WEBVTT - Has Drake's Whole Thing Been an Act? (with Langston Kerman and David Gborie)

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<v Speaker 1>You got some new pussy in the you know what

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<v Speaker 1>that is, or at least what I think it is.

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<v Speaker 2>Uh, that's the American.

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<v Speaker 1>School system, like deep in your like nervous system, you

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<v Speaker 1>know what I mean, like deep in your fucking membranes.

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<v Speaker 1>You're like, summertime is for for opportunity, it is for

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<v Speaker 1>my freedom. And then you get some pussy in the

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<v Speaker 1>summertime and you go that just hits different.

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<v Speaker 2>Yeah, you're like, I might not go back. It's just

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<v Speaker 2>a difference between coke and Mexican coke. What's see in

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<v Speaker 2>the summertime is Mexican coke. And you can quote me online,

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<v Speaker 2>make a T shirt.

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<v Speaker 1>I don't give an put it on his tombstone, none

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<v Speaker 1>of my achievements.

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<v Speaker 2>It lies.

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<v Speaker 1>The wisest man that ever was pussy in the summer

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<v Speaker 1>time is Mexican coke.

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<v Speaker 2>Addictive.

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<v Speaker 3>He didn't say that until much later clarified, My chips.

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<v Speaker 2>In your.

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<v Speaker 3>Quality bears are racists.

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<v Speaker 2>The money, our man turkey stuff. I can't tell me.

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<v Speaker 2>I want to be your man.

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<v Speaker 1>I want to be your man. Yes I do, Yes,

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<v Speaker 1>I do. There it is there.

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<v Speaker 2>It is.

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<v Speaker 1>Ladies and gentlemen, Welcome to another phenomenal episode of my

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<v Speaker 1>mama told.

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<v Speaker 2>Me podcasts where we dive deep into the pockets of

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<v Speaker 2>black conspiracy theories and.

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<v Speaker 1>We finally work to prove whatever conspiracy theories you already

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<v Speaker 1>believe in.

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<v Speaker 2>Come on, we are down to clown. We don't give

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<v Speaker 2>a fuck. Come on, We're just adding another echo to

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<v Speaker 2>the chamber.

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<v Speaker 1>Come on, we are giving you just a few more

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<v Speaker 1>pieces of evidence that you can bring up when you're

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<v Speaker 1>yelling at your girlfriend.

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<v Speaker 2>Come on, we just want you to be right after dinner. Base.

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<v Speaker 2>You don't have a lot, no, but you got this.

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<v Speaker 2>You don't have no money. That's why all are arguing.

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<v Speaker 2>If it wasn't so broke, you'd be at peace. Yeah,

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<v Speaker 2>look at us, we say whatever we want to our girls.

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<v Speaker 2>That's not true. What have you been thinking lately?

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<v Speaker 1>This is something I have been worrying about quite a bit.

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<v Speaker 1>Is I'm worried. I've been thinking that BBLS might be

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<v Speaker 1>a marking of our societal undoing.

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<v Speaker 2>Oh I get that, but wouldn't have it. It would

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<v Speaker 2>have started with titties. I think they try I titties

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<v Speaker 2>and do you feel like titties did not catch on

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<v Speaker 2>in the way that BBLS have.

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<v Speaker 1>I think titties caught. I think the titty technology did

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<v Speaker 1>not catch on well enough.

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<v Speaker 2>That's what I t t tech is. For a lot

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<v Speaker 2>of people don't realize it was I titty tech.

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<v Speaker 1>I titty tech going down to eye titty tech when

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<v Speaker 1>we are improving the titty technology.

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<v Speaker 2>That's why. That's why it's in a strip mall. That's

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<v Speaker 2>where you go to how to put titties and titties.

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<v Speaker 1>Yeah, you get dermatologists right next door, and then you

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<v Speaker 1>get something at CBS on the corner.

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<v Speaker 2>Okay, so you're saying they tried with titties.

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<v Speaker 1>I think titties we were an attempt, but the titty

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<v Speaker 1>technology was not strong enough. But I do think that

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<v Speaker 1>BBL once they figured out, oh we can repurpose the

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<v Speaker 1>literal like body fat into something functional, it changed everything.

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<v Speaker 1>And part of what and hear me out, part of

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<v Speaker 1>what I think it changed was it snatched objectivity away

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<v Speaker 1>from us.

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<v Speaker 2>Right.

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<v Speaker 1>It no longer is it that you we are all

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<v Speaker 1>in agreement about what a bad bitch is.

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<v Speaker 2>And that didn't exist when I was a boy, an

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<v Speaker 2>agreement about what a bad bitch was.

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<v Speaker 1>Yes, when we were kids A lotless time, yeah, I think,

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<v Speaker 1>but I know I think when we were kids, everybody

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<v Speaker 1>that that was a bad bitch. We all agreed on it.

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<v Speaker 1>There was never like nobody was arguing whether or not

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<v Speaker 1>halle Berry was fine.

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<v Speaker 2>Right, it just was is that Now do you think

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<v Speaker 2>because of first titties obviously now bbls, it's because of

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<v Speaker 2>some of these bad bitches, or maybe exists more outside

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<v Speaker 2>of nature, Like.

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<v Speaker 1>I think, so I think that they're I think they're

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<v Speaker 1>super bitches, but I also think that like it, then

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<v Speaker 1>it's creating this thing where it's like, that's a bad bitch.

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<v Speaker 1>I think, but she works at subway and you know

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<v Speaker 1>what I mean, it's not it's not working through our

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<v Speaker 1>fields tration system.

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<v Speaker 4>Right.

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<v Speaker 1>And then on top of that, there's all this judgment

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<v Speaker 1>of the quality of the BBL that then makes it

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<v Speaker 1>more complicated for you to even see them as bad

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<v Speaker 1>bitches because because it's not the best BBL. But when

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<v Speaker 1>I was a kid, a fat ass was just a

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<v Speaker 1>miracle on a miracle.

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<v Speaker 2>It's just what God gave you.

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<v Speaker 1>It didn't matter what shape it was. We were just insane,

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<v Speaker 1>like her ass.

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<v Speaker 2>Is huge, that's a miracle literally stopping traffic.

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<v Speaker 1>And now we're like it's fat, but it's not good

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<v Speaker 1>enough for me, right, and it's like, what are you

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<v Speaker 1>looking for? And that's that's crazy, But it is the

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<v Speaker 1>way that we've reshaped society and by removing objectivity. If

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<v Speaker 1>there is no objectivity for bad bitches, there's no objectivity period.

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<v Speaker 2>So what you're saying is it really starts with bad bitches.

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<v Speaker 2>It always starts with bad bitch. They control this song. Damn.

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<v Speaker 2>That's tough.

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<v Speaker 1>Yeah, and I don't want this to come off as

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<v Speaker 1>it is their fault that we are in the place

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<v Speaker 1>that we're in.

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<v Speaker 2>No, it's just how we We're just just where we

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<v Speaker 2>ended up.

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<v Speaker 1>It's just the programming, it's just where we're end So

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<v Speaker 1>this isn't shaming bad bitches. I'm a fan, Yeah, I

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<v Speaker 1>have been for some time. I love your early stuff,

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<v Speaker 1>but I like the Lake cuts too. Listen, there's never

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<v Speaker 1>been an era where I tapped out, you.

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<v Speaker 2>Know what I mean.

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<v Speaker 1>There's like Prince. I don't do Prince after some years,

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<v Speaker 1>not bad bitches.

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<v Speaker 2>To celebrate the whole Dispicago, I had the shit on vinyl. Yeah,

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<v Speaker 2>transferred the whole collection of MP three and I'll have

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<v Speaker 2>some new shit in twenty forty five, and I'll upgrade

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<v Speaker 2>to that too.

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<v Speaker 1>I'm gonna be one of them old men still playing

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<v Speaker 1>bad bitch music in the car.

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<v Speaker 2>It just sounds better. It just sounds better in here. See,

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<v Speaker 2>y'all don't know nothing about this young blood.

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<v Speaker 1>This is a bad bitch seventy three.

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<v Speaker 2>Yeah, that's tough, man. I I it's interesting because it's like,

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<v Speaker 2>uh yeah, that surgically enhanced? It does? It does seem

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<v Speaker 2>like I wonder it doesn't end right because the technology

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<v Speaker 2>only gets better and better? Or does it transfer is

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<v Speaker 2>come up a lot. Does it transfer into robots where

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<v Speaker 2>it's like, now you could just make the perfect robot

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<v Speaker 2>and you don't even have to deal with the person.

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<v Speaker 1>I think that's where it gets scary, right, is that

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<v Speaker 1>once we reach a point where you can replicate all

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<v Speaker 1>of these sort of like women of perfect forms, whatever

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<v Speaker 1>you were, men and men, whatever you decide that is.

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<v Speaker 1>I don't want to make this some sort of like

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<v Speaker 1>loose shaming of anything that you know comes in different

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<v Speaker 1>tastes than flavors. That said, once you can replicate anybody's

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<v Speaker 1>favorite thing, it becomes less their favorite thing and more

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<v Speaker 1>of just like this shared well, it's accessible to all

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<v Speaker 1>of us. And how do you move beyond that robots,

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<v Speaker 1>and then.

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<v Speaker 2>But then once you're in there, once you are in

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<v Speaker 2>the place of robots, then you're desire becomes unfiltered, and

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<v Speaker 2>then it's like, surely madness is next. That's the worry, right,

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<v Speaker 2>is like we have too much accessibility to all this stuff, right,

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<v Speaker 2>ultimately used to see we see one bad bitch a month, Yeah,

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<v Speaker 2>like crazy, Like yeah, and you were in Chicago, Yeah,

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<v Speaker 2>people in Arkansas, No.

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<v Speaker 1>Yeah, they gotta ride four miles just to see a person.

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<v Speaker 2>Yeah, fingers cross as a bad bitch, but very unlikely

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<v Speaker 2>bad bitch is two times over. Get the chevy. Yeah.

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<v Speaker 1>All them boys in the back of pickup trucks ain't

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<v Speaker 1>all racists.

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<v Speaker 2>Some of them just sometimes they're just horny as hell.

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<v Speaker 2>That's fair. Yeah, I'm with that, you know, it's it's

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<v Speaker 2>a worry. I feel like we've talked about, maybe because

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<v Speaker 2>we've been together for the last two days, that we

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<v Speaker 2>talked about having sexual robots a lot. It's come up.

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<v Speaker 2>It's come up, for sure.

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<v Speaker 1>And I guess what's what's so scary Even if you

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<v Speaker 1>remove the sexuality from it, what's so scary about it

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<v Speaker 1>is that we all are acknowledging. Everybody I'll talk to

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<v Speaker 1>acknowledges how scared they are of robots.

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<v Speaker 2>And we're still going forward.

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<v Speaker 1>There's like six people on the planet who are like, fuck, yeah,

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<v Speaker 1>this is awesome, and then everybody else is like bro.

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<v Speaker 1>Even the ones that will buy into it are like,

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<v Speaker 1>it kind of scares me, but it's fun and I

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<v Speaker 1>think I can pay my way out of whatever. You know,

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<v Speaker 1>bad thing happens, But everybody scared except six dudes, and

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<v Speaker 1>we're just like, well, we.

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<v Speaker 2>Can't do anything. Man, God damn suck. Have sex with

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<v Speaker 2>your partners, guys, not robots.

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<v Speaker 1>On have sex with and leave them bbls. Leave them

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<v Speaker 1>bbls alone alone. It's Megan Art.

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<v Speaker 2>I ain't tell you what to do it with your body.

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<v Speaker 2>You want to know, you deserve it. You want to

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<v Speaker 2>get a crazy, fat ass, go crazy.

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<v Speaker 1>That's That's not something I want to take away from you.

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<v Speaker 1>I just I just want you to not need that,

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<v Speaker 1>but if you need it.

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<v Speaker 2>But if you need it, I ain't Hey, all right,

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<v Speaker 2>you need it, I'll look at you. You need it,

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<v Speaker 2>I'll look at that, And that's something I'm willing to

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<v Speaker 2>do for you, bad bitch, if you need it.

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<v Speaker 1>Yeah, I'll get the bartender when you.

