WEBVTT - What Did Ancient Egyptian Bread Taste Like? with Sam Kean

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<v Speaker 1>You're listening to Part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what Will? What's that Mango? So you

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<v Speaker 1>remember our pal Sam Keene?

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<v Speaker 2>Of course I remember. Sammy was one of our first

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<v Speaker 2>science writers at Mental Floss, And it's just.

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<v Speaker 1>One of the best of the best, it really is.

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<v Speaker 1>And he went on to write all these bestsellers like

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<v Speaker 1>The Disappearing Spoon, The Violinist's Thumb, Caesar's Last Breath, and

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<v Speaker 1>he's got a new one out.

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<v Speaker 2>First of all, I love the names of all of

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<v Speaker 2>his books, like they just sound so intriguing.

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<v Speaker 1>So tell me what this one's about. It's called Dinner

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<v Speaker 1>with King Tut and it's all about how this crazy

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<v Speaker 1>world of rogue archaeologists are recreating the sites and sounds

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<v Speaker 1>and smells and tastes of lost civilizations. Like instead of

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<v Speaker 1>just being on a field site dusting off fragments of pottery,

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<v Speaker 1>he's using evidence from the shards to make delicious Egyptian

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<v Speaker 1>beers and breads and testing out theories about mummies by

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<v Speaker 1>trying to actually mummify a piece of store bought fish.

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<v Speaker 1>Oh really, Yeah, he did it with a piece of

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<v Speaker 1>grocery store red Snapper. Oh wow. But it is an

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<v Speaker 1>incredible book and it's so fun to read, and I

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<v Speaker 1>honestly can't stop telling people about it. So I thought

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<v Speaker 1>it'd be fun to invite him on the show and

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<v Speaker 1>catch up about the book in person. So let's dive in. Sam.

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<v Speaker 1>It is such a pleasure to have you on the show. Hi,

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<v Speaker 1>thanks for having me. You know, I feel like I

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<v Speaker 1>have known your name forever because back at Mental Flaws,

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<v Speaker 1>Will and I used to run that like anytime we

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<v Speaker 1>needed like a great science piece, it'd be like, oh,

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<v Speaker 1>let's see what Sam Keene is up to. I really

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<v Speaker 1>appreciate your voice and your writing and the topics you covered.

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<v Speaker 1>But then I was blown away when I think it

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<v Speaker 1>was your first book, The Disappearing Spoon came out right

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<v Speaker 1>and it immediately rose to the top of the charts,

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<v Speaker 1>and you've been cranking out bestsellers ever since. But I'm

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<v Speaker 1>really excited to talk about this new one. Dinner Wick

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<v Speaker 1>King tut how rogue archaeologists are recreating the sites, sound, smells,

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<v Speaker 1>and tastes of lost civilizations. Thank you so much for

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<v Speaker 1>being here.

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<v Speaker 3>Well, I appreciate it. Thank you.

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<v Speaker 1>So tell me a little bit about this because you

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<v Speaker 1>have in your preface this little bit about how archaeology

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<v Speaker 1>is fascinating in theory, but somehow when you got out

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<v Speaker 1>into the field, working as an archaeologist isn't as exciting

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<v Speaker 1>as you'd hope. Can you talk to me a little

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<v Speaker 1>bit about that.

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<v Speaker 3>Yeah, I'd always just had a bit of a gripe

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<v Speaker 3>with the field that I loved the big picture things

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<v Speaker 3>that you learned from archaeology about humankind, where we came from,

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<v Speaker 3>how we spread across the globe, all of these big,

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<v Speaker 3>rich questions about humanity. But then I would get to

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<v Speaker 3>actual archaeological digs where they're doing work, and it was

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<v Speaker 3>just a bunch of people sitting around in the dirt

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<v Speaker 3>brushing off little potshards with toothbrushes or dental picks or something.

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<v Speaker 3>It just seemed like the most tedious work imaginable. Just

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<v Speaker 3>day after day of that over and over, and I

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<v Speaker 3>just could not imagine actually doing that work. And as

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<v Speaker 3>a writer especially, there just wasn't much to say about

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<v Speaker 3>the work that they were doing. Even though the conclusions

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<v Speaker 3>were big and really interesting, the day by day work

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<v Speaker 3>was just kind of tedious. And another thing that kind

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<v Speaker 3>of frustrated me was that you know, they were talking

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<v Speaker 3>about and investigating civilizations from vastly different places, everywhere, from

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<v Speaker 3>the Arctic to to Peru, just all over the world.

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<v Speaker 3>But every dig looked exactly the same. Again, just people

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<v Speaker 3>sitting around in the dirt brushing things off and lattened

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<v Speaker 3>it and sort of subtracted the differences and made every

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<v Speaker 3>archaeological look the same, even though you were talking about

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<v Speaker 3>much different groups and cultures and civilizations. So those two

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<v Speaker 3>things kind of turned me off about traditional archaeology, which

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<v Speaker 3>is why I wrote this book, which focuses on a

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<v Speaker 3>different field called experimental archaeology, but they're actually doing and

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<v Speaker 3>creating things. It was much more interesting and sensory rich.

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<v Speaker 1>That's really really cool. And I feel, you know, similarly

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<v Speaker 1>about science, and that I'm fascinated by science. I'm fascinated

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<v Speaker 1>by the discoveries and the Eureka moments and all these things.

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<v Speaker 1>And when I was in high school, I volunteered in

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<v Speaker 1>a university lab where we studied moths and behavior, and

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<v Speaker 1>just every day was so slow and so tedious, and i'

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<v Speaker 1>thrilled other people who love that, but for me, it

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<v Speaker 1>just wasn't quick enough. The stories didn't move fast enough.

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<v Speaker 1>The conclusions didn't come fast enough. But tell me a

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<v Speaker 1>little bit about how you found this field of experiential

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<v Speaker 1>or experimental archaeology.

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<v Speaker 3>Yeah, I think I first heard about someone who was

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<v Speaker 3>throwing what's called an ad laddle. So it's essentially a spear,

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<v Speaker 3>but instead of throwing with your hand, you have a

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<v Speaker 3>little kind of stick that's an extension of your arm,

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<v Speaker 3>and because it's longer than your arm, you get a

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<v Speaker 3>little more leverage, a little more pop when you throw it,

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<v Speaker 3>so it allows you to throw it faster and hit

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<v Speaker 3>something harder when you're hunting. And I saw someone who

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<v Speaker 3>had made an old fashioned at laddle, and they were

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<v Speaker 3>very common in prehistory, probably the most common hunting weapon

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<v Speaker 3>that people used all over the world, much more so

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<v Speaker 3>than just regular spears. And I'd never heard of this,

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<v Speaker 3>and I thought, wow, this is really cool. And I

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<v Speaker 3>saw someone there's a video of them throwing it, and

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<v Speaker 3>they were throwing it under these targets or these dummies

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<v Speaker 3>or something, and I just thought, wow, now that's kind

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<v Speaker 3>of fun archaeology. Someone doing needing something and you get

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<v Speaker 3>to go out there and you know, actually experience it

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<v Speaker 3>a little bit. And I sort of filed that away

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<v Speaker 3>and thought, you know, if I ever want to write

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<v Speaker 3>about archaeology, that could be sort of an entry to

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<v Speaker 3>the field for me. It was probably almost a decade

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<v Speaker 3>ago at this point, and once I sort of had

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<v Speaker 3>that on my radar, I kept coming across little stories

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<v Speaker 3>where even if the overall story was about a regular

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<v Speaker 3>archaeology dig, there might have been a little experimental component

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<v Speaker 3>with it, And so I just kept filing these stories away,

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<v Speaker 3>sort of gathering string and eventually, when it came time to,

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<v Speaker 3>you know, write another book, I thought, maybe I'm going

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<v Speaker 3>to look into this and see And once I did,

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<v Speaker 3>I found out there was a whole journal dedicated to this,

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<v Speaker 3>and there's kind of this little subculture of people who

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<v Speaker 3>enjoy running these types of experiments.

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<v Speaker 1>It's really incredible, and you talk about doing everything from

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<v Speaker 1>like tattooing someone, firing someone out of a cap to

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<v Speaker 1>making acorn bread. I mean, it really feels so joyful

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<v Speaker 1>and exciting. But on the other hand, it feels like

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<v Speaker 1>there are some incredible scientists involved with this, and also

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<v Speaker 1>some enthusiasts and hobbyists and almost amateurs and involved as well.

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<v Speaker 1>And so I'm curious, how do you figure out which

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<v Speaker 1>are the experiments worth indulging in.

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<v Speaker 3>It wasn't just archaeologists or the enthusiastic amateurs that we

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<v Speaker 3>talked about, but in a lot of cases, there are

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<v Speaker 3>also indigenous communities who have kept these traditions alive for

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<v Speaker 3>a long time, and they are the ones who are

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<v Speaker 3>turning around and teaching archaeologists about how these things work, so,

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<v Speaker 3>you know, disabusing them of myths they had or correcting

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<v Speaker 3>them when they were wrong. So one thing that was

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<v Speaker 3>sort of interesting and heartening was that it really was

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<v Speaker 3>a two way street with archaeologists talking to these communities

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<v Speaker 3>about things that they knew, you know, wisdom that had

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<v Speaker 3>been passed down in stories, poems, songs, things like that,

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<v Speaker 3>and them kind of using this to advance our knowledge

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<v Speaker 3>of what the past was like. But it's sort of

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<v Speaker 3>just whatever stood out to me is interesting. You get

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<v Speaker 3>you develop a nose for a story, and especially for

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<v Speaker 3>this book, I wanted to go and do things that

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<v Speaker 3>I thought would make good stories for the book. So

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<v Speaker 3>I could have gone and like tried to grind my

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<v Speaker 3>own grain or something like that, and that would have

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<v Speaker 3>been okay. I mean, that's an important thing, and I

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<v Speaker 3>did a little bit of that, but it just wasn't

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<v Speaker 3>as rich as you know, spending a day with this

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<v Speaker 3>guy who built this thirty foot tall catapult and spending

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<v Speaker 3>an afternoon hurling these giant stones around. That just made

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<v Speaker 3>for a much more lively experience being able to do

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<v Speaker 3>things like that. I also kind of wanted to throw

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<v Speaker 3>myself into some difficult situations, even though I knew I

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<v Speaker 3>was probably gonna be floundering around, in part because that's

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<v Speaker 3>just what people had to experience back then. Things were

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<v Speaker 3>not easy. Even making food or making clothing or shelter

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<v Speaker 3>was quite difficult back then, and me floundering around was

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<v Speaker 3>part of the experience. And you know, I think it

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<v Speaker 3>made for some more entertaining scenes, just me screwing things

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<v Speaker 3>up over and over. But you know, one thing I

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<v Speaker 3>liked about the field was that it was so sensory rich,

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<v Speaker 3>all of the smells and tastes and the sounds, but

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<v Speaker 3>a lot of it was me dealing with the emotions,

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<v Speaker 3>the frustrations, the joy when I finally got something right

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<v Speaker 3>after spending hours strewing it up over and over and again.

