1 00:00:06,400 --> 00:00:10,800 Speaker 1: Int request created by Michael Freiberg, a production of iHeartRadio 2 00:00:11,000 --> 00:00:14,440 Speaker 1: and Astro Media. Listen with headphones for three D audio. 3 00:00:26,640 --> 00:00:39,519 Speaker 1: Winds approaching gale force, feed pressure, rising sandstorm imminence. We 4 00:00:39,600 --> 00:00:42,320 Speaker 1: have to keep going. It's the last leg of the journey. 5 00:00:42,560 --> 00:00:44,519 Speaker 1: We can reach the lighthouse at the desert end to 6 00:00:44,600 --> 00:00:47,560 Speaker 1: drop off the satellite dish by nightfall, assuming we find 7 00:00:47,560 --> 00:00:52,839 Speaker 1: a way to fix it. Either we're completely exposed to 8 00:00:52,880 --> 00:00:55,400 Speaker 1: the elements. If we can trap in the sandstorm, we'll 9 00:00:55,440 --> 00:00:58,640 Speaker 1: be defenseless against an endless torrent of high velocity rock 10 00:00:58,680 --> 00:01:05,120 Speaker 1: and debris. Highly advise me to immediate shelter. Storm coming 11 00:01:05,680 --> 00:01:10,759 Speaker 1: serious feeling balls. But we're so close to reaching the seaport, 12 00:01:11,160 --> 00:01:16,399 Speaker 1: to delivering the satellite dish, to completing the mission. I'd 13 00:01:16,400 --> 00:01:19,200 Speaker 1: find nothing more satisfying than delivering the satellite dish and 14 00:01:19,200 --> 00:01:23,840 Speaker 1: completing the agency's mission. However, giving current conditions, continuing onward 15 00:01:23,920 --> 00:01:26,600 Speaker 1: puts us at a risk of losing everything. The best 16 00:01:26,600 --> 00:01:29,840 Speaker 1: course of action is defined it enclosure suitable for overnight 17 00:01:29,880 --> 00:01:32,399 Speaker 1: rest and resume our journey in the morning. Once weather 18 00:01:32,480 --> 00:01:41,320 Speaker 1: patterns of normalized logo right shield from storm. All right, 19 00:01:42,040 --> 00:01:44,560 Speaker 1: looks like there's an end nearby. We could stay there 20 00:01:44,640 --> 00:01:59,440 Speaker 1: until the storm's passed, then pick up again tomorrow the 21 00:01:59,520 --> 00:02:09,639 Speaker 1: front desk. Let me do the talking, real shiny. We 22 00:02:09,720 --> 00:02:13,400 Speaker 1: welcome to the desert end, the last inn at the 23 00:02:13,560 --> 00:02:17,040 Speaker 1: end of the Azrael Desert. How can I help you? 24 00:02:17,280 --> 00:02:23,240 Speaker 1: Three bells? Serious? Please refrain from ringing the bell. I'm 25 00:02:23,240 --> 00:02:27,839 Speaker 1: standing right before you. We'd like a room for the night. 26 00:02:28,080 --> 00:02:34,359 Speaker 1: I'm sorry, no rooms available. Oh, no rooms. But there's 27 00:02:34,360 --> 00:02:37,919 Speaker 1: gonna be a sandstorm. We need someone to stay. Unfortunately, 28 00:02:38,080 --> 00:02:43,000 Speaker 1: nothing I can do now. If you'll excuse me, I 29 00:02:43,160 --> 00:02:47,280 Speaker 1: have guests to attend to. Please exit out the end, 30 00:02:47,800 --> 00:02:51,520 Speaker 1: no inn. How are you crazy? You can't send us 31 00:02:51,520 --> 00:02:56,280 Speaker 1: back out there. I won't go, I won't Please. We 32 00:02:56,400 --> 00:02:58,480 Speaker 1: have nowhere else to go. You have to help us. 33 00:03:00,919 --> 00:03:06,200 Speaker 1: There is one vacancy. We'll take it, but it's not 34 00:03:06,840 --> 00:03:14,080 Speaker 1: n arm. Why not in policy? Please? If I were 35 00:03:14,120 --> 00:03:17,280 Speaker 1: traveling alone, I wouldn't even bother to ask. But my partners. 36 00:03:18,040 --> 00:03:20,519 Speaker 1: Look at them. One's all bulk and brawn out in 37 00:03:20,560 --> 00:03:24,799 Speaker 1: the sands, he'd sink like a stone, and the other 38 00:03:24,960 --> 00:03:27,280 Speaker 1: is nothing but skin and bones. He'll blow in a 39 00:03:27,360 --> 00:03:30,880 Speaker 1: light breeze. Let alone a sandstorm. I'm aerodynamic to a fault. 40 00:03:31,240 --> 00:03:33,800 Speaker 1: These two are goners on the outside. I'm not asking 41 00:03:33,840 --> 00:03:35,720 Speaker 1: you to help me, I'm asking you to help them. 42 00:03:36,600 --> 00:03:42,280 Speaker 1: Please have a heart well, seeing as you all have 43 00:03:42,640 --> 00:03:46,640 Speaker 1: no other option, and given how I pitied you three 44 00:03:46,800 --> 00:03:52,080 Speaker 1: from the moment you walked inside, I suppose I could 45 00:03:52,280 --> 00:03:58,000 Speaker 1: make an exception. This one's thank you, But I must 46 00:03:58,360 --> 00:04:02,880 Speaker 1: warn you stay in the room at your own Read 47 00:04:04,040 --> 00:04:09,840 Speaker 1: the last guest who checked it, never checked out, never 48 00:04:10,000 --> 00:04:20,880 Speaker 1: checked out. O go serious sandstorm. Remember we appreciate the warning, 49 00:04:21,040 --> 00:04:24,040 Speaker 1: but we'll take our chances with the room, Room five 50 00:04:24,480 --> 00:04:29,800 Speaker 1: o five. And don't forget enjoy your stay in the 51 00:04:29,960 --> 00:04:55,880 Speaker 1: desert d This is it, room five o five. Nothing 52 00:04:56,000 --> 00:05:02,279 Speaker 1: left but go in a Maybe the sandstorm isn't so bad. 53 00:05:02,839 --> 00:05:10,720 Speaker 1: Violent winds, low visibility, serrated projectiles could be refreshing. Don't 54 00:05:10,760 --> 00:05:14,320 Speaker 1: be goobers. It's one night's stay in an ordinary old room. 55 00:05:22,279 --> 00:05:28,760 Speaker 1: Large bed, closet, window, writing desk, with various knickknacks, bookcase, cabinets, 56 00:05:29,000 --> 00:05:35,480 Speaker 1: grandfather clock, even a fireplace. How hospitable. See just a room. 57 00:05:36,200 --> 00:05:43,080 Speaker 1: Nothing to be scared of. On bed chocolate it's candy. Serious, Wait, 58 00:05:43,480 --> 00:05:47,440 Speaker 1: don't eat that