WEBVTT - 7 | Until Proven Guilty

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<v Speaker 1>Consumed is a production of iHeart Podcasts and grimm and

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<v Speaker 1>Mild from Aaron Maky. Headphones recommended listener discretion advised.

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<v Speaker 2>Sureff, if you could join second, Miss Simmons, Albert, did

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<v Speaker 2>you check the cameras?

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<v Speaker 3>What if I could? But they ain't been up since

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<v Speaker 3>the power outage.

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<v Speaker 4>You're telling me we haven't had video for two months.

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<v Speaker 3>We have a sign in sheet, lovely, so.

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<v Speaker 4>We can see if her detaining signed himself out.

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<v Speaker 5>Sureff, if I could, just did he at least.

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<v Speaker 2>Mention anything about where he might be headed? Just said

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<v Speaker 2>he had to pay, as we've already established. Yes, thank you,

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<v Speaker 2>pleece Sheriff.

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<v Speaker 5>It's important.

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<v Speaker 2>Ah, yes, Miss Simmons almost forgot you were there, despite

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<v Speaker 2>the constant reminders. You need to take a look at

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<v Speaker 2>what's on this phone your dead phone.

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<v Speaker 5>Sure, I have an urt to sit in a way.

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<v Speaker 2>It's not as if I have more pressing matters to

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<v Speaker 2>attend to, something like, oh, I don't know a missing

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<v Speaker 2>minor in.

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<v Speaker 3>The finger fan of the diner boss the finger?

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<v Speaker 4>How could I forget the finger?

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<v Speaker 6>Thanks?

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<v Speaker 5>Albert? Here to please, you were saying, Miss Simmons, you

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<v Speaker 5>don't need to be rude about it.

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<v Speaker 4>Why don't you take a note from mister Morale's and

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<v Speaker 4>go wait patiently over there. I'm sure you wouldn't mind,

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<v Speaker 4>seeing as you two are on such friendly terms already.

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<v Speaker 5>See he's even waving. Just chill him that this is

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<v Speaker 5>exactly what I need to talk to you. All right, Albert.

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<v Speaker 4>Let's bring up Avery's records.

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<v Speaker 2>There's got to be some clue about where he'd go

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<v Speaker 2>to feel safe. And why don't you take a drive

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<v Speaker 2>to the brooders, but do not go inside, and under

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<v Speaker 2>no circumstances.

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<v Speaker 4>Alert the parents.

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<v Speaker 7>Trace the steps back there and see if you can

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<v Speaker 7>find any signs of Avery.

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<v Speaker 6>Planting space over here. I can scooch no need, or

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<v Speaker 6>you can take the furtest possible seat. That works too.

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<v Speaker 8>Oh and now that you're not seeing anything, is this

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<v Speaker 8>because of the Star Trek thing, because hey, I am

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<v Speaker 8>willing to put the work in I will watch.

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<v Speaker 9>No, it's not about Star Trek, which you should watch regardless.

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<v Speaker 10>This is about me not speaking to suspected murderers.

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<v Speaker 6>Okay, Sarah, you're acting really weird.

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<v Speaker 5>I'm acting weird me really.

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<v Speaker 8>An hour ago we were completely fine. Then I step

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<v Speaker 8>out of the shower and it's like you got left over.

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<v Speaker 8>It gone, but moosh close on the floor.

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<v Speaker 6>No explanation. Why do you think I came looking for

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<v Speaker 6>you to the police station? I was worried? Mm hm okay, seriously,

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<v Speaker 6>what's wrong?

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<v Speaker 8>I'm pretty sure we don't have a carbon monoxide league,

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<v Speaker 8>so we can't be that ooh though I did take

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<v Speaker 8>the batteries out to stop the be being so oh,

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<v Speaker 8>don't tell me.

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<v Speaker 6>Are you afraid of commitment?

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<v Speaker 5>Yes, but that's not the point. This, this is what's wrong.

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<v Speaker 6>A Nokia phone, Well, there's no shame in downgrading. Could

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<v Speaker 6>be worse.

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<v Speaker 5>It's Aaron's phone.

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<v Speaker 6>Okay, so why do you have it?

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<v Speaker 9>No?

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<v Speaker 5>I don't have it.

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<v Speaker 6>You have it. It's literally in your hand. I don't

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<v Speaker 6>know what to tell you.

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<v Speaker 5>I am not playing games here, Gordon.

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<v Speaker 8>Yeah, not on a Nokia. You're not ooh unless wait,

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<v Speaker 8>remember snake, I.

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<v Speaker 9>Found this in your pull tuck behind that creepy little

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<v Speaker 9>hidden compartment that you said was just a janitor's closet.

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<v Speaker 5>It is apparently not more like a trophy case.

