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Speaker 1: You got some new pussy in the you know what

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Speaker 1: that is, or at least what I think it is.

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Speaker 2: Uh, that's the American.

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Speaker 1: School system, like deep in your like nervous system, you

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Speaker 1: know what I mean, like deep in your fucking membranes.

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Speaker 1: You're like, summertime is for for opportunity, it is for

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Speaker 1: my freedom. And then you get some pussy in the

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Speaker 1: summertime and you go that just hits different.

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Speaker 2: Yeah, you're like, I might not go back. It's just

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Speaker 2: a difference between coke and Mexican coke. What's see in

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Speaker 2: the summertime is Mexican coke. And you can quote me online,

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Speaker 2: make a T shirt.

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Speaker 1: I don't give an put it on his tombstone, none

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Speaker 1: of my achievements.

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Speaker 2: It lies.

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Speaker 1: The wisest man that ever was pussy in the summer

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Speaker 1: time is Mexican coke.

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Speaker 2: Addictive.

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Speaker 3: He didn't say that until much later clarified, My chips.

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Speaker 2: In your.

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Speaker 3: Quality bears are racists.

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Speaker 2: The money, our man turkey stuff. I can't tell me.

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Speaker 2: I want to be your man.

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Speaker 1: I want to be your man. Yes I do, Yes,

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Speaker 1: I do. There it is there.

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Speaker 2: It is.

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Speaker 1: Ladies and gentlemen, Welcome to another phenomenal episode of my

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Speaker 1: mama told.

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Speaker 2: Me podcasts where we dive deep into the pockets of

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Speaker 2: black conspiracy theories and.

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Speaker 1: We finally work to prove whatever conspiracy theories you already

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Speaker 1: believe in.

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Speaker 2: Come on, we are down to clown. We don't give

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Speaker 2: a fuck. Come on, We're just adding another echo to

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Speaker 2: the chamber.

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Speaker 1: Come on, we are giving you just a few more

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Speaker 1: pieces of evidence that you can bring up when you're

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Speaker 1: yelling at your girlfriend.

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Speaker 2: Come on, we just want you to be right after dinner. Base.

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Speaker 2: You don't have a lot, no, but you got this.

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Speaker 2: You don't have no money. That's why all are arguing.

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Speaker 2: If it wasn't so broke, you'd be at peace. Yeah,

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Speaker 2: look at us, we say whatever we want to our girls.

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Speaker 2: That's not true. What have you been thinking lately?

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Speaker 1: This is something I have been worrying about quite a bit.

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Speaker 1: Is I'm worried. I've been thinking that BBLS might be

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Speaker 1: a marking of our societal undoing.

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Speaker 2: Oh I get that, but wouldn't have it. It would

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Speaker 2: have started with titties. I think they try I titties

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Speaker 2: and do you feel like titties did not catch on

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Speaker 2: in the way that BBLS have.

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Speaker 1: I think titties caught. I think the titty technology did

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Speaker 1: not catch on well enough.

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Speaker 2: That's what I t t tech is. For a lot

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Speaker 2: of people don't realize it was I titty tech.

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Speaker 1: I titty tech going down to eye titty tech when

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Speaker 1: we are improving the titty technology.

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Speaker 2: That's why. That's why it's in a strip mall. That's

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Speaker 2: where you go to how to put titties and titties.

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Speaker 1: Yeah, you get dermatologists right next door, and then you

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Speaker 1: get something at CBS on the corner.

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Speaker 2: Okay, so you're saying they tried with titties.

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Speaker 1: I think titties we were an attempt, but the titty

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Speaker 1: technology was not strong enough. But I do think that

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Speaker 1: BBL once they figured out, oh we can repurpose the

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Speaker 1: literal like body fat into something functional, it changed everything.

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Speaker 1: And part of what and hear me out, part of

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Speaker 1: what I think it changed was it snatched objectivity away

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Speaker 1: from us.

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Speaker 2: Right.

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Speaker 1: It no longer is it that you we are all

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Speaker 1: in agreement about what a bad bitch is.

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Speaker 2: And that didn't exist when I was a boy, an

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Speaker 2: agreement about what a bad bitch was.

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Speaker 1: Yes, when we were kids A lotless time, yeah, I think,

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Speaker 1: but I know I think when we were kids, everybody

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Speaker 1: that that was a bad bitch. We all agreed on it.

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Speaker 1: There was never like nobody was arguing whether or not

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Speaker 1: halle Berry was fine.

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Speaker 2: Right, it just was is that Now do you think

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Speaker 2: because of first titties obviously now bbls, it's because of

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Speaker 2: some of these bad bitches, or maybe exists more outside

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Speaker 2: of nature, Like.

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Speaker 1: I think, so I think that they're I think they're

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Speaker 1: super bitches, but I also think that like it, then

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Speaker 1: it's creating this thing where it's like, that's a bad bitch.

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Speaker 1: I think, but she works at subway and you know

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Speaker 1: what I mean, it's not it's not working through our

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Speaker 1: fields tration system.

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Speaker 4: Right.

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Speaker 1: And then on top of that, there's all this judgment

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Speaker 1: of the quality of the BBL that then makes it

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Speaker 1: more complicated for you to even see them as bad

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Speaker 1: bitches because because it's not the best BBL. But when

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Speaker 1: I was a kid, a fat ass was just a

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Speaker 1: miracle on a miracle.

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Speaker 2: It's just what God gave you.

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Speaker 1: It didn't matter what shape it was. We were just insane,

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Speaker 1: like her ass.

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Speaker 2: Is huge, that's a miracle literally stopping traffic.

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Speaker 1: And now we're like it's fat, but it's not good

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Speaker 1: enough for me, right, and it's like, what are you

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Speaker 1: looking for? And that's that's crazy, But it is the

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Speaker 1: way that we've reshaped society and by removing objectivity. If

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Speaker 1: there is no objectivity for bad bitches, there's no objectivity period.

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Speaker 2: So what you're saying is it really starts with bad bitches.

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Speaker 2: It always starts with bad bitch. They control this song. Damn.

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Speaker 2: That's tough.

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Speaker 1: Yeah, and I don't want this to come off as

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Speaker 1: it is their fault that we are in the place

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Speaker 1: that we're in.

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Speaker 2: No, it's just how we We're just just where we

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Speaker 2: ended up.

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Speaker 1: It's just the programming, it's just where we're end So

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Speaker 1: this isn't shaming bad bitches. I'm a fan, Yeah, I

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Speaker 1: have been for some time. I love your early stuff,

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Speaker 1: but I like the Lake cuts too. Listen, there's never

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Speaker 1: been an era where I tapped out, you.

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Speaker 2: Know what I mean.

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Speaker 1: There's like Prince. I don't do Prince after some years,

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Speaker 1: not bad bitches.

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Speaker 2: To celebrate the whole Dispicago, I had the shit on vinyl. Yeah,

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Speaker 2: transferred the whole collection of MP three and I'll have

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Speaker 2: some new shit in twenty forty five, and I'll upgrade

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Speaker 2: to that too.

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Speaker 1: I'm gonna be one of them old men still playing

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Speaker 1: bad bitch music in the car.

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Speaker 2: It just sounds better. It just sounds better in here. See,

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Speaker 2: y'all don't know nothing about this young blood.

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Speaker 1: This is a bad bitch seventy three.

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Speaker 2: Yeah, that's tough, man. I I it's interesting because it's like,

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Speaker 2: uh yeah, that surgically enhanced? It does? It does seem

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Speaker 2: like I wonder it doesn't end right because the technology

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Speaker 2: only gets better and better? Or does it transfer is

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Speaker 2: come up a lot. Does it transfer into robots where

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Speaker 2: it's like, now you could just make the perfect robot

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Speaker 2: and you don't even have to deal with the person.

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Speaker 1: I think that's where it gets scary, right, is that

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Speaker 1: once we reach a point where you can replicate all

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Speaker 1: of these sort of like women of perfect forms, whatever

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Speaker 1: you were, men and men, whatever you decide that is.

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Speaker 1: I don't want to make this some sort of like

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Speaker 1: loose shaming of anything that you know comes in different

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Speaker 1: tastes than flavors. That said, once you can replicate anybody's

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Speaker 1: favorite thing, it becomes less their favorite thing and more

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Speaker 1: of just like this shared well, it's accessible to all

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Speaker 1: of us. And how do you move beyond that robots,

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Speaker 1: and then.

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Speaker 2: But then once you're in there, once you are in

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Speaker 2: the place of robots, then you're desire becomes unfiltered, and

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Speaker 2: then it's like, surely madness is next. That's the worry, right,

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Speaker 2: is like we have too much accessibility to all this stuff, right,

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Speaker 2: ultimately used to see we see one bad bitch a month, Yeah,

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Speaker 2: like crazy, Like yeah, and you were in Chicago, Yeah,

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Speaker 2: people in Arkansas, No.

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Speaker 1: Yeah, they gotta ride four miles just to see a person.

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Speaker 2: Yeah, fingers cross as a bad bitch, but very unlikely

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Speaker 2: bad bitch is two times over. Get the chevy. Yeah.

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Speaker 1: All them boys in the back of pickup trucks ain't

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Speaker 1: all racists.

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Speaker 2: Some of them just sometimes they're just horny as hell.

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Speaker 2: That's fair. Yeah, I'm with that, you know, it's it's

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Speaker 2: a worry. I feel like we've talked about, maybe because

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Speaker 2: we've been together for the last two days, that we

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Speaker 2: talked about having sexual robots a lot. It's come up.

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Speaker 2: It's come up, for sure.

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Speaker 1: And I guess what's what's so scary Even if you

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Speaker 1: remove the sexuality from it, what's so scary about it

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Speaker 1: is that we all are acknowledging. Everybody I'll talk to

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Speaker 1: acknowledges how scared they are of robots.

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Speaker 2: And we're still going forward.

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Speaker 1: There's like six people on the planet who are like, fuck, yeah,

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Speaker 1: this is awesome, and then everybody else is like bro.

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Speaker 1: Even the ones that will buy into it are like,

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Speaker 1: it kind of scares me, but it's fun and I

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Speaker 1: think I can pay my way out of whatever. You know,

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Speaker 1: bad thing happens, But everybody scared except six dudes, and

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Speaker 1: we're just like, well, we.

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Speaker 2: Can't do anything. Man, God damn suck. Have sex with

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Speaker 2: your partners, guys, not robots.

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Speaker 1: On have sex with and leave them bbls. Leave them

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Speaker 1: bbls alone alone. It's Megan Art.

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Speaker 2: I ain't tell you what to do it with your body.

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Speaker 2: You want to know, you deserve it. You want to

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Speaker 2: get a crazy, fat ass, go crazy.

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Speaker 1: That's That's not something I want to take away from you.

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Speaker 1: I just I just want you to not need that,

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Speaker 1: but if you need it.