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<v Speaker 2>Oh, yeah, I know, I got it. I'm married, I'm married. Okay, Yeah. Anyway,

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<v Speaker 2>we didn't come to talk about this.

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<v Speaker 1>You know, this wasn't the plan, but but we do

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<v Speaker 1>have a voicemail. I'm excited a voicemail. We we debated,

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<v Speaker 1>is it fair to say we had a little bit

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<v Speaker 1>of a debate about this one, but ultimately landed.

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<v Speaker 2>This is a voicemail.

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<v Speaker 1>Know, we simply had to share with everyone around us.

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<v Speaker 1>So so here's what we should do. Maybe we take

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<v Speaker 1>a break and then we'll play this voicemail. If I

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<v Speaker 1>were if I were a betting man, I think that's

0:11:11.760 --> 0:11:14.400
<v Speaker 1>probably fair. We're gonna take a break. When we come back,

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<v Speaker 1>we're gonna hear this very exciting voicemail. More David Moore

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<v Speaker 1>Langston More, Ma, Mama.

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<v Speaker 2>Told me back it up on Terry and back it

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<v Speaker 2>up on us. You think that's what was happening in

0:11:42.679 --> 0:11:46.720
<v Speaker 2>that clip. Not a fire happen.

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<v Speaker 1>This is their reimagined version of Terry, Terry throwing that

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<v Speaker 1>thing around.

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<v Speaker 2>Yea, think about close your eyes and not think about

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<v Speaker 2>it this way.

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<v Speaker 1>That's nice because it's like, oh, dude, before the July.

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<v Speaker 2>Ever that's a good time anyways, places places voicemail. You

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<v Speaker 2>never got grinding on the fourth of July. That's a

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<v Speaker 2>good man, that's it. There's like there was a period

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<v Speaker 2>in my life where if I didn't get grinded on

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<v Speaker 2>on the fourth of July, I was pissed. That's It's

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<v Speaker 2>really like getting ass on you in the daytime is

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<v Speaker 2>so much better it was. There was.

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<v Speaker 1>Yeah, there were eras in just my youth, of both

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<v Speaker 1>youth and adulthood, where I was like, nah, this is

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<v Speaker 1>a fuck holiday.

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<v Speaker 2>It easy though, because it's summertime. Everybody's gonna be drunk

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<v Speaker 2>by dark. It's just like it's a horny holiday. Oh yeah,

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<v Speaker 2>it's like everybody celebrates. There's nobody sitting out. Yeah, there's

0:12:52.120 --> 0:12:53.600
<v Speaker 2>not a lot of you notice, there's not a lot

0:12:53.600 --> 0:12:56.199
<v Speaker 2>of like there's like losing like white ladies on the internet.

0:12:56.240 --> 0:12:58.600
<v Speaker 2>We're like, yeah, this is every money his day or whatever.

0:12:58.920 --> 0:13:00.920
<v Speaker 2>Before the July is really before every Now.

0:13:00.960 --> 0:13:06.920
<v Speaker 1>No, my dad is a full as.

0:13:05.040 --> 0:13:08.200
<v Speaker 2>A full socialist and we never skipped afore the July.

0:13:08.320 --> 0:13:12.400
<v Speaker 2>Come on, like, it's just a fucking good day. Too good.

0:13:13.000 --> 0:13:16.040
<v Speaker 2>You can't good? What are you gonna fold your arms

0:13:16.040 --> 0:13:18.000
<v Speaker 2>on the best day. Come on, we have a we

0:13:18.040 --> 0:13:20.720
<v Speaker 2>have a holiday in the middle of the summertime. This

0:13:20.720 --> 0:13:26.000
<v Speaker 2>this rocks. Yeah, and I don't even talk about this rocks, y'all.

0:13:30.240 --> 0:13:42.520
<v Speaker 2>This fucking rules a man. I can't wait till July. Yeah,

0:13:42.520 --> 0:13:46.840
<v Speaker 2>that's a great day party. All right, I'm gonna play this. Yeah,

0:13:46.880 --> 0:13:50.160
<v Speaker 2>we have a voicemail we said, yeah, we said we

0:13:50.240 --> 0:13:54.200
<v Speaker 2>got caught up in ass on July. All right, all right,

0:13:54.480 --> 0:13:56.880
<v Speaker 2>we're playing this. Bye bye a little and thank you

0:13:56.880 --> 0:13:59.439
<v Speaker 2>guys for saying keep calling in. By the way, it's

0:13:59.480 --> 0:14:04.280
<v Speaker 2>so cool. Voicemails are great. A lot of breathy, get

0:14:04.280 --> 0:14:05.599
<v Speaker 2>a lot of breathy voicemail.

0:14:05.720 --> 0:14:08.880
<v Speaker 1>Yeah, you you made the comment, and I don't disagree

0:14:08.920 --> 0:14:11.559
<v Speaker 1>with you. You said that our fans are drunk.

0:14:11.960 --> 0:14:13.000
<v Speaker 2>Yeah, that are.

0:14:13.080 --> 0:14:15.160
<v Speaker 1>Quite a few of them are calling and they're very

0:14:15.200 --> 0:14:16.400
<v Speaker 1>obviously drunk.

0:14:16.640 --> 0:14:19.479
<v Speaker 2>Yeah, it's very funny. It's very funny.

0:14:19.800 --> 0:14:23.720
<v Speaker 1>And they're not like they're not like blackout drunk. This

0:14:23.840 --> 0:14:28.280
<v Speaker 1>isn't They're not like falling over themselves. But they are like, uh, oh,

0:14:28.320 --> 0:14:30.520
<v Speaker 1>you should have stopped a few, like a wine or

0:14:30.520 --> 0:14:30.920
<v Speaker 1>two ago.

0:14:31.240 --> 0:14:33.720
<v Speaker 2>You know what I think is happening. I think our

0:14:33.760 --> 0:14:35.840
<v Speaker 2>fans are going out because I think our fans are

0:14:35.880 --> 0:14:39.240
<v Speaker 2>our age. I think a lot of them are in relationships.

0:14:39.440 --> 0:14:42.600
<v Speaker 2>I think they're going out getting drunk together, and the

0:14:42.680 --> 0:14:44.600
<v Speaker 2>uber like, no, what, No, I am in a call.

0:14:44.880 --> 0:14:47.240
<v Speaker 2>Yeah I am going to call. Yeah, you know what

0:14:47.280 --> 0:14:49.400
<v Speaker 2>I mean, Like on the way home. Yeah, She's like,

0:14:50.440 --> 0:14:52.520
<v Speaker 2>it's just you're getting a little bit of a debate

0:14:52.560 --> 0:14:55.560
<v Speaker 2>about something in the car. Yeah. And it's like one

0:14:55.560 --> 0:14:59.160
<v Speaker 2>of us, t Blangston, one of you. You're like, no,

0:14:59.200 --> 0:15:02.480
<v Speaker 2>look and I'll ask them. No, I can't ask them

0:15:02.920 --> 0:15:04.160
<v Speaker 2>ate four or four Little Moms.

0:15:05.640 --> 0:15:07.560
<v Speaker 1>Yeah, you didn't even know that they had a voicemail

0:15:07.560 --> 0:15:10.440
<v Speaker 1>anymore because you didn't listen to the recent episodes. But

0:15:10.520 --> 0:15:13.880
<v Speaker 1>eight for four Little Moms call and I love that.

0:15:14.640 --> 0:15:17.400
<v Speaker 1>I think I really think that's why I'm drunk and

0:15:17.440 --> 0:15:19.920
<v Speaker 1>you're coming hot off an argument. That's the best time

0:15:19.920 --> 0:15:22.080
<v Speaker 1>to call it. And that's here what that's what we're

0:15:22.120 --> 0:15:24.880
<v Speaker 1>here to do. Beat your spouse.

0:15:27.040 --> 0:15:30.960
<v Speaker 2>With words, with words. What depends on what you are

0:15:31.120 --> 0:15:33.960
<v Speaker 2>maybe physically. I'm talking about women. We want women to

0:15:34.040 --> 0:15:41.440
<v Speaker 2>hit men. Thank god you clarified. I'm not gonna play

0:15:41.480 --> 0:15:41.920
<v Speaker 2>it now.

0:15:43.240 --> 0:15:45.080
<v Speaker 5>A little freaky okay.

0:15:44.840 --> 0:15:52.280
<v Speaker 2>All right, pause right there. I think wait, a minute,

0:15:54.320 --> 0:15:58.120
<v Speaker 2>ma'am trying to fuck. I don't know that that's a man.

0:16:01.520 --> 0:16:04.080
<v Speaker 1>I think there's a possibility from what I've heard so far,

0:16:04.240 --> 0:16:06.360
<v Speaker 1>there's a possibility that's a gay gentleman.

0:16:07.040 --> 0:16:09.760
<v Speaker 2>Oh like you think these coming out either way? They

0:16:09.760 --> 0:16:13.480
<v Speaker 2>come at you in your DM I yeah, yeah, yeah, yeah,

0:16:13.520 --> 0:16:16.800
<v Speaker 2>a little the way. Leave my man alone. It's enough,

0:16:17.800 --> 0:16:23.120
<v Speaker 2>it's enough, it's graphic, and it's me. He has a family,

0:16:23.960 --> 0:16:29.520
<v Speaker 2>it's enough. Shame on you. Listen. I'm not brave enough

0:16:29.520 --> 0:16:32.160
<v Speaker 2>to stand up for myself, but I'm standing up. You

0:16:32.200 --> 0:16:35.760
<v Speaker 2>don't need to stand them. Pictures of whatever you got

0:16:35.800 --> 0:16:38.640
<v Speaker 2>back there? He does you want it? I don't.

0:16:38.720 --> 0:16:41.200
<v Speaker 1>I'm so grateful that you you're willing to do what

0:16:41.280 --> 0:16:44.200
<v Speaker 1>I've been afraid to do my whole my whole career.

0:16:46.840 --> 0:16:48.440
<v Speaker 2>All right, So you think this is a gay guy

0:16:48.480 --> 0:16:52.800
<v Speaker 2>coming up, I'm not sure. But more importantly, don't speak

0:16:52.840 --> 0:16:55.240
<v Speaker 2>to us that way. It's overally familiar.

0:16:55.520 --> 0:17:02.400
<v Speaker 1>We have never referred to ourselves as little freaking and

0:17:02.560 --> 0:17:06.399
<v Speaker 1>you should not either. That's a crazy that's crazy. That's

0:17:06.520 --> 0:17:10.680
<v Speaker 1>not associated with any of our work. Not, not one

0:17:10.720 --> 0:17:14.920
<v Speaker 1>of us has played a little freaky on on anybody's.

0:17:14.520 --> 0:17:18.080
<v Speaker 2>Cartoon or television program. I've only been a doctor or

0:17:18.080 --> 0:17:20.679
<v Speaker 2>a lawyer on television, that's true, more than a teacher.

0:17:21.400 --> 0:17:24.639
<v Speaker 1>My even in my lowest role, no one was like,

0:17:24.840 --> 0:17:27.880
<v Speaker 1>and Lenggston, you will be a little freaky little freaky

0:17:28.040 --> 0:17:31.959
<v Speaker 1>is nuts. It's it's insane, and and you owe us

0:17:32.000 --> 0:17:35.000
<v Speaker 1>an apology. I'm sure we won't get it in this voicemail,

0:17:35.040 --> 0:17:36.320
<v Speaker 1>but but shame on you.

0:17:36.359 --> 0:17:41.520
<v Speaker 2>And also, deep down I kind of like it. No,

0:17:41.600 --> 0:17:45.200
<v Speaker 2>I don't like that. I don't know. It's kind of flat.

0:17:45.359 --> 0:17:48.120
<v Speaker 2>It made me blush that I'm gonna start it over

0:17:48.160 --> 0:17:48.879
<v Speaker 2>so we can hear it.

0:17:51.119 --> 0:17:56.720
<v Speaker 5>Hi, you little freaky Okay, I'm back. I earlier and

0:17:56.880 --> 0:17:59.359
<v Speaker 5>was talking about Cain and we're gonna get back to that.

0:18:00.760 --> 0:18:02.640
<v Speaker 5>Don't be scared, but I have.