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<v Speaker 6>Ah, I get it now, this is why you're being weird.

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<v Speaker 9>Well that's a little reductive. I prefer the term survival instinct.

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<v Speaker 8>So you think what that I killed Aaron and then

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<v Speaker 8>kept a damny piece of evidence in the place where

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<v Speaker 8>I both work and live.

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<v Speaker 10>Will never said you were smart about it.

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<v Speaker 8>I'm gonna lie, I'm a bit offended by that. Not

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<v Speaker 8>that you think I'm a murderer, but do you think

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<v Speaker 8>I'm a dumb murderer?

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<v Speaker 5>I'm sorry? Is this funny to you?

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<v Speaker 6>Maybe?

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<v Speaker 8>I mean?

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<v Speaker 6>No, not funny. No, I'm wrong. Answer, I'm serious? Face

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<v Speaker 6>on him? Sorry?

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<v Speaker 10>So, then, how do you explain Aaron's found being in

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<v Speaker 10>your wall?

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<v Speaker 6>I'm as curious as you are.

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<v Speaker 5>Where is he? Where is my son? Missus Bruder?

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<v Speaker 4>I can assure you we have everything under control.

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<v Speaker 5>Do you really so you know where my son is?

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<v Speaker 9>No, because then he'd be here behind those bars where

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<v Speaker 9>I left him.

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<v Speaker 4>I guess I don't need to ask where you came

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<v Speaker 4>across this information.

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<v Speaker 3>Sorry, boss, He's still her kid, right?

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<v Speaker 4>Can I get you some water?

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<v Speaker 6>Anything?

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<v Speaker 5>You can tell me what you're doing to make sure

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<v Speaker 5>that he's safe.

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<v Speaker 2>If I may be frank with you, missus Bruder, it's

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<v Speaker 2>not exactly every safety we're worried about.

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<v Speaker 5>What does that mean?

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<v Speaker 2>It means we have a potentially violent on the loose

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<v Speaker 2>in a town that's already terrorized, and my duty is

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<v Speaker 2>to its people. So we can't afford to be wasting

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<v Speaker 2>valuable time arguing when we could be searching.

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<v Speaker 5>If he'thn't violent, excuse.

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<v Speaker 4>Me, He's never heard anyone, nor would he ever hurt anyone.

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<v Speaker 5>I mean, he still looks away when he gets shot,

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<v Speaker 5>can't stand the sight of blood.

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<v Speaker 4>That's not what you told me before I lied. Wouldn't

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<v Speaker 4>you would I impede.

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<v Speaker 2>A police investigation into two active murders in the town

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<v Speaker 2>where I and my neighbors live.

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<v Speaker 4>No, missus Browder, I most certainly would not.

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<v Speaker 5>He didn't kill that girl.

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<v Speaker 9>He was trying to help her, wasn't he, Sarah, I

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<v Speaker 9>don't think now is That's.

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<v Speaker 5>What I've been trying to tell you. That's what was

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<v Speaker 5>on her phone. Miss Simmons.

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<v Speaker 2>Once again, your feedback, while unnecessary, is also are you

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<v Speaker 2>recording this?

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<v Speaker 5>Yeah? Unless I heard there isn't any law against that's it.

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<v Speaker 2>Both of you out of my station and in case

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<v Speaker 2>your mic to pick it up.

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<v Speaker 4>That wasn't a request yep.

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<v Speaker 6>Heading out on YouTube.

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<v Speaker 2>Yeah, don't do anything stupid, but waite if you would listen.

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<v Speaker 6>Wow, that was quite the mama. Head move. I can't

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<v Speaker 6>say I approve, but I respect the hustle.

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<v Speaker 5>Really, or are you mad?

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<v Speaker 10>Your little scapegoat isn't here to take the blame anymore?

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<v Speaker 6>Oh so now I've framed Avery too.

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<v Speaker 5>I don't know, did you?

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<v Speaker 2>Yeah?

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<v Speaker 8>I gotta say I'm having a bit of a hard

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<v Speaker 8>time keeping up with all these crimes I supposedly committed,

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<v Speaker 8>especially when I barely know the evidence against me.

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<v Speaker 9>Phone wall, secret compartment, and General's shadiness about said compartment.

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<v Speaker 6>Do I at least get to explain myself. Isn't due

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<v Speaker 6>process kind of a big part of the whole process.

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<v Speaker 10>I'm not a court.

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<v Speaker 6>You are the court of public opinion?

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<v Speaker 11>Right?

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<v Speaker 6>Please? Sarah? Do you really think I could have done

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<v Speaker 6>these things?

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<v Speaker 5>Me?

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<v Speaker 10>What else am I supposed to think?

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<v Speaker 8>Okay, you said you wanted to show the share of

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<v Speaker 8>what was on the phone, right, Well, I think I

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<v Speaker 8>have a charger back of the library.