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Speaker 2: But if you need it, I ain't Hey, all right,

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Speaker 2: you need it, I'll look at you. You need it,

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Speaker 2: I'll look at that, And that's something I'm willing to

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Speaker 2: do for you, bad bitch, if you need it.

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Speaker 1: Yeah, I'll get the bartender when you.

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Speaker 2: Oh, yeah, I know, I got it. I'm married, I'm married. Okay, Yeah. Anyway,

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Speaker 2: we didn't come to talk about this.

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Speaker 1: You know, this wasn't the plan, but but we do

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Speaker 1: have a voicemail. I'm excited a voicemail. We we debated,

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Speaker 1: is it fair to say we had a little bit

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Speaker 1: of a debate about this one, but ultimately landed.

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Speaker 2: This is a voicemail.

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Speaker 1: Know, we simply had to share with everyone around us.

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Speaker 1: So so here's what we should do. Maybe we take

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Speaker 1: a break and then we'll play this voicemail. If I

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Speaker 1: were if I were a betting man, I think that's

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Speaker 1: probably fair. We're gonna take a break. When we come back,

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Speaker 1: we're gonna hear this very exciting voicemail. More David Moore

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Speaker 1: Langston More, Ma, Mama.

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Speaker 2: Told me back it up on Terry and back it

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Speaker 2: up on us. You think that's what was happening in

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Speaker 2: that clip. Not a fire happen.

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Speaker 1: This is their reimagined version of Terry, Terry throwing that

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Speaker 1: thing around.

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Speaker 2: Yea, think about close your eyes and not think about

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Speaker 2: it this way.

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Speaker 1: That's nice because it's like, oh, dude, before the July.

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Speaker 2: Ever that's a good time anyways, places places voicemail. You

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Speaker 2: never got grinding on the fourth of July. That's a

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Speaker 2: good man, that's it. There's like there was a period

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Speaker 2: in my life where if I didn't get grinded on

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Speaker 2: on the fourth of July, I was pissed. That's It's

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Speaker 2: really like getting ass on you in the daytime is

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Speaker 2: so much better it was. There was.

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Speaker 1: Yeah, there were eras in just my youth, of both

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Speaker 1: youth and adulthood, where I was like, nah, this is

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Speaker 1: a fuck holiday.

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Speaker 2: It easy though, because it's summertime. Everybody's gonna be drunk

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Speaker 2: by dark. It's just like it's a horny holiday. Oh yeah,

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Speaker 2: it's like everybody celebrates. There's nobody sitting out. Yeah, there's

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Speaker 2: not a lot of you notice, there's not a lot

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Speaker 2: of like there's like losing like white ladies on the internet.

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Speaker 2: We're like, yeah, this is every money his day or whatever.

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Speaker 2: Before the July is really before every Now.

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Speaker 1: No, my dad is a full as.

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Speaker 2: A full socialist and we never skipped afore the July.

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Speaker 2: Come on, like, it's just a fucking good day. Too good.

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Speaker 2: You can't good? What are you gonna fold your arms

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Speaker 2: on the best day. Come on, we have a we

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Speaker 2: have a holiday in the middle of the summertime. This

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Speaker 2: this rocks. Yeah, and I don't even talk about this rocks, y'all.

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Speaker 2: This fucking rules a man. I can't wait till July. Yeah,

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Speaker 2: that's a great day party. All right, I'm gonna play this. Yeah,

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Speaker 2: we have a voicemail we said, yeah, we said we

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Speaker 2: got caught up in ass on July. All right, all right,

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Speaker 2: we're playing this. Bye bye a little and thank you

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Speaker 2: guys for saying keep calling in. By the way, it's

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Speaker 2: so cool. Voicemails are great. A lot of breathy, get

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Speaker 2: a lot of breathy voicemail.

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Speaker 1: Yeah, you you made the comment, and I don't disagree

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Speaker 1: with you. You said that our fans are drunk.

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Speaker 2: Yeah, that are.

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Speaker 1: Quite a few of them are calling and they're very

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Speaker 1: obviously drunk.

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Speaker 2: Yeah, it's very funny. It's very funny.

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Speaker 1: And they're not like they're not like blackout drunk. This

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Speaker 1: isn't They're not like falling over themselves. But they are like, uh, oh,

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Speaker 1: you should have stopped a few, like a wine or

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Speaker 1: two ago.

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Speaker 2: You know what I think is happening. I think our

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Speaker 2: fans are going out because I think our fans are

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Speaker 2: our age. I think a lot of them are in relationships.

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Speaker 2: I think they're going out getting drunk together, and the

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Speaker 2: uber like, no, what, No, I am in a call.

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Speaker 2: Yeah I am going to call. Yeah, you know what

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Speaker 2: I mean, Like on the way home. Yeah, She's like,

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Speaker 2: it's just you're getting a little bit of a debate

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Speaker 2: about something in the car. Yeah. And it's like one

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Speaker 2: of us, t Blangston, one of you. You're like, no,

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Speaker 2: look and I'll ask them. No, I can't ask them

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Speaker 2: ate four or four Little Moms.

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Speaker 1: Yeah, you didn't even know that they had a voicemail

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Speaker 1: anymore because you didn't listen to the recent episodes. But

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Speaker 1: eight for four Little Moms call and I love that.

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Speaker 1: I think I really think that's why I'm drunk and

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Speaker 1: you're coming hot off an argument. That's the best time

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Speaker 1: to call it. And that's here what that's what we're

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Speaker 1: here to do. Beat your spouse.

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Speaker 2: With words, with words. What depends on what you are

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Speaker 2: maybe physically. I'm talking about women. We want women to

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Speaker 2: hit men. Thank god you clarified. I'm not gonna play

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Speaker 2: it now.

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Speaker 5: A little freaky okay.

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Speaker 2: All right, pause right there. I think wait, a minute,

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Speaker 2: ma'am trying to fuck. I don't know that that's a man.

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Speaker 1: I think there's a possibility from what I've heard so far,

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Speaker 1: there's a possibility that's a gay gentleman.

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Speaker 2: Oh like you think these coming out either way? They

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Speaker 2: come at you in your DM I yeah, yeah, yeah, yeah,

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Speaker 2: a little the way. Leave my man alone. It's enough,

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Speaker 2: it's enough, it's graphic, and it's me. He has a family,

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Speaker 2: it's enough. Shame on you. Listen. I'm not brave enough

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Speaker 2: to stand up for myself, but I'm standing up. You

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Speaker 2: don't need to stand them. Pictures of whatever you got

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Speaker 2: back there? He does you want it? I don't.

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Speaker 1: I'm so grateful that you you're willing to do what

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Speaker 1: I've been afraid to do my whole my whole career.

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Speaker 2: All right, So you think this is a gay guy

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Speaker 2: coming up, I'm not sure. But more importantly, don't speak

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Speaker 2: to us that way. It's overally familiar.

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Speaker 1: We have never referred to ourselves as little freaking and

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Speaker 1: you should not either. That's a crazy that's crazy. That's

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Speaker 1: not associated with any of our work. Not, not one

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Speaker 1: of us has played a little freaky on on anybody's.

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Speaker 2: Cartoon or television program. I've only been a doctor or

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Speaker 2: a lawyer on television, that's true, more than a teacher.

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Speaker 1: My even in my lowest role, no one was like,

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Speaker 1: and Lenggston, you will be a little freaky little freaky

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Speaker 1: is nuts. It's it's insane, and and you owe us

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Speaker 1: an apology. I'm sure we won't get it in this voicemail,

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Speaker 1: but but shame on you.

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Speaker 2: And also, deep down I kind of like it. No,

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Speaker 2: I don't like that. I don't know. It's kind of flat.

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Speaker 2: It made me blush that I'm gonna start it over

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Speaker 2: so we can hear it.

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Speaker 5: Hi, you little freaky Okay, I'm back. I earlier and

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Speaker 5: was talking about Cain and we're gonna get back to that.

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Speaker 5: Don't be scared, but I have.

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Speaker 2: A more don't tell me what to do. You bitch.

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Speaker 1: Said something about can I assume raising or Cain and Abel?

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Speaker 1: Oh Canaan is raising? Ain't it raising?

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Speaker 2: No raising? Caines. Oh you're Canes. Oh you're talking about

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Speaker 2: the Power Show? Yeah, the same yeah, spin off? Yeah,

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Speaker 2: raising Canaan. Yeah. I think I assume this person is

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Speaker 2: referring to Canaan. Abel.

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Speaker 1: Oh, okay, but I am curious about the threat thrown

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Speaker 1: right at the end of it of don't be scared.

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Speaker 2: There's already a lot going on. There's a lot going on.

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Speaker 2: We don't have time to unpack that one, but we'll

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Speaker 2: keep going in this voicemail.

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Speaker 5: Fun one because I was listening to an old podcast

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Speaker 5: episode from you Guys about Drake, and so my mama

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Speaker 5: told me.

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Speaker 2: It's okay to singing these that's true.

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Speaker 1: Yeah, I like that you clarified that because I didn't.

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Speaker 1: I almost spit my drink out, but not in a

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Speaker 1: way that was I'm not offended. Yeah, that was really cool.

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Speaker 2: Yeah that.

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Speaker 5: Harvery Graham is the greatest actor alive because he's playing

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Speaker 5: a character named Drake. That's why you've never seen him

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Speaker 5: in any other TV shows or movies or anything. Really

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Speaker 5: passed the grassy. I mean, even if he did great

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Speaker 5: in ESNL, he's a great actor, but he doesn't do

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Speaker 5: any acting, Like, why is that there's so much money

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Speaker 5: in that because he is always playing a prominent role

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Speaker 5: as Drake, a rapper.

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Speaker 2: Okay, I like the singing topped a bottom. It was great.

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Speaker 2: How do you feel about this conspiracy theory?

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Speaker 1: I think there's something very interesting in the fact that Drake,

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Speaker 1: unlike any other rapper previous to him, came out of

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Speaker 1: acting and then never went back to it, and and

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Speaker 1: like won't even kind of take it seriously in any

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Speaker 1: meaningful way.

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Speaker 2: It is odds you would assume it's his first love.

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Speaker 2: But are I don't know the money, Margins. I don't

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Speaker 2: think Drake would make any more money doing anything other

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Speaker 2: than being Drake.

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Speaker 1: I think that that, certainly Drake probably is making more

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Speaker 1: money than he would have made as an actor by himself.

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Speaker 1: But I think there's probably a type of money that

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Speaker 1: Drake could have made turning himself into the Rock, right,

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Speaker 1: you know what I mean, like a cross pollination entity

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Speaker 1: more than it is like just a dude who raps

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Speaker 1: or a dude who acts kind of thing, right.

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Speaker 2: I also, but she said the point of this is

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Speaker 2: that he's a great actor playing the role of Drake.

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Speaker 2: He can't even convince me he's Jamaican. There's a lot

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Speaker 2: there's a lot of worse actors, like I get it,

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Speaker 2: but he's not Densel, Like what are we talking about.

