WEBVTT - #360 - Calboy

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<v Speaker 1>Yo, it's cat Away checking in, checking me out on

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<v Speaker 1>the bootleg kV podcast.

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<v Speaker 2>It's lit, it's a movie.

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<v Speaker 3>Let's get it, yo, boutleg cab podcast. Man, we got

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<v Speaker 3>a special guest in here. Cowboys in the building.

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<v Speaker 2>What's up, man, what's happening? What's happening.

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<v Speaker 3>I'm chilling, brother. It's good to see you. It's been

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<v Speaker 3>a minute since. I been like five years since I

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<v Speaker 3>saw you. What have you been up to?

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<v Speaker 2>Working hard, working hard? Thank you? Smart, trying to maneuver,

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<v Speaker 2>get over obstacles.

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<v Speaker 3>Yeah, I mean I saw you did lad like a

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<v Speaker 3>year ago, and I saw I mean because listen, you

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<v Speaker 3>have had one of the bigger records in the last

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<v Speaker 3>five years. Envy me was a moment? Was it triple platinum?

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<v Speaker 2>It's five times now, five times platinum?

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<v Speaker 3>My goodness, that's fire. That's gotta be a dope plaque. Like,

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<v Speaker 3>did you get the five times platinum plac yet?

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<v Speaker 2>No?

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<v Speaker 3>You gotta you gotta buy that one.

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<v Speaker 1>Yeah, yeah, I'm on it. I'm gonna get I'll stopped

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<v Speaker 1>at three.

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<v Speaker 2>Yeah like that.

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<v Speaker 3>Every time you get a new certification, I need to

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<v Speaker 3>get a new plaque. It's like Jesus right, But yeah,

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<v Speaker 3>I mean, I know you kind of went through it

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<v Speaker 3>with with with the label at the time because you

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<v Speaker 3>were with RCA M. Now you're fully independent, So congrats

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<v Speaker 3>to that. I always congratulate artists when they're independent because

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<v Speaker 3>I think it's the way to go.

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<v Speaker 2>Finally free type. Shit.

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<v Speaker 3>What was the uphill battle for you with you know,

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<v Speaker 3>because from a fans perspective, a lot of people like,

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<v Speaker 3>we're having a cowboy, you know what I'm saying. So

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<v Speaker 3>what's been going on and what was kind of some

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<v Speaker 3>of the uh, you know, things you had to go

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<v Speaker 3>through with getting out of that deal and and trying

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<v Speaker 3>to move on and get this music out that you're

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<v Speaker 3>sitting on.

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<v Speaker 2>Well, I would say one of the bigger problems was like.

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<v Speaker 1>The back end business, you know what I'm saying, Like

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<v Speaker 1>getting like different personalities to see out of eye things

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<v Speaker 1>like that to actually get the ball rolling. That was

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<v Speaker 1>very difficult in my situation, you know what I'm saying, in.

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<v Speaker 3>Terms of just like agreeing on what to put out,

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<v Speaker 3>agreeing on when to put it out.

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<v Speaker 1>Yeah, So from a fan's perspective, it looks like cal

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<v Speaker 1>ain't working or he ain't he don't care about us type,

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<v Speaker 1>And then I kind of disappeared to them.

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<v Speaker 3>I mean that's what I was, like, what happened to cowboy?

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<v Speaker 3>My boy hit me? And I was like, oh, because

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<v Speaker 3>I remember you did Divide interview that went viral for

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<v Speaker 3>other reasons.

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<v Speaker 1>It's just a lot of the bs behind closed doors

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<v Speaker 1>just slowed down, a consistency and the flow.

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<v Speaker 3>Yeah, because people don't understand, like when you're on a

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<v Speaker 3>major label, it is very much a mutual relationship. So

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<v Speaker 3>in their eyes, per your contract, if you turn a

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<v Speaker 3>body of work in and we released it, I owe

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<v Speaker 3>you money. Here's an advance for that album. Right, So

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<v Speaker 3>in their eyes, their perspective is, well, we got to

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<v Speaker 3>feel good about whatever this is. We got to agree

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<v Speaker 3>on if we feel strong about all these records, and

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<v Speaker 3>then that's when you know, or you know, you got

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<v Speaker 3>to catch a moment and force their hand almost right,

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<v Speaker 3>you know what I'm saying. So there is always that

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<v Speaker 3>gridlock on the major label side.

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<v Speaker 2>Yeah, So that's what it was. Yeah, for sure, And

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<v Speaker 2>and I figured it out. I got up out of there.

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<v Speaker 2>Now we work.

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<v Speaker 3>Was it easy to get your obviously it wasn't easy

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<v Speaker 3>to get your release, But tell me about that process

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<v Speaker 3>of getting released off of.

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<v Speaker 2>It took a couple of years.

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<v Speaker 1>Yeah, took a little money, took a strong support system.

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<v Speaker 3>Did you have to buy yourself out?

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<v Speaker 1>Not necessarily, No, okay, but I had to just let

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<v Speaker 1>a lot of things go.

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<v Speaker 2>Yeah, if you get what.

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<v Speaker 3>I mean in terms of, like some of your music

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<v Speaker 3>you recorded on their dime. Yeah, so it's like you

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<v Speaker 3>record music on their dime, you might not ever hear

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<v Speaker 3>that music. But do they still have the right Jesus sorry,

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<v Speaker 3>do they still have the right to release that music?

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<v Speaker 3>Or is it just like, hey, this is us, you

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<v Speaker 3>know what I'm saying, Like, you go do your thing.

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<v Speaker 1>Yeah, it's really it's really like that, I'm just doing

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<v Speaker 1>my own thing. They ain't really worried about the other music,

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<v Speaker 1>but I'm sure they would cause a hass if I

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<v Speaker 1>try to like.

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<v Speaker 3>Drop stuff on you. Yeah, no, that makes sense. I've

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<v Speaker 3>had friends of mine who's like been on major labels

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<v Speaker 3>and then they'll get with like a really big producer,

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<v Speaker 3>like let's just use an example, Timbaland or somebody right right,

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<v Speaker 3>and then they get off of the label, but they

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<v Speaker 3>still got all these unreleased songs with like these giant producers,

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<v Speaker 3>and they're like, ah, do I risk just throwing this

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<v Speaker 3>shit out there to see what happens, you know. I

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<v Speaker 3>mean it can work both ways. It could work out,

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<v Speaker 3>or it could be like, yeah, you get a cease

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<v Speaker 3>and assist.

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<v Speaker 1>Right now working on like all fresh music. You know

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<v Speaker 1>the energy that I'm in right now, how I feel

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<v Speaker 1>right now.

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<v Speaker 3>So no, the new songs Dope. I watched the video

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<v Speaker 3>It's dope, Dope record Snap.

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<v Speaker 1>For sure, that was one of the ones where I

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<v Speaker 1>was just feeling myself, you know what I'm saying. But

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<v Speaker 1>that's the start of it, unchanged, just explaining like what

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<v Speaker 1>I really went through for real.

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<v Speaker 3>Yeah, well for people who don't know because I saw it.

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<v Speaker 3>I mean, you lost a lot of your personal friends.