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<v Speaker 6>We can get it back on and go from there.

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<v Speaker 9>Oh yeah, you may follow you back to the large

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<v Speaker 9>building where no one will hear me scream.

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<v Speaker 6>That's only if you scream from your throat, not from

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<v Speaker 6>your diaphragm.

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<v Speaker 5>Oh thanks for the tip. Also not helping come on.

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<v Speaker 6>All I want is a chance to explain. Show me

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<v Speaker 6>where you founded. Please.

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<v Speaker 5>Yeah, well I was last seen with you. Keep that

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<v Speaker 5>in mind, So that's a yes. And I have a

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<v Speaker 5>taser that's great, a.

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<v Speaker 6>Painful one, I don't doubt it.

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<v Speaker 9>Viprotech vts nine eight nine, three hundred million volts straight

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<v Speaker 9>to the nervous system.

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<v Speaker 6>How incredibly specific. I'll make sure to remember that while

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<v Speaker 6>I'm incapacitated walk.

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<v Speaker 5>Oh no, no, no, you're going in front because you

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<v Speaker 5>hate to.

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<v Speaker 6>See me go, but you'll love to watch me leave.

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<v Speaker 5>Nah, it's so I have a better aim.

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<v Speaker 12>Hi, Kevin, thank you, Albert, you can go now right?

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<v Speaker 3>Sorry?

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<v Speaker 6>Boss?

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<v Speaker 10>Is this really necessary?

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<v Speaker 2>You lied to the police and possibly falsified evidence, So yes,

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<v Speaker 2>I believe it is.

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<v Speaker 4>How much trouble am I in, Well, it depends on

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<v Speaker 4>how honest you are.

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<v Speaker 2>Starting now, you're making me wonder whether I need a

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<v Speaker 2>lawyer or present for this. Of course, it's certainly your prerogative,

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<v Speaker 2>and legally there's nothing I can do to stop you

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<v Speaker 2>from requesting one. But then again, the more time we

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<v Speaker 2>spend trying to contact the main office and requesting for

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<v Speaker 2>them to assign someone, and then waiting for that lawyer

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<v Speaker 2>to arrive. It's all time that could be better spent,

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<v Speaker 2>don't you agree?

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<v Speaker 5>And you put it that way?

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<v Speaker 4>So the brazier, what about it?

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<v Speaker 6>Was it or was it not?

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<v Speaker 4>Aaron McDonald's. You don't have any kids.

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<v Speaker 6>Do you?

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<v Speaker 5>Maxine your point?

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<v Speaker 9>Aaron stayed with us one week while her parents were

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<v Speaker 9>out of town, left some things behind in our hamburn.

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<v Speaker 5>That's all innocent.

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<v Speaker 10>And young boys.

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<v Speaker 5>Well, it's best to let them have their secrets, or

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<v Speaker 5>better yet, to let them think.

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<v Speaker 4>Their secret and the blood left over from lunch's pork chops.

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<v Speaker 5>I'm sure that your tests.

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<v Speaker 7>Will confirm it whenever or if ever.

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<v Speaker 4>They come back. So if he's not guilty, then why

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<v Speaker 4>did he run?

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<v Speaker 12>He's a teenager.

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<v Speaker 10>Why did they do anything?

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<v Speaker 4>They're scared, insecure and hormonal?

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<v Speaker 12>Take your pick.

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<v Speaker 4>Do you have any idea where he might be headed?

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<v Speaker 5>Aaron was his only friend.

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<v Speaker 2>I can't imagine he's headed much of anywhere now, but

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<v Speaker 2>hopefully home.

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<v Speaker 4>Hopefully the tapes sometimes.

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<v Speaker 5>There now can you go search for my son?

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<v Speaker 4>Is there anything else you want to share with me?

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<v Speaker 11>Like?

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<v Speaker 6>What?

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<v Speaker 11>Like?

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<v Speaker 4>Why you'd go to such lengths to keep avery in ourselves?

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<v Speaker 8>What makes you so sure?

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<v Speaker 4>He'll be a victim. Grima, What aren't you telling me

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<v Speaker 4>I'm a mother?

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<v Speaker 5>Why do I have to be sure to protect him?

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<v Speaker 6>Can't I be worried?

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<v Speaker 4>Albert will see you out, vaccine find my son?

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<v Speaker 10>Please?

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<v Speaker 11>Oh?

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<v Speaker 6>Is she gone?

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<v Speaker 11>Yeah?

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<v Speaker 3>Just sorrow off next time.

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<v Speaker 2>I know.

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<v Speaker 3>I'm sorry, boss, but you know how it is when

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<v Speaker 3>you live so long with these folks. It's hard not

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<v Speaker 3>to make things personal.