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Speaker 1: I think the argument would be that Drake is acting

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Speaker 1: within a role, as a role within a role within

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Speaker 1: a role. So when he pretends to be Jamaican. It's

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Speaker 1: a bad it's a act, a truly phenomenal actor acting

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Speaker 1: poorly in order to accumulate a type of attention and manipulation.

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Speaker 2: It is.

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Speaker 1: They're saying, he's the greatest actor of all time. He

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Speaker 1: ain't got time for anything else other than his phenomenal

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Speaker 1: sort of like because he's pulling off Drake because he

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Speaker 1: is Drake.

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Speaker 2: I don't I'm trying to get my head around why

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Speaker 2: I don't like this, because I don't think I like it.

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Speaker 2: I it's like I don't fit. I think he's doing

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00:22:06,560 --> 00:22:09,040
Speaker 2: he's acting at work like most people do a little bit.

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Speaker 2: I don't think it's like because what what what is

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Speaker 2: the true personality? Then? How far away do we feel

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00:22:15,080 --> 00:22:17,720
Speaker 2: like he is? Where is his true personality? You ever

385
00:22:17,720 --> 00:22:19,520
Speaker 2: see that? Because he seems to come off as like

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00:22:20,000 --> 00:22:22,040
Speaker 2: very petty and all these kinds of things, and it's

387
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Speaker 2: like all seems just like a person.

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Speaker 1: Have you ever seen his MTV cribs? No, he has

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Speaker 1: an MTV cribs. This is I think when he was

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Speaker 1: still living in Canada, this Canadian MTV cribs.

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Speaker 2: So that's why you didn't see it, you know what

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00:22:39,320 --> 00:22:42,960
Speaker 2: I mean? They got it a little late, and no

393
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Speaker 2: one gave a fuck over there. It's eighteen in pregnant.

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Speaker 2: Nobody cares, you're too polite.

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Speaker 1: But he has a a MTV cribs where he's like

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Speaker 1: living with his mom and he like she comes back

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Speaker 1: with bagels. She like, brings back bagels was first tradition. Hey,

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Speaker 1: nobody's kno gonna bagel, big fan. I like, I like

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00:23:07,920 --> 00:23:11,159
Speaker 1: big old asses and I like bagels, and I'm not

400
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Speaker 1: ashamed of it. I wouldn't say they're that close, Okay, okay, okay,

401
00:23:16,640 --> 00:23:19,919
Speaker 1: but I'm saying on the list, Okay, okay, both they

402
00:23:20,040 --> 00:23:21,399
Speaker 1: both getting presents from Santa.

403
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Speaker 2: You know what I mean, I put locks on either one.

404
00:23:28,920 --> 00:23:32,520
Speaker 1: His mom brings back bagels and he looks through the

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Speaker 1: bag and he gets so mad at her because she

406
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Speaker 1: didn't bring back like an everything bagel, and he like

407
00:23:40,200 --> 00:23:43,680
Speaker 1: really gets upset to the point that he can't even

408
00:23:43,800 --> 00:23:48,080
Speaker 1: really focus on filming his MTV cribs anymore because he

409
00:23:48,320 --> 00:23:52,199
Speaker 1: like is getting frustrated with her. And he's, yeah, but

410
00:23:52,240 --> 00:23:55,479
Speaker 1: I asked for the everything bagel and she's like, I'm sorry, Aubrey,

411
00:23:55,520 --> 00:23:59,040
Speaker 1: It's okay, and he's like, just it just sucks because.

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Speaker 2: I really wanted to every Bagel and I think that's

413
00:24:03,040 --> 00:24:06,359
Speaker 2: who he is. But I think every entertainer has it.

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00:24:06,359 --> 00:24:08,600
Speaker 2: It's like Kevin Hart when he got mad at his

415
00:24:08,680 --> 00:24:11,600
Speaker 2: man on the airplane for not having any money. You

416
00:24:11,600 --> 00:24:13,439
Speaker 2: you know what I'm saying, But I'm saying that that

417
00:24:13,920 --> 00:24:19,680
Speaker 2: still lives within what we believe. Kevin Hart is right,

418
00:24:19,920 --> 00:24:24,760
Speaker 2: and to some extent, Drake is doing a performance that

419
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Speaker 2: truly has asked us to not even believe that boy

420
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Speaker 2: is who he is. He has to.

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Speaker 1: That's that's the illusion he's aiming for. Whether you agree

422
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Speaker 1: with it or not, is not what he wants, right,

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Speaker 1: And so that is the acting, and that is a

424
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Speaker 1: hell of a performance. And that is a lot of

425
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Speaker 1: fucking work every single day to not make me think

426
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Speaker 1: that you a man who I still think is a

427
00:24:52,480 --> 00:24:58,600
Speaker 1: fucking dweb. Isn't this level of d weep? And that's

428
00:24:58,800 --> 00:25:02,440
Speaker 1: the that it's too much work to then also then

429
00:25:02,560 --> 00:25:06,760
Speaker 1: go and like have a sex scene where you truly

430
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Speaker 1: get to see him be into it.

431
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Speaker 2: But if he was that great at playing, why wouldn't

432
00:25:09,880 --> 00:25:11,440
Speaker 2: he just do like the Will Smith type of thing

433
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Speaker 2: and just be Drake in every movie? If he's pulling

434
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Speaker 2: it off to that level. Why wouldn't he just transfer

435
00:25:18,000 --> 00:25:22,200
Speaker 2: it because he's always already playing this character. Great obviously,

436
00:25:22,280 --> 00:25:24,360
Speaker 2: that you can have a role, you can have a

437
00:25:24,480 --> 00:25:27,960
Speaker 2: full career as a character celebrity that's typecasts themselves.

438
00:25:28,000 --> 00:25:30,200
Speaker 1: I'm really happy you asked this, and I've been thinking

439
00:25:30,240 --> 00:25:34,520
Speaker 1: about this. I've been thinking about it a lot, and

440
00:25:34,600 --> 00:25:35,920
Speaker 1: it took me a second.

441
00:25:37,920 --> 00:25:43,040
Speaker 2: Sandwich. Okay, it was a tuna sandwich, not in everything bagel.

442
00:25:44,920 --> 00:25:45,400
Speaker 2: That's right.

443
00:25:45,640 --> 00:25:48,399
Speaker 1: He was very upset about I'm gonna watch this after all,

444
00:25:48,480 --> 00:25:52,240
Speaker 1: it's fucking nuts. You asked a question, why doesn't Drake

445
00:25:52,480 --> 00:25:56,680
Speaker 1: just pivot this into becoming you know, the ultimate sort

446
00:25:56,720 --> 00:25:57,879
Speaker 1: of celebrity.

447
00:25:57,400 --> 00:25:59,000
Speaker 2: The character that he's already mastered.

448
00:25:59,800 --> 00:26:05,240
Speaker 1: I I don't think they're ready. Ready isn't the right word.

449
00:26:05,440 --> 00:26:09,160
Speaker 1: I don't think they've made space for a light skinned.

450
00:26:10,480 --> 00:26:14,000
Speaker 2: Main man. That's why you wanted to do this, all right.

451
00:26:14,359 --> 00:26:15,440
Speaker 2: I was wondering why.

452
00:26:15,840 --> 00:26:18,080
Speaker 1: No, I didn't know this was coming. I'll be honest

453
00:26:18,080 --> 00:26:19,320
Speaker 1: with you. I didn't know this was coming.

454
00:26:20,480 --> 00:26:24,080
Speaker 2: Okay, okay, okay, but I have been feeling this is

455
00:26:24,080 --> 00:26:29,480
Speaker 2: what we need to talk about. You don't think you think, wow,

456
00:26:30,320 --> 00:26:33,800
Speaker 2: you don't who is a light skinned leading man, A

457
00:26:34,040 --> 00:26:39,040
Speaker 2: list leading man, a list, not light skin more not

458
00:26:39,040 --> 00:26:41,480
Speaker 2: not Michael Ee, because as much as they're great, not

459
00:26:41,600 --> 00:26:46,240
Speaker 2: a list, they're not a list. Wow, we ain't got those.

460
00:26:47,960 --> 00:26:50,960
Speaker 2: I've really been thinking about it, I could tell because

461
00:26:51,040 --> 00:26:53,879
Speaker 2: and I'm trying everything in my dark skinned heart wants

462
00:26:53,920 --> 00:26:58,280
Speaker 2: to refute this. And I really struggle to think you

463
00:26:58,359 --> 00:27:01,399
Speaker 2: have to be tonally centered to be a black leading

464
00:27:01,440 --> 00:27:06,760
Speaker 2: man like we have from Denzel to like, who's the

465
00:27:06,880 --> 00:27:12,080
Speaker 2: lightest Harry Harry Belafonte is the lightest I can think of. Yeah,

466
00:27:12,080 --> 00:27:14,720
Speaker 2: but that's almost like that if you were in the

467
00:27:14,760 --> 00:27:16,880
Speaker 2: Black and White Ara kind of it's different. And that's

468
00:27:16,920 --> 00:27:19,320
Speaker 2: what I'm saying. That was so far back that it

469
00:27:19,400 --> 00:27:22,880
Speaker 2: doesn't we're not talking about the same game. Wow, this

470
00:27:23,000 --> 00:27:26,120
Speaker 2: is this is crazy because now it feels like we're

471
00:27:26,119 --> 00:27:28,240
Speaker 2: in the same where it's like, you're not going to

472
00:27:28,320 --> 00:27:31,119
Speaker 2: be leading man. I'm not gonna be a minute.

473
00:27:31,160 --> 00:27:39,000
Speaker 1: I think I can break the old Baby.

474
00:27:35,640 --> 00:27:37,119
Speaker 2: You're right, you're right, you're right, you're right, you're right.

475
00:27:37,200 --> 00:27:44,040
Speaker 2: Great actor, great actor, great actor. Ah. That that to

476
00:27:44,119 --> 00:27:46,800
Speaker 2: me is the more interesting thing about all this. I

477
00:27:46,840 --> 00:27:49,520
Speaker 2: don't I'm kind of sick of talking about Drake in general,

478
00:27:49,840 --> 00:27:54,720
Speaker 2: But why is there Do you think it's like I don't, man, fuck.

479
00:27:55,080 --> 00:27:58,160
Speaker 1: I don't think even you know, look how light skinned

480
00:27:58,200 --> 00:28:01,720
Speaker 1: Malcolm X was in real life? They had Denzel Washington play.

481
00:28:02,000 --> 00:28:06,600
Speaker 2: Yeah, wow, that's light skin of rasure. We was red, yeah,

482
00:28:06,680 --> 00:28:11,840
Speaker 2: rare dog. He was Detroit red, right red. He had freckles.

483
00:28:13,000 --> 00:28:23,919
Speaker 2: They had freckles. It looks just like a raggedy hando.

