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Speaker 1: And his Drink chs motherfucking podcast make He's a legendary

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Speaker 1: queen's rapper. He's like, is your boy in o R.

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Speaker 1: He's a Miami hippop pioneer up his dj e FN

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast and your number one

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Speaker 1: source for drunk fast drinks mother. Every day is New year'

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Speaker 1: ze time for drink Champs Drink up mother? Would it

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Speaker 1: could be hoping he's would have suit me? This your

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Speaker 1: boy in O what up is d j e F

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Speaker 1: and this drink chat? Thanks Giving make some right now?

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Speaker 1: Right now? Usually do a crazy entry. Oh you know,

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Speaker 1: we got three guests is joining us besides the family

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Speaker 1: people that's here. Usually give a crazy intro. But what

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Speaker 1: I would rather do this time is Thanksgiving, So I

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Speaker 1: would like, you know everyone, I'm pass the mike to

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Speaker 1: the people who that's you know, Uh, that's that's that's

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Speaker 1: that's that's that's our guests. We're gonna start with My

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Speaker 1: brothers have left. I came. Yes, I can reach out, love, love,

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Speaker 1: and direct b DP all day, every motherfucking day all

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Speaker 1: we do. Spark Man is respect executive from Deth Jaff

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Speaker 1: go ahead androduce yourself. That's from death Jam. I'm just heredam.

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Speaker 1: That's right, goddamn, make some little guy right off. It's

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Speaker 1: rated all here multiplane production, Mike, are you speaking into

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Speaker 1: it's raining, a multi planting production, and I'm here with

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Speaker 1: all my brothers very grateful because not everybody can make

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Speaker 1: it to the next Thanksgiving. That's right. That's a little so,

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Speaker 1: little fellas. Before we jump into the thing, I want

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Speaker 1: you to know that Drink Champs going on our two

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Speaker 1: year anniverse. We own revolt I believe you three years,

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Speaker 1: three years altogether, but it's a two year anniverse. We

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Speaker 1: own revoult Um. So we're gonna give things to that.

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Speaker 1: But before we even move on, I want to just

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Speaker 1: pass the mic from the right to the laft and

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Speaker 1: just be in this Thanksgiving. I want everyone to say

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Speaker 1: something that they thankful. Four start with you, Paul. We're

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Speaker 1: going on my name and Paul, this is Drink Chance Sports.

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Speaker 1: YEA heard me out there throughout the three years. I

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Speaker 1: love No I love year from for the motivation. So

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Speaker 1: I look to everybody at the table, dream Big hip

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Speaker 1: Hop podcast, salute. That's it, that's what You're great. Now

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Speaker 1: I want to give a shout out to everybody that's

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Speaker 1: describing to me, and I want to give a shout

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Speaker 1: out to the hip hop that's actually accepting us as

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Speaker 1: a part of the culture. This is a hip hop culture.

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Speaker 1: Drink Chance and r E and Norri has added onto

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Speaker 1: the hip hop culture. And yeah, we're moving forward and

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Speaker 1: it is what it is. But the culture has accepted

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Speaker 1: everything that we're doing. And as a blessing, salute, shout

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Speaker 1: out to my godkids. His kids are my God kids.

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Speaker 1: Come on, shout out to all six of my kids. Yeah,

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Speaker 1: I don't wrong, ded Ali, Carlos Madison and Dee Bot.

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Speaker 1: How did you boy? You send me out? Well, you

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Speaker 1: just have a new kids, haven't got got a new house.

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Speaker 1: I'm guessing I mean new house and it's a new house.

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Speaker 1: You bought the whole house. Ye alright, alright, alright, grateful.

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Speaker 1: I'm grateful just to have a healthy baby. Congratulations, I

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Speaker 1: didn't didn't you didn't work for years. I'm so happy

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Speaker 1: for you because I know you've been going around a

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Speaker 1: couple of things for years and then it's not working.

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Speaker 1: I just playing, So I'm just playing. This isn't joke.

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Speaker 1: But no, no. I mean, look man, if anything, that's

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Speaker 1: all I'm really grateful for. Man, thank you for having

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Speaker 1: a healthy baby. And I love my baby girl, man,

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Speaker 1: and I just live for her. Now. It's a whole

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Speaker 1: different life right now that man like shot holding it

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Speaker 1: down straight up. Yeah. Ready, I'm just grateful for having

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Speaker 1: a beautiful family. My son who's autistic, is talking better

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Speaker 1: than ever, so that's a blessing. And just to be alive, man,

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Speaker 1: Just to be alive with money, with no money, you

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Speaker 1: know what I'm saying. We've got all these beautiful people

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Speaker 1: around us. You know, like I said, things are going

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Speaker 1: so crazy these days that you know, you're getting phone calls,

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Speaker 1: people are dying on us. So at the end of

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Speaker 1: the day, night, every day, it is worth a million

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Speaker 1: and sold you respect respecting? Are you all welcoming for

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Speaker 1: the what is it? You don't say what market Champ's family,

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Speaker 1: my own family. Uh, to be alive, to be relatively healthy,

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Speaker 1: and just you know, thankful for opportunity because you know

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Speaker 1: we're all here, we all have some type of our

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Speaker 1: opportunity that we need to be grateful for it. So

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Speaker 1: I'm glad I'm here with you guys, and I'm just

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Speaker 1: thankful for that way we're living for another day. Oh man,

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Speaker 1: I for my wealth, I'm thankful for my freedom. I'm

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Speaker 1: thankful for good people around me. I'm thankful that we

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Speaker 1: can wake up every day and go do what we

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Speaker 1: want to do and how we want to do it.

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Speaker 1: You know, we could always be worse. But you know,

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Speaker 1: I'm thankful for the small things because you know what,

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Speaker 1: tomorrow ain problems for nobody and everybody get locked up

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Speaker 1: all this bullshit. I'm happy to be out and be

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Speaker 1: happy and be with my family tomorrow. Than go ahead, twin.

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Speaker 1: Oh man, I'm I'm definitely grateful to be here a

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Speaker 1: couple of days. Um, it's gonna make two mark two

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Speaker 1: years is my my tragic accident. So um it's it's

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Speaker 1: been uh a roller coaster. I was in a very

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Speaker 1: dark place and now I'm finally happy again. You know,

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Speaker 1: I'm driving, I'm doing what I did back when when

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Speaker 1: I was a normal nothing change, you know what I'm saying.

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Speaker 1: I'm really grateful for that because you know, it's very

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Speaker 1: from being um able body to disabled. It's very it's hard.

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Speaker 1: You know, you have to um be very strong minded

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Speaker 1: to to keep your head up there but I'm thankful

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Speaker 1: for having you guys. That it's been my and my

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Speaker 1: family that has been my number one support through this

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Speaker 1: whole thing. And I'm thankful for that. And if and

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Speaker 1: if it wasn't for you guys, I would not be here.

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Speaker 1: It won't be no DC Twins. So you already know,

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Speaker 1: man Twin is back and full of fact eating Man.

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Speaker 1: I'm thankful for family, Thankful for my wife, Jasmine. You know,

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Speaker 1: we're going on two years married in February, which is

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Speaker 1: also my birthday. So I'm thankful for another year. Life

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Speaker 1: about to touch fifty. It's big right now, you know.

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Speaker 1: And I'm thankful I got that what's app text from

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Speaker 1: Flori said, come wanted some things respect Trump, tumph and

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Speaker 1: I'm thankful to being a position to say dump Trump

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Speaker 1: legend class class, yes you know what I mean. I

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Speaker 1: mean class A K to reach your kid, I'm a

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Speaker 1: l you know what I mean. I'm very thankful to

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Speaker 1: be a most fam Hey, you know what I mean.

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Speaker 1: This is an honor, you know, because you know I

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Speaker 1: come from the age of the real hip hop and

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Speaker 1: when when when there was no bullshit allowed? Now you

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Speaker 1: know what I mean. We we wortered down a little bit.

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Speaker 1: But like I said, this right here, d j F.

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Speaker 1: And that's the family. Know when we go way back

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Speaker 1: like car seats. You know, my man nor you know

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Speaker 1: we brought up both of that, my man Hock when

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Speaker 1: he gave me the course. Say, yo, I'm coming to

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Speaker 1: the Dream Champs. I need you to come through. You

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Speaker 1: know I gotta come represent for the Mores. You know

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Speaker 1: what I mean for the Mores. Yeah, yeah, I tell

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Speaker 1: come back voice man. Yeah, what's up with us? Man?

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Speaker 1: Come on? Yeah, come on, pull up, pull up, make

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Speaker 1: sure you keep your cords. Yo? What up his hands?

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Speaker 1: Has it sounds you already know what it is. Thankful

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Speaker 1: for my life, my family. You know what I'm saying.

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Speaker 1: My two boys. Boy you alright over you just want

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Speaker 1: to get my give my to my two sons a

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Speaker 1: shot out. They listened to the show sometimes. Um Christian

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Speaker 1: Isaiah Isai Calias. I love y'all y'all the reason why

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Speaker 1: I do it what I do and it's gonna be

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Speaker 1: you know good. Thanks for life, for health and all

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Speaker 1: y'all y'all. My brother's much love. I mean the team

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Speaker 1: opportunity at boy Boys. You want to talk in Spanish

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Speaker 1: in Peruvian. Come on, I'm not bother. Not come and

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Speaker 1: comes you see something english Man speak of speak. You

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Speaker 1: could have gone right there, but it's okay, right, you're

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Speaker 1: right in full have you guys as a family. You

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Speaker 1: know what I'm saying. I think you and you know

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Speaker 1: what I'm saying here what you know saying and I

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Speaker 1: think everybody you know what I'm saying for giveing me

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Speaker 1: a lot of opportunities to it's be here. You know

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Speaker 1: what I'm saying. Keep going, keep going, man, But I'm

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Speaker 1: not easy. A little broamily going first, keeping the same size.

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Speaker 1: And he was thirteen. He grew up around. He might

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Speaker 1: raise him a little wrong, but he grew tried. Best

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Speaker 1: I've seen fos taking ecstasy at thirteen. I'm taking the

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Speaker 1: Miami Boys got damn he take you, but we take

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Speaker 1: you to have you speak on intro for right, you're

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Speaker 1: coming a roster. Let's do it right right like check. Uh,

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Speaker 1: just thankful for the drink Champs family, Thanks for for

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Speaker 1: my family that said thankful for you know, um, everybody

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Speaker 1: that's giving me the opportunity to growth, Everybody that's acknowledging

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Speaker 1: the opportunity of growth. And yeah, let's keep it moving girls,

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Speaker 1: anybody else in the room want to say anything, but

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Speaker 1: you know, ultimately we want to thank the Drink Champs

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Speaker 1: army that has supported us from day one. Without y'all,

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Speaker 1: we wouldn't be here today. And ultimately myself, I want

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Speaker 1: to say thank you hip hop period. You know what

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Speaker 1: I'm saying, because it provided opportunities for us. So I

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Speaker 1: want to say be thankful to the hip hop as well.

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Speaker 1: Thank you to Drink Chaps family, thank you to my

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Speaker 1: real family, thank you to everybody that's you know, it's

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Speaker 1: been a real roader coaster these past couple of years, UM,

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Speaker 1: seeing ups and downs in betweens and everything. But we're

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Speaker 1: here and we're still representing hip hop is still um

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Speaker 1: putting hip hop on our shoulders and putting hip hop first.

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Speaker 1: So um, that's what I'm thinking for for just us

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Speaker 1: being on the front line and putting our own careers

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Speaker 1: on a lot. A lot of people don't know we

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Speaker 1: we did this for six to a year, almost a

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Speaker 1: year without even getting paid if he was actually spending

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Speaker 1: our own money. But we believed in the hip hop

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Speaker 1: so much and even although we wasn't getting the recognition

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Speaker 1: up front, Um, we knew the impact and what the

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Speaker 1: impact was mean. So you know, I'm very grateful for that.

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Speaker 1: So with that, I'm gonna call a couple of hip

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Speaker 1: hop friends. Let's see who picks up right now. Let's

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Speaker 1: picks up right now, Let's see what they're grateful for. Goddamn,

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Speaker 1: the pole is ready. That bottled look like it comes

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Speaker 1: with a two bott four. Ain't nothing gentleman about this.

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Speaker 1: Hold hold everybody, what's going on? The style for the

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Speaker 1: ghost makes Yo style speed to the south Man. It's Thanksgiving,

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Speaker 1: So we're just going around acting everybody what they thankful for.

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Speaker 1: I'm thankful to be breathing. I'm thankful for family. I

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Speaker 1: thankful for the creative first and foremost of him making

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Speaker 1: me breathe. I'm thankful for music. I'm thankful for we.

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Speaker 1: I'm thankful for hip hop definitely. I'm thankful for good

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Speaker 1: brothers like y'all on to drink stamps. I'm thankful for

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Speaker 1: a lot, man, Man for so much. My listen is very,

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Speaker 1: very long. But what I'm thankful for Man Styles Man.

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Speaker 1: As a person who seen you from the beginning to now,

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Speaker 1: I gotta thank you for you know, your evolution and

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Speaker 1: your growth as a person. I could just see I

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Speaker 1: sort of change like personally. So I want to thank you, man,

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Speaker 1: because you know your inspiration to me. Thank you brother

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Speaker 1: did oh man staying here man, you know you know

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Speaker 1: how it is out there. We gotta all growth, try

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Speaker 1: to mitro and like you said, you know, a lot

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Speaker 1: of a lot of getting a lot of us didn't

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Speaker 1: men get a lot of bubbles locked up, a lot

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Speaker 1: of bubbs, dead dad, a lot of brothers in the

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Speaker 1: bad situation. So you gotta just kind of be thankful

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Speaker 1: to be breven a lot. So just so tweeting tweets,

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Speaker 1: give life, man, you know what I mean? You know

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Speaker 1: I like talking shit. Oh, thank you stuff? Well, happy

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Speaker 1: happy days giving? Styles word up, Yeah for sure? Oh yeah,

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Speaker 1: I got it. You know what we're gon back. You

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Speaker 1: know we're on back for that's true. I forgot my

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Speaker 1: old slippers. You know what I got you? I got

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Speaker 1: you know, I got that. Whose sizes are you back

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Speaker 1: to you? And nine? I got that. I got that

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Speaker 1: for you? You got that all right? Styles? Happy days giving? Oh?

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Speaker 1: I love love love pat. So I make some going

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Speaker 1: to stop for you. You got you to do what

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Speaker 1: I'm saying, Uh, let's try the more call then We're

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Speaker 1: gonna go to capone laughter, because also to see Ann.

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Speaker 1: You know, I didn't know eighteen years I didn't know

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Speaker 1: that's the same day as my father's birthday. I totally forgotten. Yeah,

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Speaker 1: so my fault. God bless your dad. Respect. Hello, don't

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Speaker 1: let her talks for calling a couple of rappers. Yeah wait,

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Speaker 1: Chong call last week, right, he could think some people.

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Speaker 1: You know, what's going on is Jim Jones and drinks. Yes,

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Speaker 1: Jim Jones be calling everybody to see what they thankful for.

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Speaker 1: But before I actually what you thankful for, I want

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Speaker 1: to say a big congratulations to you guys out there,

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Speaker 1: and that the Matt tour bus. You guys out there

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Speaker 1: with that big concert happening tonight, you know what I'm saying.

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Speaker 1: And the album I want to say congratulations my brother man,

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Speaker 1: Thank you very much America coming from you absolutely man.

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Speaker 1: You know, we know the album come out today and

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Speaker 1: this episode is out today, so we wanted to just actually,

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Speaker 1: real quick, what do you thankful for in this thanksgiving? Um,

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Speaker 1: I'm thankful family on mom, thank you for my diplomatic brothers.

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Speaker 1: Then and see him back together. They don't want to

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Speaker 1: call the communicating then being there a very dope thing.

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Speaker 1: And I mean and and the being of the game. Man.

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Speaker 1: You know, I got no many twenty years later, so

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Speaker 1: thank you. Hell yeah man. And I heard your quarterback

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Speaker 1: in the whole dip sad thing. I'm hearing your A

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Speaker 1: and R and and everything. Um yeah, I mean I

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Speaker 1: had to put my working hand on for for the album,

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Speaker 1: but it was a great experience. Man. Just the bea

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Speaker 1: see my brother's working in action and then just putting

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Speaker 1: it together was all fun to me. That great. Well,

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Speaker 1: definitely we're gonna let the people know to get that

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Speaker 1: diplomat ties, right, go get that, go get that, get

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Speaker 1: diplomatic diplomatic time yesterday, and congratulations on everything. If you're

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Speaker 1: in the New York City area, make sure you go

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Speaker 1: out there and go see him at the floor. Framerus Apollo, goddamnit.

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Speaker 1: Make some choice for Jim Joe. Yeah, yo, thank you,

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Speaker 1: thank you so much. Yeah, y'all everyone, y'all, and day

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Speaker 1: We're gonna do it, my nigga. Thank you all right,

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Speaker 1: one love one. You know what I'm saying. We got

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Speaker 1: hip hop, all right. So um, before we jump into

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Speaker 1: the next couple, let me let me just get this

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Speaker 1: other phone call knocked out the way because Capone and

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Speaker 1: Noriega just turned eighteen years old in our second album,

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Speaker 1: You Have Hot y'all. Y'all was going on components on

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Speaker 1: the phone, make something yea, Yo, you had an album

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Speaker 1: that turned eighteen years old today. How are you feeling.

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Speaker 1: I'm feeling blessed, man. I'm feeling real blessed man because

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Speaker 1: that the album is might better right there for me.

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Speaker 1: That was my baby soon as I came on from jail.

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Speaker 1: You know what I'm saying. So I'm feeling real blessed

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Speaker 1: right right right man, I remember that day you came

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Speaker 1: on from jail. Baby, you're someone like corn Craft. Soap

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Speaker 1: y'all do that right, good poel your questions say it again.

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Speaker 1: Most of most of the albums recorded here in Miami

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Speaker 1: and Hip Factory. Um again, think he asked. Most of

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Speaker 1: the album Reunion was recorded in my that's gonna I'm

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Speaker 1: telling you the answer. We did most of it, but

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Speaker 1: we did a lot of sound on sound too, so

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Speaker 1: I haven't had the whole skin we went to. Yeah, yeah,

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Speaker 1: we were super super saucy. That was so real though.

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Speaker 1: That was so Paul this Thanksgiving were just asking everybody

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Speaker 1: what they thankful for Thanksgiving, so would be no uh,

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Speaker 1: you know we had to ask you as well. Yeah,

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Speaker 1: no doubt. You know that I'm thankful for just being alive, man,

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Speaker 1: Thankful being alive, Thankful for my family, thank for having

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Speaker 1: great people on my corner. You know what I'm saying

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Speaker 1: to keep me ground, and you know what I'm saying that,

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Speaker 1: I'm just think that. You know, I just lived to

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Speaker 1: see another day. Man. That's all you can do. As

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Speaker 1: long as you wake up. You just beat for the man,

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Speaker 1: man world up, man, bro, congratulations on that eighteen years.

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Speaker 1: You know you got a twenty this year, we got

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Speaker 1: a twenty album turning twenty one years old. So I'm

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Speaker 1: confectently drink. You know what I'm saying. We're gonna Get'm

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Speaker 1: gonna get drunk for the album. Jefferly Yogo poem. Been

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Speaker 1: seeing you man. You'll tell your family happy holidays and

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Speaker 1: everything man, and hopefully we get to see you off

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Speaker 1: here soon, no doubt, family, I love you. I love

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Speaker 1: y'all too one love Come on, make all right now.

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Speaker 1: I want out. Now that you've got that all out

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Speaker 1: the way, this is when I want to get dig

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Speaker 1: into hot topics or fucking current events. First off, first off,

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Speaker 1: first or first of everybody, and make sure that door closes.

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Speaker 1: I wanted a moment of silence for Keim Porter real fast,

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Speaker 1: real quick. God bless Kim Border. Um that was shocking,

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Speaker 1: you know what I'm saying. Why don't really want to

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Speaker 1: get into that because I don't know the details, and um,

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Speaker 1: it's kind of a skency situation. But I do want

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Speaker 1: to say west in peace to the Porter family, rest

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Speaker 1: and peace to the Colons family. Condutace is on both sides,

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Speaker 1: and you know, whatever happens. But moving on, I want

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Speaker 1: to get into something that we all indulged in. This

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Speaker 1: is Thanksgiving? What the fun is going on with Takashi

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Speaker 1: six nine? Uh yeah, man, hey you gotta have some

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Speaker 1: juicy listen. Then, first of first off, a good friend

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Speaker 1: of mis fat Joe uh schooled them. I don't know,

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Speaker 1: if you see the party on you, that's what you

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Speaker 1: need to do. He try so so um uh yeah,

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Speaker 1: you came into the game seven eighty seven with year

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Speaker 1: you okay, so you first, have you ever seen something

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Speaker 1: like this unfold in the industry like I've seen like

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Speaker 1: the unfold with kids? Don't know what they're doing in

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Speaker 1: the hood. But I've never seen somebody do this on television.

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Speaker 1: It's the first time. Like we're people promote the wrong

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Speaker 1: subjects and hold on, what a second? Hold on what

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Speaker 1: a second? Fat Joe the dog is called man. Yo,

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Speaker 1: listen you listen, Yo. You're the hottest guy in viral

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Speaker 1: with the internet right now. We're talking about Tassi six

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Speaker 1: nine um and then so so, so, what did you

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Speaker 1: feel when you see that your your your video went

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Speaker 1: viral for for some advice that you gave this this kid? Man?

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Speaker 1: I felt I felt, actually I felt, dad, that it

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Speaker 1: went viral because because of something. You know, this kid

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Speaker 1: might go to jail for Haever, don't I felt that, Yeah,

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Speaker 1: that was the reason I went viral. Fun you're gonna

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Speaker 1: trying to warn the kids, man, And I met him

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Speaker 1: a couple of times. You ain't gonna out of here

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Speaker 1: to go, kid, I'm saying so, And I don't wish

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Speaker 1: he told us that after that? Yeah, so I couldn't.

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Speaker 1: You know, I feel bad for the kids, really right,

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Speaker 1: I'm saying, no, no doubt. So Fat Joe we called him.

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Speaker 1: Everybody accing on what they're thankful for this Thanksgiving, So

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Speaker 1: we just got to ask you that as well. You're

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Speaker 1: my brother, you know, one of my best friends, the

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Speaker 1: Plan to Earth. I love your kids, I love your wife,

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Speaker 1: I love Drea check and let's eat. Let's do it.

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Speaker 1: I see you there, brother love Aye. So um, he

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Speaker 1: was getting to you right? Have you ever seen that? Like?

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Speaker 1: Like what I mean is I've seen gimmicks before. I've

355
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Speaker 1: seen people, you know, do things that you know that

356
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Speaker 1: not about their life. I've never seen nobody go this

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Speaker 1: far to this furthest to step in front of this

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Speaker 1: type of audience, have you now, I haven't seen that

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00:21:52,440 --> 00:21:54,920
Speaker 1: of that Like this, This kid just has a show

360
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Speaker 1: like for everything and all his moves, you know, I

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Speaker 1: kind of feel like he moves like fifty I don't

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Speaker 1: you know what I mean. I see that, I see

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Speaker 1: his his his mechanisms, where he goes. I meant the

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Speaker 1: kid personally, I was. I was lucky to meet him

365
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Speaker 1: at Swisses event, you know, shout out to big Swiss

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Speaker 1: doing good things. But I met him and I had

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Speaker 1: a great conversation with him, so I already knew who

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Speaker 1: kid knows what he's doing. But you know, far as

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Speaker 1: promoting something my dick and all that other stuff like

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Speaker 1: that's wild man, because like you know, your sons are

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Speaker 1: in the court, tell you Dad's something my dick if

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Speaker 1: they keep listening to this. But that's so this this

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Speaker 1: is where I see it goes left. So that's something

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Speaker 1: I think he should work on. And it has to

375
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Speaker 1: do like people talking before. It's his peers, his team

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Speaker 1: is supposed to do, you know, direct him into the

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Speaker 1: right order as you can hear him though, because it's

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Speaker 1: it don't seem like okay, so so um uh you

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Speaker 1: being an executive at a record label, um, especially this

380
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Speaker 1: kid is at Universal So University basically your parent company

381
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Speaker 1: of depth jam correct. Um yeah, so if you if

382
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Speaker 1: he is your artists, how would you like you to

383
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Speaker 1: win about this? That's the tough, right. You can't really

384
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Speaker 1: tell grown man what to do these days when he's

385
00:23:09,119 --> 00:23:12,000
Speaker 1: not a grown man. But you know, and you know

386
00:23:12,119 --> 00:23:15,120
Speaker 1: these kids, you can't to kids, that's true. That's true,

387
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Speaker 1: especially with social media. If you can only you know,

388
00:23:17,600 --> 00:23:19,360
Speaker 1: you can do like Fat Joe did and you don't

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Speaker 1: try to help him out and speak to him. But

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Speaker 1: you know, at the end of the day, everybody's will

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Speaker 1: make their own decisions. If the corporate structure is making

392
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Speaker 1: money out and are they gonna intervene it on? Of

393
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Speaker 1: course to an extent and not saying it like that,

394
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Speaker 1: but you know, it depends. That's a tricky that's a

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Speaker 1: tricky situation because you know, I don't think people were

396
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Speaker 1: paying attention the way we are because we see it

397
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Speaker 1: every day on social media and this is this is,

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Speaker 1: this is our culture. So we look at it and

399
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Speaker 1: we paying attention to it, I think more than the

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Speaker 1: higher ups are doing, because you know, we see it

401
00:23:49,200 --> 00:23:51,520
Speaker 1: more than they are, right, but we're part of Yeah,

402
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Speaker 1: but we don't instagram our kids on integram. This is this,

403
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Speaker 1: this is what they're looking up to. So where where

404
00:23:56,560 --> 00:23:59,280
Speaker 1: what's going on by the minute, So you know, I

405
00:23:59,359 --> 00:24:02,680
Speaker 1: think it's a differ friend aspect of who's watching it,

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00:24:02,800 --> 00:24:05,280
Speaker 1: who's paying or texting. And I'm sure to be honest,

407
00:24:05,320 --> 00:24:07,080
Speaker 1: and after every day, nobody throwing it would have got

408
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Speaker 1: this serious body thought the fact we're gonna come get him.

