WEBVTT - Episode 7 - Aftershock

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<v Speaker 1>BBCGDAS. Hey, Hi'm Maggie. Just a quick heads up before

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<v Speaker 1>we start. The series does contain some descriptions of violence

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<v Speaker 1>and deals with adult themes. We're live at the Harris

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<v Speaker 1>County Criminal Courthouse.

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<v Speaker 2>Channel twos.

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<v Speaker 3>Lee for Lishi is joining us live downtown with what

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<v Speaker 3>we're learning from the courtroom as we wait for a

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<v Speaker 3>verdict in this case.

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<v Speaker 1>Lee, So, the jury is expected to deliberate for only

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<v Speaker 1>a few more minutes until about five point fifteen, then

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<v Speaker 1>they'll be back at it again tomorrow morning. It's a

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<v Speaker 1>hot and humid afternoon in late August twenty seventeen, and

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<v Speaker 1>the court reporters wait en mass for the climax to

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<v Speaker 1>a story they've been following for years.

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<v Speaker 4>Jen, we are on verdict watch in the case against

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<v Speaker 4>fifty seven year old Sandra Melgar. The jury started deliberating

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<v Speaker 4>yesterday evening, continued to deliberate this morning, and in fact,

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<v Speaker 4>just moments ago, took a break. This is a case.

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<v Speaker 1>After seven and a half hours split over two days,

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<v Speaker 1>the jury reached a verdict in the State of Texas

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<v Speaker 1>versus Sandra Jean Melgar. As they file back into the courtroom,

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<v Speaker 1>Liz scrutinizes their faces looking for clues.

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<v Speaker 5>When they all were called back after they reach their verdict,

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<v Speaker 5>I already knew why because people were crying. There were

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<v Speaker 5>a few people who were crying. To me, I was like,

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<v Speaker 5>you're not going to cry if you're going to say

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<v Speaker 5>someone's not guilty.

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<v Speaker 1>Sandy's attorney, Max Seacrest, is also studying each member of

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<v Speaker 1>the jury.

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<v Speaker 6>Normally, if you're going to prevail, they'll look at you.

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<v Speaker 6>They may even grin. Like this jury came in, not

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<v Speaker 6>one of them looked us in the eye.

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<v Speaker 1>With everyone back in the courtroom, one of the jurors

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<v Speaker 1>hands a slip of paper to the bailiff, who passes

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<v Speaker 1>it to the judge. They've reached a unanimous verdict. The

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<v Speaker 1>defend Sandra Jean Melgar, is ordered to stand. She shakily

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<v Speaker 1>moves to her feet, her body supported by her thin

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<v Speaker 1>wooden cane. The judge clears her throat and reads from

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<v Speaker 1>the slip of paper. We the jury find the defendant,

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<v Speaker 1>Sandra Jean Melgar, guilty of murder as charged in the indictment.

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<v Speaker 1>Sandy lets out a cry of disbelief and falls back

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<v Speaker 1>into her chair. For Sandy's friends and family, it feels

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<v Speaker 1>like the oxygen has been stripped from the room.

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<v Speaker 6>They were devastated, crying and it was just a horrible day.

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<v Speaker 1>There's Sandy's niece Marissa, who was there when she was found.

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<v Speaker 7>My heart just sunk into my stomach. I could not

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<v Speaker 7>believe this was happening to her because there was just

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<v Speaker 7>no way, no way. We knew, we knew that they

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<v Speaker 7>got it wrong.

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<v Speaker 1>There's Tammy Armstrong, who consoled Sandy after her police interview.

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<v Speaker 2>We're in such shock and I mean dead silence when

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<v Speaker 2>they read that verdict.

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<v Speaker 1>And there's Diana, the cousin who was more like a sister.

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<v Speaker 8>Sandy started crying immediately, Liz started crying. We all started crying.

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<v Speaker 8>Liz ran to her to give her like one last

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<v Speaker 8>time before they left, before they took her away, and

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<v Speaker 8>then as soon as that happened, Liz fell to the ground.

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<v Speaker 1>For Liz, it's all a blur, like something out of

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<v Speaker 1>a horrible nightmare.

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<v Speaker 5>It just felt like an out of body experience. And

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<v Speaker 5>I just remember, like my husband just like grabbed onto

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<v Speaker 5>me really tightly, and it's like holding onto me and

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<v Speaker 5>hugging me, and I kept telling her like it's gonna

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<v Speaker 5>be okay, like we're going to figure it out. I

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<v Speaker 5>had no idea what I was doing, or like what

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<v Speaker 5>I was even saying, or what that meant.

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<v Speaker 1>What do you remember how your mom took it?

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<v Speaker 5>I mean she was just in tears.

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<v Speaker 2>She was just.

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<v Speaker 5>I mean, it was devastating for everybody.

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<v Speaker 1>But it's not over yet. It's down to the jury

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<v Speaker 1>to decide how long Sandy will spend in prison, and

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<v Speaker 1>there's a chance she'll never get out. I'm Maggie Robinson

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<v Speaker 1>Katz And from BBC Studios and iHeart Podcasts. This is

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<v Speaker 1>Hands Tied, episode seven, after Shock.

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<v Speaker 2>I think I had heard enough, felt enough that I

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<v Speaker 2>truly believe that she did it.

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<v Speaker 1>You remember Aaron Day, he was on the jury.

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<v Speaker 2>The didn't had the ability to do it, even though

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<v Speaker 2>she doesn't remember doing it. I think that was a

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<v Speaker 2>convenient defense. Oh I forgot or I don't remember.

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<v Speaker 1>One of the first things they did when they entered

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<v Speaker 1>the jury room was take a quick count. They'd heard

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<v Speaker 1>the prosecution, they heard the defense. Who did they believe.

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<v Speaker 1>Five of the jurors thought Sandy was guilty, four innocent,

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<v Speaker 1>and three were undecided.

