WEBVTT - Hip-Propaganda

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<v Speaker 1>You're listening to Waiting on Reparations production of My Heart Radio.

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<v Speaker 1>Yo yo yo. It's like a jungle. Sometimes. It makes

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<v Speaker 1>me wonder if these other rappers really offends. They're trying

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<v Speaker 1>to plunder some clock and the recipe. Watch what the

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<v Speaker 1>message be. Pay attention to the crumbs they dropping and

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<v Speaker 1>stressing me to a less degree. They got a purpose

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<v Speaker 1>to hang me. These motherfucker's rapping as if they're working

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<v Speaker 1>for Langley Propaganda flow even not considered. So it's something

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<v Speaker 1>I can't rop with. Is the opposite of dope. But

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<v Speaker 1>they dropped some bliminals not within my scope. Your mind

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<v Speaker 1>is just the road like the dropped into commode. But

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<v Speaker 1>I run in garb my tilfoil hat want no positive

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<v Speaker 1>game because they've been spoiled. That that's stupid. Hey what up?

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<v Speaker 1>My name's Dope Knife and we are waiting on reparations.

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<v Speaker 1>Please hurry the funk up. How are you doing tonight?

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<v Speaker 1>I'm good. I'm excited. Uh, I mean I've had a

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<v Speaker 1>long day. But the House passed the pro act get

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<v Speaker 1>that ship. Yeah, I don't know if you hear about that.

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<v Speaker 1>So the explain that to us. So yeah, so the

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<v Speaker 1>pro act to Protect the Right to Organize Act of

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<v Speaker 1>the pro Act passed today in the House with five

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<v Speaker 1>Republicans joining Democrats in favor of it. It provides protections

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<v Speaker 1>for workers trying to organize UM and the labor movement.

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<v Speaker 1>You know, anybody from D s A to a bunch

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<v Speaker 1>of the big labor unions across the country have all

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<v Speaker 1>been lobbying and trying to hit their constituencies and their

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<v Speaker 1>memberships to contact their representatives and to support the pro

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<v Speaker 1>act because it's you know, it would finally level the

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<v Speaker 1>playing field that's tilted towards big business UM, making UH

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<v Speaker 1>union organizing drives and elections more accessible and power workers

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<v Speaker 1>to you know, organize and bargain UM. And so I

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<v Speaker 1>mean as as the socialist myself that believes that the

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<v Speaker 1>workers uh create all value and that they should, you know,

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<v Speaker 1>keep all value that they create. Very excited by this.

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<v Speaker 1>I think it's a good step forward. It'd be interesting

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<v Speaker 1>to see what happens with it in the Senate. UM.

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<v Speaker 1>I don't know where our senators, uh Raphael, we're knock

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<v Speaker 1>in John Assa stand on it. I know that uh

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<v Speaker 1>Lucy Makebath, she's the congresswoman for the sixth district defeated

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<v Speaker 1>Karen Handel in two thousand and eighteen, which is like

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<v Speaker 1>relevant to this current discussion because John Assa failed to

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<v Speaker 1>beat Karen Handel and what was at the time the

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<v Speaker 1>most expensive congressional race and history UM back in like

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<v Speaker 1>I think it was a special action back to Sun seventeen. Anyway,

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<v Speaker 1>Lucy Madebeth. She was on the fence. D s A

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<v Speaker 1>hit her up and like you know, labor unions were

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<v Speaker 1>all putting pressure on her. She came through and supported

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<v Speaker 1>Woo woo. So we'll see what happens to the Senate now.

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<v Speaker 1>So for those who don't know, is this would you

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<v Speaker 1>describe this as like a bold move that's going through?

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<v Speaker 1>Is this something that should have been should have been

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<v Speaker 1>done a long time ago? Well, what's sad about our

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<v Speaker 1>current political moment is that bold like bold moves and

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<v Speaker 1>things that should have happened a long time ago, like

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<v Speaker 1>that ven diagram is often a circle, but we think

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<v Speaker 1>about things like raising the minimum wage or providing universal

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<v Speaker 1>healthcare UM, and so I'd say it's a bold move

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<v Speaker 1>given like my personal low expectations of the Biden administration. UM,

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<v Speaker 1>it's I feel like it's a long time coming that

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<v Speaker 1>we restore collective bargaining rights to UM workers in places

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<v Speaker 1>like Georgia, which is a right to work state, and

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<v Speaker 1>across the nation. UM and so yeah, to mix sure both.

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<v Speaker 1>It's exciting. Nonetheless, even if it's like long overdoom, at

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<v Speaker 1>least something's getting done. At least something sounds getting done. Yeah, well,

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<v Speaker 1>what's come across my radar? I'm not sure if you

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<v Speaker 1>heard about this, but I was actually really interested in

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<v Speaker 1>your thoughts about this. So have you heard about what

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<v Speaker 1>went down with the Nevada Democratic Party? Yeah? Yeah, so, okay,

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<v Speaker 1>things are happening. There were some votes that took place.

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<v Speaker 1>I think it was over the weekend or both the

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<v Speaker 1>last week, but um, I guess five positions of leadership

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<v Speaker 1>UM in the Nevada Democratic Party were won by the

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<v Speaker 1>members of the d s A, the Democratic Socialists so UM.

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<v Speaker 1>As a result of this, the entire staff of the

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<v Speaker 1>Nevada Democratic Party quit and they pretty much rated the

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<v Speaker 1>accounts of the financial accounts before they left and took

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<v Speaker 1>like their severance pay pay, took all the money in

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<v Speaker 1>their bank accounts and like gave it to like the

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<v Speaker 1>Democratic Senatorial Campaign Committee and like pretty much just shifted

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<v Speaker 1>all their funds out of reach of the new leadership.

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<v Speaker 1>This is something that they're gonna be able to recover,

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<v Speaker 1>we're from I think so, I mean, I think that

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<v Speaker 1>like if there is well organized, as they seem to be,

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<v Speaker 1>having swept the elections, um they have, and like you know,

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<v Speaker 1>are capitalizing on the political uh enthusiasm and orientations of

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<v Speaker 1>an increasingly left leaning stain you know, as a result

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<v Speaker 1>of those organizing victories you know, into that sixteen around

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<v Speaker 1>the Bernie campaign as well and outside of that, um

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<v Speaker 1>I didn't know, I mean, and and in in addition

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<v Speaker 1>to just across the state, the popularity that there um

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<v Speaker 1>position seems to hold nationally, people like left leaning, like

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<v Speaker 1>you know, Verry left not Verry left leaning. Why should

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<v Speaker 1>I say this? Uh, socialist sympathizers and other left folks

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<v Speaker 1>UM are super stoked on this. I've known a couple

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<v Speaker 1>of folks that probably never even been in Nevada that

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<v Speaker 1>are chipping into the Nevada Democratic Party now so are like, oh,

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<v Speaker 1>hell yeah, I see you. How do I see you

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<v Speaker 1>about here? Grinded? So I think they'll be able to

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<v Speaker 1>bounce back from this national though, like, how do you

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<v Speaker 1>how does it get repeated. I mean it gets it

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<v Speaker 1>gets repeated in that um, people get like uh left

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<v Speaker 1>orgs wrather established ones or loose affiliations of people who

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<v Speaker 1>desire this kind of takeover get involved in Democratic party politics.

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<v Speaker 1>I mean like here in Athens, our are the chair

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<v Speaker 1>of our local Democratic party is is uh like a

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<v Speaker 1>It's like it's a low key socialist like whisperings don't know,

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<v Speaker 1>he doesn't He's like an Elizabeth Warren type. Let's say yeah, um,

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<v Speaker 1>and so like it could be done, and it could

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<v Speaker 1>be done in places particularly where um, I feel like, um,

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<v Speaker 1>there's not a lot there's like a strong establishment hold,

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<v Speaker 1>like where the Democratic Party is only weak A bunch

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<v Speaker 1>of energetic, well organized and like thoughtful anybody's can come

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<v Speaker 1>in and clean house and just turn it into whatever

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<v Speaker 1>they want if they show up to the meetings and

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<v Speaker 1>bring a bunch of their friends that then become voting members,

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<v Speaker 1>Like it can be done. And so yeah, taking over

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<v Speaker 1>your taking over your city party, taking over your state party. Um,

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<v Speaker 1>but just like showing up and like getting and bringing

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<v Speaker 1>people at the risk of at the risk of putting

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<v Speaker 1>heads on blast, like or would you even know what

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<v Speaker 1>cities or what states are kind of vulnerable. I mean

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<v Speaker 1>I imagine that um um well in terms of place,

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<v Speaker 1>well to start off, places that actually have strong democratic

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<v Speaker 1>parties with strong left insurgencies, well organized left insurgencies lately,

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<v Speaker 1>Like I could see I could see this having to

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<v Speaker 1>the New York State Democratic Party easily, given given the

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<v Speaker 1>organizing that like Queen's d s A and uh, you

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<v Speaker 1>know the Working Families Party have put in there and

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<v Speaker 1>electing slates of like very progressive legislators to like the

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<v Speaker 1>State Assembly, etcetera. Ye, I bet they duplicate this in

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<v Speaker 1>two years. And yeah, like I can you name other

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<v Speaker 1>states per se? Uh? I like having followed just like

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<v Speaker 1>probably have been aware of like Bernie's success in Nevada

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<v Speaker 1>as someone that was like highly involved in that campaign

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<v Speaker 1>and Eates didn't not anything this year, and like watch

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<v Speaker 1>the caucuses. Bernie like got an outrighting majority and the

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<v Speaker 1>caucuses there last year. He killed that ship last year,

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<v Speaker 1>And so I was like, oh, yeah, duff, you just

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<v Speaker 1>take that same infrastructure, all the people that was out

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<v Speaker 1>knocking on doors and all the people that was involved,

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<v Speaker 1>and you just like keep a pushing and then you know,

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<v Speaker 1>a year later, you take that ship over or whatever,

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<v Speaker 1>you know, like I mean if the trajectories, if the

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<v Speaker 1>trajectory keeps going the way that it is, yeah, I

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<v Speaker 1>mean that's exactly what we're heading because I mean I

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<v Speaker 1>don't even think we would be here if not for

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<v Speaker 1>Bernie do it hadn't having on the things that he did.