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Speaker 1: Really nobody thought. I'm just saying to that, like, ain't

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Speaker 1: the way that the dude was talking and the way

411
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Speaker 1: the dude was moving like I mean, I think it's

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Speaker 1: the first one to move like that like that and

413
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Speaker 1: then and there hasn't been the first one that hasn't

414
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Speaker 1: been approached mother fats too know. But but here's the problem.

415
00:24:24,800 --> 00:24:26,719
Speaker 1: The problem when the FETs first got involved with hip

416
00:24:26,760 --> 00:24:28,920
Speaker 1: hop was was it was the hip hop police, and

417
00:24:28,960 --> 00:24:31,439
Speaker 1: the hip hop police been involved. But when the FETs

418
00:24:31,520 --> 00:24:33,840
Speaker 1: got involved, that's because hip hop police wasn't making cases.

419
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Speaker 1: When the FETs got involved shooting the shooting between you know,

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Speaker 1: uh Junior Mafia and Dug Up Entertainment, when the FETs

421
00:24:42,160 --> 00:24:45,800
Speaker 1: can actually pinpointed case and and actually when Kim you know,

422
00:24:46,280 --> 00:24:49,119
Speaker 1: you know, gave them the information. The FETZ has had

423
00:24:49,119 --> 00:24:51,400
Speaker 1: a hard off for hip hop since and they've been

424
00:24:51,480 --> 00:24:56,280
Speaker 1: wanting to show people. Example, Bobby schmurder was unfortunately it

425
00:24:56,400 --> 00:25:00,720
Speaker 1: was fortunately for him was state. Even though it could

426
00:25:00,720 --> 00:25:03,280
Speaker 1: be a body, if it's not crossing a certain lines,

427
00:25:03,600 --> 00:25:05,920
Speaker 1: the FETs won't pick it up. The FETs picked this

428
00:25:06,200 --> 00:25:10,280
Speaker 1: up because of the trafficking, Yeah, the interstate traffickings. The

429
00:25:10,359 --> 00:25:13,680
Speaker 1: fest was like and we go so to put it

430
00:25:13,680 --> 00:25:16,800
Speaker 1: in perspective, rico are are usually cases that are applied

431
00:25:16,840 --> 00:25:20,600
Speaker 1: to the mafia or mobs. Know that that's that's that's

432
00:25:20,600 --> 00:25:23,439
Speaker 1: how it's invented. But here's the deal. It's five of them,

433
00:25:23,760 --> 00:25:26,440
Speaker 1: five or more members who claim the same name. So

434
00:25:26,560 --> 00:25:28,720
Speaker 1: it's a talking about you. How you you? You know what?

435
00:25:28,960 --> 00:25:31,359
Speaker 1: How about you? I could? I could. I don't know

436
00:25:31,440 --> 00:25:34,520
Speaker 1: if I'm correct when I'm about to say, but you

437
00:25:34,600 --> 00:25:36,800
Speaker 1: guys came in a game where there was no gimmicks.

438
00:25:37,080 --> 00:25:39,440
Speaker 1: You have to be nice. Yeah, no, you definitely have

439
00:25:39,520 --> 00:25:42,440
Speaker 1: not you in terms of the rap game, you have

440
00:25:42,560 --> 00:25:44,240
Speaker 1: to be creative, if you have to be original, you

441
00:25:44,320 --> 00:25:46,080
Speaker 1: had to come up. You know what I'm saying. It

442
00:25:46,160 --> 00:25:48,119
Speaker 1: wasn't You can't just hop in the game because what

443
00:25:48,160 --> 00:25:49,800
Speaker 1: a lot of people don't know, Sergeant to cut you off,

444
00:25:49,800 --> 00:25:51,720
Speaker 1: A lot of people don't know. Because Kasi six nine

445
00:25:51,840 --> 00:25:58,920
Speaker 1: is like DMX and Onyx a baby his music and

446
00:25:59,040 --> 00:26:02,240
Speaker 1: he reminds me of two pop a little bit too well,

447
00:26:02,359 --> 00:26:07,240
Speaker 1: he's gonna be yeah yeah, unfortunately, and he got a

448
00:26:07,280 --> 00:26:11,800
Speaker 1: little singing to him. I don't know what man understand,

449
00:26:11,840 --> 00:26:14,959
Speaker 1: but it's just it's just an unfortunate because we're live

450
00:26:14,960 --> 00:26:17,000
Speaker 1: in the shock value culture. You know what I'm saying.

451
00:26:17,000 --> 00:26:18,440
Speaker 1: I was a school teacher, you know what I'm saying.

452
00:26:18,560 --> 00:26:20,440
Speaker 1: So like when I came in the game, it was

453
00:26:20,560 --> 00:26:22,200
Speaker 1: like you know, I came up with a caress one

454
00:26:22,600 --> 00:26:24,600
Speaker 1: t d s all that you don't say. It was

455
00:26:24,600 --> 00:26:27,680
Speaker 1: like a responsibility, so little boy a certain ethic, you

456
00:26:27,680 --> 00:26:30,040
Speaker 1: know what I mean? And you see that change over time.

457
00:26:30,720 --> 00:26:32,879
Speaker 1: Takashi right now is just like the epitome of that,

458
00:26:33,040 --> 00:26:35,960
Speaker 1: like we're just gonna do whatever, say whatever, do whatever,

459
00:26:36,119 --> 00:26:37,920
Speaker 1: just to get the shock value, get the lights getting

460
00:26:38,040 --> 00:26:40,480
Speaker 1: And it was working. Yeah, and it was working. But

461
00:26:40,720 --> 00:26:42,600
Speaker 1: like you said, you know, you have these terms that

462
00:26:42,760 --> 00:26:45,480
Speaker 1: like kind of classified groups of people and you gotta

463
00:26:45,480 --> 00:26:47,120
Speaker 1: watch what you say, you gotta watch how you move,

464
00:26:47,160 --> 00:26:49,280
Speaker 1: you know what I mean, certain other people to be

465
00:26:49,359 --> 00:26:52,080
Speaker 1: doing stuff and we just don't like y'all, and we

466
00:26:52,200 --> 00:26:54,280
Speaker 1: want to grab all y'all. We could just name it

467
00:26:54,359 --> 00:26:56,639
Speaker 1: whatever and come on, let's get it popping. Did you

468
00:26:56,720 --> 00:26:59,440
Speaker 1: see the Burst Club interview with him? Yeah, you know what?

469
00:26:59,640 --> 00:27:02,560
Speaker 1: And I was extremely impressed. I see another clipping him

470
00:27:02,600 --> 00:27:07,200
Speaker 1: on YouTube and he's in dar he's a smart smarting

471
00:27:07,680 --> 00:27:11,960
Speaker 1: philosophy and metaphysics, like wow. So for me, the whole

472
00:27:12,040 --> 00:27:14,640
Speaker 1: thing wasn't gimmick, you know what I'm saying. I like something,

473
00:27:16,160 --> 00:27:19,240
Speaker 1: but if you definitely gimmicky, it's gimmicky because I'm trying

474
00:27:19,240 --> 00:27:20,720
Speaker 1: to do something to get a whole bunch of likes

475
00:27:20,800 --> 00:27:23,320
Speaker 1: right now, if you pay attention to the indictment, what

476
00:27:23,520 --> 00:27:27,320
Speaker 1: it actually says was after the breakfast club interview, because

477
00:27:27,320 --> 00:27:29,760
Speaker 1: he denounced his boys, but you should never do like you.

478
00:27:30,200 --> 00:27:33,640
Speaker 1: You could distance yourself without this and your boys management

479
00:27:33,680 --> 00:27:38,000
Speaker 1: with the gangsters. The gangster So when he did that, Um,

480
00:27:38,200 --> 00:27:40,640
Speaker 1: the fans actually came and got him and said, Yo, listen,

481
00:27:40,720 --> 00:27:43,040
Speaker 1: we're coming to get you because they were gonna do

482
00:27:43,119 --> 00:27:46,520
Speaker 1: you filthy wow. Yeah, they actually said they were gonna

483
00:27:46,640 --> 00:27:50,399
Speaker 1: they want to super violate you. That is so super

484
00:27:50,480 --> 00:27:53,560
Speaker 1: New York ship. Like when you use the word super wow,

485
00:27:54,280 --> 00:27:57,159
Speaker 1: that southings straight like she's like, are you got super?

486
00:27:57,440 --> 00:28:00,800
Speaker 1: Just like super? That's some eight in New York ships.

487
00:28:00,840 --> 00:28:02,880
Speaker 1: So when the FETs came to him and said there,

488
00:28:03,040 --> 00:28:05,880
Speaker 1: they said they were gonna super violate you. He said

489
00:28:05,920 --> 00:28:07,800
Speaker 1: on the interview that day was gonna get his mom's.

490
00:28:08,320 --> 00:28:13,719
Speaker 1: That was the promoters that I've never seen. I've never

491
00:28:13,800 --> 00:28:16,960
Speaker 1: seen somebody like I mean other than Kanye. What I

492
00:28:17,080 --> 00:28:19,680
Speaker 1: mean by Kanye, Kanye didn't lose his mind as far

493
00:28:19,840 --> 00:28:25,640
Speaker 1: as um. I'm talking about cultural currency, like what Tyler

494
00:28:26,040 --> 00:28:29,400
Speaker 1: said and culture currency meaning like in the culture where

495
00:28:29,440 --> 00:28:32,680
Speaker 1: people like, how can you spend your money? Um, I've

496
00:28:32,720 --> 00:28:36,200
Speaker 1: never seen that kid who had the whole world in

497
00:28:36,320 --> 00:28:40,840
Speaker 1: his hands. People tell him, Um, you're gonna You're gonna

498
00:28:40,920 --> 00:28:43,880
Speaker 1: fall at him, tell him suck his dick. And it's

499
00:28:43,920 --> 00:28:47,080
Speaker 1: just it's still worked though me laughing now, But it

500
00:28:47,200 --> 00:28:49,560
Speaker 1: still worked that his numbers was he was ten for ten.

501
00:28:49,680 --> 00:28:52,360
Speaker 1: The kid wasn't lying. He was timber ten on the billboard.

502
00:28:52,400 --> 00:28:55,240
Speaker 1: I know people who can't you on the billboard who's black?

503
00:28:55,360 --> 00:28:58,480
Speaker 1: But but but isn't that indicative of today's social media

504
00:28:58,520 --> 00:29:00,880
Speaker 1: age where it's like, I don't given whatever works for

505
00:29:00,960 --> 00:29:03,719
Speaker 1: me to get these followers, these likes, and it's sucked up.

506
00:29:03,880 --> 00:29:06,719
Speaker 1: Its fucked up. But it has to be an example

507
00:29:06,760 --> 00:29:09,120
Speaker 1: of where that goes. I'm popping next week. I don't

508
00:29:09,160 --> 00:29:12,080
Speaker 1: give a fun you get. Here's here's a deal. When

509
00:29:12,080 --> 00:29:14,800
Speaker 1: you're a drug dealer, you're doing something bad. There's examples

510
00:29:15,160 --> 00:29:18,280
Speaker 1: of of of a bad drug dealer where he ends

511
00:29:18,320 --> 00:29:20,080
Speaker 1: up at. The example is in the grave side of

512
00:29:20,160 --> 00:29:22,440
Speaker 1: a bad drug dealer. There isn't no example of a

513
00:29:23,120 --> 00:29:25,720
Speaker 1: troll going too far, and this will be the first one,

514
00:29:26,400 --> 00:29:28,680
Speaker 1: and it's fucked up. Troll culture. This would be this,

515
00:29:28,840 --> 00:29:30,680
Speaker 1: this will be for the troll culture because he's the

516
00:29:30,720 --> 00:29:33,600
Speaker 1: first troll. He's the first one that one that one

517
00:29:33,680 --> 00:29:35,440
Speaker 1: to He's the first one. He kid was getting a

518
00:29:35,520 --> 00:29:39,240
Speaker 1: hundred and eighty thousand twenty years. I've never got a

519
00:29:39,240 --> 00:29:46,400
Speaker 1: show four hundred and eighty tho hundred eight thousands, twenty years,

520
00:29:46,440 --> 00:29:48,880
Speaker 1: I've never got to show for hund eightyand I got one.

521
00:29:49,880 --> 00:29:52,320
Speaker 1: It was like a prince of Rabia some ships private.

522
00:29:54,240 --> 00:29:56,800
Speaker 1: It was like some dumb like that. But I wanted

523
00:29:56,880 --> 00:29:58,760
Speaker 1: hun just throwing it out there. It was like a

524
00:29:58,880 --> 00:30:01,200
Speaker 1: hunt he's getting. But what I'm trying to say is

525
00:30:01,320 --> 00:30:04,280
Speaker 1: that was his normal price. So he was the first

526
00:30:04,360 --> 00:30:08,320
Speaker 1: example of it actually working in trolling and they're actually working.

527
00:30:08,680 --> 00:30:11,080
Speaker 1: Have you ever did that? I like working with an

528
00:30:11,560 --> 00:30:14,160
Speaker 1: artist that you didn't agree with their method or their music,

529
00:30:14,360 --> 00:30:16,560
Speaker 1: or their their their output or was that to even

530
00:30:16,600 --> 00:30:19,520
Speaker 1: the strategy at the point, I don't think so, because

531
00:30:19,520 --> 00:30:21,720
Speaker 1: you know what, at the same time, you let a

532
00:30:21,760 --> 00:30:24,120
Speaker 1: lot of artists be creative. If that's how they created,

533
00:30:24,240 --> 00:30:26,240
Speaker 1: you can't. So you know, I'm there to do a

534
00:30:26,360 --> 00:30:28,880
Speaker 1: job and you know the relationship after that, it's a bonus.

535
00:30:29,360 --> 00:30:31,200
Speaker 1: I said, you know, I just do my job and

536
00:30:31,280 --> 00:30:33,280
Speaker 1: try to do the best, and you know, try to

537
00:30:33,520 --> 00:30:35,480
Speaker 1: relate to the artists that you knew. But you know,

538
00:30:35,560 --> 00:30:37,840
Speaker 1: I've never got involved in that or trying to tell

539
00:30:37,880 --> 00:30:39,520
Speaker 1: the artist what to do. Like I said, that's the

540
00:30:39,640 --> 00:30:42,720
Speaker 1: creative side, that's how they to promote yourself or that's

541
00:30:43,120 --> 00:30:45,960
Speaker 1: you know, a part of that plan. Can you say

542
00:30:46,560 --> 00:30:48,120
Speaker 1: last time I was hanging out with you are casting? No,

543
00:30:48,240 --> 00:30:50,320
Speaker 1: but you have beef at first before you got cool?

544
00:30:54,480 --> 00:30:56,320
Speaker 1: What happened at first? At first? I've met each other

545
00:30:56,440 --> 00:30:59,600
Speaker 1: with just some some bullshit. Man Man Man is a

546
00:30:59,600 --> 00:31:02,120
Speaker 1: great as my brother, great guy, and I like the cast.

547
00:31:03,440 --> 00:31:06,720
Speaker 1: I like to his stands on when everyone when Takashi

548
00:31:06,840 --> 00:31:09,040
Speaker 1: actually got locked up, and he hesn't one to step

549
00:31:09,160 --> 00:31:12,720
Speaker 1: up and be like why is everyone happy? He's once

550
00:31:12,760 --> 00:31:15,680
Speaker 1: you get to know him, at least, he's a genuine dude.

551
00:31:15,960 --> 00:31:17,640
Speaker 1: What he means brother. He was great on the show.

552
00:31:18,000 --> 00:31:20,880
Speaker 1: You know he has capa. I was on the road

553
00:31:20,960 --> 00:31:24,440
Speaker 1: with him for a few days. A blast. But yeah,

554
00:31:24,480 --> 00:31:27,800
Speaker 1: that's my man. Okay, now moving on if we go

555
00:31:27,880 --> 00:31:31,400
Speaker 1: back to it at any time. But Snoop Dogg Seves

556
00:31:31,400 --> 00:31:39,600
Speaker 1: of Hollywood, I mean, I'm gonna be honest to tell

557
00:31:39,640 --> 00:31:42,640
Speaker 1: you the truth. This is the honest truth. When I

558
00:31:42,760 --> 00:31:45,240
Speaker 1: looked at Snoop Dogg has a star on my timeline,

559
00:31:45,360 --> 00:31:50,480
Speaker 1: I skipped it because I thought it was because I

560
00:31:51,240 --> 00:31:55,600
Speaker 1: I thought he I have a start with no direspective

561
00:31:55,640 --> 00:32:01,880
Speaker 1: for I love you, even Snoop. So what do you

562
00:32:01,920 --> 00:32:03,600
Speaker 1: think about when you've seeing that? You know Snoop is

563
00:32:03,640 --> 00:32:06,320
Speaker 1: a great person, you know, trying definitely time. My seeing

564
00:32:06,520 --> 00:32:08,880
Speaker 1: is all love. So for me, he should have been

565
00:32:08,920 --> 00:32:11,400
Speaker 1: had a start. He's so I thought he did have

566
00:32:11,880 --> 00:32:14,680
Speaker 1: so much California. He's so much California, Like why why

567
00:32:14,680 --> 00:32:17,360
Speaker 1: wouldn't he be like first up to bat? Like Snoop

568
00:32:17,440 --> 00:32:19,960
Speaker 1: is a great guy. Congratulations to him, and he thanked

569
00:32:20,040 --> 00:32:29,200
Speaker 1: himself to in the speech. Yeah, exactly what you think

570
00:32:29,200 --> 00:32:31,239
Speaker 1: about Snoop Dogg having to stop? I love it? Man,

571
00:32:31,360 --> 00:32:35,600
Speaker 1: well deserved, you know, I was happy, Like I think

572
00:32:35,640 --> 00:32:39,200
Speaker 1: he represented this culture for a long time. He reinvented

573
00:32:39,280 --> 00:32:43,800
Speaker 1: himself so many times. He'd been deserved that star. All right, definitely,

574
00:32:46,800 --> 00:32:50,560
Speaker 1: come on, man, he be white House smoked the blow

575
00:32:50,920 --> 00:33:01,000
Speaker 1: drinking man. Don't be from your water, okay, po not

576
00:33:01,160 --> 00:33:06,680
Speaker 1: somewheason talking about a ship. This is the first guest ever.

577
00:33:07,440 --> 00:33:11,360
Speaker 1: He asked, sorry, my first name Jesus. Well, you know

578
00:33:11,440 --> 00:33:13,800
Speaker 1: that's herbs. And because you're on your vegan, I've seen

579
00:33:13,840 --> 00:33:15,960
Speaker 1: you this morning. You was cleaning greens. Yeah you know,

580
00:33:16,160 --> 00:33:21,560
Speaker 1: you know not to touch romade. Don't no doubt, don't

581
00:33:21,560 --> 00:33:25,120
Speaker 1: trust the romade. What happened with the romaine metas I

582
00:33:25,160 --> 00:33:28,200
Speaker 1: don't understand. He said it was some t coola. Yeah,

583
00:33:28,440 --> 00:33:33,680
Speaker 1: that's how they say in South Florida. Everywhere, everywhere, everywhere,

584
00:33:33,760 --> 00:33:38,760
Speaker 1: just everywhere, everywhere. Made today We're good. Yeah, sorry, you

585
00:33:39,360 --> 00:33:42,440
Speaker 1: see you walk in the restaurants. I had a big

586
00:33:42,520 --> 00:33:45,520
Speaker 1: bold of spinach today too. So that is that romaine

587
00:33:48,760 --> 00:33:52,880
Speaker 1: ship brains over romane. Is that you're about the board

588
00:33:53,120 --> 00:33:59,680
Speaker 1: like it's like it's pet shot glass, shot glass shot haze.

589
00:33:59,800 --> 00:34:02,040
Speaker 1: Well and not let's do it sex here, Let's take

590
00:34:02,080 --> 00:34:12,120
Speaker 1: a shot. I'm gonna be honest, have some great sea bass.

591
00:34:12,560 --> 00:34:15,680
Speaker 1: So I kept burping. I kept burping sea bass like

592
00:34:15,719 --> 00:34:18,640
Speaker 1: and this like it. It tastes so good. Tagger bone

593
00:34:18,680 --> 00:34:22,440
Speaker 1: is gonna ruins get around it. Yeah, see he knows

594
00:34:22,480 --> 00:34:28,520
Speaker 1: that more see at least the brother. No, he's a moore,

595
00:34:28,760 --> 00:34:32,719
Speaker 1: he's a more he's more fast. We're gonna okay, and

596
00:34:32,800 --> 00:34:38,920
Speaker 1: the more is the people who cark an Italy correct, Yeah, Hannibal.

597
00:34:39,040 --> 00:34:47,080
Speaker 1: Hannibal was a more hyah gang's callers. Look, look, I'm

598
00:34:47,080 --> 00:34:51,359
Speaker 1: gonna fully warn y'all, take over your motherfucking coats. Take

599
00:34:51,400 --> 00:35:00,600
Speaker 1: over your hats because once the tag gets when we

600
00:35:00,640 --> 00:35:03,800
Speaker 1: got more up to be ready, you know, you know

601
00:35:04,080 --> 00:35:07,759
Speaker 1: I supposed that, you know now, I supposed that the

602
00:35:07,800 --> 00:35:11,920
Speaker 1: other day. Thank you, he's put more. But you know,

603
00:35:12,360 --> 00:35:15,759
Speaker 1: Vo was this attorney where we were using her black

604
00:35:16,880 --> 00:35:19,399
Speaker 1: Those are both my cups, those sir, but I'll give yeah,

605
00:35:19,440 --> 00:35:21,600
Speaker 1: because that's how I know my cup from everybody else.

606
00:35:21,680 --> 00:35:25,680
Speaker 1: You gotta get them. Look at more, look at more. Yeah,

607
00:35:25,960 --> 00:35:27,440
Speaker 1: Like I was saying, more is just the type that

608
00:35:27,520 --> 00:35:30,799
Speaker 1: we were using before my Christopher Loves and these guys

609
00:35:30,880 --> 00:35:33,760
Speaker 1: came in, before we started calling up some negroes, black colors,

610
00:35:33,840 --> 00:35:36,600
Speaker 1: and you know, more just meant dark skin. This is

611
00:35:36,640 --> 00:35:39,120
Speaker 1: wine and Latin. When you say dark skin, woman, it's

612
00:35:39,160 --> 00:35:46,279
Speaker 1: more than now, no damn school. More like if you

613
00:35:46,360 --> 00:35:48,160
Speaker 1: do Puerto Rican, you know what I mean that before

614
00:35:49,760 --> 00:35:54,919
Speaker 1: Port the port, before United States got incorporated. Pood kind

615
00:35:54,960 --> 00:35:57,560
Speaker 1: of which is the voting kind of wars that's when

616
00:35:57,560 --> 00:36:00,040
Speaker 1: the world voting wh coming from dark skin. Try, so

617
00:36:00,160 --> 00:36:01,960
Speaker 1: let me ask your questions. When they said the Moors

618
00:36:02,000 --> 00:36:08,120
Speaker 1: and taking tea at the same time, So the Boors

619
00:36:08,880 --> 00:36:11,319
Speaker 1: with Islam at that time, well you know Islam, it's

620
00:36:11,360 --> 00:36:14,400
Speaker 1: a difference thing. I'm a Mosler that predates the Muslims.

621
00:36:14,640 --> 00:36:18,080
Speaker 1: I mean the Moslar moved with the boats. So people,

622
00:36:18,120 --> 00:36:20,400
Speaker 1: the people that was going over at will conquering everywhere.

623
00:36:20,440 --> 00:36:23,440
Speaker 1: Like look like I say, overhead in this part of

624
00:36:23,520 --> 00:36:26,959
Speaker 1: the turf was known as prior to the United States,

625
00:36:27,040 --> 00:36:29,839
Speaker 1: it incorporated over here was known as that I'm gonna

626
00:36:30,000 --> 00:36:33,120
Speaker 1: have oxy, which means the Morocco with the farthest class. Okay,

627
00:36:33,640 --> 00:36:35,880
Speaker 1: so this was an empire Morocco overhead and that's the

628
00:36:36,080 --> 00:36:39,080
Speaker 1: that's the Kingdom of Rock over there. A lot of

629
00:36:39,120 --> 00:36:40,960
Speaker 1: people don't know that history. That's to take away for

630
00:36:41,040 --> 00:36:43,160
Speaker 1: you because they wanted to make you Negro's black colors

631
00:36:43,160 --> 00:36:46,000
Speaker 1: and slaves on paper. So when you started sign birth

632
00:36:46,040 --> 00:36:49,360
Speaker 1: certificates and social you became a slave on paper. Okay.