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<v Speaker 2>I was on the guilty side. From the moment we

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<v Speaker 2>sat down, we talked about it. We were each given

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<v Speaker 2>time to discuss our feelings and our position. There was

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<v Speaker 2>a lot of I don't know, I need to think through.

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<v Speaker 2>There was so much information and there were some people going, yes,

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<v Speaker 2>she did it. She was say no, she didn't.

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<v Speaker 1>And then how did you come to reach the unanimous verdict?

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<v Speaker 2>We looked at a lot of the evidence again, we

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<v Speaker 2>looked at a lot of the discussion, We read transcripts,

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<v Speaker 2>we went over testimony, how we felt about the testimony.

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<v Speaker 1>Together, the jurors workshopped Sandy's future.

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<v Speaker 2>What evidence could prove that she is innocent of the crime.

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<v Speaker 2>There was hardly nothing there. That's why we kept going

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<v Speaker 2>to the guilty. She was there and she had the

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<v Speaker 2>time and ability to do it, and the ones that

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<v Speaker 2>were unsure listened to us, they changed their mind and

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<v Speaker 2>they deemed her guilty. And so then we had to say, well,

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<v Speaker 2>we'll have to tell the world how we feel.

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<v Speaker 1>So what does Aaron think happened that night?

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<v Speaker 2>Witnesses painted them as a happy couple to the public,

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<v Speaker 2>but I don't think she was ever really happy because

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<v Speaker 2>all the attention that was paid to her husband. He

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<v Speaker 2>was an elder within the church, and being a Latin American.

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<v Speaker 2>He was very charismatic. I think the murder was an accident.

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<v Speaker 2>I don't think she purposely tried to murder him, but

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<v Speaker 2>I think that anger, after years of feeling that way

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<v Speaker 2>and not discussing it, came out in this alcohol and

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<v Speaker 2>drug filled rage, and it went too far and she

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<v Speaker 2>killed it.

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<v Speaker 1>Honestly, I'm surprised to hear Aaron say this, because when

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<v Speaker 1>I wrote the court documents, I'm not sure the evidence

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<v Speaker 1>supports that theory. Sure, Sandy did drink that night. She

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<v Speaker 1>said she had a pina colada with her meal and

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<v Speaker 1>two Vodkas in sprite in the jacuzzi, but also told

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<v Speaker 1>detectives that she didn't finish the second one. But drugs,

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<v Speaker 1>she was all like.

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<v Speaker 2>A myriad of like two. I think we're are two

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<v Speaker 2>very mental drugs for her. Lupus are very powerful drugs.

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<v Speaker 2>And then she had the migraine medicine, which in my

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<v Speaker 2>mind would be one that you don't drink alcohol with.

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<v Speaker 2>But that night they had been out drinking.

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<v Speaker 1>Did they go through the various medications that she was

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<v Speaker 1>on in the side effect that they could have.

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<v Speaker 8>No.

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<v Speaker 2>I don't think the defense or prosecution brought any of

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<v Speaker 2>that up. They just mentioned that she was on drugs.

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<v Speaker 1>But what about what was said in court? If this

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<v Speaker 1>is a case about stories, it seems the prosecutions made

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<v Speaker 1>more sense to Aarin. Sandy was unhappy, she needed to

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<v Speaker 1>get out of her marriage, and therefore resorted to murder,

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<v Speaker 1>while the defense's argument of a home invasion gone wrong

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<v Speaker 1>just didn't add up.

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<v Speaker 2>They failed to tell me or make me believe she

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<v Speaker 2>didn't do it. So I'm like, oh, you're not offering

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<v Speaker 2>me any Oh, yeah, there was somebody that came in

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<v Speaker 2>the house, Well prove it. Where's your proof? Do you

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<v Speaker 2>have any video that shows somebody going to the house,

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<v Speaker 2>any footprints, any fingerprints, any evidence that somebody was there?

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<v Speaker 2>Did the body have anything on it? The prosecution and

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<v Speaker 2>the investigators found.

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<v Speaker 1>Nothing to Max Seacrest, Sandy's defense attorney. This is a

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<v Speaker 1>fundamental misunderstanding of the justice system. Innocent until proven guilty.

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<v Speaker 1>The burden of prooflies with the prosecution. It's for them

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<v Speaker 1>to prove someone is guilty, not the defense to prove

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<v Speaker 1>their innocence.

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<v Speaker 6>I don't want to ditch a jury. I respect their

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<v Speaker 6>verdict here, but I obviously don't agree with it. I

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<v Speaker 6>can't fathom how a group of folks conscientiously could believe

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<v Speaker 6>beyond a reasonable doubt that the prosecution had proved its case.

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<v Speaker 3>I mean, this is an absolute tragedy.

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<v Speaker 1>Alison Seacrest, Max niece and fellow attorney.

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<v Speaker 3>She lost the love of her life, her best friend,

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<v Speaker 3>her caretaker. I mean, Jim took care of her, He

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<v Speaker 3>drove her around. There were times where she couldn't even

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<v Speaker 3>drive because of her seizure disorder and the impact that

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<v Speaker 3>this had on her daughter and not being able to

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<v Speaker 3>see her grandchildren grow up. I mean, it's just really wrong.

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<v Speaker 1>What went wrong in the trial? Then?

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<v Speaker 6>You know that's Uh, that's only a question that Alison

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<v Speaker 6>and I ask ourselves every day. I rarely have a

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<v Speaker 6>day that I don't think about Sandy. Uh. And it's

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<v Speaker 6>it's hard, it's hard to answer.

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<v Speaker 1>Max's voice catches. He takes a moment to compose himself.

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<v Speaker 1>It's clear the whole trial has taken a toll on him,

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<v Speaker 1>and he's still trying to make sense of how it

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<v Speaker 1>all played out. The impact of the choices he made.

