WEBVTT - #196 - Lil Flip

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<v Speaker 1>Buleg cav Show Special guests. We have got the chetown

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<v Speaker 1>legend himself, Little Flipping the Building man. Welcome, Bro, welcome, welcome. Hey,

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<v Speaker 1>what's good bro? Love the place? Man? Thank you better? Yeah, man,

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<v Speaker 1>congrats on everything. Thank you man. How's everything going with you?

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<v Speaker 1>Been blessed? How you doing? Hey? I woke up today,

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<v Speaker 1>So yeah, I tell everybody that's the hell of a

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<v Speaker 1>great start. That is a great start. How well, first

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<v Speaker 1>of all, what's going on, Like, what's the latest and

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<v Speaker 1>greatest in Little Flips world? What you been doing? What

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<v Speaker 1>you been working on? And you've always got businesses you're

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<v Speaker 1>starting and all kinds of shit going on, right Yeah,

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<v Speaker 1>I mean that's that's all I do. Let's see, besides

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<v Speaker 1>being the owner of Exotic Pop, which is everywhere everywhere,

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<v Speaker 1>that I'm doing a lot of stuff in the metaverse.

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<v Speaker 1>I got a concert coming up in the metaverse August fourteenth,

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<v Speaker 1>and then me and zero we just got done with

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<v Speaker 1>Kings of the South Part two. I dropped Flip Madewell

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<v Speaker 1>of the I got a well, I guess I'll announce

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<v Speaker 1>it here. I got a show coming where we're going

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<v Speaker 1>to discover the next big thing like a talent like

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<v Speaker 1>reality show. Yes, yes, and we want the next you know,

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<v Speaker 1>like it's always one of ones, but legendary stuff. We're

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<v Speaker 1>not looking for regional, We're not looking for we want

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<v Speaker 1>the next stadium filler. What is what is the platform

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<v Speaker 1>it'll be on? Well, that's the thing that that's the

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<v Speaker 1>only thing that we're You're going to film it first

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<v Speaker 1>and then shop it around or well we we already

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<v Speaker 1>have things in place already. Yeah. Yeah, man, shout out

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<v Speaker 1>to King Lee, you know, my business partner. But we

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<v Speaker 1>got some stuff going. So the metaverse, the apps, the

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<v Speaker 1>Exotic Pops. How did you get involved with Exotic Pop? Well,

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<v Speaker 1>the other owner, Charleston, he's from Houston and he grew

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<v Speaker 1>up on my music. We grew up in the same area.

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<v Speaker 1>And he's like, man, I got the soda company thing,

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<v Speaker 1>I'm doing, what's up? And so I'm like, man, I'm down.

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<v Speaker 1>And so we just put our heads together and keeling

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<v Speaker 1>and the cool cup juice and we just been Yeah.

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<v Speaker 1>Because like any smoke shop you're go into or i

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<v Speaker 1>mean obviously liquor stores too. They're right because because Exotic

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<v Speaker 1>Pop quit me from more. You guys are given, like

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<v Speaker 1>artists their own sodas right correct, right, right right given

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<v Speaker 1>like other streams of income. We're some of the artists

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<v Speaker 1>that have their own soda. I know Mac Dre's got

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<v Speaker 1>his when I was in the Baby tried it. Yeah,

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<v Speaker 1>rest Peace, That's one of my favorite ones, the Bubblegum

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<v Speaker 1>restu piece of mac Dre Man. We did one with

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<v Speaker 1>Ryb Kardashian. We did one with Drake's dad, twenty one

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<v Speaker 1>Savage and Metro Boom, and we gave Sauce walking his

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<v Speaker 1>own water. I got cream soda and I have a

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<v Speaker 1>green Apple cool cup juice. Man. There's so many artists, man,

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<v Speaker 1>but the legends like DJ Screwed, Big Mold, Fat padd

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<v Speaker 1>like all the legends who are not here, Big Halt.

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<v Speaker 1>You know, we help their families with the money and

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<v Speaker 1>each soa that we sell, like on the back of

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<v Speaker 1>it it sayss like a percentage of it goes to

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<v Speaker 1>the community. So wherever the artists are from, we do

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<v Speaker 1>a lot of stuff with the community, with the kids.

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<v Speaker 1>And I'm actually putting out a mixtape August fourteen called

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<v Speaker 1>the Arti Freestyle, where I'm rapping over my favorite Big

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<v Speaker 1>Mo beats, my favorite Fat Pat beats, so I sat

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<v Speaker 1>down with Direct, the owner of all these masters, and

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<v Speaker 1>I'm like, hey, bro, you gotten cleared. Yes, I'm like, bro,

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<v Speaker 1>I want to wrap on these classic beats and put

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<v Speaker 1>them out and you know, so we talked about the beers.

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<v Speaker 1>But it's crazy, you know, because I feel like the

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<v Speaker 1>people who came before me, it's on me to make

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<v Speaker 1>sure while I'm still here that their names live on

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<v Speaker 1>you know what I mean, because they did so much

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<v Speaker 1>for me, and you know, nobody knows when we go go,

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<v Speaker 1>so it's on me. It's on Flip everywhere I go

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<v Speaker 1>to make sure DJ Screw, PIMC, Big Mo, HOWK Fat Pat,

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<v Speaker 1>like all these different people that are from where I'm

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<v Speaker 1>from that we hold to high regard the same way

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<v Speaker 1>people hold Big and Pop like or even like a

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<v Speaker 1>guy like Mac dra and the Bay exactly. So you know,

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<v Speaker 1>we just we go keep pushing it. How did you initially,

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<v Speaker 1>because I remember when you came out, the first thing

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<v Speaker 1>I remember was you having your own cereal with a

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<v Speaker 1>Leprechaun project, and then obviously it was like, oh shit,

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<v Speaker 1>there's this guy who's got his own cereal. I was

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<v Speaker 1>living in Arizona at the time, so I didn't know

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<v Speaker 1>much about the Houston scene outside of like rap a

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<v Speaker 1>lot and Scarface and obviously ugk they're from Port Arthur.

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<v Speaker 1>But uh, but in terms of like the screwed up shit,

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<v Speaker 1>just that whole kind of wave, I really didn't get

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<v Speaker 1>super hip too until you know, it really went commercial

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<v Speaker 1>and you know, when you and Mike Jones and Paul

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<v Speaker 1>Wall and everybody had their U their wave. You know,

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<v Speaker 1>So how did you like initially kind of get into

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<v Speaker 1>the game and like, I know, like nationally, was that

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<v Speaker 1>kind of like your first big look the Lepercun shit. Well,

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<v Speaker 1>the Lepercun was my first solo album. So the difference

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<v Speaker 1>is one of the other reasons why I called myself

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<v Speaker 1>for the Mayweather is because I'm born into music, just

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<v Speaker 1>like he was born into boxing. So a lot of

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<v Speaker 1>artists they started rapping and doing music as you know,

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<v Speaker 1>fifteen high school. You know, like if you're born in

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<v Speaker 1>my house, you doing music, gotcha? So I already knew

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<v Speaker 1>the industry. I sunk in the choir, wrapped the Italian shows,

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<v Speaker 1>used to rap, battle, played the piano, drums, learning the guitar,

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<v Speaker 1>was in film, acting class, etiquette, class media training. So

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<v Speaker 1>I was already ready for the industry Man and the

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<v Speaker 1>lepercun I put that out after I did a group

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<v Speaker 1>album called h and See what stands for Hustler stacking Ins.

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<v Speaker 1>But prior to that, I had a few other groups

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<v Speaker 1>that I was in that I started, and man, I

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<v Speaker 1>just knew if I had a person like j Prince

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<v Speaker 1>and rap a Lot by the way, free Larry Hoover,

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<v Speaker 1>you did ye, Like if I had somebody like that

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<v Speaker 1>as my mentor in my same city to study the blueprint.