candy. We should ration it. There's still 59 00:05:47,680 --> 00:05:49,520 Speaker 1: the remaining part of our journey ahead of us, and 60 00:05:49,600 --> 00:05:52,000 Speaker 1: who knows if we'll find ourselves in some dire situation 61 00:05:52,240 --> 00:05:55,240 Speaker 1: in desperate need of that chocolate decadence. It must be 62 00:05:55,320 --> 00:06:02,920 Speaker 1: preserved in case of absolute emergency, right either, sure, whatever, Now, 63 00:06:03,040 --> 00:06:05,840 Speaker 1: you two quit your bickering. It's time we rest and 64 00:06:05,920 --> 00:06:13,120 Speaker 1: recharge before the final stretch of our journey. Serious, get 65 00:06:13,160 --> 00:06:16,280 Speaker 1: out of that closet. It's probably full of dust and debris, 66 00:06:16,480 --> 00:06:18,880 Speaker 1: precisely what we're trying to avoid out in the sandstorm 67 00:06:18,960 --> 00:06:27,000 Speaker 1: to begin with. Look, what's serious? Find white coat? Good? 68 00:06:28,279 --> 00:06:30,800 Speaker 1: If fits like you ate the sad sacket belonged to 69 00:06:31,160 --> 00:06:35,120 Speaker 1: and are now wearing their coat as a girdle, fit's great? 70 00:06:35,960 --> 00:06:42,440 Speaker 1: M did it belong to? What if the white coat 71 00:06:42,800 --> 00:06:44,960 Speaker 1: was property of the last guest who never checked out? 72 00:06:45,120 --> 00:06:47,960 Speaker 1: Look Emblazoned in gold thread on the coat's left breast 73 00:06:48,000 --> 00:06:53,440 Speaker 1: pocket the letter d well. No use wasting energy trying 74 00:06:53,440 --> 00:06:57,320 Speaker 1: to solve this mystery. Besides, the beds looking pretty comfy 75 00:06:57,440 --> 00:07:05,880 Speaker 1: right about now? Left side, right side, I call the 76 00:07:05,960 --> 00:07:17,640 Speaker 1: bed's middle Finally, good night's sleep. Eat their logo serious, 77 00:07:18,040 --> 00:07:22,400 Speaker 1: sandlich Serious? Would you mind shifting over? I feel your 78 00:07:22,480 --> 00:07:26,679 Speaker 1: rather bulbous knee protruding into my section of the bed. Serious, 79 00:07:26,800 --> 00:07:31,880 Speaker 1: no touch logo side if everything logo touch serious side? Ah, 80 00:07:32,240 --> 00:07:35,600 Speaker 1: you too. It's one night's stay and a big bed. 81 00:07:36,320 --> 00:07:42,320 Speaker 1: Make it work. Go to sleep. The only thing left 82 00:07:42,480 --> 00:07:44,840 Speaker 1: is to put out the gas. Laugh on the night's day. 83 00:07:49,120 --> 00:07:52,080 Speaker 1: Now close your eyes, let the quiet carry you off 84 00:07:52,160 --> 00:08:18,480 Speaker 1: to sleep. Ninety nine, Good night, M serious? What is it? 85 00:08:19,200 --> 00:08:22,720 Speaker 1: What if room haunted by ghost of last guest? Nonsense? 86 00:08:22,880 --> 00:08:26,920 Speaker 1: There's absolutely no scientific evidence that ghosts exist. Right either, 87 00:08:27,440 --> 00:08:55,920 Speaker 1: Right now, both of you go to sleep. M that buzzing. 88 00:08:56,080 --> 00:09:00,640 Speaker 1: I can't take it, agreed. What's making that noise? Something 89 00:09:00,720 --> 00:09:06,960 Speaker 1: like phantom cry of glows? You think it's a beatle? 90 00:09:09,559 --> 00:09:14,240 Speaker 1: No good beetle? Sneak to room? Wake? Serious up? Stare 91 00:09:14,360 --> 00:09:24,360 Speaker 1: with buzz? Serious, no burner live my legal fast? Serious? 92 00:09:24,480 --> 00:09:41,959 Speaker 1: Serious hurt someone where bees will go? It's landed on 93 00:09:42,000 --> 00:09:48,440 Speaker 1: the dresser by me. Serious. This is knowing that serious? 94 00:09:48,640 --> 00:09:57,640 Speaker 1: I said, careful enough, this is unacceptable. Where to go? 95 00:09:58,520 --> 00:10:15,560 Speaker 1: M serious? Wide, here's the bookcase and the books. Oh, 96 00:10:19,360 --> 00:10:21,440 Speaker 1: let's collect the books and clean up the broken shells 97 00:10:21,480 --> 00:10:23,400 Speaker 1: before we get thrown out for trash in the place. 98 00:10:27,120 --> 00:10:32,520 Speaker 1: There are some really fascinating reads. Here the Anatomy of Melancholy, 99 00:10:35,880 --> 00:10:40,680 Speaker 1: Dialectics on the Nature of Pain. Oh, and looky here 100 00:10:41,320 --> 00:10:46,040 Speaker 1: Treatments and trempid Nations for cognitive maladies. All medical texts. 101 00:10:46,840 --> 00:10:51,319 Speaker 1: Interesting right, No, behind the bookcase, there's something hidden in 102 00:10:51,360 --> 00:11:04,640 Speaker 1: the wall. Serious, help me clear a path. It's a 103 00:11:04,760 --> 00:11:09,000 Speaker 1: safe safe what's a safe doing concealed in the wall? 104 00:11:09,280 --> 00:11:12,080 Speaker 1: The innkeeper alluded to the room being vacant for some time. 105 00:11:12,600 --> 00:11:16,120 Speaker 1: I wonder what's inside. Could be anything like mountain of 106 00:11:16,320 --> 00:11:20,840 Speaker 1: chocolate or a rare addition book, maybe even a treasure 107 00:11:20,840 --> 00:11:23,079 Speaker 1: of black apples, enough to buy our way back to 108 00:11:23,160 --> 00:11:33,160 Speaker 1: imperiod clot serious break unlikely. The safe door appears to 109 00:11:33,240 --> 00:11:37,559 Speaker 1: be made of impenetrable black stone. Logo. Can you open it? 110 00:11:38,840 --> 00:11:41,960 Speaker 1: It's a combination lock and dial mechanism requiring a three 111 00:11:42,040 --> 00:11:45,080 Speaker 1: digit numeric code to access two complex to solved by 112 00:11:45,120 --> 00:11:47,839 Speaker 1: trial and error alone. For now, I'm afraid it's a 113 00:11:47,920 --> 00:12:03,160 Speaker 1: dead end. A beetle A serious no, sounds like we'll 114 00:12:03,160 --> 00:12:06,160 Speaker 1: be up for a while. I'll get the fireplace started, 115 00:12:08,760 --> 00:12:11,360 Speaker 1: by the way, serious, Chasing after a beetle is not 116 