633
00:36:49,440 --> 00:36:51,440
Speaker 1: So if I called myself black and the law it

634
00:36:51,520 --> 00:36:53,759
Speaker 1: means to be afford the amendments to this each out

635
00:36:53,800 --> 00:36:57,160
Speaker 1: of property slave. Damn. Yes, I mean, it's just a

636
00:36:57,200 --> 00:36:58,640
Speaker 1: research I gonna look up, you know what I mean.

637
00:36:58,719 --> 00:37:02,960
Speaker 1: So you're like, you're like John, it was on your dream.

638
00:37:03,040 --> 00:37:10,680
Speaker 1: You gotta show. Yeah, listen, I think my shots to

639
00:37:10,800 --> 00:37:19,000
Speaker 1: bed Bro. Listen. Let's listen. Listen, brother, let's listen. Listen. Listen, everybody, everybody,

640
00:37:20,160 --> 00:37:23,600
Speaker 1: let's listen. Come on, Please, place, I gotta speach to

641
00:37:23,640 --> 00:37:28,600
Speaker 1: place plase, place, place I gotta speak to the other day,

642
00:37:28,600 --> 00:37:31,040
Speaker 1: I went to Denver, right, And when I went to Denver,

643
00:37:31,200 --> 00:37:33,359
Speaker 1: I remember always going to that part of the world.

644
00:37:33,360 --> 00:37:35,520
Speaker 1: When I go to Denver, I go to Portland, go

645
00:37:35,640 --> 00:37:38,080
Speaker 1: to Utah, I go to Arizona, I go to that

646
00:37:38,239 --> 00:37:41,080
Speaker 1: little slutle park, I go to Utah as well. I

647
00:37:41,120 --> 00:37:43,920
Speaker 1: don't know if I said that, but when I went

648
00:37:43,960 --> 00:37:47,279
Speaker 1: to this Denver and all of these people just from

649
00:37:47,360 --> 00:37:49,600
Speaker 1: the other parts of these countries on the fast of

650
00:37:49,680 --> 00:37:52,320
Speaker 1: the Portlands to Arizona's the Utah, the all dm me,

651
00:37:52,560 --> 00:37:54,880
Speaker 1: It's like, Yo, what's the show tonight. Here's the show tonight.

652
00:37:55,160 --> 00:37:58,360
Speaker 1: And I realized that it's the first time that I

653
00:37:58,520 --> 00:38:00,640
Speaker 1: went through these type of states and I didn't have

654
00:38:00,760 --> 00:38:02,360
Speaker 1: to perform. I didn't have to go on stage and

655
00:38:02,400 --> 00:38:20,080
Speaker 1: shake my eyes, drink, drink and your best back about faith. Yeah, oh,

656
00:38:20,120 --> 00:38:26,160
Speaker 1: I know got out there, got out of that season

657
00:38:26,239 --> 00:38:29,919
Speaker 1: one and were already talked about Sloop, right, it's good

658
00:38:29,920 --> 00:38:32,640
Speaker 1: to push you're gonna say anything about Sloop. I just

659
00:38:32,760 --> 00:38:35,880
Speaker 1: think Stoop was a class act because he'll stop for everyone.

660
00:38:36,000 --> 00:38:38,760
Speaker 1: He's been through him strike nine and all that good stuff.

661
00:38:38,760 --> 00:38:41,239
Speaker 1: So he's a soldier and he's good to your kids

662
00:38:41,600 --> 00:38:50,480
Speaker 1: all day football left the s Yeah, man, yeah, um,

663
00:38:51,760 --> 00:38:53,600
Speaker 1: push your team. Man. Let me just tell you, man,

664
00:38:53,719 --> 00:38:59,200
Speaker 1: he looks victorious again. Like I believe that was ridiculous.

665
00:38:59,239 --> 00:39:01,480
Speaker 1: What happened over Yeah, what we pought you think it was?

666
00:39:01,800 --> 00:39:03,640
Speaker 1: I mean I just saw the video. Just you're just

667
00:39:03,719 --> 00:39:07,279
Speaker 1: throwing out of just I don't know, man, Just come on, man,

668
00:39:08,760 --> 00:39:11,640
Speaker 1: thinking just see me. It was nothing. Stay. They jumped

669
00:39:11,680 --> 00:39:13,880
Speaker 1: like somebody try to get out of in the bodyguard

670
00:39:15,480 --> 00:39:19,759
Speaker 1: that there was a couple of ship coming on academics page.

671
00:39:19,800 --> 00:39:23,640
Speaker 1: She says, oh, academics, don't play, don't play. Don't play

672
00:39:23,680 --> 00:39:25,840
Speaker 1: me like that. If that's me on the floor and

673
00:39:25,880 --> 00:39:29,439
Speaker 1: they something like that, Yeah, I see that somebody else

674
00:39:29,719 --> 00:39:31,400
Speaker 1: at the end. I don't think we should even be

675
00:39:31,520 --> 00:39:33,720
Speaker 1: talking that much about it because we shouldn't keep pushing

676
00:39:34,040 --> 00:39:39,239
Speaker 1: any of these beings. I mean, that's that's teachers all

677
00:39:46,640 --> 00:39:48,920
Speaker 1: would be like, oh dranking this and that, like no,

678
00:39:49,160 --> 00:39:51,640
Speaker 1: but that's that's that's that's that's been a hip hop Egyptian.

679
00:39:52,120 --> 00:39:54,200
Speaker 1: When Trick Daddy had beat for the guy named Trick Trick,

680
00:39:54,840 --> 00:39:56,320
Speaker 1: it was, it was. It was a known fact that

681
00:39:56,400 --> 00:39:59,319
Speaker 1: when Trick Daddy went out there, Trick Trick hired people

682
00:39:59,440 --> 00:40:02,160
Speaker 1: to be in the front desk. I didn't know, but

683
00:40:03,280 --> 00:40:06,520
Speaker 1: from what all well brought him. Well, if he don't remember,

684
00:40:06,560 --> 00:40:08,279
Speaker 1: we said that on drink camps. We said that when

685
00:40:08,640 --> 00:40:11,080
Speaker 1: the Tea had a sold out show, we wondered if

686
00:40:11,200 --> 00:40:13,920
Speaker 1: Drake had what some of these tickets he goes, remember

687
00:40:13,920 --> 00:40:17,759
Speaker 1: that's saying claiming at the time. So come to find out,

688
00:40:18,320 --> 00:40:20,719
Speaker 1: if he didn't buy a lot of them ticket he

689
00:40:20,840 --> 00:40:23,400
Speaker 1: bought some of them because these guys were heckless. They

690
00:40:23,440 --> 00:40:26,000
Speaker 1: were throwing your Dominicans. Guys, they want to step out

691
00:40:26,440 --> 00:40:28,640
Speaker 1: because you're throwing us up. Chuck the funk up, right,

692
00:40:29,440 --> 00:40:37,080
Speaker 1: So right, So what I'm saying is they throw the ship.

693
00:40:37,480 --> 00:40:40,279
Speaker 1: This guy goes on stage and I'm saying, what does

694
00:40:40,360 --> 00:40:43,040
Speaker 1: that do? Because ken't push your return to favor when

695
00:40:43,160 --> 00:40:45,479
Speaker 1: Drake comes into town. Can't he make it hard for Drake?

696
00:40:45,600 --> 00:40:48,759
Speaker 1: But Drake, But Drake, But Drake is in the stadiums.

697
00:40:49,680 --> 00:40:51,600
Speaker 1: There's no way you didn't go a drink out of

698
00:40:51,640 --> 00:40:56,080
Speaker 1: state here. I mean, you can try, but you probably

699
00:40:56,640 --> 00:40:59,640
Speaker 1: I'm probably gonna get arrested. Honestly, I think if you

700
00:40:59,680 --> 00:41:01,520
Speaker 1: want to on some gangs and ship, let's just say

701
00:41:01,680 --> 00:41:05,080
Speaker 1: some real gangs ship doing it in the concert with

702
00:41:05,200 --> 00:41:08,359
Speaker 1: a f hotel, do some other ship. I'm just saying,

703
00:41:08,360 --> 00:41:10,359
Speaker 1: if you want to be on some gangs ship, does

704
00:41:10,400 --> 00:41:12,480
Speaker 1: that have to be in front of social media? But

705
00:41:12,560 --> 00:41:14,479
Speaker 1: I mean, I guess we all live with the social media.

706
00:41:14,480 --> 00:41:15,839
Speaker 1: I think that's what he tried to do. They tried

707
00:41:15,880 --> 00:41:17,800
Speaker 1: to embarrassing. Let me let me say something because I

708
00:41:17,960 --> 00:41:20,719
Speaker 1: was I was in for two I was at the

709
00:41:20,800 --> 00:41:23,560
Speaker 1: Drake show for two days in a row, fully hanging

710
00:41:23,600 --> 00:41:26,279
Speaker 1: out with him, and I'm Canadian people were I felt

711
00:41:26,360 --> 00:41:29,120
Speaker 1: more like family than the people that we have now

712
00:41:29,239 --> 00:41:32,960
Speaker 1: that should be family. So not one time being around

713
00:41:33,040 --> 00:41:35,120
Speaker 1: all of them, from you know, the boss to the

714
00:41:35,239 --> 00:41:37,160
Speaker 1: boss and the balls, then they ain't never came up.

715
00:41:37,880 --> 00:41:40,200
Speaker 1: So you know what I'm saying, To push your tea.

716
00:41:40,440 --> 00:41:42,600
Speaker 1: Nothing came up on his name. I want to explain

717
00:41:42,600 --> 00:41:45,920
Speaker 1: to you because because he was he was supposed to

718
00:41:45,920 --> 00:41:48,400
Speaker 1: be expected to bring somebody in the crash things and

719
00:41:48,480 --> 00:41:51,560
Speaker 1: make things crazy. And nothing to Miami. In Miami, you

720
00:41:51,600 --> 00:41:53,399
Speaker 1: know what I'm saying. You know, a little gang name.

721
00:41:54,600 --> 00:41:57,279
Speaker 1: Nothing was said Drakes, just as Power was pushing your mind.

722
00:41:57,560 --> 00:42:00,120
Speaker 1: Definitely trying to Drake's live out here, ye know what

723
00:42:00,160 --> 00:42:02,480
Speaker 1: I mean. So it's just like it was peace. The

724
00:42:02,560 --> 00:42:05,399
Speaker 1: social media kind of brings it out to it really

725
00:42:05,440 --> 00:42:08,080
Speaker 1: messes up. Well, sometimes you don't know what's really the

726
00:42:08,280 --> 00:42:12,120
Speaker 1: artist's extension or just fans. Did you get calls from

727
00:42:12,160 --> 00:42:15,279
Speaker 1: them there? Or there's no one's alowed know, no one

728
00:42:15,360 --> 00:42:18,919
Speaker 1: that really cares. You know, I'm just saying happy every time.

729
00:42:20,640 --> 00:42:24,520
Speaker 1: That's just a lot. I just wanted that. I want.

730
00:42:24,560 --> 00:42:27,880
Speaker 1: I wanted that, like the labels like even like to

731
00:42:27,960 --> 00:42:32,919
Speaker 1: tell you the truth when Big die. Um, months after

732
00:42:33,040 --> 00:42:35,239
Speaker 1: Big died, we all had to go. I think it

733
00:42:35,360 --> 00:42:38,160
Speaker 1: was a real world commercial. It was a real world

734
00:42:38,200 --> 00:42:43,120
Speaker 1: commercial that we had to do in Vegas, real world MTV. Yeah,

735
00:42:43,360 --> 00:42:45,799
Speaker 1: it's a real world. I might be my years might

736
00:42:45,840 --> 00:42:49,279
Speaker 1: be off, um, but I remember it was something that

737
00:42:49,360 --> 00:42:50,600
Speaker 1: we had to do from the real world, from the

738
00:42:50,640 --> 00:42:53,040
Speaker 1: world world. We came to l A. And as soon

739
00:42:53,080 --> 00:42:54,960
Speaker 1: as we got to l A, they had like two

740
00:42:55,120 --> 00:42:58,680
Speaker 1: big security for me and the guy with a thing.

741
00:42:59,360 --> 00:43:01,640
Speaker 1: What do you call it? A bad yeah, And I

742
00:43:01,800 --> 00:43:05,719
Speaker 1: was like, it's like it was mandatory, Like it was

743
00:43:05,800 --> 00:43:11,000
Speaker 1: one mandatory if we are it's not like they're having

744
00:43:11,120 --> 00:43:13,960
Speaker 1: fun coming in. Don't have that fun next. I'm sorry

745
00:43:13,960 --> 00:43:19,120
Speaker 1: that crazy hood park, but I remember that and me

746
00:43:19,360 --> 00:43:23,279
Speaker 1: looking at the pushing thing, it almost, I don't want

747
00:43:23,320 --> 00:43:25,560
Speaker 1: to say, look like that, but it looked like he

748
00:43:25,800 --> 00:43:29,759
Speaker 1: has some reinforcements that he kind of preactive this would happen.

749
00:43:29,920 --> 00:43:32,239
Speaker 1: He was prepared for that. He was prepared. He was

750
00:43:32,280 --> 00:43:34,520
Speaker 1: prepared for the which I mean I would expect him

751
00:43:34,560 --> 00:43:39,600
Speaker 1: to be because it's Toronto, it's Drake's hometown, and it's

752
00:43:39,640 --> 00:43:42,560
Speaker 1: nothing worse than having be with a person of that caliber.

753
00:43:42,680 --> 00:43:45,640
Speaker 1: Because the person that that that could be throwing this

754
00:43:45,800 --> 00:43:49,960
Speaker 1: drink they don't even know. Drake might not prepared for

755
00:43:51,360 --> 00:43:54,120
Speaker 1: expect but that kid, I don't know what that kid thought.

756
00:43:54,160 --> 00:43:57,520
Speaker 1: That kid that he got fucked up. He got and

757
00:43:57,560 --> 00:43:59,960
Speaker 1: there's no court in the world that will actually take

758
00:44:00,080 --> 00:44:02,000
Speaker 1: kids case if he said, push your tea in them.

759
00:44:02,400 --> 00:44:05,319
Speaker 1: You don't beat me up every court in the world, Like, look,

760
00:44:05,360 --> 00:44:08,200
Speaker 1: you idiot. If you're doing him, they're not going wrong.

761
00:44:08,239 --> 00:44:10,160
Speaker 1: I don't know if you know, you're gonna drink. And

762
00:44:10,360 --> 00:44:16,919
Speaker 1: then he ran on stage. More stage. Yeah he ain't

763
00:44:16,920 --> 00:44:21,920
Speaker 1: getting stage. Yeah, y' to the yonding to the Yon thing.

764
00:44:22,400 --> 00:44:25,759
Speaker 1: Thank you're right to the Scott Day or anybody wants

765
00:44:25,800 --> 00:44:28,440
Speaker 1: some wine. Yes, I think a lot of this. She's

766
00:44:28,440 --> 00:44:31,840
Speaker 1: gonna make eat. I'm already mixing. You're already come on,

767
00:44:32,239 --> 00:44:39,200
Speaker 1: you're gonna talk crazy, drink you got small so bottom line,

768
00:44:39,880 --> 00:44:41,799
Speaker 1: hold on. So bottom line is we want to drink

769
00:44:41,840 --> 00:44:45,760
Speaker 1: and put you to squash. The beat said, but until

770
00:44:45,800 --> 00:44:51,719
Speaker 1: it gets squashed, I'm in detained. Excuse yourself from one

771
00:44:51,760 --> 00:44:54,240
Speaker 1: part of that. Okay, you're not entertained. But people getting

772
00:44:54,239 --> 00:44:59,760
Speaker 1: ask for the people get hurt. I'm sorry, I listen

773
00:44:59,840 --> 00:45:03,200
Speaker 1: to I don't condone. I don't I don't co sign

774
00:45:03,280 --> 00:45:05,919
Speaker 1: people getting the asked web. I don't co sign people

775
00:45:06,000 --> 00:45:10,239
Speaker 1: don't drink. It happened, that happened, what happened to watch? Hey,

776
00:45:10,280 --> 00:45:12,359
Speaker 1: I'm gonna tell you what. I'm not as big. I'm

777
00:45:12,400 --> 00:45:14,919
Speaker 1: not a team because we lost Biggie and Park. Yeah,

778
00:45:15,080 --> 00:45:18,360
Speaker 1: and eventually at least of ship like that a little disrespect,

779
00:45:18,840 --> 00:45:22,160
Speaker 1: but Drake and put her there's nowhere on them. I

780
00:45:22,480 --> 00:45:26,279
Speaker 1: hear you, big, Remember other people died before Biggie and

781
00:45:26,360 --> 00:45:34,840
Speaker 1: Pop Dyke too. Not related to that though it seemed

782
00:45:34,840 --> 00:45:38,320
Speaker 1: like a lead up. Yeah, but that's false for me.

783
00:45:38,440 --> 00:45:40,800
Speaker 1: I'll just tell you right now. I don't want anything

784
00:45:40,880 --> 00:45:43,919
Speaker 1: to to to perpetuate some This reason why I wanted

785
00:45:43,920 --> 00:45:46,920
Speaker 1: to protectuate is because I feel like both of them

786
00:45:47,680 --> 00:45:53,120
Speaker 1: are are but Troy enough, because I hear you, other

787
00:45:53,200 --> 00:45:56,200
Speaker 1: than the forty thing, I think that all like push

788
00:45:56,239 --> 00:45:59,279
Speaker 1: your mentioned forty, I think it's all got emotional from

789
00:45:59,320 --> 00:46:01,600
Speaker 1: then on out. But other than that, I think they've

790
00:46:01,600 --> 00:46:05,040
Speaker 1: both grown men. Look at Meek Mill and Drake drinking.

791
00:46:05,200 --> 00:46:10,640
Speaker 1: Chris Brown's hip hop battles are healthy for hip hop battles,

792
00:46:11,560 --> 00:46:14,880
Speaker 1: But when battles becomes something else, But what has it been?

793
00:46:15,000 --> 00:46:17,120
Speaker 1: When it becomes something else? So far so far, and

794
00:46:17,160 --> 00:46:20,200
Speaker 1: we're going on, like it gets more. Social media has

795
00:46:20,400 --> 00:46:23,400
Speaker 1: Like we've just talked about social it's a whole new

796
00:46:23,520 --> 00:46:27,520
Speaker 1: dynamic to what battles are. And I'm just saying conquering

797
00:46:27,719 --> 00:46:30,080
Speaker 1: the divide and conquered, and that's what's happening to us

798
00:46:30,440 --> 00:46:33,719
Speaker 1: at this moment. But they ain't gonna beat between each other,

799
00:46:34,000 --> 00:46:36,920
Speaker 1: no story, but not that big No, they got beat.

800
00:46:36,960 --> 00:46:40,880
Speaker 1: Who doesn't happen between each other? Nothing because it's not

801
00:46:41,360 --> 00:46:44,120
Speaker 1: it's nothing beat that we did, but it's it's still beat.

802
00:46:44,200 --> 00:46:48,799
Speaker 1: He's still he's mad at pushing. They got differences. He's

803
00:46:48,840 --> 00:46:59,600
Speaker 1: bad pushing at Tory ladies. No, no, no, no, hold

804
00:46:59,880 --> 00:47:04,120
Speaker 1: you boys, cat boy, I feel like everyboder I got

805
00:47:04,239 --> 00:47:08,200
Speaker 1: beef ship bucks at off three round, three round, three minutes,

806
00:47:10,719 --> 00:47:17,279
Speaker 1: two round for three minutes, guns down, make some noise

807
00:47:17,360 --> 00:47:23,640
Speaker 1: of bootleg cat everybody your bootleg cat man, happy danks

808
00:47:23,680 --> 00:47:25,880
Speaker 1: giving you living to drink chance. We've got one subject

809
00:47:25,920 --> 00:47:28,319
Speaker 1: to actual and then actually what you're thinking for all right?

810
00:47:28,360 --> 00:47:30,480
Speaker 1: The first subject is what do you what do you

811
00:47:30,520 --> 00:47:35,920
Speaker 1: feel about pushing teeth in Toronto? I feel like, uh,

812
00:47:39,280 --> 00:47:43,200
Speaker 1: you know, you gotta expect, you know, fight back when

813
00:47:43,239 --> 00:47:45,640
Speaker 1: you come to toront But you know, I feel like

814
00:47:45,840 --> 00:47:48,120
Speaker 1: you watch Drake called laugh in that battle, so you

815
00:47:48,160 --> 00:47:52,120
Speaker 1: know it's all good. Drake half thought half comes to

816
00:47:52,200 --> 00:47:54,440
Speaker 1: be on day, Yeah, but the bid didn't hit him.

817
00:47:54,440 --> 00:47:56,120
Speaker 1: And then the fan got beat up? Are you sure

818
00:47:56,239 --> 00:48:01,800
Speaker 1: Drake gets his win? You ain't got no o like

819
00:48:01,880 --> 00:48:06,720
Speaker 1: you know, don't don't nobody got about the Okay, definitely.

820
00:48:06,880 --> 00:48:09,279
Speaker 1: Well let's taste giving boulet cap and we're all going

821
00:48:09,360 --> 00:48:11,880
Speaker 1: around acting people what are they thankful for? So it

822
00:48:11,960 --> 00:48:13,560
Speaker 1: ought to be right that we ask you because we

823
00:48:13,680 --> 00:48:15,319
Speaker 1: try and get you down with the drink chaps family.

824
00:48:15,360 --> 00:48:17,759
Speaker 1: That's a conversation off the air, but we want to

825
00:48:17,760 --> 00:48:19,640
Speaker 1: ask you to know what do you thankful for? What

826
00:48:19,760 --> 00:48:23,960
Speaker 1: do you thankful for? You know I'm married week man,

827
00:48:24,040 --> 00:48:33,280
Speaker 1: don't think beyond. Oh really, I'm on the brand afford.

828
00:48:33,320 --> 00:48:39,520
Speaker 1: We can gonna eat me um for beyond? Oh not stupe.

829
00:48:39,960 --> 00:48:45,240
Speaker 1: And when you say you getting married at Arizona, okay,

830
00:48:45,280 --> 00:48:47,680
Speaker 1: I'm like cool ship man, I might pull up, let

831
00:48:47,719 --> 00:48:52,279
Speaker 1: me know that, text me and something. All right, man,

832
00:48:52,320 --> 00:48:54,480
Speaker 1: you're gol have you tasts giving man for drink chaps?

833
00:48:54,560 --> 00:49:05,280
Speaker 1: Many thanks? Okay? Uh yeah, So the pushing t Drake dropping.

834
00:49:05,320 --> 00:49:07,680
Speaker 1: We hope it pulls over. This is very interested. Kay,

835
00:49:07,680 --> 00:49:09,160
Speaker 1: you want to leave into this because I'll cut you

836
00:49:09,239 --> 00:49:12,000
Speaker 1: off earlier. The next up that Tory laz and uh

837
00:49:12,719 --> 00:49:16,320
Speaker 1: join the Lucas actually didn't even know how this started.

838
00:49:16,560 --> 00:49:18,880
Speaker 1: The only reason I'm gonna tell you how I started

839
00:49:18,920 --> 00:49:22,040
Speaker 1: to acknowledge this beat because I heard that people said

840
00:49:22,120 --> 00:49:25,239
Speaker 1: that Join the Lucas mentioned rass cast grass cass is

841
00:49:25,360 --> 00:49:28,719
Speaker 1: my homie, you kind of body grass cast let me

842
00:49:28,800 --> 00:49:31,480
Speaker 1: saying you're wrapping like grass cast about how her body

843
00:49:32,040 --> 00:49:35,520
Speaker 1: grass cast is confused? That was a grass cast for me.

844
00:49:37,200 --> 00:49:39,120
Speaker 1: If I'm dissing you and I'm saying you wrapping like

845
00:49:39,160 --> 00:49:43,799
Speaker 1: e FN, I'm saying it is trash. Yeah, yeah, I'm

846
00:49:43,840 --> 00:49:47,440
Speaker 1: just being like, yeah, I'm not beating you. I'm not

847
00:49:47,520 --> 00:49:49,560
Speaker 1: saying you wrapping like Big Daddy came. But I don't

848
00:49:49,560 --> 00:49:51,920
Speaker 1: even get how does that even correlate to Tory lass

849
00:49:51,960 --> 00:49:54,960
Speaker 1: wanting because he said you trash. He said, you're sounding

850
00:49:55,000 --> 00:49:58,640
Speaker 1: like a brass cast like yeah, like ras cast, like

851
00:49:58,760 --> 00:50:02,080
Speaker 1: a lyrical like he's yeah, but not not to the

852
00:50:02,160 --> 00:50:05,800
Speaker 1: young generations. I just have to do with the ends.

853
00:50:06,440 --> 00:50:08,600
Speaker 1: Even if he's a lyrical you're right, he's a lyrical whatever,

854
00:50:08,719 --> 00:50:12,319
Speaker 1: But he's saying that lyrically is trash. That's what Jordan saying.

855
00:50:13,600 --> 00:50:17,319
Speaker 1: This is what he's saying. He's saying, I'm just telling

856
00:50:17,360 --> 00:50:21,440
Speaker 1: you doesn't make sense. Even crooked crooked as like it

857
00:50:21,520 --> 00:50:24,279
Speaker 1: doesn't make sense. Makes sense that he's dising them, but

858
00:50:24,520 --> 00:50:26,840
Speaker 1: it doesn't make sense that he would dis him. Okay,

859
00:50:27,000 --> 00:50:29,600
Speaker 1: I'm getting rock ass. Let me just play something to y'all.

