WEBVTT - Cold People

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<v Speaker 1>Family Secrets as a production of I Heart Radio. In

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<v Speaker 1>between visits, I saw my father all around New York.

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<v Speaker 1>I saw him sitting in a movie theater, the exact

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<v Speaker 1>curve of his neck to jaw to cheekbone. I saw

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<v Speaker 1>him as I ran along the Hudson River in winter,

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<v Speaker 1>sitting on a bench looking at the dock boats, and

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<v Speaker 1>on my subway, revived the work, walking away on the

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<v Speaker 1>platform through the crowd, thin men, olive skinned, fine fingered,

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<v Speaker 1>slim wristed, double bearded, who at certain angles looked just

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<v Speaker 1>like him. Each time I had to get closer to

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<v Speaker 1>check my heart in my throat, even though I knew

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<v Speaker 1>it could not possibly be him, because he was sick

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<v Speaker 1>in bed in California. Before this, during years in which

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<v Speaker 1>we hardly spoke, I had seen his picture everywhere. Seeing

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<v Speaker 1>the pictures gave me a strange thing. The feeling was

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<v Speaker 1>familiar to catching a glimpse of myself in a mirror

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<v Speaker 1>across the room and thinking it was someone else, and

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<v Speaker 1>then realizing it was my own faith Darry was peering

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<v Speaker 1>up for magazines and newspapers and screens in whatever city

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<v Speaker 1>I was in. That is my father, and no one

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<v Speaker 1>knows it, but it's true. That's Lisa Brennan Jobs, reading

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<v Speaker 1>from her first memoir, Small Fry. Lisa's story is both

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<v Speaker 1>about having a secret and being a secret. What's your

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<v Speaker 1>life like when your father, the father who initially did

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<v Speaker 1>not believe you were his, The father who only reluctantly

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<v Speaker 1>claimed you after he was forced to take a fraternity test,

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<v Speaker 1>The father who kept you at arm's length all your life,

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<v Speaker 1>is one of the most famous, powerful, and wealthiest men

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<v Speaker 1>in the world. Here's just a bit more from Lisa

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<v Speaker 1>before we dive into our conversation. I have a secret,

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<v Speaker 1>I said to my new friends at school. I whispered

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<v Speaker 1>it so they would see I was reluctant to mention it.

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<v Speaker 1>The key I felt was to underplay. My father is

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<v Speaker 1>Steve Jobs. Who is that? One asked, He's famous? I said,

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<v Speaker 1>he invented the personal computer. He lives in a mansion

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<v Speaker 1>and drives a Porsche convertible. He buys a new one

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<v Speaker 1>every time I gets a scratch. The story had a

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<v Speaker 1>film of unreality to it, as I said it, even

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<v Speaker 1>to my own ears. I hadn't hung out with him

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<v Speaker 1>that much, only a few skates and visits. I didn't

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<v Speaker 1>have the clothes or the bike. Someone with a father

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<v Speaker 1>like this would have. My last name was different from his.

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<v Speaker 1>He even named a computer after me. I said to them,

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<v Speaker 1>what computer. A girl named Elizabeth asked the Lisa. I said,

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<v Speaker 1>a computer called the Lisa. She said, I never heard

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<v Speaker 1>of it. It was ahead of its time. I used

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<v Speaker 1>my mother's phrase, although I wasn't sure why it was ahead.

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<v Speaker 1>He visited the personal computer later. But you can't tell

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<v Speaker 1>anyone because if someone finds out, I could get kidnapped.

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<v Speaker 1>I brought it up when I felt I needed to,

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<v Speaker 1>waiting as long as I could, and then letting it

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<v Speaker 1>burst forth. I don't remember feeling at a disadvantage with

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<v Speaker 1>my friends who had others, only that there was at

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<v Speaker 1>my fingertips another magical identity, an extra thing that started

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<v Speaker 1>to itch and tangle when I felt small, and it

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<v Speaker 1>was like a pressure building inside me. And then I

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<v Speaker 1>had to find a way to say it. She had

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<v Speaker 1>to find a way to say it. Isn't that what

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<v Speaker 1>this show is all about? So many of us are

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<v Speaker 1>trying to find a way to say it. Whatever it is,

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<v Speaker 1>this thing that wasn't allowed to be spoken. I'm Danny Shapiro,

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<v Speaker 1>and this is family secrets. The secrets that are kept

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<v Speaker 1>from us, the secrets we keep from others, and the

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<v Speaker 1>secrets we keep from ourselves. So I missed it a lot. Actually,

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<v Speaker 1>the air in California and northern California knows of disks.

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<v Speaker 1>They're towering and there's silvery, and they have these size

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<v Speaker 1>in half moon knees that dangle down and shiver in

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<v Speaker 1>the wind. And they have these beautiful kind of button

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<v Speaker 1>shaped seeds that plunk on those ceilings and fall on

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<v Speaker 1>the roads, and they are kind of silvery too, and perfumed.

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<v Speaker 1>My mother was saying that they're not native to the

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<v Speaker 1>area and that their roots systems are really shallow, so

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<v Speaker 1>they can fall over. She said this when I was younger,

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<v Speaker 1>and I I held onto this idea, and I remember

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<v Speaker 1>when we would drive to the beach, which was up

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<v Speaker 1>this curvy road all the way over the hills and

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<v Speaker 1>then down to the Pacific Ocean. There was a line

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<v Speaker 1>of eucalyptus trees, and every time we would have to

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<v Speaker 1>go through that long tree lined road, I would hold

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<v Speaker 1>my breath with terror that these trees would fall down

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<v Speaker 1>on us. And then many years later said, oh, no, sweetheart,

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<v Speaker 1>no trees falling very slowly, but anyway, the air smelled

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<v Speaker 1>the people lift and danger. The earliest home I think

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<v Speaker 1>I remember was this place as the sort of the

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<v Speaker 1>batch house of the house in Memmo Park and no

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<v Speaker 1>are remember being in a shower with my mother and

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<v Speaker 1>she was the hot water and the cold water were

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<v Speaker 1>coming on. We were alternating them for some reason, and

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<v Speaker 1>she was yelling like closed poors, open pours, and I

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<v Speaker 1>was yelling it with her, and I think there was

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<v Speaker 1>a curtain, and then we would go outside. At that

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<v Speaker 1>house there was theater. The house was small that there

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<v Speaker 1>was quite the garden because the main house was surrounded

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<v Speaker 1>by land. This house is a kind of house on

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<v Speaker 1>spilt on a hill that was really falling apart a

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<v Speaker 1>little bit, the one with the trellis roses, and there

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<v Speaker 1>was ivy on one side where I would go and

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<v Speaker 1>play beside the big oak tree on my own. Or

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<v Speaker 1>was the boy who lived there with his mother also

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<v Speaker 1>we were renting a room. And now that house has

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<v Speaker 1>been all fixed up. It looks really nice because that

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<v Speaker 1>doesn't look anymore like it's going to fall down the

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<v Speaker 1>hill or like the wood is old. It looks like

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<v Speaker 1>a shiny, polished version of its old self when we

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<v Speaker 1>lived in a bunch of houses. I think I've removed

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<v Speaker 1>searching times before I was seven, but by the time

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<v Speaker 1>I was seven. What was it like to move thirteen

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<v Speaker 1>times in the first seven years of your life? I

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<v Speaker 1>mean both what was it like then? And like, how

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<v Speaker 1>do you think about that now? It's hard to know

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<v Speaker 1>what it was like then. I remember my mother being

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<v Speaker 1>very sad. I think maybe she was probably depressed and

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<v Speaker 1>probably just completely overwhelmed with our money less circumstances, and

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<v Speaker 1>how she would kind of sit in one of these

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<v Speaker 1>rooms in the dark, and I would feel embarrassed because

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<v Speaker 1>in this one's house that we're moving into, it was

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<v Speaker 1>our own house. We were the ones who had our

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<v Speaker 1>name on the lease, and I remember the des fiction,

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<v Speaker 1>oh my god, we're moving into a place that's just ours.

