 1: and out of respect for him. You know, a lot

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Speaker 1: of things have been I feel like you two had

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Speaker 1: I had obviously some genuine love for each other at

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Speaker 1: a point in time in your life. That was the

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Speaker 1: whole point, right, that was the whole point. Like I

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Speaker 1: genuinely fucked with you. Yeah. A lot of people learned

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Speaker 1: of Mazi from you. Yeah. Yeah, so I genuinely fucked

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Speaker 1: with an Apparently you genuinely did so well. I mean,

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Speaker 1: you know, look, at the end of the day, I

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Speaker 1: feel like it's like beating a dead horse. Yeah, no, no,

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Speaker 1: I mean, you've talked about it a lot, but this

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Speaker 1: that line. I mean, he has also not might not

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Speaker 1: be vocal, like in interviews or whatever. I don't know

295
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Speaker 1: if they asked or say not to speak about it.

296
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Speaker 1: But I wasn't gonna speak about it. And then I

297
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Speaker 1: heard the album. I was like, I gotta at least

298
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Speaker 1: as about that line. Yeah, but you know in his

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Speaker 1: music he throws shots. So that's why you might hear

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Speaker 1: on the last album the new album. Yeah, so that's

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Speaker 1: where you might hear something from me come from. So

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Speaker 1: it's like, okay, a direct shot or a sub direct shots,

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Speaker 1: direct shots in the music. So it's like, Okay, what

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Speaker 1: do I do? Do I keep it going? Do I

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Speaker 1: say something? It's obviously unfortunate. I'm sure you guys have

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Speaker 1: tons of mutual friends, mutual acquaintances. We don't. Oh, you

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Speaker 1: guys don't. Nah. Well, a lot of people picked they

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Speaker 1: side seeing that sucks, right, because it's like, now it

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Speaker 1: don't suck, it doesn't suck. It's cool with me. I

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Speaker 1: don't care. I don't I swear to god, I don't care.

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Speaker 1: Like it's almost like it's funny to me. At the

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Speaker 1: end of the day because it's like, you guys wouldn't

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Speaker 1: even know each other. I didn't introduce you to him,

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Speaker 1: and then you guys still pick the side and you

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Speaker 1: have nothing going on. Damn. So do you have you

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Speaker 1: noticed fans picking sides? Because that's where it gets kind

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Speaker 1: of because I remember when the jay Z nas people

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Speaker 1: was going on back in the day when I was

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Speaker 1: a kid, I was on Naza's side and I was like,

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Speaker 1: fuck jay Z. I don't really know if I noticed fans, right,

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Speaker 1: because you guys, you guys definitely share a lot of fans. Yeah, yeah, yeah,

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Speaker 1: we do. I know the rappers. I know it's the rappers.

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Speaker 1: Rappers have picked sides. That's fasting, Like you know, they

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Speaker 1: like ship. They feel like, you're gonna go fuck with

325
00:16:58,560 --> 00:17:00,480
Speaker 1: this lingo. They're gonna go fuck with me because of

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Speaker 1: whatever I think. I feel like too. With hip hop,

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00:17:03,600 --> 00:17:09,040
Speaker 1: it's like, did you notice people who you knew before

328
00:17:09,080 --> 00:17:11,800
Speaker 1: he knew them? She was in the Masi side of course,

329
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Speaker 1: Like like, can you say who? Because they're not relevant?

330
00:17:15,520 --> 00:17:18,360
Speaker 1: They're not so not relevant rappers at least not relevant

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Speaker 1: now fair enough. It might have been relevant when I

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Speaker 1: was working with them, but they're not relevant. Now, okay,

333
00:17:25,000 --> 00:17:29,840
Speaker 1: that's fair. You and Jim Jones have a dope record

334
00:17:29,840 --> 00:17:32,760
Speaker 1: on this project. In the couple, he's talking like you

335
00:17:32,760 --> 00:17:38,240
Speaker 1: guys go back to a decade now, has it? Like

336
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Speaker 1: you know you have you have records with so many artists,

337
00:17:41,880 --> 00:17:45,480
Speaker 1: so many legends. But I feel like there's just something

338
00:17:45,520 --> 00:17:49,560
Speaker 1: about that pedigree and and your work ethic and what

339
00:17:49,640 --> 00:17:52,520
Speaker 1: you've been building that just anybody who's paying attention has

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Speaker 1: to respect. Like even like when the big artists comes

341
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Speaker 1: to the Bay, grab me, bring me out, like no

342
00:18:00,280 --> 00:18:05,840
Speaker 1: fuck around or whatever. A lot of artists that were

343
00:18:05,920 --> 00:18:10,440
Speaker 1: talking before it like before they blew up, we've worked before, right, No, No,

344
00:18:10,800 --> 00:18:13,560
Speaker 1: we're talking about You were telling me that you had

345
00:18:13,560 --> 00:18:15,520
Speaker 1: an opportunity to sign Roddy Rich back in the day.

346
00:18:16,359 --> 00:18:18,159
Speaker 1: How how many years ago was this because Roddy's been

347
00:18:18,200 --> 00:18:20,680
Speaker 1: making music for a while since he was a kid.

348
00:18:21,160 --> 00:18:24,520
Speaker 1: Well this was right before he took off, before he

349
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Speaker 1: did whatevery deal with Nipp and Miek and or whatever,

350
00:18:26,880 --> 00:18:28,840
Speaker 1: like we had did, Like was this while he was

351
00:18:28,840 --> 00:18:32,359
Speaker 1: still with Bird? Yeah, okay, so you and Bird almost

352
00:18:32,359 --> 00:18:36,639
Speaker 1: connected together on Rodney mutual Friend. We came to the study.

353
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Speaker 1: I think we did like three records one night or whatever.

354
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Speaker 1: And same thing with Blue Face too. Me and Blue

355
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Speaker 1: Face we was in the lab before he took off.

356
00:18:44,280 --> 00:18:48,399
Speaker 1: Also out here like like i'd be in tuned to

357
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Speaker 1: what's going on. I've noticed I pay attention to him

358
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Speaker 1: man like he got to So why did why did

359
00:18:56,600 --> 00:18:59,399
Speaker 1: you end up not signing Roddy? It wasn't just that

360
00:18:59,560 --> 00:19:02,400
Speaker 1: then I didn't want or nothing like that. The opportunity

361
00:19:02,520 --> 00:19:04,639
Speaker 1: was brought to me through a mutual friend or whatever.

362
00:19:04,960 --> 00:19:07,000
Speaker 1: We worked and then ship. After that, I just went

363
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Speaker 1: back to the bay. That that that's crazy state. We

364
00:19:10,880 --> 00:19:13,600
Speaker 1: stayed in contact. We still talk here in there. Me

365
00:19:13,640 --> 00:19:16,280
Speaker 1: and Face still talk here in there too. But I

366
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Speaker 1: mean I feel like it's better for him. I mean,

367
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Speaker 1: I mean he's having it. He's having a great run

368
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Speaker 1: right now. Same thing with Blue Face. Oh with the

369
00:19:26,720 --> 00:19:30,040
Speaker 1: other guy, I could have signed him too. I'm sure

370
00:19:30,080 --> 00:19:33,320
Speaker 1: that that's for some change. Yeah, I mean you would

371
00:19:33,359 --> 00:19:34,920
Speaker 1: have think that would have made tense back then. Me.

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Speaker 1: I want to see everybody be a boss. I want

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Speaker 1: to see everybody like I gave him niggas a plan

374
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Speaker 1: like how to become a boss, like how to run

375
00:19:43,560 --> 00:19:46,399
Speaker 1: your company, how to become a brand. The blueprint to

376
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Speaker 1: independent success. Everybody like you could have did you could

377
00:19:48,720 --> 00:19:50,240
Speaker 1: have did it like on like like it was like

378
00:19:50,640 --> 00:19:52,480
Speaker 1: come up like I'm not no type of nigga like that,

379
00:19:52,560 --> 00:19:54,200
Speaker 1: like I'm not hurt. I don't need it, you'd rather.

380
00:19:54,520 --> 00:19:55,800
Speaker 1: A lot of people say the game is to be

381
00:19:55,840 --> 00:19:58,040
Speaker 1: so not told you that's and that's a whack thing

382
00:19:58,080 --> 00:20:00,119
Speaker 1: to say. So it's like you should have did did

383
00:20:00,160 --> 00:20:01,280
Speaker 1: you could have did this and that in the way

384
00:20:01,280 --> 00:20:03,840
Speaker 1: they're saying it like in a bad way, like I'm like, bro,

385
00:20:03,920 --> 00:20:05,600
Speaker 1: like I ain't trying to come up off no nigga

386
00:20:05,640 --> 00:20:09,960
Speaker 1: like like plus at the time, Uh, he kept going

387
00:20:10,000 --> 00:20:13,199
Speaker 1: to jail, right, he kept going to jail like like

388
00:20:13,280 --> 00:20:15,280
Speaker 1: it was some shit called like flashes or some shit

389
00:20:15,359 --> 00:20:17,720
Speaker 1: ten they flashes. He kept going to jail, kept going

390
00:20:17,720 --> 00:20:20,280
Speaker 1: to jail. But while he was down, I was keeping

391
00:20:20,320 --> 00:20:22,280
Speaker 1: him alive. You know what I'm saying, Like you could

392
00:20:22,359 --> 00:20:28,439
Speaker 1: check an old video I had with r J and

393
00:20:28,560 --> 00:20:30,960
Speaker 1: YG just went YG album at first came out mush

394
00:20:31,040 --> 00:20:33,760
Speaker 1: or whatever I had to I'm sweating on wow. Yeah.

395
00:20:33,840 --> 00:20:36,719
Speaker 1: So when he was doing everybody was hitting me, Hey man,

396
00:20:36,720 --> 00:20:38,840
Speaker 1: I need a verse. I'm like, man, he gonna be

397
00:20:38,840 --> 00:20:40,440
Speaker 1: home so and this and this, you know, just on

398
00:20:40,560 --> 00:20:43,320
Speaker 1: some genue shit though, But I don't. I'm not looking

399
00:20:43,320 --> 00:20:45,280
Speaker 1: at niggas that's come up, like even with my artists.

