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Speaker 1: M H. Welcome to episode two hundred and seventy six

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Speaker 1: of The Bobby Cast. I will be talking with Dina Carter,

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Speaker 1: who you know from Strawberry Wine. Did I shave my

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Speaker 1: legs for this? We danced then, we danced just so

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Speaker 1: many But the song is years old Strawberry Wine, which

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Speaker 1: was one of the biggest songs of my young life.

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Speaker 1: Eddi's here, Oh yeah, I'm here, what's up? But really

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Speaker 1: this song was generational and that everybody knew it, and

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Speaker 1: it was a woman singing a song about women, but

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Speaker 1: guys sang it too and weren't embarrassed to sing it.

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Speaker 1: Will even sing this today, which which was weird for

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Speaker 1: a twelve year old boy. Maybe maybe I was older

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Speaker 1: than that school yeah, fourteen or fifteen year old. So

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Speaker 1: to be able to sing this song loud, to be

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Speaker 1: proud and do you want to sing girls song? It's okay.

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Speaker 1: So we'll talk to her. Coming up in a little

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Speaker 1: bit the New Music Top five. This week, Loretta Lynn

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Speaker 1: released Coal Miner's Daughter to commemorate the fiftieth anniversary of

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Speaker 1: the release of her signature song. But it's a new recitation.

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Speaker 1: Here is a new version. Well, I was born to

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Speaker 1: coal miner's daughter in a cabin on a hill in

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Speaker 1: Butcher Holler. We were poor, but we had love. That's

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Speaker 1: the one thing that my daddy made sure of. It

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Speaker 1: doesn't like a poem, does she's singing. It's still pretty cool.

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Speaker 1: It's all spoken my daddy. He worked on out in

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Speaker 1: the Vani their coal mines all day long. In the

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Speaker 1: Field of horn Corn. Number four, Amanda Shires released a

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Speaker 1: cover of the Genesis classic That's All the lyric videos

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Speaker 1: and animated take on the year featuring murder hornets, burning cities,

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Speaker 1: protest signs, and closed concert venues. Here's a clip of

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Speaker 1: That's All I'm staying one time. That is a jam

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Speaker 1: from Genesis. Yeah, and that's the jam right now. I

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Speaker 1: like this version. Did you know what that song was?

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Speaker 1: When I said that's all I don't know about title?

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Speaker 1: My two's yeah, turn it up. I'm looking at me

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Speaker 1: to tell the same. It's just the shame. That's all

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Speaker 1: that's jam on. Aaron Watson has a new album called

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Speaker 1: American Soul. Here's his song Whispered My Name that's been

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Speaker 1: out because when do you whisper my Name? You buy that?

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Speaker 1: And here's a new song called boots whispin it around

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Speaker 1: and I can't keep my boots on the drag. Verry

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Speaker 1: GiB has a new album called Greenfield's The Give Brothers Songbook,

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Speaker 1: Volume one, now very GiB from the Bags. Yeah, he

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Speaker 1: has a new song called Words with Dolly Parton. Here's

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Speaker 1: that in ye Hey Day to me. Have you seen

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Speaker 1: the Beaches documentary? It's on HBO Max and really good.

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Speaker 1: Well I've almost started a few times, but either something's

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Speaker 1: come up or Caitlin's been like, no, let's not watch that.

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Speaker 1: She has no interest in the beach here. It was

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Speaker 1: before me as well. But I think we're just music nerds.

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Speaker 1: I think I'm gonna watch it this week. Um. I

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Speaker 1: think Barry Gibbon Dollar are coming on the show No

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Speaker 1: next week. I think that'd be awesome. I don't think

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Speaker 1: in person, because they're both older, so I think I

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Speaker 1: can't talk to them. And what I like about this

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Speaker 1: sound when you just played right there, it's I mean,

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Speaker 1: it's just what they used to sound like, like they

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Speaker 1: didn't say, you know what, guys, it's two thousand twenty one.

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Speaker 1: Let's uh try to make it sound new things like this.

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Speaker 1: Let's just keep it the way we had it back

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Speaker 1: in the seventies. Maybe you were someone understand a love

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Speaker 1: stayd Alve, I like on these things that uh and

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Speaker 1: number one. Morgan Wallen has a new album called danger Us.

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Speaker 1: Here is the title track, Dangerous. You should know. It's

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Speaker 1: a double album, so it's like thirty songs. Here's another

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Speaker 1: new one called Warning. Alan slaps a little bit man.

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Speaker 1: I go to Sonic and turn that up. People be like,

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Speaker 1: who's that? Wow, it's done pretty dark and that's that's

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Speaker 1: a slightly different sounds. Albums out today Sammy Hagar in

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Speaker 1: the Circle, Lockdown, Passenger, Songs for the Drunk and Broken Hearted,

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Speaker 1: which I like, Passenger, blew Oyster Cult Live eighty three

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Speaker 1: a reissue, but it's a live record, a song we

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Speaker 1: missed on vacation that I have heard ten million times

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Speaker 1: in my house when Caitlin's cooking, she plays music. Justin

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Speaker 1: Bieber released a new song called Anyone on New Year's Day.

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Speaker 1: Here You Go Anywhere So good A is good. And

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Speaker 1: I was at the vending machine yesterday and I was

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Speaker 1: talking about good Justin Bieber was People were like, what

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Speaker 1: are you talking about? You're an adult, are they listen?

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Speaker 1: I'm an adult that doesn't care people think about my

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Speaker 1: musical opinions anymore. You know, this was your vending machine,

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Speaker 1: um conversation. Interesting. I don't know how it would were

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Speaker 1: you with me, with a random person at work, I

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Speaker 1: had a vending machine and I was like, I have

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Speaker 1: no shame in loving just somebody questioned me about it

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Speaker 1: because I said, Harry Styles and Justin Bieber. You know

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Speaker 1: it wasn't the vending machine. It was the juke box

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Speaker 1: in my house. Okay, I just knew I was some

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Speaker 1: sort of machine. Looking at that. We have a jukebox

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Speaker 1: in my house and it hasn't been we don't have

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Speaker 1: music putting it yet. It's a really cool old juke box,

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Speaker 1: but as of today it works. Do you need records, well,

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Speaker 1: the small records. Yeah, I have small records. And a friend,

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Speaker 1: a friend to me, said, hey, what would you put

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Speaker 1: in there if you could? If one side was Caitlin yours?

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Speaker 1: And I said, I would do John Mayer and like

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Speaker 1: a nineties country assortment. And I said Caitlin would do

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Speaker 1: Justin Bieburn Harry Styles And I said, you know what,

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Speaker 1: I'm probably playing that side a lot too. And he

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Speaker 1: was like, what do you mean. I said, they're both

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Speaker 1: freaking great. I know they were kid pop stars, but

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Speaker 1: they've matured in their music. Harry Style is amazing. Really

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Speaker 1: music is amazing. Parker McCallum released a song called to

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Speaker 1: be Loved by You. Here you Go in musing news.

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Speaker 1: The Grammys have been rescheduled from January one to March

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Speaker 1: fourteen COVID, and you know, some award shows were happening,

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Speaker 1: but because COVID has gotten so bad, especially in l

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Speaker 1: A l A County, they've shut down all production. You

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Speaker 1: can't shoot anything there right now. So the Grammys have

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Speaker 1: been rescheduled. Quote or thoughtful conversation with health health experts.

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Speaker 1: Our network partner, CBS are host an artist schedule to appear,

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Speaker 1: we've made the decision to postpone, so Trevor Noah is

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Speaker 1: still gonna host. You know, there was some controversy about

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Speaker 1: Blake Shelton's latest single, minimum wage is Dumb. It's a

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Speaker 1: dumb controversy, a bit contrived. Um. Ronnie Donne was speaking out.

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Speaker 1: They're like Ronnie Dunn's the only one to speak out.

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Speaker 1: I was like, I spoke got the millions of people

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Speaker 1: on our radio show. Maybe people are just used to

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Speaker 1: me saying dumb stuff just expected, just like we don't

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Speaker 1: need any pan attention to that. Um. So there's that.

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Speaker 1: Ricky Skaggs that quadruple bypass surgery last summer, but kept

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Speaker 1: it quiet until now. He tells people that he was

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Speaker 1: experiencing tightness in his chest and shortness of breath, but

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Speaker 1: he did not have a heart attack and angiogram can

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Speaker 1: miss him to have surgery and he feels a hundred

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Speaker 1: and fifty cent better because of it. You know Ricky

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Speaker 1: pretty well? Do you know this? And I've talked to him?

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Speaker 1: M hm. Corona has hurt my sense of time. I

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Speaker 1: feel like I've talked to about when you talk to someone,

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Speaker 1: but maybe I haven't talked to him. It's covid. Well,

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Speaker 1: the last time I saw you talk to him was

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Speaker 1: that the opery backstage. I think he was playing and

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Speaker 1: we were playing, so that must have been what you No, wait,

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Speaker 1: I mean February but probably so, I that's probably the

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Speaker 1: last time I talked to him. Then I love him.

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Speaker 1: He oddly loves me, which is crazy. So I mean,

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Speaker 1: he talks to you like you guys are best. But

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Speaker 1: I didn't know that that had happened. No, But I

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Speaker 1: don't know that would have come out because we're not

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Speaker 1: close like that, and like, hey man, how are you

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Speaker 1: we I'm glad Jaz that just that hard work. I

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Speaker 1: don't know, you just know. Also, it's of weird random stuff.

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Speaker 1: Raby McIntyre son got engaged. She's about to be the

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Speaker 1: mother of the groom. The singers. Son shall be the

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Speaker 1: singer Son show, She'll be the guy. I saw this

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Speaker 1: Instagram post where the girl who's Marissa Branch. People have

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Speaker 1: posted it and she went and coming and she was like, hey,

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Speaker 1: I'm not the one that just got divorced for Kelly Clarkson.

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Speaker 1: This is not the same. She's like, so you guys

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Speaker 1: get off. It's pretty funny. That was my question. I

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Speaker 1: thought that was the same. Dude, it's pretty funny. She'll

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Speaker 1: be announced the news with a picture of him popping

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Speaker 1: the question at Epcot at disney World Parking. Mc call

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Speaker 1: himself for a grand Old Lot Prey debut, which is

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Speaker 1: pretty cool. Fairbuarty six that will be there. Kid Rock

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Speaker 1: donates a hundred thousand bucks of Small Business COVID Relief Fund.

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Speaker 1: He's doing his part with small businesses, so a hundred

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Speaker 1: thousand dollars there which is great. Little nos X has

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Speaker 1: released a children's book, and Tim Tebouts put out a

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Speaker 1: book next week. We're talking to him on the show. Um.

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Speaker 1: And then someone made a list of the one and

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Speaker 1: one most anticipated albums of one. So here you go,

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Speaker 1: at number hundred and one. I'll read just some of them. Drake,

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Speaker 1: food Fighters, Little Nozacks, Chili Peppers, Queens at the Stone Age,

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Speaker 1: My Morning Jacket, Adele Billie Eilish, Casey Musgraves, Kendrick Lamar Lord.