0:18:02.560 --> 0:18:05.320
<v Speaker 2>A more don't tell me what to do. You bitch.

0:18:10.240 --> 0:18:14.919
<v Speaker 1>Said something about can I assume raising or Cain and Abel?

0:18:15.160 --> 0:18:18.000
<v Speaker 1>Oh Canaan is raising? Ain't it raising?

0:18:18.200 --> 0:18:22.399
<v Speaker 2>No raising? Caines. Oh you're Canes. Oh you're talking about

0:18:22.400 --> 0:18:27.080
<v Speaker 2>the Power Show? Yeah, the same yeah, spin off? Yeah,

0:18:27.200 --> 0:18:32.280
<v Speaker 2>raising Canaan. Yeah. I think I assume this person is

0:18:32.280 --> 0:18:34.320
<v Speaker 2>referring to Canaan. Abel.

0:18:34.680 --> 0:18:38.800
<v Speaker 1>Oh, okay, but I am curious about the threat thrown

0:18:38.920 --> 0:18:40.960
<v Speaker 1>right at the end of it of don't be scared.

0:18:41.200 --> 0:18:43.639
<v Speaker 2>There's already a lot going on. There's a lot going on.

0:18:43.680 --> 0:18:45.439
<v Speaker 2>We don't have time to unpack that one, but we'll

0:18:45.520 --> 0:18:47.200
<v Speaker 2>keep going in this voicemail.

0:18:47.280 --> 0:18:50.480
<v Speaker 5>Fun one because I was listening to an old podcast

0:18:50.840 --> 0:18:55.679
<v Speaker 5>episode from you Guys about Drake, and so my mama

0:18:55.840 --> 0:18:56.400
<v Speaker 5>told me.

0:18:59.520 --> 0:19:04.560
<v Speaker 2>It's okay to singing these that's true.

0:19:04.720 --> 0:19:07.480
<v Speaker 1>Yeah, I like that you clarified that because I didn't.

0:19:07.640 --> 0:19:10.040
<v Speaker 1>I almost spit my drink out, but not in a

0:19:10.040 --> 0:19:14.480
<v Speaker 1>way that was I'm not offended. Yeah, that was really cool.

0:19:15.160 --> 0:19:17.080
<v Speaker 2>Yeah that.

0:19:19.000 --> 0:19:23.600
<v Speaker 5>Harvery Graham is the greatest actor alive because he's playing

0:19:23.680 --> 0:19:29.160
<v Speaker 5>a character named Drake. That's why you've never seen him

0:19:29.200 --> 0:19:31.920
<v Speaker 5>in any other TV shows or movies or anything. Really

0:19:32.000 --> 0:19:34.160
<v Speaker 5>passed the grassy. I mean, even if he did great

0:19:34.160 --> 0:19:37.399
<v Speaker 5>in ESNL, he's a great actor, but he doesn't do

0:19:37.480 --> 0:19:39.760
<v Speaker 5>any acting, Like, why is that there's so much money

0:19:39.800 --> 0:19:43.960
<v Speaker 5>in that because he is always playing a prominent role

0:19:45.080 --> 0:19:48.200
<v Speaker 5>as Drake, a rapper.

0:19:51.800 --> 0:19:55.920
<v Speaker 2>Okay, I like the singing topped a bottom. It was great.

0:19:56.400 --> 0:19:58.480
<v Speaker 2>How do you feel about this conspiracy theory?

0:19:58.720 --> 0:20:03.520
<v Speaker 1>I think there's something very interesting in the fact that Drake,

0:20:03.760 --> 0:20:08.199
<v Speaker 1>unlike any other rapper previous to him, came out of

0:20:08.240 --> 0:20:12.880
<v Speaker 1>acting and then never went back to it, and and

0:20:12.960 --> 0:20:16.320
<v Speaker 1>like won't even kind of take it seriously in any

0:20:16.359 --> 0:20:17.120
<v Speaker 1>meaningful way.

0:20:17.680 --> 0:20:19.840
<v Speaker 2>It is odds you would assume it's his first love.

0:20:21.640 --> 0:20:26.400
<v Speaker 2>But are I don't know the money, Margins. I don't

0:20:26.400 --> 0:20:29.440
<v Speaker 2>think Drake would make any more money doing anything other

0:20:29.480 --> 0:20:30.160
<v Speaker 2>than being Drake.

0:20:31.320 --> 0:20:36.800
<v Speaker 1>I think that that, certainly Drake probably is making more

0:20:36.840 --> 0:20:39.959
<v Speaker 1>money than he would have made as an actor by himself.

0:20:40.480 --> 0:20:42.919
<v Speaker 1>But I think there's probably a type of money that

0:20:43.040 --> 0:20:47.920
<v Speaker 1>Drake could have made turning himself into the Rock, right,

0:20:48.040 --> 0:20:51.520
<v Speaker 1>you know what I mean, like a cross pollination entity

0:20:51.680 --> 0:20:56.280
<v Speaker 1>more than it is like just a dude who raps

0:20:56.359 --> 0:20:58.359
<v Speaker 1>or a dude who acts kind of thing, right.

0:20:58.600 --> 0:21:01.480
<v Speaker 2>I also, but she said the point of this is

0:21:01.480 --> 0:21:03.400
<v Speaker 2>that he's a great actor playing the role of Drake.

0:21:04.000 --> 0:21:07.440
<v Speaker 2>He can't even convince me he's Jamaican. There's a lot

0:21:07.720 --> 0:21:11.120
<v Speaker 2>there's a lot of worse actors, like I get it,

0:21:11.200 --> 0:21:13.879
<v Speaker 2>but he's not Densel, Like what are we talking about.

0:21:13.960 --> 0:21:19.560
<v Speaker 1>I think the argument would be that Drake is acting

0:21:20.720 --> 0:21:24.240
<v Speaker 1>within a role, as a role within a role within

0:21:24.320 --> 0:21:29.040
<v Speaker 1>a role. So when he pretends to be Jamaican. It's

0:21:29.119 --> 0:21:33.880
<v Speaker 1>a bad it's a act, a truly phenomenal actor acting

0:21:34.040 --> 0:21:40.000
<v Speaker 1>poorly in order to accumulate a type of attention and manipulation.

0:21:40.160 --> 0:21:40.439
<v Speaker 2>It is.

0:21:40.880 --> 0:21:43.919
<v Speaker 1>They're saying, he's the greatest actor of all time. He

0:21:43.920 --> 0:21:46.920
<v Speaker 1>ain't got time for anything else other than his phenomenal

0:21:47.080 --> 0:21:50.159
<v Speaker 1>sort of like because he's pulling off Drake because he

0:21:50.280 --> 0:21:50.760
<v Speaker 1>is Drake.

0:21:53.000 --> 0:21:56.160
<v Speaker 2>I don't I'm trying to get my head around why

0:21:56.160 --> 0:21:58.520
<v Speaker 2>I don't like this, because I don't think I like it.

0:21:59.680 --> 0:22:06.480
<v Speaker 2>I it's like I don't fit. I think he's doing

0:22:06.560 --> 0:22:09.040
<v Speaker 2>he's acting at work like most people do a little bit.

0:22:09.119 --> 0:22:12.439
<v Speaker 2>I don't think it's like because what what what is

0:22:12.480 --> 0:22:15.080
<v Speaker 2>the true personality? Then? How far away do we feel

0:22:15.080 --> 0:22:17.720
<v Speaker 2>like he is? Where is his true personality? You ever

0:22:17.720 --> 0:22:19.520
<v Speaker 2>see that? Because he seems to come off as like

0:22:20.000 --> 0:22:22.040
<v Speaker 2>very petty and all these kinds of things, and it's

0:22:22.119 --> 0:22:24.560
<v Speaker 2>like all seems just like a person.

0:22:24.760 --> 0:22:29.600
<v Speaker 1>Have you ever seen his MTV cribs? No, he has

0:22:29.640 --> 0:22:32.080
<v Speaker 1>an MTV cribs. This is I think when he was

0:22:32.119 --> 0:22:35.840
<v Speaker 1>still living in Canada, this Canadian MTV cribs.

0:22:35.840 --> 0:22:39.280
<v Speaker 2>So that's why you didn't see it, you know what

0:22:39.320 --> 0:22:42.960
<v Speaker 2>I mean? They got it a little late, and no

0:22:43.040 --> 0:22:45.200
<v Speaker 2>one gave a fuck over there. It's eighteen in pregnant.

0:22:46.400 --> 0:22:48.120
<v Speaker 2>Nobody cares, you're too polite.

0:22:50.840 --> 0:22:53.760
<v Speaker 1>But he has a a MTV cribs where he's like

0:22:53.880 --> 0:22:57.560
<v Speaker 1>living with his mom and he like she comes back

0:22:57.600 --> 0:23:02.359
<v Speaker 1>with bagels. She like, brings back bagels was first tradition. Hey,

0:23:02.960 --> 0:23:06.679
<v Speaker 1>nobody's kno gonna bagel, big fan. I like, I like

0:23:07.920 --> 0:23:11.159
<v Speaker 1>big old asses and I like bagels, and I'm not

0:23:11.200 --> 0:23:16.520
<v Speaker 1>ashamed of it. I wouldn't say they're that close, Okay, okay, okay,

0:23:16.640 --> 0:23:19.919
<v Speaker 1>but I'm saying on the list, Okay, okay, both they

0:23:20.040 --> 0:23:21.399
<v Speaker 1>both getting presents from Santa.

0:23:21.560 --> 0:23:24.160
<v Speaker 2>You know what I mean, I put locks on either one.

0:23:28.920 --> 0:23:32.520
<v Speaker 1>His mom brings back bagels and he looks through the

0:23:32.560 --> 0:23:35.800
<v Speaker 1>bag and he gets so mad at her because she

0:23:35.840 --> 0:23:39.879
<v Speaker 1>didn't bring back like an everything bagel, and he like

0:23:40.200 --> 0:23:43.680
<v Speaker 1>really gets upset to the point that he can't even

0:23:43.800 --> 0:23:48.080
<v Speaker 1>really focus on filming his MTV cribs anymore because he

0:23:48.320 --> 0:23:52.199
<v Speaker 1>like is getting frustrated with her. And he's, yeah, but

0:23:52.240 --> 0:23:55.479
<v Speaker 1>I asked for the everything bagel and she's like, I'm sorry, Aubrey,

0:23:55.520 --> 0:23:59.040
<v Speaker 1>It's okay, and he's like, just it just sucks because.

0:23:58.800 --> 0:24:03.000
<v Speaker 2>I really wanted to every Bagel and I think that's

0:24:03.040 --> 0:24:06.359
<v Speaker 2>who he is. But I think every entertainer has it.

0:24:06.359 --> 0:24:08.600
<v Speaker 2>It's like Kevin Hart when he got mad at his

0:24:08.680 --> 0:24:11.600
<v Speaker 2>man on the airplane for not having any money. You

0:24:11.600 --> 0:24:13.439
<v Speaker 2>you know what I'm saying, But I'm saying that that

0:24:13.920 --> 0:24:19.680
<v Speaker 2>still lives within what we believe. Kevin Hart is right,

0:24:19.920 --> 0:24:24.760
<v Speaker 2>and to some extent, Drake is doing a performance that

0:24:24.920 --> 0:24:29.160
<v Speaker 2>truly has asked us to not even believe that boy

0:24:29.359 --> 0:24:32.840
<v Speaker 2>is who he is. He has to.

0:24:33.240 --> 0:24:36.359
<v Speaker 1>That's that's the illusion he's aiming for. Whether you agree

0:24:36.359 --> 0:24:39.879
<v Speaker 1>with it or not, is not what he wants, right,

0:24:40.400 --> 0:24:43.320
<v Speaker 1>And so that is the acting, and that is a

0:24:43.560 --> 0:24:45.879
<v Speaker 1>hell of a performance. And that is a lot of

0:24:45.920 --> 0:24:49.680
<v Speaker 1>fucking work every single day to not make me think

0:24:49.800 --> 0:24:52.479
<v Speaker 1>that you a man who I still think is a

0:24:52.480 --> 0:24:58.600
<v Speaker 1>fucking dweb. Isn't this level of d weep? And that's

0:24:58.800 --> 0:25:02.440
<v Speaker 1>the that it's too much work to then also then

0:25:02.560 --> 0:25:06.760
<v Speaker 1>go and like have a sex scene where you truly

0:25:06.800 --> 0:25:08.040
<v Speaker 1>get to see him be into it.