400
00:20:45,280 --> 00:20:47,080
Speaker 1: I just gave him both for Rolex the other day.

401
00:20:47,720 --> 00:20:49,480
Speaker 1: You get what I'm saying. I gave him both Rolex.

402
00:20:49,520 --> 00:20:50,960
Speaker 1: I just told him, like, I don't want nothing. I

403
00:20:51,000 --> 00:20:54,040
Speaker 1: just want you to keep working. That's fire, man. I

404
00:20:54,040 --> 00:20:55,480
Speaker 1: wish somebody would have did that for me when I

405
00:20:55,520 --> 00:20:57,760
Speaker 1: was coming up. Do you ever see a world in

406
00:20:57,800 --> 00:21:00,919
Speaker 1: which you and Mazica have a conversation and recontell we

407
00:21:01,000 --> 00:21:03,760
Speaker 1: can holler that's good thinking for show holler like it ain't.

408
00:21:04,080 --> 00:21:06,000
Speaker 1: It ain't to the point like nothing's happened to me,

409
00:21:06,040 --> 00:21:07,639
Speaker 1: nothing happening, and it felt like some and we got

410
00:21:07,680 --> 00:21:10,440
Speaker 1: some good rap music out of it. Yeah we did. Man,

411
00:21:10,480 --> 00:21:12,639
Speaker 1: Look you was snapping on your ship. He was. Now.

412
00:21:12,640 --> 00:21:14,280
Speaker 1: I mean, like, you know, look, as long as it

413
00:21:14,359 --> 00:21:16,720
Speaker 1: stays on music, I'm all for for some rap beef.

414
00:21:16,800 --> 00:21:18,679
Speaker 1: But it has to stay on music. That's the problem.

415
00:21:18,880 --> 00:21:21,720
Speaker 1: When you look at somebody like you and someone like Mazie.

416
00:21:21,760 --> 00:21:25,919
Speaker 1: I remember when it first happened, I was like, shit,

417
00:21:26,560 --> 00:21:30,119
Speaker 1: someone's gonna die. Man. Remember these are the two motherfuckers

418
00:21:30,119 --> 00:21:33,360
Speaker 1: that I don't like. I wouldn't want to see anybody

419
00:21:32,080 --> 00:21:36,639
Speaker 1: be You gotta understand too though, it was like like

420
00:21:37,720 --> 00:21:40,160
Speaker 1: and then even from from a fan both, I mean

421
00:21:40,200 --> 00:21:43,400
Speaker 1: when you both like one of the dudes where you're from. Yeah,

422
00:21:43,520 --> 00:21:45,879
Speaker 1: you know what I'm saying, Like shit can't go sour,

423
00:21:46,520 --> 00:21:48,480
Speaker 1: you know what I'm saying. So and at the end

424
00:21:48,480 --> 00:21:52,440
Speaker 1: of the day too, like Nigga's not finished. I thought

425
00:21:52,440 --> 00:21:54,119
Speaker 1: they like the way, you know what I'm saying. So

426
00:21:54,160 --> 00:21:57,920
Speaker 1: it's like, okay, I'm gonna get your scenario. When he

427
00:21:57,960 --> 00:22:01,600
Speaker 1: made the song the Killed Every song, he posted a

428
00:22:01,600 --> 00:22:04,560
Speaker 1: picture of my house at the time, being which it

429
00:22:04,680 --> 00:22:06,320
Speaker 1: wasn't my house at the time. I remember that, but

430
00:22:06,800 --> 00:22:08,480
Speaker 1: the next day the police was in front the house.

431
00:22:09,440 --> 00:22:12,400
Speaker 1: I remember seeing that and being like ship here it goes. Yeah.

432
00:22:12,560 --> 00:22:16,960
Speaker 1: So with that being said, like once the police get involved,

433
00:22:17,000 --> 00:22:20,120
Speaker 1: I just left it along because like if a rock wood,

434
00:22:20,119 --> 00:22:21,359
Speaker 1: it went through the window and hit him in the

435
00:22:21,400 --> 00:22:22,800
Speaker 1: head and he passed out there to try to come

436
00:22:22,840 --> 00:22:27,320
Speaker 1: grab me. Right police involved, I'm done with it. That's

437
00:22:27,320 --> 00:22:29,880
Speaker 1: why I didn't even respond to that for that. That's fair.

438
00:22:31,520 --> 00:22:34,280
Speaker 1: Do you and and Roddy have any unreleased music together. Yeah,

439
00:22:34,320 --> 00:22:39,359
Speaker 1: we do. What's that studio? We had room? You guys

440
00:22:39,359 --> 00:22:41,080
Speaker 1: cut some records there. That's what we did. Do songs

441
00:22:41,600 --> 00:22:44,199
Speaker 1: and so are you blue Face? So you so? How

442
00:22:44,200 --> 00:22:49,080
Speaker 1: many un that song? Blue Face, Zodi and Dan we did.

443
00:22:49,240 --> 00:22:52,399
Speaker 1: We did like three songs to I know zodiansact so

444
00:22:54,920 --> 00:22:57,959
Speaker 1: shocking Kobe, it was something like that and that's crazy.

445
00:22:58,280 --> 00:23:01,280
Speaker 1: Shout out to blue Face man. He's he's a funny

446
00:23:01,320 --> 00:23:03,000
Speaker 1: rich and blue Face man. They both doing their thing.

447
00:23:03,000 --> 00:23:05,360
Speaker 1: They putting on for the West Man. No shame, man.

448
00:23:05,560 --> 00:23:08,840
Speaker 1: I love to see you know, people in this rap

449
00:23:08,920 --> 00:23:14,560
Speaker 1: game win Yo. The ortions of the MAZI thing. Somebody

450
00:23:14,680 --> 00:23:16,720
Speaker 1: told me it stopped me if I'm wrong or right,

451
00:23:16,720 --> 00:23:18,480
Speaker 1: But somebody said it's because you You had did a

452
00:23:18,520 --> 00:23:20,800
Speaker 1: project with someone he had a problem with. No, that's

453
00:23:20,840 --> 00:23:22,639
Speaker 1: not the reason why I started. He did a project

454
00:23:22,680 --> 00:23:26,240
Speaker 1: with somebody I had a problem with. Oh yes, okay,

455
00:23:26,760 --> 00:23:31,520
Speaker 1: well it wasn't me, so it wasn't you. Copy. Someone

456
00:23:31,640 --> 00:23:34,880
Speaker 1: asked me, somebody from you've heard that before, Like I'm

457
00:23:34,880 --> 00:23:36,720
Speaker 1: not the first person to ring there the wrong way. Okay,

458
00:23:36,720 --> 00:23:39,960
Speaker 1: if I heard it the wrong way, okay, okay. Someone

459
00:23:40,040 --> 00:23:43,320
Speaker 1: asked me from me his way to do it song

460
00:23:43,400 --> 00:23:48,680
Speaker 1: with me. I asked him about it and he told me, yeah,

461
00:23:48,760 --> 00:23:50,840
Speaker 1: it's good, you could do it. I can't, you know

462
00:23:50,880 --> 00:23:52,320
Speaker 1: what I'm saying. But it ain't no problem with but

463
00:23:52,400 --> 00:23:56,199
Speaker 1: you can't. So I feel like the respect could have

464
00:23:56,240 --> 00:23:59,399
Speaker 1: been mutual same way because you asked Yeah, like he

465
00:23:59,480 --> 00:24:01,879
Speaker 1: was dere when person ask me this something. Yeah, I

466
00:24:01,880 --> 00:24:03,480
Speaker 1: didn't know them, Like is it like, so like you

467
00:24:03,520 --> 00:24:05,560
Speaker 1: can show me the same courtesy. I got people from

468
00:24:05,600 --> 00:24:09,320
Speaker 1: Richmond and San Francisco, La whatever, Like if I hang

469
00:24:09,400 --> 00:24:13,520
Speaker 1: with somebody, these my boys in LA, right, somebody hear

470
00:24:13,520 --> 00:24:14,879
Speaker 1: me from LA to do it first, I'm like, bro,

471
00:24:14,960 --> 00:24:16,960
Speaker 1: you know them, they're good. You know what I'm saying,

472
00:24:17,040 --> 00:24:19,439
Speaker 1: right right, right? So that's just that, that's just kind

473
00:24:19,480 --> 00:24:22,239
Speaker 1: of protocol. Yeah, so that's what it was. But at

474
00:24:22,240 --> 00:24:23,879
Speaker 1: the end of the day, the person they did the

475
00:24:23,920 --> 00:24:28,040
Speaker 1: album with he in a fucked up situation and and

476
00:24:28,480 --> 00:24:31,600
Speaker 1: all this shit happened over a dope that's crazy, over

477
00:24:31,640 --> 00:24:36,399
Speaker 1: a crackhead happened over that. Who is the artist he

478
00:24:36,440 --> 00:24:41,720
Speaker 1: did that? That's what the messed up. Shout out the

479
00:24:41,760 --> 00:24:43,600
Speaker 1: mile he shut out both of them. You know what

480
00:24:43,600 --> 00:24:46,119
Speaker 1: I'm saying, Like, I ain't mad. I'm not upset, like,

481
00:24:46,880 --> 00:24:49,360
Speaker 1: ain't no shade, like do y'all thing whatever? We don't.

482
00:24:49,359 --> 00:24:53,439
Speaker 1: We don't. There's twenty twenty. I'm getting too much money. Bro.

483
00:24:53,480 --> 00:24:57,119
Speaker 1: I'm still comping these forums, bro, still sucking these bitches still.

484
00:24:57,480 --> 00:24:59,160
Speaker 1: I also feel like with what's going on in the world,

485
00:24:59,240 --> 00:25:01,800
Speaker 1: like it's like they're not like you know, a lot

486
00:25:01,840 --> 00:25:04,440
Speaker 1: of people should probably put it aside that ain't that

487
00:25:04,640 --> 00:25:07,080
Speaker 1: you know, like we don't have the vibe you talk like,

488
00:25:07,520 --> 00:25:09,000
Speaker 1: they don't got to be. It was a time before

489
00:25:09,040 --> 00:25:10,560
Speaker 1: I didn't know you. I was straight, so I don't

490
00:25:10,760 --> 00:25:14,000
Speaker 1: It's almost like, yo, people don't got to worry if

491
00:25:14,000 --> 00:25:16,800
Speaker 1: you guys run into each other. I don't know, or

492
00:25:16,800 --> 00:25:19,240
Speaker 1: at least on your end. I don't know that's fair.