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<v Speaker 6>But I'll tell you what.

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<v Speaker 4>I trusted these people more the day I got here than.

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<v Speaker 6>I do know.

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<v Speaker 3>So what now?

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<v Speaker 4>Well, I still have to deal with that damn severed finger.

0:11:05.320 --> 0:11:07.640
<v Speaker 3>At least we know where buster is missing digit went.

0:11:07.960 --> 0:11:09.600
<v Speaker 10>But not how it got there.

0:11:10.440 --> 0:11:13.400
<v Speaker 4>Meanwhile, you'll go look for every you.

0:11:13.400 --> 0:11:16.160
<v Speaker 3>Think he'd be headed home, not with those parents.

0:11:16.160 --> 0:11:19.280
<v Speaker 2>No, In fact, it's probably the last place he'll go.

0:11:20.920 --> 0:11:23.840
<v Speaker 2>But you'll show up eventually, they all do.

0:11:28.559 --> 0:11:31.439
<v Speaker 5>Oh Jesus fucking Christ, could that be any louder?

0:11:31.760 --> 0:11:33.760
<v Speaker 6>You shall not blaspheme.

0:11:33.200 --> 0:11:34.520
<v Speaker 10>Oh, shut up and keep walking.

0:11:34.920 --> 0:11:36.920
<v Speaker 6>Should I hold my hands up to officer in case

0:11:36.960 --> 0:11:38.120
<v Speaker 6>you want to have me down?

0:11:38.400 --> 0:11:40.640
<v Speaker 5>Three hundred million vaults? Remember?

0:11:41.120 --> 0:11:41.760
<v Speaker 6>Oh I do.

0:11:44.360 --> 0:11:44.520
<v Speaker 13>Here?

0:11:44.600 --> 0:11:46.680
<v Speaker 9>I was thinking I was in the Hallmark channel, but no,

0:11:47.280 --> 0:11:48.720
<v Speaker 9>turns out it's a lifetime original.

0:11:49.040 --> 0:11:52.199
<v Speaker 6>Yeah me, Oh, you think we're homework material.

0:11:52.440 --> 0:11:54.880
<v Speaker 9>I think I'm insane for agreeing to this, and that's

0:11:54.920 --> 0:11:58.480
<v Speaker 9>what they'll put on my gravestone.

0:11:59.520 --> 0:11:59.880
<v Speaker 2>What was that?

0:12:00.760 --> 0:12:03.559
<v Speaker 8>The same creepy colonial church, durned library sounds that we've

0:12:03.600 --> 0:12:06.520
<v Speaker 8>been hearing, except now fit through the perspective that you

0:12:06.559 --> 0:12:07.920
<v Speaker 8>think I'm a depray murder?

0:12:08.120 --> 0:12:08.840
<v Speaker 3>Could that be it?

0:12:09.040 --> 0:12:11.040
<v Speaker 5>You know, I'm starting to not care whether you did

0:12:11.080 --> 0:12:11.480
<v Speaker 5>it or not.

0:12:12.080 --> 0:12:16.880
<v Speaker 9>Maybe I just want to try this baby out bt bist.

0:12:17.440 --> 0:12:17.880
<v Speaker 6>I'm sorry?

0:12:17.920 --> 0:12:20.400
<v Speaker 8>Was that supposed to be your three hundred million votes

0:12:20.600 --> 0:12:22.240
<v Speaker 8>or outtakes from the B movie?

0:12:22.400 --> 0:12:23.040
<v Speaker 6>I couldn't tell.

0:12:23.280 --> 0:12:30.400
<v Speaker 11>Oh, give me a reason, Morales, Just give me a reason, Well,

0:12:30.440 --> 0:12:32.280
<v Speaker 11>then open.

0:12:32.040 --> 0:12:34.720
<v Speaker 6>It, no please or anything? Jeez?

0:12:37.559 --> 0:12:44.160
<v Speaker 5>Now the code Hello Earth to Gordon?

0:12:44.720 --> 0:12:47.440
<v Speaker 6>Huh what? Oh? All right, all right, just don't look.

0:12:48.120 --> 0:12:50.200
<v Speaker 5>Why are you covering it? I already know the code?

0:12:50.360 --> 0:12:54.360
<v Speaker 5>Ooh thief killer? Holy shit?

0:12:55.160 --> 0:12:59.079
<v Speaker 8>Okay, Yeah, this cross space was definitely not here before.

0:12:59.200 --> 0:13:02.319
<v Speaker 5>No, I mean it was not that big when I

0:13:02.400 --> 0:13:08.600
<v Speaker 5>left it. That's freaky, that's it, freaky, I do it.