860
00:50:30,000 --> 00:50:32,359
Speaker 1: I'm just playing up to y'all outside of people who

861
00:50:32,480 --> 00:50:35,080
Speaker 1: love lyrics, because people who don't love lyrics, who he's

862
00:50:35,160 --> 00:50:38,120
Speaker 1: rascass is trash? Well, I'm sorry, I'm just don't love

863
00:50:38,560 --> 00:50:41,560
Speaker 1: I'm just I'm the rascast. My man, there's people who'll

864
00:50:41,719 --> 00:50:45,759
Speaker 1: think I'm trash. The fun's like it's like it was

865
00:50:45,840 --> 00:50:48,120
Speaker 1: so like random. You know, I'm saying, no, it's not

866
00:50:48,200 --> 00:50:54,880
Speaker 1: that random. It's not. He's trying he's trying to make

867
00:50:54,960 --> 00:50:57,840
Speaker 1: a statement that, like you sound like grass cast and

868
00:50:58,000 --> 00:51:00,920
Speaker 1: rass Cast. Is this type of god, this type of career,

869
00:51:01,080 --> 00:51:04,160
Speaker 1: this type of stance. Boy, Okay, isn't Tory Layes no more?

870
00:51:04,280 --> 00:51:06,959
Speaker 1: For like singing you have a Tory lays and saying

871
00:51:07,000 --> 00:51:09,040
Speaker 1: I'm hip hop. This is the reason why he's trying

872
00:51:09,040 --> 00:51:11,040
Speaker 1: to say to you. If you know him for this,

873
00:51:11,880 --> 00:51:13,520
Speaker 1: you know it's not It's not like if yours a

874
00:51:13,640 --> 00:51:16,000
Speaker 1: nerd rapper, like I can understand. So it's how are

875
00:51:16,000 --> 00:51:17,640
Speaker 1: you trying to sound like rass cast because you're a

876
00:51:17,680 --> 00:51:21,120
Speaker 1: nerd wrapper. You know, you're a rapping like that, and

877
00:51:21,200 --> 00:51:26,600
Speaker 1: you're and you're come on, That's what Jonah Locus said.

878
00:51:27,760 --> 00:51:33,400
Speaker 1: Jonas apologize because when I see him, I gonna apologize

879
00:51:33,440 --> 00:51:35,560
Speaker 1: and tell him I slept on you way too long, sir,

880
00:51:36,200 --> 00:51:42,359
Speaker 1: you killed that. He's nothing said such such Tori Tories good,

881
00:51:42,440 --> 00:51:44,839
Speaker 1: So I'm talking about me, I said, Think said North,

882
00:51:46,360 --> 00:51:50,200
Speaker 1: I gotta nice had a nice school, and I remember

883
00:51:50,200 --> 00:51:53,359
Speaker 1: that's what they're saying, Tori had a nice book. But yeah,

884
00:51:53,480 --> 00:51:55,680
Speaker 1: so I thought that was dope for hip hop because

885
00:51:55,719 --> 00:51:59,640
Speaker 1: one there's no violence happen. You know, you heard what

886
00:51:59,680 --> 00:52:01,600
Speaker 1: he said the end of the joint. Let's do a

887
00:52:01,719 --> 00:52:07,000
Speaker 1: tract together, Lucas right, but they actually He's like, I

888
00:52:07,040 --> 00:52:08,879
Speaker 1: got that out of the way, let's do a tract together.

889
00:52:09,040 --> 00:52:12,239
Speaker 1: They actually got on face time together. I mean it's like,

890
00:52:12,440 --> 00:52:17,040
Speaker 1: you know, might not be used to That's what I means. Grand.

891
00:52:19,280 --> 00:52:23,200
Speaker 1: But Tor came back again. Tory came in his second joint. Yes,

892
00:52:24,320 --> 00:52:27,080
Speaker 1: I don't know they one. This was the first one

893
00:52:27,120 --> 00:52:28,919
Speaker 1: I'm gonna do that he did. How does this start?

894
00:52:28,920 --> 00:52:31,520
Speaker 1: Do you know the history that he got online? Tory

895
00:52:31,600 --> 00:52:33,440
Speaker 1: Lanes that is, here's there's online to say he can

896
00:52:33,640 --> 00:52:36,319
Speaker 1: out wrap anybody. Okay, so he started calling out other

897
00:52:36,400 --> 00:52:40,080
Speaker 1: people people through Jonah I believe I'm saying his name right,

898
00:52:40,640 --> 00:52:45,919
Speaker 1: Joiner China j j jo people do join in there

899
00:52:46,480 --> 00:52:52,560
Speaker 1: and he said whatever, So like that, so about to

900
00:52:52,600 --> 00:52:58,680
Speaker 1: pull out the trimmy blue with last last maybe he

901
00:52:58,760 --> 00:53:03,080
Speaker 1: got my hair boes but but so so Tory Lazes

902
00:53:03,160 --> 00:53:06,959
Speaker 1: actually went in and I can tell Tori it's really nice.

903
00:53:07,040 --> 00:53:10,080
Speaker 1: Tory is really really really good. It's really really good.

904
00:53:10,840 --> 00:53:14,040
Speaker 1: But you can tell this ship comes his first nation

905
00:53:14,160 --> 00:53:16,560
Speaker 1: to join it, like he was just he was just

906
00:53:16,640 --> 00:53:21,720
Speaker 1: having fun. But then Tory comes back after the rats catron,

907
00:53:21,960 --> 00:53:25,440
Speaker 1: after the line can we play this? We can't. We

908
00:53:25,680 --> 00:53:28,560
Speaker 1: course we care. Let's get soon episode because okay, let's

909
00:53:28,560 --> 00:53:34,920
Speaker 1: get soon. I mean we're not getting so you want

910
00:53:34,920 --> 00:53:37,160
Speaker 1: to put up all three? It's kind of too long.

911
00:53:41,040 --> 00:53:44,279
Speaker 1: Let me post product. We don't retain no. But I

912
00:53:44,560 --> 00:53:46,880
Speaker 1: actually this is one of the battles. I actually appreciate

913
00:53:46,920 --> 00:53:49,400
Speaker 1: it because one it was all positive. One even the

914
00:53:49,520 --> 00:53:51,640
Speaker 1: jokes that they cracked on each other was not like

915
00:53:51,760 --> 00:53:53,600
Speaker 1: too false. You could tell them they can smack each

916
00:53:53,600 --> 00:53:58,719
Speaker 1: other five and move on from this and they're they're

917
00:53:58,800 --> 00:54:01,680
Speaker 1: they're they're participating like like it's it's it's dope. Like

918
00:54:01,800 --> 00:54:04,799
Speaker 1: I like that that, you know, because so many people

919
00:54:04,960 --> 00:54:08,560
Speaker 1: like it's getting change, just like this sucking mother whoa yeah,

920
00:54:08,880 --> 00:54:13,480
Speaker 1: yeah one suck. That's not that's not battle no more.

921
00:54:14,080 --> 00:54:16,360
Speaker 1: Now I gotta shoot you, now, I gotta cut you.

922
00:54:17,040 --> 00:54:21,520
Speaker 1: But there's none of that. It's just barks, never go bars.

923
00:54:21,600 --> 00:54:23,800
Speaker 1: And I like that. I like that. I don't. I

924
00:54:23,840 --> 00:54:26,879
Speaker 1: don't think we had that the Tory Lands. I only

925
00:54:27,680 --> 00:54:30,759
Speaker 1: you don't heard it. Lucas first man, that's cools cool,

926
00:54:31,800 --> 00:54:35,480
Speaker 1: it's who's jan the Lucas signs bird. I like it,

927
00:54:37,160 --> 00:54:42,480
Speaker 1: It's not it's not for me. It's good like the

928
00:54:42,520 --> 00:54:44,680
Speaker 1: battle or the ball, you know, just the way you

929
00:54:44,800 --> 00:54:48,439
Speaker 1: describe like to them, like what they like, what day

930
00:54:48,520 --> 00:54:50,600
Speaker 1: into you know what I'm saying, it's a whole new

931
00:54:50,680 --> 00:54:54,040
Speaker 1: world that's like of hip hop, that's kind of separate culture.

932
00:54:54,120 --> 00:54:56,680
Speaker 1: It's still hip hop, so what we rocked to, but

933
00:54:56,800 --> 00:54:59,680
Speaker 1: then it's a subculture to it that stay ship and

934
00:55:00,400 --> 00:55:02,400
Speaker 1: you know, it's it's it's amazing how you broke it

935
00:55:02,480 --> 00:55:04,960
Speaker 1: down when you say they that's what you mean. It's

936
00:55:05,000 --> 00:55:08,440
Speaker 1: not like like damn, like you're pointing the finger. Then

937
00:55:08,480 --> 00:55:10,520
Speaker 1: it's just saying it's giving respect to they the way

938
00:55:10,680 --> 00:55:13,480
Speaker 1: they view it. But you're saying the way they view

939
00:55:13,520 --> 00:55:16,279
Speaker 1: it or the way they're doing it. I think that's

940
00:55:16,320 --> 00:55:18,239
Speaker 1: two different things. You know, it's the same thing is

941
00:55:18,640 --> 00:55:20,160
Speaker 1: the way you do it's an extension of how you

942
00:55:20,320 --> 00:55:24,520
Speaker 1: view it, like with technology, social media, because they if

943
00:55:24,560 --> 00:55:27,200
Speaker 1: they're rhyming, how far is that from hip hop? No,

944
00:55:27,960 --> 00:55:32,359
Speaker 1: it's still it's still it's still Let me explain him.

945
00:55:32,400 --> 00:55:34,600
Speaker 1: Let me splain it the way he means. More. What

946
00:55:34,760 --> 00:55:39,040
Speaker 1: he means is little Yati, little boozy bird, young thug,

947
00:55:39,320 --> 00:55:41,200
Speaker 1: that hip hop. It's just hip hop that we can't

948
00:55:41,200 --> 00:55:43,520
Speaker 1: relate to it. It's hip hop that we can't identify them.

949
00:55:43,560 --> 00:55:46,080
Speaker 1: To me, that's but I'm not splaying. You don't say

950
00:55:46,120 --> 00:55:48,040
Speaker 1: it's the fans, but it's it's hip hop that we

951
00:55:48,080 --> 00:55:50,960
Speaker 1: can't identify to because of what we were raised in. Now,

952
00:55:51,280 --> 00:55:54,600
Speaker 1: if we were raised in this hip hop, guess what

953
00:55:54,960 --> 00:55:58,319
Speaker 1: to tell the truth, we'll be saying where the old

954
00:55:58,480 --> 00:56:01,600
Speaker 1: version of hip hop? I see when they say that sometimes,

955
00:56:01,640 --> 00:56:03,799
Speaker 1: like sometimes I tell you now, I said this before

956
00:56:03,920 --> 00:56:06,480
Speaker 1: the podcast. I walked by my son's room and not

957
00:56:06,600 --> 00:56:08,680
Speaker 1: seeing and I'll just be wanting the head with the

958
00:56:09,040 --> 00:56:12,680
Speaker 1: this motherfucker's playing and he's always playing this ship that

959
00:56:13,120 --> 00:56:16,560
Speaker 1: that everyone else is saying this trash ship. Yea, but

960
00:56:16,719 --> 00:56:19,000
Speaker 1: that's his version of hip hop, you know what I'm saying.

961
00:56:19,080 --> 00:56:23,880
Speaker 1: Like it resonates with him, my youngest son. No, Um,

962
00:56:24,719 --> 00:56:28,719
Speaker 1: he loves his fucking new addition and the ship is hilarious.

963
00:56:29,440 --> 00:56:33,680
Speaker 1: I'm like, this is so dope. So yeah, but you

964
00:56:33,719 --> 00:56:35,320
Speaker 1: know why he likes it. He likes it from the

965
00:56:35,400 --> 00:56:37,759
Speaker 1: watching b Et movie. It wasn't even like I was

966
00:56:37,800 --> 00:56:41,239
Speaker 1: a great father, just like the other guys. I was

967
00:56:41,239 --> 00:56:43,120
Speaker 1: just throwing it out there, going from a point where

968
00:56:43,200 --> 00:56:46,720
Speaker 1: you lived it as opposed to watching it. You viewing

969
00:56:46,760 --> 00:56:49,959
Speaker 1: it and then you interpreted me. You see, it's gonna

970
00:56:50,000 --> 00:56:52,120
Speaker 1: come out different because it's a different generation of it,

971
00:56:52,760 --> 00:56:55,320
Speaker 1: and you know you gotta respect it because you know,

972
00:56:55,680 --> 00:56:58,560
Speaker 1: I'm thinking about speaking to Mike. Oh yeah, you know

973
00:56:58,680 --> 00:57:00,960
Speaker 1: when I'm taking get my son, you get me to

974
00:57:01,000 --> 00:57:02,640
Speaker 1: get in the car. First of all, this is generation

975
00:57:02,680 --> 00:57:04,440
Speaker 1: they stay stayed. I mean, I guess we did it

976
00:57:04,560 --> 00:57:06,840
Speaker 1: back then too, But you know, I remember was a

977
00:57:06,880 --> 00:57:10,399
Speaker 1: headphone guy because sold drugs so you know, now we're

978
00:57:10,480 --> 00:57:12,360
Speaker 1: headphones all the time. You keep you keep them. So

979
00:57:12,760 --> 00:57:14,320
Speaker 1: he always got the music and what I mean, so

980
00:57:14,440 --> 00:57:15,719
Speaker 1: when you get in the car, you know what I mean.

981
00:57:15,800 --> 00:57:17,720
Speaker 1: I let him. I let him put his joining the

982
00:57:17,880 --> 00:57:19,720
Speaker 1: arts and like you said, you know what I mean.

983
00:57:19,800 --> 00:57:22,040
Speaker 1: But I can't hate on it because I remember when

984
00:57:22,080 --> 00:57:23,920
Speaker 1: I was growing up in the seventies and queens, you

985
00:57:23,960 --> 00:57:25,600
Speaker 1: know what I mean, when if I first started, you

986
00:57:25,640 --> 00:57:27,640
Speaker 1: know what I mean, But I remember they were saying

987
00:57:27,640 --> 00:57:32,640
Speaker 1: it was in the last like two years. Yeah, and

988
00:57:32,720 --> 00:57:35,040
Speaker 1: look at it now, so I I have no choice

989
00:57:35,080 --> 00:57:36,720
Speaker 1: but to appreciate it. You know what I mean. You

990
00:57:36,800 --> 00:57:39,120
Speaker 1: know what the crazy shit is my mother. This is

991
00:57:39,160 --> 00:57:41,760
Speaker 1: the reason why I don't judge my kids. My mother

992
00:57:41,920 --> 00:57:45,880
Speaker 1: was a hard call Christian woman, like she believes christ everything,

993
00:57:45,960 --> 00:57:49,920
Speaker 1: you're right, but she never pushed Christianity on us. She

994
00:57:50,120 --> 00:57:52,400
Speaker 1: always made it for us to make our own choice.

995
00:57:52,840 --> 00:57:55,720
Speaker 1: So how fucking bad would I be let my son

996
00:57:55,880 --> 00:57:57,960
Speaker 1: listen to OOSI Vergin? I come ahead with the Great

997
00:57:58,000 --> 00:58:01,080
Speaker 1: adventas a slick rick, like we started. We're starting from here,

998
00:58:01,800 --> 00:58:04,880
Speaker 1: We're starting like. I can't do that. So the thing is,

999
00:58:05,320 --> 00:58:07,040
Speaker 1: don't don't get me wrong. I want them to know

1000
00:58:07,120 --> 00:58:09,520
Speaker 1: about Slick Rick. I want them to know about b DP,

1001
00:58:09,960 --> 00:58:11,920
Speaker 1: but I want them to do it like I'll tell

1002
00:58:11,960 --> 00:58:13,800
Speaker 1: you this ship and I could probably be scoring for this.

1003
00:58:14,720 --> 00:58:18,400
Speaker 1: I'll probably be like hip hop connos sewers, probably take

1004
00:58:18,480 --> 00:58:22,600
Speaker 1: my balls and put up. But I always tell a

1005
00:58:22,680 --> 00:58:25,680
Speaker 1: young generation, the young young generation, if you want to

1006
00:58:25,720 --> 00:58:28,400
Speaker 1: study hip hop, what I would do is I would

1007
00:58:28,440 --> 00:58:30,760
Speaker 1: take it from ill Manic, even though I know that's

1008
00:58:30,800 --> 00:58:33,080
Speaker 1: the middle version of them. I'll take it from ill

1009
00:58:33,160 --> 00:58:35,560
Speaker 1: Matic and then I'll go all the way back. You

1010
00:58:35,640 --> 00:58:39,040
Speaker 1: think that's really understanding because you know, you know why,

1011
00:58:40,040 --> 00:58:43,120
Speaker 1: you know why. This is the reason why, because ill

1012
00:58:43,200 --> 00:58:45,800
Speaker 1: Matic was the first album that was righteous, that was

1013
00:58:45,920 --> 00:58:49,120
Speaker 1: kind of conscious, but it was also fucking bitches. It

1014
00:58:49,200 --> 00:58:52,640
Speaker 1: was also drinking champagne. It was also smoking Blunted. It

1015
00:58:52,720 --> 00:58:54,880
Speaker 1: was also relating that the cops is killing us. But

1016
00:58:54,960 --> 00:58:57,280
Speaker 1: it was all in one. It was an ill cinematic.

1017
00:58:57,360 --> 00:58:59,440
Speaker 1: I kid you not. I listened to ill Matic and Jail.

1018
00:58:59,720 --> 00:59:02,040
Speaker 1: I had never seen the video or atomatic. I saw

1019
00:59:02,160 --> 00:59:05,280
Speaker 1: every video in jail, meaning in my mind through here.

1020
00:59:05,640 --> 00:59:08,200
Speaker 1: So if I was and it's not to say, it's

1021
00:59:08,200 --> 00:59:10,600
Speaker 1: not to say because it's queens and his coach nas

1022
00:59:10,720 --> 00:59:13,040
Speaker 1: my brother, and we got through business. Not no, it's

1023
00:59:13,080 --> 00:59:17,040
Speaker 1: not I didn't. I I met NS twice, maybe once

1024
00:59:17,160 --> 00:59:19,120
Speaker 1: or twice. Prior to that. No, prior to that, I

1025
00:59:19,200 --> 00:59:22,720
Speaker 1: was in jail. Listen, let me reiterate what I said, Fells.

1026
00:59:22,960 --> 00:59:25,160
Speaker 1: I was in jail when I heard All Mattic and

1027
00:59:25,240 --> 00:59:28,240
Speaker 1: the thing about it was big. It was album drug

1028
00:59:28,320 --> 00:59:31,440
Speaker 1: shot shorty and we needed. Yeah, so part of it

1029
00:59:31,640 --> 00:59:34,160
Speaker 1: from me living from Queens. But when you heard that album,

1030
00:59:34,200 --> 00:59:37,680
Speaker 1: the album was the perfect hip hop album. So so

1031
00:59:37,760 --> 00:59:39,440
Speaker 1: what I'm trying to say is the reason why I

1032
00:59:39,480 --> 00:59:42,520
Speaker 1: said start from there. He couched the greats. He took

1033
00:59:42,560 --> 00:59:45,320
Speaker 1: everything from every grade and put it into that one album.

1034
00:59:45,760 --> 00:59:47,720
Speaker 1: So if you go back, you would you would see

1035
00:59:47,800 --> 00:59:50,880
Speaker 1: how that album actually makes sense. But you're being negating

1036
00:59:52,200 --> 00:59:55,920
Speaker 1: the gating. But but we gotta realize. You gotta know

1037
00:59:56,040 --> 00:59:58,520
Speaker 1: you get older that when you're going back, when you

1038
00:59:58,640 --> 01:00:01,960
Speaker 1: go back, you go back with force. When you go back,

1039
01:00:01,960 --> 01:00:03,880
Speaker 1: when you get all that, you get all that. When

1040
01:00:03,880 --> 01:00:07,480
Speaker 1: you go back with mad, go back with not not

1041
01:00:07,720 --> 01:00:12,120
Speaker 1: not not ill magic and Gools definitely get mad. And

1042
01:00:12,160 --> 01:00:14,280
Speaker 1: then you go all the way, Yeah, you go all

1043
01:00:14,280 --> 01:00:16,400
Speaker 1: the way back to you go all the way back

1044
01:00:16,400 --> 01:00:21,280
Speaker 1: to cool hurd you once while, because all that is

1045
01:00:21,320 --> 01:00:23,880
Speaker 1: what makes you know what I'm saying, like, that's the

1046
01:00:23,960 --> 01:00:27,720
Speaker 1: perfict album. It's got skipped from wall southing this. I'm

1047
01:00:27,760 --> 01:00:29,440
Speaker 1: trying to say. That's what I'm trying to say, and

1048
01:00:29,480 --> 01:00:31,479
Speaker 1: I'm sorry hip hop the story is because some people

1049
01:00:31,480 --> 01:00:33,560
Speaker 1: will be like, you know, people you know who who

1050
01:00:33,640 --> 01:00:36,400
Speaker 1: want you to listen to the cold Crush brought us

1051
01:00:36,440 --> 01:00:38,720
Speaker 1: first and all that, which is I can't debate that.

1052
01:00:38,960 --> 01:00:41,080
Speaker 1: I can't. I think what you're saying is right because

1053
01:00:41,200 --> 01:00:43,880
Speaker 1: to relate, you've got to go where you can relate.

1054
01:00:43,960 --> 01:00:46,280
Speaker 1: You gotta at the starting point right where you can

1055
01:00:46,360 --> 01:00:48,760
Speaker 1: relate to the story. It might be for someone else,

1056
01:00:49,000 --> 01:00:51,680
Speaker 1: it might be after that it's a different brand, and

1057
01:00:51,840 --> 01:00:55,160
Speaker 1: you go back because everything that you're into was they

1058
01:00:55,320 --> 01:00:58,080
Speaker 1: were inspired by somebody else, right, so you gotta follow

1059
01:00:58,120 --> 01:01:01,080
Speaker 1: that in And Nazi is the ultimate student. Like let

1060
01:01:01,160 --> 01:01:03,680
Speaker 1: me tell you why when Niles came when we met

1061
01:01:04,040 --> 01:01:06,320
Speaker 1: in l A, when he came with he was like,

1062
01:01:06,520 --> 01:01:11,280
Speaker 1: e f everyone in the world calls you, He's yeah,

1063
01:01:11,800 --> 01:01:18,040
Speaker 1: everybody in the world. It let me and let me know,

1064
01:01:18,520 --> 01:01:24,640
Speaker 1: NA studies can't understand me. Feel the same right now,

1065
01:01:25,120 --> 01:01:27,880
Speaker 1: because let listen, listen, listen, you don't feel the same

1066
01:01:28,040 --> 01:01:33,840
Speaker 1: listening about Jill to drink chap story. So we go

1067
01:01:34,040 --> 01:01:38,760
Speaker 1: to Sweet Chick rand opening right ran open the Sweet Chick.

1068
01:01:39,200 --> 01:01:41,640
Speaker 1: I would like, I think I would treach and fucking

1069
01:01:41,720 --> 01:01:46,640
Speaker 1: sticky trainers. That's everbody, these guys. I love the drunk guy. Yeah,

1070
01:01:46,920 --> 01:01:49,800
Speaker 1: and these guys did you it sound? I'm like, we

1071
01:01:49,960 --> 01:01:52,120
Speaker 1: just I'm gonna we can't drink Chance for aunicts that day.

1072
01:01:52,240 --> 01:01:54,160
Speaker 1: We did Chance honest that day. And then then we

1073
01:01:54,200 --> 01:01:56,560
Speaker 1: get a trench and then we just everybody's drunk, and

1074
01:01:56,600 --> 01:01:59,560
Speaker 1: I'm like, damn, I'm gonna walk through to see thes

1075
01:02:00,280 --> 01:02:04,480
Speaker 1: with me too well ground eat drunk. But the thing is,

1076
01:02:04,640 --> 01:02:06,960
Speaker 1: I see we see now if we walk in lines

1077
01:02:07,040 --> 01:02:09,760
Speaker 1: over there, I go say what's up to him? And

1078
01:02:09,840 --> 01:02:11,360
Speaker 1: then he comes up to e F and he goes

1079
01:02:11,680 --> 01:02:17,960
Speaker 1: e F and I said, what a minute, he's wause

1080
01:02:18,280 --> 01:02:23,400
Speaker 1: Like most people say that he really didn't mean no

1081
01:02:23,560 --> 01:02:27,480
Speaker 1: disrespect my whole career. And so I paid attention to him,

1082
01:02:27,480 --> 01:02:36,520
Speaker 1: paying attention. I'm not paying attention, but I drunk though. No,

1083
01:02:36,840 --> 01:02:39,720
Speaker 1: he's something ass and I don't show if he said

1084
01:02:39,720 --> 01:02:42,080
Speaker 1: your name. But he said, what's something, my dude, I

1085
01:02:42,160 --> 01:02:44,720
Speaker 1: know who you are. And I said, this guy's good,

1086
01:02:46,840 --> 01:02:51,760
Speaker 1: but he's he told me the favorite stories of dream chances.

1087
01:02:51,800 --> 01:02:53,960
Speaker 1: He's like, yo, but this and when this happened and

1088
01:02:54,440 --> 01:02:58,080
Speaker 1: all the oh ships, bunnies. This is what I'm trying

1089
01:02:58,080 --> 01:03:00,640
Speaker 1: to say. So so mind you. I know that story

1090
01:03:00,720 --> 01:03:02,280
Speaker 1: has nothing to do with what we were saying, but

1091
01:03:02,360 --> 01:03:03,680
Speaker 1: I'm gonna tell you why. It has something to do

1092
01:03:03,800 --> 01:03:06,880
Speaker 1: with when you pay attention to details when you're that close.