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<v Speaker 3>That's just something I don't feel like you get as

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<v Speaker 3>much of with traditional archaeology. Is the emotions that were

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<v Speaker 3>involved in trying to do things the things that we

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<v Speaker 3>take for granted nowadays, just making food and basic things

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<v Speaker 3>like that.

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<v Speaker 1>Yeah, it's really so fun. But the other thing that

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<v Speaker 1>was interesting is you do something experimental with this book.

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<v Speaker 1>You actually throw in fiction in between the segments of

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<v Speaker 1>explaining about the archaeology and when you.

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<v Speaker 3>Talk about why you chose to do that. Yeah, So

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<v Speaker 3>the book it kind of does work on two tracks.

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<v Speaker 3>Each chapter really immerses you in a specific time in

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<v Speaker 3>a specific place. So you know, ancient Egypt when they

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<v Speaker 3>were building the pyramids, or the Roman Empire, or the

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<v Speaker 3>Viking Age, or Africa seventy five thousand years ago when

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<v Speaker 3>modern humanity was just starting to emerge. And I really

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<v Speaker 3>wanted it to be immersive because that's what experimental archaeology

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<v Speaker 3>does really well, is it puts you in that time

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<v Speaker 3>in that place. But me going around and doing these

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<v Speaker 3>experiments could only get the reader I felt like part

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<v Speaker 3>way there. And one thing that fiction does that's really

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<v Speaker 3>nice is you're immersed in the character's mind. You're experiencing

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<v Speaker 3>it as they experienced it. So the premise of the book,

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<v Speaker 3>each chapter you live a day in the life of

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<v Speaker 3>that person from the time they wake up to the

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<v Speaker 3>time they go to bed that night, and strange, unusual

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<v Speaker 3>things happened to them, just like they would have to

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<v Speaker 3>people back then, and fiction was just a better way

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<v Speaker 3>to get at that experience and make it as immersive

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<v Speaker 3>as possible. So everything that happens to the characters could

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<v Speaker 3>and did happen to people back then. It's based on

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<v Speaker 3>archaeological research, but fiction was just a way to sort

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<v Speaker 3>of enrich the experience.

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<v Speaker 1>I just found it really compelling, these short stories interwoven

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<v Speaker 1>with these nonfiction bits. I've got to say, it was

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<v Speaker 1>a wonderful read. But were there any either fun or

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<v Speaker 1>wild or bizarre experiments that you tried and they just

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<v Speaker 1>got left on the cutting room floor.

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<v Speaker 3>There were a few disasters in the book, things that

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<v Speaker 3>just went sideways quickly anticipate maybe I should have. One

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<v Speaker 3>of them was and you know, it sounds a little gross,

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<v Speaker 3>but one material people would use to tan leather way

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<v Speaker 3>back when was they would use urine. They would use

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<v Speaker 3>it to kind of strip the fats off and to

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<v Speaker 3>toughen up the skin. And so I tried that with

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<v Speaker 3>a piece of salmon skin that I'd gotten from the store.

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<v Speaker 3>Tried to soak it in urine and see what would happened,

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<v Speaker 3>and it did not go well. Kind of mold that

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<v Speaker 3>in there. It was so disgusting. I quickly jettisoned that project.

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<v Speaker 3>Probably held on longer than I should have, but that

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<v Speaker 3>that did.

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<v Speaker 1>Not go well, I love it. So let's talk about Egypt.

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<v Speaker 1>So you tosses into this incredible scene where they're building

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<v Speaker 1>a pyramid, and the pyramid construction is almost over, and

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<v Speaker 1>you decide to show it to us through the eyes

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<v Speaker 1>of a baker. So I'm curious, like, why did you

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<v Speaker 1>choose a cook or a baker for the perspective on

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<v Speaker 1>this building of a paramid.

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<v Speaker 3>One thing I wanted to do was to put the

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<v Speaker 3>chapters in the perspective of kind of an everyday person,

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<v Speaker 3>someone that we can relate to, kind of an everyday person,

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<v Speaker 3>and a baker would have been one just a very

0:13:02.080 --> 0:13:07.240
<v Speaker 3>typical classic job in ancient Egypt, and it was a

0:13:07.320 --> 0:13:11.000
<v Speaker 3>very important job then because bread was the staple of

0:13:11.040 --> 0:13:13.240
<v Speaker 3>the Egyptian diet, and I knew that there were people

0:13:13.280 --> 0:13:19.600
<v Speaker 3>out there recreating Egyptian style breads and beers. And by

0:13:19.920 --> 0:13:21.679
<v Speaker 3>making him the main character, I knew I could sort

0:13:21.679 --> 0:13:24.720
<v Speaker 3>of get into those things and talk about some very

0:13:24.720 --> 0:13:28.200
<v Speaker 3>important things in Egyptian life. So, in addition to sort

0:13:28.200 --> 0:13:32.080
<v Speaker 3>of the fun dramatic plot things that happened, by making

0:13:32.160 --> 0:13:35.480
<v Speaker 3>him a baker, you could actually deepen your understanding of

0:13:35.520 --> 0:13:36.960
<v Speaker 3>just Egyptian culture in general.

0:13:37.600 --> 0:13:40.600
<v Speaker 1>And I love it. His life does go sideways very quickly.

0:13:40.679 --> 0:13:44.080
<v Speaker 1>But one of the things that I was curious about

0:13:44.240 --> 0:13:47.720
<v Speaker 1>is I had never picked up on the fact that

0:13:48.080 --> 0:13:51.079
<v Speaker 1>pyramids were also like the tallest monuments, that I took

0:13:51.160 --> 0:13:55.160
<v Speaker 1>another four thousand years to build something taller, is all right?

0:13:55.880 --> 0:13:59.600
<v Speaker 3>The biggest pyramid was built around the twenty seven hundred BC,

0:13:59.640 --> 0:14:02.840
<v Speaker 3>twenties undred BC something like that, and not until I

0:14:02.840 --> 0:14:07.040
<v Speaker 3>believe almost thirteen hundred eighty was there another structure in

0:14:07.080 --> 0:14:09.320
<v Speaker 3>the world that was taller than that. It was a

0:14:09.360 --> 0:14:13.120
<v Speaker 3>cathedral in England, I think. But yeah, so for roughly

0:14:13.160 --> 0:14:15.520
<v Speaker 3>four thousand years that was the pyramids. There were the

0:14:15.640 --> 0:14:18.079
<v Speaker 3>largest structures on Earth, which is unbelievable.

0:14:19.560 --> 0:14:20.800
<v Speaker 1>You know, there are these things that you kind of

0:14:20.840 --> 0:14:23.320
<v Speaker 1>take for granted, but that the scale of the achievement

0:14:23.480 --> 0:14:26.880
<v Speaker 1>at that time is stunning. And also, I think you

0:14:26.960 --> 0:14:29.960
<v Speaker 1>said something in the book like we are so much

0:14:30.000 --> 0:14:34.520
<v Speaker 1>closer to when Jesus was born than when Jesus was

0:14:34.560 --> 0:14:36.880
<v Speaker 1>to the pyramids, which which is also crazy to me,

0:14:37.000 --> 0:14:39.080
<v Speaker 1>like I hadn't even put on perspective.

0:14:39.480 --> 0:14:42.520
<v Speaker 3>Yeah, the gap of time between the pyramids being built

0:14:42.600 --> 0:14:45.800
<v Speaker 3>and you know Jesus or Juliuses or anyone around that age,

0:14:45.960 --> 0:14:49.840
<v Speaker 3>that's a longer gap of time by several centuries than

0:14:49.880 --> 0:14:52.720
<v Speaker 3>the time from Jesus or Juliuses are to us.

0:14:52.760 --> 0:14:57.680
<v Speaker 1>Now, that is just unimaginable. It's crazy, but fascinating for

0:14:57.720 --> 0:15:01.880
<v Speaker 1>a perspective. So you start with this baker and one

0:15:01.880 --> 0:15:04.560
<v Speaker 1>of the things that struck me was that there was

0:15:04.600 --> 0:15:09.000
<v Speaker 1>a village basically created around the idea of building these pyramids.

0:15:09.040 --> 0:15:09.560
<v Speaker 1>Can you talk me?

0:15:09.880 --> 0:15:12.920
<v Speaker 3>Yeah, they were really labor intensive to build these pyramids,

0:15:12.960 --> 0:15:15.880
<v Speaker 3>given how big they were, given how many blocks there were,

0:15:16.960 --> 0:15:19.480
<v Speaker 3>and the fact that you just had to move these

0:15:19.520 --> 0:15:22.720
<v Speaker 3>things up the up to the very top. Somehow. They

0:15:22.720 --> 0:15:26.160
<v Speaker 3>didn't have pulleys back then. They didn't have wheels in

0:15:26.320 --> 0:15:29.480
<v Speaker 3>Egypt at the time, and so you had a lot

0:15:29.520 --> 0:15:33.960
<v Speaker 3>of people working on moving these stones. And when you

0:15:34.000 --> 0:15:36.280
<v Speaker 3>had that many people, you need to provide things for them.

0:15:36.360 --> 0:15:39.000
<v Speaker 3>They need tools to cut the blocks, they need to eat,

0:15:39.560 --> 0:15:42.400
<v Speaker 3>you need to build homes for them. It was essentially

0:15:42.400 --> 0:15:46.520
<v Speaker 3>an entire city around these pyramids just to get them built.

0:15:46.520 --> 0:15:49.800
<v Speaker 3>It was a huge part of the Egyptian economy essentially

0:15:49.840 --> 0:15:53.320
<v Speaker 3>was getting these pyramids built, everyone working on them. So yeah,

0:15:53.320 --> 0:15:56.920
<v Speaker 3>there was a whole industry and then all the peripheral

0:15:56.920 --> 0:15:59.200
<v Speaker 3>industries to build these pyramids.