0:13:08.880 --> 0:13:11.320
<v Speaker 9>You're not surprised. You knew what was there. You put

0:13:11.320 --> 0:13:15.319
<v Speaker 9>it there yourself. You're the killer misresolved. I'll go pack

0:13:15.360 --> 0:13:15.720
<v Speaker 9>my bags.

0:13:15.800 --> 0:13:17.800
<v Speaker 8>Wait wait, wait, wait, what do you expect me to say?

0:13:17.920 --> 0:13:19.800
<v Speaker 8>You already told me was there, and I believe you

0:13:20.080 --> 0:13:22.160
<v Speaker 8>a courtesy. I only wish you could reciprocate.

0:13:22.280 --> 0:13:25.000
<v Speaker 5>So if you didn't do this, then who why is

0:13:25.040 --> 0:13:26.120
<v Speaker 5>it so much bigger? Now?

0:13:26.600 --> 0:13:31.360
<v Speaker 8>Well let's see ooh, Vince wolferd could fit through there, Gordon, sorry,

0:13:31.400 --> 0:13:34.600
<v Speaker 8>sorry to two regular sized meals could fit side by

0:13:34.640 --> 0:13:35.720
<v Speaker 8>side through this opening.

0:13:35.920 --> 0:13:37.200
<v Speaker 6>And what the hell are these changes?

0:13:37.559 --> 0:13:39.520
<v Speaker 5>No no, don't stick your head in there.

0:13:40.720 --> 0:13:42.880
<v Speaker 8>There's nothing to see here, oh Gordon.

0:13:45.120 --> 0:13:47.480
<v Speaker 9>Oh no, no, no, no, no, no, no no, you

0:13:47.520 --> 0:13:49.000
<v Speaker 9>do not get to National treasure me.

0:13:49.160 --> 0:13:52.920
<v Speaker 5>I national treasure you.

0:13:51.559 --> 0:13:53.880
<v Speaker 6>You treasure me. Oh, don't make me blushed?

0:13:53.960 --> 0:13:54.440
<v Speaker 5>Shove over?

0:13:55.240 --> 0:13:55.840
<v Speaker 10>What's in there?

0:13:56.520 --> 0:13:57.360
<v Speaker 6>Do you mean to tell me?

0:13:57.400 --> 0:14:00.800
<v Speaker 8>You accuse me and threaten me multiple times without checking

0:14:00.800 --> 0:14:02.040
<v Speaker 8>to see what was on the other side.

0:14:02.320 --> 0:14:04.520
<v Speaker 5>I found a dead girl's phone in your wall.

0:14:04.920 --> 0:14:06.920
<v Speaker 9>Excuse me if I didn't call a crime squad before

0:14:06.920 --> 0:14:08.480
<v Speaker 9>getting the fuck out of Dodge.

0:14:08.679 --> 0:14:09.520
<v Speaker 6>We'll take a look.

0:14:14.960 --> 0:14:15.800
<v Speaker 10>Holy shit.

0:14:18.600 --> 0:14:21.800
<v Speaker 9>Okay, so that crawl space, Yeah, not a crawl space,

0:14:21.960 --> 0:14:24.320
<v Speaker 9>more like a giant naked mulrat clawed its way through

0:14:24.320 --> 0:14:24.680
<v Speaker 9>the dirt.

0:14:25.000 --> 0:14:26.400
<v Speaker 6>Ooh, things of that image.

0:14:26.520 --> 0:14:28.040
<v Speaker 10>And to be clear, this does not absolve you.

0:14:28.320 --> 0:14:31.680
<v Speaker 8>Oh, of course because of my hobby digging giant tunnels. Ooh,

0:14:31.800 --> 0:14:33.320
<v Speaker 8>I knew it would come back and bite me in

0:14:33.320 --> 0:14:33.720
<v Speaker 8>the ass.

0:14:34.560 --> 0:14:35.720
<v Speaker 10>What do you think this place is?

0:14:36.160 --> 0:14:38.160
<v Speaker 8>Since that information could be used to say I knew

0:14:38.160 --> 0:14:40.760
<v Speaker 8>about this place, my internal made up council has advised

0:14:40.800 --> 0:14:42.120
<v Speaker 8>me against responding.

0:14:41.760 --> 0:14:43.040
<v Speaker 10>And missed a chance to show off.

0:14:43.200 --> 0:14:44.120
<v Speaker 6>I plead the fifth.

0:14:44.520 --> 0:14:44.960
<v Speaker 10>You don't know?

0:14:45.120 --> 0:14:46.640
<v Speaker 6>Do you not yet.

0:14:48.080 --> 0:14:48.160
<v Speaker 11>That?

0:14:48.720 --> 0:14:49.160
<v Speaker 10>What was that?

0:14:49.720 --> 0:14:50.840
<v Speaker 6>I don't know? Air?

0:14:51.000 --> 0:14:53.320
<v Speaker 10>It's the same draft I keep feeling from outside.