484
00:28:24,240 --> 00:28:29,080
Speaker 2: I don't know why that. You say you have breakfasts

485
00:28:29,160 --> 00:28:35,400
Speaker 2: up really look like strawberry shortcake yo. And they did

486
00:28:35,440 --> 00:28:38,880
Speaker 2: have Denzel playing, and they had I'm really trying to

487
00:28:39,000 --> 00:28:42,680
Speaker 2: search my head for like like a like a lights

488
00:28:43,000 --> 00:28:46,040
Speaker 2: lights Wow. What do you think that is? Do you

489
00:28:46,040 --> 00:28:48,200
Speaker 2: think it was? Do you think it's like America doesn't

490
00:28:48,200 --> 00:28:53,000
Speaker 2: want to look at itself? I think I think in

491
00:28:53,120 --> 00:28:57,720
Speaker 2: some ways we didn't. We haven't elevated to where those

492
00:28:57,920 --> 00:28:59,440
Speaker 2: roles would truly exist.

493
00:29:00,400 --> 00:29:02,920
Speaker 1: Do you know what I'm saying that? Like, for so long,

494
00:29:03,080 --> 00:29:07,760
Speaker 1: black entertainment had been limited to either writing about slavery

495
00:29:08,360 --> 00:29:13,200
Speaker 1: or the civil rights experience, or you are entertaining yourselves

496
00:29:13,680 --> 00:29:17,160
Speaker 1: over here and it doesn't play. We don't care what

497
00:29:17,200 --> 00:29:19,960
Speaker 1: you do. So yeah, over there you can let Shamar

498
00:29:20,040 --> 00:29:22,640
Speaker 1: Moore be king. But over here you're gonna talk about

499
00:29:22,680 --> 00:29:25,200
Speaker 1: slavery and nobody wants to see.

500
00:29:25,240 --> 00:29:27,640
Speaker 2: Or you're gonna talk about the struggle in one way

501
00:29:27,720 --> 00:29:28,400
Speaker 2: or another.

502
00:29:28,240 --> 00:29:30,480
Speaker 1: And nobody wants to see a nigga with light eyes

503
00:29:30,520 --> 00:29:34,680
Speaker 1: and freckles be like the leader of you know, the

504
00:29:34,680 --> 00:29:36,640
Speaker 1: the masses of slaves?

505
00:29:36,880 --> 00:29:39,000
Speaker 2: Are you picking? Are you pitching? And in the house

506
00:29:39,040 --> 00:29:48,000
Speaker 2: slave movies, because that's the craziest. Jus opens the door

507
00:29:48,000 --> 00:29:50,160
Speaker 2: and he's like, you know it, y'all. I don't like

508
00:29:50,240 --> 00:29:55,400
Speaker 2: it in here either, Lee Daniels, possess inside.

509
00:29:57,720 --> 00:30:04,600
Speaker 6: We should all be freak.

510
00:30:11,560 --> 00:30:20,480
Speaker 2: If y'all don't get core Brand, I don't get He's like,

511
00:30:21,880 --> 00:30:25,560
Speaker 2: but he's like passing out while he's holding the tray.

512
00:30:25,640 --> 00:30:27,840
Speaker 1: He can barely keep it up because he's fast and

513
00:30:28,200 --> 00:30:30,200
Speaker 1: trying to be an allegiance with the outdoors.

514
00:30:36,520 --> 00:30:40,880
Speaker 2: No, that is oh man, man, that is funny as

515
00:30:40,880 --> 00:30:44,080
Speaker 2: that is because that's that's hilarious, really one of the

516
00:30:44,080 --> 00:30:50,000
Speaker 2: funniest things I've thought about, and especially because there's Daniels. Yeah,

517
00:30:50,080 --> 00:30:53,960
Speaker 2: Lee Daniels, it's a classyir Tyler Perry. Yeah. Yeah, there's

518
00:30:54,000 --> 00:30:58,800
Speaker 2: a legitimacy to it. Ah. Wow, though that. I mean,

519
00:30:58,920 --> 00:31:02,360
Speaker 2: I can't. I'm not gonna old you that I think that.

520
00:31:02,880 --> 00:31:04,840
Speaker 2: I think that is a very good point. I never

521
00:31:05,440 --> 00:31:09,400
Speaker 2: because it's interesting. I think that with light skin versus

522
00:31:09,480 --> 00:31:12,160
Speaker 2: dark skin, we look at so much of the idea

523
00:31:12,320 --> 00:31:16,680
Speaker 2: of privilege versus not right, and the idea of lighter

524
00:31:16,720 --> 00:31:21,040
Speaker 2: being proximity to whiteness. But that proximity to whiteness seems

525
00:31:21,080 --> 00:31:24,560
Speaker 2: like it probably does take away some of their perception

526
00:31:25,120 --> 00:31:27,720
Speaker 2: of the black experience in a way that I could

527
00:31:27,760 --> 00:31:32,840
Speaker 2: see specifically, like Hollywood not wanting to reflect those we don't.

528
00:31:33,200 --> 00:31:37,960
Speaker 2: We don't seem useful to them exactly because they want

529
00:31:38,000 --> 00:31:40,680
Speaker 2: because at the point they want a black body, they

530
00:31:40,680 --> 00:31:43,480
Speaker 2: want a Denzel body, but they don't want a blackass

531
00:31:43,520 --> 00:31:45,480
Speaker 2: body because that's still scarce. No, they don't.

532
00:31:45,520 --> 00:31:49,400
Speaker 1: They hate the way we look in general. Right, So

533
00:31:49,560 --> 00:31:51,840
Speaker 1: the darker we get, the more they're like, I don't

534
00:31:52,120 --> 00:31:53,200
Speaker 1: like that shit.

535
00:31:53,320 --> 00:31:55,360
Speaker 2: Right, you know what I'm saying. So it's just across

536
00:31:55,360 --> 00:31:55,680
Speaker 2: the board.

537
00:31:55,760 --> 00:31:57,760
Speaker 1: We don't like it, but if we have to use it,

538
00:31:58,200 --> 00:32:01,160
Speaker 1: we want to use it with the way it all prescribed.

539
00:32:01,320 --> 00:32:04,320
Speaker 2: Yeah, that's interesting. I never, I really never thought about

540
00:32:04,360 --> 00:32:09,400
Speaker 2: specifically that. Malcolm X's point is very interesting because he

541
00:32:09,440 --> 00:32:10,840
Speaker 2: didn't he looked like Denzel.

542
00:32:10,920 --> 00:32:14,040
Speaker 1: He Denzel is not a has never and will never

543
00:32:14,120 --> 00:32:16,160
Speaker 1: be a light skin man, do you know what I mean? Like,

544
00:32:16,240 --> 00:32:19,000
Speaker 1: as much as they tried to put like light skinned

545
00:32:19,240 --> 00:32:23,120
Speaker 1: energy on Denzel, you think, yeah, sometimes I think early

546
00:32:23,160 --> 00:32:28,000
Speaker 1: and earlier in his career he was a sexier man. Well,

547
00:32:28,680 --> 00:32:31,719
Speaker 1: guys get to be sexy on I'm just saying that,

548
00:32:31,800 --> 00:32:35,600
Speaker 1: like he was like almost being treated like a model

549
00:32:35,760 --> 00:32:39,800
Speaker 1: type man for a period and now looking at him old,

550
00:32:40,320 --> 00:32:42,760
Speaker 1: he just was. He had the same Michael Jordan effect

551
00:32:42,800 --> 00:32:44,640
Speaker 1: where you were just so great at your thing, we

552
00:32:44,680 --> 00:32:46,240
Speaker 1: didn't notice your pants sun.

553
00:32:46,280 --> 00:32:49,480
Speaker 2: Yeah we forgot that. You sound like you're from North Carolina. Yeah,

554
00:32:49,640 --> 00:32:50,720
Speaker 2: it's it's. Uh.

555
00:32:51,040 --> 00:32:53,400
Speaker 1: It was an illusion that they I would say, they

556
00:32:53,440 --> 00:32:56,320
Speaker 1: put on him at maybe a point, but but never

557
00:32:56,480 --> 00:32:57,640
Speaker 1: was he a light skin man.

558
00:32:58,000 --> 00:33:02,720
Speaker 2: There are no light skin of a list leading men. Wow,

559
00:33:02,960 --> 00:33:05,440
Speaker 2: not not in front of the camera. The rock is

560
00:33:05,480 --> 00:33:06,680
Speaker 2: the closest thing to it.

561
00:33:06,760 --> 00:33:09,240
Speaker 1: But the rock is his own. Yeah, he doesn't even

562
00:33:09,680 --> 00:33:12,600
Speaker 1: he doesn't exist on the same playing field of like, oh,

563
00:33:12,640 --> 00:33:15,080
Speaker 1: this is like an actor we've we've.

564
00:33:14,920 --> 00:33:17,920
Speaker 2: He doesn't bring it up, Yeah, bring it up. No,

565
00:33:18,040 --> 00:33:19,440
Speaker 2: he hates it he played.

566
00:33:19,200 --> 00:33:25,440
Speaker 1: At University of Miami. Yeah, he's like my dad wrestled. Yeah,

567
00:33:25,520 --> 00:33:27,200
Speaker 1: don't look up any pictures the same place.

568
00:33:27,360 --> 00:33:34,440
Speaker 2: Michael Irvin. Uh damn. That is uh. That's wild because

569
00:33:34,440 --> 00:33:36,200
Speaker 2: it seems like you think about it and now I

570
00:33:36,240 --> 00:33:38,600
Speaker 2: try to go through the scope of like what I

571
00:33:38,640 --> 00:33:43,680
Speaker 2: know to be black black movie stars, and it seems

572
00:33:43,760 --> 00:33:46,600
Speaker 2: to be even from back to like Pam Greer and

573
00:33:46,640 --> 00:33:49,280
Speaker 2: stuff like that, it seems to be kind of like

574
00:33:49,320 --> 00:33:51,840
Speaker 2: a monotone situation.

575
00:33:52,600 --> 00:33:56,440
Speaker 1: Well, I think the women they had, Yeah, but that

576
00:33:56,880 --> 00:33:59,320
Speaker 1: you can make sense of that quickly. They've they've put

577
00:33:59,400 --> 00:34:03,840
Speaker 1: up You're in beauty standards right right right on the forefront.

578
00:34:03,920 --> 00:34:09,040
Speaker 1: So halle Berry is more appealing to them than the

579
00:34:09,160 --> 00:34:11,040
Speaker 1: dark skinned chick from in the house.

580
00:34:11,880 --> 00:34:14,160
Speaker 2: Wow, that's a deep cut. It was beautiful. I was

581
00:34:14,200 --> 00:34:18,360
Speaker 2: more of an Erica Alexander guy, Max singh Shaw attorney

582
00:34:18,400 --> 00:34:21,600
Speaker 2: at law. Hey, I'm not mad at that either. Yeah,

583
00:34:21,719 --> 00:34:28,239
Speaker 2: I also enjoy that flavor. Yeah. Yeah, but this I

584
00:34:28,239 --> 00:34:32,280
Speaker 2: feel like sometimes we derail great conversations by being horny

585
00:34:33,120 --> 00:34:35,839
Speaker 2: and we're just man, that's just what this is.