0:25:08.080 --> 0:25:09.879
<v Speaker 2>But if he was that great at playing, why wouldn't

0:25:09.880 --> 0:25:11.440
<v Speaker 2>he just do like the Will Smith type of thing

0:25:11.480 --> 0:25:14.760
<v Speaker 2>and just be Drake in every movie? If he's pulling

0:25:14.800 --> 0:25:17.879
<v Speaker 2>it off to that level. Why wouldn't he just transfer

0:25:18.000 --> 0:25:22.200
<v Speaker 2>it because he's always already playing this character. Great obviously,

0:25:22.280 --> 0:25:24.360
<v Speaker 2>that you can have a role, you can have a

0:25:24.480 --> 0:25:27.960
<v Speaker 2>full career as a character celebrity that's typecasts themselves.

0:25:28.000 --> 0:25:30.200
<v Speaker 1>I'm really happy you asked this, and I've been thinking

0:25:30.240 --> 0:25:34.520
<v Speaker 1>about this. I've been thinking about it a lot, and

0:25:34.600 --> 0:25:35.920
<v Speaker 1>it took me a second.

0:25:37.920 --> 0:25:43.040
<v Speaker 2>Sandwich. Okay, it was a tuna sandwich, not in everything bagel.

0:25:44.920 --> 0:25:45.400
<v Speaker 2>That's right.

0:25:45.640 --> 0:25:48.399
<v Speaker 1>He was very upset about I'm gonna watch this after all,

0:25:48.480 --> 0:25:52.240
<v Speaker 1>it's fucking nuts. You asked a question, why doesn't Drake

0:25:52.480 --> 0:25:56.680
<v Speaker 1>just pivot this into becoming you know, the ultimate sort

0:25:56.720 --> 0:25:57.879
<v Speaker 1>of celebrity.

0:25:57.400 --> 0:25:59.000
<v Speaker 2>The character that he's already mastered.

0:25:59.800 --> 0:26:05.240
<v Speaker 1>I I don't think they're ready. Ready isn't the right word.

0:26:05.440 --> 0:26:09.160
<v Speaker 1>I don't think they've made space for a light skinned.

0:26:10.480 --> 0:26:14.000
<v Speaker 2>Main man. That's why you wanted to do this, all right.

0:26:14.359 --> 0:26:15.440
<v Speaker 2>I was wondering why.

0:26:15.840 --> 0:26:18.080
<v Speaker 1>No, I didn't know this was coming. I'll be honest

0:26:18.080 --> 0:26:19.320
<v Speaker 1>with you. I didn't know this was coming.

0:26:20.480 --> 0:26:24.080
<v Speaker 2>Okay, okay, okay, but I have been feeling this is

0:26:24.080 --> 0:26:29.480
<v Speaker 2>what we need to talk about. You don't think you think, wow,

0:26:30.320 --> 0:26:33.800
<v Speaker 2>you don't who is a light skinned leading man, A

0:26:34.040 --> 0:26:39.040
<v Speaker 2>list leading man, a list, not light skin more not

0:26:39.040 --> 0:26:41.480
<v Speaker 2>not Michael Ee, because as much as they're great, not

0:26:41.600 --> 0:26:46.240
<v Speaker 2>a list, they're not a list. Wow, we ain't got those.

0:26:47.960 --> 0:26:50.960
<v Speaker 2>I've really been thinking about it, I could tell because

0:26:51.040 --> 0:26:53.879
<v Speaker 2>and I'm trying everything in my dark skinned heart wants

0:26:53.920 --> 0:26:58.280
<v Speaker 2>to refute this. And I really struggle to think you

0:26:58.359 --> 0:27:01.399
<v Speaker 2>have to be tonally centered to be a black leading

0:27:01.440 --> 0:27:06.760
<v Speaker 2>man like we have from Denzel to like, who's the

0:27:06.880 --> 0:27:12.080
<v Speaker 2>lightest Harry Harry Belafonte is the lightest I can think of. Yeah,

0:27:12.080 --> 0:27:14.720
<v Speaker 2>but that's almost like that if you were in the

0:27:14.760 --> 0:27:16.880
<v Speaker 2>Black and White Ara kind of it's different. And that's

0:27:16.920 --> 0:27:19.320
<v Speaker 2>what I'm saying. That was so far back that it

0:27:19.400 --> 0:27:22.880
<v Speaker 2>doesn't we're not talking about the same game. Wow, this

0:27:23.000 --> 0:27:26.120
<v Speaker 2>is this is crazy because now it feels like we're

0:27:26.119 --> 0:27:28.240
<v Speaker 2>in the same where it's like, you're not going to

0:27:28.320 --> 0:27:31.119
<v Speaker 2>be leading man. I'm not gonna be a minute.

0:27:31.160 --> 0:27:39.000
<v Speaker 1>I think I can break the old Baby.

0:27:35.640 --> 0:27:37.119
<v Speaker 2>You're right, you're right, you're right, you're right, you're right.

0:27:37.200 --> 0:27:44.040
<v Speaker 2>Great actor, great actor, great actor. Ah. That that to

0:27:44.119 --> 0:27:46.800
<v Speaker 2>me is the more interesting thing about all this. I

0:27:46.840 --> 0:27:49.520
<v Speaker 2>don't I'm kind of sick of talking about Drake in general,

0:27:49.840 --> 0:27:54.720
<v Speaker 2>But why is there Do you think it's like I don't, man, fuck.

0:27:55.080 --> 0:27:58.160
<v Speaker 1>I don't think even you know, look how light skinned

0:27:58.200 --> 0:28:01.720
<v Speaker 1>Malcolm X was in real life? They had Denzel Washington play.

0:28:02.000 --> 0:28:06.600
<v Speaker 2>Yeah, wow, that's light skin of rasure. We was red, yeah,

0:28:06.680 --> 0:28:11.840
<v Speaker 2>rare dog. He was Detroit red, right red. He had freckles.

0:28:13.000 --> 0:28:23.919
<v Speaker 2>They had freckles. It looks just like a raggedy hando.

0:28:24.240 --> 0:28:29.080
<v Speaker 2>I don't know why that. You say you have breakfasts

0:28:29.160 --> 0:28:35.400
<v Speaker 2>up really look like strawberry shortcake yo. And they did

0:28:35.440 --> 0:28:38.880
<v Speaker 2>have Denzel playing, and they had I'm really trying to

0:28:39.000 --> 0:28:42.680
<v Speaker 2>search my head for like like a like a lights

0:28:43.000 --> 0:28:46.040
<v Speaker 2>lights Wow. What do you think that is? Do you

0:28:46.040 --> 0:28:48.200
<v Speaker 2>think it was? Do you think it's like America doesn't

0:28:48.200 --> 0:28:53.000
<v Speaker 2>want to look at itself? I think I think in

0:28:53.120 --> 0:28:57.720
<v Speaker 2>some ways we didn't. We haven't elevated to where those

0:28:57.920 --> 0:28:59.440
<v Speaker 2>roles would truly exist.

0:29:00.400 --> 0:29:02.920
<v Speaker 1>Do you know what I'm saying that? Like, for so long,

0:29:03.080 --> 0:29:07.760
<v Speaker 1>black entertainment had been limited to either writing about slavery

0:29:08.360 --> 0:29:13.200
<v Speaker 1>or the civil rights experience, or you are entertaining yourselves

0:29:13.680 --> 0:29:17.160
<v Speaker 1>over here and it doesn't play. We don't care what

0:29:17.200 --> 0:29:19.960
<v Speaker 1>you do. So yeah, over there you can let Shamar

0:29:20.040 --> 0:29:22.640
<v Speaker 1>Moore be king. But over here you're gonna talk about

0:29:22.680 --> 0:29:25.200
<v Speaker 1>slavery and nobody wants to see.

0:29:25.240 --> 0:29:27.640
<v Speaker 2>Or you're gonna talk about the struggle in one way

0:29:27.720 --> 0:29:28.400
<v Speaker 2>or another.

0:29:28.240 --> 0:29:30.480
<v Speaker 1>And nobody wants to see a nigga with light eyes

0:29:30.520 --> 0:29:34.680
<v Speaker 1>and freckles be like the leader of you know, the

0:29:34.680 --> 0:29:36.640
<v Speaker 1>the masses of slaves?

0:29:36.880 --> 0:29:39.000
<v Speaker 2>Are you picking? Are you pitching? And in the house

0:29:39.040 --> 0:29:48.000
<v Speaker 2>slave movies, because that's the craziest. Jus opens the door

0:29:48.000 --> 0:29:50.160
<v Speaker 2>and he's like, you know it, y'all. I don't like

0:29:50.240 --> 0:29:55.400
<v Speaker 2>it in here either, Lee Daniels, possess inside.

0:29:57.720 --> 0:30:04.600
<v Speaker 6>We should all be freak.

0:30:11.560 --> 0:30:20.480
<v Speaker 2>If y'all don't get core Brand, I don't get He's like,

0:30:21.880 --> 0:30:25.560
<v Speaker 2>but he's like passing out while he's holding the tray.

0:30:25.640 --> 0:30:27.840
<v Speaker 1>He can barely keep it up because he's fast and

0:30:28.200 --> 0:30:30.200
<v Speaker 1>trying to be an allegiance with the outdoors.

0:30:36.520 --> 0:30:40.880
<v Speaker 2>No, that is oh man, man, that is funny as

0:30:40.880 --> 0:30:44.080
<v Speaker 2>that is because that's that's hilarious, really one of the

0:30:44.080 --> 0:30:50.000
<v Speaker 2>funniest things I've thought about, and especially because there's Daniels. Yeah,

0:30:50.080 --> 0:30:53.960
<v Speaker 2>Lee Daniels, it's a classyir Tyler Perry. Yeah. Yeah, there's

0:30:54.000 --> 0:30:58.800
<v Speaker 2>a legitimacy to it. Ah. Wow, though that. I mean,

0:30:58.920 --> 0:31:02.360
<v Speaker 2>I can't. I'm not gonna old you that I think that.

0:31:02.880 --> 0:31:04.840
<v Speaker 2>I think that is a very good point. I never

0:31:05.440 --> 0:31:09.400
<v Speaker 2>because it's interesting. I think that with light skin versus

0:31:09.480 --> 0:31:12.160
<v Speaker 2>dark skin, we look at so much of the idea

0:31:12.320 --> 0:31:16.680
<v Speaker 2>of privilege versus not right, and the idea of lighter

0:31:16.720 --> 0:31:21.040
<v Speaker 2>being proximity to whiteness. But that proximity to whiteness seems

0:31:21.080 --> 0:31:24.560
<v Speaker 2>like it probably does take away some of their perception

0:31:25.120 --> 0:31:27.720
<v Speaker 2>of the black experience in a way that I could

0:31:27.760 --> 0:31:32.840
<v Speaker 2>see specifically, like Hollywood not wanting to reflect those we don't.

0:31:33.200 --> 0:31:37.960
<v Speaker 2>We don't seem useful to them exactly because they want

0:31:38.000 --> 0:31:40.680
<v Speaker 2>because at the point they want a black body, they

0:31:40.680 --> 0:31:43.480
<v Speaker 2>want a Denzel body, but they don't want a blackass

0:31:43.520 --> 0:31:45.480
<v Speaker 2>body because that's still scarce. No, they don't.

0:31:45.520 --> 0:31:49.400
<v Speaker 1>They hate the way we look in general. Right, So

0:31:49.560 --> 0:31:51.840
<v Speaker 1>the darker we get, the more they're like, I don't

0:31:52.120 --> 0:31:53.200
<v Speaker 1>like that shit.

0:31:53.320 --> 0:31:55.360
<v Speaker 2>Right, you know what I'm saying. So it's just across

0:31:55.360 --> 0:31:55.680
<v Speaker 2>the board.

0:31:55.760 --> 0:31:57.760
<v Speaker 1>We don't like it, but if we have to use it,

0:31:58.200 --> 0:32:01.160
<v Speaker 1>we want to use it with the way it all prescribed.