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<v Speaker 1>So yeah, yeah, and so like um, I was gonna say, um,

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<v Speaker 1>it's all progress. There's been so much talk on like

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<v Speaker 1>like with you know, the defeat of the Bernie campaign

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<v Speaker 1>and like watching the rollout of the Biden administration somewhat skeptically,

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<v Speaker 1>people being like third party politics are the way, and like,

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<v Speaker 1>you know, seeing the defeat of people like Charles Booker

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<v Speaker 1>and Kentucky or the Democratic establishment back Amy McGrath, a

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<v Speaker 1>centrist like pro Trump or pro Trump Democrat, like all

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<v Speaker 1>that kind of ship, you know, seeing the like people

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<v Speaker 1>are like, oh, third party, you gotta do it. But

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<v Speaker 1>now to have like like a like like a successful insurgency,

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<v Speaker 1>successful insurgency where it's like, no, this party can be

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<v Speaker 1>taken over and uh and we can do rad shit. Yeah,

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<v Speaker 1>like people hope that it can be done. This is

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<v Speaker 1>gonna be one of those funny episodes. I'm not even

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<v Speaker 1>sure if we've done something like this before, not necessarily

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<v Speaker 1>in terms of content, but just in terms of structure.

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<v Speaker 1>Our political discussion and our music discussion are going to

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<v Speaker 1>be one today, So we are going to be the

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<v Speaker 1>It's what we're talking about today is so connected to

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<v Speaker 1>the musical aspect of things that this whole thing is

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<v Speaker 1>just gonna be one big discussion about both. And what

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<v Speaker 1>that is is we're talking about hip hop's use as

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<v Speaker 1>being a tool for propaganda. Yeah, I feel like we

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<v Speaker 1>often discussed hip hop as like the megaphone of the people,

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<v Speaker 1>both journalistically sort of uh, you know, telegraphing what's happening

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<v Speaker 1>on the ground in various communities, but as a as

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<v Speaker 1>a sizeable cultural force over the last forty fifty years,

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<v Speaker 1>Like governments see that government's wanna want a piece of it,

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<v Speaker 1>of its magic to do their bidding. And so we're

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<v Speaker 1>gonna talk a little bit about that today. It doesn't

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<v Speaker 1>necessarily just have to be governments either. I mean, at

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<v Speaker 1>this at this point in the game, I think it's

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<v Speaker 1>I think it's a totally fair assessment to say that

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<v Speaker 1>mainstream American hip hop does serve as propaganda for other things.

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<v Speaker 1>Like there's certain certain corporate interests, certain commercial interests, propaganda exactly. Yeah,

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<v Speaker 1>even if it's not sanctioned exactly, it's all just a

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<v Speaker 1>matter of where the arrows pointed in what you're trying

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<v Speaker 1>to achieve with it. Um. So we're going to discuss

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<v Speaker 1>that the examples of hip hop being used either a

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<v Speaker 1>state sanctioned propaganda or just agenda driven propaganda, which will discuss.

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<v Speaker 1>But first of all, what is propaganda. Let's go ahead

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<v Speaker 1>and find our term. Okay, well, you know how I

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<v Speaker 1>like my wiki definition. So for propaganda right now, we

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<v Speaker 1>have Propaganda is the is communication that is primarily used

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<v Speaker 1>to influence an audience and further in agenda which may

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<v Speaker 1>not be objective and maybe since selectively presenting facts in

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<v Speaker 1>order to encourage a particular synthesis or perception, or using

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<v Speaker 1>loaded language in order to produce an emotional rather than

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<v Speaker 1>rational response to the information that is being presented. Propaganda

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<v Speaker 1>is often associated with material which is prepared by governments,

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<v Speaker 1>but activist groups, companies, religious organizations, the media, and individuals

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<v Speaker 1>are also produced propaganda. That is the first paragraph of

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<v Speaker 1>the wiki definition. How do you feel about that definition?

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<v Speaker 1>I feel well, I mean, I'm cool with the definition.

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<v Speaker 1>It's interesting to me reflecting upon the connotation of propaganda,

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<v Speaker 1>like when you hear the word propaganda, like is it

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<v Speaker 1>negative or positive? I think, uh, as a you know,

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<v Speaker 1>half Cold War kid and and war on terror kid,

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<v Speaker 1>I think that, uh, propaganda has always had a negative

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<v Speaker 1>connotation to me. It wasn't until you want to you

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<v Speaker 1>wanna know some funny ship. The first person him that

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<v Speaker 1>I heard actually use propaganda like positively to When I

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<v Speaker 1>heard them say it, I was like, Ah, that's the

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<v Speaker 1>way of looking at it is when we actually interviewed

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<v Speaker 1>propaganda like second, second or or third episode, I think,

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<v Speaker 1>but I remember it was probably it was off air,

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<v Speaker 1>and he said something about, yeah, you know, I'm just

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<v Speaker 1>you know, I'm out here trying to make this positive

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<v Speaker 1>propaganda or like you know, and I was like, oh,

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<v Speaker 1>that that is true, because like if you're if you're

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<v Speaker 1>if you're advocating like a message or an agenda, then

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<v Speaker 1>that is your propaganda. And that's not necessarily a negative

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<v Speaker 1>thing coming from you. Propaganda as negative because because of it,

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<v Speaker 1>you can be emotionally as pocative because of the selected

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<v Speaker 1>presentation of information. But propaganda is also it's like water.

0:13:52.440 --> 0:13:54.800
<v Speaker 1>Now we are fish just swimming through it all the time,

0:13:55.600 --> 0:14:00.960
<v Speaker 1>be it you know, watching Jin Saks, press briefings, Achelian Agadenes,

0:14:01.000 --> 0:14:04.280
<v Speaker 1>and it's like the way that information is fun to

0:14:04.360 --> 0:14:08.160
<v Speaker 1>gain public appeal and trust. Uh, it's it's everywhere, it's

0:14:08.200 --> 0:14:10.320
<v Speaker 1>all that's all the time. No one, no, no one's

0:14:10.320 --> 0:14:13.080
<v Speaker 1>immune to it. So we might as well, like, if

0:14:13.120 --> 0:14:16.280
<v Speaker 1>we want to get shipped done, if we have an agenda,

0:14:16.360 --> 0:14:19.280
<v Speaker 1>if we have an ideology that we think will help

0:14:19.400 --> 0:14:22.800
<v Speaker 1>lots of people, we might as well be producing propaganda.

0:14:23.760 --> 0:14:28.720
<v Speaker 1>I think it's I think it's like the manipulative quality

0:14:28.920 --> 0:14:31.680
<v Speaker 1>of it that I guess kind of makes it have

0:14:31.760 --> 0:14:34.640
<v Speaker 1>a negative connotation to it because I mean, if you're

0:14:34.800 --> 0:14:37.840
<v Speaker 1>if if you're out and you're speaking on behalf of

0:14:37.880 --> 0:14:43.200
<v Speaker 1>what you believe in and somebody's like a boom, that's propaganda.

0:14:43.360 --> 0:14:45.560
<v Speaker 1>Like you know what I'm saying, It just can't help.

0:14:45.600 --> 0:14:49.000
<v Speaker 1>But it just seems it just seems like a pejorative

0:14:49.640 --> 0:14:53.120
<v Speaker 1>just you wouldn't much rather just to present all the

0:14:53.200 --> 0:14:56.000
<v Speaker 1>facts and have someone come to the same conclusion as

0:14:56.080 --> 0:15:00.440
<v Speaker 1>you about what they mean exactly the yeah city or

0:15:00.440 --> 0:15:03.720
<v Speaker 1>their perception. But I mean that's the nature of hot persuasion,

0:15:03.880 --> 0:15:07.280
<v Speaker 1>you know, to persuade. Your persuasion isn't a logical, like

0:15:07.440 --> 0:15:11.760
<v Speaker 1>isn't a holy logical like combat terrain. It it is

0:15:11.800 --> 0:15:16.240
<v Speaker 1>emotionally evocative. You do appeal to people's lizard brains through

0:15:16.360 --> 0:15:19.440
<v Speaker 1>the colors who use and the language, you know, being

0:15:19.880 --> 0:15:22.840
<v Speaker 1>colorful as well, or like I just you know, like

0:15:23.040 --> 0:15:25.080
<v Speaker 1>it doesn't have to be all about what the facts

0:15:25.080 --> 0:15:27.760
<v Speaker 1>are as much as like, how do you appeal to folks?

0:15:27.880 --> 0:15:29.880
<v Speaker 1>So I mean, I would love to live in the

0:15:29.920 --> 0:15:34.400
<v Speaker 1>world in which like facts convinced people of like the

0:15:34.480 --> 0:15:37.840
<v Speaker 1>right things to do on their own alone. And then

0:15:38.040 --> 0:15:40.360
<v Speaker 1>and and and in the world in which everyone played

0:15:40.400 --> 0:15:42.760
<v Speaker 1>by those rules. The fact of the matter is, we

0:15:42.760 --> 0:15:44.320
<v Speaker 1>do not live in a world where everyone playing by

0:15:44.360 --> 0:15:46.560
<v Speaker 1>those rules. Even if we committed to those rules, we

0:15:46.600 --> 0:15:48.960
<v Speaker 1>would get our asses handed to us because everybody else

0:15:49.000 --> 0:15:51.560
<v Speaker 1>has used it. But everybody who's snaky or dirty or

0:15:51.600 --> 0:15:55.360
<v Speaker 1>slimier just like spinning whatever they've gotta do to get

0:15:55.640 --> 0:15:57.160
<v Speaker 1>and we would get our asks into us. We would

0:15:57.200 --> 0:15:59.400
<v Speaker 1>all be in the gulag. You can't be unarmed, and

0:15:59.400 --> 0:16:01.120
<v Speaker 1>you have to you know, you have to come in

0:16:01.160 --> 0:16:04.240
<v Speaker 1>with your got to come in with your righteous spine.

0:16:04.680 --> 0:16:07.920
<v Speaker 1>So great to a gunfight yeah, get the propaganda going.

0:16:08.320 --> 0:16:10.000
<v Speaker 1>Like I think all the raps I've written for the

0:16:10.000 --> 0:16:13.440
<v Speaker 1>show or just generally lately have been propaganda for various causes.

0:16:13.840 --> 0:16:18.880
<v Speaker 1>I would I would prefer to describe them as illustrations

0:16:18.880 --> 0:16:23.560
<v Speaker 1>of policy physicians that are appealing aesthetically. That is what's

0:16:23.560 --> 0:16:26.000
<v Speaker 1>propaganda about them, is that it doesn't necessarily just appeal

0:16:26.000 --> 0:16:27.920
<v Speaker 1>to you on the level of fact. Also fun to

0:16:27.960 --> 0:16:31.720
<v Speaker 1>listen to. You just reminded me of a rap line

0:16:32.320 --> 0:16:35.080
<v Speaker 1>that had a good propaganda line, a Mortal Technique line

0:16:35.080 --> 0:16:37.440
<v Speaker 1>from back in the day. There was a back after

0:16:37.560 --> 0:16:40.840
<v Speaker 1>nine eleven, there was a song that was made right.

0:16:40.920 --> 0:16:43.560
<v Speaker 1>It was a cover of Marvin Gay's What's going On?