586
00:34:35,880 --> 00:34:38,800
Speaker 1: But I do think I think beyond the horniness, the

587
00:34:39,280 --> 00:34:43,680
Speaker 1: the ultimately I do think that women part of the

588
00:34:43,719 --> 00:34:49,120
Speaker 1: reaction of like of light skinned being sort of treated

589
00:34:49,239 --> 00:34:52,279
Speaker 1: with like this, this elevation that we're not seeing on

590
00:34:52,320 --> 00:34:55,520
Speaker 1: the other side for dark skinned people is far more

591
00:34:55,560 --> 00:34:59,839
Speaker 1: of a thing that women were experiencing and then reflecting

592
00:35:00,080 --> 00:35:03,480
Speaker 1: onto the masses of the black community. I don't know

593
00:35:03,520 --> 00:35:07,080
Speaker 1: that light skinned men, at least in acting. I'm only

594
00:35:07,560 --> 00:35:10,799
Speaker 1: obviously in other fields it becomes a lot more complicated for.

595
00:35:13,520 --> 00:35:13,880
Speaker 2: Acting.

596
00:35:13,880 --> 00:35:19,239
Speaker 1: In entertainment, one, light skinned men are less useful and

597
00:35:19,280 --> 00:35:23,400
Speaker 1: thus not the the krim day lak Krim.

598
00:35:23,640 --> 00:35:25,960
Speaker 2: So what are we saying? I think I think if

599
00:35:26,160 --> 00:35:28,319
Speaker 2: I mean, if I'm hearing you, right, I think fit

600
00:35:28,920 --> 00:35:32,920
Speaker 2: we probably need to get a super dark movie hero first,

601
00:35:33,560 --> 00:35:39,880
Speaker 2: and then we bust that door open and we let

602
00:35:40,120 --> 00:35:43,279
Speaker 2: and we bring and we bring our white brothers through the.

603
00:35:43,239 --> 00:35:49,640
Speaker 1: Door, right, Yeah, a little trickle down, Yeah, pigment shotgun.

604
00:35:51,040 --> 00:35:54,920
Speaker 2: And then let everybody else, Yeah, everybody can climb through that.

605
00:35:54,800 --> 00:35:58,600
Speaker 1: Open why Yeah, dark and wide. Yeah, that wasn't exactly

606
00:35:58,680 --> 00:36:01,480
Speaker 1: what I was feeling. But I'm hearing you. I think

607
00:36:01,520 --> 00:36:05,759
Speaker 1: that we're but we're kind of on the sand. I

608
00:36:05,800 --> 00:36:07,879
Speaker 1: think they tried Jamon Hansu enough.

609
00:36:08,360 --> 00:36:10,920
Speaker 2: They didn't try him as the lead. They tried him

610
00:36:10,960 --> 00:36:17,600
Speaker 2: in a Keanu Reeves movie where his name was Papa Midnight. Like, nigga, bro,

611
00:36:19,320 --> 00:36:25,920
Speaker 2: that's crazy, that's a menstal show. That's it. And I

612
00:36:26,040 --> 00:36:28,120
Speaker 2: maybe I read the maybe and maybe that is what

613
00:36:28,160 --> 00:36:31,480
Speaker 2: they called him in the cartoon, but that you have

614
00:36:31,520 --> 00:36:35,600
Speaker 2: to understand me. In the movies eighteen years old, was like,

615
00:36:35,719 --> 00:36:41,840
Speaker 2: this is crazy, yo. His name was Papa min Yes, fuck,

616
00:36:43,400 --> 00:36:43,680
Speaker 2: you know.

617
00:36:43,960 --> 00:36:47,719
Speaker 1: You can't sign We gotta hold him accountable for that.

618
00:36:48,360 --> 00:36:51,520
Speaker 1: You don't sign up for that. At what point do

619
00:36:51,600 --> 00:36:54,520
Speaker 1: you put your your your dark ass hand down John

620
00:36:55,400 --> 00:36:58,200
Speaker 1: and go no, I'm not gonna be Papa Midnight.

621
00:36:58,440 --> 00:37:04,520
Speaker 2: That shit was crazy. That's nuts. Fuck Papa or Midnight

622
00:37:07,800 --> 00:37:13,799
Speaker 2: sick like yeah, like one or the other.

623
00:37:13,960 --> 00:37:17,560
Speaker 1: I get if he's midnight, sure, it's it's about your

624
00:37:17,600 --> 00:37:21,440
Speaker 1: skin color, but it's it isn't like an elevation you

625
00:37:21,520 --> 00:37:23,759
Speaker 1: put on it. Not the midnight makes it seem like

626
00:37:24,000 --> 00:37:26,080
Speaker 1: there are a lot of midnights. But you're the daddy,

627
00:37:26,120 --> 00:37:27,920
Speaker 1: You're the king of the of the midnight.

628
00:37:28,040 --> 00:37:30,680
Speaker 2: And I don't want you now they're saying that to you.

629
00:37:30,800 --> 00:37:32,239
Speaker 2: I don't want to hear that.

630
00:37:32,239 --> 00:37:37,800
Speaker 1: That's crazy. Papa fucking Papa Midnight. That's your wild gaimhnsu.

631
00:37:38,760 --> 00:37:42,160
Speaker 2: And also it didn't even work. Papa Papa Midnight didn't pop.

632
00:37:42,360 --> 00:37:45,759
Speaker 2: No what I mean?

633
00:37:45,800 --> 00:37:54,360
Speaker 1: Then I've been buying all these Papa Midnight dolls, dolls.

634
00:37:54,680 --> 00:37:57,160
Speaker 2: I'm gonna get a Papa Midnight. I'm gonna pull up

635
00:37:57,160 --> 00:38:02,600
Speaker 2: with a goddamn Papa Midnight pretty soon. Fucking on here.

636
00:38:03,320 --> 00:38:05,280
Speaker 2: If you get a fip a midnight hoodie, that's actually

637
00:38:05,360 --> 00:38:09,000
Speaker 2: kind of hard, that would be yeah, complicated. I would

638
00:38:09,040 --> 00:38:13,399
Speaker 2: love to see it. Anyway. Anyways, I think that you've

639
00:38:13,400 --> 00:38:16,200
Speaker 2: made a great point. Maybe think maybe think that ultimately

640
00:38:16,239 --> 00:38:21,719
Speaker 2: the point is that it seems like in a mainstream fashion,

641
00:38:22,239 --> 00:38:24,160
Speaker 2: they don't want to see us at any of ours

642
00:38:24,520 --> 00:38:29,000
Speaker 2: what's viewed to be our extremities. They're extreme extremities. That's

643
00:38:29,000 --> 00:38:32,200
Speaker 2: like arms and legs, arms and legs, but extremes. Yeah,

644
00:38:32,200 --> 00:38:34,239
Speaker 2: they don't want to see us at any of our extremes.

645
00:38:34,239 --> 00:38:37,960
Speaker 2: Be it the idea because which is ultimately them gatekeeping

646
00:38:38,239 --> 00:38:40,400
Speaker 2: what it is they feel like we are and should be.

647
00:38:40,840 --> 00:38:44,680
Speaker 2: And that is what the big issue is with all this.

648
00:38:44,760 --> 00:38:47,640
Speaker 1: Yeah, I mean, I think you can see it reflected

649
00:38:47,800 --> 00:38:51,400
Speaker 1: and not to make this you know, so championship politics,

650
00:38:51,480 --> 00:38:54,040
Speaker 1: whatever the fuck. But like you see it in Trump

651
00:38:54,160 --> 00:38:58,560
Speaker 1: going to a black conference and feeling comfortable enough to

652
00:38:58,600 --> 00:38:59,920
Speaker 1: be like, she ain't black.

653
00:39:00,320 --> 00:39:03,080
Speaker 2: Yeah, that's crazy. And it's I think it's because it

654
00:39:03,120 --> 00:39:06,080
Speaker 2: becomes a thing culturally where we maybe put some of

655
00:39:06,120 --> 00:39:09,680
Speaker 2: that on ourselves as well, like where we keep it

656
00:39:09,719 --> 00:39:10,360
Speaker 2: for ourselves.

657
00:39:10,480 --> 00:39:13,359
Speaker 1: Well, it's the danger of the internet. And you've talked

658
00:39:13,360 --> 00:39:17,040
Speaker 1: about this before that the internet is now everybody's language.

659
00:39:17,600 --> 00:39:19,480
Speaker 1: So when we go on the internet and we go

660
00:39:19,680 --> 00:39:23,560
Speaker 1: this is black, this is not, they adopt that language

661
00:39:23,719 --> 00:39:25,920
Speaker 1: and then spew it back at us. But because there

662
00:39:25,960 --> 00:39:28,359
Speaker 1: are so many more of them than there are of us,

663
00:39:28,920 --> 00:39:31,960
Speaker 1: we start to feel crazy when it becomes just a

664
00:39:32,000 --> 00:39:37,960
Speaker 1: fact of their culture. And for years, decades, hundreds of years,

665
00:39:37,960 --> 00:39:41,360
Speaker 1: sometimes we were the only ones who even understood what

666
00:39:41,480 --> 00:39:42,000
Speaker 1: that meant.

667
00:39:43,000 --> 00:39:49,800
Speaker 2: Yes, yeah, I mean you just can't get keep anything, no,

668
00:39:49,920 --> 00:39:52,200
Speaker 2: not unless you shut the fuck up. Yeah, and you

669
00:39:52,280 --> 00:39:55,360
Speaker 2: really just uh, I think really what you need to

670
00:39:55,400 --> 00:39:57,800
Speaker 2: do is finance a buddy cop movie. Me and Langston,

671
00:40:00,320 --> 00:40:06,719
Speaker 2: We've written it. It's called Papa and Son Midnight. It's

672
00:40:06,760 --> 00:40:13,080
Speaker 2: called Meet the Midnight. Papa Midnight had an affair with

673
00:40:13,120 --> 00:40:17,440
Speaker 2: a white woman and they're gonna solve a jew. I

674
00:40:21,239 --> 00:40:24,480
Speaker 2: it would be crazy if I was your dad movie

675
00:40:24,880 --> 00:40:27,080
Speaker 2: you got me, because there's no version where I get

676
00:40:27,160 --> 00:40:29,319
Speaker 2: to make you. You can make me, that's true. You

677
00:40:29,360 --> 00:40:30,279
Speaker 2: could only come from this.

678
00:40:30,760 --> 00:40:33,920
Speaker 1: My daughter, she's she's darker than both me and my wife.

679
00:40:33,960 --> 00:40:35,839
Speaker 1: But that's as dark as I could.

680
00:40:35,920 --> 00:40:38,120
Speaker 2: That's so fun, though. Do you feel strong in that?

681
00:40:38,680 --> 00:40:38,920
Speaker 2: I do.