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<v Speaker 1>So I just sit back, like, okay, just the way

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<v Speaker 1>you you market yourself, just the way you don't take

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<v Speaker 1>no for a answer. This is the way you invest

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<v Speaker 1>in your own money and time. You do it your way.

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<v Speaker 1>So seeing them come through, you know, clubs and come

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<v Speaker 1>through the neighborhoods, in the in the Double Lords and

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<v Speaker 1>the Roads Russes. Like since I was young and watched

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<v Speaker 1>Richie rich I already knew Rose Russes was for me

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<v Speaker 1>right tall on me somewhere. I don't know the Double

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<v Speaker 1>Lords right here, hellogo. But so I had the perfect

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<v Speaker 1>blueprint to watch out rap a Lot, you know, like

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<v Speaker 1>this man had a car a lot and then turned

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<v Speaker 1>it into like music business and you know, had to

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<v Speaker 1>get our boys everywhere and just different artists and putting

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<v Speaker 1>out these albums and coming to car shows displaying all

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<v Speaker 1>their cars and showing up to the shows fifty deep,

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<v Speaker 1>everybody all and black. Like it was just like a

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<v Speaker 1>big thing. So I basically was a sponge being able

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<v Speaker 1>to balance what I learned from my family, my dad,

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<v Speaker 1>my grandparents, my mom, and then DJ Screw then it

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<v Speaker 1>was like I was learning from Jay Prince as well.

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<v Speaker 1>So we put out the HSSE album, put that out,

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<v Speaker 1>Rest in Peace to Jason he died. He's on HSC album,

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<v Speaker 1>my high school homie. And then after that, well, when

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<v Speaker 1>we put it out, fans was like, man, we wanted

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<v Speaker 1>to flip solo album. Why would you put the group

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<v Speaker 1>out and you're the hottest thing in the streets. But

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<v Speaker 1>I've always been with them people that like to try

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<v Speaker 1>to bring people with me, you know what I mean.

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<v Speaker 1>That was how I was raised, Like if you have

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<v Speaker 1>more than the next person, hey, I'm not gonna sit it,

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<v Speaker 1>eat the stake and you don't have nothing, I just

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<v Speaker 1>cut my shit in half and give you half of

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<v Speaker 1>my stake. Like that's the type of person I am,

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<v Speaker 1>And so I did that and that was one of

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<v Speaker 1>the best decisions because it allowed me to record the

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<v Speaker 1>Leperate Cunt album. And what happened the first album we

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<v Speaker 1>put out, the group album HSC. We did pretty cool,

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<v Speaker 1>you know what I mean. But it was so many

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<v Speaker 1>people on the label, the amount of money that it

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<v Speaker 1>was making, and then I'm the marquee artist. It just

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<v Speaker 1>wasn't enough, right, and everybody wants to see me, right,

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<v Speaker 1>So it's like I'm like, but I still want my

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<v Speaker 1>guys like with me, you know what I mean. So

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<v Speaker 1>the Leperate Cunt album, I wrote half of it in

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<v Speaker 1>my freestyle half of it and half of that album,

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<v Speaker 1>like I was like literally still in the trap with

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<v Speaker 1>my homie Task resting piece of Task, that's my guy,

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<v Speaker 1>Like literally making the album, making plays, you know in

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<v Speaker 1>the front room, you know, with the shotgun, you know,

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<v Speaker 1>in the front room with the Nato the ak, like

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<v Speaker 1>literally making plays and in between playing you know, PLAYSTATIONE

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<v Speaker 1>and and writing raps and constructing my Lepercun album. So

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<v Speaker 1>I was able to really have fun and I can

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<v Speaker 1>do that. It was the single we put that ship out.

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<v Speaker 1>It did crazy? Did that come out on wrap a Lot? No? Yeah,

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<v Speaker 1>I partnered up with a guy named Hump and we

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<v Speaker 1>we we well. Sucker Free was like a concert. It

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<v Speaker 1>was entertainment company at first, and I partnered up with

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<v Speaker 1>him because he was one of my childhood I remember that.

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<v Speaker 1>I remember the Yeah, so my dad. He was one

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<v Speaker 1>of my dad's childhood friends. And I'm like, all right, hey,

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<v Speaker 1>let's turn it to a record label. You be the CEO,

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<v Speaker 1>I'd be the CEO. And so we put it out,

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<v Speaker 1>did well independent and a lot of people don't know

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<v Speaker 1>when you put out a double album and it counts right,

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<v Speaker 1>so like people like you know, Pock and Biggie when

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<v Speaker 1>they you know, they go down, but it counts to

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<v Speaker 1>it counts its too. So eight Ball, you know, one

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<v Speaker 1>of my trip, yeah, the triple album come Lost. So

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<v Speaker 1>I'm like, damn all, he got to sell us one

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<v Speaker 1>third of half a meal and he's gold you know

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<v Speaker 1>what I mean, Yeah, you know, to get the gold plaquet. Yeah.

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<v Speaker 1>So it's like and it ended up selling you know,

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<v Speaker 1>a million plus, so he ended up going triple platinum.

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<v Speaker 1>A lot of people don't know eight Ball Lost is

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<v Speaker 1>like triple platinum. That's yeah. So and in my mind

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<v Speaker 1>I'm like, hey, I'm a I'm a sponge, So I

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<v Speaker 1>studied rap a lot, I studied swave house. I study everything,

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<v Speaker 1>and then I implement my own, you know, final version

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<v Speaker 1>of what I've learned from everybody put that shit out.

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<v Speaker 1>So a lot of record was doing mixtape, a lot

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<v Speaker 1>of records mixtape mixtapes pulling out. Everybody was like, why

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<v Speaker 1>are you rapping on these beats and putting them out?

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<v Speaker 1>You should focus on real stuff. I'm like, Nah, this

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<v Speaker 1>is what DJ Screw taught me, this is where I

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<v Speaker 1>come from. So people started seeing. We would pull up

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<v Speaker 1>the towns and we picking up show money, and hell,

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<v Speaker 1>I'm picking up mixtape money. The mixtape money, hell, at

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<v Speaker 1>times was two times more than the show money. So

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<v Speaker 1>I'm dropping off boxes five. You're just like dropping off

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<v Speaker 1>at the local spots. Music Mania was a spot in Austin,

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<v Speaker 1>crazy place. It was record store, Yes, bro, right next

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<v Speaker 1>to active athlete, and Bro, I pull up cash out

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<v Speaker 1>fifteen K here, twenty K here, damn yeah, come back

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<v Speaker 1>to Austin three months later. By that time, I got

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<v Speaker 1>a new mixtape out repeat. So I had a place

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<v Speaker 1>in Austin, a place in Dallas, t Time Music, a

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<v Speaker 1>place in Tyler. Wow. Those were like my main three

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<v Speaker 1>hubs of where I knew I could go pick up

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<v Speaker 1>five k here, ten k here, dropping off some products.

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<v Speaker 1>B It was the easiest shit. And so I'm like,

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<v Speaker 1>y'all calling me stupid, but y'all wondering how I'm selling

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<v Speaker 1>all these records and how everybody wants to see me

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<v Speaker 1>is because I'm just giving this shit away. Sometimes we

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<v Speaker 1>were selling them as well, so like at the to

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<v Speaker 1>the retail people, I would selling them to them, but

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<v Speaker 1>at the concepts, I would give them away right that.