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Speaker 1: You know it's cool that food Fighters still make the

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Speaker 1: list of cool Yeah, because they're dave girls. Gotta be

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Speaker 1: fifty for sure, Yeah for sure. I mean he's maybe

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Speaker 1: fifty four, and you're talking about a dad with kids

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Speaker 1: that are probably getting ready to go to college. Okay,

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Speaker 1: And how about Anthony keatings Hot Chili Peppers doing they

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Speaker 1: have a new record, It's listens a top five. I mean,

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Speaker 1: they're from our childhood. But the rock world, there's not

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Speaker 1: a lot there. I'm sure there's a lot of bands,

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Speaker 1: but that that format doesn't really put up superstars right now.

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Speaker 1: The occasional Anthony Keats is fifty eight, and he's so

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Speaker 1: ripped and it looks good. I don't know if he

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Speaker 1: still is he's got to be, or if it's like

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Speaker 1: Aaron Tipping thing where he always just is even if

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Speaker 1: he's not a tipping so ripped. Did you guys ever

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Speaker 1: see that video of of the Chili Peppers playing somebody's

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Speaker 1: kids elementary school? No? No, this happened like maybe four three,

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Speaker 1: three or four years ago. I think it was Chad Smith,

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Speaker 1: the drummer, his kid at the principal asked like, hey,

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Speaker 1: what the band come play or whatever the auditorium and they,

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Speaker 1: I mean it was a Chili Peppers set like the

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Speaker 1: kids school. I mean, Anthony Keatons was jumping up and

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Speaker 1: down the rock in his head and Chad Smith was

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Speaker 1: just going crazy in the drums. Fleet was doing this thing.

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Speaker 1: They did not hold back, and all these kids are

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Speaker 1: just like, Okay, see, I don't know what this is.

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Speaker 1: That would be like us as kids and Ario Speedwagon

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Speaker 1: shows up and we don't really know because we're too

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Speaker 1: young to even like that music. We know our parents

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Speaker 1: like that, and we're like, huh. I just feel like

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Speaker 1: if someone's gonna play at school like that, they would

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Speaker 1: be like all right, children, not then, and they're like,

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Speaker 1: I gotta Google that coming up, we'll talk to Diana Carter.

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Speaker 1: We're gonna hit this real quick. On the other side

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Speaker 1: of this, songs meant for other artists, which is the

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Speaker 1: music topic we'll talk about here, Songs that were made

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Speaker 1: for other artists and didn't then somebody else cut and

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Speaker 1: Kevin big hit. So we'll talk about that coming up.

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Speaker 1: If I want to talk about country hits that were

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Speaker 1: meant for other artists. Now, I saw this article on

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Speaker 1: the boot, pretty fascinating article. Some of these have heard of,

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Speaker 1: and I've even talked to some of these artists about it.

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Speaker 1: But some of these blew my mind too, because sometimes

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Speaker 1: there's an artist or a manager who says it's probably

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Speaker 1: not for you, and then they don't cut it, and

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Speaker 1: maybe it wasn't for them, Maybe it wouldn't have been

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Speaker 1: a big smash for that artist, and then someone else

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Speaker 1: gets it and it goes on to be a big success.

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Speaker 1: So it's just hard to imagine some of these songs

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Speaker 1: that are so defined by the person singing them being

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Speaker 1: as memorable within it. But but I'm sure some of

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Speaker 1: them would have been. So let's talk about the stories

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Speaker 1: behind some of these songs, and then would it have

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Speaker 1: worked with the other artists. I mean, this is almost

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Speaker 1: the same argument as an actor that turned down Yeah,

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Speaker 1: and then we saw the movie. We're like, no way.

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Speaker 1: Tom Hanks couldn't play Tom Cruise in that movie, but

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Speaker 1: he could. Here. You go up first, Johnny Cash, take

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Speaker 1: Me Home Country Roads? All right. This song was originally

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Speaker 1: intended for Johnny Cash. The song's co writers Bill dan

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Speaker 1: Off and Taffy Niver intended to sell it to Cash,

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Speaker 1: but when John Denver heard it, it was like, I

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Speaker 1: gotta have this song. They all worked together to rework

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Speaker 1: the lyrics and it eventually became then Verse signature song,

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Speaker 1: Let's try it. I mean, it sounds weird, but I'm

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Speaker 1: sure you would have made it work. This song, though,

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Speaker 1: makes with Johnny. Again, this is all speculative, so I'm

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Speaker 1: not right. There's no way. There's no right or wrong here.

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Speaker 1: So I'm gonna saying, pretty dumb, I don't think it

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Speaker 1: would have worked for Johnny Cash because I don't think

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Speaker 1: this song is a It would have worked fine, But

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Speaker 1: I'm saying I don't think we had been as big

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Speaker 1: of a hit because he had so many hits that

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Speaker 1: I think it was just falling into the context of

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Speaker 1: Johnny Cash, because there was nothing that screamed Johnny Cash

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Speaker 1: in this song except just another good song. John Denver

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Speaker 1: this song, he made it about him. So I think

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Speaker 1: it worked for John Denver because it was John representing

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Speaker 1: a lot of people singing about his life, where with

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Speaker 1: Johnny he sings a lot about that all. I just

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Speaker 1: don't think it would have been the same good point,

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Speaker 1: I wouldn't. You're just saying it probably wouldn't have been

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Speaker 1: as big as it was for John Denver for Johnny Cash.

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Speaker 1: It wouldn't I have been as impactful on Johnny as

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Speaker 1: it was for John River because Johnny had a on

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Speaker 1: a hit, But it still would have been a jam

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Speaker 1: tell you Me Home? You know, June you take this last?

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Speaker 1: So Diamond Rio had this song unbelievable. Oh, this song

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Speaker 1: was meant for George Jones. I hear it right, don't

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Speaker 1: you hear? Um? What's the car one? Who's like earn uh?

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Speaker 1: The George Jones car one? What's it called? That's not

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Speaker 1: hot Rod Lincoln. I'm drawing a blank, but I don't

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Speaker 1: know it's it kind of sounds like this, Yeah, I

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Speaker 1: don't know, you don't know what I'm talking about. I

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Speaker 1: hear no this. I can totally hear George Jones doing this.

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Speaker 1: That's an odd one. Okay, here we go. Do you

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Speaker 1: find the song like he's talking about? Yeah, I don't know.

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Speaker 1: I don't know what I'm talking about. Dirk's Bentley has

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Speaker 1: four one he was gonna get Whiskey Lullaby. Oh wow,

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Speaker 1: would be good. This is one of my favorite country

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Speaker 1: song of all time. And finally drink away, drink a beer,

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Speaker 1: which is Luke what's per sable? Then watching airplanes watching

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Speaker 1: and I Drive your truck Lebryan. Now think about this

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Speaker 1: for a second. Does dirt and love Dirk's he's a

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Speaker 1: friend a bunch of bunch of hits. Does he have

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Speaker 1: a song that's as big, like as as any of

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Speaker 1: those four that's his long lasting and saying riser what

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Speaker 1: was I thinking? Yeah, I would have I would have gone, Um,

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Speaker 1: I don't know that he does. I'm just throwing out

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Speaker 1: the big hits here, because Whiskey Lullaby is a massive

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Speaker 1: twenty five years song I Drive Your Truck one the

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Speaker 1: CMA for Song of the Year. Maybe he maybe he

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Speaker 1: is up there with watching airplanes to drink a beer.

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Speaker 1: Yeah for sure, I mean and I even he's such

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Speaker 1: a deep all his songs are deep, you know. I

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Speaker 1: was listening to one of the way here, like it's

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Speaker 1: it's just it's not your regular country song where it's like,

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Speaker 1: you know, just to tell I'm telling you a story.

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Speaker 1: It's always like I saw a tree and it reminded

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Speaker 1: me of this, like you know, it was always like

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Speaker 1: a little one level deeper, and that's kind of what,

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Speaker 1: um what what's the first song you said, Whiskey La

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Speaker 1: by Is. I mean, that's a deep, deep song. And

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Speaker 1: then the last one, I drive your Truck to Me.

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Speaker 1: I think those are the two that he would He

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Speaker 1: would have done really good with the two in the middle,

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Speaker 1: though I don't really see Dirk's doing that. I wonder

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Speaker 1: if he'd made it a duet. Whiskey which was a

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Speaker 1: big deal and Alixe Cross is freaking awesome. Brad Paisley

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Speaker 1: and Alice Cross had that one before the two recorded

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Speaker 1: it the song staff for three years. Dirk's listened to

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Speaker 1: it but decided to pass on it because he never

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Speaker 1: heard it as a duet. Via the Boot Chris Stapleton

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Speaker 1: and Jim Beavers, who've done a podcast with is a

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Speaker 1: friend of ours who yeah, has written a bunch raging

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Speaker 1: idiots stuff with us. Yeah. He also also wrote but

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Speaker 1: he wrote drink a Beer Beer, and the song was

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Speaker 1: pitched at Dirk Spentley. He turned down the track, which

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Speaker 1: was big for Luke Bryan. Derek Spenley almost took Watching

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Speaker 1: Airplanes a song was written by Jim Beavers and ultimately

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Speaker 1: went to Gary Allen. Gary Ellen is probably glad he

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Speaker 1: got it because it's a big hit for him and

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Speaker 1: Lee Bryce's I Drive Your Truck was another song that

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Speaker 1: almost went to Dirk's. He first revealed during an intimate

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Speaker 1: concert that he almost recorded it himself. So drink of

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Speaker 1: Beer when that came out, I remember Luke had a

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Speaker 1: story with that, you know, like his brother had just passed,

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Speaker 1: so I mean there was definitely a story to attach

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Speaker 1: Luke to it. So now I can't even hear drink

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Speaker 1: of Beer without even thinking about Luke and his what

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Speaker 1: he was going through at that time. I wonder if

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Speaker 1: these artists like a Lee Brice, who did I Drive

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Speaker 1: Your Truck? I wonder if it's like, okay, Derek, stop

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Speaker 1: saying you passed on it, Like stop saying that you

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Speaker 1: were offered it first, because that makes me not seem

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Speaker 1: like I was offered it for you. I wonder because

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Speaker 1: I'm sure Derek's Dark's a big star. The big songs

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Speaker 1: go to him first, and then it trickles down. Yeah,

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Speaker 1: but I think people have to realize that's just the

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Speaker 1: business of it. You know. This happens all the time

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Speaker 1: where someone even cuts it and reserves it and won't

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Speaker 1: let anyone else use it, and then they don't. You

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Speaker 1: end up using it, and then it gets lost for

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Speaker 1: a little bit and somebody says, hey, whatever happened in

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Speaker 1: that song that so's Oh, it's still there. You can

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Speaker 1: do it now, you know, Like there's so many stories

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Speaker 1: like that where I think everyone's just used to that now.