0:15:59.680 --> 0:16:03.200
<v Speaker 1>Yeah. And that's what struck me as so interesting was

0:16:03.240 --> 0:16:05.480
<v Speaker 1>that the baker himself. I thought it was just like

0:16:05.520 --> 0:16:08.960
<v Speaker 1>a royal baker who made bread for Kufu or whichever,

0:16:09.280 --> 0:16:13.800
<v Speaker 1>a king or pharaoh. But instead the baker is actually

0:16:13.880 --> 0:16:18.640
<v Speaker 1>responsible for making all the bread for all the workers

0:16:18.720 --> 0:16:22.720
<v Speaker 1>working in this community. And that was crazy to me.

0:16:23.160 --> 0:16:24.440
<v Speaker 1>Can you talk to me a little bit about that.

0:16:24.560 --> 0:16:26.840
<v Speaker 3>Yeah. So when we think of a baker nowadays, or

0:16:26.880 --> 0:16:29.160
<v Speaker 3>and probably especially back then, we'd probably think, you know,

0:16:29.200 --> 0:16:31.880
<v Speaker 3>a little mud oven or something, and you're slipping in

0:16:31.960 --> 0:16:33.920
<v Speaker 3>a loaf of bread here and there and making it.

0:16:34.000 --> 0:16:38.000
<v Speaker 3>But this was much more of an industrial process where

0:16:38.040 --> 0:16:42.560
<v Speaker 3>you had hundreds and hundreds, maybe even thousands of bread

0:16:42.600 --> 0:16:45.000
<v Speaker 3>molds out there in a field. It would look like

0:16:45.080 --> 0:16:49.400
<v Speaker 3>a giant giant egg carton with the molds that they use.

0:16:49.480 --> 0:16:51.800
<v Speaker 3>They use these kind of conical molds to put the

0:16:51.840 --> 0:16:54.160
<v Speaker 3>bread in, and if you'd gone outside the hut, it

0:16:54.160 --> 0:16:57.960
<v Speaker 3>would have just been thousands of these molds, and they

0:16:57.960 --> 0:17:01.840
<v Speaker 3>had people walking around dumping dough in them and moving

0:17:01.840 --> 0:17:04.800
<v Speaker 3>from one to the other, just kind of working, working, working.

0:17:04.920 --> 0:17:09.280
<v Speaker 3>So it wasn't really a kind of a bespoke artisanal process.

0:17:09.359 --> 0:17:14.000
<v Speaker 3>It was about timing and workflow and managing people. So

0:17:14.280 --> 0:17:17.000
<v Speaker 3>it really was kind of modern in some ways, and

0:17:17.440 --> 0:17:19.560
<v Speaker 3>that you had to take all these things into account

0:17:19.600 --> 0:17:21.960
<v Speaker 3>and as opposed to, you know, just baking something in

0:17:22.000 --> 0:17:23.760
<v Speaker 3>an oven like you might expect, it was a whole

0:17:23.800 --> 0:17:27.560
<v Speaker 3>industry involved in getting these people fed.

0:17:28.240 --> 0:17:30.960
<v Speaker 1>Yeah, it felt almost like a factory. I like this

0:17:31.640 --> 0:17:35.520
<v Speaker 1>sense of producing this much food at these quantities for

0:17:36.160 --> 0:17:38.760
<v Speaker 1>this immense number of people every single day. It was

0:17:38.840 --> 0:17:42.800
<v Speaker 1>just crazy. But also, you know, from your own experiments,

0:17:42.880 --> 0:17:44.680
<v Speaker 1>you found out that this bread is delicious.

0:17:44.920 --> 0:17:49.160
<v Speaker 3>It was incredibly good. I talked to a guy out

0:17:49.160 --> 0:17:53.359
<v Speaker 3>in la named Seamus Blackley. He in a previous life

0:17:53.440 --> 0:17:57.199
<v Speaker 3>actually invented the Xbox gaming system that's sort of just

0:17:57.320 --> 0:17:59.439
<v Speaker 3>called the Frame, and then he got out of that

0:17:59.600 --> 0:18:01.880
<v Speaker 3>and he has his own company now. But one thing

0:18:01.920 --> 0:18:04.919
<v Speaker 3>he does is he bakes heirloom bread. He started with

0:18:05.040 --> 0:18:09.000
<v Speaker 3>medieval bread, and then decided he wanted to try Egyptian bread.

0:18:09.359 --> 0:18:12.480
<v Speaker 3>And then he got really really into it. He flew

0:18:12.520 --> 0:18:19.240
<v Speaker 3>over to Egypt with microbiology equipment. He swabbed dormant yeast

0:18:19.400 --> 0:18:22.440
<v Speaker 3>out of bread molds that they found from archaeological site,

0:18:22.480 --> 0:18:25.480
<v Speaker 3>so he got authentic yeast. He built a fire pit

0:18:25.520 --> 0:18:28.960
<v Speaker 3>in his backyard in Los Angeles. He sourced the type

0:18:29.000 --> 0:18:32.240
<v Speaker 3>of wood that people in ancient Egypt would have used.

0:18:32.280 --> 0:18:35.480
<v Speaker 3>He sourced heirloom grain that they would have used. He

0:18:35.520 --> 0:18:38.199
<v Speaker 3>had someone make him a mold, and authentic mold. A

0:18:38.280 --> 0:18:40.720
<v Speaker 3>potter friend made him the molds that they used, and

0:18:40.760 --> 0:18:44.400
<v Speaker 3>he just kept baking bread until he got the recipe

0:18:44.440 --> 0:18:47.280
<v Speaker 3>right and got a nice looking loaf for bread. And

0:18:47.320 --> 0:18:50.160
<v Speaker 3>so I went up there, talked to him, and got

0:18:50.200 --> 0:18:52.560
<v Speaker 3>to try some of this bread. It was bigger than

0:18:52.600 --> 0:18:55.919
<v Speaker 3>I expected, and it was shaped like you know, the

0:18:55.960 --> 0:19:00.399
<v Speaker 3>old NASA mercury space capsules that they would send astrona in,

0:19:00.440 --> 0:19:02.800
<v Speaker 3>like those blunt cones, that's what it looked like. It

0:19:02.840 --> 0:19:05.240
<v Speaker 3>was probably you know, a foot wide or so and

0:19:05.280 --> 0:19:09.199
<v Speaker 3>maybe eight or nine inches tall. And this bread was

0:19:09.240 --> 0:19:12.359
<v Speaker 3>two days old, and he warmed it up in the

0:19:12.359 --> 0:19:16.680
<v Speaker 3>company microwave for me, and even then it was amazingly good.

0:19:16.720 --> 0:19:18.600
<v Speaker 3>This was some of the best bread I've ever had

0:19:19.119 --> 0:19:21.800
<v Speaker 3>in my life. And it was very, very simple. It

0:19:21.840 --> 0:19:24.440
<v Speaker 3>was just a few ingredients. There was emmer grain, which

0:19:24.480 --> 0:19:28.200
<v Speaker 3>is the type of wheat they used. There's coriander in it,

0:19:28.320 --> 0:19:31.120
<v Speaker 3>some salt, some yeast, and some water and that was it.

0:19:31.160 --> 0:19:34.560
<v Speaker 3>And I was blown away by how delicious this bread was,

0:19:34.560 --> 0:19:36.680
<v Speaker 3>even though it wasn't quite fresh out of the mold.

0:19:36.680 --> 0:19:38.080
<v Speaker 3>I mean, if it had been fresh, I would have

0:19:38.920 --> 0:19:41.160
<v Speaker 3>been scun probably fallen over, it was that good.

0:19:41.840 --> 0:19:45.879
<v Speaker 1>Yeah, you said it compared with the best breads in

0:19:45.960 --> 0:19:48.760
<v Speaker 1>like Parisian bakeries and things like that, and I was

0:19:48.840 --> 0:19:51.639
<v Speaker 1>it made my mouth waters description. I really want to

0:19:51.680 --> 0:19:54.320
<v Speaker 1>try some. But the other thing about it I was

0:19:54.359 --> 0:19:58.560
<v Speaker 1>curious about is how do they know what the ingredients

0:19:58.600 --> 0:20:03.760
<v Speaker 1>were in this bread? How do archaeologists and hobbyists figure

0:20:03.760 --> 0:20:06.040
<v Speaker 1>out what goes into this bread.

0:20:06.200 --> 0:20:09.040
<v Speaker 3>They have a lot of loaves actually from you find

0:20:09.080 --> 0:20:11.680
<v Speaker 3>them in tunbes and pyramids and things like that, and

0:20:11.760 --> 0:20:16.680
<v Speaker 3>you can analyze the starches and figure out what was

0:20:16.720 --> 0:20:19.160
<v Speaker 3>in there. So you might find a little bit of coriander,

0:20:19.359 --> 0:20:21.720
<v Speaker 3>and you can analyze the bread, the starches in there,

0:20:21.760 --> 0:20:23.560
<v Speaker 3>and they can tell you know roughly how long they

0:20:23.560 --> 0:20:26.359
<v Speaker 3>were baked, things like that. So because we have some

0:20:27.240 --> 0:20:32.720
<v Speaker 3>examples of ancient basically petrified bread, they can get that

0:20:32.880 --> 0:20:36.760
<v Speaker 3>microscopically and figure out sort of reverse engineer and figure

0:20:36.760 --> 0:20:40.040
<v Speaker 3>out what would have gone in there. Also, you know,

0:20:40.080 --> 0:20:42.840
<v Speaker 3>you're making bread. There's just not a whole lot of

0:20:42.880 --> 0:20:46.560
<v Speaker 3>ways to make bread. So you're gonna have some yeast

0:20:46.600 --> 0:20:49.040
<v Speaker 3>in there, you need some water in there, You're gonna

0:20:49.040 --> 0:20:51.679
<v Speaker 3>have to grind the flowers. So just by the nature

0:20:51.720 --> 0:20:54.120
<v Speaker 3>of bread, you're sort of constrained in how many ways

0:20:54.720 --> 0:20:57.560
<v Speaker 3>you can do it. And we have found thousands of

0:20:57.600 --> 0:21:00.560
<v Speaker 3>molds as well, so we know the basic way they

0:21:00.600 --> 0:21:03.000
<v Speaker 3>baked the bread, and based on that they can kind

0:21:03.040 --> 0:21:06.679
<v Speaker 3>of re sort of piece together how they must have

0:21:07.280 --> 0:21:08.440
<v Speaker 3>baked the bread in the first place.