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<v Speaker 1>And I also remember noticing that we really didn't have

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<v Speaker 1>any furniture. So I had these moments of feeling a

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<v Speaker 1>distance from my own circumstances and of irthing them, maybe

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<v Speaker 1>because I've been to other people's houses. We lived at

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<v Speaker 1>one place over the summer that was full of furniture.

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<v Speaker 1>We stub led it from somewhere too was away, and

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<v Speaker 1>they had a television, and I remember watching Jethany Street

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<v Speaker 1>and they had so much furniture that right now, the

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<v Speaker 1>way I imagine it was the kind of a hoarder's paradise,

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<v Speaker 1>but in fact it might have just been a very well,

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<v Speaker 1>normally furnished house. You know. It wasn't necessarily something I

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<v Speaker 1>was looking at anthropologically, because it was my life and

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<v Speaker 1>I was so young I didn't really know any different.

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<v Speaker 1>And yet there were ploys when I remember thinking, oh,

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<v Speaker 1>that's different than what might be normal. And I think

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<v Speaker 1>that children will take these moments that are mysterious and

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<v Speaker 1>sort of box them up for later. And I think

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<v Speaker 1>that because I think during the process of writing a

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<v Speaker 1>memoir it was it was an unboxing. In other words,

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<v Speaker 1>the stories that I would remember, we're the ones that

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<v Speaker 1>where things happened that does not make sense to me

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<v Speaker 1>at the time, and that is why I had wrapped

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<v Speaker 1>them up and saved them for all that time. One

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<v Speaker 1>of these boxed up moments happens in a car after

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<v Speaker 1>Lisa and her mom have taken a road trip to

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<v Speaker 1>Harbor Hot Springs and everything that can possibly go wrong does.

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<v Speaker 1>Her mother gets lost, the car breaks down. They're hungry, tired,

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<v Speaker 1>and completely without resources, and her mother just loses it,

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<v Speaker 1>completely loses it, and essentially has a nervous collapse right

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<v Speaker 1>there in the car in front of her four year

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<v Speaker 1>old daughter, in what must have been a frightening combination

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<v Speaker 1>of terror and rage. There's this moment where you write,

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<v Speaker 1>at the height of her hopelessness and noise, that felt

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<v Speaker 1>a calm presence near us, even though I knew we

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<v Speaker 1>were alone in the water. We held the car jerking,

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<v Speaker 1>some benevolent presence that cared for us but could not interfere.

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<v Speaker 1>Maybe sitting in the back seat, can you say more

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<v Speaker 1>about that benevolent presence and whether that's something that kind

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<v Speaker 1>of accompanied you at other times. You were very young

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<v Speaker 1>when you had that thought, right, I think it was

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<v Speaker 1>for And I talked to my mother about that later

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<v Speaker 1>after I had written it. I was mentioning this moment

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<v Speaker 1>you talked about in the car driving back from this

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<v Speaker 1>little sort of break we took, driving back to our home.

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<v Speaker 1>Oh my god, you know, we don't have money, we

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<v Speaker 1>don't have to support There's a sense of shame in

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<v Speaker 1>society for her role, and she feels as very acute way.

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<v Speaker 1>She is a married woman with an illegitimate child, and

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<v Speaker 1>she's thought that she would ever have thought of me

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<v Speaker 1>in that way. But Reagan is talking about, well, her

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<v Speaker 1>mother is and single mothers, and my father is saying

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<v Speaker 1>that she essentially slept with lots of people, and she

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<v Speaker 1>she hadn't and then it wasn't his kid, and you know,

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<v Speaker 1>it's just shame upon Shane. And she had had her

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<v Speaker 1>own test things in her childhood. And so she she's

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<v Speaker 1>screaming kind of at the universe, but I'm there. And

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<v Speaker 1>she said later when I asked her about it, that

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<v Speaker 1>she she's had other moments like that before that on,

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<v Speaker 1>but that at that moment she realized, oh, and he's

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<v Speaker 1>just going to remember this later. You know, there was

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<v Speaker 1>I was past the veil where memories disappear, and oh god,

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<v Speaker 1>I remember being terrified, and I remember if I didn't

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<v Speaker 1>keep a hold of myself, I might not realize how

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<v Speaker 1>weird certain things were. And I wanted certain things to

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<v Speaker 1>be weird because I didn't want them to be my life.

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<v Speaker 1>And that's another kind of disassociatures other presence in the car,

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<v Speaker 1>I guess the psychological model has named this phenomenon, which

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<v Speaker 1>is in a moment of extreme stress, the t sect

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<v Speaker 1>and becomes too our calmness finds another ground or something

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<v Speaker 1>like that is dissociation as defense. Right. I felt when

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<v Speaker 1>I was writing the book, like, oh my god, that's

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<v Speaker 1>the purpose of this book. In a certain way. I

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<v Speaker 1>get to go back and keep myself company. I get

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<v Speaker 1>to go back as a steady hand as someone is

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<v Speaker 1>to some degree made it out fine to all the

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<v Speaker 1>difficult times of my childhood when I didn't know if

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<v Speaker 1>we would make it out fine. And I can't influence anything,

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<v Speaker 1>but I get it's gonna sit in the backseat and

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<v Speaker 1>be this presence. Describe your mother to me. My mother

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<v Speaker 1>is humanist. I think if she's not creative, if she's

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<v Speaker 1>not expressing herself artistically, even in one day, she feels

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<v Speaker 1>disconnected from herself and becomes depressed. She decided when I

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<v Speaker 1>was born that she was going to become she was

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<v Speaker 1>going to be a mother and an artist, that she

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<v Speaker 1>was going to do them both, and she's pursued that

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<v Speaker 1>fairly intensely. She is very beautiful. I think she's really blunt.

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<v Speaker 1>She's really honest. She will tell the truth without thinking

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<v Speaker 1>of the consequences, because the truth is the only important

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<v Speaker 1>thing to her. Was that also true for you, you

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<v Speaker 1>were a child. There was a kind of like she

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<v Speaker 1>wasn't going to soften it so much for a child.