1093
01:03:07,320 --> 01:03:09,280
Speaker 1: And that's the reason why all matic it was was

1094
01:03:09,440 --> 01:03:12,520
Speaker 1: ill like to me when I heard all Matic, I

1095
01:03:12,680 --> 01:03:16,040
Speaker 1: was in Queensbridge, Like, I'm from left Frac City. That

1096
01:03:16,160 --> 01:03:19,480
Speaker 1: was a place that I've visited frequently prior to me

1097
01:03:19,600 --> 01:03:22,040
Speaker 1: being in jail. But when I heard that ship, I

1098
01:03:22,200 --> 01:03:25,560
Speaker 1: smelled the dump stuff, I smelled Roll Street, I smelled

1099
01:03:25,640 --> 01:03:28,960
Speaker 1: the hill, I smelled Jamaica Avenue. I smelled it like

1100
01:03:29,080 --> 01:03:31,960
Speaker 1: I smelled it like I don't know if you. I mean,

1101
01:03:32,760 --> 01:03:34,880
Speaker 1: being in captivity is probably the worst thing that you

1102
01:03:34,960 --> 01:03:37,240
Speaker 1: could ever but it expands your mind in the place

1103
01:03:37,280 --> 01:03:39,920
Speaker 1: because if you if you're physically locked up, the only

1104
01:03:40,000 --> 01:03:42,080
Speaker 1: thing you can have to be free is your mind.

1105
01:03:43,080 --> 01:03:44,720
Speaker 1: So what I'm trying to say. And when you reading

1106
01:03:44,760 --> 01:03:48,760
Speaker 1: books like Donald Goings, you become in Detroit selling Heroin

1107
01:03:48,920 --> 01:03:51,720
Speaker 1: with Donald going so you becoming in Chicago or wherever

1108
01:03:51,800 --> 01:03:54,480
Speaker 1: it is. But nas bring me back to Queen. I

1109
01:03:54,600 --> 01:03:57,160
Speaker 1: kid you not. You ever seen a video ware like

1110
01:03:57,520 --> 01:04:00,520
Speaker 1: you know? You look, you looking? This ship just disappears.

1111
01:04:00,760 --> 01:04:02,600
Speaker 1: That's how it was in the sound like I was

1112
01:04:02,720 --> 01:04:05,000
Speaker 1: like that and she just disappeared, and I was back

1113
01:04:05,040 --> 01:04:08,000
Speaker 1: in the projects, like getting shot at, shooting at people

1114
01:04:09,440 --> 01:04:11,720
Speaker 1: listening to Alematic. I kid you not, And this is

1115
01:04:11,760 --> 01:04:13,800
Speaker 1: not because he's my brother. Now let me tell you.

1116
01:04:13,800 --> 01:04:15,880
Speaker 1: I don't know if this is a DJ thing when

1117
01:04:15,920 --> 01:04:19,360
Speaker 1: it came to Allmatic, but when we heard rumblings of Allmatic,

1118
01:04:19,800 --> 01:04:22,480
Speaker 1: and maybe you could relate to this as well, just

1119
01:04:22,680 --> 01:04:25,160
Speaker 1: hearing the producers that he was starting to funk with

1120
01:04:25,360 --> 01:04:29,360
Speaker 1: like a million pete rock. You want to tell you

1121
01:04:29,400 --> 01:04:31,200
Speaker 1: a secret, then you might want to take my hip

1122
01:04:31,240 --> 01:04:34,320
Speaker 1: hop car. I didn't. I didn't know who those producers

1123
01:04:34,400 --> 01:04:36,280
Speaker 1: was when I seen that episode. So you know what,

1124
01:04:36,360 --> 01:04:39,040
Speaker 1: I'm not gonna take. But the way that you're talking

1125
01:04:39,120 --> 01:04:43,720
Speaker 1: about the album for you, it makes sense. But I'm

1126
01:04:43,720 --> 01:04:46,640
Speaker 1: telling you the way from my perspective, you're already new.

1127
01:04:46,720 --> 01:04:49,200
Speaker 1: You know what I'm saying. I'm in Miami and I'm

1128
01:04:49,240 --> 01:04:52,800
Speaker 1: just hearing these producers that I admire working on this

1129
01:04:53,000 --> 01:04:56,640
Speaker 1: one guy's album, Like, holy shit, it just supposed to

1130
01:04:56,640 --> 01:04:58,880
Speaker 1: be the Holy Grail hip hop going on right now,

1131
01:04:59,480 --> 01:05:01,560
Speaker 1: and I'm hearing this guy's not being easy about it,

1132
01:05:01,640 --> 01:05:04,240
Speaker 1: like this album not coming out unless we're gonna do

1133
01:05:04,360 --> 01:05:09,080
Speaker 1: these perfect tracks quick. Oh. I mean, come on, man,

1134
01:05:09,160 --> 01:05:13,840
Speaker 1: when you hear all these people, actually, you gotta understand

1135
01:05:14,240 --> 01:05:17,440
Speaker 1: this is actually the equivalent of the Chronic from New

1136
01:05:17,520 --> 01:05:20,560
Speaker 1: York at that moment. You know what I'm saying. You

1137
01:05:20,640 --> 01:05:23,480
Speaker 1: know why I like Illmatic better than the Chronics because

1138
01:05:23,520 --> 01:05:26,880
Speaker 1: it came from one person's perspective. The Chronic was a

1139
01:05:27,000 --> 01:05:31,960
Speaker 1: cruise perspective. It was long beach and don't think Snoop

1140
01:05:32,120 --> 01:05:34,360
Speaker 1: was actually right in the rhymes. So you you you

1141
01:05:34,480 --> 01:05:37,840
Speaker 1: automatically distance yourself from that project as a real MC,

1142
01:05:38,280 --> 01:05:40,280
Speaker 1: as a real m C once you know somebody else's

1143
01:05:40,360 --> 01:05:44,000
Speaker 1: participating and depending of anything. That's like Pump Daddy come

1144
01:05:44,080 --> 01:05:45,680
Speaker 1: up that he can make the greatest ship ever, but

1145
01:05:45,760 --> 01:05:47,920
Speaker 1: he how can I ignore? I don't matter if the

1146
01:05:48,080 --> 01:05:50,600
Speaker 1: right rhymes I write chats like, you know, how can

1147
01:05:50,640 --> 01:05:54,600
Speaker 1: I you ignore easy saying ice ice cr rhymes that

1148
01:05:54,800 --> 01:05:57,240
Speaker 1: I say, don't not easy. You will still be a great,

1149
01:05:57,320 --> 01:06:01,600
Speaker 1: you just can't be top five pop Daddy, You're still

1150
01:06:01,640 --> 01:06:03,680
Speaker 1: a great. You just can't be top five. Kanye West

1151
01:06:03,800 --> 01:06:06,400
Speaker 1: is still a great, just can't be top five. Six

1152
01:06:06,560 --> 01:06:12,240
Speaker 1: rappers and Magic Woman and a Z. Arguably he just

1153
01:06:12,400 --> 01:06:17,040
Speaker 1: writing Draye rhymes or was he writing everybody from drage romes?

1154
01:06:17,120 --> 01:06:19,000
Speaker 1: Who are you talking about? Um? You know what? The

1155
01:06:19,080 --> 01:06:25,000
Speaker 1: cl wha, Well, he's just writing listen this this sessions.

1156
01:06:25,600 --> 01:06:29,080
Speaker 1: He was helping this sessions where like the grow Up

1157
01:06:29,120 --> 01:06:35,200
Speaker 1: the Dance were helping stories. Don't see, don't see everybody

1158
01:06:35,280 --> 01:06:38,200
Speaker 1: the stoopid I'll see. But but Drey doesn't deny that,

1159
01:06:38,360 --> 01:06:42,560
Speaker 1: and Drake gives the credit. Ye so yeah yeah, So

1160
01:06:42,680 --> 01:06:45,360
Speaker 1: on the song. So, what I'm saying is I don't

1161
01:06:45,400 --> 01:06:47,120
Speaker 1: mind if you claim if you say that, Yo, look

1162
01:06:47,120 --> 01:06:48,840
Speaker 1: the funk, I don't got time to be writing rhymes.

1163
01:06:49,040 --> 01:06:51,560
Speaker 1: Fucking Garcia's driving much there and just if you would

1164
01:06:51,560 --> 01:06:53,320
Speaker 1: admit that, I don't give a fuck. You know what

1165
01:06:53,360 --> 01:06:57,400
Speaker 1: I'm saying, I don't give um. Yeah, but that's a

1166
01:06:57,400 --> 01:07:00,200
Speaker 1: little different. You can't say you can't say a murder

1167
01:07:00,800 --> 01:07:06,919
Speaker 1: m for me, you still go to jail. But yeah,

1168
01:07:07,280 --> 01:07:11,120
Speaker 1: but I just feel like, um, I feel like it

1169
01:07:11,200 --> 01:07:14,480
Speaker 1: doesn't take it away from Drake being great at all. Like,

1170
01:07:14,600 --> 01:07:18,280
Speaker 1: you know what I'm saying that greatness definitely asked the

1171
01:07:18,280 --> 01:07:21,120
Speaker 1: snoop was greatness. It definitely does. But you know, getting

1172
01:07:21,120 --> 01:07:23,880
Speaker 1: back to the actual point was the reason why I

1173
01:07:23,920 --> 01:07:26,280
Speaker 1: said matter it is better than the chronic. For me,

1174
01:07:27,760 --> 01:07:29,840
Speaker 1: this is not me being a Queen's guy, me being

1175
01:07:29,960 --> 01:07:33,600
Speaker 1: even uh uh New York guy. This is me being

1176
01:07:33,680 --> 01:07:37,640
Speaker 1: the MC as an m C. I like to know

1177
01:07:37,800 --> 01:07:39,480
Speaker 1: you wrut your own riles. I'd like to know because

1178
01:07:39,520 --> 01:07:41,120
Speaker 1: I do not like to know that, because because do

1179
01:07:41,240 --> 01:07:44,160
Speaker 1: not actually want to actually did that, because I did that.

1180
01:07:44,960 --> 01:07:48,520
Speaker 1: You know that, Sure you were laid on some real ship.

1181
01:07:48,600 --> 01:07:50,360
Speaker 1: But now if I know you ain't did that. And

1182
01:07:50,400 --> 01:07:52,080
Speaker 1: I said, you know what we should you say, oh

1183
01:07:52,560 --> 01:07:55,520
Speaker 1: you know, I don't know, oh ship, I'm turned off.

1184
01:07:56,120 --> 01:07:59,480
Speaker 1: I'm like, what the fun didn't just say you're sold

1185
01:07:59,520 --> 01:08:02,480
Speaker 1: drugs about a senerator? You know what I'm saying, like,

1186
01:08:03,120 --> 01:08:05,840
Speaker 1: gotta serator, But I'm from like, what the fuck? Already?

1187
01:08:05,960 --> 01:08:11,600
Speaker 1: Yeahs already you know what I mean. So, but what

1188
01:08:11,720 --> 01:08:17,000
Speaker 1: was the use. I don't had a point to make

1189
01:08:17,080 --> 01:08:21,960
Speaker 1: real quick about the teenager music versus are Spike well

1190
01:08:22,120 --> 01:08:24,200
Speaker 1: concerning what we were talking about, what the teenagers and

1191
01:08:24,280 --> 01:08:26,400
Speaker 1: what they listened to now the younger generation, right, I

1192
01:08:26,479 --> 01:08:29,240
Speaker 1: feel like sometimes as a parent, I remember myself as

1193
01:08:29,240 --> 01:08:32,760
Speaker 1: a teenager, it's only natural to rebel against what your

1194
01:08:32,840 --> 01:08:36,080
Speaker 1: parents listened to you. So even with like the type

1195
01:08:36,160 --> 01:08:38,320
Speaker 1: Jeni's and Skinny Jenius, he was dressing back as fun

1196
01:08:38,760 --> 01:08:40,960
Speaker 1: so it was like they want to be different from

1197
01:08:41,080 --> 01:08:43,840
Speaker 1: us on purpose. It's almost like anything your parents did

1198
01:08:43,880 --> 01:08:47,080
Speaker 1: when he was fifteen something. It was why so remember

1199
01:08:47,120 --> 01:08:49,840
Speaker 1: when your parents was first to discovery, was first discovering here,

1200
01:08:50,280 --> 01:08:52,280
Speaker 1: like this ship is a fat it's why you look stupid.

1201
01:08:53,120 --> 01:08:55,200
Speaker 1: You want to do it more just to prove the law.

1202
01:08:55,560 --> 01:08:57,439
Speaker 1: And I think you don't want to become your parents.

1203
01:08:57,600 --> 01:08:59,360
Speaker 1: So you could either evolve with the culture or you

1204
01:08:59,439 --> 01:09:03,240
Speaker 1: could just die with it. But but but the Automatic album,

1205
01:09:04,680 --> 01:09:06,880
Speaker 1: I agree with you on the Automatic album against the

1206
01:09:06,960 --> 01:09:09,840
Speaker 1: Chronic album because the Autumatic album we were able to

1207
01:09:09,920 --> 01:09:13,200
Speaker 1: relate to the streets and the stories. If Chronic album

1208
01:09:13,320 --> 01:09:15,920
Speaker 1: came after Almatic, it might have been a different message,

1209
01:09:16,240 --> 01:09:19,080
Speaker 1: but that the Drake Drake took it from there and

1210
01:09:19,280 --> 01:09:22,080
Speaker 1: and implemented a whole different West Coast West Coo soun.

1211
01:09:22,600 --> 01:09:24,720
Speaker 1: I agree, but but I agree with what you're saying

1212
01:09:24,760 --> 01:09:27,400
Speaker 1: about it don't matter being better than the Chronics for

1213
01:09:27,479 --> 01:09:33,360
Speaker 1: certain reasons. Well, Chronic is a compilation, because this Chronic

1214
01:09:33,600 --> 01:09:37,880
Speaker 1: is compilation. This um Gray had to feature on every song,

1215
01:09:38,400 --> 01:09:40,600
Speaker 1: came put up the track list with rage with d

1216
01:09:40,760 --> 01:09:48,719
Speaker 1: Ocon Dred had a story. So I said, the Chronic

1217
01:09:48,840 --> 01:09:51,519
Speaker 1: is like a compilation, like he had U the greatest compilation. Hi,

1218
01:09:51,880 --> 01:09:55,720
Speaker 1: it's the greatest. They agree with that it's the greatest compilation,

1219
01:09:55,800 --> 01:09:58,479
Speaker 1: but nonetheless it's still a compilation. What else trying to

1220
01:09:58,520 --> 01:10:00,800
Speaker 1: tell you is do you think it was a soundtrack?

1221
01:10:00,840 --> 01:10:06,280
Speaker 1: Get with the way you describe the naz Is album

1222
01:10:06,360 --> 01:10:08,560
Speaker 1: with a piece of everything, like if you want to

1223
01:10:08,640 --> 01:10:12,080
Speaker 1: start from it, do you think James will be similar?

1224
01:10:13,160 --> 01:10:20,360
Speaker 1: Because jo you know why my presidents like But the

1225
01:10:20,400 --> 01:10:24,800
Speaker 1: reason why Reasonable Doubt wasn't at as classic as ill

1226
01:10:24,880 --> 01:10:28,880
Speaker 1: Madic is because he still had that that that fast

1227
01:10:29,040 --> 01:10:31,800
Speaker 1: rappid in him and this first parts of it where

1228
01:10:32,040 --> 01:10:36,160
Speaker 1: he's yeah Sophy days, it's like if he's a doubt

1229
01:10:36,520 --> 01:10:39,280
Speaker 1: to me years I had to go bad everything that

1230
01:10:39,520 --> 01:10:47,000
Speaker 1: wasn't that album after reason litle doubt, that's when that's

1231
01:10:47,040 --> 01:10:49,160
Speaker 1: when he got it all out. You're trying to say

1232
01:10:49,200 --> 01:10:54,639
Speaker 1: that way better the reasonable doctor, he was stupid, polished.

1233
01:10:54,840 --> 01:10:57,880
Speaker 1: It was everything we wanted and it's timeless. It's basically

1234
01:10:57,920 --> 01:11:02,240
Speaker 1: what yes and so still lest type apoligh I don't

1235
01:11:02,280 --> 01:11:05,680
Speaker 1: think to apologies doesn't have something like your su apolicies,

1236
01:11:06,000 --> 01:11:08,800
Speaker 1: Like your experience is right, you say atomatic for you

1237
01:11:09,000 --> 01:11:10,840
Speaker 1: is that is the greatest, is the greatest holem never

1238
01:11:11,400 --> 01:11:13,360
Speaker 1: one of them, one of them right. But the way

1239
01:11:13,400 --> 01:11:15,240
Speaker 1: you feel about it has a lot to do with

1240
01:11:15,320 --> 01:11:17,840
Speaker 1: your experience and what you say when your first right.

1241
01:11:18,400 --> 01:11:21,120
Speaker 1: It's taking you back like you made an emotional connection

1242
01:11:21,200 --> 01:11:23,680
Speaker 1: to the song and that's why it's like that for you.

1243
01:11:24,520 --> 01:11:27,800
Speaker 1: But for other folks, you know, coming from their perspective,

1244
01:11:28,240 --> 01:11:33,599
Speaker 1: like for me, if you take Kane Chris Rock him slip,

1245
01:11:34,080 --> 01:11:41,960
Speaker 1: you get able to get matters, but you don't matter.

1246
01:11:42,040 --> 01:11:45,719
Speaker 1: You know, I'm gonna be honest. That's thematic is every

1247
01:11:46,080 --> 01:11:52,120
Speaker 1: MC every sense in that and that's but those five

1248
01:11:52,160 --> 01:11:56,439
Speaker 1: them sees who GI right. That's what makes not kill

1249
01:11:57,000 --> 01:12:02,559
Speaker 1: krist one those five for not don't yeah right from

1250
01:12:02,600 --> 01:12:05,240
Speaker 1: that error when for albums to PI album sorry you

1251
01:12:05,360 --> 01:12:09,439
Speaker 1: get Kane Kane, KRS one cameras Fugi wrap when you're

1252
01:12:09,439 --> 01:12:13,479
Speaker 1: at rock him, I'm gonna throw win LLL slick Rick

1253
01:12:13,560 --> 01:12:15,519
Speaker 1: Matt to say six because we missed a slick stick

1254
01:12:15,800 --> 01:12:19,519
Speaker 1: second slick right, slick racket. That's not you put them together,

1255
01:12:19,600 --> 01:12:24,680
Speaker 1: that's not. That's not in every MC after up until now.

1256
01:12:26,520 --> 01:12:29,040
Speaker 1: Every m C is a version of one of those

1257
01:12:29,520 --> 01:12:32,720
Speaker 1: domination of the even me. So for me, even me,

1258
01:12:32,800 --> 01:12:35,800
Speaker 1: I was going to college eighty seven, I was living

1259
01:12:37,000 --> 01:12:41,080
Speaker 1: and studio fifty four kid capre every week, fun house,

1260
01:12:41,439 --> 01:12:56,960
Speaker 1: when I was sports, the cocaine, the student use everybody, everybody,

1261
01:12:57,400 --> 01:13:00,639
Speaker 1: So you don't think that we can see I see

1262
01:13:00,800 --> 01:13:04,800
Speaker 1: and he's chuck D Wait what ice cube? Chuck D.

1263
01:13:04,920 --> 01:13:09,880
Speaker 1: You know what I'm saying, because he's said card tea

1264
01:13:10,040 --> 01:13:12,960
Speaker 1: easy drink, drinking down and does not have any New

1265
01:13:13,000 --> 01:13:16,120
Speaker 1: York influence in his stock. He ain't got no slip drink.

1266
01:13:16,280 --> 01:13:27,160
Speaker 1: He got slick yeah yeah, ki kid, that's definitely sush.

1267
01:13:28,880 --> 01:13:32,680
Speaker 1: So it's influenced everything. But I'm trying to say is

1268
01:13:32,800 --> 01:13:34,960
Speaker 1: that it was at that same time like that you're

1269
01:13:34,960 --> 01:13:37,479
Speaker 1: speaking though there is iced tea, there is the ice

1270
01:13:37,600 --> 01:13:41,880
Speaker 1: que and I feel that these guys also influenced ice.

1271
01:13:42,000 --> 01:13:44,439
Speaker 1: T will tell you he's school e D. You know

1272
01:13:44,640 --> 01:13:48,200
Speaker 1: school D, but you didn't start to He'll tell he'll

1273
01:13:48,240 --> 01:13:52,040
Speaker 1: But that's what I was saying, was Scant said on

1274
01:13:52,080 --> 01:13:54,640
Speaker 1: the Dream, you're absolutely cool taking on the dream to

1275
01:13:54,720 --> 01:13:56,920
Speaker 1: start from there. You didn't start from there. That's right,

1276
01:13:57,000 --> 01:13:59,519
Speaker 1: That's something I'm sure being like, that's what you will say.

1277
01:13:59,680 --> 01:14:06,320
Speaker 1: That's no present days because me personally to hold up

1278
01:14:06,520 --> 01:14:08,400
Speaker 1: I got I got a lot of backlash on this show,

1279
01:14:08,640 --> 01:14:11,200
Speaker 1: right because people thinking that out anti New York. I'm

1280
01:14:11,200 --> 01:14:14,880
Speaker 1: not anti New York at all. I represent Miami because

1281
01:14:14,880 --> 01:14:19,280
Speaker 1: I'm from Miami, right, you know, from Jersey and Jersey

1282
01:14:19,560 --> 01:14:22,960
Speaker 1: had had issues happened to fight their way through New York.

1283
01:14:23,000 --> 01:14:25,120
Speaker 1: It's what I'm saying. So I'm trying to say, is

1284
01:14:25,400 --> 01:14:27,920
Speaker 1: we all gotta understand like we are made up by

1285
01:14:28,320 --> 01:14:32,480
Speaker 1: all kinds of mcs, all kinds of the cultures everywhere,

1286
01:14:33,840 --> 01:14:36,400
Speaker 1: So we gotta make sure but where the culture comes from,

1287
01:14:36,479 --> 01:14:38,840
Speaker 1: the experienced part of it and were for me at

1288
01:14:38,920 --> 01:14:40,680
Speaker 1: that time of my life for what I was going

1289
01:14:40,720 --> 01:14:43,479
Speaker 1: through and how I was experiencing him. That's why those

1290
01:14:43,680 --> 01:14:46,000
Speaker 1: seas aren't absolutely and that's that's the point I was

1291
01:14:46,040 --> 01:14:48,720
Speaker 1: trying to be correct for me and for him. It's

1292
01:14:48,800 --> 01:14:54,120
Speaker 1: thematic because of sperience, totally objectively, full subjective exactly. That

1293
01:14:54,280 --> 01:14:57,080
Speaker 1: was the yea well to me. The reason why ill

1294
01:14:57,120 --> 01:14:59,320
Speaker 1: Matt so I'm gonna I want to wenerate that it

1295
01:14:59,439 --> 01:15:01,760
Speaker 1: wasn't us I was from Queens. It wasn't because of

1296
01:15:01,800 --> 01:15:04,200
Speaker 1: the person that I met through I Cannelly for good.

1297
01:15:04,360 --> 01:15:07,000
Speaker 1: It was because of the visual, like the reason why

1298
01:15:07,040 --> 01:15:09,479
Speaker 1: Donald Going was my favorite author, but because I was

1299
01:15:09,560 --> 01:15:12,200
Speaker 1: never reading the book. I was actually looking at a

1300
01:15:12,320 --> 01:15:15,760
Speaker 1: visual when I'm reading. And the thing about it is

1301
01:15:16,960 --> 01:15:18,600
Speaker 1: the thing about if you take a kid from the

1302
01:15:18,640 --> 01:15:20,960
Speaker 1: street and you you bring him in jail and you

1303
01:15:21,240 --> 01:15:24,160
Speaker 1: you gotta give him, you gotta show him pussy, you

1304
01:15:24,240 --> 01:15:26,519
Speaker 1: gotta show him guns, because that's the only thing you

1305
01:15:26,560 --> 01:15:28,880
Speaker 1: can relate to. The thing is if you come to

1306
01:15:29,000 --> 01:15:30,680
Speaker 1: me and you give me a Martha Stewart book The

1307
01:15:30,760 --> 01:15:33,680
Speaker 1: jerk Off on the Ship, like I would have been

1308
01:15:33,720 --> 01:15:36,360
Speaker 1: like if the fun on the Color whoever, I don't know,

1309
01:15:39,600 --> 01:15:41,719
Speaker 1: when you come, you come and bring me a book

1310
01:15:41,720 --> 01:15:45,360
Speaker 1: called horse on and I'm like horse, you come and

1311
01:15:45,439 --> 01:15:47,679
Speaker 1: bring me a book, you know, the pay of horse

1312
01:15:47,920 --> 01:15:49,880
Speaker 1: and sit like that where I can learn something that

1313
01:15:49,920 --> 01:15:51,800
Speaker 1: I could be sitting there and I can debate with

1314
01:15:51,880 --> 01:15:55,840
Speaker 1: other people that I'm gonna be intreated. Tell I gotta

1315
01:15:55,880 --> 01:15:59,960
Speaker 1: give gifts. Sorry, my bad. Okay, Yeah, it's about reaching people.

