1 00:00:03,240 --> 00:00:05,440 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,680 --> 00:00:23,400 Speaker 1: fun show. Here we go the fifty minute morning show 3 00:00:23,440 --> 00:00:27,520 Speaker 1: podcast as we roll out of our Tuesday show, and uh, 4 00:00:27,680 --> 00:00:29,480 Speaker 1: there you have it, Guy Fieri. He had a great 5 00:00:29,480 --> 00:00:31,600 Speaker 1: time with him. He was just an awesome guest as always, 6 00:00:31,640 --> 00:00:35,080 Speaker 1: do you guys agree, Always so much fun, He's always 7 00:00:35,159 --> 00:00:37,159 Speaker 1: up to play, and he's just always so. He's a 8 00:00:37,240 --> 00:00:39,640 Speaker 1: nice guy very much. So what Nate, That's where I 9 00:00:39,640 --> 00:00:41,919 Speaker 1: wanted to start. I think he may be my favorite 10 00:00:42,000 --> 00:00:46,680 Speaker 1: guest ever. He's always just so much fun. He always 11 00:00:46,800 --> 00:00:50,479 Speaker 1: rolls with like he would be a fantastic addition to 12 00:00:50,560 --> 00:00:53,040 Speaker 1: the show. You know. That's how I kind of determine 13 00:00:53,040 --> 00:00:55,400 Speaker 1: whether or not somebody's a good guest is if I 14 00:00:55,440 --> 00:00:57,560 Speaker 1: feel like they could be a part of the show 15 00:00:57,560 --> 00:00:59,920 Speaker 1: on a regular basis. Funny you mentioned that maybe everyone 16 00:01:00,120 --> 00:01:04,400 Speaker 1: full agree. I remember there was a time when, well, um, 17 00:01:04,560 --> 00:01:06,280 Speaker 1: you know who was a big part of our show. 18 00:01:06,440 --> 00:01:11,160 Speaker 1: The other chef who shall remain name was, I want 19 00:01:11,160 --> 00:01:13,639 Speaker 1: to say it, Bobby Flay. But Bobby is always fun too. 20 00:01:13,800 --> 00:01:15,200 Speaker 1: And you know who the other chef is. I love 21 00:01:15,280 --> 00:01:19,240 Speaker 1: Marcus Samuelson. He is my absolute favorite. I love I agree, 22 00:01:19,280 --> 00:01:21,080 Speaker 1: but Bobby would come on and be a He would 23 00:01:21,360 --> 00:01:23,640 Speaker 1: just walk in without even being invited a part of 24 00:01:23,640 --> 00:01:26,479 Speaker 1: the show. And now he's so busy. We but guy, 25 00:01:26,600 --> 00:01:31,280 Speaker 1: I don't know. He's almost in first place here anyway, 26 00:01:31,319 --> 00:01:34,200 Speaker 1: everyone's here. There's Froggy, and there's Brody, and there's Scotty 27 00:01:34,280 --> 00:01:38,960 Speaker 1: be eating his banana, and there's Gandhi and Danielle and 28 00:01:38,280 --> 00:01:44,000 Speaker 1: say something and Garrett and Nate. Yes, what Scotty usually 29 00:01:44,040 --> 00:01:46,160 Speaker 1: eats that banana first thing in the morning. I think 30 00:01:46,200 --> 00:01:48,720 Speaker 1: he saved it today for this podcast so that we 31 00:01:48,760 --> 00:01:51,000 Speaker 1: could talk about him eating his BANANSA. I swear I didn't. 32 00:01:51,000 --> 00:01:53,880 Speaker 1: I haven't eaten all morning and I'm super super hungry. 33 00:01:54,000 --> 00:01:55,440 Speaker 1: So no, I did not save it for this. I 34 00:01:55,520 --> 00:02:05,000 Speaker 1: won't even finish hating it. Then. I'm not doing it 35 00:02:05,040 --> 00:02:09,520 Speaker 1: for attention. Sorry, I'll eat your banana. I know, Scotty. 