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<v Speaker 3>I think you lost twelve friends in a year now

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<v Speaker 3>eight and two eight year eight friends in two years. Yeah,

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<v Speaker 3>so that's gotta be like.

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<v Speaker 1>Three of them was family members, a older cousin, a

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<v Speaker 1>younger cousin, and a cousin around my age.

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<v Speaker 3>It's crazy because we hear that same story coming from

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<v Speaker 3>so many people from your city, right and it's like,

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<v Speaker 3>you know, ge Herbalt has a song called PTSD and

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<v Speaker 3>he talks a lot about like the mental strength you

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<v Speaker 3>have to have to be from where he's from, where

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<v Speaker 3>you're from, you know what I'm saying. And to deal

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<v Speaker 3>with so much loss and so much hurt, Like do

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<v Speaker 3>you ever feel like you had an opportunity to really mourn.

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<v Speaker 1>Yeah, behind closed doors when you were by yourself, you

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<v Speaker 1>know what I'm saying.

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<v Speaker 2>But you grow I mean numb to it. You know

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<v Speaker 2>what I'm saying.

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<v Speaker 1>You get used to it. I wouldn't say numb to

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<v Speaker 1>it because you still care, but.

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<v Speaker 3>No, but it's it's used to it. Yeah, you can get.

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<v Speaker 3>I mean, it's something you can get used to if

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<v Speaker 3>you get There's women out here who are getting cheated

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<v Speaker 3>on by the same guy for a decade who I know,

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<v Speaker 3>And I'm like, well, you're just used to it at

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<v Speaker 3>this point, like you don't even care anymore, Like you like,

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<v Speaker 3>shit happens to you and unfortunately, no matter how traumatic

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<v Speaker 3>it is, like you're kind of conditioned to deal with it.

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<v Speaker 3>You know what I'm saying.

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<v Speaker 2>I always say it could be worse.

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<v Speaker 3>That's what I mean. Everything could always be worse. So

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<v Speaker 3>do you ever feel like you have ever like consider

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<v Speaker 3>maybe hitting therapy, talking out some of your ship like that.

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<v Speaker 2>I tried that before. Oh you did. Yeah, like talking

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<v Speaker 2>to somebody all the time.

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<v Speaker 1>It work a little bit, It's cool, Yeah, but I'd

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<v Speaker 1>rather just do music for real, like that is your therapy.

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<v Speaker 2>Yeah, that's what it is.

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<v Speaker 3>I love that this album you're about to release is

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<v Speaker 3>your first album as an independent artist, right, which is

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<v Speaker 3>a big deal. Yeah, this is a new space for

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<v Speaker 3>you to be who you are with already with a

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<v Speaker 3>five times platinum record, and now you're able to kind

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<v Speaker 3>of move freely. You're able to kind of call the

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<v Speaker 3>shot to do what you want to do. How does

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<v Speaker 3>it feel like it? Is it something there's got to

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<v Speaker 3>be like a cool just energy to that.

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<v Speaker 2>Yeah?

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<v Speaker 1>Yeah, yeah, I feel free. I don't know why I

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<v Speaker 1>keep saying that, but that's what it feels like. Feel

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<v Speaker 1>like a waiter is off my shoulder.

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<v Speaker 2>You know.

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<v Speaker 1>I get to see certain things, you know what I'm saying.

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<v Speaker 1>I get to move how I want to. I mean,

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<v Speaker 1>it's just a better positive energy all the way around,

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<v Speaker 1>you know what I'm saying.

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<v Speaker 2>That's how I feel. You know what I'm excited for.

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<v Speaker 3>I was gonna say, what would you say your was

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<v Speaker 3>your biggest For people who think you just disappeared, what

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<v Speaker 3>would you attribute that to the reason of that is it?

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<v Speaker 3>Is it the label thing or is it just like

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<v Speaker 3>what was? What was? What's the reason why we haven't

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<v Speaker 3>gotten a lot of music from you in the last

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<v Speaker 3>few years.

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<v Speaker 2>It's a label thing. Yeah, it was a label thing,

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<v Speaker 2>bro for sure.

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<v Speaker 3>Is it hard to still stay motivated if you feel

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<v Speaker 3>like you're kind of like, no.

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<v Speaker 1>I'm still living. You know, my two feet still move,

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<v Speaker 1>you know what I'm saying. So I mean I'm grateful

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<v Speaker 1>for that.

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<v Speaker 3>Yep.

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<v Speaker 1>And I can work and I can grind, I can

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<v Speaker 1>do what I want to do steal, So I love it.

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<v Speaker 2>I ain't tripping. I always stay motivated.

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<v Speaker 3>Uh your writing process? Are you the type of artist?

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<v Speaker 3>Because when I hear your ship, I feel like you

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<v Speaker 3>lay the melody first and then you go in and

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<v Speaker 3>feeling the lyrics. Is that what you do? No? Pen

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<v Speaker 3>straight like.

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<v Speaker 2>Stroud this out?

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<v Speaker 3>I love it.

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<v Speaker 2>My homies be laughing at me because they'd be like,

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<v Speaker 2>what are you doing in there? He's just mumbling and

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<v Speaker 2>I'd be like, I'm just humming.

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<v Speaker 3>And you know, trying to catch the vibe.

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<v Speaker 2>Yeah, And they come back five minutes later it's a

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<v Speaker 2>whole song. They're like, oh man, that's crazy.

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<v Speaker 3>Is that quick five minutes, you're you're a beast.

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<v Speaker 2>Yeah, yeah, I'll be going crazy.

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<v Speaker 3>I mean you just told me I had like two

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<v Speaker 3>hundred unreleased songs.

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<v Speaker 2>So yeah, I got a lot of release music.

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<v Speaker 3>I'm assuming that there's gonna be a whole lot of

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<v Speaker 3>pressure coming from you. H Do you look five years

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<v Speaker 3>is a long time from having a record that kind

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<v Speaker 3>of puts you on the forefront of hip hop for

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<v Speaker 3>a while, right, right? Do you feel like you have

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<v Speaker 3>to get any of those like because fans have a

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<v Speaker 3>short attention span extended I mean nowadays, man, I feel

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<v Speaker 3>like fans are extremely finicky. They're very fair weather fans,

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<v Speaker 3>Like they'll be fucking with you one day until the

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<v Speaker 3>next shit comes out.

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<v Speaker 1>And right, and then that might be better or whatever

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<v Speaker 1>it is right for you.

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<v Speaker 3>You kind of feel like you're a new artist all

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<v Speaker 3>over again, Like you got to kind of remind people

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<v Speaker 3>who you are and what you're in, what you're doing,

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<v Speaker 3>and like, you.

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<v Speaker 1>Know, I feel like that, Yeah, but every day I

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<v Speaker 1>get reminded why it's not that still.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>When I walk into a room, everybody know what it

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<v Speaker 1>is already, so sight somewhere in between you know what

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<v Speaker 1>I'm saying. It's just a restart for me, but to

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<v Speaker 1>be a fresh artist. Nah, they know what it is already.