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Speaker 1: Jac Owen was pitched this song Big Green Tractor, which

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Speaker 1: is Jason a Dean song, but ended up turning it down.

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Speaker 1: The song was a big hit for al Dean and

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Speaker 1: then She's Got Away with Words. Here you go. Blake

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Speaker 1: Shelton recorded this one Jacob and liked a song but

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Speaker 1: decided to record it. Didn't didn't record it for a

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Speaker 1: good reason, he goes. He said, that's a really cool song,

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Speaker 1: well written, but if I record this song, I'm taking

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Speaker 1: it literally, and I don't want my ex to perceive

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Speaker 1: that I did that to her. It's interesting because we

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Speaker 1: all went I was talking about Miranda Araya. He didn't

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Speaker 1: write it again, very fitting at the time, and that's

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Speaker 1: does I have a lot to do with picking songs

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Speaker 1: these artists, yes, can they also tell a story how

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Speaker 1: it relates to them, so they're just not going Yeah,

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Speaker 1: heard it, thought I had a good, good catchy horse

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Speaker 1: and I recorded it right, which would be the story

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Speaker 1: for most of them. But if you do find a

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Speaker 1: good catchy course you have to make up some story.

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Speaker 1: Like the first time I heard it reminded me of

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Speaker 1: n was out on this farm and a donkey came up,

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Speaker 1: So you just have to you have to create something.

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Speaker 1: Then Frankie Ballard was pitched Hillbilly bone. What you may

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Speaker 1: know right here down be sad no matter where you're wrong.

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Speaker 1: He just came. I didn't win up my stars, but

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Speaker 1: he might be kicking himself on this one. That's a

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Speaker 1: big hit. But I wonder though, because this is Trey

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Speaker 1: Satkins like Shelter. I wonder though part of this hit

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Speaker 1: was that it was big stars doing it singing about

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Speaker 1: something a bit trivial. Funny. I think if a new

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Speaker 1: artist is doing it, people just go who is this

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Speaker 1: guy and what is he singing about? A bone or

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Speaker 1: for I think there was some credence with them singing

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Speaker 1: its Tim McGraw and T Shirt, which is a Thomas

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Speaker 1: rhtt song. Here you go now Tom Shot wrote the song. Yeah,

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Speaker 1: he said Tim McGraw had it on hold for a

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Speaker 1: long time so he couldn't put on his first record.

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Speaker 1: Once he let it go, I latched that thing down

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Speaker 1: and put it on my second record. Yeah. Now this

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Speaker 1: is one where I hear and I'm like, na, Tim

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Speaker 1: couldn't pull this one off. I don't know, man, Tim's

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Speaker 1: able to pull off some some stuff that you don't

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Speaker 1: think you can. Again, it's one of those things where,

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Speaker 1: like Tim's older, he's a legend in our eyes. He

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Speaker 1: comes out with a song called T Shirt You were

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Speaker 1: my T Shirt like brought You Home from the Bar,

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Speaker 1: Guns and Roses video, we'd be like Tim, come on,

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Speaker 1: But I think his song now, that's that which Keith

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Speaker 1: Urban does that with Pink right now, and sometimes they

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Speaker 1: do do that. But I just feel like Tim's got

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Speaker 1: some more songs that are more his age appropriate. Now

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Speaker 1: here's an interesting story carry under What Shows Jesus Take

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Speaker 1: the Will as her debut single after winning American Idol,

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Speaker 1: But according to Wide Open Country, it was originally pitched

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Speaker 1: to Sarah Evans, who didn't like that stupid song. Wow,

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Speaker 1: that's a quote. That's pretty lucky for Underwood, who used

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Speaker 1: it to kick start her career. Massive song massive. I

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Speaker 1: can hear Sarah and singing this too. Lady Annabelleum better

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Speaker 1: Dick two, which was a Band Perry song. They passed

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Speaker 1: on the upbeat but dark song which became a huge

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Speaker 1: hit for the band Perry. They could have done this

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Speaker 1: for sure. Props to these bands and artists. Man, they've

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Speaker 1: really established a sound for themselves where we can hear

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Speaker 1: a song and say, hey, I can see them doing that,

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Speaker 1: because it sounds like Lady Annabellum could totally do this song.

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Speaker 1: Jason Aldean almost did Drunk on You, which is a

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Speaker 1: Luke Bryan song. He liked a song, but he was

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Speaker 1: looking for something different the day he heard it, so

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Speaker 1: he shoved it aside. It was a win for Luke

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Speaker 1: in every possible way. Didn't Luke write that too? Luke

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Speaker 1: wrote it. I was pitching it out. Jason didn't want

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Speaker 1: it much like the Thomas situation. Said, Jason didn't lock

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Speaker 1: it down. He was like, Okay, if you're not recorded,

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Speaker 1: I'll record it massive. Maybe his first hit, uh, there

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Speaker 1: was the Flyover States. That's Jason Aldean. I'm talking. I'm

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Speaker 1: talking about Luke and Jason's first hit was not Flyover States.

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Speaker 1: I don't think we can go back to first hit,

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Speaker 1: which I'm interested, I would bet. Let me think about

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Speaker 1: this because it's basically I think, um, Big Green Tractor

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Speaker 1: was this first number one? Do you think I think

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Speaker 1: you're probably right Luke's was? Do I okay, alright, good,

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Speaker 1: that's right? That sounds right? Is another sound song that

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Speaker 1: kind of that tempo. Do you think if Luke, if

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Speaker 1: if al Deane would cut a song like this? Though

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Speaker 1: we may not, we may not have had the al

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Speaker 1: Dean because I mean that's around the time when al

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Speaker 1: Dean did get harder and it changed it sound a

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Speaker 1: little bit before he was very easy listening compared to

421
00:22:35,640 --> 00:22:37,720
Speaker 1: what he does now. Al Dean had a number ten

422
00:22:37,800 --> 00:22:41,200
Speaker 1: with Hicktown. But why was his first number one? Really?

423
00:22:42,600 --> 00:22:45,280
Speaker 1: And then Amarilla Sky was his third? What was number two?

424
00:22:45,359 --> 00:22:48,760
Speaker 1: There you go? Flowers dates hit me Mike number two yeah,

425
00:22:49,000 --> 00:22:51,400
Speaker 1: he said one in three yeah, Hicktown ye, and Amarilla

426
00:22:51,440 --> 00:22:54,399
Speaker 1: Skuy his first three. Oh why we both sucked and

427
00:22:54,480 --> 00:22:59,960
Speaker 1: I was very good and a fan club Florida, Georgia.

428
00:23:00,000 --> 00:23:03,399
Speaker 1: I'm burning it Down. When they finished co writing Burning

429
00:23:03,440 --> 00:23:04,959
Speaker 1: it Down, they knew it was gonna be a hit,

430
00:23:06,840 --> 00:23:09,200
Speaker 1: and as the now dean, they both they wrote it

431
00:23:09,400 --> 00:23:11,760
Speaker 1: and then it went to somebody else because it wasn't

432
00:23:11,800 --> 00:23:15,800
Speaker 1: in the timing of them making music for themselves. Miranda

433
00:23:15,840 --> 00:23:21,119
Speaker 1: Lambert in Downtown, which is lady Anabellum song here. Miranda

434
00:23:21,160 --> 00:23:25,280
Speaker 1: Lambert had DIBs on this song. Lambert quote very very

435
00:23:25,400 --> 00:23:29,280
Speaker 1: selflessly said, let lady A have it. Wow. Yeah, because

436
00:23:29,440 --> 00:23:32,600
Speaker 1: again this can totally sound like a Miranda song. Martina

437
00:23:32,680 --> 00:23:40,040
Speaker 1: McBride had Independence Day message hit. What artists do you

438
00:23:40,080 --> 00:23:42,480
Speaker 1: think could have pulled this off around the same time frame?

439
00:23:43,080 --> 00:23:48,960
Speaker 1: Tricia faith faith Hill, Yeah, she could have the answer.

440
00:23:48,960 --> 00:23:52,639
Speaker 1: I'm looking forward Reebing McIntyre for sure. So Martina McBride

441
00:23:52,640 --> 00:23:54,840
Speaker 1: Cotton Flag for the music video of this song, which

442
00:23:55,160 --> 00:24:00,159
Speaker 1: it was a great music video. Um. But Reba McIntyre, well, like,

443
00:24:00,400 --> 00:24:02,440
Speaker 1: I don't think I'm gonna do this, um. But she

444
00:24:02,600 --> 00:24:04,720
Speaker 1: had it was gonna cut it. You know, we have

445
00:24:04,800 --> 00:24:07,720
Speaker 1: to remember these decisions are tough for these artists, like

446
00:24:07,880 --> 00:24:09,800
Speaker 1: they probably how many times do you think they listen

447
00:24:09,840 --> 00:24:11,920
Speaker 1: to this long before they say should I do this?

448
00:24:12,040 --> 00:24:14,280
Speaker 1: Should I, shouldn't I? Or did they just go that

449
00:24:14,359 --> 00:24:18,639
Speaker 1: song sucks? There's so many songs. Yeah, I would imagine

450
00:24:18,680 --> 00:24:20,239
Speaker 1: it's much like when you listen to an album from

451
00:24:20,240 --> 00:24:21,879
Speaker 1: an artist that is new to you and you kind

452
00:24:21,920 --> 00:24:24,440
Speaker 1: of like you're just pop it through songs, and there's

453
00:24:24,440 --> 00:24:26,240
Speaker 1: probably a couple songs you passed up prettyquickly that end

454
00:24:26,280 --> 00:24:27,159
Speaker 1: up later on and you go back to us, like,

455
00:24:27,200 --> 00:24:28,280
Speaker 1: it has a great song, Why did I go over

456
00:24:28,359 --> 00:24:30,359
Speaker 1: so quickly? Yeah? I would think the majority are like that.

457
00:24:30,440 --> 00:24:31,879
Speaker 1: But there's got to be something that you know, have

458
00:24:31,960 --> 00:24:34,800
Speaker 1: been floating around, like so and so I thought about

459
00:24:34,920 --> 00:24:36,960
Speaker 1: using it, so and so thought about using it, and like, well,

460
00:24:37,000 --> 00:24:38,680
Speaker 1: there's a reason there's a lot of people listening to

461
00:24:38,760 --> 00:24:41,680
Speaker 1: this song. A Little Big Town almost cut American Kids

462
00:24:41,760 --> 00:24:46,760
Speaker 1: that Kenny Chesney cut Jesus, Sammy Jane Baby, A Little

463
00:24:46,800 --> 00:24:49,800
Speaker 1: Big Town had it on Hold Kenny Chesney, I believe

464
00:24:49,880 --> 00:24:52,240
Speaker 1: he told the story on this podcast. Shane d j McNally.