0:16:43.920 --> 0:16:47.640
<v Speaker 1>But it had like every pop star in existence at

0:16:47.640 --> 0:16:50.440
<v Speaker 1>the time, like Brady Spears, Sea Aguilary, justin Timber like

0:16:50.440 --> 0:16:53.240
<v Speaker 1>they were all the fucking nigga from Creators and that ship.

0:16:53.560 --> 0:16:55.200
<v Speaker 1>It was just it was like a big you know,

0:16:55.400 --> 0:16:58.960
<v Speaker 1>we are the world type of joy, right is the worst?

0:16:59.680 --> 0:17:04.879
<v Speaker 1>Like I just that phrase. It was it. It was

0:17:04.960 --> 0:17:08.440
<v Speaker 1>little TRL lineup. But I remember years later, a couple

0:17:08.480 --> 0:17:10.679
<v Speaker 1>of years later, there was a Mortal Technique line and

0:17:10.720 --> 0:17:14.920
<v Speaker 1>he was like, um, Marvin Gaye told me what's going

0:17:15.000 --> 0:17:20.320
<v Speaker 1>on that Nick has made propaganda and your song, Um, yeah,

0:17:20.440 --> 0:17:24.120
<v Speaker 1>we are going to get into this whole propaganda thing.

0:17:24.240 --> 0:17:36.600
<v Speaker 1>Give you guys some pretty cool stories right after the jump. Alright,

0:17:36.800 --> 0:17:40.520
<v Speaker 1>So in Cuba, there is a new rap track boldly

0:17:40.600 --> 0:17:44.960
<v Speaker 1>denouncing the communist government, and it's gone viral. It's provoked

0:17:45.200 --> 0:17:48.280
<v Speaker 1>anger in its response from the Cuban government, who fired

0:17:48.320 --> 0:17:53.960
<v Speaker 1>back with their own patriotic state sanctioned salsa. Single musical

0:17:54.040 --> 0:17:59.680
<v Speaker 1>battle between ideologies like it's like the it's like the

0:17:59.680 --> 0:18:04.520
<v Speaker 1>most like ideologically laden raft beef I've ever heard of. Anyway.

0:18:04.760 --> 0:18:09.960
<v Speaker 1>The anti government track, penned Pinte de Zona Bueno El

0:18:10.040 --> 0:18:15.440
<v Speaker 1>Funky and make Losorbo, dubbed Fatherland and Life are Patriavida,

0:18:16.119 --> 0:18:20.879
<v Speaker 1>is a flip on the hallowed patriot slogan fatherland or

0:18:20.960 --> 0:18:25.800
<v Speaker 1>death slogan popularized by Fidel Castro during the nineteen Huban Revolution.

0:18:29.640 --> 0:18:33.600
<v Speaker 1>Guinea Commas video opens with the image of nineteenth century

0:18:33.600 --> 0:18:37.159
<v Speaker 1>Cuban hero Jose Marti, and it burns away to reveal

0:18:37.400 --> 0:18:41.800
<v Speaker 1>George Washington, another quote unquote revolutionary, as well as images

0:18:41.840 --> 0:18:45.960
<v Speaker 1>of poverty and protesters in the streets of Cuba. It's

0:18:46.000 --> 0:18:50.920
<v Speaker 1>over your nineteen fifty nine I'm twenty single chorus implying

0:18:51.040 --> 0:18:54.000
<v Speaker 1>the communist regime is held the Cuban people in the past.

0:18:54.760 --> 0:18:58.119
<v Speaker 1>No more lies, My people demand freedom, no more doctrines.

0:18:58.680 --> 0:19:01.679
<v Speaker 1>Those are also some lyrics from the track. Further lyrics

0:19:01.680 --> 0:19:04.440
<v Speaker 1>in the song decry food and security on the island

0:19:04.600 --> 0:19:07.880
<v Speaker 1>and some of the sometimes violent government repression of critique.

0:19:08.760 --> 0:19:12.560
<v Speaker 1>Most of the artists on the track, including Um, are

0:19:12.560 --> 0:19:15.440
<v Speaker 1>Cuban exiles. The only two living on the island still

0:19:15.480 --> 0:19:18.399
<v Speaker 1>are El Funky and Michael, who are members of the

0:19:18.480 --> 0:19:21.920
<v Speaker 1>artist collective San Citro. Um, who had one of his

0:19:22.000 --> 0:19:25.880
<v Speaker 1>members actually imprisoned by the Cuban government and whose supporters

0:19:25.920 --> 0:19:28.159
<v Speaker 1>a small group of supporters gathered outside of the culture

0:19:28.160 --> 0:19:34.879
<v Speaker 1>industry in UH road tests. Uh. I think last year, UM,

0:19:35.240 --> 0:19:37.240
<v Speaker 1>what are your thoughts on this? So, I mean, I

0:19:37.240 --> 0:19:41.280
<v Speaker 1>think it's I mean, I'm interested into the degree to

0:19:41.400 --> 0:19:45.480
<v Speaker 1>which and perhaps doing a little digging this would become

0:19:45.920 --> 0:19:54.040
<v Speaker 1>you know, unearthed, Like this ideology flows from their decision

0:19:54.119 --> 0:19:57.520
<v Speaker 1>to leave the country or whether they're living outside or

0:19:57.800 --> 0:20:03.520
<v Speaker 1>or being ex pats exiles has has like given rise

0:20:03.560 --> 0:20:06.960
<v Speaker 1>to this like burning hatred of communism. It was like

0:20:07.000 --> 0:20:09.240
<v Speaker 1>we left Cuba because of communism, which many people did,

0:20:09.880 --> 0:20:13.120
<v Speaker 1>or it's like living outside of Cuba and like being

0:20:13.160 --> 0:20:19.360
<v Speaker 1>exposed to more capitalist ideology through the propaganda that circulates

0:20:19.359 --> 0:20:22.720
<v Speaker 1>freely in other Western countries. It is like, you know what,

0:20:22.800 --> 0:20:25.159
<v Speaker 1>actually fuck it back home, Like those motherfucker's don't know

0:20:25.160 --> 0:20:28.800
<v Speaker 1>how to live? Yeah, well, I mean um. The article

0:20:28.880 --> 0:20:33.000
<v Speaker 1>from the Financial Times which brought this story to our radar,

0:20:33.200 --> 0:20:35.760
<v Speaker 1>it kind of mentions that, you know, there's a generational

0:20:35.840 --> 0:20:39.119
<v Speaker 1>shift where there is a you know, a particularly strong

0:20:39.800 --> 0:20:45.320
<v Speaker 1>anti government bent to the younger generation of Cubans. Um.

0:20:45.359 --> 0:20:48.680
<v Speaker 1>The article did mention that that anti Cuban government bent

0:20:48.760 --> 0:20:52.920
<v Speaker 1>also comes with a pro Trump leaning. So I'd be curious.

0:20:52.960 --> 0:20:57.040
<v Speaker 1>I'd be curious as to whether what's the name youth,

0:20:57.520 --> 0:21:00.160
<v Speaker 1>I'd be interested in what his his views are are

0:21:00.240 --> 0:21:04.960
<v Speaker 1>of you know, the Trump administration or even America, just America,

0:21:04.960 --> 0:21:07.880
<v Speaker 1>the American empire in general. Right, because in this song,

0:21:07.920 --> 0:21:10.240
<v Speaker 1>they're kind of like wrapping about what they're against. They're

0:21:10.280 --> 0:21:16.879
<v Speaker 1>against people waiting in breadlines, they're against government repression and censorship, um,

0:21:16.920 --> 0:21:19.200
<v Speaker 1>but not really like articulate a vision of what they're for.

0:21:19.560 --> 0:21:23.280
<v Speaker 1>So if it's like, yeah, uh, I don't wanna eth

0:21:23.320 --> 0:21:27.560
<v Speaker 1>no state and like kill sex workers in life, you know,

0:21:28.480 --> 0:21:31.560
<v Speaker 1>trans people, like send them to a lecture, shock therapy.

0:21:31.640 --> 0:21:33.360
<v Speaker 1>I don't know, I don't know what they're for exactly.

0:21:33.400 --> 0:21:35.080
<v Speaker 1>It's like it's hard to if you want to get

0:21:35.119 --> 0:21:38.960
<v Speaker 1>on board because it's something revolutionary, but not all revolutions

0:21:38.960 --> 0:21:41.159
<v Speaker 1>are in your favorite type of thing. Right if it

0:21:41.200 --> 0:21:43.640
<v Speaker 1>weren't for the context in which the song would produced,

0:21:44.440 --> 0:21:46.359
<v Speaker 1>like if you just picked it up and dropped it

0:21:46.960 --> 0:21:51.439
<v Speaker 1>in the middle of Detroit or something like, the message

0:21:51.440 --> 0:21:55.080
<v Speaker 1>still stands that, like, suck the government, suck the way

0:21:55.240 --> 0:21:58.280
<v Speaker 1>your censorship and your repression. We've got people standing in

0:21:58.359 --> 0:22:01.600
<v Speaker 1>breadlines in Texas, you know what I mean, Like, oh,

0:22:01.640 --> 0:22:05.000
<v Speaker 1>you know, the poverty and all that stuff. So really

0:22:05.040 --> 0:22:08.680
<v Speaker 1>it's like I get like, okay, we're you know, your

0:22:08.720 --> 0:22:11.840
<v Speaker 1>in your experiences informed by like the system you've lived under,

0:22:12.480 --> 0:22:16.760
<v Speaker 1>and so if you live under a communist regime, like

0:22:17.280 --> 0:22:21.560
<v Speaker 1>you become a critical critical communism as much as living

0:22:21.560 --> 0:22:24.800
<v Speaker 1>in a capitalist one. UM. We're like we've see everything

0:22:24.800 --> 0:22:26.760
<v Speaker 1>going on and we're critiquing in we're like you know,

0:22:26.880 --> 0:22:29.840
<v Speaker 1>hating in our songs, um. But it's all like it's

0:22:29.840 --> 0:22:33.639
<v Speaker 1>all anti governments. Like I feel like this the generational

0:22:33.680 --> 0:22:36.160
<v Speaker 1>divide that you're talking about. It is like young people

0:22:36.280 --> 0:22:39.840
<v Speaker 1>don't are like anti authoritarians exactly exactly, and that's it.