682
00:40:39,719 --> 00:40:42,480
Speaker 1: That's cool. It cool for you. It truly gave me

683
00:40:42,560 --> 00:40:45,439
Speaker 1: pride to be like, nah, yeah, look at that ship.

684
00:40:45,520 --> 00:40:46,280
Speaker 2: Look at that.

685
00:40:47,960 --> 00:41:03,839
Speaker 6: Yeah, look years, check the check the score. Bro, that's

686
00:41:03,880 --> 00:41:07,440
Speaker 6: the joy. I never knew about a light care father

687
00:41:07,520 --> 00:41:08,359
Speaker 6: and a darker kid.

688
00:41:08,400 --> 00:41:11,160
Speaker 2: That's pretty cool. Hell yeah, it would not the feeling

689
00:41:11,160 --> 00:41:14,000
Speaker 2: would not go the other way for me. M that

690
00:41:14,040 --> 00:41:17,400
Speaker 2: if you had a license, baby, you wouldn't be proud.

691
00:41:19,160 --> 00:41:23,160
Speaker 2: I need to tread lightly here. No, go ahead, enjoy yourself.

692
00:41:23,560 --> 00:41:28,080
Speaker 2: I I mean no, but if you want to be

693
00:41:28,120 --> 00:41:30,239
Speaker 2: facts about it. Part of the reason the allure of

694
00:41:30,280 --> 00:41:33,400
Speaker 2: having kids for me is the idea of being able

695
00:41:33,440 --> 00:41:36,000
Speaker 2: to pass on this thing that is so often viewed

696
00:41:36,360 --> 00:41:39,200
Speaker 2: as a blight, as a difficulty in my life, that

697
00:41:39,440 --> 00:41:41,960
Speaker 2: I have learned to love and be proud of, and

698
00:41:42,000 --> 00:41:46,880
Speaker 2: that represents where I am, so that is like being

699
00:41:46,920 --> 00:41:49,720
Speaker 2: able to embrace that is like one of the greatest

700
00:41:49,760 --> 00:41:52,239
Speaker 2: things I've done in my life. So to advocate and

701
00:41:52,320 --> 00:41:56,120
Speaker 2: not be able to relate that seems like a thing

702
00:41:56,160 --> 00:41:58,000
Speaker 2: that would be difficult to me. I get that, you

703
00:41:58,040 --> 00:42:00,120
Speaker 2: know what I'm saying. So, like, it's not that I

704
00:42:00,160 --> 00:42:02,600
Speaker 2: wouldn't be happy, but if I were to have a

705
00:42:02,719 --> 00:42:06,440
Speaker 2: kid and they also didn't have that, like that's the

706
00:42:06,480 --> 00:42:08,319
Speaker 2: one thing where it could be like this is us

707
00:42:08,320 --> 00:42:11,040
Speaker 2: because we're from here, and to not have that would

708
00:42:11,120 --> 00:42:14,439
Speaker 2: be would be a bit of a difficulty. Yeah.

709
00:42:14,560 --> 00:42:19,279
Speaker 1: Yeah, it doesn't sound dissimilar to what I feel like

710
00:42:19,360 --> 00:42:23,279
Speaker 1: I hear you and others describe in terms of like

711
00:42:24,000 --> 00:42:28,400
Speaker 1: a parent not born in this country, then having kids

712
00:42:28,440 --> 00:42:32,920
Speaker 1: in this country watching them sort of become not what

713
00:42:32,960 --> 00:42:34,600
Speaker 1: they you know what I mean, Like your mom grew

714
00:42:34,680 --> 00:42:37,920
Speaker 1: up in Sierra Leone. Her sense of what life is

715
00:42:37,960 --> 00:42:41,960
Speaker 1: and what men and children should be is framed around that.

716
00:42:42,040 --> 00:42:45,640
Speaker 1: And then to see y'all grow up in such different ways,

717
00:42:45,680 --> 00:42:47,440
Speaker 1: it's probably similarly, Like.

718
00:42:49,160 --> 00:42:52,239
Speaker 2: I don't it's just different. That's not what I wanted. Yeah,

719
00:42:52,680 --> 00:42:54,239
Speaker 2: but I'm not mad at it. I love y'all.

720
00:42:54,280 --> 00:42:56,799
Speaker 1: I want y'all to have whatever you can have. But

721
00:42:57,080 --> 00:43:00,160
Speaker 1: this isn't This wasn't my goal when I say it

722
00:43:00,160 --> 00:43:00,680
Speaker 1: out for this.

723
00:43:00,880 --> 00:43:04,359
Speaker 2: So I would love my light scned baby obviously, just

724
00:43:04,440 --> 00:43:07,040
Speaker 2: not as much as that dark one. If it was

725
00:43:07,040 --> 00:43:15,319
Speaker 2: two you get those weird twins. Oh man, Yeah, I

726
00:43:15,440 --> 00:43:19,040
Speaker 2: could overcome it. But like initially, just.

727
00:43:18,960 --> 00:43:22,239
Speaker 1: Like on the come out, No, I think I'll just

728
00:43:22,320 --> 00:43:29,000
Speaker 1: keep holding David Junior. Yeah, I think Ronald, yeah to

729
00:43:29,040 --> 00:43:31,719
Speaker 1: his brother, We're gonna play football.

730
00:43:31,760 --> 00:43:36,040
Speaker 2: I think Ronald can cry it out. No obviously, Yeah,

731
00:43:36,080 --> 00:43:38,359
Speaker 2: you will love it, but it would it is the thing.

732
00:43:48,000 --> 00:43:50,560
Speaker 1: Here's the last thing I think we should do before

733
00:43:50,600 --> 00:43:52,120
Speaker 1: we end this episode is circle.

734
00:43:52,200 --> 00:43:53,799
Speaker 2: This all back to the question of Drake.

735
00:43:54,120 --> 00:43:56,520
Speaker 1: Is he the greatest actor of all time or at

736
00:43:56,520 --> 00:44:00,160
Speaker 1: the very least is this just a I think greatest

737
00:44:00,239 --> 00:44:00,759
Speaker 1: of all times?

738
00:44:00,840 --> 00:44:04,680
Speaker 2: Still feels maybe like too much of a stretch. I

739
00:44:04,760 --> 00:44:06,400
Speaker 2: So here's my issue with this. I think when we

740
00:44:06,440 --> 00:44:09,759
Speaker 2: wrap around to Drake and the idea of entertainment, oh,

741
00:44:09,880 --> 00:44:12,040
Speaker 2: that's what they're all doing, I don't think that he

742
00:44:12,160 --> 00:44:15,720
Speaker 2: is particularly gifted in that aspect of presenting a different

743
00:44:15,760 --> 00:44:18,720
Speaker 2: part of his personality and profiting off of something different.

744
00:44:18,800 --> 00:44:20,399
Speaker 2: I don't think some of these guys, some of these

745
00:44:20,400 --> 00:44:22,879
Speaker 2: people you don't know, they're gay, they're they're this, they're that.

746
00:44:23,000 --> 00:44:27,200
Speaker 2: Like It's like, I don't believe that he's particularly more

747
00:44:28,680 --> 00:44:32,719
Speaker 2: talented at that aspect of being an entertainer than anybody else.

748
00:44:32,920 --> 00:44:34,880
Speaker 2: I do think the guy's kind of a savage. I

749
00:44:34,920 --> 00:44:37,120
Speaker 2: think he's ruthless. I think he's sort of a bad guy.

750
00:44:37,320 --> 00:44:40,279
Speaker 2: But do I think he's more talented at suppressing his

751
00:44:40,400 --> 00:44:43,520
Speaker 2: personality to sell us whatever the fuck we want and

752
00:44:43,600 --> 00:44:49,479
Speaker 2: nobody really who they are except for fifty cent? Yeah,

753
00:44:49,560 --> 00:44:52,439
Speaker 2: I I right. I tend to agree with you.

754
00:44:53,000 --> 00:44:55,720
Speaker 1: I don't think he's as phenomenal as of an actor

755
00:44:55,880 --> 00:44:59,680
Speaker 1: as as is being suggested. I do think he pulled

756
00:44:59,680 --> 00:45:04,680
Speaker 1: a a wilder, more grand finesse than we've ever seen.

757
00:45:05,239 --> 00:45:08,200
Speaker 1: I think it's a truly legendary finesse.

758
00:45:08,200 --> 00:45:11,560
Speaker 2: I think we'll because the really great ones you never

759
00:45:11,600 --> 00:45:12,560
Speaker 2: found out.

760
00:45:13,520 --> 00:45:18,680
Speaker 1: I don't know his his just on record. No, I'm

761
00:45:18,719 --> 00:45:20,760
Speaker 1: just saying, like, even if you haven't.

762
00:45:20,520 --> 00:45:24,080
Speaker 7: Seen the YouTube, if you believe Drake even is exactly

763
00:45:24,120 --> 00:45:28,520
Speaker 7: who he pretends to be, this is not a person who,

764
00:45:29,080 --> 00:45:32,520
Speaker 7: given when he entered hip hop, I would have suspected

765
00:45:32,600 --> 00:45:34,719
Speaker 7: could have become the king of the art form.

766
00:45:35,239 --> 00:45:37,560
Speaker 1: Do you know what I'm saying? That, Like, Drake was

767
00:45:37,760 --> 00:45:40,080
Speaker 1: never built to be the king of the.

768
00:45:40,040 --> 00:45:42,439
Speaker 2: Shit, right, That's fair. That's fair.

769
00:45:42,480 --> 00:45:45,279
Speaker 1: He's never sold drugs, do you know what I mean?

770
00:45:45,320 --> 00:45:49,759
Speaker 1: He's never beat anybody up. He's cried multiple times on

771
00:45:50,600 --> 00:45:55,000
Speaker 1: many songs. He's been sort of publicly shamed and embarrassed

772
00:45:55,400 --> 00:45:59,640
Speaker 1: and guffawed at. He's been accused of being a pedophile, like.

773
00:45:59,600 --> 00:46:00,359
Speaker 2: All the ship.

774
00:46:01,040 --> 00:46:04,560
Speaker 1: This was not supposed to be the king, and he was.

775
00:46:04,800 --> 00:46:07,480
Speaker 1: And not only was he the king, he's the biggest

776
00:46:07,560 --> 00:46:08,560
Speaker 1: king we've ever had.

777
00:46:09,440 --> 00:46:12,680
Speaker 2: Yeah, But I mean, that's uh. I think part of

778
00:46:12,680 --> 00:46:14,400
Speaker 2: that is the motivation that drives you to be the

779
00:46:14,520 --> 00:46:16,799
Speaker 2: king comes from you not having been picked that. You

780
00:46:16,800 --> 00:46:19,640
Speaker 2: wouldn't have thought that about Lil Wayne when Hopwoays came out.