465
00:24:52,440 --> 00:24:54,919
Speaker 1: He was on a plane with Kenny and he had

466
00:24:54,920 --> 00:24:56,920
Speaker 1: a bunch of songs and this one. He played this

467
00:24:57,040 --> 00:24:59,080
Speaker 1: one and he's like, man, I want that song. He's like,

468
00:24:59,200 --> 00:25:01,399
Speaker 1: I can't. A little big town has it? They called him?

469
00:25:01,440 --> 00:25:02,920
Speaker 1: Is that Can I have that song? And they were like, yeah,

470
00:25:03,200 --> 00:25:05,600
Speaker 1: the power of Kenny? Yeah. He told us a story

471
00:25:05,600 --> 00:25:08,280
Speaker 1: about how Kenny found it. Maybe either he played a

472
00:25:08,359 --> 00:25:10,280
Speaker 1: form and there was an email situation, it was on

473
00:25:10,320 --> 00:25:11,959
Speaker 1: his computer and then that was it. If you want

474
00:25:12,000 --> 00:25:13,879
Speaker 1: to go back and hear that with Shane mcinally he

475
00:25:14,160 --> 00:25:18,840
Speaker 1: episode forty five amazing way back in so and now

476
00:25:18,920 --> 00:25:22,520
Speaker 1: he's on song Land and that's kind of done, done

477
00:25:22,600 --> 00:25:25,680
Speaker 1: his thing there. All right, there you go anything you'd

478
00:25:25,680 --> 00:25:28,600
Speaker 1: like to say, Boy, that's just great. I mean again,

479
00:25:29,000 --> 00:25:31,280
Speaker 1: great job by all these like A and R people

480
00:25:31,359 --> 00:25:35,080
Speaker 1: record labels and artists to just distinguish themselves, because you

481
00:25:35,160 --> 00:25:36,960
Speaker 1: can definitely hear the sound of an artist in a

482
00:25:37,040 --> 00:25:38,760
Speaker 1: lot of these songs. That's pretty cool to me. Do

483
00:25:38,840 --> 00:25:41,560
Speaker 1: you want to do before we go? Uh? Flashback Friday?

484
00:25:43,240 --> 00:25:47,719
Speaker 1: Music wise? Where were you ninety four? I was angry man.

485
00:25:47,760 --> 00:25:50,920
Speaker 1: I was in middle school, probably eighth grade or maybe

486
00:25:50,960 --> 00:25:54,119
Speaker 1: freshman year in high school, real into Pearl Jam, you're angry.

487
00:25:54,119 --> 00:25:58,200
Speaker 1: I was sad. Well, Pearl Jam just released Vitology not

488
00:25:58,400 --> 00:26:02,960
Speaker 1: for you, but Corduroy, and that was my That was

489
00:26:03,040 --> 00:26:05,000
Speaker 1: my mantra, like, this is not for you, man, you

490
00:26:05,080 --> 00:26:07,080
Speaker 1: just don't understand what we're trying to do. Me and

491
00:26:07,119 --> 00:26:14,440
Speaker 1: Pearl Jam, well, me with Nirvana, Stone Tuple Pilots, Alison Change,

492
00:26:14,560 --> 00:26:17,760
Speaker 1: you were the lonely side of grunge. Absolutely. I was like,

493
00:26:18,119 --> 00:26:20,399
Speaker 1: you guys just don't understand me. Yeah, well that was

494
00:26:20,480 --> 00:26:22,560
Speaker 1: me too, But I was pissed and I'm just gonna

495
00:26:22,600 --> 00:26:26,040
Speaker 1: be quiet and stay to myself. Did you have Doc

496
00:26:26,080 --> 00:26:28,560
Speaker 1: Martin's I can't afford it. I never wore h either.

497
00:26:29,840 --> 00:26:33,640
Speaker 1: But the biggest country song this day was faith Hill

498
00:26:33,920 --> 00:26:41,920
Speaker 1: Wild One with the Angels Shout and stay great and

499
00:26:42,440 --> 00:26:56,159
Speaker 1: said kid. And the biggest pop song is Mariah Carey

500
00:26:56,600 --> 00:27:06,920
Speaker 1: and there's a Hero comes along a good him. And

501
00:27:07,080 --> 00:27:10,199
Speaker 1: the big news story from this year, Tanya Harding at

502
00:27:10,240 --> 00:27:14,439
Speaker 1: this time was embroiled a controversy because why she hired

503
00:27:14,520 --> 00:27:17,720
Speaker 1: somebody to stab to to beat h Nancy Karrigan on

504
00:27:17,760 --> 00:27:22,400
Speaker 1: the leg not hired right, Well, sort, I guess nobody

505
00:27:22,480 --> 00:27:24,679
Speaker 1: really knows. That was the controversy her you know her

506
00:27:24,840 --> 00:27:29,520
Speaker 1: ex husband's name, Jeff Galuley. Okay, he orchestrated an attack

507
00:27:29,840 --> 00:27:33,480
Speaker 1: on Nancy Kerrigan her US skating arrival. Here's a clip

508
00:27:33,920 --> 00:27:45,359
Speaker 1: from the footage right after the attack. Why black Nick.

509
00:27:48,800 --> 00:27:50,920
Speaker 1: Can you imagine she's training and someone comes up and

510
00:27:50,960 --> 00:27:54,120
Speaker 1: pops her in the leg with At the time, I'm

511
00:27:54,160 --> 00:27:57,800
Speaker 1: a kid, it's just TV make believe. But now as

512
00:27:57,800 --> 00:28:00,399
Speaker 1: an adult to think about she's your competition. She's not

513
00:28:00,480 --> 00:28:01,879
Speaker 1: your only competition. You've got people from all over the

514
00:28:01,920 --> 00:28:04,840
Speaker 1: world competing. She was the main competition, the American competition.

515
00:28:04,960 --> 00:28:09,040
Speaker 1: And so she says you nothing about it. But someone

516
00:28:09,160 --> 00:28:12,119
Speaker 1: goes in clubs are it's like a bookie who can

517
00:28:12,200 --> 00:28:15,760
Speaker 1: get his money mobster style for sure, pops are in

518
00:28:15,840 --> 00:28:20,359
Speaker 1: the leg? How awful? This crazy? Like if you watched

519
00:28:20,400 --> 00:28:22,160
Speaker 1: any of that, you watched the movie that came out

520
00:28:22,240 --> 00:28:27,359
Speaker 1: with Mark with Margot rob Yea, Tanya great. It was good.

521
00:28:28,560 --> 00:28:32,880
Speaker 1: Both women that competed in the February Winter Olympics where

522
00:28:33,000 --> 00:28:36,480
Speaker 1: Karagan won the silver medal in Tanya Harding finished eighth.

523
00:28:37,560 --> 00:28:41,400
Speaker 1: That is straight mobster, huh man, that's like ugly gangster. Yeah,

524
00:28:41,640 --> 00:28:44,280
Speaker 1: you're trying to take your competitor out. Literally, Yeah, that's

525
00:28:44,400 --> 00:28:47,680
Speaker 1: that isn't good. Okay, there you go. Coming up my

526
00:28:47,880 --> 00:28:50,760
Speaker 1: chit chat with Dina Carter, who I just think such

527
00:28:50,800 --> 00:28:54,280
Speaker 1: a wonderful person. And it's twenty five years since Strawberry

528
00:28:54,360 --> 00:28:58,160
Speaker 1: Wine and that's coming up in a second. Hey, Dina,

529
00:28:58,200 --> 00:29:04,280
Speaker 1: how are you? Goody? Good morning? Hey? Are you l

530
00:29:04,360 --> 00:29:07,440
Speaker 1: A or Nashville or California? Like? What? What's the timing

531
00:29:07,520 --> 00:29:10,320
Speaker 1: of this call? Is extremely early for you? No, I'm

532
00:29:10,360 --> 00:29:14,320
Speaker 1: actually I live near Grayton. Now, I don't know Flora

533
00:29:15,200 --> 00:29:20,000
Speaker 1: your east coast. Yeah, I'm actually at Central, so I'm

534
00:29:20,000 --> 00:29:22,560
Speaker 1: the same time as you. But we lived down near

535
00:29:22,640 --> 00:29:26,320
Speaker 1: thirty A now where everybody Nashville sal look at that.

536
00:29:26,720 --> 00:29:28,400
Speaker 1: You know, I have never been down there. A lot

537
00:29:28,480 --> 00:29:30,360
Speaker 1: of my friends that are in the music industry kind

538
00:29:30,360 --> 00:29:33,000
Speaker 1: of go there for their vacation because it's like the

539
00:29:33,080 --> 00:29:37,480
Speaker 1: closest beach to us. And you decided to live down there.

540
00:29:37,600 --> 00:29:40,640
Speaker 1: Is that just the greatest place? Oh my gosh. Well,

541
00:29:40,720 --> 00:29:43,680
Speaker 1: we've come here obviously for decades, because like you said,

542
00:29:43,960 --> 00:29:46,480
Speaker 1: where you've some either go to Pama City or come down.

543
00:29:46,720 --> 00:29:49,680
Speaker 1: I remember when Grayton with houses are now like ten

544
00:29:49,760 --> 00:29:51,800
Speaker 1: million dollars. You know, you could get a lot for

545
00:29:52,240 --> 00:29:56,280
Speaker 1: twenty grand or something when we were broken waiting tables

546
00:29:56,320 --> 00:29:59,240
Speaker 1: and going twenty thousand dollars. You know, you're talking about

547
00:29:59,240 --> 00:30:02,280
Speaker 1: waiting tables. Did did you ever bartend before you became

548
00:30:02,320 --> 00:30:05,280
Speaker 1: a country music star? I did. What was that like

549
00:30:05,440 --> 00:30:08,320
Speaker 1: for you? Well, honestly, I loved it because I was

550
00:30:08,640 --> 00:30:12,600
Speaker 1: studying to be a rehab therapist, rehabilitation therapists for stroke

551
00:30:12,680 --> 00:30:14,960
Speaker 1: and head injury patients. That's what I got my degree

552
00:30:15,000 --> 00:30:19,000
Speaker 1: in at you t And when I would bartend, you know,

553
00:30:19,120 --> 00:30:22,440
Speaker 1: you have your regulars that would come in, and a

554
00:30:22,520 --> 00:30:24,760
Speaker 1: lot of the times in the afternoon, you'd have a

555
00:30:24,800 --> 00:30:27,960
Speaker 1: lot of older people that would come in, usually gentlemen,

556
00:30:28,080 --> 00:30:31,280
Speaker 1: that would come in and just pour their heart out

557
00:30:31,320 --> 00:30:34,600
Speaker 1: to you, like what's going on in their life. Then

558
00:30:34,920 --> 00:30:40,320
Speaker 1: bartending to me was um, it was always more about

559
00:30:40,640 --> 00:30:44,640
Speaker 1: the relationships. And you knew what everybody's favorite beverage was.

