WEBVTT - Bullseye w/ Stephen Tobolowsky

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 1>These episodes are based on These are our stories.

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<v Speaker 3>Done done, Hello, and welcome to That's Messed Up, a

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<v Speaker 3>SVU podcast.

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<v Speaker 1>I'm one of your hosts, Kara Klank and I'm Liza Traeger,

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<v Speaker 1>and we talk SVU. We talk crimes, We have celeb guests,

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<v Speaker 1>but first we chit chat. What's up? What just happens?

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<v Speaker 1>Is up? Girl? Well, you and I just got back

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<v Speaker 1>from a very fun first I'm still out on the road.

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<v Speaker 1>You're still on the road. Well, I mean I'm back

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<v Speaker 1>because at the TMU part of it's over, you're still

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<v Speaker 1>doing some stand up. But we just got back from

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<v Speaker 1>a fun first leg of our tour. We're so excited.

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<v Speaker 1>It went really great. Everybody was so awesome. We had

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<v Speaker 1>a I had a great time. Like we loved seeing

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<v Speaker 1>everybody in the Carolina in North Carolina and where were

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<v Speaker 1>the fuck else were we? Nashville was a great show.

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<v Speaker 1>We do have one we say about Nashville.

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<v Speaker 2>You guys, we saw a line like twenty thirty people

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<v Speaker 2>deep trying to take photos next to angel wings painted

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<v Speaker 2>on the side of a wall.

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<v Speaker 1>What it's so crazy to me. I know it's for

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<v Speaker 1>social media and whatever. We're all ill with our social media.

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<v Speaker 1>But like in La there's like ninety of those angel

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<v Speaker 1>wings everywhere. You can like take them, take a picture

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<v Speaker 1>of them anywhere, And so it was weird that there

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<v Speaker 1>was just like one set that every that are famous,

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<v Speaker 1>that everybody wanted to go to.

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<v Speaker 2>People were also doing it wrong, like seven people polish

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<v Speaker 2>in front of the wings and it's like, no, the

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<v Speaker 2>whole point is like one person stands and it looks

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<v Speaker 2>like their wings. So like seven of you just wanted

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<v Speaker 2>to be near the wings, not even an optical illusion.

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<v Speaker 1>And I guess if you're from Nashville, tell us that

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<v Speaker 1>like like Taylor Swift painted those wings or tell us

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<v Speaker 1>like the reason why those wings are so important. But

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<v Speaker 1>like I could not figure it out. It just seemed

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<v Speaker 1>like you know, Instagram art on the wall.

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<v Speaker 2>Because we went up, so we were in the gulch

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<v Speaker 2>area and we went to brunch and it was super fine,

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<v Speaker 2>and then we saw it, but there were a lot

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<v Speaker 2>like our We got a hook up, but there were

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<v Speaker 2>giant ass lines to get in the brunch. So when

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<v Speaker 2>we see this big line, we're like, oh, I wonder

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<v Speaker 2>what restaurant that is. And then it was like, oh,

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<v Speaker 2>they're taking photos next to painted wings.

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<v Speaker 1>It was upsetting. It was weird for sure.

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<v Speaker 2>Yes, people just posted on their stories like I spilled

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<v Speaker 2>my drink trying to take a photo of it. The

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<v Speaker 2>internet is fucked, like we're fucked, Like we are so fucked,

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<v Speaker 2>like nothing has happened unless you posted or something.

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<v Speaker 1>It's I just yeah, it rubbed us the wrong way.

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<v Speaker 1>Well listen. If you want to hear all this and

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<v Speaker 1>more live, come see our tour. We are going out

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<v Speaker 1>again in a couple of weeks in November. We're going

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<v Speaker 1>to be in the Midwest, So come see us at

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<v Speaker 1>Zany's Rosemont on November thirteenth, because unfortunately our I mean

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<v Speaker 1>fortunately because we love the everybody that bought tickets, but

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<v Speaker 1>the Chicago show at Zany's Downtown is sold out. So

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<v Speaker 1>head out to the suburbs and see us in Rosemont

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<v Speaker 1>on the thirteenth. It'll be so fun. It's like a

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<v Speaker 1>nice big space. I really like that club. It'll be fun.

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<v Speaker 1>And then Indianapolis will be there on the fifteenth. We'll

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<v Speaker 1>be in Columbus on the sixteenth. We'll be in Cleveland

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<v Speaker 1>on the seventeenth, Detroit on the eighteenth, and Madison, Wisconsin

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<v Speaker 1>on the twentieth. And I think you can even see

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<v Speaker 1>us do stand up both in Detroit and Madison. So

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<v Speaker 1>well you'll see me opening for Lisa in Detroit and

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<v Speaker 1>then Lisa solo and Madison doing great stuff with other

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<v Speaker 1>great openers. And so if you guys are interested, that's

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<v Speaker 1>messed up dot com. Get tickets please. We love meeting

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<v Speaker 1>all of you, seeing all of you. We're selling tour

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<v Speaker 1>only merch you can only get it on the tour.

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<v Speaker 1>And you know, we just love meeting all of you

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<v Speaker 1>guys and doing live shows. And we pick really wild,

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<v Speaker 1>fun episodes to do that are not based on crimes,

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<v Speaker 1>so we get to talk about some of your faves.

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<v Speaker 1>What else, Lisa?

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<v Speaker 2>I mean also, even though the shows are incredible, meeting

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<v Speaker 2>everyone's incredible. Like was there a flat tire? Yes, was

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<v Speaker 2>there a rented out vehicle not checked in by the company,

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<v Speaker 2>but we had to get another car in another city. Yes,

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<v Speaker 2>we're hotel rooms, not our name's not put under the room.

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<v Speaker 2>Like honestly, you know, did we have a tech guy

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<v Speaker 2>in one of these locations that truly I sent a

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<v Speaker 2>formal complaint about. But like, so it is, it's just

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<v Speaker 2>really funny. And what I think about is this quote

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<v Speaker 2>that it might be like a fake thing where people

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<v Speaker 2>think marily Monroe said a bunch of stuff and she hasn't. Yeah, yes,

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<v Speaker 2>that share said I'm only difficult if you're an idiot,

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<v Speaker 2>and I want that tattooed on my body, like truly,

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<v Speaker 2>that's how I feel.

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<v Speaker 1>Oh my god, if this is difficult for you, you're dumb.

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<v Speaker 1>I don't know what to tell you. Yeah, we're not

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<v Speaker 1>so tough. No, but obviously we had so, you know,

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<v Speaker 1>so much fun. But I thought I would just you know,

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<v Speaker 1>sprinkle in that sprinkling. We had fun.

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<v Speaker 2>And then I wrote here Halloween candy murder screen shot,

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<v Speaker 2>and I wish I knew.

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<v Speaker 1>What that was. I can't wait for Halloween. I mean,

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<v Speaker 1>I'm alone with my kids this weekend as a punishment

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<v Speaker 1>for going out of town for ninety No just kidding,

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<v Speaker 1>just my husband's going out of town, so I'm going

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<v Speaker 1>I'm going to be alone taking them to ninety Halloween

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<v Speaker 1>parties coming up. So that's fun. But what do you

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<v Speaker 1>think that means your screenshot Halloween candy murder. I don't know.

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<v Speaker 1>I have no idea.

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<v Speaker 2>Oh oh, is it like all of those memes where

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<v Speaker 2>people put things into the candy.

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<v Speaker 1>Yeah, that's what I was thinking you were talking about.

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<v Speaker 1>When this woman goes with this amazing account that I follow,

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<v Speaker 1>I think it's Matt XIV or whatever, was like, oh

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<v Speaker 1>my god, please check your children's candy. I just opened

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<v Speaker 1>mine up and found a drag Queen story Hour in

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<v Speaker 1>my son's Snicker and it's like, it's so funny because

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<v Speaker 1>it's like a Snicker's broken open with like a drag

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<v Speaker 1>queen reading inside, and it's so good.

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<v Speaker 2>It's gotta be it. I'm not really sure, but what

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<v Speaker 2>you said you had something to tell me.

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<v Speaker 1>Oh, well, this is so funny because I was just

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<v Speaker 1>looking on you know, we use a lot of the Wikipedia,

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<v Speaker 1>the Law and Order Wikipedia, like the fandom just to

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<v Speaker 1>look at. We do some of our own research too,

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<v Speaker 1>based on what stuff's based on. But I use this

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<v Speaker 1>all the time, and I wanted to see what the

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<v Speaker 1>most current episode if they were going to say it

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<v Speaker 1>was Ariel Castro again, because the show's already done Ariel Castro,

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<v Speaker 1>if it was something different, and they don't even actually

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<v Speaker 1>have it listed yet episode four, but episode three, did

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<v Speaker 1>you watch episode yet? It's like the two celebrities of

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<v Speaker 1>this current season. Yeah yeah, that are in like a

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<v Speaker 1>tumultuous relationship or whatever. So it's definitely based on Amber

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<v Speaker 1>heard Johnny Depp for sure, and then Shia lah Buff.

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<v Speaker 1>They said maybe it's based on his lawsuit with FKA Twigs. Okay, sure,

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<v Speaker 1>I'll buy that. The third British The third bullet point

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<v Speaker 1>says the public harassment of former British Prime Minister Boris

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<v Speaker 1>Johnson during the Platinum Jubilee of Elizabeth the IID what.

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<v Speaker 1>I don't think a SVU wrote an episode at all

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<v Speaker 1>about Boris About Boris Johnson.

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<v Speaker 2>Jubilee is a really fun word, though, it sure is.

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<v Speaker 2>It's like one of my favorite words.

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<v Speaker 1>I lived in Rome during like the Catholic Jubilee because

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<v Speaker 1>I lived there in the year two thousand and I

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<v Speaker 1>think that's like when they happen every one hundred years

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<v Speaker 1>or something, but that it was like a huge, like

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<v Speaker 1>millennial jubilee because it was the year two thousand and

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<v Speaker 1>so it's where all these nuns and Catholic people like

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<v Speaker 1>all come to Rome. So the city's like really spruced

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<v Speaker 1>up and they're offering like, you know, extra nothing.

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<v Speaker 2>Makes jubilee sound sad. Then putting a Catholic in front

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<v Speaker 2>of it.

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<v Speaker 1>I know, I know. Well the plant Jubilee of Elizabeth

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<v Speaker 1>the second I don't think was fun either. I think

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<v Speaker 1>it was an old lady run like parading through the

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<v Speaker 1>streets days before she died. Yeah, they need to stop it.

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<v Speaker 2>Jubilee means party or Cherry's jubilee right, like an ice

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<v Speaker 2>cream flavor. Wait, you opened for Bob the Drag Queen.

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<v Speaker 2>Do you have anything to say?

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<v Speaker 4>I did?

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<v Speaker 1>It was amazing in Huntsville, Alabama. I opened for Bob

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<v Speaker 1>the Drag Queen for two days because Lisa was not

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<v Speaker 1>able to. Can we now talk about it? We haven't

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<v Speaker 1>talked about it. Oh, we haven't really, No, we have

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<v Speaker 1>not talked about this. We posted it on our Instagram.

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<v Speaker 1>But I would like to formally brag on behalf of

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<v Speaker 1>my co host, Lisa Trigger, who has been cast in

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<v Speaker 1>a Netflix show starring Michelle Buteau, Survival of the Thickest.

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<v Speaker 1>That's the reason we had to switch around some of

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<v Speaker 1>our tour dates. Thank you for being understanding. While Lisa

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<v Speaker 1>becomes a fam miss Hollywood celebrity. Yeah, it's been really

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<v Speaker 1>fun and nice. Can you put a clapping sound effect

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<v Speaker 1>in there, please? It's been really fun.

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<v Speaker 2>I love being on a set and everyone is really

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<v Speaker 2>talented and experienced and accomplished, and it's been fun being

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<v Speaker 2>around everyone. And I do have a really really cute

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<v Speaker 2>little co star in this show, but I will not

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<v Speaker 2>reveal it yet.

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<v Speaker 1>Oh okay, that's enough. That's a tune in. That's a

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<v Speaker 1>tune in message right there. You guys all have to

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<v Speaker 1>watch when it comes out in the spring. Sometime. We

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<v Speaker 1>will definitely be promoting it. But because Lisa and I

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<v Speaker 1>got my scenes for these upcoming and they are so good,

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<v Speaker 1>I don't know. I think your character sounds like it's

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<v Speaker 1>gonna be wild and maybe like a little bit of

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<v Speaker 1>a scene stealer. I'm excited, but it's really cool.

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<v Speaker 2>Is like a few friends that I've told about this

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<v Speaker 2>auditioned for it, and I guess and Edinburgh marsh just

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<v Speaker 2>said like everyone was auditioning, but everyone that I had

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<v Speaker 2>heard was like, oh, that makes sense, You're perfect for this.

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<v Speaker 2>And like when I into the set of the character's apartment,

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<v Speaker 2>I own multiple things in the apart I mean she's

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<v Speaker 2>worse than me as a person.

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<v Speaker 1>Yeah, yeah, yeah, but.

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<v Speaker 2>Yeah, we're Yeah, it's really really exciting a lot of

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<v Speaker 2>high class things we got going on.

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<v Speaker 1>Yeah. Well, since Lisa couldn't open for Bob, I got

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<v Speaker 1>to open for Bob and I was happy to do

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<v Speaker 1>that and I had a blast. We had so much fun.

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<v Speaker 1>We went to after both shows, we went to the

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<v Speaker 1>gay Bar in Huntsville, Alabama, and one night we did

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<v Speaker 1>karaoke and another night we did trivia. It was so fun.

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<v Speaker 1>I mean, I had a great time, and I don't

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<v Speaker 1>really think I have any other tea about that. It

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<v Speaker 1>was just Bob's awesome and like so funny and professional.

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<v Speaker 1>He kept going clink clink, clink clink, and like hitting glasses.

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<v Speaker 1>That's key. Yeah. But I also thank you to the

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<v Speaker 1>many Boston listeners who told us that that when I

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<v Speaker 1>told that story about Clink the Bar, that it's because

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<v Speaker 1>it used to be a jail. I should definitely go

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<v Speaker 1>check it out there. That makes a lot of sense

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<v Speaker 1>that was coming through the Cliank.

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<v Speaker 2>I also wanted to do a shout out to Garcel Bouvet,

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<v Speaker 2>who's also in this Netflix show. I am not yet. Yeah, well,

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<v Speaker 2>I have not Mega either. I did meet Peppermint, which

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<v Speaker 2>was thrilling. But did you you or you're caught up

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<v Speaker 2>on Bravo? Did you watch the Real Housewives Reunion two

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<v Speaker 2>or no?

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<v Speaker 1>Not yet? Yes? Caught up? Caught up, caught up.

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<v Speaker 2>I mean, I'm I've been a Kyle apologist for this

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<v Speaker 2>whole time, and I'm always like, yeah, but i'd want

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<v Speaker 2>to hang out her house or fuck Kyle. I am

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<v Speaker 2>no longer on her side in any capacity. No wonder,

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<v Speaker 2>your sisters don't want to fucking talk to you. There's

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<v Speaker 2>a reason you're not invited to your family events, and

0:11:41.760 --> 0:11:45.160
<v Speaker 2>go fuck yourself and anyway, for me, it's team Garcel

0:11:45.240 --> 0:11:47.079
<v Speaker 2>all the way, and I'm disgusted by the rest of

0:11:47.120 --> 0:11:49.959
<v Speaker 2>the ladies. Andy apologized this week to his treatment of

0:11:50.000 --> 0:11:53.560
<v Speaker 2>Garcel too, because hopefully he realized it. He did, he

0:11:53.640 --> 0:11:56.959
<v Speaker 2>had to. How do you not apologize? Garcela is talking

0:11:57.000 --> 0:12:01.880
<v Speaker 2>about her near run in with Bill, who tried to

0:12:01.960 --> 0:12:03.439
<v Speaker 2>fucking slip her a drink.

0:12:03.559 --> 0:12:04.360
<v Speaker 1>Yeah, yeah, And.

0:12:04.280 --> 0:12:07.120
<v Speaker 2>Then she's talking about her book, and we're talking about

0:12:07.120 --> 0:12:10.440
<v Speaker 2>her son, and it's all about Lisa Ena and recycling

0:12:10.480 --> 0:12:13.839
<v Speaker 2>and this and that, and they zoomed on Garcel's face

0:12:13.920 --> 0:12:18.400
<v Speaker 2>and she just looked so hurt, and yeah, fuck all

0:12:18.440 --> 0:12:19.520
<v Speaker 2>of them, Fuck.

0:12:19.360 --> 0:12:19.920
<v Speaker 1>All of them.

0:12:20.200 --> 0:12:22.600
<v Speaker 2>You are all racist. You are all racist. You can

0:12:22.640 --> 0:12:24.959
<v Speaker 2>they can all deny it. Garcel can say they're not racist.

0:12:25.280 --> 0:12:27.800
<v Speaker 2>But if this happened to another fourteen year old child

0:12:27.920 --> 0:12:30.280
<v Speaker 2>that was not a black child, there's no way they

0:12:30.280 --> 0:12:33.280
<v Speaker 2>would be treating the situation of the online trolls this

0:12:33.440 --> 0:12:36.640
<v Speaker 2>kind of casually and telling Garcel how she should act

0:12:36.760 --> 0:12:39.920
<v Speaker 2>or not when someone said horrific things.

0:12:40.679 --> 0:12:45.120
<v Speaker 1>No, it's very shitty, and I honestly could be. You

0:12:45.160 --> 0:12:47.880
<v Speaker 1>could restart the whole show just around Garcel, and I

0:12:47.880 --> 0:12:50.080
<v Speaker 1>guess maybe they'd keep Sutton because they're close, But like,

0:12:50.600 --> 0:12:52.520
<v Speaker 1>you could restart the whole cast around Garcel and I

0:12:52.559 --> 0:12:56.200
<v Speaker 1>would watch like she's She's a top tier housewife to me,

0:12:56.440 --> 0:12:58.320
<v Speaker 1>and she should not have been fucking treated that way.

0:12:58.520 --> 0:13:01.640
<v Speaker 1>Here's what I will say about those. I think a

0:13:01.679 --> 0:13:05.120
<v Speaker 1>fan bought those. To be honest, I don't think Diana

0:13:05.160 --> 0:13:06.160
<v Speaker 1>is smart enough to do that.

0:13:06.240 --> 0:13:10.560
<v Speaker 2>Diana doesn't have fans, no, no, no, just regular fan,

0:13:10.920 --> 0:13:14.080
<v Speaker 2>a racist fan of the show, like you know, just

0:13:14.160 --> 0:13:16.160
<v Speaker 2>like to cause chaos and be psycho.

0:13:16.200 --> 0:13:18.000
<v Speaker 1>I just don't think Diana smart enough for that shit

0:13:18.080 --> 0:13:21.600
<v Speaker 1>to be honest or employs anyone smart enough really, Like.

0:13:21.760 --> 0:13:25.000
<v Speaker 2>Yeah, but if she's also like a human trafficker like

0:13:25.040 --> 0:13:27.480
<v Speaker 2>they've accused her of, then who knows.

0:13:27.280 --> 0:13:29.480
<v Speaker 1>What Waite I didn't even know about that. Fuck? Are

0:13:29.520 --> 0:13:31.280
<v Speaker 1>we getting into Sbu territory now?

0:13:31.360 --> 0:13:31.560
<v Speaker 4>Yeah?

0:13:31.600 --> 0:13:33.199
<v Speaker 1>Yeah? Yeah? Because do you know that book?

0:13:33.280 --> 0:13:35.680
<v Speaker 2>She had people claim that that book is actually a

0:13:35.720 --> 0:13:39.559
<v Speaker 2>catalog for people you can have sex right.

0:13:40.160 --> 0:13:40.760
<v Speaker 1>And pay for.

0:13:41.640 --> 0:13:44.520
<v Speaker 2>And I also just it bothers me when people act

0:13:44.600 --> 0:13:47.560
<v Speaker 2>so snooty and rich and entitled, when it's like you

0:13:47.720 --> 0:13:50.840
<v Speaker 2>married into that money, yeah you did not, like you know,

0:13:51.440 --> 0:13:54.160
<v Speaker 2>Yolanda was like this too, where it's like, oh on,

0:13:54.440 --> 0:13:55.480
<v Speaker 2>it's like you're trap.

0:13:55.520 --> 0:13:56.160
<v Speaker 1>You're a grifter.

0:13:56.760 --> 0:14:01.000
<v Speaker 2>You're a sexy grifter who grifts a rich lives. Like,

0:14:01.400 --> 0:14:04.520
<v Speaker 2>I don't know why you're acting like you're classy. I

0:14:04.559 --> 0:14:07.600
<v Speaker 2>think sexy grifter might be merch. I'll be honest with you.

0:14:08.000 --> 0:14:11.120
<v Speaker 1>That's a great idea, a tank top that says sexy grifter,

0:14:12.200 --> 0:14:15.560
<v Speaker 1>give it, Okay, yeah, I would love that. I'll take it. No.

0:14:15.640 --> 0:14:16.520
<v Speaker 1>But I also with.

0:14:16.520 --> 0:14:20.000
<v Speaker 2>The Diana thing where they're like they're trying to say

0:14:20.040 --> 0:14:23.440
<v Speaker 2>that evil is a worse word than the sea word.

0:14:23.800 --> 0:14:25.920
<v Speaker 2>And this is an old mulaney joke, but it's like,

0:14:26.040 --> 0:14:28.880
<v Speaker 2>how about the word you can't even say out loud? Yeah,

0:14:28.920 --> 0:14:32.720
<v Speaker 2>probably the worst word them all, saying that it's worse

0:14:32.800 --> 0:14:34.240
<v Speaker 2>to be called evil than cunt?

0:14:34.360 --> 0:14:36.520
<v Speaker 1>Like what, yeah, yeah.

0:14:36.400 --> 0:14:41.000
<v Speaker 2>Yeah, why you're not even saying you're saying the sea wordy?

0:14:41.400 --> 0:14:43.920
<v Speaker 1>I just and suttons upon.

0:14:44.080 --> 0:14:47.480
<v Speaker 2>But I heard Garcel had like huge and I heard

0:14:47.520 --> 0:14:49.360
<v Speaker 2>it because I watched all the Bravo cons stuff, but

0:14:49.840 --> 0:14:53.720
<v Speaker 2>everyone was team Garcel. Everyone was shouting for her, and

0:14:54.040 --> 0:14:55.480
<v Speaker 2>I think this least I hope.

0:14:55.920 --> 0:14:58.520
<v Speaker 1>I can't wait for part three. I mean, I think

0:14:58.960 --> 0:14:59.800
<v Speaker 1>is in a renaissance.

0:15:00.160 --> 0:15:04.920
<v Speaker 2>We have like Salt Lake, Beverly Hills, Potomac, swinter House,

0:15:05.120 --> 0:15:06.600
<v Speaker 2>so all together, it's.

0:15:06.480 --> 0:15:10.240
<v Speaker 1>Like, yeah, everything's running on all cylinders over at Bravo.

0:15:10.400 --> 0:15:14.560
<v Speaker 1>For sure. I will say the problem with fucking Kyle

0:15:14.720 --> 0:15:16.440
<v Speaker 1>and always has been a problem with her and a

0:15:16.440 --> 0:15:18.160
<v Speaker 1>lot of the women on Beverly Hills, but doesn't seem

0:15:18.200 --> 0:15:20.080
<v Speaker 1>to be a problem for Garcel is that they hide shit,

0:15:20.200 --> 0:15:25.280
<v Speaker 1>They do not say things. Everything feels like there's something,

0:15:25.360 --> 0:15:26.880
<v Speaker 1>you know, the thing I told you that we can't

0:15:26.880 --> 0:15:29.080
<v Speaker 1>stay on camera, you know what? I mean, like everything

0:15:29.600 --> 0:15:32.320
<v Speaker 1>feels like Kyle is like it's like, Kyle, if you

0:15:32.320 --> 0:15:34.960
<v Speaker 1>have shit about Kathy or whatever, just fucking say it

0:15:34.960 --> 0:15:36.560
<v Speaker 1>on the show. Why are you here if you don't

0:15:36.560 --> 0:15:38.240
<v Speaker 1>say it on the show, because then you're the one

0:15:38.280 --> 0:15:40.360
<v Speaker 1>sitting there going that's why we come on the show

0:15:40.560 --> 0:15:42.920
<v Speaker 1>to do our lives. Say it, say it, say it.

0:15:42.960 --> 0:15:45.040
<v Speaker 1>And then like she never says anything.

0:15:44.760 --> 0:15:46.920
<v Speaker 2>You know, not only that, I saw this online where

0:15:46.920 --> 0:15:49.240
<v Speaker 2>it's like she's so mad that Crystal won't say what

0:15:49.360 --> 0:15:52.040
<v Speaker 2>Sutton said, but Lisa, Renna is not saying what Kathy said.

0:15:52.960 --> 0:15:55.920
<v Speaker 1>Well, is that not a problem. I will say though

0:15:56.000 --> 0:15:58.440
<v Speaker 1>that I think that Crystal. I think what our friend

0:15:58.520 --> 0:16:01.400
<v Speaker 1>Julia thinks is that Chris protecting Ston and that she

0:16:01.440 --> 0:16:03.440
<v Speaker 1>does have a specific thing and she's not saying it.

0:16:03.560 --> 0:16:05.720
<v Speaker 1>So fine, I'm fine to let her do that. And

0:16:05.760 --> 0:16:08.920
<v Speaker 1>I think that Renna has said a couple of things.

0:16:09.240 --> 0:16:12.720
<v Speaker 1>She said Jeri, it's a useless idiot. She said, I'll

0:16:12.760 --> 0:16:15.120
<v Speaker 1>ruin Bravo and take Kyle down in her old family

0:16:15.120 --> 0:16:20.840
<v Speaker 1>a Bravo. I mean she's given a couple specifics, right, Yeah, But.

0:16:21.600 --> 0:16:24.000
<v Speaker 2>It's also like you're acting like you care about your

0:16:24.040 --> 0:16:26.640
<v Speaker 2>sister and you're letting Renna do all this, like cut

0:16:26.680 --> 0:16:30.000
<v Speaker 2>Renna out, slam her down, Like why is your aggression

0:16:30.040 --> 0:16:35.000
<v Speaker 2>towards Crystal and not towards Lisa, Renna, Yeah, who is

0:16:35.080 --> 0:16:37.160
<v Speaker 2>destroying your relationship with your sister?

0:16:37.440 --> 0:16:39.560
<v Speaker 1>Well, I think that she has a fucked up relationship

0:16:39.560 --> 0:16:41.680
<v Speaker 1>with her sister. And that's why I love my sister

0:16:41.800 --> 0:16:44.800
<v Speaker 1>so much. Like if my sister, If if Renna came

0:16:44.840 --> 0:16:46.600
<v Speaker 1>in and said your sister had a full breakdown, I

0:16:46.640 --> 0:16:48.400
<v Speaker 1>would like walk off and be like, we're not doing

0:16:48.480 --> 0:16:50.120
<v Speaker 1>this on camera. Like I would just be like, we're

0:16:50.120 --> 0:16:52.520
<v Speaker 1>not doing this, and instead she goes, Guys, I feel

0:16:52.560 --> 0:16:55.320
<v Speaker 1>kind of uncomfortable. Can we stop? Like it's so mealy

0:16:55.360 --> 0:16:58.160
<v Speaker 1>mouthed all of it, and if it was, if you

0:16:58.240 --> 0:17:00.920
<v Speaker 1>really loved your sister. But I think that the truth

0:17:01.040 --> 0:17:04.119
<v Speaker 1>is what she said to Erica was I'm glad the

0:17:04.160 --> 0:17:05.600
<v Speaker 1>world is seeing what's up with Kathy.

0:17:05.680 --> 0:17:05.880
<v Speaker 4>Now.

0:17:06.040 --> 0:17:08.320
<v Speaker 1>I'm glad that people are seeing and that's it. That's

0:17:08.320 --> 0:17:10.560
<v Speaker 1>why she's not going after Rinnash. She wants people to

0:17:10.560 --> 0:17:13.439
<v Speaker 1>see my sister Kim is an alcoholic who's abusive to me.

0:17:13.560 --> 0:17:17.000
<v Speaker 1>My sister Kathy is a power hungry, hungry freak who's

0:17:17.040 --> 0:17:19.040
<v Speaker 1>abusive to me. She wants everyone to see it and

0:17:19.119 --> 0:17:21.320
<v Speaker 1>so she can be Kyle the victim. But it's like

0:17:21.600 --> 0:17:24.840
<v Speaker 1>the way she's going about it looks so slimy and like, yeah,

0:17:25.080 --> 0:17:27.560
<v Speaker 1>I'm done with her. I think that, but I don't know.

0:17:27.600 --> 0:17:30.480
<v Speaker 1>Andy probably won't get rid of her, but no, because

0:17:30.600 --> 0:17:31.360
<v Speaker 1>people like her.

0:17:31.400 --> 0:17:34.320
<v Speaker 2>But it is like Erica is a full blown piece

0:17:34.359 --> 0:17:38.720
<v Speaker 2>of shit and we're all pretending everything's fine and taking

0:17:38.800 --> 0:17:43.760
<v Speaker 2>all this aggression out on the not white people. It's weird.

0:17:44.119 --> 0:17:49.960
<v Speaker 2>It is fucking weird. Yeah, and yeah, it just.

0:17:49.920 --> 0:17:51.679
<v Speaker 1>Bothers me and even the fans online are like why

0:17:51.720 --> 0:17:53.080
<v Speaker 1>does everything have to be turned to race?

0:17:53.119 --> 0:17:55.040
<v Speaker 2>It's not race? And at least and is like I

0:17:55.040 --> 0:17:57.600
<v Speaker 2>can't go after Garson. It's like, but you are these

0:17:57.680 --> 0:18:00.640
<v Speaker 2>micro like you are. There's no way you would treat

0:18:00.760 --> 0:18:03.520
<v Speaker 2>Jack's the way you're treating him if he was like

0:18:03.920 --> 0:18:05.119
<v Speaker 2>not a black child.

0:18:05.440 --> 0:18:10.359
<v Speaker 1>It really, oh, completely no, there's like a there's like

0:18:10.400 --> 0:18:13.959
<v Speaker 1>a phenomenon or like an epidemic of like black boys

0:18:14.000 --> 0:18:16.719
<v Speaker 1>get treated older, you know, And that's like, yeah, you

0:18:16.800 --> 0:18:18.880
<v Speaker 1>never would have said that to like, I know, Jagger's

0:18:18.960 --> 0:18:21.600
<v Speaker 1>much younger, but like if Jagger was twelve or fourteen

0:18:21.640 --> 0:18:25.199
<v Speaker 1>at a party, porch fuck out of here? You know.

0:18:25.800 --> 0:18:29.000
<v Speaker 2>Can you imagine if any of this was about Porsche,

0:18:29.320 --> 0:18:32.400
<v Speaker 2>Kyle's daughter, Like, oh, Porsche, yes.

0:18:32.800 --> 0:18:35.160
<v Speaker 1>When you first said that, I was like, Porsha Williams, Yes,

0:18:35.880 --> 0:18:38.439
<v Speaker 1>Oh my god. If Porsche was at like a party

0:18:38.480 --> 0:18:40.239
<v Speaker 1>and came out to get flowers and someone goes, get

0:18:40.280 --> 0:18:43.080
<v Speaker 1>the fuck out of here, Kyle would lose her goddamn

0:18:43.119 --> 0:18:46.439
<v Speaker 1>mind and it would be warranted. In here, We're just like,

0:18:47.200 --> 0:18:49.240
<v Speaker 1>why didn't you protect it? Why don't you do that?

0:18:49.320 --> 0:18:50.840
<v Speaker 1>It's like, it's ridiculous.

0:18:51.000 --> 0:18:55.800
<v Speaker 2>I'm on the schedule to well, I'm supposed to hopefully

0:18:55.840 --> 0:18:57.960
<v Speaker 2>I meet Garcels soon and I will have something to

0:18:58.000 --> 0:18:58.760
<v Speaker 2>say to you guys.

0:18:59.040 --> 0:19:01.119
<v Speaker 1>Yeah, I have to wait till the but you just

0:19:01.160 --> 0:19:02.920
<v Speaker 1>when you meet her should just be like I'm team

0:19:03.000 --> 0:19:06.200
<v Speaker 1>you all the way, like well, because it's funny because

0:19:06.240 --> 0:19:07.879
<v Speaker 1>the hair and makeup and everyone said that, like she

0:19:07.960 --> 0:19:10.920
<v Speaker 1>finished with bravokhn and went straight to work on this show,

0:19:11.680 --> 0:19:15.320
<v Speaker 1>and that she was telling the ladies like I didn't

0:19:15.320 --> 0:19:18.160
<v Speaker 1>realize this was such a big deal, Like I think

0:19:18.200 --> 0:19:20.560
<v Speaker 1>she was didn't realize how many people would show up

0:19:20.600 --> 0:19:22.840
<v Speaker 1>to Bravo Khan and cheer for her, like I think

0:19:22.880 --> 0:19:26.280
<v Speaker 1>she was surprised by the fandom, which is shocking to me.

0:19:26.359 --> 0:19:30.080
<v Speaker 1>This also feels like this year Bravokn like turned like

0:19:30.160 --> 0:19:33.600
<v Speaker 1>this was a year that bravokan like everybody was posting

0:19:33.640 --> 0:19:35.880
<v Speaker 1>about it. I mean, obviously we had pandemic. I don't

0:19:35.920 --> 0:19:37.560
<v Speaker 1>know like that they even did it last year, but

0:19:37.600 --> 0:19:39.880
<v Speaker 1>they did it other years and it felt like, oh,

0:19:39.920 --> 0:19:41.440
<v Speaker 1>that's a cute thing to go to if you want,

0:19:41.480 --> 0:19:43.639
<v Speaker 1>and you can like get autographs or whatever. But like

0:19:43.760 --> 0:19:47.280
<v Speaker 1>now it's like people are doing panels and revealing shit,

0:19:47.520 --> 0:19:50.440
<v Speaker 1>and they're dropping announcements about casts, and there's all these

0:19:50.520 --> 0:19:52.600
<v Speaker 1>like you can be in like a video where you're

0:19:52.640 --> 0:19:55.840
<v Speaker 1>on a below deck ship, like all these like installations,

0:19:55.880 --> 0:19:58.560
<v Speaker 1>and BRAVOKN just feels like it like took it. It

0:19:58.600 --> 0:20:02.520
<v Speaker 1>stepped its pussy up this year, you know, puts it up.

0:20:02.840 --> 0:20:04.760
<v Speaker 1>But we are not a Bravo podcast, and I do

0:20:04.840 --> 0:20:06.720
<v Speaker 1>think we have to start our episode. I do.