781
00:46:19,840 --> 00:46:21,239
Speaker 2: You would have thought he was great. You didn't think

782
00:46:21,280 --> 00:46:23,799
Speaker 2: this was gonna change, this was gonna be something that

783
00:46:23,840 --> 00:46:26,200
Speaker 2: we've never seen before. That's fair, you know what I mean?

784
00:46:26,239 --> 00:46:28,879
Speaker 2: Because he's coming out of the South, and so it's

785
00:46:28,920 --> 00:46:31,080
Speaker 2: like I think that that's like, I think that you

786
00:46:31,160 --> 00:46:34,600
Speaker 2: sort of need that level of under being underrated to

787
00:46:34,719 --> 00:46:37,480
Speaker 2: truly take over the top of any type of thing.

788
00:46:37,560 --> 00:46:39,279
Speaker 2: So I think that that's where that comes from. I

789
00:46:39,800 --> 00:46:40,839
Speaker 2: don't disagree with you.

790
00:46:40,960 --> 00:46:43,880
Speaker 1: I think I think of Wayne's rise still within the

791
00:46:44,040 --> 00:46:46,000
Speaker 1: lexicon of it is.

792
00:46:46,120 --> 00:46:48,120
Speaker 2: It is a lot less hip hop, It's a lot

793
00:46:48,160 --> 00:46:54,480
Speaker 2: far more conventional. He's still all that. Yeah, yeah, Where's

794
00:46:54,560 --> 00:46:55,040
Speaker 2: Drake is not?

795
00:46:55,200 --> 00:46:59,640
Speaker 1: Where's Drake is literally a we he he showed us

796
00:47:00,160 --> 00:47:01,080
Speaker 1: in a music video.

797
00:47:01,200 --> 00:47:02,760
Speaker 2: I had a bar mitzvah.

798
00:47:02,960 --> 00:47:06,520
Speaker 1: Yeah, and we watched him dance like a fucking loser

799
00:47:07,080 --> 00:47:09,799
Speaker 1: that wasn't even like cool little black kid dances.

800
00:47:10,080 --> 00:47:11,960
Speaker 2: Would you say that Drake is the first light skin

801
00:47:12,080 --> 00:47:15,879
Speaker 2: man character. I think there's a pretty fair argument for it.

802
00:47:18,239 --> 00:47:25,840
Speaker 2: So in that ultimately sort of did you a favorite?

803
00:47:27,280 --> 00:47:31,080
Speaker 8: He's kicking the door open. You're not gonna do it.

804
00:47:32,120 --> 00:47:36,040
Speaker 8: You're trying to trick me. He is literally gonna kick

805
00:47:36,080 --> 00:47:39,440
Speaker 8: the door open for me. I don't want to go

806
00:47:39,480 --> 00:47:42,040
Speaker 8: through that door. No, No, it's a fucked up door

807
00:47:42,080 --> 00:47:42,360
Speaker 8: to be in.

808
00:47:42,560 --> 00:47:45,319
Speaker 2: I mean, wait until everybody clears out and then you

809
00:47:45,360 --> 00:47:51,360
Speaker 2: want to give it good Yeah. Oh nah, listen, y'all,

810
00:47:51,400 --> 00:47:53,640
Speaker 2: I'll be cool this. Don't take any roles for twelve

811
00:47:53,719 --> 00:47:56,560
Speaker 2: sixteen months, I'm trying to get the numbers up on this.

812
00:47:56,880 --> 00:47:59,040
Speaker 2: It would be great if you were a movie star. Yeah,

813
00:47:59,400 --> 00:48:02,120
Speaker 2: if you hear him, be a movie star. I don't quit. No,

814
00:48:02,200 --> 00:48:04,279
Speaker 2: I won't quit. Yeah me either. I won't quit. I

815
00:48:04,320 --> 00:48:06,359
Speaker 2: will talk to you different, but I'm not gonna quit

816
00:48:06,520 --> 00:48:10,759
Speaker 2: insane same And that's I think that's fair. I think

817
00:48:10,760 --> 00:48:13,000
Speaker 2: that that's that's as honest as we could be with

818
00:48:13,000 --> 00:48:16,120
Speaker 2: each other. That's gonna be a few more David grow up. Yeah,

819
00:48:16,440 --> 00:48:20,719
Speaker 2: there's gonna be a lot less shirt on. I'm that rich.

820
00:48:20,800 --> 00:48:22,840
Speaker 2: They're gonna be a lot more smoking in the studio

821
00:48:25,320 --> 00:48:33,400
Speaker 2: like cigars. Weird shit. It's gonna be hose behind me

822
00:48:33,520 --> 00:48:38,080
Speaker 2: and not him. These laughing all your jokes and then they.

823
00:48:38,000 --> 00:48:41,960
Speaker 1: Shut out mine, they cross their ar they get on

824
00:48:42,000 --> 00:48:44,120
Speaker 1: their phone.

825
00:48:45,120 --> 00:48:47,279
Speaker 2: But I'm so desperate. I'm still trying to impress the

826
00:48:47,320 --> 00:48:49,759
Speaker 2: hose every week. No, it'll be really difficult if one

827
00:48:49,800 --> 00:48:52,000
Speaker 2: of us elevates a lot faster than the other. No,

828
00:48:52,160 --> 00:48:53,920
Speaker 2: I don't. I don't care for that one bit. No,

829
00:48:54,000 --> 00:48:56,239
Speaker 2: I'd rather that we both make a million dollars from

830
00:48:56,280 --> 00:48:56,800
Speaker 2: this podcast.

831
00:48:56,800 --> 00:48:59,640
Speaker 1: That's the deal, folks. We're willing to both be millionaires.

832
00:48:59,760 --> 00:49:01,839
Speaker 1: That's let's put that on wax, because I don't think

833
00:49:01,840 --> 00:49:03,520
Speaker 1: they've ever heard us say that objectively.

834
00:49:03,640 --> 00:49:06,440
Speaker 2: Oh, yes, I would like to be richer than y'all.

835
00:49:06,520 --> 00:49:08,760
Speaker 1: Yeah, I'd like to be very, very rich, and i'd

836
00:49:08,800 --> 00:49:10,480
Speaker 1: like your support and making that happen.

837
00:49:10,560 --> 00:49:12,759
Speaker 2: But and I'll do some good stuff with it, and

838
00:49:12,800 --> 00:49:15,560
Speaker 2: I'll do some bad stuff with it, growing pigs. Hey,

839
00:49:15,600 --> 00:49:20,120
Speaker 2: here's it. Hey, here's what I promise you. I'm staying neutral. Yeah,

840
00:49:20,800 --> 00:49:23,520
Speaker 2: I'm go's it's not going to be in that negative. Nope.

841
00:49:23,800 --> 00:49:26,319
Speaker 2: They're definitely gonna build some schools. Well they have my

842
00:49:26,440 --> 00:49:28,440
Speaker 2: name on them. Probably. Hey, we'll get a few more

843
00:49:28,480 --> 00:49:31,040
Speaker 2: camera angles. Yeah, that's what I'm trying to have. This ship.

844
00:49:31,239 --> 00:49:33,560
Speaker 2: It split up already more than it was before. Yeah,

845
00:49:33,560 --> 00:49:36,120
Speaker 2: they put they put another light in. They knew where

846
00:49:36,120 --> 00:49:38,520
Speaker 2: it was coming. Hey, here's one question before we get

847
00:49:38,560 --> 00:49:40,600
Speaker 2: out of here. There's real inside baseball light skin and

848
00:49:40,719 --> 00:49:43,320
Speaker 2: dark skinned television stuff. Oh, okay, do you wear makeup

849
00:49:43,360 --> 00:49:45,600
Speaker 2: on television? I do? Yeah, I don't.

850
00:49:45,800 --> 00:49:49,240
Speaker 1: You don't ever wear making never, They've never put makeup

851
00:49:49,280 --> 00:49:52,399
Speaker 1: on you, anti shine, that's it. No one's ever put

852
00:49:52,440 --> 00:49:58,319
Speaker 1: like concealer any No makeup on television, Holy shit. Never

853
00:49:58,440 --> 00:49:59,919
Speaker 1: once that's fuck.

854
00:50:00,680 --> 00:50:04,719
Speaker 2: Oh well yeah, yeah, because I got beat I got

855
00:50:04,719 --> 00:50:05,640
Speaker 2: Beijing one time.

856
00:50:06,440 --> 00:50:09,319
Speaker 1: Yeah, but that's not makeup. That's that's hair makeup. Yeah,

857
00:50:09,320 --> 00:50:12,640
Speaker 1: but hair is a different department, right, it was a

858
00:50:12,680 --> 00:50:16,279
Speaker 1: black woman off. Makeup is the one that's objective. No,

859
00:50:16,280 --> 00:50:18,040
Speaker 1: they always say, oh honey, you're scared.

860
00:50:18,080 --> 00:50:21,520
Speaker 2: No, sometimes there's black women, but there's not, like I

861
00:50:21,560 --> 00:50:23,600
Speaker 2: don't think there's a lot of makeup for min that's

862
00:50:23,680 --> 00:50:24,200
Speaker 2: my point.

863
00:50:24,360 --> 00:50:26,640
Speaker 1: It's not it's not that I'm saying that they're being

864
00:50:26,800 --> 00:50:31,640
Speaker 1: like bad people necessarily, as much as like the technology

865
00:50:31,760 --> 00:50:32,640
Speaker 1: doesn't exist.

866
00:50:33,800 --> 00:50:37,600
Speaker 2: That means I am this fine, I am this fine.

867
00:50:38,200 --> 00:50:40,200
Speaker 2: How about that? No one touch up?

868
00:50:40,239 --> 00:50:40,399
Speaker 5: Man?

869
00:50:41,080 --> 00:50:44,440
Speaker 2: That's what I just I look like this me and

870
00:50:44,520 --> 00:50:50,040
Speaker 2: my little baby. The other one I don't know. Yeah, No,

871
00:50:50,160 --> 00:50:51,839
Speaker 2: I caet make up every single time.

872
00:50:51,840 --> 00:50:56,840
Speaker 1: And it's even because I've taken accutane, which is the greatest,

873
00:50:56,880 --> 00:51:00,920
Speaker 1: in my opinion, the greatest drug that's ever been created.

874
00:51:01,800 --> 00:51:06,560
Speaker 2: Would you take acu let's say, accusaning and penicillin, penicillina up.

875
00:51:07,000 --> 00:51:09,880
Speaker 2: They take one away and they keep one. Would you

876
00:51:09,880 --> 00:51:12,759
Speaker 2: get rid of penicillin if you I've never had penicillin.

877
00:51:12,880 --> 00:51:17,840
Speaker 2: So that's a quick pro quota. That's a quick pro

878
00:51:17,960 --> 00:51:21,520
Speaker 2: quota changed everything for me. Do you feel like it

879
00:51:21,680 --> 00:51:22,320
Speaker 2: changed your life?