0:22:39.880 --> 0:22:41.760
<v Speaker 1>That's like what we all have in common, regardless of

0:22:41.760 --> 0:22:45.919
<v Speaker 1>whether we're critiquing you know, communism, capitalism. Now, the song,

0:22:46.280 --> 0:22:48.760
<v Speaker 1>which I'm going to call by its English title Father

0:22:48.840 --> 0:22:51.040
<v Speaker 1>of Life because I don't want to put your any

0:22:51.560 --> 0:22:54.720
<v Speaker 1>Spanish right now. Um, but the the song has received

0:22:54.720 --> 0:22:58.800
<v Speaker 1>the predictable backlash from the official Cuban media. They've branded

0:22:58.840 --> 0:23:03.919
<v Speaker 1>the rappers US loving traders and mercenaries tools of the Empire,

0:23:04.119 --> 0:23:09.160
<v Speaker 1>and they've called the song an attempt at gross political interference.

0:23:09.640 --> 0:23:12.360
<v Speaker 1>And the funny part about all this that like that's

0:23:12.440 --> 0:23:15.560
<v Speaker 1>what I find hilarious and like, so what's the word

0:23:15.600 --> 0:23:18.440
<v Speaker 1>for it? Just like so ham fisted, it's it's pretty

0:23:18.560 --> 0:23:23.600
<v Speaker 1>much like a fucking propaganda off, you know, rap battle, well,

0:23:23.640 --> 0:23:24.919
<v Speaker 1>I don't even know if you could call it rap

0:23:24.960 --> 0:23:29.560
<v Speaker 1>battle or song song versus where the government has launched

0:23:29.600 --> 0:23:36.200
<v Speaker 1>their own, like you said, salsa inspired rappi pop jingle

0:23:36.480 --> 0:23:43.439
<v Speaker 1>that's entitled you want to Say that pat or Fatherland

0:23:44.119 --> 0:23:48.159
<v Speaker 1>or death or Life, which it's play on both of

0:23:48.240 --> 0:23:52.080
<v Speaker 1>the titles of like the slogan Fatherland or Death at

0:23:52.119 --> 0:23:54.800
<v Speaker 1>the title of the other song, Fatherland and Life, So

0:23:54.840 --> 0:23:59.160
<v Speaker 1>it's like fatherland or death for life. It really feels

0:23:59.200 --> 0:24:05.000
<v Speaker 1>like we're gonna call our father later. Yeah, let's check

0:24:05.040 --> 0:24:14.080
<v Speaker 1>out this track. Let's check out this track. The track

0:24:14.119 --> 0:24:17.639
<v Speaker 1>featured the upper the Financial Times. The track features five

0:24:17.680 --> 0:24:25.320
<v Speaker 1>officially sanctioned performers led by singer songwriter Raoul Torres, singing

0:24:25.320 --> 0:24:28.440
<v Speaker 1>a robust salsa rebuttal to the rappers against the backdrop

0:24:28.480 --> 0:24:32.199
<v Speaker 1>of the Cuban flag. You can his lyrics read you

0:24:32.240 --> 0:24:35.119
<v Speaker 1>can cash in by licking the arrogance of the empire.

0:24:36.800 --> 0:24:39.560
<v Speaker 1>And you can cash in by singing that you're against

0:24:39.600 --> 0:24:43.320
<v Speaker 1>poverty from a satin sofa. I'm not even on a trip.

0:24:43.320 --> 0:24:46.960
<v Speaker 1>And this is not because I'm a socialist, um Like

0:24:47.080 --> 0:24:51.480
<v Speaker 1>this is purely on like lyrical grounds. I honestly think

0:24:51.520 --> 0:24:54.600
<v Speaker 1>the salsa song is. But those lyrics you can cash

0:24:54.680 --> 0:24:58.800
<v Speaker 1>in by licking the arrogance of the empire. That fucking bangs,

0:24:58.840 --> 0:25:01.680
<v Speaker 1>are you kidding? That's can dope, Like I'm not even

0:25:01.680 --> 0:25:04.479
<v Speaker 1>this also like that and that's like pretty ill as

0:25:04.520 --> 0:25:07.240
<v Speaker 1>opposed to like, ohn't know the lyrics of the other

0:25:07.280 --> 0:25:10.360
<v Speaker 1>song like a little week and like generic to everything.

0:25:10.600 --> 0:25:13.440
<v Speaker 1>Everything has to be taken in context, right, because it's

0:25:13.480 --> 0:25:16.399
<v Speaker 1>like if you don't if you just look at the

0:25:16.520 --> 0:25:19.280
<v Speaker 1>video to the Rebuttal on its own, but you know

0:25:19.400 --> 0:25:22.200
<v Speaker 1>the story, it really does seem like, you know what

0:25:22.200 --> 0:25:24.000
<v Speaker 1>I mean, they're like in front of the Cuban flag

0:25:24.160 --> 0:25:29.199
<v Speaker 1>and it's not as well produced. Their video has like

0:25:29.240 --> 0:25:32.639
<v Speaker 1>an obviously lower budget than the Rappers video, so it

0:25:32.720 --> 0:25:35.359
<v Speaker 1>just comes across looking and then everybody in the ship

0:25:35.560 --> 0:25:42.159
<v Speaker 1>is like older. It just comes across looking like some

0:25:42.359 --> 0:25:45.440
<v Speaker 1>hookey after school special stuff, especially when you know it's

0:25:45.480 --> 0:25:48.200
<v Speaker 1>in Rebuttal to the rap song where everybody's got the

0:25:48.280 --> 0:25:50.800
<v Speaker 1>shirt off look at all cool. You know, I'm saying

0:25:50.840 --> 0:25:53.399
<v Speaker 1>it like looks like an actual like rap video and

0:25:53.520 --> 0:25:56.280
<v Speaker 1>compared to comparison to this one. So I just seem

0:25:56.320 --> 0:25:58.680
<v Speaker 1>to me is that in both videos, the Cuban flag

0:25:58.800 --> 0:26:04.040
<v Speaker 1>is featured prominently in Patoo Patoo Vita, like one guy's

0:26:04.040 --> 0:26:06.720
<v Speaker 1>got it like draped over his shoulders and so like

0:26:06.840 --> 0:26:10.200
<v Speaker 1>it's interesting to me that there's this patriotism brought, this

0:26:10.359 --> 0:26:13.679
<v Speaker 1>patriot patriotic current running it underneath both of them. The

0:26:13.720 --> 0:26:17.760
<v Speaker 1>Patria Vita video is like I want freedom for by

0:26:17.760 --> 0:26:20.439
<v Speaker 1>people like I love the people of my country. I

0:26:20.480 --> 0:26:25.280
<v Speaker 1>got my flag like I want freedom for Cuba, um.

0:26:25.280 --> 0:26:29.480
<v Speaker 1>Whereas like I feel like another like anti authoritarian like

0:26:30.520 --> 0:26:34.320
<v Speaker 1>movement context. You wouldn't see somebody in like ah, like

0:26:34.680 --> 0:26:37.720
<v Speaker 1>you down with the government. I guess actually that's wrong.

0:26:38.200 --> 0:26:39.800
<v Speaker 1>I would love about that. You wouldn't see somebody like

0:26:40.000 --> 0:26:42.479
<v Speaker 1>down with the government and like waving in American flag

0:26:42.960 --> 0:26:45.680
<v Speaker 1>in the States. But then I'd forgot about Danny way six. Yeah,

0:26:46.480 --> 0:26:51.639
<v Speaker 1>I'm wrong. I'd say all of that Antifa. You know,

0:26:51.640 --> 0:26:53.880
<v Speaker 1>you wouldn't see like Antifa out with like American fat

0:26:54.040 --> 0:26:57.040
<v Speaker 1>like yo the government like you would like. It didn't

0:26:57.040 --> 0:26:58.600
<v Speaker 1>occur to me at first, and like, I don't know

0:26:58.720 --> 0:27:01.040
<v Speaker 1>why it was patriot to them. I don't know if

0:27:01.040 --> 0:27:05.359
<v Speaker 1>refreshing is the word, but there's something to be said about,

0:27:05.680 --> 0:27:11.119
<v Speaker 1>you know, a sort of anti government sentiment that still

0:27:11.280 --> 0:27:14.000
<v Speaker 1>is nationalistic at the same time, you know what I mean.

0:27:14.119 --> 0:27:17.480
<v Speaker 1>Almost it's kind of like we love the place where

0:27:17.520 --> 0:27:20.639
<v Speaker 1>we're from, but we hate the people in charge. I

0:27:20.760 --> 0:27:22.800
<v Speaker 1>feel like people, Yeah, I don't know. Most of the

0:27:22.880 --> 0:27:26.560
<v Speaker 1>anti authoritarian people I can think of in my life

0:27:26.920 --> 0:27:30.240
<v Speaker 1>were like in my Twitter sphere are like no, man,

0:27:30.760 --> 0:27:34.120
<v Speaker 1>like we need to start over and like from scratch,

0:27:34.320 --> 0:27:37.360
<v Speaker 1>like America, we need to get rid of America kind

0:27:37.359 --> 0:27:40.160
<v Speaker 1>of people, which is just just like, well, you know, there's

0:27:40.200 --> 0:27:42.960
<v Speaker 1>the question of whether or not this is resonating. These

0:27:43.000 --> 0:27:47.560
<v Speaker 1>two songs are resonating so far. The anti government track

0:27:48.000 --> 0:27:51.800
<v Speaker 1>has three times the YouTube views as it's a government

0:27:51.880 --> 0:27:56.480
<v Speaker 1>sanctioned rebuttal Um in interviews that the Financial Time Financial

0:27:56.480 --> 0:28:00.600
<v Speaker 1>Times conducted with everyday Cubans, you know, the SENTI seems

0:28:00.640 --> 0:28:03.760
<v Speaker 1>to be the people are aware of the issue, and

0:28:03.800 --> 0:28:07.879
<v Speaker 1>they're aware of the government response. But you know, everyone's

0:28:08.119 --> 0:28:11.560
<v Speaker 1>worried about putting food on the table and you know,

0:28:11.680 --> 0:28:15.679
<v Speaker 1>avoiding Corona, and it's not necessarily something that people are

0:28:15.680 --> 0:28:18.720
<v Speaker 1>talking about in the food cues. Yeah, people aren't worried

0:28:18.720 --> 0:28:22.120
<v Speaker 1>about the ship. They're like, oh, there's like this rappive

0:28:22.119 --> 0:28:27.960
<v Speaker 1>happening between my government some rappers. I would also say

0:28:28.000 --> 0:28:31.080
<v Speaker 1>that the anti government track having three times as many

0:28:31.119 --> 0:28:34.720
<v Speaker 1>views on YouTube might also speak to anti communist sentiment

0:28:36.040 --> 0:28:39.920
<v Speaker 1>of general Cubans living outside of the US, which you know,

0:28:40.040 --> 0:28:43.720
<v Speaker 1>people living in Florida, other expats, people within the communist

0:28:43.760 --> 0:28:46.240
<v Speaker 1>views around the world be like oh hell yeah, that's

0:28:46.280 --> 0:28:50.760
<v Speaker 1>dope versus like, you know, this is one explanation. Yeah,

0:28:50.800 --> 0:28:54.040
<v Speaker 1>people are worried about this. I I don't blame them.