0:14:53.720 --> 0:14:55.000
<v Speaker 6>You can distinguish airs.

0:14:55.880 --> 0:15:06.040
<v Speaker 10>It's coming from it in here. There's something past these tunnels.

0:15:14.640 --> 0:15:18.400
<v Speaker 5>In my way, mister fraggins. No, you can't reach me.

0:15:20.720 --> 0:15:24.520
<v Speaker 4>Oh hello, hi Phoebe what you got there?

0:15:25.520 --> 0:15:26.200
<v Speaker 7>My toys?

0:15:26.680 --> 0:15:28.880
<v Speaker 10>They're lovely and loads of fun.

0:15:28.880 --> 0:15:33.720
<v Speaker 4>It looks like thanks. Do you always play on the grass?

0:15:34.600 --> 0:15:35.000
<v Speaker 6>Yeah?

0:15:35.320 --> 0:15:38.680
<v Speaker 11>Soft, unless it's wet, because then I get an essie

0:15:38.760 --> 0:15:40.280
<v Speaker 11>and my mommy gets.

0:15:40.120 --> 0:15:42.800
<v Speaker 4>Mad, right, and we couldn't do that.

0:15:44.240 --> 0:15:48.720
<v Speaker 2>And do you ever find anything interesting while you're playing?

0:15:49.520 --> 0:15:49.760
<v Speaker 5>Like what?

0:15:50.560 --> 0:15:53.200
<v Speaker 2>I don't know, Like maybe something that gets the adults

0:15:53.240 --> 0:15:54.920
<v Speaker 2>all riled up in a dizzy.

0:15:56.560 --> 0:16:01.240
<v Speaker 4>Like it Shaws, exactly like it, Shaws.

0:16:03.080 --> 0:16:06.080
<v Speaker 11>I didn't like it there, sounded like that singing lady

0:16:06.240 --> 0:16:08.880
<v Speaker 11>was crying. But then I found a finger?

0:16:09.560 --> 0:16:11.080
<v Speaker 4>Oh did you?

0:16:11.880 --> 0:16:13.960
<v Speaker 11>They were all scared, but I wasn't.

0:16:14.680 --> 0:16:16.160
<v Speaker 4>That's so brave of you.

0:16:17.040 --> 0:16:18.040
<v Speaker 5>How did you find it?

0:16:18.640 --> 0:16:18.840
<v Speaker 6>Well?

0:16:18.920 --> 0:16:21.600
<v Speaker 5>I didn't find it. He gave it to me.

0:16:22.600 --> 0:16:23.520
<v Speaker 4>Who gave it to you?

0:16:24.280 --> 0:16:25.080
<v Speaker 11>The dark man?

0:16:25.680 --> 0:16:27.960
<v Speaker 4>And why do you call him the dark man?

0:16:29.000 --> 0:16:29.760
<v Speaker 10>Was it his skin?

0:16:30.280 --> 0:16:32.720
<v Speaker 11>No, he was made of shadows.

0:16:33.960 --> 0:16:37.480
<v Speaker 5>Babe. Comment's waiting, it's going to wash up.

0:16:38.120 --> 0:16:47.040
<v Speaker 2>Gotta go, Sheriff, Mike Jack sure didn't expect to see

0:16:47.200 --> 0:16:47.840
<v Speaker 2>you two here.

0:16:49.160 --> 0:16:52.840
<v Speaker 13>Times like these, that's when the town comes together, Ain't

0:16:52.840 --> 0:16:53.240
<v Speaker 13>that right?

0:16:53.320 --> 0:16:53.520
<v Speaker 1>Mike?

0:16:54.880 --> 0:16:56.160
<v Speaker 13>How can I help you? Sheriff?

0:16:56.600 --> 0:16:57.040
<v Speaker 6>Oh?

0:16:57.080 --> 0:16:59.280
<v Speaker 2>I was hoping to talk to Phoebe about the finger

0:16:59.480 --> 0:16:59.960
<v Speaker 2>she found.

0:17:00.640 --> 0:17:01.880
<v Speaker 6>Seems like you already did.

0:17:02.320 --> 0:17:04.720
<v Speaker 4>She said a dark man gave it to her.

0:17:05.600 --> 0:17:07.199
<v Speaker 5>Did she ever mention that to you?

0:17:08.680 --> 0:17:11.840
<v Speaker 12>Phoebe still doesn't get that her sister isn't coming back.

0:17:12.720 --> 0:17:15.000
<v Speaker 6>I wouldn't put much weight on what she says.

0:17:16.160 --> 0:17:19.160
<v Speaker 2>Ah, boys, I'm just trying to help, And I get

0:17:19.240 --> 0:17:21.600
<v Speaker 2>that I can be a wee bit much. I actually

0:17:21.640 --> 0:17:25.199
<v Speaker 2>often find myself incredibly annoying, So we have that in common.