0:21:09.200 --> 0:21:13.399
<v Speaker 1>That's so cool. And the other thing I really found

0:21:13.880 --> 0:21:16.400
<v Speaker 1>delightful about the bread bit was that you point out

0:21:16.400 --> 0:21:19.720
<v Speaker 1>that the bread had to be good, because if it wasn't,

0:21:20.000 --> 0:21:23.000
<v Speaker 1>all these workers would have sort of revolted. They needed

0:21:23.040 --> 0:21:27.040
<v Speaker 1>really good food to keep them happy. And you point

0:21:27.040 --> 0:21:30.959
<v Speaker 1>out that these laborers were also paid in beer as well.

0:21:31.080 --> 0:21:36.440
<v Speaker 1>About one third gallons daily, which I guess is roughly

0:21:36.520 --> 0:21:38.359
<v Speaker 1>ten pints. I never would have figured out out on

0:21:38.440 --> 0:21:41.119
<v Speaker 1>my own. But but can you talk to me a

0:21:41.200 --> 0:21:43.080
<v Speaker 1>little bit about the beer and why that was so

0:21:43.119 --> 0:21:44.959
<v Speaker 1>important to this community of Worcos.

0:21:45.080 --> 0:21:48.040
<v Speaker 3>Yeah, so bread and beer were essentially the staple foods

0:21:48.160 --> 0:21:53.080
<v Speaker 3>of the Egyptian diet, and so water sources were necessarily

0:21:53.119 --> 0:21:55.919
<v Speaker 3>clean back then. The Nile was there, so plenty of

0:21:55.960 --> 0:21:58.840
<v Speaker 3>water coming in, but people were using it to clean clothes.

0:21:58.840 --> 0:22:01.399
<v Speaker 3>People were using it as literally in some cases, so

0:22:01.600 --> 0:22:04.119
<v Speaker 3>not the safe as water to drink. Whereas if you

0:22:04.160 --> 0:22:07.439
<v Speaker 3>ferment something, you know, make it into a beer, the

0:22:07.720 --> 0:22:10.840
<v Speaker 3>alcohol in there can kill some microbes, so it's safer

0:22:10.880 --> 0:22:15.040
<v Speaker 3>to drink that. And this probably was not as high

0:22:15.080 --> 0:22:18.000
<v Speaker 3>ABV as beer we would drinking nowadays. It was probably

0:22:18.080 --> 0:22:20.880
<v Speaker 3>fairly low level, maybe like you know, two to two

0:22:20.880 --> 0:22:23.640
<v Speaker 3>and a half percent something like that, but still they

0:22:23.640 --> 0:22:26.119
<v Speaker 3>were drinking in most of the day. And what I

0:22:26.160 --> 0:22:28.800
<v Speaker 3>found I thought was really interesting was that we're sort

0:22:28.800 --> 0:22:31.920
<v Speaker 3>of used to what beer tastes like, but a lot

0:22:31.920 --> 0:22:34.840
<v Speaker 3>of that taste comes from the hops, which is a

0:22:34.880 --> 0:22:40.000
<v Speaker 3>standard ingredient in most beers nowadays. But they didn't use

0:22:40.040 --> 0:22:43.720
<v Speaker 3>hops in Egypt, and so other flavors really came forward.

0:22:44.119 --> 0:22:46.639
<v Speaker 3>It tasted to me more like a sour beer or

0:22:46.680 --> 0:22:50.800
<v Speaker 3>almost like a kambucha type drink. And it made sense

0:22:50.800 --> 0:22:53.120
<v Speaker 3>when I thought about it, because on a hot day

0:22:53.640 --> 0:22:56.560
<v Speaker 3>often you want something sour kind of gets the salivation,

0:22:56.760 --> 0:22:59.320
<v Speaker 3>the juice is going in your mouth. So having this

0:22:59.400 --> 0:23:02.600
<v Speaker 3>sour beer on a hot day moving pyramid blocks around

0:23:02.840 --> 0:23:05.400
<v Speaker 3>would have made a lot of sense. And it wasn't

0:23:06.080 --> 0:23:07.760
<v Speaker 3>like the beer were used to nowadays, but it was

0:23:07.760 --> 0:23:08.760
<v Speaker 3>a pretty down good drink.

0:23:09.960 --> 0:23:12.439
<v Speaker 1>Yeah, And you think about that in other times in

0:23:12.520 --> 0:23:15.879
<v Speaker 1>history too, right, like field workers drinking seasons as well,

0:23:15.920 --> 0:23:19.240
<v Speaker 1>because they needed to they needed something to drink in

0:23:19.240 --> 0:23:22.399
<v Speaker 1>these really hot conditions. But also the water wasn't clean,

0:23:22.480 --> 0:23:25.760
<v Speaker 1>and so it's something that that sort of like follows

0:23:25.760 --> 0:23:30.680
<v Speaker 1>this story along. I also had not clocked that the

0:23:30.720 --> 0:23:34.320
<v Speaker 1>sands could reach one hundred and thirty degrees fahrenheit. And

0:23:34.400 --> 0:23:36.120
<v Speaker 1>you point out that it took two hundred and thirty

0:23:36.119 --> 0:23:39.200
<v Speaker 1>one million gallons of beer to build the largest pyramids,

0:23:39.240 --> 0:23:45.479
<v Speaker 1>which it's incomprehensible. But there's this bit in the story

0:23:45.480 --> 0:23:49.160
<v Speaker 1>that you tell where the baker is also producing beer

0:23:49.480 --> 0:23:53.880
<v Speaker 1>and he brings over this cup of date beer and

0:23:54.359 --> 0:23:58.080
<v Speaker 1>the person he hands it to realizes that they're like

0:23:58.160 --> 0:24:00.760
<v Speaker 1>flies in it or something, and you would prefer it

0:24:00.760 --> 0:24:03.719
<v Speaker 1>with a straw. And I had no idea that Egyptians

0:24:03.720 --> 0:24:04.880
<v Speaker 1>were using straws.

0:24:05.320 --> 0:24:08.080
<v Speaker 3>Yeah, I think it was pretty common, not just in Egypt,

0:24:08.160 --> 0:24:12.199
<v Speaker 3>but especially other places where they would use straws to

0:24:12.320 --> 0:24:15.560
<v Speaker 3>drink beer because you would have flies landing on the top,

0:24:16.480 --> 0:24:19.239
<v Speaker 3>and especially you would have a lot of chaff in

0:24:19.560 --> 0:24:23.480
<v Speaker 3>the beer because they didn't have modern strainers and things

0:24:23.520 --> 0:24:26.800
<v Speaker 3>like that, so you definitely had a lot of debris

0:24:26.800 --> 0:24:29.800
<v Speaker 3>intotritis from the grains in the beer, and so a

0:24:29.840 --> 0:24:32.879
<v Speaker 3>straw you dunk it under the surface and sort of

0:24:32.920 --> 0:24:36.760
<v Speaker 3>avoid taking in a big mouthful of that dry, pulpingy

0:24:36.880 --> 0:24:37.920
<v Speaker 3>chaff with your drink.

0:24:40.119 --> 0:24:41.680
<v Speaker 1>And you point out that in other parts of the

0:24:41.720 --> 0:24:45.680
<v Speaker 1>world that some of these straws have been mistaken for scepters.

0:24:45.720 --> 0:24:46.640
<v Speaker 1>They're so beautiful.

0:24:47.920 --> 0:24:51.479
<v Speaker 3>Yeah, they're really long, elaborate. They have you know, gold

0:24:51.520 --> 0:24:55.000
<v Speaker 3>and silver inlaid in them, a couple feet long. You know,

0:24:55.000 --> 0:24:56.879
<v Speaker 3>if a diplomat came or something, you would give them

0:24:56.960 --> 0:25:00.480
<v Speaker 3>a very fancy straw for their beer to show the

0:25:00.480 --> 0:25:03.119
<v Speaker 3>they were so Yeah, they found straws that were so

0:25:03.320 --> 0:25:06.679
<v Speaker 3>ornate that the at the first glance archaeologist thought they

0:25:06.720 --> 0:25:07.600
<v Speaker 3>were scepters.

0:25:07.920 --> 0:25:09.960
<v Speaker 1>Yeah, that's amazing. I love that the beer came in

0:25:10.080 --> 0:25:12.400
<v Speaker 1>hunty style and you need the straw for it. But

0:25:13.520 --> 0:25:15.720
<v Speaker 1>there's so much more to talk about. I really want

0:25:15.760 --> 0:25:19.840
<v Speaker 1>to get to mummies and the taxidermy sort of process

0:25:19.920 --> 0:25:22.280
<v Speaker 1>that you uh engaged in, but we've got to take

0:25:22.280 --> 0:25:40.520
<v Speaker 1>a quick break first. I am back with Sam Keene,

0:25:40.720 --> 0:25:44.240
<v Speaker 1>author of Dinner with King Todd. How rogue archaeologists are

0:25:44.280 --> 0:25:48.640
<v Speaker 1>recreating the site, sound, smells, and tastes of lost civilizations.

0:25:49.000 --> 0:25:52.439
<v Speaker 1>It is a delightful book. Now now, Sam, the part

0:25:52.520 --> 0:25:56.159
<v Speaker 1>that was both grossest and most fascinating to me was

0:25:56.680 --> 0:26:00.800
<v Speaker 1>the part about mummification, and I wanted to hear a

0:26:00.840 --> 0:26:05.760
<v Speaker 1>little bit about the story of how these two scientists

0:26:05.800 --> 0:26:08.880
<v Speaker 1>decide to play with idea of mumifying bodies. Yeah.

0:26:08.920 --> 0:26:11.680
<v Speaker 3>So, one thing I was surprised to learn is that

0:26:11.760 --> 0:26:15.680
<v Speaker 3>even though we have a lot of Egyptian mummies human mummies,

0:26:15.920 --> 0:26:18.680
<v Speaker 3>we really don't know a lot about the process because

0:26:18.680 --> 0:26:21.679
<v Speaker 3>they didn't write down a lot of information about it.