0:20:06.880 --> 0:20:08.639
<v Speaker 2>I also wanted to say that we did go to

0:20:08.680 --> 0:20:14.960
<v Speaker 2>cookout in the South and Kara is not impressed it.

0:20:15.440 --> 0:20:18.240
<v Speaker 1>For me, I asked for a Casa Dia. They did

0:20:18.280 --> 0:20:20.679
<v Speaker 1>put chicken in it, so I couldn't eat it. I

0:20:20.760 --> 0:20:23.280
<v Speaker 1>did really like the Casada sauce that's got a kick,

0:20:24.320 --> 0:20:27.240
<v Speaker 1>but I was like, this is good fried food. It

0:20:27.359 --> 0:20:31.639
<v Speaker 1>wasn't really blowing my mind. And my milkshake was like

0:20:31.760 --> 0:20:33.840
<v Speaker 1>cement that would not come through the straw, and I

0:20:33.880 --> 0:20:36.199
<v Speaker 1>was eating it like ice cream, and I stopped halfway

0:20:36.200 --> 0:20:38.400
<v Speaker 1>because I was like, this isn't even very good ice cream.

0:20:38.760 --> 0:20:40.399
<v Speaker 1>So I'm sorry. I don't want to be a snob

0:20:40.520 --> 0:20:43.399
<v Speaker 1>or anything. I just I think I'm gonna stick with

0:20:43.480 --> 0:20:45.840
<v Speaker 1>Taco Bell and Burger King. Those are my two mains.

0:20:46.600 --> 0:20:49.439
<v Speaker 2>Yeah, but we couldn't even get Taco Bell because in

0:20:49.480 --> 0:20:51.760
<v Speaker 2>Atlanta the line.

0:20:51.320 --> 0:20:55.480
<v Speaker 1>Was like forty cars deep. It was wild. Okay, he's

0:20:55.480 --> 0:20:57.919
<v Speaker 1>about to throw up six more flags. We have to go,

0:20:59.600 --> 0:21:02.960
<v Speaker 1>But we have a great episode for you guys here

0:21:03.000 --> 0:21:03.440
<v Speaker 1>it is.

0:21:07.920 --> 0:21:13.520
<v Speaker 2>Okay, So today's episode is Bullseye, Season twelve, Episode two.

0:21:13.800 --> 0:21:20.639
<v Speaker 1>What does Bullseye make you think of? Archery? Yeah? Me too? Darts?

0:21:20.920 --> 0:21:24.160
<v Speaker 1>I wonder if anyone thinks anything else. All Right, we're here,

0:21:24.240 --> 0:21:26.320
<v Speaker 1>We're at a bar. Here, we're doing bulls eye. We're

0:21:26.320 --> 0:21:27.119
<v Speaker 1>at a readega.

0:21:28.280 --> 0:21:31.720
<v Speaker 2>There's a woman stocking shelves and she's digging in a box.

0:21:31.800 --> 0:21:35.760
<v Speaker 2>But also the shelves are fully stocked, Like where is

0:21:35.800 --> 0:21:37.879
<v Speaker 2>she putting the contents of this box?

0:21:38.000 --> 0:21:41.720
<v Speaker 1>It is a tight bodega, very uh, but you know

0:21:41.760 --> 0:21:44.159
<v Speaker 1>if anybody can fit more in. It's a bodega. Like

0:21:44.240 --> 0:21:47.840
<v Speaker 1>bodegas are like there's like toilet paper up to the ceiling.

0:21:48.000 --> 0:21:50.720
<v Speaker 1>I mean they're really doing it. They are doing it.

0:21:51.560 --> 0:21:54.600
<v Speaker 1>So she's stocking the shelves and she's bent over and

0:21:54.640 --> 0:21:57.439
<v Speaker 1>a man is approaching her and purposely is getting super

0:21:57.440 --> 0:21:59.919
<v Speaker 1>close and then thrust his stck onto her and she

0:22:00.000 --> 0:22:02.560
<v Speaker 1>he jumps and turns around and he's like, oh, didn't

0:22:02.600 --> 0:22:05.680
<v Speaker 1>see you there, sorry, and she's like third time this

0:22:05.720 --> 0:22:07.560
<v Speaker 1>week and then he grabs her really hard. I was

0:22:07.560 --> 0:22:09.960
<v Speaker 1>taken aback. This is like too soon. This is where

0:22:10.040 --> 0:22:12.280
<v Speaker 1>I don't like this, and says you don't want to

0:22:12.280 --> 0:22:14.159
<v Speaker 1>be a bitch to me, and she says, let go

0:22:14.280 --> 0:22:16.640
<v Speaker 1>of me. Dennis, and the fact that his name is Dennis,

0:22:16.760 --> 0:22:20.920
<v Speaker 1>it really ups this to a more horrific level. I

0:22:20.960 --> 0:22:24.240
<v Speaker 1>would say, do you know my uncle Dennis at my

0:22:24.440 --> 0:22:27.440
<v Speaker 1>brother's wedding introduced himself to like three of my siblings

0:22:28.040 --> 0:22:31.440
<v Speaker 1>when we've known him our entire lives. Yeah, Like he

0:22:31.520 --> 0:22:33.399
<v Speaker 1>was like hello, Dennis and said his last name. We

0:22:33.400 --> 0:22:37.280
<v Speaker 1>were like, what, like, we've known you forever. Did you

0:22:37.320 --> 0:22:40.480
<v Speaker 1>call him out? I don't think so. I don't even

0:22:40.480 --> 0:22:42.280
<v Speaker 1>think it's a I don't even as far as I know,

0:22:42.359 --> 0:22:45.080
<v Speaker 1>there's no like, you know, dementia or anything going on.

0:22:45.160 --> 0:22:46.960
<v Speaker 1>It was just like he's a little bit weird.

0:22:47.000 --> 0:22:49.119
<v Speaker 2>I don't he's just trying to shade you guys, like

0:22:49.200 --> 0:22:53.840
<v Speaker 2>he's like, purpose, sorry, you're Maybe he has prosopagnosia face blindness.

0:22:55.160 --> 0:22:57.040
<v Speaker 2>That reminds me of the Sex in the City scene

0:22:57.119 --> 0:22:59.600
<v Speaker 2>where Carrie has really disturbed. This woman is giving her

0:22:59.640 --> 0:23:02.400
<v Speaker 2>dirty and Charlotte.

0:23:01.960 --> 0:23:04.840
<v Speaker 1>Goes, maybe it's Bell's palsy.

0:23:05.880 --> 0:23:10.119
<v Speaker 2>I carry us to go it's not Bell's poalsy. Whatever,

0:23:10.200 --> 0:23:13.440
<v Speaker 2>So fuck Dennis. And he looks aggressive. I did look

0:23:13.520 --> 0:23:15.560
<v Speaker 2>him up. He's been working. He's been in a lot

0:23:15.560 --> 0:23:18.679
<v Speaker 2>of Amy Schumer vehicles, train Wreck Inside Amy Schumer and

0:23:18.720 --> 0:23:19.160
<v Speaker 2>life and.

0:23:19.119 --> 0:23:23.280
<v Speaker 1>Beth Oh, maybe he's part of her theater collective. Maybe yeah,

0:23:23.280 --> 0:23:25.159
<v Speaker 1>And she gives a lot of her the old like

0:23:25.240 --> 0:23:31.000
<v Speaker 1>theater friends work and his name is Rock Yeah, so

0:23:31.080 --> 0:23:34.520
<v Speaker 1>that's pretty cool. So then she goes, there's a customer

0:23:34.560 --> 0:23:36.840
<v Speaker 1>and we see a kid walk in and he says

0:23:36.840 --> 0:23:39.040
<v Speaker 1>that him and the boss are tight, and she's like, wow,

0:23:39.160 --> 0:23:41.680
<v Speaker 1>if I tell the boss you let people eat the merchandise.

0:23:42.200 --> 0:23:44.600
<v Speaker 1>And it's like, don't knark on this kid, like you

0:23:44.640 --> 0:23:46.159
<v Speaker 1>know what I mean. It's just it's a rock in

0:23:46.200 --> 0:23:46.840
<v Speaker 1>a hard place.

0:23:46.920 --> 0:23:50.000
<v Speaker 2>It's like be sexually harassed her, you know, give up

0:23:50.040 --> 0:23:54.080
<v Speaker 2>this homeless kid or something. And he's and so he

0:23:54.160 --> 0:23:56.560
<v Speaker 2>turns around and starts yelling at this kid and put

0:23:56.600 --> 0:23:59.040
<v Speaker 2>that back, and here you pay first and then you eat,

0:23:59.440 --> 0:24:01.399
<v Speaker 2>and that it's not unique to your store.

0:24:01.560 --> 0:24:04.200
<v Speaker 1>I like how he was like, in here, you pay

0:24:04.240 --> 0:24:08.480
<v Speaker 1>in here. Yeah, it's like everyone knows how that works.

0:24:09.480 --> 0:24:11.600
<v Speaker 1>So he grabs her to turn her around, and she

0:24:11.680 --> 0:24:14.280
<v Speaker 1>looks stunned and super scared, and she's breathing deep and

0:24:14.320 --> 0:24:16.760
<v Speaker 1>you can tell there's shock in her eyes. I wonder

0:24:16.760 --> 0:24:18.200
<v Speaker 1>if in his head he's like, maybe I'll just let

0:24:18.240 --> 0:24:22.159
<v Speaker 1>her eat this. And then he's extra shocked because she

0:24:22.160 --> 0:24:25.840
<v Speaker 1>has blood going down her leg. But she's scared, sweaty

0:24:25.920 --> 0:24:28.560
<v Speaker 1>and crying. Cut to the hospital and we have the

0:24:28.600 --> 0:24:32.440
<v Speaker 1>doctor that is one hundred percent Baywatch surfer vibe that one. Yeah,

0:24:32.560 --> 0:24:35.000
<v Speaker 1>very eligible bachelor, Like if there was like, uh, you

0:24:35.000 --> 0:24:38.440
<v Speaker 1>know a New York Magazine's like one hundred most eligible bachelors.

0:24:38.480 --> 0:24:40.640
<v Speaker 1>I feel like he would be one of them.

0:24:41.400 --> 0:24:46.520
<v Speaker 2>And he says there's intense vaginal trauma, not good hematoma,

0:24:46.560 --> 0:24:49.480
<v Speaker 2>and both risks, probably from being held down. She's ten

0:24:49.560 --> 0:24:52.760
<v Speaker 2>years old. Benson asks rape kit. They go, not yet.

0:24:53.000 --> 0:24:55.040
<v Speaker 1>They just got the blood to stop, so this is

0:24:55.080 --> 0:24:59.760
<v Speaker 1>pretty dramatic. He also tells Benson and Stabler that she's dehydrated, malnourished,

0:24:59.760 --> 0:25:02.960
<v Speaker 1>and her arm is limited mobility, so he thinks that

0:25:03.080 --> 0:25:05.760
<v Speaker 1>was a break that just wasn't treated. So this kid

0:25:05.880 --> 0:25:09.879
<v Speaker 1>is really not being paid attention to and anyway, and

0:25:09.920 --> 0:25:13.240
<v Speaker 1>they look through the blinds to see the patient in

0:25:13.280 --> 0:25:15.840
<v Speaker 1>the room the detectives, and he says, good luck finding

0:25:15.880 --> 0:25:17.800
<v Speaker 1>who did this because she won't say a word. And

0:25:17.840 --> 0:25:21.240
<v Speaker 1>then it's like, okay, they haven't met Olivia Benson. Yeah,

0:25:21.320 --> 0:25:23.320
<v Speaker 1>you obviously haven't met the child whisperer.

0:25:23.440 --> 0:25:26.200
<v Speaker 2>So she walks in. She goes, I'm Olivia, this is Elliott.

0:25:26.280 --> 0:25:31.280
<v Speaker 2>We're police officers. But she's hoping that you know, tell

0:25:31.359 --> 0:25:33.359
<v Speaker 2>us what happened to you before you got to the store,

0:25:33.400 --> 0:25:34.960
<v Speaker 2>and maybe that'll make you feel better.

0:25:34.960 --> 0:25:38.520
<v Speaker 1>And she is visibly stressed by that. And starts shifting away,

0:25:38.520 --> 0:25:40.320
<v Speaker 1>and he asked if someone said like not to talk

0:25:40.359 --> 0:25:43.880
<v Speaker 1>to people and that something bad would happen, because he goes,

0:25:43.920 --> 0:25:44.720
<v Speaker 1>that's not true.

0:25:45.160 --> 0:25:48.000
<v Speaker 2>And if this girl looks familiar to you and you

0:25:48.080 --> 0:25:51.120
<v Speaker 2>watch Nurse Jackie, this is Grace, one of Edie Falco's

0:25:51.200 --> 0:25:52.760
<v Speaker 2>daughters in that shit, Oh my god.

0:25:52.640 --> 0:25:55.560
<v Speaker 1>I love Grace too. Like she was the one that

0:25:55.640 --> 0:26:00.639
<v Speaker 1>had like anxiety, and like that was a cool storyline.

0:26:00.680 --> 0:26:03.400
<v Speaker 1>I thought for like this to show like little kid

0:26:03.440 --> 0:26:05.640
<v Speaker 1>having anxiety. I just felt like I hadn't seen that,

0:26:05.760 --> 0:26:08.720
<v Speaker 1>Like she just had like generalized anxiety and was always

0:26:09.400 --> 0:26:13.080
<v Speaker 1>like doing kind of weird stuff that like was a

0:26:13.119 --> 0:26:16.280
<v Speaker 1>manifestation of her anxiety. And I like that her character

0:26:16.320 --> 0:26:19.040
<v Speaker 1>a lot, and she was a great kid actor. Yeah,

0:26:19.040 --> 0:26:21.320
<v Speaker 1>I don't remember that storyline at all.

0:26:21.440 --> 0:26:23.960
<v Speaker 2>I don't really remember that show outside of her doing

0:26:24.040 --> 0:26:29.159
<v Speaker 2>drugs and fucking that pharmacist. So Benson is like, I

0:26:29.200 --> 0:26:30.520
<v Speaker 2>bet you have such a pretty name.

0:26:30.600 --> 0:26:32.520
<v Speaker 1>Let me know it. I'm sure your parents are worried

0:26:32.640 --> 0:26:33.400
<v Speaker 1>sick about you.

0:26:33.920 --> 0:26:36.000
<v Speaker 2>And then the nurse rolls in a cart of supplies

0:26:36.119 --> 0:26:38.439
<v Speaker 2>and says it's it's time to start the kid, and

0:26:38.480 --> 0:26:41.160
<v Speaker 2>the girl sees the camera and she flips the fuck out,

0:26:41.560 --> 0:26:43.800
<v Speaker 2>and Benson says, what's up, and she cries and says

0:26:43.840 --> 0:26:47.280
<v Speaker 2>he took pictures of me. Benson looks concerned, Elliott makes

0:26:47.280 --> 0:26:50.399
<v Speaker 2>a face that conveys like, damn, the world is so evil,

0:26:50.920 --> 0:26:53.280
<v Speaker 2>and then the credits we open back up on a

0:26:53.280 --> 0:26:56.920
<v Speaker 2>photo of the girl and Cragan's voice saying, your little victim,

0:26:57.080 --> 0:26:58.199
<v Speaker 2>which sounds off to me.

0:26:58.320 --> 0:27:00.760
<v Speaker 1>I don't, I don't. I don't think you be saying that.

0:27:00.840 --> 0:27:04.240
<v Speaker 2>Yeah, Elliot's like, I mean, Benson turned on all her

0:27:04.320 --> 0:27:07.400
<v Speaker 2>charm and nothing. This kid said nothing, even with you know,

0:27:07.480 --> 0:27:11.280
<v Speaker 2>Olivia giving it at her all. But Benson's like, this motherfucker,

0:27:11.320 --> 0:27:14.000
<v Speaker 2>he took pictures of her while he raped her. But

0:27:14.160 --> 0:27:16.639
<v Speaker 2>there's no fluids or fibers in the rape kids, so

0:27:16.720 --> 0:27:18.600
<v Speaker 2>this is going to be a tough investigation.

0:27:19.200 --> 0:27:21.200
<v Speaker 1>And she doesn't match any girls.

0:27:20.840 --> 0:27:23.760
<v Speaker 2>In missing persons and Craigan asks what kind of parents

0:27:23.760 --> 0:27:26.879
<v Speaker 2>don't report their kid missing? And Stabler goes one that

0:27:27.000 --> 0:27:29.640
<v Speaker 2>keeps her locked away all fucking night. I think it's

0:27:29.680 --> 0:27:31.879
<v Speaker 2>the dad doing this and Craigan and where did that

0:27:31.920 --> 0:27:34.760
<v Speaker 2>come from? But Craigan's like, okay, let's slow down there.

0:27:34.960 --> 0:27:37.919
<v Speaker 2>I'm with him, let's id the girl. Benson says, well,

0:27:37.920 --> 0:27:39.600
<v Speaker 2>we can't release it to the media because in the

0:27:39.600 --> 0:27:42.200
<v Speaker 2>purpose going to run for the hills. Elliott says, well,

0:27:42.200 --> 0:27:44.920
<v Speaker 2>the bleeding girl couldn't get that far without someone noticing her.

0:27:45.000 --> 0:27:47.400
<v Speaker 2>So let's, you know, let's see if she lives close

0:27:47.440 --> 0:27:50.680
<v Speaker 2>to the market. Craigan goes, maybe the census data can

0:27:50.720 --> 0:27:53.159
<v Speaker 2>help us. And now they have a census data feature

0:27:53.200 --> 0:27:56.280
<v Speaker 2>on their computer and they tape in female ten white

0:27:56.320 --> 0:27:59.240
<v Speaker 2>and it's searching and it finds dozens and dozens of kids.

0:27:59.280 --> 0:28:02.040
<v Speaker 2>So they grab fin in munch and hit the streets

0:28:02.040 --> 0:28:03.639
<v Speaker 2>and they go talk to the neighborhood and we hear

0:28:03.640 --> 0:28:05.120
<v Speaker 2>a lot of no, no, No, no No.

0:28:05.600 --> 0:28:07.400
<v Speaker 1>One of the no's is a fun gay man whose

0:28:07.440 --> 0:28:11.080
<v Speaker 1>husband is away dropping their daughter at summer camp. I

0:28:11.119 --> 0:28:11.720
<v Speaker 1>loved it.

0:28:12.040 --> 0:28:14.640
<v Speaker 2>And the whole time he's talking, he's holding a giant

0:28:14.680 --> 0:28:17.400
<v Speaker 2>guinea pig. I have never seen a guinea pig this big.

0:28:17.640 --> 0:28:20.320
<v Speaker 2>It is so big, and so it makes me like

0:28:20.359 --> 0:28:24.280
<v Speaker 2>guinea pigs because I know, I think they're irrelevant, like

0:28:24.440 --> 0:28:25.760
<v Speaker 2>do they even exist anymore?

0:28:26.200 --> 0:28:28.640
<v Speaker 1>Oh yeah, people love those things. They're all over TikTok

0:28:28.680 --> 0:28:31.639
<v Speaker 1>and Instagram reels and stuff. Oh really well. I'm like,

0:28:31.800 --> 0:28:34.280
<v Speaker 1>I'm like showing when Oscar's having a real meltdown, I'm

0:28:34.280 --> 0:28:36.960
<v Speaker 1>showing him baby animal pictures because he really loves looking

0:28:36.960 --> 0:28:39.600
<v Speaker 1>at like little videos of like goats and like little cows,

0:28:39.640 --> 0:28:42.120
<v Speaker 1>and you know, there's all kinds of baby animal photos

0:28:42.160 --> 0:28:43.720
<v Speaker 1>and there's a lot of accounts that have like millions

0:28:43.760 --> 0:28:46.719
<v Speaker 1>of followers. And the guinea pigs are in there. They

0:28:46.720 --> 0:28:50.280
<v Speaker 1>are working. The guinea pigs are the hedgehogs, they're in

0:28:50.320 --> 0:28:54.000
<v Speaker 1>there working. Well, yeah, the hedgehogs. I'm glad the guinea pigs.

0:28:54.240 --> 0:28:56.080
<v Speaker 2>I mean, because I thought maybe only kids have them,

0:28:56.080 --> 0:28:58.280
<v Speaker 2>because I haven't seen a guinea pig since childhood, so

0:28:58.320 --> 0:29:00.640
<v Speaker 2>I didn't know if they were just like not anymore.

0:29:00.680 --> 0:29:03.400
<v Speaker 2>But this one was giant and fuzzy and I loved it,

0:29:03.960 --> 0:29:05.280
<v Speaker 2>And I'm glad they're on TikTok.

0:29:05.360 --> 0:29:07.800
<v Speaker 1>That's good. You know what's having a moment on tikso

0:29:07.920 --> 0:29:11.440
<v Speaker 1>or the internet. Sloths. Oh well, but slots have been

0:29:11.440 --> 0:29:13.560
<v Speaker 1>having a really big moment for like five years. Like

0:29:13.600 --> 0:29:15.760
<v Speaker 1>when I had rosy three and a half years ago,

0:29:15.880 --> 0:29:19.960
<v Speaker 1>i got three sloth levees. Like sloths were like having

0:29:20.040 --> 0:29:23.160
<v Speaker 1>a big They're so cute, like you know, and like

0:29:23.200 --> 0:29:27.040
<v Speaker 1>there's a sloth. Characters in use Zutopia like yeah, oh yeah,

0:29:27.080 --> 0:29:31.680
<v Speaker 1>the DM slots are the DMB but their claws are

0:29:31.760 --> 0:29:34.200
<v Speaker 1>so big? Are they dangerous or are they slow? Like

0:29:34.320 --> 0:29:37.040
<v Speaker 1>I thin, great question. I keep seeing people. The things

0:29:37.040 --> 0:29:39.880
<v Speaker 1>I'm seeing are like people handing their babies to like

0:29:40.520 --> 0:29:44.440
<v Speaker 1>they lose a little baby sloth and so they reunite.

0:29:44.560 --> 0:29:47.320
<v Speaker 1>They like, give you've not seen it? So then they

0:29:47.360 --> 0:29:49.920
<v Speaker 1>show the mom sloth the baby sloth and it's like

0:29:50.360 --> 0:29:53.320
<v Speaker 1>the mom gets so excited and then needs to be

0:29:53.360 --> 0:29:55.560
<v Speaker 1>on the baby animal sites. I'm on, what the hell?

0:29:56.200 --> 0:29:58.200
<v Speaker 2>And so I've seen a couple videos like that where

0:29:58.240 --> 0:29:59.800
<v Speaker 2>people will like pick up the kid and give it

0:29:59.840 --> 0:30:02.240
<v Speaker 2>back to the sloth and the sloth does look happy,

0:30:02.800 --> 0:30:05.040
<v Speaker 2>but their talent Like if I see a sloth in

0:30:05.080 --> 0:30:07.880
<v Speaker 2>the wild, can I approach or am I gonna get?

0:30:09.000 --> 0:30:11.640
<v Speaker 1>Yeah? But how fast do they even swipe? Is it

0:30:11.760 --> 0:30:13.680
<v Speaker 1>just like a slow dragging?

0:30:14.120 --> 0:30:17.360
<v Speaker 2>Okay, Sloths to become agitated or feel threat and may

0:30:17.440 --> 0:30:20.240
<v Speaker 2>use their teeth or long nails to cause pain.

0:30:20.920 --> 0:30:23.800
<v Speaker 1>Okay, so I would not agitate that little slot, but

0:30:23.800 --> 0:30:25.280
<v Speaker 1>I don't want to agitate. But what if I gave

0:30:25.280 --> 0:30:28.240
<v Speaker 1>it a celery stock, you know what I mean. I'm

0:30:28.240 --> 0:30:30.400
<v Speaker 1>sure if you come bearing food, it's not gonna swipe that.

0:30:30.880 --> 0:30:33.000
<v Speaker 2>I'm sorry. There's so many tangents. We're only in the

0:30:33.040 --> 0:30:36.240
<v Speaker 2>ax one. But so when I was in Australia, we

0:30:36.320 --> 0:30:38.360
<v Speaker 2>got to meet koalas.

0:30:38.440 --> 0:30:39.760
<v Speaker 1>That's like, what you do, you know what I mean.

0:30:39.840 --> 0:30:41.800
<v Speaker 2>Yeah, So we went to this animal place and then

0:30:41.840 --> 0:30:43.320
<v Speaker 2>we're waiting in line and we're with the group and

0:30:43.320 --> 0:30:46.200
<v Speaker 2>they're giving us instructions. They're like, don't shake the tree,

0:30:46.280 --> 0:30:48.600
<v Speaker 2>don't make this, don't make that, like all these things,

0:30:48.640 --> 0:30:51.520
<v Speaker 2>and then the koala is right there and we could

0:30:51.520 --> 0:30:53.360
<v Speaker 2>have taken photos right next to the kuala and then

0:30:53.400 --> 0:30:56.840
<v Speaker 2>this dumb bitch woman and her kid are like shaking

0:30:56.880 --> 0:30:59.320
<v Speaker 2>the tree, being loud, being noisy, and so the koala

0:30:59.360 --> 0:31:02.000
<v Speaker 2>climbed up, and so all of our photos are like

0:31:02.040 --> 0:31:05.040
<v Speaker 2>from below and the kualas above us. But also these

0:31:05.080 --> 0:31:07.520
<v Speaker 2>bitches were Australian and it's like, you can come here

0:31:07.600 --> 0:31:08.280
<v Speaker 2>all the time.

0:31:09.000 --> 0:31:12.360
<v Speaker 1>Know we came from across the fucking planet. Let us

0:31:12.360 --> 0:31:12.800
<v Speaker 1>be near it.

0:31:12.840 --> 0:31:15.520
<v Speaker 2>And it's like you broke every rule, and I wait,

0:31:15.640 --> 0:31:18.280
<v Speaker 2>I wish I punched them in the face. Honestly, like

0:31:18.320 --> 0:31:20.600
<v Speaker 2>we were the it was Emily Heller was there too,

0:31:20.640 --> 0:31:21.840
<v Speaker 2>so you know we were like pissed.

0:31:22.040 --> 0:31:29.120
<v Speaker 1>Yeah, oh god, that's awful. Well, Oscar's been saying koala lately,

0:31:29.160 --> 0:31:30.680
<v Speaker 1>he says, kalalaka.

0:31:30.760 --> 0:31:32.160
<v Speaker 2>Well, well, I told you one of our friends was

0:31:32.160 --> 0:31:34.400
<v Speaker 2>so wasted that they couldn't guess Koala on the heads

0:31:34.480 --> 0:31:41.440
<v Speaker 2>up game, which is so easy, so easy.

0:31:42.200 --> 0:31:43.960
<v Speaker 1>So I'm very into the s guinea pig.

0:31:44.000 --> 0:31:47.160
<v Speaker 2>Obviously we've we went on a tangent that took us

0:31:47.160 --> 0:31:50.120
<v Speaker 2>to a lot of places. But Munch is not impressed,

0:31:50.160 --> 0:31:52.400
<v Speaker 2>and Munch is like, people eat those in Peru and

0:31:52.440 --> 0:31:55.200
<v Speaker 2>then he walks away. So there's a kid's club and

0:31:55.200 --> 0:31:57.720
<v Speaker 2>they go to this kids club. No one recognizes this girl.

0:31:57.760 --> 0:31:59.720
<v Speaker 2>They go to a pizza shop. Can't I d her?

0:32:00.160 --> 0:32:02.640
<v Speaker 1>But the pizza guy is passionate and he's like, fuck, man,

0:32:02.680 --> 0:32:03.840
<v Speaker 1>I wish I could help you.

0:32:04.520 --> 0:32:07.400
<v Speaker 2>And he goes asks Gina, and Gina's holding the pizza

0:32:07.440 --> 0:32:10.920
<v Speaker 2>delivery pouch, so she's out in them streets and so

0:32:11.800 --> 0:32:15.040
<v Speaker 2>she says she's seen this girl lots of times. She's

0:32:15.080 --> 0:32:17.360
<v Speaker 2>always in the doorway when Gina delivers a pie to

0:32:17.400 --> 0:32:20.400
<v Speaker 2>her folks, but never says anything, and she knows the

0:32:20.440 --> 0:32:22.960
<v Speaker 2>address and the apartment number off the top of her head,

0:32:23.400 --> 0:32:26.040
<v Speaker 2>and she says she's sure the girl lives there.

0:32:26.320 --> 0:32:29.680
<v Speaker 1>And I don't even know my sister's address and apartment

0:32:29.760 --> 0:32:32.240
<v Speaker 1>number off the top of my head, Like that's why

0:32:32.240 --> 0:32:33.080
<v Speaker 1>I well.

0:32:33.040 --> 0:32:35.160
<v Speaker 2>I was actually just thinking this because like now we

0:32:35.200 --> 0:32:38.440
<v Speaker 2>have postmates, so they don't remember, like it's always someone different.

0:32:38.920 --> 0:32:41.840
<v Speaker 2>But if you ordered a pizza, let's say, once a

0:32:41.880 --> 0:32:43.360
<v Speaker 2>week every week.

0:32:43.200 --> 0:32:47.400
<v Speaker 1>For three years, maybe they'd know. Yeah, yeah, like Friday night,

0:32:47.480 --> 0:32:51.240
<v Speaker 1>pizza night, like you're always doing it. Yeah, you're right,

0:32:51.480 --> 0:32:53.640
<v Speaker 1>like if it's the local a lot of times when

0:32:53.640 --> 0:32:57.000
<v Speaker 1>you have the same delivery person, yeah, yeah. Or because

0:32:57.040 --> 0:33:00.160
<v Speaker 1>even the episode we did all to Cockers was like,

0:33:00.200 --> 0:33:03.000
<v Speaker 1>oh the deli delivery guy did this for me, you know,

0:33:03.080 --> 0:33:06.120
<v Speaker 1>it was like you had some sort of relationship with

0:33:06.160 --> 0:33:10.000
<v Speaker 1>these people, right and now they now now they leave

0:33:10.000 --> 0:33:12.320
<v Speaker 1>the food outside the door on the floor, and it's like,

0:33:12.360 --> 0:33:17.360
<v Speaker 1>I feel like a little raccoon. I just like scurrying

0:33:17.600 --> 0:33:20.880
<v Speaker 1>your garbage. Oh yeah, I think I said this on

0:33:20.920 --> 0:33:22.560
<v Speaker 1>the poto a long time when I was staying with

0:33:22.640 --> 0:33:25.600
<v Speaker 1>Julia in Lane. I opened it and I was topless

0:33:25.640 --> 0:33:27.440
<v Speaker 1>and the guy was still there taking a photo. That

0:33:27.520 --> 0:33:33.520
<v Speaker 1>he to prove me delivered the food. Oh my god,

0:33:33.600 --> 0:33:38.880
<v Speaker 1>that's so funny. Yeah, I just don't like being fully closed,

0:33:38.920 --> 0:33:42.000
<v Speaker 1>like I need either to the bottle if you like

0:33:42.080 --> 0:33:44.440
<v Speaker 1>sent you the photo, it's like you tits out with

0:33:44.480 --> 0:33:46.320
<v Speaker 1>like a bag of food on the ground and he's like,

0:33:46.640 --> 0:33:47.680
<v Speaker 1>your delivery's here.

0:33:50.680 --> 0:33:53.520
<v Speaker 2>But yeah, so but this girl says a boy lives

0:33:53.520 --> 0:33:55.480
<v Speaker 2>there too, that she's heard his voice. So we arrive

0:33:55.560 --> 0:33:58.680
<v Speaker 2>at Jeff and Amber Semanski's house on East twenty eighth

0:33:58.720 --> 0:34:01.480
<v Speaker 2>Street and it's September for so they found her right

0:34:02.480 --> 0:34:03.800
<v Speaker 2>after my birthday.

0:34:03.400 --> 0:34:06.000
<v Speaker 1>Which doesn't really make sense if the guy was taking

0:34:06.000 --> 0:34:09.560
<v Speaker 1>his daughter to summer camp. But go on, oh my god.

0:34:11.160 --> 0:34:14.640
<v Speaker 1>I immediately thought, oh, okay, so it's like June because

0:34:14.640 --> 0:34:16.600
<v Speaker 1>of camp camp starts in June, or if you go

0:34:16.760 --> 0:34:19.440
<v Speaker 1>mid session, it starts in July, but it doesn't start September.

0:34:19.800 --> 0:34:22.440
<v Speaker 1>Oh my god. They should have said pick up from

0:34:22.560 --> 0:34:25.879
<v Speaker 1>summer camp. And even then August thirty first is late

0:34:25.880 --> 0:34:29.560
<v Speaker 1>to be at camp. That's such god.

0:34:29.560 --> 0:34:34.879
<v Speaker 2>Love date plot holes, well or any plot holes, because

0:34:34.880 --> 0:34:37.319
<v Speaker 2>this is such a meticulous like I'll our guess say,

0:34:37.360 --> 0:34:38.600
<v Speaker 2>well oiled machine.

0:34:39.160 --> 0:34:42.160
<v Speaker 1>Yeah, but when we're able to like fenangle in. I

0:34:42.200 --> 0:34:42.879
<v Speaker 1>know that we have a.

0:34:42.840 --> 0:34:50.000
<v Speaker 2>True problem, true true problem. So NYPD open up, yell stabler.

0:34:50.440 --> 0:34:52.399
<v Speaker 2>Benson leans to the door and says she can hear

0:34:52.440 --> 0:34:52.799
<v Speaker 2>the TV.

0:34:52.960 --> 0:34:54.640
<v Speaker 1>Let's go. We know you're home.

0:34:54.760 --> 0:34:57.160
<v Speaker 2>We hear daddy, no stop, And so they kick down

0:34:57.239 --> 0:34:58.560
<v Speaker 2>the door, enter guns first.

0:34:58.920 --> 0:35:00.680
<v Speaker 1>They yell and nobody reacting.

0:35:01.000 --> 0:35:02.719
<v Speaker 2>Now we can hear their voices and it's like they're

0:35:02.719 --> 0:35:05.360
<v Speaker 2>not hiding or pretending to not be home. They're fully

0:35:05.400 --> 0:35:07.600
<v Speaker 2>chit chatting, like the cops didn't just kick their door.