00:12:11,480 --> 00:12:13,199 Speaker 1: the way to catch it. You have to let the 117 00:12:13,280 --> 00:12:17,599 Speaker 1: beetle come to you to catch our intruder. All we 118 00:12:17,720 --> 00:12:20,319 Speaker 1: need is a simple box and stick contraption. I'll show you. 119 00:12:22,160 --> 00:12:25,480 Speaker 1: Let's see what's around the room. On the desk, an 120 00:12:25,600 --> 00:12:31,600 Speaker 1: ice pick and bucket. The ice picks, rusty and covered 121 00:12:31,640 --> 00:12:36,199 Speaker 1: in red specks, shouldn't be an issue so serious. What 122 00:12:36,360 --> 00:12:39,000 Speaker 1: I need to do is first remove the ice bucket 123 00:12:39,080 --> 00:12:45,720 Speaker 1: lid and oh there's a bottle inside Miracle tonic herbal 124 00:12:45,760 --> 00:12:48,480 Speaker 1: anesthetic for natural pain relief. Take orally, do not exceed 125 00:12:48,559 --> 00:12:53,960 Speaker 1: one droplet. It's empty, into the trash. It goes, as 126 00:12:54,000 --> 00:12:56,679 Speaker 1: I was saying. After removing the lid, I chased the 127 00:12:56,800 --> 00:13:00,240 Speaker 1: upturned bucket on the desk, propping it up from the 128 00:13:00,280 --> 00:13:05,480 Speaker 1: inside and leaning against the rusty ice pick, thereby creating 129 00:13:05,520 --> 00:13:08,280 Speaker 1: a small opening in one side of the otherwise sealed 130 00:13:08,360 --> 00:13:13,679 Speaker 1: bucket brim. To complete the trap just requires bait. Serious 131 00:13:14,240 --> 00:13:19,400 Speaker 1: the chocolate candy, Please serious chocolate. It's essential to catch 132 00:13:19,480 --> 00:13:23,400 Speaker 1: the beetle. But I assure you it's only a decoy, 133 00:13:29,960 --> 00:13:35,679 Speaker 1: wha a fully functional homemade box and stick beetlecatcher. The 134 00:13:35,800 --> 00:13:38,120 Speaker 1: chocolate's odor will first lower the beetle to the desk 135 00:13:38,160 --> 00:13:41,160 Speaker 1: containing the trap. Once the beetle reaches the ice buckets perimeter, 136 00:13:41,320 --> 00:13:43,520 Speaker 1: it will proceed to crawl underneath in an attempt to 137 00:13:43,559 --> 00:13:46,440 Speaker 1: retrieve the bait. In so doing, the beetle will inadvertently 138 00:13:46,480 --> 00:13:48,600 Speaker 1: bump and trigger the collapse of the red and ice pick, 139 00:13:48,800 --> 00:13:50,880 Speaker 1: causing the bucket to fall down and seal it within. 140 00:13:51,400 --> 00:13:54,000 Speaker 1: All we have to do now is sit back and wait. 141 00:13:56,559 --> 00:14:04,240 Speaker 1: Let's head of the bat and weight. Then. I didn't 142 00:14:04,240 --> 00:14:06,720 Speaker 1: notice it before, but there's a series of scratch marks 143 00:14:06,800 --> 00:14:10,880 Speaker 1: clawed into the wall beside the bed. Scratches made record 144 00:14:10,960 --> 00:14:16,079 Speaker 1: of the demon beetle victims, Black fate of Last Room Gaston. 145 00:14:17,960 --> 00:14:20,880 Speaker 1: It's probably nothing, just the scribbles as someone who went 146 00:14:21,000 --> 00:14:27,360 Speaker 1: mad passing the time during a sandstorm. So the trap? 147 00:14:28,400 --> 00:14:37,080 Speaker 1: How long do we wait? Any moment now, any moment, 148 00:14:39,040 --> 00:14:48,600 Speaker 1: any moment now, Marny moment now? How should we pass 149 00:14:48,680 --> 00:14:52,000 Speaker 1: the time? We could discuss a fascinating study I read 150 00:14:52,040 --> 00:14:55,080 Speaker 1: on the mathematical properties of bacteria colony growth rates found 151 00:14:55,120 --> 00:15:03,680 Speaker 1: in ingrown toenails and serious no story time slumber? What's 152 00:15:03,680 --> 00:15:07,200 Speaker 1: a story time slumber? We stay up, we tell story 153 00:15:07,600 --> 00:15:15,400 Speaker 1: We are fun sure? Serious story time slumber sounds agreeable 154 00:15:15,440 --> 00:15:20,240 Speaker 1: to me. Either tell a story? How we meet that 155 00:15:20,360 --> 00:15:27,320 Speaker 1: old story again, Yes, again again, I've never heard it. Well, 156 00:15:28,920 --> 00:15:33,120 Speaker 1: all right, then, this was a long time ago, back 157 00:15:33,160 --> 00:15:36,120 Speaker 1: when a young Serious no more than several years old, 158 00:15:36,240 --> 00:15:40,200 Speaker 1: was living amongst his noble clans. There were a clan 159 00:15:40,280 --> 00:15:42,640 Speaker 1: of nomadic titans who lived off the land and found 160 00:15:42,680 --> 00:15:46,000 Speaker 1: harmony in nature. Fearsome warriors, they were believed to be 161 00:15:46,040 --> 00:15:50,080 Speaker 1: able to harness the flow of energy itself. They struck 162 00:15:50,240 --> 00:15:52,720 Speaker 1: fear into the hearts of those who crossed them. Really 163 00:15:53,080 --> 00:15:56,000 Speaker 1: much like Serious, they were a group of gentle giants 164 00:15:57,840 --> 00:16:00,280 Speaker 1: at the time. They were crossing through the outskirts of here, 165 00:16:00,720 --> 00:16:03,200 Speaker 1: just beyond the gates of my homeland where I grew up. 166 00:16:03,640 --> 00:16:07,080 Speaker 1: What happened out there on that faithful day I will 167 00:16:07,160 --> 00:16:11,240 Speaker 1: never forget. Without warning, out of nowhere, a rival group 168 00:16:11,280 --> 00:16:15,040 Speaker 1: of soldiers ambushed Serious clan, a surprise attack that lets 169 00:16:15,120 --> 00:16:19,080 Speaker 1: all out war. Thinking back, the whole thing went by 170 00:16:19,200 --> 00:16:25,320 Speaker 1: like a blur. It was a shameful affair, a massacre. 