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<v Speaker 1>Walk me through the decision to not bring Sandy on

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<v Speaker 1>the stand to give evidence.

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<v Speaker 6>Well, that is an area that I really can't discuss

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<v Speaker 6>because of attorney client privilege, but I will say this,

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<v Speaker 6>it was our belief before we tried the case. It's

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<v Speaker 6>our belief now that obviously she had no burden. So

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<v Speaker 6>that was a decision made by us, by the lawyers.

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<v Speaker 5>I said, maybe you should testify, and she said, I'll

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<v Speaker 5>have a seizure on the stand. I can't because she

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<v Speaker 5>gets when she's stressed, you know, or too tired, doesn't

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<v Speaker 5>get enough sleep, you know, she will have a seizure.

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<v Speaker 5>I said, no, just have a seizure, Just let them

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<v Speaker 5>see it. Like they don't believe you, Just stop picking

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<v Speaker 5>your medicine and have a seizure. She's like, no, I

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<v Speaker 5>don't want to prolong this any longer.

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<v Speaker 2>I often wonder how I would have felt that she

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<v Speaker 2>did take the stand and said I didn't do it,

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<v Speaker 2>look at the jury and say I didn't do it.

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<v Speaker 2>Was that assuade me? It might have. I mean, I

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<v Speaker 2>can't tell because she didn't choose to tell me directly.

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<v Speaker 2>She did not murder her husband.

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<v Speaker 1>And though hindsight is always easier in the rear view mirror,

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<v Speaker 1>Sandy and her defense team have to look to the

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<v Speaker 1>future embrace for the jury sentencing. It's the day after

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<v Speaker 1>Sandy was found guilty. We're back in the courtroom and

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<v Speaker 1>it's time for sentencing. Her attorney, Maxycres, asks for leniency.

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<v Speaker 1>He describes Sandy as a good, caring, loving wife with

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<v Speaker 1>no criminal history and innocent of the crime she's been

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<v Speaker 1>convicted of.

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<v Speaker 9>And that's exactly why we're here today, because they drank

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<v Speaker 9>the kool aid of Sandra Melgar.

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<v Speaker 1>Prosecutor Colleen Barnett, her word, spoken by an actor, requests

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<v Speaker 1>an appropriate sentence for someone she believes as a calculating killer.

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<v Speaker 9>She's even manipulated her lawyers. She's manipulated her church group,

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<v Speaker 9>She's manipulated most of the people that she goes around

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<v Speaker 9>with who believe that she is in.

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<v Speaker 2>When they made us decide how many years in prison

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<v Speaker 2>she had to spend, there was a lot of controversy there,

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<v Speaker 2>being in her age and being her physical illnesses. Some

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<v Speaker 2>people wanted to give her the minimum time, some people

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<v Speaker 2>wanted to give her the maximum time.

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<v Speaker 1>There is a minimum of five years in prison, with

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<v Speaker 1>the maximum sentence being life. But Sandy is fifty seven

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<v Speaker 1>years old, so there's a very real chance she could

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<v Speaker 1>die in prison.

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<v Speaker 2>So we ended up somewhere in the middle.

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<v Speaker 1>Sandy melgar Is sentenced to twenty seven years behind bars.

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<v Speaker 1>How did that feel hearing the sentencing of twenty seven years?

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<v Speaker 5>They felt that twenty seven years was showing her mercy

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<v Speaker 5>because with good behavior, you can get out in half

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<v Speaker 5>the time, So that would be like thirteen and a

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<v Speaker 5>half years, and so they felt that she would be

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<v Speaker 5>like seventy something and she could still have some time

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<v Speaker 5>with her grandchildren before she died, and that that was

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<v Speaker 5>their bit of mercy for her.

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<v Speaker 1>To Liz, if Sandy was guilty, mercy would be the

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<v Speaker 1>last thing on her mind if she's guilty.

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<v Speaker 5>If she was guilty, why would I want to spend

0:14:23.200 --> 0:14:25.400
<v Speaker 5>time with her? Why would I want her in my house?

0:14:25.440 --> 0:14:27.280
<v Speaker 5>Why would I want her around me or my kids?

0:14:27.360 --> 0:14:30.720
<v Speaker 5>I wouldn't. There's no way in hell.

0:14:33.280 --> 0:14:37.080
<v Speaker 1>Was there any hope you had during the trial process

0:14:37.200 --> 0:14:38.640
<v Speaker 1>that she wouldn't be convicted?

0:14:39.640 --> 0:14:39.880
<v Speaker 8>Yeah?

0:14:39.880 --> 0:14:42.960
<v Speaker 5>I mean I thought it was really open and shit case.

0:14:44.000 --> 0:14:46.880
<v Speaker 5>I thought that they would present the evidence and they

0:14:46.880 --> 0:14:50.560
<v Speaker 5>would people would see what it was and they would

0:14:50.600 --> 0:14:52.640
<v Speaker 5>let her go. You know, we thought we were all

0:14:52.680 --> 0:14:53.680
<v Speaker 5>going to go home after that.

0:14:55.480 --> 0:14:58.800
<v Speaker 1>Liz leaves the courtroom without her mom while Sandy is

0:14:58.840 --> 0:14:59.960
<v Speaker 1>taken to her cell.

0:15:00.720 --> 0:15:05.440
<v Speaker 5>And then you know, having to go home and explain

0:15:05.520 --> 0:15:08.080
<v Speaker 5>to my daughter because she's like running down the stairs

0:15:08.120 --> 0:15:11.040
<v Speaker 5>and she's like, where's Nana. I was like, oh my god,

0:15:12.360 --> 0:15:17.280
<v Speaker 5>I can't.

0:15:21.320 --> 0:15:25.440
<v Speaker 1>Nearly five years after Jim's death, Sandy begins her sentence.