0:35:08.040 --> 0:35:10.279
<v Speaker 2>And we walk in finally, and it's a couple playing

0:35:10.360 --> 0:35:12.840
<v Speaker 2>video games and it's a snow filled land with gothic

0:35:12.920 --> 0:35:16.600
<v Speaker 2>leather freaks fighting dragons. So that's the game. If if

0:35:16.600 --> 0:35:18.600
<v Speaker 2>we have any gamers out there that know what game

0:35:18.680 --> 0:35:22.560
<v Speaker 2>this is based on or anything. The woman says, hold on, Caleb,

0:35:22.600 --> 0:35:27.840
<v Speaker 2>Mommy's coming. And they keep playing and they look like slobs. Okay,

0:35:27.920 --> 0:35:31.960
<v Speaker 2>greasy vibes, have not showered in a minute. Yeah, And

0:35:32.040 --> 0:35:35.160
<v Speaker 2>he looked familiar and it's because I recently rewatched Downloaded

0:35:35.239 --> 0:35:38.600
<v Speaker 2>Childs and we covered that and he played Megan Fay.

0:35:38.640 --> 0:35:42.720
<v Speaker 1>He's like the ex husband who would rape her. Oh yes,

0:35:43.080 --> 0:35:46.560
<v Speaker 1>who like admitted to marital rate. Yes, apps absolutely, and

0:35:46.680 --> 0:35:52.200
<v Speaker 1>so two episodes in both times playing a fucking slob.

0:35:51.120 --> 0:35:54.600
<v Speaker 2>Which is interesting. But also, did you watch the White

0:35:54.600 --> 0:35:58.879
<v Speaker 2>Lotus season two trailer? No, our girl Megan Fayhe is

0:35:58.920 --> 0:35:59.760
<v Speaker 2>in the trailer.

0:36:00.040 --> 0:36:03.560
<v Speaker 1>She's in She's yeah, like, she has like two three

0:36:03.600 --> 0:36:07.600
<v Speaker 1>scenes in the trailer. Ooh, I'm excited for her, and

0:36:07.640 --> 0:36:10.600
<v Speaker 1>she looks gorgeous and like the whole I just oh

0:36:10.640 --> 0:36:11.960
<v Speaker 1>my god, I cannot wait.

0:36:12.160 --> 0:36:16.719
<v Speaker 2>I kind of yes, I'm so excited. Okay, I just

0:36:16.800 --> 0:36:19.520
<v Speaker 2>love television. Did you watch There was a video clip

0:36:19.520 --> 0:36:21.560
<v Speaker 2>of Diane Keaton on Oprah. It was like the first

0:36:22.040 --> 0:36:22.840
<v Speaker 2>and she goes.

0:36:22.719 --> 0:36:25.080
<v Speaker 1>I just love to watch my TV. I like to

0:36:25.120 --> 0:36:26.759
<v Speaker 1>watch the television and.

0:36:26.719 --> 0:36:29.040
<v Speaker 2>Everyone's shitting on her, and I'm like, thank god for

0:36:29.120 --> 0:36:31.200
<v Speaker 2>Diane key and yeah, I love watching TV.

0:36:31.320 --> 0:36:33.200
<v Speaker 1>I'm not ashamed. Get away from me. I feel like

0:36:33.360 --> 0:36:36.919
<v Speaker 1>she's laughing so hard and she's just like unabashedly like, yes,

0:36:37.160 --> 0:36:39.520
<v Speaker 1>TV is my hobby, That's what I do. And I

0:36:39.600 --> 0:36:41.280
<v Speaker 1>was like, girl, yes.

0:36:41.600 --> 0:36:44.319
<v Speaker 2>Yes, stop shaming me, bitch. And I feel like I'm

0:36:44.360 --> 0:36:46.359
<v Speaker 2>outside enough. I get to watch as much TV as

0:36:46.360 --> 0:36:50.920
<v Speaker 2>I want. So Benson looks so confused and horrified and

0:36:50.960 --> 0:36:53.759
<v Speaker 2>can't understand what's happening, which says a lot considering she

0:36:53.880 --> 0:36:55.080
<v Speaker 2>has seen it all.

0:36:55.719 --> 0:36:57.759
<v Speaker 1>Yes, and they are fully not hearing the.

0:36:57.719 --> 0:37:00.480
<v Speaker 2>Detectives, and so Benson starts pulling out or it's trying

0:37:00.480 --> 0:37:02.680
<v Speaker 2>to unplug the consoles and shut the TV down, And

0:37:02.680 --> 0:37:03.560
<v Speaker 2>finally they're.

0:37:03.360 --> 0:37:06.080
<v Speaker 1>Like, whoa where did you come from? And Stabler yells

0:37:06.120 --> 0:37:09.799
<v Speaker 1>the real world? What does it find out? What's the

0:37:09.840 --> 0:37:13.120
<v Speaker 1>real world MTV slogan when people stop being polite and

0:37:13.160 --> 0:37:17.400
<v Speaker 1>start getting real Yeah, thank you, okay, okay.

0:37:17.440 --> 0:37:19.960
<v Speaker 2>So he pushed the lazy boy forward and makes the

0:37:19.960 --> 0:37:21.680
<v Speaker 2>man fly up and he's like, this.

0:37:21.600 --> 0:37:23.839
<v Speaker 1>Is level twenty and our boy needs.

0:37:23.600 --> 0:37:27.080
<v Speaker 2>Us, and Benson pushes the woman forward, like start moving

0:37:27.160 --> 0:37:29.560
<v Speaker 2>and says, the way you treat kids, he's better off

0:37:29.560 --> 0:37:30.520
<v Speaker 2>without you, lady.

0:37:30.920 --> 0:37:31.240
<v Speaker 1>Caleb.

0:37:31.360 --> 0:37:33.960
<v Speaker 2>The computer child dies and falls off the snowy ledge

0:37:33.960 --> 0:37:37.040
<v Speaker 2>and Benson walks the man into interrogation and he's like, listen,

0:37:37.120 --> 0:37:39.160
<v Speaker 2>I really got to get back, and Benson's like, wow,

0:37:39.160 --> 0:37:40.840
<v Speaker 2>that game really has you buy the balls?

0:37:40.960 --> 0:37:41.400
<v Speaker 1>Huh?

0:37:41.440 --> 0:37:43.960
<v Speaker 2>And he's like, I'm not even addicted, and Benson schools

0:37:43.960 --> 0:37:48.280
<v Speaker 2>is as like, babe, you're sweating and so uh you

0:37:48.360 --> 0:37:51.600
<v Speaker 2>stink like, you haven't bathed in a month, You're a junkie.

0:37:51.680 --> 0:37:54.680
<v Speaker 2>He says, no, Ambers has the problem. I can stop whenever.

0:37:55.000 --> 0:37:56.920
<v Speaker 2>And then Amber is telling Stabler how they met a

0:37:57.000 --> 0:38:01.120
<v Speaker 2>year ago online and a tournament hosted in South Korea. Okay,

0:38:01.160 --> 0:38:05.439
<v Speaker 2>worldly and he had the cutest avatar and only lived

0:38:05.440 --> 0:38:08.520
<v Speaker 2>three blocks away. And Stabler's like, hey, that's fate. So

0:38:08.560 --> 0:38:11.440
<v Speaker 2>then they started playing twenty four to seven after she

0:38:11.480 --> 0:38:13.920
<v Speaker 2>won her settlement from the city in May, and so

0:38:13.960 --> 0:38:16.640
<v Speaker 2>they're doing a classic back and forth interrogation room and

0:38:16.640 --> 0:38:18.680
<v Speaker 2>then Jeff says that Amber got hit by a bus.

0:38:18.920 --> 0:38:20.440
<v Speaker 2>They were on their way to Best Buy to get

0:38:20.480 --> 0:38:22.480
<v Speaker 2>in line to buy a new game, and he's like,

0:38:22.960 --> 0:38:24.919
<v Speaker 2>the sound of her head made it when it's hits

0:38:24.960 --> 0:38:25.480
<v Speaker 2>the ground.

0:38:28.080 --> 0:38:30.440
<v Speaker 1>He like remembers the sound that her head made when

0:38:30.440 --> 0:38:31.000
<v Speaker 1>I hit the ground.

0:38:31.080 --> 0:38:32.719
<v Speaker 2>Yeah, I didn't mean to laugh, but I'm like so

0:38:33.280 --> 0:38:35.960
<v Speaker 2>upset by hearing that. And imagine, yeah, that I'm smiling.

0:38:36.200 --> 0:38:37.920
<v Speaker 2>That is a bad quality of mine. Like if I'm

0:38:38.000 --> 0:38:40.600
<v Speaker 2>uncomfortable with sad news, I will just smile. And it's

0:38:40.640 --> 0:38:43.000
<v Speaker 2>like fucked up. And but I don't think a lot

0:38:43.000 --> 0:38:45.279
<v Speaker 2>of people do that. Yeah, but it's fucked like I

0:38:45.320 --> 0:38:47.720
<v Speaker 2>feel like like I should be in that movie Smile

0:38:47.800 --> 0:38:48.359
<v Speaker 2>that came out.

0:38:49.280 --> 0:38:52.160
<v Speaker 1>Fuck, Karen saw it. Did he like it? Dave? That's

0:38:52.280 --> 0:38:56.520
<v Speaker 1>Dave Mazzoni's friend is the lead, and he said, he

0:38:56.520 --> 0:38:58.120
<v Speaker 1>said he had some problems with it, but it was

0:38:58.160 --> 0:38:58.840
<v Speaker 1>good and he liked it.

0:38:58.920 --> 0:39:01.000
<v Speaker 2>Yeah, I want to see pr God, there's just so

0:39:01.120 --> 0:39:04.480
<v Speaker 2>much goodness out. Got to see Barber I mean, the

0:39:04.600 --> 0:39:06.440
<v Speaker 2>movies are well.

0:39:06.440 --> 0:39:08.400
<v Speaker 1>He saw Barbarian and he loved that. I know, I

0:39:08.400 --> 0:39:11.920
<v Speaker 1>can't wait. And you know, our fellow exactly right, Buddy

0:39:12.040 --> 0:39:15.440
<v Speaker 1>Banana's podcast host kurb ronald Or is in Barbaria. Someone

0:39:15.440 --> 0:39:18.440
<v Speaker 1>did tell me that. Yeah, I can't wait. Oh my god,

0:39:19.200 --> 0:39:21.840
<v Speaker 1>he's fine. Oh my god. Okay, so many good movies.

0:39:22.640 --> 0:39:24.000
<v Speaker 2>So yeah, they were on their way to the Best

0:39:24.040 --> 0:39:27.040
<v Speaker 2>Buy and then her head hit the ground after getting

0:39:27.120 --> 0:39:30.440
<v Speaker 2>hit by a bus. Eke did not want to imagine that.

0:39:30.440 --> 0:39:32.840
<v Speaker 2>That's what I wrote, like it does. It's an upsetting

0:39:33.440 --> 0:39:36.439
<v Speaker 2>into envision and Benson's like, well, I wish you cared

0:39:36.440 --> 0:39:38.560
<v Speaker 2>it all about your what your child has been through,

0:39:38.600 --> 0:39:41.239
<v Speaker 2>and he says, callabill be okay, and she yells it, says,

0:39:41.239 --> 0:39:44.120
<v Speaker 2>I'm talking about your real child. And then he shows uh.

0:39:44.200 --> 0:39:46.560
<v Speaker 2>She shows a photo of Rose to him and he says,

0:39:46.600 --> 0:39:48.880
<v Speaker 2>that's not his kid. She calls me daddy sometimes, but

0:39:48.960 --> 0:39:52.920
<v Speaker 2>some other dude knocked up Amber, and so Benson sternly says, okay, fine,

0:39:52.960 --> 0:39:55.400
<v Speaker 2>so you're just her stepdad that keeps her locked underneath

0:39:55.400 --> 0:39:58.960
<v Speaker 2>the stairs, who throws her pizza crust every now and

0:39:59.000 --> 0:40:00.920
<v Speaker 2>then when you get bored, you go in there and

0:40:01.040 --> 0:40:03.480
<v Speaker 2>rape her. And that's when he snaps into reality and

0:40:03.520 --> 0:40:05.920
<v Speaker 2>he's like, wait, what Rose escaped? Like he had no

0:40:06.000 --> 0:40:08.439
<v Speaker 2>idea she was gone. That's a little attention they paid

0:40:08.440 --> 0:40:10.399
<v Speaker 2>to this girl. And then he's like, so she ran

0:40:10.440 --> 0:40:13.160
<v Speaker 2>away and somebody raped her. And Benson leans in with

0:40:13.239 --> 0:40:15.920
<v Speaker 2>her hands on the table and Lolly says, not somebody,

0:40:15.960 --> 0:40:18.960
<v Speaker 2>but you, Jeff, you raped her, and he says, pause

0:40:19.040 --> 0:40:21.319
<v Speaker 2>the game. I haven't had sex with anybody in like

0:40:21.480 --> 0:40:25.520
<v Speaker 2>six months at least. And Amber also is like, I

0:40:25.560 --> 0:40:27.880
<v Speaker 2>have a daughter named Rose somewhere, but this photo is

0:40:27.920 --> 0:40:30.399
<v Speaker 2>not her. But this is not my daughter, but this

0:40:30.440 --> 0:40:33.600
<v Speaker 2>girl has been living in our apartment. So she's denying

0:40:33.600 --> 0:40:38.120
<v Speaker 2>this as her daughter, but is agreeing that this girl

0:40:38.160 --> 0:40:38.879
<v Speaker 2>does live with her.

0:40:39.920 --> 0:40:41.200
<v Speaker 1>So Elliot's like, all.

0:40:41.080 --> 0:40:44.160
<v Speaker 2>Of you know, as the viewers were like, wait, what.

0:40:43.680 --> 0:40:45.880
<v Speaker 1>What's going on here? You know, Neil Bhaer, what are

0:40:45.880 --> 0:40:47.759
<v Speaker 1>you throwing at us? What are you giving us now?

0:40:48.520 --> 0:40:50.839
<v Speaker 2>And so the mom is like, but she's an impostor,

0:40:51.680 --> 0:40:54.280
<v Speaker 2>and she's like yeah. She says all these stories about

0:40:54.280 --> 0:40:57.040
<v Speaker 2>my daughter and like what you used to do before, Jeff.

0:40:57.040 --> 0:40:59.800
<v Speaker 2>She even calls me mommy, and it's like this bitch

0:40:59.840 --> 0:41:02.399
<v Speaker 2>is not putting it together. And Stabler is like, yeah,

0:41:02.400 --> 0:41:04.600
<v Speaker 2>because this girl is your daughter, and she rips the

0:41:04.600 --> 0:41:07.799
<v Speaker 2>photo and half them screams, stop, no, this is not

0:41:07.920 --> 0:41:10.759
<v Speaker 2>my daughter Rose. So then Stabler doesn't know what to do,

0:41:10.840 --> 0:41:13.560
<v Speaker 2>so think God. George Hwang came in on his lunch

0:41:13.600 --> 0:41:16.760
<v Speaker 2>break from the FBI, and in the spy window says

0:41:17.120 --> 0:41:22.440
<v Speaker 2>that it appears she's suffering from Capgris's delusion, rare mental

0:41:22.480 --> 0:41:26.360
<v Speaker 2>disorder where patients suddenly believe that their loved ones have

0:41:26.520 --> 0:41:30.200
<v Speaker 2>been replaced by duplicates. Benson and Stabler look at each

0:41:30.239 --> 0:41:33.040
<v Speaker 2>other quick like cartoon characters, then back at Huang, who

0:41:33.040 --> 0:41:36.560
<v Speaker 2>continues that it's like the movie Invasion of the Body Snatcher,

0:41:36.600 --> 0:41:39.759
<v Speaker 2>but no pods, just the head injury that severed her

0:41:39.800 --> 0:41:42.160
<v Speaker 2>emotional responses to her child.

0:41:42.280 --> 0:41:44.920
<v Speaker 1>So and it's funny that we just I look this

0:41:45.080 --> 0:41:47.600
<v Speaker 1>up when I was watching the episode, And it's funny

0:41:47.600 --> 0:41:51.360
<v Speaker 1>that we just I just mentioned prosopagnosia face blindness, because

0:41:51.760 --> 0:41:54.280
<v Speaker 1>there are some theories that think that these two are linked.

0:41:54.360 --> 0:41:57.120
<v Speaker 1>Like when you suddenly develop like a face blindness or

0:41:57.120 --> 0:42:01.120
<v Speaker 1>something so you don't recognize people that are close to

0:42:01.160 --> 0:42:04.760
<v Speaker 1>you or in your life, you know that sucks and cousins,

0:42:04.760 --> 0:42:09.160
<v Speaker 1>they're distance cousins, these two weird disorders. Yeah, oh okay,

0:42:09.320 --> 0:42:11.160
<v Speaker 1>so the disorders are cousins. Yes.

0:42:12.120 --> 0:42:14.480
<v Speaker 2>Benson is like, oh damn, this must have happened to

0:42:14.520 --> 0:42:15.640
<v Speaker 2>her after she got hit.

0:42:15.520 --> 0:42:16.160
<v Speaker 1>By the bus.

0:42:16.640 --> 0:42:18.840
<v Speaker 2>He's like, you know, she can see the girl looks

0:42:18.840 --> 0:42:21.040
<v Speaker 2>and sounds like her daughter Rose, but her ability to

0:42:21.080 --> 0:42:24.399
<v Speaker 2>feel any love for her is gone, and that could

0:42:24.400 --> 0:42:28.359
<v Speaker 2>fuel the indifference to the stepfather fucking raping her.

0:42:28.719 --> 0:42:31.520
<v Speaker 1>And Benson is like, what about the guy? And Huang's like,

0:42:31.560 --> 0:42:35.719
<v Speaker 1>besides an Internet addiction, he's just a jerk. So how

0:42:35.760 --> 0:42:37.480
<v Speaker 1>do we get the mom to flip on Jeff? And

0:42:37.520 --> 0:42:40.279
<v Speaker 1>Huang says there's a visual disconnect. So Benson's like, oh,

0:42:40.320 --> 0:42:42.680
<v Speaker 1>but maybe if she hears her without seeing her, that

0:42:42.800 --> 0:42:45.640
<v Speaker 1>might help her remember her daughter. So Rose starts talking

0:42:45.640 --> 0:42:47.440
<v Speaker 1>over the intercom and the mom smiles and he's like,

0:42:47.520 --> 0:42:49.200
<v Speaker 1>is that really you? And she goes, yeah, it's really me,

0:42:49.280 --> 0:42:51.000
<v Speaker 1>and the mom gets happy and wants to see her,

0:42:51.000 --> 0:42:54.080
<v Speaker 1>but Stabler's like, no, just listen, and she says, tell

0:42:54.080 --> 0:42:56.120
<v Speaker 1>them what Jeff did to me, how he hurt me.

0:42:56.680 --> 0:42:58.879
<v Speaker 1>She says, oh, baby, I'm sorry. Where did you go?

0:42:58.960 --> 0:43:01.120
<v Speaker 1>I went looking for you. He put me in that

0:43:01.200 --> 0:43:04.080
<v Speaker 1>room and nobody gave me any food. She says, sweetheart,

0:43:04.080 --> 0:43:06.239
<v Speaker 1>I didn't know, and Jeff said you were fine, and

0:43:06.280 --> 0:43:08.879
<v Speaker 1>then some other girl came to stay with us. Why

0:43:08.880 --> 0:43:11.120
<v Speaker 1>did you stop loving me, she asked, and she says, no,

0:43:11.200 --> 0:43:12.319
<v Speaker 1>I love you with all my heart.

0:43:12.760 --> 0:43:14.680
<v Speaker 2>And then you know, you know, Rose says I love

0:43:14.719 --> 0:43:16.960
<v Speaker 2>you too, And finally Rose can't like she runs in

0:43:17.000 --> 0:43:18.960
<v Speaker 2>and Benson tries to stop her, but can't.

0:43:19.320 --> 0:43:20.520
<v Speaker 1>I guess this kid, you.

0:43:20.400 --> 0:43:24.640
<v Speaker 2>Know, can out maneuver Olivia Benson and runs in and

0:43:24.640 --> 0:43:26.759
<v Speaker 2>so she hugs Amber and Amber's like, you are not

0:43:27.000 --> 0:43:30.000
<v Speaker 2>my daughter and pushes her off of her. I don't

0:43:30.000 --> 0:43:32.239
<v Speaker 2>know what kind of psychological trauma this is gonna do

0:43:32.320 --> 0:43:32.800
<v Speaker 2>for Rose.

0:43:33.000 --> 0:43:33.319
<v Speaker 1>I am.

0:43:35.280 --> 0:43:37.759
<v Speaker 2>Rose is crying and screaming like yes, I am, Yes,

0:43:37.840 --> 0:43:41.200
<v Speaker 2>I am. And then oh my god, this bitch slaps

0:43:41.800 --> 0:43:44.680
<v Speaker 2>Rose across the face and screams, you tricked me, you

0:43:44.719 --> 0:43:45.319
<v Speaker 2>a little bit.

0:43:45.480 --> 0:43:47.600
<v Speaker 1>You are not my daughter. And Rose is crying and

0:43:47.640 --> 0:43:50.120
<v Speaker 1>Benson's trying to console and help her. Oh my god.

0:43:50.480 --> 0:43:52.600
<v Speaker 2>And now Rose and Benson are chatting in a room and

0:43:52.640 --> 0:43:57.040
<v Speaker 2>she asks, what's gonna happen to my mom? And Benson's like, Rose,

0:43:57.080 --> 0:43:59.600
<v Speaker 2>your mom is very sick and she let your stepdad

0:43:59.600 --> 0:44:00.560
<v Speaker 2>do bad to you.

0:44:00.640 --> 0:44:02.319
<v Speaker 1>But he well, we're gonna lock him up.

0:44:02.320 --> 0:44:04.600
<v Speaker 2>He won't do anything ever again to you and he'll

0:44:04.640 --> 0:44:06.959
<v Speaker 2>never make you bleed. And she says that wasn't him,

0:44:07.239 --> 0:44:09.959
<v Speaker 2>and Benson confirms, and she says the other man hurt

0:44:10.000 --> 0:44:13.359
<v Speaker 2>me down there. So Benson's like, so after he ran

0:44:13.400 --> 0:44:15.680
<v Speaker 2>away from the apartment, She's like, I was so hungry,

0:44:15.719 --> 0:44:18.080
<v Speaker 2>I ran away to get something to eat, and that's

0:44:18.080 --> 0:44:20.400
<v Speaker 2>when the other man grabbed me. And Benson asked if

0:44:20.440 --> 0:44:22.360
<v Speaker 2>she remembers what he looked like, and she says he

0:44:22.400 --> 0:44:24.839
<v Speaker 2>had something over his face, but his voice was mean.

0:44:25.239 --> 0:44:27.759
<v Speaker 2>And Benson asks where it happened and she says in

0:44:27.800 --> 0:44:31.520
<v Speaker 2>the jungle gym area at laughing time. So that's the

0:44:31.600 --> 0:44:33.600
<v Speaker 2>kids club that they were at earlier, who said they

0:44:33.600 --> 0:44:35.759
<v Speaker 2>did not recognize Rose, So what's up?

0:44:35.880 --> 0:44:36.359
<v Speaker 1>What's up?

0:44:36.920 --> 0:44:40.040
<v Speaker 2>So now we're on a blow up screen of Laugheytime's

0:44:40.080 --> 0:44:42.359
<v Speaker 2>website and Munch is chatting about it. He says it's

0:44:42.360 --> 0:44:45.480
<v Speaker 2>a magical land of fun in games and sexual assault,

0:44:45.960 --> 0:44:48.800
<v Speaker 2>and Stabler says he was there yesterday and showed Rose's

0:44:48.840 --> 0:44:50.640
<v Speaker 2>picture to the owner, who said, you know, she doesn't

0:44:50.640 --> 0:44:53.319
<v Speaker 2>remember her. Then Munch says, well, did this lady mention

0:44:53.480 --> 0:44:56.440
<v Speaker 2>that she has a PERV on the payroll? And he

0:44:56.480 --> 0:44:58.840
<v Speaker 2>found some reviews on the site and one uh says

0:44:58.880 --> 0:45:00.560
<v Speaker 2>that don't go to Lafey Time. There's a guy who

0:45:00.640 --> 0:45:03.680
<v Speaker 2>touches kids. So they immediately speed over there and the

0:45:03.760 --> 0:45:06.480
<v Speaker 2>lady's like, oh, hello again. Any luck finding the girl

0:45:06.520 --> 0:45:10.080
<v Speaker 2>who is attacked, and Sabler says, well, we found her name,

0:45:10.120 --> 0:45:12.360
<v Speaker 2>and now we need help finding another one from you.

0:45:13.160 --> 0:45:15.960
<v Speaker 2>And Benson asks what men work at Laughey Time and

0:45:16.000 --> 0:45:18.200
<v Speaker 2>she says they have no male employees because it works

0:45:18.239 --> 0:45:20.560
<v Speaker 2>out best to only have women around the kids. And

0:45:20.719 --> 0:45:23.320
<v Speaker 2>right as she lies, a giant grown man is running

0:45:23.320 --> 0:45:25.440
<v Speaker 2>with the kids and they're like, well, who's that and

0:45:25.480 --> 0:45:28.239
<v Speaker 2>they all run towards him, she says, that's Stuart, and

0:45:28.320 --> 0:45:32.839
<v Speaker 2>Stuart is played by Adrian Martinez and Tommy Prolific. So

0:45:33.320 --> 0:45:36.120
<v Speaker 2>the big thing with him is he's in the episode

0:45:36.120 --> 0:45:40.280
<v Speaker 2>of Sex and the City. Remember when Samantha does.

0:45:40.160 --> 0:45:43.200
<v Speaker 1>The naked photo shoot and Buster.

0:45:43.520 --> 0:45:45.520
<v Speaker 2>What's his name? What's his real name? I never remember

0:45:45.560 --> 0:45:48.720
<v Speaker 2>his real name? Gary and Buster like his characters, Tony

0:45:48.760 --> 0:45:50.360
<v Speaker 2>Hale's in this episode.

0:45:49.880 --> 0:45:53.040
<v Speaker 1>Buster for Tony Hale. Yeah, Tony Hale's in this Sex

0:45:53.040 --> 0:45:53.759
<v Speaker 1>and the City as well.

0:45:53.800 --> 0:45:56.560
<v Speaker 2>So Samantha has a naked photo shoot and then she

0:45:57.520 --> 0:45:59.600
<v Speaker 2>wants attention for it and the framer won't give her

0:45:59.640 --> 0:46:02.279
<v Speaker 2>at ten time, so then she hangs it by the

0:46:02.320 --> 0:46:06.560
<v Speaker 2>door and Adrian Martinez delivers her fast food and then

0:46:06.600 --> 0:46:08.920
<v Speaker 2>he sees the photo and goes nice ass, and then

0:46:08.920 --> 0:46:12.560
<v Speaker 2>she tips some extras him more cash. So that really

0:46:12.560 --> 0:46:15.520
<v Speaker 2>makes me happy. And he's also an inside me Schumer

0:46:15.640 --> 0:46:17.520
<v Speaker 2>and I feel pretty So he.

0:46:17.480 --> 0:46:19.279
<v Speaker 1>Looks very familiar to me. I looked him up.

0:46:19.280 --> 0:46:22.600
<v Speaker 2>But this is the second Schumer connect in this episode.

0:46:22.920 --> 0:46:26.840
<v Speaker 2>Oh remember Rock from up Top the Bodego New Yorkers.

0:46:26.840 --> 0:46:29.480
<v Speaker 1>New Yorkers. Schumer is one of the only shows that

0:46:29.640 --> 0:46:31.480
<v Speaker 1>shot that shoots in New York in the past, Like,

0:46:31.600 --> 0:46:33.760
<v Speaker 1>you know, I like along with this one.

0:46:33.840 --> 0:46:35.880
<v Speaker 2>I mean, you know this about me nothing new, But

0:46:35.920 --> 0:46:38.080
<v Speaker 2>I love people that don't move to LA like I

0:46:38.160 --> 0:46:41.319
<v Speaker 2>really do. I love people that are just crushing it

0:46:41.360 --> 0:46:43.279
<v Speaker 2>on the East Coast. But yeah, he has one hundred

0:46:43.280 --> 0:46:46.240
<v Speaker 2>and seventeen credits. So all the adults come at Stewart

0:46:46.480 --> 0:46:48.920
<v Speaker 2>and he starts screaming in sits down and the employee

0:46:48.920 --> 0:46:52.360
<v Speaker 2>women is like, don't hurt Stewart. And finally, Stuart's a

0:46:52.360 --> 0:46:55.640
<v Speaker 2>funny name. It reminds me of Mad TV. Yeah, sure,

0:46:57.200 --> 0:46:59.880
<v Speaker 2>and finally confesses that it is her son. And he

0:47:00.000 --> 0:47:03.560
<v Speaker 2>friends very childlike and it's obvious he is intellectually disabled.

0:47:03.800 --> 0:47:05.800
<v Speaker 2>So he's like, hey, are you taking me to jail

0:47:05.880 --> 0:47:08.799
<v Speaker 2>or what? And they're like, it depends where were you

0:47:08.800 --> 0:47:10.800
<v Speaker 2>two nights ago? And he says he was at church

0:47:10.880 --> 0:47:13.560
<v Speaker 2>Tuesday night and he loves church because God loves him.

0:47:13.880 --> 0:47:15.560
<v Speaker 2>And he says that a lot of people saw him

0:47:15.600 --> 0:47:17.680
<v Speaker 2>at church and he was with his mom. But you

0:47:17.719 --> 0:47:20.640
<v Speaker 2>won't believe me because I'm a registered sex offender.

0:47:22.000 --> 0:47:23.360
<v Speaker 1>And Stabler asks her.

0:47:23.280 --> 0:47:25.359
<v Speaker 2>Is that true, and she's like, yes, technically, but it's

0:47:25.400 --> 0:47:28.360
<v Speaker 2>a mistake and Benson's like, so is having him around kids?

0:47:28.360 --> 0:47:31.040
<v Speaker 2>That's a felony. And the mom says, my boy is different.

0:47:31.040 --> 0:47:34.320
<v Speaker 2>It's called Noonan syndrome. And so they asked how he

0:47:34.360 --> 0:47:37.960
<v Speaker 2>got on the registry. So he was a bat boy

0:47:38.040 --> 0:47:40.640
<v Speaker 2>for a softball league in Central Park and the bathroom

0:47:40.719 --> 0:47:42.760
<v Speaker 2>lines were long, and so he pede in the bushes

0:47:43.239 --> 0:47:45.680
<v Speaker 2>and then Stewart interrupts to say people saw his wi

0:47:45.800 --> 0:47:48.840
<v Speaker 2>wi and then the mom says it was a simple mistake,

0:47:48.880 --> 0:47:51.360
<v Speaker 2>but a parent said that he flashed people and you

0:47:51.400 --> 0:47:53.840
<v Speaker 2>know kids, YadA YadA, and.

0:47:53.719 --> 0:47:57.120
<v Speaker 1>So there we go. That's that. That's how I got.

0:47:57.440 --> 0:47:59.480
<v Speaker 2>There needs to be a separate registry. There should be

0:47:59.480 --> 0:48:01.440
<v Speaker 2>a piss red street and a sexistry.

0:48:01.600 --> 0:48:04.960
<v Speaker 1>The eye was pissing registry seems like it's very long,

0:48:05.400 --> 0:48:08.240
<v Speaker 1>Like yeah, like what the fuck? Because if you're drunk

0:48:08.239 --> 0:48:10.640
<v Speaker 1>and you pissed and your like a closed school, you

0:48:10.680 --> 0:48:12.360
<v Speaker 1>can get on the sex of frond of registry. I

0:48:12.360 --> 0:48:15.879
<v Speaker 1>think even if it's like nighttime and there's like you're

0:48:15.880 --> 0:48:18.239
<v Speaker 1>in a school zone. I don't know.

0:48:19.000 --> 0:48:21.000
<v Speaker 2>I don't think you should piss on a school, but

0:48:22.440 --> 0:48:25.000
<v Speaker 2>I think it's different than ray.

0:48:25.040 --> 0:48:26.600
<v Speaker 1>I don't think that means you need to tell your

0:48:26.640 --> 0:48:29.680
<v Speaker 1>neighbors that you touch children. Yeah, like it's kind of

0:48:30.280 --> 0:48:33.719
<v Speaker 1>it is. Why why do we leave that? I don't know?

0:48:34.239 --> 0:48:36.719
<v Speaker 2>Oh, and then Benson's like, listen those reviews, Like we

0:48:36.760 --> 0:48:38.080
<v Speaker 2>don't like the review on the website.

0:48:38.080 --> 0:48:41.120
<v Speaker 1>It's troubling. She says she tried to delete them, but hey.

0:48:41.520 --> 0:48:43.279
<v Speaker 2>But she said it must be the same people that

0:48:43.320 --> 0:48:45.799
<v Speaker 2>put these around the neighborhood, and then shows Benson a

0:48:45.800 --> 0:48:48.120
<v Speaker 2>paper sign with her son's photo and inn red think

0:48:48.200 --> 0:48:51.680
<v Speaker 2>font says, I touch kids at Laughey time and it's

0:48:51.680 --> 0:48:55.839
<v Speaker 2>from CoAP Citizens Organized Against Predators And they know one

0:48:55.840 --> 0:48:59.760
<v Speaker 2>of these concerned citizens, Eric Weber and Eric at Weber,

0:48:59.800 --> 0:49:02.480
<v Speaker 2>was an episode right before this with Joan Cusack called

0:49:02.560 --> 0:49:05.120
<v Speaker 2>Locum and then this one. So they know who he

0:49:05.200 --> 0:49:07.480
<v Speaker 2>is and he has seventy five episodes of Loss and

0:49:07.560 --> 0:49:08.920
<v Speaker 2>fifty seven other credits.

0:49:09.000 --> 0:49:11.200
<v Speaker 1>Do you know this man? No? I only know him

0:49:11.200 --> 0:49:12.879
<v Speaker 1>from this episode? Okay, cool.

0:49:13.440 --> 0:49:16.040
<v Speaker 2>So they go visit him and he's teaching kids karate

0:49:16.239 --> 0:49:20.239
<v Speaker 2>while yelling kick block, et cetera. The detectives interrupt him

0:49:20.280 --> 0:49:22.160
<v Speaker 2>to chat and someone takes over the class and he

0:49:22.200 --> 0:49:24.520
<v Speaker 2>wants to fuck Olivia and is very happy to see

0:49:24.560 --> 0:49:27.480
<v Speaker 2>her and they confront him and the sign, and he's like,

0:49:27.520 --> 0:49:30.279
<v Speaker 2>what did we do something wrong? The community should know

0:49:30.320 --> 0:49:32.759
<v Speaker 2>if there's a creep in the neighborhood. They say the

0:49:32.800 --> 0:49:34.920
<v Speaker 2>wanted signs aren't the best way to go about it,

0:49:35.239 --> 0:49:37.600
<v Speaker 2>but he says, this is info that's easily found on

0:49:37.640 --> 0:49:39.759
<v Speaker 2>the internet, so it's not like a secret. And then

0:49:39.760 --> 0:49:42.919
<v Speaker 2>he starts chatting over like about an app that helps

0:49:42.960 --> 0:49:48.560
<v Speaker 2>find creeps all around us and it's called purv Pointer's

0:49:48.719 --> 0:49:49.280
<v Speaker 2>I love.