171 00:16:26,480 --> 00:16:29,720 Speaker 1: Though Serious side fot valiantly to the end, They're outnumbered 172 00:16:30,120 --> 00:16:34,720 Speaker 1: and outmatched. Wasn't a fair fight. Soldiers sent endless cohord 173 00:16:34,800 --> 00:16:39,560 Speaker 1: after Cohord to their death, equipped with cannon fire, steel armor, 174 00:16:39,880 --> 00:16:42,800 Speaker 1: no matter how many soldiers they lost, more kept coming 175 00:16:42,840 --> 00:16:47,040 Speaker 1: in their place. Ultimately they overwhelmed. The clan slaughtered every 176 00:16:47,120 --> 00:16:50,640 Speaker 1: last one of them. But not Serious or not Serious 177 00:16:51,720 --> 00:16:55,680 Speaker 1: for whatever reason, the soldiers spared his life a single 178 00:16:55,760 --> 00:17:03,040 Speaker 1: blessing that cursed Dayious town, Serious town Okay after battle 179 00:17:03,120 --> 00:17:08,920 Speaker 1: clear Serious stand alone, bloody field. Ether come from nowhere 180 00:17:09,320 --> 00:17:15,520 Speaker 1: like like beam of light, drop everything, Rescue Serious, Take 181 00:17:15,680 --> 00:17:23,280 Speaker 1: Serious home to Imperia, show serious love, give serious purpose together, 182 00:17:24,160 --> 00:17:30,800 Speaker 1: clan up, brothers, family. Oh I wish I could have 183 00:17:30,840 --> 00:17:36,840 Speaker 1: done more. Ether. It sounds like you did everything in 184 00:17:36,920 --> 00:17:41,200 Speaker 1: your power. Besides, it's not like you're at fault, of 185 00:17:41,320 --> 00:17:48,560 Speaker 1: course not Yeah, but who were the rival soldiers? Let's 186 00:17:48,560 --> 00:17:51,639 Speaker 1: hold you. It was all blur? And what were you 187 00:17:51,760 --> 00:17:55,359 Speaker 1: doing that day outside the gates of Imperia. What I 188 00:17:55,520 --> 00:17:57,800 Speaker 1: just find it rather intriguing is all that the same 189 00:17:57,920 --> 00:18:00,680 Speaker 1: day Serious Is Clan was attacked, you happen to see 190 00:18:00,720 --> 00:18:04,600 Speaker 1: it all unfold from outside the gates, And I don't remember. 191 00:18:05,760 --> 00:18:08,280 Speaker 1: I must have been harvesting crops in the high fields 192 00:18:08,400 --> 00:18:14,480 Speaker 1: or something. Still quite the coincidence, is it? Not? Ether 193 00:18:14,720 --> 00:18:22,280 Speaker 1: saved Serious life? No coincidence, fate ha, only wincidence here 194 00:18:22,560 --> 00:18:25,840 Speaker 1: is Serious hand smack logo face if keep up big 195 00:18:25,920 --> 00:18:42,920 Speaker 1: a mouth? No the trap? Did it catch the beetle? 196 00:18:44,240 --> 00:18:47,600 Speaker 1: I'm certain of it, but just to make sure, I'll 197 00:18:47,640 --> 00:18:49,640 Speaker 1: carefully raise one edge of the bucket off the desk 198 00:18:49,760 --> 00:18:57,439 Speaker 1: to look under it and confirm. Okay, then no beetle, 199 00:18:58,119 --> 00:19:06,120 Speaker 1: No chocolate, Ah dropping a work beatles steel serious chocolate 200 00:19:06,200 --> 00:19:26,399 Speaker 1: it escape bucket, serious swat beetles serious? Are you okay? 201 00:19:29,680 --> 00:19:35,640 Speaker 1: Haunted floorboard trips, serious hurt, serious knee tear, serious white 202 00:19:35,720 --> 00:19:42,359 Speaker 1: coat beetle, Get away your knee it's bleeding? Just scratch logo? 203 00:19:42,440 --> 00:19:44,760 Speaker 1: Is there anything around the bandage them up? I can look, 204 00:19:44,960 --> 00:19:47,320 Speaker 1: but I wouldn't count on anything in this room being sterile? 205 00:19:48,359 --> 00:19:55,240 Speaker 1: Beat crawl under bed and a coward? See what is that? 206 00:19:57,359 --> 00:20:04,680 Speaker 1: What beneath the bed? I freaking just reach it? Forgot it? 207 00:20:07,720 --> 00:20:13,720 Speaker 1: Black bag? It's a black medical bag. There's a golden 208 00:20:13,840 --> 00:20:17,320 Speaker 1: letter d on matching the one on serious coat. What 209 00:20:17,600 --> 00:20:21,200 Speaker 1: can side bag? We're about to find out logo. You'll 210 00:20:21,240 --> 00:20:23,680 Speaker 1: likely be more familiar with its contents. Mind taking a look. 211 00:20:23,960 --> 00:20:32,879 Speaker 1: Sure thing either scalpel, razors, stepastoke, gauze. This mysterious d figure. 212 00:20:33,040 --> 00:20:35,840 Speaker 1: The former occupant of Room five h five. Must have 213 00:20:36,000 --> 00:20:43,679 Speaker 1: been a doctor. Oh, doctor, d hand me the gauze. Serious, 214 00:20:43,760 --> 00:20:49,359 Speaker 1: I'm gonna band it you up. Make sure to apply pressure. 215 00:20:53,240 --> 00:20:55,520 Speaker 1: Are you sure you're okay? There's a lot of blood 216 00:20:55,560 --> 00:20:58,320 Speaker 1: on the floorboard logo. Is there anything else from the bag? 217 00:20:58,400 --> 00:21:02,840 Speaker 1: We can use? M serious strong, heal fast, blood on 218 00:21:02,960 --> 00:21:09,960 Speaker 1: floor dry already? How is that possible unless the floor 219 00:21:10,160 --> 00:21:15,119 Speaker 1: was already like that before for serious's knee? No? The safe? 220 00:21:16,720 --> 00:21:19,720 Speaker 1: What do you mean? The wall safe utilizes a combination 221 00:21:19,840 --> 00:21:22,480 Speaker 1: lock and dial mechanism, requiring three digits to be entered 222 00:21:22,520 --> 00:21:25,600 Speaker 1: in proper sequential order. Behind the dial is a cylindrical 223 00:21:25,640 --> 00:21:28,800 Speaker 1: spindle that operates three parallel wheels. Each wheel contains an 224 00:21:28,840 --> 00:21:31,760 Speaker 1: internal notch belong its circumference corresponding to the correct number 225 00:21:31,800 --> 00:21:34,000 Speaker 1: in the code, with the first wheel synchronized with the 226 00:21:34,040 --> 00:21:36,240 Speaker 1: first number, and so on. When all three digits are 227 00:21:36,400 --> 00:21:39,520 Speaker 1: entered correctly, the notches align and the safe unlocks. Notably, 228 00:21:39,600 --> 00:21:41,760 Speaker 1: as the wheels click into position, they emit a faint 229 00:21:41,840 --> 00:21:45,320 Speaker 1: but distinctive sound, normally imperceptible to the