493
00:25:19,600 --> 00:25:22,520
Speaker 1: I can't say that because I don't know the vibe

494
00:25:22,520 --> 00:25:24,680
Speaker 1: when it happens, you know what I'm saying. That's saying

495
00:25:24,720 --> 00:25:27,600
Speaker 1: as in music wise. I'm not tripping, as in like

496
00:25:27,760 --> 00:25:30,800
Speaker 1: rying about you making songs or whatever. But I don't know.

497
00:25:30,840 --> 00:25:32,399
Speaker 1: You might be turned up when you see me, or

498
00:25:32,400 --> 00:25:34,680
Speaker 1: I might be turned up. I don't know. I've heard

499
00:25:34,680 --> 00:25:38,000
Speaker 1: this before about you. Is there cities where you can't

500
00:25:38,000 --> 00:25:41,400
Speaker 1: perform in because of the police. Is Vegas one of them?

501
00:25:41,640 --> 00:25:44,399
Speaker 1: Oh yeah, someone told me that, Like, yeah, man, I forget.

502
00:25:44,560 --> 00:25:47,199
Speaker 1: I was talking to somebody about something with you. I

503
00:25:47,200 --> 00:25:50,080
Speaker 1: think me and John Cosson were talking and I was like,

504
00:25:50,080 --> 00:25:53,000
Speaker 1: what about Vegas? He can't do Vegas Metro on his head.

505
00:25:53,440 --> 00:25:55,119
Speaker 1: It ain't that thing on my head. It's just what

506
00:25:55,240 --> 00:25:58,240
Speaker 1: we rap about. Well, yeah, plus, I mean that's that's

507
00:25:58,240 --> 00:26:00,679
Speaker 1: a city where a lot of rappers can't perform. But

508
00:26:00,840 --> 00:26:03,439
Speaker 1: was there anything that happened out there? It was just

509
00:26:04,320 --> 00:26:07,199
Speaker 1: your subject matter. I mean they lay with me as

510
00:26:07,200 --> 00:26:10,120
Speaker 1: a game member, but I'm not a game mem Yeah.

511
00:26:10,320 --> 00:26:12,119
Speaker 1: They put that on a lot of people. Now. So

512
00:26:12,359 --> 00:26:15,800
Speaker 1: and I can't perform in Oakland. You can't even perform

513
00:26:15,880 --> 00:26:20,879
Speaker 1: your hometown. How long has that been going on? In

514
00:26:20,960 --> 00:26:24,560
Speaker 1: two thousand and eight? Oh wow, so since you've been popping,

515
00:26:24,600 --> 00:26:26,399
Speaker 1: you haven't been able to perform at home. I just

516
00:26:26,400 --> 00:26:30,359
Speaker 1: did the Road in loud, but they welcome you off stage. Wow,

517
00:26:31,760 --> 00:26:38,280
Speaker 1: that's crazy, man, King of Oakland. You know, you proclaim

518
00:26:38,359 --> 00:26:42,760
Speaker 1: yourself as the King of Oakland. A lot of people,

519
00:26:43,359 --> 00:26:46,159
Speaker 1: I think a lot of people who aren't from or

520
00:26:46,160 --> 00:26:48,960
Speaker 1: who aren't in tune. Rather, they kind of just group

521
00:26:49,040 --> 00:26:53,399
Speaker 1: the Bay together. Right, It's like everyone thinks he forties

522
00:26:53,440 --> 00:26:56,840
Speaker 1: from Oakland. No, he's from Vale. I'm saying a lot

523
00:26:56,880 --> 00:26:58,879
Speaker 1: of people think that. I'm saying people who don't know

524
00:26:58,920 --> 00:27:00,439
Speaker 1: what the fs going on. Like I told you, when

525
00:27:00,440 --> 00:27:03,199
Speaker 1: people think of Cally, they think of La exactly, the

526
00:27:03,280 --> 00:27:05,359
Speaker 1: Bay even more so because it's even more of a niche.

527
00:27:05,760 --> 00:27:10,480
Speaker 1: But like you have, like independently for Oakland done so much,

528
00:27:12,280 --> 00:27:15,040
Speaker 1: who's like that? The og of Oakland's probably too short, right,

529
00:27:16,280 --> 00:27:18,840
Speaker 1: So when you say you're the king of Oakland, do

530
00:27:19,480 --> 00:27:23,160
Speaker 1: you get any any sort of blowback from making that statement?

531
00:27:24,640 --> 00:27:28,879
Speaker 1: Keep it real? Like that song I just said that

532
00:27:28,920 --> 00:27:30,879
Speaker 1: one I don't I was just rapping like it's not

533
00:27:30,880 --> 00:27:32,560
Speaker 1: even a hook on the song. I just said it,

534
00:27:32,560 --> 00:27:35,400
Speaker 1: and it became like it ruffled a lot of feathers

535
00:27:35,920 --> 00:27:40,440
Speaker 1: from different artists. But Bathgate years ago saying he was

536
00:27:40,440 --> 00:27:43,200
Speaker 1: a king Oakland that in a minute. You know a

537
00:27:43,280 --> 00:27:45,399
Speaker 1: lot of people. I'm sure Yucklin said it. You know

538
00:27:45,440 --> 00:27:47,000
Speaker 1: what I'm saying. But at the end of the day,

539
00:27:47,960 --> 00:27:51,320
Speaker 1: the line came out and ran I just named the

540
00:27:51,359 --> 00:27:54,280
Speaker 1: song that. And guess what you should feel that way?

541
00:27:54,280 --> 00:27:57,200
Speaker 1: Because shorten't say nothing and big dogs ain't saying nothing

542
00:27:57,200 --> 00:27:58,720
Speaker 1: and t I used to, I mean, called himself the

543
00:27:58,760 --> 00:28:00,960
Speaker 1: King of the South. But he you know, he went

544
00:28:01,000 --> 00:28:03,840
Speaker 1: through who he went through with flipping every but like

545
00:28:03,920 --> 00:28:08,280
Speaker 1: nobody from what I've heard up there, that's able to

546
00:28:08,680 --> 00:28:11,320
Speaker 1: even say anything that that's able to dispute that said

547
00:28:11,320 --> 00:28:13,680
Speaker 1: anything say saying nothing. You know, I got a lot

548
00:28:13,680 --> 00:28:15,760
Speaker 1: of love for short, I got a lot of love

549
00:28:15,800 --> 00:28:18,200
Speaker 1: for all the old g's from Oakland that then did

550
00:28:18,200 --> 00:28:19,560
Speaker 1: what they did. I look up to him, you know

551
00:28:19,600 --> 00:28:21,199
Speaker 1: what I'm saying, because they did it before me. How

552
00:28:21,200 --> 00:28:23,040
Speaker 1: could I not you know what I'm saying, especially because

553
00:28:23,040 --> 00:28:25,600
Speaker 1: they from East Oakland. Also, he're the guys that was

554
00:28:25,600 --> 00:28:27,560
Speaker 1: coming through my neighborhood. These are guys I'm seeing what

555
00:28:27,640 --> 00:28:29,800
Speaker 1: I'm selling dope on the corner, like looking up to

556
00:28:29,800 --> 00:28:31,320
Speaker 1: like who I wanted to be, like coming to hang

557
00:28:31,359 --> 00:28:33,919
Speaker 1: with my old g's from my hood. So it's no

558
00:28:34,000 --> 00:28:35,520
Speaker 1: shape to none of them by me saying that. But

559
00:28:35,640 --> 00:28:39,840
Speaker 1: as in musically wise and popping and who who doing

560
00:28:39,840 --> 00:28:42,720
Speaker 1: what they're doing consistently one hundred albums, not even just

561
00:28:42,720 --> 00:28:45,320
Speaker 1: one hundred albums, just saying that's crazy because even though

562
00:28:45,400 --> 00:28:48,080
Speaker 1: that's consistent, one hundred saying like, for the past year

563
00:28:48,120 --> 00:28:49,959
Speaker 1: since I've been there, I've been out, Yes, since twenty ten,

564
00:28:51,040 --> 00:28:54,520
Speaker 1: you know what I'm saying, So that's ten years. Yeah,

565
00:28:54,880 --> 00:28:57,800
Speaker 1: and a lot of the Oakland rappers that you know

566
00:28:58,440 --> 00:29:00,600
Speaker 1: been doing they thing. It ain't been consistent. It's been

567
00:29:00,680 --> 00:29:03,200
Speaker 1: here and there, a song here, video there, feature here,

568
00:29:03,240 --> 00:29:05,280
Speaker 1: or whatever. But it just you know, you might not

569
00:29:05,360 --> 00:29:07,200
Speaker 1: be as hot as you was this year, but you

570
00:29:07,280 --> 00:29:09,480
Speaker 1: staying warm because you're still working and you might pop

571
00:29:09,480 --> 00:29:11,640
Speaker 1: off again, but as long as you stay consistent, you're

572
00:29:11,640 --> 00:29:13,960
Speaker 1: gonna still keep yourself in the groove. I wanted to

573
00:29:13,960 --> 00:29:15,960
Speaker 1: ask you because I know you'll pull up in the

574
00:29:16,000 --> 00:29:20,280
Speaker 1: city and yo, who need the features? Tap in? Has

575
00:29:20,320 --> 00:29:22,320
Speaker 1: anybody ever hit you? Because you know there's a lot

576
00:29:22,320 --> 00:29:25,040
Speaker 1: of struggle rappers out there making some horrible music. Has

577
00:29:25,040 --> 00:29:26,760
Speaker 1: anybody ever hit you in one of these cities you're

578
00:29:26,760 --> 00:29:30,520
Speaker 1: in where you were like, I'm good fam somebody the

579
00:29:30,560 --> 00:29:32,840
Speaker 1: other day for a thousand dollars for a feature. Well,

580
00:29:32,920 --> 00:29:34,720
Speaker 1: I'm saying like where you heard the song it was

581
00:29:34,800 --> 00:29:36,560
Speaker 1: just bad and you were like, I can't even get

582
00:29:36,600 --> 00:29:39,120
Speaker 1: on this bread. As long as you ain't no snitch,

583
00:29:39,160 --> 00:29:42,200
Speaker 1: I'll do so even if some straight straight ass just

584
00:29:42,440 --> 00:29:45,840
Speaker 1: whack ass before. It don't matter, Like, have you ever

585
00:29:45,880 --> 00:29:47,520
Speaker 1: had to do the video for the whack ass shit?