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<v Speaker 1>It's crazy. Hey, those are the good old days though, man. Yeah,

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<v Speaker 1>when you could sell so you could just pull up

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<v Speaker 1>and have like a relationship with the owner of a

0:12:07.840 --> 0:12:10.760
<v Speaker 1>record store and you know he believe in what you're doing,

0:12:10.800 --> 0:12:17.520
<v Speaker 1>and then you turn that into instant monetary. It's crazy

0:12:17.520 --> 0:12:19.000
<v Speaker 1>with the streaming shit, is hey, we got to stop

0:12:19.040 --> 0:12:21.160
<v Speaker 1>the interview real quick to tell you about our partners,

0:12:21.360 --> 0:12:25.320
<v Speaker 1>our family at odd socks. Go to odd socksofficial dot

0:12:25.360 --> 0:12:28.480
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0:12:28.480 --> 0:12:31.080
<v Speaker 1>get you twenty percent off the fly of socks in

0:12:31.120 --> 0:12:36.080
<v Speaker 1>the world. Fucking SpongeBob, fucking cheese. It's a little bit

0:12:36.080 --> 0:12:40.360
<v Speaker 1>of PEPSI how about some underwear? Do we like underwear?

0:12:40.559 --> 0:12:42.760
<v Speaker 1>Et boxers. Let's go ahead and just open up a

0:12:42.760 --> 0:12:44.960
<v Speaker 1>pair of these boys so you can see how fly

0:12:45.040 --> 0:12:47.040
<v Speaker 1>the draws are, ladies and gentlemen because they are fly

0:12:47.160 --> 0:12:48.559
<v Speaker 1>by the way. They just gave me my own pair

0:12:48.559 --> 0:12:50.760
<v Speaker 1>of odd socks. Go on my social media and you

0:12:50.800 --> 0:12:52.360
<v Speaker 1>can see them. I don't know if they're going to

0:12:52.440 --> 0:12:56.120
<v Speaker 1>be for sale, because let's be honest, who wants to

0:12:56.120 --> 0:12:58.439
<v Speaker 1>wear socks with my fucking ugly face on them? Besides

0:12:58.520 --> 0:12:59.959
<v Speaker 1>my wife and she don't even want to wear them.

0:13:00.240 --> 0:13:05.160
<v Speaker 1>There we goo, they got the draws. They got it all. Man,

0:13:05.480 --> 0:13:07.520
<v Speaker 1>get the odd socks basics, which I love, just the

0:13:07.520 --> 0:13:11.600
<v Speaker 1>basic boys. These are amazing comfy socks. Odd socksofficial dot com.

0:13:11.720 --> 0:13:13.920
<v Speaker 1>Use the promo code Bootleg Cavs save twenty percent off.

0:13:14.000 --> 0:13:16.360
<v Speaker 1>Let's get back to the interview. Have you had any

0:13:16.440 --> 0:13:19.240
<v Speaker 1>issues like adjusting to the streaming world or do you

0:13:19.280 --> 0:13:22.120
<v Speaker 1>feel like it benefits artists like you that's independent that

0:13:22.120 --> 0:13:25.800
<v Speaker 1>can just kind of drop freely if you will. Man,

0:13:26.120 --> 0:13:28.520
<v Speaker 1>I'm one of them people like this bro. I'm like,

0:13:30.120 --> 0:13:32.600
<v Speaker 1>I'm not a stuck in my ways type of king,

0:13:32.800 --> 0:13:39.040
<v Speaker 1>right I hustle, the dinosaur way, the modern way, and

0:13:39.080 --> 0:13:42.600
<v Speaker 1>the future way. So it I mean, I love it.

0:13:42.640 --> 0:13:44.800
<v Speaker 1>I just embrace it. I still press up my physical

0:13:44.840 --> 0:13:47.280
<v Speaker 1>copies and my wax for the DJs that like wax

0:13:47.320 --> 0:13:50.720
<v Speaker 1>and wax sales for pretty good money these days. So yeah,

0:13:50.760 --> 0:13:53.200
<v Speaker 1>people still buy vinyl. It's like almost like as a collector,

0:13:53.240 --> 0:13:56.120
<v Speaker 1>they'd almost rather buy the vinyl than the CD because

0:13:56.480 --> 0:13:59.880
<v Speaker 1>it feels like there's people buying vinyl don't even have

0:13:59.920 --> 0:14:03.240
<v Speaker 1>a turned able to play it on the agreed agreed,

0:14:03.559 --> 0:14:06.960
<v Speaker 1>And so yeah, that's that's where I'm at. And then

0:14:07.000 --> 0:14:09.560
<v Speaker 1>like the things with the streams, you know, like like

0:14:09.640 --> 0:14:13.080
<v Speaker 1>I say, the only downfall to the stream you know,

0:14:13.280 --> 0:14:15.600
<v Speaker 1>like I'm not I'm not one of the OG haters,

0:14:15.640 --> 0:14:18.679
<v Speaker 1>Like uh, I'm like I fuck with the new cats,

0:14:18.720 --> 0:14:21.680
<v Speaker 1>the new artists. You know. My only concern with the

0:14:21.720 --> 0:14:23.720
<v Speaker 1>streams is like this, how I compare it? Right? I

0:14:23.760 --> 0:14:26.840
<v Speaker 1>compared a stream to this. You know how back in

0:14:26.880 --> 0:14:28.560
<v Speaker 1>the days, you could go to a music store and

0:14:28.600 --> 0:14:33.280
<v Speaker 1>listen to a whole album, right, you can chamit whatever whatever.

0:14:34.240 --> 0:14:38.440
<v Speaker 1>If you didn't buy it, you didn't get that sale, right,

0:14:38.480 --> 0:14:41.920
<v Speaker 1>Like the artists didn't get that sale. So if you

0:14:41.960 --> 0:14:44.000
<v Speaker 1>go to a car lot and you test drive a

0:14:44.040 --> 0:14:48.120
<v Speaker 1>car and you don't buy it. The guy who's selling

0:14:48.120 --> 0:14:51.840
<v Speaker 1>the car doesn't get credit for you test driving the car.

0:14:52.000 --> 0:14:54.840
<v Speaker 1>He gets credit for yourself. So just the way that

0:14:54.880 --> 0:14:57.440
<v Speaker 1>they converted to like you have this many streams, this

0:14:57.600 --> 0:15:01.960
<v Speaker 1>means you're a platinum, but a sample to me is

0:15:02.000 --> 0:15:04.920
<v Speaker 1>still it's like you can't lower the goal post. It's

0:15:05.000 --> 0:15:07.960
<v Speaker 1>how I look at it, no matter what, no matter what. Right,

0:15:08.200 --> 0:15:11.400
<v Speaker 1>like any other business, if you sell pizza, if you

0:15:11.480 --> 0:15:15.280
<v Speaker 1>only sell twenty pizzas, man, you only sold twenty pizzas well,

0:15:15.280 --> 0:15:17.120
<v Speaker 1>if you think about it, like with the playlist world,

0:15:17.200 --> 0:15:19.760
<v Speaker 1>it's like you might throw a new playlist on that

0:15:19.840 --> 0:15:22.200
<v Speaker 1>Spotify feed you whether it's like rap Caaba or whatever,

0:15:22.760 --> 0:15:24.440
<v Speaker 1>and even if the song plays for thirty seconds, you

0:15:24.480 --> 0:15:26.920
<v Speaker 1>don't fuck with you hit next on the playlist still

0:15:26.960 --> 0:15:30.320
<v Speaker 1>counts as a stream, right, So it's it's like a

0:15:31.120 --> 0:15:34.440
<v Speaker 1>sometimes a person that's able to be like, oh yeah,

0:15:34.680 --> 0:15:37.160
<v Speaker 1>I went flatten them. I got this many streams, and

0:15:37.280 --> 0:15:41.400
<v Speaker 1>it creates a big head. Also, like you'll really know

0:15:41.440 --> 0:15:45.040
<v Speaker 1>if it's working if you can sell hard tickets. Correct,

0:15:45.160 --> 0:15:47.360
<v Speaker 1>because there's a lot of these artists who stream big numbers,

0:15:47.360 --> 0:15:49.880
<v Speaker 1>but they can't go on tour. Yeah. So it's so

0:15:50.040 --> 0:15:53.120
<v Speaker 1>it's so like I'm like on the fence with like

0:15:53.280 --> 0:15:55.440
<v Speaker 1>just like one hundred percent, Like, oh, I love it.