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<v Speaker 3>Hey, we got to stop the interview to tell you

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<v Speaker 3>about our folks at odd Socks. Baby, shout out to

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<v Speaker 3>odd Socks Man, the most comfortable socks in the world. Listen,

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<v Speaker 3>they got all the licenses. If you love chips, you

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<v Speaker 3>know what I'm saying. They got the Funians, they got

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<v Speaker 3>the goddamn Dorito's. Uh, they got Godfather. What's double about

0:10:07.040 --> 0:10:08.800
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<v Speaker 3>what I mean. All right, let's get back to the interview. Yeah,

0:12:16.280 --> 0:12:17.920
<v Speaker 3>I was. I told you I saw that flat interview

0:12:17.960 --> 0:12:19.439
<v Speaker 3>last year. Did you and the baby ever work out

0:12:19.480 --> 0:12:21.800
<v Speaker 3>whatever you guys had going on Internet? It was just

0:12:21.840 --> 0:12:23.400
<v Speaker 3>like some comments getting left.

0:12:23.480 --> 0:12:25.880
<v Speaker 2>Yeah, yeah, yeah, it was just you know, he was

0:12:25.920 --> 0:12:26.960
<v Speaker 2>mad in my comments.

0:12:27.679 --> 0:12:29.760
<v Speaker 1>I mean, I mean, at the end of the day,

0:12:29.960 --> 0:12:31.319
<v Speaker 1>the media, you're giving.

0:12:31.080 --> 0:12:33.679
<v Speaker 3>Your you were giving your opinion on how you felt

0:12:33.679 --> 0:12:36.439
<v Speaker 3>about certain ship. Yeah, you know, it is what it is.

0:12:36.720 --> 0:12:38.880
<v Speaker 3>People can feel it. I mean, I just had STG

0:12:39.000 --> 0:12:41.640
<v Speaker 3>walk out of an interview because I asked him about label.

0:12:41.720 --> 0:12:43.439
<v Speaker 2>So I saw that, bro.

0:12:43.679 --> 0:12:45.080
<v Speaker 3>Yeah you haven't walked out yet.

0:12:45.520 --> 0:12:46.800
<v Speaker 2>No, No, you cool.

0:12:46.840 --> 0:12:47.640
<v Speaker 3>You. I appreciate it.

0:12:47.679 --> 0:12:48.880
<v Speaker 2>You asked me weird.

0:12:50.920 --> 0:12:53.080
<v Speaker 3>Uh man, talk to me about just Chicago, bro, because

0:12:53.080 --> 0:12:56.480
<v Speaker 3>obviously you know there's been so much I mean, shit, man,

0:12:56.840 --> 0:13:00.720
<v Speaker 3>Derek has a headline and arena tour right now. I

0:13:00.760 --> 0:13:03.080
<v Speaker 3>was just there, oh in Chicago.

0:13:03.280 --> 0:13:04.880
<v Speaker 2>Yeah, that's where I just came from.

0:13:05.120 --> 0:13:07.920
<v Speaker 3>Now I opened up. The first day was were you

0:13:07.960 --> 0:13:09.560
<v Speaker 3>there when the shooting had happened?

0:13:09.600 --> 0:13:13.640
<v Speaker 2>And that was the day after the day You weren't.

0:13:13.400 --> 0:13:13.880
<v Speaker 3>At that show?

0:13:14.080 --> 0:13:17.480
<v Speaker 1>No, I wasn't there. Okay, the crew was there though,

0:13:17.559 --> 0:13:19.720
<v Speaker 1>some of the guys was there. Well, I went there, but.

0:13:19.960 --> 0:13:21.080
<v Speaker 3>The first day was cool.

0:13:21.080 --> 0:13:22.840
<v Speaker 2>I don't think it was no shooting though. I think

0:13:22.840 --> 0:13:23.520
<v Speaker 2>that's cap though.

0:13:24.040 --> 0:13:25.840
<v Speaker 3>I don't know. I just know that there was this video.

0:13:26.200 --> 0:13:28.160
<v Speaker 1>I know, I know some folks was fighting and somebody

0:13:28.280 --> 0:13:30.000
<v Speaker 1>might have got cut or stabbed or something.

0:13:30.000 --> 0:13:31.240
<v Speaker 2>I don't think it was no shooting.

0:13:31.280 --> 0:13:33.079
<v Speaker 3>I just saw the video everyone running and then everyone

0:13:33.200 --> 0:13:34.480
<v Speaker 3>just grabbing merch. Yeah.

0:13:34.600 --> 0:13:36.360
<v Speaker 1>Yeah, yeah, see it was a lot of that going

0:13:36.400 --> 0:13:39.720
<v Speaker 1>on because the show ended early. Yeah, so I think

0:13:39.760 --> 0:13:42.959
<v Speaker 1>the fans was upset for real or something was was

0:13:43.040 --> 0:13:43.959
<v Speaker 1>Kodak on that show?

0:13:45.040 --> 0:13:46.800
<v Speaker 2>I don't know who was there? Who was there that day?

0:13:47.320 --> 0:13:49.600
<v Speaker 3>I feel like kok on that you toured with Kodak? Right,

0:13:50.400 --> 0:13:51.560
<v Speaker 3>What was that like.

0:13:53.400 --> 0:13:54.800
<v Speaker 2>With Kodak? Was fun?

0:13:55.080 --> 0:13:56.360
<v Speaker 3>He seems like a fun Hay?

0:13:56.640 --> 0:13:58.400
<v Speaker 2>Yeah, he was cool. He was real cool.

0:13:59.160 --> 0:14:00.719
<v Speaker 3>Yeah. He seems like a a guy who I'd like

0:14:00.760 --> 0:14:04.000
<v Speaker 3>to have a beer with. That's it though, That's it.

0:14:04.080 --> 0:14:05.440
<v Speaker 3>None else. I don't know what else he was doing.

0:14:05.760 --> 0:14:07.040
<v Speaker 3>Meant just take the beer man.

0:14:07.280 --> 0:14:10.360
<v Speaker 1>I was around Kodak when we was doing shows, you

0:14:10.440 --> 0:14:13.440
<v Speaker 1>know what I'm saying. He hopped on my tour bus

0:14:13.440 --> 0:14:15.480
<v Speaker 1>a few times. On the record, I had the little

0:14:15.520 --> 0:14:19.840
<v Speaker 1>portable studio with me set up. Yeah, so I recorded

0:14:20.200 --> 0:14:21.000
<v Speaker 1>a song fro him.

0:14:22.200 --> 0:14:25.160
<v Speaker 3>What draft? Did draft? Like? The scarlet? A little scarlet like.

0:14:25.400 --> 0:14:26.400
<v Speaker 2>I had to Apollo?

0:14:27.440 --> 0:14:27.600
<v Speaker 3>Yeah?

0:14:27.680 --> 0:14:29.360
<v Speaker 2>Yeah, yeah, yeah, I hit the Apollo arrow.

0:14:31.800 --> 0:14:32.200
<v Speaker 3>Yeah.

0:14:32.360 --> 0:14:34.280
<v Speaker 2>We just vabbed the whole time. It was like forty

0:14:34.320 --> 0:14:34.960
<v Speaker 2>something shows.

0:14:35.200 --> 0:14:37.000
<v Speaker 3>As I say, like from when you kind of popped

0:14:37.280 --> 0:14:40.280
<v Speaker 3>initially that now, how do you feel about like kind

0:14:40.280 --> 0:14:41.520
<v Speaker 3>of the state of Chicago hip hop?