586
00:29:47,840 --> 00:29:50,880
Speaker 1: I got paid for it. I toarged the same amount

587
00:29:51,160 --> 00:29:53,280
Speaker 1: for the verse as a video, So you gotta do

588
00:29:53,400 --> 00:29:55,800
Speaker 1: yo yo run times too if you want the video,

589
00:29:55,840 --> 00:29:58,080
Speaker 1: because the video is gonna work than the verse. Hell yeah,

590
00:29:58,440 --> 00:30:02,760
Speaker 1: so the verse gonna take teen fifteen minutes. Man, videos

591
00:30:02,800 --> 00:30:05,760
Speaker 1: a day's work. So I need the same thing. That

592
00:30:05,840 --> 00:30:09,120
Speaker 1: is what it is. So future. So if anybody what's

593
00:30:09,120 --> 00:30:11,520
Speaker 1: the future, what's the future? Ten thousand for the future,

594
00:30:12,400 --> 00:30:16,120
Speaker 1: another ten for the video, twenty all in that's wild

595
00:30:16,120 --> 00:30:21,480
Speaker 1: man show. I was about to say, good for you, bro, Yeah,

596
00:30:21,720 --> 00:30:27,400
Speaker 1: good for you with this project, this Yellow Beasy record.

597
00:30:27,520 --> 00:30:29,360
Speaker 1: I was when you heard the hook? Did you put

598
00:30:29,400 --> 00:30:31,720
Speaker 1: the fifty cent thing together? Nah? You just told me

599
00:30:31,720 --> 00:30:34,440
Speaker 1: about that, okay, because I asked you. Because what happened

600
00:30:34,440 --> 00:30:36,600
Speaker 1: when I just did the song. I was going to

601
00:30:37,680 --> 00:30:39,800
Speaker 1: Originally what I was going to do was it was

602
00:30:39,840 --> 00:30:41,360
Speaker 1: gonna be no hook on it. I was because I

603
00:30:41,400 --> 00:30:43,760
Speaker 1: had to beat tracked out. So I was just going

604
00:30:43,760 --> 00:30:46,840
Speaker 1: to make like the sample louder for the hook, right,

605
00:30:47,600 --> 00:30:50,760
Speaker 1: And then I'm like, man, I started looking at the

606
00:30:50,840 --> 00:30:53,400
Speaker 1: features on the album. I'm like, let me get somebody

607
00:30:53,920 --> 00:30:56,320
Speaker 1: for Texas, because that's how I work, Like, I try

608
00:30:56,360 --> 00:30:58,760
Speaker 1: to pay attention to where my mark is at. Feed them.

609
00:30:59,240 --> 00:31:01,240
Speaker 1: You're hopping in text and popping in Atlanta, popping in

610
00:31:01,400 --> 00:31:04,000
Speaker 1: l Like, let me let me get these Detroit, let

611
00:31:04,040 --> 00:31:06,360
Speaker 1: me get these artists from each one of these cities

612
00:31:06,680 --> 00:31:09,440
Speaker 1: in states on the tape. So that's how it kind

613
00:31:09,480 --> 00:31:11,440
Speaker 1: of works. So if you pay attention to my music,

614
00:31:11,480 --> 00:31:14,320
Speaker 1: that's how it is in those markets. Like I'm big

615
00:31:14,320 --> 00:31:16,400
Speaker 1: and so bam, let me get let me get somebody.

616
00:31:16,480 --> 00:31:18,760
Speaker 1: So I got Yellow Beezy and Lot Jeremy and Little

617
00:31:18,800 --> 00:31:21,560
Speaker 1: Jeremy popping out there in Houston, right busy in Dallas.

618
00:31:22,000 --> 00:31:25,160
Speaker 1: So I just sent it to him and and Bro

619
00:31:25,280 --> 00:31:27,520
Speaker 1: sent it back. Him and trap boy Freddie, they facetiming

620
00:31:27,600 --> 00:31:29,240
Speaker 1: knocked it out like you like it? Yeah, sent it

621
00:31:29,280 --> 00:31:31,120
Speaker 1: back Yeah, because I asked you. I was like, yo,

622
00:31:31,200 --> 00:31:33,320
Speaker 1: y'all have to clear the fifty to fifty ballody And

623
00:31:33,400 --> 00:31:37,400
Speaker 1: you're like, what, like, yes, he redid twenty one questions.

624
00:31:37,880 --> 00:31:39,760
Speaker 1: See when I did the song, I didn't even pay

625
00:31:39,760 --> 00:31:41,920
Speaker 1: attention to it. My boy Rouel, he just sent me

626
00:31:41,960 --> 00:31:44,680
Speaker 1: to beat. I did that and then I didn't put

627
00:31:44,720 --> 00:31:45,960
Speaker 1: no hook on it because I didn't know how I

628
00:31:46,000 --> 00:31:47,680
Speaker 1: was gonna come on the hook. It was kind of girly.

629
00:31:48,000 --> 00:31:50,920
Speaker 1: How how much are you having to adjust your hustle

630
00:31:50,960 --> 00:31:52,560
Speaker 1: for what's going on with the COVID, like on the

631
00:31:52,640 --> 00:31:55,239
Speaker 1: music side, because obviously the live shows ain't what they

632
00:31:55,320 --> 00:31:57,360
Speaker 1: used to be, Like, yeah, I ain't really had no

633
00:31:57,480 --> 00:32:00,520
Speaker 1: shows since then. I had like five shows canceled when

634
00:32:00,600 --> 00:32:02,560
Speaker 1: everything hit. That's what I'm saying, Like, have you had

635
00:32:02,560 --> 00:32:05,680
Speaker 1: to adjust your business model or the way you're getting

636
00:32:05,680 --> 00:32:07,600
Speaker 1: bred through the music? Like, has there been anything that

637
00:32:07,640 --> 00:32:10,040
Speaker 1: you've had to switch up or anything that you've had

638
00:32:10,040 --> 00:32:12,240
Speaker 1: to do different? It's been doing the same thing, dropping

639
00:32:12,240 --> 00:32:14,240
Speaker 1: the music and then doing a lot of videos. Like

640
00:32:15,000 --> 00:32:17,240
Speaker 1: the tape got eighteen songs on it, but I'm about

641
00:32:17,240 --> 00:32:19,520
Speaker 1: to drop the Deluxe, which would between two and I

642
00:32:19,840 --> 00:32:23,600
Speaker 1: hot fifteen videos already. Wow? Is there gonna be a questions?

643
00:32:23,640 --> 00:32:26,760
Speaker 1: Videos already done? Oh? Wow? Did you shoot it in Dallas?

644
00:32:26,760 --> 00:32:30,960
Speaker 1: In Dallas? In Dallas? Uh? I just had a video

645
00:32:31,000 --> 00:32:37,120
Speaker 1: yesterday with jack Boy, and then I got the video

646
00:32:37,280 --> 00:32:40,720
Speaker 1: with rich Gannon with Blue Bucks play right shout to him,

647
00:32:40,840 --> 00:32:44,200
Speaker 1: m M, and then all solo songs on the videos

648
00:32:44,200 --> 00:32:49,640
Speaker 1: already done. Obviously being somebody who's come from a street background,

649
00:32:50,440 --> 00:32:52,360
Speaker 1: I asked Berner this question, and I think he said

650
00:32:52,360 --> 00:32:54,560
Speaker 1: he lost like two million dollars. What is the biggest

651
00:32:54,720 --> 00:32:57,120
Speaker 1: L you've ever taken in the streets? In the streets,

652
00:32:57,160 --> 00:33:01,320
Speaker 1: in the streets, because you know sometimes I mean, I

653
00:33:01,320 --> 00:33:04,120
Speaker 1: mean shooting Dice. I shoot Dice a lot, shooting die. Well,

654
00:33:04,160 --> 00:33:07,760
Speaker 1: what's the biggest L you've taken? Shit, I'm probably like that,

655
00:33:07,960 --> 00:33:15,640
Speaker 1: like maybe like one fifty from from May to last month.

656
00:33:16,480 --> 00:33:18,960
Speaker 1: Damn you a game. I wasn't mean shit you being

657
00:33:19,120 --> 00:33:20,960
Speaker 1: I mean, do you still do you still stay in Vegas?

658
00:33:20,920 --> 00:33:23,000
Speaker 1: Shu in Vegas? In the baby? But no, I'm not

659
00:33:23,000 --> 00:33:26,680
Speaker 1: talking about from streating dice streets. Oh okay, okay, I'm

660
00:33:26,720 --> 00:33:29,479
Speaker 1: on the streets, yeah, the street, not in Vegas. No,

661
00:33:29,480 --> 00:33:31,200
Speaker 1: no, no no, but you but you said about shooting Dice

662
00:33:31,200 --> 00:33:33,000
Speaker 1: in the streets. H you don't want I'm saying you

663
00:33:33,040 --> 00:33:36,440
Speaker 1: were gambling, ass, motherfucker. Bro we shoot, we shoot, we shoot,

664
00:33:36,560 --> 00:33:41,120
Speaker 1: like two thousand and a hand crazy. But shit, you

665
00:33:41,160 --> 00:33:43,160
Speaker 1: know it's it's ups and down. You get that ship

666
00:33:43,200 --> 00:33:46,120
Speaker 1: right back. That's you know, what's the biggest L? You've

667
00:33:46,160 --> 00:33:51,880
Speaker 1: taken it at the casino, probably like a fifty. Damn yeah,

668
00:33:52,040 --> 00:33:54,600
Speaker 1: you feel like shit walking out the casino, man stomach

669
00:33:54,680 --> 00:33:58,240
Speaker 1: touching my back. I've been there. I'm sick. I have

670
00:33:58,440 --> 00:34:00,800
Speaker 1: been there with that feature. You're still trying to do

671
00:34:00,840 --> 00:34:03,520
Speaker 1: that in there. Listen. That made me stop. I had to.