0:32:01.320 --> 0:32:04.320
<v Speaker 2>Yeah, that's interesting. I never, I really never thought about

0:32:04.360 --> 0:32:09.400
<v Speaker 2>specifically that. Malcolm X's point is very interesting because he

0:32:09.440 --> 0:32:10.840
<v Speaker 2>didn't he looked like Denzel.

0:32:10.920 --> 0:32:14.040
<v Speaker 1>He Denzel is not a has never and will never

0:32:14.120 --> 0:32:16.160
<v Speaker 1>be a light skin man, do you know what I mean? Like,

0:32:16.240 --> 0:32:19.000
<v Speaker 1>as much as they tried to put like light skinned

0:32:19.240 --> 0:32:23.120
<v Speaker 1>energy on Denzel, you think, yeah, sometimes I think early

0:32:23.160 --> 0:32:28.000
<v Speaker 1>and earlier in his career he was a sexier man. Well,

0:32:28.680 --> 0:32:31.719
<v Speaker 1>guys get to be sexy on I'm just saying that,

0:32:31.800 --> 0:32:35.600
<v Speaker 1>like he was like almost being treated like a model

0:32:35.760 --> 0:32:39.800
<v Speaker 1>type man for a period and now looking at him old,

0:32:40.320 --> 0:32:42.760
<v Speaker 1>he just was. He had the same Michael Jordan effect

0:32:42.800 --> 0:32:44.640
<v Speaker 1>where you were just so great at your thing, we

0:32:44.680 --> 0:32:46.240
<v Speaker 1>didn't notice your pants sun.

0:32:46.280 --> 0:32:49.480
<v Speaker 2>Yeah we forgot that. You sound like you're from North Carolina. Yeah,

0:32:49.640 --> 0:32:50.720
<v Speaker 2>it's it's. Uh.

0:32:51.040 --> 0:32:53.400
<v Speaker 1>It was an illusion that they I would say, they

0:32:53.440 --> 0:32:56.320
<v Speaker 1>put on him at maybe a point, but but never

0:32:56.480 --> 0:32:57.640
<v Speaker 1>was he a light skin man.

0:32:58.000 --> 0:33:02.720
<v Speaker 2>There are no light skin of a list leading men. Wow,

0:33:02.960 --> 0:33:05.440
<v Speaker 2>not not in front of the camera. The rock is

0:33:05.480 --> 0:33:06.680
<v Speaker 2>the closest thing to it.

0:33:06.760 --> 0:33:09.240
<v Speaker 1>But the rock is his own. Yeah, he doesn't even

0:33:09.680 --> 0:33:12.600
<v Speaker 1>he doesn't exist on the same playing field of like, oh,

0:33:12.640 --> 0:33:15.080
<v Speaker 1>this is like an actor we've we've.

0:33:14.920 --> 0:33:17.920
<v Speaker 2>He doesn't bring it up, Yeah, bring it up. No,

0:33:18.040 --> 0:33:19.440
<v Speaker 2>he hates it he played.

0:33:19.200 --> 0:33:25.440
<v Speaker 1>At University of Miami. Yeah, he's like my dad wrestled. Yeah,

0:33:25.520 --> 0:33:27.200
<v Speaker 1>don't look up any pictures the same place.

0:33:27.360 --> 0:33:34.440
<v Speaker 2>Michael Irvin. Uh damn. That is uh. That's wild because

0:33:34.440 --> 0:33:36.200
<v Speaker 2>it seems like you think about it and now I

0:33:36.240 --> 0:33:38.600
<v Speaker 2>try to go through the scope of like what I

0:33:38.640 --> 0:33:43.680
<v Speaker 2>know to be black black movie stars, and it seems

0:33:43.760 --> 0:33:46.600
<v Speaker 2>to be even from back to like Pam Greer and

0:33:46.640 --> 0:33:49.280
<v Speaker 2>stuff like that, it seems to be kind of like

0:33:49.320 --> 0:33:51.840
<v Speaker 2>a monotone situation.

0:33:52.600 --> 0:33:56.440
<v Speaker 1>Well, I think the women they had, Yeah, but that

0:33:56.880 --> 0:33:59.320
<v Speaker 1>you can make sense of that quickly. They've they've put

0:33:59.400 --> 0:34:03.840
<v Speaker 1>up You're in beauty standards right right right on the forefront.

0:34:03.920 --> 0:34:09.040
<v Speaker 1>So halle Berry is more appealing to them than the

0:34:09.160 --> 0:34:11.040
<v Speaker 1>dark skinned chick from in the house.

0:34:11.880 --> 0:34:14.160
<v Speaker 2>Wow, that's a deep cut. It was beautiful. I was

0:34:14.200 --> 0:34:18.360
<v Speaker 2>more of an Erica Alexander guy, Max singh Shaw attorney

0:34:18.400 --> 0:34:21.600
<v Speaker 2>at law. Hey, I'm not mad at that either. Yeah,

0:34:21.719 --> 0:34:28.239
<v Speaker 2>I also enjoy that flavor. Yeah. Yeah, but this I

0:34:28.239 --> 0:34:32.280
<v Speaker 2>feel like sometimes we derail great conversations by being horny

0:34:33.120 --> 0:34:35.839
<v Speaker 2>and we're just man, that's just what this is.

0:34:35.880 --> 0:34:38.800
<v Speaker 1>But I do think I think beyond the horniness, the

0:34:39.280 --> 0:34:43.680
<v Speaker 1>the ultimately I do think that women part of the

0:34:43.719 --> 0:34:49.120
<v Speaker 1>reaction of like of light skinned being sort of treated

0:34:49.239 --> 0:34:52.279
<v Speaker 1>with like this, this elevation that we're not seeing on

0:34:52.320 --> 0:34:55.520
<v Speaker 1>the other side for dark skinned people is far more

0:34:55.560 --> 0:34:59.839
<v Speaker 1>of a thing that women were experiencing and then reflecting

0:35:00.080 --> 0:35:03.480
<v Speaker 1>onto the masses of the black community. I don't know

0:35:03.520 --> 0:35:07.080
<v Speaker 1>that light skinned men, at least in acting. I'm only

0:35:07.560 --> 0:35:10.799
<v Speaker 1>obviously in other fields it becomes a lot more complicated for.

0:35:13.520 --> 0:35:13.880
<v Speaker 2>Acting.

0:35:13.880 --> 0:35:19.239
<v Speaker 1>In entertainment, one, light skinned men are less useful and

0:35:19.280 --> 0:35:23.400
<v Speaker 1>thus not the the krim day lak Krim.

0:35:23.640 --> 0:35:25.960
<v Speaker 2>So what are we saying? I think I think if

0:35:26.160 --> 0:35:28.319
<v Speaker 2>I mean, if I'm hearing you, right, I think fit

0:35:28.920 --> 0:35:32.920
<v Speaker 2>we probably need to get a super dark movie hero first,

0:35:33.560 --> 0:35:39.880
<v Speaker 2>and then we bust that door open and we let

0:35:40.120 --> 0:35:43.279
<v Speaker 2>and we bring and we bring our white brothers through the.

0:35:43.239 --> 0:35:49.640
<v Speaker 1>Door, right, Yeah, a little trickle down, Yeah, pigment shotgun.

0:35:51.040 --> 0:35:54.920
<v Speaker 2>And then let everybody else, Yeah, everybody can climb through that.

0:35:54.800 --> 0:35:58.600
<v Speaker 1>Open why Yeah, dark and wide. Yeah, that wasn't exactly

0:35:58.680 --> 0:36:01.480
<v Speaker 1>what I was feeling. But I'm hearing you. I think

0:36:01.520 --> 0:36:05.759
<v Speaker 1>that we're but we're kind of on the sand. I

0:36:05.800 --> 0:36:07.879
<v Speaker 1>think they tried Jamon Hansu enough.

0:36:08.360 --> 0:36:10.920
<v Speaker 2>They didn't try him as the lead. They tried him

0:36:10.960 --> 0:36:17.600
<v Speaker 2>in a Keanu Reeves movie where his name was Papa Midnight. Like, nigga, bro,

0:36:19.320 --> 0:36:25.920
<v Speaker 2>that's crazy, that's a menstal show. That's it. And I

0:36:26.040 --> 0:36:28.120
<v Speaker 2>maybe I read the maybe and maybe that is what

0:36:28.160 --> 0:36:31.480
<v Speaker 2>they called him in the cartoon, but that you have

0:36:31.520 --> 0:36:35.600
<v Speaker 2>to understand me. In the movies eighteen years old, was like,

0:36:35.719 --> 0:36:41.840
<v Speaker 2>this is crazy, yo. His name was Papa min Yes, fuck,

0:36:43.400 --> 0:36:43.680
<v Speaker 2>you know.

0:36:43.960 --> 0:36:47.719
<v Speaker 1>You can't sign We gotta hold him accountable for that.

0:36:48.360 --> 0:36:51.520
<v Speaker 1>You don't sign up for that. At what point do

0:36:51.600 --> 0:36:54.520
<v Speaker 1>you put your your your dark ass hand down John

0:36:55.400 --> 0:36:58.200
<v Speaker 1>and go no, I'm not gonna be Papa Midnight.

0:36:58.440 --> 0:37:04.520
<v Speaker 2>That shit was crazy. That's nuts. Fuck Papa or Midnight

0:37:07.800 --> 0:37:13.799
<v Speaker 2>sick like yeah, like one or the other.

0:37:13.960 --> 0:37:17.560
<v Speaker 1>I get if he's midnight, sure, it's it's about your

0:37:17.600 --> 0:37:21.440
<v Speaker 1>skin color, but it's it isn't like an elevation you

0:37:21.520 --> 0:37:23.759
<v Speaker 1>put on it. Not the midnight makes it seem like

0:37:24.000 --> 0:37:26.080
<v Speaker 1>there are a lot of midnights. But you're the daddy,

0:37:26.120 --> 0:37:27.920
<v Speaker 1>You're the king of the of the midnight.

0:37:28.040 --> 0:37:30.680
<v Speaker 2>And I don't want you now they're saying that to you.

0:37:30.800 --> 0:37:32.239
<v Speaker 2>I don't want to hear that.

0:37:32.239 --> 0:37:37.800
<v Speaker 1>That's crazy. Papa fucking Papa Midnight. That's your wild gaimhnsu.

0:37:38.760 --> 0:37:42.160
<v Speaker 2>And also it didn't even work. Papa Papa Midnight didn't pop.

0:37:42.360 --> 0:37:45.759
<v Speaker 2>No what I mean?

0:37:45.800 --> 0:37:54.360
<v Speaker 1>Then I've been buying all these Papa Midnight dolls, dolls.

0:37:54.680 --> 0:37:57.160
<v Speaker 2>I'm gonna get a Papa Midnight. I'm gonna pull up

0:37:57.160 --> 0:38:02.600
<v Speaker 2>with a goddamn Papa Midnight pretty soon. Fucking on here.

0:38:03.320 --> 0:38:05.280
<v Speaker 2>If you get a fip a midnight hoodie, that's actually

0:38:05.360 --> 0:38:09.000
<v Speaker 2>kind of hard, that would be yeah, complicated. I would

0:38:09.040 --> 0:38:13.399
<v Speaker 2>love to see it. Anyway. Anyways, I think that you've

0:38:13.400 --> 0:38:16.200
<v Speaker 2>made a great point. Maybe think maybe think that ultimately

0:38:16.239 --> 0:38:21.719
<v Speaker 2>the point is that it seems like in a mainstream fashion,

0:38:22.239 --> 0:38:24.160
<v Speaker 2>they don't want to see us at any of ours

0:38:24.520 --> 0:38:29.000
<v Speaker 2>what's viewed to be our extremities. They're extreme extremities. That's

0:38:29.000 --> 0:38:32.200
<v Speaker 2>like arms and legs, arms and legs, but extremes. Yeah,

0:38:32.200 --> 0:38:34.239
<v Speaker 2>they don't want to see us at any of our extremes.

0:38:34.239 --> 0:38:37.960
<v Speaker 2>Be it the idea because which is ultimately them gatekeeping

0:38:38.239 --> 0:38:40.400
<v Speaker 2>what it is they feel like we are and should be.