0:26:21.760 --> 0:26:24.280
<v Speaker 3>I don't know if it was a secret or it

0:26:24.320 --> 0:26:27.320
<v Speaker 3>was just something knowledge I got passed down orally, and

0:26:27.359 --> 0:26:29.840
<v Speaker 3>so they didn't bother to write it down. But we

0:26:30.119 --> 0:26:32.399
<v Speaker 3>just don't know a lot of the details about how

0:26:32.440 --> 0:26:35.439
<v Speaker 3>they made mummies back then. So there were a few

0:26:36.280 --> 0:26:38.840
<v Speaker 3>people few scientists in the nineteen nineties. One was an

0:26:38.880 --> 0:26:43.040
<v Speaker 3>anatomist and one was an egyptologist. They decided that the

0:26:43.080 --> 0:26:46.159
<v Speaker 3>best way to figure these mysteries out about how to

0:26:46.200 --> 0:26:50.199
<v Speaker 3>mummify someone was to make an Egyptian style mummy in

0:26:50.359 --> 0:26:54.280
<v Speaker 3>modern times. So someone had donated their body to science

0:26:54.800 --> 0:26:58.840
<v Speaker 3>and they sort of diverted it from the medical school

0:26:58.880 --> 0:27:02.719
<v Speaker 3>and they decided to mumify happened in Baltimore in the

0:27:02.760 --> 0:27:06.720
<v Speaker 3>mid nineties, and they tried to be as authentic as

0:27:06.760 --> 0:27:11.440
<v Speaker 3>possible with it. The Egyptologists actually flew over to Egypt,

0:27:12.280 --> 0:27:15.320
<v Speaker 3>and they knew a few details, such as the mineral

0:27:15.400 --> 0:27:17.879
<v Speaker 3>that they used to dry the body out. So he

0:27:17.960 --> 0:27:21.639
<v Speaker 3>went over there and actually dug the mineral op himself

0:27:21.960 --> 0:27:25.680
<v Speaker 3>and then had to bring it back into the United States.

0:27:26.160 --> 0:27:28.399
<v Speaker 3>And he said that one of the more ticklish parts

0:27:28.400 --> 0:27:31.879
<v Speaker 3>of the whole process was smuggling this unidentified white powder

0:27:32.400 --> 0:27:35.120
<v Speaker 3>back in that he had to somehow get past customs,

0:27:35.160 --> 0:27:38.400
<v Speaker 3>but he managed to do it, and they used that

0:27:38.520 --> 0:27:43.879
<v Speaker 3>authentic Egyptian powdered minerals to dry the body out. He

0:27:43.960 --> 0:27:47.359
<v Speaker 3>had obsidian tools made, so stone tools made, and copper

0:27:47.359 --> 0:27:50.440
<v Speaker 3>tools made, and they essentially just went through the process

0:27:50.480 --> 0:27:53.760
<v Speaker 3>of mummifying this body based on the few clues that

0:27:53.800 --> 0:27:56.320
<v Speaker 3>we had. So they made a little slit in the abdomen,

0:27:56.760 --> 0:27:59.600
<v Speaker 3>slid the organs out through the small slit. There, they

0:27:59.760 --> 0:28:03.400
<v Speaker 3>washed the body with different wines and oils, and then

0:28:03.680 --> 0:28:06.800
<v Speaker 3>they mummified it. They put the drying agent in and

0:28:06.840 --> 0:28:09.480
<v Speaker 3>on the body and just try it and just solve

0:28:09.520 --> 0:28:10.000
<v Speaker 3>what happened.

0:28:11.520 --> 0:28:16.680
<v Speaker 1>I had this wonderful teacher in fifth grade, Thissus Leary

0:28:16.680 --> 0:28:21.480
<v Speaker 1>algebro shout out. But she did this whole segment on Egyptology,

0:28:22.040 --> 0:28:24.640
<v Speaker 1>and one of the things I remember is that all

0:28:24.720 --> 0:28:28.399
<v Speaker 1>the organs were thought of as important, particularly the heart,

0:28:28.560 --> 0:28:31.920
<v Speaker 1>but that the brain was considered useless, and that they

0:28:32.840 --> 0:28:34.840
<v Speaker 1>went up through the nose and pulled out the brain.

0:28:35.000 --> 0:28:38.440
<v Speaker 1>But in your telling, it's not as easy as just

0:28:38.560 --> 0:28:40.720
<v Speaker 1>using sort of like a hook or tool to pull

0:28:40.760 --> 0:28:41.080
<v Speaker 1>the brain.

0:28:41.160 --> 0:28:42.920
<v Speaker 3>Yeah, that is one of the things we knew, is that,

0:28:42.960 --> 0:28:44.800
<v Speaker 3>like you said, they used a hook of some sort

0:28:44.880 --> 0:28:48.320
<v Speaker 3>to draw the brain out through the nose. But they

0:28:48.440 --> 0:28:52.160
<v Speaker 3>tried that on this body, and it just doesn't work.

0:28:52.200 --> 0:28:53.959
<v Speaker 3>If you've ever seen the live brain, it's not what

0:28:54.040 --> 0:28:57.280
<v Speaker 3>you might remember from, you know, dissecting a pig or

0:28:57.280 --> 0:29:00.960
<v Speaker 3>a frog or something in biology class, because those were

0:29:01.000 --> 0:29:05.560
<v Speaker 3>fixed in formulas that make the brain hard and rubbery.

0:29:05.880 --> 0:29:08.120
<v Speaker 3>A real life brain is more like a pudding. It's

0:29:08.440 --> 0:29:13.160
<v Speaker 3>very very gooey and kind of viscous. It just doesn't

0:29:13.200 --> 0:29:17.960
<v Speaker 3>have that solid shape and feel that a fixed brain does.

0:29:18.200 --> 0:29:20.040
<v Speaker 3>So when they were using the hook to try to

0:29:20.080 --> 0:29:22.080
<v Speaker 3>get the brain out, I mean, you can imagine trying

0:29:22.080 --> 0:29:24.560
<v Speaker 3>to get putting out with a hook. It's not going

0:29:24.640 --> 0:29:28.160
<v Speaker 3>to work very So what they hit out is that

0:29:28.120 --> 0:29:30.040
<v Speaker 3>there was another clue that maybe they were using a

0:29:30.040 --> 0:29:34.280
<v Speaker 3>fluid of some sort. So they actually introduced water into

0:29:34.360 --> 0:29:39.600
<v Speaker 3>the brain, into the cranial cavity, and they used the

0:29:39.680 --> 0:29:43.040
<v Speaker 3>hook to stir it and to mix up the brain,

0:29:43.480 --> 0:29:45.600
<v Speaker 3>and then they turned it over and the brain actually

0:29:45.680 --> 0:29:49.040
<v Speaker 3>ran out this person's nose. It's quite a vehicle that

0:29:49.080 --> 0:29:52.440
<v Speaker 3>you did it. The guy I talked to, the egyptologist,

0:29:52.480 --> 0:29:55.640
<v Speaker 3>Bob Brier, said it was like a milkshake running out.

0:29:55.680 --> 0:29:58.720
<v Speaker 3>Then he specified a strawberry milkshake, just to make sure

0:29:58.880 --> 0:30:02.160
<v Speaker 3>that well picture in my mind. So he was a

0:30:02.160 --> 0:30:04.840
<v Speaker 3>hoo to talk. But there was just a little details

0:30:04.880 --> 0:30:08.400
<v Speaker 3>like that that they we didn't know about, and until

0:30:08.440 --> 0:30:11.320
<v Speaker 3>they had done this experiment, we would not have known

0:30:11.360 --> 0:30:14.240
<v Speaker 3>these things. And it was a very controversial experiment. People

0:30:14.280 --> 0:30:17.040
<v Speaker 3>were sort of upset that they had taken this body

0:30:17.080 --> 0:30:21.080
<v Speaker 3>and mummified it. But we did learn some things about

0:30:21.080 --> 0:30:24.800
<v Speaker 3>how mummification works. And for Brier one of the most

0:30:24.880 --> 0:30:27.840
<v Speaker 3>exciting moments for him was he'd always had a question

0:30:27.880 --> 0:30:31.160
<v Speaker 3>about you know, you see a mummy and you see

0:30:31.240 --> 0:30:34.120
<v Speaker 3>it's got sort of this leathery skin, and the skin

0:30:34.240 --> 0:30:37.000
<v Speaker 3>is retracted from the face. It's sort of shrunk, and

0:30:37.040 --> 0:30:40.440
<v Speaker 3>he wanted to know was that from the mummification process

0:30:41.000 --> 0:30:43.400
<v Speaker 3>or was that because these bodies are thousands of years

0:30:43.400 --> 0:30:46.480
<v Speaker 3>old and they've been sitting around in this dry environment

0:30:46.720 --> 0:30:50.600
<v Speaker 3>in Egypt. And he said that even after four or

0:30:50.600 --> 0:30:52.959
<v Speaker 3>five weeks, they could look at this body that they

0:30:52.960 --> 0:30:56.960
<v Speaker 3>had mummified and it looked exactly like Ramsey's the Great

0:30:57.320 --> 0:31:00.280
<v Speaker 3>So it wasn't the thousands of years of being in

0:31:00.360 --> 0:31:03.320
<v Speaker 3>Egypt in a dry air. It was actually the mummification

0:31:03.520 --> 0:31:06.760
<v Speaker 3>process that produced the iconic look of mummies that we

0:31:06.800 --> 0:31:09.320
<v Speaker 3>all know today, so little mysteries like that they were

0:31:09.320 --> 0:31:12.080
<v Speaker 3>able to solve through experiment, and we wouldn't know these

0:31:12.120 --> 0:31:14.840
<v Speaker 3>things without this experimental archaeology.

0:31:15.400 --> 0:31:18.480
<v Speaker 1>You also talk about how they had brought all these

0:31:18.520 --> 0:31:22.520
<v Speaker 1>copper tools and these obsidian tools, and the copper tools

0:31:22.520 --> 0:31:25.880
<v Speaker 1>don't actually end up being that useful, so they dispense

0:31:25.960 --> 0:31:29.520
<v Speaker 1>with those. And the fact that like through this process

0:31:29.600 --> 0:31:32.240
<v Speaker 1>you can actually figure out which tools the Egyptians for

0:31:32.400 --> 0:31:34.640
<v Speaker 1>using is really incredible. Yeah.

0:31:34.760 --> 0:31:36.720
<v Speaker 3>Yeah, so that's exactly what he did, is he tried

0:31:36.760 --> 0:31:39.440
<v Speaker 3>the copper tools and they just weren't working very well

0:31:39.480 --> 0:31:41.800
<v Speaker 3>to open the body up or to get the organs out,

0:31:41.840 --> 0:31:43.880
<v Speaker 3>things like that, so they had to switch to the

0:31:43.920 --> 0:31:47.040
<v Speaker 3>stone tools, which in some way might seem a little

0:31:47.040 --> 0:31:51.320
<v Speaker 3>more primitive or archaic, but stone tools actually can form

0:31:51.360 --> 0:31:54.720
<v Speaker 3>a very nice sharp edge. There was another point in

0:31:54.720 --> 0:31:58.560
<v Speaker 3>the book where I talk about the obsidian especially can

0:31:58.680 --> 0:32:03.480
<v Speaker 3>form an edge that's sharper than a modern surgical scalpel

0:32:03.600 --> 0:32:06.240
<v Speaker 3>made of steel. I actually cut myself at one point.