672
00:34:03,840 --> 00:34:05,760
Speaker 1: I had to, like, I had to leave it alone.

673
00:34:05,800 --> 00:34:08,279
Speaker 1: I was a sport been in there one day, sports

674
00:34:08,320 --> 00:34:11,960
Speaker 1: hundred dollars and it came out and left thirty yeah, yeah, yeah, yeah,

675
00:34:12,000 --> 00:34:15,120
Speaker 1: came out. It's like it's a high bro. Balance yourself out.

676
00:34:15,400 --> 00:34:17,239
Speaker 1: When I first moved to Vegas, that's all I used

677
00:34:17,239 --> 00:34:20,319
Speaker 1: to do. I go shopping, I go, I go, spend

678
00:34:20,320 --> 00:34:22,960
Speaker 1: about ten thousand, go shopping, go right to the table,

679
00:34:23,040 --> 00:34:27,239
Speaker 1: get the money back to a year. So I used to,

680
00:34:27,320 --> 00:34:29,720
Speaker 1: damn there, leave my bag still call me, hey, mister Beasley,

681
00:34:29,760 --> 00:34:31,120
Speaker 1: you left your bags here. I had to go back

682
00:34:31,160 --> 00:34:32,440
Speaker 1: at the bags. I hadn't got the money and went

683
00:34:32,520 --> 00:34:34,600
Speaker 1: cast out and left and forgot about the clothes and

684
00:34:34,600 --> 00:34:36,239
Speaker 1: shit I bought. But I used to do that like

685
00:34:36,360 --> 00:34:39,080
Speaker 1: every day. Just so craps is your game of choice,

686
00:34:39,080 --> 00:34:41,359
Speaker 1: because kind of Vegas is born like if it ain't

687
00:34:41,400 --> 00:34:45,240
Speaker 1: nothing going on. So it's like shopping, studio or gambling.

688
00:34:45,280 --> 00:34:46,879
Speaker 1: Like it's not really too much to do with strip

689
00:34:46,960 --> 00:34:48,840
Speaker 1: clubs at night time. I don't really go and the

690
00:34:48,840 --> 00:34:50,919
Speaker 1: strip clubs there kind of fell off. I don't really

691
00:34:50,920 --> 00:34:52,319
Speaker 1: go out like that to the clubs or whatever. So

692
00:34:52,360 --> 00:34:54,840
Speaker 1: I just go gambling, go shopping. And you remember, h

693
00:34:54,920 --> 00:34:57,840
Speaker 1: were you in Vegas when strip Hoop was popping? That

694
00:34:57,960 --> 00:35:00,960
Speaker 1: was a movie man in there. I remember Mark Sun

695
00:35:01,040 --> 00:35:03,160
Speaker 1: came in there. Turned one day someone got I remember

696
00:35:03,200 --> 00:35:05,520
Speaker 1: someone got smoking the lobby man and that was it

697
00:35:05,560 --> 00:35:08,279
Speaker 1: was a wrap they put the plug on that you

698
00:35:08,360 --> 00:35:10,080
Speaker 1: mentioned it. Remember. I don't know if you remember, but

699
00:35:10,160 --> 00:35:13,040
Speaker 1: I had bought a billy in La some years ago

700
00:35:13,640 --> 00:35:16,640
Speaker 1: and it came back stolen. Oh really, and I went

701
00:35:16,680 --> 00:35:20,360
Speaker 1: to jail for in San Francisco. So the guy he

702
00:35:21,520 --> 00:35:24,840
Speaker 1: worked or worked or own that spot strip up and

703
00:35:24,880 --> 00:35:28,839
Speaker 1: he paid me back for the core. Wow. Strip hop

704
00:35:28,880 --> 00:35:32,319
Speaker 1: is legendary, man. Yeah, there ain't been nothing else like

705
00:35:32,360 --> 00:35:35,359
Speaker 1: that since out there. I know, like Mayweather spots. It's cool,

706
00:35:35,360 --> 00:35:37,640
Speaker 1: but it's like it's like he miss there. I think

707
00:35:37,680 --> 00:35:40,440
Speaker 1: Mayweather is just like open on the weekend. Yeah, I

708
00:35:40,440 --> 00:35:43,160
Speaker 1: don't know, man, Vegas, Vegas is I think everything's getting

709
00:35:43,160 --> 00:35:46,279
Speaker 1: reshut down. I don't know, man, I've been moving, man,

710
00:35:46,280 --> 00:35:50,279
Speaker 1: I've been Miami, Arizona, La, the Bay, you name it. Man,

711
00:35:50,280 --> 00:35:53,040
Speaker 1: I've been on the road trying to to you know,

712
00:35:53,120 --> 00:35:55,520
Speaker 1: there like two collad projects with people who's somebody who

713
00:35:55,560 --> 00:35:58,000
Speaker 1: you haven't worked with on like a full album that

714
00:35:58,080 --> 00:36:00,000
Speaker 1: you would like to do, like a full like tape

715
00:36:00,080 --> 00:36:02,239
Speaker 1: with I mean ice Work that was supposed to do

716
00:36:02,280 --> 00:36:05,719
Speaker 1: a city fire shot to Detroit and supposed to do

717
00:36:05,760 --> 00:36:10,239
Speaker 1: a whole cd uh. That's the only thing that I

718
00:36:10,280 --> 00:36:12,000
Speaker 1: had on my schedule. I was I'm surprised you and

719
00:36:12,000 --> 00:36:18,920
Speaker 1: Burner never did a full joint that should be crazy

720
00:36:18,960 --> 00:36:22,080
Speaker 1: for the Bay. Do you man, burnt fu with me

721
00:36:22,160 --> 00:36:26,120
Speaker 1: like that? Really you're real? Yeah, he's done me like

722
00:36:26,120 --> 00:36:30,959
Speaker 1: that obviously personal out the Burner, but burn out this money,

723
00:36:31,120 --> 00:36:36,040
Speaker 1: but not the chemistry He's You guys just never got

724
00:36:36,200 --> 00:36:38,520
Speaker 1: like just we've been arounding to said, you guys just

725
00:36:38,560 --> 00:36:43,839
Speaker 1: never vibed. No we vibe. But I don't know, it's

726
00:36:43,840 --> 00:36:46,799
Speaker 1: just something, it's something near that you feel me that

727
00:36:46,880 --> 00:36:51,719
Speaker 1: it ain't being being talked about. But I mean, I mean,

728
00:36:52,200 --> 00:36:54,000
Speaker 1: I don't, I didn't. I didn't say this plenty of times,

729
00:36:54,000 --> 00:36:57,880
Speaker 1: you know, to the inside, people just feel like burn

730
00:36:59,040 --> 00:37:01,799
Speaker 1: he's a great dude though, like he's a he's a

731
00:37:01,800 --> 00:37:05,640
Speaker 1: good dude. He didn't through big shows of course, field

732
00:37:05,680 --> 00:37:10,560
Speaker 1: he's never involved. You know, he didn't do a lot

733
00:37:10,560 --> 00:37:14,640
Speaker 1: of stuff for the store or whatever, cookies and all that.

734
00:37:14,719 --> 00:37:17,279
Speaker 1: Field he's never involved. So I just be like, I mean,

735
00:37:17,480 --> 00:37:19,360
Speaker 1: just like we like I said, you talk about the

736
00:37:19,400 --> 00:37:21,360
Speaker 1: King Oak and stuff, like we know who's popping it

737
00:37:21,480 --> 00:37:24,840
Speaker 1: was going on. So if you're not supporting the hottest

738
00:37:24,840 --> 00:37:27,279
Speaker 1: person in the bay, like, you gotta be something. Do

739
00:37:27,360 --> 00:37:29,680
Speaker 1: you do you think because I feel like I mean

740
00:37:29,719 --> 00:37:34,000
Speaker 1: obviously taking that out aside, you know, unbiased, but do

741
00:37:34,040 --> 00:37:36,480
Speaker 1: you feel like for whatever reason, like I feel like

742
00:37:37,040 --> 00:37:38,920
Speaker 1: Burne is another one of those guys like you who's

743
00:37:38,960 --> 00:37:42,040
Speaker 1: just been killing shit for a long time. I just

744
00:37:42,040 --> 00:37:44,239
Speaker 1: feel but I have no issue. But do you feel

745
00:37:44,239 --> 00:37:46,560
Speaker 1: like he's slept on in hip hop? Because I feel

746
00:37:46,560 --> 00:37:48,360
Speaker 1: like he doesn't hit something. I feel like sometimes he

747
00:37:48,480 --> 00:37:50,560
Speaker 1: just doesn't like when when people mention the bay, like

748
00:37:50,840 --> 00:37:54,280
Speaker 1: for whatever reason, we all know him for weed and cookies,

749
00:37:54,360 --> 00:37:57,000
Speaker 1: but like musically, like he's been doing his thing for

750
00:37:57,040 --> 00:37:59,080
Speaker 1: so long, and I feel like sometimes he's I don't.

751
00:37:59,120 --> 00:38:00,960
Speaker 1: I don't. I don't really know because keep it real,

752
00:38:01,080 --> 00:38:04,000
Speaker 1: like no disrespect. I'm not really in tune to the music,

753
00:38:04,160 --> 00:38:06,799
Speaker 1: so I don't really know if he's being slept on

754
00:38:06,880 --> 00:38:09,000
Speaker 1: or not. Like we didn't done musically before, like I

755
00:38:09,000 --> 00:38:11,320
Speaker 1: think I was on the project with him and Dolph. Yeah,

756
00:38:11,360 --> 00:38:12,759
Speaker 1: he didn't done a song for me before in the

757
00:38:12,840 --> 00:38:15,560
Speaker 1: video whatever. But that's as far as it went, you

758
00:38:15,640 --> 00:38:17,640
Speaker 1: know what I'm saying. So other than that, you know,

759
00:38:18,280 --> 00:38:20,200
Speaker 1: I done went to the store before, cookies or whatever.