0:15:26.520 --> 0:15:29.920
<v Speaker 1>She's taken to the William P. Hobby Unit, a women's

0:15:29.960 --> 0:15:32.640
<v Speaker 1>prison between Houston and Dallas.

0:15:33.200 --> 0:15:36.440
<v Speaker 5>It was known as Hobby Hell. I've never heard her

0:15:36.480 --> 0:15:37.240
<v Speaker 5>more terrified.

0:15:38.440 --> 0:15:41.640
<v Speaker 1>Sandy's cousin Diana ficit's as often as she can.

0:15:42.680 --> 0:15:48.120
<v Speaker 8>Hobby was an extremely scary place. Sandy got threatened, she

0:15:48.600 --> 0:15:51.960
<v Speaker 8>got verbally abused, Like even my sister and I when

0:15:52.000 --> 0:15:54.480
<v Speaker 8>we would go visit. It was a scary place just

0:15:54.520 --> 0:15:59.320
<v Speaker 8>to go into. The guards were, I don't know, very

0:16:00.120 --> 0:16:01.520
<v Speaker 8>hard and cold.

0:16:02.720 --> 0:16:05.640
<v Speaker 1>She's eventually moved to a women's medical facility.

0:16:06.320 --> 0:16:10.280
<v Speaker 8>Carol s Young, I feel better that she's at a

0:16:10.320 --> 0:16:13.520
<v Speaker 8>medical unit. We there's still a lot of crazy stories

0:16:13.520 --> 0:16:16.000
<v Speaker 8>that Sandy tells us. You know, there's still drama happening,

0:16:16.040 --> 0:16:19.560
<v Speaker 8>there's still fights, but I no longer feel that her

0:16:19.640 --> 0:16:23.520
<v Speaker 8>life is in danger, Whereas in Hobby I thought we

0:16:23.560 --> 0:16:27.640
<v Speaker 8>could get a phone call eighty day say, Sandy's gone

0:16:27.840 --> 0:16:31.200
<v Speaker 8>because somebody got in a fight. She was in the

0:16:31.240 --> 0:16:32.400
<v Speaker 8>wrong place, wrong time.

0:16:33.800 --> 0:16:36.560
<v Speaker 1>Sandy may be in a better place, but prison is

0:16:36.640 --> 0:16:37.480
<v Speaker 1>still prison.

0:16:38.200 --> 0:16:40.360
<v Speaker 5>All I can think about is my mom laying on

0:16:40.440 --> 0:16:45.760
<v Speaker 5>this like hard prison bed, and she's alone and suffering

0:16:45.840 --> 0:16:49.480
<v Speaker 5>in prison. And I get to I get to travel,

0:16:49.520 --> 0:16:51.400
<v Speaker 5>and I get to be with my kids, and I

0:16:51.440 --> 0:16:56.440
<v Speaker 5>get to do as I please. It just seems wolly unfair.

0:17:01.160 --> 0:17:04.960
<v Speaker 1>Sandy is still at the medical facility today. I really

0:17:05.000 --> 0:17:08.320
<v Speaker 1>wanted to interview her in person or even just by phone,

0:17:08.520 --> 0:17:12.520
<v Speaker 1>but my request was denied by the authorities. So I

0:17:12.560 --> 0:17:16.000
<v Speaker 1>write to her. I introduced myself and ask her if

0:17:16.000 --> 0:17:20.359
<v Speaker 1>she'd be okay answering some questions over prison email. A

0:17:20.400 --> 0:17:24.600
<v Speaker 1>couple weeks later, I get a response. She tells me

0:17:24.680 --> 0:17:29.439
<v Speaker 1>about the weather, writing, we actually had some snow last week.

0:17:29.880 --> 0:17:32.840
<v Speaker 1>That's unheard of in Texas, especially so close to the Gulf.

0:17:33.720 --> 0:17:37.000
<v Speaker 1>We only got about eight inches, but that's a lot here. Lol.

0:17:38.520 --> 0:17:42.639
<v Speaker 1>Sandy's warm in her messages, almost light as well as

0:17:42.680 --> 0:17:46.320
<v Speaker 1>the occasional lol. There's an old school emoji, you know,

0:17:46.400 --> 0:17:49.960
<v Speaker 1>the one colon in a parenthesis making a smiley face.

0:17:51.680 --> 0:17:53.320
<v Speaker 1>In one email, I tell her I went to go

0:17:53.440 --> 0:17:56.080
<v Speaker 1>visit Liz in London, but don't hear back for a

0:17:56.080 --> 0:18:00.200
<v Speaker 1>couple of weeks. So I send another and then another,

0:18:01.000 --> 0:18:04.680
<v Speaker 1>and then I finally hear back from her. She tells

0:18:04.680 --> 0:18:07.680
<v Speaker 1>me she's been called into the supervisor's office to discuss

0:18:07.720 --> 0:18:12.480
<v Speaker 1>our messages. She writes, they question me about the podcast.

0:18:13.000 --> 0:18:15.040
<v Speaker 1>I told them that I had already informed you that

0:18:15.119 --> 0:18:17.040
<v Speaker 1>it wasn't allowed, and I told them to look at

0:18:17.040 --> 0:18:20.080
<v Speaker 1>my replies to you. They already had, but they still

0:18:20.080 --> 0:18:20.960
<v Speaker 1>wanted to question me.

0:18:21.480 --> 0:18:21.560
<v Speaker 2>Ha.

0:18:23.440 --> 0:18:25.520
<v Speaker 1>She goes on to detail her day to day life

0:18:25.560 --> 0:18:30.239
<v Speaker 1>in prison and how difficult it is. Breakfast is at

0:18:30.320 --> 0:18:33.560
<v Speaker 1>four am, so I don't go because I can't sleep.