880
00:51:22,440 --> 00:51:26,200
Speaker 1: Like I do not, not because I was like struggling

881
00:51:26,520 --> 00:51:30,440
Speaker 1: career wise as a result of my acne, But it

882
00:51:30,560 --> 00:51:34,160
Speaker 1: was so deeply connected to my self worth and self

883
00:51:34,280 --> 00:51:35,759
Speaker 1: esteem in a.

884
00:51:35,719 --> 00:51:39,040
Speaker 2: Way that like I you know, it's you do have

885
00:51:39,239 --> 00:51:41,120
Speaker 2: and I mean this in a good way. You do

886
00:51:41,320 --> 00:51:45,080
Speaker 2: have young ugly guy personality, like you sort of have

887
00:51:45,160 --> 00:51:48,239
Speaker 2: too much personality to be fine, you know what I mean?

888
00:51:48,400 --> 00:51:49,040
Speaker 2: That makes sense?

889
00:51:49,440 --> 00:51:53,640
Speaker 1: And I think in that way, we we want, you know,

890
00:51:53,680 --> 00:51:56,360
Speaker 1: we're all vain, sort of little monsters that want to

891
00:51:56,360 --> 00:51:59,600
Speaker 1: look our best selves and ship and it's like, nah,

892
00:51:59,800 --> 00:52:04,120
Speaker 1: I fucking hate looking this way. And then you take

893
00:52:04,160 --> 00:52:08,880
Speaker 1: a drug for six months and you never have it again.

894
00:52:09,200 --> 00:52:11,360
Speaker 2: See that's why ozempic gotta call me bro. I'm not

895
00:52:11,360 --> 00:52:14,000
Speaker 2: trying to pay for it myself. Dog, if you want

896
00:52:14,000 --> 00:52:14,840
Speaker 2: to talk ozempic.

897
00:52:15,040 --> 00:52:18,120
Speaker 1: I just listened to uh an episode on the Daily

898
00:52:18,160 --> 00:52:21,399
Speaker 1: about about some shit that that really fucked me up.

899
00:52:21,719 --> 00:52:24,040
Speaker 2: Why because everybody's been shitting on.

900
00:52:24,040 --> 00:52:27,320
Speaker 1: Ozempic, right, everybody's been talking trash about how bad Ocempic

901
00:52:27,480 --> 00:52:28,600
Speaker 1: is or as bad that we're.

902
00:52:28,640 --> 00:52:32,279
Speaker 4: Everybody we're running out of diabetes medicine. What we're gonna

903
00:52:32,320 --> 00:52:35,239
Speaker 4: do for the diabetics. You know, they're doing that shit.

904
00:52:36,640 --> 00:52:43,760
Speaker 4: Maybe they're right, Maybe they're right that.

905
00:52:43,360 --> 00:52:46,200
Speaker 1: That people are, you know, fucking doing a bad thing.

906
00:52:46,600 --> 00:52:48,520
Speaker 1: But one of the things that they were talking about

907
00:52:48,640 --> 00:52:53,200
Speaker 1: is how ozempic isn't just a hunger suppressant. It also

908
00:52:53,400 --> 00:52:57,840
Speaker 1: is like changing your literal taste buds so that people

909
00:52:57,880 --> 00:53:02,879
Speaker 1: who are on ozempic are actually craving fresher foods. Oh wow,

910
00:53:03,000 --> 00:53:06,120
Speaker 1: they don't want processed foods anymore. They don't want sugary

911
00:53:06,200 --> 00:53:11,400
Speaker 1: shit anymore. And the literally the sugar and processed foods

912
00:53:11,560 --> 00:53:15,160
Speaker 1: industry is like in a tailspin right now. On some

913
00:53:15,400 --> 00:53:19,120
Speaker 1: like yo, we don't they're not hooked like they used

914
00:53:19,160 --> 00:53:22,320
Speaker 1: to be hooked. These numbers are going down. We gotta

915
00:53:22,400 --> 00:53:27,120
Speaker 1: start engineering some new shit for these ozipic motherfuckers so

916
00:53:27,160 --> 00:53:28,879
Speaker 1: that we can get back on the money train.

917
00:53:29,920 --> 00:53:33,120
Speaker 2: It's like sometimes you're just like, maybe we just need

918
00:53:33,160 --> 00:53:37,360
Speaker 2: a hard reset, bro, we just reset it all. Everybody

919
00:53:37,360 --> 00:53:38,120
Speaker 2: starts a zero.

920
00:53:38,560 --> 00:53:42,160
Speaker 1: It's why we need a little bit of China. We've

921
00:53:42,160 --> 00:53:49,840
Speaker 1: talked about no, not not the street drug, the communist

922
00:53:49,880 --> 00:53:50,560
Speaker 1: hell state.

923
00:53:51,000 --> 00:53:56,120
Speaker 2: Oh yeah, we need whatever that threat is of like control,

924
00:53:56,520 --> 00:53:59,600
Speaker 2: to maintain some level of f You're gonna straight up

925
00:53:59,600 --> 00:54:03,600
Speaker 2: to kill human decent. Yeah, unfettered capitalism is going to

926
00:54:03,719 --> 00:54:06,760
Speaker 2: kill us because now they've created a drug that literally

927
00:54:06,800 --> 00:54:12,160
Speaker 2: can make us beat the addiction we created and then like,

928
00:54:12,239 --> 00:54:14,760
Speaker 2: oh no, fuck, we're gonna be broke.

929
00:54:15,080 --> 00:54:20,480
Speaker 9: We gotta get them addicted again with poisons. We have

930
00:54:20,560 --> 00:54:24,400
Speaker 9: to create new poisons to make them re addict themselves

931
00:54:24,680 --> 00:54:27,160
Speaker 9: to a thing that we keep telling them is killing

932
00:54:27,160 --> 00:54:28,480
Speaker 9: them in the first place.

933
00:54:29,640 --> 00:54:31,879
Speaker 2: God damn. And the only way they can be free

934
00:54:31,880 --> 00:54:34,600
Speaker 2: of it is take a drug that makes them shit themselves,

935
00:54:35,800 --> 00:54:39,800
Speaker 2: literally have diarrhea on a on a near daily basis.

936
00:54:41,400 --> 00:54:48,440
Speaker 2: It's it's wild out here, dog meet the midnights in theaters.

937
00:54:45,120 --> 00:54:54,279
Speaker 2: This people cool guys Jokes eighty seven on Instagram, Patreon,

938
00:54:54,400 --> 00:54:57,480
Speaker 2: dot com, backslash David Boy. You can purchase my special.

939
00:54:57,800 --> 00:55:00,080
Speaker 2: All the money goes to me. Don't you like that

940
00:55:00,320 --> 00:55:02,920
Speaker 2: There's no middle man. I put the money up, I

941
00:55:02,960 --> 00:55:06,839
Speaker 2: get the money back. You're paying me directly. Make give

942
00:55:06,920 --> 00:55:09,520
Speaker 2: me some money so I can teach my light skin

943
00:55:09,719 --> 00:55:12,239
Speaker 2: son to ice skate or whatever they do.

944
00:55:18,120 --> 00:55:22,240
Speaker 1: I mean I did skate it, uh, after the school program.

945
00:55:22,440 --> 00:55:25,200
Speaker 1: Oh that's nice though. Yeah, we'd like go to the

946
00:55:25,760 --> 00:55:26,839
Speaker 1: rink every once in a while.

947
00:55:27,000 --> 00:55:27,480
Speaker 2: Pretty good.

948
00:55:28,080 --> 00:55:31,920
Speaker 1: I was good for a kid that was just running around,

949
00:55:32,080 --> 00:55:34,120
Speaker 1: you know what I mean. I wasn't like embarrassing myself

950
00:55:34,200 --> 00:55:37,440
Speaker 1: or anything like that sucked as an example, I guess

951
00:55:37,320 --> 00:55:38,680
Speaker 1: it was good.

952
00:55:38,719 --> 00:55:40,840
Speaker 2: It was good. I think we covered a lot of ground.

953
00:55:41,840 --> 00:55:44,640
Speaker 2: Just really made me feel small. But that's okay. I'm sorry.

954
00:55:44,680 --> 00:55:47,480
Speaker 2: You're tall, you're big and tall, and you have a dark,

955
00:55:47,600 --> 00:55:51,920
Speaker 2: dark daughter. Oh yeah, that didn't That didn't feel grazyn.

956
00:55:54,440 --> 00:55:56,680
Speaker 2: That sucked too. All right, let's get out of here.

957
00:55:56,800 --> 00:55:57,560
Speaker 2: We gotta gotta.

958
00:55:57,920 --> 00:56:00,480
Speaker 1: You can follow me at Langston Kerman on all social

959
00:56:00,520 --> 00:56:04,879
Speaker 1: media platforms, and you can watch my special it's called

960
00:56:04,920 --> 00:56:09,320
Speaker 1: Bad Poetry. It is on Netflix. And more importantly, you

961
00:56:09,440 --> 00:56:12,279
Speaker 1: can send us your own drops, your own conspiracies. You

962
00:56:12,800 --> 00:56:18,840
Speaker 1: can't tell us what is the next light skinned Superstars

963
00:56:19,080 --> 00:56:21,400
Speaker 1: waiting in the wings. We want to hear from you

964
00:56:21,520 --> 00:56:24,520
Speaker 1: all at Mamma pod at gmail dot com. We would

965
00:56:24,560 --> 00:56:28,800
Speaker 1: love to talk to you also via voicemail at A

966
00:56:29,040 --> 00:56:31,560
Speaker 1: four four Little Moms. We would like for you to

967
00:56:31,640 --> 00:56:35,040
Speaker 1: buy our merch We would like for you to subscribe

968
00:56:35,600 --> 00:56:39,000
Speaker 1: and like and rate and review and do all the

969
00:56:39,080 --> 00:56:44,360
Speaker 1: things that are necessary for our future success, and most importantly,

970
00:56:44,840 --> 00:56:52,160
Speaker 1: watch you azz Bye Bitch, Bye Bitch. My Mama Told

971
00:56:52,200 --> 00:56:54,960
Speaker 1: Me is a production of Will Ferrell's Big Money Players

972
00:56:55,320 --> 00:56:58,040
Speaker 1: Network and iHeart Podcasts.

973
00:56:58,400 --> 00:57:02,280
Speaker 2: Created and hosted by Langston, co hosted by David Borie.

974
00:57:02,520 --> 00:57:06,960
Speaker 2: Executive produced by Will Farrell, Hansani and Olivia Aguilon. Co

975
00:57:07,160 --> 00:57:11,160
Speaker 2: produced by Bee Wayne, edited and engineered by Justin Kopfon,

976
00:57:11,480 --> 00:57:14,960
Speaker 2: music by Nick Chambers, artwork by Dogon Kreega.

977
00:57:15,239 --> 00:57:17,920
Speaker 1: You can now watch episodes of My Mama Told Me

978
00:57:18,080 --> 00:57:22,320
Speaker 1: on YouTube, Follow at My Mama Told Me and subscribe

979
00:57:22,400 --> 00:57:23,160
Speaker 1: to our channel