naked ear. Using 230 00:21:45,359 --> 00:21:47,840 Speaker 1: the stethoscope, I can amplify the volume to listen in 231 00:21:47,920 --> 00:21:50,960 Speaker 1: and identify the correct numbers. That unlock the safe so 232 00:21:51,440 --> 00:21:55,119 Speaker 1: you can crack the code precisely. How do you know 233 00:21:55,240 --> 00:21:59,320 Speaker 1: all of this? Oh, it's common knowledge to anyone within 234 00:21:59,320 --> 00:22:03,040 Speaker 1: an advanced understanding gives system security design. Now, I'll need 235 00:22:03,080 --> 00:22:04,560 Speaker 1: you to to be quiet as I listened to the 236 00:22:04,640 --> 00:22:08,359 Speaker 1: turn of the dial through the stethoscope. I'll count out 237 00:22:08,359 --> 00:22:24,360 Speaker 1: the numbers as I go, m H five zero, keep 238 00:22:24,400 --> 00:22:33,320 Speaker 1: it in five, yes, five zero five, same as the 239 00:22:33,400 --> 00:22:37,560 Speaker 1: room number. Genius in its simplicity. Now to see what's 240 00:22:37,560 --> 00:22:44,040 Speaker 1: inside the safe? What was that? Serious? No, don't touch 241 00:22:44,119 --> 00:22:56,480 Speaker 1: the stethoscope. You two settle down. I'll check the safe. Ah, 242 00:22:57,480 --> 00:22:59,600 Speaker 1: there's nothing in here but a small locked chest. This 243 00:22:59,680 --> 00:23:05,760 Speaker 1: is a joke, nested safe inside safe. Quite the elaborate ruths. 244 00:23:06,680 --> 00:23:08,680 Speaker 1: I have a feeling that inside this chest is the 245 00:23:08,720 --> 00:23:12,640 Speaker 1: answer to what happened here to doctor D before checking out. 246 00:23:13,240 --> 00:23:15,879 Speaker 1: But doctor D didn't check out. I'm not talking about 247 00:23:15,920 --> 00:23:21,959 Speaker 1: from the room. Oh. Anyhow, the chest requires a key 248 00:23:21,960 --> 00:23:26,680 Speaker 1: to open another dead end for now? Yeah? Serious, how's 249 00:23:26,680 --> 00:23:35,840 Speaker 1: your need doing? Okay? But story make me feel better? Story? 250 00:23:36,840 --> 00:23:43,920 Speaker 1: Storytime slumber? Okay, okay, story time slumber. Anyone have a 251 00:23:43,920 --> 00:23:47,040 Speaker 1: story to share? Who's next? Ether? I'm curious to hear 252 00:23:47,080 --> 00:23:50,480 Speaker 1: the story of your amulet the eye of imperiod. Well, 253 00:23:51,400 --> 00:23:54,280 Speaker 1: that story is not that interesting and I went already. 254 00:23:54,960 --> 00:23:57,960 Speaker 1: Technically you only provided a setup. It was serious who 255 00:23:58,000 --> 00:23:59,840 Speaker 1: told the story of how you two met, and I 256 00:24:00,160 --> 00:24:03,240 Speaker 1: really would like to learn more about it. Serious also 257 00:24:03,359 --> 00:24:08,199 Speaker 1: want to hear amulette story. But it's story time number 258 00:24:09,040 --> 00:24:14,840 Speaker 1: all right, Fine, what do you want to know? For starters? 259 00:24:15,160 --> 00:24:17,399 Speaker 1: How did it come into your possession? It was a 260 00:24:17,480 --> 00:24:19,520 Speaker 1: family heirloom, gifted to me by my mother on my 261 00:24:19,760 --> 00:24:22,800 Speaker 1: name day. I think, at least that's what I remember. 262 00:24:23,480 --> 00:24:27,920 Speaker 1: I was only an infant when she passed. When she 263 00:24:28,280 --> 00:24:31,119 Speaker 1: passed down the amulet, I only have vague memories of 264 00:24:31,200 --> 00:24:33,320 Speaker 1: our short time together, and I was told she was 265 00:24:33,400 --> 00:24:36,200 Speaker 1: pregnant with me when she began to show signs of 266 00:24:36,320 --> 00:24:40,000 Speaker 1: umbre came on suddenly after my father was taken away 267 00:24:40,680 --> 00:24:43,360 Speaker 1: sentenced to death by the mad tyr and Akasha, who 268 00:24:43,440 --> 00:24:48,440 Speaker 1: ceased control over our homeland and mother. She she chose 269 00:24:48,480 --> 00:24:52,000 Speaker 1: to isolate herself as her condition worsens, saw less and 270 00:24:52,080 --> 00:24:55,000 Speaker 1: less of her, and eventually heard she passed from complications 271 00:24:55,080 --> 00:24:58,359 Speaker 1: soon after. It all still feels like a bad dream, 272 00:24:58,440 --> 00:25:01,000 Speaker 1: But I didn't know everything she did, she did to 273 00:25:01,040 --> 00:25:06,400 Speaker 1: protect me final time together. She gave me her only possession, 274 00:25:06,640 --> 00:25:09,960 Speaker 1: miss Ambulance, the Ivan period. She told me it would 275 00:25:10,000 --> 00:25:17,560 Speaker 1: watch over me. Can you say I'm sorry either? How 276 00:25:17,640 --> 00:25:24,120 Speaker 1: does it work? And is what work? Your ambulant? I'm 277 00:25:24,160 --> 00:25:27,119 Speaker 1: not familiar with the mechanics. How does it protect you? 278 00:25:28,280 --> 00:25:33,560 Speaker 1: I am? I don't know, but you must have some idea. 279 00:25:33,880 --> 00:25:38,399 Speaker 1: You've experienced its powers, after all. When I wear it, 280 00:25:38,560 --> 00:25:42,320 Speaker 1: I fill her warmth around my heart, and her spirit 281 00:25:42,480 --> 00:25:45,280 Speaker 1: alive and my soul and the words from the lullaby 282 00:25:45,359 --> 00:25:50,159 Speaker 1: she would saying, come back, don't be sad, don't be blue. 283 00:25:51,080 --> 00:25:55,840 Speaker 1: I'm the bird who will worry for you. I can't 284 00:25:55,840 --> 00:25:58,320 Speaker 1: remember how the rest of it goest, but reminds me 285 00:25:58,359 --> 00:26:02,240 Speaker 1: of the promise I made in memory of her one day. Somehow, 286 00:26:03,000 --> 00:26:06,720 Speaker 1: some way, a free imperia from that mad tyrants hold. 287 00:26:08,359 --> 00:26:11,920 Speaker 1: But as far as the inner workings are concerned, either 288 00:26:12,119 --> 00:26:18,760 Speaker 1: saying no, no, he