0:38:40.840 --> 0:38:44.680
<v Speaker 2>And that is what the big issue is with all this.

0:38:44.760 --> 0:38:47.640
<v Speaker 1>Yeah, I mean, I think you can see it reflected

0:38:47.800 --> 0:38:51.400
<v Speaker 1>and not to make this you know, so championship politics,

0:38:51.480 --> 0:38:54.040
<v Speaker 1>whatever the fuck. But like you see it in Trump

0:38:54.160 --> 0:38:58.560
<v Speaker 1>going to a black conference and feeling comfortable enough to

0:38:58.600 --> 0:38:59.920
<v Speaker 1>be like, she ain't black.

0:39:00.320 --> 0:39:03.080
<v Speaker 2>Yeah, that's crazy. And it's I think it's because it

0:39:03.120 --> 0:39:06.080
<v Speaker 2>becomes a thing culturally where we maybe put some of

0:39:06.120 --> 0:39:09.680
<v Speaker 2>that on ourselves as well, like where we keep it

0:39:09.719 --> 0:39:10.360
<v Speaker 2>for ourselves.

0:39:10.480 --> 0:39:13.359
<v Speaker 1>Well, it's the danger of the internet. And you've talked

0:39:13.360 --> 0:39:17.040
<v Speaker 1>about this before that the internet is now everybody's language.

0:39:17.600 --> 0:39:19.480
<v Speaker 1>So when we go on the internet and we go

0:39:19.680 --> 0:39:23.560
<v Speaker 1>this is black, this is not, they adopt that language

0:39:23.719 --> 0:39:25.920
<v Speaker 1>and then spew it back at us. But because there

0:39:25.960 --> 0:39:28.359
<v Speaker 1>are so many more of them than there are of us,

0:39:28.920 --> 0:39:31.960
<v Speaker 1>we start to feel crazy when it becomes just a

0:39:32.000 --> 0:39:37.960
<v Speaker 1>fact of their culture. And for years, decades, hundreds of years,

0:39:37.960 --> 0:39:41.360
<v Speaker 1>sometimes we were the only ones who even understood what

0:39:41.480 --> 0:39:42.000
<v Speaker 1>that meant.

0:39:43.000 --> 0:39:49.800
<v Speaker 2>Yes, yeah, I mean you just can't get keep anything, no,

0:39:49.920 --> 0:39:52.200
<v Speaker 2>not unless you shut the fuck up. Yeah, and you

0:39:52.280 --> 0:39:55.360
<v Speaker 2>really just uh, I think really what you need to

0:39:55.400 --> 0:39:57.800
<v Speaker 2>do is finance a buddy cop movie. Me and Langston,

0:40:00.320 --> 0:40:06.719
<v Speaker 2>We've written it. It's called Papa and Son Midnight. It's

0:40:06.760 --> 0:40:13.080
<v Speaker 2>called Meet the Midnight. Papa Midnight had an affair with

0:40:13.120 --> 0:40:17.440
<v Speaker 2>a white woman and they're gonna solve a jew. I

0:40:21.239 --> 0:40:24.480
<v Speaker 2>it would be crazy if I was your dad movie

0:40:24.880 --> 0:40:27.080
<v Speaker 2>you got me, because there's no version where I get

0:40:27.160 --> 0:40:29.319
<v Speaker 2>to make you. You can make me, that's true. You

0:40:29.360 --> 0:40:30.279
<v Speaker 2>could only come from this.

0:40:30.760 --> 0:40:33.920
<v Speaker 1>My daughter, she's she's darker than both me and my wife.

0:40:33.960 --> 0:40:35.839
<v Speaker 1>But that's as dark as I could.

0:40:35.920 --> 0:40:38.120
<v Speaker 2>That's so fun, though. Do you feel strong in that?

0:40:38.680 --> 0:40:38.920
<v Speaker 2>I do.

0:40:39.719 --> 0:40:42.480
<v Speaker 1>That's cool. It cool for you. It truly gave me

0:40:42.560 --> 0:40:45.439
<v Speaker 1>pride to be like, nah, yeah, look at that ship.

0:40:45.520 --> 0:40:46.280
<v Speaker 2>Look at that.

0:40:47.960 --> 0:41:03.839
<v Speaker 6>Yeah, look years, check the check the score. Bro, that's

0:41:03.880 --> 0:41:07.440
<v Speaker 6>the joy. I never knew about a light care father

0:41:07.520 --> 0:41:08.359
<v Speaker 6>and a darker kid.

0:41:08.400 --> 0:41:11.160
<v Speaker 2>That's pretty cool. Hell yeah, it would not the feeling

0:41:11.160 --> 0:41:14.000
<v Speaker 2>would not go the other way for me. M that

0:41:14.040 --> 0:41:17.400
<v Speaker 2>if you had a license, baby, you wouldn't be proud.

0:41:19.160 --> 0:41:23.160
<v Speaker 2>I need to tread lightly here. No, go ahead, enjoy yourself.

0:41:23.560 --> 0:41:28.080
<v Speaker 2>I I mean no, but if you want to be

0:41:28.120 --> 0:41:30.239
<v Speaker 2>facts about it. Part of the reason the allure of

0:41:30.280 --> 0:41:33.400
<v Speaker 2>having kids for me is the idea of being able

0:41:33.440 --> 0:41:36.000
<v Speaker 2>to pass on this thing that is so often viewed

0:41:36.360 --> 0:41:39.200
<v Speaker 2>as a blight, as a difficulty in my life, that

0:41:39.440 --> 0:41:41.960
<v Speaker 2>I have learned to love and be proud of, and

0:41:42.000 --> 0:41:46.880
<v Speaker 2>that represents where I am, so that is like being

0:41:46.920 --> 0:41:49.720
<v Speaker 2>able to embrace that is like one of the greatest

0:41:49.760 --> 0:41:52.239
<v Speaker 2>things I've done in my life. So to advocate and

0:41:52.320 --> 0:41:56.120
<v Speaker 2>not be able to relate that seems like a thing

0:41:56.160 --> 0:41:58.000
<v Speaker 2>that would be difficult to me. I get that, you

0:41:58.040 --> 0:42:00.120
<v Speaker 2>know what I'm saying. So, like, it's not that I

0:42:00.160 --> 0:42:02.600
<v Speaker 2>wouldn't be happy, but if I were to have a

0:42:02.719 --> 0:42:06.440
<v Speaker 2>kid and they also didn't have that, like that's the

0:42:06.480 --> 0:42:08.319
<v Speaker 2>one thing where it could be like this is us

0:42:08.320 --> 0:42:11.040
<v Speaker 2>because we're from here, and to not have that would

0:42:11.120 --> 0:42:14.439
<v Speaker 2>be would be a bit of a difficulty. Yeah.

0:42:14.560 --> 0:42:19.279
<v Speaker 1>Yeah, it doesn't sound dissimilar to what I feel like

0:42:19.360 --> 0:42:23.279
<v Speaker 1>I hear you and others describe in terms of like

0:42:24.000 --> 0:42:28.400
<v Speaker 1>a parent not born in this country, then having kids

0:42:28.440 --> 0:42:32.920
<v Speaker 1>in this country watching them sort of become not what

0:42:32.960 --> 0:42:34.600
<v Speaker 1>they you know what I mean, Like your mom grew

0:42:34.680 --> 0:42:37.920
<v Speaker 1>up in Sierra Leone. Her sense of what life is

0:42:37.960 --> 0:42:41.960
<v Speaker 1>and what men and children should be is framed around that.

0:42:42.040 --> 0:42:45.640
<v Speaker 1>And then to see y'all grow up in such different ways,

0:42:45.680 --> 0:42:47.440
<v Speaker 1>it's probably similarly, Like.

0:42:49.160 --> 0:42:52.239
<v Speaker 2>I don't it's just different. That's not what I wanted. Yeah,

0:42:52.680 --> 0:42:54.239
<v Speaker 2>but I'm not mad at it. I love y'all.

0:42:54.280 --> 0:42:56.799
<v Speaker 1>I want y'all to have whatever you can have. But

0:42:57.080 --> 0:43:00.160
<v Speaker 1>this isn't This wasn't my goal when I say it

0:43:00.160 --> 0:43:00.680
<v Speaker 1>out for this.

0:43:00.880 --> 0:43:04.359
<v Speaker 2>So I would love my light scned baby obviously, just

0:43:04.440 --> 0:43:07.040
<v Speaker 2>not as much as that dark one. If it was

0:43:07.040 --> 0:43:15.319
<v Speaker 2>two you get those weird twins. Oh man, Yeah, I

0:43:15.440 --> 0:43:19.040
<v Speaker 2>could overcome it. But like initially, just.

0:43:18.960 --> 0:43:22.239
<v Speaker 1>Like on the come out, No, I think I'll just

0:43:22.320 --> 0:43:29.000
<v Speaker 1>keep holding David Junior. Yeah, I think Ronald, yeah to

0:43:29.040 --> 0:43:31.719
<v Speaker 1>his brother, We're gonna play football.

0:43:31.760 --> 0:43:36.040
<v Speaker 2>I think Ronald can cry it out. No obviously, Yeah,

0:43:36.080 --> 0:43:38.359
<v Speaker 2>you will love it, but it would it is the thing.

0:43:48.000 --> 0:43:50.560
<v Speaker 1>Here's the last thing I think we should do before

0:43:50.600 --> 0:43:52.120
<v Speaker 1>we end this episode is circle.

0:43:52.200 --> 0:43:53.799
<v Speaker 2>This all back to the question of Drake.

0:43:54.120 --> 0:43:56.520
<v Speaker 1>Is he the greatest actor of all time or at

0:43:56.520 --> 0:44:00.160
<v Speaker 1>the very least is this just a I think greatest

0:44:00.239 --> 0:44:00.759
<v Speaker 1>of all times?

0:44:00.840 --> 0:44:04.680
<v Speaker 2>Still feels maybe like too much of a stretch. I

0:44:04.760 --> 0:44:06.400
<v Speaker 2>So here's my issue with this. I think when we

0:44:06.440 --> 0:44:09.759
<v Speaker 2>wrap around to Drake and the idea of entertainment, oh,

0:44:09.880 --> 0:44:12.040
<v Speaker 2>that's what they're all doing, I don't think that he

0:44:12.160 --> 0:44:15.720
<v Speaker 2>is particularly gifted in that aspect of presenting a different

0:44:15.760 --> 0:44:18.720
<v Speaker 2>part of his personality and profiting off of something different.

0:44:18.800 --> 0:44:20.399
<v Speaker 2>I don't think some of these guys, some of these

0:44:20.400 --> 0:44:22.879
<v Speaker 2>people you don't know, they're gay, they're they're this, they're that.

0:44:23.000 --> 0:44:27.200
<v Speaker 2>Like It's like, I don't believe that he's particularly more

0:44:28.680 --> 0:44:32.719
<v Speaker 2>talented at that aspect of being an entertainer than anybody else.

0:44:32.920 --> 0:44:34.880
<v Speaker 2>I do think the guy's kind of a savage. I

0:44:34.920 --> 0:44:37.120
<v Speaker 2>think he's ruthless. I think he's sort of a bad guy.

0:44:37.320 --> 0:44:40.279
<v Speaker 2>But do I think he's more talented at suppressing his

0:44:40.400 --> 0:44:43.520
<v Speaker 2>personality to sell us whatever the fuck we want and

0:44:43.600 --> 0:44:49.479
<v Speaker 2>nobody really who they are except for fifty cent? Yeah,

0:44:49.560 --> 0:44:52.439
<v Speaker 2>I I right. I tend to agree with you.

0:44:53.000 --> 0:44:55.720
<v Speaker 1>I don't think he's as phenomenal as of an actor

0:44:55.880 --> 0:44:59.680
<v Speaker 1>as as is being suggested. I do think he pulled

0:44:59.680 --> 0:45:04.680
<v Speaker 1>a a wilder, more grand finesse than we've ever seen.

0:45:05.239 --> 0:45:08.200
<v Speaker 1>I think it's a truly legendary finesse.

0:45:08.200 --> 0:45:11.560
<v Speaker 2>I think we'll because the really great ones you never

0:45:11.600 --> 0:45:12.560
<v Speaker 2>found out.

