WEBVTT - #441 - Jason Martin

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<v Speaker 1>How you doing.

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<v Speaker 2>I'm Jason Martin. I want you to check me out

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<v Speaker 2>on Bootleg Cam's podcast.

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<v Speaker 3>Yo, Bootleg Camp podcast. We got a special guest here,

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<v Speaker 3>Jason Martin officially on all Spotify Platformage Now like what

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<v Speaker 3>is by Jason Martin for longer? By Problem? Yes, the

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<v Speaker 3>artist formerly known his problem, but he's been Jason Martin

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<v Speaker 3>for his entire life. He's here. Yes, Yes, what's going on?

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<v Speaker 3>Dog good Man? Real good I see you always got

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<v Speaker 3>these gloves on. Yeah, when did you start with the gloves?

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<v Speaker 1>Well, the gloves were introduced probably a couple of years ago.

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<v Speaker 3>It's too easy. Ah, yes, very very easy. Yeah, he

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<v Speaker 3>used to have the gloves.

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<v Speaker 2>Yeah, very that with that and then my stepfather he

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<v Speaker 2>used to wear these every time he got in his Porsche.

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<v Speaker 3>Oh so he do look like some race drive, like

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<v Speaker 3>when you're getting.

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<v Speaker 1>Like hopping him off, fucking doing ship like baby driver.

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<v Speaker 1>Whenever I did.

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<v Speaker 2>Anything cool, he'd be like, take it off your hand

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<v Speaker 2>to me, like are you that's a double meaning?

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<v Speaker 3>Well look you obviously we were talking to you have

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<v Speaker 3>a well, first of all, you were in Snoop Dogg's

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<v Speaker 3>wife and him just opened the strip club last night. Yes,

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<v Speaker 3>I had no idea. Snoops. He took the old deja

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<v Speaker 3>vu and turned it into the Players Club. Yeah, and

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<v Speaker 3>you went.

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<v Speaker 1>I had to go what was Snoops?

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<v Speaker 3>Strip club? Like?

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<v Speaker 2>I will say, man, that is by far the best

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<v Speaker 2>strip club I've ever been to in Los Angeles.

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<v Speaker 3>Yeah, because for people who don't know, it sucks. Strip

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<v Speaker 3>clubs in l A. Sorry, they're terrible. I mean, with

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<v Speaker 3>all due respect.

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<v Speaker 1>No they're not. They're not good.

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<v Speaker 2>It's like it just feels dangerous. I feel like I'm

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<v Speaker 2>gonna get shot or.

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<v Speaker 3>It's just feel it feels shaky.

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<v Speaker 1>It feels very shaky.

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<v Speaker 2>It feels like like the ladies here are gonna rob

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<v Speaker 2>me too. I don't know, it just doesn't feel right.

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<v Speaker 2>Last night felt like I was in Magic City.

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<v Speaker 3>Nice did you eat any food?

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<v Speaker 1>Of course at the Wings they were busting.

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<v Speaker 3>So the Wings were good because that's the one thing

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<v Speaker 3>about Magic City. The Wings are, you know, world renowned.

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<v Speaker 2>So I'm gonna show you this to I know, we shooting,

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<v Speaker 2>but that way you can kind of get a vibe

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<v Speaker 2>with what it looked like.

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<v Speaker 3>Man, it was crazy. Yeah, it's quiz. Yeah, that's a

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<v Speaker 3>quite the table to be at.

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<v Speaker 2>Yeah, man, that's probably why you don't see Quick sitting

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<v Speaker 2>next to me, because he was in there last night.

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<v Speaker 1>Now, oh shit always went up.

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<v Speaker 3>Going to the Strip club with DJ Quick would be

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<v Speaker 3>so fire. The only thing miss would be like sugar free,

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<v Speaker 3>like sugar yeah.

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<v Speaker 1>Oh yeah, yeah, yeah, last night.

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<v Speaker 3>Was a vibe.

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<v Speaker 2>Last night was a real vibe. Man, Boss Leddy shot

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<v Speaker 2>out to her. It was so dope to just watch

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<v Speaker 2>Snoops dynamic. I told him, like, bro, you the only

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<v Speaker 2>nigga that can do a Disney movie today and open

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<v Speaker 2>the strip club with your wife, with your son sitting.

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<v Speaker 3>Self some products of Martha Stewart and Martin.

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<v Speaker 2>Stewart didn't go smoke weed in the White House, Like bro,

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<v Speaker 2>you are You are the most audacious artist we've ever seen.

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<v Speaker 3>He is the most famous rapper ever ever by far,

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<v Speaker 3>by far, it's not close, and he might be top

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<v Speaker 3>five most popular faces in the world. In the world,

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<v Speaker 3>he yeah.

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<v Speaker 2>He's definitely top ten. Most famous person on the plane

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<v Speaker 2>I want to sight top five.

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<v Speaker 3>Yeah, I mean, I don't know because some of them

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<v Speaker 3>soccer players that I relining into, I guess everywhere else are.

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<v Speaker 1>Lit, but but most recognizable.

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<v Speaker 3>Not everybody knows Snoop.

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<v Speaker 2>Yeah, there's not anybody no Snoop. There's nobody doesn't know

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<v Speaker 2>what snoopy.

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<v Speaker 3>Parents no snoop, you know. Yeah, and different versions of

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<v Speaker 3>snoop too, different versions of Snoop Snoop Doggie dogs.

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<v Speaker 2>We met the doggy style Snoop. Right now they have

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<v Speaker 2>Martha Storer Sloop.

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<v Speaker 3>They know Snoop from NBC where he's doing Olympics commentating

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<v Speaker 3>with Kevin Hart. It's crazy with it. One of one.

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<v Speaker 3>That's my one bucket list interview in my life because

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<v Speaker 3>one on one with Snoop.

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<v Speaker 1>I'm surprised that hasn't happened.

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<v Speaker 3>I've been trying for fuck five years. Every time he

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<v Speaker 3>has something come out. I hit Kevin Barkley like hey, bro, please,

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<v Speaker 3>I'll come to the fucking compound. He's like, yeah, yeah,

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<v Speaker 3>I got you. Yeah, you can't do it, but I

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<v Speaker 3>need the one on one though. I don't want to

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<v Speaker 3>be like Rush like there. I don't want to be

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<v Speaker 3>like Bro like Doggies was the one album to changed

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<v Speaker 3>my life. I got it by accident when I was

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<v Speaker 3>five and it was up from there. That's what ain't

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<v Speaker 3>no fun at five. It's kind of crazy, you know,

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<v Speaker 3>like fucking Snoop Doggie Style was the single most important

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<v Speaker 3>album in my life. My grandma got Itn't you remember

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<v Speaker 3>the Columbia House where you get like.

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<v Speaker 1>For the two pennies.

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<v Speaker 3>Yes, so she got was credited, she got Yes, she

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<v Speaker 3>got Doggy Style on tape on accident, and uh she did.

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<v Speaker 3>My grandma was like old as fuck and she didn't

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<v Speaker 3>know that it was. She just saw a cartoon, right.

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<v Speaker 3>She gave it to me, and I was like, at

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<v Speaker 3>the time, I was listening like Boys the Men two

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<v Speaker 3>on fucking tape and ship wait.

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<v Speaker 1>Five years all you're listening to Boys to Men. Yeah,

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<v Speaker 1>so you was meant to be a DJ an Emsy Hammer.

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<v Speaker 3>That's fire. My mom was in the EMC Hammer.

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<v Speaker 2>And I think that I think you're going about it

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<v Speaker 2>wrong with snoop. With dog you got to catch on

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<v Speaker 2>when it ain't nothing going on, which is very rare

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<v Speaker 2>because he got so much going away something going on.

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<v Speaker 2>But don't wait till the release sparts, because then because

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<v Speaker 2>he got pulled in different ways, what like right now

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<v Speaker 2>probably be the perfect time they rolling out I think

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<v Speaker 2>at the football game coming the Arizona ball or they

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<v Speaker 2>just enough a lot of dop stuff.

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<v Speaker 1>Man shot out to the dog, It's.

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<v Speaker 3>Been a great year for Compton. Yes, shout out to Compton.

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<v Speaker 2>Shout out to Compton. Yes, Compton, does it again?

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<v Speaker 3>Yeah? Does it again? Before we get into Choopocabra, come on,

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<v Speaker 3>talk to me about what it was like just watching

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<v Speaker 3>Kendrick Lamar deep fry, you know, ry him up and

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<v Speaker 3>give him. I've never it was. It was like it

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<v Speaker 3>was like King Ryan, you know when he fucked up

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<v Speaker 3>what's the dude's name? He just boxed? Hey, Ainy. It

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<v Speaker 3>was bad.

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<v Speaker 2>Before I start, because my words get taken really sensitively

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<v Speaker 2>around this subject.

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<v Speaker 3>I've been seeing you.

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<v Speaker 2>I saw you going in on Twitter. Oh yeah, I'm

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<v Speaker 2>going in because I'm like, I didn't know Drake had

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<v Speaker 2>a beehive.

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<v Speaker 1>Me neither. Oh my god, I got bots in my ship.

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<v Speaker 1>I can't say anything.

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<v Speaker 2>Motherfuckers think I'm talking about drags, are talking about somebody.

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<v Speaker 3>Because I was going riding so hard for Kendrick the

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<v Speaker 3>whole time. Before he even replied to fucking push ups

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<v Speaker 3>all that shit, I was like, man, hey, bro, then

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<v Speaker 3>fucking Drake beehive.

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<v Speaker 1>It's real, it's real.

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<v Speaker 2>He got like some real haters, like they're pulling up shit,

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<v Speaker 2>They pulling up my numbers.

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<v Speaker 1>I'm like, bro, this is wild, Like I'm not put up.

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<v Speaker 3>Like an old tweet to me saying like Drake was dope,

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<v Speaker 3>and I'm like, yeah, Drake is dope, but he's still

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<v Speaker 3>gonna get fucking obliterated. What are we talking about here?

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<v Speaker 2>Like there's levels listen to this. I look at this

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<v Speaker 2>as a very competitive super Bowl as opposed to two

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<v Speaker 2>guys going at it. It was like, this is the

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<v Speaker 2>team I'm rooting for, and it's the team they're rooting for.

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<v Speaker 2>So I knew how this was gonna end, right because

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<v Speaker 2>I knew.

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<v Speaker 3>The guy that you were going against, Drake.

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<v Speaker 2>I know him, all of us know him. Some people

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<v Speaker 2>you just got to leave the fuck along.

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<v Speaker 3>He's the one guy act.

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<v Speaker 1>I'll look at him.

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<v Speaker 2>I hold him to like you have Lebron James, which

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<v Speaker 2>is Drake, Yeah, and you have Kobe Bryant. You got

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<v Speaker 2>somebody that only cares about basketball.

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<v Speaker 3>Let's not do that.

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<v Speaker 1>I'm just telling you.

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<v Speaker 2>He only cares about hip hop. He don't give a

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<v Speaker 2>fuck about none of the other. Shit is win or win,

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<v Speaker 2>and it ain't nothing. I'm a big Lebron guy, so

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<v Speaker 2>I don't want to I don't just tell you what

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<v Speaker 2>he would say, because Seth Curry is Drake. No, no, no, no,

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<v Speaker 2>I'm not saying that. I'm saying Lebron.

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<v Speaker 1>It's right.

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<v Speaker 2>Lebron changed basketball. He changed the way we all viewed competition.

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<v Speaker 2>We made it where you can play anywhere and everybody's friends,

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<v Speaker 2>and it worked out where all everybody's making so much money.

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<v Speaker 2>Kobe's like, fuck you, I'm off you, fuck you and

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<v Speaker 2>fuck you.

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<v Speaker 3>And all that. It's up.

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<v Speaker 1>Let's go play. Yeah, and if you want to calm

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<v Speaker 1>it down, we'll psych Kyrie.

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<v Speaker 3>Then if you want to do that, that's fair. That's fair.

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<v Speaker 2>This we know he's one of the most skillful artists

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<v Speaker 2>to ever live.

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<v Speaker 3>Kendrick, right, I think he's. I mean I've been saying

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<v Speaker 3>this for about four or five years. I've had him

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<v Speaker 3>four or five all time, and people will be like,

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<v Speaker 3>you're fucking crazy, and I'm like, well, if all these

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<v Speaker 3>other motherfuckers will put Biggie in their top two or

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<v Speaker 3>three and he only put two albums out, you gotta

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<v Speaker 3>put Kendrick in the top five off of his discography.

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<v Speaker 3>I'll say this, but skill level it might be, don't

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<v Speaker 3>I don't know what Kendrick and eminem.

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<v Speaker 2>I don't know when it's gonna air, but I'll say this,

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<v Speaker 2>y'all tell me a time on a Friday when a

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<v Speaker 2>J Cole verse and a Drake verse dropped and nobody

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<v Speaker 2>gave a shit.

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<v Speaker 1>Because that just happened in this Friday.

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<v Speaker 3>I was gonna say a lot, a lot of times,

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<v Speaker 3>this Friday had just passed. Well yeah, ya, yeah, when

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<v Speaker 3>the Sexy Red and the new kobt We've.

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<v Speaker 1>Never seen that, and we ain't seen that in ten years.

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<v Speaker 3>Oh for sure. And I'd also like to point out,

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<v Speaker 3>for the first time ever, I actually think Drake being

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<v Speaker 3>on that song hurt the song. I think people are

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<v Speaker 3>so off of Drake right now. That Sexy Red song

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<v Speaker 3>that dropped has more dislikes than likes on YouTube. And

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<v Speaker 3>it's like, yo, like sexy Red, you probably could have

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<v Speaker 3>put like, I don't know anybody, We'll just say this.

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<v Speaker 3>I called it. I knew it was gonnapp.

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<v Speaker 2>I knew it was gonnappen to iknew it was gonna happen,

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<v Speaker 2>but I had I was privy to being you had

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<v Speaker 2>some outside inform sure I was able to have different

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<v Speaker 2>conversations with the with the internal Compton Unity community and

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<v Speaker 2>we were all just knowing how this was going to end.

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<v Speaker 2>We're like every move it was like a chess game,

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<v Speaker 2>and were just watching it.

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<v Speaker 1>It was dope. It was dope to see it was

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<v Speaker 1>dope to actually get.

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<v Speaker 2>Some insight from the man himself knowing like, oh yeah,

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<v Speaker 2>let's rock, let's do it. But it never got to

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<v Speaker 2>the point where was like we're gonna fucking fight or shoot.

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<v Speaker 1>So it made me ever, it made me. I was

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<v Speaker 1>able to enjoy it.

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<v Speaker 3>You know. What's crazy to me was like my favorite

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<v Speaker 3>song of the battle is Euphoria because it's the most

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<v Speaker 3>like it was literally a warning shot, right, but it

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<v Speaker 3>was like a kill shot. But if you go back

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<v Speaker 3>and listen, like sounds better now. He predicted he said everything.

0:09:36.720 --> 0:09:39.280
<v Speaker 3>All of this he said, he said, and he was like, hey,

0:09:39.320 --> 0:09:41.040
<v Speaker 3>don't don't tell the lines about me, and I won't

0:09:41.040 --> 0:09:43.319
<v Speaker 3>tell the truth about you. I already could predict your angle.

0:09:43.360 --> 0:09:44.720
<v Speaker 1>You know what, if you take it there, I'll take

0:09:44.840 --> 0:09:45.320
<v Speaker 1>it further.

0:09:45.480 --> 0:09:48.480
<v Speaker 3>It's just something you don't know. And then he goes

0:09:48.520 --> 0:09:52.480
<v Speaker 3>ooh at the end, I was like, Oh, anyway, shout

0:09:52.480 --> 0:09:56.400
<v Speaker 3>out to Kendrick, you know, I think, yeah, I mean,

0:09:56.440 --> 0:09:59.080
<v Speaker 3>I like like I feel like generic hip hop fans

0:09:59.679 --> 0:10:02.240
<v Speaker 3>who are just like, you know, real passive like heads

0:10:02.240 --> 0:10:04.280
<v Speaker 3>who like aren't like really they're just they listen to

0:10:04.320 --> 0:10:06.200
<v Speaker 3>Drake and you know, whatever's hot at the time, Like

0:10:06.200 --> 0:10:09.559
<v Speaker 3>they were very I just it was frustrating to deal

0:10:09.600 --> 0:10:12.720
<v Speaker 3>with people for for about three weeks. I listen to drugs.

0:10:12.720 --> 0:10:17.040
<v Speaker 3>People are fucking absolutely ignorant the skill level of like Kendrick,

0:10:17.080 --> 0:10:21.200
<v Speaker 3>and I listen to everybody listen, it's impossible, not he's just.

0:10:21.240 --> 0:10:23.520
<v Speaker 1>Not better than Kendrick. Like it's not it's not really

0:10:23.559 --> 0:10:23.959
<v Speaker 1>even that.

0:10:24.000 --> 0:10:26.480
<v Speaker 3>They're not even in the side, you know, they're not

0:10:26.520 --> 0:10:30.000
<v Speaker 3>even in the same arena exactly, Like Kendrick is literally

0:10:30.000 --> 0:10:33.360
<v Speaker 3>in an arena quite possibly by himself, like it might

0:10:33.400 --> 0:10:35.840
<v Speaker 3>be him. Like for about wordplay, there's like guys like

0:10:35.880 --> 0:10:38.440
<v Speaker 3>you know and like God, but it's really Kendrick over here.

0:10:39.000 --> 0:10:39.920
<v Speaker 3>And then Drake's like in.

0:10:39.920 --> 0:10:42.000
<v Speaker 2>An arena with like and I'll say it col and

0:10:42.040 --> 0:10:43.240
<v Speaker 2>like I'll say this, we'll leave it here.

0:10:43.280 --> 0:10:45.160
<v Speaker 1>And I don't know this for a fact. This is

0:10:45.240 --> 0:10:45.960
<v Speaker 1>my opinion.

0:10:46.040 --> 0:10:46.800
<v Speaker 3>I do not know.

0:10:48.280 --> 0:10:50.440
<v Speaker 1>Let one of them niggas do a sneak dish or something.