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<v Speaker 1>She was gonna And I don't mean it's in a

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<v Speaker 1>kind of crying in the car way, like that was

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<v Speaker 1>an art extraordinary circumstance. But I mean she would get

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<v Speaker 1>mary mad at me. For example, if I talked about

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<v Speaker 1>good guys and bad guys, which I see now children

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<v Speaker 1>doing all the time. It must have always been interposed childhood.

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<v Speaker 1>But if I would talk about good guys, she'd get furious.

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<v Speaker 1>This was useful to Lisa later, this talk of good

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<v Speaker 1>guys and bad guys. Her mom also talked about not

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<v Speaker 1>looking at things in black and white, but there were

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<v Speaker 1>many shades, many colors, also useful later. She was young.

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<v Speaker 1>She was so young. She was younger than everyone else's mother.

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<v Speaker 1>She was more beautiful, she was more fun, I think

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<v Speaker 1>in certain ways. But we would go and get coffee,

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<v Speaker 1>we would take walks and would go to hike. And

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<v Speaker 1>how old was she when she had you? She was

0:12:54.559 --> 0:12:58.280
<v Speaker 1>twenty three. She has a quality where she will sometimes

0:12:58.360 --> 0:13:01.480
<v Speaker 1>bite the hand that sees her. This feels like part

0:13:01.520 --> 0:13:06.240
<v Speaker 1>of this honesty, but I'm not sure if it always is,

0:13:06.840 --> 0:13:10.000
<v Speaker 1>and that quality was frustrating to me when I was

0:13:10.040 --> 0:13:14.080
<v Speaker 1>a kid. I would have rather lied to make things

0:13:14.160 --> 0:13:17.160
<v Speaker 1>comfortable for us, and that was not the way she operated.

0:13:19.120 --> 0:13:23.880
<v Speaker 1>Tell me your first memory of hearing about your father.

0:13:25.040 --> 0:13:27.200
<v Speaker 1>So at some point, I guess we came back from

0:13:27.400 --> 0:13:31.440
<v Speaker 1>Tahoe when I was four, and apparently he picked us

0:13:31.480 --> 0:13:34.040
<v Speaker 1>up in this porsche. I sat on my mother's lap,

0:13:34.160 --> 0:13:37.599
<v Speaker 1>those were the days, right in the frost seats, and

0:13:37.720 --> 0:13:40.760
<v Speaker 1>we drove to his He just bought this mansion and

0:13:41.440 --> 0:13:43.800
<v Speaker 1>wood side, and he bought it for the land and

0:13:43.880 --> 0:13:49.719
<v Speaker 1>had these big, old, beautiful, huge oak trees, and he

0:13:49.760 --> 0:13:52.840
<v Speaker 1>said the house was shipped and they had an elevator,

0:13:52.880 --> 0:13:55.000
<v Speaker 1>and I discovered it, or I felt I discovered it

0:13:55.120 --> 0:13:57.360
<v Speaker 1>and had an organ room start of going up and

0:13:57.400 --> 0:13:59.760
<v Speaker 1>down the elevator and I'm playing the organ. I mean,

0:14:00.080 --> 0:14:03.040
<v Speaker 1>organs is a church organ, so there's like rooms full

0:14:03.080 --> 0:14:05.559
<v Speaker 1>of pipes. At some point you gave me an apricot

0:14:05.720 --> 0:14:07.400
<v Speaker 1>from the orchard, and it was just like the best

0:14:07.440 --> 0:14:09.680
<v Speaker 1>thing I've ever had. And then I think we didn't

0:14:09.720 --> 0:14:11.920
<v Speaker 1>really start to get to know each other again. When

0:14:11.960 --> 0:14:13.880
<v Speaker 1>I was seven or eight, and I remember going back

0:14:13.960 --> 0:14:17.400
<v Speaker 1>to that mansion with him alone where I knew there

0:14:17.440 --> 0:14:20.600
<v Speaker 1>was an elevator and there was a church organ and

0:14:20.680 --> 0:14:23.800
<v Speaker 1>I knew that he didn't love that. I was fascinated

0:14:24.520 --> 0:14:28.280
<v Speaker 1>bordering on a set with those things. There was a

0:14:28.360 --> 0:14:32.240
<v Speaker 1>lot of silence. I think in retrospect he was very awkward,

0:14:33.160 --> 0:14:36.280
<v Speaker 1>and I think extraordinary and sort of groups and then

0:14:36.360 --> 0:14:41.120
<v Speaker 1>sometimes maybe much quieter one on one. Also, he was

0:14:41.160 --> 0:14:44.320
<v Speaker 1>getting to know his daughter for the first time, which

0:14:44.800 --> 0:14:47.360
<v Speaker 1>I can only imagine for somebody who maybe he wasn't

0:14:47.360 --> 0:14:50.400
<v Speaker 1>even particularly good with kids, who maybe felt ashamed he

0:14:50.440 --> 0:14:53.920
<v Speaker 1>hadn't been there earlier. And also we don't realize that

0:14:54.040 --> 0:14:56.080
<v Speaker 1>kids that kids can be a little scary when you're

0:14:56.080 --> 0:14:57.880
<v Speaker 1>an adult, when you don't know how to talk with

0:14:57.960 --> 0:15:00.320
<v Speaker 1>them and they don't respond the way adults do to reything.

0:15:01.120 --> 0:15:03.480
<v Speaker 1>Someone told me that the charms that worked on everyone

0:15:03.520 --> 0:15:05.840
<v Speaker 1>else didn't necessarily worked on me. And so then what

0:15:06.000 --> 0:15:10.000
<v Speaker 1>did he have. I've never seen someone dressed so well.

0:15:10.160 --> 0:15:12.000
<v Speaker 1>I remember that, and I wouldn't have been able to

0:15:12.040 --> 0:15:14.200
<v Speaker 1>put it in those words as a kid. And it

0:15:14.320 --> 0:15:16.800
<v Speaker 1>wasn't like he wore anything particularly fancy, but at that

0:15:16.920 --> 0:15:19.160
<v Speaker 1>point he was, you know, hundreds of millions of dollars,

0:15:19.680 --> 0:15:23.240
<v Speaker 1>so his sweaters. They weren't particularly fancy or anything, but

0:15:23.360 --> 0:15:26.320
<v Speaker 1>they were like a league different than anything I'd seen.