0:14:43.880 --> 0:14:47.520
<v Speaker 1>It's pretty cool. A lot of females is turning up

0:14:47.520 --> 0:14:52.880
<v Speaker 1>in our city right now. But it's cool right now.

0:14:52.840 --> 0:14:55.040
<v Speaker 3>I had a young lady from Chicago here. Who was it?

0:14:56.200 --> 0:14:57.840
<v Speaker 3>We just had somebody here from Chicago.

0:14:57.880 --> 0:15:00.760
<v Speaker 2>That's a girl who Melo? Now?

0:15:01.640 --> 0:15:08.480
<v Speaker 3>Who the fuck was just Fendy? Yeah, she's great. Yeah,

0:15:08.520 --> 0:15:14.120
<v Speaker 3>she's a she's she's super cool. That's who's Mellow Mellow Racks.

0:15:14.640 --> 0:15:15.120
<v Speaker 3>Is she from?

0:15:15.240 --> 0:15:17.400
<v Speaker 2>Uh No, not Mellow Racks, Mellow Bucks?

0:15:17.480 --> 0:15:18.840
<v Speaker 3>Okay, okay, because there's Mellow Racks.

0:15:18.840 --> 0:15:21.280
<v Speaker 2>So I think Melo Racks from like Miami.

0:15:21.800 --> 0:15:24.440
<v Speaker 3>Yeah, yeah, yeah, because she's on Y M C n B.

0:15:24.560 --> 0:15:29.120
<v Speaker 3>I think her. Are you doing any writing or have

0:15:29.240 --> 0:15:31.200
<v Speaker 3>you done any been doing any writing for any.

0:15:31.040 --> 0:15:33.600
<v Speaker 2>Other artists as recently?

0:15:33.720 --> 0:15:35.880
<v Speaker 3>No? Is that ever like a bag you try to

0:15:35.880 --> 0:15:36.320
<v Speaker 3>get into?

0:15:36.640 --> 0:15:39.280
<v Speaker 1>Yeah, yeah, yeah, I don't. I don't tapped in, you know,

0:15:40.920 --> 0:15:43.640
<v Speaker 1>once or twice maybe, you know, I don't. Gave a

0:15:43.640 --> 0:15:46.080
<v Speaker 1>few artists a few records. I gave Y g a

0:15:46.160 --> 0:15:50.200
<v Speaker 1>record for one of his past albums. Uh. I gave

0:15:50.240 --> 0:15:52.680
<v Speaker 1>a few other people some records. I can't really, you know,

0:15:52.760 --> 0:15:53.200
<v Speaker 1>say nothing.

0:15:53.200 --> 0:15:57.240
<v Speaker 3>I can't say the White g One you could say, yeah.

0:15:56.720 --> 0:15:58.640
<v Speaker 1>Yeah, because it was just you know, it was cool.

0:15:58.640 --> 0:16:01.000
<v Speaker 1>He hit me one time like, yo, you a song

0:16:01.000 --> 0:16:04.240
<v Speaker 1>with one of my producers. I want it straight like that, like, yo,

0:16:04.320 --> 0:16:05.640
<v Speaker 1>I want it. I don't want to change nothing on

0:16:05.640 --> 0:16:07.080
<v Speaker 1>it or nothing. I just want to throw my verse

0:16:07.120 --> 0:16:07.520
<v Speaker 1>on it.

0:16:07.680 --> 0:16:08.280
<v Speaker 3>Keep it moving.

0:16:08.360 --> 0:16:11.920
<v Speaker 2>And it's on the album Boom That's fire, and I'm like,

0:16:11.960 --> 0:16:12.600
<v Speaker 2>I'm with it.

0:16:12.680 --> 0:16:14.600
<v Speaker 3>That's dope. Is it hard for you to find like

0:16:15.720 --> 0:16:19.000
<v Speaker 3>people who are willing to work with you now that

0:16:19.000 --> 0:16:21.520
<v Speaker 3>you're independent on the production side, that are just willing

0:16:21.520 --> 0:16:23.400
<v Speaker 3>to kind of like not work with you. But like,

0:16:23.400 --> 0:16:24.720
<v Speaker 3>like we were talking a little bit off the air,

0:16:24.760 --> 0:16:27.560
<v Speaker 3>like the biggest part about being independent is the headache

0:16:27.560 --> 0:16:29.480
<v Speaker 3>of like clear and shit. Yeah, yeah, you know what

0:16:29.520 --> 0:16:31.880
<v Speaker 3>I'm saying. So it's like it's almost like they might

0:16:31.920 --> 0:16:34.160
<v Speaker 3>still look at you like you got that RCA budget

0:16:34.200 --> 0:16:34.720
<v Speaker 3>behind Yeah.

0:16:34.760 --> 0:16:36.920
<v Speaker 1>See, that's what I was saying, Like I don't think

0:16:36.960 --> 0:16:39.400
<v Speaker 1>I'm somewhere in between, because people still look at me

0:16:39.520 --> 0:16:39.800
<v Speaker 1>like that.

0:16:39.920 --> 0:16:41.320
<v Speaker 2>You know what I'm saying, They like, yeah, we need

0:16:41.360 --> 0:16:42.200
<v Speaker 2>fifteen thousand.

0:16:42.600 --> 0:16:45.880
<v Speaker 3>You know, this ain't RCA on my own.

0:16:45.880 --> 0:16:47.400
<v Speaker 1>It's out of the pocket, you know what I'm saying.

0:16:47.480 --> 0:16:50.600
<v Speaker 1>They like, you know that's what it is.

0:16:50.920 --> 0:16:53.680
<v Speaker 3>That's crazy. I feel like they're because I always hear

0:16:53.840 --> 0:16:55.800
<v Speaker 3>artists have certain rates, like even if you buy a

0:16:55.840 --> 0:16:57.960
<v Speaker 3>feature from somebody like the Homies would be like, hey,

0:16:58.000 --> 0:17:01.520
<v Speaker 3>I'm in I'm in Phoenix home town. Like I tell people,

0:17:01.600 --> 0:17:04.680
<v Speaker 3>if they're independent, this is the price, but if they're major,

0:17:04.720 --> 0:17:06.879
<v Speaker 3>this is the price. There's like the indie and the

0:17:06.920 --> 0:17:08.760
<v Speaker 3>major price. I feel like for beats, that should be

0:17:08.760 --> 0:17:12.199
<v Speaker 3>the same shit, right it should? Yeah, but or like

0:17:12.280 --> 0:17:14.399
<v Speaker 3>take a cut, take a nice cut, you know, like

0:17:15.000 --> 0:17:16.280
<v Speaker 3>let's collaborated.

0:17:16.280 --> 0:17:20.760
<v Speaker 1>And then producers still won a couple points and all

0:17:20.840 --> 0:17:23.200
<v Speaker 1>that extra. So it's like, I don't know, man.

0:17:23.480 --> 0:17:26.320
<v Speaker 3>You gotta get artificial intelligence to make you some bet.

0:17:27.600 --> 0:17:28.120
<v Speaker 2>That's the thing.

0:17:28.800 --> 0:17:31.960
<v Speaker 3>I think AI can make beats. Isn't that happening?