0:28:54.080 --> 0:28:55.840
<v Speaker 1>I would let me laughing my ass office when she

0:28:55.960 --> 0:28:58.400
<v Speaker 1>was going down to the United States. Do you mean

0:28:58.440 --> 0:29:03.480
<v Speaker 1>to tell me, well, we'll see. That's the thing. It's like,

0:29:03.920 --> 0:29:08.120
<v Speaker 1>what's just like when we were talking about Pablo a

0:29:08.160 --> 0:29:11.520
<v Speaker 1>couple of weeks ago, It's like you can't even really

0:29:11.880 --> 0:29:15.720
<v Speaker 1>imagine this sort of ship happening in the US. I mean,

0:29:15.840 --> 0:29:20.880
<v Speaker 1>when when we're talking about American rat and in that context,

0:29:20.960 --> 0:29:26.080
<v Speaker 1>it's like motherfucker's are getting arrested for other stuff. You know,

0:29:26.160 --> 0:29:28.960
<v Speaker 1>like like rappers in the US aren't getting arrested because

0:29:28.960 --> 0:29:32.320
<v Speaker 1>they said something that made the government mad. I'm not

0:29:32.400 --> 0:29:35.440
<v Speaker 1>saying that it couldn't happen. I'm just saying, you know,

0:29:36.400 --> 0:29:39.600
<v Speaker 1>rappers with the big enough platform aren't doing that. So

0:29:40.480 --> 0:29:43.400
<v Speaker 1>and they haven't really done that for like thirty years.

0:29:43.520 --> 0:29:46.640
<v Speaker 1>So it's like even imagining the situate, the scenario playing

0:29:46.640 --> 0:29:49.920
<v Speaker 1>out in the US is is difficult to the closest

0:29:49.960 --> 0:29:53.040
<v Speaker 1>thing I can imagine is the like rock the Vote,

0:29:54.680 --> 0:29:58.480
<v Speaker 1>which isn't official. Yeah, but you know, it's kind of

0:29:58.520 --> 0:30:01.880
<v Speaker 1>like corny and like people are like, do you want

0:30:01.880 --> 0:30:04.080
<v Speaker 1>to know what an example of it would be. It

0:30:04.080 --> 0:30:09.200
<v Speaker 1>would be if one of these maga's, what are these

0:30:09.200 --> 0:30:13.800
<v Speaker 1>like maga insurrectionists? If they were a rapper, you know

0:30:13.800 --> 0:30:15.840
<v Speaker 1>what I'm saying, Like, like if there was a Q

0:30:16.000 --> 0:30:18.720
<v Speaker 1>and on rapper talking about like, hey, you gotta storm

0:30:18.800 --> 0:30:23.360
<v Speaker 1>the capitol, you gotta kidnap the governor, Like yeah, that

0:30:23.800 --> 0:30:26.000
<v Speaker 1>would get the FBI at your door. That that would

0:30:26.720 --> 0:30:29.280
<v Speaker 1>that would probably bring the government down on you, at

0:30:29.360 --> 0:30:32.000
<v Speaker 1>least the Biden administration. It's only a matter of time

0:30:32.080 --> 0:30:37.000
<v Speaker 1>to the comfort no name that set god ship all

0:30:37.040 --> 0:30:41.080
<v Speaker 1>episode on her political evolution and she's working on and

0:30:41.160 --> 0:30:43.080
<v Speaker 1>the fact that she's definitely gonna get black back, but

0:30:43.200 --> 0:30:46.000
<v Speaker 1>the government at some point, well, let's please knock on

0:30:46.160 --> 0:30:49.640
<v Speaker 1>wood and yeah, please let her drop that album first.

0:30:49.680 --> 0:30:53.200
<v Speaker 1>At least, god damn, she's got to be five. So

0:30:53.240 --> 0:30:56.440
<v Speaker 1>we're gonna we're gonna teleport across the sea and we're

0:30:56.440 --> 0:30:59.760
<v Speaker 1>gonna go to the People's Republic of China. Talk about

0:30:59.800 --> 0:31:04.240
<v Speaker 1>the hip hop group c D Rev in their two

0:31:04.280 --> 0:31:08.240
<v Speaker 1>thousand sixteen track This is China. Now, let's take a

0:31:08.280 --> 0:31:10.600
<v Speaker 1>listen to this, because I really do believe that this

0:31:10.680 --> 0:31:20.120
<v Speaker 1>is incredible and none of goods he made this song.

0:31:21.480 --> 0:31:26.240
<v Speaker 1>According to them, this is too correct some misconceptions about

0:31:26.280 --> 0:31:29.080
<v Speaker 1>contemporary China. So his his point that he was making

0:31:29.120 --> 0:31:32.840
<v Speaker 1>about the pollution as he was saying, yeah, we have pollution,

0:31:32.960 --> 0:31:38.760
<v Speaker 1>but so did l A. I mean, you know, as

0:31:38.760 --> 0:31:44.120
<v Speaker 1>far as as far as um maliciousness goes, it's not

0:31:44.360 --> 0:31:47.520
<v Speaker 1>very malicious or anything like that, but it's just it's

0:31:47.560 --> 0:31:52.440
<v Speaker 1>like walking that fine line where it definitely does seem

0:31:52.520 --> 0:31:56.600
<v Speaker 1>like it's state run. There was a article in the

0:31:56.640 --> 0:32:02.640
<v Speaker 1>Communications and Critical Cultural Studies shan Zu, and the point

0:32:02.720 --> 0:32:05.440
<v Speaker 1>was made that while CD revs hip hop may not

0:32:05.640 --> 0:32:09.960
<v Speaker 1>look like conventional propaganda, it functions as ideo attainment, which

0:32:10.000 --> 0:32:14.160
<v Speaker 1>fuses state interests in citizens nationalism. And I think that's

0:32:14.280 --> 0:32:16.640
<v Speaker 1>that's kind of the fine line that they draw, because

0:32:17.560 --> 0:32:20.680
<v Speaker 1>I mean, if you told me that that had the

0:32:20.680 --> 0:32:24.560
<v Speaker 1>backing of like the Chinese government, I would believe it.

0:32:24.880 --> 0:32:27.560
<v Speaker 1>But if you told me that that was just some kids,

0:32:27.800 --> 0:32:31.840
<v Speaker 1>you know, some contemporary kids in China just making you know,

0:32:31.920 --> 0:32:34.600
<v Speaker 1>pro China hip hop, it could kind of sound like

0:32:34.640 --> 0:32:38.920
<v Speaker 1>that too. It hasn't very yeah, exactly, it has a

0:32:38.960 --> 0:32:41.960
<v Speaker 1>repping where they're from sort of vibe to it that

0:32:42.680 --> 0:32:46.240
<v Speaker 1>you know can and and because they wrap in English too,

0:32:46.880 --> 0:32:49.479
<v Speaker 1>I guess that's another aspect of it, that there might

0:32:49.560 --> 0:32:53.480
<v Speaker 1>be a little bit of trans a little bit of

0:32:53.520 --> 0:32:57.400
<v Speaker 1>meaning that that's being distorted in translation because because they're

0:32:57.400 --> 0:33:00.719
<v Speaker 1>wrapping in English, it really makes the propaganda end of

0:33:00.720 --> 0:33:05.080
<v Speaker 1>it shine because it's not really rhyming that much. You know,

0:33:05.200 --> 0:33:09.200
<v Speaker 1>it's just like question like who's it for exactly? It's

0:33:09.280 --> 0:33:11.920
<v Speaker 1>not in their native tongue. It's like if you're you're

0:33:11.920 --> 0:33:15.120
<v Speaker 1>producing in English so that English speakers will hear it,

0:33:15.920 --> 0:33:20.080
<v Speaker 1>You're what, like why are you like? That awareness of

0:33:20.120 --> 0:33:24.160
<v Speaker 1>audience makes you feel like it's propaganda in that they're

0:33:24.160 --> 0:33:26.640
<v Speaker 1>trying to convince you of something about that we're a

0:33:26.640 --> 0:33:29.880
<v Speaker 1>country as opposed to like just reporting on it to

0:33:30.040 --> 0:33:34.640
<v Speaker 1>other people who have that same like cultural like foundation

0:33:34.800 --> 0:33:37.880
<v Speaker 1>of like shared a shared language. Well, how do you feel? Um?

0:33:39.240 --> 0:33:42.440
<v Speaker 1>You know? A few months ago, when the protests in

0:33:42.440 --> 0:33:44.760
<v Speaker 1>Hong Kong were really revving up, they dropped the track

0:33:45.320 --> 0:33:48.480
<v Speaker 1>that was essentially a diss song to the protesters, like

0:33:48.560 --> 0:33:51.880
<v Speaker 1>why are you protesting? Get off the streets, like the

0:33:52.200 --> 0:33:55.000
<v Speaker 1>Chinese government wants to help you, you're ruining everything like,

0:33:55.200 --> 0:33:59.160
<v Speaker 1>those are the sentiments that were expressed in that song democracy,

0:33:59.360 --> 0:34:03.600
<v Speaker 1>Why yea are we somewhere so hard to seek again?

0:34:03.800 --> 0:34:07.960
<v Speaker 1>It's like if you didn't think that they were of

0:34:08.920 --> 0:34:15.279
<v Speaker 1>government funded propaganda group in that Hong Kong one definitely

0:34:15.360 --> 0:34:24.440
<v Speaker 1>kind of makes it feel like they might be hip hopping.