0:49:49.160 --> 0:49:49.680
<v Speaker 1>That, okay.

0:49:49.680 --> 0:49:53.040
<v Speaker 2>So Stabler actually understands Nuance in this moment wildly, and

0:49:53.080 --> 0:49:57.680
<v Speaker 2>he says, not all offenders are alike. That's nice, and

0:49:57.719 --> 0:50:00.360
<v Speaker 2>he is, but this guy's a hardcore vigilante and that's that.

0:50:00.440 --> 0:50:02.239
<v Speaker 2>And he wants to keep tabs on these creeps. And

0:50:02.239 --> 0:50:04.360
<v Speaker 2>then he says that he can reach. So he says

0:50:04.400 --> 0:50:07.040
<v Speaker 2>that he has further reached than the police because in theory,

0:50:07.080 --> 0:50:08.759
<v Speaker 2>they have to follow the rules. But we all know

0:50:08.800 --> 0:50:11.560
<v Speaker 2>the police do not follow rules. But in this world,

0:50:11.719 --> 0:50:15.279
<v Speaker 2>the cops are doing it by the book. So they

0:50:15.280 --> 0:50:18.040
<v Speaker 2>show him a photo of Rose and say, like, if

0:50:18.040 --> 0:50:20.360
<v Speaker 2>you want to help us, show people this photo after class.

0:50:20.520 --> 0:50:23.080
<v Speaker 2>But why does like why show the photo of Rose

0:50:23.120 --> 0:50:29.000
<v Speaker 2>around like they've identified her, they know who she is, Like, yeah,

0:50:29.040 --> 0:50:29.560
<v Speaker 2>why would they?

0:50:29.640 --> 0:50:32.640
<v Speaker 1>Yeah that's a great quest. Why if you want to

0:50:32.680 --> 0:50:35.680
<v Speaker 1>help us show people this photo after class to be

0:50:35.800 --> 0:50:38.520
<v Speaker 1>like did you see her get taken away by someone

0:50:38.600 --> 0:50:41.000
<v Speaker 1>the night before? Like that's so weird. You're right, it

0:50:41.040 --> 0:50:43.200
<v Speaker 1>just seems like you're telling everyone about this kid getting

0:50:43.280 --> 0:50:45.360
<v Speaker 1>right to a bunch of kids that you're teaching karate to.

0:50:45.560 --> 0:50:47.560
<v Speaker 1>Do you know this kid? Like you know? Like is

0:50:47.600 --> 0:50:50.160
<v Speaker 1>that who you? Yeah? I don't get that.

0:50:50.200 --> 0:50:52.520
<v Speaker 2>But Benson hands him her card and he asks her

0:50:52.880 --> 0:50:55.000
<v Speaker 2>for her sal and she says the precinct's fine, but

0:50:55.080 --> 0:50:57.200
<v Speaker 2>he wants to take her out for coffee, obviously, and

0:50:57.239 --> 0:50:59.880
<v Speaker 2>she rolls her eyes, but she enjoys the attention. And

0:51:00.160 --> 0:51:02.280
<v Speaker 2>Munch Finn are out looking for evidence in the Laffe

0:51:02.400 --> 0:51:04.440
<v Speaker 2>time area and a kid with ice cream on his

0:51:04.520 --> 0:51:06.239
<v Speaker 2>face and a cone in his hand hops out of

0:51:06.280 --> 0:51:07.400
<v Speaker 2>a bush and is like, what's up?

0:51:07.520 --> 0:51:09.359
<v Speaker 1>What are you looking for? I love him?

0:51:09.480 --> 0:51:11.879
<v Speaker 2>I do too, and they say get out of here,

0:51:11.920 --> 0:51:14.440
<v Speaker 2>it's a crime scene, and then he goes, I don't

0:51:14.520 --> 0:51:16.239
<v Speaker 2>feel good and then he pukes.

0:51:18.280 --> 0:51:20.560
<v Speaker 1>So no crime scene and no hits off the photo?

0:51:20.719 --> 0:51:21.560
<v Speaker 1>Now what? So?

0:51:21.760 --> 0:51:24.200
<v Speaker 2>A TV news crew is ready to attack, and a

0:51:24.280 --> 0:51:26.239
<v Speaker 2>reporter puts a mic in their faces and is like,

0:51:26.280 --> 0:51:28.080
<v Speaker 2>what can you tell us? And they're not interested in

0:51:28.120 --> 0:51:30.520
<v Speaker 2>talking and they start walking away. But then the reporter

0:51:30.600 --> 0:51:34.360
<v Speaker 2>takes out a photo of Rows and says, are you

0:51:34.440 --> 0:51:36.800
<v Speaker 2>denying this child who was raped in this neighborhood? And

0:51:36.840 --> 0:51:39.480
<v Speaker 2>our detectives are obviously pissed off, like how dare you

0:51:39.560 --> 0:51:42.279
<v Speaker 2>reveal a victim publicly like that and a child? And

0:51:42.320 --> 0:51:44.600
<v Speaker 2>Benson grabs the photo and says, how did you get this?

0:51:45.120 --> 0:51:47.520
<v Speaker 2>You know you shouldn't be revealing a victim's face, and

0:51:47.600 --> 0:51:49.960
<v Speaker 2>sailors like I know who fucking did this? And then

0:51:50.000 --> 0:51:52.399
<v Speaker 2>the reporter's like just a reminder, folks, we are live

0:51:52.440 --> 0:51:57.120
<v Speaker 2>on air. And Benson is like, good, we just stopped

0:51:57.120 --> 0:51:59.319
<v Speaker 2>you from violating a victim's right and she says you

0:51:59.400 --> 0:52:02.040
<v Speaker 2>violated the freedom of the press. And they walk into

0:52:02.040 --> 0:52:04.960
<v Speaker 2>the office and Craigan's like great performance, you two, and

0:52:05.040 --> 0:52:08.040
<v Speaker 2>Craigan's like go down there, and Benson's like, I'm not apologizing,

0:52:08.080 --> 0:52:10.560
<v Speaker 2>and he says, no, another little girl was raped a

0:52:10.800 --> 0:52:13.400
<v Speaker 2>upsetting done dumb. We're on the scene of a new

0:52:13.440 --> 0:52:15.759
<v Speaker 2>crime and a woman is there saying that Maddie had

0:52:15.880 --> 0:52:17.799
<v Speaker 2>swim class at the y and she walks in the

0:52:17.800 --> 0:52:20.399
<v Speaker 2>corner and gets picked up, and then the mom is like, fuck,

0:52:20.440 --> 0:52:23.000
<v Speaker 2>why wasn't I on time? And when she arrived, her

0:52:23.040 --> 0:52:25.560
<v Speaker 2>daughter was on the curb bleeding and crying. And Benson

0:52:25.840 --> 0:52:28.360
<v Speaker 2>is talking to the girl who is in a stretcher,

0:52:29.000 --> 0:52:30.960
<v Speaker 2>and she's like, you sure you didn't see his face?

0:52:31.080 --> 0:52:33.040
<v Speaker 2>And then she says, Mandy, he can't hurt you, no

0:52:33.080 --> 0:52:35.600
<v Speaker 2>matter what he says, and then we see Mandy as

0:52:35.640 --> 0:52:37.200
<v Speaker 2>really deep bruises on her arm.

0:52:37.719 --> 0:52:38.560
<v Speaker 1>She says she.

0:52:38.440 --> 0:52:40.440
<v Speaker 2>Didn't see his face because he had a mask and

0:52:40.480 --> 0:52:42.960
<v Speaker 2>it was dark in there except when he took her picture.

0:52:43.360 --> 0:52:45.080
<v Speaker 2>She says she tried to make it stop, and as

0:52:45.080 --> 0:52:47.919
<v Speaker 2>they're speaking with her, the mom runs over towards her

0:52:48.080 --> 0:52:50.680
<v Speaker 2>and they all keep chatting, but then Stabler sees Eric

0:52:50.719 --> 0:52:53.520
<v Speaker 2>Weber and he does not like it. The whole organization

0:52:53.640 --> 0:52:55.880
<v Speaker 2>there is there. There's a whole group of people. But

0:52:55.920 --> 0:52:58.279
<v Speaker 2>Stabler runs straight to Eric, grabs him and says, what

0:52:58.280 --> 0:53:01.120
<v Speaker 2>the fuck giving Rose's photo out? He says, I only

0:53:01.160 --> 0:53:03.200
<v Speaker 2>gave it to co members and he says, well, maybe

0:53:03.200 --> 0:53:05.560
<v Speaker 2>one of them gave it to like away. You guys

0:53:05.600 --> 0:53:07.919
<v Speaker 2>are such amateurs, and he shoots back, like, you guys

0:53:07.920 --> 0:53:11.200
<v Speaker 2>are doing so much better, and Stabler says, weber back off,

0:53:11.239 --> 0:53:14.080
<v Speaker 2>and he goes where this is our neighborhood, and Stabler says,

0:53:14.200 --> 0:53:16.839
<v Speaker 2>we're working as fast as we can. And then Eric

0:53:16.960 --> 0:53:19.520
<v Speaker 2>is like, well, who is it? Who is the suspect

0:53:19.560 --> 0:53:21.640
<v Speaker 2>and then starts showing the info of all the creeps

0:53:21.640 --> 0:53:23.560
<v Speaker 2>in the hood on you know the app, like.

0:53:23.800 --> 0:53:25.360
<v Speaker 1>Is it this creep? Or is it this creep?

0:53:25.520 --> 0:53:27.760
<v Speaker 2>And Stable grabs the phone he was using and throws

0:53:27.760 --> 0:53:31.120
<v Speaker 2>it onto the street, which Eric obviously does not enjoy it.

0:53:31.200 --> 0:53:34.319
<v Speaker 1>He does not like that, but I would love That's

0:53:34.320 --> 0:53:34.880
<v Speaker 1>fun though.

0:53:35.000 --> 0:53:37.879
<v Speaker 2>That's like a cool thing to throw the phone. Yeah,

0:53:37.920 --> 0:53:39.800
<v Speaker 2>Like if someone was annoying you so much and you

0:53:39.800 --> 0:53:41.560
<v Speaker 2>just grab their phone and through it in the middle

0:53:41.560 --> 0:53:42.600
<v Speaker 2>of the street.

0:53:42.800 --> 0:53:43.440
<v Speaker 1>That's cool.

0:53:43.880 --> 0:53:44.120
<v Speaker 4>I know.

0:53:44.239 --> 0:53:47.880
<v Speaker 1>It's a well he did that in another episode he

0:53:47.920 --> 0:53:50.440
<v Speaker 1>took someone's came run through it. Or wait, Amorrow did that?

0:53:51.320 --> 0:53:54.160
<v Speaker 1>Or no, Stabler did that. Stabler did that, and that's

0:53:54.520 --> 0:53:56.480
<v Speaker 1>done a quarter. They both thrown that.

0:53:56.560 --> 0:54:00.560
<v Speaker 2>Stranger tomorrow he threw the camera of that pedophile. Yeah

0:54:00.560 --> 0:54:03.919
<v Speaker 2>that looks like Gary Sinise but isn't. Yeah, I think

0:54:03.920 --> 0:54:04.960
<v Speaker 2>it was thought criminal.

0:54:05.000 --> 0:54:08.359
<v Speaker 1>I don't know, yeah, thought criminal is That's exactly it. Yeah,

0:54:08.360 --> 0:54:10.400
<v Speaker 1>I think it was Josh Molina's Yeah, oh my.

0:54:10.440 --> 0:54:15.200
<v Speaker 2>God, did you Someone posted a thing Roger Eber scathing

0:54:15.280 --> 0:54:18.200
<v Speaker 2>review of fandom And this was like decades before Game

0:54:18.239 --> 0:54:20.200
<v Speaker 2>of Thrones and you know, like this was a long

0:54:20.200 --> 0:54:22.279
<v Speaker 2>time ago. But he was saying, He's like, these people

0:54:22.320 --> 0:54:25.560
<v Speaker 2>are the worst to talk to because they're not comfortable

0:54:25.560 --> 0:54:28.239
<v Speaker 2>with ad libbing or like having fun and they just

0:54:28.280 --> 0:54:31.880
<v Speaker 2>like only talk about this thing that they know and

0:54:31.960 --> 0:54:34.440
<v Speaker 2>asking you questions that they already know the answers to.

0:54:34.600 --> 0:54:36.719
<v Speaker 1>And he's like, they're the most boring people to talk to.

0:54:37.320 --> 0:54:40.240
<v Speaker 1>And I was like spiraling. I'm like, I'm only talking

0:54:40.280 --> 0:54:43.680
<v Speaker 1>about Seinfeld, SVW, the Simpsons or Sex in the City,

0:54:43.920 --> 0:54:47.879
<v Speaker 1>Like that's truly drag race yeah or yell, You've got

0:54:47.920 --> 0:54:50.799
<v Speaker 1>a lot. You've got a lot. So I wouldn't say

0:54:50.840 --> 0:54:54.600
<v Speaker 1>you're super dedicated to any one fandom because you're part

0:54:54.640 --> 0:54:58.240
<v Speaker 1>of a many of them. I am. It's like so fucked.

0:54:58.280 --> 0:55:02.799
<v Speaker 1>I'm like, would Roger Eber me like or would we

0:55:02.920 --> 0:55:05.600
<v Speaker 1>vibe a little? I think you and Roger Ebert would

0:55:05.680 --> 0:55:09.759
<v Speaker 1>absolutely vibe. Really, you are unexpected. You are not an

0:55:09.800 --> 0:55:13.520
<v Speaker 1>expected boring person to have a conversation with. Okay, I

0:55:13.560 --> 0:55:16.319
<v Speaker 1>think he's talking about people that only know one thing

0:55:16.520 --> 0:55:18.840
<v Speaker 1>and they like set up conversations to be able to

0:55:18.880 --> 0:55:20.719
<v Speaker 1>talk about the one thing they know about. Ye like

0:55:20.760 --> 0:55:21.440
<v Speaker 1>not what you do.

0:55:21.600 --> 0:55:24.520
<v Speaker 2>Like he used Star Wars and Star Trek and he goes, yeah,

0:55:24.520 --> 0:55:26.759
<v Speaker 2>a guy and a girl. They're just like playing there

0:55:26.800 --> 0:55:29.080
<v Speaker 2>as Luke and and yeah and sis.

0:55:29.719 --> 0:55:33.200
<v Speaker 1>They were great. We've never really had movie reviewers since them,

0:55:33.280 --> 0:55:36.279
<v Speaker 1>like in that kind of prestige and fame. There's like

0:55:36.360 --> 0:55:41.080
<v Speaker 1>Ao Scott even, Oh yeah, I do know Aoscott, You're right,

0:55:41.560 --> 0:55:43.759
<v Speaker 1>but that's like it, you're right. I mean they're like

0:55:43.840 --> 0:55:47.000
<v Speaker 1>those two were like the last big movie reviewers and anomaly.

0:55:47.280 --> 0:55:49.040
<v Speaker 1>Like now it's Rotten Tomatoes. And when I go on

0:55:49.120 --> 0:55:51.359
<v Speaker 1>Rotten Tomatoes, like the people that are like up at

0:55:51.360 --> 0:55:54.279
<v Speaker 1>the top are from like websites and publications I've never

0:55:54.320 --> 0:55:57.920
<v Speaker 1>heard of, Like I never see major newspaper or like

0:55:58.040 --> 0:56:01.000
<v Speaker 1>magazines reviewers at the top of Rotten Tomatoes. It's always

0:56:01.040 --> 0:56:04.279
<v Speaker 1>like I like movies, Dot Biz. I hated this, you know,

0:56:04.560 --> 0:56:07.440
<v Speaker 1>like yeah, not the same, but you know what, I

0:56:07.480 --> 0:56:10.640
<v Speaker 1>watch Tricksy and Katya watching Netflix shows on YouTube, and

0:56:10.680 --> 0:56:13.880
<v Speaker 1>that's as close to the Ciscal and Ebert that we

0:56:13.920 --> 0:56:16.960
<v Speaker 1>could ever get. You're right, we have them. We do

0:56:17.040 --> 0:56:19.200
<v Speaker 1>have Siskel and Ebert, and it's Katya and Tricksy.

0:56:22.200 --> 0:56:25.440
<v Speaker 2>Benson's gonna go play some pr okay and she says, Eric, listen,

0:56:25.520 --> 0:56:27.480
<v Speaker 2>you need to let us do our jobs. And he

0:56:27.520 --> 0:56:29.799
<v Speaker 2>apologizes and says he should have been more careful, but

0:56:29.840 --> 0:56:32.120
<v Speaker 2>every time he hears about a child being attacked, he

0:56:32.160 --> 0:56:35.360
<v Speaker 2>thinks about his sister Grace. She knows it's personal to

0:56:35.480 --> 0:56:38.160
<v Speaker 2>him but also for them, and also personal gets in

0:56:38.200 --> 0:56:40.640
<v Speaker 2>the way and Blur's judgment and he's like, no, I

0:56:40.719 --> 0:56:43.439
<v Speaker 2>feel clear, I know dirt on these guys you don't

0:56:43.480 --> 0:56:45.719
<v Speaker 2>even know. And Benson's like, stop, even if you don't

0:56:45.760 --> 0:56:48.319
<v Speaker 2>trust Stabler, trust me, we're gonna get this guy the

0:56:48.440 --> 0:56:51.239
<v Speaker 2>right way. And we cut to Finn doing a presentation

0:56:51.360 --> 0:56:53.160
<v Speaker 2>to the crew in the squad room and the board

0:56:53.239 --> 0:56:55.400
<v Speaker 2>is a bunch of creeps faces and circles on a

0:56:55.400 --> 0:56:56.400
<v Speaker 2>map of the neighborhood.

0:56:57.120 --> 0:56:58.480
<v Speaker 1>And I, you.

0:56:58.440 --> 0:57:01.160
<v Speaker 2>Know, I said, I never know where I stand with

0:57:01.239 --> 0:57:03.640
<v Speaker 2>Vigilante Justice, but I think I love it.

0:57:05.440 --> 0:57:07.240
<v Speaker 1>I think I'm individually Ante Justice.

0:57:07.760 --> 0:57:10.520
<v Speaker 2>And Craig like when the when the neighborhood of was

0:57:10.560 --> 0:57:14.120
<v Speaker 2>it Higlan, whatever, whatever neighborhood in La caught the Night's soccer.

0:57:14.680 --> 0:57:17.600
<v Speaker 2>Like that footage to me, I could watch it, like

0:57:17.960 --> 0:57:20.760
<v Speaker 2>I should watch it to get hyped, Like, yeah, community

0:57:20.800 --> 0:57:21.840
<v Speaker 2>coming together.

0:57:21.640 --> 0:57:25.600
<v Speaker 1>To catch this killer. I like that. Yeah, that was

0:57:25.600 --> 0:57:27.520
<v Speaker 1>when he was like on the run. You see a killer,

0:57:27.680 --> 0:57:30.000
<v Speaker 1>go tackle him. I don't know if I agree with

0:57:30.080 --> 0:57:32.480
<v Speaker 1>like the guys that dressed up like superheroes and went

0:57:32.480 --> 0:57:34.840
<v Speaker 1>out in the night to get people in another episode

0:57:34.880 --> 0:57:37.560
<v Speaker 1>of the show, or like these co app people that

0:57:37.640 --> 0:57:40.280
<v Speaker 1>are like making wanted posters for poor people with mental

0:57:40.800 --> 0:57:46.040
<v Speaker 1>like you know, disabilities, or like the lesbians. What's the one,

0:57:46.400 --> 0:57:51.160
<v Speaker 1>what's the one that Kathy Griffin runs Lesbians Apple Aggressives. No, No,

0:57:51.160 --> 0:57:55.880
<v Speaker 1>Big Apple is different. Kathy Griffin runs one that's called

0:57:57.840 --> 0:58:05.040
<v Speaker 1>lesbians Lesbian Less Wrong, le Lester Strong, Lesbie Strong. Well,

0:58:05.040 --> 0:58:08.240
<v Speaker 1>they're not really vigilantes against crime. They're just pro lesbians,

0:58:08.360 --> 0:58:10.400
<v Speaker 1>so they're allowed, they're allowed to be alive. But like

0:58:10.480 --> 0:58:12.880
<v Speaker 1>the superhero dorks that are like vigilant, I don't know.

0:58:12.920 --> 0:58:16.440
<v Speaker 1>Sometimes the vigilantes, I'm like Eric Roberts is on the

0:58:16.480 --> 0:58:19.600
<v Speaker 1>show as a vigilante. I think in earlier seasons.

0:58:19.320 --> 0:58:22.200
<v Speaker 2>He's wrong about that coming up. I don't remember I

0:58:22.560 --> 0:58:25.760
<v Speaker 2>Julia Roberts brother. How dare you talk to me like that?

0:58:25.800 --> 0:58:26.560
<v Speaker 2>Like I wouldn't know that?

0:58:26.840 --> 0:58:29.680
<v Speaker 1>Oh? Sorry, you don't think he's been on SVU. You

0:58:29.720 --> 0:58:30.600
<v Speaker 1>don't think everyone knows.

0:58:30.680 --> 0:58:33.720
<v Speaker 2>Eric Roberts and Julia Roberts are siblings, and Emma Roberts

0:58:33.800 --> 0:58:34.320
<v Speaker 2>is their niece.

0:58:34.400 --> 0:58:35.800
<v Speaker 1>I mean his I don't know. I bet you some

0:58:35.800 --> 0:58:40.080
<v Speaker 1>people don't know. I bet you someone write in time

0:58:40.440 --> 0:58:42.880
<v Speaker 1>I broke the news to you today. I want to

0:58:42.920 --> 0:58:45.080
<v Speaker 1>know if I'm educating people.

0:58:45.720 --> 0:58:45.800
<v Speaker 4>No.

0:58:45.960 --> 0:58:48.760
<v Speaker 1>He plays a guy named San Winfield in two episodes,

0:58:48.760 --> 0:58:52.440
<v Speaker 1>and he's uh, he's a former cop and an activist

0:58:52.560 --> 0:58:54.280
<v Speaker 1>quote unquote. So yeah, they do this a lot. They

0:58:54.280 --> 0:58:56.760
<v Speaker 1>have a lot of like the cops going against vigilante people.

0:58:58.720 --> 0:59:02.040
<v Speaker 2>Okay, Craigan says, you know, go corral these creeps.

0:59:02.200 --> 0:59:04.960
<v Speaker 1>Okay, does everyone know where we are? We're in the squadroom.

0:59:05.400 --> 0:59:07.160
<v Speaker 2>So then it cuts to a bunch of lawyers being

0:59:07.160 --> 0:59:09.400
<v Speaker 2>held back in the squadroom trying to see their clients,

0:59:09.400 --> 0:59:11.640
<v Speaker 2>and Cragan's like, you can see it's a little busy

0:59:11.640 --> 0:59:14.080
<v Speaker 2>in here, and everyone's busy talking to creeps at their desk,

0:59:14.600 --> 0:59:17.400
<v Speaker 2>and some are chill and proud they have alibis, and

0:59:17.440 --> 0:59:19.880
<v Speaker 2>some are fucking screaming, losing it that they didn't rape

0:59:19.880 --> 0:59:23.360
<v Speaker 2>any little girls. And we're back onto the pedophile computer

0:59:23.400 --> 0:59:26.640
<v Speaker 2>system and Munches turning all the red circles representing creeps

0:59:26.640 --> 0:59:31.240
<v Speaker 2>into green circles, saying clear, clear clear. Finn says, great,

0:59:31.320 --> 0:59:33.480
<v Speaker 2>now we gotta get this place fumigated.

0:59:35.080 --> 0:59:37.960
<v Speaker 1>I get it. I was like, were there rats there?

0:59:38.080 --> 0:59:42.160
<v Speaker 2>Pedophile Benson says, sometimes you shake the tree and nothing

0:59:42.200 --> 0:59:45.120
<v Speaker 2>falls out, and Cragan sends everyone home and says they'll

0:59:45.120 --> 0:59:47.840
<v Speaker 2>shake more trees in the morning. So then Stable and

0:59:47.880 --> 0:59:50.560
<v Speaker 2>Benson turn around at the same time together and stand

0:59:50.720 --> 0:59:53.000
<v Speaker 2>leaning on their crossed arms.

0:59:52.880 --> 0:59:56.080
<v Speaker 1>At like elbows on the table. It's super cute, like

0:59:56.120 --> 0:59:58.360
<v Speaker 1>a cherub pose. That's how I would describe it, like

0:59:58.360 --> 1:00:01.280
<v Speaker 1>a little cherubs. And he's like, you thinking what I'm thinking,

1:00:01.320 --> 1:00:03.960
<v Speaker 1>and she's like, I hope not. I love it, but

1:00:04.120 --> 1:00:06.480
<v Speaker 1>obviously it's you know, to go to Eric's house, and

1:00:06.520 --> 1:00:08.480
<v Speaker 1>she says, but I'm scared he gives us something good

1:00:08.520 --> 1:00:09.920
<v Speaker 1>and then throws it out and then then you know

1:00:09.960 --> 1:00:12.280
<v Speaker 1>it's thrown out in court. But Stabler's like, what if

1:00:12.280 --> 1:00:14.680
<v Speaker 1>it's enough to stop another little girl from getting raped.

1:00:14.880 --> 1:00:15.400
<v Speaker 1>Good point.

1:00:15.840 --> 1:00:18.000
<v Speaker 2>And she's nervous if she's seen comparing notes with a

1:00:18.040 --> 1:00:20.240
<v Speaker 2>known vigilante, and it's like no one is paying attention,

1:00:20.600 --> 1:00:24.720
<v Speaker 2>like no one is watching you guys, and Stabler's unless

1:00:24.720 --> 1:00:26.880
<v Speaker 2>they are. And Stabler is like, you're just having coffee

1:00:26.880 --> 1:00:28.960
<v Speaker 2>with a guy who thinks you're cute. And they grin

1:00:29.000 --> 1:00:31.400
<v Speaker 2>and they start moving. So they're at Eric's house having

1:00:31.440 --> 1:00:34.160
<v Speaker 2>red wine, clink the glasses and he's like hell, yeah,

1:00:34.160 --> 1:00:36.840
<v Speaker 2>hell let's fuck and she's like, this is purely professional.

1:00:37.160 --> 1:00:40.400
<v Speaker 2>And he says that he got involved with pedophile vigilanteism

1:00:40.520 --> 1:00:44.400
<v Speaker 2>because he did the website, their website for free, so

1:00:44.760 --> 1:00:46.080
<v Speaker 2>this organization existed.

1:00:46.120 --> 1:00:49.360
<v Speaker 1>He did their website. He's a computer geek. Did you

1:00:49.360 --> 1:00:50.520
<v Speaker 1>watch Daria?

1:00:51.280 --> 1:00:53.520
<v Speaker 2>Yeah, so you Quinn morgendor for you know, she's like

1:00:53.560 --> 1:00:55.960
<v Speaker 2>the popular sister. Did you watch the one where their

1:00:55.960 --> 1:00:57.280
<v Speaker 2>house was on fire so they had to live in

1:00:57.280 --> 1:00:57.760
<v Speaker 2>the hotel.

1:00:58.440 --> 1:01:02.240
<v Speaker 1>No, So they're living in this hote tell and a

1:01:02.240 --> 1:01:04.800
<v Speaker 1>bell hop is like, hey, you know, my uncle owns

1:01:04.840 --> 1:01:05.400
<v Speaker 1>the hotel.

1:01:05.440 --> 1:01:07.320
<v Speaker 2>I'll get you the president's suite and this and that.

1:01:07.440 --> 1:01:08.320
<v Speaker 2>He's whining and dining.

1:01:08.320 --> 1:01:10.520
<v Speaker 1>But it ends up being a stalker and the police

1:01:10.520 --> 1:01:13.000
<v Speaker 1>come and then they're like, man, don't worry. You know,

1:01:13.280 --> 1:01:14.600
<v Speaker 1>the uncle actually doesn't own it.

1:01:14.640 --> 1:01:17.280
<v Speaker 2>He just works at the hotel and was charging it

1:01:17.320 --> 1:01:21.480
<v Speaker 2>to the room and then deleting the charges. And Quinn goes, ew,

1:01:21.760 --> 1:01:27.200
<v Speaker 2>you mean I went out with a computer geek, like

1:01:27.240 --> 1:01:31.640
<v Speaker 2>she didn't care about the stalking. I thank you for laughing.

1:01:32.200 --> 1:01:34.280
<v Speaker 2>It did take that story to take longer than I thought,

1:01:34.280 --> 1:01:35.480
<v Speaker 2>But I loved Daria.

1:01:36.640 --> 1:01:39.560
<v Speaker 1>And then there's a painting you kind of you could

1:01:39.600 --> 1:01:42.800
<v Speaker 1>be Daria for Halloween. I know I have like the

1:01:42.800 --> 1:01:46.160
<v Speaker 1>glasses and the hair. Yeah I could. Yeah. Yeah. People

1:01:46.160 --> 1:01:49.120
<v Speaker 1>also say Linda Belcher, but you've done that. Yeah, I

1:01:49.160 --> 1:01:53.120
<v Speaker 1>did do that once. But this I kind of am obsessed.

1:01:54.080 --> 1:01:56.400
<v Speaker 1>I know I could get like a little blazer and

1:01:56.480 --> 1:01:58.320
<v Speaker 1>like yeah.

1:01:58.400 --> 1:02:00.600
<v Speaker 2>And then there's a painting of a young girl in

1:02:00.640 --> 1:02:03.960
<v Speaker 2>the house. Yeah, a blazer, little skirt, boots, black boots

1:02:04.720 --> 1:02:09.400
<v Speaker 2>or something. Yeah, I mean, you should be Daria. Maybe

1:02:09.400 --> 1:02:12.120
<v Speaker 2>next year. This feels too close. We're going on tour.

1:02:12.160 --> 1:02:14.919
<v Speaker 2>How am I going to procure Doria costume? No, I'm

1:02:14.920 --> 1:02:17.120
<v Speaker 2>not passionate enough about Doria to be her for Halloween.

1:02:17.120 --> 1:02:18.800
<v Speaker 2>I think I have to be more passionate. I do

1:02:18.960 --> 1:02:19.400
<v Speaker 2>like her.

1:02:19.560 --> 1:02:21.320
<v Speaker 1>Because I'm looking at her right now on my wall.

1:02:21.360 --> 1:02:26.520
<v Speaker 1>I have a needle point Daria, and and you would

1:02:26.560 --> 1:02:32.480
<v Speaker 1>crush it, you would really crush it. Oh God, this

1:02:32.640 --> 1:02:34.960
<v Speaker 1>is taking forever. And there's okay.

1:02:35.000 --> 1:02:36.600
<v Speaker 2>So then there's a painting of a young girl and

1:02:36.640 --> 1:02:38.560
<v Speaker 2>Benson asks if it's his sister, and.

1:02:38.640 --> 1:02:39.640
<v Speaker 1>Uh, of course it is.

1:02:40.120 --> 1:02:42.360
<v Speaker 2>So he painted it when he was sixteen, right after

1:02:42.400 --> 1:02:45.280
<v Speaker 2>the attack, and she says it's beautiful, and he wanted

1:02:45.280 --> 1:02:47.280
<v Speaker 2>to show Grace how happy she was and how she

1:02:47.320 --> 1:02:49.880
<v Speaker 2>can get back there, but the rapist took everything, and

1:02:49.920 --> 1:02:52.000
<v Speaker 2>three months later their mother found her hanging in the

1:02:52.040 --> 1:02:54.959
<v Speaker 2>closet and Benson's like, I'm so sorry, and he says,

1:02:54.960 --> 1:02:57.360
<v Speaker 2>we went to a dark place too for not protecting her,

1:02:57.560 --> 1:02:59.320
<v Speaker 2>you know, And so he says that he also went

1:02:59.360 --> 1:03:01.120
<v Speaker 2>to a dark place for not being able to protect

1:03:01.560 --> 1:03:04.880
<v Speaker 2>her as her big brother. Then he says, I want

1:03:04.920 --> 1:03:08.080
<v Speaker 2>to show you something and approaches like seven computer moroditors,

1:03:08.560 --> 1:03:10.920
<v Speaker 2>and she's like, fuck, we gotta be careful, and he

1:03:11.000 --> 1:03:13.640
<v Speaker 2>rightfully responds like, isn't this what you came here for?

1:03:14.080 --> 1:03:16.040
<v Speaker 2>And she says I did, but you're a civilian, so

1:03:16.080 --> 1:03:18.280
<v Speaker 2>I can't like direct you to do something you know

1:03:18.600 --> 1:03:21.320
<v Speaker 2>it's illegal. And he says that he did this months ago,

1:03:21.680 --> 1:03:24.560
<v Speaker 2>and he says, child molesters are all about secrecy and

1:03:24.640 --> 1:03:27.200
<v Speaker 2>so and they're really worried about security. So he came

1:03:27.280 --> 1:03:30.040
<v Speaker 2>up with a bunch of door knob signs and everyone

1:03:30.240 --> 1:03:32.880
<v Speaker 2>on the red and he put them on everyone's doors.

1:03:32.880 --> 1:03:36.640
<v Speaker 2>That's on the registry and it's for cybersecurity services. But

1:03:36.760 --> 1:03:40.480
<v Speaker 2>his service wasn't actually secure, and it installed a virus

1:03:40.480 --> 1:03:43.320
<v Speaker 2>in their computers which allows him to remotely view everything

1:03:43.360 --> 1:03:46.280
<v Speaker 2>they do. But she can't see it because it's you know,

1:03:46.360 --> 1:03:47.480
<v Speaker 2>illegally all connected.

1:03:47.560 --> 1:03:48.400
<v Speaker 1>YadA YadA.