0:10:50.440 --> 0:10:52.760
<v Speaker 2>He may lay one on a nigga ahead thirty minutes

0:10:52.800 --> 0:10:56.120
<v Speaker 2>later again just know that, just and then that's what

0:10:56.160 --> 0:10:59.480
<v Speaker 2>I'm watching. I'm watching Drake and j Cole kind of

0:10:59.520 --> 0:11:01.840
<v Speaker 2>like they feel like they walking through Landmark now, Like,

0:11:02.240 --> 0:11:06.280
<v Speaker 2>don't say nothing remotely close to accidentally making us think

0:11:06.320 --> 0:11:08.080
<v Speaker 2>you about to say something. I'm just glad you might

0:11:08.120 --> 0:11:11.560
<v Speaker 2>get cracked again. I'm glad Cole pulled out smart man.

0:11:11.679 --> 0:11:13.120
<v Speaker 2>Well also because he's like a good guy.

0:11:13.240 --> 0:11:15.320
<v Speaker 3>No, it ain't even any a good man. He's smart.

0:11:15.360 --> 0:11:15.840
<v Speaker 3>He's smart.

0:11:16.200 --> 0:11:19.079
<v Speaker 1>He's a genius. He knows what that thing is sitting

0:11:19.120 --> 0:11:22.719
<v Speaker 1>over there. Man. I called him Petty Pendergrass. At the

0:11:22.800 --> 0:11:26.040
<v Speaker 1>end of the day, he's having a ball. It's just

0:11:26.080 --> 0:11:26.760
<v Speaker 1>funny to him.

0:11:26.840 --> 0:11:29.920
<v Speaker 2>I think maybe maybe in a few years he'll probably

0:11:29.920 --> 0:11:33.280
<v Speaker 2>be like knowing the guy, he'll be like, damn, man,

0:11:33.280 --> 0:11:34.280
<v Speaker 2>I wish I wouldn't have did that.

0:11:34.320 --> 0:11:35.839
<v Speaker 3>You know, I probably heard his you know, because he's

0:11:35.840 --> 0:11:37.240
<v Speaker 3>still the caring man.

0:11:37.840 --> 0:11:40.800
<v Speaker 2>But once you crossed the lines, we're talking about kids,

0:11:40.880 --> 0:11:42.040
<v Speaker 2>and I was.

0:11:44.240 --> 0:11:47.559
<v Speaker 3>I remember when when Family Matters came out, I was

0:11:47.640 --> 0:11:49.640
<v Speaker 3>driving to Phoenix. Was it was Friday night, so like

0:11:49.960 --> 0:11:52.199
<v Speaker 3>he'd already put out the Compton Freestyle in the morning

0:11:52.200 --> 0:11:55.000
<v Speaker 3>with the glove and I remember as soon as that

0:11:55.040 --> 0:11:58.520
<v Speaker 3>ship dropped, I called head and I was like, Oh,

0:11:58.559 --> 0:12:00.960
<v Speaker 3>he don't got nothing. He's just making shit up now,

0:12:01.600 --> 0:12:04.480
<v Speaker 3>Like imagine like the day free thing being like a

0:12:04.480 --> 0:12:06.280
<v Speaker 3>thing like oh you don't, you really don't got shit.

0:12:06.320 --> 0:12:09.680
<v Speaker 3>You're like you're desperate, like the motherfuckers who got the

0:12:09.679 --> 0:12:12.720
<v Speaker 3>worst bars were the most memorable line from Drake. The

0:12:12.720 --> 0:12:14.280
<v Speaker 3>whole battle was shut the fuck up and make some

0:12:14.360 --> 0:12:17.280
<v Speaker 3>drums and then the shit he said about the weekend

0:12:17.320 --> 0:12:20.120
<v Speaker 3>and asap Rocky he had nothing he could say about

0:12:20.160 --> 0:12:22.520
<v Speaker 3>Kendrick other than he's a He's a short guy who

0:12:22.600 --> 0:12:24.560
<v Speaker 3>wears a shoes a certain size.

0:12:25.120 --> 0:12:29.960
<v Speaker 1>That's all he had, dot works out and wraps.

0:12:30.720 --> 0:12:32.320
<v Speaker 3>That's yeah, that's crazy.

0:12:32.520 --> 0:12:32.880
<v Speaker 1>That's it.

0:12:33.040 --> 0:12:35.880
<v Speaker 2>So you were in a actual skill battle. This wasn't

0:12:36.000 --> 0:12:37.280
<v Speaker 2>like a mud throwing.

0:12:37.280 --> 0:12:40.160
<v Speaker 3>It's the most excited, Like it was the most exciting

0:12:40.360 --> 0:12:43.520
<v Speaker 3>night of hip hop in my lifetime. Because I'm in

0:12:43.559 --> 0:12:46.360
<v Speaker 3>the car and I'm listening to family matters like over

0:12:46.400 --> 0:12:48.040
<v Speaker 3>and over, and I was like all right, and then

0:12:48.480 --> 0:12:50.680
<v Speaker 3>I'm like open Twitter and someone's like, damn, Kendrick didn't

0:12:50.679 --> 0:12:52.760
<v Speaker 3>even let him bathe. I'm like, wait, what it's been

0:12:52.800 --> 0:12:56.880
<v Speaker 3>like they're oh shit, list he dropped. And then when

0:12:56.880 --> 0:12:59.880
<v Speaker 3>I'm listening to fucking Meet the Grahams and I'm just like.

0:13:00.200 --> 0:13:01.760
<v Speaker 2>I ain't gonna hold you. I'm gonna give you some

0:13:01.800 --> 0:13:05.520
<v Speaker 2>real insight. Is you hearing this first? They drop family

0:13:05.559 --> 0:13:10.079
<v Speaker 2>matters and I text him him like this ain't it.

0:13:10.280 --> 0:13:11.200
<v Speaker 1>He's like at all.

0:13:11.800 --> 0:13:14.400
<v Speaker 2>I'm like, this ain't gonna get it. I was like, man,

0:13:14.440 --> 0:13:15.920
<v Speaker 2>it's trying to step on his head. He was like,

0:13:16.120 --> 0:13:17.560
<v Speaker 2>say less, I didn't.

0:13:17.640 --> 0:13:20.360
<v Speaker 3>I'm thinking we just take it. Ain't nothing deep like that.

0:13:20.520 --> 0:13:24.400
<v Speaker 1>It's I go to the bathroom, I come back, the

0:13:24.440 --> 0:13:26.080
<v Speaker 1>motherfucking song is uploaded.

0:13:26.320 --> 0:13:28.400
<v Speaker 3>I say, well, well wait wait wait, wait, wait wait wait.

0:13:28.840 --> 0:13:29.960
<v Speaker 1>I text him like, nigga, you are.

0:13:30.200 --> 0:13:32.400
<v Speaker 2>He's like, man, I've been waiting for this nigga to

0:13:32.440 --> 0:13:35.960
<v Speaker 2>drop something. So he didn't even know what he was

0:13:35.960 --> 0:13:38.360
<v Speaker 2>going to gainst Man, Drake shot a video and all

0:13:38.400 --> 0:13:43.200
<v Speaker 2>this shit. Man, boom boom, you listen, suck the life

0:13:43.240 --> 0:13:44.040
<v Speaker 2>out of the whole moment.

0:13:44.280 --> 0:13:47.080
<v Speaker 1>Sometimes you just gotta know what to do and what

0:13:47.240 --> 0:13:49.760
<v Speaker 1>not to do. Some people we all know over here.

0:13:49.800 --> 0:13:52.280
<v Speaker 2>I'll say this, I've been in the studio with them all,

0:13:52.559 --> 0:13:54.559
<v Speaker 2>Like with all of the greatest people that.

0:13:54.559 --> 0:13:59.240
<v Speaker 1>Ever, right, I've never seen nothing like that.

0:13:59.440 --> 0:13:59.720
<v Speaker 3>Ever.

0:14:00.080 --> 0:14:02.120
<v Speaker 2>The boy will go over there, turn on a beat,

0:14:02.160 --> 0:14:06.240
<v Speaker 2>and be twenty minutes later, you think he's gonna lay

0:14:06.400 --> 0:14:10.079
<v Speaker 2>eight bar, he lays the whole song with the stacks,

0:14:10.520 --> 0:14:12.640
<v Speaker 2>with all of them voices like wait.

0:14:12.520 --> 0:14:15.880
<v Speaker 1>Whoa, whoa, whoa whoa Okay, and this is twenty ten, right,

0:14:16.559 --> 0:14:18.640
<v Speaker 1>it's crazy, Yeah, it's crazy.

0:14:18.679 --> 0:14:20.200
<v Speaker 3>Different. My fuckers is different. Man.

0:14:20.480 --> 0:14:21.960
<v Speaker 1>He's a go, He's the goal. He's a goal.

0:14:22.040 --> 0:14:24.040
<v Speaker 2>As far as right now, this generation, man, they talked

0:14:24.040 --> 0:14:24.720
<v Speaker 2>about Big three.

0:14:24.760 --> 0:14:28.280
<v Speaker 3>Now it's just I think. I mean, listen, my my

0:14:28.560 --> 0:14:30.760
<v Speaker 3>ghost on the list at this point is really it's

0:14:30.800 --> 0:14:34.000
<v Speaker 3>either Jay or Kendrick. That's just personally for me. I

0:14:34.000 --> 0:14:36.240
<v Speaker 3>mean Nas is up there too for me personally, but

0:14:36.360 --> 0:14:39.240
<v Speaker 3>just like it's just got it. It's just to me,

0:14:39.560 --> 0:14:40.560
<v Speaker 3>like I.

0:14:40.560 --> 0:14:43.640
<v Speaker 1>Have to restructure my list after list.

0:14:44.280 --> 0:14:46.160
<v Speaker 3>Yeah, my top ten offends a lot of people because

0:14:46.200 --> 0:14:47.640
<v Speaker 3>I got packed like towards the bottom of it, and

0:14:47.640 --> 0:14:51.000
<v Speaker 3>Little Winge's not in my top ten. But uh, Drake, and.

0:14:51.320 --> 0:14:54.280
<v Speaker 2>Because Drake, it s because I know the type of

0:14:54.320 --> 0:14:55.200
<v Speaker 2>hip hop you listen to.

0:14:55.360 --> 0:14:56.240
<v Speaker 1>I understand your list.

0:14:56.280 --> 0:14:57.320
<v Speaker 3>No, No, I love pac No.

0:14:57.400 --> 0:14:58.800
<v Speaker 1>I'm just saying, but I know the type of hip

0:14:58.840 --> 0:14:59.400
<v Speaker 1>hop you look.

0:14:59.440 --> 0:15:01.200
<v Speaker 3>I think I got like eight you know.

0:15:02.200 --> 0:15:05.240
<v Speaker 2>But I mean, if you want to go Lil Wayne,

0:15:05.280 --> 0:15:06.520
<v Speaker 2>if you want to go, if you want to put

0:15:06.560 --> 0:15:09.160
<v Speaker 2>him on a knowing he's influenced. He only he only

0:15:09.320 --> 0:15:12.120
<v Speaker 2>had a seven year career and influence didn't do that.

0:15:12.200 --> 0:15:14.840
<v Speaker 3>No, but influence wise, he's probably one or two.

0:15:15.120 --> 0:15:18.400
<v Speaker 1>At twenty two years old, he dropped Dear Mama.

0:15:18.480 --> 0:15:21.000
<v Speaker 2>Gotta chill, We gotta listen, We got to chill with

0:15:21.040 --> 0:15:22.800
<v Speaker 2>some of these these these conversations.

0:15:22.800 --> 0:15:25.520
<v Speaker 1>Though at twenty we got niggas. That's it's safe to say.

0:15:26.040 --> 0:15:28.920
<v Speaker 3>Okay, is it safe to say Tupac is the most

0:15:28.960 --> 0:15:31.000
<v Speaker 3>influential rapper ever? Because if he's not one.

0:15:30.800 --> 0:15:34.200
<v Speaker 1>He's two most influence. I think it's Rock him or Tupac.

0:15:35.760 --> 0:15:39.000
<v Speaker 2>Influential was tough because I just feel like because they

0:15:39.000 --> 0:15:41.400
<v Speaker 2>didn't have Lil Wayne's up there too. For the record,

0:15:41.440 --> 0:15:43.560
<v Speaker 2>Lil Wayne has to be in that conversation, the top

0:15:43.600 --> 0:15:49.040
<v Speaker 2>three pots in that conversation. Uh you has to be

0:15:49.040 --> 0:15:49.840
<v Speaker 2>in that conversation.

0:15:49.960 --> 0:15:53.680
<v Speaker 3>Futures in that como. Future has influenced so much of

0:15:53.840 --> 0:15:56.360
<v Speaker 3>like and Kanye. I gotta say.

0:15:56.320 --> 0:15:57.560
<v Speaker 1>Yay, I'll take ya Yay.

0:15:57.640 --> 0:15:59.560
<v Speaker 3>I got ya. I think I'm gonna put ya. Well,

0:15:59.600 --> 0:16:00.040
<v Speaker 3>Yay's in.

0:16:00.000 --> 0:16:02.400
<v Speaker 2>Influence the world on a level, That's what I'm saying,

0:16:02.440 --> 0:16:03.880
<v Speaker 2>Like I'm looking like that, so it got to be

0:16:03.920 --> 0:16:05.960
<v Speaker 2>like yay Pac.

0:16:07.760 --> 0:16:11.000
<v Speaker 3>Then I Wayne.

0:16:12.720 --> 0:16:15.520
<v Speaker 2>I don't know because because I'm from here, Yeah, it didn't.

0:16:15.720 --> 0:16:18.560
<v Speaker 2>It definitely was something we listened to, but I didn't

0:16:18.560 --> 0:16:20.000
<v Speaker 2>want to like look like that.

0:16:20.800 --> 0:16:22.720
<v Speaker 1>I don't think these two people I'm talking about.

0:16:22.520 --> 0:16:24.520
<v Speaker 3>Like, I don't think jay Z. I don't think jay

0:16:24.600 --> 0:16:28.360
<v Speaker 3>Z influenced many people sonically. I'm thinking like the sonics

0:16:28.360 --> 0:16:29.880
<v Speaker 3>and hip hop. Like I'm like, damn, I can.

0:16:29.800 --> 0:16:32.440
<v Speaker 2>Think you're only talking music. I'm talking about influence, the

0:16:32.520 --> 0:16:36.240
<v Speaker 2>influence on music, like I'm talking about overall. No, overall

0:16:36.320 --> 0:16:39.240
<v Speaker 2>it's Tupac, who wasn't even going bad where the ball.

0:16:39.360 --> 0:16:41.640
<v Speaker 3>Was like it was a lot of other shit we're

0:16:41.640 --> 0:16:46.280
<v Speaker 3>talking about. Overall, it's Ya, Like overall Kanye Yay. Well,

0:16:46.520 --> 0:16:49.680
<v Speaker 3>because Kanye's like changed fashion because I think seeing a

0:16:49.760 --> 0:16:52.000
<v Speaker 3>thirty five year old PAK would have been an incredible

0:16:52.040 --> 0:16:53.680
<v Speaker 3>thing to watch for sure, we.

0:16:53.680 --> 0:16:54.480
<v Speaker 1>Don't have that.

0:16:54.640 --> 0:17:00.000
<v Speaker 2>And in that seven year span from eighteen to twenty five, bruh, He's.

0:17:00.080 --> 0:17:01.880
<v Speaker 3>Deal one of the highest streaming artists.

0:17:01.920 --> 0:17:05.320
<v Speaker 2>He still has people that will just cry over his songs.

0:17:05.840 --> 0:17:08.160
<v Speaker 2>It's still people trying to emulate that thing.

0:17:08.400 --> 0:17:14.800
<v Speaker 3>What is your favorite Tupac album. It's either Macavelly, which

0:17:15.560 --> 0:17:18.320
<v Speaker 3>it's crazy that that's not on the Tupac profile on Spotify.

0:17:18.440 --> 0:17:22.440
<v Speaker 3>It's crazy because Blasphemy is probably my favorite Tupac rap song.

0:17:22.600 --> 0:17:25.240
<v Speaker 3>Like the raps Yo Mcavelly is so.

0:17:25.359 --> 0:17:31.120
<v Speaker 2>Fire Macavelly, or are the joint before Me against World?

0:17:31.119 --> 0:17:31.720
<v Speaker 1>Me against the World.

0:17:31.760 --> 0:17:33.359
<v Speaker 3>It's got to be winds Me against the World, but

0:17:34.119 --> 0:17:35.480
<v Speaker 3>it just it changes.

0:17:35.359 --> 0:17:37.760
<v Speaker 2>But Macavelly is probably I listened to Tupac a ton

0:17:38.040 --> 0:17:39.880
<v Speaker 2>and like I'm like, I go back and I'm like, man,

0:17:39.960 --> 0:17:43.960
<v Speaker 2>Macavelly somehow, like obviously because of like the circumstances of

0:17:43.960 --> 0:17:46.000
<v Speaker 2>it being released, but it somehow flies under the radar

0:17:46.040 --> 0:17:47.560
<v Speaker 2>against Me against the World and all lies on me.

0:17:47.880 --> 0:17:49.960
<v Speaker 1>You know why I didn't have like the major.

0:17:49.680 --> 0:17:53.080
<v Speaker 3>Features it's got tossed it up on right, It didn't

0:17:53.119 --> 0:17:55.240
<v Speaker 3>have It was songs that was unmixed.

0:17:55.960 --> 0:17:59.160
<v Speaker 2>Oh yeah, Like Blasphemy might be the worst mixed released

0:17:59.400 --> 0:18:01.840
<v Speaker 2>major release. If you go listen to like the sonics

0:18:01.880 --> 0:18:03.760
<v Speaker 2>of it, it's very compressed vocals.

0:18:04.080 --> 0:18:06.520
<v Speaker 1>The bass is hidden like crazy, but he's.

0:18:06.320 --> 0:18:09.359
<v Speaker 3>Just talking so crazy on that record.

0:18:09.920 --> 0:18:12.360
<v Speaker 1>Blasphemy. If you really do go do your homework on that.

0:18:12.359 --> 0:18:16.240
<v Speaker 3>Record, shout out to uh. I think my favorite Tupac

0:18:16.280 --> 0:18:19.159
<v Speaker 3>song ever might beat they might be can't see me.