0:15:26.440 --> 0:15:28.360
<v Speaker 1>Is like he'd be wearing ripped up jeans. But then

0:15:28.760 --> 0:15:31.920
<v Speaker 1>there'd be something about his shoes. You know, with our clothes,

0:15:31.920 --> 0:15:33.920
<v Speaker 1>we wear them a bunch, washed a bunch, and they'd

0:15:33.920 --> 0:15:37.240
<v Speaker 1>get worn, the colors would fade, and maybe they'd be

0:15:37.320 --> 0:15:40.120
<v Speaker 1>a little tattered, and they they'd be a little wrinkly

0:15:40.200 --> 0:15:42.520
<v Speaker 1>from folding. And I think probably with his they were

0:15:42.520 --> 0:15:44.560
<v Speaker 1>in the drawer and maybe worn only a few times,

0:15:44.640 --> 0:15:48.880
<v Speaker 1>and they were crisp. But I remember that some puzzlement

0:15:49.080 --> 0:15:51.960
<v Speaker 1>about the way that he looked in the smells, the

0:15:52.040 --> 0:15:56.920
<v Speaker 1>smells of new clothes, and then finding it comforting because

0:15:56.960 --> 0:15:59.440
<v Speaker 1>it was almost like he was an emissary from another world,

0:16:00.160 --> 0:16:04.480
<v Speaker 1>a world that smells different. Maybe that smells European, right,

0:16:05.360 --> 0:16:09.400
<v Speaker 1>These clothes were probably perfumed, the package spent over. He

0:16:09.520 --> 0:16:14.520
<v Speaker 1>drove fast, not particularly well. The fat his car was rumbly.

0:16:15.320 --> 0:16:17.720
<v Speaker 1>All of the machines around him Nate noises that I

0:16:18.080 --> 0:16:21.200
<v Speaker 1>that were new to me. Again, they were probably your apacist.

0:16:22.160 --> 0:16:24.560
<v Speaker 1>There was a feeling of of magic when he was

0:16:24.640 --> 0:16:27.320
<v Speaker 1>around who they was special. He would come by oh,

0:16:27.520 --> 0:16:30.360
<v Speaker 1>your guy's coming by, you know, um, maybe we would

0:16:30.400 --> 0:16:34.280
<v Speaker 1>go for a skate. And he sort of walked in

0:16:34.360 --> 0:16:36.320
<v Speaker 1>this way where he seemed to fall forward and then

0:16:36.400 --> 0:16:40.040
<v Speaker 1>bounce up and fall forward. And I remember that, and

0:16:40.160 --> 0:16:43.920
<v Speaker 1>his hair was so dark, and even now just describing it,

0:16:44.040 --> 0:16:47.480
<v Speaker 1>just this feeling of love welling up at me right now,

0:16:47.560 --> 0:16:50.960
<v Speaker 1>even just like, oh, this one, this is the one

0:16:51.160 --> 0:16:55.200
<v Speaker 1>that I got, and how wonderful he is because he

0:16:55.440 --> 0:17:00.040
<v Speaker 1>was had a certain sweetness to him, and I I

0:17:00.080 --> 0:17:01.920
<v Speaker 1>want to say charmed, but I don't think that doesn't

0:17:01.960 --> 0:17:03.800
<v Speaker 1>justice because it went all the way to the core.

0:17:06.600 --> 0:17:09.080
<v Speaker 1>We'll be back in a moment with more family secrets.

0:17:16.880 --> 0:17:21.160
<v Speaker 1>Lisa inhabits a world of contrasts that she feels into

0:17:21.320 --> 0:17:24.920
<v Speaker 1>its rather than comprehends. This is the way it is

0:17:25.200 --> 0:17:29.360
<v Speaker 1>in childhood, even in our teenage years. We don't yet

0:17:29.440 --> 0:17:31.840
<v Speaker 1>have the tools will develop later to be able to

0:17:31.960 --> 0:17:36.320
<v Speaker 1>think through, analyze, understand, so we're left with what we

0:17:36.440 --> 0:17:39.960
<v Speaker 1>sense and feel in our bodies. And what Lisa felt

0:17:40.560 --> 0:17:43.080
<v Speaker 1>was the difference between the way her mother and her

0:17:43.160 --> 0:17:47.240
<v Speaker 1>father moved through the world. Her mother's life was pinched

0:17:47.320 --> 0:17:52.760
<v Speaker 1>and closed, anxious, pressed, defined by limitation, and her father,

0:17:53.400 --> 0:17:56.040
<v Speaker 1>though He didn't live or act like a typical rich person.

0:17:56.320 --> 0:17:59.240
<v Speaker 1>He wore jeans and T shirts, lived in a crumbling mansion.

0:18:00.200 --> 0:18:02.199
<v Speaker 1>He moved through the world with a sense of possibility

0:18:02.400 --> 0:18:07.480
<v Speaker 1>and openness. How old were you when he suggested that

0:18:07.600 --> 0:18:11.880
<v Speaker 1>you come live with him? My moment, I was having

0:18:11.960 --> 0:18:16.640
<v Speaker 1>horrible fights. I think that she kind of had a crisis.

0:18:17.600 --> 0:18:20.760
<v Speaker 1>I mean understandably, I think in the sense that she

0:18:20.960 --> 0:18:25.000
<v Speaker 1>had been raising me alone with for a large part,

0:18:25.200 --> 0:18:28.720
<v Speaker 1>very very limited support, and then I started kind of

0:18:28.840 --> 0:18:31.320
<v Speaker 1>taking off in a certain way. I was in a

0:18:31.440 --> 0:18:34.560
<v Speaker 1>great school, I was doing really well. All I wanted

0:18:34.560 --> 0:18:37.520
<v Speaker 1>to do was study, and she was kind of the

0:18:38.960 --> 0:18:43.920
<v Speaker 1>the support staff she was made and this probably cast

0:18:43.960 --> 0:18:48.000
<v Speaker 1>her back to having always been the maid. And her

0:18:48.119 --> 0:18:51.879
<v Speaker 1>life was spluttering. She was breaking up with her boyfriend

0:18:51.960 --> 0:18:54.120
<v Speaker 1>of many years, and I think just everything was really

0:18:54.200 --> 0:18:56.439
<v Speaker 1>hard for her at that moment, and so we were

0:18:56.480 --> 0:18:59.440
<v Speaker 1>getting into horrible fights. And also I was like a

0:18:59.560 --> 0:19:01.920
<v Speaker 1>kind of, you know, a little bit shitty in the

0:19:01.960 --> 0:19:04.399
<v Speaker 1>sense that I didn't want to do the dishes. I

0:19:04.440 --> 0:19:06.359
<v Speaker 1>wanted to do my homework and I have, of course,

0:19:06.400 --> 0:19:08.480
<v Speaker 1>it's fair to help your parents with the dishes. I

0:19:08.520 --> 0:19:10.960
<v Speaker 1>think it was also like she would kind of naked,

0:19:11.040 --> 0:19:13.440
<v Speaker 1>as miserable as it could be, because she was in rage.