760
00:38:20,239 --> 00:38:22,399
Speaker 1: I just left the cookie store before we got here.

761
00:38:22,640 --> 00:38:24,880
Speaker 1: So it's not like it's not somebody. Yeah, but I

762
00:38:24,920 --> 00:38:26,680
Speaker 1: just I just feel like, you know, it's just something

763
00:38:26,680 --> 00:38:28,919
Speaker 1: in between. Like I even talked to people that's close

764
00:38:28,960 --> 00:38:30,840
Speaker 1: to him, right, bro, White Brother, don't fuck with me

765
00:38:30,920 --> 00:38:32,879
Speaker 1: like that, you know what I'm saying. So that's fair,

766
00:38:33,440 --> 00:38:37,680
Speaker 1: hopefully you guys. You know he's doing his things. I mean,

767
00:38:37,760 --> 00:38:40,600
Speaker 1: I take the game from him, as in the clothing,

768
00:38:40,760 --> 00:38:43,600
Speaker 1: the weed. You know I saw the last time I

769
00:38:43,600 --> 00:38:46,360
Speaker 1: saw you, you had your your your strain with you.

770
00:38:47,120 --> 00:38:50,359
Speaker 1: Is it kills? He was on JELYO five nine, Yeah,

771
00:38:50,400 --> 00:38:52,320
Speaker 1: and you gave me something and I smoked it and inspired.

772
00:38:53,360 --> 00:38:59,080
Speaker 1: But you're still high, Uh getting into the weed game

773
00:38:59,120 --> 00:39:03,040
Speaker 1: on the legal side obviously, you know, it's where the

774
00:39:03,080 --> 00:39:06,640
Speaker 1: world is going. It's crazy that we still got people

775
00:39:06,640 --> 00:39:09,480
Speaker 1: locked up in the United States over weed. Yeah, well

776
00:39:09,480 --> 00:39:12,000
Speaker 1: they probably locked up before it was This ship is

777
00:39:12,000 --> 00:39:14,880
Speaker 1: crazy now legal, That's what I'm saying. But now that

778
00:39:14,920 --> 00:39:17,400
Speaker 1: it's legal, should you know? But but but I'm curious, like,

779
00:39:17,560 --> 00:39:22,040
Speaker 1: have have you getting into that legal side of the

780
00:39:22,120 --> 00:39:25,000
Speaker 1: of the game? Is what's different about it? And like

781
00:39:25,200 --> 00:39:29,279
Speaker 1: have it's been challenging? It all very challenging because like

782
00:39:29,320 --> 00:39:31,280
Speaker 1: a lot of people do this ship like black market,

783
00:39:31,719 --> 00:39:33,279
Speaker 1: I want to do it that way. Like, if I'm

784
00:39:33,280 --> 00:39:34,480
Speaker 1: going to do it, I want to do it right.

785
00:39:34,920 --> 00:39:37,120
Speaker 1: So I've been working on trying to get the licensing

786
00:39:37,600 --> 00:39:40,600
Speaker 1: and then like you know, by them making it legal,

787
00:39:41,320 --> 00:39:43,200
Speaker 1: now they want to tax it, they want to touch it,

788
00:39:43,239 --> 00:39:44,799
Speaker 1: they want to see where it's been grown, they want

789
00:39:44,840 --> 00:39:49,560
Speaker 1: to test it. So you know, for black man like myself,

790
00:39:50,160 --> 00:39:52,640
Speaker 1: they ain't just gonna just you know, let me in.

791
00:39:52,760 --> 00:39:54,799
Speaker 1: So I gotta figure it out and wiggle my way.

792
00:39:54,800 --> 00:39:58,480
Speaker 1: I got a wiggling you know, that's fair? Yeah, have

793
00:39:58,560 --> 00:40:01,399
Speaker 1: you is there like any states are areas that are

794
00:40:01,400 --> 00:40:04,520
Speaker 1: easier to get your license in. I mean, because I've

795
00:40:04,560 --> 00:40:06,680
Speaker 1: noticed some of the homies go to Oklahoma. They want

796
00:40:06,760 --> 00:40:09,399
Speaker 1: they want to see where it's being grown at. They

797
00:40:09,400 --> 00:40:10,640
Speaker 1: want to they want to see where it's been grown.

798
00:40:10,640 --> 00:40:12,279
Speaker 1: They want to test it, they want to they want

799
00:40:12,280 --> 00:40:14,160
Speaker 1: to do all that. So they ain't just about the license.

800
00:40:14,280 --> 00:40:16,680
Speaker 1: More to it. There's a lot more to it. Put

801
00:40:16,680 --> 00:40:18,279
Speaker 1: it in stores. I don't just want to like this

802
00:40:18,400 --> 00:40:20,200
Speaker 1: is like me selling meat on the corner, like to

803
00:40:20,239 --> 00:40:22,239
Speaker 1: do black market. I want to have my right. So

804
00:40:22,280 --> 00:40:24,080
Speaker 1: when they come in or into the cookie story, like

805
00:40:24,360 --> 00:40:26,880
Speaker 1: get the kills on, they got the jars, everything professional.

806
00:40:26,920 --> 00:40:28,480
Speaker 1: You know what I'm saying. I think it's dope though

807
00:40:28,480 --> 00:40:32,120
Speaker 1: that you're like, you know, diversifying man, especially, you got

808
00:40:32,160 --> 00:40:35,759
Speaker 1: to diversify it now. A lot of these because where

809
00:40:35,800 --> 00:40:38,239
Speaker 1: I come from, you know what I'm saying, they love

810
00:40:38,280 --> 00:40:41,040
Speaker 1: to try to get me for anything, right like they already,

811
00:40:41,080 --> 00:40:42,920
Speaker 1: like you said, they are labeled. A lot of people

812
00:40:42,960 --> 00:40:44,359
Speaker 1: label he was a gang member. A lot of these

813
00:40:44,400 --> 00:40:49,040
Speaker 1: law enforcement agencies and that comes from I think the

814
00:40:49,120 --> 00:40:52,640
Speaker 1: chief of police is from here in Oakland, so it's

815
00:40:52,680 --> 00:40:55,640
Speaker 1: like he that's how they think they think gang gang, gang,

816
00:40:55,680 --> 00:40:58,880
Speaker 1: gang because they what it was. They wanted me to

817
00:40:58,920 --> 00:41:01,839
Speaker 1: sit down with them and talk to them and film it,

818
00:41:02,600 --> 00:41:06,359
Speaker 1: Like are you crazy? I'm like, I can't do that, Yeah,

819
00:41:06,360 --> 00:41:08,359
Speaker 1: of course not. I'm not. I probably can have somebody

820
00:41:08,440 --> 00:41:12,480
Speaker 1: representing me and talk or whatever, but me not to

821
00:41:12,520 --> 00:41:16,080
Speaker 1: say it like that. But you're if that leaded with

822
00:41:16,120 --> 00:41:19,200
Speaker 1: the way the internet works, now, listen, that's all it takes. Listen.

823
00:41:19,280 --> 00:41:21,480
Speaker 1: One day, I was in the hood, right and it

824
00:41:21,600 --> 00:41:24,320
Speaker 1: was a cop and he put up in the truck

825
00:41:24,360 --> 00:41:27,359
Speaker 1: playing my music. Wow. So he in the truck playing

826
00:41:27,400 --> 00:41:29,720
Speaker 1: the music, right, So I'm like, I'm about to recording.

827
00:41:30,400 --> 00:41:33,759
Speaker 1: So I recorded it. If I didn't posted, I deleted it.

828
00:41:34,200 --> 00:41:37,040
Speaker 1: And then he jumped to my DM. It was like

829
00:41:37,120 --> 00:41:39,799
Speaker 1: he was like, hey boss, this me the cop that

830
00:41:39,920 --> 00:41:41,400
Speaker 1: was just playing the music. Can you see me in

831
00:41:41,400 --> 00:41:44,719
Speaker 1: that video? And I showed everybody in the neighborhood. I

832
00:41:44,920 --> 00:41:46,279
Speaker 1: know how he could read it, but don't open it.

833
00:41:46,920 --> 00:41:50,359
Speaker 1: So I showed everybody in the neighborhood and I deleted it.

834
00:41:50,880 --> 00:41:52,920
Speaker 1: So because if I would have responded back to that,

835
00:41:53,200 --> 00:41:54,959
Speaker 1: people would have been like, yore you talking to the coup.

836
00:41:55,160 --> 00:41:57,000
Speaker 1: Like if I responded back to that, he would have

837
00:41:57,040 --> 00:42:00,600
Speaker 1: screenshot that and sent that out come on they had

838
00:42:00,719 --> 00:42:02,799
Speaker 1: had me on rad Facts and all that type of stuff. Man,

839
00:42:03,080 --> 00:42:06,279
Speaker 1: it would have been crazy. Oh man, crazy. You know

840
00:42:06,320 --> 00:42:09,080
Speaker 1: what sucks though, it is like you could have did that,

841
00:42:09,160 --> 00:42:12,160
Speaker 1: and that's okay because you wouldn't do nothing wrong, but

842
00:42:12,360 --> 00:42:15,200
Speaker 1: just how people would have token. But it's the internet hating.

843
00:42:15,480 --> 00:42:17,920
Speaker 1: So the internet is crazy, bro. Yeah, they want to

844
00:42:17,960 --> 00:42:20,800
Speaker 1: say They say anything. Man, they say anything. But do

845
00:42:20,840 --> 00:42:23,759
Speaker 1: you feel like uh, you know, I was. I was.