0:18:19.400 --> 0:18:26.520
<v Speaker 3>I don't know. Did dads do that beat? I think

0:18:26.640 --> 0:18:29.920
<v Speaker 3>Daz did that right. No, No, you should have never

0:18:29.920 --> 0:18:34.000
<v Speaker 3>got these from niggas. Don't be better than I don't

0:18:34.040 --> 0:18:36.119
<v Speaker 3>think he did. Drad who can't see me? I mean,

0:18:36.200 --> 0:18:38.360
<v Speaker 3>let's look it up. We have computers and yeah, look

0:18:38.359 --> 0:18:42.520
<v Speaker 3>it up there, fucking cyrus. Make yourself useful, pick up

0:18:42.520 --> 0:18:45.760
<v Speaker 3>your fucking iPhone, your vegetarian assy heart.

0:18:45.800 --> 0:18:48.320
<v Speaker 1>About smoking perks today from that young man, I've never

0:18:48.320 --> 0:18:49.440
<v Speaker 1>heard that in my fucking life.

0:18:49.840 --> 0:18:51.840
<v Speaker 3>Well, you know, the young kids are doing it, these

0:18:51.880 --> 0:18:54.439
<v Speaker 3>fucking young fucks. You were. You were a part of

0:18:54.440 --> 0:18:56.600
<v Speaker 3>the Molly era. Yeah, but I wasn't smoking Molly.

0:18:56.640 --> 0:19:00.240
<v Speaker 1>That's crazy. People have I'm sure they should. They probably died.

0:19:00.280 --> 0:19:01.320
<v Speaker 1>You're not supposed to do that.

0:19:02.440 --> 0:19:06.920
<v Speaker 3>Do you ever miss your Molly days? No? Never? Why?

0:19:07.119 --> 0:19:10.040
<v Speaker 2>Because I think because I took so advantage, so much

0:19:10.040 --> 0:19:11.480
<v Speaker 2>advantage of it, I don't need to miss it.

0:19:11.520 --> 0:19:13.840
<v Speaker 1>I I went to the limit.

0:19:13.880 --> 0:19:16.720
<v Speaker 3>Man, you were saying that you wouldn't do pills, you

0:19:16.720 --> 0:19:19.640
<v Speaker 3>would do like yeah, we have the actual like dust pack,

0:19:19.880 --> 0:19:22.760
<v Speaker 3>so you would mix it and drinks and stuff our drinks.

0:19:23.119 --> 0:19:25.439
<v Speaker 3>Be very I gotta be very careful. We speak no

0:19:26.160 --> 0:19:28.040
<v Speaker 3>drinks that you would consume. It's not like you were

0:19:28.160 --> 0:19:29.160
<v Speaker 3>Rick Ross and the drinks.

0:19:29.359 --> 0:19:31.840
<v Speaker 2>Yeah, let's always be clear in this new dnage. No,

0:19:31.840 --> 0:19:33.120
<v Speaker 2>I would put it in my drink.

0:19:33.280 --> 0:19:36.879
<v Speaker 3>Who produced it? Oh Dre did? Okay? Okay, yeah, shout

0:19:36.880 --> 0:19:41.280
<v Speaker 3>out to fucking Dre. Come on, man. So yeah, because

0:19:41.320 --> 0:19:44.320
<v Speaker 3>it's it's interesting because like you probably would not have

0:19:44.359 --> 0:19:47.520
<v Speaker 3>been doing the drugs you were doing if you were

0:19:47.600 --> 0:19:50.720
<v Speaker 3>popping right now, because you might actually take fatana on huh.

0:19:50.920 --> 0:19:51.280
<v Speaker 1>I would.

0:19:51.359 --> 0:19:53.320
<v Speaker 3>Yeah, I couldn't because back then you didn't have to

0:19:53.320 --> 0:19:54.439
<v Speaker 3>worry about now.

0:19:54.440 --> 0:19:56.399
<v Speaker 2>I'm gonna tell you what's why I wouldn't do it

0:19:56.440 --> 0:19:59.159
<v Speaker 2>now because I had the luxury of not having to

0:19:59.200 --> 0:20:01.000
<v Speaker 2>be on camera when I was high.

0:20:01.560 --> 0:20:04.119
<v Speaker 1>Like, if I saw what I looked like, I wouldn't

0:20:04.160 --> 0:20:04.440
<v Speaker 1>do it.

0:20:05.359 --> 0:20:09.400
<v Speaker 3>Back then, it wasn't as nah, it wasn't like snapchats Instagram.

0:20:10.000 --> 0:20:11.119
<v Speaker 1>It was just steals instagra.

0:20:11.440 --> 0:20:12.800
<v Speaker 3>There's no stories or videos yeah.

0:20:13.119 --> 0:20:15.840
<v Speaker 2>If the minute I would see me looking crazy, I

0:20:15.840 --> 0:20:16.359
<v Speaker 2>would stop.

0:20:17.520 --> 0:20:18.520
<v Speaker 3>So I didn't get that.

0:20:18.640 --> 0:20:20.959
<v Speaker 2>I just I was partying and I had I had

0:20:20.960 --> 0:20:23.560
<v Speaker 2>a great team around me to make sure that nothing.

0:20:23.520 --> 0:20:26.880
<v Speaker 1>Ever got out, Like if I ever was like a little.

0:20:26.720 --> 0:20:29.639
<v Speaker 2>Too loose, so I was just looking out of the level.

0:20:30.080 --> 0:20:32.760
<v Speaker 2>So nah, I wouldn't. It's so scary right now. But

0:20:32.840 --> 0:20:34.200
<v Speaker 2>there's too many cameras. It's too many.

0:20:34.200 --> 0:20:35.080
<v Speaker 1>My fucker's recording.

0:20:35.080 --> 0:20:37.480
<v Speaker 3>It's to me, Yeah, you can't do bro.

0:20:37.920 --> 0:20:40.280
<v Speaker 2>It's not the vibe like it's honestly, bro, it's not

0:20:40.320 --> 0:20:41.199
<v Speaker 2>even really smart.

0:20:41.520 --> 0:20:42.240
<v Speaker 1>It looks crazy.

0:20:42.280 --> 0:20:42.359
<v Speaker 3>Man.

0:20:42.400 --> 0:20:43.680
<v Speaker 2>A lot of these people are gonna look back one

0:20:43.720 --> 0:20:46.240
<v Speaker 2>day and they're gonna look at themselves pouring drugs and

0:20:46.240 --> 0:20:48.840
<v Speaker 2>they're like talking about yeah wak, Yeah, it's gonna look

0:20:49.000 --> 0:20:49.720
<v Speaker 2>crazy to you.

0:20:49.880 --> 0:20:51.520
<v Speaker 3>You know. The conserption is so crazy.

0:20:51.640 --> 0:20:54.320
<v Speaker 1>There's no visuals of me just sitting there just like bro.

0:20:54.240 --> 0:20:56.200
<v Speaker 3>Like if I was drinking lean, if I was like

0:20:56.240 --> 0:20:58.560
<v Speaker 3>a lean guy, I would not be walking around with

0:20:58.600 --> 0:21:01.439
<v Speaker 3>a double cup looking like a dope. And everywhere I go, like,

0:21:01.480 --> 0:21:02.960
<v Speaker 3>we have guys come in here and they're just I'm

0:21:03.000 --> 0:21:06.960
<v Speaker 3>just like, man, like you're just advertising that you're just

0:21:07.040 --> 0:21:11.280
<v Speaker 3>drinking promethesy and like, okay, what put it in a

0:21:11.320 --> 0:21:13.480
<v Speaker 3>fucking tumbler? Like you know what of those tumblers called

0:21:13.760 --> 0:21:14.760
<v Speaker 3>put it in a Stanley.

0:21:14.840 --> 0:21:18.480
<v Speaker 2>I'll say this, if I didn't have children, I would

0:21:18.520 --> 0:21:19.000
<v Speaker 2>be up.

0:21:20.520 --> 0:21:20.960
<v Speaker 3>For sure.

0:21:21.480 --> 0:21:22.439
<v Speaker 1>Right now, Right now, I'll.

0:21:22.320 --> 0:21:22.960
<v Speaker 3>Be going crazy.

0:21:23.000 --> 0:21:25.080
<v Speaker 2>I'm doing eever fucking drug I want because I'm living

0:21:25.080 --> 0:21:25.879
<v Speaker 2>for me at this point.

0:21:26.040 --> 0:21:27.760
<v Speaker 3>But right now, you gotta live for your family or children.

0:21:27.920 --> 0:21:29.399
<v Speaker 3>Back then, I still have to live in my family.

0:21:29.520 --> 0:21:31.480
<v Speaker 2>But now that I'm saying it's like no, now you

0:21:31.560 --> 0:21:35.840
<v Speaker 2>kind of I understand, and you got boy?

0:21:35.920 --> 0:21:39.199
<v Speaker 3>Did I? That's the one thing is like did I?

0:21:39.200 --> 0:21:41.080
<v Speaker 3>I think that's why it's important for young people to

0:21:41.200 --> 0:21:46.280
<v Speaker 3>not like settle down too soon, because you're always gonna

0:21:46.320 --> 0:21:48.360
<v Speaker 3>have the itch that you never knew you needed to scratch.

0:21:48.760 --> 0:21:50.960
<v Speaker 3>Get that ship out of you. You gotta get it

0:21:50.960 --> 0:21:54.080
<v Speaker 3>out of your system. Man, I was scratching.

0:21:54.840 --> 0:21:58.360
<v Speaker 1>Okay, oh fucking kay, all right, yeah man.

0:21:58.520 --> 0:22:00.960
<v Speaker 2>I literally sometimes was like turn on the song from

0:22:01.000 --> 0:22:04.680
<v Speaker 2>like twenty thirteen and remember that day what was going on?

0:22:05.440 --> 0:22:07.679
<v Speaker 3>It was because well you know now they do like

0:22:07.800 --> 0:22:10.439
<v Speaker 3>MDM a therapy for like PTSD. Did you know that?

0:22:10.720 --> 0:22:13.479
<v Speaker 3>I heard that? But if you do Molly, like, does

0:22:13.520 --> 0:22:17.679
<v Speaker 3>it keeps you up? Right? Yeah? I don't know.

0:22:17.760 --> 0:22:19.639
<v Speaker 2>I haven't done it for so long. I know I

0:22:19.680 --> 0:22:21.760
<v Speaker 2>would be up, but I wouldn't be up like a fiend.

0:22:21.960 --> 0:22:24.200
<v Speaker 3>No, but you would just you know, prefer like a night.

0:22:24.280 --> 0:22:29.160
<v Speaker 3>Maybe you wouldn't be like fucking motherfucker'd be on adderall

0:22:29.320 --> 0:22:30.160
<v Speaker 3>what suit I mean?

0:22:30.200 --> 0:22:31.640
<v Speaker 1>It was times where it was like.

0:22:31.880 --> 0:22:33.680
<v Speaker 3>Oh, you know what I mean?

0:22:33.960 --> 0:22:36.639
<v Speaker 2>Yeah, but I would have my shades on. And again,

0:22:36.680 --> 0:22:37.679
<v Speaker 2>if my people saw.

0:22:37.600 --> 0:22:39.760
<v Speaker 1>It, I was too high, they like stack in front

0:22:39.800 --> 0:22:41.120
<v Speaker 1>of me, like, give me some water.

0:22:42.040 --> 0:22:44.640
<v Speaker 3>What's it feel like now to be like, uh, You've

0:22:44.680 --> 0:22:48.040
<v Speaker 3>had so many errors of your career. I was telling you,

0:22:48.119 --> 0:22:49.960
<v Speaker 3>like the first time I ever met you, I was

0:22:50.000 --> 0:22:52.080
<v Speaker 3>like an intern at the radio station. Well it was

0:22:52.080 --> 0:22:54.359
<v Speaker 3>oh nine, so I was probably doing weekends. But you

0:22:54.400 --> 0:22:57.160
<v Speaker 3>came in for a mixture meeting when I'm toe up dropped,

0:22:58.080 --> 0:23:01.160
<v Speaker 3>which was on what label you know versus Republic. Who's

0:23:01.200 --> 0:23:02.200
<v Speaker 3>on the remix in that song?

0:23:02.520 --> 0:23:06.680
<v Speaker 1>Uh Snoop Quick Corrupt Terrorists.

0:23:08.640 --> 0:23:12.520
<v Speaker 3>Yeah, but that was like, damn, that was so long ago. Fuck,

0:23:12.560 --> 0:23:17.240
<v Speaker 3>that was fifteen years ago. Yeah, and uh you were

0:23:17.280 --> 0:23:20.399
<v Speaker 3>like a new artist then yes, uh and then you

0:23:20.480 --> 0:23:25.280
<v Speaker 3>ended up going through being independent, Yeah, dropping like what Yeah,

0:23:25.680 --> 0:23:30.240
<v Speaker 3>turning down every major label in the fucking world. Yeah,

0:23:30.560 --> 0:23:34.159
<v Speaker 3>going on a crazy run. Like I mean, like, do

0:23:34.160 --> 0:23:37.679
<v Speaker 3>you ever reflect that? Like you're you're like a oh

0:23:37.920 --> 0:23:39.199
<v Speaker 3>like a triple og low key.

0:23:39.320 --> 0:23:42.440
<v Speaker 2>Now I have to I've been getting reminded lately of

0:23:42.880 --> 0:23:44.840
<v Speaker 2>what I've done and who I am.

0:23:44.960 --> 0:23:47.399
<v Speaker 3>I'm so looking to what's next.

0:23:47.160 --> 0:23:49.120
<v Speaker 2>That I don't actually get around and sit and just

0:23:49.200 --> 0:23:51.480
<v Speaker 2>get to smell the roses. I've been doing a lot

0:23:51.520 --> 0:23:53.520
<v Speaker 2>more sniffing these days. I realized my place in this

0:23:53.720 --> 0:23:56.720
<v Speaker 2>sniffing of the roses. Yes, I'm definitely I've definitely been

0:23:57.359 --> 0:24:00.840
<v Speaker 2>understanding my place, what I am, and I'm gonna stand

0:24:00.840 --> 0:24:01.600
<v Speaker 2>in it a lot more.

0:24:02.359 --> 0:24:02.760
<v Speaker 3>You should.

0:24:02.880 --> 0:24:07.159
<v Speaker 1>Man had a legendary career. A lot of people would kill.

0:24:07.040 --> 0:24:08.719
<v Speaker 2>For a lot of opportunities I've been a part of,

0:24:08.880 --> 0:24:10.600
<v Speaker 2>and I love it. I love sitting in this space.

0:24:10.640 --> 0:24:12.840
<v Speaker 2>It's a confidence that I walk around with and I

0:24:12.840 --> 0:24:15.200
<v Speaker 2>didn't know it was because of that. I was able

0:24:15.240 --> 0:24:17.080
<v Speaker 2>to accomplish a lot. Bro And I'm super proud of

0:24:17.119 --> 0:24:19.840
<v Speaker 2>everybody that's been around to assisting that and helping that.

0:24:19.880 --> 0:24:22.080
<v Speaker 2>But for fuck show year, man, I one of the ones.

0:24:22.600 --> 0:24:24.880
<v Speaker 3>You're definitely one of those ones, and you've always done

0:24:25.000 --> 0:24:28.480
<v Speaker 3>such a great job of like pulling up everybody else too.

0:24:28.880 --> 0:24:30.119
<v Speaker 1>Yeah, but it's important.

0:24:30.160 --> 0:24:32.520
<v Speaker 2>I mean, like you just said, like my remix featured

0:24:32.880 --> 0:24:35.600
<v Speaker 2>all the g's. They pulled me up. I would never

0:24:35.600 --> 0:24:37.400
<v Speaker 2>put out on fucked Up and Snooped and tell me too.

0:24:37.560 --> 0:24:39.560
<v Speaker 2>I was over there working on Ego Tripping. We had

0:24:39.560 --> 0:24:41.640
<v Speaker 2>some downtime. He was like, do you work on shit

0:24:41.680 --> 0:24:43.879
<v Speaker 2>for yourself? I'm like, yeah, I actually got this record.

0:24:44.320 --> 0:24:46.560
<v Speaker 2>He's like, when you get back put this out. I

0:24:46.680 --> 0:24:48.399
<v Speaker 2>literally like, when you get back, we get.

0:24:48.240 --> 0:24:50.360
<v Speaker 3>To la drop this, cause that's crazy.

0:24:50.480 --> 0:24:53.320
<v Speaker 2>I dropped it in the rest is history shout the

0:24:53.320 --> 0:24:54.760
<v Speaker 2>Ego trip and underrated Snoop.

0:24:54.920 --> 0:24:57.679
<v Speaker 1>Very underrated, very under I learned the industry on that.

0:24:58.040 --> 0:25:01.760
<v Speaker 2>Everybody that I met during that process, I've gotten that

0:25:01.880 --> 0:25:02.960
<v Speaker 2>swum friends with today.

0:25:03.119 --> 0:25:06.840
<v Speaker 3>That's so fire. Yeah. Yeah, it's interesting because like I

0:25:06.880 --> 0:25:10.040
<v Speaker 3>think of like what West Coast hip hop was like

0:25:10.080 --> 0:25:14.200
<v Speaker 3>in O nine, because in O nine you're thinking, oh wait,

0:25:14.240 --> 0:25:14.920
<v Speaker 3>oh nine, it.

0:25:14.840 --> 0:25:16.200
<v Speaker 1>Was like all gang bang shit.

0:25:16.359 --> 0:25:18.240
<v Speaker 3>Yeah, but it was like it was almost like that

0:25:18.280 --> 0:25:23.399
<v Speaker 3>weird era where a lot of the young dudes on

0:25:23.440 --> 0:25:25.439
<v Speaker 3>the come up had a chip on their shoulder because

0:25:25.520 --> 0:25:28.000
<v Speaker 3>a lot of the ogs weren't co signing what was

0:25:28.040 --> 0:25:30.400
<v Speaker 3>going on in LA. That's another thing, like I didn't

0:25:30.440 --> 0:25:32.680
<v Speaker 3>have that, but you didn't have that problem because yeah,

0:25:32.720 --> 0:25:34.760
<v Speaker 3>I didn't have that story. But you you remember that

0:25:34.800 --> 0:25:36.800
<v Speaker 3>era where like guys like newst I mean shit, I

0:25:36.800 --> 0:25:39.560
<v Speaker 3>remember I interviewed Nipsey and he called out fucking everybody.