0:19:13.640 --> 0:19:15.280
<v Speaker 1>And that's why I didn't want to do the dishes

0:19:15.480 --> 0:19:18.600
<v Speaker 1>with her, like I didn't want to participate in this,

0:19:18.680 --> 0:19:21.000
<v Speaker 1>in this anymore. And she was getting worse, and I

0:19:21.080 --> 0:19:24.600
<v Speaker 1>felt I was getting better. And then also to my father,

0:19:24.680 --> 0:19:27.520
<v Speaker 1>who had turned his back on me when I was

0:19:27.600 --> 0:19:30.120
<v Speaker 1>little and then had increasingly become a part of my life,

0:19:30.200 --> 0:19:34.280
<v Speaker 1>I was now someone he could be proud of. Right,

0:19:34.359 --> 0:19:37.600
<v Speaker 1>I was doing really well in school, I was. I

0:19:37.680 --> 0:19:39.800
<v Speaker 1>know that soundsinical. I think in some ways it was

0:19:39.880 --> 0:19:42.240
<v Speaker 1>like I've gotten all shined up to the point where

0:19:42.280 --> 0:19:45.879
<v Speaker 1>he'd own me. I don't know that's terrible, but he

0:19:45.960 --> 0:19:48.520
<v Speaker 1>probably didn't necessarily want to take me any Just about

0:19:48.560 --> 0:19:51.399
<v Speaker 1>to have a baby, he has a new, very new wife.

0:19:52.040 --> 0:19:55.119
<v Speaker 1>Um he says he's moved to Palaso a few blocks away.

0:19:55.680 --> 0:19:57.320
<v Speaker 1>Later I asked him why, and he said, to be

0:19:57.440 --> 0:20:00.600
<v Speaker 1>close to me. He offered to have me move with him.

0:20:00.880 --> 0:20:03.800
<v Speaker 1>But it wasn't an offer that was necessarily full of joy.

0:20:04.000 --> 0:20:07.080
<v Speaker 1>It was almost a full of necessity. Was it? His

0:20:07.359 --> 0:20:10.000
<v Speaker 1>rules though, that that you not see your mother for

0:20:10.080 --> 0:20:11.680
<v Speaker 1>six months if you moved in with him, or where

0:20:11.720 --> 0:20:14.000
<v Speaker 1>did that come from. Was it protective of you because

0:20:14.040 --> 0:20:15.760
<v Speaker 1>things were so rough with your mother, or was it

0:20:16.440 --> 0:20:20.879
<v Speaker 1>controlling or or something else. He's just someone who doesn't

0:20:20.920 --> 0:20:24.600
<v Speaker 1>know what he's necessarily doing in the emotional sphere. Is

0:20:24.680 --> 0:20:26.440
<v Speaker 1>trying to help me in some ways to try and

0:20:26.520 --> 0:20:29.440
<v Speaker 1>stay from what has become a terrible environment with my mother,

0:20:29.600 --> 0:20:34.240
<v Speaker 1>and doesn't know how to love very easily when he

0:20:34.320 --> 0:20:38.840
<v Speaker 1>doesn't have any control. And I think, if I move

0:20:38.920 --> 0:20:40.960
<v Speaker 1>over to his house two blocks away from my mother,

0:20:41.800 --> 0:20:43.960
<v Speaker 1>and then I'm just still going over to my mother's

0:20:44.040 --> 0:20:46.240
<v Speaker 1>house all this time, and perhaps she's yelling at me,

0:20:46.320 --> 0:20:49.040
<v Speaker 1>who knows what he's thinking. I mean, if I put

0:20:49.080 --> 0:20:51.560
<v Speaker 1>it terribly towards him, if I'm seeing my mother all

0:20:51.600 --> 0:20:53.480
<v Speaker 1>the time, he has no way of making sure I'm okay.

0:20:53.720 --> 0:20:55.840
<v Speaker 1>And so that's that's what he invented, and then the

0:20:55.960 --> 0:20:59.720
<v Speaker 1>rules around that. I think we're six months. I remember

0:20:59.840 --> 0:21:02.679
<v Speaker 1>that kind of vaguely. It was a horrible crime, as

0:21:02.720 --> 0:21:05.639
<v Speaker 1>you could imagine. I remember a certain relief, like a

0:21:05.840 --> 0:21:08.000
<v Speaker 1>few I get to not see my mother, but I'm

0:21:08.040 --> 0:21:11.159
<v Speaker 1>not at fault for it, you know, So, so in

0:21:11.240 --> 0:21:13.639
<v Speaker 1>the beginning it was just relief, like I get to

0:21:13.720 --> 0:21:15.880
<v Speaker 1>move away, and it's my father's fault that I don't

0:21:15.920 --> 0:21:18.560
<v Speaker 1>have to see my mother, you know, because I'm so

0:21:18.720 --> 0:21:21.680
<v Speaker 1>angry with her, I'm so tired and spice and so

0:21:21.800 --> 0:21:25.639
<v Speaker 1>I'm this sort of moratorium on contact is a relief

0:21:25.800 --> 0:21:28.160
<v Speaker 1>for me. I mean, there would have been a million

0:21:28.200 --> 0:21:30.160
<v Speaker 1>ways to do it better, like we we all probably

0:21:30.200 --> 0:21:32.080
<v Speaker 1>should have gone to see a therapist. But I don't

0:21:32.160 --> 0:21:34.800
<v Speaker 1>think my father really believed in seeing a therapist, because

0:21:35.680 --> 0:21:38.479
<v Speaker 1>you know, obviously people who don't believe in therapists usually

0:21:38.920 --> 0:21:42.560
<v Speaker 1>there's something lurking under their right. But yeah, that was

0:21:42.600 --> 0:21:45.040
<v Speaker 1>a real thoughts job. I think telling me that they

0:21:45.080 --> 0:21:48.200
<v Speaker 1>can't see their mother for takes months. We needed some

0:21:48.359 --> 0:21:53.120
<v Speaker 1>real help, not some superficial kind of band aid regulated

0:21:53.400 --> 0:21:57.800
<v Speaker 1>controlling help. We needed real help. And I think he

0:21:58.080 --> 0:22:00.600
<v Speaker 1>was part of the problem of why we had ended

0:22:00.720 --> 0:22:04.639
<v Speaker 1>up there, why my mother was in such trouble, and

0:22:05.720 --> 0:22:10.080
<v Speaker 1>he took on some of solving that problem. He was

0:22:10.400 --> 0:22:12.920
<v Speaker 1>paying for my school, he was paying for my therapist,

0:22:13.440 --> 0:22:15.280
<v Speaker 1>going to a great school. I had a great therapist,

0:22:15.560 --> 0:22:19.359
<v Speaker 1>But he didn't really take it off and I both

0:22:19.480 --> 0:22:24.120
<v Speaker 1>understand it and I was sad about it. Yeah, yeah,

0:22:24.440 --> 0:22:27.159
<v Speaker 1>that makes a lot of sense. There's a part of

0:22:27.240 --> 0:22:30.640
<v Speaker 1>what you write about once you're there, you know, once

0:22:30.680 --> 0:22:34.320
<v Speaker 1>you're living in that home with he and his new wife,

0:22:34.600 --> 0:22:38.680
<v Speaker 1>and then your baby brother is born, and you describe

0:22:38.720 --> 0:22:42.639
<v Speaker 1>really powerfully sort of the anxiety that sets in. And

0:22:42.840 --> 0:22:47.080
<v Speaker 1>one of those ways is your hands, and that you

0:22:47.200 --> 0:22:49.920
<v Speaker 1>keep on like breaking glasses like you literally can't get

0:22:49.960 --> 0:22:53.359
<v Speaker 1>a grip. I think it's like some mix of adolescence

0:22:53.400 --> 0:22:56.359
<v Speaker 1>and destabilization. I just couldn't. I seem to want to

0:22:56.400 --> 0:22:59.399
<v Speaker 1>be pleasing. I was. I was such a sleezer and

0:22:59.600 --> 0:23:01.639
<v Speaker 1>will just leaser. Wanted to sit in and wanted to

0:23:01.680 --> 0:23:06.240
<v Speaker 1>be loved, wanted to be necessary, needed, enjoyed. And yet

0:23:06.320 --> 0:23:09.800
<v Speaker 1>I keep on breaking glasses all over the kitchen floor,

0:23:10.240 --> 0:23:14.000
<v Speaker 1>like every day, every day at dinner, and I sit

0:23:14.040 --> 0:23:15.920
<v Speaker 1>down at dinner, can get pay LESA not a glasses.