0:34:24.880 --> 0:34:28.840
<v Speaker 1>The powerful cultural tool that it can be. It's capabilities

0:34:29.600 --> 0:34:36.080
<v Speaker 1>UM have been used for propaganda across respection possible. In Europe,

0:34:36.160 --> 0:34:39.640
<v Speaker 1>counter terrorists, experts and authorities have been monitoring what they

0:34:39.680 --> 0:34:45.240
<v Speaker 1>called jihad rap for Salon. American and European terrorism experts

0:34:45.239 --> 0:34:50.400
<v Speaker 1>have been increasingly and concerned over anti American hip hop UM,

0:34:50.440 --> 0:34:53.960
<v Speaker 1>accending the radicalizing influence of the genre, noting that Al Shabab,

0:34:54.160 --> 0:34:57.040
<v Speaker 1>a Somali based Islamist group, uses jihad wrap and its

0:34:57.160 --> 0:35:01.759
<v Speaker 1>recruitment videos. Avand scholar disca stern and foretant affairs first

0:35:01.800 --> 0:35:04.920
<v Speaker 1>and second generation Muslim children I interviewed for study of

0:35:04.920 --> 0:35:07.399
<v Speaker 1>the sources of radicalization and the Netherlands seemed to think

0:35:07.440 --> 0:35:09.640
<v Speaker 1>that talking about g hop was cool in the same

0:35:09.640 --> 0:35:12.200
<v Speaker 1>way that listening to gangster wrap and is cool in

0:35:12.239 --> 0:35:16.360
<v Speaker 1>some use circles. Others have advocated mobilizing certain substyles of

0:35:16.440 --> 0:35:19.880
<v Speaker 1>hip hop against this jihad cool and you're a hip

0:35:19.920 --> 0:35:23.560
<v Speaker 1>hop is used, is being used to enlist is hip

0:35:23.640 --> 0:35:26.440
<v Speaker 1>hop is being enlisted in a broad ideological offensive to

0:35:26.560 --> 0:35:31.040
<v Speaker 1>counter domestic extremism. On the one side, you have these

0:35:31.080 --> 0:35:33.160
<v Speaker 1>counter cold the way that hip hop is, you know,

0:35:33.239 --> 0:35:37.760
<v Speaker 1>it's like foundationally countercultural. Like it's cool because it's gritty

0:35:37.840 --> 0:35:40.400
<v Speaker 1>and it's from the streets. Some people you know that

0:35:40.960 --> 0:35:43.880
<v Speaker 1>I guess have created a matter where stre you know,

0:35:44.160 --> 0:35:46.160
<v Speaker 1>no matter where your streets are. Yeah, and so it's like, yo,

0:35:46.320 --> 0:35:49.680
<v Speaker 1>I you know, gihad is cool because it's it's it's

0:35:49.680 --> 0:35:53.440
<v Speaker 1>anti establishment, it's anti it's uh, it's like this a

0:35:53.680 --> 0:35:57.080
<v Speaker 1>way to organize ourselves outside of the main stream and

0:35:57.160 --> 0:35:59.520
<v Speaker 1>pushed back against it, which is just like kind of

0:35:59.520 --> 0:36:01.839
<v Speaker 1>horrifying to me, but like it makes sense in a way,

0:36:01.920 --> 0:36:05.719
<v Speaker 1>like oh of course, like yeah, I see how that's

0:36:05.840 --> 0:36:08.520
<v Speaker 1>that slope would be slippery, and I do. I do

0:36:08.719 --> 0:36:14.640
<v Speaker 1>like that gangster rap comparison too, because it's like something

0:36:14.680 --> 0:36:17.320
<v Speaker 1>can start from one place, you know what I'm saying,

0:36:17.440 --> 0:36:20.759
<v Speaker 1>but in the wrong hands it can be used to

0:36:20.800 --> 0:36:23.279
<v Speaker 1>cause harm, you know what I'm saying, Like like all

0:36:23.320 --> 0:36:27.280
<v Speaker 1>the way around. Um, like the Cuban government. The Western

0:36:27.320 --> 0:36:32.240
<v Speaker 1>Powers have pondered countering this with moderate Muslim hip hop voices. However,

0:36:32.280 --> 0:36:35.520
<v Speaker 1>they've been much more hesitant to just outright do so

0:36:35.840 --> 0:36:38.080
<v Speaker 1>like the Cuban government has, and it's mainly because they

0:36:38.080 --> 0:36:44.319
<v Speaker 1>don't necessarily know who they should really be fucking without.

0:36:44.400 --> 0:36:48.239
<v Speaker 1>In the music video, are these guys cool? No? I

0:36:48.239 --> 0:36:51.840
<v Speaker 1>don't like that. There's an example of them getting burned.

0:36:51.920 --> 0:36:55.040
<v Speaker 1>So in the Netherlands, there's a Dutch Moroccan rapper by

0:36:55.040 --> 0:36:58.120
<v Speaker 1>the name of Salah a Dean and he dropped a

0:36:58.160 --> 0:37:03.759
<v Speaker 1>song and video called Van or This Country of Uh.

0:37:03.840 --> 0:37:06.719
<v Speaker 1>In the song he criticizes the government, which in the

0:37:06.760 --> 0:37:11.239
<v Speaker 1>Netherlands is becoming increasingly more conservative. He criticizes the red

0:37:11.360 --> 0:37:15.160
<v Speaker 1>light district with lines like this land that sells women

0:37:15.200 --> 0:37:19.200
<v Speaker 1>from behind window panes um And in the video he's

0:37:19.200 --> 0:37:22.000
<v Speaker 1>got like some terrorist imagery. There's like a scene of

0:37:22.040 --> 0:37:27.279
<v Speaker 1>a grandfather of who's got a suicide vest on. He's

0:37:27.320 --> 0:37:31.359
<v Speaker 1>being detained by the police. And even uh A Dean

0:37:31.520 --> 0:37:34.440
<v Speaker 1>himself appears at the beginning of the video where he's

0:37:34.440 --> 0:37:36.920
<v Speaker 1>clean shaven and he's in a house and he you know,

0:37:36.960 --> 0:37:39.600
<v Speaker 1>he's in like a regular domesticated house and he's rapping,

0:37:39.880 --> 0:37:42.720
<v Speaker 1>and as the video goes on, his face becomes more scruffy,

0:37:42.760 --> 0:37:44.400
<v Speaker 1>until by the time you get to the end of

0:37:44.400 --> 0:37:47.200
<v Speaker 1>the song, he's got a full beard. He's wearing a

0:37:47.239 --> 0:37:50.040
<v Speaker 1>Guantanamo jumpsuit and he's about to get water boarded and

0:37:50.040 --> 0:37:54.320
<v Speaker 1>stuff like that. So yeah, I mean, and in my opinion,

0:37:54.600 --> 0:37:57.200
<v Speaker 1>it's done artfully. But this is the only song in

0:37:57.360 --> 0:37:59.359
<v Speaker 1>video that I've seen of the guy before I go

0:37:59.400 --> 0:38:02.919
<v Speaker 1>ahead and co signed from from my opinion and also

0:38:02.960 --> 0:38:05.080
<v Speaker 1>not understanding the words, but it seems like, you know,

0:38:05.080 --> 0:38:08.759
<v Speaker 1>it's an artful take on controversial subject matter. But in

0:38:08.840 --> 0:38:12.360
<v Speaker 1>any event, the video was paid for by a grant

0:38:12.680 --> 0:38:15.920
<v Speaker 1>from the Dutch Ministry of Culture that a dean had

0:38:15.960 --> 0:38:19.720
<v Speaker 1>received for the video's production. So this caused the ship storm.

0:38:20.000 --> 0:38:25.560
<v Speaker 1>You know, we're voting it's um let's listen to that

0:38:25.600 --> 0:38:35.719
<v Speaker 1>song real from the Best Muslim hatless slum out Father. Still,

0:38:41.880 --> 0:38:45.719
<v Speaker 1>you know it's like this. I can see what they

0:38:46.160 --> 0:38:49.279
<v Speaker 1>I see what they mean because you know, we experienced

0:38:49.320 --> 0:38:52.080
<v Speaker 1>this on our end too. It's like hip hop makes

0:38:52.080 --> 0:38:56.240
<v Speaker 1>ship cool. I'm sorry, it just does. It makes stuff cool.

0:38:56.520 --> 0:38:59.960
<v Speaker 1>It there's a there's a sleekness and there's a mystique

0:39:00.080 --> 0:39:03.360
<v Speaker 1>to it that it provides to whatever you're talking about.

0:39:03.800 --> 0:39:08.120
<v Speaker 1>Like I'm old enough to remember when you know, people

0:39:08.200 --> 0:39:10.920
<v Speaker 1>weren't really fucking with pimps like that, you know what

0:39:11.000 --> 0:39:14.240
<v Speaker 1>I'm saying, And like pimps became cool at some point

0:39:14.320 --> 0:39:18.560
<v Speaker 1>because rappers started talking about them favorably and ship like that.

0:39:18.760 --> 0:39:21.640
<v Speaker 1>Now I'm not I'm not, you know, saying that a

0:39:21.760 --> 0:39:28.320
<v Speaker 1>dean is necessarily promoting terrorism or anything through this song,

0:39:29.120 --> 0:39:35.240
<v Speaker 1>but there is a there's a chic to it, you know. Yeah,

0:39:35.320 --> 0:39:40.560
<v Speaker 1>it raises the conversation again of like like documentation versus promotion,

0:39:41.400 --> 0:39:47.640
<v Speaker 1>like to like the the accusal hip hop oftentimes faces

0:39:47.640 --> 0:39:51.319
<v Speaker 1>of like promoting violence, promoting drug dealing, promoting these things.

0:39:51.320 --> 0:39:55.000
<v Speaker 1>When it's like or are people just describing it like

0:39:55.040 --> 0:39:57.520
<v Speaker 1>they're just like they're just telling you what's happening, rather

0:39:57.560 --> 0:39:59.320
<v Speaker 1>than like, oh I think it's cool. I mean, sometimes

0:39:59.360 --> 0:40:01.040
<v Speaker 1>yeah it is, Oh yeah, I think that's cool. But

0:40:01.080 --> 0:40:05.440
<v Speaker 1>I'm notimes just like yo, shot a guy what and

0:40:05.480 --> 0:40:10.239
<v Speaker 1>they're like just you know, documenting their experiences. I think it, um,

0:40:10.280 --> 0:40:12.560
<v Speaker 1>it's like a case by case basis. With me, I

0:40:12.600 --> 0:40:16.480
<v Speaker 1>don't think that it can be like broadly painted that way.

0:40:16.560 --> 0:40:19.200
<v Speaker 1>I think that, Um, you know, it's like when you

0:40:19.239 --> 0:40:21.040
<v Speaker 1>when you see it, you when you hear it, you

0:40:21.080 --> 0:40:22.480
<v Speaker 1>know it. You know what I'm saying, Like if when

0:40:22.480 --> 0:40:26.000
<v Speaker 1>you hear somebody who's documenting things that they've seen and

0:40:26.040 --> 0:40:29.360
<v Speaker 1>they're presenting, even if it has a little bit of

0:40:29.400 --> 0:40:33.560
<v Speaker 1>that glamorizing you know, vibe to it, there's a way

0:40:33.560 --> 0:40:36.160
<v Speaker 1>to go about something like you're documenting it. Then there's

0:40:36.160 --> 0:40:38.359
<v Speaker 1>a way to go about it like you know, you're

0:40:38.400 --> 0:40:43.080
<v Speaker 1>just promoting some ship. I don't necessarily think that any

0:40:43.160 --> 0:40:47.719
<v Speaker 1>depiction of something is the equivalent of a of advocacy,

0:40:48.040 --> 0:40:52.080
<v Speaker 1>you know, like just he could just be documenting present

0:40:52.200 --> 0:40:56.480
<v Speaker 1>presenting like a like a uh, it's like a a

0:40:56.520 --> 0:41:01.719
<v Speaker 1>portrait of radicalization. Well, the people in the Netherlands should

0:41:02.200 --> 0:41:06.920
<v Speaker 1>chill and we're talking about this dude, because Aden has

0:41:06.960 --> 0:41:09.360
<v Speaker 1>nothing on the next guy who we're going to talk about.