0:25:39.560 --> 0:25:42.200
<v Speaker 3>He called out Dre called on everybody in our interview. Yeah,

0:25:42.280 --> 0:25:44.080
<v Speaker 3>the New West, I mean I was in that, you

0:25:44.119 --> 0:25:44.560
<v Speaker 3>know what I'm saying.

0:25:44.560 --> 0:25:47.920
<v Speaker 2>Shot the glasses, Bishop Maestro a Thou said, Jay Rod.

0:25:47.960 --> 0:25:49.919
<v Speaker 2>We was all out there thugging in and trying it.

0:25:50.320 --> 0:25:53.200
<v Speaker 2>But I saw window, And once I saw the window,

0:25:53.280 --> 0:25:56.560
<v Speaker 2>I'm like, yo, and ain't what y'all think. I had

0:25:56.600 --> 0:25:59.000
<v Speaker 2>to explain to some of the homies and they got

0:25:59.000 --> 0:26:03.160
<v Speaker 2>it later that the first There's only been one generation

0:26:03.240 --> 0:26:06.560
<v Speaker 2>of West Coast hip hop before us, only one, and

0:26:06.600 --> 0:26:09.639
<v Speaker 2>that was the Easy, the Snoops, the Dre's, the quicks

0:26:09.640 --> 0:26:12.399
<v Speaker 2>and that, and they were getting fucked and all of

0:26:12.400 --> 0:26:13.040
<v Speaker 2>their deals.

0:26:13.280 --> 0:26:16.200
<v Speaker 1>They didn't have control of their masters. They were only

0:26:16.240 --> 0:26:17.359
<v Speaker 1>doing what they were taught.

0:26:17.480 --> 0:26:19.240
<v Speaker 3>Shit, low key. The only guys on the West Coast

0:26:19.240 --> 0:26:21.880
<v Speaker 3>that really had like their shit together was probably what

0:26:21.920 --> 0:26:23.040
<v Speaker 3>like forty.

0:26:22.960 --> 0:26:24.960
<v Speaker 1>Forty forty and too short.

0:26:25.080 --> 0:26:27.120
<v Speaker 3>Yeah, the jive shit because they just had distract.

0:26:27.119 --> 0:26:28.920
<v Speaker 2>And that's because they were up top and they were

0:26:28.960 --> 0:26:31.560
<v Speaker 2>looking like hold on, that don't make no sense. They

0:26:31.560 --> 0:26:34.000
<v Speaker 2>were watching easy instead of watching the stars, they were

0:26:34.000 --> 0:26:36.920
<v Speaker 2>watching the guy that was running to play so and then.

0:26:37.440 --> 0:26:40.720
<v Speaker 2>So you can't expect somebody who has never led to

0:26:40.800 --> 0:26:43.600
<v Speaker 2>show you how to lead, right, you get what I'm saying.

0:26:43.640 --> 0:26:45.960
<v Speaker 2>They didn't know that they can go be independent to

0:26:46.000 --> 0:26:46.720
<v Speaker 2>get their own bag.

0:26:46.760 --> 0:26:47.160
<v Speaker 3>You know what I'm saying.

0:26:47.200 --> 0:26:49.159
<v Speaker 1>You got to think what Dog was nineteen twenty when

0:26:49.200 --> 0:26:51.600
<v Speaker 1>he got his deal, Like these were all kids.

0:26:52.119 --> 0:26:54.440
<v Speaker 2>So to expect them to come and usher us in

0:26:54.880 --> 0:26:58.120
<v Speaker 2>because we think we're good man, get the fuck.

0:26:57.960 --> 0:26:59.119
<v Speaker 1>Out of here. That's not how this go.

0:26:59.400 --> 0:27:01.359
<v Speaker 3>That's not how this Yeah. I also think like at

0:27:01.400 --> 0:27:03.719
<v Speaker 3>the time, like you know, a lot of those guys

0:27:03.760 --> 0:27:07.320
<v Speaker 3>like who knows what ice Cube was fucking shooting Like

0:27:07.480 --> 0:27:10.399
<v Speaker 3>you know, I think sometimes when Glasses used to be

0:27:10.480 --> 0:27:12.920
<v Speaker 3>taking shots at ice Cube all the time. And he'll

0:27:12.920 --> 0:27:15.320
<v Speaker 3>swear to God he's not, but I'm here to say

0:27:15.320 --> 0:27:17.800
<v Speaker 3>he does. He was all the time. But look at

0:27:17.840 --> 0:27:20.560
<v Speaker 3>if you really think about it, it's like people who

0:27:20.640 --> 0:27:23.199
<v Speaker 3>look at like certain DJs or it's like bro like

0:27:23.400 --> 0:27:26.640
<v Speaker 3>at the end of the day, like there's there are

0:27:26.800 --> 0:27:30.080
<v Speaker 3>artists who I think nowadays realize like, hey, maybe there's

0:27:30.119 --> 0:27:32.840
<v Speaker 3>some sort of responsibility to try to pull up some

0:27:33.000 --> 0:27:35.200
<v Speaker 3>of the new generation. But man, back then, the Internet

0:27:35.240 --> 0:27:39.040
<v Speaker 3>wasn't as lit. There was no Instagram. There was just MySpace,

0:27:39.520 --> 0:27:41.600
<v Speaker 3>and like, dude, if you're ice Cube, how many movies

0:27:41.600 --> 0:27:45.040
<v Speaker 3>are you fucking shooting? And how many random mixtapes on

0:27:45.320 --> 0:27:47.760
<v Speaker 3>in a fucking slim jewel CD case are you running

0:27:47.760 --> 0:27:49.560
<v Speaker 3>through to fucking see what's going on in la. It's

0:27:49.600 --> 0:27:51.600
<v Speaker 3>just a different era of just man.

0:27:51.800 --> 0:27:54.359
<v Speaker 2>Though like back then it was like you have to

0:27:54.480 --> 0:27:56.840
<v Speaker 2>work hard for your opportunities.

0:27:57.160 --> 0:27:59.359
<v Speaker 3>We're not gonna just give you anything. That was because

0:27:59.359 --> 0:28:02.560
<v Speaker 3>it really was like the generation you're talking about. And

0:28:02.600 --> 0:28:06.800
<v Speaker 3>then the face commercially worldwide for five years old was

0:28:06.880 --> 0:28:07.240
<v Speaker 3>the game.

0:28:07.400 --> 0:28:11.120
<v Speaker 2>We're technically like, he's the bridge between the first generation

0:28:11.200 --> 0:28:12.000
<v Speaker 2>and the second generation.

0:28:12.200 --> 0:28:13.200
<v Speaker 3>Yes, it's the game.

0:28:13.320 --> 0:28:17.000
<v Speaker 1>He's the bridge because he was in five when nothing

0:28:17.160 --> 0:28:19.680
<v Speaker 1>was shaken brand new from here, do you know what

0:28:19.760 --> 0:28:20.200
<v Speaker 1>I'm saying?

0:28:20.560 --> 0:28:23.440
<v Speaker 2>Then we came and we ushered in a whole new

0:28:23.520 --> 0:28:26.480
<v Speaker 2>look of what Los Angeles looked like. Because again before

0:28:27.119 --> 0:28:31.040
<v Speaker 2>I'll say, like teach me how to Dougie, you're a jerk,

0:28:31.880 --> 0:28:35.879
<v Speaker 2>and records likes.

0:28:34.480 --> 0:28:35.199
<v Speaker 3>I'm fucked up.

0:28:35.400 --> 0:28:38.760
<v Speaker 2>Everything else was gang bang shit, and if it didn't

0:28:38.800 --> 0:28:41.240
<v Speaker 2>gang bang, it wasn't getting the looks.

0:28:41.400 --> 0:28:41.760
<v Speaker 3>For sure.

0:28:41.760 --> 0:28:43.600
<v Speaker 1>We ushered in a whole new situation.

0:28:43.680 --> 0:28:46.720
<v Speaker 2>It was the party, and then the TV guys came,

0:28:46.960 --> 0:28:49.360
<v Speaker 2>and then Dom came, and then came, and then everybody

0:28:49.480 --> 0:28:51.680
<v Speaker 2>kind of came with them, Tyler the Creator, they came.

0:28:51.960 --> 0:28:53.280
<v Speaker 3>Everybody just came.

0:28:53.400 --> 0:28:55.600
<v Speaker 2>And then it was like all right, we all standing together.

0:28:55.960 --> 0:28:58.720
<v Speaker 2>So we became the second generation and we all started

0:28:58.720 --> 0:29:02.680
<v Speaker 2>our own companies. Very different, very different thing like we

0:29:02.680 --> 0:29:03.440
<v Speaker 2>wasn't looking to be.

0:29:03.400 --> 0:29:06.360
<v Speaker 3>Signed were the blog era, which.

0:29:06.160 --> 0:29:08.200
<v Speaker 1>Was the blog era was huge in that. So we

0:29:08.280 --> 0:29:09.880
<v Speaker 1>are far more giving.

0:29:10.160 --> 0:29:13.080
<v Speaker 2>Because it's like, all right, we we realize that it's

0:29:13.120 --> 0:29:15.800
<v Speaker 2>it's more opportunity if all of us are success.

0:29:15.880 --> 0:29:16.080
<v Speaker 3>Right.

0:29:16.920 --> 0:29:18.680
<v Speaker 2>The first half was like you got to be the king,

0:29:18.760 --> 0:29:19.719
<v Speaker 2>you got to be the best.

0:29:20.000 --> 0:29:23.000
<v Speaker 1>It's only one king. To the west, We're like it's

0:29:23.120 --> 0:29:25.880
<v Speaker 1>kings up with a seat and we're gonna all do

0:29:26.000 --> 0:29:28.360
<v Speaker 1>like this. But we all know that you know, TD

0:29:28.640 --> 0:29:31.480
<v Speaker 1>they got it. They're the they're the handle thet.

0:29:31.360 --> 0:29:34.520
<v Speaker 2>Probably they're probably the biggest label ever in West Coast

0:29:34.560 --> 0:29:35.400
<v Speaker 2>history with.

0:29:35.400 --> 0:29:36.160
<v Speaker 1>The longest run.

0:29:36.360 --> 0:29:37.479
<v Speaker 3>Yeah, I mean with the longest run.

0:29:37.520 --> 0:29:38.440
<v Speaker 1>For no, they're the biggest ever.

0:29:38.640 --> 0:29:40.560
<v Speaker 3>No, no, no, for sure, Yeah, I just, I just

0:29:40.640 --> 0:29:41.200
<v Speaker 3>I know, I know.

0:29:43.320 --> 0:29:45.920
<v Speaker 1>It's like death Row a four year run.

0:29:46.240 --> 0:29:48.959
<v Speaker 3>No, for sure, it was short. We got but but

0:29:49.320 --> 0:29:51.600
<v Speaker 3>I got fucking sixteen year old kids that go to

0:29:51.680 --> 0:29:54.719
<v Speaker 3>my kids school wearing death Row T shirts. It's crazy.

0:29:54.920 --> 0:29:57.720
<v Speaker 2>Yeah, because Snoop Dog is one of the most influential

0:29:57.800 --> 0:30:00.760
<v Speaker 2>faces of the Death Roa fire.

0:30:01.080 --> 0:30:03.040
<v Speaker 1>But look, but look what he's doing now though.

0:30:03.600 --> 0:30:05.960
<v Speaker 2>He's now like, Okay, I'm gonna make death Row diapers,

0:30:06.040 --> 0:30:09.400
<v Speaker 2>I'm gonna make death roll I'm making death Rows. So

0:30:09.840 --> 0:30:12.960
<v Speaker 2>he took what he saw with how Master repetd is

0:30:13.000 --> 0:30:14.880
<v Speaker 2>thing and everything, and he's gonna apply it. He got

0:30:14.880 --> 0:30:17.120
<v Speaker 2>corrupt getting the back, Dad's getting the bag. I think

0:30:17.200 --> 0:30:19.960
<v Speaker 2>Danny Boy dropping the project. So he's doing it the

0:30:20.000 --> 0:30:22.400
<v Speaker 2>way that he saw, like us.

0:30:22.640 --> 0:30:24.400
<v Speaker 3>You can get a new Lady Rage album. That'd be hard.

0:30:24.600 --> 0:30:28.640
<v Speaker 2>I think that's crazy that you bit on the TV thing.

0:30:28.680 --> 0:30:29.800
<v Speaker 2>I want to I want to ask you about that,

0:30:29.800 --> 0:30:31.480
<v Speaker 2>Why do you why do you think that it's not?

0:30:32.520 --> 0:30:34.480
<v Speaker 3>I just think of death Row and like Tupac and

0:30:34.520 --> 0:30:38.600
<v Speaker 3>Snoop because we talked about the most famous rapper ever. Okay,

0:30:38.600 --> 0:30:42.680
<v Speaker 3>think about it from The Chronic, which is quite possibly

0:30:44.160 --> 0:30:46.040
<v Speaker 3>the most important album to ever come out of the

0:30:46.080 --> 0:30:48.120
<v Speaker 3>West Coast, even though I think Doggie Style is personally,

0:30:48.120 --> 0:30:50.040
<v Speaker 3>but the Chronic is the Chronic, right, It's kind of

0:30:50.080 --> 0:30:54.680
<v Speaker 3>like what kicked off this whole, like Snoop, Tupac, Death

0:30:54.720 --> 0:30:57.080
<v Speaker 3>Row era. I just think if you think of Doctor

0:30:57.120 --> 0:30:59.240
<v Speaker 3>Dre even though you only put one album out with

0:30:59.280 --> 0:31:05.200
<v Speaker 3>death Row, Snoop two albums, and then Tupac was two albums,

0:31:05.520 --> 0:31:09.000
<v Speaker 3>I just think those three are like, but.

0:31:09.040 --> 0:31:10.320
<v Speaker 1>How old are you when he's dropped?

0:31:10.360 --> 0:31:12.640
<v Speaker 3>So I was born in I was born in eighty seven.

0:31:12.760 --> 0:31:16.400
<v Speaker 3>So you so I was five five six when I

0:31:16.440 --> 0:31:17.640
<v Speaker 3>was Yeah, I was so of course.

0:31:17.680 --> 0:31:19.520
<v Speaker 2>I mean, shit, bubble gum and candy is the biggest

0:31:19.520 --> 0:31:20.960
<v Speaker 2>thing on earth for you too at that time.

0:31:21.080 --> 0:31:22.600
<v Speaker 3>No, No, I think I think if you look at

0:31:22.640 --> 0:31:25.360
<v Speaker 3>TD now, like obviously you got fucking Kendrick, you got Sizzy,

0:31:25.400 --> 0:31:28.520
<v Speaker 3>you got Q, you got fucking j Rock, you got

0:31:28.520 --> 0:31:31.560
<v Speaker 3>the whole. I don't disagree, but I just think if

0:31:31.600 --> 0:31:32.880
<v Speaker 3>we're talking about like.

0:31:32.920 --> 0:31:36.520
<v Speaker 1>They're on their twentieth year, bro Tupac snoop.

0:31:36.960 --> 0:31:38.960
<v Speaker 3>If you like you just said Tupac had a seven

0:31:39.040 --> 0:31:41.640
<v Speaker 3>year career, right, No, you're a seven year career. You

0:31:41.640 --> 0:31:42.960
<v Speaker 3>were like, yeah, a seven year career. Look what he

0:31:42.960 --> 0:31:45.640
<v Speaker 3>did to me? Even though Death Throw only had like

0:31:45.680 --> 0:31:50.480
<v Speaker 3>that run, what they did in the run was like it's.

0:31:50.400 --> 0:31:55.040
<v Speaker 2>Just because of the mess, but also infatuated with the Mets.

0:31:55.080 --> 0:31:57.200
<v Speaker 2>I'm not here to tear down dere Let's stop here.

0:31:57.400 --> 0:31:58.880
<v Speaker 2>I'm saying we have.

0:31:58.760 --> 0:32:01.560
<v Speaker 3>To recognize that there was a there.

0:32:01.680 --> 0:32:05.360
<v Speaker 2>There is a company's right now, right now, like today,

0:32:05.400 --> 0:32:08.320
<v Speaker 2>like we have today that has two of the biggest

0:32:08.440 --> 0:32:09.000
<v Speaker 2>artists in.

0:32:09.080 --> 0:32:12.240
<v Speaker 3>Music for sure, like today from l A like.

0:32:12.280 --> 0:32:16.360
<v Speaker 2>Today though and this actual day, and they've had them

0:32:16.360 --> 0:32:16.960
<v Speaker 2>the whole time.

0:32:17.360 --> 0:32:18.200
<v Speaker 3>Yeah, no, I'm not.

0:32:18.480 --> 0:32:19.160
<v Speaker 1>You got to give them that.

0:32:19.600 --> 0:32:20.640
<v Speaker 3>It's it's it's close.

0:32:21.680 --> 0:32:26.080
<v Speaker 1>No, it's really not close. Nobody died.

0:32:26.120 --> 0:32:28.320
<v Speaker 3>I think t TD is a better company.

0:32:28.760 --> 0:32:31.600
<v Speaker 2>T It's the biggest, it's the bigges, it's the biggest

0:32:31.720 --> 0:32:34.280
<v Speaker 2>label to come out of the West Coast in history.

0:32:34.680 --> 0:32:36.640
<v Speaker 3>I think you're right, But I'm just thinking if we're

0:32:36.640 --> 0:32:37.360
<v Speaker 3>talking about like.

0:32:37.840 --> 0:32:40.600
<v Speaker 1>The numbers say that, I'm I'm extremely right.

0:32:42.320 --> 0:32:44.960
<v Speaker 3>I'm not. I'm not disagreeing with you. I'm just saying

0:32:44.960 --> 0:32:46.080
<v Speaker 3>it is a discussion.

0:32:46.080 --> 0:32:47.960
<v Speaker 1>We're having a discussion. It's a discussion, but it's one

0:32:47.960 --> 0:32:49.440
<v Speaker 1>that needs to be had because.