0:15:55.480 --> 0:15:57.720
<v Speaker 1>Like it's dope that people all around the world can

0:15:57.760 --> 0:16:00.560
<v Speaker 1>hear your music from the push up of button and

0:16:00.680 --> 0:16:04.240
<v Speaker 1>you can also upload ship exactly button, so it's coxactly.

0:16:04.320 --> 0:16:06.000
<v Speaker 1>Back in the day, you had to go press up CDs,

0:16:06.080 --> 0:16:09.560
<v Speaker 1>find distribution right to get like your ship all over

0:16:09.600 --> 0:16:11.880
<v Speaker 1>the country in a record store. Agreed, man, So now

0:16:11.920 --> 0:16:14.040
<v Speaker 1>it's like I just hit it. There's no middle man. Yeah.

0:16:14.120 --> 0:16:17.280
<v Speaker 1>So like I embraced it. I'm one of them people.

0:16:17.320 --> 0:16:19.920
<v Speaker 1>I adapt. Man, what's going on? You know? Plex? Like

0:16:20.080 --> 0:16:23.239
<v Speaker 1>I love I love like in my house and my studios,

0:16:23.280 --> 0:16:26.160
<v Speaker 1>I got PLEX and stuff on the wall that just

0:16:26.560 --> 0:16:29.560
<v Speaker 1>inspires me. Man, you know what I mean? So I

0:16:29.600 --> 0:16:33.560
<v Speaker 1>fuck with this setup? Man? You uh, the first like,

0:16:33.560 --> 0:16:35.360
<v Speaker 1>like I guess you're kind of coming out party, would

0:16:35.360 --> 0:16:37.360
<v Speaker 1>you say, would be like underground legend in terms of

0:16:37.400 --> 0:16:42.000
<v Speaker 1>just like commercially national correct? What was it was? Game

0:16:42.040 --> 0:16:45.280
<v Speaker 1>over on that game Over was on the next album. Right,

0:16:45.360 --> 0:16:47.320
<v Speaker 1>you gotta feel me? The way we ball was the

0:16:47.320 --> 0:16:49.840
<v Speaker 1>first to feel me was crazy this is the way. Yeah,

0:16:49.840 --> 0:16:52.920
<v Speaker 1>I forgot about the way one video multi platinum off

0:16:52.960 --> 0:16:57.360
<v Speaker 1>one video. That's fucking crazy because was that a double album? Yeah?

0:16:57.360 --> 0:17:00.000
<v Speaker 1>All my albums a double albums. I remember it most

0:17:00.120 --> 0:17:01.840
<v Speaker 1>of the time. What was the album where you were

0:17:02.000 --> 0:17:04.119
<v Speaker 1>like kind of like in black on the cover it

0:17:04.160 --> 0:17:06.480
<v Speaker 1>came out The Game Over remix was on there. I

0:17:06.520 --> 0:17:08.560
<v Speaker 1>want to say, mind that shit was there was a

0:17:08.600 --> 0:17:11.879
<v Speaker 1>record on there, fuck that I loved because I know

0:17:11.960 --> 0:17:15.240
<v Speaker 1>that like that was kind of there wasn't like a

0:17:15.280 --> 0:17:19.120
<v Speaker 1>super smash on that album, was there. I wouldn't say

0:17:19.160 --> 0:17:21.000
<v Speaker 1>it was a super sm There was a record on

0:17:21.040 --> 0:17:23.560
<v Speaker 1>that project that I fucking loved. Yeah, it was like

0:17:23.640 --> 0:17:25.760
<v Speaker 1>I think I put what it Do was on there

0:17:25.760 --> 0:17:27.760
<v Speaker 1>with many fresh and yeah we put we put a

0:17:27.800 --> 0:17:30.400
<v Speaker 1>little money behind it, but we didn't go in mind

0:17:30.440 --> 0:17:32.480
<v Speaker 1>there was a couple of records on there that I loved,

0:17:32.680 --> 0:17:34.760
<v Speaker 1>and that was a part right there. I was actually

0:17:34.800 --> 0:17:38.200
<v Speaker 1>like transitioning leaving the label. So one That's why it's

0:17:38.240 --> 0:17:41.840
<v Speaker 1>like a version where it's one cover of me standing

0:17:41.840 --> 0:17:44.400
<v Speaker 1>in front of black and then it's one version when

0:17:44.440 --> 0:17:47.119
<v Speaker 1>I went to one of the brothers, I'm holding some

0:17:47.160 --> 0:17:49.400
<v Speaker 1>money or some quick shit. I didn't really like that cover,

0:17:49.520 --> 0:17:52.959
<v Speaker 1>but I put on the cover Free Zero, So that's

0:17:53.080 --> 0:17:57.560
<v Speaker 1>what I was pushing, you know, so welcome home Zero.

0:17:57.640 --> 0:17:59.600
<v Speaker 1>He been home for me for a while. Yeah yeah,

0:17:59.680 --> 0:18:02.960
<v Speaker 1>but I that They were like, you're gonna put free

0:18:03.000 --> 0:18:08.200
<v Speaker 1>Somebody on your album cover. I'm like, yeah, this is yeah, yeah,

0:18:08.240 --> 0:18:11.000
<v Speaker 1>well this was Sony No, no, no, this was Warner.

0:18:11.040 --> 0:18:13.600
<v Speaker 1>This was one of just one person. One person asked me,

0:18:13.640 --> 0:18:18.359
<v Speaker 1>and I was like, yeah, like it's not a mixed listen.

0:18:18.480 --> 0:18:21.320
<v Speaker 1>I know what I'm doing. Like see, I never let

0:18:21.359 --> 0:18:25.640
<v Speaker 1>a person like tell me what I can I can't do,

0:18:26.000 --> 0:18:28.320
<v Speaker 1>especially when it comes to art. I'm one of those

0:18:28.359 --> 0:18:30.720
<v Speaker 1>people though, I will listen to your opinion, like I

0:18:30.760 --> 0:18:33.280
<v Speaker 1>will listen. I'm like, I'm a That doesn't mean I

0:18:33.320 --> 0:18:35.359
<v Speaker 1>have to take it, but I will acknowledge it and

0:18:35.400 --> 0:18:37.399
<v Speaker 1>if it makes sense to me. I'm a rock with

0:18:37.920 --> 0:18:40.120
<v Speaker 1>and that's how I got open to input, helping information.