0:17:32.920 --> 0:17:33.320
<v Speaker 2>They can?

0:17:36.000 --> 0:17:37.879
<v Speaker 3>It's not good. I heard one. I think I heard

0:17:37.880 --> 0:17:39.399
<v Speaker 3>of fake Timbaland beat that wasn't terrible.

0:17:39.560 --> 0:17:41.200
<v Speaker 2>You don't think you don't think we're living in a

0:17:41.280 --> 0:17:41.879
<v Speaker 2>matrix bro.

0:17:42.720 --> 0:17:45.520
<v Speaker 3>I've really started to think about it more recently with

0:17:45.600 --> 0:17:48.399
<v Speaker 3>some of the shit that's been happening, because I always

0:17:48.400 --> 0:17:52.199
<v Speaker 3>would be like, like, when you do you see like

0:17:52.240 --> 0:17:56.159
<v Speaker 3>the birds frozen in the air. There's like hundreds of

0:17:56.240 --> 0:17:59.640
<v Speaker 3>videos of just birds that just stopped flying and they're

0:17:59.680 --> 0:18:01.480
<v Speaker 3>just steal in the air.

0:18:02.240 --> 0:18:04.440
<v Speaker 2>And they're not flapping the wings and now they're.

0:18:04.280 --> 0:18:06.920
<v Speaker 3>Just they're just in the they're just paused.

0:18:07.040 --> 0:18:09.400
<v Speaker 2>Bro, showing me the footage to hold on, bro, let

0:18:09.400 --> 0:18:12.000
<v Speaker 2>me show you, Bro. I want to see the footage

0:18:12.000 --> 0:18:12.280
<v Speaker 2>of that.

0:18:12.400 --> 0:18:16.919
<v Speaker 3>This ship is crazy. This ship is crazy. Hold on,

0:18:17.280 --> 0:18:18.120
<v Speaker 3>you got the birds?

0:18:18.880 --> 0:18:19.959
<v Speaker 2>Is that real? Though? Like?

0:18:20.400 --> 0:18:28.400
<v Speaker 3>God, hold on, look, birds got on the water? Yeah,

0:18:28.400 --> 0:18:30.160
<v Speaker 3>we got more water. We grab a water over there.

0:18:30.600 --> 0:18:37.960
<v Speaker 2>Let me see. Appreciate your brother.

0:18:38.920 --> 0:18:42.720
<v Speaker 3>The ship it looks like a flash.

0:18:42.440 --> 0:18:46.760
<v Speaker 1>Bird man, get the fuck out of him.

0:18:47.359 --> 0:18:53.199
<v Speaker 3>There strings doing nothing is the only one who saw it.

0:18:54.720 --> 0:18:57.640
<v Speaker 2>Hell, this ship is the fuck out of here is another.

0:18:57.440 --> 0:19:08.280
<v Speaker 4>One fucking birds floating in the air, man, get the

0:19:08.320 --> 0:19:08.959
<v Speaker 4>fuck out of here.

0:19:09.000 --> 0:19:09.840
<v Speaker 2>That shit looks real.

0:19:10.080 --> 0:19:12.200
<v Speaker 3>People saying that it's dimensional glitches.

0:19:12.440 --> 0:19:12.800
<v Speaker 2>I don't know.

0:19:13.240 --> 0:19:14.240
<v Speaker 3>I don't know what that means.

0:19:14.720 --> 0:19:17.520
<v Speaker 2>I do some research. I don't know.

0:19:18.520 --> 0:19:20.120
<v Speaker 3>Well, then when you see the like did you see

0:19:20.160 --> 0:19:23.920
<v Speaker 3>the government official like saying that they're like aliens are real?

0:19:25.160 --> 0:19:27.159
<v Speaker 1>Yeah, yeah, I've seen that, So that it made me

0:19:27.200 --> 0:19:29.520
<v Speaker 1>even really be like you're seeing that, Like, what's really

0:19:29.560 --> 0:19:30.480
<v Speaker 1>going on right now?

0:19:30.560 --> 0:19:30.720
<v Speaker 3>You know?

0:19:30.920 --> 0:19:33.119
<v Speaker 2>I'll be on some other ship though. I already already

0:19:33.160 --> 0:19:34.760
<v Speaker 2>be thinking of some other shit going on.

0:19:35.359 --> 0:19:36.320
<v Speaker 3>What do you think is going on?

0:19:36.760 --> 0:19:39.719
<v Speaker 2>I don't know. I don't know.

0:19:39.800 --> 0:19:42.480
<v Speaker 1>I just feel like she ain't the only ones walking

0:19:42.520 --> 0:19:44.600
<v Speaker 1>around this motherfucker like how we think we is.

0:19:44.920 --> 0:19:46.600
<v Speaker 3>I think that's the facts for sure.

0:19:46.840 --> 0:19:47.440
<v Speaker 2>You know what I'm saying.

0:19:47.480 --> 0:19:49.640
<v Speaker 3>I think they're preparing us because.

0:19:49.359 --> 0:19:51.040
<v Speaker 1>I mean, if you Christian, if a lot of people

0:19:51.080 --> 0:19:53.439
<v Speaker 1>walk around say they Christian, I mean they mentioned a

0:19:53.440 --> 0:19:55.880
<v Speaker 1>lot of different creatures inside of that book we read,

0:19:56.840 --> 0:19:58.919
<v Speaker 1>so she I mean, what did they wipe out the

0:19:58.920 --> 0:20:02.320
<v Speaker 1>face of the earth. I don't know.

0:20:02.200 --> 0:20:03.800
<v Speaker 3>You know, so you think it might be some demon

0:20:03.840 --> 0:20:04.439
<v Speaker 3>shit going.

0:20:04.280 --> 0:20:07.840
<v Speaker 1>On, No, some like entities you know, you know they

0:20:07.920 --> 0:20:10.760
<v Speaker 1>speak about giants all type of shit, yeah, for sure,

0:20:11.520 --> 0:20:11.960
<v Speaker 1>type of.

0:20:13.440 --> 0:20:14.960
<v Speaker 2>Non human beings.

0:20:15.240 --> 0:20:16.960
<v Speaker 3>Yeah, and shit that you'd be like, oh, this is like,

0:20:17.040 --> 0:20:19.840
<v Speaker 3>you know, some cool like fairy tale shit, you know, like.

0:20:20.000 --> 0:20:22.560
<v Speaker 1>Yeah, well some of that ship might be for real,

0:20:22.640 --> 0:20:25.200
<v Speaker 1>who knows. I mean, I stayed the fuck out of

0:20:25.200 --> 0:20:26.080
<v Speaker 1>the way to give my money.

0:20:26.160 --> 0:20:28.960
<v Speaker 3>If you look at some of the old school hieroglyphics

0:20:29.000 --> 0:20:31.720
<v Speaker 3>from like Egypt and ship, some of the ship in

0:20:31.720 --> 0:20:33.960
<v Speaker 3>those hieroglyphics is like, bro, they got to see this shit.

0:20:34.040 --> 0:20:36.200
<v Speaker 3>So I'm like, you know what I'm saying, like there

0:20:36.200 --> 0:20:37.800
<v Speaker 3>had to be some shit going on that like we

0:20:37.800 --> 0:20:39.760
<v Speaker 3>were weren't privy too, because motherfuckers wasn't.