0:32:49.160 --> 0:32:50.640
<v Speaker 3>It's either Death Rower TD.

0:32:51.400 --> 0:32:54.560
<v Speaker 2>No, it's td E. But then but it's TD. It

0:32:54.680 --> 0:32:56.959
<v Speaker 2>has to be bro like it has to Okay, you're

0:32:56.960 --> 0:33:02.120
<v Speaker 2>a Lebron fan right right now, So let's say who

0:33:02.200 --> 0:33:04.400
<v Speaker 2>had a good seven year one in hoops?

0:33:04.600 --> 0:33:06.080
<v Speaker 3>Uh, Brandon Roy?

0:33:06.160 --> 0:33:08.200
<v Speaker 1>Brandon Roy, So you're gonna put him against Lebron?

0:33:08.360 --> 0:33:11.720
<v Speaker 3>No, right, no, But it's different. It's not if in those.

0:33:11.520 --> 0:33:13.000
<v Speaker 1>Four right now, one of.

0:33:15.040 --> 0:33:17.800
<v Speaker 3>Brandon Roy in four years won four championships and had

0:33:17.840 --> 0:33:20.440
<v Speaker 3>four m vps or something, you'd be like, fuck, man,

0:33:20.760 --> 0:33:22.960
<v Speaker 3>Like think of Bill Walton, Like remember when Bill Wanton

0:33:23.000 --> 0:33:24.800
<v Speaker 3>was on the Blazers. Well, I don't remember neither of

0:33:24.800 --> 0:33:28.640
<v Speaker 3>you because we're I mean, fuck, but Brian's fifty nine.

0:33:28.720 --> 0:33:31.640
<v Speaker 3>He was there, remember, But it's like Bill Walton. They

0:33:31.640 --> 0:33:33.160
<v Speaker 3>always say it was like the best player on the

0:33:33.240 --> 0:33:34.840
<v Speaker 3>in the world, and then he got injured. But when

0:33:34.880 --> 0:33:36.800
<v Speaker 3>he was active for those like two or three years,

0:33:37.280 --> 0:33:38.120
<v Speaker 3>he took the charney to.

0:33:38.120 --> 0:33:39.080
<v Speaker 1>Do that for the white niggas.

0:33:39.080 --> 0:33:40.160
<v Speaker 3>Listen, it don't work like that.

0:33:40.360 --> 0:33:41.160
<v Speaker 1>Okay, this what we got.

0:33:41.160 --> 0:33:44.000
<v Speaker 2>We gotta stop, all right, So t it's TD, it's TD,

0:33:44.880 --> 0:33:45.760
<v Speaker 2>then it's death Row.

0:33:46.880 --> 0:33:47.600
<v Speaker 3>But it's close.

0:33:48.480 --> 0:33:52.400
<v Speaker 2>It's not though, it's it's close in our hearts. We

0:33:52.800 --> 0:33:57.760
<v Speaker 2>impact impact for sure. Because we're young impact, it's more impact. Yeah,

0:33:57.880 --> 0:34:00.400
<v Speaker 2>Ted Throw's got more impact. I think it's the most

0:34:00.400 --> 0:34:04.280
<v Speaker 2>impactful label ever because of But it's fifty percent talent,

0:34:04.360 --> 0:34:05.880
<v Speaker 2>fifty percent dirt.

0:34:06.440 --> 0:34:09.560
<v Speaker 3>Yeah, but fucking the chronic bro, all eyes on me.

0:34:09.880 --> 0:34:11.080
<v Speaker 3>I'm not saying thetyle.

0:34:11.280 --> 0:34:14.240
<v Speaker 1>Listen, those are all amazing records, like I'm talking about.

0:34:14.360 --> 0:34:17.880
<v Speaker 2>We're not saying that food. But they're more known for

0:34:18.000 --> 0:34:19.960
<v Speaker 2>who got shot and who's in jail.

0:34:20.719 --> 0:34:24.759
<v Speaker 3>I don't know if I don't know if that's came on.

0:34:24.960 --> 0:34:26.120
<v Speaker 3>When I think of Death Throw, I.

0:34:26.040 --> 0:34:27.880
<v Speaker 1>Just think, why you got that grin because it's making

0:34:27.920 --> 0:34:30.120
<v Speaker 1>sense to me. To me, I'm trying to thinking. Dog

0:34:30.400 --> 0:34:32.040
<v Speaker 1>Doggy Style is one of my favorite albums ever.

0:34:32.480 --> 0:34:34.520
<v Speaker 2>Okay, let me ask you this. I'm not saying that.

0:34:34.680 --> 0:34:35.840
<v Speaker 2>I'm not going to sit there in debate.

0:34:35.920 --> 0:34:38.839
<v Speaker 1>Did anybody on TDE make a better album than Doggy Style.

0:34:39.280 --> 0:34:41.640
<v Speaker 2>Well, I think dog now you that's a conversation where

0:34:41.640 --> 0:34:42.680
<v Speaker 2>you might have some leeway.

0:34:42.680 --> 0:34:45.239
<v Speaker 3>Do you think Doggystown's Where do you rank it? How

0:34:45.239 --> 0:34:47.399
<v Speaker 3>about this? Where's your favorite West Coast album? Like? What's

0:34:47.480 --> 0:34:49.680
<v Speaker 3>number one for you? Because to me, it's Doggie Style

0:34:49.680 --> 0:34:52.319
<v Speaker 3>and then it's probably good Command City after that or

0:34:52.360 --> 0:34:56.440
<v Speaker 3>two thousand and one. It's so tough with that question

0:34:56.719 --> 0:35:02.120
<v Speaker 3>for me because I'm a safe and sound guy. Shout

0:35:02.120 --> 0:35:04.240
<v Speaker 3>out the safe and sound safe best album.

0:35:04.239 --> 0:35:06.719
<v Speaker 2>We're talking about life from the beginning to the end,

0:35:06.800 --> 0:35:11.400
<v Speaker 2>like I don't tell nothing. Uh, Doggy Style is probably it,

0:35:11.520 --> 0:35:14.080
<v Speaker 2>though I would have to say Doggie Style I would understand.

0:35:14.120 --> 0:35:15.960
<v Speaker 1>But I'm gonna tell you the one we don't talk about.

0:35:16.080 --> 0:35:18.560
<v Speaker 3>That certificate's great, definitely great.

0:35:18.560 --> 0:35:20.480
<v Speaker 2>But that's that's a certain ear you need for that. Yes,

0:35:21.120 --> 0:35:25.200
<v Speaker 2>but are we counting mcavelly in my counting? Okay, okay,

0:35:25.440 --> 0:35:28.839
<v Speaker 2>so we gotta go doctor dry. Two thousand and one

0:35:29.400 --> 0:35:30.560
<v Speaker 2>never is never put two.

0:35:30.400 --> 0:35:33.200
<v Speaker 3>Thousand and one over the first chronic personally, but maybe

0:35:33.239 --> 0:35:34.759
<v Speaker 3>it's just because of my age. But I put two

0:35:34.760 --> 0:35:37.080
<v Speaker 3>thousand and one over the O. G. Kronas. Now that's now,

0:35:37.160 --> 0:35:39.200
<v Speaker 3>that's crazy. Well, you just said it. You just said it.

0:35:39.400 --> 0:35:40.920
<v Speaker 1>No, say, we got to put it in the conversation

0:35:41.120 --> 0:35:41.880
<v Speaker 1>whatever said.

0:35:41.880 --> 0:35:45.040
<v Speaker 3>I put it over the Chronic me. But it's because

0:35:45.080 --> 0:35:47.839
<v Speaker 3>I was, like I bought the two thousand and one.

0:35:48.120 --> 0:35:50.600
<v Speaker 3>I can see that though, Like that mean you know

0:35:50.640 --> 0:35:52.440
<v Speaker 3>what we got to do that one, that play it's

0:35:52.440 --> 0:35:54.440
<v Speaker 3>an age thing. No, listen, and I'm gonna tell you this,

0:35:55.160 --> 0:35:57.719
<v Speaker 3>two thousand and one age better than the Chronic. Listen

0:35:57.760 --> 0:35:59.879
<v Speaker 3>to them back to back and tell me it didn't

0:35:59.880 --> 0:36:04.040
<v Speaker 3>a better definitely age better. We go, let's revisit this,

0:36:04.360 --> 0:36:08.960
<v Speaker 3>We revisit this. I'm revisiting this. It's close, but I

0:36:08.960 --> 0:36:10.200
<v Speaker 3>think I'll give it to two thousand and one. But

0:36:10.239 --> 0:36:11.040
<v Speaker 3>I think Doggy Style is.

0:36:11.040 --> 0:36:12.800
<v Speaker 1>Just what's your favorite rap album?

0:36:12.880 --> 0:36:17.520
<v Speaker 3>Period? Though it's either it's always changing, but I have

0:36:17.600 --> 0:36:22.319
<v Speaker 3>like a three or four rotation of Doggie Style, My Beautiful, Dark,

0:36:22.320 --> 0:36:25.960
<v Speaker 3>Tussed Fantasy, ell Mattic or Get Richard Die Trying also

0:36:26.000 --> 0:36:29.160
<v Speaker 3>outcast Equeminized in there I got too. Those are my five.

0:36:29.320 --> 0:36:33.520
<v Speaker 3>I got Marshall Mathers LP. I mean, yeah, that's not

0:36:33.600 --> 0:36:36.480
<v Speaker 3>my favorite album is eminem Show. That's Marshall Matthers LP

0:36:36.640 --> 0:36:38.719
<v Speaker 3>is Numero uno and then we can go.

0:36:38.640 --> 0:36:43.040
<v Speaker 2>Get rich trying. I'm talking about things that I like,

0:36:43.280 --> 0:36:46.160
<v Speaker 2>have to listen to even now as I'm riding around.

0:36:46.360 --> 0:36:46.719
<v Speaker 3>I love it.

0:36:46.760 --> 0:36:50.640
<v Speaker 2>I mean listen, Yeah, the Black Album has to be

0:36:50.680 --> 0:36:52.160
<v Speaker 2>in that conversation from who were we.

0:36:52.160 --> 0:36:55.120
<v Speaker 3>Just talking to? We're talking to somebody about the Black Album.

0:36:55.280 --> 0:36:58.160
<v Speaker 3>I said, somehow when we talk about Jay's best album,

0:36:58.200 --> 0:37:01.040
<v Speaker 3>my favorite reasonable doubt. But I like, on any given

0:37:01.120 --> 0:37:03.439
<v Speaker 3>day it's highly reasonable doubt the blueprint of the Black Album.

0:37:03.440 --> 0:37:04.920
<v Speaker 3>And I feel like the Black Album will get enough

0:37:04.960 --> 0:37:08.240
<v Speaker 3>love when we're talking about black albums and fucking purpose

0:37:08.360 --> 0:37:11.200
<v Speaker 3>and DJ Quick had a beat on there and justify

0:37:11.239 --> 0:37:13.279
<v Speaker 3>my thug bro it's insanity.

0:37:13.719 --> 0:37:17.600
<v Speaker 1>Yeah, no, yeah, I wonder what people are gonna stand.

0:37:17.640 --> 0:37:20.440
<v Speaker 3>I mean, everybody's gonna have their opinions. Uh so you

0:37:20.520 --> 0:37:25.480
<v Speaker 3>and DJ Quick, Yeah, he's right here, the invisible DJ Quick. Yes,

0:37:26.640 --> 0:37:29.680
<v Speaker 3>Sleep you said, I went to your dinner the other

0:37:29.719 --> 0:37:31.319
<v Speaker 3>day and you had said on the mic that he

0:37:31.400 --> 0:37:33.719
<v Speaker 3>was going to retire. Yeah, and you talked him out

0:37:33.719 --> 0:37:34.360
<v Speaker 3>of retiring.

0:37:35.960 --> 0:37:38.040
<v Speaker 2>I don't know if I talked him out of it.

0:37:38.239 --> 0:37:40.560
<v Speaker 2>What happened was I do this thing called hell Week,

0:37:40.600 --> 0:37:42.799
<v Speaker 2>where I just record whatever ideas I have.

0:37:43.080 --> 0:37:44.560
<v Speaker 3>I got to do at least three to four ideas

0:37:44.560 --> 0:37:45.800
<v Speaker 3>a day before I leave the studio.

0:37:45.920 --> 0:37:48.680
<v Speaker 2>Okay, So he we end up getting the FaceTime. He's like,

0:37:48.680 --> 0:37:50.319
<v Speaker 2>what you're doing on record? He's like, man, I just

0:37:50.320 --> 0:37:52.600
<v Speaker 2>bought a house. When you see it, I'm like, I'll

0:37:52.600 --> 0:37:54.319
<v Speaker 2>pull up, so I'll packed my ship up.

0:37:54.360 --> 0:37:55.080
<v Speaker 1>I'll bring it with me.

0:37:55.440 --> 0:37:57.200
<v Speaker 2>So I go over there and I'm just looking at

0:37:57.200 --> 0:37:58.719
<v Speaker 2>the spot of Man, man, you gotta vibe in here.

0:38:00.000 --> 0:38:00.640
<v Speaker 3>He said, what was you doing?

0:38:00.680 --> 0:38:01.920
<v Speaker 1>You got your ship with you. I'm like, yeah, let

0:38:01.920 --> 0:38:03.439
<v Speaker 1>me set up right here. Let's do a song.

0:38:03.520 --> 0:38:04.680
<v Speaker 3>So I set up in his living room.

0:38:04.680 --> 0:38:07.120
<v Speaker 1>We did a record and he was like, yeah, man,

0:38:07.160 --> 0:38:07.440
<v Speaker 1>that's do.

0:38:07.640 --> 0:38:08.600
<v Speaker 3>He's like, come back tomorrow.

0:38:08.920 --> 0:38:13.319
<v Speaker 1>We did another one. Now he's complaining, Man, why are

0:38:13.320 --> 0:38:14.040
<v Speaker 1>we even doing this ship?

0:38:14.160 --> 0:38:17.359
<v Speaker 3>Music doesn't even make no money. I'm just get this money, man,

0:38:17.400 --> 0:38:18.359
<v Speaker 3>I'm not doing this ship.

0:38:19.080 --> 0:38:22.880
<v Speaker 1>I'm like all right, But he's hearing the songs. He's liked, man,

0:38:22.920 --> 0:38:23.759
<v Speaker 1>let me get on that one.

0:38:24.719 --> 0:38:25.040
<v Speaker 3>Now.

0:38:25.360 --> 0:38:28.359
<v Speaker 1>Every day we had day five. Now I come back.

0:38:28.400 --> 0:38:32.040
<v Speaker 2>Now it's extra equipment sitting next to my equipment. He's like, yeah,

0:38:32.040 --> 0:38:33.840
<v Speaker 2>I thought you might needed a better mic back impressor

0:38:34.960 --> 0:38:37.719
<v Speaker 2>we do color wars. On next day, it's keyboards up.

0:38:38.239 --> 0:38:39.600
<v Speaker 2>He's like, yeah, man, I heard the one thing I

0:38:39.640 --> 0:38:42.640
<v Speaker 2>might want to put that on there. Next day, now

0:38:42.680 --> 0:38:45.640
<v Speaker 2>it's trumpets, drums, ship. Now his whole living room has

0:38:45.640 --> 0:38:49.640
<v Speaker 2>now become this massive studio that he's just been piecing together.

0:38:51.239 --> 0:38:56.279
<v Speaker 2>And then we looked up you know, I called Jay Worthy.

0:38:56.520 --> 0:38:59.680
<v Speaker 1>He an artist, and he came in and he asked

0:38:59.800 --> 0:39:02.120
<v Speaker 1>he actually asked for an opportunity to an r.

0:39:02.239 --> 0:39:03.320
<v Speaker 2>He said, I've been doing this for a lot of

0:39:03.400 --> 0:39:05.440
<v Speaker 2>artists and nobody really gave me the credit for it.

0:39:05.880 --> 0:39:07.560
<v Speaker 2>And I'm like, well, shit, what is it that you do?

0:39:07.640 --> 0:39:09.800
<v Speaker 2>I know you just from rapping you, my homie. It's like,

0:39:09.800 --> 0:39:10.480
<v Speaker 2>I'm gonna show you.

0:39:10.640 --> 0:39:12.479
<v Speaker 3>And he's got his fingerprints on a lot of shit people.

0:39:12.719 --> 0:39:13.480
<v Speaker 1>He turned it up.

0:39:13.520 --> 0:39:13.600
<v Speaker 2>Man.

0:39:13.640 --> 0:39:15.440
<v Speaker 1>We was getting verses out of nowhere, just coming in

0:39:15.480 --> 0:39:17.080
<v Speaker 1>out of nowhere, just coming out of nowhere.

0:39:17.080 --> 0:39:18.640
<v Speaker 2>People that was just excited to be a part of

0:39:18.640 --> 0:39:21.640
<v Speaker 2>the project. So as that's happening, Quit is getting more excited.

0:39:21.760 --> 0:39:23.960
<v Speaker 2>Now I'm coming back and he's he has verses on

0:39:24.000 --> 0:39:26.040
<v Speaker 2>records that didn't have verses on it. He's waking up

0:39:26.040 --> 0:39:28.640
<v Speaker 2>at his sleeves like, yeah, man, check that out. We

0:39:28.680 --> 0:39:32.839
<v Speaker 2>look up, we recorded forty two songs. Jesus I said,

0:39:32.880 --> 0:39:35.520
<v Speaker 2>all right, uh, we got a couple of albums here.

0:39:35.800 --> 0:39:37.360
<v Speaker 1>So he was like, what you're gonna do?

0:39:37.400 --> 0:39:40.120
<v Speaker 2>I said, let me go figure something out. Took the

0:39:40.120 --> 0:39:42.200
<v Speaker 2>best seventeen that I liked for this first.

0:39:41.920 --> 0:39:45.120
<v Speaker 3>Play, So you guys gotta do more than one. Well

0:39:45.160 --> 0:39:48.879
<v Speaker 3>I didn't say that yet. Well let's stay here right now.

0:39:49.200 --> 0:39:50.959
<v Speaker 3>But Trooper cover two on the way, it.