1:03:48.440 --> 1:03:50.560
<v Speaker 2>But he said that in two thousand and seven in

1:03:50.600 --> 1:03:54.240
<v Speaker 2>California they use this and like they use the hackers

1:03:54.240 --> 1:03:56.880
<v Speaker 2>in photo put away a judge who is into kitty

1:03:56.960 --> 1:04:00.680
<v Speaker 2>porn in quotes, and that's what you know he wants

1:04:00.720 --> 1:04:03.720
<v Speaker 2>to do here. And he says he found so many

1:04:03.760 --> 1:04:06.040
<v Speaker 2>images from all these hard drives, and holy shit, the

1:04:06.080 --> 1:04:08.560
<v Speaker 2>photo of ros comes up and it's coming from the

1:04:08.600 --> 1:04:11.160
<v Speaker 2>Upper East Side and it was uploaded ninety minutes after

1:04:11.200 --> 1:04:13.480
<v Speaker 2>the attack. And also the girl from yesterday's on the

1:04:13.520 --> 1:04:16.600
<v Speaker 2>person's drive too, And then we cut straight to Stephen

1:04:16.680 --> 1:04:22.080
<v Speaker 2>Tablowski Freaky Friday, Groundhog's Day and literally eight hundred things

1:04:22.120 --> 1:04:25.720
<v Speaker 2>like he's he's been working and I feel like he's

1:04:25.800 --> 1:04:28.680
<v Speaker 2>a part of our lives. It's really cool. And so

1:04:28.720 --> 1:04:30.760
<v Speaker 2>he's leaving for work as a pregnant woman in a

1:04:30.800 --> 1:04:33.720
<v Speaker 2>pink rob It's like, have a good day, and booms,

1:04:33.720 --> 1:04:35.840
<v Speaker 2>Stabler cuffs him, and Benson runs up and hands a

1:04:35.840 --> 1:04:37.920
<v Speaker 2>woman a warrant and says, we're going to take your computers.

1:04:37.920 --> 1:04:39.200
<v Speaker 1>Ma'am, don't get in our way.

1:04:39.520 --> 1:04:43.280
<v Speaker 2>She screams Edwin, and you know, he screams Louis So

1:04:43.440 --> 1:04:48.480
<v Speaker 2>now an interrogation asking why is he here, and Marishka's like, well,

1:04:48.600 --> 1:04:51.400
<v Speaker 2>why were you in a Connecticut police station in nineteen

1:04:51.440 --> 1:04:55.080
<v Speaker 2>ninety seven and it's because he had inappropriate contact with

1:04:55.080 --> 1:04:57.160
<v Speaker 2>a ten year old girl? And where why were you

1:04:57.200 --> 1:04:59.120
<v Speaker 2>in a police station in Maryland in two thousand and

1:04:59.160 --> 1:05:03.360
<v Speaker 2>two old forcible fondling? And he says he admitted to

1:05:03.400 --> 1:05:06.240
<v Speaker 2>those and he went away, and Benson, snarky as fuck, says, well,

1:05:06.280 --> 1:05:09.120
<v Speaker 2>not long enough. And they asked where he was yesterday afternoon,

1:05:09.160 --> 1:05:10.960
<v Speaker 2>and he says every afternoon, he takes the break and

1:05:11.000 --> 1:05:13.160
<v Speaker 2>reads in the park and kIPS Bay and Rose and

1:05:13.200 --> 1:05:16.600
<v Speaker 2>Mandy were raped there, Stabler says in Tablowski aka, Evan

1:05:16.680 --> 1:05:19.760
<v Speaker 2>responds who, and they push did anyone see you there?

1:05:19.760 --> 1:05:21.600
<v Speaker 2>And he says, well hopefully, And Benson's like, what were

1:05:21.600 --> 1:05:25.000
<v Speaker 2>you reading Lolita so you could get your juices flowing?

1:05:25.320 --> 1:05:29.120
<v Speaker 2>Ew Benson ew okay, and they PLoP the photos on

1:05:29.160 --> 1:05:31.120
<v Speaker 2>the table and he says that he didn't take those,

1:05:31.160 --> 1:05:33.520
<v Speaker 2>and then Stabler's like, why did we find them on

1:05:33.560 --> 1:05:34.080
<v Speaker 2>your computer?

1:05:34.160 --> 1:05:38.200
<v Speaker 1>And he screams, this would get thrown out, by the way, Yeah,

1:05:38.280 --> 1:05:40.640
<v Speaker 1>like I think this would fully get thrown out. Okay,

1:05:40.680 --> 1:05:43.240
<v Speaker 1>So he screams what while trying to stand up, and

1:05:43.280 --> 1:05:45.600
<v Speaker 1>they push his shoulders back down and he says, please, please,

1:05:45.640 --> 1:05:47.560
<v Speaker 1>I didn't do this and you have to let me go.

1:05:47.960 --> 1:05:50.440
<v Speaker 1>And then he says something horrifying that Luis doesn't even

1:05:50.560 --> 1:05:53.000
<v Speaker 1>know any of this and he's kept everything a secret,

1:05:53.000 --> 1:05:56.120
<v Speaker 1>his parole everything. That's scary. I don't like.

1:05:56.240 --> 1:05:59.160
<v Speaker 2>I think I think it's fair to background and check

1:05:59.200 --> 1:06:01.600
<v Speaker 2>anyone you want. I think if you date someone, you

1:06:01.640 --> 1:06:02.640
<v Speaker 2>can background check them.

1:06:02.760 --> 1:06:06.919
<v Speaker 1>What are your thoughts? Yeah, I don't know, sure, I've

1:06:06.960 --> 1:06:09.160
<v Speaker 1>never done it, but like, yeah, that is scary. That

1:06:09.200 --> 1:06:12.320
<v Speaker 1>you could be like really pregnant with someone's child and

1:06:12.400 --> 1:06:15.040
<v Speaker 1>have like a whirlwind one year romance and not realize

1:06:15.080 --> 1:06:17.680
<v Speaker 1>they've like went away for tumbless stations. Yeah, it's like

1:06:17.800 --> 1:06:18.919
<v Speaker 1>why it's fucked out.

1:06:19.000 --> 1:06:21.280
<v Speaker 2>And I guess like you kind of also socially knew

1:06:21.320 --> 1:06:24.360
<v Speaker 2>your now husband, so it wasn't like I feel like

1:06:24.480 --> 1:06:26.680
<v Speaker 2>if he was arrested for child to pornograph, who would

1:06:26.680 --> 1:06:27.160
<v Speaker 2>know about it?

1:06:27.280 --> 1:06:30.919
<v Speaker 1>I would know? Yeah, you know, I know the molesters. Also,

1:06:31.040 --> 1:06:33.240
<v Speaker 1>like I have all Jared's passwords. I could steal his

1:06:33.320 --> 1:06:35.280
<v Speaker 1>identity in two seconds, so like I know what he's

1:06:35.280 --> 1:06:37.760
<v Speaker 1>doing online.

1:06:39.560 --> 1:06:42.480
<v Speaker 2>So yeah, I believe in background checking everyone. I think

1:06:42.520 --> 1:06:46.600
<v Speaker 2>it's even moral to hire a PI to take photographs

1:06:46.600 --> 1:06:49.040
<v Speaker 2>and spy on them. I don't give a shit, Like

1:06:49.320 --> 1:06:52.560
<v Speaker 2>with with stuff like this going on, no one's safe.

1:06:53.000 --> 1:06:57.160
<v Speaker 2>And he said they put that on the shirt. He

1:06:57.200 --> 1:06:58.720
<v Speaker 2>said they just met a year ago and it was

1:06:58.720 --> 1:07:01.720
<v Speaker 2>a whirlwind thing. And Benson said, well, guess who's crashed

1:07:01.800 --> 1:07:04.520
<v Speaker 2>back into Earth. I mean, the lines in this episode

1:07:04.560 --> 1:07:08.880
<v Speaker 2>are really killer. Three strikes throughout, says Stabler, and Edwin's nervous,

1:07:08.920 --> 1:07:11.720
<v Speaker 2>like biting his fist. He and he's just super pressed

1:07:11.720 --> 1:07:13.120
<v Speaker 2>about all this, and he's like, I got to see

1:07:13.120 --> 1:07:15.880
<v Speaker 2>my lawyer right now. And Benson and Stabler are walking

1:07:15.920 --> 1:07:19.080
<v Speaker 2>and talking and how they love to watch grown men cry,

1:07:19.320 --> 1:07:21.960
<v Speaker 2>and the defense attorney walks on in and she's fancy,

1:07:22.000 --> 1:07:24.360
<v Speaker 2>I would say, and she wants to see Edwin and

1:07:24.360 --> 1:07:26.680
<v Speaker 2>they're like, too late. He's going to arraignment. And when

1:07:26.680 --> 1:07:28.720
<v Speaker 2>they tell her for what, she's shocked and she's like,

1:07:28.800 --> 1:07:30.800
<v Speaker 2>you're a mistake. And he's a tax guy and a

1:07:30.880 --> 1:07:34.640
<v Speaker 2>church deacon, and it's like those are actually signs.

1:07:34.280 --> 1:07:35.800
<v Speaker 1>Of pedophilia, you know what I mean?

1:07:36.760 --> 1:07:40.520
<v Speaker 2>What I like the church deacon and being shocked about

1:07:40.560 --> 1:07:43.080
<v Speaker 2>the molesting is l like that would ever be surprising.

1:07:43.520 --> 1:07:46.600
<v Speaker 2>And Stabler's like, you're forgetting registered sex defender and she

1:07:46.680 --> 1:07:49.360
<v Speaker 2>looks shocked, and they realize that the family lawyer didn't

1:07:49.400 --> 1:07:52.240
<v Speaker 2>know this information. Oh my god, I'm behind them. In

1:07:52.240 --> 1:07:54.240
<v Speaker 2>the cage, Edwin is getting the shit beat out of

1:07:54.320 --> 1:07:57.600
<v Speaker 2>him by a uniformed officer, screaming he raped those girls,

1:07:57.880 --> 1:08:00.600
<v Speaker 2>and he's bloody and breathlessly saying like hell me, help me,

1:08:00.680 --> 1:08:03.760
<v Speaker 2>help me. And now Craigan walks into, but he's already

1:08:03.800 --> 1:08:05.560
<v Speaker 2>been in prison. Didn't he learn how to fight a

1:08:05.560 --> 1:08:06.000
<v Speaker 2>little bit.

1:08:06.520 --> 1:08:08.760
<v Speaker 1>I know you were there for nine years as a

1:08:08.840 --> 1:08:12.080
<v Speaker 1>child molester, like that must have been yeah, Like get

1:08:12.200 --> 1:08:16.439
<v Speaker 1>get it together, fight back like you're yeah. Now, Craigan

1:08:16.479 --> 1:08:18.680
<v Speaker 1>walks into a room where the unicop is sitting and

1:08:18.680 --> 1:08:21.240
<v Speaker 1>he's like, is this clown really on the job. So

1:08:21.280 --> 1:08:24.400
<v Speaker 1>he lied downstairs and finangled his way and he did

1:08:24.439 --> 1:08:25.639
<v Speaker 1>come to do it. The daughter.

1:08:25.920 --> 1:08:28.760
<v Speaker 2>His daughter's in the same swim class, and we you know,

1:08:28.960 --> 1:08:32.200
<v Speaker 2>so he knew Mandy forever. She's been over at sleepovers

1:08:32.200 --> 1:08:34.600
<v Speaker 2>at their house. So he saw red and Craigan's like,

1:08:34.600 --> 1:08:36.320
<v Speaker 2>you fucked up your own career, and he says, I know,

1:08:36.479 --> 1:08:38.080
<v Speaker 2>I shouldn't have ever signed up for the you know

1:08:38.160 --> 1:08:41.439
<v Speaker 2>those tweets, and they're like, what tweets? So there's a

1:08:41.479 --> 1:08:43.839
<v Speaker 2>watch group in the neighborhood and they have a Twitter

1:08:43.960 --> 1:08:44.919
<v Speaker 2>called creep Tweets.

1:08:48.200 --> 1:08:50.679
<v Speaker 1>Use creep tweets, link your creep tweets to your purv

1:08:50.760 --> 1:08:55.920
<v Speaker 1>pointer and find out we're all okay.

1:08:55.960 --> 1:08:58.680
<v Speaker 2>So now creep tweets are being mentioned in court by

1:08:58.840 --> 1:09:00.400
<v Speaker 2>Edwin's lawyer, and.

1:09:00.360 --> 1:09:02.880
<v Speaker 1>We're out of arrainment. And the DA is truly a woman.

1:09:02.880 --> 1:09:04.840
<v Speaker 1>I refuse to learn her face, like I want to

1:09:04.840 --> 1:09:08.720
<v Speaker 1>have the facial blindness for this woman. Uh call me

1:09:08.720 --> 1:09:09.720
<v Speaker 1>a mensraic.

1:09:09.439 --> 1:09:11.559
<v Speaker 2>Activist, but I don't give a shit about her. So

1:09:12.360 --> 1:09:15.840
<v Speaker 2>then but the judge, the judge is a sex and

1:09:15.880 --> 1:09:20.160
<v Speaker 2>the City queen as well. So this judged. This episode's

1:09:20.160 --> 1:09:22.320
<v Speaker 2>one of my favorites. You know, Hot Child in the

1:09:22.360 --> 1:09:26.360
<v Speaker 2>City where Carrie starts dating the comic book guy and

1:09:26.520 --> 1:09:30.000
<v Speaker 2>he lives Power Lad, Power Lad, and so he so

1:09:30.120 --> 1:09:30.880
<v Speaker 2>this is his mother.

1:09:31.000 --> 1:09:34.760
<v Speaker 1>This is power Lad's mother that's like Carrie and like

1:09:34.880 --> 1:09:35.960
<v Speaker 1>calling and then.

1:09:36.040 --> 1:09:39.880
<v Speaker 2>Catches them smoking weed and then Carrie grabs the weed

1:09:39.920 --> 1:09:41.960
<v Speaker 2>on the way out and she goes, yes, Missus Adams,

1:09:41.960 --> 1:09:43.160
<v Speaker 2>and I'm taking it away.

1:09:43.360 --> 1:09:45.360
<v Speaker 1>With me when I go yeah, and her.

1:09:45.240 --> 1:09:47.680
<v Speaker 2>Little shorts in that episode the Chicken Weing, it's a

1:09:47.680 --> 1:09:52.320
<v Speaker 2>weed episode. There's a couple of wead episodes, but like, yeah,

1:09:52.360 --> 1:09:56.160
<v Speaker 2>this is one of my favorites. And he was in

1:09:56.760 --> 1:09:59.000
<v Speaker 2>he was at Carolines in the audience once years and

1:09:59.040 --> 1:10:01.000
<v Speaker 2>years ago when I was opening for David toew.

1:10:03.040 --> 1:10:04.080
<v Speaker 1>Listen. I'm obsessed.

1:10:04.120 --> 1:10:06.160
<v Speaker 2>So this is Missus Adams and they're talking about the

1:10:06.160 --> 1:10:08.280
<v Speaker 2>attack in the cage and the judge is not happy

1:10:08.280 --> 1:10:10.840
<v Speaker 2>that he was assaulted in their custody and miss West

1:10:10.840 --> 1:10:13.719
<v Speaker 2>I did learn her name is the DA and Craigan

1:10:13.760 --> 1:10:16.040
<v Speaker 2>said it won't happen again, and she says, just passing

1:10:16.080 --> 1:10:18.720
<v Speaker 2>the buck, and the judge's like, actually, captain, I.

1:10:18.640 --> 1:10:20.840
<v Speaker 1>Want to talk to your ass. How many cops do

1:10:20.880 --> 1:10:22.439
<v Speaker 1>you have? And he says one hundred and she's like

1:10:22.479 --> 1:10:24.559
<v Speaker 1>and yet somehow one man got past all of them,

1:10:24.600 --> 1:10:27.120
<v Speaker 1>and Craigan's like he lied and had fake paperwork and

1:10:27.160 --> 1:10:29.599
<v Speaker 1>the judge is like yes or no, and he says yes,

1:10:29.880 --> 1:10:31.760
<v Speaker 1>and then Miss West says Craigan is not the one

1:10:31.800 --> 1:10:34.200
<v Speaker 1>being arraigned here today, and Craigan then says, your honor,

1:10:34.439 --> 1:10:36.519
<v Speaker 1>all due respect, do not release this man. He is

1:10:36.560 --> 1:10:37.160
<v Speaker 1>a flight risk.

1:10:37.160 --> 1:10:39.160
<v Speaker 2>And his lawyer's like a baby on the way, I

1:10:39.160 --> 1:10:41.519
<v Speaker 2>think that's a reason to be tied down. So they

1:10:41.600 --> 1:10:43.920
<v Speaker 2>argue back and forth and Craigan is like, protect the

1:10:43.960 --> 1:10:47.160
<v Speaker 2>community and Edwin's like, no, protect me from the police, please,

1:10:47.479 --> 1:10:49.799
<v Speaker 2>and she agrees with Edwin. So his bail is granted

1:10:49.840 --> 1:10:53.160
<v Speaker 2>at fifty thousand and he just has to surrender his passport, and.

1:10:53.160 --> 1:10:56.320
<v Speaker 1>The the baby on the way is like, kept any

1:10:56.360 --> 1:10:59.559
<v Speaker 1>man tied down? Like, really, if you were fleeing from

1:10:59.560 --> 1:11:03.360
<v Speaker 1>possible like life in prison, bye baby, Like you do

1:11:03.439 --> 1:11:03.840
<v Speaker 1>not care?

1:11:04.320 --> 1:11:06.439
<v Speaker 2>Amen, okay. And so the lawyer's like, just a little

1:11:06.479 --> 1:11:08.280
<v Speaker 2>bit of paperwork and then your wife will pick you up.

1:11:08.320 --> 1:11:10.800
<v Speaker 2>And he's obviously so upset. He's like, my wife, God, no, please,

1:11:10.840 --> 1:11:14.080
<v Speaker 2>she can't know about this. And so the vigilante group

1:11:14.120 --> 1:11:16.559
<v Speaker 2>is outside with poster boards and who has the time.

1:11:16.960 --> 1:11:19.280
<v Speaker 2>So Stabler comes out and the reporter starts trying to

1:11:19.320 --> 1:11:21.000
<v Speaker 2>fuck with him, and he's not really feeling it. But

1:11:21.040 --> 1:11:23.160
<v Speaker 2>then they see Edwin and they're like, fuck Stabler, let's

1:11:23.200 --> 1:11:26.080
<v Speaker 2>go get Edwin. So although media mob like runs to

1:11:26.080 --> 1:11:27.960
<v Speaker 2>get his ass and they run to him, and he

1:11:28.000 --> 1:11:31.040
<v Speaker 2>sees his wife and she's so mad at him, and

1:11:31.080 --> 1:11:33.439
<v Speaker 2>she looks at him with such disgust. And he gets

1:11:33.520 --> 1:11:35.920
<v Speaker 2>into the you know, he gets in the car and

1:11:36.240 --> 1:11:39.800
<v Speaker 2>stares at the detectives. He really stares at the detectives,

1:11:39.800 --> 1:11:42.320
<v Speaker 2>and then he drives his Jaguar right into a truck.

1:11:42.680 --> 1:11:45.400
<v Speaker 2>It's not a gas truck, but it does explode into fire.

1:11:45.479 --> 1:11:48.639
<v Speaker 1>Boom boom boom. Eric says, oh my god, and there

1:11:48.720 --> 1:11:50.759
<v Speaker 1>is a fire, and the detectives look at the fire

1:11:50.880 --> 1:11:53.320
<v Speaker 1>and everyone is like, wow, there's a fire. And then

1:11:53.360 --> 1:11:56.040
<v Speaker 1>it cuts the squad watching the news and it says

1:11:56.120 --> 1:11:59.760
<v Speaker 1>Deviant dead and they can't believe it, but Benson is

1:11:59.800 --> 1:12:01.800
<v Speaker 1>like cold as fuck, and he's like, Hey, if the

1:12:01.840 --> 1:12:04.599
<v Speaker 1>vigilantes stay this tough, that's good news, and we'll save

1:12:04.840 --> 1:12:07.280
<v Speaker 1>a lot of money for trials, you know, and we

1:12:07.280 --> 1:12:10.240
<v Speaker 1>could speed race to all these motherfucker's deaths.

1:12:10.320 --> 1:12:14.519
<v Speaker 2>Okay, that's pretty like hardcore. And we hear a little

1:12:14.600 --> 1:12:16.600
<v Speaker 2>voice and she says, is it true? The man is

1:12:16.640 --> 1:12:19.400
<v Speaker 2>really dead? And Benson says, yes, Mandy, he felt so

1:12:19.520 --> 1:12:21.640
<v Speaker 2>guilty that he took his own life. And then she

1:12:21.720 --> 1:12:24.639
<v Speaker 2>brings them to the interview room. Eric runs into Stabler

1:12:24.680 --> 1:12:27.599
<v Speaker 2>and he's there with some evidence. So there's a hard

1:12:27.680 --> 1:12:29.080
<v Speaker 2>drive and he brings it in and he's like, I

1:12:29.080 --> 1:12:30.599
<v Speaker 2>don't know how much you can use, but I thought

1:12:30.600 --> 1:12:32.919
<v Speaker 2>the real cops should have it. And so then Benson's

1:12:32.920 --> 1:12:35.559
<v Speaker 2>telling the girls about city counseling and support services and

1:12:35.600 --> 1:12:38.080
<v Speaker 2>it's all free, and then she's like, well, maybe something

1:12:38.080 --> 1:12:39.800
<v Speaker 2>else can help because she sees Eric and.

1:12:39.760 --> 1:12:41.320
<v Speaker 1>She goes, don't you want to learn karate?

1:12:41.400 --> 1:12:44.200
<v Speaker 2>And she goes cool, and so she calls Eric into

1:12:44.200 --> 1:12:47.040
<v Speaker 2>the room and introduces Eric to the mom and to Mandy,

1:12:47.080 --> 1:12:50.360
<v Speaker 2>the little girl, and once he starts talking, she looks

1:12:50.360 --> 1:12:53.240
<v Speaker 2>immediately shocked and scared and just like fuck not the same,

1:12:53.640 --> 1:12:56.800
<v Speaker 2>And Benson notices something is off and Mandy is like

1:12:56.960 --> 1:13:00.559
<v Speaker 2>frozen and asks and she's like, are you okay? And

1:13:00.600 --> 1:13:02.280
<v Speaker 2>she goes, I want to go home now, and then

1:13:02.280 --> 1:13:03.960
<v Speaker 2>when she gets up on the chair, there's a big

1:13:04.000 --> 1:13:04.800
<v Speaker 2>puddle of piss.

1:13:04.840 --> 1:13:06.960
<v Speaker 1>And this is like the movie Ransom. Do you remember that?

1:13:07.280 --> 1:13:10.280
<v Speaker 1>I don't remember this? Something like this happened in Ransom. Yeah,

1:13:10.320 --> 1:13:12.040
<v Speaker 1>like he peed down his pants and that's how they

1:13:12.120 --> 1:13:14.559
<v Speaker 1>knew who the killer was. Yeah, what is it? But

1:13:14.600 --> 1:13:17.280
<v Speaker 1>also like wouldn't did any of the girls say the

1:13:17.320 --> 1:13:18.240
<v Speaker 1>man had an accent?

1:13:19.640 --> 1:13:19.680
<v Speaker 4>No?

1:13:19.800 --> 1:13:22.400
<v Speaker 1>But they're kids, I know, But like you could say,

1:13:22.400 --> 1:13:23.840
<v Speaker 1>he doesn't talk like you were me. I mean like

1:13:23.920 --> 1:13:27.439
<v Speaker 1>Rosie knows Pepa Pig talks different, and like Bluie talks different,

1:13:27.439 --> 1:13:29.000
<v Speaker 1>you know what I mean? Like if they had, like

1:13:29.040 --> 1:13:30.439
<v Speaker 1>if there had been an accent, I feel like that

1:13:30.479 --> 1:13:33.880
<v Speaker 1>would have like maybe tipped Olivia or something earlier. But

1:13:34.040 --> 1:13:38.200
<v Speaker 1>you blame no, non blaming.

1:13:38.240 --> 1:13:42.920
<v Speaker 2>The cops should have asked Ben's Yeah, they should have.

1:13:43.360 --> 1:13:46.519
<v Speaker 2>Did the criminals sound like Pepa Pig? That would be

1:13:46.560 --> 1:13:50.880
<v Speaker 2>a perfect question. So there's a piss so if a

1:13:50.960 --> 1:13:53.800
<v Speaker 2>kid is pissing, the killers in the room. So then

1:13:54.040 --> 1:13:56.599
<v Speaker 2>Benson says, Mandy just told us who really raped her.

1:13:56.920 --> 1:13:58.800
<v Speaker 2>So we cut to Eric opening the door to his

1:13:58.880 --> 1:14:00.400
<v Speaker 2>apartment and it's Benson there.

1:14:00.760 --> 1:14:03.080
<v Speaker 1>Oh my god, I love this scene. I'm like, okay,

1:14:03.560 --> 1:14:06.639
<v Speaker 1>we're nearing the end, guys, let's do this. So Eric

1:14:06.640 --> 1:14:09.280
<v Speaker 1>opens the door in the apartment and Benson's there to

1:14:09.280 --> 1:14:11.320
<v Speaker 1>see him, and he's like, wow, surprise, and she's like,

1:14:11.320 --> 1:14:13.840
<v Speaker 1>what can't just drop by for a glass of wine?

1:14:13.880 --> 1:14:15.560
<v Speaker 1>And it's like, no, you're a psychopath.

1:14:16.600 --> 1:14:19.800
<v Speaker 2>He says sorry, I'm all out, but also he was thinking,

1:14:19.840 --> 1:14:21.960
<v Speaker 2>and before he can say anything more, Benson goes, you

1:14:21.960 --> 1:14:24.479
<v Speaker 2>want to stop seeing me, and he's like, it's not you,

1:14:24.560 --> 1:14:27.080
<v Speaker 2>but I'm just too wound up and too many painful memories.

1:14:27.080 --> 1:14:29.880
<v Speaker 2>And Benson then like pushes him, I'm not even your type, right,

1:14:30.240 --> 1:14:33.040
<v Speaker 2>I'm a little old. And she's acting smug as hell

1:14:33.120 --> 1:14:35.240
<v Speaker 2>and it's like, you're a fucking liar and he's like,

1:14:35.320 --> 1:14:38.439
<v Speaker 2>I don't know what you're talking about, and she's like,

1:14:38.600 --> 1:14:41.000
<v Speaker 2>look at you keep lying and the biggest lie is

1:14:41.000 --> 1:14:44.200
<v Speaker 2>you hating pedophiles trying to get pedophiles, and he screams,

1:14:44.240 --> 1:14:47.000
<v Speaker 2>don't call me that, and she says, I didn't, but

1:14:47.080 --> 1:14:48.840
<v Speaker 2>that's weird that you thought I did. And he says,

1:14:48.960 --> 1:14:51.080
<v Speaker 2>just because I don't want to date you, and she's like,

1:14:51.160 --> 1:14:51.960
<v Speaker 2>just tell the truth.

1:14:52.160 --> 1:14:53.920
<v Speaker 1>You never wanted to date me. You just wanted to

1:14:53.960 --> 1:14:55.200
<v Speaker 1>suss out what the cops knew.

1:14:55.520 --> 1:14:57.639
<v Speaker 2>So you know, you slithered up and whipped out your

1:14:57.680 --> 1:15:00.719
<v Speaker 2>purve pointer and your drive and makes we were watching

1:15:00.800 --> 1:15:02.760
<v Speaker 2>the creep down the street or in the park. But

1:15:02.800 --> 1:15:04.920
<v Speaker 2>I think you moved to this neighborhood on purpose because

1:15:04.920 --> 1:15:07.960
<v Speaker 2>it's the perfect cover for raping little girls. And he's like,

1:15:08.000 --> 1:15:09.800
<v Speaker 2>I want you out of here, and Benson says, you're

1:15:09.800 --> 1:15:12.760
<v Speaker 2>the karate expert. Make me and he smiles and he

1:15:12.760 --> 1:15:14.800
<v Speaker 2>ain't gonna do shit, and he giggles and walks away

1:15:14.840 --> 1:15:16.599
<v Speaker 2>and says I'm gonna call the police, and she's like,

1:15:16.880 --> 1:15:19.439
<v Speaker 2>and tell them what that You fingered Adelson for a

1:15:19.479 --> 1:15:22.080
<v Speaker 2>crime he didn't commit. And it's like fingered means something else.

1:15:22.120 --> 1:15:24.960
<v Speaker 2>It's like, you can't do that. They say fingered in

1:15:25.000 --> 1:15:28.080
<v Speaker 2>this all the time, but like language changes, things start

1:15:28.120 --> 1:15:31.360
<v Speaker 2>eating other things. You can't hate it keeps sat fingers.

1:15:31.720 --> 1:15:35.920
<v Speaker 1>I know. It's like so weird. He screams and is

1:15:35.960 --> 1:15:38.800
<v Speaker 1>getting agitated, and Benson's like, nope, bro, you hacked him

1:15:38.840 --> 1:15:41.320
<v Speaker 1>and you did it, and he says and He's like, no,

1:15:41.439 --> 1:15:43.519
<v Speaker 1>he did it, Olivia, and that's why he offed himself.

1:15:43.560 --> 1:15:46.080
<v Speaker 1>And she says, because you drove him to it, just

1:15:46.080 --> 1:15:48.160
<v Speaker 1>like how you drove your sister to do that. And

1:15:48.240 --> 1:15:51.240
<v Speaker 1>she points to the painting while talking, and he's like, oh,

1:15:51.320 --> 1:15:54.120
<v Speaker 1>now you're really losing it. Grace hung herself in eighty

1:15:54.160 --> 1:15:56.960
<v Speaker 1>two and walks out a woman, saying, then how can

1:15:56.960 --> 1:16:00.720
<v Speaker 1>I be standing right here? And Stabler's behind and Eric

1:16:00.800 --> 1:16:04.280
<v Speaker 1>looks shocked and the violins start playing, and he says Grace,

1:16:04.640 --> 1:16:06.840
<v Speaker 1>and Sablor says she was super easy to find. She

1:16:06.920 --> 1:16:08.719
<v Speaker 1>was just like in Delaware in a phone book.

1:16:08.800 --> 1:16:11.960
<v Speaker 2>But you needed her dead, didn't you, for your sob stories,

1:16:12.000 --> 1:16:14.880
<v Speaker 2>so nobody would peek under the mask. And then she says,

1:16:14.960 --> 1:16:17.160
<v Speaker 2>you raped me, Eric, I was only nine, and then

1:16:17.200 --> 1:16:20.040
<v Speaker 2>you try to convince me it was a mistake, you swore.

1:16:20.400 --> 1:16:23.400
<v Speaker 2>She started walking like walking towards Eric and he's crying

1:16:23.400 --> 1:16:26.160
<v Speaker 2>and she says, but you kept on raping how many Eric,

1:16:26.200 --> 1:16:28.799
<v Speaker 2>how many girls pictures did you paint? And then he screams,

1:16:28.840 --> 1:16:31.240
<v Speaker 2>I can't help it. Don't you see, I'm sick. I

1:16:31.280 --> 1:16:33.559
<v Speaker 2>can't control myself. You have, I had no idea what

1:16:33.600 --> 1:16:36.000
<v Speaker 2>it's like. I try so hard to not look at

1:16:36.000 --> 1:16:38.479
<v Speaker 2>little girls. And he fights against it and every time

1:16:38.560 --> 1:16:41.040
<v Speaker 2>it wins, and Benson says, enough with her, sob story.

1:16:41.360 --> 1:16:43.800
<v Speaker 2>Don't you judge me, bitch? You make me sick. Every

1:16:43.800 --> 1:16:45.880
<v Speaker 2>time I stand near you, I have to hold my breath.

1:16:45.920 --> 1:16:48.479
<v Speaker 2>And Benson's like, finally, you tell the truth. And he

1:16:48.520 --> 1:16:50.879
<v Speaker 2>gets mad and tries to comfort her, and she knocks

1:16:50.880 --> 1:16:53.479
<v Speaker 2>his ass to the ground. Bye bye, and he hits

1:16:53.520 --> 1:16:56.400
<v Speaker 2>the floor, and Sablor pulls out his gun and Grace

1:16:56.479 --> 1:16:59.479
<v Speaker 2>pulls like some weapon that the grim Reaper would hold?

1:17:00.240 --> 1:17:01.639
<v Speaker 2>Was that it was a grim Reaper?

1:17:02.000 --> 1:17:05.759
<v Speaker 1>Like yeah, it like a like a scythe or like

1:17:05.760 --> 1:17:07.960
<v Speaker 1>like a machete. I don't know. It was wild, It

1:17:08.000 --> 1:17:08.920
<v Speaker 1>was really wild.

1:17:09.080 --> 1:17:12.000
<v Speaker 2>And she's crying and then she she attacks the painting

1:17:12.360 --> 1:17:15.040
<v Speaker 2>and so she starts ripping the painting apart, and it

1:17:15.120 --> 1:17:18.120
<v Speaker 2>ends on our detectives' faces, and an amazing episode of

1:17:18.160 --> 1:17:21.280
<v Speaker 2>television twists and turns. One of my favorite red herrings,

1:17:21.280 --> 1:17:24.719
<v Speaker 2>but not red hairing. I mean it's like it's incredible, one.

1:17:24.560 --> 1:17:27.240
<v Speaker 1>Of the most amazing twists in the history of the show,

1:17:27.320 --> 1:17:30.679
<v Speaker 1>and very similar to fast forward this if you've never

1:17:30.760 --> 1:17:32.960
<v Speaker 1>read or seen The Girl with the Dragon Tattoo. But

1:17:33.040 --> 1:17:35.519
<v Speaker 1>to me, this is like the exact ending of The

1:17:35.520 --> 1:17:38.960
<v Speaker 1>Girl with the Dragon Tattoo is like this girl that

1:17:39.000 --> 1:17:41.479
<v Speaker 1>they everyone has assumed has been dead the entire time

1:17:41.640 --> 1:17:43.639
<v Speaker 1>comes back and is like, yeah, my brother was raping

1:17:43.680 --> 1:17:46.200
<v Speaker 1>me forever, like and it's like a huge twist at

1:17:46.200 --> 1:17:47.920
<v Speaker 1>the end of Girl with the Dragon Tattoo, which only

1:17:47.960 --> 1:17:50.040
<v Speaker 1>came out, like the book only came out a couple

1:17:50.120 --> 1:17:51.920
<v Speaker 1>years before this episode, so I feel like I wonder

1:17:51.920 --> 1:17:55.280
<v Speaker 1>if someone was reading it. But it's like it's like

1:17:55.720 --> 1:17:58.640
<v Speaker 1>also with this guy Eric, Like I think that that

1:17:58.840 --> 1:18:01.280
<v Speaker 1>is how pedophies feel. Like I try not to do it.