0:20:39.800 --> 0:20:42.520
<v Speaker 2>But I ain't gonna get that to aliens though. I

0:20:42.520 --> 0:20:44.240
<v Speaker 2>ain't gonna get that to aliens though.

0:20:44.160 --> 0:20:47.000
<v Speaker 3>That right there, Well, what's in the hieroglyphics, like the

0:20:47.000 --> 0:20:52.760
<v Speaker 3>pictures of like like alien looking motherfuckers that were like carved.

0:20:52.520 --> 0:20:53.720
<v Speaker 2>Into like me.

0:20:53.880 --> 0:20:56.040
<v Speaker 1>I just feel like that was a different type of being.

0:20:56.080 --> 0:20:57.920
<v Speaker 1>It might be an alien to you because you don't

0:20:58.000 --> 0:20:58.960
<v Speaker 1>understand it, but.

0:20:59.840 --> 0:21:02.960
<v Speaker 3>I guess aliens to us, right, non human? Yeah, I

0:21:02.960 --> 0:21:04.040
<v Speaker 3>mean it's kind of the definition.

0:21:04.080 --> 0:21:05.240
<v Speaker 2>It's like, yeah, so you're.

0:21:05.200 --> 0:21:07.040
<v Speaker 1>Right, you're right, you're right, you're right, you're right, you're right.

0:21:07.720 --> 0:21:09.360
<v Speaker 1>I was going to go into some other other shit.

0:21:09.359 --> 0:21:11.040
<v Speaker 3>You're good, you got it, but they got like, you know,

0:21:11.160 --> 0:21:13.560
<v Speaker 3>fucking all this UFO. Like did you see what happened

0:21:13.560 --> 0:21:16.480
<v Speaker 3>in Las Vegas? There was this family in Las Vegas

0:21:16.560 --> 0:21:18.639
<v Speaker 3>that called the police because they said there was like

0:21:18.760 --> 0:21:23.600
<v Speaker 3>three like ten foot things in their backyard creatures right right,

0:21:24.040 --> 0:21:29.000
<v Speaker 3>and with that, and so the family, uh cia came,

0:21:29.040 --> 0:21:31.600
<v Speaker 3>the police came. The police saw the fucking thing. So

0:21:31.640 --> 0:21:35.320
<v Speaker 3>there's the cops bodycam footage being like, I just saw

0:21:35.400 --> 0:21:38.200
<v Speaker 3>that shit take off from your backyard, Like, am I crazy?

0:21:38.200 --> 0:21:39.879
<v Speaker 3>Am I not the only people who saw this? But

0:21:40.000 --> 0:21:43.119
<v Speaker 3>like some jeepus creepysh like some like some like a

0:21:43.840 --> 0:21:46.959
<v Speaker 3>like once the police got there, some like whatever craft

0:21:47.040 --> 0:21:49.280
<v Speaker 3>popped out of these people's backyard. So the cops were

0:21:49.320 --> 0:21:51.840
<v Speaker 3>like all talking about it, like we're not crazy, we

0:21:51.920 --> 0:21:54.920
<v Speaker 3>just saw that, right, And then for like the next month,

0:21:55.280 --> 0:21:58.440
<v Speaker 3>the uh there was black trucks that were just lying

0:21:58.520 --> 0:22:00.840
<v Speaker 3>up on their street for like an Then the family

0:22:00.880 --> 0:22:03.680
<v Speaker 3>was documenting it like on TikTok and shit. They're like, look,

0:22:03.680 --> 0:22:06.159
<v Speaker 3>there's more big SUVs outside of our house that have

0:22:06.200 --> 0:22:07.120
<v Speaker 3>been here all week.

0:22:08.680 --> 0:22:10.800
<v Speaker 2>Some done got out of Area fifty one.

0:22:11.000 --> 0:22:13.119
<v Speaker 3>Which is in Vegas. Well it's in Nevada. I used

0:22:13.160 --> 0:22:15.200
<v Speaker 3>to live there, so Area fifty one was wild. You

0:22:15.240 --> 0:22:17.240
<v Speaker 3>could drive up to like a certain point and.

0:22:17.160 --> 0:22:18.760
<v Speaker 2>Then there's some shit over there.

0:22:18.880 --> 0:22:22.320
<v Speaker 3>Oh for sure they have. They told me so. I

0:22:22.359 --> 0:22:25.040
<v Speaker 3>lived in Vegas for a few years. And you know

0:22:25.040 --> 0:22:29.399
<v Speaker 3>who Molly mall is bald producer, used to be on

0:22:29.440 --> 0:22:32.120
<v Speaker 3>Love and Hip Hop. He's made a lot of big beats. Yeah,

0:22:32.119 --> 0:22:37.000
<v Speaker 3>I think so he had a security guard, and the

0:22:37.040 --> 0:22:43.280
<v Speaker 3>security guard was a former like military decorated guy, right

0:22:43.359 --> 0:22:46.119
<v Speaker 3>like top knocked security guy. He was explaining to us

0:22:46.119 --> 0:22:48.120
<v Speaker 3>when he worked, because he said he worked at Area

0:22:48.119 --> 0:22:52.440
<v Speaker 3>fifty one as a contractor, and he said that they

0:22:53.000 --> 0:22:56.320
<v Speaker 3>had like other soldiers behind him who had higher clearance

0:22:56.320 --> 0:23:00.359
<v Speaker 3>than them, and they like, let's say, they brought him

0:23:00.359 --> 0:23:01.880
<v Speaker 3>into a room and they're like, hey, you gotta work

0:23:01.880 --> 0:23:07.480
<v Speaker 3>on this wall. But they were being held like I

0:23:07.640 --> 0:23:10.120
<v Speaker 3>guard the whole time, so they wouldn't walk anywhere else

0:23:10.160 --> 0:23:11.560
<v Speaker 3>in the area, you know what I'm saying. And he

0:23:11.600 --> 0:23:15.880
<v Speaker 3>said that while he was there, he saw like a

0:23:15.960 --> 0:23:19.840
<v Speaker 3>medal or like some sort of matter. No matter what

0:23:19.880 --> 0:23:21.840
<v Speaker 3>you did to it, if you if you blew it up,

0:23:21.880 --> 0:23:23.200
<v Speaker 3>if you shot it, if you bent it, if you

0:23:23.240 --> 0:23:26.000
<v Speaker 3>tore it apart, it always came back together to the same.

0:23:26.680 --> 0:23:29.600
<v Speaker 2>Uh form, some transforming ship.

0:23:29.680 --> 0:23:31.680
<v Speaker 3>Yeah, you know who poo Beer is, the writer poo Bear.

0:23:31.760 --> 0:23:33.520
<v Speaker 3>He wrote all justin Bieber Shit. Me and poo Bear

0:23:33.640 --> 0:23:36.000
<v Speaker 3>was just like we were just listening to this dude

0:23:36.000 --> 0:23:39.560
<v Speaker 3>one night at Molly Mall's crib, high as fun.

0:23:40.320 --> 0:23:45.119
<v Speaker 2>What the fuck is going on? I can believe it?

0:23:45.160 --> 0:23:46.520
<v Speaker 3>Though, shot my brother poo bear.