0:23:16.000 --> 0:23:18.600
<v Speaker 1>I'm not a glasses. Time don't And I'm so careful

0:23:18.640 --> 0:23:20.280
<v Speaker 1>and I'm so careful and I make it through me

0:23:20.400 --> 0:23:22.000
<v Speaker 1>and I almost said through the meal and then booth

0:23:22.320 --> 0:23:25.440
<v Speaker 1>something my elbows chest out when I'm reaching for my

0:23:25.880 --> 0:23:28.800
<v Speaker 1>last bite, whoever it is, and they're another book and

0:23:28.840 --> 0:23:32.320
<v Speaker 1>glass shutters on the floor, Oh Lasa, and I must

0:23:32.359 --> 0:23:35.240
<v Speaker 1>have felt it was such a difficulty, such a trial

0:23:35.320 --> 0:23:39.320
<v Speaker 1>and an annoyance to have this needy teenager in their

0:23:39.400 --> 0:23:42.720
<v Speaker 1>midst who's constantly breaking glasses on the on the floor

0:23:42.760 --> 0:23:48.119
<v Speaker 1>where their child is stepping. It's like every night just

0:23:48.640 --> 0:23:50.840
<v Speaker 1>promising myself I wasn't going to do the worst thing,

0:23:50.920 --> 0:23:54.200
<v Speaker 1>and then just despite all of my efforts, And this

0:23:54.400 --> 0:23:58.120
<v Speaker 1>is after I had been so beloved in my schools,

0:23:58.280 --> 0:24:01.080
<v Speaker 1>and and I've just switched WOLS and I don't know anybody,

0:24:01.200 --> 0:24:03.359
<v Speaker 1>but I so beloved in my school that I've always

0:24:03.400 --> 0:24:06.119
<v Speaker 1>had friends, and suddenly I can't make friends, and I

0:24:06.240 --> 0:24:09.960
<v Speaker 1>can't I can't seem to be beloved and needed, and

0:24:10.040 --> 0:24:12.920
<v Speaker 1>I keep on pushing myself away from the very thing

0:24:13.200 --> 0:24:17.600
<v Speaker 1>I think I want, which is somehow to just be included,

0:24:17.680 --> 0:24:23.080
<v Speaker 1>to be necessary, to be family. So it isn't a

0:24:23.119 --> 0:24:26.600
<v Speaker 1>particularly good time in the Job's family. There's a new baby,

0:24:26.920 --> 0:24:31.040
<v Speaker 1>an unhappy, awkward, accident prone teenager, the marriage is new

0:24:31.160 --> 0:24:34.640
<v Speaker 1>and tense, and Lisa's father's new company isn't going well.

0:24:35.520 --> 0:24:41.200
<v Speaker 1>Lisa's new stepmother is constitutionally not a warm person, even

0:24:41.280 --> 0:24:45.560
<v Speaker 1>under the best of circumstances, which these are not. Lisa's

0:24:45.600 --> 0:24:48.520
<v Speaker 1>feeling the tension in the home and absorbing it in

0:24:48.600 --> 0:24:52.520
<v Speaker 1>a way, becoming the physical embodiment of it. She's sort

0:24:52.560 --> 0:24:56.120
<v Speaker 1>of the black sheep the lightning rod. There's something going

0:24:56.200 --> 0:24:59.320
<v Speaker 1>on with everybody, but it keeps getting expressed through her.

0:25:00.480 --> 0:25:03.680
<v Speaker 1>So they go see a therapist, Lisa, her stepmother and

0:25:03.760 --> 0:25:07.440
<v Speaker 1>her father, and in response to Lisa's loneliness and pain,

0:25:08.160 --> 0:25:14.679
<v Speaker 1>her stepmother says, we're just cold people with honest like girlfriends.

0:25:15.200 --> 0:25:18.159
<v Speaker 1>You're barking up the wrong tree. We cannot give you

0:25:18.280 --> 0:25:20.200
<v Speaker 1>this thing you watched. He was gonna have to find

0:25:20.240 --> 0:25:22.680
<v Speaker 1>it other ways. Not that she said it that way.

0:25:22.800 --> 0:25:27.440
<v Speaker 1>Even maybe that's okay. We are all not omni capacity people,

0:25:28.400 --> 0:25:32.800
<v Speaker 1>and maybe the worst thing in life is to lie

0:25:32.840 --> 0:25:37.600
<v Speaker 1>about it. Maybe we have to be straightforward about our limitations.

0:25:38.480 --> 0:25:40.040
<v Speaker 1>So at the same time as I find it a

0:25:40.080 --> 0:25:43.280
<v Speaker 1>shocking admission and a shocking sense to say to someone

0:25:43.359 --> 0:25:46.359
<v Speaker 1>in high school or something, I also find it refreshing

0:25:46.440 --> 0:25:51.200
<v Speaker 1>and interesting and honest. And my father, actually, even or

0:25:51.520 --> 0:25:54.600
<v Speaker 1>wasn't a cold person, kind of added up to that

0:25:54.680 --> 0:25:56.640
<v Speaker 1>in a certain way because you couldn't depend on the warmth.

0:25:56.720 --> 0:26:00.520
<v Speaker 1>It was so intermittent and unpredictable. He was passionate, even warm,

0:26:00.600 --> 0:26:04.000
<v Speaker 1>and he was cold when he was enraged, you know,

0:26:04.320 --> 0:26:07.440
<v Speaker 1>the kind of cold rage like like he when he

0:26:07.560 --> 0:26:10.280
<v Speaker 1>was more really enraged in her. He'd completely ignored me,

0:26:10.920 --> 0:26:16.040
<v Speaker 1>but he wasn't cold. Something I found interesting and heartbreaking

0:26:16.200 --> 0:26:19.960
<v Speaker 1>in Lisa's story, and so illuminating of her internal condition,

0:26:20.680 --> 0:26:24.879
<v Speaker 1>is that she pilfered things, small, inconsequential things from her

0:26:24.920 --> 0:26:28.760
<v Speaker 1>father's home years later, when he was dying and she'd

0:26:28.800 --> 0:26:32.520
<v Speaker 1>come to visit. She'd take tiny things of no material value,

0:26:33.080 --> 0:26:35.120
<v Speaker 1>as if these things were going to bring her father

0:26:35.280 --> 0:26:38.760
<v Speaker 1>close and complete her life. She'd take them on the

0:26:38.840 --> 0:26:42.359
<v Speaker 1>plane home, a chipped bowl, an old pillow case, a

0:26:42.440 --> 0:26:45.400
<v Speaker 1>tube of lip gloss, as if these things would fill

0:26:45.480 --> 0:26:47.760
<v Speaker 1>up all the holes and cracks of whatever was missing.