1:18:01.320 --> 1:18:03.519
<v Speaker 1>I really try. I really try, and like I'm sick

1:18:03.560 --> 1:18:05.599
<v Speaker 1>and I can't control myself, and like I do think

1:18:05.600 --> 1:18:07.320
<v Speaker 1>that's how bout a files feel. But then it's like

1:18:07.560 --> 1:18:12.000
<v Speaker 1>you're framing other people, you're ruining other people's lives, and

1:18:12.080 --> 1:18:14.840
<v Speaker 1>you're like out there, yeah, like putting up posters of

1:18:14.840 --> 1:18:17.240
<v Speaker 1>a poor mentally ill boy being like get this freak

1:18:17.280 --> 1:18:20.160
<v Speaker 1>when it's like you you're like a Republican, Like you're

1:18:20.200 --> 1:18:23.439
<v Speaker 1>this guy talking about like family values while you're trying

1:18:23.479 --> 1:18:25.680
<v Speaker 1>to tap on somebody's foot in a stall to get

1:18:25.680 --> 1:18:27.880
<v Speaker 1>a BJ you know what I mean. Like that's like

1:18:27.920 --> 1:18:30.360
<v Speaker 1>why this guy gets like no sympathy from me.

1:18:30.560 --> 1:18:34.320
<v Speaker 2>Like, also, just get castrated, Like all these fucking perfs

1:18:34.320 --> 1:18:35.960
<v Speaker 2>should just get their sperm cut.

1:18:37.080 --> 1:18:39.840
<v Speaker 1>Yeah does that work? You get like chemically castrated? I

1:18:39.880 --> 1:18:42.599
<v Speaker 1>bet you. There's still other ways you could hurt people.

1:18:43.000 --> 1:18:49.400
<v Speaker 1>But anyway, an amazing episode, a depressing crime to follow,

1:18:49.520 --> 1:18:52.559
<v Speaker 1>So don't go anywhere, listen to our advertisements and we'll

1:18:52.600 --> 1:19:09.320
<v Speaker 1>be right back. Okay. So, even though I think that

1:19:09.400 --> 1:19:11.120
<v Speaker 1>the end part of the episode has to do with

1:19:11.160 --> 1:19:14.240
<v Speaker 1>the girl with the dragon tattoo, in my opinion, uh,

1:19:14.280 --> 1:19:18.959
<v Speaker 1>the real true crime is connected to the compulsive gamers

1:19:18.960 --> 1:19:22.679
<v Speaker 1>that are Rose Simonsky's parents at the beginning of Wow

1:19:22.720 --> 1:19:27.000
<v Speaker 1>so cool. Yeah, so this is called the it's not

1:19:27.040 --> 1:19:29.080
<v Speaker 1>that cool when you hear the song. I know, but

1:19:29.280 --> 1:19:31.720
<v Speaker 1>I that's not what I had. I didn't know what

1:19:31.760 --> 1:19:32.479
<v Speaker 1>crime you were doing.

1:19:32.560 --> 1:19:36.519
<v Speaker 2>Yeah, yeah, I am, because that is a very interesting

1:19:36.560 --> 1:19:39.120
<v Speaker 2>part of this episode and it always I remember it

1:19:39.240 --> 1:19:40.120
<v Speaker 2>and the whole interaction.

1:19:40.200 --> 1:19:42.880
<v Speaker 1>Yeah, like it's just well, they put a lot of

1:19:42.920 --> 1:19:46.000
<v Speaker 1>little details into it that show you how connected it

1:19:46.040 --> 1:19:48.640
<v Speaker 1>is to this. So it's based on the case of

1:19:48.720 --> 1:19:51.559
<v Speaker 1>Kim Sarong, but in Korea they put the last name first,

1:19:51.560 --> 1:19:55.160
<v Speaker 1>I believe, so Sarong is her first name and it

1:19:55.280 --> 1:19:59.679
<v Speaker 1>means love. And she was the three month old child

1:20:00.080 --> 1:20:04.040
<v Speaker 1>of Jbaum Kim, age forty and his common law wife

1:20:04.640 --> 1:20:09.800
<v Speaker 1>Young Chung Kim, age twenty five. These two parents were poor, unemployed,

1:20:09.840 --> 1:20:15.120
<v Speaker 1>and unfortunately were extremely addicted to a massive multiplayer online

1:20:15.200 --> 1:20:19.920
<v Speaker 1>role playing game also known as an MMO RPG called Prius.

1:20:20.200 --> 1:20:23.080
<v Speaker 1>Probably the most famous MMO RPG as World of Warcraft,

1:20:23.720 --> 1:20:27.559
<v Speaker 1>but this one was called Prius, and this couple would

1:20:27.560 --> 1:20:30.639
<v Speaker 1>allegedly leave their baby home for like hours at a time,

1:20:30.760 --> 1:20:33.519
<v Speaker 1>like eight to ten hours to go to an internet

1:20:33.560 --> 1:20:36.280
<v Speaker 1>cafe and play the game. And the super fucked up

1:20:36.320 --> 1:20:38.439
<v Speaker 1>part of it is just like in the episode, the

1:20:38.520 --> 1:20:41.400
<v Speaker 1>game is all about raising a child. It's about raising

1:20:41.479 --> 1:20:43.640
<v Speaker 1>a little girl and giving her all these powers and

1:20:43.680 --> 1:20:47.400
<v Speaker 1>then she fights and stuff. So they would leave their

1:20:47.479 --> 1:20:51.320
<v Speaker 1>real child to go raise like an online game child.

1:20:51.880 --> 1:20:55.719
<v Speaker 1>And one night they came in September of two thousand

1:20:55.720 --> 1:20:57.639
<v Speaker 1>and nine. One morning, they came home at seven am

1:20:57.680 --> 1:20:59.760
<v Speaker 1>after playing the game for ten hours at one of

1:20:59.800 --> 1:21:03.920
<v Speaker 1>these gaming places, like they kept calling them, like oh,

1:21:04.040 --> 1:21:06.000
<v Speaker 1>video bang or game bang or something. I don't know,

1:21:06.040 --> 1:21:08.439
<v Speaker 1>it's like these they're like these places all over Korea,

1:21:08.520 --> 1:21:11.360
<v Speaker 1>South Korea where you can play games for like long

1:21:11.400 --> 1:21:13.080
<v Speaker 1>amounts of time. I mean, I'm sure we have them

1:21:13.120 --> 1:21:16.960
<v Speaker 1>in the US, but they're like prolific in Korea. And

1:21:17.000 --> 1:21:20.200
<v Speaker 1>when they got home at seven am, the baby was passed.

1:21:20.320 --> 1:21:22.559
<v Speaker 1>The baby had to say sad. I know, it's like

1:21:22.720 --> 1:21:25.240
<v Speaker 1>so super sad. And her time of death she weighed

1:21:25.240 --> 1:21:27.719
<v Speaker 1>five point five pounds, which is less than her birth

1:21:27.720 --> 1:21:31.760
<v Speaker 1>weight of six point four pounds. So to have not

1:21:31.840 --> 1:21:34.000
<v Speaker 1>gained any weight in your first three months of life

1:21:34.080 --> 1:21:37.800
<v Speaker 1>is like not good. And the police noted the low

1:21:37.840 --> 1:21:40.760
<v Speaker 1>weight and the dehydration and they immediately became suspicious and

1:21:40.800 --> 1:21:45.200
<v Speaker 1>the cause of death was ruled malnutrition. And according to

1:21:45.240 --> 1:21:48.960
<v Speaker 1>the police, the mother had not sought any medical care

1:21:49.080 --> 1:21:50.960
<v Speaker 1>prior to giving birth, like she had kno gone to

1:21:51.000 --> 1:21:54.400
<v Speaker 1>the doctor, no checkups, no vitamins, like nothing. She did

1:21:54.479 --> 1:21:56.840
<v Speaker 1>not know how to be a mom. She fed the

1:21:56.880 --> 1:22:00.479
<v Speaker 1>baby spoiled milk, and one investigator said she just had

1:22:00.520 --> 1:22:04.760
<v Speaker 1>no idea how to raise a child. So after her death,

1:22:04.800 --> 1:22:06.760
<v Speaker 1>the parents were afraid to alert the police and just

1:22:06.800 --> 1:22:11.519
<v Speaker 1>started like looking up funeral arrangements online. And then I

1:22:11.560 --> 1:22:13.040
<v Speaker 1>will talk about this in a little bit, but there

1:22:13.080 --> 1:22:15.920
<v Speaker 1>was a documentary about this case made and in the documentary,

1:22:15.960 --> 1:22:20.320
<v Speaker 1>this veteran detective says, whose name is Sang Yun Hahn says,

1:22:20.439 --> 1:22:22.880
<v Speaker 1>a typical parent would weep in this situation, but they

1:22:22.920 --> 1:22:25.240
<v Speaker 1>showed no emotion. And then he said, none of us

1:22:25.240 --> 1:22:27.400
<v Speaker 1>believed it at first, like they couldn't believe that this

1:22:27.520 --> 1:22:28.839
<v Speaker 1>was like the result of the parents.

1:22:29.320 --> 1:22:32.200
<v Speaker 2>And I'm huse, so they didn't how did the police

1:22:32.400 --> 1:22:33.080
<v Speaker 2>find out if.

1:22:32.960 --> 1:22:35.519
<v Speaker 1>They eventually they did. Eventually they did call the police,

1:22:35.520 --> 1:22:37.880
<v Speaker 1>like after they like looked up funeral arrangements, but like

1:22:37.960 --> 1:22:40.559
<v Speaker 1>they knew they had, like they saw in their search

1:22:40.600 --> 1:22:42.599
<v Speaker 1>history that they didn't call the police right away. They

1:22:42.640 --> 1:22:46.360
<v Speaker 1>first looked up funeral arrangements, then they called the police.

1:22:46.560 --> 1:22:49.640
<v Speaker 1>Then while they're doing the autopsy, which apparently takes a

1:22:49.640 --> 1:22:52.360
<v Speaker 1>couple of weeks, they let the parents go. They let

1:22:52.360 --> 1:22:55.200
<v Speaker 1>them go free, and then they disappeared after the baby's funeral,

1:22:55.360 --> 1:22:59.439
<v Speaker 1>they like peaced out, so this was September of nine

1:22:59.439 --> 1:23:01.719
<v Speaker 1>when this happened. It took them until February of twenty

1:23:01.760 --> 1:23:04.120
<v Speaker 1>ten to find them, although they were hiding in an

1:23:04.160 --> 1:23:06.840
<v Speaker 1>isolated village where their parents lived, so kind of should

1:23:06.880 --> 1:23:10.120
<v Speaker 1>have been the first stop. But then after they captured

1:23:10.120 --> 1:23:13.240
<v Speaker 1>them in February, the story started to go international in

1:23:13.280 --> 1:23:15.920
<v Speaker 1>March of twenty ten, and then the trial was in

1:23:16.000 --> 1:23:19.040
<v Speaker 1>April of twenty ten, and the trial lasted just over

1:23:19.080 --> 1:23:22.280
<v Speaker 1>a half an hour. So in Korea, trials are like

1:23:22.280 --> 1:23:25.240
<v Speaker 1>episodes of law and Order restview. They happened very quickly

1:23:25.280 --> 1:23:28.880
<v Speaker 1>and everything has resolved fast. The parents confess to charges

1:23:28.920 --> 1:23:33.599
<v Speaker 1>of involuntary manslaughter. The father said in court I think quote,

1:23:33.600 --> 1:23:35.360
<v Speaker 1>I think of our baby in heaven. I will be

1:23:35.400 --> 1:23:38.400
<v Speaker 1>guilty until the day I die, and the prosecutor was

1:23:38.439 --> 1:23:43.240
<v Speaker 1>aiming for five year sentences for them. But this case

1:23:43.320 --> 1:23:46.400
<v Speaker 1>also stood to set legal precedents because no one had

1:23:46.479 --> 1:23:49.759
<v Speaker 1>used gaming addiction as a defense before, and gaming addiction

1:23:49.880 --> 1:23:53.840
<v Speaker 1>had never as they knew, led to a fatality before,

1:23:53.880 --> 1:23:56.000
<v Speaker 1>as far as they knew, like they didn't know that

1:23:56.120 --> 1:23:58.519
<v Speaker 1>a gaming addiction had ever led to somebody dying, but

1:23:58.640 --> 1:24:03.439
<v Speaker 1>the judge went lenient on them. But why well, I

1:24:03.479 --> 1:24:07.240
<v Speaker 1>think that I think it was because they realized how

1:24:07.240 --> 1:24:09.320
<v Speaker 1>addicted to this game they were, and like that they

1:24:09.360 --> 1:24:12.160
<v Speaker 1>were not in their right minds. I guess like he

1:24:12.560 --> 1:24:15.040
<v Speaker 1>gave them two he gave them both two year sentences

1:24:15.040 --> 1:24:18.960
<v Speaker 1>in prison. The mother's sentence was suspended because she was

1:24:19.040 --> 1:24:22.800
<v Speaker 1>pregnant with their second child, but they both swore that

1:24:22.840 --> 1:24:27.080
<v Speaker 1>they would never play games again. And uh, you know,

1:24:27.360 --> 1:24:29.080
<v Speaker 1>the mom just like I don't think ever saw jail

1:24:29.120 --> 1:24:32.120
<v Speaker 1>time because her sentence was suspended indefinitely. And then the dad,

1:24:32.160 --> 1:24:35.080
<v Speaker 1>I think, did two years in jail. The case raised

1:24:35.120 --> 1:24:36.880
<v Speaker 1>a lot of issues about the dark side of the

1:24:36.920 --> 1:24:40.599
<v Speaker 1>internet in a country with very, very advanced broadband like Chris,

1:24:40.680 --> 1:24:42.960
<v Speaker 1>South Korea is like one of the considered one of

1:24:43.000 --> 1:24:47.479
<v Speaker 1>the digital capitals of the world. So it's just it's

1:24:47.479 --> 1:24:49.840
<v Speaker 1>like a it's like a problem there, like it's a five.

1:24:49.880 --> 1:24:52.639
<v Speaker 1>There's a five. As of twenty ten, the gaming industry

1:24:52.720 --> 1:24:55.960
<v Speaker 1>was five billion dollars there, so it's definitely more now.

1:24:56.800 --> 1:25:00.960
<v Speaker 1>Online addiction is apparently very common in Korea, and so

1:25:01.240 --> 1:25:04.920
<v Speaker 1>someone made this HBO documentary called Love Child. It's unfortunately

1:25:05.000 --> 1:25:08.600
<v Speaker 1>no longer on HBO. But I did find it online

1:25:08.640 --> 1:25:11.040
<v Speaker 1>and I watched a bunch of it and it's so

1:25:11.080 --> 1:25:12.559
<v Speaker 1>we'll put that in our show notes if you want

1:25:12.560 --> 1:25:16.400
<v Speaker 1>to watch it. And it was directed by Valerie Veach

1:25:15.800 --> 1:25:18.280
<v Speaker 1>v A. T. C. H. I don't know. I say

1:25:18.280 --> 1:25:22.400
<v Speaker 1>that vachvich and was it was about the tragedy, but

1:25:22.479 --> 1:25:25.360
<v Speaker 1>instead of just like vilifying the negligent parents, it kind

1:25:25.400 --> 1:25:28.000
<v Speaker 1>of looks more broadly at the country where like an

1:25:28.120 --> 1:25:31.920
<v Speaker 1>estimated two million people are addicted to gaming, and they

1:25:31.920 --> 1:25:33.680
<v Speaker 1>talk about in the documentary about like a twenty eight

1:25:33.760 --> 1:25:36.040
<v Speaker 1>year old woman who died of heart failure after playing

1:25:36.040 --> 1:25:40.960
<v Speaker 1>a game for fifty hours straight and then so that's

1:25:40.960 --> 1:25:44.400
<v Speaker 1>like interesting the documentary kind of they never show their faces,

1:25:44.439 --> 1:25:47.160
<v Speaker 1>the parents' faces, and like, honestly, you look up information

1:25:47.240 --> 1:25:49.960
<v Speaker 1>and there's nothing about like what happened to their second

1:25:50.040 --> 1:25:52.080
<v Speaker 1>kid or if they're all living happily right now. Like

1:25:52.120 --> 1:25:55.439
<v Speaker 1>I have no idea. I just like, I don't know.

1:25:55.560 --> 1:25:57.799
<v Speaker 1>I guess I feel sort of like it is maybe

1:25:57.840 --> 1:26:00.160
<v Speaker 1>like a failure of society that no one taught this

1:26:00.200 --> 1:26:04.000
<v Speaker 1>woman how to raise a child, but also like what

1:26:04.040 --> 1:26:06.960
<v Speaker 1>was going on with you, Like apparently her family wasn't

1:26:06.960 --> 1:26:09.400
<v Speaker 1>helping because they didn't approve of the age difference between

1:26:09.400 --> 1:26:11.559
<v Speaker 1>her and her guy was twenty five and forty, so

1:26:11.920 --> 1:26:14.960
<v Speaker 1>they didn't like that age difference, and so like, I

1:26:15.000 --> 1:26:17.400
<v Speaker 1>guess maybe a mom around would have said, Okay, you

1:26:17.439 --> 1:26:20.200
<v Speaker 1>gotta feed your kid like not spoiled milk, and like

1:26:20.240 --> 1:26:22.120
<v Speaker 1>here's what you do, and you can't leave the baby

1:26:22.479 --> 1:26:24.280
<v Speaker 1>at home alone. But I guess they were like, well,

1:26:24.280 --> 1:26:26.240
<v Speaker 1>the baby's asleep, We're gonna go out and play. Like

1:26:26.280 --> 1:26:30.400
<v Speaker 1>they just weren't being normal. I don't know, but I was.

1:26:30.439 --> 1:26:32.040
<v Speaker 2>I don't feel bad for them, and I think they

1:26:32.040 --> 1:26:34.280
<v Speaker 2>age should have been in jail for at least ten years.

1:26:34.760 --> 1:26:38.919
<v Speaker 1>I know, I know, but they were, like Korea felt differently,

1:26:38.960 --> 1:26:41.280
<v Speaker 1>and they were given very lenient sentences and allowed to

1:26:41.280 --> 1:26:43.519
<v Speaker 1>have another child that was not immediately taken away from them.

1:26:44.200 --> 1:26:46.479
<v Speaker 1>So I wanted to look up and see if like

1:26:46.680 --> 1:26:51.240
<v Speaker 1>internet gaming disorder like online addiction, has actually been recognized yet,

1:26:51.240 --> 1:26:55.680
<v Speaker 1>and apparently in twenty thirteen, Internet gaming disorder is identified

1:26:55.840 --> 1:26:58.759
<v Speaker 1>in section three of the DSM five as a condition

1:26:58.960 --> 1:27:02.519
<v Speaker 1>warranting more clinical research and experience before it might be

1:27:02.560 --> 1:27:05.520
<v Speaker 1>considered for inclusion in the main book as a formal disorder,

1:27:06.240 --> 1:27:09.519
<v Speaker 1>but apparently the WHO, the World Health Organization, officially recognized

1:27:09.560 --> 1:27:13.760
<v Speaker 1>gaming disorder in May of twenty nineteen, so it's not

1:27:13.760 --> 1:27:16.840
<v Speaker 1>not in the DSM yet, but it has been recognized

1:27:16.880 --> 1:27:21.080
<v Speaker 1>by one major organization as a problem. So that's that.

1:27:21.080 --> 1:27:27.200
<v Speaker 1>That's the story. I know, it's so sad, it's really sad,

1:27:28.280 --> 1:27:31.360
<v Speaker 1>but this Love Child documentary is interesting and they kind

1:27:31.400 --> 1:27:35.360
<v Speaker 1>of talk about like, you know, what happened, but also,

1:27:36.479 --> 1:27:39.360
<v Speaker 1>you know, the gaming problem in Korea.

1:27:40.040 --> 1:27:43.960
<v Speaker 2>I under you know, it's it's tough, but I wouldn't

1:27:44.000 --> 1:27:48.640
<v Speaker 2>feel bad for anyone else addicted to anything else, like

1:27:48.680 --> 1:27:51.559
<v Speaker 2>if your baby died and you were out drinking or

1:27:51.560 --> 1:27:57.439
<v Speaker 2>doing drugs or I don't there yeah, right this video game.

1:27:57.640 --> 1:28:00.519
<v Speaker 2>Like obviously there's but like people have issues, but like

1:28:00.720 --> 1:28:03.799
<v Speaker 2>I don't feel bad like if your baby dies.

1:28:04.560 --> 1:28:08.599
<v Speaker 1>I just feel like that's so I know, long in jail,

1:28:09.840 --> 1:28:13.160
<v Speaker 1>I know, I just feel like they were like the

1:28:13.200 --> 1:28:16.480
<v Speaker 1>people in the show, like they were just like completely

1:28:16.720 --> 1:28:20.080
<v Speaker 1>not on the planet, you know what I mean, Like

1:28:20.240 --> 1:28:23.240
<v Speaker 1>besides her cap Groad delusion thing which was like added

1:28:23.280 --> 1:28:26.760
<v Speaker 1>on to it, like they just like didn't notice when

1:28:26.800 --> 1:28:30.040
<v Speaker 1>someone burst into their home, like they are just fully

1:28:30.360 --> 1:28:33.960
<v Speaker 1>not living in reality, like not washing themselves, like not

1:28:34.640 --> 1:28:37.120
<v Speaker 1>you know, it just feels like it's like a mental disorder,

1:28:37.160 --> 1:28:40.960
<v Speaker 1>but not officially so I don't know. But I've got

1:28:41.000 --> 1:28:44.879
<v Speaker 1>a great way to cleanse the palette of a deceased baby.

1:28:44.920 --> 1:28:47.760
<v Speaker 1>And it is our next guest. Because you're just in

1:28:47.960 --> 1:28:58.400
<v Speaker 1>for such a treat. I'm so excited about our guests, you, guys,

1:28:58.760 --> 1:29:02.959
<v Speaker 1>Our guest today is truly I mean, we say prolific

1:29:03.040 --> 1:29:06.120
<v Speaker 1>all the time, but the definition of prolific, Like, you

1:29:06.160 --> 1:29:08.680
<v Speaker 1>can't start this. When you scroll this man's IMDb, it

1:29:08.760 --> 1:29:10.960
<v Speaker 1>just goes on forever. Your your thumb will get a cramp.

1:29:11.360 --> 1:29:14.439
<v Speaker 1>You might recognize him from TV shows like Silicon Valley,

1:29:14.520 --> 1:29:19.840
<v Speaker 1>The Goldberg's, Californiaication, and so many others, but you, if

1:29:19.880 --> 1:29:22.679
<v Speaker 1>you're me, he is most memorable to you as Ned

1:29:22.800 --> 1:29:26.719
<v Speaker 1>Ryerson from groundhog Day, and you know him today as

1:29:26.920 --> 1:29:29.880
<v Speaker 1>a pedophile who was wrongly framed for a different crime,

1:29:30.120 --> 1:29:35.920
<v Speaker 1>Edwin Adelson. Guys, enjoy our beautiful conversation with Stephen Tobolowski.

1:29:36.400 --> 1:29:40.240
<v Speaker 1>Oh my gosh, this is bitch. We're like thrilled. I'm

1:29:40.280 --> 1:29:42.240
<v Speaker 1>like my mind is blown, Like I can't believe we're

1:29:42.240 --> 1:29:44.960
<v Speaker 1>talking to you, Like you're just so like part of

1:29:45.000 --> 1:29:47.240
<v Speaker 1>every movie or TV show I've like ever watched in

1:29:47.240 --> 1:29:49.760
<v Speaker 1>my life, and I just I'm so thrilled you are

1:29:49.800 --> 1:29:50.920
<v Speaker 1>willing to come on the podcast.

1:29:51.000 --> 1:29:56.280
<v Speaker 4>It's kind of like mold in our house. It's just everywhere, everywhere.

1:29:57.160 --> 1:29:59.880
<v Speaker 2>But before we get into full SVU step, since you

1:30:00.000 --> 1:30:03.519
<v Speaker 2>who are so prolific, what do people stop you on

1:30:03.560 --> 1:30:04.280
<v Speaker 2>the streets from?

1:30:04.400 --> 1:30:08.000
<v Speaker 1>Do people what are the things you're most recognized from? Yeah, Like,

1:30:08.040 --> 1:30:09.920
<v Speaker 1>I really need to know how many people call you

1:30:09.960 --> 1:30:12.160
<v Speaker 1>Ned Ryerson on like a daily basis.

1:30:12.439 --> 1:30:15.160
<v Speaker 4>Well, that's the one good thing about the pandemic, because

1:30:15.240 --> 1:30:18.200
<v Speaker 4>you know, with the mask on a lot of people,

1:30:18.240 --> 1:30:21.439
<v Speaker 4>you know, they go like is that Ned? I don't know,

1:30:22.280 --> 1:30:26.320
<v Speaker 4>but usually at least one or two people a day

1:30:26.920 --> 1:30:31.200
<v Speaker 4>spot me as Ned. And those people inevitably say, has

1:30:31.240 --> 1:30:35.160
<v Speaker 4>anyone ever said are you Ned? And I say, yeah,

1:30:35.320 --> 1:30:38.840
<v Speaker 4>like about thirty minutes ago. But what I do now

1:30:38.960 --> 1:30:42.360
<v Speaker 4>is because my career over the time has become so

1:30:42.560 --> 1:30:45.400
<v Speaker 4>varied when people come up to me and they go

1:30:45.520 --> 1:30:50.120
<v Speaker 4>like you, I know you you were from? And then

1:30:50.160 --> 1:30:54.000
<v Speaker 4>I have to do a quick terminator scan of the

1:30:54.040 --> 1:30:56.439
<v Speaker 4>person and see like who is this person? What am

1:30:56.439 --> 1:30:58.080
<v Speaker 4>I going to say? So if I see a tattoo,

1:30:58.160 --> 1:31:02.280
<v Speaker 4>and I'll go like, yeah, Californication. I played stoop Eggs

1:31:02.280 --> 1:31:05.240
<v Speaker 4>in Californication. If I see you like a nerdy T shirt,

1:31:05.240 --> 1:31:08.840
<v Speaker 4>I go, yep, Silicon Valley, Yeah, Jack Barker, Silicon Valley.

1:31:09.280 --> 1:31:11.760
<v Speaker 4>And if they're just you know, mom and dad and

1:31:11.760 --> 1:31:15.559
<v Speaker 4>their kid going, I go, yep, it's ned but the

1:31:15.560 --> 1:31:18.200
<v Speaker 4>best one I ever got, the best one I've ever gotten.

1:31:18.200 --> 1:31:22.559
<v Speaker 4>I've gotten it twice now twice, which is remarkable. I

1:31:22.640 --> 1:31:25.800
<v Speaker 4>was in a movie line in California and someone turned

1:31:25.840 --> 1:31:29.720
<v Speaker 4>around and said, excuse me, are you the voice of

1:31:29.800 --> 1:31:32.920
<v Speaker 4>the calculator in the Brave Little Toaster Goes to Mars?

1:31:33.840 --> 1:31:36.080
<v Speaker 4>And I go, yes, I was the voice of the

1:31:36.160 --> 1:31:39.800
<v Speaker 4>calculator and Brave Little Toaster goes to Mars. And now

1:31:40.320 --> 1:31:42.720
<v Speaker 4>in my career, I've had two people come up to

1:31:42.760 --> 1:31:46.400
<v Speaker 4>me and go, my god, I'm finally meeting you the

1:31:46.520 --> 1:31:49.880
<v Speaker 4>voice of the calculator and Brave Little Toaster goes to Mars.

1:31:50.160 --> 1:31:52.400
<v Speaker 4>My little kid just loved that movie. We watched it

1:31:52.439 --> 1:31:54.680
<v Speaker 4>five hundred times a day. And you're the calculator.

1:31:55.160 --> 1:31:55.760
<v Speaker 1>That's the thing.

1:31:55.800 --> 1:31:56.040
<v Speaker 4>I mean.

1:31:56.080 --> 1:31:58.080
<v Speaker 1>I'm a mom and I feel like if I heard

1:31:58.120 --> 1:32:01.040
<v Speaker 1>somebody on the street that was from like Paw Patrol movie.

1:32:01.040 --> 1:32:04.040
<v Speaker 1>I'd be like, excuse me, like I would know it.

1:32:04.160 --> 1:32:07.799
<v Speaker 4>And I've done Paw Patrol. I have done Paw Patrol.

1:32:07.880 --> 1:32:10.160
<v Speaker 4>I did their Christmas show. I play some kind of

1:32:10.240 --> 1:32:13.960
<v Speaker 4>elf on Paw Patrol. Oh my god. Yeah, so this

1:32:13.960 --> 1:32:18.439
<v Speaker 4>this Christmas season, be watching that Paw Patrol and be listening,

1:32:19.040 --> 1:32:21.920
<v Speaker 4>you know, I would be listening for the Wayward Elf.

1:32:23.120 --> 1:32:25.200
<v Speaker 1>I love it. I mean it must be so hard.

1:32:25.280 --> 1:32:27.320
<v Speaker 1>That's funny that you're able to do like a scam

1:32:27.360 --> 1:32:29.400
<v Speaker 1>because it's like you have over two hundred and eighty

1:32:29.400 --> 1:32:31.439
<v Speaker 1>credits on IMDb. I'd be like if someone was like,

1:32:31.439 --> 1:32:33.160
<v Speaker 1>where do I know you from, I'd be like, take

1:32:33.160 --> 1:32:35.080
<v Speaker 1>out your IMDb app, I don't have time for this,

1:32:35.280 --> 1:32:38.479
<v Speaker 1>Like you know you just like, has anyone munch recognize

1:32:38.520 --> 1:32:39.760
<v Speaker 1>you from Freaky Friday?

1:32:40.320 --> 1:32:45.960
<v Speaker 4>Oh god, yes, Freaky Friday, mister Bates and Freaky Friday.

1:32:46.200 --> 1:32:51.919
<v Speaker 4>And I go absolutely absolutely. I even got one Clayton

1:32:51.960 --> 1:32:54.479
<v Speaker 4>Townly head of the Ku Klux Klan, you know from

1:32:54.479 --> 1:32:57.920
<v Speaker 4>Mississippi Burning? Are you Clayton Townly head of the Ku

1:32:58.000 --> 1:33:01.920
<v Speaker 4>Klux Klan? And I go, well, in the movie, yeah,

1:33:02.080 --> 1:33:04.080
<v Speaker 4>it was fiction, well not fiction, but it.

1:33:04.080 --> 1:33:07.960
<v Speaker 1>Was you know, yeah, not me. Now are you You've

1:33:07.960 --> 1:33:10.120
<v Speaker 1>got to be an offer only type guy? Right?

1:33:10.160 --> 1:33:13.880
<v Speaker 2>Are you still out there auditioning or people are knocking

1:33:14.000 --> 1:33:14.439
<v Speaker 2>on your door?

1:33:14.560 --> 1:33:19.679
<v Speaker 4>I haven't. I well neither. So you know, the last

1:33:19.720 --> 1:33:23.760
<v Speaker 4>few jobs I've gotten, I have not been I have

1:33:23.880 --> 1:33:26.320
<v Speaker 4>not auditioned for. You know, they were offers. But I

1:33:26.360 --> 1:33:29.400
<v Speaker 4>don't know. If I'm an offer only guy. I would

1:33:29.439 --> 1:33:31.679
<v Speaker 4>tell my agents, Hey, you know, if I'm sitting around

1:33:31.760 --> 1:33:34.679
<v Speaker 4>for a couple of months, hey, I'd be happy to audition. No, no, no,

1:33:34.720 --> 1:33:38.120
<v Speaker 4>you know, but I don't really know what the situation is.

1:33:38.200 --> 1:33:41.120
<v Speaker 4>But I just leave that to them and and fate.

1:33:41.360 --> 1:33:44.120
<v Speaker 4>And just if somebody asked me to do something and

1:33:44.160 --> 1:33:46.160
<v Speaker 4>it I'm available and it's something I want to do,

1:33:46.200 --> 1:33:46.559
<v Speaker 4>I'll do.

1:33:46.520 --> 1:33:49.080
<v Speaker 2>It right because I'm also I bet you're someone when

1:33:49.080 --> 1:33:52.080
<v Speaker 2>people write a script they go like a Steven Tablowski type.

1:33:52.520 --> 1:33:55.439
<v Speaker 4>Listen, listen, this is this is what really hurts. It

1:33:55.479 --> 1:33:59.280
<v Speaker 4>really hurts. I had I was going through a dry period,

1:33:59.360 --> 1:34:03.920
<v Speaker 4>as actors often do, and a friend of mine, Joel Reudnick,

1:34:04.160 --> 1:34:07.920
<v Speaker 4>was an agent for I think I forget what now,

1:34:07.960 --> 1:34:12.160
<v Speaker 4>but APA, I think APA, and Joel called me up

1:34:12.200 --> 1:34:16.080
<v Speaker 4>and said, you won't believe this. I'm reading the breakdown

1:34:16.160 --> 1:34:21.400
<v Speaker 4>here and it says Dad looking for a Stephen Tobolowski type.

1:34:23.080 --> 1:34:25.879
<v Speaker 4>So I called it my agent and I got, hey, guys,

1:34:26.320 --> 1:34:29.280
<v Speaker 4>I just want you to know what's in the breakdown here.

1:34:29.360 --> 1:34:32.200
<v Speaker 4>And they said they're looking for a Stephen Tobolowski type.

1:34:32.400 --> 1:34:36.760
<v Speaker 4>My agent said, you're not right for the part. I said,

1:34:36.800 --> 1:34:40.080
<v Speaker 4>that's impossible. I'm Stephen. They said they want to look,

1:34:40.120 --> 1:34:42.200
<v Speaker 4>we'll get you an audition, but you're not right for

1:34:42.240 --> 1:34:45.000
<v Speaker 4>the part. So I went in audition, did not get

1:34:45.040 --> 1:34:48.360
<v Speaker 4>a callback, and my agent said, told you not right

1:34:48.400 --> 1:34:48.840
<v Speaker 4>for the part.

1:34:49.000 --> 1:34:50.880
<v Speaker 1>Oh my, So what do you think that is?

1:34:51.760 --> 1:34:54.640
<v Speaker 4>I have no idea, but it hurt deeply. You know,

1:34:54.880 --> 1:34:59.479
<v Speaker 4>I just did a movie with with Chris Pine, which

1:34:59.560 --> 1:35:04.920
<v Speaker 4>which was it could be really wonderful, and you know,

1:35:04.960 --> 1:35:07.960
<v Speaker 4>the script was off the charts, one of the best

1:35:07.960 --> 1:35:11.559
<v Speaker 4>scripts I'd read, and it was a terrific part. And

1:35:11.640 --> 1:35:14.000
<v Speaker 4>they just wanted to Chris just wanted to talk to me,

1:35:14.520 --> 1:35:16.280
<v Speaker 4>and so we met on zoom and we talked about

1:35:16.280 --> 1:35:18.680
<v Speaker 4>the script. And the name of the character in the

1:35:18.840 --> 1:35:25.799
<v Speaker 4>movie was Stephen Tagaroski, head of the La City Council

1:35:26.040 --> 1:35:29.360
<v Speaker 4>Stephen Tagaroski, and I'm reading the script and I go,

1:35:29.600 --> 1:35:34.360
<v Speaker 4>you gotta be kidding Steven. I mean, come on, guys.