0:23:46.640 --> 0:23:49.040
<v Speaker 2>Man, I think I think ship like that exists.

0:23:49.400 --> 0:23:51.240
<v Speaker 3>Man, I just think, you know, they just let us do.

0:23:51.400 --> 0:23:52.960
<v Speaker 3>That's why I think they're easing us into some ship,

0:23:53.400 --> 0:23:54.880
<v Speaker 3>because they got to kind of ease us in now.

0:23:54.920 --> 0:23:59.800
<v Speaker 3>It's like they just can't just out of nowhere, like yeah,

0:24:00.000 --> 0:24:01.600
<v Speaker 3>we got to stop the interview real quick to tell

0:24:01.600 --> 0:24:04.919
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0:24:04.960 --> 0:24:07.399
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0:24:07.440 --> 0:24:09.560
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0:24:09.600 --> 0:24:12.600
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0:24:12.640 --> 0:24:15.080
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0:24:15.119 --> 0:24:16.959
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0:24:16.960 --> 0:24:19.679
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0:24:19.760 --> 0:24:23.800
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0:24:23.840 --> 0:24:27.440
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0:24:27.600 --> 0:24:30.800
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0:24:31.000 --> 0:24:33.280
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0:24:47.200 --> 0:24:49.880
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0:24:58.200 --> 0:25:00.600
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<v Speaker 3>out to the family at King Palm, the official sponsor

0:25:04.560 --> 0:25:06.359
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0:25:47.240 --> 0:25:48.880
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0:25:49.520 --> 0:25:52.399
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<v Speaker 3>promo code Bootleg. Let's get back to the interview. Who's

0:26:07.520 --> 0:26:09.399
<v Speaker 3>on this new album? Do you have any features or

0:26:09.440 --> 0:26:10.560
<v Speaker 3>is it just you or it's just me?

0:26:10.680 --> 0:26:13.040
<v Speaker 1>I like that it's just me. I think I just

0:26:13.560 --> 0:26:15.480
<v Speaker 1>I mean, I flooded myself with features.

0:26:15.760 --> 0:26:17.280
<v Speaker 2>You know what I'm saying. It's time to just get

0:26:17.280 --> 0:26:19.679
<v Speaker 2>a world of me, you know, build on my fans.

0:26:19.760 --> 0:26:22.359
<v Speaker 3>And it's important too because this is your first independent album.

0:26:22.400 --> 0:26:23.679
<v Speaker 3>So it's like, yeah, I'm a stand out on my

0:26:23.720 --> 0:26:26.000
<v Speaker 3>own for real exactly. I like that.

0:26:26.000 --> 0:26:27.480
<v Speaker 2>That's where my mom comes from.

0:26:27.560 --> 0:26:29.920
<v Speaker 3>When is the project coming? You gotta release itay yet.

0:26:30.520 --> 0:26:32.320
<v Speaker 2>Not an exact day, Give me a couple of weeks.

0:26:32.320 --> 0:26:33.080
<v Speaker 2>It's gonna be here.

0:26:33.240 --> 0:26:33.680
<v Speaker 3>It's coming.

0:26:33.720 --> 0:26:35.520
<v Speaker 2>Tune a real song.

0:26:36.000 --> 0:26:39.080
<v Speaker 3>How often do you plan on just dropping now that

0:26:39.160 --> 0:26:41.879
<v Speaker 3>you're like, you know, you ain't got the red tape,

0:26:41.920 --> 0:26:43.560
<v Speaker 3>the yellow tape around you from the label.

0:26:43.840 --> 0:26:47.840
<v Speaker 1>I mean I say every two months, it's not bad. Yeah,

0:26:47.840 --> 0:26:49.640
<v Speaker 1>I say every two months, I mean a.

0:26:49.680 --> 0:26:52.600
<v Speaker 3>Song or a project project.

0:26:52.800 --> 0:26:55.240
<v Speaker 1>But I mean I'm gonna ever get them singles and

0:26:55.320 --> 0:26:56.359
<v Speaker 1>I always feed them.

0:26:56.240 --> 0:27:00.360
<v Speaker 3>Every too much dropping the project. I like that. Why

0:27:00.359 --> 0:27:04.720
<v Speaker 3>be independent if you ain't gonna do it the right way? Right? Yo?

0:27:04.800 --> 0:27:07.760
<v Speaker 3>It's crazy when you were at What's the Weirdest? Did

0:27:07.920 --> 0:27:11.000
<v Speaker 3>like because you always hear like when people are on

0:27:11.080 --> 0:27:14.800
<v Speaker 3>major labels, they get certain features that try to get

0:27:14.800 --> 0:27:17.200
<v Speaker 3>pushed onto them. They'll be like, hey, look we want

0:27:17.200 --> 0:27:18.679
<v Speaker 3>to get you in with this person, or hey, this

0:27:18.760 --> 0:27:20.560
<v Speaker 3>song is just it just just put a verse on

0:27:20.600 --> 0:27:23.080
<v Speaker 3>it and it's a hit. Did they try to do

0:27:23.119 --> 0:27:25.720
<v Speaker 3>that with you over there? They didn't.

0:27:26.080 --> 0:27:28.359
<v Speaker 2>Most of my features came from me, so.

0:27:28.280 --> 0:27:32.520
<v Speaker 3>They never were like, hey try this nah nah.

0:27:32.680 --> 0:27:35.119
<v Speaker 1>Most of my well, all of my features came from me.

0:27:35.400 --> 0:27:36.880
<v Speaker 1>Just like reaching out to people.

0:27:36.720 --> 0:27:37.760
<v Speaker 3>People who you fucked with.

0:27:38.040 --> 0:27:42.240
<v Speaker 1>Yeah, yeah, Gotti meet derk Alum. It's just like, yo,

0:27:42.320 --> 0:27:43.159
<v Speaker 1>hop on this for me.

0:27:43.840 --> 0:27:44.439
<v Speaker 2>Yeah, there's a.

0:27:44.880 --> 0:27:47.280
<v Speaker 3>You know who Bob is. So back in the day,

0:27:47.320 --> 0:27:49.920
<v Speaker 3>like Atlantic Records had a hard time popping Bob off,

0:27:50.560 --> 0:27:53.080
<v Speaker 3>which was on their damn not him because he's extremely talented.

0:27:53.640 --> 0:27:57.000
<v Speaker 3>So at the time, Bruno Mars was shopping around all

0:27:57.000 --> 0:27:58.720
<v Speaker 3>these hooks because no one knew who he was. He

0:27:58.760 --> 0:28:03.000
<v Speaker 3>was just a writer. And uh, what was that first

0:28:03.080 --> 0:28:08.439
<v Speaker 3>Bob song? Was it Beautiful Girls? So that song go

0:28:09.040 --> 0:28:14.439
<v Speaker 3>beautiful Girl? What's it called nothing on You? Nothing on You?

0:28:14.440 --> 0:28:14.560
<v Speaker 1>Oh?

0:28:14.640 --> 0:28:19.600
<v Speaker 3>Yeah, called nothing on You? So Atlantic was just trying

0:28:19.640 --> 0:28:23.320
<v Speaker 3>to get somebody to take the song. Loupe Fiasco cut

0:28:23.359 --> 0:28:26.480
<v Speaker 3>on it and then didn't like it, so it should

0:28:26.480 --> 0:28:28.280
<v Speaker 3>have been loop a song he passed on it.