846
00:42:25,200 --> 00:42:27,920
Speaker 1: We had Freddy Gibbs on the podcast and he had

847
00:42:27,920 --> 00:42:30,120
Speaker 1: said something conservous that you saw that video with Gunner

848
00:42:30,280 --> 00:42:35,279
Speaker 1: on Crime Stoppers. That's that's different and that's pretty he

849
00:42:35,400 --> 00:42:37,319
Speaker 1: was telling. So I was going to ask you when

850
00:42:37,320 --> 00:42:40,120
Speaker 1: you see something like that, because something that you're talking

851
00:42:40,120 --> 00:42:42,000
Speaker 1: about is not the same thing. Man, they're gonna take

852
00:42:42,000 --> 00:42:45,440
Speaker 1: it as telling. Also, you spoke to the police. Me

853
00:42:45,560 --> 00:42:48,680
Speaker 1: sitting down and the police. I don't know if they

854
00:42:48,760 --> 00:42:52,560
Speaker 1: understand that how it would look, but me sitting down

855
00:42:53,080 --> 00:42:55,080
Speaker 1: like I'm talking to you and talking to them, and

856
00:42:55,120 --> 00:42:57,600
Speaker 1: they feeling and putting out there. You know, they gonna

857
00:42:57,880 --> 00:43:01,360
Speaker 1: crop it and memes and and twisted, you know what

858
00:43:01,400 --> 00:43:04,520
Speaker 1: I'm saying. So it's just do I do I lose

859
00:43:04,560 --> 00:43:08,440
Speaker 1: my credibility and it can affect your rap career to

860
00:43:08,480 --> 00:43:13,640
Speaker 1: be able to perform and get money legally. So if

861
00:43:13,680 --> 00:43:16,960
Speaker 1: I do this, I can get paid to perform. But

862
00:43:17,040 --> 00:43:18,680
Speaker 1: if I don't, have to just suck it up and

863
00:43:18,760 --> 00:43:22,279
Speaker 1: just say fuck it, make money out of my pocket,

864
00:43:22,640 --> 00:43:24,000
Speaker 1: you know what I'm saying. So it's like, how do

865
00:43:24,040 --> 00:43:27,480
Speaker 1: you win the same thing with the legal system. It's like, Okay,

866
00:43:28,280 --> 00:43:30,080
Speaker 1: you go to jail, you get put on ankle, money

867
00:43:30,120 --> 00:43:33,160
Speaker 1: there or whatever. You can't have a pistol on you.

868
00:43:33,239 --> 00:43:36,839
Speaker 1: But you in the streets. You in the streets. You've

869
00:43:36,840 --> 00:43:39,680
Speaker 1: been in streets all your life, so yourself. So it's

870
00:43:39,719 --> 00:43:42,600
Speaker 1: either go to jail or die? Which one? Which one

871
00:43:42,640 --> 00:43:46,320
Speaker 1: you're gonna do? Poison is So it's like a Lulu situation.

872
00:43:46,440 --> 00:43:48,759
Speaker 1: Really yo, I know you you dabble in the real

873
00:43:48,840 --> 00:43:52,359
Speaker 1: estate hustle. No, don't dabble in the real estate hustle.

874
00:43:52,600 --> 00:43:55,600
Speaker 1: You got houses everywhere that are like you got houses.

875
00:43:55,880 --> 00:43:58,319
Speaker 1: I don't got real estate houses to where I flipping. Okay,

876
00:43:58,320 --> 00:44:01,319
Speaker 1: so you don't get in and nah, gods, he told

877
00:44:01,360 --> 00:44:03,160
Speaker 1: me to do that a long time ago, but I

878
00:44:03,239 --> 00:44:06,360
Speaker 1: just haven't. I just been working my way down different things. Eventually,

879
00:44:06,360 --> 00:44:08,040
Speaker 1: I probably will you get there. Yeah, I've been doing

880
00:44:08,040 --> 00:44:12,480
Speaker 1: the clothing, the dogs, the weed, the modewn company. I'm

881
00:44:12,520 --> 00:44:15,759
Speaker 1: an artist. I'm really trying to stop rapping. You say

882
00:44:15,800 --> 00:44:20,120
Speaker 1: you have a modeling company in the Bay Area. What

883
00:44:20,239 --> 00:44:22,440
Speaker 1: kind of modeling company were talking about? You? Females? They

884
00:44:22,440 --> 00:44:26,960
Speaker 1: do videos, hosting, well, you name it. Are they on backpage?

885
00:44:28,200 --> 00:44:31,880
Speaker 1: Nothing like that? By the way, back pages retired. Everything

886
00:44:32,040 --> 00:44:36,960
Speaker 1: is legal, man, everything. Hey, technically, technically you could you

887
00:44:37,000 --> 00:44:41,280
Speaker 1: could hang out with someone and them girls have boyfriends, husbands, whatever.

888
00:44:41,680 --> 00:44:44,560
Speaker 1: I just came together and grabbed some models from the

889
00:44:44,600 --> 00:44:47,560
Speaker 1: Bay Area and made a company. We did photo shoots,

890
00:44:47,600 --> 00:44:49,640
Speaker 1: we did the new hustlers. You got to get a

891
00:44:49,640 --> 00:44:52,920
Speaker 1: piece of their Only fans. I don't think about that.

892
00:44:53,200 --> 00:44:59,000
Speaker 1: Only fans is legal. I don't know anything about that.

893
00:44:59,160 --> 00:45:01,680
Speaker 1: It's crazy because now, like like like if you're a

894
00:45:01,719 --> 00:45:04,879
Speaker 1: stripper and like you're struggling right now and you haven't

895
00:45:04,920 --> 00:45:09,040
Speaker 1: made an only fans account, like you're crazy. You No,

896
00:45:09,239 --> 00:45:11,400
Speaker 1: not me. I'm married, I'm straight, but I'll be seeing

897
00:45:11,440 --> 00:45:17,040
Speaker 1: motherfucking rappers got only fans accounts and ship if I did,

898
00:45:17,120 --> 00:45:21,080
Speaker 1: boy but I'm talking about even motherfuckers. I wouldn't be

899
00:45:21,120 --> 00:45:23,919
Speaker 1: doing nothing. I'll be suing what the girls doing, right,

900
00:45:24,120 --> 00:45:25,440
Speaker 1: you know what I'm saying. Like I wouldn't be on

901
00:45:25,520 --> 00:45:27,640
Speaker 1: there like me. You wouldn't see me, of course not.

902
00:45:27,719 --> 00:45:29,440
Speaker 1: I mean you wouldn't see my face and nothing, but

903
00:45:29,440 --> 00:45:33,640
Speaker 1: you would see them what they doing. My Only fans

904
00:45:33,640 --> 00:45:35,640
Speaker 1: would go crazy. I'm telling you some niggas that be

905
00:45:35,640 --> 00:45:38,480
Speaker 1: mad around here, Like yo, my wife was on Filthy Riches.

906
00:45:38,520 --> 00:45:43,320
Speaker 1: Only fans be serious how much they get paid that? Uh?

907
00:45:43,920 --> 00:45:46,759
Speaker 1: I think it all depends, like it's like a monthly thing.

908
00:45:47,719 --> 00:45:49,719
Speaker 1: We got a friendned Brian Sampson, who would know he

909
00:45:49,840 --> 00:45:55,000
Speaker 1: subscribed to butch might start me fans, Hey, that'd be fire.

910
00:45:55,520 --> 00:45:58,320
Speaker 1: Have just chicks like send you ship, No, no, just

911
00:45:59,400 --> 00:46:02,359
Speaker 1: that I've dealt with so real women videos there you got.

912
00:46:02,640 --> 00:46:04,399
Speaker 1: I got phones full of videos like I could dig

913
00:46:04,400 --> 00:46:09,080
Speaker 1: into archives get popping and get popping right quick. But

914
00:46:09,120 --> 00:46:12,880
Speaker 1: they'll probably try to sue me, Like the girls. It

915
00:46:12,920 --> 00:46:15,680
Speaker 1: depends on what state you're in. If you filmed it,

916
00:46:15,960 --> 00:46:18,680
Speaker 1: they watching it. No, no, but listen, listen. If you

917
00:46:18,760 --> 00:46:21,000
Speaker 1: filmed it on your phone, you own it. It's and

918
00:46:21,200 --> 00:46:23,600
Speaker 1: I think in California it's a one party consent so

919
00:46:23,680 --> 00:46:26,640
Speaker 1: I think you're good. Oh yeah, that's that's why all

920
00:46:26,680 --> 00:46:28,160
Speaker 1: the porn companies are out here. That's why like the

921
00:46:28,239 --> 00:46:31,160
Speaker 1: Kim Kardashian tape, y J film that he owned the footage.

922
00:46:31,360 --> 00:46:32,960
Speaker 1: I'm about to go big man. What do you get

923
00:46:32,960 --> 00:46:36,400
Speaker 1: for that? Oh he got a bag? Yeah. If you

924
00:46:36,440 --> 00:46:39,200
Speaker 1: have anybody with any sort of clout, run it up. Bro,

925
00:46:39,480 --> 00:46:42,680
Speaker 1: about to go big, run it, about to go big

926
00:46:42,719 --> 00:46:45,120
Speaker 1: on the fan? Yeah? Why not? Man? See me doing that?

927
00:46:45,880 --> 00:46:49,640
Speaker 1: Fuck them ruined their life? Who cares? I'm just you

928
00:46:49,680 --> 00:46:54,640
Speaker 1: put me on. I'm just playing anyway, yo. Man. Listen,

929
00:46:54,680 --> 00:46:58,640
Speaker 1: the album is out. What's your favorite song? I bro,

930
00:46:58,800 --> 00:47:01,400
Speaker 1: I funk with the record with Uh, with Veszo, that

931
00:47:01,440 --> 00:47:04,479
Speaker 1: Ship is Hard and the Big six Big five nine. Yeah,

932
00:47:04,480 --> 00:47:06,239
Speaker 1: I listened. I listened to the whole album straight through

933
00:47:06,600 --> 00:47:08,960
Speaker 1: yesterday and and that record stuck out. I liked the

934
00:47:09,040 --> 00:47:11,760
Speaker 1: Jim Jones record, like I told you. The intro was hard,

935
00:47:11,960 --> 00:47:16,919
Speaker 1: Quarantine intro was fire, see keep it real. That songs. Oh,

936
00:47:17,000 --> 00:47:21,319
Speaker 1: the intro I recorded I think on my birthday. It's

937
00:47:21,360 --> 00:47:25,239
Speaker 1: called King Open January thirty. January thirty, King Open, winning too, right,

938
00:47:25,520 --> 00:47:28,000
Speaker 1: So that's from January. Yeah, I just put it on

939
00:47:28,080 --> 00:47:29,919
Speaker 1: that was because there's a lot of you talk about

940
00:47:29,960 --> 00:47:31,279
Speaker 1: you know, what's going on with the COVID shit A

941
00:47:31,280 --> 00:47:33,879
Speaker 1: lot on there too, like did you you and Jim

942
00:47:34,200 --> 00:47:36,960
Speaker 1: recorded that joint in Miami? Nah, I sent the gyms

943
00:47:37,000 --> 00:47:39,279
Speaker 1: in the back fair enough. I just came up with

944
00:47:39,320 --> 00:47:42,400
Speaker 1: the the idea with the hook, the name of it

945
00:47:42,480 --> 00:47:45,520
Speaker 1: from what he said whatever. I just left Miami all

946
00:47:45,640 --> 00:47:49,120
Speaker 1: shot two videos out there. Video for that song, I

947
00:47:49,120 --> 00:47:51,319
Speaker 1: shot this other song. I got four other songs for

948
00:47:51,360 --> 00:47:54,759
Speaker 1: the Deluxe for the that's a new way man to

949
00:47:54,840 --> 00:47:58,680
Speaker 1: go double up on them boom. I got some new

950
00:47:58,719 --> 00:48:01,160
Speaker 1: songs too. I might do it the CD, but I

951
00:48:01,239 --> 00:48:03,040
Speaker 1: might not. That might be my last CD real quick.