0:32:06.240 --> 0:32:09.040
<v Speaker 3>I was working on a different project and I cut

0:32:09.080 --> 0:32:12.200
<v Speaker 3>myself with some obsidian and it did not hurt at

0:32:12.200 --> 0:32:14.520
<v Speaker 3>all because it was so sharp, but it was a

0:32:14.600 --> 0:32:17.400
<v Speaker 3>much deeper cut than I realized, and it bled very

0:32:17.480 --> 0:32:20.479
<v Speaker 3>very quickly, So I was surprised at how bad the

0:32:20.520 --> 0:32:23.720
<v Speaker 3>wound got quickly, just because obsidian is so sharp.

0:32:24.720 --> 0:32:28.040
<v Speaker 1>That's really fascinating. And the other thing that was interesting

0:32:28.040 --> 0:32:32.880
<v Speaker 1>to me was the commitment to being authentic didn't just

0:32:33.720 --> 0:32:38.600
<v Speaker 1>include the tools or various processes, but also keeping their

0:32:38.640 --> 0:32:42.880
<v Speaker 1>office at one hundred and four degrees, which just sounds

0:32:42.920 --> 0:32:47.080
<v Speaker 1>miserable but incredible that they went to that length.

0:32:48.200 --> 0:32:48.440
<v Speaker 3>You know.

0:32:48.600 --> 0:32:52.840
<v Speaker 1>The other part I remember from this Egyptology stuff was

0:32:53.200 --> 0:32:56.440
<v Speaker 1>that people used to massage these bodies with various oils,

0:32:56.520 --> 0:33:00.200
<v Speaker 1>and I'd assumed it was just for the scent, but

0:33:00.240 --> 0:33:01.880
<v Speaker 1>it sounds like there was another purpose to that.

0:33:02.080 --> 0:33:04.760
<v Speaker 3>Yeah, so the oils probably did provide a cent. That

0:33:04.800 --> 0:33:06.719
<v Speaker 3>was probably part of it. But one thing the oils

0:33:06.720 --> 0:33:10.080
<v Speaker 3>did was it restored some flexibility and some pliability to

0:33:10.160 --> 0:33:14.120
<v Speaker 3>the limbs. As the mummies were drying out, they got

0:33:14.200 --> 0:33:16.600
<v Speaker 3>very stiff. It wasn't rigor mortis. It was just the

0:33:16.600 --> 0:33:20.040
<v Speaker 3>fact that there's no water or fluid in the body anymore.

0:33:20.080 --> 0:33:22.120
<v Speaker 3>And so you know, if you're preparing the pharaoh for

0:33:22.160 --> 0:33:24.000
<v Speaker 3>the afterlife, you don't want to snap his arm off

0:33:24.520 --> 0:33:27.360
<v Speaker 3>or something like that. So they would massage the oils

0:33:27.400 --> 0:33:30.600
<v Speaker 3>in to restore some pliability so that they could fold

0:33:30.640 --> 0:33:33.120
<v Speaker 3>the limbs together and kind of get the body in

0:33:33.160 --> 0:33:34.840
<v Speaker 3>the right position for the afterlife.

0:33:35.600 --> 0:33:39.920
<v Speaker 1>You mentioned that this was a really controversial experiment that

0:33:39.960 --> 0:33:43.200
<v Speaker 1>these archaeologists did, and as I was reading this, I

0:33:43.280 --> 0:33:45.959
<v Speaker 1>was thinking, Oh, my gosh, someone just decides to donate

0:33:45.960 --> 0:33:48.120
<v Speaker 1>their body to science and suddenly they're being mommified. Is

0:33:48.160 --> 0:33:51.760
<v Speaker 1>not really what they're intending and their defenses, well, we

0:33:51.760 --> 0:33:54.720
<v Speaker 1>were treating him like a king, you know. I thought

0:33:54.800 --> 0:33:58.760
<v Speaker 1>that was really powerful and interesting. But you actually decided

0:33:58.760 --> 0:34:00.760
<v Speaker 1>to engage in your their own mummification.

0:34:00.960 --> 0:34:04.480
<v Speaker 3>H there's a Diy mummy in the book. And another

0:34:04.520 --> 0:34:07.720
<v Speaker 3>thing I didn't realize about mummification was the the Egyptians

0:34:07.760 --> 0:34:11.200
<v Speaker 3>didn't just mummify humans. There were a couple of graveyards

0:34:11.200 --> 0:34:13.919
<v Speaker 3>that we've uncovered in Egypt where there was something like

0:34:14.520 --> 0:34:18.400
<v Speaker 3>four million dogs that they'd mummified, or like seven million

0:34:18.520 --> 0:34:21.040
<v Speaker 3>birds or something like that. I mean, they really produced

0:34:21.080 --> 0:34:24.800
<v Speaker 3>these mummies on a large scale, and most of the

0:34:24.920 --> 0:34:27.480
<v Speaker 3>probably tinkering and trial and error they probably used on

0:34:27.920 --> 0:34:31.640
<v Speaker 3>animals first, and they mummified them for various reasons, you know,

0:34:31.719 --> 0:34:34.560
<v Speaker 3>religious reasons in their society. So I decided, you know,

0:34:34.600 --> 0:34:37.279
<v Speaker 3>I can try to make a mummy myself. So I

0:34:37.320 --> 0:34:41.080
<v Speaker 3>made a fish mummy with the common type of mummy

0:34:41.080 --> 0:34:42.680
<v Speaker 3>that they made, just because I could get a whole

0:34:42.680 --> 0:34:45.759
<v Speaker 3>fish at the store pretty easily. And it was sort

0:34:45.800 --> 0:34:48.360
<v Speaker 3>of a challenge too, in that, you know, fish is

0:34:48.440 --> 0:34:52.759
<v Speaker 3>kind of a proverbiably smelly animal. It's one that is

0:34:52.760 --> 0:34:54.360
<v Speaker 3>going to go bad quickly, and you're going to know

0:34:54.440 --> 0:34:57.160
<v Speaker 3>it's going bad quickly. So I wanted to see, you know,

0:34:57.200 --> 0:35:01.640
<v Speaker 3>how well this mummification stuff worked. So I recreated the

0:35:02.239 --> 0:35:05.600
<v Speaker 3>mineral essentially that they use to dry bodies out. It's

0:35:05.680 --> 0:35:08.960
<v Speaker 3>very simple. It's essentially a mix of baking soda and

0:35:09.040 --> 0:35:11.480
<v Speaker 3>table salt. So you can get it for pretty cheap,

0:35:11.520 --> 0:35:14.960
<v Speaker 3>even at the grocery store. It's called natron, and there's

0:35:15.000 --> 0:35:17.279
<v Speaker 3>not much to it. You just open the fish shop,

0:35:17.400 --> 0:35:19.719
<v Speaker 3>you get the organs out of there, and you just

0:35:19.800 --> 0:35:22.640
<v Speaker 3>packs that mix of natron in the fish, put it

0:35:22.640 --> 0:35:24.879
<v Speaker 3>in a cast roll dish and just let it sit

0:35:25.440 --> 0:35:29.200
<v Speaker 3>on my counter in a Washington DC heat during the summer,

0:35:29.880 --> 0:35:33.719
<v Speaker 3>and the fish never win the fridge and nothing went wrong.

0:35:33.840 --> 0:35:36.520
<v Speaker 3>It dried the fish out beautifully, and it's still sitting

0:35:36.600 --> 0:35:39.120
<v Speaker 3>on my counter to this day. It is mummified fish.

0:35:39.840 --> 0:35:42.359
<v Speaker 1>That is so crazy to be And it doesn't smell right.

0:35:42.520 --> 0:35:45.399
<v Speaker 1>You said that it has a very weak smell. There's

0:35:45.440 --> 0:35:48.600
<v Speaker 1>no rock, there's nothing. You can see its eyeballs perfectly everything.

0:35:48.680 --> 0:35:52.040
<v Speaker 1>It's pretty impressive. I love that there's a red snapper

0:35:52.200 --> 0:35:56.600
<v Speaker 1>in your kitchen. I'm just sitting there mammified. One of

0:35:56.600 --> 0:35:59.799
<v Speaker 1>the other things that I hadn't sort of clocked was

0:36:00.080 --> 0:36:04.280
<v Speaker 1>this idea of votive mummies. And in the fictional story,

0:36:04.400 --> 0:36:08.040
<v Speaker 1>you know, the baker gets into this real bind. He

0:36:08.120 --> 0:36:11.040
<v Speaker 1>ends up going to his brother, who is both a

0:36:11.040 --> 0:36:14.759
<v Speaker 1>bit of a rogue and in the mummification business. But

0:36:14.960 --> 0:36:17.400
<v Speaker 1>part of the reason he's as successful is he's creating

0:36:17.400 --> 0:36:19.120
<v Speaker 1>all these votive mummies. Can you tell me a little

0:36:19.160 --> 0:36:19.600
<v Speaker 1>bit about those.

0:36:19.680 --> 0:36:22.920
<v Speaker 3>Yeah, Voted mummies were essentially sort of like votive candles

0:36:22.920 --> 0:36:26.799
<v Speaker 3>that you might see in Christian churches today. You buy one,

0:36:27.600 --> 0:36:30.800
<v Speaker 3>you burn it, and you know it answers a prayer

0:36:30.960 --> 0:36:33.080
<v Speaker 3>or you know it's accompanying, whatever the case may be.

0:36:33.560 --> 0:36:36.440
<v Speaker 3>Egyptians used mummies like that, where they would buy a

0:36:36.560 --> 0:36:40.280
<v Speaker 3>mummy and they would bury it or burn it, sacrifice,

0:36:40.400 --> 0:36:42.680
<v Speaker 3>do something to it, and it was an offering to

0:36:42.760 --> 0:36:44.480
<v Speaker 3>the god. So it was their way of making an

0:36:44.520 --> 0:36:47.440
<v Speaker 3>offering to the gods. This was real, This did happen.