1316
01:16:00,040 --> 01:16:02,640
Speaker 1: Leadgether you know, listen to me some Clearence thirteen X,

1317
01:16:02,800 --> 01:16:04,759
Speaker 1: hold on, listen. The reason why they say Clarence thirteen

1318
01:16:04,920 --> 01:16:09,880
Speaker 1: X has always been more effective at recruiting than Malcolm X.

1319
01:16:10,160 --> 01:16:13,800
Speaker 1: But because Clarence thirty X went to the projects. Once

1320
01:16:13,920 --> 01:16:17,280
Speaker 1: Malcolm became to a certain degree, they kept him away

1321
01:16:18,800 --> 01:16:23,200
Speaker 1: shout out, okay doing for years. Okay, I thank you,

1322
01:16:24,560 --> 01:16:29,280
Speaker 1: Dad made him a book being in the world. But um,

1323
01:16:29,760 --> 01:16:32,400
Speaker 1: getting back to my point, my bad, um was you know,

1324
01:16:32,520 --> 01:16:34,760
Speaker 1: sometimes we gotta relate to the person for for you

1325
01:16:34,880 --> 01:16:37,720
Speaker 1: to move forward. Like if you're a preacher at the church,

1326
01:16:37,920 --> 01:16:40,920
Speaker 1: right and you're saying, we must repaint our sins and

1327
01:16:41,280 --> 01:16:43,400
Speaker 1: all this ship, and then I see you not never

1328
01:16:43,800 --> 01:16:48,439
Speaker 1: having a middle lighte you never had a cause. Okay,

1329
01:16:48,960 --> 01:16:51,200
Speaker 1: this is the relationship. Can I play to you? But

1330
01:16:51,280 --> 01:16:53,200
Speaker 1: I can relate to the dude says, go home at

1331
01:16:53,280 --> 01:16:55,280
Speaker 1: night and I'm like, what what for? What they get

1332
01:16:55,280 --> 01:16:57,479
Speaker 1: you out here? Some othern drugs And I'm whip your

1333
01:16:57,520 --> 01:17:00,960
Speaker 1: ask you do you do they to that? Dude? Yeah?

1334
01:17:01,240 --> 01:17:03,840
Speaker 1: You know what I'm saying, because Lucy's being straight up so, um,

1335
01:17:04,320 --> 01:17:09,400
Speaker 1: I don't know's I don't feel like being here from

1336
01:17:09,479 --> 01:17:12,840
Speaker 1: que I don't know anything. Move twenty people that would

1337
01:17:13,360 --> 01:17:15,280
Speaker 1: matters was made from Caress one, I would have feel

1338
01:17:15,320 --> 01:17:18,200
Speaker 1: the same way, okay, but it definitely when I say

1339
01:17:18,360 --> 01:17:19,720
Speaker 1: you don't saying like it's like the South track of

1340
01:17:19,720 --> 01:17:21,800
Speaker 1: your life, you're from Queens. Yeah, but that's not that's

1341
01:17:21,840 --> 01:17:23,559
Speaker 1: not the point. The point is Queens that I had

1342
01:17:23,600 --> 01:17:25,559
Speaker 1: never been there at the time, that's the point. That's

1343
01:17:25,640 --> 01:17:29,800
Speaker 1: the point that is the Boorious of course, that's my

1344
01:17:29,840 --> 01:17:32,400
Speaker 1: favorite book I've never been at the time. I love

1345
01:17:32,479 --> 01:17:35,280
Speaker 1: Tricked Treated. At the first drop, I was like, oh,

1346
01:17:38,280 --> 01:17:41,960
Speaker 1: run DMC first off, Run DMC, Aca Belly first Off,

1347
01:17:42,040 --> 01:17:46,400
Speaker 1: Run DMC, A Conelly Soul Sisters all related to places

1348
01:17:46,520 --> 01:17:50,760
Speaker 1: that I'm from. I'm not from Queensblod In fact, I

1349
01:17:51,080 --> 01:17:55,040
Speaker 1: hate being even related to Queen's Briary. So for me,

1350
01:17:55,160 --> 01:17:57,680
Speaker 1: I love this album. It means a lot too. I'm

1351
01:17:57,720 --> 01:18:02,920
Speaker 1: not from a little flavy drop, I'm nobody. He's also

1352
01:18:03,000 --> 01:18:07,519
Speaker 1: from rich body. So what I'm trying to say real

1353
01:18:07,640 --> 01:18:09,720
Speaker 1: quick though, I think it's it's all making sense of

1354
01:18:09,760 --> 01:18:13,519
Speaker 1: all of us. I think that nazimatic is equivalent to

1355
01:18:13,680 --> 01:18:16,400
Speaker 1: the same way that we felt about STRAIGHTA Compton. It

1356
01:18:16,520 --> 01:18:20,000
Speaker 1: taught us what Compton was, but really Compton was the

1357
01:18:20,160 --> 01:18:23,719
Speaker 1: greater world thought Compton was a jail. That's what you thought.

1358
01:18:23,960 --> 01:18:27,040
Speaker 1: Yeah again the Compton thought Compton was a jail, but

1359
01:18:27,080 --> 01:18:28,760
Speaker 1: they said stray of the Compton. I was like these

1360
01:18:28,800 --> 01:18:35,800
Speaker 1: things as wow, I just heard or because I love

1361
01:18:35,880 --> 01:18:40,240
Speaker 1: like right right, I don't know. They don't want to

1362
01:18:40,240 --> 01:18:42,960
Speaker 1: get a rep. Compton, and I'm like it was like

1363
01:18:43,680 --> 01:18:46,439
Speaker 1: you'd be right with scary just like no, listen, listen, listen,

1364
01:18:46,520 --> 01:18:48,240
Speaker 1: listen to me, Listen to me, my little two. If

1365
01:18:48,280 --> 01:18:52,519
Speaker 1: you ask everyone on this table, what was then Wilson fluentia,

1366
01:18:52,600 --> 01:18:55,360
Speaker 1: you be shock? Couldie Rap was scared? Let me tell

1367
01:18:55,360 --> 01:18:59,599
Speaker 1: you something. When Cougie Rap said see seven four out

1368
01:18:59,640 --> 01:19:04,120
Speaker 1: of let's to set ball put to Italy one getting tall,

1369
01:19:04,439 --> 01:19:11,000
Speaker 1: I was like, I'm asking, what mind you really? I'm

1370
01:19:11,040 --> 01:19:16,160
Speaker 1: so exct Maybe I'm not. I'm not. Yeah that was

1371
01:19:16,600 --> 01:19:19,240
Speaker 1: when we that was that was eighty nine nine. Oh yeah,

1372
01:19:19,240 --> 01:19:21,360
Speaker 1: I'm I was born at seventy seven, so I probably

1373
01:19:21,400 --> 01:19:24,920
Speaker 1: went behind I'm probably anybody else. I'm going to seventy seven.

1374
01:19:25,120 --> 01:19:28,280
Speaker 1: So I'm hearing this like something that when is that,

1375
01:19:28,920 --> 01:19:33,360
Speaker 1: like writ is Alan, I was like, I was like,

1376
01:19:33,560 --> 01:19:37,640
Speaker 1: I never want to go there. For me, It's a

1377
01:19:37,640 --> 01:19:39,400
Speaker 1: little different because you know when I was I was

1378
01:19:39,479 --> 01:19:41,600
Speaker 1: born in Queens too. We're at I was born to

1379
01:19:41,680 --> 01:19:45,840
Speaker 1: East Ever, somebody just can't see this one. I don't get,

1380
01:19:45,880 --> 01:19:48,280
Speaker 1: you know what I mean. So my mom's discored this

1381
01:19:48,360 --> 01:19:50,320
Speaker 1: from Mohama's head, so you know when I was telling

1382
01:19:50,960 --> 01:19:54,000
Speaker 1: she was damn head long. I spent my life back

1383
01:19:54,040 --> 01:19:56,120
Speaker 1: and forth between Miami New York, so I grew up

1384
01:19:56,160 --> 01:19:57,840
Speaker 1: with the best of mine. When I was in Miami.

1385
01:19:57,880 --> 01:20:00,679
Speaker 1: It's quoi New York. In New York, th gonna be Miami.

1386
01:20:02,120 --> 01:20:03,960
Speaker 1: So I had the best day. Like I said, I

1387
01:20:04,000 --> 01:20:06,200
Speaker 1: know he had been from the early nineties when when

1388
01:20:06,360 --> 01:20:09,639
Speaker 1: hip hop really was just started to Yeah, I mean

1389
01:20:09,840 --> 01:20:11,599
Speaker 1: like we started to try to give the name yeah

1390
01:20:11,680 --> 01:20:22,680
Speaker 1: here holding for to shoot it. But but I say

1391
01:20:22,720 --> 01:20:24,519
Speaker 1: that to say that, you know, I was one of

1392
01:20:24,520 --> 01:20:26,240
Speaker 1: the fortunate ones, you know. I mean because you know

1393
01:20:26,320 --> 01:20:28,880
Speaker 1: I also used to round with JT. Money. You know

1394
01:20:28,880 --> 01:20:33,800
Speaker 1: what I mean, Shut up to j Man, JT ord day,

1395
01:20:34,240 --> 01:20:35,400
Speaker 1: And I mean, at the end of the day, it

1396
01:20:35,479 --> 01:20:37,360
Speaker 1: was it was a good thing. I got to see

1397
01:20:37,479 --> 01:20:40,519
Speaker 1: different genres and and be able to see the South

1398
01:20:40,760 --> 01:20:43,200
Speaker 1: the North. So ain't not even careding me about Miami

1399
01:20:43,280 --> 01:20:44,920
Speaker 1: and not you can tell about New York for me.

1400
01:20:45,080 --> 01:20:51,080
Speaker 1: So I guess you're the first story. I'm first Queens,

1401
01:20:51,080 --> 01:20:56,280
Speaker 1: and yeah, I mean I'm the second War, second War,

1402
01:20:57,000 --> 01:20:59,960
Speaker 1: and so our bastards coming up, our bastards has been

1403
01:21:00,000 --> 01:21:03,599
Speaker 1: a thing now Miami. Everyone is um Nasi is coming

1404
01:21:03,640 --> 01:21:05,839
Speaker 1: out here. We're gonna try to kidnap him. So anybody

1405
01:21:06,840 --> 01:21:10,160
Speaker 1: that's gonna be at club, So anybody who's drink Champs

1406
01:21:10,200 --> 01:21:14,040
Speaker 1: fans you want to see lives on here. Hit him off, Joe.

1407
01:21:14,040 --> 01:21:21,519
Speaker 1: We're doing all we're doing, destroy my enjoy how the

1408
01:21:21,640 --> 01:21:24,920
Speaker 1: third one day? Come on, y'all, man, that's December seven

1409
01:21:25,080 --> 01:21:27,120
Speaker 1: and eight. We got the film Festival on the seventh,

1410
01:21:28,000 --> 01:21:32,160
Speaker 1: the Free MC Extraordinary show going down on the eighth.

1411
01:21:32,280 --> 01:21:35,320
Speaker 1: That's Sam, that's check my fly at. I can't green,

1412
01:21:35,560 --> 01:21:39,840
Speaker 1: j K M g R informations right there. I don't know.

1413
01:21:39,880 --> 01:21:45,640
Speaker 1: I didn't speak to Classie and at the basement with

1414
01:21:45,880 --> 01:21:48,639
Speaker 1: so many times on December first? Is that called Baseman?

1415
01:21:50,240 --> 01:21:52,880
Speaker 1: Is it called Baseman? Hey? Boys being boys, actually being boys,

1416
01:21:52,960 --> 01:21:55,120
Speaker 1: gonna be someone, We're gonna be the Scember first? My

1417
01:21:55,320 --> 01:21:58,960
Speaker 1: Miami out chick cheer. I don't care. That's the fly

1418
01:21:59,120 --> 01:22:03,320
Speaker 1: even ba What is that like a talent show? All right?

1419
01:22:07,120 --> 01:22:09,760
Speaker 1: I feeling something there, So listen, We're gonna make some

1420
01:22:10,000 --> 01:22:12,200
Speaker 1: like some things for twenty nineteen. I'm gonna make a

1421
01:22:12,240 --> 01:22:14,000
Speaker 1: suggestion for you and make a suggestion for me, and

1422
01:22:14,040 --> 01:22:16,400
Speaker 1: then vice versa. I don't know what this means. Let's

1423
01:22:16,439 --> 01:22:19,559
Speaker 1: gonna make a suggestion of us being better than twenty

1424
01:22:19,600 --> 01:22:21,599
Speaker 1: nine twenty team. But I would like to see more

1425
01:22:21,680 --> 01:22:24,280
Speaker 1: of you. Is I want to see dj finback on

1426
01:22:24,360 --> 01:22:27,439
Speaker 1: the wheels and still I'm doing hold on, let me

1427
01:22:27,479 --> 01:22:31,680
Speaker 1: finis much chap this jumped on? Agree? I want to

1428
01:22:31,680 --> 01:22:33,639
Speaker 1: see dj he fed back on the whels of Still.

1429
01:22:33,920 --> 01:22:35,559
Speaker 1: I want to see you traveling. I want to see

1430
01:22:35,600 --> 01:22:38,320
Speaker 1: you become more. I wanted to see you enjoy this, this,

1431
01:22:38,600 --> 01:22:45,320
Speaker 1: this this life that we're living more. Yeah, no, no,

1432
01:22:46,880 --> 01:22:50,240
Speaker 1: you get. You gonna say you want to see tom. Yeah,

1433
01:22:51,600 --> 01:22:56,120
Speaker 1: you're gonna say something. You gotta leave. You ain't can do.

1434
01:22:56,560 --> 01:23:00,680
Speaker 1: You gotta leave. You're gonna leave, not leave it, but

1435
01:23:00,840 --> 01:23:04,960
Speaker 1: you can't about to come on my cli, I didn't care.

1436
01:23:05,120 --> 01:23:10,000
Speaker 1: I feel like coming home? Serious? Yeah, the worst places

1437
01:23:10,000 --> 01:23:16,479
Speaker 1: in the lord. Yeah, how about going to live one

1438
01:23:16,560 --> 01:23:23,280
Speaker 1: night to go to the last I want you to

1439
01:23:23,360 --> 01:23:28,320
Speaker 1: come coming home mom bolio with us. There's no double.

1440
01:23:28,360 --> 01:23:30,679
Speaker 1: You just gotta go thug it out with us? Conte

1441
01:23:32,520 --> 01:23:37,160
Speaker 1: do they have my Gooli and chicken like we have changed? No,

1442
01:23:37,320 --> 01:23:41,160
Speaker 1: I'm coming you. I would arat to go to France,

1443
01:23:41,920 --> 01:23:44,120
Speaker 1: but if we have I have to, I'll go to Mongolia. WI.

1444
01:23:44,200 --> 01:23:46,439
Speaker 1: How about this, I'll go to friends with you your

1445
01:23:46,600 --> 01:23:50,320
Speaker 1: friends coming home? Hold on, we're gonna do that too. Yeah? Absolutely, okay,

1446
01:23:50,360 --> 01:23:54,120
Speaker 1: we do my goala in France next to France because

1447
01:23:54,120 --> 01:23:56,160
Speaker 1: I don't think you can go. I don't think so either.

1448
01:23:57,520 --> 01:23:59,559
Speaker 1: I'm got keep it out. I know how you brought

1449
01:23:59,760 --> 01:24:06,479
Speaker 1: all anything else? You want to like improve in Twain

1450
01:24:06,560 --> 01:24:14,800
Speaker 1: Lantee anybody. I wouldn't your family do my birthday party

1451
01:24:23,439 --> 01:24:27,920
Speaker 1: barely disco? I think mean myself. I gotta work on

1452
01:24:28,040 --> 01:24:30,840
Speaker 1: adjusting all to people's ways. You know what I'm saying

1453
01:24:30,840 --> 01:24:32,639
Speaker 1: in the music, and I think it will further my career.

1454
01:24:32,680 --> 01:24:35,439
Speaker 1: And I just figured it out. So what does that mean?

1455
01:24:35,720 --> 01:24:39,960
Speaker 1: What I'm saying is what I mean is like certain

1456
01:24:40,720 --> 01:24:43,640
Speaker 1: artists like certain things certain ways. I was kind of

1457
01:24:43,680 --> 01:24:46,200
Speaker 1: close minded to it, to the game, to the people's

1458
01:24:46,240 --> 01:24:49,799
Speaker 1: attitudes to being around certain So I'm learning to adopt

1459
01:24:50,439 --> 01:24:52,519
Speaker 1: where to be seen, how to be seen, where to

1460
01:24:52,600 --> 01:24:55,120
Speaker 1: move where not cool because I think that you know,

1461
01:24:55,160 --> 01:24:57,360
Speaker 1: it's a strategy. It's like be at the right place

1462
01:24:57,400 --> 01:25:00,799
Speaker 1: at the right time. I'm working on not and accepted

1463
01:25:00,880 --> 01:25:03,200
Speaker 1: for you know, the people that you know two days

1464
01:25:03,240 --> 01:25:05,360
Speaker 1: that you can't relate to. She could be a better

1465
01:25:05,439 --> 01:25:08,400
Speaker 1: man and be more successful and take you to what

1466
01:25:08,560 --> 01:25:10,920
Speaker 1: you think you can prove on Sunny, I got any

1467
01:25:10,960 --> 01:25:13,840
Speaker 1: proof on everything? Man, I'm trying to improve everything. You're

1468
01:25:13,840 --> 01:25:20,320
Speaker 1: gonna go older or younger. Listen, I'm getting ready to

1469
01:25:20,640 --> 01:25:23,240
Speaker 1: look at where after this. Man, I'm gonna make sure

1470
01:25:23,840 --> 01:25:31,759
Speaker 1: he called I don't think I don't know this. Listen,

1471
01:25:33,400 --> 01:25:40,720
Speaker 1: he goes think six want to improve on everything. I

1472
01:25:40,800 --> 01:25:43,720
Speaker 1: want to move every day on everything. You know. You know,

1473
01:25:43,840 --> 01:25:45,519
Speaker 1: one day I was hanging out with him. He had

1474
01:25:45,680 --> 01:25:49,800
Speaker 1: chick come through. She had a whole black eye, and

1475
01:25:50,080 --> 01:25:52,200
Speaker 1: everybody just act like she didn't have a black eye.

1476
01:25:54,120 --> 01:25:58,960
Speaker 1: I was already thinking, like you got a little shut everybody.

1477
01:25:59,200 --> 01:26:03,519
Speaker 1: I can't anybody else exactly I appreciate and she turned

1478
01:26:03,560 --> 01:26:13,639
Speaker 1: her out. It's a bloods I go every like like aspect,

1479
01:26:14,040 --> 01:26:16,760
Speaker 1: don't just respect the Sunny. But Sunday is so fad.

1480
01:26:18,400 --> 01:26:21,400
Speaker 1: He will go to a Civil War reenactment to try

1481
01:26:21,439 --> 01:26:23,320
Speaker 1: to get a female. This is what Sunny will just

1482
01:26:27,640 --> 01:26:30,160
Speaker 1: I wasn't where it is. I wasn't running either, but

1483
01:26:30,920 --> 01:26:33,840
Speaker 1: we'll take it off. But I got to improve in

1484
01:26:33,960 --> 01:26:36,160
Speaker 1: every aspect in life. I mean, if you're not trying

1485
01:26:36,200 --> 01:26:39,160
Speaker 1: to improve and trying to be better, then you're not

1486
01:26:39,360 --> 01:26:42,400
Speaker 1: really living. You know. It's trying to be better every

1487
01:26:42,479 --> 01:26:46,760
Speaker 1: day in every aspect of my life. Like the same thing.

1488
01:26:46,800 --> 01:26:49,719
Speaker 1: I ain't gonna lie. He said it like anybody perfectly.

1489
01:26:50,120 --> 01:26:53,280
Speaker 1: So everybody got sunch to improvement and you know, just

1490
01:26:53,560 --> 01:26:56,479
Speaker 1: everything you know, I gotta said, let's just a long

1491
01:26:56,560 --> 01:26:59,400
Speaker 1: ass list, but like you should just approve to be

1492
01:26:59,520 --> 01:27:03,200
Speaker 1: the best that we did. He's a swiper to let's

1493
01:27:03,200 --> 01:27:11,080
Speaker 1: make some noise play he's talking. That's that's scared, not scary,

1494
01:27:11,720 --> 01:27:13,920
Speaker 1: you know, because you know why at the time I

1495
01:27:13,960 --> 01:27:17,080
Speaker 1: see Shan back like you're gonna come on the podcasting

1496
01:27:17,320 --> 01:27:20,320
Speaker 1: and defend myself against Fat Joe. Because Fat Joe got

1497
01:27:20,360 --> 01:27:25,320
Speaker 1: on the podcast he said that Yangas never play in

1498
01:27:25,400 --> 01:27:30,000
Speaker 1: the path defense like he started that. He started us with.

1499
01:27:30,320 --> 01:27:33,599
Speaker 1: But Mike Kaiser started Swiper. But Mike was original swiper.

1500
01:27:33,680 --> 01:27:36,519
Speaker 1: Pat's been a great guy, you know so, but I

1501
01:27:36,640 --> 01:27:39,280
Speaker 1: I'm gonna be honest. You have taken over. Is Mike Kaiser.

1502
01:27:39,880 --> 01:27:41,680
Speaker 1: It was I'm gonna be honest with it was. It

1503
01:27:41,760 --> 01:27:46,880
Speaker 1: was Mike Kaiser, it was Sean Packs. It was Rob

1504
01:27:47,160 --> 01:27:49,000
Speaker 1: Love on No Love. A lot of people will get

1505
01:27:49,040 --> 01:27:53,639
Speaker 1: him out. It was good Rob Love people. Man, that's

1506
01:27:53,640 --> 01:27:56,880
Speaker 1: white had fun. Sam Kresco had a run. Everybody. Sam

1507
01:27:56,960 --> 01:28:01,479
Speaker 1: Cresco to the Rumbo Swiper, I'll swipe that much. It's

1508
01:28:01,520 --> 01:28:04,160
Speaker 1: not even about swiping, man, It's about having a good time.

1509
01:28:04,640 --> 01:28:11,000
Speaker 1: Damn it make some noise that you know. It's about

1510
01:28:11,040 --> 01:28:13,479
Speaker 1: who shows each other a better time, you know, and

1511
01:28:13,640 --> 01:28:16,439
Speaker 1: it's creating a memory and you know, having to build

1512
01:28:16,439 --> 01:28:21,040
Speaker 1: a relationship. That's the kid, like everybody. It's something but

1513
01:28:21,960 --> 01:28:23,599
Speaker 1: it was. It was for the sake of the label,

1514
01:28:23,640 --> 01:28:25,400
Speaker 1: were say, for the artist. It was just for the

1515
01:28:25,479 --> 01:28:27,600
Speaker 1: sake of what was going on at that time, so

1516
01:28:27,720 --> 01:28:30,479
Speaker 1: we could go back and be like, Yo, Mike kaysa

1517
01:28:30,520 --> 01:28:32,320
Speaker 1: shaw pat. They did it up, like you know what

1518
01:28:32,320 --> 01:28:35,040
Speaker 1: I'm saying, whether it was a program director or artist

1519
01:28:35,479 --> 01:28:37,040
Speaker 1: or a person in the market to it. Now they

1520
01:28:37,080 --> 01:28:38,800
Speaker 1: can be able to walk into any club because they

1521
01:28:38,800 --> 01:28:41,720
Speaker 1: already knows that Yo, some good eyes or you know,

1522
01:28:42,080 --> 01:28:43,560
Speaker 1: they come here to have a good time and you

1523
01:28:43,600 --> 01:28:46,000
Speaker 1: don't show everybody around him a good time. And that's

1524
01:28:46,040 --> 01:28:47,840
Speaker 1: what you know, that's what it's about, not about you know,

1525
01:28:47,880 --> 01:28:50,240
Speaker 1: it's about having fun too, but you know it's it's work.

1526
01:28:50,320 --> 01:28:53,160
Speaker 1: At the same time, it's always a motive behind it, Like,

1527
01:28:53,240 --> 01:28:55,599
Speaker 1: you know, don't have a good time, but it has

1528
01:28:55,680 --> 01:28:59,880
Speaker 1: to be somebody got to pay somebody. It was like coming,

1529
01:29:02,080 --> 01:29:05,200
Speaker 1: everybody more thing tonight, let's go where we're going on,

1530
01:29:05,479 --> 01:29:10,799
Speaker 1: let me get get Geen for me was a phenomenal

1531
01:29:10,960 --> 01:29:14,360
Speaker 1: year speaking to mine, Oh my bad, eighteen for me

1532
01:29:14,479 --> 01:29:19,599
Speaker 1: was a phenomenal year. Sho, sorry, bro, I'm cuban, I'll

1533
01:29:19,600 --> 01:29:24,400
Speaker 1: get that Uen for me was a phenomenal year I'm

1534
01:29:24,439 --> 01:29:27,160
Speaker 1: really grateful of all the artists, including itself, who I

1535
01:29:27,280 --> 01:29:29,880
Speaker 1: got to work with and uh and collaborate with on

1536
01:29:29,960 --> 01:29:32,320
Speaker 1: different visions. I think where I can approve now twenty

1537
01:29:32,400 --> 01:29:35,360
Speaker 1: nineteen is actually just making more time for my real friends,

1538
01:29:35,400 --> 01:29:37,280
Speaker 1: because the industry really had a hold on me of

1539
01:29:37,320 --> 01:29:40,559
Speaker 1: twenty eighteen, good and just working. And now that I've

1540
01:29:40,600 --> 01:29:42,920
Speaker 1: got my name established and the workers come and study,

1541
01:29:42,960 --> 01:29:45,040
Speaker 1: I can actually kind of breathe and when I'm in

1542
01:29:45,120 --> 01:29:53,120
Speaker 1: town actually make time for my people because disrespect. It's

1543
01:29:53,200 --> 01:29:55,200
Speaker 1: just it was just hard fucking work gaining where I

1544
01:29:55,240 --> 01:29:57,280
Speaker 1: had to get. Now that I'm here, just maintaining is

1545
01:29:57,840 --> 01:30:00,880
Speaker 1: not the easy part. But getting on his is easy.