0:18:40.280 --> 0:18:42.919
<v Speaker 1>That's how I got where I'm at. Yo. There was

0:18:42.960 --> 0:18:45.560
<v Speaker 1>a period of time where you were popping up on

0:18:45.600 --> 0:18:48.399
<v Speaker 1>a lot of June radio shit the mixtapes back in

0:18:48.440 --> 0:18:51.480
<v Speaker 1>the day. Was there ever any conversations where fifty was

0:18:51.520 --> 0:18:54.040
<v Speaker 1>trying to sign you to JUnit Man, me and fifty

0:18:54.080 --> 0:18:58.719
<v Speaker 1>We talked about doing some business a few times. It

0:18:58.800 --> 0:19:02.520
<v Speaker 1>never like happened, like I think, mainly due to like

0:19:02.600 --> 0:19:06.520
<v Speaker 1>scheduling and stuff. But we didn't specifically talk like I'm

0:19:06.560 --> 0:19:11.639
<v Speaker 1>signing to because see, no matter if I'm on TV

0:19:11.840 --> 0:19:14.240
<v Speaker 1>or not, like I'm I came in this industry as

0:19:14.240 --> 0:19:16.440
<v Speaker 1>a CEO, So if I would ever do a deal

0:19:16.520 --> 0:19:19.439
<v Speaker 1>with another artist, it would be a joint picture. It

0:19:19.440 --> 0:19:23.200
<v Speaker 1>would be a partnership. I'll never ever be under anybody

0:19:24.080 --> 0:19:27.399
<v Speaker 1>and never have every album I ever put out. I

0:19:27.560 --> 0:19:29.920
<v Speaker 1>was a CEO, so I was already taught as a kid.

0:19:29.960 --> 0:19:32.920
<v Speaker 1>Come in a game of ceo, be an artist. Don't

0:19:32.960 --> 0:19:35.600
<v Speaker 1>let people tell you, Oh, you should just focus on

0:19:36.240 --> 0:19:38.800
<v Speaker 1>the music part and let us talk for you. And

0:19:38.920 --> 0:19:43.240
<v Speaker 1>know that's how you get robbed. That's how lawyers put bruh.

0:19:43.240 --> 0:19:46.439
<v Speaker 1>That's how lawyers man finess you out of bread, especially

0:19:46.480 --> 0:19:49.080
<v Speaker 1>the lawyers that like are suggested to you by the

0:19:49.080 --> 0:19:51.000
<v Speaker 1>people you're signing to. Oh you don't have a good lawyer,

0:19:51.080 --> 0:19:54.199
<v Speaker 1>We got one for you, yeah, bro, the motherfuckers. So

0:19:55.840 --> 0:19:58.080
<v Speaker 1>I'm gonna talk for myself. I get to done. I

0:19:58.119 --> 0:20:00.719
<v Speaker 1>get the deal done way quicker when I talk for myself.

0:20:00.760 --> 0:20:02.520
<v Speaker 1>Did you ever have a situation where you got into

0:20:02.520 --> 0:20:04.720
<v Speaker 1>a shitty deal like early on, like whether it was

0:20:04.760 --> 0:20:06.800
<v Speaker 1>the Sony or the Warner situation, because back in the day,

0:20:06.840 --> 0:20:10.560
<v Speaker 1>those major label deals were fucking treacherous. Thank you. I

0:20:10.600 --> 0:20:13.040
<v Speaker 1>never got into a shitty deal. I've been in some

0:20:13.080 --> 0:20:16.199
<v Speaker 1>deals where I got what I wanted or got what

0:20:16.240 --> 0:20:19.400
<v Speaker 1>I asked for it, but I looked out for somebody

0:20:19.400 --> 0:20:21.920
<v Speaker 1>out of what I got, only to find out later

0:20:22.040 --> 0:20:26.080
<v Speaker 1>that they had got a separate bag for themselves as well.

0:20:26.160 --> 0:20:28.720
<v Speaker 1>So they dipped in the pay, they double dip, But

0:20:28.840 --> 0:20:31.520
<v Speaker 1>I still got what I want because at the end

0:20:31.560 --> 0:20:34.600
<v Speaker 1>of the day, I think like a hustler. I get

0:20:34.600 --> 0:20:38.560
<v Speaker 1>paid to talk, seen make words, rhyme, come up with

0:20:38.640 --> 0:20:41.720
<v Speaker 1>witty shit, make a motherfucker say wow. It's people that

0:20:41.800 --> 0:20:43.960
<v Speaker 1>talk all day, don't that don't get paid for it.

0:20:44.440 --> 0:20:47.240
<v Speaker 1>So I look at it like this, br Any amount

0:20:47.320 --> 0:20:49.239
<v Speaker 1>of money that a motherfucker go pay me just a

0:20:49.280 --> 0:20:51.720
<v Speaker 1>talk is a win. Now, when we go to my

0:20:51.760 --> 0:20:54.040
<v Speaker 1>accolades and what I've accomplished, I know how to find

0:20:54.040 --> 0:20:56.960
<v Speaker 1>the medium of I know how to negotiate. My dad

0:20:57.040 --> 0:20:59.520
<v Speaker 1>was a master car salesman, so I know how to

0:20:59.520 --> 0:21:01.040
<v Speaker 1>play a s I know how to play a wolf

0:21:01.080 --> 0:21:02.760
<v Speaker 1>because at the end of the day, I'm a hustler.

0:21:02.800 --> 0:21:05.359
<v Speaker 1>So at the end of the day, almost any amount

0:21:05.400 --> 0:21:09.720
<v Speaker 1>of money that's respectful, respectable, it's not getting fucked over,

0:21:09.760 --> 0:21:14.119
<v Speaker 1>you see what I'm saying. But yeah, I've always known

0:21:14.240 --> 0:21:16.359
<v Speaker 1>how to speak my mind because I grew up around

0:21:16.400 --> 0:21:19.000
<v Speaker 1>older people. I'm I'm the youngest and the screwed up Click.

0:21:19.119 --> 0:21:21.240
<v Speaker 1>But I'm not afraid to speak my mind. If a

0:21:21.320 --> 0:21:24.399
<v Speaker 1>OG or somebody did something to me that I felt

0:21:24.480 --> 0:21:26.280
<v Speaker 1>like they slighted me and it was wrong, I'm gonna

0:21:26.280 --> 0:21:29.159
<v Speaker 1>address it now. I know how to approach it respectful.

0:21:29.240 --> 0:21:31.840
<v Speaker 1>You see what I'm saying. I'm not a reckless you know,

0:21:32.000 --> 0:21:34.719
<v Speaker 1>g and no shit like that. But I'm not afraid

0:21:34.760 --> 0:21:38.440
<v Speaker 1>to speak my mind. And I'm a very honorable person.

0:21:38.880 --> 0:21:40.960
<v Speaker 1>When being from screwed up Click, and I kind of

0:21:40.960 --> 0:21:44.800
<v Speaker 1>feel like you were a little bit ahead, slightly ahead

0:21:45.600 --> 0:21:48.760
<v Speaker 1>of the of the of the kind of like h

0:21:48.920 --> 0:21:51.800
<v Speaker 1>town national craze. I kind of feel like you were

0:21:51.800 --> 0:21:55.760
<v Speaker 1>like probably the first dude in that class of like

0:21:55.880 --> 0:21:59.720
<v Speaker 1>of your peers that really popped correct. I'm talking like obviously,

0:21:59.800 --> 0:22:01.720
<v Speaker 1>you know, the millionaires of Paul Walls, you were kind

0:22:01.720 --> 0:22:05.240
<v Speaker 1>of first. I was first, Yeah, I was. I was

0:22:05.280 --> 0:22:08.719
<v Speaker 1>the first person like out of that wave. You know,

0:22:08.760 --> 0:22:12.040
<v Speaker 1>we had LaTroy he went platinum rightly in terms of

0:22:12.080 --> 0:22:15.280
<v Speaker 1>just the I feel like era, yeah, yeah, but I

0:22:15.400 --> 0:22:19.119
<v Speaker 1>was just saying, you know, yeah, we had that like

0:22:19.240 --> 0:22:23.000
<v Speaker 1>right before like the ship started going on, you know.