560
00:30:44,840 --> 00:30:47,280
Speaker 1: You know, they'd walk in and you could start making

561
00:30:47,320 --> 00:30:49,840
Speaker 1: it for him. It just made them feel cared for

562
00:30:50,240 --> 00:30:53,560
Speaker 1: and heard. And I know it sounds kind of silly,

563
00:30:53,680 --> 00:30:56,080
Speaker 1: but it was a coveted job for me because I

564
00:30:56,200 --> 00:30:59,160
Speaker 1: really loved the people. It wasn't about the Booze. I

565
00:30:59,240 --> 00:31:03,480
Speaker 1: mean we had a great time, obviously, but it was

566
00:31:03,600 --> 00:31:07,400
Speaker 1: really about getting miss in that time with people and

567
00:31:07,560 --> 00:31:10,880
Speaker 1: just hear their most intimate feelings about life and what

568
00:31:11,000 --> 00:31:14,280
Speaker 1: they're going through, and um taking care of them. I

569
00:31:14,440 --> 00:31:17,840
Speaker 1: loved it. Were you performing at all while you were

570
00:31:17,840 --> 00:31:22,520
Speaker 1: attending bar? I wasn't. I was just in like a sorority.

571
00:31:22,640 --> 00:31:26,400
Speaker 1: We would do, you know, me theater things and just

572
00:31:26,520 --> 00:31:29,520
Speaker 1: whatever we get on campus. And I've seen here and there,

573
00:31:29,760 --> 00:31:33,720
Speaker 1: but nothing really pursued at the time, just kind of

574
00:31:33,800 --> 00:31:38,160
Speaker 1: meddling around in it and getting my toes in the waters. Um.

575
00:31:38,680 --> 00:31:41,080
Speaker 1: But when I was touring, my first big tour was

576
00:31:41,600 --> 00:31:44,480
Speaker 1: Alan Jackson and you know, Strawberry Wine written and everything.

577
00:31:44,520 --> 00:31:46,520
Speaker 1: I went back to Potties, which was one of the

578
00:31:46,560 --> 00:31:52,080
Speaker 1: little places I barked into in Knoxville, and I barked

579
00:31:52,120 --> 00:31:55,480
Speaker 1: in it. After the gig, we played them the arena

580
00:31:55,600 --> 00:31:57,800
Speaker 1: and I went back to Totties and got behind the bar,

581
00:31:58,040 --> 00:32:02,280
Speaker 1: and I was like working like normal. It was awesome.

582
00:32:02,680 --> 00:32:05,240
Speaker 1: So You're going to school your tending bar with the

583
00:32:05,400 --> 00:32:08,840
Speaker 1: goal to become like a rehab specialist. Was it was? It?

584
00:32:09,040 --> 00:32:13,000
Speaker 1: Never in your mind at that point that country stardom

585
00:32:13,080 --> 00:32:17,520
Speaker 1: awaited you, I honestly felt like I didn't know it

586
00:32:17,560 --> 00:32:20,400
Speaker 1: would be in country music for sure, but I knew

587
00:32:20,440 --> 00:32:23,360
Speaker 1: in my heart that I had some kind of calling

588
00:32:23,480 --> 00:32:26,160
Speaker 1: and entertainment, and honestly, I thought it was gonna be

589
00:32:26,480 --> 00:32:30,880
Speaker 1: like television or acting or something because I had done

590
00:32:30,880 --> 00:32:33,200
Speaker 1: a lot of that in high school and in my

591
00:32:33,360 --> 00:32:36,880
Speaker 1: college years that we did, like I said, the musicals really,

592
00:32:37,040 --> 00:32:39,760
Speaker 1: but there were some plays that I did that um

593
00:32:40,840 --> 00:32:42,680
Speaker 1: just kind of set the tone. And then when I

594
00:32:42,880 --> 00:32:46,000
Speaker 1: graduated from college, there was a show that never got

595
00:32:46,320 --> 00:32:48,360
Speaker 1: picked up, but it was like a Thurday Night Live

596
00:32:48,440 --> 00:32:52,840
Speaker 1: type thing. It was a local Nashville variety show, comedy

597
00:32:52,920 --> 00:32:58,280
Speaker 1: show like SNL and it was called Checkmate and please

598
00:32:58,320 --> 00:33:02,040
Speaker 1: don't go find it because it's pretty ad. But I

599
00:33:02,160 --> 00:33:05,160
Speaker 1: got cast in that show. So to answer a question,

600
00:33:05,200 --> 00:33:07,640
Speaker 1: I just felt like it was more gonna be like

601
00:33:07,840 --> 00:33:13,520
Speaker 1: on television more so than in country music. And I

602
00:33:13,640 --> 00:33:16,720
Speaker 1: just wrote songs really about the relationships I was going

603
00:33:16,760 --> 00:33:19,520
Speaker 1: through at the time and what I was experiencing in

604
00:33:19,640 --> 00:33:21,880
Speaker 1: this little journey of trying to figure out which path

605
00:33:21,960 --> 00:33:24,440
Speaker 1: to take and who I was, and that's when the

606
00:33:25,240 --> 00:33:28,360
Speaker 1: music started taking over. So when was it then for

607
00:33:28,440 --> 00:33:30,680
Speaker 1: you that you dedicated, because again, it is quite the

608
00:33:30,760 --> 00:33:33,800
Speaker 1: dedicated thing to do to go, I'm going to be

609
00:33:34,280 --> 00:33:37,280
Speaker 1: a singer songwriter, I'm going to tour. I'm like, this

610
00:33:37,440 --> 00:33:39,040
Speaker 1: is going to be my life and I'm gonna be broke.

611
00:33:39,200 --> 00:33:41,680
Speaker 1: Like when was that for you? Probably I had that

612
00:33:41,880 --> 00:33:44,760
Speaker 1: feeling in college that was a good precursor to this

613
00:33:44,880 --> 00:33:47,880
Speaker 1: struggling artist thing because I paid my way through school,

614
00:33:48,000 --> 00:33:50,800
Speaker 1: so you know, I had to work really hard to

615
00:33:50,920 --> 00:33:53,880
Speaker 1: pay off my foliage. I've worked at painting salons and

616
00:33:54,520 --> 00:33:58,480
Speaker 1: TCB wide, worked pip service for lawyers, and all the

617
00:33:58,600 --> 00:34:01,760
Speaker 1: parts store on Second Avenue and like anywhere I could

618
00:34:01,760 --> 00:34:04,600
Speaker 1: get a job. So the struggle for me was real,

619
00:34:04,880 --> 00:34:08,200
Speaker 1: like just in the real life world of trying to

620
00:34:08,360 --> 00:34:11,759
Speaker 1: be responsible and not put a financial burden on my

621
00:34:11,880 --> 00:34:16,400
Speaker 1: family and working hard to make sure I was, you know,

622
00:34:16,560 --> 00:34:20,200
Speaker 1: stepping up into my part. And that transferred over into

623
00:34:20,840 --> 00:34:24,320
Speaker 1: the struggle of like not getting discouraged when people would

624
00:34:24,760 --> 00:34:27,000
Speaker 1: I'd wait outline. I did the Bluebird thing where you

625
00:34:27,080 --> 00:34:29,160
Speaker 1: waited in the snow, you know, for an hour and

626
00:34:29,200 --> 00:34:31,320
Speaker 1: a half to get in to have an audition to

627
00:34:31,440 --> 00:34:34,960
Speaker 1: be at the Bluebird, and um, I don't know, it's

628
00:34:34,960 --> 00:34:37,200
Speaker 1: just kind of how God's always mapped it out for

629
00:34:37,400 --> 00:34:40,080
Speaker 1: me that, you know, one foot in front of the other.

630
00:34:40,520 --> 00:34:42,920
Speaker 1: Each step that I've taken has kind of prepared me

631
00:34:43,080 --> 00:34:45,640
Speaker 1: for the next step. So I've just been trusting of that.

632
00:34:46,040 --> 00:34:48,720
Speaker 1: And when you quit taking the steps is the problem,

633
00:34:49,120 --> 00:34:52,240
Speaker 1: you know. So we're gonna talk about in a second.

634
00:34:52,280 --> 00:34:55,880
Speaker 1: I'm gonna get to it here about anniversary of Strawberry Wine,

635
00:34:56,200 --> 00:34:57,799
Speaker 1: but I want to talk a little bit about leading

636
00:34:57,880 --> 00:35:01,080
Speaker 1: up to that. So you're, you know, doing what most

637
00:35:01,160 --> 00:35:03,600
Speaker 1: new artists do, and you're playing a song right around

638
00:35:03,719 --> 00:35:06,640
Speaker 1: your meeting people. Was there anyone, i'll call it in

639
00:35:06,760 --> 00:35:09,399
Speaker 1: your class that was coming up the same time you were,

640
00:35:09,440 --> 00:35:11,200
Speaker 1: and you guys hadn't hit it yet, but you look

641
00:35:11,239 --> 00:35:12,759
Speaker 1: back and go, yeah, I knew so and so when

642
00:35:12,760 --> 00:35:14,279
Speaker 1: they were just a songwriter before they had a hit

643
00:35:14,400 --> 00:35:18,239
Speaker 1: or two. Oh yes, for sure. Kenny Chaisney, I met

644
00:35:18,400 --> 00:35:25,040
Speaker 1: him at Tom Collins Music on six when we were

645
00:35:26,040 --> 00:35:29,440
Speaker 1: It's where the like the big White Word Music building

646
00:35:29,560 --> 00:35:31,799
Speaker 1: is now. But there was an old Annabellum house there

647
00:35:31,880 --> 00:35:35,160
Speaker 1: on that corner, and it had a very small parking

648
00:35:35,200 --> 00:35:36,560
Speaker 1: lot in the back, and so we would all just

649
00:35:36,680 --> 00:35:39,000
Speaker 1: spark in there and put your seas in a basket,

650
00:35:39,280 --> 00:35:41,680
Speaker 1: so that if you had to move a car or whatever,

651
00:35:41,800 --> 00:35:45,960
Speaker 1: it's a big deal. And and he was blossed me

652
00:35:46,120 --> 00:35:48,799
Speaker 1: in and I was like, who's driving that. I can't

653
00:35:48,880 --> 00:35:51,719
Speaker 1: remember what part it was, but I had a white

654
00:35:51,800 --> 00:35:54,800
Speaker 1: Honda and I'm like, I need somebody to move. So

655
00:35:54,920 --> 00:35:57,239
Speaker 1: he said, oh, it's me. Sorry, I'm Kenny blah blah,

656
00:35:57,280 --> 00:35:59,040
Speaker 1: And he moved his car and I moved out. And

657
00:35:59,120 --> 00:36:04,160
Speaker 1: we were just baby songwriters. This was probably nineties one

658
00:36:04,320 --> 00:36:09,120
Speaker 1: or two somewhere in there. Um. So he was one

659
00:36:10,280 --> 00:36:14,640
Speaker 1: and Mila Mason, she came out in the nineties. She

660
00:36:14,960 --> 00:36:17,760
Speaker 1: was that. We were in a little band together before

661
00:36:19,080 --> 00:36:22,440
Speaker 1: we each like the band dismembered and with our own ways.