0:41:09.440 --> 0:41:15.120
<v Speaker 1>So there is a Well was an extremely popular German

0:41:15.200 --> 0:41:18.839
<v Speaker 1>rapper by the name of Deso dog Um. He had

0:41:18.880 --> 0:41:21.759
<v Speaker 1>a hit song called and I'm going to butcher this

0:41:21.840 --> 0:41:26.120
<v Speaker 1>German Welcome in in minor world or welcome to my world.

0:41:26.400 --> 0:41:37.440
<v Speaker 1>Let's check that out real quick now, he um he

0:41:37.440 --> 0:41:40.799
<v Speaker 1>he was extremely popular for a long time after he

0:41:40.960 --> 0:41:43.560
<v Speaker 1>converted to Islam and started being a lot more open

0:41:43.640 --> 0:41:47.120
<v Speaker 1>with it in his music and his image. Things just

0:41:47.200 --> 0:41:50.880
<v Speaker 1>kind of started spiraling from there. In eleven, he was

0:41:50.920 --> 0:41:54.680
<v Speaker 1>alleged to have inspired a twenty one year old uh

0:41:54.840 --> 0:41:59.120
<v Speaker 1>Kosovar to fire at a busload of American serviceman in Frankfurt,

0:41:59.719 --> 0:42:04.920
<v Speaker 1>and he would eventually just leave Europe altogether and actually

0:42:04.920 --> 0:42:08.239
<v Speaker 1>go to Syria to fight with ISIS. And now he's

0:42:08.280 --> 0:42:13.920
<v Speaker 1>actually like a wanted propaganda minister, like official propaganda minister

0:42:14.040 --> 0:42:18.359
<v Speaker 1>for ISIS. But yeah, his stuff, if you look at

0:42:18.440 --> 0:42:20.799
<v Speaker 1>some of his things, which you know, it's it's hard

0:42:20.840 --> 0:42:25.040
<v Speaker 1>to find them on YouTube for obvious reasons, but it's

0:42:25.040 --> 0:42:29.160
<v Speaker 1>like it's it's the difference between that and a Dean

0:42:29.760 --> 0:42:32.000
<v Speaker 1>is completely stark. You know what I'm saying. It makes

0:42:32.040 --> 0:42:34.880
<v Speaker 1>it makes the video and the song that we just

0:42:34.920 --> 0:42:39.359
<v Speaker 1>heard seem like a Martin Scorsese piece of art as

0:42:39.360 --> 0:42:41.760
<v Speaker 1>opposed to like something that just looks like a terrorist

0:42:41.840 --> 0:42:44.960
<v Speaker 1>video with a beat. Yeah, you know what I'm saying,

0:42:45.200 --> 0:42:47.440
<v Speaker 1>Like like this this guy like hardcore. I don't even

0:42:47.480 --> 0:42:49.839
<v Speaker 1>know if you could call that self radicalization, but it's

0:42:49.840 --> 0:42:52.839
<v Speaker 1>almost like he had a self fulfilling prophecy. The more

0:42:52.960 --> 0:42:55.240
<v Speaker 1>radicalized that he got to the point where it's like, oh,

0:42:55.280 --> 0:42:57.120
<v Speaker 1>I guess there's nothing to do now but go join

0:42:57.200 --> 0:43:00.360
<v Speaker 1>islis So I mean like what what do what? Do you? What?

0:43:00.400 --> 0:43:02.120
<v Speaker 1>Do you? What? Do you think that was the cause

0:43:02.160 --> 0:43:04.520
<v Speaker 1>of that? Do you think that he was do you

0:43:04.520 --> 0:43:08.640
<v Speaker 1>think he radicalized himself? Or do you think opening his

0:43:08.640 --> 0:43:12.000
<v Speaker 1>his music and his his id to that sort of

0:43:12.000 --> 0:43:15.239
<v Speaker 1>philosophy kind of influenced where his dijectory went. I mean,

0:43:15.280 --> 0:43:17.959
<v Speaker 1>I think I think radicalization comes into directions. It comes

0:43:18.000 --> 0:43:24.920
<v Speaker 1>from the the ambient, like, uh, social problems that we experienced,

0:43:25.040 --> 0:43:28.319
<v Speaker 1>like telling us that something is not right about the

0:43:28.320 --> 0:43:31.879
<v Speaker 1>way things are, and then the media we could consume, uh,

0:43:31.920 --> 0:43:34.759
<v Speaker 1>then providing an answer to those questions right, and so

0:43:34.960 --> 0:43:37.560
<v Speaker 1>Like I can't speak to the German context of like

0:43:37.960 --> 0:43:40.960
<v Speaker 1>what particular things he may have been experiencing in his

0:43:41.000 --> 0:43:44.000
<v Speaker 1>life that drove him in this direction, but I mean

0:43:44.000 --> 0:43:47.680
<v Speaker 1>I imagine something environmental was like hey, yo, fuck this,

0:43:48.360 --> 0:43:50.080
<v Speaker 1>and not only funck this, but like how do I

0:43:50.160 --> 0:43:53.479
<v Speaker 1>fuck this? Ah? Yes? Isis this is the way? Uh?

0:43:53.480 --> 0:43:57.120
<v Speaker 1>And so like the internet then providing this uh, this

0:43:57.800 --> 0:44:01.080
<v Speaker 1>wormhole which we all get stucked down to various directions

0:44:01.480 --> 0:44:05.239
<v Speaker 1>thanks YouTube. We would consider this to be right wing

0:44:05.320 --> 0:44:10.719
<v Speaker 1>radicalization though correct, Like if you go from being a

0:44:10.760 --> 0:44:16.240
<v Speaker 1>German gangster rapper to being like a full fledged member

0:44:16.239 --> 0:44:19.520
<v Speaker 1>of ISIS. Yeah, Like that's that is the equivalent of

0:44:19.840 --> 0:44:24.800
<v Speaker 1>in two years of seeing storm the Capital wrap nigga. Yeah,

0:44:25.120 --> 0:44:33.280
<v Speaker 1>we storm in the Capitol, we hit in cops with flags, Yeah, wyoming.

0:44:36.200 --> 0:44:41.080
<v Speaker 1>Wh Let's bring it back to Cuba. Okay, let's let's

0:44:41.160 --> 0:44:43.400
<v Speaker 1>let's circle. Let's bring it back full circle. Let's come

0:44:43.440 --> 0:44:46.000
<v Speaker 1>back to Cuba. Yeah. So we started off talking about

0:44:47.160 --> 0:44:51.560
<v Speaker 1>you know, anti government versus pro government propaganda being produced,

0:44:51.920 --> 0:44:54.040
<v Speaker 1>but I think that we need to understand a bit

0:44:54.080 --> 0:44:57.880
<v Speaker 1>about the context of how hip hop has been used

0:44:58.520 --> 0:45:04.000
<v Speaker 1>in Cuba, like in recent years as well as just

0:45:04.040 --> 0:45:08.480
<v Speaker 1>like historically, to kind of cast some light on some

0:45:08.600 --> 0:45:13.919
<v Speaker 1>implications of this anti government song. So it came out

0:45:15.920 --> 0:45:19.760
<v Speaker 1>where what you're where is the link to this article?

0:45:20.080 --> 0:45:24.240
<v Speaker 1>Um So. In two thousand and thirteen, two thousand fourteen,

0:45:24.280 --> 0:45:29.640
<v Speaker 1>it emerged that, uh, the US was attempting to unseek

0:45:29.800 --> 0:45:34.400
<v Speaker 1>Cuba's communist government through infiltration of the Cuban rap scene.

0:45:34.960 --> 0:45:38.800
<v Speaker 1>The American Development Aid Organization us AID I've been secularly

0:45:38.840 --> 0:45:41.960
<v Speaker 1>trying to infiltrate Cuba's underground hip hop movement. According to

0:45:42.040 --> 0:45:44.920
<v Speaker 1>records obtained about the Associate Press and the idea was

0:45:44.920 --> 0:45:48.520
<v Speaker 1>to use Cuba's rappers to break the information blockade and

0:45:48.520 --> 0:45:51.680
<v Speaker 1>build a network of young people seeking social change to

0:45:51.840 --> 0:45:54.840
<v Speaker 1>spark a youth movement against the the government of President

0:45:54.920 --> 0:45:58.560
<v Speaker 1>Royal Castra. Now to understand this, we got to talk

0:45:58.600 --> 0:46:03.160
<v Speaker 1>a little bit about the Cuban ap group Lost Lost,

0:46:03.160 --> 0:46:08.080
<v Speaker 1>as they are anti government underground rap group. Let's check

0:46:08.080 --> 0:46:12.839
<v Speaker 1>out the song of their's with Richard's translates to wrap

0:46:13.000 --> 0:46:24.200
<v Speaker 1>his Wars instrumental. Is that's a jay Z instrumental that

0:46:24.239 --> 0:46:27.440
<v Speaker 1>they did that over that? That is the jay Z

0:46:27.600 --> 0:46:32.920
<v Speaker 1>song Moment of Clarity produced by Eminem. I believe. Yeah,

0:46:33.040 --> 0:46:36.800
<v Speaker 1>they're adored by the people over there for with lyrics

0:46:36.880 --> 0:46:40.360
<v Speaker 1>that are like, um, I'm tired of following their plans.