0:26:48.720 --> 0:26:50.200
<v Speaker 1>She had done a version of this while in high

0:26:50.200 --> 0:26:53.760
<v Speaker 1>school as well. This time, after she discovers an envelope

0:26:53.800 --> 0:26:57.040
<v Speaker 1>full of hundred dollar bills, she peels one off, then

0:26:57.160 --> 0:27:00.520
<v Speaker 1>later another and another. She buys her sat the coat,

0:27:01.040 --> 0:27:04.359
<v Speaker 1>she buys gifts for her family. It isn't about the money,

0:27:04.960 --> 0:27:09.600
<v Speaker 1>It's about the feelings she can't touch or express. The

0:27:09.680 --> 0:27:13.200
<v Speaker 1>hubbit all are bills. I think that was a way

0:27:13.280 --> 0:27:18.119
<v Speaker 1>to access my own remorse somehow because that was the

0:27:18.200 --> 0:27:21.480
<v Speaker 1>result of it. Is I walked around feeling it was

0:27:21.520 --> 0:27:23.440
<v Speaker 1>almost like after I broke a glass. It was I

0:27:23.520 --> 0:27:28.159
<v Speaker 1>walked around feeling ashamed and full of remorse. And I

0:27:28.320 --> 0:27:33.679
<v Speaker 1>wonder if I hadn't felt somehow stolen from or ripped

0:27:33.680 --> 0:27:39.560
<v Speaker 1>off by my father in some deep way and twisted

0:27:39.600 --> 0:27:43.359
<v Speaker 1>it against myself, and if I wasn't trying to access

0:27:43.400 --> 0:27:48.560
<v Speaker 1>those feelings of being so bad that I was worth leaving,

0:27:49.040 --> 0:27:55.080
<v Speaker 1>of being so such a awful human being that I

0:27:55.119 --> 0:28:01.800
<v Speaker 1>would have merited being abandoned. Because my feeling, I mean,

0:28:01.920 --> 0:28:03.240
<v Speaker 1>you know, it's like this is a person who's been

0:28:03.280 --> 0:28:05.240
<v Speaker 1>into its therapy, but I'm just thinking, what is the

0:28:05.359 --> 0:28:07.680
<v Speaker 1>results of stealing those hundreds? The result was I walked

0:28:07.720 --> 0:28:09.719
<v Speaker 1>around always feeling every time I thought it would at

0:28:09.800 --> 0:28:12.520
<v Speaker 1>least I would think, he's got the it's over. I'm

0:28:12.520 --> 0:28:14.280
<v Speaker 1>gonna be out, he's gonna be He's going to know

0:28:14.359 --> 0:28:16.720
<v Speaker 1>how bad I am. I'm going to be left. And

0:28:16.840 --> 0:28:21.199
<v Speaker 1>so I wonder if in a certain way it found

0:28:21.359 --> 0:28:24.400
<v Speaker 1>me to him, it bound me to our story, which

0:28:24.720 --> 0:28:28.240
<v Speaker 1>did not yet feel resolved that he had left me.

0:28:28.400 --> 0:28:32.200
<v Speaker 1>And why I had no answer was it because I

0:28:32.320 --> 0:28:34.960
<v Speaker 1>was an ugly baby? Was it because I wasn't lovable?

0:28:35.160 --> 0:28:37.560
<v Speaker 1>Was it because there was something horribly wrong with my mother?

0:28:38.280 --> 0:28:41.640
<v Speaker 1>Who I am related to? All of these reasons I

0:28:41.880 --> 0:28:44.040
<v Speaker 1>could come up with because I didn't know the reason

0:28:44.720 --> 0:28:46.960
<v Speaker 1>and it hadn't been resolved, and I'm living with him,

0:28:47.720 --> 0:28:51.600
<v Speaker 1>but it's still not resolved, So I think that's what

0:28:51.720 --> 0:28:54.200
<v Speaker 1>it was about. But I think it was about keeping

0:28:54.280 --> 0:28:59.520
<v Speaker 1>myself feeling bad me because I still at my core,

0:29:00.280 --> 0:29:06.200
<v Speaker 1>had not reached any resolution about our history together through

0:29:06.280 --> 0:29:11.520
<v Speaker 1>these years. Lisa excels academically. This a great college is

0:29:11.560 --> 0:29:14.760
<v Speaker 1>going to be her ticket out and maybe also the shiny,

0:29:14.880 --> 0:29:19.680
<v Speaker 1>sparkling achievement that will solve all these unsolvable problems. She

0:29:19.760 --> 0:29:22.120
<v Speaker 1>has a dream of going to Harvard, a school which

0:29:22.160 --> 0:29:23.680
<v Speaker 1>is not out of reach for her, no matter who

0:29:23.760 --> 0:29:27.960
<v Speaker 1>her father is, And during her interview there some survival

0:29:28.040 --> 0:29:31.160
<v Speaker 1>instinct kicks in and she lets the interviewer know that

0:29:31.280 --> 0:29:34.840
<v Speaker 1>her father is the head of a little company called Apple.

0:29:35.920 --> 0:29:40.120
<v Speaker 1>The tenor of the interview changes. The interviewer excuses herself

0:29:40.200 --> 0:29:42.160
<v Speaker 1>for a moment, probably to go down the hall to

0:29:42.240 --> 0:29:45.880
<v Speaker 1>the development office, and when she returns, the level of

0:29:45.960 --> 0:29:50.280
<v Speaker 1>interest has risen just a bit. I really thought I

0:29:50.360 --> 0:29:52.520
<v Speaker 1>was going to go to my grave with that story,

0:29:53.040 --> 0:29:55.880
<v Speaker 1>because if you read that, you'll know I'm probably not

0:29:56.280 --> 0:29:59.040
<v Speaker 1>you know, maybe I'm not smart enough. I I you'll

0:29:59.120 --> 0:30:02.040
<v Speaker 1>know how much I was willing to kind of elbow

0:30:02.160 --> 0:30:06.320
<v Speaker 1>my way into something to get something. You know, you'll know,

0:30:07.000 --> 0:30:12.240
<v Speaker 1>opportunistic and selfish and sniveling whatever, you'll know all that

0:30:12.400 --> 0:30:14.320
<v Speaker 1>to me, and I got like, oh god, I don't

0:30:14.320 --> 0:30:16.680
<v Speaker 1>want people to read that. So it's funny, right I