0:22:23.160 --> 0:22:26.639
<v Speaker 1>But yeah, yeah, definitely, I was. I was first. Was

0:22:26.640 --> 0:22:30.280
<v Speaker 1>there ever any Was there ever any like because Swisher

0:22:30.320 --> 0:22:34.000
<v Speaker 1>House had kind of you know, uh, Michael five thousand

0:22:34.080 --> 0:22:36.679
<v Speaker 1>wats was chopping and screwing ship as well? Was there

0:22:36.680 --> 0:22:39.320
<v Speaker 1>ever any sort of static between the screwed up ship

0:22:39.359 --> 0:22:42.080
<v Speaker 1>and the Swisher House ship? It was? Well? And it

0:22:42.200 --> 0:22:45.480
<v Speaker 1>like because obviously everyone ends up on that Source cover, right,

0:22:45.560 --> 0:22:48.720
<v Speaker 1>which was a crazy cover right right, the don't mess

0:22:48.720 --> 0:22:52.200
<v Speaker 1>with textics. Everybody and their mom was on that cover, right,

0:22:53.119 --> 0:22:55.960
<v Speaker 1>But uh did that like like like, what was what

0:22:56.080 --> 0:22:58.359
<v Speaker 1>was like your take on like seeing Swisher House come

0:22:58.400 --> 0:23:01.680
<v Speaker 1>out and kind of obviously, you know, DJ screw started

0:23:01.960 --> 0:23:03.840
<v Speaker 1>chopping and screwing shit, but it also was like a

0:23:03.920 --> 0:23:06.199
<v Speaker 1>Houston thing as much as it was his thing that

0:23:06.240 --> 0:23:09.920
<v Speaker 1>he created, you know, but what what was your take

0:23:09.960 --> 0:23:12.040
<v Speaker 1>on the Swisher House movement? You know, kind of being

0:23:12.080 --> 0:23:14.920
<v Speaker 1>on the other side of things. I'm in a screwed

0:23:15.000 --> 0:23:19.680
<v Speaker 1>up click, so like I'm an understandable person, you know

0:23:19.720 --> 0:23:22.199
<v Speaker 1>what I mean. So a lot of members was like,

0:23:22.200 --> 0:23:24.640
<v Speaker 1>oh shit, what is that? What's going on? That're doing

0:23:24.680 --> 0:23:28.119
<v Speaker 1>what we're doing? And my whole take, I just felt like,

0:23:28.400 --> 0:23:31.880
<v Speaker 1>hey man, we inspired some people to do what they do,

0:23:32.000 --> 0:23:33.520
<v Speaker 1>you know what I mean. So I didn't look at it,

0:23:34.320 --> 0:23:36.639
<v Speaker 1>you know like some of the other members looked at it.

0:23:36.680 --> 0:23:38.199
<v Speaker 1>You know, you had some people that was like they

0:23:38.200 --> 0:23:40.120
<v Speaker 1>didn't like it, and you had some people that was like,

0:23:40.440 --> 0:23:44.119
<v Speaker 1>hey man, shit, they expressing theyself. They they want to

0:23:44.160 --> 0:23:45.920
<v Speaker 1>you know what I mean. We motivated some people to

0:23:46.000 --> 0:23:48.199
<v Speaker 1>you know what I mean. So that's how I always

0:23:48.240 --> 0:23:50.960
<v Speaker 1>looked at it, and that's one of the reasons I'm

0:23:50.960 --> 0:23:54.679
<v Speaker 1>the first person outter screwed up Click to go do

0:23:54.840 --> 0:23:58.679
<v Speaker 1>a freestyle on the Swisher House tape. Mmm, so I

0:23:58.720 --> 0:24:02.960
<v Speaker 1>got clap. My My biggest freestyle is on a Swisher

0:24:02.960 --> 0:24:06.040
<v Speaker 1>House tape. Which freestyle was that it's a mixtape called

0:24:06.080 --> 0:24:11.040
<v Speaker 1>IR forty five and it's a record like we blow in.

0:24:11.280 --> 0:24:14.919
<v Speaker 1>Though I might be on jaylen h they be like, Phlip,

0:24:15.000 --> 0:24:18.240
<v Speaker 1>can you listen to my demo, I say, nine Nigga,

0:24:18.240 --> 0:24:21.360
<v Speaker 1>I got shows to do after the concert. I got

0:24:21.400 --> 0:24:26.880
<v Speaker 1>hoes to screw, like that's a classic freestyle. That's like, motherfucker,

0:24:26.960 --> 0:24:29.840
<v Speaker 1>scream that shit like word for word. And so I

0:24:29.920 --> 0:24:31.800
<v Speaker 1>was always going over there. I got family that's on

0:24:31.840 --> 0:24:34.240
<v Speaker 1>the north side, so in the midst of the North

0:24:34.280 --> 0:24:36.399
<v Speaker 1>Side and South Side, Beef, I was always on the

0:24:36.400 --> 0:24:39.679
<v Speaker 1>north side anyway, like because I don't I don't at

0:24:39.680 --> 0:24:42.359
<v Speaker 1>the end of the day, the way I feel we Houston, right,

0:24:42.440 --> 0:24:43.800
<v Speaker 1>I mean, at the end of the day, it's about

0:24:43.880 --> 0:24:47.360
<v Speaker 1>unity for me. So you know, Yeah, my biggest freestyle

0:24:47.400 --> 0:24:49.520
<v Speaker 1>is on the Swish House tape. That's crazy and I'm

0:24:49.560 --> 0:24:51.040
<v Speaker 1>in a screwed up click. What can you tell us

0:24:51.080 --> 0:24:55.800
<v Speaker 1>about that Source magazine cover? Was everyone there at the

0:24:55.800 --> 0:24:58.760
<v Speaker 1>same time? Yep? What was that? Like? It was a

0:24:58.800 --> 0:25:00.800
<v Speaker 1>great day. I played dumb one of us with Jay

0:25:00.800 --> 0:25:06.720
<v Speaker 1>Prince seeing you and uh we was on the ranch.

0:25:07.040 --> 0:25:09.639
<v Speaker 1>You know, that was one of the inspirations to me,

0:25:09.920 --> 0:25:14.040
<v Speaker 1>you know, buying a ranch and cattle. So just being

0:25:14.040 --> 0:25:16.480
<v Speaker 1>on the ranch and hearing about the ranch and just

0:25:16.600 --> 0:25:24.959
<v Speaker 1>being there and what was on that covers? Rose Slim, Paul, Pimps,

0:25:25.240 --> 0:25:29.159
<v Speaker 1>Bun by, which was random. But I don't think he

0:25:29.280 --> 0:25:31.560
<v Speaker 1>was on the cover. I think he was on the inside.

0:25:32.440 --> 0:25:34.679
<v Speaker 1>You had to open it, yeah, okay, because it was

0:25:34.680 --> 0:25:36.600
<v Speaker 1>it was the cover was like one of those fold

0:25:36.600 --> 0:25:42.480
<v Speaker 1>out fo damn. But I remember him being there, yeah,

0:25:42.480 --> 0:25:44.440
<v Speaker 1>because like the ones I got, I got. I still

0:25:44.440 --> 0:25:46.359
<v Speaker 1>got some copies of that in my studio, But that

0:25:46.440 --> 0:25:49.240
<v Speaker 1>particular one, I don't think. Maybe he was on the inside.

0:25:49.240 --> 0:25:51.400
<v Speaker 1>Maybe I don't remember. Yeah, I think it was the inside.

0:25:51.440 --> 0:25:53.840
<v Speaker 1>But but yeah, everybody was there, bro. It was a

0:25:53.840 --> 0:25:56.639
<v Speaker 1>cold day. That's why I had on the fur. It

0:25:56.720 --> 0:26:00.520
<v Speaker 1>was a cold ass fucking day. And some kind of

0:26:00.560 --> 0:26:03.439
<v Speaker 1>like past the mic freestyle that same day too. It

0:26:03.480 --> 0:26:06.119
<v Speaker 1>was cool, man, I mean it was cold. Was this

0:26:06.280 --> 0:26:08.719
<v Speaker 1>probably the last day that all those people were together

0:26:08.760 --> 0:26:11.840
<v Speaker 1>all at once? Huh man when you put it like that.