0:46:40.400 --> 0:46:44.200
<v Speaker 1>Socialism or death is not a slogan. They also wrapped

0:46:44.280 --> 0:46:47.839
<v Speaker 1>people marching blind. You have no credibility. Go tell the

0:46:47.880 --> 0:46:53.239
<v Speaker 1>captain the ship's sinking rapidly. Um, they're there, Like I said,

0:46:53.239 --> 0:46:58.680
<v Speaker 1>their beloved for their outspokenness. Um, they've been banned from

0:46:58.680 --> 0:47:02.680
<v Speaker 1>performing in Havana because you know they're they're because their

0:47:02.680 --> 0:47:05.960
<v Speaker 1>anti government raps. So that's putting them in context, so

0:47:06.080 --> 0:47:10.319
<v Speaker 1>Daryn Kavanaugh of the blog wars Boring. He explains, the

0:47:10.360 --> 0:47:13.680
<v Speaker 1>Cuban government initially treated hip hop and rap much the

0:47:13.719 --> 0:47:16.680
<v Speaker 1>same way dealt with other important music. The Ministry of

0:47:16.760 --> 0:47:19.960
<v Speaker 1>Culture didn't ban it, but didn't support it either. That

0:47:20.160 --> 0:47:23.520
<v Speaker 1>changed in two thousand and two when the ministry created

0:47:23.600 --> 0:47:27.440
<v Speaker 1>the Cuban Rap Agency. The agencies reported hip hop on

0:47:27.480 --> 0:47:30.560
<v Speaker 1>the island and promoted Cuba's hip hop stars abroad. The

0:47:30.600 --> 0:47:34.239
<v Speaker 1>government endorsed the Jammer provided that performers um towed the

0:47:34.239 --> 0:47:38.520
<v Speaker 1>Communist Party's line cop Caster government banned outspoken critics, such

0:47:38.520 --> 0:47:42.480
<v Speaker 1>as the rap group Los Orleanos from performing publicly in Havannah.

0:47:42.480 --> 0:47:46.160
<v Speaker 1>On the other hand, um that since the ship forth

0:47:46.200 --> 0:47:48.759
<v Speaker 1>the group to join hip hop the Cuban hip hop

0:47:48.800 --> 0:47:53.920
<v Speaker 1>underground despite the group's popularity, U s aid gave the

0:47:54.000 --> 0:47:58.160
<v Speaker 1>Creative Associates International, which was a development company based in Washington,

0:47:58.239 --> 0:48:01.200
<v Speaker 1>d C. Gave them a con track to coordinate a

0:48:01.280 --> 0:48:05.120
<v Speaker 1>multimillion dollar plan in Cuba that involved promoting hip hop

0:48:05.120 --> 0:48:09.160
<v Speaker 1>performers and throwing festivals and things like that. And admittedly

0:48:09.280 --> 0:48:14.000
<v Speaker 1>it was soft, you know, soft financial support and in

0:48:14.120 --> 0:48:18.279
<v Speaker 1>terms of lost how do you say that again, in

0:48:18.800 --> 0:48:22.400
<v Speaker 1>the case of loss Altianos, uh, this aid was provided

0:48:22.960 --> 0:48:27.920
<v Speaker 1>without their explicit knowledge. But you know, if you're if

0:48:27.920 --> 0:48:29.600
<v Speaker 1>you're getting money from U. S. A. D. And they're

0:48:29.640 --> 0:48:31.960
<v Speaker 1>helping you out and sending you abroad to go to

0:48:32.040 --> 0:48:35.480
<v Speaker 1>leadership UH seminars and stuff like that, I guess you

0:48:35.520 --> 0:48:37.920
<v Speaker 1>can kind of put two and two together if you're them.

0:48:38.000 --> 0:48:42.560
<v Speaker 1>But that's a negative though picture that the years twenty

0:48:44.840 --> 0:48:52.200
<v Speaker 1>Associated Press dropped a bombshell that little Yadi is a

0:48:52.239 --> 0:48:56.239
<v Speaker 1>part of co Intel Pro two. I'm not I'm not

0:48:57.200 --> 0:49:05.080
<v Speaker 1>just spread capitalist propaga and I'm not smiling because that's

0:49:05.200 --> 0:49:08.320
<v Speaker 1>not out of the realm of possibility. If we met

0:49:08.040 --> 0:49:11.360
<v Speaker 1>a part in other countries. God knows what's happening in ours.

0:49:11.840 --> 0:49:15.960
<v Speaker 1>I mean, there's a good chance that fucking like Anderson

0:49:16.000 --> 0:49:21.960
<v Speaker 1>Cooper is, there's a good chance that news anchors, in

0:49:21.960 --> 0:49:27.160
<v Speaker 1>in in social media influencers are all fucking fans. So yeah,

0:49:27.280 --> 0:49:29.560
<v Speaker 1>I would not doubt it that if it came out

0:49:29.600 --> 0:49:33.200
<v Speaker 1>that some some of these rat cats out there working

0:49:33.239 --> 0:49:36.360
<v Speaker 1>with them people, I don't know that I would necessarily

0:49:36.400 --> 0:49:41.000
<v Speaker 1>be surprised, y'all motherfucker's might be surprised. I wouldn't be surprised.

0:49:42.920 --> 0:49:46.320
<v Speaker 1>The most unrealistic thing about the scenario is described. It

0:49:46.440 --> 0:49:55.799
<v Speaker 1>is the part where we find out it's going on. Yeah, well,

0:49:55.840 --> 0:49:59.719
<v Speaker 1>I mean if if there was okay, so if if

0:49:59.719 --> 0:50:03.160
<v Speaker 1>we were if we had that in our myths right like, like, okay,

0:50:03.200 --> 0:50:06.480
<v Speaker 1>let's let's do a little irresponsible speculation right now. If

0:50:06.520 --> 0:50:08.880
<v Speaker 1>we had that in our myths, Let's say we had

0:50:09.239 --> 0:50:13.480
<v Speaker 1>the we we did the mission impossible breaking into Langley,

0:50:13.560 --> 0:50:17.440
<v Speaker 1>and we got out only half the information. The information confirmed, Yes,

0:50:18.200 --> 0:50:22.480
<v Speaker 1>made there are cabal of mainstream rappers that are working

0:50:22.520 --> 0:50:27.400
<v Speaker 1>with the FEDS that our secret propaganda you know, minister

0:50:27.600 --> 0:50:32.799
<v Speaker 1>like secret propagandasts for the United States federal government. Who

0:50:32.840 --> 0:50:37.279
<v Speaker 1>would it be? We? We? I mean you came out

0:50:37.320 --> 0:50:39.600
<v Speaker 1>with little YADDI. First, I was gonna go, I don't,

0:50:39.640 --> 0:50:43.640
<v Speaker 1>I don't want to him today, I was gonna say Pump,

0:50:44.040 --> 0:50:46.400
<v Speaker 1>so like they're kind of in the same vein, So

0:50:47.040 --> 0:50:49.399
<v Speaker 1>I'd say pump. If if it came out that Pump

0:50:49.560 --> 0:50:54.360
<v Speaker 1>was a fed those recruited when he was sixteen, Jez's

0:50:54.400 --> 0:50:57.360
<v Speaker 1>held up as like, oh, black capitalism at its pinnacle,

0:50:58.120 --> 0:51:02.520
<v Speaker 1>like why we gotta hustle and drive and like yeah yeah,

0:51:02.719 --> 0:51:05.440
<v Speaker 1>like oh, how do you get billion dollars Nigga Rick

0:51:05.480 --> 0:51:14.960
<v Speaker 1>Cross that federal grant money? Um? Yeah, you know, I

0:51:15.000 --> 0:51:17.280
<v Speaker 1>don't want to speculate about this anymore. I'm hearing beeps

0:51:17.320 --> 0:51:24.120
<v Speaker 1>of my ship. Well, um yeah, So that's that's what

0:51:24.239 --> 0:51:28.360
<v Speaker 1>we've got today. You guys go check out some of

0:51:28.480 --> 0:51:31.760
<v Speaker 1>those songs and videos because some of them are actually

0:51:32.680 --> 0:51:36.640
<v Speaker 1>quite quite stirring and interesting to listen to. And I

0:51:36.640 --> 0:51:40.719
<v Speaker 1>would always like to promote international rap, even if some

0:51:40.880 --> 0:51:43.000
<v Speaker 1>of it I don't believe, you know, necessarily line up

0:51:43.040 --> 0:51:45.319
<v Speaker 1>with politically. It is cool if you're a hip hop

0:51:45.400 --> 0:51:48.960
<v Speaker 1>fan too, soap that in into just to see what's

0:51:49.000 --> 0:51:52.000
<v Speaker 1>going on in different scenes across the world, because this

0:51:52.440 --> 0:51:55.480
<v Speaker 1>hip hop thing of ours can be used for a lot.

0:51:56.120 --> 0:51:58.360
<v Speaker 1>Some of it's a lot of it's good, but some

0:51:58.520 --> 0:52:01.279
<v Speaker 1>of it can be bad, and some of it so

0:52:01.480 --> 0:52:04.200
<v Speaker 1>not even necessarily for of the people, you know, So

0:52:04.360 --> 0:52:07.080
<v Speaker 1>it's you gotta keep your eyes open and your ears

0:52:07.120 --> 0:52:09.920
<v Speaker 1>open for that. But all right, I'm like, Frank, huh,

0:52:10.440 --> 0:52:13.480
<v Speaker 1>I'm dope knife And we're not getting off that easy.

0:52:13.680 --> 0:52:26.160
<v Speaker 1>Because Joel dropped a motherfucking beat waiting a reparations. Yeo, Yo.

0:52:26.560 --> 0:52:29.319
<v Speaker 1>You ever notice how everybody rap about the same ship

0:52:29.600 --> 0:52:31.920
<v Speaker 1>thirty years and I'm still waiting for the name switch

0:52:32.040 --> 0:52:34.440
<v Speaker 1>all around the world, same song and the same griff.

0:52:34.560 --> 0:52:36.920
<v Speaker 1>Ain't no one in power was thinking ya ship is dangerous.

0:52:37.040 --> 0:52:39.560
<v Speaker 1>Matter of fact, probably ghost road is. You're so focused,

0:52:39.560 --> 0:52:42.000
<v Speaker 1>whole motive backing like you're working for the old potus,

0:52:42.160 --> 0:52:45.080
<v Speaker 1>making my soul focused. You're gonna learn like I'm old, oldest,

0:52:45.160 --> 0:52:47.960
<v Speaker 1>cuss your grass out, make it full throated. I'm old logan.

0:52:48.040 --> 0:52:50.040
<v Speaker 1>I ain't dying to lee and they're trying to bring

0:52:50.160 --> 0:52:52.239
<v Speaker 1>wash you with lying and pretend. So I try to

0:52:52.320 --> 0:52:54.759
<v Speaker 1>recommend dope ship. You can try it with your friend.

0:52:54.880 --> 0:52:57.600
<v Speaker 1>I'm grown. I ain't trying to set a trend. Dope

0:52:58.480 --> 0:53:07.920
<v Speaker 1>dope y dope knife, I'm legal, Franca. We are waiting

0:53:08.000 --> 0:53:15.080
<v Speaker 1>on reparations. See you next week. See y'all waiting on

0:53:15.200 --> 0:53:18.200
<v Speaker 1>reparations as a production of I Heart Radio. Listen to

0:53:18.320 --> 0:53:22.000
<v Speaker 1>Waiting on Reparations on the I Heart Radio app, Apple Podcasts,

0:53:22.120 --> 0:53:23.520
<v Speaker 1>or wherever you get your podcasts.