no, no. The beetle, it's by 289 00:26:18,800 --> 00:26:24,200 Speaker 1: the window, sill, beetles. Listen. If we crack open the window, 290 00:26:24,359 --> 00:26:26,240 Speaker 1: there's a chance the beetle will just fly right out 291 00:26:26,440 --> 00:26:30,680 Speaker 1: and like that free room from beetle hole. Yes exactly, 292 00:26:31,480 --> 00:26:34,160 Speaker 1: But the sandstorm is likely at its apex, the force 293 00:26:34,240 --> 00:26:36,080 Speaker 1: from the window alone could knock us to the floor, 294 00:26:36,240 --> 00:26:39,040 Speaker 1: if not sweep us straight out into the vortex. Opening 295 00:26:39,080 --> 00:26:42,920 Speaker 1: the window now opens ourselves up to unquantifiable levels of risk. 296 00:26:43,760 --> 00:26:47,480 Speaker 1: I know, but some risks are worth taking. I hope 297 00:26:47,520 --> 00:26:50,080 Speaker 1: you know what you're doing. I'll tie down and secure 298 00:26:50,119 --> 00:26:55,960 Speaker 1: the satellite dish pieces so they don't blow away. Serious 299 00:26:56,000 --> 00:27:00,240 Speaker 1: scare beagles, so beatles fly out. That leaves me to 300 00:27:00,320 --> 00:27:23,080 Speaker 1: open the window on my account one two three, I'm 301 00:27:23,200 --> 00:27:34,160 Speaker 1: trying to get stuck. I take it into shiner. Serious 302 00:27:34,400 --> 00:27:51,760 Speaker 1: h m hmm, thanks serious, serious bird who worry for eat? 303 00:27:54,080 --> 00:27:58,359 Speaker 1: Our backs to the floor, sand in every crevice. The 304 00:27:58,520 --> 00:28:02,080 Speaker 1: room in complete disarray. That one about as well as expected. 305 00:28:02,600 --> 00:28:13,800 Speaker 1: But at least we survived and beetle. That buzz would 306 00:28:13,840 --> 00:28:20,720 Speaker 1: indicate that the beetle is alive as well. Well. This 307 00:28:20,880 --> 00:28:23,320 Speaker 1: place is a total mess holm who ever has to 308 00:28:23,400 --> 00:28:27,879 Speaker 1: clean this up. The innkeeper did do us a favor 309 00:28:28,000 --> 00:28:30,119 Speaker 1: in rending us this room. I'm not claiming it to 310 00:28:30,160 --> 00:28:33,560 Speaker 1: be legally binding, but social contract dictates we return it 311 00:28:33,680 --> 00:28:36,439 Speaker 1: in like condition. At the very least we owe him 312 00:28:36,480 --> 00:28:42,280 Speaker 1: that as good house guests. I'll start swipping up the sand. Serious, 313 00:28:42,320 --> 00:28:45,600 Speaker 1: pile up the broken furniture logo. Start with getting the 314 00:28:45,600 --> 00:28:47,680 Speaker 1: pillows and blanket off the ground and back on the bed. 315 00:28:47,720 --> 00:28:55,360 Speaker 1: I trust you can handle that. Of course, what is it? Skull? 316 00:28:55,760 --> 00:28:57,720 Speaker 1: There's a skull on the bed. It must have been 317 00:28:57,800 --> 00:29:00,560 Speaker 1: under the blanket the entire time I knew I out something. 318 00:29:01,680 --> 00:29:05,600 Speaker 1: Doctor D come back from dead to haunt us John 319 00:29:05,720 --> 00:29:11,560 Speaker 1: serious for wear white cold. Let me take a look 320 00:29:14,160 --> 00:29:18,080 Speaker 1: this skull one with the color coded markings and labeled sections, 321 00:29:18,520 --> 00:29:23,720 Speaker 1: and probably did belong to doctor D. It's ceramic. Oh, 322 00:29:25,960 --> 00:29:29,360 Speaker 1: it's only an anatomical model. They really do make them lifelike. 323 00:29:33,920 --> 00:29:37,200 Speaker 1: Good observation. Either Doctor D must have used the ceramics 324 00:29:37,240 --> 00:29:40,800 Speaker 1: skull to aid in medical research. It appears doctor D 325 00:29:40,920 --> 00:29:45,440 Speaker 1: specialized in matters of the mind. Well, at this rate, 326 00:29:45,480 --> 00:29:47,320 Speaker 1: it'll take all night to get this place cleaned up. 327 00:29:47,600 --> 00:29:50,320 Speaker 1: We should get back to it, but first I need 328 00:29:50,400 --> 00:29:58,959 Speaker 1: a break on the bed. I am high agreed. Logo. 329 00:29:59,240 --> 00:30:03,200 Speaker 1: You might giving us status report. Certainly on the beatle front, 330 00:30:03,360 --> 00:30:06,040 Speaker 1: we've made limited progress as our attempts to silence its 331 00:30:06,080 --> 00:30:08,800 Speaker 1: buzz have failed and turned the room into shambles. As 332 00:30:08,880 --> 00:30:11,160 Speaker 1: far as the safe goes. We found a hidden chest 333 00:30:11,280 --> 00:30:14,120 Speaker 1: located inside the concealed wall safe behind the bookcase, but 334 00:30:14,240 --> 00:30:17,280 Speaker 1: lack the missing key to unlock it. And Lastly, although 335 00:30:17,320 --> 00:30:20,640 Speaker 1: we've uncovered some of doctor D's belongings, including the white coat, 336 00:30:20,800 --> 00:30:23,720 Speaker 1: medical texts, black bag, and ceramic skull, as well as 337 00:30:23,800 --> 00:30:26,920 Speaker 1: encountered several peculiarities around the room, such as the empty 338 00:30:26,960 --> 00:30:29,320 Speaker 1: bottle of miracle tonic, scratch marks on the wall, and 339 00:30:29,520 --> 00:30:31,800 Speaker 1: dried blood on the floor, we have yet to determine 340 00:30:31,840 --> 00:30:34,440 Speaker 1: what happened to doctor D or the events that unfolded 341 00:30:34,520 --> 00:30:37,280 Speaker 1: in this room. Across all avenues, we seem to have 342 00:30:37,360 --> 00:30:40,360 Speaker 1: reached a proverbial dead end. I see no clear path forward, 343 00:30:40,480 --> 00:30:47,600 Speaker 1: and sleep eludes us. Thanks serious idea, you do story 344 00:30:47,840 --> 00:30:54,840 Speaker 1: time slumber. I can appreciate the interjection of levity, but 345 00:30:55,000 --> 00:30:57,680 Speaker 1: given the gravity of our situation now, it is really 346 00:30:57,760 --> 00:31:00,800 Speaker 1: not the time to distract