1:35:34.840 --> 1:35:37.559
<v Speaker 4>So I had a great talk with Chris. We talked

1:35:37.600 --> 1:35:40.000
<v Speaker 4>about the part and all the different beats of the part.

1:35:40.520 --> 1:35:42.720
<v Speaker 4>And then the next day I heard nothing. Then a

1:35:42.720 --> 1:35:45.599
<v Speaker 4>week later get a call from my agent. Steven got

1:35:45.640 --> 1:35:49.920
<v Speaker 4>good news. You're still in the running. I go, still

1:35:49.960 --> 1:35:53.960
<v Speaker 4>in the running for Steven Tagaroski. At least they could

1:35:54.040 --> 1:35:57.120
<v Speaker 4>change the name of the guy. I mean, that would

1:35:57.160 --> 1:35:59.600
<v Speaker 4>really cut deep. But I did get the part then

1:35:59.680 --> 1:36:02.680
<v Speaker 4>couldn't And yes, yes.

1:36:02.600 --> 1:36:05.759
<v Speaker 2>Amazing, especially since you liked the script. And Chris Pine

1:36:05.920 --> 1:36:06.559
<v Speaker 2>is a hottie.

1:36:07.120 --> 1:36:09.439
<v Speaker 4>Well he's not only a haughty, but he's a goodie.

1:36:09.840 --> 1:36:11.720
<v Speaker 4>He's a goody and a haughty. I mean, he's a

1:36:11.760 --> 1:36:15.400
<v Speaker 4>wonderful actor, wonderful director. And uh. The movie is called

1:36:15.439 --> 1:36:19.439
<v Speaker 4>pool Man, and I can't wait to see it come

1:36:19.439 --> 1:36:22.479
<v Speaker 4>out because it will be cool man pool Man, and

1:36:22.520 --> 1:36:26.400
<v Speaker 4>it will be very strange. It reminded me of old

1:36:27.120 --> 1:36:31.000
<v Speaker 4>Robert Altman kind of films and kind of an altered reality.

1:36:31.640 --> 1:36:36.400
<v Speaker 4>And I got hopes on it. You know, it made

1:36:36.479 --> 1:36:39.880
<v Speaker 4>me laugh, it moved me, it's a strange movie, so

1:36:39.920 --> 1:36:40.840
<v Speaker 4>I'm hoping it's good.

1:36:41.280 --> 1:36:44.200
<v Speaker 1>Well, you know, you said the feelings you got reading

1:36:44.360 --> 1:36:47.519
<v Speaker 1>this Chris Pine script when you got this Bullseye episode

1:36:47.520 --> 1:36:50.920
<v Speaker 1>of Long Order SVU, what kind of feelings did you

1:36:51.000 --> 1:36:54.280
<v Speaker 1>have about your character and what kind of time you remember,

1:36:54.360 --> 1:36:55.880
<v Speaker 1>because we know it was a long time ago.

1:36:56.000 --> 1:36:58.479
<v Speaker 4>It was a long time ago, but I remember when

1:36:58.640 --> 1:37:01.240
<v Speaker 4>when the first Law Order thing I did was a

1:37:01.280 --> 1:37:05.080
<v Speaker 4>criminal intent. But when I Bullseye was the first SVU

1:37:05.800 --> 1:37:08.880
<v Speaker 4>show I did, And when I read that, I went like,

1:37:09.160 --> 1:37:13.960
<v Speaker 4>oh my god, this is terrific. And my son was

1:37:14.000 --> 1:37:18.640
<v Speaker 4>a huge SVU fan. My son was, and I was

1:37:18.800 --> 1:37:22.080
<v Speaker 4>more of the classic Law and Order fan. You know

1:37:22.560 --> 1:37:25.280
<v Speaker 4>now I've seen every one of them five hundred times.

1:37:25.560 --> 1:37:29.400
<v Speaker 4>So Robert gave me a picture of Chris and Mariska,

1:37:29.680 --> 1:37:31.479
<v Speaker 4>you know, like an eight by ten kind of thing

1:37:31.479 --> 1:37:34.519
<v Speaker 4>and said, a Dad, when you go do this, can

1:37:34.560 --> 1:37:37.000
<v Speaker 4>you get them to sign this for me? And I

1:37:37.000 --> 1:37:41.200
<v Speaker 4>go sure. So I started watching some SVUS and I

1:37:41.240 --> 1:37:45.479
<v Speaker 4>went like, oh, well, they kind of took the idea

1:37:45.600 --> 1:37:47.960
<v Speaker 4>Law and Order always has a kind of twist in it,

1:37:48.479 --> 1:37:51.559
<v Speaker 4>and they multiplied it by about three. And so when

1:37:51.640 --> 1:37:54.320
<v Speaker 4>I read the script of Bullseye. I went, oh, now

1:37:54.360 --> 1:37:59.080
<v Speaker 4>they've multiplied it by four. And I had no idea

1:37:59.200 --> 1:38:02.240
<v Speaker 4>even reading script where it was going to end up

1:38:02.280 --> 1:38:05.840
<v Speaker 4>and where it was going to turn. So I was

1:38:06.000 --> 1:38:10.080
<v Speaker 4>thrilled to do this, first of all for my son Robert,

1:38:10.600 --> 1:38:13.920
<v Speaker 4>and then because I'm reading the script and I go, wow,

1:38:14.720 --> 1:38:18.720
<v Speaker 4>this is really because they had me going, and I

1:38:18.760 --> 1:38:21.920
<v Speaker 4>thought the twists and turns were not cheapies, you know

1:38:21.960 --> 1:38:24.759
<v Speaker 4>they were they were the kind of things that happened

1:38:25.160 --> 1:38:28.400
<v Speaker 4>in this kind of a crime. But I was thrilled.

1:38:29.000 --> 1:38:33.439
<v Speaker 4>I do have a kind of weird origin story about

1:38:33.880 --> 1:38:35.919
<v Speaker 4>this episode of SVU.

1:38:36.439 --> 1:38:39.680
<v Speaker 1>Is that okay, O, course, that's what we're here for.

1:38:40.160 --> 1:38:43.920
<v Speaker 4>Yeah, the people who who know about Law and Order SVU.

1:38:44.680 --> 1:38:48.480
<v Speaker 4>You know, it shot all over the place. Our costume

1:38:48.520 --> 1:38:51.599
<v Speaker 4>area at that time for Bullseye was in New Jersey.

1:38:52.320 --> 1:38:55.600
<v Speaker 4>That's where and that's where the bulk the cop bullpen is.

1:38:55.680 --> 1:38:59.360
<v Speaker 4>That's where the jail cells were. Uh, that's kind of

1:38:59.360 --> 1:39:02.519
<v Speaker 4>where RISCO would interrogate you if you were going to

1:39:02.560 --> 1:39:05.320
<v Speaker 4>be in a room with the glass. That would be

1:39:05.360 --> 1:39:09.200
<v Speaker 4>in their sets in New Jersey and on Chelsea Piers

1:39:09.200 --> 1:39:13.160
<v Speaker 4>in Lower New York, you know, around twentieth Street or

1:39:13.160 --> 1:39:16.200
<v Speaker 4>whatever on Twelfth Avenue way over by the water is

1:39:16.240 --> 1:39:19.200
<v Speaker 4>where they have the courthouse, so you know, you shoot

1:39:19.240 --> 1:39:24.439
<v Speaker 4>the courthouse there. And then in the process of the show,

1:39:24.560 --> 1:39:28.880
<v Speaker 4>the various locations I had were my house was on

1:39:28.920 --> 1:39:32.880
<v Speaker 4>the Upper West Side, I end up committing suicide and Harlem,

1:39:33.200 --> 1:39:36.160
<v Speaker 4>so you know you're going to be all over the city.

1:39:36.479 --> 1:39:39.519
<v Speaker 4>And so the idea of coming to New York to

1:39:39.640 --> 1:39:42.519
<v Speaker 4>do a law and order show, which I loved, from

1:39:42.600 --> 1:39:46.160
<v Speaker 4>criminal intent because you're always working with the best of

1:39:46.200 --> 1:39:48.679
<v Speaker 4>the best. When you do a law and order show,

1:39:48.920 --> 1:39:51.920
<v Speaker 4>it's just the way it is. Maybe it's because it's

1:39:51.960 --> 1:39:56.360
<v Speaker 4>a machine, but it is a well oiled machine. You know,

1:39:56.439 --> 1:39:59.960
<v Speaker 4>everybody knows what they're doing so well. So I was thrilled.

1:40:00.160 --> 1:40:03.080
<v Speaker 4>And they put me up at some schnazzy hotel on

1:40:03.320 --> 1:40:06.000
<v Speaker 4>Central Park South, where you know, the first one is

1:40:06.040 --> 1:40:08.040
<v Speaker 4>the Plaza, and I was not at the Plaza, but

1:40:08.080 --> 1:40:11.400
<v Speaker 4>I was down there, really schnazzy hotel. They brought me

1:40:11.479 --> 1:40:13.320
<v Speaker 4>in and the only thing I really had to do

1:40:13.360 --> 1:40:16.120
<v Speaker 4>that day was to go to New Jersey for costume fitting.

1:40:16.400 --> 1:40:19.639
<v Speaker 4>That's all I had to do. So I thought I

1:40:19.680 --> 1:40:23.080
<v Speaker 4>am in the Big Apple. I am going to embrace

1:40:23.240 --> 1:40:26.519
<v Speaker 4>the city with all the gusto I have. I'm going

1:40:26.560 --> 1:40:29.040
<v Speaker 4>to get up early. I'm going to take my script.

1:40:29.040 --> 1:40:30.559
<v Speaker 4>I'm going to go out to one of the little

1:40:30.600 --> 1:40:33.560
<v Speaker 4>breakfast joints they have here in New York City that

1:40:33.840 --> 1:40:36.439
<v Speaker 4>are everywhere. Greece he's been study my script and all

1:40:36.479 --> 1:40:39.360
<v Speaker 4>this kind of stuff and the hustle and bustle of

1:40:39.360 --> 1:40:41.160
<v Speaker 4>New York. I came out of the hotel. So I'm

1:40:41.200 --> 1:40:45.080
<v Speaker 4>on Central Park South in like about eighth Avenue, kind

1:40:45.080 --> 1:40:48.400
<v Speaker 4>of over there, and there's nobody anywhere. The city is deserted,

1:40:49.000 --> 1:40:50.559
<v Speaker 4>and I'm going now. I feel like I'm in a

1:40:50.600 --> 1:40:53.519
<v Speaker 4>science fiction movie. I mean, there wasn't even a lot

1:40:53.560 --> 1:40:56.840
<v Speaker 4>of traffic. I could hear cars somewhere, but there was

1:40:56.920 --> 1:40:59.960
<v Speaker 4>no one on the street. So I start walking down

1:41:00.320 --> 1:41:04.839
<v Speaker 4>the avenue downtown looking for one of the many breakfast

1:41:04.920 --> 1:41:07.280
<v Speaker 4>joints there are in New York. And all the breakfast

1:41:07.360 --> 1:41:10.720
<v Speaker 4>joints are gone. And I know this is sounding like

1:41:10.800 --> 1:41:13.240
<v Speaker 4>a dream of some sort, but they all got replaced

1:41:13.280 --> 1:41:17.280
<v Speaker 4>by Starbucks. All those cute little breakfast places were all gone.

1:41:17.640 --> 1:41:20.800
<v Speaker 4>And I walked down about six blocks and then over

1:41:20.880 --> 1:41:24.040
<v Speaker 4>on the right, there is a place that looks like

1:41:24.320 --> 1:41:27.719
<v Speaker 4>they would serve eggs. And it's like eight in the morning,

1:41:27.800 --> 1:41:31.600
<v Speaker 4>something like that now. And I go in and you

1:41:31.800 --> 1:41:35.920
<v Speaker 4>walk up to the cash register and the hostess is

1:41:35.960 --> 1:41:38.400
<v Speaker 4>there at the cash register to seat you. And I

1:41:38.479 --> 1:41:41.479
<v Speaker 4>get going and there's a tap on my shoulder as

1:41:41.479 --> 1:41:44.640
<v Speaker 4>I'm going and I turned around and it's Chris Maloney.

1:41:46.760 --> 1:41:48.880
<v Speaker 4>I go, what now. I feel like I'm in some

1:41:49.040 --> 1:41:52.599
<v Speaker 4>kind of a dream. And I turn around. I go Chris.

1:41:53.479 --> 1:41:56.559
<v Speaker 4>He goes so and then he sees the script and laughs,

1:41:56.640 --> 1:41:59.719
<v Speaker 4>and he goes, you know, I'm not working this morning.

1:42:00.000 --> 1:42:03.360
<v Speaker 4>I want to rehearse. And I said, you gotta be kidding.

1:42:03.680 --> 1:42:07.680
<v Speaker 4>So Chris and I sat down, had breakfast together and

1:42:07.840 --> 1:42:12.479
<v Speaker 4>rehearsed our scenes in this deserted coffee shop and this

1:42:12.640 --> 1:42:17.080
<v Speaker 4>deserted part of New York City. It was like a miracle.

1:42:18.080 --> 1:42:20.120
<v Speaker 4>If it had been a Hallmark movie, it would have

1:42:20.160 --> 1:42:22.479
<v Speaker 4>been I would have been wearing the red dress. It was.

1:42:22.600 --> 1:42:24.800
<v Speaker 1>I wonder what he was even doing there, like in

1:42:24.840 --> 1:42:27.479
<v Speaker 1>that part of Manhattan on his day off. Well, he

1:42:27.560 --> 1:42:29.440
<v Speaker 1>lives on the Upper West I think.

1:42:29.360 --> 1:42:31.600
<v Speaker 4>Yeah, he was, he was going to be he was

1:42:31.640 --> 1:42:34.000
<v Speaker 4>going to be going in later for work. But he

1:42:34.040 --> 1:42:36.519
<v Speaker 4>had the morning free and thought he would just do

1:42:36.640 --> 1:42:40.240
<v Speaker 4>a little jogging or some little exercise. But and we

1:42:40.320 --> 1:42:44.040
<v Speaker 4>sat down and while we were working on the scene,

1:42:44.680 --> 1:42:47.960
<v Speaker 4>we went I think I had a couple couple scenes

1:42:47.960 --> 1:42:51.680
<v Speaker 4>with While we were reading through the different scenes, he

1:42:51.800 --> 1:42:55.360
<v Speaker 4>started musing about theater and he said, so, do you

1:42:55.400 --> 1:42:58.400
<v Speaker 4>do a lot of theater in Los Angeles? And at

1:42:58.400 --> 1:43:00.840
<v Speaker 4>the time, I said, yeah, yeah, my wife and I

1:43:00.880 --> 1:43:03.640
<v Speaker 4>were both involved in theater. He said, I miss it

1:43:03.680 --> 1:43:06.639
<v Speaker 4>so much. He says, I love the show. I love

1:43:06.680 --> 1:43:08.439
<v Speaker 4>doing the show. But when you do the show, you

1:43:08.520 --> 1:43:12.040
<v Speaker 4>really can't do anything else, even like have a life,

1:43:12.520 --> 1:43:17.200
<v Speaker 4>you can't. You know, it's constant. He said, I may

1:43:17.200 --> 1:43:22.400
<v Speaker 4>be out in Los Angeles next year, and if you're

1:43:22.439 --> 1:43:26.639
<v Speaker 4>working on a play or if something comes up, give

1:43:26.680 --> 1:43:30.439
<v Speaker 4>me a call and I'll do it. And I'll do

1:43:30.520 --> 1:43:33.800
<v Speaker 4>it for free. You don't have to pay me. It's

1:43:34.040 --> 1:43:38.160
<v Speaker 4>just it's just I'm a theater actor first. And when

1:43:38.160 --> 1:43:41.519
<v Speaker 4>you do this, you get this hunger, this loss for

1:43:41.640 --> 1:43:44.400
<v Speaker 4>doing the theater. And I'd love to get back in it.

1:43:45.160 --> 1:43:48.959
<v Speaker 4>And I said, absolutely, Chris, absolutely. You know we're involved

1:43:49.000 --> 1:43:54.400
<v Speaker 4>with some of the theaters downtown. I said, I'm sure

1:43:54.439 --> 1:43:56.960
<v Speaker 4>they would you know, kiss the hem of your garment,

1:43:57.040 --> 1:44:00.080
<v Speaker 4>if you mean, hand of it. But it was like

1:44:00.360 --> 1:44:04.639
<v Speaker 4>an amazing moment to start working on that show.

1:44:04.960 --> 1:44:07.320
<v Speaker 1>And that's so funny because that ended up being his

1:44:07.439 --> 1:44:08.400
<v Speaker 1>last season on the show.

1:44:08.600 --> 1:44:08.800
<v Speaker 4>Yep.

1:44:09.080 --> 1:44:11.320
<v Speaker 1>So it sounds like he was having a hankering to

1:44:11.360 --> 1:44:13.479
<v Speaker 1>do some different stuff and you know you were hearing

1:44:13.520 --> 1:44:13.960
<v Speaker 1>about it.

1:44:14.200 --> 1:44:16.920
<v Speaker 4>Yes, And when I got back to Los Angeles and

1:44:17.000 --> 1:44:20.280
<v Speaker 4>I was telling some of the people about Chris, you know,

1:44:20.320 --> 1:44:23.479
<v Speaker 4>maybe coming out and we should be looking for a

1:44:23.520 --> 1:44:28.439
<v Speaker 4>play that could use him in that And of course

1:44:30.560 --> 1:44:32.880
<v Speaker 4>as soon as he came out to LA he got

1:44:32.920 --> 1:44:36.160
<v Speaker 4>another show. Yeah, so that's what True Blood or something

1:44:36.200 --> 1:44:36.439
<v Speaker 4>like that.

1:44:36.960 --> 1:44:38.800
<v Speaker 1>Oh yeah, he was on True Blood for a little while.

1:44:38.920 --> 1:44:41.240
<v Speaker 4>Ye. Yeah. So as soon as he hit the ground there,

1:44:41.280 --> 1:44:43.360
<v Speaker 4>you know they're going to snatch him up. I mean,

1:44:43.400 --> 1:44:49.360
<v Speaker 4>there are very few a certifiable television stars and he's

1:44:49.400 --> 1:44:53.240
<v Speaker 4>one of them. He's also, whether on TV or film

1:44:53.400 --> 1:44:58.240
<v Speaker 4>or theater, a great actor, so so you know he translates,

1:44:58.720 --> 1:45:02.559
<v Speaker 4>but you know he's gonna get snatched up. He just is.

1:45:02.960 --> 1:45:05.000
<v Speaker 1>That's so fun Thanks for telling us that, because we

1:45:05.000 --> 1:45:08.400
<v Speaker 1>don't get as many stories about Maloney, Like a lot

1:45:08.439 --> 1:45:11.200
<v Speaker 1>of people like have interactions with Marishka, but they don't

1:45:11.240 --> 1:45:13.840
<v Speaker 1>necessarily like it sounded like in the twelve seasons he

1:45:13.920 --> 1:45:15.320
<v Speaker 1>was on the show, he kind of did his own

1:45:15.360 --> 1:45:18.640
<v Speaker 1>thing and nice to hear a little Maloney's story. But

1:45:18.760 --> 1:45:20.840
<v Speaker 1>you got to do so much in this episode, Like

1:45:20.880 --> 1:45:23.800
<v Speaker 1>you get an interrogation, you get a courtroom scene, you

1:45:23.880 --> 1:45:28.040
<v Speaker 1>get to you get your butt kicked in a holding cell,

1:45:28.439 --> 1:45:31.320
<v Speaker 1>and then you just get to draw I mean, minute

1:45:31.360 --> 1:45:33.720
<v Speaker 1>per minute of what the action that you get to do.

1:45:33.800 --> 1:45:36.240
<v Speaker 1>You're not on you're not in the episode for too

1:45:36.320 --> 1:45:37.800
<v Speaker 1>too much, and you get to do a lot.

1:45:38.080 --> 1:45:42.240
<v Speaker 4>I if you have an SVU checklist, I got to

1:45:42.320 --> 1:45:44.840
<v Speaker 4>do all the stuff. I got arrested on the Upper

1:45:44.880 --> 1:45:47.759
<v Speaker 4>west Side. Yes, I got the purf walk in front

1:45:47.760 --> 1:45:50.720
<v Speaker 4>of my wife. Yeah, you know. And of course when

1:45:50.760 --> 1:45:52.519
<v Speaker 4>you're doing it on the Upper west Side, there are

1:45:52.560 --> 1:45:56.479
<v Speaker 4>people out there that are just people, and they at

1:45:56.520 --> 1:46:00.519
<v Speaker 4>first they don't know. I mean, there's the cameras and

1:46:00.560 --> 1:46:03.040
<v Speaker 4>there's all that that they just see me coming out

1:46:04.040 --> 1:46:06.439
<v Speaker 4>right and they think, oh my god, is there a

1:46:06.439 --> 1:46:10.320
<v Speaker 4>police action here. Oh no, it's ANVU action here. So

1:46:10.600 --> 1:46:13.599
<v Speaker 4>I got purf walked on the Upper west Side. I

1:46:13.640 --> 1:46:16.760
<v Speaker 4>got blown up in Harlem, I got beaten up by

1:46:17.200 --> 1:46:20.840
<v Speaker 4>I got punched out in the jail cell I. You know,

1:46:20.880 --> 1:46:23.439
<v Speaker 4>they had to do makeup on me, to have like

1:46:23.560 --> 1:46:26.200
<v Speaker 4>cuts and bruises on my face. I got to go

1:46:26.320 --> 1:46:30.680
<v Speaker 4>to Chelsea Peers and be in the courthouse. Everything you

1:46:30.680 --> 1:46:32.960
<v Speaker 4>could do on a Law and Order show, I got

1:46:32.960 --> 1:46:34.480
<v Speaker 4>to do in Bullseye.

1:46:34.600 --> 1:46:37.559
<v Speaker 1>You know, sometimes I say there's episodes that feel like movies.

1:46:37.600 --> 1:46:40.000
<v Speaker 1>There's like a few episodes of SFU that really feel

1:46:40.040 --> 1:46:41.920
<v Speaker 1>like movies, and I think this is one of them.

1:46:42.000 --> 1:46:44.840
<v Speaker 1>Like I were like the guy, like just the big

1:46:44.880 --> 1:46:47.080
<v Speaker 1>twist at the end feels like a movie to me.

1:46:47.200 --> 1:46:50.200
<v Speaker 4>Yes, yes, yes, you don't really see that coming.

1:46:50.680 --> 1:46:51.040
<v Speaker 1>Yeah.

1:46:51.200 --> 1:46:54.519
<v Speaker 2>And then you're back on season twenty. You come back

1:46:54.560 --> 1:46:57.040
<v Speaker 2>as an attorney. How was that experience?

1:46:57.320 --> 1:47:01.679
<v Speaker 4>Oh that was great as Cayman. What was my name?

1:47:02.120 --> 1:47:05.000
<v Speaker 1>Yeah, something like that. You were a lawyer for, you know,

1:47:05.080 --> 1:47:05.879
<v Speaker 1>a sex offender.

1:47:05.960 --> 1:47:10.439
<v Speaker 4>As I remember. I remember Cayman because Cayman is a

1:47:10.880 --> 1:47:15.120
<v Speaker 4>South American crocodile, right, And you know I read I

1:47:15.200 --> 1:47:17.519
<v Speaker 4>read the script and I go, oh, now I get

1:47:17.520 --> 1:47:22.160
<v Speaker 4>to play the smart alec defense attorney. And by this

1:47:22.280 --> 1:47:24.760
<v Speaker 4>point when I come back to do Law and Order

1:47:24.840 --> 1:47:27.519
<v Speaker 4>as for you. The second time, it was like Old

1:47:27.560 --> 1:47:30.759
<v Speaker 4>Home Week, and and it been many years in between,

1:47:31.160 --> 1:47:35.719
<v Speaker 4>but it's again, here's an example that maybe the people

1:47:35.760 --> 1:47:40.439
<v Speaker 4>don't understand courtroom scenes. Right when you're a defense attorney,

1:47:40.680 --> 1:47:43.960
<v Speaker 4>you are going to be in the courtroom. Like, courtroom

1:47:44.040 --> 1:47:48.040
<v Speaker 4>scenes on television shows are the hardest things to shoot.

1:47:48.439 --> 1:47:49.160
<v Speaker 4>Why is that.

1:47:50.840 --> 1:47:52.920
<v Speaker 1>Because of all the coverage because.

1:47:52.600 --> 1:47:56.680
<v Speaker 4>They're in the courtroom. Yes, no, you're right, all the

1:47:56.720 --> 1:48:00.720
<v Speaker 4>coverage because you have to shoot. You have to shoot

1:48:01.560 --> 1:48:04.599
<v Speaker 4>different sizes. First of all, the witness usually get that

1:48:05.080 --> 1:48:07.000
<v Speaker 4>and while you're in that direction, then you turn the

1:48:07.040 --> 1:48:08.840
<v Speaker 4>cameras and you get the jury, and then you have

1:48:08.880 --> 1:48:12.400
<v Speaker 4>to pick out individual jury members. Then you have to

1:48:12.439 --> 1:48:14.960
<v Speaker 4>turn to the defense table and you have to get

1:48:15.000 --> 1:48:18.880
<v Speaker 4>that lawyer that was me and also my client. Then

1:48:18.920 --> 1:48:21.120
<v Speaker 4>you have to go to the prosecutors. They all get one.

1:48:21.200 --> 1:48:24.320
<v Speaker 4>Then you finish on the judge. Yeah, it takes forever,

1:48:24.920 --> 1:48:29.439
<v Speaker 4>except on Law and Order SVU. On Law and Order SVU,

1:48:30.920 --> 1:48:34.639
<v Speaker 4>we did a four page. Four pages is a lot

1:48:35.920 --> 1:48:39.120
<v Speaker 4>for people who don't know page counts. If you do

1:48:39.200 --> 1:48:43.519
<v Speaker 4>a television show, you are tuling if you do ten

1:48:43.600 --> 1:48:46.599
<v Speaker 4>pages a day. If you do ten pages a day,

1:48:46.640 --> 1:48:50.200
<v Speaker 4>that's like it's on a movie. You do one to

1:48:50.280 --> 1:48:54.000
<v Speaker 4>two pages a day. So we did a four and

1:48:54.040 --> 1:48:58.240
<v Speaker 4>a half page courtroom scene in like two and a

1:48:58.280 --> 1:49:02.599
<v Speaker 4>half three hours. No, wow, it was amazing to watch.

1:49:02.880 --> 1:49:06.280
<v Speaker 4>And again it's because the people work on Law and

1:49:06.439 --> 1:49:10.240
<v Speaker 4>Order and Law and Order SVU they are the best.

1:49:10.400 --> 1:49:13.679
<v Speaker 4>And I've worked on shows where people are the best,

1:49:13.760 --> 1:49:16.400
<v Speaker 4>like I've done a few years on the Goldbergs. It's

1:49:16.439 --> 1:49:20.880
<v Speaker 4>another group of people who are the best in terms

1:49:20.880 --> 1:49:23.479
<v Speaker 4>of crew. They know how to shoot it, they know

1:49:23.520 --> 1:49:25.080
<v Speaker 4>where to put the camera, they know where to put

1:49:25.080 --> 1:49:27.880
<v Speaker 4>the lights. It's boom boom, boom, boom boom shoot and

1:49:27.920 --> 1:49:30.320
<v Speaker 4>as actors you're not waiting a ton of time in

1:49:30.400 --> 1:49:35.240
<v Speaker 4>between shots. So that was great. But again it was

1:49:35.280 --> 1:49:36.800
<v Speaker 4>a lot of fun. I spent a lot of my

1:49:36.880 --> 1:49:41.000
<v Speaker 4>time this time, of course, with Mariska and lots of

1:49:41.040 --> 1:49:47.400
<v Speaker 4>time with her, and she is fantastic. And when you

1:49:47.520 --> 1:49:52.759
<v Speaker 4>work with people who end up doing a part for

1:49:52.880 --> 1:49:58.080
<v Speaker 4>a long time, a certain malaise sets in where they

1:49:58.240 --> 1:50:02.439
<v Speaker 4>kind of go on automatic and they don't really they

1:50:02.520 --> 1:50:04.960
<v Speaker 4>kind of give it what they have and it's good enough,

1:50:05.120 --> 1:50:10.040
<v Speaker 4>good enough. Good enough is not part of Marishka's being

1:50:10.760 --> 1:50:15.559
<v Speaker 4>it's not part of it. It's in this episode. I

1:50:15.680 --> 1:50:20.519
<v Speaker 4>had I think two scenes with her, maybe three, and

1:50:20.640 --> 1:50:24.599
<v Speaker 4>she's always working on the part and the scene, and

1:50:24.600 --> 1:50:26.920
<v Speaker 4>she's always working with you. How does this work? Stephen?

1:50:26.960 --> 1:50:28.800
<v Speaker 4>What if I come at it with this? What if

1:50:28.800 --> 1:50:31.639
<v Speaker 4>I do? And with an intensity and it's as if

1:50:31.680 --> 1:50:34.599
<v Speaker 4>it were the first time. And if somebody says, what

1:50:34.640 --> 1:50:41.320
<v Speaker 4>does it take to be a star on television? That's

1:50:41.360 --> 1:50:44.160
<v Speaker 4>what it takes. You have to be able to have

1:50:44.320 --> 1:50:47.439
<v Speaker 4>every day be the first day with the excitement that

1:50:47.520 --> 1:50:51.520
<v Speaker 4>she has and these and not only that, that's really hilarious.

1:50:52.640 --> 1:50:56.680
<v Speaker 4>You know, we're working that time in all the familiar

1:50:56.760 --> 1:50:59.840
<v Speaker 4>Law and Order buildings down in that area of New

1:51:00.080 --> 1:51:03.720
<v Speaker 4>York City, the courthouse, the courthouse steps that we know

1:51:03.840 --> 1:51:08.360
<v Speaker 4>from the regular law and all all the iconic sets

1:51:08.640 --> 1:51:13.000
<v Speaker 4>of every Law and Order show. And I'm walking to

1:51:13.080 --> 1:51:16.840
<v Speaker 4>the set with Mrshka and down the sidewalk in New

1:51:16.960 --> 1:51:22.880
<v Speaker 4>York and policemen who are working directing traffic here there

1:51:22.920 --> 1:51:27.240
<v Speaker 4>and everywhere they look and they go, morning, morning, how

1:51:27.280 --> 1:51:29.599
<v Speaker 4>are you? How are you? And they're looking at her

1:51:29.800 --> 1:51:33.679
<v Speaker 4>as one of their own, not as a movie star,

1:51:33.880 --> 1:51:36.160
<v Speaker 4>not as a television star, but as one of their

1:51:36.200 --> 1:51:40.519
<v Speaker 4>own and the respect she gets from everyone around her,

1:51:41.080 --> 1:51:45.479
<v Speaker 4>and it's because she treats everyone so well. Again, it's

1:51:45.520 --> 1:51:48.160
<v Speaker 4>part of the best best best, best best. And you know,

1:51:48.200 --> 1:51:50.920
<v Speaker 4>when you work on those shows where people are the best,

1:51:51.760 --> 1:51:54.040
<v Speaker 4>it's hard to be the best. When it's when the

1:51:54.080 --> 1:51:57.559
<v Speaker 4>work is that hard and you're that successful, it's easy

1:51:57.600 --> 1:52:01.120
<v Speaker 4>to get lazy. But she wasn't ever, and it's hard.

1:52:01.120 --> 1:52:01.800
<v Speaker 1>You can't. Really.

1:52:02.600 --> 1:52:04.400
<v Speaker 2>I don't think the show would work if you half

1:52:04.439 --> 1:52:07.360
<v Speaker 2>asset because it's so dramatic and it's like all of

1:52:07.400 --> 1:52:09.760
<v Speaker 2>these victims and all the guest stars are giving so much,

1:52:09.800 --> 1:52:12.640
<v Speaker 2>and like you need someone that's going to show up

1:52:12.640 --> 1:52:13.200
<v Speaker 2>for everybody.

1:52:13.360 --> 1:52:17.280
<v Speaker 4>You need someone who's going to show up. And you know,

1:52:19.680 --> 1:52:22.680
<v Speaker 4>and again, when I was doing the second show, you

1:52:22.720 --> 1:52:26.559
<v Speaker 4>had the whole other cast, you know, not the cast

1:52:26.640 --> 1:52:28.720
<v Speaker 4>that I knew from the first show. Chris was gone

1:52:28.760 --> 1:52:31.960
<v Speaker 4>at that point. You have new DA's new people working

1:52:32.000 --> 1:52:35.000
<v Speaker 4>the police Spark. All of them were fabulous. Yeah, and

1:52:35.680 --> 1:52:38.960
<v Speaker 4>I wonder if it's just part of the show.

1:52:40.200 --> 1:52:43.479
<v Speaker 1>Yeah, And I wonder if mister Kaman can make a return.

1:52:43.600 --> 1:52:45.600
<v Speaker 1>I mean, yeah, we need to be back. Well, you

1:52:45.600 --> 1:52:49.000
<v Speaker 1>could be another dirt Bags defense attorney at some point.

1:52:49.920 --> 1:52:52.760
<v Speaker 4>Now in this I wasn't really quite I was ready

1:52:52.800 --> 1:52:55.639
<v Speaker 4>to be a dirt bag, but in this I kind

1:52:55.640 --> 1:52:59.200
<v Speaker 4>of side with the judge, going like these people are

1:52:59.200 --> 1:52:59.960
<v Speaker 4>from Missouri.

1:53:00.240 --> 1:53:04.400
<v Speaker 1>You know That's what's so like you to me are

1:53:04.479 --> 1:53:06.519
<v Speaker 1>such a comedy actor. I know you've done it all,

1:53:06.560 --> 1:53:09.320
<v Speaker 1>but like what I know you from is so much comedy.

1:53:09.400 --> 1:53:12.639
<v Speaker 1>Like you just really make me laugh. And so even

1:53:12.640 --> 1:53:14.639
<v Speaker 1>when you got like I didn't think you were funny

1:53:14.680 --> 1:53:18.920
<v Speaker 1>as the character in Bullseye, like that was obviously more serious.

1:53:18.960 --> 1:53:21.160
<v Speaker 1>But in this one, even as this defense attorney, when

1:53:21.160 --> 1:53:23.160
<v Speaker 1>you go up to like give the marriage license and

1:53:23.200 --> 1:53:26.479
<v Speaker 1>you're like, yeah, they're married in Missouri, I was just

1:53:26.520 --> 1:53:29.519
<v Speaker 1>like laughing so hard, even though it's like wrong like

1:53:29.560 --> 1:53:31.720
<v Speaker 1>this this man should not have married a thirteen year

1:53:31.720 --> 1:53:34.439
<v Speaker 1>old stepdaughter, but I was like, this is too funny.