0:45:13.520 --> 0:45:18.680
<v Speaker 1>I don't know his his just on record. No, I'm

0:45:18.719 --> 0:45:20.760
<v Speaker 1>just saying, like, even if you haven't.

0:45:20.520 --> 0:45:24.080
<v Speaker 7>Seen the YouTube, if you believe Drake even is exactly

0:45:24.120 --> 0:45:28.520
<v Speaker 7>who he pretends to be, this is not a person who,

0:45:29.080 --> 0:45:32.520
<v Speaker 7>given when he entered hip hop, I would have suspected

0:45:32.600 --> 0:45:34.719
<v Speaker 7>could have become the king of the art form.

0:45:35.239 --> 0:45:37.560
<v Speaker 1>Do you know what I'm saying? That, Like, Drake was

0:45:37.760 --> 0:45:40.080
<v Speaker 1>never built to be the king of the.

0:45:40.040 --> 0:45:42.439
<v Speaker 2>Shit, right, That's fair. That's fair.

0:45:42.480 --> 0:45:45.279
<v Speaker 1>He's never sold drugs, do you know what I mean?

0:45:45.320 --> 0:45:49.759
<v Speaker 1>He's never beat anybody up. He's cried multiple times on

0:45:50.600 --> 0:45:55.000
<v Speaker 1>many songs. He's been sort of publicly shamed and embarrassed

0:45:55.400 --> 0:45:59.640
<v Speaker 1>and guffawed at. He's been accused of being a pedophile, like.

0:45:59.600 --> 0:46:00.359
<v Speaker 2>All the ship.

0:46:01.040 --> 0:46:04.560
<v Speaker 1>This was not supposed to be the king, and he was.

0:46:04.800 --> 0:46:07.480
<v Speaker 1>And not only was he the king, he's the biggest

0:46:07.560 --> 0:46:08.560
<v Speaker 1>king we've ever had.

0:46:09.440 --> 0:46:12.680
<v Speaker 2>Yeah, But I mean, that's uh. I think part of

0:46:12.680 --> 0:46:14.400
<v Speaker 2>that is the motivation that drives you to be the

0:46:14.520 --> 0:46:16.799
<v Speaker 2>king comes from you not having been picked that. You

0:46:16.800 --> 0:46:19.640
<v Speaker 2>wouldn't have thought that about Lil Wayne when Hopwoays came out.

0:46:19.840 --> 0:46:21.239
<v Speaker 2>You would have thought he was great. You didn't think

0:46:21.280 --> 0:46:23.799
<v Speaker 2>this was gonna change, this was gonna be something that

0:46:23.840 --> 0:46:26.200
<v Speaker 2>we've never seen before. That's fair, you know what I mean?

0:46:26.239 --> 0:46:28.879
<v Speaker 2>Because he's coming out of the South, and so it's

0:46:28.920 --> 0:46:31.080
<v Speaker 2>like I think that that's like, I think that you

0:46:31.160 --> 0:46:34.600
<v Speaker 2>sort of need that level of under being underrated to

0:46:34.719 --> 0:46:37.480
<v Speaker 2>truly take over the top of any type of thing.

0:46:37.560 --> 0:46:39.279
<v Speaker 2>So I think that that's where that comes from. I

0:46:39.800 --> 0:46:40.839
<v Speaker 2>don't disagree with you.

0:46:40.960 --> 0:46:43.880
<v Speaker 1>I think I think of Wayne's rise still within the

0:46:44.040 --> 0:46:46.000
<v Speaker 1>lexicon of it is.

0:46:46.120 --> 0:46:48.120
<v Speaker 2>It is a lot less hip hop, It's a lot

0:46:48.160 --> 0:46:54.480
<v Speaker 2>far more conventional. He's still all that. Yeah, yeah, Where's

0:46:54.560 --> 0:46:55.040
<v Speaker 2>Drake is not?

0:46:55.200 --> 0:46:59.640
<v Speaker 1>Where's Drake is literally a we he he showed us

0:47:00.160 --> 0:47:01.080
<v Speaker 1>in a music video.

0:47:01.200 --> 0:47:02.760
<v Speaker 2>I had a bar mitzvah.

0:47:02.960 --> 0:47:06.520
<v Speaker 1>Yeah, and we watched him dance like a fucking loser

0:47:07.080 --> 0:47:09.799
<v Speaker 1>that wasn't even like cool little black kid dances.

0:47:10.080 --> 0:47:11.960
<v Speaker 2>Would you say that Drake is the first light skin

0:47:12.080 --> 0:47:15.879
<v Speaker 2>man character. I think there's a pretty fair argument for it.

0:47:18.239 --> 0:47:25.840
<v Speaker 2>So in that ultimately sort of did you a favorite?

0:47:27.280 --> 0:47:31.080
<v Speaker 8>He's kicking the door open. You're not gonna do it.

0:47:32.120 --> 0:47:36.040
<v Speaker 8>You're trying to trick me. He is literally gonna kick

0:47:36.080 --> 0:47:39.440
<v Speaker 8>the door open for me. I don't want to go

0:47:39.480 --> 0:47:42.040
<v Speaker 8>through that door. No, No, it's a fucked up door

0:47:42.080 --> 0:47:42.360
<v Speaker 8>to be in.

0:47:42.560 --> 0:47:45.319
<v Speaker 2>I mean, wait until everybody clears out and then you

0:47:45.360 --> 0:47:51.360
<v Speaker 2>want to give it good Yeah. Oh nah, listen, y'all,

0:47:51.400 --> 0:47:53.640
<v Speaker 2>I'll be cool this. Don't take any roles for twelve

0:47:53.719 --> 0:47:56.560
<v Speaker 2>sixteen months, I'm trying to get the numbers up on this.

0:47:56.880 --> 0:47:59.040
<v Speaker 2>It would be great if you were a movie star. Yeah,

0:47:59.400 --> 0:48:02.120
<v Speaker 2>if you hear him, be a movie star. I don't quit. No,

0:48:02.200 --> 0:48:04.279
<v Speaker 2>I won't quit. Yeah me either. I won't quit. I

0:48:04.320 --> 0:48:06.359
<v Speaker 2>will talk to you different, but I'm not gonna quit

0:48:06.520 --> 0:48:10.759
<v Speaker 2>insane same And that's I think that's fair. I think

0:48:10.760 --> 0:48:13.000
<v Speaker 2>that that's that's as honest as we could be with

0:48:13.000 --> 0:48:16.120
<v Speaker 2>each other. That's gonna be a few more David grow up. Yeah,

0:48:16.440 --> 0:48:20.719
<v Speaker 2>there's gonna be a lot less shirt on. I'm that rich.

0:48:20.800 --> 0:48:22.840
<v Speaker 2>They're gonna be a lot more smoking in the studio

0:48:25.320 --> 0:48:33.400
<v Speaker 2>like cigars. Weird shit. It's gonna be hose behind me

0:48:33.520 --> 0:48:38.080
<v Speaker 2>and not him. These laughing all your jokes and then they.

0:48:38.000 --> 0:48:41.960
<v Speaker 1>Shut out mine, they cross their ar they get on

0:48:42.000 --> 0:48:44.120
<v Speaker 1>their phone.

0:48:45.120 --> 0:48:47.279
<v Speaker 2>But I'm so desperate. I'm still trying to impress the

0:48:47.320 --> 0:48:49.759
<v Speaker 2>hose every week. No, it'll be really difficult if one

0:48:49.800 --> 0:48:52.000
<v Speaker 2>of us elevates a lot faster than the other. No,

0:48:52.160 --> 0:48:53.920
<v Speaker 2>I don't. I don't care for that one bit. No,

0:48:54.000 --> 0:48:56.239
<v Speaker 2>I'd rather that we both make a million dollars from

0:48:56.280 --> 0:48:56.800
<v Speaker 2>this podcast.

0:48:56.800 --> 0:48:59.640
<v Speaker 1>That's the deal, folks. We're willing to both be millionaires.

0:48:59.760 --> 0:49:01.839
<v Speaker 1>That's let's put that on wax, because I don't think

0:49:01.840 --> 0:49:03.520
<v Speaker 1>they've ever heard us say that objectively.

0:49:03.640 --> 0:49:06.440
<v Speaker 2>Oh, yes, I would like to be richer than y'all.

0:49:06.520 --> 0:49:08.760
<v Speaker 1>Yeah, I'd like to be very, very rich, and i'd

0:49:08.800 --> 0:49:10.480
<v Speaker 1>like your support and making that happen.

0:49:10.560 --> 0:49:12.759
<v Speaker 2>But and I'll do some good stuff with it, and

0:49:12.800 --> 0:49:15.560
<v Speaker 2>I'll do some bad stuff with it, growing pigs. Hey,

0:49:15.600 --> 0:49:20.120
<v Speaker 2>here's it. Hey, here's what I promise you. I'm staying neutral. Yeah,

0:49:20.800 --> 0:49:23.520
<v Speaker 2>I'm go's it's not going to be in that negative. Nope.

0:49:23.800 --> 0:49:26.319
<v Speaker 2>They're definitely gonna build some schools. Well they have my

0:49:26.440 --> 0:49:28.440
<v Speaker 2>name on them. Probably. Hey, we'll get a few more

0:49:28.480 --> 0:49:31.040
<v Speaker 2>camera angles. Yeah, that's what I'm trying to have. This ship.

0:49:31.239 --> 0:49:33.560
<v Speaker 2>It split up already more than it was before. Yeah,

0:49:33.560 --> 0:49:36.120
<v Speaker 2>they put they put another light in. They knew where

0:49:36.120 --> 0:49:38.520
<v Speaker 2>it was coming. Hey, here's one question before we get

0:49:38.560 --> 0:49:40.600
<v Speaker 2>out of here. There's real inside baseball light skin and

0:49:40.719 --> 0:49:43.320
<v Speaker 2>dark skinned television stuff. Oh, okay, do you wear makeup

0:49:43.360 --> 0:49:45.600
<v Speaker 2>on television? I do? Yeah, I don't.

0:49:45.800 --> 0:49:49.240
<v Speaker 1>You don't ever wear making never, They've never put makeup

0:49:49.280 --> 0:49:52.399
<v Speaker 1>on you, anti shine, that's it. No one's ever put

0:49:52.440 --> 0:49:58.319
<v Speaker 1>like concealer any No makeup on television, Holy shit. Never

0:49:58.440 --> 0:49:59.919
<v Speaker 1>once that's fuck.

0:50:00.680 --> 0:50:04.719
<v Speaker 2>Oh well yeah, yeah, because I got beat I got

0:50:04.719 --> 0:50:05.640
<v Speaker 2>Beijing one time.

0:50:06.440 --> 0:50:09.319
<v Speaker 1>Yeah, but that's not makeup. That's that's hair makeup. Yeah,

0:50:09.320 --> 0:50:12.640
<v Speaker 1>but hair is a different department, right, it was a

0:50:12.680 --> 0:50:16.279
<v Speaker 1>black woman off. Makeup is the one that's objective. No,

0:50:16.280 --> 0:50:18.040
<v Speaker 1>they always say, oh honey, you're scared.

0:50:18.080 --> 0:50:21.520
<v Speaker 2>No, sometimes there's black women, but there's not, like I

0:50:21.560 --> 0:50:23.600
<v Speaker 2>don't think there's a lot of makeup for min that's

0:50:23.680 --> 0:50:24.200
<v Speaker 2>my point.

0:50:24.360 --> 0:50:26.640
<v Speaker 1>It's not it's not that I'm saying that they're being

0:50:26.800 --> 0:50:31.640
<v Speaker 1>like bad people necessarily, as much as like the technology

0:50:31.760 --> 0:50:32.640
<v Speaker 1>doesn't exist.

0:50:33.800 --> 0:50:37.600
<v Speaker 2>That means I am this fine, I am this fine.

0:50:38.200 --> 0:50:40.200
<v Speaker 2>How about that? No one touch up?

0:50:40.239 --> 0:50:40.399
<v Speaker 5>Man?