0:18:33.600 --> 0:18:37.240
<v Speaker 1>But three or four hours at night, it's very noisy

0:18:37.280 --> 0:18:40.320
<v Speaker 1>and things are going on at all hours. You can

0:18:40.320 --> 0:18:43.159
<v Speaker 1>hear the inmates talking or arguing in the middle of

0:18:43.200 --> 0:18:46.320
<v Speaker 1>the night, or the banging of the bathroom doors, or

0:18:46.359 --> 0:18:48.800
<v Speaker 1>the officer yelling for one of the inmates to get

0:18:48.880 --> 0:18:52.640
<v Speaker 1>up for one reason or another. I'm not in a cell.

0:18:53.200 --> 0:18:55.959
<v Speaker 1>We are in cubicles, so it's all open to noise

0:18:56.160 --> 0:18:58.760
<v Speaker 1>and nosy people looking in to see what you have

0:18:59.040 --> 0:19:05.760
<v Speaker 1>or what you are doing. Zero privacy. In another message,

0:19:05.840 --> 0:19:09.040
<v Speaker 1>she tells me about her memories of Jim, responding to

0:19:09.119 --> 0:19:14.000
<v Speaker 1>a question I had asked weeks before. I have many

0:19:14.119 --> 0:19:17.600
<v Speaker 1>great memories of Jim, from the time we first met

0:19:17.600 --> 0:19:21.439
<v Speaker 1>in high school. His sense of humor, his corny jokes,

0:19:21.440 --> 0:19:25.120
<v Speaker 1>which we call Jim jokes. He was a person always

0:19:25.160 --> 0:19:28.359
<v Speaker 1>willing to help in whatever way he could. He could

0:19:28.359 --> 0:19:30.879
<v Speaker 1>do just about anything, and if he didn't know how,

0:19:30.920 --> 0:19:35.160
<v Speaker 1>he would learn. Except for cook, he couldn't cook at all.

0:19:36.240 --> 0:19:39.879
<v Speaker 1>I miss him terribly and dream of him often. We

0:19:39.960 --> 0:19:42.119
<v Speaker 1>had been married thirty two years, and I know we

0:19:42.160 --> 0:19:45.760
<v Speaker 1>would still be together if this terrible ordeal had not happened.

0:19:46.760 --> 0:19:49.520
<v Speaker 1>It's an awful nightmare that I haven't woken up from.

0:19:50.560 --> 0:19:53.760
<v Speaker 1>All I can do is continue to pray and remain hopeful.

0:19:59.240 --> 0:20:02.040
<v Speaker 1>I reach out again. I have to ask her if

0:20:02.080 --> 0:20:06.359
<v Speaker 1>she killed Jim and what she thinks happened. I know

0:20:06.440 --> 0:20:09.879
<v Speaker 1>it's my job, but after this message, I kind of

0:20:09.960 --> 0:20:13.159
<v Speaker 1>can't help but feel like an asshole. If she didn't

0:20:13.160 --> 0:20:15.600
<v Speaker 1>do it like she claims, this is just putting salt

0:20:15.640 --> 0:20:17.760
<v Speaker 1>on the wound that she's in prison for a murder

0:20:17.840 --> 0:20:22.400
<v Speaker 1>she didn't commit, and if she did, well, I guess

0:20:22.400 --> 0:20:24.960
<v Speaker 1>I shouldn't feel bad about asking her if she did.

0:20:26.640 --> 0:20:32.920
<v Speaker 1>Sandy eventually writes back no, she writes in capitals, then

0:20:32.960 --> 0:20:34.960
<v Speaker 1>goes on to repeat some of what she already told

0:20:35.000 --> 0:20:39.000
<v Speaker 1>me that she and Jim had a great relationship, adding

0:20:39.040 --> 0:20:42.359
<v Speaker 1>that they had plans to travel, go see the Northern Lights,

0:20:42.840 --> 0:20:48.639
<v Speaker 1>visit Ireland, see Machu Picchu in Peru. In many ways,

0:20:48.760 --> 0:20:52.320
<v Speaker 1>me writing to Sandy isn't your typical interview. In fact,

0:20:52.400 --> 0:20:56.919
<v Speaker 1>it really isn't an interview at all. I have so

0:20:57.119 --> 0:21:00.600
<v Speaker 1>many questions about what happened that night in December and

0:21:00.640 --> 0:21:03.560
<v Speaker 1>how her version differs from what we heard in the trial.

0:21:04.520 --> 0:21:08.119
<v Speaker 1>But there's no real back and forth. But you know,

0:21:08.640 --> 0:21:11.720
<v Speaker 1>in the end, it actually really doesn't matter what I think.

0:21:12.640 --> 0:21:16.960
<v Speaker 1>It's up to the legal system, and right now Sandy's

0:21:16.960 --> 0:21:19.400
<v Speaker 1>defense team are refusing to give up.

0:21:20.160 --> 0:21:23.200
<v Speaker 6>We contended that, you know, the verdict was based on

0:21:23.680 --> 0:21:29.439
<v Speaker 6>conjecture and speculation, not evidence sufficient to establish her guilt

0:21:29.480 --> 0:21:30.560
<v Speaker 6>beyond a reasonable doubt.

0:21:42.240 --> 0:21:45.840
<v Speaker 1>After the shock of losing the trial, Sandy's attorneys Mac

0:21:45.920 --> 0:21:50.440
<v Speaker 1>and Allison ccrest regroup and decide to fight on. They're

0:21:50.480 --> 0:21:53.439
<v Speaker 1>determined to write what they see as a miscarriage of

0:21:53.640 --> 0:21:56.600
<v Speaker 1>justice and get Sandy's verdict overturned.

0:21:57.720 --> 0:22:00.520
<v Speaker 6>We're personally wrapped up in it, and we take it personally.