1546
01:30:00,960 --> 01:30:03,760
Speaker 1: Staying on hard. But at the same talking, you can't

1547
01:30:03,760 --> 01:30:05,880
Speaker 1: forget where you came from, right, That's why we need

1548
01:30:05,920 --> 01:30:08,559
Speaker 1: that Drink Champs documentary. We've done. God damit, let's go whatever.

1549
01:30:10,439 --> 01:30:15,160
Speaker 1: That my first time. Oh man, let me get a mine? Yeah,

1550
01:30:15,240 --> 01:30:22,679
Speaker 1: okay that yeah? Man twenty twenty nineteen, Man Twins focusing

1551
01:30:22,760 --> 01:30:25,040
Speaker 1: on his health. You know what I'm saying, getting back

1552
01:30:25,080 --> 01:30:28,080
Speaker 1: to the gym, catching up with steroid twenty But I'm

1553
01:30:28,160 --> 01:30:31,840
Speaker 1: not gonna take steroids, you know what I'm saying, take

1554
01:30:31,920 --> 01:30:34,479
Speaker 1: a little bit. I mean, I can't lie. It's time.

1555
01:30:34,479 --> 01:30:36,000
Speaker 1: I'm gonna get back to the gym. You don't want

1556
01:30:36,000 --> 01:30:40,040
Speaker 1: to smooth ship. You know what I'm saying. On stacking

1557
01:30:40,160 --> 01:30:44,040
Speaker 1: up my paper, getting my financial stability for my future.

1558
01:30:44,520 --> 01:30:48,160
Speaker 1: You know what I'm saying, um, securing my future, you know,

1559
01:30:48,880 --> 01:30:53,400
Speaker 1: focusing on new projects, everything positive and positive vibes. Keep

1560
01:30:53,479 --> 01:30:55,640
Speaker 1: that negative ship away from me. We don't need that

1561
01:30:55,720 --> 01:30:58,320
Speaker 1: ship over here. You know what I'm saying, Like twenty

1562
01:30:58,439 --> 01:31:01,599
Speaker 1: nineteen is none of positive energy and leveling up. Man

1563
01:31:01,680 --> 01:31:04,720
Speaker 1: with with the team man always. It ain't gonna stop

1564
01:31:04,840 --> 01:31:06,160
Speaker 1: in at wound stop. You know what I'm saying. I

1565
01:31:06,200 --> 01:31:15,000
Speaker 1: would say, real, dude, I need to work on my

1566
01:31:15,200 --> 01:31:20,080
Speaker 1: focus in the focus right now was dump Trump, Dump Trump,

1567
01:31:20,680 --> 01:31:24,519
Speaker 1: Dump Trump. That's the focus right now. You see it

1568
01:31:24,640 --> 01:31:26,720
Speaker 1: right there. I got the shirts. You got your shirt.

1569
01:31:29,200 --> 01:31:32,439
Speaker 1: It's about touching down community, touching down with family, right

1570
01:31:32,840 --> 01:31:34,960
Speaker 1: and building with folks so they understand what's going on

1571
01:31:35,080 --> 01:31:38,720
Speaker 1: with this dude right Central Park five that I was

1572
01:31:38,800 --> 01:31:40,479
Speaker 1: locked up with two of them. Um, I was locked

1573
01:31:40,560 --> 01:31:45,120
Speaker 1: up with us, salam And Kevin Richard said continued, yeah,

1574
01:31:45,280 --> 01:31:47,240
Speaker 1: so oh yeah, I was locked up like you know,

1575
01:31:47,600 --> 01:31:50,280
Speaker 1: I knew you Slam did not do it. Yeah, Like

1576
01:31:50,560 --> 01:31:53,120
Speaker 1: like the guard was Muslim before he even came in

1577
01:31:53,200 --> 01:31:56,840
Speaker 1: the system, so he was he was, you know most people, Yeah,

1578
01:31:57,000 --> 01:32:00,160
Speaker 1: see Islam as you know, in crisis. I'm so to

1579
01:32:00,200 --> 01:32:03,120
Speaker 1: cut you off, but I'm still continue to show but

1580
01:32:03,240 --> 01:32:05,040
Speaker 1: to your point, right, he said, you do him? Yeah,

1581
01:32:05,360 --> 01:32:08,360
Speaker 1: because the point is, I know that could have been

1582
01:32:08,600 --> 01:32:11,680
Speaker 1: any of us, right, accused of something that we didn't do.

1583
01:32:12,360 --> 01:32:17,000
Speaker 1: Donald Trump, he said, right, yeah, covered papers, New York

1584
01:32:17,000 --> 01:32:20,960
Speaker 1: City papers, hundred thousand dollars a piece, like that's kind

1585
01:32:21,000 --> 01:32:24,920
Speaker 1: of some six ship like cops with what he paid

1586
01:32:24,920 --> 01:32:28,120
Speaker 1: a hundred thousand dollars to get the front page ad

1587
01:32:31,120 --> 01:32:35,680
Speaker 1: or the deal all for the execution, he called him.

1588
01:32:37,000 --> 01:32:39,240
Speaker 1: This is after they've been no, no, no, this is

1589
01:32:39,360 --> 01:32:41,479
Speaker 1: this is when it happens. He said. He was a

1590
01:32:41,600 --> 01:32:44,240
Speaker 1: real estate type, all that upstate. You know what I'm

1591
01:32:44,240 --> 01:32:46,240
Speaker 1: saying that hard explain this to. I'm sorry, I'm so

1592
01:32:46,360 --> 01:32:49,000
Speaker 1: sorry you went over my head. I'm all right, So,

1593
01:32:49,160 --> 01:32:53,040
Speaker 1: Donald Trump, so when this is to send your pa

1594
01:32:53,200 --> 01:32:55,719
Speaker 1: from there? Right when they was going to court, Donald

1595
01:32:55,760 --> 01:32:58,840
Speaker 1: Trump took out ads in New York City paper calling

1596
01:32:58,920 --> 01:33:02,880
Speaker 1: for the execution, called them. Animals called them wolf. It

1597
01:33:03,000 --> 01:33:05,519
Speaker 1: was crazy. I thought when Donald Trump that was the

1598
01:33:05,600 --> 01:33:12,280
Speaker 1: new thing. Didn't say something, so it got convicted. I

1599
01:33:12,320 --> 01:33:14,280
Speaker 1: don't I don't know what their sentence was, but they

1600
01:33:14,360 --> 01:33:17,320
Speaker 1: did significant time. I think one did thirteen years right

1601
01:33:18,080 --> 01:33:20,800
Speaker 1: while he was in the person who really did it

1602
01:33:21,360 --> 01:33:24,439
Speaker 1: it made jail. They did the DNA with the brother

1603
01:33:24,479 --> 01:33:27,639
Speaker 1: who admitted to it, traced it back to the crime scene.

1604
01:33:27,680 --> 01:33:29,800
Speaker 1: None of their DNA was at the crop scene. So

1605
01:33:29,920 --> 01:33:32,720
Speaker 1: they were all released, exonerated. The state of warded the

1606
01:33:33,280 --> 01:33:36,880
Speaker 1: forty six million dollars. Donald Trump was asked about it,

1607
01:33:36,960 --> 01:33:40,240
Speaker 1: and he said, we don't think they were um released

1608
01:33:40,280 --> 01:33:44,960
Speaker 1: on their own cars. They all the day time they

1609
01:33:45,000 --> 01:33:48,640
Speaker 1: got released DNA. Do you know, the DNA technology caught up.

1610
01:33:49,080 --> 01:33:51,360
Speaker 1: They did the DNA tests with the guy who admitted

1611
01:33:51,560 --> 01:33:54,920
Speaker 1: to it in jail that part, and none of their

1612
01:33:55,040 --> 01:33:58,920
Speaker 1: DNA was on the scene, so they were released. So

1613
01:33:59,120 --> 01:34:01,400
Speaker 1: they were with the forty six million dollars. Donald Trump

1614
01:34:01,560 --> 01:34:03,439
Speaker 1: was asked about it. He said it was a mistake.

1615
01:34:03,479 --> 01:34:05,519
Speaker 1: They shouldn't have been let let go. They shouldn't have

1616
01:34:05,560 --> 01:34:11,200
Speaker 1: got no money. He still fourteen, so right there. That

1617
01:34:11,320 --> 01:34:13,600
Speaker 1: puts him in perspective for me. Because that could have

1618
01:34:13,680 --> 01:34:16,160
Speaker 1: been any of us black and brown people like that

1619
01:34:16,200 --> 01:34:18,320
Speaker 1: could have been anybody in that park or looking around

1620
01:34:18,320 --> 01:34:21,120
Speaker 1: that park. I think two or three of the Central

1621
01:34:21,160 --> 01:34:24,639
Speaker 1: Park five didn't even get arrested. The park cops went

1622
01:34:24,720 --> 01:34:28,679
Speaker 1: door to door a day or two later, so police

1623
01:34:28,720 --> 01:34:30,479
Speaker 1: could just run up in your house and say, Yo,

1624
01:34:30,600 --> 01:34:33,840
Speaker 1: we want to bring you down the station. Question like

1625
01:34:33,960 --> 01:34:35,760
Speaker 1: that's that's that's that's not right, you know what I mean?

1626
01:34:35,880 --> 01:34:38,120
Speaker 1: So that points Donald Trump for me a perspective like

1627
01:34:38,280 --> 01:34:40,599
Speaker 1: what he would be capable of. Door. So we got

1628
01:34:40,680 --> 01:34:43,280
Speaker 1: this movement, dump Trump, dump Trump, dot global, check us out,

1629
01:34:43,600 --> 01:34:46,200
Speaker 1: and you know it's all right there. I want to

1630
01:34:46,240 --> 01:34:49,639
Speaker 1: really read this on quickly place since he mentioned Central Park,

1631
01:34:49,680 --> 01:34:51,800
Speaker 1: A lot of people espected from New York don't know.

1632
01:34:52,640 --> 01:34:55,240
Speaker 1: Central Park used to be on Seneca Village. That was

1633
01:34:55,280 --> 01:34:58,000
Speaker 1: an old Seneca village that used to be your old

1634
01:34:58,200 --> 01:35:02,160
Speaker 1: old Morris African so quote village where they they they

1635
01:35:02,479 --> 01:35:05,760
Speaker 1: is actually a grave site where they killed everybody. Yeah,

1636
01:35:06,280 --> 01:35:09,760
Speaker 1: it's in grants chilling something like that too. Yeah, you

1637
01:35:09,840 --> 01:35:13,160
Speaker 1: got old black if you look up the history of

1638
01:35:13,240 --> 01:35:15,800
Speaker 1: New York is something serious. Yeah, like black people own

1639
01:35:15,880 --> 01:35:17,920
Speaker 1: a lot of landags New York City all the Central

1640
01:35:18,000 --> 01:35:21,479
Speaker 1: Guards really so Central Park is act as an actually

1641
01:35:21,520 --> 01:35:23,680
Speaker 1: grave site. You can look at it. The space to

1642
01:35:23,720 --> 01:35:25,840
Speaker 1: be called Senate complies. They had the disguise at the

1643
01:35:25,920 --> 01:35:29,160
Speaker 1: Central Park that to the base. And what's that restaurant

1644
01:35:29,360 --> 01:35:33,600
Speaker 1: that green? What is it taping on the green? I

1645
01:35:33,680 --> 01:35:37,080
Speaker 1: heard something about that too. I mean I feel like

1646
01:35:37,120 --> 01:35:40,320
Speaker 1: people even on ground zero where they built the towers,

1647
01:35:40,439 --> 01:35:44,920
Speaker 1: that that's the old site to a lot of movies

1648
01:35:45,320 --> 01:35:47,439
Speaker 1: excin Like I said before, before a lot of these

1649
01:35:47,479 --> 01:35:49,439
Speaker 1: people came here, we was already head before it was

1650
01:35:49,479 --> 01:35:52,240
Speaker 1: New York, used to be New New Amsterdam, new Gothama,

1651
01:35:52,520 --> 01:35:54,479
Speaker 1: new roots to him and had different names prior to

1652
01:35:54,760 --> 01:36:00,200
Speaker 1: to New York. Yeah, Philadelphia, Yeah, I think was it tuscarao? Um,

1653
01:36:01,280 --> 01:36:03,080
Speaker 1: we're here in Florida. This used to be out at

1654
01:36:03,160 --> 01:36:04,880
Speaker 1: the Lousia. You know what I mean. This is all

1655
01:36:04,920 --> 01:36:08,000
Speaker 1: before the Nights Dy's got incorporated. But the history is praising,

1656
01:36:08,040 --> 01:36:09,920
Speaker 1: you know. I mean that's why I say when you

1657
01:36:10,000 --> 01:36:12,840
Speaker 1: go back to your roots and start from the roots, yeah,

1658
01:36:12,840 --> 01:36:15,200
Speaker 1: I mean, you can't go wrong. Yeah. Man, when you

1659
01:36:15,320 --> 01:36:17,160
Speaker 1: say before, you're saying at the same time as a

1660
01:36:17,320 --> 01:36:20,880
Speaker 1: Native Americans or before, well like I said that the

1661
01:36:21,040 --> 01:36:23,200
Speaker 1: people that you know as Native Americans, you know what

1662
01:36:23,240 --> 01:36:26,280
Speaker 1: I mean with the dark skinned people that was hit.

1663
01:36:26,920 --> 01:36:28,559
Speaker 1: You know what I mean, like when you say, um,

1664
01:36:29,400 --> 01:36:32,240
Speaker 1: when somebody say you you fucking coom, you get somebody

1665
01:36:32,280 --> 01:36:34,280
Speaker 1: who who likes to white the white person you're calling

1666
01:36:34,320 --> 01:36:37,040
Speaker 1: the coom. They don't know about the Raccoon tribe of

1667
01:36:37,160 --> 01:36:40,080
Speaker 1: Florida who for the long the Seminal Indians. These are

1668
01:36:40,160 --> 01:36:43,920
Speaker 1: dark skinned people, Head who darkened us and head who

1669
01:36:44,000 --> 01:36:52,400
Speaker 1: tried along with the seminal people with locks and what

1670
01:36:52,520 --> 01:36:54,360
Speaker 1: I'm trying to find out, Like I'm trying to do this,

1671
01:36:55,240 --> 01:36:57,439
Speaker 1: So I just say that, you know, it's it's it's

1672
01:36:57,520 --> 01:36:59,400
Speaker 1: it's funny that because a lot of these places that

1673
01:36:59,439 --> 01:37:02,960
Speaker 1: you see, these is happening. It's it's happened before. But

1674
01:37:03,120 --> 01:37:05,479
Speaker 1: you know it's like Richard Richard Stickly, you know what

1675
01:37:05,479 --> 01:37:08,320
Speaker 1: I mean. We were replaying stuff right now. So yeah,

1676
01:37:08,360 --> 01:37:10,720
Speaker 1: I mean, I just want to get the Adrian Brown

1677
01:37:10,760 --> 01:37:13,960
Speaker 1: the clip until you can take now. I just want

1678
01:37:14,000 --> 01:37:18,839
Speaker 1: to throw that in the l I do literally, Adrian

1679
01:37:19,000 --> 01:37:21,640
Speaker 1: more forty, you gotta break it up. Break it up.

1680
01:37:23,560 --> 01:37:25,439
Speaker 1: So Adrian Brown, you got the Adrian Brown up cut

1681
01:37:26,439 --> 01:37:29,759
Speaker 1: Adrian broun Up was first Brandy Pokyal. For some reason,

1682
01:37:29,800 --> 01:37:34,120
Speaker 1: I'm exciting to watch this fight, super excited. I don't think.

1683
01:37:34,479 --> 01:37:38,000
Speaker 1: I'm not sure the fight. Yeah, it's not. It's not

1684
01:37:38,120 --> 01:37:45,680
Speaker 1: a gimmick. Right then, it's not. It's not a gimmick. Bro.

1685
01:37:46,800 --> 01:37:48,760
Speaker 1: As I'm boxing, I don't think. What does it it's

1686
01:37:48,800 --> 01:37:51,880
Speaker 1: gonna be? Yeah, doesn't do for the gimmick, I don't think. Yeah,

1687
01:37:52,080 --> 01:37:55,960
Speaker 1: he ain't tromp backing out, might killed him in the ring,

1688
01:37:56,800 --> 01:37:59,599
Speaker 1: might get killed. Yeah, yeah, I was gonna everybody quick.

1689
01:38:01,360 --> 01:38:03,680
Speaker 1: Just ain't think you know this paper y'all gave a

1690
01:38:03,760 --> 01:38:07,840
Speaker 1: young nigga a chance to make a hundred million. Y'all

1691
01:38:07,840 --> 01:38:09,519
Speaker 1: got me fucked up. Y'all think I'm about to lose

1692
01:38:09,560 --> 01:38:11,439
Speaker 1: the mini pack? Ye out, man, I'm about to beat

1693
01:38:11,479 --> 01:38:13,640
Speaker 1: this motherfucking ass on God now. And I don't know

1694
01:38:13,720 --> 01:38:15,920
Speaker 1: who n m me is. Man really learned about too

1695
01:38:16,000 --> 01:38:17,880
Speaker 1: much of what I'm saying just the first time I

1696
01:38:17,960 --> 01:38:20,200
Speaker 1: was over here with all this drip. Give me stop

1697
01:38:20,240 --> 01:38:26,559
Speaker 1: your pictures dance, yea saying if the rematch with Floyd

1698
01:38:26,680 --> 01:38:32,720
Speaker 1: Floyd Man, no dirties back, but fighting you to beat

1699
01:38:32,720 --> 01:38:35,280
Speaker 1: your mother fucking as do you worry about Floyd already

1700
01:38:35,320 --> 01:38:38,519
Speaker 1: beat You gotta get past me first, big feet, my fucker.

1701
01:38:39,560 --> 01:38:43,760
Speaker 1: Do you feel like they're understimate? Man? Okay, trying to

1702
01:38:43,800 --> 01:38:48,760
Speaker 1: tell you that's it. Play it on the actual podcast

1703
01:38:50,000 --> 01:38:53,559
Speaker 1: about that because you suck up, played up real Clutton

1704
01:38:56,560 --> 01:39:04,400
Speaker 1: Instagram player clip. Man, you gotta step about game passed

1705
01:39:04,439 --> 01:39:07,479
Speaker 1: this time? No, no, no, well you don't want to

1706
01:39:07,560 --> 01:39:11,080
Speaker 1: tell the truth. Both of them are not in their prime.

1707
01:39:11,640 --> 01:39:14,000
Speaker 1: Neither one of them are in their prime. He's younger.

1708
01:39:14,880 --> 01:39:19,320
Speaker 1: Adrian's way younger Adrian. If Adrian connect, he might lay

1709
01:39:19,360 --> 01:39:23,200
Speaker 1: party the fuck out. The problem is the problem is

1710
01:39:23,280 --> 01:39:26,160
Speaker 1: all this ship. He's talking. He's worried about the hundred million,

1711
01:39:26,240 --> 01:39:28,360
Speaker 1: he's worried about the fifty million or twenty million that

1712
01:39:28,479 --> 01:39:31,840
Speaker 1: he can make. Is he's worried about talking. And I

1713
01:39:31,960 --> 01:39:34,680
Speaker 1: think that Pocky has never been worried about talking. I

1714
01:39:34,760 --> 01:39:40,360
Speaker 1: think is gonna go to Patty has been laughing through

1715
01:39:40,439 --> 01:39:51,519
Speaker 1: the Wayne's laugh He's laughing because there's like, I don't know, Adrian,

1716
01:39:51,600 --> 01:39:58,400
Speaker 1: run the drink, shout up when I'm walking around you

1717
01:39:58,560 --> 01:40:00,920
Speaker 1: really my name is my name in my dry chance sports.

1718
01:40:01,160 --> 01:40:05,280
Speaker 1: But do you think Adrian Brouner is the truth. I

1719
01:40:05,400 --> 01:40:09,280
Speaker 1: salute him and I love him, but Patiala is experienced.

1720
01:40:09,320 --> 01:40:13,679
Speaker 1: It's gonna be and I don't know. The Wilder fight

1721
01:40:13,800 --> 01:40:16,639
Speaker 1: on the show Sea, Yes, yes, yes, the one wild

1722
01:40:16,680 --> 01:40:19,760
Speaker 1: fight and gets all the rosas year, the big Dude,

1723
01:40:19,760 --> 01:40:24,000
Speaker 1: the Wilder fight. That's we wait fighting back. You're not

1724
01:40:24,080 --> 01:40:26,479
Speaker 1: listening to me. Everybody's getting back in the heavy way,

1725
01:40:26,560 --> 01:40:28,960
Speaker 1: gonna be the street. Everybody's getting the back. Yeah, everybody's

1726
01:40:28,960 --> 01:40:31,600
Speaker 1: getting back. Everybody's getting back. But but now to be

1727
01:40:31,680 --> 01:40:34,800
Speaker 1: on sports, how about the chiefs in the Rams? The

1728
01:40:35,000 --> 01:40:37,639
Speaker 1: Rams one and I won't fight hundred. I'm only saying

1729
01:40:37,680 --> 01:40:40,280
Speaker 1: that because we want to Mike. We gonna bring it

1730
01:40:40,400 --> 01:40:42,519
Speaker 1: up an hour and hour. The Rams won the fight,

1731
01:40:42,840 --> 01:40:49,080
Speaker 1: the Rams wanted fifty one. But Thanksgiving Games is tomorrow.

1732
01:40:49,160 --> 01:40:51,920
Speaker 1: We dropped in this episode tomorrow, right, So it's at

1733
01:40:51,960 --> 01:40:56,200
Speaker 1: Landing Focus tomorrow. It's Cowboys and rest ks tomorrow, and

1734
01:40:56,520 --> 01:41:01,799
Speaker 1: and and it's bearising lines tomorrow. Sounds like I stopped

1735
01:41:01,800 --> 01:41:03,640
Speaker 1: doing Fix two years ago because I lost money and

1736
01:41:03,720 --> 01:41:06,560
Speaker 1: drinks and I didn't given fun my lot money. So

1737
01:41:07,080 --> 01:41:08,960
Speaker 1: I'm not putting I'm gonna put it best no more

1738
01:41:09,400 --> 01:41:12,360
Speaker 1: most as you said it. Bear's gonna win. Cowboy's gonna win,

1739
01:41:12,479 --> 01:41:17,160
Speaker 1: saying's gonna win. There's nothing kiss all this plays every

1740
01:41:17,280 --> 01:41:21,800
Speaker 1: week And I'm telling you if you've been following, uh

1741
01:41:22,400 --> 01:41:27,320
Speaker 1: Jenny Kiss pick Jenna Kins, but you're not a sports arrest,

1742
01:41:27,400 --> 01:41:34,640
Speaker 1: is is that work? Listen? I like I like you?

1743
01:41:37,160 --> 01:41:38,560
Speaker 1: All right? So this is the last sun like for

1744
01:41:38,600 --> 01:41:44,560
Speaker 1: the night. We're gonna wrap it up. Stevie j h

1745
01:41:44,640 --> 01:41:48,320
Speaker 1: huh and Faith. Biggie would be happy for Faith and

1746
01:41:48,760 --> 01:41:52,519
Speaker 1: Stevie Jay says that happen that nothing but gonna good come.

1747
01:41:53,439 --> 01:41:56,720
Speaker 1: I believe it. I swear to God. I believe it.

1748
01:41:57,479 --> 01:41:59,200
Speaker 1: Do you want me to tell you why? I believe that?

1749
01:41:59,560 --> 01:42:06,360
Speaker 1: Like um should should? I just thought first one, I

1750
01:42:06,439 --> 01:42:08,640
Speaker 1: believe it Biggie was alive. I don't believe Biggie and

1751
01:42:08,640 --> 01:42:13,640
Speaker 1: Faith would have been together, okay, damn um. I just

1752
01:42:13,720 --> 01:42:16,840
Speaker 1: feel like that I have no facts or no you know,

1753
01:42:17,000 --> 01:42:19,360
Speaker 1: I have no no inside information. I don't want anybody

1754
01:42:19,400 --> 01:42:24,200
Speaker 1: that trades but and me off the Graham, looking at

1755
01:42:24,280 --> 01:42:28,720
Speaker 1: Stevie j and looking at Faith off the Graham and

1756
01:42:29,080 --> 01:42:31,240
Speaker 1: off social media. At first, when I first seen it,

1757
01:42:31,320 --> 01:42:33,719
Speaker 1: I was like, whatever, you know, maybe it's a flame.

1758
01:42:35,120 --> 01:42:39,800
Speaker 1: We had a space game in Mallible, Malliable. He was

1759
01:42:39,880 --> 01:42:46,960
Speaker 1: there as there's no harder and the scene the see

1760
01:42:47,400 --> 01:42:49,920
Speaker 1: come in and I mind you at this time there's

1761
01:42:49,920 --> 01:42:52,640
Speaker 1: a lot of females that descript that I've rented in

1762
01:42:52,880 --> 01:42:56,720
Speaker 1: Malliable and there's a lot of you know, dudes, the

1763
01:42:56,880 --> 01:43:00,519
Speaker 1: boy So you can hear somebody say babe all the time.