0:17:25.280 --> 0:17:28.280
<v Speaker 2>But I've got a pool in every thread, even if

0:17:28.280 --> 0:17:32.120
<v Speaker 2>it means something like revisiting Buster's accident as a murder.

0:17:33.720 --> 0:17:36.560
<v Speaker 13>Don't you think that's a little extreme.

0:17:36.440 --> 0:17:38.119
<v Speaker 4>With everything going on in this town?

0:17:39.520 --> 0:17:42.040
<v Speaker 3>Not at all, look Sheriff.

0:17:42.680 --> 0:17:44.840
<v Speaker 13>I've lived in this town all my life. I know

0:17:44.960 --> 0:17:48.840
<v Speaker 13>these woods. Chances are some critter carried it over. Wouldn't

0:17:48.880 --> 0:17:51.520
<v Speaker 13>be the first time. I certainly won't be the last.

0:17:52.200 --> 0:17:55.240
<v Speaker 6>Just last week, raccoons stole missus Gresham's bloomers.

0:17:55.600 --> 0:17:56.280
<v Speaker 5>Raccoons.

0:17:56.640 --> 0:17:58.719
<v Speaker 6>Huh yeah, they got those little hands.

0:17:58.960 --> 0:18:03.240
<v Speaker 4>They're made for Thievan. If Phoebe remembers anything else, you'll

0:18:03.280 --> 0:18:03.720
<v Speaker 4>let me know.

0:18:04.560 --> 0:18:12.399
<v Speaker 2>I will in that case, gentlemen, Sheriff, I really coon

0:18:12.640 --> 0:18:15.359
<v Speaker 2>my rs.

0:18:18.560 --> 0:18:21.680
<v Speaker 13>Hey, you did good, Mike, you did real good.

0:18:22.560 --> 0:18:23.159
<v Speaker 6>Good.

0:18:23.560 --> 0:18:27.720
<v Speaker 14>Won't bring my daughter back. No, but this is our

0:18:27.840 --> 0:18:31.480
<v Speaker 14>town and nothing is going to run us out, least

0:18:31.520 --> 0:18:36.280
<v Speaker 14>of all her.

0:18:36.960 --> 0:18:39.000
<v Speaker 8>No. I get why my electricity bill is always so

0:18:39.080 --> 0:18:41.960
<v Speaker 8>freaking expensive. I've been trying to heat the labyrinth from

0:18:42.520 --> 0:18:44.320
<v Speaker 8>well labyrinth.

0:18:44.160 --> 0:18:45.440
<v Speaker 10>Well, no way around it.

0:18:46.080 --> 0:18:46.760
<v Speaker 2>We gotta go in.

0:18:47.720 --> 0:18:48.840
<v Speaker 10>We have to look for the source.

0:18:48.920 --> 0:18:51.920
<v Speaker 6>Excuse me, you want to enter the secret layer? First

0:18:51.920 --> 0:18:52.240
<v Speaker 6>of all?

0:18:52.400 --> 0:18:52.640
<v Speaker 14>Why?

0:18:53.119 --> 0:18:56.600
<v Speaker 6>Second of all on earth? Would you want to do that? Actually?

0:18:56.760 --> 0:18:59.040
<v Speaker 8>No, no, this tracks for the woman who followed it,

0:18:59.080 --> 0:19:01.520
<v Speaker 8>potentially murders man back to an empty library.

0:19:01.680 --> 0:19:03.560
<v Speaker 5>Oh my murderous man. Do you mean you the one

0:19:03.560 --> 0:19:05.160
<v Speaker 5>who told me to do so? And I could have been.

0:19:05.119 --> 0:19:07.280
<v Speaker 6>Trying to kill you, hence your point?

0:19:08.480 --> 0:19:10.040
<v Speaker 5>Okay, that did you hear that?

0:19:10.560 --> 0:19:14.760
<v Speaker 8>I hear a lot of things, voices, median voices that

0:19:14.760 --> 0:19:16.520
<v Speaker 8>it might be my conscious might not.

0:19:17.080 --> 0:19:18.240
<v Speaker 6>You will have to be specific.

0:19:18.440 --> 0:19:22.400
<v Speaker 10>It was coming from the library. Come on, follow me.

0:19:22.960 --> 0:19:29.520
<v Speaker 6>And we're going. Okay, there's nothing.

0:19:30.520 --> 0:19:31.400
<v Speaker 10>Did you lock the door?