0:22:01.040 --> 0:22:05.160
<v Speaker 6>We know Sandy, we believe in Sandy, and we take

0:22:05.200 --> 0:22:08.600
<v Speaker 6>it personally because we're in the middle of it. We're

0:22:08.640 --> 0:22:12.600
<v Speaker 6>part of the process, and so we've never you know.

0:22:12.600 --> 0:22:17.080
<v Speaker 1>Shirked that they call for a retrial, but the request

0:22:17.160 --> 0:22:21.400
<v Speaker 1>is denied. A panel of three judges uphold Sandy's conviction,

0:22:21.640 --> 0:22:25.960
<v Speaker 1>ruling that there was enough evidence to convict her. But

0:22:26.040 --> 0:22:28.840
<v Speaker 1>Mac fights on and takes the case to the Texas

0:22:28.880 --> 0:22:30.879
<v Speaker 1>Court of Criminal Appeals.

0:22:32.560 --> 0:22:34.440
<v Speaker 5>Oh yay, oh yay, oh yay.

0:22:34.600 --> 0:22:37.679
<v Speaker 7>The Honorable Court of Criminal Appeals is now in session.

0:22:38.160 --> 0:22:39.439
<v Speaker 8>We're ready to hear an argument.

0:22:39.960 --> 0:22:44.400
<v Speaker 1>Almost four years after Sandy's conviction, Mac seacrest is back

0:22:44.440 --> 0:22:46.960
<v Speaker 1>in court. Well sort of.

0:22:47.040 --> 0:22:50.679
<v Speaker 10>Good morning to the court. I'm George McCall, say christ junior.

0:22:51.119 --> 0:22:55.480
<v Speaker 1>It's twenty twenty one. You know, you remember the pandemic

0:22:56.200 --> 0:22:58.919
<v Speaker 1>and because of it, Mac is presenting his arguments to

0:22:58.960 --> 0:23:00.800
<v Speaker 1>a panel of nine senior judges.

0:23:00.800 --> 0:23:04.159
<v Speaker 10>Over zoom, I don't believe the evidence that you have

0:23:04.400 --> 0:23:08.680
<v Speaker 10>shows that the state proved that Sandy Milgar killed her husband.

0:23:09.119 --> 0:23:11.200
<v Speaker 10>The state proved that she was present.

0:23:12.000 --> 0:23:14.520
<v Speaker 1>Each of the nine judges appear in their own box

0:23:14.560 --> 0:23:18.240
<v Speaker 1>on the screen, MAC in another, and then there's a

0:23:18.280 --> 0:23:21.480
<v Speaker 1>digital timer in a box all of its own. MAC

0:23:21.560 --> 0:23:24.880
<v Speaker 1>has twenty minutes for his arguments. A red light will

0:23:24.920 --> 0:23:26.480
<v Speaker 1>warn him when his time is up.

0:23:27.680 --> 0:23:32.119
<v Speaker 10>He was viciously assaulted, he was beaten, consistent with being

0:23:32.240 --> 0:23:36.199
<v Speaker 10>hit with a fist, consistent with being kicked. It's just

0:23:36.359 --> 0:23:40.280
<v Speaker 10>not plausible under the circumstances that she could have caused

0:23:40.800 --> 0:23:42.160
<v Speaker 10>that type of injury.

0:23:43.240 --> 0:23:45.719
<v Speaker 1>As the timer ticks down, he tells what's now a

0:23:45.720 --> 0:23:50.800
<v Speaker 1>familiar story. Matt goes through the prosecution's case, arguing it

0:23:50.880 --> 0:23:53.840
<v Speaker 1>was built on conjecture, not fact.

0:23:54.240 --> 0:23:59.679
<v Speaker 10>It doesn't even approach that which can safely say comports

0:23:59.720 --> 0:24:03.280
<v Speaker 10>with the rudimentary requirements a due process of law.

0:24:03.720 --> 0:24:08.320
<v Speaker 1>The timer light turns red and alarm buzzes, signifying his

0:24:08.440 --> 0:24:09.360
<v Speaker 1>time is up.

0:24:09.920 --> 0:24:14.160
<v Speaker 2>Thank you, counseled. The court will stand in recess until

0:24:14.200 --> 0:24:14.679
<v Speaker 2>ten o'clock.

0:24:16.119 --> 0:24:18.639
<v Speaker 1>He signs off zoom and waits.

0:24:21.440 --> 0:24:23.400
<v Speaker 6>They sat on it, and sat on it, and then

0:24:23.480 --> 0:24:25.480
<v Speaker 6>ultimately they dismissed the case.

0:24:26.600 --> 0:24:30.720
<v Speaker 1>That was in June twenty twenty two. So in Layman's terms,

0:24:30.760 --> 0:24:31.480
<v Speaker 1>what does that mean?

0:24:31.880 --> 0:24:35.840
<v Speaker 6>That means we lost on appeal and ultimately the court

0:24:36.200 --> 0:24:40.879
<v Speaker 6>did not reduce Sandy's case, so her conviction is affirmed.

0:24:41.520 --> 0:24:44.160
<v Speaker 6>What it means is as far as her quote unquote

0:24:44.359 --> 0:24:47.880
<v Speaker 6>direct appeal is concerned, it's exhausted.

0:24:49.640 --> 0:24:52.560
<v Speaker 1>I asked Liz how her mom felt about the judge's decision.

0:24:53.640 --> 0:24:56.000
<v Speaker 5>She really got her hopes up, and I kept telling her, like,

0:24:56.280 --> 0:24:59.600
<v Speaker 5>you know, ninety percent of the time, this is going

0:24:59.640 --> 0:25:02.560
<v Speaker 5>to get to and I don't want you to like

0:25:03.280 --> 0:25:07.160
<v Speaker 5>fall into despair if that happens. And of course that happened,

0:25:07.200 --> 0:25:10.159
<v Speaker 5>and she just it really hit her, you know, she

0:25:10.240 --> 0:25:11.960
<v Speaker 5>sent her to severe depression.