36 00:02:09,560 --> 00:02:11,160 Speaker 1: Why don't you lean down under the counter. I need 37 00:02:12,680 --> 00:02:21,400 Speaker 1: my own banana. No, I don't know you people, so 38 00:02:21,639 --> 00:02:24,919 Speaker 1: um you know. As as we as we produce this 39 00:02:25,080 --> 00:02:28,480 Speaker 1: fifteen or maybe slightly less than fifteen minute morning show podcast, 40 00:02:28,520 --> 00:02:30,600 Speaker 1: I'm still keeping an eye on the news. We're doing 41 00:02:30,639 --> 00:02:35,519 Speaker 1: this at nine am on Tuesday, and uh wow, another 42 00:02:35,600 --> 00:02:38,200 Speaker 1: day ahead. I'm just I know, I don't know about you. 43 00:02:38,240 --> 00:02:39,920 Speaker 1: I'll be glued. I'll be glued to the news today 44 00:02:39,960 --> 00:02:43,520 Speaker 1: to keep an eye on what's going on. And well, 45 00:02:44,040 --> 00:02:46,800 Speaker 1: I'm sickened. I'm sickened that I have to turn the 46 00:02:46,800 --> 00:02:49,519 Speaker 1: news off after five five minutes. I can't watch more 47 00:02:49,560 --> 00:02:51,600 Speaker 1: than a few headlines. I'd rather than just come over 48 00:02:51,680 --> 00:02:54,240 Speaker 1: my phone and just deal with it that way. Maybe 49 00:02:54,240 --> 00:02:56,040 Speaker 1: that's all of the Ukraine news that you need for 50 00:02:56,040 --> 00:02:58,280 Speaker 1: that moment. Maybe that's a smart thing. Brody, are you 51 00:02:58,320 --> 00:03:00,360 Speaker 1: do you like to watch the news? I know you're 52 00:03:00,360 --> 00:03:02,760 Speaker 1: a news junk. Here are you watching off all day? Oh? 53 00:03:02,800 --> 00:03:05,080 Speaker 1: I'm watching every minute because I feel like I'm gonna 54 00:03:05,120 --> 00:03:08,160 Speaker 1: miss some good news coming out of the you know. Plus, 55 00:03:08,160 --> 00:03:11,040 Speaker 1: I like watching the loop of the same fifteen second 56 00:03:11,040 --> 00:03:13,239 Speaker 1: clip that the networks have where they keep showing the 57 00:03:13,320 --> 00:03:16,360 Speaker 1: same guy smoking the cigarette, you know, walking back and forth. 58 00:03:16,880 --> 00:03:19,160 Speaker 1: Uh no, I I I'm addicted to it. And I 59 00:03:19,240 --> 00:03:22,800 Speaker 1: you know, there's a lot of inspirational moments in the 60 00:03:22,840 --> 00:03:25,000 Speaker 1: horror and that's what I that's what I'm sort of 61 00:03:25,040 --> 00:03:27,480 Speaker 1: leaning on. Well, and we need them now more than ever. 62 00:03:27,720 --> 00:03:30,880 Speaker 1: So the lady with the seeds, you know she was fantastic. 63 00:03:30,960 --> 00:03:33,320 Speaker 1: The lady with the seed what was I didn't see 64 00:03:33,360 --> 00:03:35,600 Speaker 1: that story? What was that? So help me out here, 65 00:03:35,640 --> 00:03:37,520 Speaker 1: Gandhi if I miss anything. But an older woman, a 66 00:03:37,600 --> 00:03:40,400 Speaker 1: Ukrainian woman, went up to a Russian soldier and she said, 67 00:03:40,440 --> 00:03:42,480 Speaker 1: you don't belong in my city. And then she said, 68 00:03:42,520 --> 00:03:45,320 Speaker 1: I have seeds in my pockets, sunflower seeds. I want 69 00:03:45,360 --> 00:03:46,960 Speaker 1: you to put them in your pockets so when you 70 00:03:47,040 --> 00:03:50,560 Speaker 1: die here sunflowers will grow. So I just thought that 71 00:03:50,640 --> 00:03:53,480 Speaker 1: was ballsy. I can't imagine walking up to a soldier, 72 00:03:53,760 --> 00:03:56,840 Speaker 1: an enemy soldier, and like talk and trash. I think 73 00:03:56,840 --> 00:03:58,560 Speaker 1: at some