662
00:36:23,320 --> 00:36:26,839
Speaker 1: So I knew Mala trying to think too else. Um.

663
00:36:27,719 --> 00:36:31,400
Speaker 1: You know Jay Joyce, who's the producer extraordinary now. He

664
00:36:31,560 --> 00:36:35,759
Speaker 1: and I worked together, um and did a whole bunch

665
00:36:35,800 --> 00:36:38,040
Speaker 1: of songs, and he played with me. We had this

666
00:36:38,160 --> 00:36:42,880
Speaker 1: band that we go play eight the clubs and uh

667
00:36:43,120 --> 00:36:45,440
Speaker 1: twelfth and Porter and all these cool places. And he

668
00:36:45,560 --> 00:36:49,480
Speaker 1: and I were writing and producing these alternative songs. You know,

669
00:36:49,560 --> 00:36:53,120
Speaker 1: it's trying to be like Atlantis Morris set with sort

670
00:36:53,160 --> 00:36:56,680
Speaker 1: of a Southern Twist tour. And of so, I've known

671
00:36:56,800 --> 00:37:01,400
Speaker 1: Jake for eons and eons um and just Doug Lancia

672
00:37:01,560 --> 00:37:04,440
Speaker 1: was with us in that deal. Kelly Looney played with

673
00:37:04,520 --> 00:37:08,400
Speaker 1: this son. It was just a great little community. Hello Grimey,

674
00:37:08,640 --> 00:37:11,759
Speaker 1: I've known Mike Grimey. He was in that group, all

675
00:37:11,800 --> 00:37:16,319
Speaker 1: of us running around together, you know. So it wasn't

676
00:37:16,360 --> 00:37:18,919
Speaker 1: just the artist, it was the community that I came

677
00:37:19,040 --> 00:37:22,480
Speaker 1: up in that now everybody's having a lot of success

678
00:37:22,640 --> 00:37:27,120
Speaker 1: and it's so awesome to see. It's wonderful. What stage

679
00:37:27,239 --> 00:37:29,239
Speaker 1: while you were kind of cutting your teeth, did you

680
00:37:29,360 --> 00:37:32,359
Speaker 1: hear strawberry wine? It was I had done a full

681
00:37:32,480 --> 00:37:35,759
Speaker 1: record with Jimmy Bowen full did I saved my legs

682
00:37:35,800 --> 00:37:40,680
Speaker 1: for this album and we had um. I mean, it

683
00:37:40,760 --> 00:37:43,200
Speaker 1: was a full deal. It was more orchestrated. It was

684
00:37:43,560 --> 00:37:46,759
Speaker 1: very lush, and he brought in David Campbell to do

685
00:37:46,880 --> 00:37:52,520
Speaker 1: all the strings for the album and his dad. It's

686
00:37:52,520 --> 00:37:56,160
Speaker 1: such a cool little recollection of all this. Thank you

687
00:37:56,280 --> 00:38:00,719
Speaker 1: for taking the time. But Bowen as me, he said

688
00:38:00,760 --> 00:38:02,680
Speaker 1: how many strings? He was on the phone with David

689
00:38:03,200 --> 00:38:05,759
Speaker 1: Campbell and he said, how many strings do you want

690
00:38:05,760 --> 00:38:08,880
Speaker 1: on this record? And he's looking at me, and I said, um,

691
00:38:09,320 --> 00:38:12,879
Speaker 1: like all of them. And so they brought the whole

692
00:38:12,960 --> 00:38:15,440
Speaker 1: National Symphony in and they laugh had to be laugh

693
00:38:15,480 --> 00:38:18,880
Speaker 1: about that, and we sat an Emerald sound and and

694
00:38:19,040 --> 00:38:22,440
Speaker 1: did this. Did I shamulate for this record? And I

695
00:38:22,560 --> 00:38:26,200
Speaker 1: asked if I could go overseas and tour first, because

696
00:38:26,280 --> 00:38:28,800
Speaker 1: I didn't I knew being from Nashville it could be brutal.

697
00:38:29,800 --> 00:38:32,919
Speaker 1: And I just wanted to have like a total queen

698
00:38:33,040 --> 00:38:36,120
Speaker 1: slate and get all the chinks out and and work

699
00:38:36,239 --> 00:38:39,120
Speaker 1: my live show and all that. So they said yes,

700
00:38:39,600 --> 00:38:43,320
Speaker 1: and I flew over to London, mastered the record and

701
00:38:43,480 --> 00:38:48,319
Speaker 1: did a full tour with UM Jimmy Nail, who's an actor, UM,

702
00:38:49,080 --> 00:38:51,320
Speaker 1: with a British band. I've had my guitar and that

703
00:38:51,480 --> 00:38:54,399
Speaker 1: was it. A flew in and had a British tour

704
00:38:54,480 --> 00:38:57,640
Speaker 1: manager and you know, hold all Brits in my band.

705
00:38:57,680 --> 00:39:00,480
Speaker 1: It was awesome flew back, but would have been fired

706
00:39:00,840 --> 00:39:03,080
Speaker 1: and uh we were in limbo for a little while

707
00:39:03,280 --> 00:39:06,640
Speaker 1: label so we we're gonna Scott Hendrix took over. We

708
00:39:06,800 --> 00:39:10,040
Speaker 1: re recorded half of that record that I co produced

709
00:39:10,120 --> 00:39:15,640
Speaker 1: with Bowen and UM. We brought in Chris Farren to

710
00:39:15,760 --> 00:39:18,799
Speaker 1: help finish some new songs, and that's when I brought

711
00:39:18,840 --> 00:39:22,520
Speaker 1: in Strawberry Wine and we danced anyway while they came

712
00:39:22,560 --> 00:39:25,880
Speaker 1: at the very very end of a recute. So we

713
00:39:26,120 --> 00:39:29,680
Speaker 1: kept the first path of Chase that I did with

714
00:39:29,800 --> 00:39:33,560
Speaker 1: Bowen and we just remixed it. Steve marc Antonio was

715
00:39:33,560 --> 00:39:35,799
Speaker 1: an engineer. We came in and added a few things,

716
00:39:35,880 --> 00:39:38,759
Speaker 1: but we kept the strings and stuff that would count

717
00:39:38,840 --> 00:39:42,160
Speaker 1: me in. UM. How I could go through the list,

718
00:39:42,239 --> 00:39:44,840
Speaker 1: but it was once it was I've loved enough to

719
00:39:45,200 --> 00:39:49,760
Speaker 1: count me in Chase. UM. That's how you know it's love.

720
00:39:51,480 --> 00:39:54,960
Speaker 1: And there was one other one I can't remember right now,

721
00:39:55,080 --> 00:39:57,840
Speaker 1: but I love it worth making. That was an original.

722
00:39:58,160 --> 00:40:01,479
Speaker 1: We brought in Barren and s is the last half

723
00:40:01,880 --> 00:40:04,160
Speaker 1: and I co produced all of that, and that's when

724
00:40:04,239 --> 00:40:08,759
Speaker 1: girls didn't get credit. Um. But I worked hard on

725
00:40:08,920 --> 00:40:12,479
Speaker 1: it and he we all did. It was a team

726
00:40:12,560 --> 00:40:15,399
Speaker 1: effort to get that record out and after about five

727
00:40:15,520 --> 00:40:18,520
Speaker 1: years it finally saw the light of day as we

728
00:40:18,640 --> 00:40:22,240
Speaker 1: know it now. The whole process was five years long, roughly.

729
00:40:22,680 --> 00:40:27,080
Speaker 1: I think I was find originally in ninety three, two

730
00:40:27,239 --> 00:40:31,359
Speaker 1: or three, so I was a development artist for two

731
00:40:31,480 --> 00:40:35,320
Speaker 1: or three years, and then it was record go tour, comeback,

732
00:40:35,480 --> 00:40:38,399
Speaker 1: re records, and release. So yeah, it was a long

733
00:40:39,280 --> 00:40:46,080
Speaker 1: long road. I was like, the first single was strawberry Wine. Yes,

734
00:40:47,120 --> 00:40:49,399
Speaker 1: the first thingle was related to me I've loved enough

735
00:40:49,440 --> 00:40:52,400
Speaker 1: to Know and we had done the whole video and

736
00:40:52,520 --> 00:40:58,160
Speaker 1: everything for it, and I gotta I was doing Strawberry

737
00:40:58,200 --> 00:41:00,239
Speaker 1: Wine on my guitar and all the radio or and

738
00:41:00,320 --> 00:41:04,200
Speaker 1: we were doing you know, promo, and the phones were

739
00:41:04,280 --> 00:41:06,480
Speaker 1: like nu back then. Everybody was calling in like what

740
00:41:06,680 --> 00:41:10,399
Speaker 1: is that song? We want to hear that again? And um,

741
00:41:10,920 --> 00:41:14,440
Speaker 1: I guess the regional started calling the label and saying

742
00:41:14,520 --> 00:41:18,839
Speaker 1: that the you know, fans were responding to Strawberry Wine

743
00:41:18,880 --> 00:41:22,600
Speaker 1: more than I've loved enough to Know. So they changed

744
00:41:22,640 --> 00:41:24,960
Speaker 1: this single and time for a new release, did a

745
00:41:25,040 --> 00:41:30,080
Speaker 1: new video and everything like because the people were screaming

746
00:41:30,160 --> 00:41:33,719
Speaker 1: for Strawberry Wine and they listened and they did it.

747
00:41:33,800 --> 00:41:35,920
Speaker 1: Scott Hinder, it did a great job of turning all

748
00:41:36,000 --> 00:41:38,720
Speaker 1: that around. When was it for you that you realize

749
00:41:38,760 --> 00:41:40,280
Speaker 1: this was going to be not just a hit because

750
00:41:40,440 --> 00:41:43,080
Speaker 1: that's a that's a building process, but just a massive

751
00:41:43,239 --> 00:41:47,080
Speaker 1: song that pretty much everybody knew. Was there a moment

752
00:41:47,120 --> 00:41:49,000
Speaker 1: where you're like, oh, this thing is a lot bigger

753
00:41:49,040 --> 00:41:51,960
Speaker 1: than I had than I had expected it. Well, the

754
00:41:52,120 --> 00:41:55,920
Speaker 1: thing about that it was, yes, I would say the

755
00:41:56,080 --> 00:41:59,320
Speaker 1: arenas that was when it was really hitting home. And

756
00:41:59,360 --> 00:42:02,040
Speaker 1: Alan Jack was such a sweetheart to take us out.

757
00:42:02,120 --> 00:42:04,480
Speaker 1: For two years we were out with him pretty much

758
00:42:05,840 --> 00:42:10,680
Speaker 1: and that made a big impact on the exposure. UM

759
00:42:10,719 --> 00:42:13,680
Speaker 1: the video was big deal with CMT and everything, and

760
00:42:14,080 --> 00:42:17,239
Speaker 1: UM doing a lot of television my management at the time.