ourselves with frivolous activity. Our 347 00:31:00,880 --> 00:31:03,320 Speaker 1: attention would be better directed to the final segment of 348 00:31:03,400 --> 00:31:06,160 Speaker 1: our journey, plotting our safe return by reviewing the map 349 00:31:06,280 --> 00:31:12,840 Speaker 1: in detail. Not so fast, logo serious wind, I went, 350 00:31:13,720 --> 00:31:20,960 Speaker 1: it's your turn, m logo turn, I mean, really, I 351 00:31:21,440 --> 00:31:25,200 Speaker 1: appreciate the gesture but I don't have any relevant stories 352 00:31:25,280 --> 00:31:43,120 Speaker 1: suitable for sharing. Story time slumber, I I storytime slumber. Okay, okay, okay, 353 00:31:43,440 --> 00:31:49,040 Speaker 1: story time slumber. I'll tell you anything I want to know. Mmmm. Well, 354 00:31:49,120 --> 00:31:51,720 Speaker 1: we've gone on a score of missions for the agency, 355 00:31:51,920 --> 00:31:55,880 Speaker 1: but still know next to nothing about them, except as 356 00:31:56,000 --> 00:32:00,720 Speaker 1: serious can tell you very well, but no pay enough. 357 00:32:01,400 --> 00:32:05,200 Speaker 1: This mission, however, marks the first time we've been lucky 358 00:32:05,360 --> 00:32:08,440 Speaker 1: enough to have one of the agency's own officers accompany 359 00:32:08,600 --> 00:32:14,800 Speaker 1: us as a mandatory escort, one of their best and brightest. 360 00:32:15,240 --> 00:32:21,600 Speaker 1: I presume, So tell us how'd you get involved with 361 00:32:21,680 --> 00:32:25,640 Speaker 1: the Agency? Well, there's an easy answer to that. The 362 00:32:25,760 --> 00:32:29,960 Speaker 1: information is classified. I mean, of course, it'd be my 363 00:32:30,040 --> 00:32:33,560 Speaker 1: pleasure to recount the story. That is, if I were 364 00:32:33,680 --> 00:32:36,720 Speaker 1: privy to the details. What are you talking about? The 365 00:32:36,800 --> 00:32:39,680 Speaker 1: information is not just classified to those outside the agency, 366 00:32:40,000 --> 00:32:44,520 Speaker 1: it's classified to me as well. Similarly to YouTube, The 367 00:32:44,680 --> 00:32:47,880 Speaker 1: true nature of my origin remains an enigma. I never 368 00:32:47,960 --> 00:32:50,680 Speaker 1: knew who my biological parents were or why they abandoned me. 369 00:32:51,200 --> 00:32:54,640 Speaker 1: My earliest childhood memories stem back to the agency's headquarters, 370 00:32:55,160 --> 00:32:59,160 Speaker 1: wandering the permissible boundaries, familiarizing myself with facility protocol, and 371 00:32:59,360 --> 00:33:02,160 Speaker 1: nurturing my burgeoning curiosity about the world through books and 372 00:33:02,280 --> 00:33:05,480 Speaker 1: thought experiments. The more I learned about life and the Agency, 373 00:33:05,800 --> 00:33:08,680 Speaker 1: the more I realized how limited my perspective truly was. 374 00:33:09,320 --> 00:33:11,360 Speaker 1: From a young age, I tried to be a productive 375 00:33:11,400 --> 00:33:14,680 Speaker 1: and contributing member of the organization, but largely kept to myself. 376 00:33:15,280 --> 00:33:18,440 Speaker 1: It became clear that the Agency's principal tenet of secrecy 377 00:33:18,720 --> 00:33:22,600 Speaker 1: is integral to their success. Divisions are siloed, clearance levels 378 00:33:22,640 --> 00:33:25,800 Speaker 1: strictly enforced, and access to information restricted to a need 379 00:33:25,840 --> 00:33:30,440 Speaker 1: to know basis, unencumbered by complex bureaucracy or restraining ideologies, 380 00:33:30,720 --> 00:33:34,440 Speaker 1: free of temptation and ego, agents are blank slates, able 381 00:33:34,480 --> 00:33:38,400 Speaker 1: to dedicate themselves fully to their work. Confidentiality is believed 382 00:33:38,440 --> 00:33:41,680 Speaker 1: to be the cornerstone of progress, with each individual entity 383 00:33:41,960 --> 00:33:45,200 Speaker 1: unwittingly playing a small part to advance a much greater whole, 384 00:33:45,600 --> 00:33:49,360 Speaker 1: really a microcosm of life itself. All of this to 385 00:33:49,480 --> 00:33:52,480 Speaker 1: explain the rationale behind my ignorance of my initial involvement 386 00:33:52,520 --> 00:33:54,840 Speaker 1: with the Agency. I'm not certain I'll ever know the 387 00:33:54,880 --> 00:33:57,600 Speaker 1: details of the arrangement made by my parents, and perhaps 388 00:33:57,760 --> 00:34:00,520 Speaker 1: that's for the best. In fact, I don't even know 389 00:34:00,560 --> 00:34:03,640 Speaker 1: what the agency's central objective is but I'm told it 390 00:34:03,720 --> 00:34:07,160 Speaker 1: has the power to change the world, and this ancient 391 00:34:07,240 --> 00:34:11,080 Speaker 1: satellite dish for reasons untold, is critical to their mission. 392 00:34:13,000 --> 00:34:18,960 Speaker 1: Ah And yet despite these core operating principles, I've spent 393 00:34:19,160 --> 00:34:22,000 Speaker 1: my life trying to learn life's secret truths, to make 394 00:34:22,120 --> 00:34:26,080 Speaker 1: sense of the world and feel connected. Our mission has 395 00:34:26,160 --> 00:34:29,520 Speaker 1: only exacerbated my desire. This is the first time I've 396 00:34:29,560 --> 00:34:32,440 Speaker 1: been tasked to lead an assignment outside the agency's purview. 