0:25:14.200 --> 0:25:17.840
<v Speaker 1>This really hits Liz too. She feels like she's lost

0:25:17.880 --> 0:25:21.199
<v Speaker 1>both of her parents, and now the legal process is

0:25:21.240 --> 0:25:24.560
<v Speaker 1>all over. She no longer has the case to distract

0:25:24.560 --> 0:25:26.320
<v Speaker 1>her from her feelings of grief.

0:25:27.400 --> 0:25:31.199
<v Speaker 5>Like I had basically obsessed over the case file, Like

0:25:31.560 --> 0:25:33.560
<v Speaker 5>when I reached the end, I would just start all

0:25:33.600 --> 0:25:37.119
<v Speaker 5>over and see what I'd missed, or I would blow

0:25:37.200 --> 0:25:42.040
<v Speaker 5>up all the photos on my computer and look inch

0:25:42.119 --> 0:25:44.400
<v Speaker 5>by inch, like all over to see if there were

0:25:45.000 --> 0:25:49.320
<v Speaker 5>any clues, missed, any evidence. I don't know if that

0:25:49.400 --> 0:25:53.280
<v Speaker 5>was like shock or just knowing that these things had

0:25:53.320 --> 0:25:56.679
<v Speaker 5>to be done and I didn't have time to break down.

0:25:59.320 --> 0:26:01.400
<v Speaker 1>Liz finds SLF at rock bottom.

0:26:02.440 --> 0:26:05.600
<v Speaker 5>Once everything got handed over and there was nothing left

0:26:05.600 --> 0:26:10.719
<v Speaker 5>to do, that's when it got difficult. And that's I

0:26:10.760 --> 0:26:17.600
<v Speaker 5>think when I realized I had really bad PTSD. I

0:26:17.640 --> 0:26:21.679
<v Speaker 5>don't even feel human anymore. I miss the person that

0:26:21.760 --> 0:26:22.480
<v Speaker 5>I used to be.

0:26:23.680 --> 0:26:27.879
<v Speaker 1>Yeah, if it's okay to talk about, Like, what are

0:26:27.920 --> 0:26:30.600
<v Speaker 1>some of the things, like you remember about how you

0:26:30.680 --> 0:26:33.520
<v Speaker 1>used to be contrasting with how you are now?

0:26:34.800 --> 0:26:38.640
<v Speaker 8>I am. I was very social.

0:26:38.800 --> 0:26:41.800
<v Speaker 5>I could talk my way in or out of any situation.

0:26:42.119 --> 0:26:44.719
<v Speaker 1>I could still see that now, to be honest, Like,

0:26:45.480 --> 0:26:47.520
<v Speaker 1>I can totally see that now.

0:26:47.560 --> 0:26:51.280
<v Speaker 5>But like now I just hate being around big.

0:26:51.080 --> 0:26:51.960
<v Speaker 3>Groups of people.

0:26:52.200 --> 0:26:55.119
<v Speaker 5>I don't trust anyone. I just feel like I'm not

0:26:55.240 --> 0:26:57.199
<v Speaker 5>fun anymore. I don't know.

0:26:57.240 --> 0:27:02.320
<v Speaker 1>It's almost like I've died. Do you ever allow yourself

0:27:02.359 --> 0:27:03.080
<v Speaker 1>to feel hope?

0:27:04.000 --> 0:27:05.680
<v Speaker 5>No?

0:27:05.680 --> 0:27:05.760
<v Speaker 8>No.

0:27:10.920 --> 0:27:15.639
<v Speaker 1>The ricochet effect of any crime can create fallout, impacting

0:27:15.680 --> 0:27:18.720
<v Speaker 1>the lives of not just those who were directly involved,

0:27:19.320 --> 0:27:23.080
<v Speaker 1>but they're family and friends. It's not only Liz who

0:27:23.119 --> 0:27:26.760
<v Speaker 1>has been impacted, it's all of Sandy and Jim's friends

0:27:26.760 --> 0:27:29.920
<v Speaker 1>and relatives, including her cousin Diana.

0:27:31.040 --> 0:27:34.280
<v Speaker 8>Anytime I see a cop car behind me, like I

0:27:34.320 --> 0:27:37.320
<v Speaker 8>have a bodily reaction, like I start sweating, I start

0:27:37.840 --> 0:27:42.400
<v Speaker 8>I just I have that fear. And even same thing

0:27:42.520 --> 0:27:46.040
<v Speaker 8>with Houston, like I used to love Houston because Sandy

0:27:46.080 --> 0:27:49.719
<v Speaker 8>and Jim were there. I loved it, And now I

0:27:49.800 --> 0:27:54.160
<v Speaker 8>see the downtown skyline and it turns my stomach because

0:27:54.440 --> 0:27:57.120
<v Speaker 8>I have the memories of the trial. I was one

0:27:57.119 --> 0:27:59.520
<v Speaker 8>of those people that I would hear people say, you

0:27:59.560 --> 0:28:03.080
<v Speaker 8>know that people in jail claim they didn't do it right,

0:28:03.160 --> 0:28:06.400
<v Speaker 8>Like I'm innocent. I'm innocent, And I've always thought like, yeah, right,

0:28:06.480 --> 0:28:09.280
<v Speaker 8>like you're in jail for a reason. I didn't believe

0:28:09.320 --> 0:28:12.840
<v Speaker 8>it until this happened to Sandy.

0:28:14.560 --> 0:28:17.840
<v Speaker 1>And Melissa's cousin Marissa, who was there the day Jim

0:28:17.960 --> 0:28:21.639
<v Speaker 1>was found. To this day, Uncle Jim is still a

0:28:21.760 --> 0:28:23.320
<v Speaker 1>central part of her life.