761
00:42:17,320 --> 00:42:19,240
Speaker 1: I was one of the first artists to do Letterman

762
00:42:19,360 --> 00:42:22,840
Speaker 1: numerous times in Leno and all the morning shows and

763
00:42:22,920 --> 00:42:25,200
Speaker 1: all these things, because there weren't a lot of country

764
00:42:25,280 --> 00:42:27,680
Speaker 1: artists period, but much less a new artist that was

765
00:42:27,760 --> 00:42:30,560
Speaker 1: given those opportunities. So it was sort of the as

766
00:42:30,600 --> 00:42:32,839
Speaker 1: a lined up across the board and just the most

767
00:42:32,920 --> 00:42:37,239
Speaker 1: awareness it was when the lighters started going up to

768
00:42:37,320 --> 00:42:40,560
Speaker 1: these arenas. That's when I was like, what and and

769
00:42:40,640 --> 00:42:43,400
Speaker 1: they weren't just singing strawberry wine. They were singing the

770
00:42:43,560 --> 00:42:46,759
Speaker 1: record like because you know, we say strawberry wine at

771
00:42:46,800 --> 00:42:50,120
Speaker 1: the end, and they would when we'd come out. They

772
00:42:50,160 --> 00:42:54,040
Speaker 1: were singing the whole thing, like every song that wasn't

773
00:42:54,080 --> 00:42:57,840
Speaker 1: a single yet, and that was just like, what in

774
00:42:57,920 --> 00:43:01,879
Speaker 1: the world has happening? But I still do this day.

775
00:43:02,000 --> 00:43:05,800
Speaker 1: Never dreamed, and I'll be honest that it would have

776
00:43:06,160 --> 00:43:09,359
Speaker 1: the longevity that it's had, and just you know, it's

777
00:43:09,400 --> 00:43:13,080
Speaker 1: in recurrent radio and it's like become this country. It's

778
00:43:13,080 --> 00:43:15,960
Speaker 1: place to free the Stairway to Heaven or free birders.

779
00:43:15,960 --> 00:43:19,400
Speaker 1: So it's like just anthem for country music that I

780
00:43:19,600 --> 00:43:22,840
Speaker 1: still am blown away that I got to participate in

781
00:43:22,960 --> 00:43:26,200
Speaker 1: and be a part of because I know that that

782
00:43:26,400 --> 00:43:29,960
Speaker 1: is a very hard thing to do, and you know,

783
00:43:30,120 --> 00:43:33,000
Speaker 1: it took us a village to make it happen. And

784
00:43:33,200 --> 00:43:36,600
Speaker 1: just such talent. The writer's traces, the Burgan, Gary Harrison

785
00:43:36,680 --> 00:43:42,000
Speaker 1: were so talented, and they told my story, they told

786
00:43:42,040 --> 00:43:44,279
Speaker 1: the world story, and I was just honored to be

787
00:43:44,440 --> 00:43:47,360
Speaker 1: able to put my spin on it and put my

788
00:43:47,480 --> 00:43:50,160
Speaker 1: heart behind it because I lived it too. It's got

789
00:43:50,239 --> 00:43:54,759
Speaker 1: to be pretty cool that even today's young superstars are

790
00:43:54,800 --> 00:43:57,160
Speaker 1: still singing it. For example, Samhank came in a few

791
00:43:57,160 --> 00:43:59,160
Speaker 1: weeks ago and I was like, hey, you can cover

792
00:43:59,200 --> 00:44:01,440
Speaker 1: whatever you want and he's saying strawberry wine. Like that's

793
00:44:01,480 --> 00:44:03,880
Speaker 1: got to be pretty cool to see it continuing to

794
00:44:04,040 --> 00:44:07,440
Speaker 1: inspire folks. It is amazing and now it do not

795
00:44:07,600 --> 00:44:10,480
Speaker 1: take it for granted. I'm so thankful for that and

796
00:44:11,200 --> 00:44:13,840
Speaker 1: all the YouTube videos, you know, all the sweet people

797
00:44:13,960 --> 00:44:16,640
Speaker 1: and talented people that are out there putting it on

798
00:44:16,680 --> 00:44:20,160
Speaker 1: their platforms and things too. And you know, Kid Rock

799
00:44:20,400 --> 00:44:23,960
Speaker 1: is like it was his favorite makeout song or whatever,

800
00:44:24,160 --> 00:44:28,759
Speaker 1: and Vanilla Ice and like all of these people that

801
00:44:28,880 --> 00:44:31,200
Speaker 1: I've met in my life that crossed the genres that

802
00:44:31,960 --> 00:44:35,319
Speaker 1: know the song, and you know, it's just been such

803
00:44:35,360 --> 00:44:39,280
Speaker 1: a gift. I'm so grateful. You mentioned Kenny Chesney earlier

804
00:44:39,320 --> 00:44:41,239
Speaker 1: about someone you knew when you guys are both starting out,

805
00:44:41,320 --> 00:44:44,440
Speaker 1: but really one of my favorite country songs in the past,

806
00:44:44,680 --> 00:44:47,520
Speaker 1: you know, fifteen years as you and Tequila from Kenny

807
00:44:47,560 --> 00:44:51,080
Speaker 1: and Grace Potter, which you wrote that song. So when

808
00:44:51,120 --> 00:44:53,360
Speaker 1: you wrote when you wrote that, were you writing it

809
00:44:53,800 --> 00:44:58,719
Speaker 1: for Kenny or for another artist or for yourself? Well,

810
00:44:58,800 --> 00:45:01,080
Speaker 1: I wrote that was try Son and I showed up

811
00:45:01,760 --> 00:45:05,640
Speaker 1: at her house one day and she had been out.

812
00:45:06,480 --> 00:45:09,520
Speaker 1: She said that she's been out at the wake for

813
00:45:10,440 --> 00:45:12,920
Speaker 1: Parlin Howard's because he had passed away, and they had

814
00:45:12,960 --> 00:45:17,160
Speaker 1: been drinking and of had pequila and she was moving

815
00:45:17,160 --> 00:45:19,920
Speaker 1: a little slow. And I'm like there to write for

816
00:45:20,040 --> 00:45:23,640
Speaker 1: my record, which was my first records for Arista, so

817
00:45:23,800 --> 00:45:26,520
Speaker 1: it would have been two records after Strawberry Wine albums.

818
00:45:26,960 --> 00:45:30,360
Speaker 1: And we were writing it in two thousand two for

819
00:45:30,520 --> 00:45:32,880
Speaker 1: me for I'm Just a Girl for that album, and

820
00:45:33,000 --> 00:45:36,960
Speaker 1: so my version is on iTunes on that album. Um,

821
00:45:37,480 --> 00:45:40,400
Speaker 1: but I got to go out on the road with

822
00:45:40,560 --> 00:45:43,600
Speaker 1: Kenny and Keith and sing you and Tequila every night,

823
00:45:43,719 --> 00:45:45,560
Speaker 1: so they would come out and watch that one song

824
00:45:45,719 --> 00:45:49,880
Speaker 1: and then go get ready for their shows. And you know,

825
00:45:50,520 --> 00:45:53,000
Speaker 1: a lot of the inspiration with me living in California

826
00:45:53,040 --> 00:45:56,880
Speaker 1: at the time, the lyrics, and it's got like this

827
00:45:57,040 --> 00:46:00,680
Speaker 1: Tracy Chapman kind of drone e guitar part in the beginning,

828
00:46:01,840 --> 00:46:07,040
Speaker 1: and it's just really about not being able to shake

829
00:46:07,200 --> 00:46:09,960
Speaker 1: someone and you're in this beautiful environment, it's still really

830
00:46:10,120 --> 00:46:14,000
Speaker 1: you're still affected by the person, just like truthfully, toe

831
00:46:14,120 --> 00:46:16,920
Speaker 1: Seela stayed in my blood like for three days. It's

832
00:46:16,960 --> 00:46:19,960
Speaker 1: like a drug. So I try to avoid it if

833
00:46:20,000 --> 00:46:24,400
Speaker 1: I can, but um, and we just put a lot

834
00:46:24,440 --> 00:46:27,240
Speaker 1: of truth in that, and we're doing it for my record,

835
00:46:27,360 --> 00:46:31,400
Speaker 1: not thinking a whole lot of it, and my record

836
00:46:31,440 --> 00:46:34,840
Speaker 1: didn't do a whole lot, and but Kenny took it

837
00:46:35,000 --> 00:46:38,680
Speaker 1: and made it dis great, amazing hit, and he told

838
00:46:38,719 --> 00:46:40,560
Speaker 1: me that it was. You know, he was going through

839
00:46:40,600 --> 00:46:42,560
Speaker 1: a breakup at the time, and it just he would

840
00:46:42,560 --> 00:46:44,800
Speaker 1: play that song over and over driving up down the

841
00:46:44,920 --> 00:46:49,200
Speaker 1: Hall and in Malibu and it meant a lot to me.

842
00:46:49,960 --> 00:46:53,680
Speaker 1: Matresa had done a male version of it for demo

843
00:46:53,880 --> 00:46:55,520
Speaker 1: and he had heard it and he's like, man, this

844
00:46:55,719 --> 00:46:58,879
Speaker 1: just makes sense. So he recorded it. Did you think

845
00:46:59,160 --> 00:47:01,880
Speaker 1: why you call me the other voice? You know you

846
00:47:02,239 --> 00:47:03,719
Speaker 1: got Grace part them, Why wouldn't you call you all?

847
00:47:06,000 --> 00:47:07,840
Speaker 1: I did tell him it needs to be a duet,

848
00:47:08,080 --> 00:47:12,200
Speaker 1: and I was kind of waiting for the invite. I

849
00:47:12,440 --> 00:47:17,080
Speaker 1: understand because Grace is amazing and look they you know,

850
00:47:17,560 --> 00:47:21,440
Speaker 1: they have to pull it together with other genres and

851
00:47:21,600 --> 00:47:25,560
Speaker 1: branch out, and you know, she was happening, and um,

852
00:47:26,120 --> 00:47:28,960
Speaker 1: it worked out. I'm not upset about that. I think

853
00:47:29,000 --> 00:47:33,200
Speaker 1: that to do at part I did suggest, but it's

854
00:47:33,320 --> 00:47:36,840
Speaker 1: okay because it worked out. I'm just happy again to

855
00:47:37,000 --> 00:47:38,880
Speaker 1: be a part of and im the traction. I got

856
00:47:39,000 --> 00:47:42,160
Speaker 1: to go back to the Grammys, the team as APN

857
00:47:42,280 --> 00:47:45,080
Speaker 1: S A m AS, like all of these honors. A

858
00:47:45,239 --> 00:47:50,360
Speaker 1: decade after the first record, it was ten years almost,

859
00:47:51,120 --> 00:47:54,800
Speaker 1: it was like eight or nine years, and it was

860
00:47:54,920 --> 00:47:57,000
Speaker 1: we got an N s a I Award for that

861
00:47:57,320 --> 00:48:00,600
Speaker 1: for songs that you know they was they had written

862
00:48:00,680 --> 00:48:03,320
Speaker 1: the community like that was to me like an oscar

863
00:48:03,600 --> 00:48:09,359
Speaker 1: coming from the Nashville community. It meant so much to me. So, yeah,

864
00:48:09,760 --> 00:48:11,880
Speaker 1: that's pretty cool. The you know you're talking about awards.