point you feel like, well, what do I 74 00:03:58,640 --> 00:04:02,840 Speaker 1: have to lose, Let's go give these seeds to this soldier. Yeah. Wow, 75 00:04:03,040 --> 00:04:06,119 Speaker 1: you know. So that's the story we're watching. And look, 76 00:04:06,160 --> 00:04:09,360 Speaker 1: you know, it's tough doing a show like ours because 77 00:04:09,360 --> 00:04:11,800 Speaker 1: we're here to have fun and make people laugh. And 78 00:04:11,840 --> 00:04:13,560 Speaker 1: we still, you know, I think we still have a 79 00:04:13,560 --> 00:04:16,200 Speaker 1: lot of fun, even in the shadow of something that's 80 00:04:16,240 --> 00:04:19,680 Speaker 1: so tragic coming out of Ukraine, and um, gosh, there 81 00:04:19,680 --> 00:04:22,640 Speaker 1: you go. Thoughts from anyone, what's that? I think you 82 00:04:22,680 --> 00:04:26,800 Speaker 1: should watch Winter on Fire. Have you guys seen that documentary? Okay, 83 00:04:26,880 --> 00:04:30,440 Speaker 1: it's on Netflix. It's called Winter on Fire, Ukraine's Fight 84 00:04:30,520 --> 00:04:33,799 Speaker 1: for Independence or for Freedom, and it's about the protests 85 00:04:33,800 --> 00:04:36,599 Speaker 1: that happened roughly eight nine years ago. Do you guys 86 00:04:36,640 --> 00:04:40,919 Speaker 1: remember that, um and it was battling the corruption in 87 00:04:40,960 --> 00:04:44,839 Speaker 1: the government because basically their president was a stooge for 88 00:04:44,920 --> 00:04:48,919 Speaker 1: Putin and you know, going back through their history since 89 00:04:49,000 --> 00:04:50,919 Speaker 1: the end of the Cold War, I mean, they've basically 90 00:04:51,000 --> 00:04:56,359 Speaker 1: been a puppet government from the Soviet States, you know, 91 00:04:56,120 --> 00:05:00,400 Speaker 1: the old Soviet government now Russia. And I think it 92 00:05:00,480 --> 00:05:03,920 Speaker 1: really gives you a great insight as to the people 93 00:05:04,000 --> 00:05:07,480 Speaker 1: that are in Ukraine right now. And let's Winter on Fire, 94 00:05:07,520 --> 00:05:12,000 Speaker 1: Winter on Fire. Watch any other thoughts before we switch 95 00:05:12,080 --> 00:05:15,520 Speaker 1: channels here? What are you thinking? I'm following maximum Chremerkovsky 96 00:05:15,800 --> 00:05:18,240 Speaker 1: from Dancing with the Stars. He's actually over there because 97 00:05:18,360 --> 00:05:20,599 Speaker 1: that's where him and his brother and his his family 98 00:05:20,640 --> 00:05:24,480 Speaker 1: grew up. And watching what he's giving an account of 99 00:05:24,560 --> 00:05:26,960 Speaker 1: every day, Like yesterday, he was just trying to get 100 00:05:27,000 --> 00:05:30,320 Speaker 1: home and he got arrested for trying to leave UM 101 00:05:30,440 --> 00:05:32,520 Speaker 1: and so he's trying to find a way to leave 102 00:05:32,560 --> 00:05:34,800 Speaker 1: and he got on a train, which he said normally 103 00:05:34,920 --> 00:05:38,440 Speaker 1: is just filled with four people but had almost twelve 104 00:05:38,640 --> 00:05:42,080 Speaker 1: with a family of six, uh in there trying to 105 00:05:42,160 --> 00:05:49,479 Speaker 1: just flee. My question is, uh, concerning the journalists and everyone. 