0:28:24.000 --> 0:28:27.440
<v Speaker 7>I have his ashes actually on a counter in my restroom,

0:28:27.800 --> 0:28:33.040
<v Speaker 7>and so I whenever I need some advice, live advice,

0:28:33.080 --> 0:28:34.919
<v Speaker 7>because that's what my uncle was really good at, just

0:28:35.200 --> 0:28:38.800
<v Speaker 7>life in general. Whenever I'm feeling down, whenever anything really

0:28:38.840 --> 0:28:42.080
<v Speaker 7>happy news, I just go to his ashes and I

0:28:42.120 --> 0:28:45.800
<v Speaker 7>start talking to the box. And I know that might

0:28:45.880 --> 0:28:48.120
<v Speaker 7>sound weird to some people, but it just makes me

0:28:48.160 --> 0:28:51.720
<v Speaker 7>feel like he's with us, and he is.

0:28:51.760 --> 0:29:00.960
<v Speaker 1>I know he's with us. What's that expression? The darkest

0:29:00.960 --> 0:29:05.520
<v Speaker 1>hour is just before the dawn. Well, Max Seacrest hasn't

0:29:05.600 --> 0:29:08.880
<v Speaker 1>quite given up. He picks up the phone and makes

0:29:09.000 --> 0:29:13.640
<v Speaker 1>one last call, one last throw of the dice, one

0:29:13.760 --> 0:29:18.000
<v Speaker 1>last attempt to help Sandy. But it's a slim chance.

0:29:18.960 --> 0:29:22.560
<v Speaker 1>The man he's calling might not be able to help them. Dang,

0:29:22.720 --> 0:29:24.480
<v Speaker 1>he might not even pick up the phone.

0:29:25.240 --> 0:29:27.560
<v Speaker 11>I did not know him, so it was kind of

0:29:27.560 --> 0:29:29.160
<v Speaker 11>a cold call.

0:29:29.280 --> 0:29:33.920
<v Speaker 1>The person mac rings is Mike Ware, a criminal defense lawyer.

0:29:34.680 --> 0:29:37.120
<v Speaker 11>He talked about how much this case meant to him

0:29:37.160 --> 0:29:40.160
<v Speaker 11>and how there was no doubt in his mind that

0:29:40.800 --> 0:29:42.520
<v Speaker 11>Sandy was completely innocent.

0:29:43.760 --> 0:29:47.040
<v Speaker 1>Mike founded an organization in Texas which has got forty

0:29:47.040 --> 0:29:49.400
<v Speaker 1>people exonerated since two thousand and six.

0:29:50.280 --> 0:29:54.880
<v Speaker 11>He knew of us in our work and wanted us

0:29:54.920 --> 0:29:55.920
<v Speaker 11>to take on the case.

0:29:56.800 --> 0:29:59.800
<v Speaker 1>Mike Ware helps people who are all out of options,

0:30:00.480 --> 0:30:02.680
<v Speaker 1>but he only takes on a fraction of the cases

0:30:02.680 --> 0:30:05.560
<v Speaker 1>that come to him. Will he take on Sandy's.

0:30:06.200 --> 0:30:11.680
<v Speaker 11>We have to, through whatever means, be convinced absolutely that

0:30:11.720 --> 0:30:15.440
<v Speaker 11>they are in fact, absolutely innocent, And by that I

0:30:15.560 --> 0:30:20.600
<v Speaker 11>mean that either the crime they were convicted of occurred

0:30:20.680 --> 0:30:26.760
<v Speaker 11>pretty much as the police, the witnesses, the prosecution says

0:30:26.920 --> 0:30:29.360
<v Speaker 11>it happened. It's just they are not the ones who

0:30:29.440 --> 0:30:33.640
<v Speaker 11>committed it. It was someone else, or in some cases,

0:30:34.240 --> 0:30:37.680
<v Speaker 11>no crime at all was committed by anyone.

0:30:37.840 --> 0:30:50.920
<v Speaker 1>That's next time on hands Tide. You've been listening to

0:30:51.000 --> 0:30:56.840
<v Speaker 1>Hands Tide from BBC Studios and iHeart Podcasts. New episodes

0:30:56.880 --> 0:30:59.840
<v Speaker 1>will be released weekly, so subscribe or follow on the

0:31:00.160 --> 0:31:03.480
<v Speaker 1>Heart Radio app or wherever you get your podcasts so

0:31:03.560 --> 0:31:07.200
<v Speaker 1>you don't miss out. If you like the show, please

0:31:07.240 --> 0:31:09.720
<v Speaker 1>help us by spreading the word or giving us a

0:31:09.760 --> 0:31:14.880
<v Speaker 1>five star review. I'm Maggie Robinson Katz and the producer

0:31:15.000 --> 0:31:19.480
<v Speaker 1>is Maggie Latham. Sound design and mix is by Tom Brignell.

0:31:20.200 --> 0:31:24.320
<v Speaker 1>Our script consultant is Emma Weatherall production support is from

0:31:24.400 --> 0:31:29.120
<v Speaker 1>Dan Martini, Elena Boutang and Mabel Finnegan Wright, and our

0:31:29.160 --> 0:31:33.959
<v Speaker 1>production executive is Laura Jordan Raul. The series was developed

0:31:33.960 --> 0:31:38.440
<v Speaker 1>by Anya Saunders and Emma Shaw at iHeart. The managing

0:31:38.520 --> 0:31:42.800
<v Speaker 1>Executive producer is Christina Everett, and for BBC Studios, the

0:31:42.920 --> 0:31:47.240
<v Speaker 1>executive producer is Joe Kent. James Cook is the Creative

0:31:47.240 --> 0:31:51.000
<v Speaker 1>Director a Factual for BBC Studios Audio and the Director

0:31:51.040 --> 0:31:53.640
<v Speaker 1>of Audio at BBC Studios is Richard Knight.