0:26:12.000 --> 0:26:14.720
<v Speaker 1>Probably so it's a lot of people to get Yeah,

0:26:14.800 --> 0:26:18.240
<v Speaker 1>probably so because we lost PMC long lived PEMPS. Yeah,

0:26:18.320 --> 0:26:22.399
<v Speaker 1>smoke some bitch and memory of PMC. Yeah, that was

0:26:22.440 --> 0:26:25.240
<v Speaker 1>a That was a big moment because I just encapsulated

0:26:25.320 --> 0:26:27.840
<v Speaker 1>just kind of the movement that was going on at

0:26:27.840 --> 0:26:32.040
<v Speaker 1>the time. Definitely. Uh, why do you think that movement

0:26:33.720 --> 0:26:37.120
<v Speaker 1>didn't have a lot of longevity commercially, because it felt

0:26:37.200 --> 0:26:39.280
<v Speaker 1>like there was like a three or four year window

0:26:39.280 --> 0:26:41.239
<v Speaker 1>where it was like it and then it kind of

0:26:41.280 --> 0:26:44.040
<v Speaker 1>just started to you know, I don't know if it

0:26:44.080 --> 0:26:46.399
<v Speaker 1>was g unit, you know, running with shit, or it

0:26:46.560 --> 0:26:50.960
<v Speaker 1>just just hip hop kind of shifted, shifted, right, I know.

0:26:51.119 --> 0:26:57.280
<v Speaker 1>Part of the reason is what's the word evolving? Right?

0:26:58.600 --> 0:27:02.000
<v Speaker 1>Every coast, every time has their own lingo, their own

0:27:02.080 --> 0:27:05.560
<v Speaker 1>slang words that they say, things that they do. So

0:27:05.880 --> 0:27:08.240
<v Speaker 1>for us, you know, the candy paint, the double cups,

0:27:08.280 --> 0:27:11.679
<v Speaker 1>the diamond teeth, that's us, right, that's our culture, like

0:27:11.720 --> 0:27:14.600
<v Speaker 1>we live, it's in us. It's not a fad for us, right.

0:27:14.720 --> 0:27:18.560
<v Speaker 1>So for the rest of the country, right, Yeah, to

0:27:18.640 --> 0:27:20.800
<v Speaker 1>some up, yeah, they thought it was a fad, and

0:27:20.880 --> 0:27:24.080
<v Speaker 1>so everybody started getting grills where they're talking, you know,

0:27:24.200 --> 0:27:27.520
<v Speaker 1>funny can't really talk and just you know, double cups,

0:27:27.560 --> 0:27:31.240
<v Speaker 1>all this stuff that we started. And so man, it's

0:27:31.400 --> 0:27:34.480
<v Speaker 1>just like some people didn't want to keep hearing about

0:27:34.600 --> 0:27:38.200
<v Speaker 1>candy paint, popping trunks, grills, you know what I mean.

0:27:38.240 --> 0:27:44.719
<v Speaker 1>And then at the same time, some artists like, okay,

0:27:44.760 --> 0:27:48.320
<v Speaker 1>if you make a record that's about a certain topic, right,

0:27:48.359 --> 0:27:52.160
<v Speaker 1>and it goes you know, gold or whatever the case

0:27:52.200 --> 0:27:55.840
<v Speaker 1>may be. Pretty you know, plenty of fanfare. You're gonna

0:27:56.720 --> 0:27:59.320
<v Speaker 1>replicate that, people are gonna be in your ear. You

0:27:59.400 --> 0:28:01.760
<v Speaker 1>need another one one of those. So then you go

0:28:01.800 --> 0:28:03.440
<v Speaker 1>back in the studio and you try to make another

0:28:03.480 --> 0:28:06.720
<v Speaker 1>one of those. Right, So it's like you probably on

0:28:06.760 --> 0:28:09.440
<v Speaker 1>your head like we need another Sunshine right right, and

0:28:10.040 --> 0:28:13.640
<v Speaker 1>me I'm just like listen, I'm gonna create. It has

0:28:13.680 --> 0:28:15.399
<v Speaker 1>to happen. Argain. Did they ever try to force you

0:28:15.440 --> 0:28:18.159
<v Speaker 1>into do a Shawnte record back then, like a record

0:28:18.160 --> 0:28:21.080
<v Speaker 1>with her because Sunshine was so big, like at the

0:28:21.080 --> 0:28:25.000
<v Speaker 1>same time, like as on like you know everything. They didn't.

0:28:25.040 --> 0:28:27.600
<v Speaker 1>They never forced a Shanty record. I was able to

0:28:27.640 --> 0:28:29.920
<v Speaker 1>do one with Beyonce. I did a Naughty Girl. You

0:28:29.960 --> 0:28:32.040
<v Speaker 1>did the Naughty Girl. Oh my god, I forgot about that.

0:28:32.080 --> 0:28:35.280
<v Speaker 1>And then I did a remix with Kelly Rowland King

0:28:35.359 --> 0:28:39.440
<v Speaker 1>Nobody and I hate the record and do what it

0:28:39.560 --> 0:28:43.560
<v Speaker 1>should it did. I forgot about Naughty Girl. What's that like?

0:28:43.600 --> 0:28:47.080
<v Speaker 1>Getting a call from Beyonce? Man, it's dope. I mean

0:28:47.360 --> 0:28:51.920
<v Speaker 1>it was like they actually performed like my single off

0:28:52.000 --> 0:28:55.280
<v Speaker 1>of the Leperchun I can do that. They actually performed

0:28:55.280 --> 0:28:59.400
<v Speaker 1>there like in Houston at like a big show back

0:28:59.440 --> 0:29:01.720
<v Speaker 1>in the day, Like I forgot what arena. I don't

0:29:01.720 --> 0:29:04.000
<v Speaker 1>know if it was the felt she's always paying homage

0:29:04.000 --> 0:29:06.680
<v Speaker 1>when she can, you know, to this day, no, till

0:29:06.720 --> 0:29:10.360
<v Speaker 1>his day, till his day. Yeah, but now that was

0:29:10.400 --> 0:29:12.880
<v Speaker 1>a dope adult moment. And then she called me out

0:29:12.880 --> 0:29:15.200
<v Speaker 1>the blaue and was like, hey, I want to ship

0:29:15.240 --> 0:29:17.959
<v Speaker 1>you some of this Ivory Park. So I got this

0:29:18.040 --> 0:29:22.720
<v Speaker 1>big box of ivy big Adida's box delivered and a

0:29:22.840 --> 0:29:25.160
<v Speaker 1>letter and you know that was dope and we were

0:29:25.200 --> 0:29:28.200
<v Speaker 1>label made, so it was It's cool. So thank you

0:29:28.280 --> 0:29:31.960
<v Speaker 1>for the clothes, missus Nose, Thanks for the closed Missnose.

0:29:32.080 --> 0:29:35.640
<v Speaker 1>There it is, I should I say respectfully, Miss it's card.