952
00:48:03,040 --> 00:48:05,840
Speaker 1: I'm cured like your last CD ever, she might retire.

953
00:48:06,360 --> 00:48:08,279
Speaker 1: I've been saying that's what I want to do, so

954
00:48:08,400 --> 00:48:10,680
Speaker 1: like you won't let me though, I was gonna say,

955
00:48:10,680 --> 00:48:12,719
Speaker 1: how do you figure? How do you like? Like? When

956
00:48:12,719 --> 00:48:18,480
Speaker 1: do you know it's time? When you when your interest

957
00:48:19,120 --> 00:48:21,200
Speaker 1: is it's something else? You know what I'm saying? Like

958
00:48:21,280 --> 00:48:25,279
Speaker 1: I said, like I got like other businesses, the only

959
00:48:25,320 --> 00:48:28,160
Speaker 1: fans it starts, you know what I mean. I don't

960
00:48:28,160 --> 00:48:31,120
Speaker 1: want to for one. I just don't want to sit

961
00:48:31,239 --> 00:48:35,000
Speaker 1: back and become a rapper that's just rapping and uh,

962
00:48:35,360 --> 00:48:39,240
Speaker 1: you know, no disrespect to any of the older rappers

963
00:48:39,239 --> 00:48:41,279
Speaker 1: from Oakland me. I don't want to do that, right.

964
00:48:41,320 --> 00:48:44,600
Speaker 1: I want to come in, get my w you know

965
00:48:44,640 --> 00:48:46,160
Speaker 1: what I'm saying, and get in and get out and

966
00:48:46,200 --> 00:48:48,360
Speaker 1: leave it at that. And then this was this was

967
00:48:48,400 --> 00:48:50,440
Speaker 1: something to open the door for something else, you know

968
00:48:50,520 --> 00:48:51,880
Speaker 1: what I'm saying. So that's how I look at it.

969
00:48:51,960 --> 00:48:54,000
Speaker 1: But I've been doing a whole bunch of other stuff

970
00:48:54,000 --> 00:48:57,120
Speaker 1: that's been generating money. So you talked about Gazzi. You

971
00:48:57,160 --> 00:49:01,080
Speaker 1: guys obviously have a very strong relationship Empires. Uh. You know,

972
00:49:01,160 --> 00:49:02,719
Speaker 1: I think that they've kind of changed the way a

973
00:49:02,719 --> 00:49:08,040
Speaker 1: lot of people think about how they release music. What

974
00:49:08,280 --> 00:49:12,879
Speaker 1: is the like what what is asked Mazi the same thing,

975
00:49:13,480 --> 00:49:15,560
Speaker 1: like what is it about Gasi? What is it about

976
00:49:15,560 --> 00:49:20,480
Speaker 1: Empire that you know? It is so good? Because I like,

977
00:49:20,640 --> 00:49:22,799
Speaker 1: like you said, like major label has been knocking a

978
00:49:22,800 --> 00:49:27,480
Speaker 1: lot of people. Keep it real. See if I'm not mistaken,

979
00:49:27,520 --> 00:49:31,240
Speaker 1: I think like in twenty twelve, I was just releasing

980
00:49:33,480 --> 00:49:36,520
Speaker 1: music and then I think guys, he came looking for me.

981
00:49:36,920 --> 00:49:39,480
Speaker 1: It was like I have everybody but filthy, So I

982
00:49:39,520 --> 00:49:41,719
Speaker 1: came over there. I think I released a series of

983
00:49:41,840 --> 00:49:44,640
Speaker 1: sim City money Man It's one, two, three, four, and

984
00:49:44,680 --> 00:49:49,279
Speaker 1: then guys, he was seeing how my bad coming in

985
00:49:49,800 --> 00:49:53,120
Speaker 1: and then like, well, when you get a single, we'll

986
00:49:53,160 --> 00:49:56,560
Speaker 1: do official official album. So I made them make a

987
00:49:56,600 --> 00:49:59,439
Speaker 1: living record with soup. So I gave him that song,

988
00:50:00,239 --> 00:50:02,560
Speaker 1: and then that's when I created the album around the single.

989
00:50:03,120 --> 00:50:06,880
Speaker 1: So he was like, okay, let's do want to do

990
00:50:06,880 --> 00:50:09,719
Speaker 1: a budget for the single? Like yeah, and then I

991
00:50:09,840 --> 00:50:12,640
Speaker 1: went half. So I came in and brought the money

992
00:50:12,680 --> 00:50:14,399
Speaker 1: half of what he wanted to put up. And ever

993
00:50:14,440 --> 00:50:17,000
Speaker 1: since then he always like, I respect how you moved,

994
00:50:17,000 --> 00:50:19,840
Speaker 1: like you didn't just come with your hand out like

995
00:50:20,440 --> 00:50:22,640
Speaker 1: and then that's how he like introduced me to Dolf

996
00:50:22,719 --> 00:50:25,000
Speaker 1: because he was like, Dolph is the same way, like

997
00:50:25,040 --> 00:50:27,600
Speaker 1: you can, of course remind me of each other. So

998
00:50:28,360 --> 00:50:30,640
Speaker 1: and like anything I asked, like if I called Ghazi

999
00:50:30,760 --> 00:50:34,480
Speaker 1: for whatever, like it's done, Like I don't even remember

1000
00:50:34,560 --> 00:50:37,040
Speaker 1: time he's ever told me no, so and I know

1001
00:50:37,160 --> 00:50:39,640
Speaker 1: that he wants to see me win. I know that, yeah,

1002
00:50:39,680 --> 00:50:42,360
Speaker 1: he's he's got. He really is all about pushing the

1003
00:50:42,600 --> 00:50:46,520
Speaker 1: Bayman to the forefront of music. He like he he

1004
00:50:47,000 --> 00:50:48,759
Speaker 1: like I was supposed to be a and oor over here.

1005
00:50:49,320 --> 00:50:51,759
Speaker 1: That was my next Yeah mean you got the ear.

1006
00:50:51,800 --> 00:50:54,279
Speaker 1: You could have had Riddy, you got the ear. That's

1007
00:50:54,280 --> 00:50:56,000
Speaker 1: what I'm saying. I actually do it now, but it's

1008
00:50:56,040 --> 00:50:57,719
Speaker 1: not on the pay road, right, you know what I'm saying.

1009
00:50:57,719 --> 00:51:00,000
Speaker 1: Like I called, like grabed this person, he hit this person.

1010
00:51:00,080 --> 00:51:03,680
Speaker 1: Nothing m this type stuff. But that was my next movie.

1011
00:51:03,680 --> 00:51:07,200
Speaker 1: After I was done with the done with the music,

1012
00:51:07,280 --> 00:51:12,120
Speaker 1: done rapping, and then and then ship I just started

1013
00:51:13,160 --> 00:51:16,920
Speaker 1: building over there, bringing artists over there, bring artists over there.

1014
00:51:17,000 --> 00:51:19,560
Speaker 1: So like whatever I do, they just respect it. That's

1015
00:51:19,600 --> 00:51:26,000
Speaker 1: fire man, Yo, go support the album and yeah request questions,

1016
00:51:26,400 --> 00:51:29,759
Speaker 1: Yeah man, no questions. Yellow Busy I single video about

1017
00:51:29,800 --> 00:51:34,520
Speaker 1: to come out. Videos on the waite. Uh, it's gonna

1018
00:51:34,560 --> 00:51:35,880
Speaker 1: be there. We did it like we was locked up

1019
00:51:35,920 --> 00:51:38,719
Speaker 1: in jail two then the girls who was calling the

1020
00:51:38,719 --> 00:51:40,919
Speaker 1: girls on the phone, they was holding it down while

1021
00:51:40,960 --> 00:51:42,799
Speaker 1: we was in jail. That I always be wondering where

1022
00:51:42,800 --> 00:51:44,560
Speaker 1: mother Tucker's find fake jails? Where do you find the

1023
00:51:44,560 --> 00:51:47,880
Speaker 1: fake jail to shoot the video? They got fake. They

1024
00:51:47,920 --> 00:51:50,200
Speaker 1: just got fake, Josh Garant, they got fake. They got fake.

1025
00:51:50,239 --> 00:51:53,680
Speaker 1: Proper deal with with the cages with the bars, with

1026
00:51:53,760 --> 00:51:56,359
Speaker 1: the bed all that it got, I was like, Yeah,

1027
00:51:56,360 --> 00:51:58,080
Speaker 1: where do they get they have, like, have it here?

1028
00:51:58,080 --> 00:52:01,360
Speaker 1: I'm sure they got like they definitely here, different different

1029
00:52:01,440 --> 00:52:03,840
Speaker 1: rooms with different like setups in them. That's what it is.

1030
00:52:03,880 --> 00:52:06,600
Speaker 1: WELLO Filthy Rich, Appreciate you. Tapping in Man, Appreciate you.

1031
00:52:06,760 --> 00:52:07,120
Speaker 1: Boom