0:39:50.880 --> 0:39:53.080
<v Speaker 1>Went from all day, we gotta get one out first,

0:39:53.280 --> 0:39:55.480
<v Speaker 1>but June fourteen.

0:39:55.280 --> 0:40:00.000
<v Speaker 2>It went from that to man, I got a record deal. Bro, shit,

0:40:00.000 --> 0:40:01.920
<v Speaker 2>we got brand collapsed. Oh we're doing this shit with

0:40:02.000 --> 0:40:02.520
<v Speaker 2>Kevin Hart.

0:40:02.719 --> 0:40:03.560
<v Speaker 3>Oh we gotta go do.

0:40:03.880 --> 0:40:06.800
<v Speaker 1>Somebody else album. And yeah, he couldn't retire.

0:40:07.120 --> 0:40:10.040
<v Speaker 3>It's crazy because, like I don't think you know, I

0:40:10.080 --> 0:40:12.400
<v Speaker 3>lived in Florida for about two and a half years,

0:40:12.600 --> 0:40:15.680
<v Speaker 3>and while I was living in Florida, I would like

0:40:15.760 --> 0:40:18.840
<v Speaker 3>listen to some DJ Quick like like shit, like like

0:40:18.880 --> 0:40:21.279
<v Speaker 3>some real classic West Coast certain shit and like some

0:40:21.320 --> 0:40:23.480
<v Speaker 3>of my homies about what the fuck is this? I'm like,

0:40:23.520 --> 0:40:26.840
<v Speaker 3>you don't know this. I think it's It has to

0:40:26.920 --> 0:40:32.320
<v Speaker 3>be said that DJ Quick might be the greatest producer,

0:40:32.360 --> 0:40:35.680
<v Speaker 3>slash rapper of all time. I'm with that. And in

0:40:35.719 --> 0:40:39.000
<v Speaker 3>that conversation, obviously is Kanye West in that conversation obviously

0:40:39.080 --> 0:40:42.600
<v Speaker 3>is you know shit doctor Dre you know obviously, uh,

0:40:43.120 --> 0:40:46.640
<v Speaker 3>but Quick is in the conversation if not like if

0:40:46.640 --> 0:40:49.960
<v Speaker 3>we're like you said, like Quick is like if we

0:40:50.040 --> 0:40:52.680
<v Speaker 3>go back and like, bro, this full like came out.

0:40:52.719 --> 0:40:56.200
<v Speaker 3>He has one of the craziest, most scathing disc records ever.

0:40:57.480 --> 0:40:59.400
<v Speaker 3>He checks all the boxes. He checks all the boxes

0:40:59.520 --> 0:41:03.320
<v Speaker 3>as an end see, he's got classics and as a producer,

0:41:03.560 --> 0:41:08.319
<v Speaker 3>genre hopping and genre hopping of genres, and he might

0:41:08.360 --> 0:41:12.000
<v Speaker 3>be the most underrated artist ever in hip hop. It's

0:41:12.040 --> 0:41:14.160
<v Speaker 3>like him. It's black thought. It's like there's a few guys,

0:41:14.160 --> 0:41:16.400
<v Speaker 3>but like Quick is like nationally like bro, when I

0:41:16.440 --> 0:41:18.200
<v Speaker 3>was in Florida and I was listening to like fucking

0:41:18.680 --> 0:41:21.080
<v Speaker 3>Safe and Sound, and my boys like had no idea

0:41:21.120 --> 0:41:25.360
<v Speaker 3>what the funk it was, I was like, really, So,

0:41:25.480 --> 0:41:27.560
<v Speaker 3>I think there's still like a huge part of the

0:41:27.560 --> 0:41:32.000
<v Speaker 3>country that like doesn't appreciate DJ Quick the way we like,

0:41:32.080 --> 0:41:34.160
<v Speaker 3>I feel like we all should. He's done the band

0:41:34.239 --> 0:41:35.080
<v Speaker 3>ship you think.

0:41:35.320 --> 0:41:37.080
<v Speaker 1>I really think it's like I knew that.

0:41:37.080 --> 0:41:39.040
<v Speaker 3>Was right there.

0:41:39.120 --> 0:41:42.040
<v Speaker 2>Yeah, I think it's on us to change that narrative.

0:41:42.080 --> 0:41:44.280
<v Speaker 2>Maybe we just stop using words like underrated and stop

0:41:44.360 --> 0:41:46.839
<v Speaker 2>using those type of words and just like really switch it,

0:41:46.920 --> 0:41:48.680
<v Speaker 2>because I think it's all in what we're saying.

0:41:49.480 --> 0:41:50.040
<v Speaker 1>Because if you.

0:41:50.120 --> 0:41:53.719
<v Speaker 2>Ask the who's who's like, they know they are. He

0:41:53.719 --> 0:41:54.839
<v Speaker 2>He's a true vicabra man.

0:41:55.760 --> 0:41:57.200
<v Speaker 1>He's he is.

0:41:57.320 --> 0:42:00.120
<v Speaker 2>He's the guy you call to get everything together there

0:42:00.200 --> 0:42:02.239
<v Speaker 2>still to this day. And when I say, like the

0:42:02.320 --> 0:42:06.720
<v Speaker 2>highest highest end musicians respect his ear, it's a whole

0:42:06.719 --> 0:42:08.000
<v Speaker 2>different class of things.

0:42:09.120 --> 0:42:12.000
<v Speaker 1>I'm that was a big deal for me with this project.

0:42:12.040 --> 0:42:13.880
<v Speaker 2>I was actually that I was able to produce this

0:42:13.960 --> 0:42:18.880
<v Speaker 2>project and was to like really try to highlight his

0:42:19.000 --> 0:42:21.920
<v Speaker 2>strong points in what y'all really need to see on

0:42:21.960 --> 0:42:23.799
<v Speaker 2>what he is and what he's going to continue to be,

0:42:23.800 --> 0:42:25.719
<v Speaker 2>at least for me. I mean, I'm not rapping if

0:42:25.760 --> 0:42:28.640
<v Speaker 2>it's not for quick and snoop, you know what I'm saying.

0:42:28.640 --> 0:42:29.840
<v Speaker 3>But quick, especially with me.

0:42:29.880 --> 0:42:33.800
<v Speaker 2>Being from Compton Us having like the similar style of going.

0:42:33.680 --> 0:42:35.840
<v Speaker 1>To party way with some street edge.

0:42:37.280 --> 0:42:42.719
<v Speaker 2>Genre hopping, the underrated world word all of that, I

0:42:42.760 --> 0:42:45.160
<v Speaker 2>look at I look at him and say, you know what,

0:42:45.280 --> 0:42:48.319
<v Speaker 2>fuck it, let's just ban up together and just take

0:42:48.360 --> 0:42:49.480
<v Speaker 2>on everybody.

0:42:49.000 --> 0:42:50.080
<v Speaker 1>Man and just see what happens.

0:42:50.280 --> 0:42:54.319
<v Speaker 3>And tons of dope features on the album. Thundercat's got

0:42:54.320 --> 0:42:56.680
<v Speaker 3>some production on here, right, Yeah, you got two on there.

0:42:56.840 --> 0:42:58.440
<v Speaker 3>I went up and shook his hand with all his

0:42:58.560 --> 0:43:01.880
<v Speaker 3>rings at your dinner another guy. I was like, hey, man,

0:43:02.040 --> 0:43:03.719
<v Speaker 3>you're a fucking legend. I shoulna say hello.

0:43:04.239 --> 0:43:07.120
<v Speaker 2>Yeah, we went and grabbed all genres of Compton. Thundercat

0:43:07.239 --> 0:43:10.440
<v Speaker 2>channel trails both Compton guys that I think the.

0:43:10.360 --> 0:43:12.200
<v Speaker 1>City needs to really embrace as well.

0:43:13.000 --> 0:43:15.200
<v Speaker 3>Eamn, he's fucking I mean jesus.

0:43:15.040 --> 0:43:17.200
<v Speaker 2>Yeah, just understand, like you know what I'm saying, Like

0:43:17.239 --> 0:43:20.759
<v Speaker 2>the Steve Lacey's, it's a lot coming out of the

0:43:20.760 --> 0:43:23.520
<v Speaker 2>city that doesn't get highlighted just because it didn't choose

0:43:23.520 --> 0:43:24.799
<v Speaker 2>to like pick a rag.

0:43:25.520 --> 0:43:30.799
<v Speaker 3>Yeah, I think, like you know that that's kind of there,

0:43:31.280 --> 0:43:34.480
<v Speaker 3>especially in the last decade. I feel like, like you said,

0:43:34.560 --> 0:43:37.920
<v Speaker 3>like Tyler's Tyler, but people don't give him the La

0:43:38.040 --> 0:43:42.799
<v Speaker 3>credit you got to because because he's not people like

0:43:42.960 --> 0:43:45.680
<v Speaker 3>nationally associate La with the gang bang and shit. Right,

0:43:45.760 --> 0:43:48.320
<v Speaker 3>So it's like and even like Kendrick, who isn't necessarily

0:43:48.520 --> 0:43:50.839
<v Speaker 3>involved in that life, Like what narrated that like what

0:43:50.880 --> 0:43:53.840
<v Speaker 3>it was like his first album that obviously not his

0:43:53.880 --> 0:43:56.560
<v Speaker 3>first album, but his first album nationally was Good Kid,

0:43:56.560 --> 0:43:59.440
<v Speaker 3>Mad City, And it was very much like a perspective

0:43:59.440 --> 0:44:02.000
<v Speaker 3>of a kid who grew up witnessing all of this

0:44:02.080 --> 0:44:05.640
<v Speaker 3>ship as to where like Tyler like and Earl and those,

0:44:05.760 --> 0:44:06.920
<v Speaker 3>I think they.

0:44:06.800 --> 0:44:10.640
<v Speaker 2>Took their evisually always let you know that what he's

0:44:10.640 --> 0:44:11.399
<v Speaker 2>been surrounded by.

0:44:11.520 --> 0:44:14.239
<v Speaker 3>Yeah, and like he came up with j Rock and TD.

0:44:14.160 --> 0:44:15.960
<v Speaker 2>And you know, you know he's really from over there though.

0:44:16.440 --> 0:44:18.880
<v Speaker 2>We we're from the we're from the exact same area

0:44:18.960 --> 0:44:21.880
<v Speaker 2>with Compton. And I used to see him at the

0:44:21.920 --> 0:44:24.640
<v Speaker 2>corner doing this thing across the street doing this thing

0:44:24.760 --> 0:44:27.799
<v Speaker 2>like we're like that, we're like blocks away from each other.

0:44:28.160 --> 0:44:30.760
<v Speaker 2>So that's a very authentic story. He's really from over there,

0:44:31.520 --> 0:44:33.680
<v Speaker 2>So it's different. It's different than like where like a

0:44:33.719 --> 0:44:36.239
<v Speaker 2>Buddy where he doesn't they don't want to try to

0:44:36.239 --> 0:44:39.480
<v Speaker 2>say he's from Compton either, just because he didn't.

0:44:39.280 --> 0:44:40.919
<v Speaker 3>Pick a rag. I think we just got a shot

0:44:40.960 --> 0:44:42.000
<v Speaker 3>to buddy. Buddy's incredible.

0:44:42.160 --> 0:44:43.920
<v Speaker 2>Yeah, it's a lot of incredible art coming out of

0:44:43.920 --> 0:44:45.560
<v Speaker 2>the city. And I thought it was like very important,

0:44:45.560 --> 0:44:48.080
<v Speaker 2>like for me Channel Treads was a personal thing for

0:44:48.160 --> 0:44:51.799
<v Speaker 2>me to get with Quick because once you meet Channel

0:44:52.080 --> 0:44:54.360
<v Speaker 2>and you know Quick, you know they're gonna hit it

0:44:54.400 --> 0:44:59.600
<v Speaker 2>off because they're the same guy, Production, raps, DJ, eccentric

0:45:00.520 --> 0:45:02.799
<v Speaker 2>their own way, They don't care what nobody else is doing.

0:45:02.880 --> 0:45:05.160
<v Speaker 2>They go up their own speed, and just putting those

0:45:05.239 --> 0:45:07.600
<v Speaker 2>energy together is important. A lot of energy clashes was

0:45:07.600 --> 0:45:08.640
<v Speaker 2>going down on this project.

0:45:08.680 --> 0:45:11.560
<v Speaker 3>Who is on the What because you mentioned obviously Jay

0:45:11.600 --> 0:45:13.680
<v Speaker 3>Worthy helping with some of the A R. What features

0:45:13.719 --> 0:45:14.200
<v Speaker 3>on the album.

0:45:14.840 --> 0:45:19.080
<v Speaker 2>We got Game, we got sugar Free, we got Currency,

0:45:19.120 --> 0:45:25.600
<v Speaker 2>we got bun Bee, Little John, Meet the Whoops, Dom Kennedy, Thundercat,

0:45:25.719 --> 0:45:32.400
<v Speaker 2>Channel Traits, George Clinton, Jesus, The Free Nation News, Deep Blake,

0:45:32.480 --> 0:45:39.640
<v Speaker 2>which is Quick, son Ce Low, Gwyn bun shiroh Kate Trinada,

0:45:41.400 --> 0:45:47.960
<v Speaker 2>Barney Bones Apps so wow, uh huh and Larry Jones,

0:45:47.960 --> 0:45:51.279
<v Speaker 2>Oh that's dropping tonight, Larry Yeah, Larry Jones and h

0:45:51.600 --> 0:45:52.320
<v Speaker 2>and Quick.

0:45:52.120 --> 0:45:55.400
<v Speaker 3>And uh jay Worthy we're dropping garbs in Youngs tonight.

0:45:55.880 --> 0:45:57.800
<v Speaker 3>That's gonna be crazy. Yeah.

0:45:57.920 --> 0:45:59.000
<v Speaker 1>Rodan yo as well too.

0:45:59.239 --> 0:46:04.800
<v Speaker 2>I don't think I'm and oh, DJ Drama well seventeen tracks, yeah,

0:46:05.760 --> 0:46:09.640
<v Speaker 2>Trooper Cobra, Yeah, for sure. Oh, I think I think

0:46:09.640 --> 0:46:11.360
<v Speaker 2>we're gonna be an album of the year conversation.

0:46:12.280 --> 0:46:13.000
<v Speaker 1>I want to at.

0:46:13.000 --> 0:46:15.960
<v Speaker 3>Least so if you did forty two songs, what happens

0:46:16.000 --> 0:46:20.319
<v Speaker 3>to the other the other ones? That's a lot of

0:46:20.320 --> 0:46:22.600
<v Speaker 3>songs to just leave on a hard drive.

0:46:24.320 --> 0:46:26.880
<v Speaker 1>I mean, it's all real estates to me at this point.

0:46:27.239 --> 0:46:30.160
<v Speaker 1>So who wants to who?

0:46:30.400 --> 0:46:33.719
<v Speaker 2>Who wants to invest in the next building we're about

0:46:33.760 --> 0:46:34.400
<v Speaker 2>to start selling.

0:46:34.480 --> 0:46:37.200
<v Speaker 3>I mean, it's all it's all up for discussion right now.

0:46:37.239 --> 0:46:41.040
<v Speaker 2>I'll say this, man, between fifty million mass scientists and Empire,

0:46:42.000 --> 0:46:45.080
<v Speaker 2>this first one is coming out really really dope.

0:46:45.080 --> 0:46:47.520
<v Speaker 3>Are you guys? I know you had talked about doing

0:46:47.560 --> 0:46:49.399
<v Speaker 3>some touring stuff. What's talk about the tour stuff? That's

0:46:49.400 --> 0:46:50.760
<v Speaker 3>that's coming up live shows?

0:46:51.680 --> 0:46:54.400
<v Speaker 2>Quick is about to go to Canada with Snoop and

0:46:54.440 --> 0:46:58.160
<v Speaker 2>Warren g I'm probably gonna sneak through and be on

0:46:58.440 --> 0:46:58.960
<v Speaker 2>of those days.

0:46:59.040 --> 0:47:01.919
<v Speaker 3>Yes, chat to Warren g Man. Barbecue fucking o g Man.

0:47:02.000 --> 0:47:04.440
<v Speaker 3>He's killing it with the barbecue, going crazy. I'm just

0:47:04.480 --> 0:47:06.680
<v Speaker 3>I can't wait to get into that energy. Uh, and

0:47:06.719 --> 0:47:09.600
<v Speaker 3>then me and Quick are probably gonna go you guys

0:47:09.600 --> 0:47:10.400
<v Speaker 3>gotta do a run man.

0:47:10.440 --> 0:47:12.239
<v Speaker 2>Probably we probably not do a run because that's like

0:47:12.360 --> 0:47:14.520
<v Speaker 2>hard torn weever do like some dope spot days.

0:47:14.640 --> 0:47:16.920
<v Speaker 3>So I mean like fucking five to six. Yeah, but

0:47:17.080 --> 0:47:20.279
<v Speaker 3>like not like bang Bank, Like nah, we're gonna do

0:47:20.400 --> 0:47:23.360
<v Speaker 3>the Novo. We're gonna We're gonna fly Ladium or something.

0:47:23.880 --> 0:47:25.480
<v Speaker 1>We're gonna, We're gonna do it. We may take a

0:47:25.480 --> 0:47:26.960
<v Speaker 1>couple of the troop of covers with us Thoff.

0:47:26.960 --> 0:47:29.160
<v Speaker 3>You gotta do the Bay, Definitely, gotta do the BA.

0:47:29.560 --> 0:47:33.480
<v Speaker 3>Gotta do New York, got to New York, Maybe Atlanta,

0:47:33.840 --> 0:47:36.200
<v Speaker 3>Gotta do Atlanta. I want to do Chicago, maybe Phoenix.

0:47:36.280 --> 0:47:38.880
<v Speaker 1>I hear he has a huge step step. What's the

0:47:39.000 --> 0:47:40.720
<v Speaker 1>Chicago song, y'all said, y'all step two.

0:47:40.560 --> 0:47:41.839
<v Speaker 3>Out there stepping the name.

0:47:43.520 --> 0:47:48.080
<v Speaker 2>They got burn burn B. I don't know the name

0:47:48.120 --> 0:47:50.120
<v Speaker 2>of that joint, but I hear it's like going crazy

0:47:50.160 --> 0:47:50.680
<v Speaker 2>in Chicago.