0:36:48.000 --> 0:36:50.560
<v Speaker 3>There were some mummies that were worth more than others

0:36:50.640 --> 0:36:54.200
<v Speaker 3>just because the animals were rarer. The animals had higher status,

0:36:54.239 --> 0:36:56.759
<v Speaker 3>things like that, you know, a babboon or something might

0:36:56.800 --> 0:36:59.920
<v Speaker 3>be worth more than a fish. But so these people

0:37:00.080 --> 0:37:03.280
<v Speaker 3>were making the votive mummies realized that because the mummies

0:37:03.280 --> 0:37:06.520
<v Speaker 3>were wrapped in bandages usually that people were gonna know

0:37:06.640 --> 0:37:09.840
<v Speaker 3>what was inside. So they were often making fake mummies

0:37:09.920 --> 0:37:13.120
<v Speaker 3>and you can see something that looked like a baboon

0:37:13.200 --> 0:37:16.239
<v Speaker 3>that might just be sticks inside, or it might have

0:37:16.360 --> 0:37:19.520
<v Speaker 3>bones of another animal or something like that. So it

0:37:19.640 --> 0:37:22.799
<v Speaker 3>was sort of this crooked side to the business too

0:37:22.840 --> 0:37:26.239
<v Speaker 3>that I did not expect. So these little bits of

0:37:26.280 --> 0:37:28.479
<v Speaker 3>modernity would jump out. We're like, oh, they had scam

0:37:28.560 --> 0:37:29.960
<v Speaker 3>artists back then. Too interesting.

0:37:30.000 --> 0:37:34.560
<v Speaker 1>Okay, yeah, and we're going to talk about grave robbing

0:37:34.719 --> 0:37:37.120
<v Speaker 1>and how the Pyramids were actually dealt in in just

0:37:37.200 --> 0:37:41.640
<v Speaker 1>a minute. Before that, we've got to take a quick break.

0:37:54.760 --> 0:37:58.560
<v Speaker 1>We are back with Sam Keene, author of Dinner with

0:37:58.640 --> 0:38:03.000
<v Speaker 1>King Todd, how rogue archaeologists are recreating the site sound, smells,

0:38:03.040 --> 0:38:07.279
<v Speaker 1>and tastes of lost civilizations. And one of the things

0:38:07.360 --> 0:38:10.880
<v Speaker 1>you talked about in the book which kind of struck me,

0:38:11.560 --> 0:38:15.279
<v Speaker 1>was that it wasn't just slaves who were working on

0:38:15.360 --> 0:38:17.440
<v Speaker 1>these pyramids. I've always just assumed it was people who

0:38:17.440 --> 0:38:22.640
<v Speaker 1>were enslaved and like forced labor, but you almost talk

0:38:22.680 --> 0:38:25.600
<v Speaker 1>about it like a conscription. Can Can you tell me

0:38:25.640 --> 0:38:26.400
<v Speaker 1>a little bit about that.

0:38:26.760 --> 0:38:30.000
<v Speaker 3>Yeah, I think there was a general idea, especially among

0:38:30.000 --> 0:38:32.560
<v Speaker 3>the lay public, that the people who built the pyramids

0:38:32.680 --> 0:38:35.520
<v Speaker 3>they had been enslaved and this was forced labor that

0:38:35.560 --> 0:38:39.719
<v Speaker 3>they had to undergo to build these pyramids. But there's

0:38:39.800 --> 0:38:43.120
<v Speaker 3>some good evidence that they were not slaves. That these

0:38:43.160 --> 0:38:48.960
<v Speaker 3>people were maybe not volunteering exactly, but they were citizen

0:38:48.960 --> 0:38:52.200
<v Speaker 3>to be top who were conscripted to make these pyramids.

0:38:52.239 --> 0:38:55.800
<v Speaker 3>So you know, maybe farmers who were in the off

0:38:55.840 --> 0:38:58.640
<v Speaker 3>season and they were sort of hauled in to help

0:38:58.640 --> 0:39:03.280
<v Speaker 3>build these pyramids. Because you can see graffiti of people

0:39:03.440 --> 0:39:06.839
<v Speaker 3>chiseling into the walls in hieroglyphs, it says something like

0:39:07.200 --> 0:39:10.280
<v Speaker 3>we're Cufu's gang, or we're the Vigorous Gang. Or something

0:39:10.360 --> 0:39:14.120
<v Speaker 3>like that, so they sighted it. You can tell that

0:39:14.280 --> 0:39:17.000
<v Speaker 3>people were proud that they were helping to build these

0:39:17.520 --> 0:39:21.200
<v Speaker 3>giant monuments, you know, the biggest buildings on Earth to

0:39:21.200 --> 0:39:23.840
<v Speaker 3>show off the glory of their culture. So there was

0:39:23.880 --> 0:39:26.200
<v Speaker 3>certainly some pride in it. But there were you know,

0:39:26.480 --> 0:39:30.160
<v Speaker 3>labor strikes that they record with building, maybe not the Pyramids,

0:39:30.160 --> 0:39:33.480
<v Speaker 3>but different tombs, so there was probably some unrest. It

0:39:33.520 --> 0:39:36.440
<v Speaker 3>maybe wasn't completely free. And yeah, in the book, I

0:39:36.440 --> 0:39:40.359
<v Speaker 3>compared it to something like modern military conscription, which some

0:39:40.480 --> 0:39:43.319
<v Speaker 3>countries have, where all eighteen to twenty year olds or

0:39:43.320 --> 0:39:45.200
<v Speaker 3>something have to do a few years in the military.

0:39:46.800 --> 0:39:52.120
<v Speaker 1>Yeah, and you also get into how extraordinary the pyramids

0:39:52.120 --> 0:39:55.440
<v Speaker 1>themselves are, right like that these are massive blocks that

0:39:55.520 --> 0:39:57.759
<v Speaker 1>crews would have needed to slot a new block into

0:39:57.800 --> 0:40:01.800
<v Speaker 1>place every five minutes day in night for two straight decades,

0:40:02.160 --> 0:40:05.319
<v Speaker 1>with intense precision that you can't even slip a knife

0:40:05.400 --> 0:40:11.000
<v Speaker 1>between these adjacent blocks. And I guess I hadn't realized. Obviously,

0:40:11.040 --> 0:40:14.839
<v Speaker 1>you see these things that are incredible and stunning, but

0:40:15.360 --> 0:40:18.640
<v Speaker 1>I didn't realize they were moving that fast. And for

0:40:18.719 --> 0:40:21.400
<v Speaker 1>so many years people have been talking about how there

0:40:21.680 --> 0:40:28.840
<v Speaker 1>were clearly ramps that these not volunteers, but pyramid builders

0:40:28.840 --> 0:40:32.080
<v Speaker 1>were pushing these blocks up, and that theory seems to

0:40:32.080 --> 0:40:34.480
<v Speaker 1>fall apart a little bit in the book can can

0:40:34.480 --> 0:40:37.680
<v Speaker 1>you walk me through how some hobbyists have actually like

0:40:37.840 --> 0:40:38.920
<v Speaker 1>changed the perspective on that.

0:40:39.120 --> 0:40:42.520
<v Speaker 3>Yeah, so much like with mummies, we don't know how

0:40:42.560 --> 0:40:45.200
<v Speaker 3>the Egyptians built the pyramids because they didn't leave a

0:40:45.239 --> 0:40:48.840
<v Speaker 3>lot of detail about it. And again we know that

0:40:48.880 --> 0:40:51.720
<v Speaker 3>they did not have wheels at the time in Egypt,

0:40:51.760 --> 0:40:54.759
<v Speaker 3>they did not have pulleys, so that limits the kind

0:40:54.800 --> 0:40:57.600
<v Speaker 3>of things that they could have used to build these

0:40:57.640 --> 0:41:00.880
<v Speaker 3>pyramids to get something, you know, these giant blocks four

0:41:01.000 --> 0:41:04.080
<v Speaker 3>hundred feet in the air and the few million blocks

0:41:04.120 --> 0:41:06.799
<v Speaker 3>you need in place over a pretty short time span,

0:41:06.880 --> 0:41:09.839
<v Speaker 3>just a couple of decades. The idea had always been

0:41:10.840 --> 0:41:14.000
<v Speaker 3>that they had used ramps essentially, and they had pushed

0:41:14.080 --> 0:41:18.000
<v Speaker 3>these giant blocks up the ramps, maybe on a sledge

0:41:18.080 --> 0:41:22.040
<v Speaker 3>or maybe on log rollers something like that. But the

0:41:22.120 --> 0:41:26.680
<v Speaker 3>experiments that archaeologists have done show that these ideas really

0:41:26.719 --> 0:41:30.640
<v Speaker 3>aren't that workable. Log rollers sound good in theory, but

0:41:30.680 --> 0:41:34.440
<v Speaker 3>they're really kind of crappy. They just don't work very well.

0:41:34.719 --> 0:41:37.719
<v Speaker 3>The logs sort of get off kilter and they go

0:41:37.800 --> 0:41:40.080
<v Speaker 3>all over the place. It's a pain to grab the

0:41:40.080 --> 0:41:42.040
<v Speaker 3>one at the back bring it around at the front.

0:41:42.400 --> 0:41:44.839
<v Speaker 3>And because these blocks are so heavy, they can often

0:41:44.960 --> 0:41:48.360
<v Speaker 3>crush the wood over time or even right away, so

0:41:48.400 --> 0:41:51.480
<v Speaker 3>that leaves you trying to slide things up a ramp.

0:41:52.160 --> 0:41:54.920
<v Speaker 3>And again, a ramp is something that looks good on paper,

0:41:55.480 --> 0:42:00.239
<v Speaker 3>but given how tall these pyramids were, the ramps have

0:42:00.280 --> 0:42:03.400
<v Speaker 3>needed to be over a mile long to get to

0:42:03.440 --> 0:42:07.200
<v Speaker 3>the very top of these pyramids. The volume of material

0:42:07.400 --> 0:42:14.000
<v Speaker 3>that you would need is astronomical, and not using modern materials.

0:42:14.080 --> 0:42:16.840
<v Speaker 3>You're using dirt or sand, So this ramp has to

0:42:16.880 --> 0:42:20.640
<v Speaker 3>be not only incredibly long, but incredibly wide as well,

0:42:20.680 --> 0:42:23.960
<v Speaker 3>because sand and dirt just don't form nice steep walls.