865
00:48:12,400 --> 00:48:14,800
Speaker 1: Do you remember you win the CMA for Single of

866
00:48:14,840 --> 00:48:16,960
Speaker 1: the Year and you know they call your name, you're

867
00:48:16,960 --> 00:48:18,400
Speaker 1: the winner, you go up on stage. Do you remember

868
00:48:18,440 --> 00:48:22,520
Speaker 1: that or did you kind of blur out at all? No?

869
00:48:22,800 --> 00:48:26,840
Speaker 1: I remember it vividly the first time I really screwed

870
00:48:26,960 --> 00:48:29,439
Speaker 1: up on the acceptance speech. Those are the things where

871
00:48:29,560 --> 00:48:32,279
Speaker 1: you get blurry and you forget who to sank it. Like,

872
00:48:32,440 --> 00:48:34,759
Speaker 1: if you could have to do over, that's what I would.

873
00:48:35,480 --> 00:48:37,799
Speaker 1: I have wished that so many times, that I could

874
00:48:37,840 --> 00:48:42,960
Speaker 1: go back and be more thankful verbally and eloquent and

875
00:48:43,040 --> 00:48:46,320
Speaker 1: all that. I was just trying. I was nervous and

876
00:48:46,360 --> 00:48:51,320
Speaker 1: trying to crack jokes and so embarrassing. But I was

877
00:48:51,440 --> 00:48:54,440
Speaker 1: on the side of this day talking to Tricia Yearwood.

878
00:48:54,480 --> 00:48:57,360
Speaker 1: I think because I had just performed and I was

879
00:48:57,440 --> 00:48:59,680
Speaker 1: on the side. We got to perform a couple of

880
00:48:59,760 --> 00:49:05,680
Speaker 1: times on that show, and I've been talking to Ricky

881
00:49:05,800 --> 00:49:09,960
Speaker 1: Skaggs about us going to the elementary school. He's a

882
00:49:09,960 --> 00:49:12,480
Speaker 1: little bit older than me, and he had Mr Marian

883
00:49:12,560 --> 00:49:14,480
Speaker 1: in fifth grade and I hadn't that Kenneth, and I

884
00:49:14,480 --> 00:49:17,080
Speaker 1: always wanted Mr. Mary. We're having like this whole conversation

885
00:49:17,120 --> 00:49:22,040
Speaker 1: about these teachers in our school, and they were nudging him,

886
00:49:22,120 --> 00:49:24,879
Speaker 1: like it's time to go announced this award. So he said,

887
00:49:24,960 --> 00:49:27,839
Speaker 1: oh gosh, i'll be We'll finish this when I get back.

888
00:49:27,960 --> 00:49:32,320
Speaker 1: So he went out there and opened the envelope and

889
00:49:32,360 --> 00:49:35,000
Speaker 1: that's when he said the Pride of Goodletsville because we've

890
00:49:35,040 --> 00:49:38,759
Speaker 1: been talking about it. And I ran out and was

891
00:49:38,840 --> 00:49:41,960
Speaker 1: doing my gooseball little cheerleading jumps. I was just like

892
00:49:43,440 --> 00:49:48,840
Speaker 1: so excited, just I couldn't believe it. And that jump

893
00:49:48,960 --> 00:49:51,800
Speaker 1: on him was our bond because we've been talking about

894
00:49:51,800 --> 00:49:57,000
Speaker 1: it backstage, so that's what people didn't see. Well, it's

895
00:49:57,040 --> 00:50:00,120
Speaker 1: so good to talk to you, just such sustained succes us,

896
00:50:00,160 --> 00:50:02,919
Speaker 1: not only as an artist but a songwriter. And listen,

897
00:50:02,960 --> 00:50:05,359
Speaker 1: you're moving all over the continental United States. Can't even

898
00:50:05,440 --> 00:50:09,640
Speaker 1: keep track of you, but it is. It's really good

899
00:50:09,680 --> 00:50:13,360
Speaker 1: to talk to you as always. Thank you. I'm so

900
00:50:13,600 --> 00:50:16,960
Speaker 1: excited and look, this is our twenty five year, we're

901
00:50:16,960 --> 00:50:20,360
Speaker 1: gonna do some cool things for We have some minds

902
00:50:20,400 --> 00:50:24,160
Speaker 1: and a fire for the first album for this year

903
00:50:24,239 --> 00:50:27,640
Speaker 1: to just be thankful to the fans and do something fun.

904
00:50:27,840 --> 00:50:29,800
Speaker 1: So we're gonna try to make that happen in the

905
00:50:29,840 --> 00:50:31,960
Speaker 1: midst you know, we talked about it before the world

906
00:50:32,040 --> 00:50:35,000
Speaker 1: went crazy, so we'll see how we can pull it

907
00:50:35,040 --> 00:50:39,760
Speaker 1: all together. But um, I'm very thankful the capital slash

908
00:50:39,840 --> 00:50:45,120
Speaker 1: universal slash whatever for still loving on me and supporting

909
00:50:45,200 --> 00:50:48,320
Speaker 1: me in that way and and the fans too, and

910
00:50:48,520 --> 00:50:51,120
Speaker 1: so look for it this year. And I'm just I'm

911
00:50:51,160 --> 00:50:54,560
Speaker 1: happy for you for your engagement. I've seen your online.

912
00:50:54,719 --> 00:50:57,440
Speaker 1: I'm so proud of you and happy for you. Well,

913
00:50:57,600 --> 00:50:59,680
Speaker 1: thank you very much. If you go listen, I hope

914
00:50:59,680 --> 00:51:01,600
Speaker 1: you go. And once we were able to play shows

915
00:51:01,600 --> 00:51:04,120
Speaker 1: again and people can get on the road like I

916
00:51:04,160 --> 00:51:06,160
Speaker 1: don't know, because a lot of the artists that have

917
00:51:06,239 --> 00:51:07,920
Speaker 1: had great records, like sometimes I'll just go out and

918
00:51:07,960 --> 00:51:09,439
Speaker 1: play the whole record. I mean, you have three number

919
00:51:09,480 --> 00:51:11,600
Speaker 1: ones on did I shave my legs for this? I mean,

920
00:51:11,920 --> 00:51:13,640
Speaker 1: and probably five of them I could sing every word

921
00:51:13,719 --> 00:51:16,800
Speaker 1: back to right this second. So are you guys considering

922
00:51:16,920 --> 00:51:19,080
Speaker 1: that like just playing the record a few times as

923
00:51:19,160 --> 00:51:22,600
Speaker 1: a okay, twenty five years, here's the celebration. Yes, and

924
00:51:22,920 --> 00:51:25,120
Speaker 1: you know I did that one time on the road.

925
00:51:25,160 --> 00:51:26,960
Speaker 1: We've been off the road for a little bit. I

926
00:51:27,040 --> 00:51:30,480
Speaker 1: went back out and we just did the record from

927
00:51:30,600 --> 00:51:34,279
Speaker 1: some One to the like in order, in sequential order,

928
00:51:35,200 --> 00:51:40,000
Speaker 1: and the people went bananas because that's how they remember it.

929
00:51:40,840 --> 00:51:44,800
Speaker 1: And for me, it's like nobody cares about other records anyway.

930
00:51:44,880 --> 00:51:49,239
Speaker 1: I've had like nine records out. You get to play

931
00:51:49,280 --> 00:51:51,839
Speaker 1: your other songs that you've written, though, because that's also

932
00:51:51,960 --> 00:51:55,040
Speaker 1: cool to go, Hey, I wrote this. Uh anyway, I

933
00:51:55,160 --> 00:51:57,160
Speaker 1: think you're fantastic. I love you as an artist and

934
00:51:57,200 --> 00:52:00,279
Speaker 1: a songwriter ran a person. So whenever you're ready, you guys,

935
00:52:00,320 --> 00:52:01,840
Speaker 1: get a plan to what you want to do, and

936
00:52:01,920 --> 00:52:04,399
Speaker 1: you want to publicize it, just let me know. I'm

937
00:52:04,440 --> 00:52:08,520
Speaker 1: happy to help you out. Thank you, Bobby. I appreciate it.

938
00:52:08,680 --> 00:52:11,080
Speaker 1: And listen, I want to thank you for always being

939
00:52:11,200 --> 00:52:16,480
Speaker 1: so kind, so welcoming, so gracious. You always hugged me.

940
00:52:16,560 --> 00:52:18,880
Speaker 1: You want to see you at events and things. You

941
00:52:18,960 --> 00:52:21,040
Speaker 1: go out of your way to come and be kind,

942
00:52:21,239 --> 00:52:24,600
Speaker 1: and it's your your whole audience. I know that they

943
00:52:24,680 --> 00:52:26,840
Speaker 1: know how awesome you are, but they need to know

944
00:52:26,960 --> 00:52:29,799
Speaker 1: that that's you know, awesome Mike as well, because you're

945
00:52:29,840 --> 00:52:32,160
Speaker 1: a stand up guy. And I'm I'm just so happy

946
00:52:32,280 --> 00:52:34,799
Speaker 1: for your success because you deserve it and you've meant

947
00:52:34,840 --> 00:52:37,080
Speaker 1: a lot to me. Not thank you. I feel awkward,

948
00:52:37,120 --> 00:52:38,400
Speaker 1: but that's very kind of you. I don't do well

949
00:52:38,440 --> 00:52:41,080
Speaker 1: with compliments, but I'm so I'm gonna end it there, Dina.

950
00:52:41,160 --> 00:52:42,719
Speaker 1: Great to talk to you. I can't wait to see

951
00:52:42,760 --> 00:52:46,520
Speaker 1: your face again and I'll see you soon. Okay, thank you? Alright,

952
00:52:46,560 --> 00:52:49,799
Speaker 1: all right, you guys, by the way, go to her merch,

953
00:52:50,000 --> 00:52:51,560
Speaker 1: Go get merch. All you have to do is go

954
00:52:51,680 --> 00:52:55,680
Speaker 1: to dina dot com slash store d E A n

955
00:52:55,840 --> 00:52:58,120
Speaker 1: a dot com slash store, and go get merch. Help

956
00:52:58,280 --> 00:53:01,200
Speaker 1: help help an artist out by some of that merch, right, Dina,

957
00:53:01,920 --> 00:53:05,319
Speaker 1: get it out of her garage. That's right, all right?

958
00:53:05,360 --> 00:53:08,080
Speaker 1: Bye Dina. By fake