0:19:31.600 --> 0:19:33.919
<v Speaker 6>Yes, there are murders happening. I just put in an

0:19:33.960 --> 0:19:38.800
<v Speaker 6>automatic lock. Actually, so what was that? Well in a

0:19:38.920 --> 0:19:43.119
<v Speaker 6>terrifying with fate that came from the horror section. So

0:19:43.280 --> 0:19:44.440
<v Speaker 6>now it might be a good time for you to

0:19:44.440 --> 0:19:45.800
<v Speaker 6>pull out that taser. Please, thank you.

0:19:46.240 --> 0:19:49.520
<v Speaker 10>How about that high lied? I don't have a taser?

0:19:49.640 --> 0:19:51.920
<v Speaker 6>You lied? What about all those specs?

0:19:52.200 --> 0:19:53.359
<v Speaker 3>The three hundred million bolds?

0:19:53.400 --> 0:19:55.960
<v Speaker 5>I mean I have it in my cart online, never

0:19:55.960 --> 0:19:56.359
<v Speaker 5>clicked by.

0:19:56.440 --> 0:19:57.040
<v Speaker 10>It was a bluff.

0:19:57.240 --> 0:19:59.399
<v Speaker 6>In hindsight, the whole thing did feel a little banana

0:19:59.440 --> 0:20:00.000
<v Speaker 6>th the copop?

0:20:01.600 --> 0:20:03.480
<v Speaker 5>Yeah, where was that?

0:20:03.920 --> 0:20:05.600
<v Speaker 6>Oh? We are going to die here?

0:20:07.400 --> 0:20:08.639
<v Speaker 5>Did you see that something moved?

0:20:09.080 --> 0:20:09.439
<v Speaker 2>That was?

0:20:11.480 --> 0:20:12.080
<v Speaker 6>That was?

0:20:12.560 --> 0:20:16.600
<v Speaker 5>Yeah, somebody was in here?

0:20:18.000 --> 0:20:23.040
<v Speaker 1>Consumed Episode seven until Proven Guilty. Written by Carlos Folia

0:20:23.280 --> 0:20:27.400
<v Speaker 1>and Alessandra Hara del Castillo. Editing and sound design by

0:20:27.480 --> 0:20:33.000
<v Speaker 1>Jesse Funk, Starring Rachel Rosenbloom and Arturo Castro, with Ruth Connell,

0:20:33.359 --> 0:20:39.600
<v Speaker 1>Sam Rod, Genevieve Padlaki, Benjamin Stockholm, Charlie David Newell, Mike Korich,

0:20:39.960 --> 0:20:44.879
<v Speaker 1>Anna East Fairweather, Junior A Lobby, Alma Martinez, Tracy Martin,

0:20:45.320 --> 0:20:51.359
<v Speaker 1>Laura Shine, George Vincent, and Rafael Corkill. Directed by Alexander Williams,

0:20:51.480 --> 0:20:56.040
<v Speaker 1>Assistant director Trevor Young, Casting by Sunday Bowling CSA and

0:20:56.119 --> 0:21:02.359
<v Speaker 1>Meg Mormon CSA. Production coordinator Wayna Kelder. Music by Carlos Folia.

0:21:02.520 --> 0:21:06.879
<v Speaker 1>Consumed the season one score available now on Apple Music, Spotify,

0:21:07.240 --> 0:21:12.280
<v Speaker 1>or wherever music is stream. Executive producers Aaron Manky, Carlos Folia,

0:21:12.560 --> 0:21:17.159
<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

0:21:17.280 --> 0:21:22.160
<v Speaker 1>Josh Thain. Producers Noami Griffin, Jesse Funk, and Rima Ilkali.

0:21:22.720 --> 0:21:27.440
<v Speaker 1>Recorded at This Is Sound Design Studios, Burbank, California, engineered

0:21:27.440 --> 0:21:32.240
<v Speaker 1>by Ross Aerrono east Side Studios, Austin, Texas, engineered by

0:21:32.240 --> 0:21:37.399
<v Speaker 1>Austin Sisler and Aros Creative in Sound, Ohi, California, engineered

0:21:37.560 --> 0:21:42.040
<v Speaker 1>by Ken Aros. Consumed was created by Carlos Folia, inspired

0:21:42.080 --> 0:21:45.280
<v Speaker 1>by the novel by Aaron Macky. Consumed is the newest

0:21:45.359 --> 0:21:48.600
<v Speaker 1>chapter in the Bridgewater universe. To learn more and catch up,

0:21:48.680 --> 0:21:53.480
<v Speaker 1>visit Grimandmild dot com Slash Bridgewater. Learn more about Consumed

0:21:53.480 --> 0:21:57.280
<v Speaker 1>at grimmanmile dot com slash Consumed, and find more podcasts

0:21:57.280 --> 0:22:01.359
<v Speaker 1>from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, or

0:22:01.400 --> 0:22:10.120
<v Speaker 1>wherever you listen to your favorite shows.