0:47:50.800 --> 0:47:56.200
<v Speaker 3>Are you able to separate the art from the artist.

0:47:55.520 --> 0:47:56.320
<v Speaker 1>With other people?

0:47:56.440 --> 0:48:00.000
<v Speaker 2>Yeah, yeah, I have to because if I couldn't listen

0:48:00.080 --> 0:48:02.680
<v Speaker 2>nobody music for sure, because I know too much about

0:48:02.680 --> 0:48:05.439
<v Speaker 2>these widow I just like it's like I wouldn't hear shit.

0:48:05.680 --> 0:48:07.479
<v Speaker 1>I literally would not be able to turn on music.

0:48:07.560 --> 0:48:09.919
<v Speaker 3>I just can't envision my life without listening to Robert

0:48:10.000 --> 0:48:13.200
<v Speaker 3>Kelly once a week at least. Hey, man, I mean,

0:48:13.560 --> 0:48:15.279
<v Speaker 3>greatest hard and be singing of all time. Now if

0:48:15.320 --> 0:48:18.480
<v Speaker 3>you absolute Stephen Pollo, dog shit, terrible human being deserves.

0:48:18.200 --> 0:48:19.759
<v Speaker 1>To be as do you still watch two and a

0:48:19.800 --> 0:48:20.239
<v Speaker 1>half Man?

0:48:21.320 --> 0:48:23.239
<v Speaker 3>Yeah? No, I never watched you it a half Man

0:48:23.239 --> 0:48:24.160
<v Speaker 3>And it's still on TV.

0:48:24.360 --> 0:48:26.719
<v Speaker 2>And a terrible guy was running around with HIV having

0:48:26.719 --> 0:48:27.279
<v Speaker 2>sex with women.

0:48:27.360 --> 0:48:30.200
<v Speaker 3>Nobody says anything, and then Kramer from Seinfeld dropped the

0:48:30.239 --> 0:48:30.960
<v Speaker 3>end bomb on stage.

0:48:31.000 --> 0:48:33.359
<v Speaker 2>Seinfeld's on TV, tripping off that I'm more so you

0:48:33.400 --> 0:48:36.160
<v Speaker 2>are sticking your dirty dick and people are not telling

0:48:36.160 --> 0:48:38.399
<v Speaker 2>them that you have HIV and his show is still

0:48:38.400 --> 0:48:41.640
<v Speaker 2>on television. I'm not here to say mister Kelly should

0:48:41.680 --> 0:48:43.160
<v Speaker 2>be exonerated.

0:48:42.520 --> 0:48:43.920
<v Speaker 3>From what you know, he shouldn't be. But we can,

0:48:43.960 --> 0:48:44.799
<v Speaker 3>I mean, you can enjoy the.

0:48:44.880 --> 0:48:48.799
<v Speaker 2>Art if we start stripping away the art from these

0:48:48.800 --> 0:48:50.799
<v Speaker 2>guys and everyone have much more music than.

0:48:50.800 --> 0:48:53.480
<v Speaker 3>Listen should to listen to, for sure, for sure. And

0:48:53.480 --> 0:48:55.520
<v Speaker 3>that's not just like hippies rock. That's like if you

0:48:55.520 --> 0:48:57.880
<v Speaker 3>go through everything, it's like, fuck motherfucker movies.

0:48:58.200 --> 0:49:02.080
<v Speaker 2>We can go film, TV, show, basketball, football, we can

0:49:02.120 --> 0:49:02.960
<v Speaker 2>go every look.

0:49:03.600 --> 0:49:05.960
<v Speaker 3>Yeah, It's not like Patriots fans want to give back

0:49:06.000 --> 0:49:08.399
<v Speaker 3>the fucking ring that Aaron Hernandez helped them win. They've

0:49:08.440 --> 0:49:09.520
<v Speaker 3>never they've never said that.

0:49:09.680 --> 0:49:13.320
<v Speaker 1>Yeah, no they should though, how about that? The fuck?

0:49:14.160 --> 0:49:14.359
<v Speaker 3>Yeah?

0:49:14.400 --> 0:49:14.960
<v Speaker 1>How about that?

0:49:15.480 --> 0:49:18.720
<v Speaker 3>Yo, you're you're tighted with Damarrow. Obviously he's on the Bulls.

0:49:18.719 --> 0:49:21.040
<v Speaker 3>Well he's a free agent now. But yeah, obviously you're

0:49:21.040 --> 0:49:24.359
<v Speaker 3>a Laker fan. Yeah, if you're not rooting for the Lakers,

0:49:24.360 --> 0:49:25.959
<v Speaker 3>you're rooting for whatever team he's on. Yep.

0:49:26.320 --> 0:49:27.680
<v Speaker 1>Yeah, I'm that type of guy.

0:49:28.280 --> 0:49:30.200
<v Speaker 3>And if they're playing against my team, I'm.

0:49:30.120 --> 0:49:30.879
<v Speaker 1>Rooting for my friend.

0:49:31.560 --> 0:49:34.319
<v Speaker 2>I respect that I have to because like, nobody on

0:49:34.360 --> 0:49:37.160
<v Speaker 2>the Lakers is my friend. M Like, let's be for

0:49:37.239 --> 0:49:39.040
<v Speaker 2>real here, like at the end of the day, like

0:49:39.280 --> 0:49:40.800
<v Speaker 2>it's it's it's that's my friend.

0:49:40.880 --> 0:49:44.279
<v Speaker 3>Like I really considered him as a family member. You know.

0:49:44.480 --> 0:49:49.440
<v Speaker 3>Have you ever tried to, uh like convince him to

0:49:49.560 --> 0:49:52.840
<v Speaker 3>join the Lakers. Well, I did.

0:49:52.680 --> 0:49:54.200
<v Speaker 1>Convince him to join the Lakers.

0:49:54.880 --> 0:49:57.160
<v Speaker 2>He was just about to sign the deal and we're

0:49:57.200 --> 0:49:59.319
<v Speaker 2>having to be sitting in his house and ESPN.

0:49:59.040 --> 0:50:04.200
<v Speaker 1>Flashes by the Lakers trade for Russell Westbrook. We was

0:50:04.239 --> 0:50:07.919
<v Speaker 1>like looking like, what the fuck just happened. He called

0:50:07.960 --> 0:50:08.400
<v Speaker 1>me pull over.

0:50:08.440 --> 0:50:10.600
<v Speaker 2>He's like, I'm coming home because I was on him

0:50:10.640 --> 0:50:12.200
<v Speaker 2>for like three You're like, bro, what the fuck?

0:50:12.400 --> 0:50:12.959
<v Speaker 3>Just come home?

0:50:13.160 --> 0:50:14.080
<v Speaker 1>We run this shit up.

0:50:14.560 --> 0:50:16.440
<v Speaker 2>He had structured the deal, he was getting ready to

0:50:16.440 --> 0:50:20.400
<v Speaker 2>sign it, and we was literally like this, like he

0:50:20.440 --> 0:50:22.480
<v Speaker 2>got the phone, his agent. We have to find he

0:50:22.520 --> 0:50:25.560
<v Speaker 2>had to find another team in the Bulls call. What

0:50:25.600 --> 0:50:27.480
<v Speaker 2>the he was gonna be a Laker that summer? Well,

0:50:27.480 --> 0:50:31.680
<v Speaker 2>he already did, the deal was done. What so so Pelinkas,

0:50:32.200 --> 0:50:33.759
<v Speaker 2>I don't know who's a bitch and who's what and

0:50:33.760 --> 0:50:36.000
<v Speaker 2>who's that. I'm just telling you the story that I

0:50:36.160 --> 0:50:37.040
<v Speaker 2>know that I was sitting there.

0:50:37.080 --> 0:50:38.359
<v Speaker 1>So we're here now.

0:50:38.400 --> 0:50:39.040
<v Speaker 3>Though we're back.

0:50:39.080 --> 0:50:41.360
<v Speaker 1>It's another free agent and shout out to Russ.

0:50:41.400 --> 0:50:42.080
<v Speaker 3>Great guy.

0:50:43.560 --> 0:50:45.799
<v Speaker 1>And they're cool. But we're just telling you this was

0:50:45.880 --> 0:50:46.480
<v Speaker 1>how it went.

0:50:46.960 --> 0:50:49.680
<v Speaker 2>So I had convinced him finally, So now we're here.

0:50:49.680 --> 0:50:51.600
<v Speaker 2>Though it's older in his career.

0:50:51.920 --> 0:50:54.279
<v Speaker 3>Paul George's about to leave the Clippers. I don't know

0:50:54.320 --> 0:50:56.160
<v Speaker 3>if he'll play for the Clippers. Came him in that

0:50:56.239 --> 0:50:58.359
<v Speaker 3>into It Center, you know whatever.

0:50:58.520 --> 0:50:59.840
<v Speaker 1>I don't know if he'll play with the Clippers.

0:51:00.920 --> 0:51:05.200
<v Speaker 2>Are the Lakers of possibility, right, now from what I hear, Yes,

0:51:05.760 --> 0:51:06.799
<v Speaker 2>what do I want him to.

0:51:06.800 --> 0:51:10.480
<v Speaker 3>Go the Suns on a Vetri minimum? No?

0:51:12.440 --> 0:51:16.480
<v Speaker 1>I want him to either go to San Antonio or Denver.

0:51:16.560 --> 0:51:18.160
<v Speaker 3>Well, I mean, he already played in San Antonio. He

0:51:18.160 --> 0:51:19.799
<v Speaker 3>already played for Pop and he had a great I.

0:51:19.719 --> 0:51:21.920
<v Speaker 1>Want him to go either San Antonio or Denver.

0:51:22.280 --> 0:51:24.960
<v Speaker 2>I don't want him to go play with a big

0:51:25.040 --> 0:51:26.840
<v Speaker 2>man and a guard.

0:51:27.160 --> 0:51:29.160
<v Speaker 3>Well. He thrived under Pop.

0:51:29.200 --> 0:51:32.839
<v Speaker 2>And he thrived under Pop. He may be bored as fuck, right,

0:51:33.200 --> 0:51:36.080
<v Speaker 2>but it's true. We're just talking about hoops and hoops.

0:51:36.239 --> 0:51:37.879
<v Speaker 2>That's where I want him to go. Do I want

0:51:37.960 --> 0:51:40.759
<v Speaker 2>him on the Lakers for my own like fandom?

0:51:40.880 --> 0:51:41.240
<v Speaker 3>Yeah?

0:51:41.320 --> 0:51:43.680
<v Speaker 1>Do I want him to have to deal with the bullshit.

0:51:43.360 --> 0:51:44.520
<v Speaker 3>Of that team? It's a lot.

0:51:45.239 --> 0:51:47.919
<v Speaker 2>Fuck no, because he gonna fire on somebody, He gonna

0:51:47.960 --> 0:51:48.640
<v Speaker 2>sock somebody up.

0:51:48.760 --> 0:51:50.680
<v Speaker 1>This it's not gonna be all this peachy shit.

0:51:50.760 --> 0:51:52.360
<v Speaker 3>You ain't just just tell me to go play for

0:51:52.360 --> 0:51:52.920
<v Speaker 3>the Clippers.

0:51:53.360 --> 0:51:55.120
<v Speaker 1>Oh, I don't have any control. Tell him it's kind

0:51:55.120 --> 0:51:57.640
<v Speaker 1>of crazy. I can just kind of I can influence.

0:51:57.680 --> 0:51:59.919
<v Speaker 3>I can say, hey, man, hey, hey, the Clippers need

0:52:00.760 --> 0:52:03.399
<v Speaker 3>the Clippers. You know what's crazy is when I first

0:52:03.440 --> 0:52:05.440
<v Speaker 3>moved to La because I moved out here. We listened.

0:52:05.480 --> 0:52:07.560
<v Speaker 3>I moved here in twenty seventeen, and I moved here

0:52:07.560 --> 0:52:10.160
<v Speaker 3>as someone who hated the Lakers. My whole life, I've

0:52:10.160 --> 0:52:12.280
<v Speaker 3>hated the Lakers. I'm a Sun's fan, but also Lebron's

0:52:12.320 --> 0:52:15.680
<v Speaker 3>my favorite player. So when Lebron went to the Lakers,

0:52:17.440 --> 0:52:19.640
<v Speaker 3>you have to come on. I had to because the

0:52:19.640 --> 0:52:22.799
<v Speaker 3>Sons were terrible. So I was like, you know what,

0:52:22.840 --> 0:52:24.640
<v Speaker 3>I'm rooting for the like this. When the Lakers won

0:52:24.640 --> 0:52:27.200
<v Speaker 3>the Bubble Chip, I was very excited for them. You know,

0:52:27.239 --> 0:52:29.840
<v Speaker 3>the Sun's trying to come up, right, I'm like, cool,

0:52:30.160 --> 0:52:35.520
<v Speaker 3>Lebron got his chip. But I somehow I've inherited hating

0:52:35.560 --> 0:52:40.480
<v Speaker 3>the Clippers so much, and it was because Kawhi's bitch azz.

0:52:41.520 --> 0:52:44.680
<v Speaker 3>Shout out to Kawhi. He led the Lakers on. He

0:52:44.760 --> 0:52:46.600
<v Speaker 3>led my man Lebron on all the way to the

0:52:46.640 --> 0:52:49.120
<v Speaker 3>fucking end of that offseason, and then all the free

0:52:49.120 --> 0:52:52.960
<v Speaker 3>agents were gone, and then he picked the Clippers. I said, man,

0:52:53.040 --> 0:52:55.520
<v Speaker 3>fuck the Clippers. Yeah, that's what happened. I shout out

0:52:55.520 --> 0:52:56.680
<v Speaker 3>to Kawai Kwi is incredible.

0:52:56.760 --> 0:52:59.440
<v Speaker 2>Listen, the Clippers are gonna clip hopefully one day something

0:52:59.440 --> 0:53:01.239
<v Speaker 2>great happens for them, but it's not gonna be. While

0:53:01.239 --> 0:53:03.960
<v Speaker 2>I'm sitting here, I say san Antonio, Denver not. I

0:53:04.000 --> 0:53:06.560
<v Speaker 2>don't even thinking. I like the Warriors for sure too.

0:53:06.880 --> 0:53:10.520
<v Speaker 2>I want out of there exactly. Yeah, jhim and Draymond

0:53:10.520 --> 0:53:13.440
<v Speaker 2>are super close. I want him to be closer to

0:53:13.480 --> 0:53:13.920
<v Speaker 2>the house.

0:53:14.440 --> 0:53:14.880
<v Speaker 3>Phoenix.

0:53:17.360 --> 0:53:20.040
<v Speaker 2>Only reason I don't say Phoenix. We just got to

0:53:20.040 --> 0:53:21.879
<v Speaker 2>get Bradley Beal the fuck up out of there. No,

0:53:21.920 --> 0:53:24.200
<v Speaker 2>Bradley's a good guy. Yeah, he's a great guy, married guy.

0:53:24.400 --> 0:53:27.960
<v Speaker 2>Very I'm talking about like temperament, Like the temperament of

0:53:28.000 --> 0:53:28.840
<v Speaker 2>players you guys have.

0:53:29.040 --> 0:53:30.200
<v Speaker 1>There's nobody that's gonna be.

0:53:30.160 --> 0:53:33.160
<v Speaker 2>Able to take the edge that he talks to behind

0:53:33.200 --> 0:53:34.759
<v Speaker 2>this behind the camera.

0:53:35.080 --> 0:53:36.600
<v Speaker 3>He's trying to say Katie's little sensitive.

0:53:36.640 --> 0:53:38.279
<v Speaker 1>I didn't say he was sensitive. I'm just telling you.

0:53:39.040 --> 0:53:41.239
<v Speaker 1>I'm telling you there's a dog in the maar.

0:53:42.320 --> 0:53:44.319
<v Speaker 3>We be the Middi each other night, we be the

0:53:44.320 --> 0:53:45.279
<v Speaker 3>mid Rangers.

0:53:45.400 --> 0:53:47.640
<v Speaker 2>Right, it's a dog in there at all. Like he's

0:53:47.640 --> 0:53:51.719
<v Speaker 2>not gonna publicly do anything. There's teammates anything, but he

0:53:51.800 --> 0:53:54.080
<v Speaker 2>don't fuck around with that loser. He don't fuck around

0:53:54.080 --> 0:53:56.359
<v Speaker 2>with all that pussy footing around. He takes his job

0:53:56.520 --> 0:53:57.600
<v Speaker 2>very seriously.

0:53:57.520 --> 0:53:59.080
<v Speaker 3>We'll shout out to him for not knocking out Zach

0:53:59.160 --> 0:53:59.640
<v Speaker 3>Lavin yet.

0:53:59.680 --> 0:54:03.680
<v Speaker 1>Anyway, No, man, a cool man. There was number one

0:54:03.680 --> 0:54:04.560
<v Speaker 1>on the fucking East.

0:54:04.400 --> 0:54:06.719
<v Speaker 3>Before all them boys got injured. YEAHO got hurt. Yeah,

0:54:06.760 --> 0:54:07.480
<v Speaker 3>also got hurt.

0:54:07.560 --> 0:54:07.719
<v Speaker 2>Yeah.

0:54:07.760 --> 0:54:08.839
<v Speaker 3>Then they gotch and.

0:54:08.920 --> 0:54:10.520
<v Speaker 1>Man, I wish the Bulls would get it together because

0:54:10.560 --> 0:54:11.480
<v Speaker 1>I love Chicago.

0:54:11.600 --> 0:54:12.640
<v Speaker 3>They're not gonna get it together.

0:54:12.719 --> 0:54:13.680
<v Speaker 1>I think they can, though.

0:54:14.400 --> 0:54:19.399
<v Speaker 2>Kobe White's fucking He's fired, Zoe's coming back. They get

0:54:19.400 --> 0:54:22.320
<v Speaker 2>the right big there. Man, I'm withstand. I'm just gonna be.

0:54:22.320 --> 0:54:24.080
<v Speaker 1>I'm gonna be for real. I think that's still the

0:54:24.120 --> 0:54:26.360
<v Speaker 1>best place for him. But if he leaves, I want.