0:42:24.400 --> 0:42:27.239
<v Speaker 3>So I ran an experiment on a scale model pyramid

0:42:27.320 --> 0:42:31.359
<v Speaker 3>with this enthusiastic amateur out in Mississippi, and it turned

0:42:31.400 --> 0:42:34.319
<v Speaker 3>out that the volume of the ramp we would have

0:42:34.440 --> 0:42:37.719
<v Speaker 3>needed was something like four times as much as the

0:42:37.880 --> 0:42:41.200
<v Speaker 3>volume of the pyramid itself, So you'd have to essentially

0:42:41.200 --> 0:42:45.200
<v Speaker 3>build four or five pyramids in order to get one

0:42:45.239 --> 0:42:48.799
<v Speaker 3>stone pyramid erected. That's how much dirt and sand it

0:42:48.840 --> 0:42:51.279
<v Speaker 3>took to build these ramps and at some point it

0:42:51.360 --> 0:42:55.239
<v Speaker 3>just becomes unworkable. So it really calls into question the

0:42:55.280 --> 0:42:58.560
<v Speaker 3>idea of whether they used ramps at all. It seems

0:42:58.640 --> 0:43:01.920
<v Speaker 3>kind of unlikely, especially for the very top of the pyramids.

0:43:03.400 --> 0:43:07.840
<v Speaker 1>I think you think about these civilizations and you know,

0:43:07.960 --> 0:43:10.000
<v Speaker 1>they're advanced in a sense, right, Like they come up

0:43:10.040 --> 0:43:12.919
<v Speaker 1>with like papyrus, they come up with like various things,

0:43:12.960 --> 0:43:17.520
<v Speaker 1>and yet they still seem so primitive that you wouldn't

0:43:17.520 --> 0:43:22.080
<v Speaker 1>imagine that there are these massive mysteries about things we

0:43:22.160 --> 0:43:24.640
<v Speaker 1>take for granted. And that's kind of what I loved

0:43:24.680 --> 0:43:27.640
<v Speaker 1>about this is that like all this living archaeology like

0:43:27.760 --> 0:43:31.600
<v Speaker 1>actually does end up clarifying or poking holes in really

0:43:31.600 --> 0:43:35.080
<v Speaker 1>big theories about how the world has been constructed. Is incredible.

0:43:35.160 --> 0:43:37.799
<v Speaker 3>Yeah, I mean there's a lot of theorizing in archaeology

0:43:37.840 --> 0:43:41.440
<v Speaker 3>and sort of necessarily you know, people taking leaps and

0:43:41.480 --> 0:43:43.560
<v Speaker 3>trying to come up with, you know, new ideas and

0:43:43.600 --> 0:43:46.440
<v Speaker 3>theories for how things work. Then there's some really ingenious

0:43:46.440 --> 0:43:49.320
<v Speaker 3>theories out there. People have come up with incredible, incredible things,

0:43:49.360 --> 0:43:53.759
<v Speaker 3>but every so often the theories just don't hold up.

0:43:53.800 --> 0:43:56.600
<v Speaker 3>If you talk to someone who's a professional baker or

0:43:57.000 --> 0:44:01.200
<v Speaker 3>a professional leather Tanner or something. Some of the theories that

0:44:01.320 --> 0:44:04.120
<v Speaker 3>arise in archaeology, those people who are experts say that

0:44:04.239 --> 0:44:06.600
<v Speaker 3>just doesn't make sense. And I think this is a

0:44:06.600 --> 0:44:10.000
<v Speaker 3>case where building a ramp looks good on paper, but

0:44:10.360 --> 0:44:12.360
<v Speaker 3>in practice it just doesn't work.

0:44:13.080 --> 0:44:17.680
<v Speaker 1>And so in your story, which is really fun, the

0:44:17.719 --> 0:44:23.879
<v Speaker 1>baker ends up in this pickle and he realizes he

0:44:24.000 --> 0:44:28.880
<v Speaker 1>needs to perform a heist the pyramid. And you go

0:44:28.920 --> 0:44:31.920
<v Speaker 1>on to talk about how actually there was a lot

0:44:32.040 --> 0:44:36.640
<v Speaker 1>stolen from the pyramids, both at the time but also later,

0:44:37.440 --> 0:44:40.680
<v Speaker 1>and how actually thievery might have been good for the economy.

0:44:40.480 --> 0:44:43.319
<v Speaker 1>Can can you tell us about some of that?

0:44:44.600 --> 0:44:47.880
<v Speaker 3>Do you do see a lot of evidence of robbery,

0:44:48.920 --> 0:44:52.279
<v Speaker 3>because we know that they buried them with treasures, and

0:44:52.280 --> 0:44:55.200
<v Speaker 3>the treasures just aren't there, so we know something happened

0:44:55.200 --> 0:44:57.799
<v Speaker 3>to them. There are even cases where they built these

0:44:57.800 --> 0:45:00.400
<v Speaker 3>were sort of like early versions of a peer, not

0:45:00.480 --> 0:45:02.920
<v Speaker 3>as big, and they were sort of truncated, but they

0:45:02.920 --> 0:45:06.799
<v Speaker 3>were tombs for wealthy, important people. And there have been

0:45:06.800 --> 0:45:10.239
<v Speaker 3>times in modern modern day when archaeologists found one of

0:45:10.239 --> 0:45:12.719
<v Speaker 3>these things buried in sand or whatever, and they got

0:45:12.760 --> 0:45:14.879
<v Speaker 3>down to the sarcophagus room and they thought, oh my god,

0:45:14.880 --> 0:45:18.000
<v Speaker 3>the sarcopic is intact. This is going to be incredible.

0:45:18.320 --> 0:45:20.440
<v Speaker 3>They'd pry the lid off and all they see is

0:45:20.480 --> 0:45:24.000
<v Speaker 3>a hole in the bottom of the sarcophagust where an

0:45:24.000 --> 0:45:27.400
<v Speaker 3>agent robber they'd come in and taken all the treasure.

0:45:27.520 --> 0:45:32.200
<v Speaker 3>So there's been some disappointments like that. But there was

0:45:32.239 --> 0:45:34.880
<v Speaker 3>an economist who put forward an idea that this was

0:45:34.920 --> 0:45:38.600
<v Speaker 3>actually good for the economy, because if you're taking you know,

0:45:38.719 --> 0:45:41.360
<v Speaker 3>gold or something that's often used as a currency and

0:45:41.480 --> 0:45:44.239
<v Speaker 3>just burying it underground, that doesn't no one any good.

0:45:44.600 --> 0:45:47.400
<v Speaker 3>So you rob a tomb, you start selling it. It

0:45:47.440 --> 0:45:49.880
<v Speaker 3>starts circulating again, stimulates the economy.

0:45:51.239 --> 0:45:54.960
<v Speaker 1>Definitely not something I had considered before. I've read this book.

0:45:55.400 --> 0:45:57.799
<v Speaker 1>Now we're gonna get We're gonna let you go in

0:45:57.840 --> 0:46:03.080
<v Speaker 1>a second. But if people are excited to perform their

0:46:03.080 --> 0:46:07.200
<v Speaker 1>own living archaeology experiments, where would you have them start.

0:46:08.080 --> 0:46:10.799
<v Speaker 3>I think the Mummy is fairly easy to do. It's

0:46:10.840 --> 0:46:13.440
<v Speaker 3>sort of dramatic and interesting, and you can find the

0:46:13.560 --> 0:46:15.080
<v Speaker 3>ingredients at your local grocery store.

0:46:15.239 --> 0:46:18.319
<v Speaker 1>I love it well. The book is Dinner with King

0:46:18.400 --> 0:46:22.440
<v Speaker 1>tut How rogue archaeologists are recreating the site, sound, smells,

0:46:22.520 --> 0:46:25.680
<v Speaker 1>and Tastes of Lost Civilizations. I can't recommend it enough.

0:46:25.719 --> 0:46:29.080
<v Speaker 1>It is really, really, such a delight to read and

0:46:29.680 --> 0:46:32.640
<v Speaker 1>made me want to go to the Pyramids. So thank

0:46:32.680 --> 0:46:35.359
<v Speaker 1>you so much for being here. Sam, thanks for having me.

0:46:38.920 --> 0:46:39.959
<v Speaker 1>That was so much fun.

0:46:40.000 --> 0:46:41.480
<v Speaker 2>You know, I can't believe the guy who invented the

0:46:41.600 --> 0:46:44.520
<v Speaker 2>xbox figured out how to make bread like an ancient Egyptian.

0:46:44.560 --> 0:46:48.440
<v Speaker 1>I'm just kind of super talented. And it sounds so delicious,

0:46:48.520 --> 0:46:50.680
<v Speaker 1>Like you know, Sam said, it tastes better than the

0:46:50.800 --> 0:46:55.280
<v Speaker 1>bread at Parisian bakeries, which is amazing. So the book

0:46:55.440 --> 0:46:59.040
<v Speaker 1>is Dinner with King tut how rogue archaeologists are recreating

0:46:59.040 --> 0:47:02.400
<v Speaker 1>the site, sounds, smells, and tastes of Las Civilizations. I

0:47:02.440 --> 0:47:04.239
<v Speaker 1>want to thank Sam Keenes so much for coming on

0:47:04.239 --> 0:47:07.520
<v Speaker 1>the program. Do yourself a favor. Go pick this book up.

0:47:07.560 --> 0:47:09.520
<v Speaker 1>It is so good. You can get it wherever you

0:47:09.560 --> 0:47:12.160
<v Speaker 1>get your books. And as for us, we'll be back

0:47:12.239 --> 0:47:15.440
<v Speaker 1>very soon with a brand new episode from Gabe, Mary Dylan,

0:47:15.520 --> 0:47:31.759
<v Speaker 1>Will and myself. Thank you so much for listening. Part

0:47:31.800 --> 0:47:35.440
<v Speaker 1>Time Genius is a production of Kaleidoscope and iHeartRadio. This

0:47:35.560 --> 0:47:39.839
<v Speaker 1>show is hosted by Will Pearson and me Mongaishatikler, and

0:47:40.000 --> 0:47:44.239
<v Speaker 1>research by our good pal Mary Philip Sandy. Today's episode

0:47:44.280 --> 0:47:47.239
<v Speaker 1>was engineered and produced by the wonderful Dylan Fagan with

0:47:47.320 --> 0:47:50.800
<v Speaker 1>support from Tyler Klang. The show is executive produced for

0:47:50.920 --> 0:47:54.600
<v Speaker 1>iHeart by Katrina Norvell and Ali Perry, with social media

0:47:54.640 --> 0:47:58.720
<v Speaker 1>support from Sasha Gay, trustee Dara Potts and Viney Shorey.

0:47:59.400 --> 0:48:03.880
<v Speaker 1>For more podcast from Kaleidoscope and iHeartRadio, visit the iHeartRadio app,

0:48:04.080 --> 0:48:07.440
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.