397 00:34:33,000 --> 00:34:35,720 Speaker 1: With its success, I hope to prove that their decision 398 00:34:35,760 --> 00:34:38,640 Speaker 1: to overlook my inborn deficiencies and invest in the potential 399 00:34:38,680 --> 00:34:41,440 Speaker 1: of my future, a conclusion not foregone to my own parents, 400 00:34:41,800 --> 00:34:44,840 Speaker 1: was indeed the correct one. In spite of the limitations, 401 00:34:45,120 --> 00:34:47,719 Speaker 1: I'm grateful for the life the agency has given me 402 00:34:50,480 --> 00:34:55,000 Speaker 1: that I was until this journey changed my perspective by 403 00:34:55,040 --> 00:34:59,400 Speaker 1: illuminating an unknown truth, showing me one of life's greatest wonders, 404 00:35:00,040 --> 00:35:07,040 Speaker 1: something inaccessible through books or study. Friendship. The time we've 405 00:35:07,080 --> 00:35:09,800 Speaker 1: had together has truly been the most meaningful time of 406 00:35:09,880 --> 00:35:12,440 Speaker 1: my life. Only the knowledge that it will soon be 407 00:35:12,600 --> 00:35:16,319 Speaker 1: over dulls this blissful feeling. Though perhaps it's ephemeral nature 408 00:35:16,360 --> 00:35:19,440 Speaker 1: makes me value it even more. I'll always consider myself 409 00:35:19,520 --> 00:35:22,520 Speaker 1: lucky to have known YouTube. After we've completed the mission 410 00:35:22,680 --> 00:35:25,000 Speaker 1: and I've shown you the path home to Imperia, I 411 00:35:25,120 --> 00:35:28,000 Speaker 1: will miss you too, dearly. I only hope to some 412 00:35:28,200 --> 00:35:33,440 Speaker 1: degree you both feel the same Stickman no friend of 413 00:35:33,560 --> 00:35:41,880 Speaker 1: Serious or even Oh logo family logo Astrom Yeah, family 414 00:35:42,520 --> 00:35:52,840 Speaker 1: clan of Astrom brothers grow bigger. Oh hug Okay, Serious, 415 00:35:53,680 --> 00:35:59,080 Speaker 1: put me down. You're squeezing too tight. You're jest. It's 416 00:35:59,560 --> 00:36:12,080 Speaker 1: poke me Serious, heart filled with love boads the cheese logo. 417 00:36:12,120 --> 00:36:15,640 Speaker 1: What is it? I found the key to the locked 418 00:36:15,680 --> 00:36:17,920 Speaker 1: chest that's inside the safe. It was in the left 419 00:36:18,000 --> 00:36:20,440 Speaker 1: breast pocket of doctor Dee's white coat that Serious has 420 00:36:20,480 --> 00:36:25,640 Speaker 1: been wearing. O Ether take it. You should be the 421 00:36:25,680 --> 00:36:30,000 Speaker 1: one to open the chest. You've led the way. Okay, 422 00:36:33,120 --> 00:36:35,839 Speaker 1: this is it? A locked chest from inside the safe, 423 00:36:36,440 --> 00:36:46,160 Speaker 1: Doctor Dee's final surprise. Ready m hm inside chest bottle 424 00:36:47,280 --> 00:36:51,759 Speaker 1: A serious Wait. There appears to be something inside the 425 00:36:51,840 --> 00:36:59,080 Speaker 1: glass bottle. Open it. It's a rolled up piece of 426 00:36:59,160 --> 00:37:02,600 Speaker 1: parchment paper sealed with a golden letter d wax emblem 427 00:37:02,920 --> 00:37:04,920 Speaker 1: identical to the symbols found on the white coat and 428 00:37:04,960 --> 00:37:09,800 Speaker 1: black bag. Must be a letter Doctor D's last words. 429 00:37:10,400 --> 00:37:20,239 Speaker 1: Either open paper, read letter. All right, the beetle on 430 00:37:20,360 --> 00:37:25,080 Speaker 1: my head, get it up, hit it up? Serious of 431 00:37:25,080 --> 00:37:32,800 Speaker 1: the bottle, be logo, stay still? Are you crazy? He's 432 00:37:32,800 --> 00:37:35,359 Speaker 1: gonna hit me in the head with the last battle serious? Here, 433 00:37:35,480 --> 00:37:38,560 Speaker 1: take the letter, give me the bottle here. Remember either 434 00:37:39,000 --> 00:37:42,239 Speaker 1: let the beetle come to you, Let the beetle come 435 00:37:42,280 --> 00:37:48,040 Speaker 1: to me. Concentrate me, don't chase the beetle. Let the 436 00:37:48,160 --> 00:38:11,240 Speaker 1: beatles come to you. Now, got it? Serious, the beetle, 437 00:38:11,400 --> 00:38:20,560 Speaker 1: the bottle, corkid Yeah, no, no, no, no, no, no, 438 00:38:20,680 --> 00:38:30,000 Speaker 1: the letter. Let's send the fireplace. I guess we'll never 439 00:38:30,080 --> 00:38:32,400 Speaker 1: know what happened to Doctor Dean. What was written in 440 00:38:32,440 --> 00:38:38,080 Speaker 1: the letter? A life lost of the world forever? Either letter, 441 00:38:38,239 --> 00:38:42,800 Speaker 1: just words on paper. Stories keep doctor D's spirit alive. 442 00:38:43,760 --> 00:38:47,960 Speaker 1: And look outside the sandstorms ended and the stars are out. 443 00:38:48,400 --> 00:38:51,640 Speaker 1: I bet Doctor Dee's watching over us right now. Yeah, 444 00:38:52,480 --> 00:38:56,760 Speaker 1: you're right. Something tells me everything's gonna be okay. Something 445 00:38:56,800 --> 00:39:00,359 Speaker 1: you feel in your amulet. I just know. I guess 446 00:39:00,400 --> 00:39:06,680 Speaker 1: we have each other, astrom family, hard dude, fight against 447 00:39:10,160 --> 00:39:31,160 Speaker 1: Now let's finally get some sleep. Introquest created by Michael Freiberg, 448 00:39:31,680 --> 00:39:35,480 Speaker 1: the production of I Hear Radio and Astro Media Executive 449 00:39:35,520 --> 00:39:39,040 Speaker 1: produced by Michael Freiberg and I Hear Radio co produced 450 00:39:39,160 --> 00:39:42,680 Speaker 1: by Adam Raimundo and Chelsea English. Sound design and mixed 451 00:39:42,719 --> 00:39:46,560 Speaker 1: by Dennis Denbeck. Music by Trey Toy and James Newberry. 452 00:39:46,840 --> 00:39:53,120 Speaker 1: Performances by Matthew Brossard, Ether, Mike Leibovitz, Serious Mike Kaplan, 453 00:39:53,560 --> 00:39:59,880 Speaker 1: Logo Lucy Paul Umbra featuring Tom Takar, Innkeeper director and 454 00:40:00,000 --> 00:40:04,800 Speaker 1: head writer, Michael Frebrick, Writers Tom Delgado and Will Julian, 455 00:40:05,320 --> 00:40:10,640 Speaker 1: story editor, Chelsea English, dialogue editor jay Anne Wang Foley, 456 00:40:11,040 --> 00:40:14,439 Speaker 1: Post Thread, full cast and crew in the description. Find 457 00:40:14,520 --> 00:40:17,399 Speaker 1: more podcasts from my Heart Radio on the iHeartRadio app, 458 00:40:17,560 --> 00:40:20,120 Speaker 1: Apple Podcasts, or wherever you listen to podcasts