0:54:26.320 --> 0:54:31.080
<v Speaker 3>They could take Nurkic and we'll take Caruso. Well, Nurkics

0:54:31.120 --> 0:54:32.520
<v Speaker 3>for Cruso. Trade works.

0:54:32.760 --> 0:54:35.000
<v Speaker 1>I'm not gonna say who trades where again. I'm just

0:54:35.000 --> 0:54:35.880
<v Speaker 1>telling what I want.

0:54:35.719 --> 0:54:36.960
<v Speaker 3>My friend to play basketball.

0:54:37.040 --> 0:54:40.040
<v Speaker 2>What I'm saying, I've developed from partial to de rosen man. Yeah,

0:54:40.480 --> 0:54:41.480
<v Speaker 2>fucking one of the greats.

0:54:41.600 --> 0:54:42.719
<v Speaker 3>Yeah, h o.

0:54:42.920 --> 0:54:44.239
<v Speaker 1>F watch he.

0:54:44.160 --> 0:54:45.600
<v Speaker 3>Should be in the Hall of Fame. Oh for sure.

0:54:46.000 --> 0:54:46.319
<v Speaker 3>For sure.

0:54:46.320 --> 0:54:48.319
<v Speaker 2>At the most minutes in the league last year, that's

0:54:48.320 --> 0:54:50.360
<v Speaker 2>so crazy for sure.

0:54:51.280 --> 0:54:52.960
<v Speaker 3>And like you said, that season when they were like

0:54:53.040 --> 0:54:55.520
<v Speaker 3>he was like in the mvpah the conversation with Number

0:54:55.560 --> 0:54:58.080
<v Speaker 3>one season. I remember, Yeah, I had him on a

0:54:58.080 --> 0:54:59.960
<v Speaker 3>fantasy team, which is like weird because I played for

0:55:00.000 --> 0:55:03.120
<v Speaker 3>I say basketball, and then I meet these guys. I'm like, hey, they.

0:55:03.000 --> 0:55:03.920
<v Speaker 1>Don't give a fuck about it.

0:55:03.960 --> 0:55:05.200
<v Speaker 3>Don't give care.

0:55:05.280 --> 0:55:08.000
<v Speaker 2>Let's about your fucking ragers, all of that ship. They

0:55:08.239 --> 0:55:10.040
<v Speaker 2>actually if they hear you the wager, they might do

0:55:10.120 --> 0:55:11.279
<v Speaker 2>some shit to like fuck it off.

0:55:11.360 --> 0:55:14.400
<v Speaker 3>That's crazy. Yeah. Do you you gamble on sports?

0:55:14.600 --> 0:55:15.400
<v Speaker 1>I don't gamble?

0:55:15.760 --> 0:55:17.560
<v Speaker 3>That's good. Did you ever gamble?

0:55:18.080 --> 0:55:20.000
<v Speaker 1>I like shoot dice with the homies because on board

0:55:20.080 --> 0:55:20.719
<v Speaker 1>or something.

0:55:20.480 --> 0:55:21.960
<v Speaker 3>Or if I grab it's the best. Yeah.

0:55:21.960 --> 0:55:23.480
<v Speaker 1>I go to Vegas and I have a two hundred

0:55:23.480 --> 0:55:24.200
<v Speaker 1>dollars limit.

0:55:24.000 --> 0:55:26.439
<v Speaker 3>For the weekend. Well that's not bad for the weekend though.

0:55:27.080 --> 0:55:29.319
<v Speaker 3>For the day. I love playing Crabs, but man, you

0:55:29.320 --> 0:55:32.279
<v Speaker 3>play Crabs, you win quick, you lose quick. It's like

0:55:32.360 --> 0:55:34.480
<v Speaker 3>one of the others your up or you're down quick.

0:55:34.560 --> 0:55:35.160
<v Speaker 3>Fuck all that.

0:55:35.560 --> 0:55:37.439
<v Speaker 2>I don't fuck with that. Let's be playing tunk something

0:55:37.480 --> 0:55:39.120
<v Speaker 2>I know I'm gonna win on for sure.

0:55:39.880 --> 0:55:41.320
<v Speaker 3>I'm not gambling. Is there anything?

0:55:41.440 --> 0:55:41.600
<v Speaker 2>Uh?

0:55:41.680 --> 0:55:44.080
<v Speaker 3>Obviously for people who don't know. I know we already talked.

0:55:44.160 --> 0:55:45.800
<v Speaker 3>June fourteenth, the album comes out, Yeah.

0:55:45.760 --> 0:55:50.400
<v Speaker 2>June fourteenth, June sixth, I have the show at the Vermont.

0:55:50.560 --> 0:55:54.359
<v Speaker 2>It'll last stop on the Problem versus Jason Tour. It's

0:55:54.400 --> 0:55:57.400
<v Speaker 2>gonna be fucking crazy, sid. I mean that's gonna be

0:55:57.480 --> 0:55:59.719
<v Speaker 2>I'm sure it's home Home, Home turf. That's gonna be

0:55:59.719 --> 0:56:01.120
<v Speaker 2>fucking Who's who.

0:56:01.680 --> 0:56:03.080
<v Speaker 3>No, I've been you know what.

0:56:03.239 --> 0:56:05.680
<v Speaker 1>All my shows, I usually bring out one hundred motherfuckers.

0:56:06.120 --> 0:56:08.319
<v Speaker 3>We got to bring out Quick. Well Quick is going

0:56:08.360 --> 0:56:10.440
<v Speaker 3>to be in Canada. Oh well, never mind, we got

0:56:10.440 --> 0:56:11.920
<v Speaker 3>to bring out Actually, I'm only got to bring out

0:56:11.920 --> 0:56:14.200
<v Speaker 3>the same Quick as here today. Well, i'll have him

0:56:14.239 --> 0:56:17.440
<v Speaker 3>there for the invisible one. Yeah, him there in spirit.

0:56:18.600 --> 0:56:20.920
<v Speaker 1>I will say this's been. I will say Quick it

0:56:21.000 --> 0:56:22.759
<v Speaker 1>is supposed to be here. But I know why he's not.

0:56:22.840 --> 0:56:23.680
<v Speaker 1>Shout out to Snoop.

0:56:25.120 --> 0:56:28.240
<v Speaker 2>You guys have a fucking amazing establishment, and you guys

0:56:28.280 --> 0:56:29.279
<v Speaker 2>treated us great man.

0:56:29.320 --> 0:56:31.040
<v Speaker 1>Make sure you'll go to the Players come downtown.

0:56:31.200 --> 0:56:33.439
<v Speaker 3>I know you also said that you've just been working. Uh,

0:56:33.760 --> 0:56:36.120
<v Speaker 3>I'm assuming after Troop of Cabra, it's not like you're

0:56:36.239 --> 0:56:38.960
<v Speaker 3>slowing down because you know you've made. Oh no, people

0:56:39.000 --> 0:56:41.520
<v Speaker 3>wait for a while for music in certain points in time.

0:56:41.640 --> 0:56:44.520
<v Speaker 3>Oh no, oh yeah, the foot is on the gas.

0:56:45.480 --> 0:56:48.760
<v Speaker 2>What I don't know is what's coming out next because

0:56:48.800 --> 0:56:51.839
<v Speaker 2>I'm really focused on this project. I'm gauging it off

0:56:51.840 --> 0:56:56.880
<v Speaker 2>of this. I'm a chupacabo world right now. But my

0:56:57.080 --> 0:57:00.680
<v Speaker 2>other good friend Wiz Khalif is dropping because Noise us too,

0:57:01.160 --> 0:57:03.640
<v Speaker 2>and me and Quick are heavily involved with.

0:57:03.760 --> 0:57:04.720
<v Speaker 1>The post production.

0:57:04.880 --> 0:57:08.440
<v Speaker 3>Well, I think of that with Wizz.

0:57:08.520 --> 0:57:10.279
<v Speaker 1>It'll suck, run and drop while I'm sitting here, So

0:57:10.360 --> 0:57:11.600
<v Speaker 1>I don't know when it's coming out.

0:57:12.360 --> 0:57:16.120
<v Speaker 3>It's you and Wiz uh one of the more underrated duos.

0:57:17.920 --> 0:57:19.240
<v Speaker 1>We were just talking about that Sunday. It was like

0:57:19.320 --> 0:57:21.400
<v Speaker 1>Bros and Arrow like, bro, you got any plaques for

0:57:21.480 --> 0:57:22.040
<v Speaker 1>this one and now?

0:57:22.080 --> 0:57:24.520
<v Speaker 3>And I'm like, bro, I didn't even know that with that. Yeah,

0:57:24.720 --> 0:57:27.040
<v Speaker 3>hey man, yeah you I mean listen, I feel like

0:57:27.080 --> 0:57:29.800
<v Speaker 3>the League of Stars problem fingerprints on some of those

0:57:29.840 --> 0:57:33.160
<v Speaker 3>Wiz mixtapes are very very well you should wait till

0:57:33.160 --> 0:57:34.320
<v Speaker 3>you hear this problem.

0:57:34.520 --> 0:57:37.600
<v Speaker 2>Quick Dominique shouts to my boy Dominique Sanders, Man, that's

0:57:37.680 --> 0:57:42.240
<v Speaker 2>like my that's my core crew right now for production. Yeah, man,

0:57:42.280 --> 0:57:43.840
<v Speaker 2>we got a chance to do something really special with

0:57:43.920 --> 0:57:47.000
<v Speaker 2>cushion OJ two. So I can't wait for everybody to

0:57:47.080 --> 0:57:49.920
<v Speaker 2>hear I told Wiz you a dangerous motherfucker.

0:57:49.520 --> 0:57:52.120
<v Speaker 3>Calling it this though, that is a day. That's a

0:57:52.320 --> 0:57:58.280
<v Speaker 3>brave move. He just smiles like, I know's yeah, that

0:57:58.360 --> 0:58:00.880
<v Speaker 3>ship fired, alcoholic. I can't wait to hear.

0:58:00.680 --> 0:58:03.480
<v Speaker 1>It's gonna be done because you know J two and

0:58:03.560 --> 0:58:04.520
<v Speaker 1>then comtown.

0:58:04.200 --> 0:58:08.240
<v Speaker 2>Piece coming there it is man Jason Martin. Uh the

0:58:08.360 --> 0:58:12.000
<v Speaker 2>new album, the fourteenth Trooper cover DJ Quick Jason Martin.

0:58:12.040 --> 0:58:14.320
<v Speaker 3>Don't be afraid to pre order it too, Pussy's well, yeah, you.

0:58:14.320 --> 0:58:16.480
<v Speaker 1>Can actually go by the you can order the vinyl.

0:58:16.560 --> 0:58:17.640
<v Speaker 3>Now we get the vinyl.

0:58:17.720 --> 0:58:20.920
<v Speaker 1>We dropped some cassettes and Walkman like with an actual Walkman.

0:58:21.520 --> 0:58:24.240
<v Speaker 3>Oh so you could. Yeah, Like, you're not a part

0:58:24.280 --> 0:58:26.280
<v Speaker 3>of the fucking interview, Brian, shut the fry and you are.

0:58:26.520 --> 0:58:30.760
<v Speaker 2>You are, Brian, Brian, Brian pushed pushed my first fucking records. No,

0:58:30.840 --> 0:58:33.880
<v Speaker 2>I'm fucked up without him. I'm not even sitting here.

0:58:34.200 --> 0:58:39.240
<v Speaker 3>If he's you push something fucked up? Wow up except

0:58:39.280 --> 0:58:42.080
<v Speaker 3>that shout to Brian the fifty nine year old. Yeah,

0:58:42.600 --> 0:58:44.280
<v Speaker 3>so yeah, we have a Walkman tape.

0:58:44.320 --> 0:58:46.040
<v Speaker 2>Cassette common you can grab, and then we did the

0:58:46.080 --> 0:58:49.440
<v Speaker 2>collab with Born and Raised. Uh, you guys, those will

0:58:49.440 --> 0:58:51.320
<v Speaker 2>be available online. I want to say the week of

0:58:51.400 --> 0:58:54.040
<v Speaker 2>the album Fire, we got a couple other things.

0:58:54.760 --> 0:58:56.280
<v Speaker 3>Seen a Walkman in a minute.

0:58:56.120 --> 0:58:58.200
<v Speaker 1>Yeah it's fire. They're actually gonna be sending me mind.

0:58:58.280 --> 0:59:00.840
<v Speaker 3>I have a tape shout out to Belly. Yeah, mumble rap.

0:59:00.800 --> 0:59:02.000
<v Speaker 1>On, you're actually sending me mind.

0:59:02.200 --> 0:59:04.680
<v Speaker 2>I've designed them, but I haven't actually seen them yet,

0:59:04.680 --> 0:59:06.360
<v Speaker 2>so I'm supposed to have mine, like in the next

0:59:06.400 --> 0:59:06.920
<v Speaker 2>couple of days.

0:59:07.000 --> 0:59:07.920
<v Speaker 1>I like it, you know what.

0:59:08.080 --> 0:59:11.720
<v Speaker 3>That's people got to realize, like those are like anybody

0:59:11.760 --> 0:59:13.200
<v Speaker 3>can stream the album, but you want to have like

0:59:13.240 --> 0:59:15.480
<v Speaker 3>a little thing like a collector, like a way to support.

0:59:15.520 --> 0:59:16.840
<v Speaker 3>That's also cool, you know what I mean.

0:59:16.840 --> 0:59:19.280
<v Speaker 1>And the cassette album will be different than the DSP.

0:59:20.120 --> 0:59:24.600
<v Speaker 3>There'll be different versions of songs, yep, because of certain things.

0:59:24.640 --> 0:59:25.640
<v Speaker 3>They don't have to be worried about.

0:59:25.840 --> 0:59:28.160
<v Speaker 1>It's just no, I mean, I clear the album.

0:59:28.240 --> 0:59:29.000
<v Speaker 3>You can just you can.

0:59:29.160 --> 0:59:31.160
<v Speaker 2>You can just always add new people whenever you feel

0:59:31.240 --> 0:59:34.360
<v Speaker 2>like it. With DSP, right like you may just hear

0:59:34.440 --> 0:59:36.400
<v Speaker 2>another voice on one of the records that's out right now.

0:59:37.960 --> 0:59:40.480
<v Speaker 3>Because it couldn't get cleared for DSPs. I just probably

0:59:40.520 --> 0:59:43.880
<v Speaker 3>got the verse yesterday. I just probably just got it then.

0:59:44.480 --> 0:59:47.000
<v Speaker 2>So I'll be updating the truper Corra album probably as

0:59:47.360 --> 0:59:48.760
<v Speaker 2>you guys have beenuntil the point of drop.

0:59:48.840 --> 0:59:50.800
<v Speaker 1>So the ones who have the physicals, you guys have

0:59:51.120 --> 0:59:51.880
<v Speaker 1>the first idea.

0:59:52.400 --> 0:59:54.040
<v Speaker 3>And then because you can update it all the way

0:59:54.080 --> 0:59:56.240
<v Speaker 3>up until the dead drop, technically.

0:59:55.960 --> 0:59:57.920
<v Speaker 2>I can update it a week after it drops. I

0:59:57.960 --> 1:00:00.880
<v Speaker 2>can actually update it when it ros. You guys listen

1:00:00.880 --> 1:00:01.160
<v Speaker 2>to it and.

1:00:01.160 --> 1:00:01.720
<v Speaker 1>Then you click it.

1:00:01.800 --> 1:00:04.080
<v Speaker 3>It may be bait way. This sh is different, right, Yeah,

1:00:04.120 --> 1:00:06.760
<v Speaker 3>I like it. There it is man. June fourteenth, goes

1:00:06.760 --> 1:00:08.360
<v Speaker 3>toport the album. Apreciate your pulling up, brother man.

1:00:08.440 --> 1:00:12.080
<v Speaker 1>Thanks sir, And guess what for you we're gonna have

1:00:12.160 --> 1:00:12.560
<v Speaker 1>I just need.

1:00:12.640 --> 1:00:14.840
<v Speaker 2>I'm gonna have you pull up the Quick house and

1:00:14.920 --> 1:00:16.880
<v Speaker 2>then we'll just have our own moments.

1:00:16.960 --> 1:00:18.880
<v Speaker 1>Do He just texted me, I just saw it.

1:00:19.080 --> 1:00:21.480
<v Speaker 2>He did just wake up. He definitely just had the

1:00:21.560 --> 1:00:24.120
<v Speaker 2>longest night. He said, to apologize to you for this.

1:00:24.680 --> 1:00:25.640
<v Speaker 2>We're gonna make this ship up.

1:00:26.040 --> 1:00:27.800
<v Speaker 3>I saw Quick the other day, he remembered me. I

1:00:27.920 --> 1:00:31.680
<v Speaker 3>interviewed him once backstage at a dub show. I was like, yeah,

1:00:31.840 --> 1:00:34.160
<v Speaker 3>you're fucking that guy. Bro. I love quick man shout

1:00:34.240 --> 1:00:36.760
<v Speaker 3>the quick you know man, Thank you smart, appreciate your brother. Yes, sir,

1:00:36.960 --> 1:00:37.320
<v Speaker 3>there it is.

1:00:37.520 --> 1:00:41.840
<v Speaker 1>Boom oh h o oh yeah seo o h two wo.

1:00:43.640 --> 1:00:45.160
<v Speaker 3>Water. There's no Molly in it.

1:00:45.720 --> 1:00:46.520
<v Speaker 1>No, we're over.

1:00:46.720 --> 1:00:48.880
<v Speaker 2>We're in over fifty seven eleven. We're going for major

1:00:49.000 --> 1:00:49.960
<v Speaker 2>distribution real soon.

1:00:50.160 --> 1:00:52.240
<v Speaker 3>Show the label, the labels. Yeah, to show the label,

1:00:53.120 --> 1:00:53.600
<v Speaker 3>show it to the.

1:00:54.000 --> 1:00:55.439
<v Speaker 1>Oh, I don't know where it's at. Oh, a bunch

1:00:55.440 --> 1:00:58.880
<v Speaker 1>of them, right h two o uh right.

1:00:58.960 --> 1:01:02.240
<v Speaker 2>And it's very as efficient dollars ninety nine dollars ninety

1:01:02.320 --> 1:01:03.360
<v Speaker 2>nine on there it is