0:50:41.080 --> 0:50:44.440
<v Speaker 2>That's what I just I look like this me and

0:50:44.520 --> 0:50:50.040
<v Speaker 2>my little baby. The other one I don't know. Yeah, No,

0:50:50.160 --> 0:50:51.839
<v Speaker 2>I caet make up every single time.

0:50:51.840 --> 0:50:56.840
<v Speaker 1>And it's even because I've taken accutane, which is the greatest,

0:50:56.880 --> 0:51:00.920
<v Speaker 1>in my opinion, the greatest drug that's ever been created.

0:51:01.800 --> 0:51:06.560
<v Speaker 2>Would you take acu let's say, accusaning and penicillin, penicillina up.

0:51:07.000 --> 0:51:09.880
<v Speaker 2>They take one away and they keep one. Would you

0:51:09.880 --> 0:51:12.759
<v Speaker 2>get rid of penicillin if you I've never had penicillin.

0:51:12.880 --> 0:51:17.840
<v Speaker 2>So that's a quick pro quota. That's a quick pro

0:51:17.960 --> 0:51:21.520
<v Speaker 2>quota changed everything for me. Do you feel like it

0:51:21.680 --> 0:51:22.320
<v Speaker 2>changed your life?

0:51:22.440 --> 0:51:26.200
<v Speaker 1>Like I do not, not because I was like struggling

0:51:26.520 --> 0:51:30.440
<v Speaker 1>career wise as a result of my acne, But it

0:51:30.560 --> 0:51:34.160
<v Speaker 1>was so deeply connected to my self worth and self

0:51:34.280 --> 0:51:35.759
<v Speaker 1>esteem in a.

0:51:35.719 --> 0:51:39.040
<v Speaker 2>Way that like I you know, it's you do have

0:51:39.239 --> 0:51:41.120
<v Speaker 2>and I mean this in a good way. You do

0:51:41.320 --> 0:51:45.080
<v Speaker 2>have young ugly guy personality, like you sort of have

0:51:45.160 --> 0:51:48.239
<v Speaker 2>too much personality to be fine, you know what I mean?

0:51:48.400 --> 0:51:49.040
<v Speaker 2>That makes sense?

0:51:49.440 --> 0:51:53.640
<v Speaker 1>And I think in that way, we we want, you know,

0:51:53.680 --> 0:51:56.360
<v Speaker 1>we're all vain, sort of little monsters that want to

0:51:56.360 --> 0:51:59.600
<v Speaker 1>look our best selves and ship and it's like, nah,

0:51:59.800 --> 0:52:04.120
<v Speaker 1>I fucking hate looking this way. And then you take

0:52:04.160 --> 0:52:08.880
<v Speaker 1>a drug for six months and you never have it again.

0:52:09.200 --> 0:52:11.360
<v Speaker 2>See that's why ozempic gotta call me bro. I'm not

0:52:11.360 --> 0:52:14.000
<v Speaker 2>trying to pay for it myself. Dog, if you want

0:52:14.000 --> 0:52:14.840
<v Speaker 2>to talk ozempic.

0:52:15.040 --> 0:52:18.120
<v Speaker 1>I just listened to uh an episode on the Daily

0:52:18.160 --> 0:52:21.399
<v Speaker 1>about about some shit that that really fucked me up.

0:52:21.719 --> 0:52:24.040
<v Speaker 2>Why because everybody's been shitting on.

0:52:24.040 --> 0:52:27.320
<v Speaker 1>Ozempic, right, everybody's been talking trash about how bad Ocempic

0:52:27.480 --> 0:52:28.600
<v Speaker 1>is or as bad that we're.

0:52:28.640 --> 0:52:32.279
<v Speaker 4>Everybody we're running out of diabetes medicine. What we're gonna

0:52:32.320 --> 0:52:35.239
<v Speaker 4>do for the diabetics. You know, they're doing that shit.

0:52:36.640 --> 0:52:43.760
<v Speaker 4>Maybe they're right, Maybe they're right that.

0:52:43.360 --> 0:52:46.200
<v Speaker 1>That people are, you know, fucking doing a bad thing.

0:52:46.600 --> 0:52:48.520
<v Speaker 1>But one of the things that they were talking about

0:52:48.640 --> 0:52:53.200
<v Speaker 1>is how ozempic isn't just a hunger suppressant. It also

0:52:53.400 --> 0:52:57.840
<v Speaker 1>is like changing your literal taste buds so that people

0:52:57.880 --> 0:53:02.879
<v Speaker 1>who are on ozempic are actually craving fresher foods. Oh wow,

0:53:03.000 --> 0:53:06.120
<v Speaker 1>they don't want processed foods anymore. They don't want sugary

0:53:06.200 --> 0:53:11.400
<v Speaker 1>shit anymore. And the literally the sugar and processed foods

0:53:11.560 --> 0:53:15.160
<v Speaker 1>industry is like in a tailspin right now. On some

0:53:15.400 --> 0:53:19.120
<v Speaker 1>like yo, we don't they're not hooked like they used

0:53:19.160 --> 0:53:22.320
<v Speaker 1>to be hooked. These numbers are going down. We gotta

0:53:22.400 --> 0:53:27.120
<v Speaker 1>start engineering some new shit for these ozipic motherfuckers so

0:53:27.160 --> 0:53:28.879
<v Speaker 1>that we can get back on the money train.

0:53:29.920 --> 0:53:33.120
<v Speaker 2>It's like sometimes you're just like, maybe we just need

0:53:33.160 --> 0:53:37.360
<v Speaker 2>a hard reset, bro, we just reset it all. Everybody

0:53:37.360 --> 0:53:38.120
<v Speaker 2>starts a zero.

0:53:38.560 --> 0:53:42.160
<v Speaker 1>It's why we need a little bit of China. We've

0:53:42.160 --> 0:53:49.840
<v Speaker 1>talked about no, not not the street drug, the communist

0:53:49.880 --> 0:53:50.560
<v Speaker 1>hell state.

0:53:51.000 --> 0:53:56.120
<v Speaker 2>Oh yeah, we need whatever that threat is of like control,

0:53:56.520 --> 0:53:59.600
<v Speaker 2>to maintain some level of f You're gonna straight up

0:53:59.600 --> 0:54:03.600
<v Speaker 2>to kill human decent. Yeah, unfettered capitalism is going to

0:54:03.719 --> 0:54:06.760
<v Speaker 2>kill us because now they've created a drug that literally

0:54:06.800 --> 0:54:12.160
<v Speaker 2>can make us beat the addiction we created and then like,

0:54:12.239 --> 0:54:14.760
<v Speaker 2>oh no, fuck, we're gonna be broke.

0:54:15.080 --> 0:54:20.480
<v Speaker 9>We gotta get them addicted again with poisons. We have

0:54:20.560 --> 0:54:24.400
<v Speaker 9>to create new poisons to make them re addict themselves

0:54:24.680 --> 0:54:27.160
<v Speaker 9>to a thing that we keep telling them is killing

0:54:27.160 --> 0:54:28.480
<v Speaker 9>them in the first place.

0:54:29.640 --> 0:54:31.879
<v Speaker 2>God damn. And the only way they can be free

0:54:31.880 --> 0:54:34.600
<v Speaker 2>of it is take a drug that makes them shit themselves,

0:54:35.800 --> 0:54:39.800
<v Speaker 2>literally have diarrhea on a on a near daily basis.

0:54:41.400 --> 0:54:48.440
<v Speaker 2>It's it's wild out here, dog meet the midnights in theaters.

0:54:45.120 --> 0:54:54.279
<v Speaker 2>This people cool guys Jokes eighty seven on Instagram, Patreon,

0:54:54.400 --> 0:54:57.480
<v Speaker 2>dot com, backslash David Boy. You can purchase my special.

0:54:57.800 --> 0:55:00.080
<v Speaker 2>All the money goes to me. Don't you like that

0:55:00.320 --> 0:55:02.920
<v Speaker 2>There's no middle man. I put the money up, I

0:55:02.960 --> 0:55:06.839
<v Speaker 2>get the money back. You're paying me directly. Make give

0:55:06.920 --> 0:55:09.520
<v Speaker 2>me some money so I can teach my light skin

0:55:09.719 --> 0:55:12.239
<v Speaker 2>son to ice skate or whatever they do.

0:55:18.120 --> 0:55:22.240
<v Speaker 1>I mean I did skate it, uh, after the school program.

0:55:22.440 --> 0:55:25.200
<v Speaker 1>Oh that's nice though. Yeah, we'd like go to the

0:55:25.760 --> 0:55:26.839
<v Speaker 1>rink every once in a while.

0:55:27.000 --> 0:55:27.480
<v Speaker 2>Pretty good.

0:55:28.080 --> 0:55:31.920
<v Speaker 1>I was good for a kid that was just running around,

0:55:32.080 --> 0:55:34.120
<v Speaker 1>you know what I mean. I wasn't like embarrassing myself

0:55:34.200 --> 0:55:37.440
<v Speaker 1>or anything like that sucked as an example, I guess

0:55:37.320 --> 0:55:38.680
<v Speaker 1>it was good.

0:55:38.719 --> 0:55:40.840
<v Speaker 2>It was good. I think we covered a lot of ground.

0:55:41.840 --> 0:55:44.640
<v Speaker 2>Just really made me feel small. But that's okay. I'm sorry.

0:55:44.680 --> 0:55:47.480
<v Speaker 2>You're tall, you're big and tall, and you have a dark,

0:55:47.600 --> 0:55:51.920
<v Speaker 2>dark daughter. Oh yeah, that didn't That didn't feel grazyn.

0:55:54.440 --> 0:55:56.680
<v Speaker 2>That sucked too. All right, let's get out of here.

0:55:56.800 --> 0:55:57.560
<v Speaker 2>We gotta gotta.

0:55:57.920 --> 0:56:00.480
<v Speaker 1>You can follow me at Langston Kerman on all social

0:56:00.520 --> 0:56:04.879
<v Speaker 1>media platforms, and you can watch my special it's called

0:56:04.920 --> 0:56:09.320
<v Speaker 1>Bad Poetry. It is on Netflix. And more importantly, you

0:56:09.440 --> 0:56:12.279
<v Speaker 1>can send us your own drops, your own conspiracies. You

0:56:12.800 --> 0:56:18.840
<v Speaker 1>can't tell us what is the next light skinned Superstars

0:56:19.080 --> 0:56:21.400
<v Speaker 1>waiting in the wings. We want to hear from you

0:56:21.520 --> 0:56:24.520
<v Speaker 1>all at Mamma pod at gmail dot com. We would

0:56:24.560 --> 0:56:28.800
<v Speaker 1>love to talk to you also via voicemail at A

0:56:29.040 --> 0:56:31.560
<v Speaker 1>four four Little Moms. We would like for you to

0:56:31.640 --> 0:56:35.040
<v Speaker 1>buy our merch We would like for you to subscribe

0:56:35.600 --> 0:56:39.000
<v Speaker 1>and like and rate and review and do all the

0:56:39.080 --> 0:56:44.360
<v Speaker 1>things that are necessary for our future success, and most importantly,

0:56:44.840 --> 0:56:52.160
<v Speaker 1>watch you azz Bye Bitch, Bye Bitch. My Mama Told

0:56:52.200 --> 0:56:54.960
<v Speaker 1>Me is a production of Will Ferrell's Big Money Players

0:56:55.320 --> 0:56:58.040
<v Speaker 1>Network and iHeart Podcasts.

0:56:58.400 --> 0:57:02.280
<v Speaker 2>Created and hosted by Langston, co hosted by David Borie.

0:57:02.520 --> 0:57:06.960
<v Speaker 2>Executive produced by Will Farrell, Hansani and Olivia Aguilon. Co

0:57:07.160 --> 0:57:11.160
<v Speaker 2>produced by Bee Wayne, edited and engineered by Justin Kopfon,

0:57:11.480 --> 0:57:14.960
<v Speaker 2>music by Nick Chambers, artwork by Dogon Kreega.

0:57:15.239 --> 0:57:17.920
<v Speaker 1>You can now watch episodes of My Mama Told Me

0:57:18.080 --> 0:57:22.320
<v Speaker 1>on YouTube, Follow at My Mama Told Me and subscribe

0:57:22.400 --> 0:57:23.160
<v Speaker 1>to our channel