106 00:05:49,520 --> 00:05:52,560 Speaker 1: They're supporting them, cameras and all that. I mean, they're 107 00:05:52,600 --> 00:05:55,880 Speaker 1: there and they're saying, Okay, they're gonna be or any 108 00:05:55,880 --> 00:06:00,520 Speaker 1: second now, what are they thinking? Like, supposedly they are 109 00:06:00,520 --> 00:06:02,720 Speaker 1: supposed to be protected, but I don't think that those 110 00:06:02,839 --> 00:06:06,280 Speaker 1: rules apply at all times, right, I believe to journalists 111 00:06:06,320 --> 00:06:10,560 Speaker 1: actually just got shot um yesterday, that happened. I need 112 00:06:10,560 --> 00:06:13,000 Speaker 1: to check on how they're doing. But as much as 113 00:06:13,080 --> 00:06:15,039 Speaker 1: you want to think that they're protected, how do you 114 00:06:15,080 --> 00:06:17,039 Speaker 1: know where a shell is gonna land. You don't know 115 00:06:17,240 --> 00:06:19,360 Speaker 1: where any of that stuff is gonna happen. So these 116 00:06:19,360 --> 00:06:21,080 Speaker 1: people heading out in the field to do that, I 117 00:06:21,080 --> 00:06:23,279 Speaker 1: am just always so amazed and impressed by them and 118 00:06:23,279 --> 00:06:26,120 Speaker 1: thankful that they exist. But it's not super safe for 119 00:06:26,160 --> 00:06:28,600 Speaker 1: them over there either. I saw the video just just 120 00:06:28,680 --> 00:06:30,640 Speaker 1: a few minutes ago of the building that they had 121 00:06:31,040 --> 00:06:33,440 Speaker 1: bombed in the Ukraine, and you can see it's just 122 00:06:33,480 --> 00:06:35,000 Speaker 1: there are cars driving by the street, it was a 123 00:06:35,000 --> 00:06:36,760 Speaker 1: normal day and the bomb just falls out of the 124 00:06:36,800 --> 00:06:39,280 Speaker 1: sky and hits the right corner of this building, there's 125 00:06:39,320 --> 00:06:42,400 Speaker 1: a big explosion, and now they're, you know, assessing how 126 00:06:42,400 --> 00:06:44,320 Speaker 1: bad the damage is and how many people have been lost. 127 00:06:44,400 --> 00:06:46,800 Speaker 1: But it just it literally falls out of the sky 128 00:06:46,839 --> 00:06:49,280 Speaker 1: and comes out of nowhere in these poor people. My 129 00:06:49,360 --> 00:06:51,640 Speaker 1: mom was saying, how crazy it is that, you know, 130 00:06:51,720 --> 00:06:54,400 Speaker 1: back in the day, it took days to get the 131 00:06:54,400 --> 00:06:56,640 Speaker 1: news of what was going on because you didn't have 132 00:06:56,720 --> 00:07:01,080 Speaker 1: all this instant access on Instagram more, you know, things 133 00:07:01,120 --> 00:07:03,440 Speaker 1: like that. She said, Sometimes we wouldn't find out things 134 00:07:03,480 --> 00:07:06,000 Speaker 1: were going on, and you know who did what to who, 135 00:07:06,000 --> 00:07:07,640 Speaker 1: And now it's right in front of your face and 136 00:07:07,720 --> 00:07:10,520 Speaker 1: you watch it unfold. It's crazy. So would you prefer 137 00:07:10,760 --> 00:07:13,480 Speaker 1: a life like that where all communication, as far as 138 00:07:13,560 --> 00:07:17,280 Speaker 1: journalistic communication goes, is severed, so we don't see what's 139 00:07:17,280 --> 00:07:20,360 Speaker 1: happening as it's happening, and we just hear reports. I 140 00:07:20,360 --> 00:07:23,640 Speaker 1: don't know, maybe sometimes maybe, depending on what it is. 141 00:07:24,080 --> 00:07:28,120 Speaker 1: I mean, you remember, you won't remember this, but I'm 142 00:07:28,120 --> 00:07:30,760 Speaker 1: sure you've seen footage like Elvis has seen footage. World 143 00:07:30,760 --> 