0:30:16.760 --> 0:30:19.320
<v Speaker 1>wrote it, and you know, it wasn't so bad. People said, oh,

0:30:19.360 --> 0:30:23.600
<v Speaker 1>good scene, and I thought, oh, when I got the

0:30:23.720 --> 0:30:26.560
<v Speaker 1>stories in there that needed to be in there, somehow

0:30:27.560 --> 0:30:31.680
<v Speaker 1>the shame floated off of the stories for me so

0:30:31.760 --> 0:30:33.880
<v Speaker 1>that I didn't really worry about how I looked anymore

0:30:33.960 --> 0:30:37.840
<v Speaker 1>because I felt so much better. I love that. Thank

0:30:37.920 --> 0:30:39.880
<v Speaker 1>you for that, because that I, I mean, that's sort

0:30:39.920 --> 0:30:42.040
<v Speaker 1>of something that I talked about all the time and

0:30:42.360 --> 0:30:44.320
<v Speaker 1>think about it on the podcast, is the way that

0:30:44.400 --> 0:30:48.080
<v Speaker 1>actually voicing shame, whether you're writing a memoir about it

0:30:48.240 --> 0:30:52.000
<v Speaker 1>or speaking about it, it actually has this extraordinary effect

0:30:52.080 --> 0:30:57.240
<v Speaker 1>of ultimately having that shame float away. Right. It wasn't

0:30:57.320 --> 0:31:00.200
<v Speaker 1>until I started to open up the shameful thing that

0:31:00.280 --> 0:31:02.920
<v Speaker 1>I appeared. I became his body, So Shane was what

0:31:03.080 --> 0:31:07.840
<v Speaker 1>his body? So let me ask you one last question.

0:31:08.720 --> 0:31:12.680
<v Speaker 1>When your father is dying, he says to you again

0:31:12.720 --> 0:31:14.840
<v Speaker 1>and again and again, he says to you, I owe

0:31:14.880 --> 0:31:18.600
<v Speaker 1>you one, I owe you one. I'm just wondering what

0:31:18.800 --> 0:31:23.960
<v Speaker 1>you think he meant by that, and how you sort

0:31:24.000 --> 0:31:27.400
<v Speaker 1>of took that with you, that sense that he was

0:31:28.040 --> 0:31:30.720
<v Speaker 1>in some way at the end of all this he

0:31:30.960 --> 0:31:33.840
<v Speaker 1>was apologizing to you. It was like what I had

0:31:33.880 --> 0:31:38.200
<v Speaker 1>wanted the whole time. I think it meant like, at

0:31:38.240 --> 0:31:40.520
<v Speaker 1>least the way that I interpreted that was like you

0:31:40.680 --> 0:31:44.120
<v Speaker 1>and I see the same truth. What is missing for you?

0:31:44.840 --> 0:31:48.840
<v Speaker 1>I see, I know I did it. It is not nothing.

0:31:49.720 --> 0:31:53.400
<v Speaker 1>I had felt this feeling of being kind of ripped off,

0:31:54.000 --> 0:31:55.880
<v Speaker 1>meaning I didn't get to know my father when I

0:31:56.000 --> 0:31:58.280
<v Speaker 1>was younger, and he wasn't there for me. He wasn't

0:31:58.280 --> 0:32:01.720
<v Speaker 1>protecting me as well as he it. So I think

0:32:01.760 --> 0:32:04.480
<v Speaker 1>it was an acknowledgement of a common truth which was

0:32:04.520 --> 0:32:08.720
<v Speaker 1>been part of the problem. Gosh, it's amazing how powerful

0:32:08.800 --> 0:32:11.520
<v Speaker 1>it is to just say that your perspective of something

0:32:11.680 --> 0:32:14.560
<v Speaker 1>is similar to another person. I didn't need him to

0:32:14.600 --> 0:32:18.560
<v Speaker 1>make up for it. I didn't need him to apologize forever,

0:32:19.600 --> 0:32:21.920
<v Speaker 1>but just the idea of like I owe you and

0:32:22.040 --> 0:32:26.480
<v Speaker 1>I know it was so wonderful. It was such a bomb.

0:32:26.640 --> 0:32:29.960
<v Speaker 1>It felt like a bomb on a burn, like, oh,

0:32:30.760 --> 0:32:32.880
<v Speaker 1>if we see things the same way, then I'm not

0:32:33.040 --> 0:32:36.440
<v Speaker 1>crazy for all of my feelings. And I have felt

0:32:36.520 --> 0:32:38.680
<v Speaker 1>like some part of him would have been very proud

0:32:38.720 --> 0:32:40.000
<v Speaker 1>of me, but some part of him would have been

0:32:40.160 --> 0:32:42.520
<v Speaker 1>very pissed in me writing this book, and and somehow

0:32:42.600 --> 0:32:45.880
<v Speaker 1>took me some part of the narrative for me. I

0:32:45.960 --> 0:32:48.600
<v Speaker 1>wrote the book about myself, but he is pulled up

0:32:48.680 --> 0:32:51.400
<v Speaker 1>in that net. And so I have told myself, you

0:32:51.520 --> 0:32:53.920
<v Speaker 1>owe me one. This is the one can owe me things.

0:32:54.840 --> 0:32:56.840
<v Speaker 1>I get to write a book about myself and you

0:32:58.280 --> 0:33:10.120
<v Speaker 1>can consider some are all of your debt as alta.

0:33:17.760 --> 0:33:20.880
<v Speaker 1>I want to thank my guest Lisa Brennan Jobs for

0:33:21.000 --> 0:33:24.320
<v Speaker 1>sharing her story on our show. For more on Lisa's

0:33:24.360 --> 0:33:30.360
<v Speaker 1>memoir Small Fry, visit Lisa Brennan Jobs dot net. Family

0:33:30.440 --> 0:33:33.640
<v Speaker 1>Secrets is an I Heeart media production. Dylan Fagan is

0:33:33.640 --> 0:33:37.440
<v Speaker 1>the supervising producer. Julie Douglas and beth Ann Macaluso are

0:33:37.480 --> 0:33:41.080
<v Speaker 1>the executive producers. If you have a family secret you'd

0:33:41.080 --> 0:33:43.880
<v Speaker 1>like to share, get in touch with us at listener

0:33:43.960 --> 0:33:47.520
<v Speaker 1>mail at Family Secrets podcast dot com. You can also

0:33:47.600 --> 0:33:51.800
<v Speaker 1>find us on Instagram at Danny Ryder, Facebook at Family

0:33:51.880 --> 0:33:55.920
<v Speaker 1>Secrets Pod, and Twitter at Family Secrets Pod. For more

0:33:56.000 --> 0:34:12.320
<v Speaker 1>about my book Inheritance, visit Danny Shapiro dot com. For

0:34:12.440 --> 0:34:14.879
<v Speaker 1>more podcasts. For my heart Radio, visit the I Heart

0:34:14.960 --> 0:34:17.880
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

0:34:17.920 --> 0:34:18.600
<v Speaker 1>favorite shows.