0:28:28.480 --> 0:28:30.399
<v Speaker 2>Why did he do that? I don't know.

0:28:32.359 --> 0:28:33.240
<v Speaker 3>Igo Goat, by.

0:28:33.080 --> 0:28:35.439
<v Speaker 2>The way, tweaked one.

0:28:35.280 --> 0:28:36.960
<v Speaker 3>Of the greatest rappers of all time for talking about

0:28:36.960 --> 0:28:40.920
<v Speaker 3>the straight lyricism. Uh, and then Bob ended up with it.

0:28:41.760 --> 0:28:46.920
<v Speaker 1>I was gonna say, but yeah, I usually be hot

0:28:46.960 --> 0:28:47.880
<v Speaker 1>when I was young.

0:28:48.000 --> 0:28:51.120
<v Speaker 3>For sure. What about the OG's in Chicago tapping in

0:28:51.160 --> 0:28:53.200
<v Speaker 3>with you? Like got a loopey type of dude or yeah,

0:28:53.200 --> 0:28:54.560
<v Speaker 3>obviously yay's the Goat you know?

0:28:54.840 --> 0:28:57.680
<v Speaker 2>Uh Yay? I mean I tapped in with ya.

0:28:57.840 --> 0:29:04.320
<v Speaker 1>Camp definitely tapped in with a lot of the other.

0:29:05.680 --> 0:29:11.280
<v Speaker 2>Local legends, crucial conflict individuals.

0:29:10.680 --> 0:29:15.240
<v Speaker 3>Like that L E. P Bumpy shot the bump Jay.

0:29:15.680 --> 0:29:18.120
<v Speaker 3>Yeah you about fucking uh? Do or Die?

0:29:19.840 --> 0:29:20.640
<v Speaker 2>I ain't chopped it up.

0:29:20.640 --> 0:29:22.320
<v Speaker 3>Would you listen to growing up? Yeah?

0:29:22.400 --> 0:29:25.040
<v Speaker 1>Yeah, I still I still listen to do it died

0:29:25.080 --> 0:29:27.200
<v Speaker 1>to this day, I might be cleaning up the house.

0:29:27.720 --> 0:29:32.200
<v Speaker 3>Crucial Conflict slept on motherfucking groups ever facts the first

0:29:32.240 --> 0:29:34.640
<v Speaker 3>Crucial Conflict Awn, which you probably weren't alive for. It's

0:29:34.640 --> 0:29:35.600
<v Speaker 3>called the Final Tick.

0:29:35.760 --> 0:29:38.240
<v Speaker 2>Right when they come out what you I think that.

0:29:38.280 --> 0:29:41.200
<v Speaker 3>Was ninety five or six, yet it might have been

0:29:41.240 --> 0:29:44.520
<v Speaker 3>ninety six. They had a song called Hey show Down.

0:29:44.680 --> 0:29:48.120
<v Speaker 3>Yeah I was probably I was like ten. You weren't

0:29:48.120 --> 0:29:51.040
<v Speaker 3>born yet, though, but yeah, do or Die? Pope pimpin man,

0:29:51.080 --> 0:29:53.040
<v Speaker 3>what are we talking about? Have you, you know, Twists

0:29:53.080 --> 0:29:56.800
<v Speaker 3>out there doing gun classes. Yeah, he's like teaching people

0:29:56.840 --> 0:30:01.440
<v Speaker 3>like how to responsibly own weapons in Chicago to protect themselves,

0:30:01.440 --> 0:30:03.280
<v Speaker 3>so to take people and they do classes like how

0:30:03.320 --> 0:30:06.080
<v Speaker 3>to shoot, how to look, how to get your license.

0:30:06.480 --> 0:30:10.120
<v Speaker 2>Twist. Actually, my my og went to school with Twister.

0:30:10.880 --> 0:30:15.720
<v Speaker 3>That was oh wow. The shout out to Twister man.

0:30:16.200 --> 0:30:17.720
<v Speaker 1>She says he used to be in the back of

0:30:17.720 --> 0:30:21.400
<v Speaker 1>the bus rapping fastest. Yeah, fastest. Hell, they used to

0:30:21.440 --> 0:30:23.240
<v Speaker 1>be telling me nobody want to hear that ship all day.

0:30:24.360 --> 0:30:26.160
<v Speaker 1>Twist bro, slow that ship.

0:30:25.920 --> 0:30:28.560
<v Speaker 3>Down, ship the whole career later.

0:30:30.120 --> 0:30:31.120
<v Speaker 2>One of them. All right.

0:30:31.160 --> 0:30:32.840
<v Speaker 3>Well look man, a new project on the way.

0:30:33.040 --> 0:30:34.720
<v Speaker 2>Yeah, Unchained, Unchained.

0:30:35.120 --> 0:30:40.240
<v Speaker 3>Congrats on your independence. Uh we just also dropped the freestyles.

0:30:40.280 --> 0:30:42.680
<v Speaker 3>You go check that out separate YouTube video. Yeah, for sure,

0:30:42.760 --> 0:30:45.120
<v Speaker 3>appreciate you pulling up man, and I look forward to

0:30:45.120 --> 0:30:46.520
<v Speaker 3>to hearing the album I.

0:30:46.680 --> 0:30:48.440
<v Speaker 2>Love Brother Fire.

0:30:49.840 --> 0:30:52.360
<v Speaker 3>Hey, what up, man? You just watched another episode of

0:30:52.360 --> 0:30:55.520
<v Speaker 3>the Blue Bay Cap podcast brought to you by Hard Dean. Baby.

0:30:55.800 --> 0:30:58.280
<v Speaker 3>Shout out to the family at Hard Dean. Don't forget

0:30:59.240 --> 0:31:01.040
<v Speaker 3>make sure if you're in Las Vegas, you get into

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<v Speaker 3>that taxi as soon as you land to get into

0:31:02.520 --> 0:31:04.560
<v Speaker 3>that uber, say take me to Hardean. All right, they

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<v Speaker 3>gonna take get you. Taken care of the most craziest

0:31:06.800 --> 0:31:10.160
<v Speaker 3>premium selection of cannabis you'll ever find. Under one roof.

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<v Speaker 3>It's a vibe in there, the butt tenders. They gonna

0:31:12.320 --> 0:31:15.080
<v Speaker 3>take care of you. Man, Listen, tell them I sent you.

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<v Speaker 3>They're gonna get you right. Shout out to the family

0:31:17.440 --> 0:31:20.200
<v Speaker 3>at Hardean in Las Vegas, the number one dispensary in

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<v Speaker 3>the world, all right, and We are so proud to

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<v Speaker 3>be partners with them, so shout out to Harden Go

0:31:25.000 --> 0:31:28.040
<v Speaker 3>follow them online, Hardan Underscore Las Vegas and check out

0:31:28.040 --> 0:31:30.840
<v Speaker 3>their website. Hardinlasvegas dot com. Get you some swag. You

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<v Speaker 3>know you can't buy this, but you know, yeah, Shout

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<v Speaker 3>out to Hardean