00:07:33,040 Speaker 1: War two, you still have to go to the movies 144 00:07:33,560 --> 00:07:36,400 Speaker 1: and before the film would start, you would see a 145 00:07:36,440 --> 00:07:38,360 Speaker 1: film reel of what was going on in the war. 146 00:07:38,720 --> 00:07:40,360 Speaker 1: That's how you got your news like a week or 147 00:07:40,400 --> 00:07:45,320 Speaker 1: two later newsreels. In fact, William Randolph Hurst, who ran 148 00:07:45,400 --> 00:07:49,520 Speaker 1: many many powerful newspapers and eventually movies dudios around the country, 149 00:07:49,720 --> 00:07:52,800 Speaker 1: he was actually in a race with other newspaper and 150 00:07:52,840 --> 00:07:55,560 Speaker 1: media owners to get the footage and fly it over 151 00:07:55,600 --> 00:07:59,040 Speaker 1: and have it in the theater the next day. And 152 00:07:59,040 --> 00:08:01,520 Speaker 1: and that was cutting technology. Two days later, it was 153 00:08:01,520 --> 00:08:05,240 Speaker 1: cutting into technology. Back then, you have what would you 154 00:08:05,240 --> 00:08:07,720 Speaker 1: have to pay to go to that movie or like 155 00:08:07,720 --> 00:08:09,600 Speaker 1: like to get that news or they would run them 156 00:08:09,600 --> 00:08:12,120 Speaker 1: before the film you went to see typically, but they 157 00:08:12,160 --> 00:08:14,880 Speaker 1: also had theaters that they also experimented with theaters that 158 00:08:14,920 --> 00:08:17,040 Speaker 1: were just news theaters. Believe it or not, I don't 159 00:08:17,040 --> 00:08:20,640 Speaker 1: think they worked out. You know, imagine news theaters now. Yeah, 160 00:08:21,000 --> 00:08:23,600 Speaker 1: I don't know. Another thing to think about. And of course, 161 00:08:23,680 --> 00:08:27,000 Speaker 1: you know the way we we look at media and 162 00:08:27,000 --> 00:08:30,000 Speaker 1: we actually we look at content. You're seeing the bits 163 00:08:30,040 --> 00:08:33,840 Speaker 1: and pieces of TikTok videos and videos on Instagram which 164 00:08:33,840 --> 00:08:37,160 Speaker 1: were just scenes like a miniature scene, a three second scene, 165 00:08:37,200 --> 00:08:39,600 Speaker 1: a five second scene on a street corner where something's 166 00:08:39,640 --> 00:08:41,640 Speaker 1: happening whatever, and that's all you see. So we are 167 00:08:41,640 --> 00:08:45,400 Speaker 1: now clouded into thinking it's that way everywhere and in 168 00:08:45,480 --> 00:08:48,120 Speaker 1: the city. The same as a friend of yours who's 169 00:08:48,200 --> 00:08:50,240 Speaker 1: like scary, who's always in restaurants. You think, well, the 170 00:08:50,280 --> 00:08:52,200 Speaker 1: guy never goes to bed, he's always in a restaurant. 171 00:08:52,840 --> 00:08:56,360 Speaker 1: That's always, that's always. See you know, I don't know. 172 00:08:56,400 --> 00:08:58,480 Speaker 1: It's very interesting to see how we're covering this or 173 00:08:58,640 --> 00:09:06,600 Speaker 1: they're covering it. Yeah, So to be continued, right, to 174 00:09:06,679 --> 00:09:08,720 Speaker 1: be continued, anything else you wanna talk about. I think 175 00:09:08,760 --> 00:09:13,000 Speaker 1: we're done. Yeah, you know what. God bless the world, 176 00:09:13,080 --> 00:09:17,120 Speaker 1: God blessed the citizens and the President of Ukraine. Have 177 00:09:17,160 --> 00:09:24,679 Speaker 1: a good day. The fifteen Minute Morning Show