1764
01:43:00,560 --> 01:43:03,600
Speaker 1: There's always a babe. You're bab bab bab bab. So

1765
01:43:03,680 --> 01:43:07,840
Speaker 1: I don't turn around without here babe because other babes. Right.

1766
01:43:09,160 --> 01:43:14,120
Speaker 1: But when Faith said bag and Stevie just turned the

1767
01:43:14,240 --> 01:43:17,680
Speaker 1: funk around was like and was so attentative to her.

1768
01:43:18,840 --> 01:43:22,519
Speaker 1: I was like, Yo, this is not at all. This

1769
01:43:22,680 --> 01:43:25,200
Speaker 1: is really like I'm talking about this this fifth five

1770
01:43:25,560 --> 01:43:27,559
Speaker 1: Maybe I'm exaggerating. This is at least five or six

1771
01:43:27,880 --> 01:43:31,439
Speaker 1: other couples is going around. Everyone calls their significant other bay.

1772
01:43:32,400 --> 01:43:35,479
Speaker 1: But for Faith, I'm talking it's music playing. We're playing

1773
01:43:35,640 --> 01:43:43,600
Speaker 1: smoke spades. This this ways flying by music. And she

1774
01:43:43,720 --> 01:43:47,519
Speaker 1: said baby and that nigga stopped everything and I looked,

1775
01:43:47,520 --> 01:43:51,560
Speaker 1: I said only only I didn't know the babies for you,

1776
01:43:53,680 --> 01:43:56,880
Speaker 1: And I was like, you know what, I super I

1777
01:43:56,960 --> 01:43:59,760
Speaker 1: looked past on a superficial ship that everyone else looks

1778
01:43:59,800 --> 01:44:03,360
Speaker 1: at and I looked at love like I'm sorry to

1779
01:44:03,439 --> 01:44:06,160
Speaker 1: like be like love proven that it was real, that

1780
01:44:06,280 --> 01:44:11,479
Speaker 1: it was real, that it was real me for like me. Firstly,

1781
01:44:11,520 --> 01:44:14,360
Speaker 1: I would I would coach on the relationship forever. But

1782
01:44:15,479 --> 01:44:17,680
Speaker 1: let's get back to it. That's my personal opinion. You

1783
01:44:17,720 --> 01:44:20,680
Speaker 1: guys can have your on your opinion. Stevie J said, Um,

1784
01:44:21,160 --> 01:44:24,439
Speaker 1: Biggie would be happy, and I sincerely believe that. Like again,

1785
01:44:24,600 --> 01:44:27,439
Speaker 1: giving back to my situation, you know, Big was already

1786
01:44:27,439 --> 01:44:29,920
Speaker 1: affiliated to like Charlie Baltimore, which we want up here,

1787
01:44:30,320 --> 01:44:32,680
Speaker 1: she was. He was already a little cam and so

1788
01:44:32,840 --> 01:44:35,920
Speaker 1: do the other females favors a strong woman. She's a

1789
01:44:36,000 --> 01:44:37,920
Speaker 1: woman like if you either fucking hush, she's a New

1790
01:44:38,040 --> 01:44:43,200
Speaker 1: Jersey brick city girl with me or you, and she

1791
01:44:43,280 --> 01:44:45,880
Speaker 1: would have moved on. She ain't having that type of ship.

1792
01:44:46,320 --> 01:44:49,200
Speaker 1: And I think that they would have eventually ended up

1793
01:44:49,240 --> 01:44:54,280
Speaker 1: if Biggie was alive. Damn, that's a big statement at

1794
01:44:54,320 --> 01:44:57,120
Speaker 1: the end, super big statement. I know what, but but

1795
01:44:57,560 --> 01:45:02,080
Speaker 1: thank you. But I'm just telling you because favors, by

1796
01:45:02,160 --> 01:45:08,840
Speaker 1: the way, favor is so ill that since Faith episode

1797
01:45:08,920 --> 01:45:11,360
Speaker 1: came out, there's been females that come up to me

1798
01:45:11,439 --> 01:45:13,360
Speaker 1: and be like, yo, thank you, and I'm like, what

1799
01:45:13,520 --> 01:45:16,160
Speaker 1: the fun? Like Faith is my best friend now and

1800
01:45:16,200 --> 01:45:19,559
Speaker 1: I'm like for real, like you met Faith is the episode?

1801
01:45:19,600 --> 01:45:23,320
Speaker 1: They like now she's my face and I'm like what,

1802
01:45:25,000 --> 01:45:27,200
Speaker 1: like like they got to see the real thing. So

1803
01:45:27,360 --> 01:45:33,120
Speaker 1: people compliment us all the time before that, so I

1804
01:45:33,280 --> 01:45:34,800
Speaker 1: want him to be sent I feel like we don't

1805
01:45:34,800 --> 01:45:37,439
Speaker 1: want him to sit like, oh Faith, not all like

1806
01:45:37,600 --> 01:45:40,960
Speaker 1: as far as money or something like that, because because

1807
01:45:41,040 --> 01:45:43,120
Speaker 1: she was so well with us, is that one of

1808
01:45:43,160 --> 01:45:47,720
Speaker 1: the best female guests ever ever? And for me to

1809
01:45:47,840 --> 01:45:50,640
Speaker 1: see her, knowing what she'd been through, not knowing her

1810
01:45:50,760 --> 01:45:52,439
Speaker 1: when she was going through big I did not know,

1811
01:45:53,280 --> 01:45:55,320
Speaker 1: but knowing when she went through nothing know one, you know,

1812
01:45:55,960 --> 01:45:59,479
Speaker 1: all this crazy and to see how happy as she

1813
01:45:59,680 --> 01:46:02,120
Speaker 1: is right now, I think that's something that we've got

1814
01:46:02,200 --> 01:46:11,519
Speaker 1: a salute, not should not should we? God? We should

1815
01:46:11,840 --> 01:46:16,960
Speaker 1: said anyway, because you know why so many people, so

1816
01:46:17,040 --> 01:46:19,240
Speaker 1: many people in this life right like I just heard

1817
01:46:19,280 --> 01:46:22,479
Speaker 1: their brother were skipped over his ship when he's talking

1818
01:46:22,520 --> 01:46:25,719
Speaker 1: about his wife, and there's so many things because loving

1819
01:46:25,760 --> 01:46:30,479
Speaker 1: your wife is not fly like, like being loyal is

1820
01:46:30,520 --> 01:46:34,519
Speaker 1: not fly like having one girl. It's not fly in

1821
01:46:34,680 --> 01:46:41,920
Speaker 1: our community. In our community, yes, thank you, Paul. And

1822
01:46:41,960 --> 01:46:44,679
Speaker 1: that's what I'm trying to say to you is every

1823
01:46:44,760 --> 01:46:50,560
Speaker 1: society and every real community, they say the woman is

1824
01:46:50,640 --> 01:46:54,519
Speaker 1: the teacher of the first child. Right, So if the

1825
01:46:54,640 --> 01:46:58,160
Speaker 1: woman is the teacher of the first child, how dare

1826
01:46:58,240 --> 01:47:03,360
Speaker 1: you have a child and not respect the woman because

1827
01:47:03,439 --> 01:47:07,280
Speaker 1: if that's the conversation, if that's the teacher, I'm sorry,

1828
01:47:07,880 --> 01:47:11,080
Speaker 1: But if that's the teacher, I wouldn't let my children

1829
01:47:11,160 --> 01:47:15,599
Speaker 1: continue go to school if it teaches aucus plan. If

1830
01:47:15,640 --> 01:47:17,760
Speaker 1: I know the teacher's name is David d I got

1831
01:47:17,880 --> 01:47:20,640
Speaker 1: to get the funk about of it. Me and my

1832
01:47:20,800 --> 01:47:23,320
Speaker 1: son and my daughter and everyone else. We're getting then

1833
01:47:23,439 --> 01:47:27,080
Speaker 1: about of there. So this is the thing in human

1834
01:47:27,200 --> 01:47:30,120
Speaker 1: nature sometimes with foxing me up this How can we

1835
01:47:30,200 --> 01:47:32,920
Speaker 1: say the woman is the first teachers of the child

1836
01:47:33,240 --> 01:47:36,160
Speaker 1: and we respect that, but then we don't respect the woman. Damn,

1837
01:47:37,520 --> 01:47:49,040
Speaker 1: don't do that, door please, you're doing it right there. Okay,

1838
01:47:49,120 --> 01:47:51,200
Speaker 1: that's right there. Okay, it's good you say that because

1839
01:47:51,280 --> 01:47:53,320
Speaker 1: you know as as a as a as a morgue

1840
01:47:53,360 --> 01:47:56,879
Speaker 1: and a maslum, like I said, and Louisia, we represent

1841
01:47:57,080 --> 01:47:58,400
Speaker 1: you know what I mean that this fast right here

1842
01:47:58,439 --> 01:48:03,040
Speaker 1: represents the wolf, the tip on the top represents the

1843
01:48:03,120 --> 01:48:05,720
Speaker 1: belly button, and the task that usually see represents the

1844
01:48:05,880 --> 01:48:08,840
Speaker 1: biblical shame. If you all come out of the boll

1845
01:48:10,240 --> 01:48:14,160
Speaker 1: and your mom and the highest prinsipal, so you know

1846
01:48:14,320 --> 01:48:17,200
Speaker 1: we we we we honor the do It's basically when

1847
01:48:17,280 --> 01:48:19,160
Speaker 1: when when we when you what you just said and

1848
01:48:19,240 --> 01:48:21,320
Speaker 1: we were thinking up the woman was called uplifting fall

1849
01:48:21,400 --> 01:48:25,280
Speaker 1: the humanity. Humanity is the female that that fell. And

1850
01:48:25,640 --> 01:48:28,560
Speaker 1: you can judge any national community by the state in

1851
01:48:28,640 --> 01:48:31,160
Speaker 1: a woman. The woman is sucked up. You fuck that.

1852
01:48:31,640 --> 01:48:34,240
Speaker 1: But because we all, we all come, we will all

1853
01:48:34,280 --> 01:48:36,080
Speaker 1: come holl of the woe, and we spend the rest

1854
01:48:36,120 --> 01:48:37,400
Speaker 1: of our lives trying to get back up in there.

1855
01:48:44,720 --> 01:48:47,280
Speaker 1: I see all the all these guys have plenty of women,

1856
01:48:47,280 --> 01:48:49,040
Speaker 1: all little places. I don't even know how to do it,

1857
01:48:49,240 --> 01:48:51,320
Speaker 1: and I can't do it. I can't do as I

1858
01:48:51,360 --> 01:48:53,519
Speaker 1: don't know how that was a tool an autistic sons,

1859
01:48:53,560 --> 01:48:56,320
Speaker 1: But I'm the same real ship. Mom. Why did you

1860
01:48:56,400 --> 01:48:59,559
Speaker 1: do that to mom? You know what the saying time

1861
01:48:59,680 --> 01:49:02,080
Speaker 1: you just will be its comeback without tinging, sing out.

1862
01:49:06,560 --> 01:49:08,439
Speaker 1: I don't want to be a you know what I

1863
01:49:08,560 --> 01:49:12,120
Speaker 1: told you know what I said down to day real quick,

1864
01:49:12,160 --> 01:49:15,000
Speaker 1: real quick, right real quick, and I'm heading right back

1865
01:49:15,000 --> 01:49:21,240
Speaker 1: to you, handing right back to you. When I, like,

1866
01:49:21,520 --> 01:49:25,320
Speaker 1: you know, wasn't like loyal and whatever, I would never

1867
01:49:25,439 --> 01:49:30,040
Speaker 1: watch sports. I would not know. But now when you loyal,

1868
01:49:30,040 --> 01:49:37,800
Speaker 1: you figure a way to be bored the world. The world.

1869
01:49:38,960 --> 01:49:44,680
Speaker 1: I've been trying kicking, I've been trying to watch I

1870
01:49:44,680 --> 01:49:49,200
Speaker 1: don't even I don't a baseball. I don't a baseball.

1871
01:49:49,439 --> 01:49:51,640
Speaker 1: But when I'm trying to be loyal, I'll stay long

1872
01:49:51,720 --> 01:49:56,439
Speaker 1: and watch to Mary this game, trying to get him,

1873
01:49:58,720 --> 01:50:01,360
Speaker 1: trying to get your because I want to show like

1874
01:50:01,439 --> 01:50:07,960
Speaker 1: you grow talk. I listen to grow the talk. He's like, yo,

1875
01:50:08,280 --> 01:50:11,280
Speaker 1: I wanted to stay home and get some rest. I'll

1876
01:50:11,280 --> 01:50:15,439
Speaker 1: show you the text. It's true. No, you're that. It's

1877
01:50:16,920 --> 01:50:23,160
Speaker 1: back and tune to you. You're just Slay's growth you

1878
01:50:23,200 --> 01:50:25,439
Speaker 1: put over. This serves to grow. I mean, you gotta

1879
01:50:25,439 --> 01:50:26,880
Speaker 1: get all that ship out when you're young, so you

1880
01:50:26,960 --> 01:50:30,280
Speaker 1: gotta go through the experiences. Ain't nothing by acting is

1881
01:50:30,400 --> 01:50:32,280
Speaker 1: get nothing new under the sun being everything is in

1882
01:50:32,320 --> 01:50:35,240
Speaker 1: divine order. So even the worship that doesn't even happen

1883
01:50:35,240 --> 01:50:36,960
Speaker 1: to you in your life, it brought you the head.

1884
01:50:37,120 --> 01:50:39,200
Speaker 1: Not even the muscle can grow without resistance. Your muscle

1885
01:50:39,280 --> 01:50:41,760
Speaker 1: is dead, chilling until you burn it, until you stretch it,

1886
01:50:42,120 --> 01:50:44,080
Speaker 1: make it uncome through. The ships don't grow. That's like

1887
01:50:44,280 --> 01:50:46,400
Speaker 1: us have to go to jail. Some people get shot

1888
01:50:46,479 --> 01:50:49,320
Speaker 1: at it. But I'm saying what you just mentioned, it's

1889
01:50:49,320 --> 01:50:52,639
Speaker 1: what we're supposed to strive for, is growth. Yeah, you'll

1890
01:50:52,640 --> 01:50:58,040
Speaker 1: want me, y'all still running. Nothing got me cool and board,

1891
01:50:58,240 --> 01:51:01,000
Speaker 1: not the words. Not another word right now, a little

1892
01:51:01,040 --> 01:51:03,840
Speaker 1: drop right now. The second about have an autistic son,

1893
01:51:04,160 --> 01:51:07,200
Speaker 1: it's like having a double life because they're depending you.

1894
01:51:07,560 --> 01:51:10,560
Speaker 1: But you said no, no, no, what I'm saying, No,

1895
01:51:10,640 --> 01:51:12,759
Speaker 1: I didn't say that. What I didn't say, I didn't

1896
01:51:12,800 --> 01:51:14,559
Speaker 1: mean that. If if I said that, what I mean

1897
01:51:14,840 --> 01:51:17,599
Speaker 1: is you can still be a scumbag. I know people would.

1898
01:51:18,600 --> 01:51:20,719
Speaker 1: I know that that's still cheap for that you're gonna

1899
01:51:20,720 --> 01:51:25,400
Speaker 1: pick that you pay for that. They might not. I

1900
01:51:25,479 --> 01:51:29,599
Speaker 1: mean because it's it's scary because they're depending you twice

1901
01:51:29,600 --> 01:51:34,840
Speaker 1: because your average kid absolutely no, they know No, it's deep,

1902
01:51:34,880 --> 01:51:39,120
Speaker 1: it's deep, and he's asperging. So it's a different thing

1903
01:51:39,160 --> 01:51:41,200
Speaker 1: because he's saying that I need you for the rest

1904
01:51:41,240 --> 01:51:44,160
Speaker 1: of my life. Yeah. But the funny part about it, though,

1905
01:51:44,240 --> 01:51:46,599
Speaker 1: is when people and people we were taught it. When

1906
01:51:46,640 --> 01:51:49,639
Speaker 1: you hear autistic or somebody the sellble palsy that they're

1907
01:51:49,720 --> 01:51:52,040
Speaker 1: slow or then here they're they're messed up, but not

1908
01:51:52,240 --> 01:51:55,479
Speaker 1: that's not really the case in most cases of all cases,

1909
01:51:55,520 --> 01:51:59,639
Speaker 1: do not mean that they're actually up. Yeah right here? Yeah,

1910
01:52:00,520 --> 01:52:05,800
Speaker 1: and then yeah, sometimes some things and hit. My son

1911
01:52:05,880 --> 01:52:08,599
Speaker 1: tells me, Dad, don't worry about it. It's gonna be handled,

1912
01:52:08,720 --> 01:52:11,479
Speaker 1: and I'll get a phone calling. He's ahead of his

1913
01:52:11,560 --> 01:52:13,640
Speaker 1: he was. He was putting here to teach you. You

1914
01:52:13,680 --> 01:52:14,960
Speaker 1: know what I mean. A lot a lot of people

1915
01:52:15,120 --> 01:52:16,519
Speaker 1: was saying you. I mean it was just a baby.

1916
01:52:16,560 --> 01:52:18,880
Speaker 1: He has to be here. That's not the truth, because

1917
01:52:19,240 --> 01:52:21,439
Speaker 1: we all chose our family. Your mother and your father

1918
01:52:21,640 --> 01:52:24,360
Speaker 1: just made made the way for you to get get

1919
01:52:24,439 --> 01:52:26,519
Speaker 1: here here. You know, many benzers for himselves have to die.

1920
01:52:26,560 --> 01:52:28,720
Speaker 1: You thought to come in that family to teach your mother? Man,

1921
01:52:29,040 --> 01:52:32,600
Speaker 1: what I'm saying mad, So that's what I'm saying. So

1922
01:52:32,640 --> 01:52:38,200
Speaker 1: it's more of a challenge game. It's gonna work, be

1923
01:52:38,280 --> 01:52:40,840
Speaker 1: telling a bad ship. I just say I'll say I

1924
01:52:40,960 --> 01:52:47,080
Speaker 1: was saying hero, I'm children and I ain't gonna lie.

1925
01:52:47,160 --> 01:52:51,360
Speaker 1: Ship don't work at all. His dick has his own

1926
01:52:51,400 --> 01:52:59,840
Speaker 1: abortion la. He had listen eventually I'm here. I mean,

1927
01:53:00,479 --> 01:53:03,880
Speaker 1: I'm talking you god man, but listen, man, you're done

1928
01:53:03,960 --> 01:53:07,280
Speaker 1: talking about this ship. Tory Lanes and uh push your

1929
01:53:07,320 --> 01:53:13,120
Speaker 1: teas might go back and forth for kids. Six nine albums,

1930
01:53:13,479 --> 01:53:22,320
Speaker 1: six nine albums delayed. Uh cares because you know, I mean,

1931
01:53:22,920 --> 01:53:24,720
Speaker 1: we wanted to come home. We don't want to. We

1932
01:53:24,720 --> 01:53:26,920
Speaker 1: don't care about this album. Do you care about him

1933
01:53:27,000 --> 01:53:29,400
Speaker 1: and Trade Wade and the owner of the game members

1934
01:53:29,800 --> 01:53:32,320
Speaker 1: coming home? That's what the we care about. Cardi Be

1935
01:53:32,439 --> 01:53:35,839
Speaker 1: surprises a mom with a new crab. I think that's honorable,

1936
01:53:35,920 --> 01:53:39,639
Speaker 1: Cardi B. I think that you're a fucking beautiful soul inside.

1937
01:53:39,640 --> 01:53:41,560
Speaker 1: I don't want to say you're beautiful outside because you

1938
01:53:41,680 --> 01:53:45,840
Speaker 1: have a man whatever. But Paul is definitely you know,

1939
01:53:46,080 --> 01:53:51,200
Speaker 1: super super SuperH So Cardi B making grdulates some bout

1940
01:53:51,240 --> 01:53:53,600
Speaker 1: your mom's a new home. I think everybody should like

1941
01:53:56,360 --> 01:54:00,400
Speaker 1: about my mom's at home in Florida. She's like, she's like,

1942
01:54:00,479 --> 01:54:02,840
Speaker 1: he's trying to get me because you know, I want

1943
01:54:02,880 --> 01:54:05,599
Speaker 1: my mom to move out here. But yeah, so yeah,

1944
01:54:05,960 --> 01:54:08,320
Speaker 1: Big Tory Lanes and push your Tn't think he's gonna

1945
01:54:08,360 --> 01:54:11,680
Speaker 1: take that bait six nine album delayed, Stevie J if

1946
01:54:11,760 --> 01:54:15,880
Speaker 1: you respect you, Cardi b uh surprised Mom, you know, Uh,

1947
01:54:16,960 --> 01:54:22,479
Speaker 1: Adrian and Pakia. Whatever the indictment, Fat You're already called

1948
01:54:22,520 --> 01:54:25,679
Speaker 1: in CNN. We had the compone call in our basil. Please,

1949
01:54:25,680 --> 01:54:28,120
Speaker 1: we're gonna see you out here, gonna smoke up whatever,

1950
01:54:29,920 --> 01:54:32,840
Speaker 1: Jua Lucas. We don't know where this ends. That push

1951
01:54:32,840 --> 01:54:37,080
Speaker 1: your tea in Toronto. Maybe but's gonna try to get

1952
01:54:37,160 --> 01:54:39,840
Speaker 1: Drake back. I'm not sure. Sloop Dog, salute you on

1953
01:54:39,920 --> 01:54:44,920
Speaker 1: the the Star and Kim part of rest in Peace Forever.

1954
01:54:45,120 --> 01:54:48,240
Speaker 1: We we was blessed by your presence. Every time I

1955
01:54:48,360 --> 01:54:52,720
Speaker 1: met this woman, she would always be the startup party.

1956
01:54:52,800 --> 01:54:55,000
Speaker 1: She walked in and she left her room. She was

1957
01:54:55,040 --> 01:54:59,160
Speaker 1: a beautiful, gorgeous black queen and you know, going way

1958
01:54:59,240 --> 01:55:01,800
Speaker 1: too soon. We don't we don't know what it was,

1959
01:55:01,960 --> 01:55:04,200
Speaker 1: what was over. We're not trying to investigate. We're just

1960
01:55:04,280 --> 01:55:07,400
Speaker 1: trying to support and love to the kids and everybody else,

1961
01:55:07,440 --> 01:55:10,480
Speaker 1: you know, from the Colon's family to the Porter family,

1962
01:55:10,680 --> 01:55:19,880
Speaker 1: who respect you, Drea Chas family, Happy Thanksgiving. You know

1963
01:55:19,960 --> 01:55:22,040
Speaker 1: this is my brother Gino Cash. You know sit us

1964
01:55:22,040 --> 01:55:29,680
Speaker 1: in the build that makes something your Geno Cash, we

1965
01:55:29,760 --> 01:55:32,360
Speaker 1: totally forgot. But listen, man, we're gonna we're wrapping up

1966
01:55:32,440 --> 01:55:36,480
Speaker 1: this uh oh CNN reunion anniversary. What do you remember

1967
01:55:36,480 --> 01:55:45,960
Speaker 1: about the reunion? Man, Classic times? Uh Miami stand Us Studios, Criteria,

1968
01:55:46,960 --> 01:55:53,440
Speaker 1: Willie's um Yo just so just so much. You know,

1969
01:55:53,680 --> 01:55:57,720
Speaker 1: it was that was actually that wasn't even like a project.

1970
01:55:57,840 --> 01:56:00,840
Speaker 1: That was more like a party in black, partying and

1971
01:56:01,000 --> 01:56:06,840
Speaker 1: recording on the run. Wo wow wow. And we just

1972
01:56:07,000 --> 01:56:13,000
Speaker 1: heard eighteen years eighteen years like and was was crazy

1973
01:56:13,080 --> 01:56:17,320
Speaker 1: the album still not the mixing and sell together. You know,

1974
01:56:17,400 --> 01:56:21,440
Speaker 1: it's still classic. It's still timeless, you know, and uh

1975
01:56:22,320 --> 01:56:25,920
Speaker 1: we did it well. Geno sims Man, General Cash, thank

1976
01:56:25,960 --> 01:56:27,960
Speaker 1: you for calling in. Thank you, but listen, we've been

1977
01:56:28,000 --> 01:56:30,680
Speaker 1: calling around actually everybody what they thankful for for Thanksgiving?

1978
01:56:30,880 --> 01:56:32,800
Speaker 1: And we have to ask you what you thankful for, sir?

1979
01:56:33,960 --> 01:56:38,240
Speaker 1: Thankful for living, having freedom and be able to celebrate

1980
01:56:38,320 --> 01:56:41,040
Speaker 1: good times and good people like you know, seeing them

1981
01:56:41,160 --> 01:56:44,120
Speaker 1: and by my family and all that. Did you go? Man?

1982
01:56:44,320 --> 01:56:46,400
Speaker 1: Well makes some lich for Geno sims God damn makes

1983
01:56:51,000 --> 01:56:56,800
Speaker 1: what up? What up? Alright? Geno Man, we speak to

1984
01:56:56,800 --> 01:56:59,720
Speaker 1: you later minute, even calling in all right, love and love.

1985
01:56:59,840 --> 01:57:02,960
Speaker 1: I want bigger son. He's still on us as a

1986
01:57:03,040 --> 01:57:03,480
Speaker 1: rock body