1:53:34.520 --> 1:53:37.040
<v Speaker 1>You just cracked me up. So I guess I'm just

1:53:37.120 --> 1:53:39.200
<v Speaker 1>telling you that and that there's no question. But do

1:53:39.280 --> 1:53:42.320
<v Speaker 1>you have like a do you have a not like

1:53:42.400 --> 1:53:46.000
<v Speaker 1>a preference, but do you like lean into trying to

1:53:46.000 --> 1:53:48.280
<v Speaker 1>do stuff that's not comedy because you've done more comedy

1:53:48.360 --> 1:53:51.040
<v Speaker 1>or do you you've done it all, but like you know.

1:53:51.120 --> 1:53:53.439
<v Speaker 1>What is it when you're drawn to a role? Is

1:53:53.479 --> 1:53:55.559
<v Speaker 1>it like you love the comedy, you love the drama?

1:53:55.680 --> 1:54:00.000
<v Speaker 4>What well, since you're both, since you're both comedians, both comedians,

1:54:00.439 --> 1:54:04.760
<v Speaker 4>I bring up from my wall of crap one of

1:54:04.760 --> 1:54:05.439
<v Speaker 4>my favorite books.

1:54:05.520 --> 1:54:07.400
<v Speaker 1>Let me see if I got yes.

1:54:07.640 --> 1:54:12.040
<v Speaker 4>The book is Sigmund Freud Jokes and the Relationship to

1:54:12.080 --> 1:54:16.400
<v Speaker 4>the Unconscious, and it is. It is a series of

1:54:16.479 --> 1:54:22.400
<v Speaker 4>lectures Sigmund Freud did in Munich in nineteen fifteen on comedy,

1:54:23.280 --> 1:54:26.479
<v Speaker 4>on comedy, and he said, what I'm going to do is,

1:54:26.560 --> 1:54:29.200
<v Speaker 4>and you got to read this book. You would love it.

1:54:29.240 --> 1:54:32.160
<v Speaker 4>As comedians, you would love this book. He has jokes,

1:54:32.160 --> 1:54:36.040
<v Speaker 4>and he said, I'm not going to analyze jokes that exist. Now.

1:54:36.360 --> 1:54:37.920
<v Speaker 4>What I'm going to do is, I'm going to take

1:54:38.040 --> 1:54:43.960
<v Speaker 4>jokes from a generation or two past to where the

1:54:44.000 --> 1:54:47.400
<v Speaker 4>actual principles of the joke don't exist anymore, so you

1:54:47.440 --> 1:54:50.040
<v Speaker 4>could see what the workings of the joke are. And

1:54:50.080 --> 1:54:54.640
<v Speaker 4>so he had jokes in there about matchmakers and bill

1:54:54.720 --> 1:54:58.200
<v Speaker 4>collectors and all sorts of things, the village idiot and

1:54:58.280 --> 1:55:03.480
<v Speaker 4>all this stuff from the eighteen hundreds. And his conclusion

1:55:04.200 --> 1:55:09.240
<v Speaker 4>is that comedy is making the meaningful meaningless or making

1:55:09.280 --> 1:55:15.040
<v Speaker 4>the meaningless meaningful. And when you do the one of

1:55:15.080 --> 1:55:18.480
<v Speaker 4>those two things, you are able to turn a moment

1:55:18.520 --> 1:55:21.360
<v Speaker 4>into comedy. So, in terms of law and orders, Bil Cayman,

1:55:21.840 --> 1:55:28.880
<v Speaker 4>we're obviously in a meaningful situation because my client, honest,

1:55:28.920 --> 1:55:31.640
<v Speaker 4>what may be murder right, you know, on the way

1:55:31.680 --> 1:55:33.920
<v Speaker 4>to jail is some sort of thing. I'm defending him.

1:55:34.880 --> 1:55:38.720
<v Speaker 4>And so if you take that meaningful situation and slip

1:55:38.720 --> 1:55:42.560
<v Speaker 4>a bit of meaningless into it on an innocent line,

1:55:43.240 --> 1:55:49.160
<v Speaker 4>you're honor, he's from Missouri. That it makes the meaningful

1:55:49.240 --> 1:55:53.240
<v Speaker 4>meaningless and it creates comedy. So I don't try to think, well,

1:55:53.320 --> 1:55:55.200
<v Speaker 4>let me, how can I be funny? But I take

1:55:55.200 --> 1:55:58.080
<v Speaker 4>a look at what is the meaningful nature of the situation,

1:55:58.800 --> 1:56:03.080
<v Speaker 4>and how can and is it appropriate for me to

1:56:03.120 --> 1:56:06.880
<v Speaker 4>make light of the situation by making something meaningful meaningless

1:56:06.960 --> 1:56:11.200
<v Speaker 4>at this time? And and uh so that's a that's

1:56:11.240 --> 1:56:12.560
<v Speaker 4>a good indication, it's.

1:56:12.440 --> 1:56:15.000
<v Speaker 1>A great lesson. But I don't want to take that.

1:56:15.280 --> 1:56:19.720
<v Speaker 4>Yes, I don't look like how can I make this funny?

1:56:19.760 --> 1:56:22.880
<v Speaker 4>I just usually try to tell the truth. And if

1:56:22.880 --> 1:56:28.920
<v Speaker 4>the situation, uh is ridiculous, and I take it seriously,

1:56:29.000 --> 1:56:32.360
<v Speaker 4>and I'm truthful about it, it'll come out funny. And

1:56:32.440 --> 1:56:36.520
<v Speaker 4>if the situation is not serious, you know, you you

1:56:36.600 --> 1:56:39.400
<v Speaker 4>get the idea. You just you just make the meaningful

1:56:39.440 --> 1:56:41.000
<v Speaker 4>meaningless or meaningless meaningful.

1:56:42.040 --> 1:56:45.160
<v Speaker 1>Yeah, you've been like acting for so long and you,

1:56:45.400 --> 1:56:47.440
<v Speaker 1>like we said, you have so many credits, you've done

1:56:47.520 --> 1:56:49.640
<v Speaker 1>you've done it all, Like do you have any what

1:56:49.760 --> 1:56:53.120
<v Speaker 1>are like, what's the Stephen Tobolowski like big advice tips

1:56:53.120 --> 1:56:55.200
<v Speaker 1>on how you stay sane in this business.

1:56:55.760 --> 1:56:57.840
<v Speaker 4>I don't know it's how you stay sane, but but

1:56:57.960 --> 1:57:02.920
<v Speaker 4>it's like the easier tip to give someone is to

1:57:02.960 --> 1:57:08.360
<v Speaker 4>say yes, to say yes, and not worry about where

1:57:08.400 --> 1:57:12.920
<v Speaker 4>it's going to lead. I said yes to doing the

1:57:12.960 --> 1:57:16.120
<v Speaker 4>principal on The Goldbergs. It was their second season. They

1:57:16.120 --> 1:57:20.560
<v Speaker 4>weren't offering me much money. I said yes, it's okay.

1:57:20.600 --> 1:57:23.680
<v Speaker 4>I was doing two other shows at the same I

1:57:23.720 --> 1:57:27.400
<v Speaker 4>was doing big time in Hollywood, Florida I think at

1:57:27.400 --> 1:57:31.720
<v Speaker 4>that time, which was hilarious. And I just said yes.

1:57:32.320 --> 1:57:35.800
<v Speaker 4>And I ended up on the show for what eight seasons,

1:57:37.040 --> 1:57:40.520
<v Speaker 4>you know, and each season, you know, I had a lot,

1:57:40.640 --> 1:57:43.080
<v Speaker 4>you know, I think I ended up doing like forty

1:57:43.160 --> 1:57:47.160
<v Speaker 4>episodes or something, all because I said yes. To this

1:57:47.760 --> 1:57:51.680
<v Speaker 4>two line part of the principal and so just say

1:57:51.760 --> 1:57:57.600
<v Speaker 4>yes beyond time. Oh, that's the biggest thing in the

1:57:57.640 --> 1:58:01.240
<v Speaker 4>world of people who are late. Be on time, because

1:58:01.320 --> 1:58:05.200
<v Speaker 4>I've seen people not fired for being bad actors, but

1:58:05.280 --> 1:58:08.920
<v Speaker 4>I've seen him fired for being late because you are

1:58:09.040 --> 1:58:14.760
<v Speaker 4>keeping fifty sixty seventy people on the hook if you

1:58:14.800 --> 1:58:18.000
<v Speaker 4>don't show up on time. Yeah, so be on time,

1:58:18.640 --> 1:58:22.240
<v Speaker 4>Be nice, be nice to everybody. Here's a be nice

1:58:22.280 --> 1:58:26.800
<v Speaker 4>to everybody story that's very quick, but very amazing. When

1:58:26.800 --> 1:58:30.280
<v Speaker 4>I was doing Groundhog Day, our scene, that first scene

1:58:30.600 --> 1:58:33.600
<v Speaker 4>with me and Bill was first up, first day, and

1:58:33.640 --> 1:58:35.880
<v Speaker 4>of course I was nervous as can be, and I

1:58:35.960 --> 1:58:39.200
<v Speaker 4>had to everything had to be exactly the same, and

1:58:39.320 --> 1:58:42.040
<v Speaker 4>it would be the same throughout the whole movie. Every

1:58:42.040 --> 1:58:44.600
<v Speaker 4>time we shot that scene. I had to start on

1:58:44.640 --> 1:58:46.560
<v Speaker 4>the same foot. I had to step on the same

1:58:46.600 --> 1:58:49.160
<v Speaker 4>spot on the street and go, oh, fail fail with

1:58:49.240 --> 1:58:52.960
<v Speaker 4>the same finger, turn my finger down, it's me ned,

1:58:53.080 --> 1:58:55.840
<v Speaker 4>And I had to run up to him Ryerson, take

1:58:55.880 --> 1:58:59.440
<v Speaker 4>off my hat exactly the same because it's the same day, repeated.

1:59:00.160 --> 1:59:05.640
<v Speaker 4>They had an assistant director. It was his first job,

1:59:06.840 --> 1:59:09.360
<v Speaker 4>a kind of lower ad, and his job was to

1:59:09.440 --> 1:59:13.120
<v Speaker 4>kneel in the street, hold his finger up and when

1:59:13.160 --> 1:59:16.520
<v Speaker 4>my foot touches the right brick. Because he's off camera,

1:59:16.760 --> 1:59:19.200
<v Speaker 4>he would do this like there and that was my

1:59:19.320 --> 1:59:22.680
<v Speaker 4>cue to turn. So I'm just walking straight kind of

1:59:22.720 --> 1:59:26.480
<v Speaker 4>toward him and he's off camera and then he's like

1:59:27.160 --> 1:59:30.600
<v Speaker 4>that was his job, and that's when my right foot

1:59:30.680 --> 1:59:33.680
<v Speaker 4>landed on the brick. I turned, oh, fail fail each

1:59:33.760 --> 1:59:39.280
<v Speaker 4>time he was there, that person Jim Kettlewyse, who ended

1:59:39.360 --> 1:59:43.560
<v Speaker 4>up being my producer on Silicon Valley.

1:59:44.320 --> 1:59:44.720
<v Speaker 1>Wow.

1:59:44.760 --> 1:59:48.080
<v Speaker 4>So you know, just because the guy's pointing at the

1:59:48.120 --> 1:59:51.560
<v Speaker 4>brick today doesn't mean he's going to be pointing at

1:59:51.560 --> 1:59:54.320
<v Speaker 4>the brick tomorrow, you know. And it's one reason why

1:59:54.360 --> 1:59:59.560
<v Speaker 4>Peter on the SVU show, you know, Bullseye, Peter Let

1:59:59.600 --> 2:00:01.800
<v Speaker 4>it was so such a great, great, great, great great

2:00:01.840 --> 2:00:05.760
<v Speaker 4>director of that like boom boom boom boom boom, because

2:00:06.080 --> 2:00:09.480
<v Speaker 4>you take a look at his resume, he's been third

2:00:09.560 --> 2:00:13.960
<v Speaker 4>a D, second AD, first AD. He had worked every

2:00:14.240 --> 2:00:18.200
<v Speaker 4>angle on that set before he became a director on

2:00:18.240 --> 2:00:23.040
<v Speaker 4>that show. Same thing was true in Californication. A lot

2:00:23.040 --> 2:00:26.520
<v Speaker 4>of the people who began, as you know, ads on

2:00:26.600 --> 2:00:28.839
<v Speaker 4>this thing worked their way up and they ended up directing.

2:00:29.000 --> 2:00:35.040
<v Speaker 4>It's it is if you treat people okay and are competent,

2:00:35.160 --> 2:00:36.960
<v Speaker 4>you have ability for upward movement.

2:00:37.520 --> 2:00:42.480
<v Speaker 1>Yeah. I'm taking it all in. Yeah so much. Do

2:00:42.520 --> 2:00:44.680
<v Speaker 1>you have anything we want to let you get on

2:00:44.760 --> 2:00:46.400
<v Speaker 1>with your David? Do you have anything that you want

2:00:46.440 --> 2:00:49.440
<v Speaker 1>our listeners to check out besides pool Man, that's what

2:00:49.480 --> 2:00:51.360
<v Speaker 1>you talked about before here, I am.

2:00:51.280 --> 2:00:53.800
<v Speaker 4>Will be out. I just finished. This is something I

2:00:54.080 --> 2:00:57.680
<v Speaker 4>just finished, like a week ago. I did for the

2:00:57.720 --> 2:01:01.560
<v Speaker 4>first time in my career, a Hallmark Chris this movie. Yes,

2:01:02.520 --> 2:01:06.800
<v Speaker 4>and it's called hauling Out the Hive, hauling out the Ivy,

2:01:08.000 --> 2:01:12.040
<v Speaker 4>hauling out the Holly, hauling out the Holly. And it's

2:01:12.080 --> 2:01:16.360
<v Speaker 4>going to play Saturday night, Thanksgiving Weekend at eight o'clock.

2:01:16.440 --> 2:01:19.360
<v Speaker 4>And the thing that you even if you don't like,

2:01:19.560 --> 2:01:24.240
<v Speaker 4>I'd like Hallmark Christmas movies. My wife does it, you know.

2:01:24.320 --> 2:01:27.080
<v Speaker 4>So we get in bed. She wants to watch Forensic Files.

2:01:27.200 --> 2:01:30.480
<v Speaker 4>I'm going no, I want to watch the You're not

2:01:30.520 --> 2:01:33.120
<v Speaker 4>going to get a nightmare from the Hallmark Christmas What

2:01:33.280 --> 2:01:36.040
<v Speaker 4>I never knew about the Hallmark Christmas movie. And this

2:01:36.120 --> 2:01:39.760
<v Speaker 4>is one reason you could watch and just be amazed

2:01:39.800 --> 2:01:42.400
<v Speaker 4>by it, because I always thought what they did is

2:01:42.440 --> 2:01:45.120
<v Speaker 4>they went to an area where you take a little

2:01:45.120 --> 2:01:47.040
<v Speaker 4>bus up to a little area where there's snow, and

2:01:47.080 --> 2:01:49.040
<v Speaker 4>they set up the set and you just do it. No,

2:01:50.000 --> 2:01:53.000
<v Speaker 4>we shot the thing in a place called Sandy Utah,

2:01:53.360 --> 2:01:56.800
<v Speaker 4>which is about thirty minutes from Salt Lake City. It

2:01:56.880 --> 2:02:00.000
<v Speaker 4>was one hundred three to one hundred twelve or thirteen

2:02:00.080 --> 2:02:04.120
<v Speaker 4>degrees every day. But if you're in the Hallmark Christmas movie,

2:02:04.280 --> 2:02:08.400
<v Speaker 4>you have to wear winter clothing, and so it's that

2:02:08.560 --> 2:02:13.040
<v Speaker 4>hot outside. Then you put on layers of clothes like

2:02:13.120 --> 2:02:15.080
<v Speaker 4>the shirt you put on this, Then you put on

2:02:15.120 --> 2:02:17.120
<v Speaker 4>a sweater, then you put on a vest and a coat,

2:02:17.280 --> 2:02:19.080
<v Speaker 4>then a half in the ear, most of the gloves

2:02:19.320 --> 2:02:23.280
<v Speaker 4>in one hundred and eight degrees, and they have white

2:02:23.280 --> 2:02:26.400
<v Speaker 4>cloth on the ground and they're going to cegi in

2:02:26.480 --> 2:02:29.280
<v Speaker 4>the snow later. And then they put fake snow on

2:02:29.360 --> 2:02:31.840
<v Speaker 4>the trees that are just in the background of the shot.

2:02:32.160 --> 2:02:35.480
<v Speaker 4>And they shoot an entire movie in two and a

2:02:35.520 --> 2:02:40.440
<v Speaker 4>half weeks, an entire movie. And I think the reason

2:02:40.520 --> 2:02:42.040
<v Speaker 4>they do it. And I saw it now on the

2:02:42.040 --> 2:02:46.720
<v Speaker 4>Food Channel last night for a car Halloween Magical Pumpkins,

2:02:47.120 --> 2:02:50.400
<v Speaker 4>the Pumpkin Carving show on the Food Channel. I see it,

2:02:50.400 --> 2:02:54.040
<v Speaker 4>and I go like, wait a minute, that looks like

2:02:54.120 --> 2:02:57.840
<v Speaker 4>the Hallmark movie technique because they have the judges all

2:02:57.920 --> 2:03:00.720
<v Speaker 4>dressed up in the suits and everything like that, but

2:03:00.760 --> 2:03:05.880
<v Speaker 4>they weren't as they weren't as meticulous about the people

2:03:05.880 --> 2:03:08.320
<v Speaker 4>who are carving their pumpkins. And I'm going like, wait

2:03:08.360 --> 2:03:11.200
<v Speaker 4>a minute, that guy's in a T shirt. What and

2:03:11.280 --> 2:03:13.480
<v Speaker 4>all the judges are in the heavy gloves and all

2:03:13.520 --> 2:03:15.600
<v Speaker 4>this stuff. And then I'm saying, oh, and there's no

2:03:16.920 --> 2:03:20.280
<v Speaker 4>you know, yeah, the suspiration of breath. You don't see it.

2:03:20.760 --> 2:03:24.160
<v Speaker 4>You know in the Hallmark movies, even the extras they

2:03:24.200 --> 2:03:28.880
<v Speaker 4>had to wear hat and it was amazing and everybody

2:03:28.880 --> 2:03:31.800
<v Speaker 4>did it with joy and everybody. But it is something

2:03:31.880 --> 2:03:35.960
<v Speaker 4>to watch, and this particular movie will be quite amusing, I.

2:03:35.920 --> 2:03:40.840
<v Speaker 1>Think amazing hauling out the Hallie, Stephen, this is the dream.

2:03:41.760 --> 2:03:44.280
<v Speaker 1>Thank you so much for talking to us.

2:03:44.600 --> 2:03:47.120
<v Speaker 4>Well, well it's been a joy. It's been a pleasure.

2:03:47.320 --> 2:03:52.680
<v Speaker 4>And uh and I thank you. Sigmund Freud, Yes, look

2:03:52.720 --> 2:03:54.080
<v Speaker 4>it up, look him look him up.

2:03:58.200 --> 2:04:03.520
<v Speaker 1>Yes, we really made it. I love him. I love

2:04:03.600 --> 2:04:07.000
<v Speaker 1>him so much. Yeah, he was awesome. He seems like

2:04:07.280 --> 2:04:11.040
<v Speaker 1>just like remembered a lot a lot. Yeah, you see

2:04:11.080 --> 2:04:13.879
<v Speaker 1>him on a set and you'd be like, Tobalau skate,

2:04:14.120 --> 2:04:15.680
<v Speaker 1>Like I feel like you'd be like, I'm having a

2:04:15.680 --> 2:04:18.280
<v Speaker 1>good day now, you know, like he's a great stabler.

2:04:18.480 --> 2:04:21.400
<v Speaker 1>Story of them like rehearsing is so cute. I just

2:04:21.480 --> 2:04:23.520
<v Speaker 1>love it. I just really love it. All in a

2:04:23.560 --> 2:04:28.000
<v Speaker 1>deserted Manhattan diner. I love that all right, our post

2:04:28.040 --> 2:04:29.640
<v Speaker 1>mortem for Bull's Eye.

2:04:30.040 --> 2:04:33.160
<v Speaker 2>No one is trying to help, So don't trust men

2:04:33.200 --> 2:04:34.160
<v Speaker 2>that are trying to help.

2:04:34.240 --> 2:04:34.919
<v Speaker 1>They are guilty.

2:04:35.400 --> 2:04:37.600
<v Speaker 2>Yeah, they are trying to get away with something, or

2:04:37.640 --> 2:04:38.680
<v Speaker 2>they're trying to kidnap you.

2:04:39.000 --> 2:04:42.600
<v Speaker 1>Like this is Yeah, that's such a good point. It's like, yeah,

2:04:42.720 --> 2:04:45.720
<v Speaker 1>the it's always like the person that's leading the anti

2:04:45.800 --> 2:04:48.920
<v Speaker 1>whatever league is like into that thing, like we talked

2:04:48.960 --> 2:04:51.720
<v Speaker 1>about it, but like you know Republicans that are like

2:04:52.000 --> 2:04:54.400
<v Speaker 1>no the gay agenda and then they're like tapping a

2:04:54.440 --> 2:04:57.400
<v Speaker 1>toe underneath the bathroom stall. Like it's always these fucking

2:04:57.440 --> 2:05:03.520
<v Speaker 1>people hiding their own thing. And but also what a

2:05:03.520 --> 2:05:04.120
<v Speaker 1>good lesson.

2:05:04.200 --> 2:05:07.000
<v Speaker 2>Yeah, if someone doesn't want to fuck you, they're a pedophile.

2:05:07.880 --> 2:05:10.080
<v Speaker 1>So that's good. No, if somebody doesn't want to fuck

2:05:10.080 --> 2:05:18.240
<v Speaker 1>Olivia Benson, they're a pedophile. Yeah, truly yeah, I guess.

2:05:18.400 --> 2:05:20.120
<v Speaker 1>Also I would.

2:05:19.800 --> 2:05:22.320
<v Speaker 2>Say, oh, if someone says they're sister's dead, they're not.

2:05:22.440 --> 2:05:25.000
<v Speaker 2>They're alive and they're hiding and they're in Delaware their

2:05:25.040 --> 2:05:28.960
<v Speaker 2>sister that no one has said dead sister.

2:05:29.040 --> 2:05:32.160
<v Speaker 1>They're all on the run. Person, they're on the run.

2:05:32.600 --> 2:05:35.680
<v Speaker 1>But also from the beginning of the episode, like Jesus,

2:05:35.880 --> 2:05:38.320
<v Speaker 1>chill out with the video games, like don't have a

2:05:38.600 --> 2:05:40.920
<v Speaker 1>don't play a video game where you're raising a child

2:05:40.960 --> 2:05:44.839
<v Speaker 1>while your daughter is eating pizza crusts underneath the stairs

2:05:44.960 --> 2:05:47.560
<v Speaker 1>or whatever, like horrible, so sad.

2:05:47.760 --> 2:05:50.720
<v Speaker 2>Yeah, I feel like this is a great Red Herring

2:05:51.840 --> 2:05:53.440
<v Speaker 2>And I just thought of another one that I love. Oh,

2:05:53.480 --> 2:05:58.320
<v Speaker 2>the Italian guy with the disease. Oh yes, like these

2:05:58.440 --> 2:06:02.760
<v Speaker 2>specific disease. It's just like shows how amazing SVU is.

2:06:02.840 --> 2:06:06.000
<v Speaker 2>But like, I love this Red Herring more than anything.

2:06:06.200 --> 2:06:10.120
<v Speaker 1>Well, that's that cop gross delusion or whatever was so interesting.

2:06:10.280 --> 2:06:13.480
<v Speaker 1>I mean, that is like a very interesting psychological problem

2:06:13.560 --> 2:06:16.440
<v Speaker 1>to have that you think every you think people in

2:06:16.480 --> 2:06:21.000
<v Speaker 1>your life have been replaced with impostors, like wild Do

2:06:21.040 --> 2:06:24.000
<v Speaker 1>you think all the people that think that Avril Levine

2:06:24.000 --> 2:06:26.040
<v Speaker 1>has been replaced by an impostor? Do you think they

2:06:26.080 --> 2:06:29.680
<v Speaker 1>have that that they all have head injuries. They all

2:06:29.720 --> 2:06:31.280
<v Speaker 1>have head capgrass delusion.

2:06:31.480 --> 2:06:34.839
<v Speaker 2>Head injuries can change your personality, Like that is true,

2:06:34.880 --> 2:06:36.720
<v Speaker 2>Like you can be a different person forever.

2:06:37.760 --> 2:06:40.160
<v Speaker 1>But you know that theory, right, that Avril Levine's fans

2:06:40.160 --> 2:06:42.000
<v Speaker 1>think that she died in a car accident or something

2:06:42.040 --> 2:06:46.680
<v Speaker 1>and has been replaced by a double Yeah. Yeah, I

2:06:46.720 --> 2:06:48.360
<v Speaker 1>didn't know about it. I don't think until I went

2:06:48.400 --> 2:06:51.440
<v Speaker 1>on tom To Carr's podcast about and I did Avril Levine.

2:06:52.040 --> 2:06:54.360
<v Speaker 1>I did the Avril Levine episode of that of Tommy

2:06:54.400 --> 2:06:56.560
<v Speaker 1>Mack and their podcast.

2:06:57.000 --> 2:06:58.880
<v Speaker 2>Yeah, it's a really good podcast if you guys want

2:06:58.880 --> 2:07:00.920
<v Speaker 2>to listen to it, called by your Band.

2:07:01.480 --> 2:07:04.120
<v Speaker 1>And I stood by Avril Levine, the real one and

2:07:04.640 --> 2:07:08.000
<v Speaker 1>the impostor. I've been on a few times. Not to brag,

2:07:08.400 --> 2:07:12.840
<v Speaker 1>but have you done I did Aqua? I think I

2:07:12.880 --> 2:07:13.880
<v Speaker 1>did the Backstreet Boys.

2:07:13.920 --> 2:07:17.440
<v Speaker 2>I did adjust like the Simpson one with with Julia,

2:07:17.800 --> 2:07:20.520
<v Speaker 2>and then I recently did because then i've because I

2:07:20.600 --> 2:07:22.400
<v Speaker 2>didn't maybe I've done the Backtory, but but I didn't

2:07:22.400 --> 2:07:25.240
<v Speaker 2>want to submit certain people because I think they're great

2:07:25.240 --> 2:07:26.600
<v Speaker 2>and I don't need to stand by them. But the

2:07:26.640 --> 2:07:28.280
<v Speaker 2>last time I went on, I got to do Miley,

2:07:28.680 --> 2:07:29.960
<v Speaker 2>even though she is great.

2:07:30.120 --> 2:07:32.800
<v Speaker 1>But they let me do it and maybe I'll go

2:07:32.880 --> 2:07:35.680
<v Speaker 1>back again. I'm oh, yeah, because you're supposed to do

2:07:35.800 --> 2:07:39.160
<v Speaker 1>people that are like not huge, like my stand by

2:07:39.160 --> 2:07:40.800
<v Speaker 1>your band. Yeah, you know, it's like people.

2:07:40.920 --> 2:07:42.960
<v Speaker 2>It's like you want to defend people that people are

2:07:43.000 --> 2:07:46.680
<v Speaker 2>like they suck out Dave Matthews band or something like Nickelback,

2:07:46.800 --> 2:07:47.320
<v Speaker 2>et cetera.

2:07:47.760 --> 2:07:50.040
<v Speaker 1>Yeah, I would go on and stand by Dave Matthew's band,

2:07:50.040 --> 2:07:53.240
<v Speaker 1>but I had been done. Oh I'm sure you know me.

2:07:53.720 --> 2:07:56.280
<v Speaker 1>You know, I'm like crash into me, baby, I did

2:07:56.320 --> 2:07:58.800
<v Speaker 1>not know that I met. I'm sure it was done.

2:07:58.800 --> 2:08:01.120
<v Speaker 1>I did not know you were a dm BE fanatic. Oh,

2:08:01.240 --> 2:08:03.960
<v Speaker 1>not a fanatic, but I love I've listened to them

2:08:03.960 --> 2:08:05.720
<v Speaker 1>when I was in you know, you just get attached

2:08:05.720 --> 2:08:08.040
<v Speaker 1>to shit. You listened to it like when you were

2:08:08.440 --> 2:08:11.120
<v Speaker 1>sixteen to nineteen. Like, I feel like that's a lot

2:08:11.160 --> 2:08:15.320
<v Speaker 1>of what people are into musically, and so I liked it. Matthews.

2:08:15.360 --> 2:08:17.160
<v Speaker 1>I don't know why they got this reputation for like

2:08:17.200 --> 2:08:19.200
<v Speaker 1>being douche music. I think because some of the people

2:08:19.200 --> 2:08:21.640
<v Speaker 1>that listen to it are douches. But I do like

2:08:21.680 --> 2:08:24.320
<v Speaker 1>the music, you know, I haven't listened to. I haven't

2:08:24.320 --> 2:08:28.040
<v Speaker 1>bought any new albums lately, but you know the classics. Anyway,

2:08:28.760 --> 2:08:31.360
<v Speaker 1>how did we get here? In our post mortem? We're

2:08:31.360 --> 2:08:31.920
<v Speaker 1>done and.

2:08:33.560 --> 2:08:35.960
<v Speaker 2>I'm going to see Moona again, so stay tuned to

2:08:36.240 --> 2:08:39.960
<v Speaker 2>a future episode to hear my review of concert number too.

2:08:40.520 --> 2:08:42.440
<v Speaker 1>I can't wait. I can't wait now I want to

2:08:42.440 --> 2:08:45.960
<v Speaker 1>go see them. But okay, let's get into what would

2:08:45.960 --> 2:08:49.440
<v Speaker 1>Sister Peg do our weekly segment where we direct you

2:08:49.480 --> 2:08:53.680
<v Speaker 1>to an organization, a book, an article, something to help

2:08:53.720 --> 2:08:55.120
<v Speaker 1>flesh out a little bit of what we talked about

2:08:55.120 --> 2:08:58.080
<v Speaker 1>on this week's episode. I didn't really think that there

2:08:58.200 --> 2:09:03.360
<v Speaker 1>was much to be helped in the guy who pretends

2:09:03.440 --> 2:09:07.080
<v Speaker 1>to be like a vigilante but really is a pedophile.

2:09:07.120 --> 2:09:09.560
<v Speaker 1>So I decided to go with the real true crime

2:09:09.560 --> 2:09:11.840
<v Speaker 1>that we based it on, And I'd like to point

2:09:11.880 --> 2:09:15.080
<v Speaker 1>you guys to a website called Healthy Gamer dot gg.

2:09:15.640 --> 2:09:19.720
<v Speaker 1>I don't know why gg is the dot com of

2:09:19.760 --> 2:09:22.120
<v Speaker 1>it all, but there it is, and they have an

2:09:22.160 --> 2:09:23.680
<v Speaker 1>article that I just wanted to point people to that's

2:09:23.680 --> 2:09:25.640
<v Speaker 1>called what are the Signs of Video Game Addiction? I

2:09:25.680 --> 2:09:28.560
<v Speaker 1>think we like laugh at this at this episode a

2:09:28.560 --> 2:09:31.320
<v Speaker 1>little bit like, Wow, these crazy people are like neglecting

2:09:31.360 --> 2:09:34.200
<v Speaker 1>their child. But I do think people can get into

2:09:34.440 --> 2:09:37.440
<v Speaker 1>so into video games that it affects their life. So

2:09:37.480 --> 2:09:40.480
<v Speaker 1>the site helps identify the common signs a video game addiction,

2:09:40.560 --> 2:09:42.280
<v Speaker 1>as well as the differences between a habit and a

2:09:42.320 --> 2:09:45.360
<v Speaker 1>full blown addiction. You can also find resources on that

2:09:45.400 --> 2:09:48.680
<v Speaker 1>website to help you with the addiction and like getting

2:09:48.680 --> 2:09:50.560
<v Speaker 1>paired with one of like a coach who can assist

2:09:50.600 --> 2:09:53.080
<v Speaker 1>you in getting your life back. And the link to

2:09:53.160 --> 2:09:55.080
<v Speaker 1>the article is in our show notes and will as

2:09:55.120 --> 2:09:59.240
<v Speaker 1>always be in our Instagram stories the day the episode

2:09:59.280 --> 2:10:02.320
<v Speaker 1>comes out, and then forever in our WWSPD highlight.

2:10:02.880 --> 2:10:05.440
<v Speaker 2>Thank you so much, And next week we're going to

2:10:05.480 --> 2:10:09.280
<v Speaker 2>be doing the episode harm season nine, episode five, so

2:10:09.480 --> 2:10:12.480
<v Speaker 2>get with it, watch it, and we'll see you next week.

2:10:12.560 --> 2:10:20.520
<v Speaker 1>Thanks so much. Bye.

2:10:24.800 --> 2:10:27.000
<v Speaker 2>That's Messed Up as an exactly right production.

2:10:27.480 --> 2:10:29.560
<v Speaker 1>If you have compliments you'd like to give us or

2:10:29.640 --> 2:10:31.880
<v Speaker 1>episodes you'd like us to cover, shoot us an email.

2:10:32.040 --> 2:10:34.600
<v Speaker 1>That's messed uppod at gmail dot com.

2:10:34.880 --> 2:10:38.040
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

2:10:38.280 --> 2:10:41.160
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

2:10:41.200 --> 2:10:43.080
<v Speaker 2>personally at Kara Klank and.

2:10:43.200 --> 2:10:46.400
<v Speaker 1>At glitter Cheese. As always, please see our show notes

2:10:46.440 --> 2:10:49.520
<v Speaker 1>for sources and more information. Thank you so much to

2:10:49.560 --> 2:10:53.280
<v Speaker 1>our producer KC. O'Brien, and to our mixer John Bradley

2:10:53.320 --> 2:10:56.680
<v Speaker 1>and our guest booker Patrick Cotner, and to Henry Kaperski

2:10:56.760 --> 2:10:59.720
<v Speaker 1>for our theme song and Carly gen Andrews for our artwork.

2:11:00.120 --> 2:11:03.880
<v Speaker 1>Thank you to our executive producers Georgia Hardstar, Karen Kilgarriff,

2:11:03.960 --> 2:11:08.800
<v Speaker 1>Danielle Kramer, and everybody at Exactly Right Media. Dun Dunn