0:29:36.360 --> 0:29:38.800
<v Speaker 1>I don't know. Did she take the name? I don't know,

0:29:38.840 --> 0:29:44.480
<v Speaker 1>but you know you got to show. Yeah, you know, hey,

0:29:44.560 --> 0:29:45.920
<v Speaker 1>I don't want to dive into the t I thing

0:29:45.920 --> 0:29:47.880
<v Speaker 1>because you've talked about it to the death. But I

0:29:47.920 --> 0:29:52.000
<v Speaker 1>just I never remember what was the origin of your guys'

0:29:52.120 --> 0:29:54.800
<v Speaker 1>issue back in the day. I gotta I got a

0:29:54.800 --> 0:29:57.360
<v Speaker 1>song with Easy to Block Captain car how many times

0:29:57.600 --> 0:30:01.959
<v Speaker 1>it's on his album? Heremothy and Timothy. By the way,

0:30:02.000 --> 0:30:05.080
<v Speaker 1>everyone's saying that. Now, yeah, and how many times y'all

0:30:05.080 --> 0:30:09.080
<v Speaker 1>go ask me about this? There it is, he said,

0:30:09.080 --> 0:30:12.160
<v Speaker 1>go listen to it, he will. What hell, we gotta

0:30:12.200 --> 0:30:13.880
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0:30:13.920 --> 0:30:16.280
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0:30:32.440 --> 0:30:34.760
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0:30:35.200 --> 0:30:38.840
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<v Speaker 1>what are you waiting for? Go do that? Well, there

0:31:39.720 --> 0:31:48.360
<v Speaker 1>it is. We'll change subjects. That's your viral moment. But

0:31:48.600 --> 0:31:52.120
<v Speaker 1>the song it dresses it. Yeah. Yeah, like my verse

0:31:52.200 --> 0:31:53.880
<v Speaker 1>sto is off. Look, I don't want to talk about

0:31:53.880 --> 0:31:55.640
<v Speaker 1>the street snow mo, and I don't want to talk

0:31:55.680 --> 0:31:58.640
<v Speaker 1>about the beef no Mo. Dudes, do some on my

0:31:58.720 --> 0:32:00.760
<v Speaker 1>hip or you can meet fau Fo. You go to

0:32:00.840 --> 0:32:04.120
<v Speaker 1>war with a Vampire teeth, got show, you know? But anyway,

0:32:04.640 --> 0:32:06.840
<v Speaker 1>what was the question again? I just that was the

0:32:06.880 --> 0:32:09.840
<v Speaker 1>perfect moment for me to for your Yeah, and then

0:32:09.880 --> 0:32:14.160
<v Speaker 1>you use this clip and no, I was just I

0:32:14.160 --> 0:32:18.120
<v Speaker 1>was just curious, like like the initial just kind of conflict,

0:32:18.200 --> 0:32:21.520
<v Speaker 1>like what what did it? What was the origin of it?

0:32:21.520 --> 0:32:23.360
<v Speaker 1>It was some petty stuff. Like me and him, we

0:32:23.400 --> 0:32:27.400
<v Speaker 1>actually have each other number. We probably text and uh

0:32:27.440 --> 0:32:30.680
<v Speaker 1>we talked about me coming on his podcast and him

0:32:30.720 --> 0:32:34.680
<v Speaker 1>coming on mine. So we go, we go schedule. Yeah, yeah,

0:32:34.720 --> 0:32:37.120
<v Speaker 1>so we we go scheduling where we're filming both at

0:32:37.120 --> 0:32:39.960
<v Speaker 1>the same time. So we talked, We had dialogue on it.

0:32:40.000 --> 0:32:43.760
<v Speaker 1>But what I will say, like, it was really super petty,

0:32:43.800 --> 0:32:46.920
<v Speaker 1>and it was something that I tried to nipping the

0:32:46.960 --> 0:32:50.320
<v Speaker 1>bud before it spiraled out of control, you know what

0:32:50.320 --> 0:32:54.880
<v Speaker 1>I mean, because you know, I know how things can

0:32:54.920 --> 0:32:58.320
<v Speaker 1>get out of hand. So I'm just glad that Jay Prince,

0:32:58.440 --> 0:33:01.600
<v Speaker 1>being a o G that he is, decided to step

0:33:01.600 --> 0:33:04.280
<v Speaker 1>in and say, you know what, like, I can't let

0:33:04.640 --> 0:33:06.800
<v Speaker 1>two youngsters, you know what I'm saying, young kids from

0:33:06.840 --> 0:33:09.280
<v Speaker 1>the South. Yeah, two kings. And at the end of

0:33:09.320 --> 0:33:12.160
<v Speaker 1>the day, we both talked about it, laughed about it,

0:33:12.200 --> 0:33:14.320
<v Speaker 1>and he was like the movie. Yeah, he was like, man,

0:33:14.320 --> 0:33:17.080
<v Speaker 1>we was kids, so you know, it's it's all to

0:33:17.120 --> 0:33:20.720
<v Speaker 1>the g. But it was petty and I've moved past it. Man,

0:33:20.800 --> 0:33:24.840
<v Speaker 1>that's beautiful. Man. Yeah, you and Zero this is your

0:33:25.960 --> 0:33:28.440
<v Speaker 1>So you guys have two joint projects. We did Kings

0:33:28.440 --> 0:33:30.600
<v Speaker 1>of the South Part one and Part two is coming

0:33:30.720 --> 0:33:33.000
<v Speaker 1>or Part two is coming, Yeah, and part two is

0:33:33.080 --> 0:33:36.000
<v Speaker 1>just like music. Like Kings of the South one, we

0:33:36.040 --> 0:33:38.840
<v Speaker 1>was in a different mode back then. It was you know,

0:33:38.880 --> 0:33:41.360
<v Speaker 1>a lot going up. But part two of the fans

0:33:41.440 --> 0:33:44.239
<v Speaker 1>keep asking because he's the King of the ghetto and

0:33:44.280 --> 0:33:46.600
<v Speaker 1>I'm the freestyle king, you know what I mean. So,

0:33:47.200 --> 0:33:48.800
<v Speaker 1>and that's one of the big things even with my

0:33:48.840 --> 0:33:52.040
<v Speaker 1>movie I'm working on, It's Kyle King Life. It's about

0:33:52.120 --> 0:33:56.160
<v Speaker 1>like people fighting for that one spot. But if you

0:33:56.280 --> 0:33:58.840
<v Speaker 1>really go back to back in the days, like it

0:33:58.880 --> 0:34:02.400
<v Speaker 1>was multiple kings, King ruled this area and this radio

0:34:02.440 --> 0:34:05.880
<v Speaker 1>of course of course, right, so we're so competitive and

0:34:06.000 --> 0:34:07.880
<v Speaker 1>hip hop and then not you know where we come from.

0:34:08.160 --> 0:34:09.759
<v Speaker 1>You want to be the number one guy, you know

0:34:09.800 --> 0:34:11.919
<v Speaker 1>what I mean, But you can bet the number one

0:34:11.920 --> 0:34:14.560
<v Speaker 1>guy in your section you can beat. So that's what

0:34:14.600 --> 0:34:18.000
<v Speaker 1>my movie is about, like people coming together. You know,

0:34:18.040 --> 0:34:20.480
<v Speaker 1>everybody want that number one spot, but hey, we all

0:34:20.520 --> 0:34:22.960
<v Speaker 1>can be number one. Do you think zero gets enough

0:34:23.000 --> 0:34:26.360
<v Speaker 1>flowers in terms of just like I feel like somehow

0:34:26.400 --> 0:34:31.080
<v Speaker 1>like he obviously being incarcerated during a lot of that

0:34:31.200 --> 0:34:33.759
<v Speaker 1>era of h Town but like in terms of just

0:34:33.800 --> 0:34:38.040
<v Speaker 1>like his ability as an artist. You know, he's obviously

0:34:38.200 --> 0:34:40.640
<v Speaker 1>a legend in your city, and I just feel like

0:34:40.680 --> 0:34:44.719
<v Speaker 1>he never probably got his his flowers nationally that he

0:34:44.760 --> 0:34:49.840
<v Speaker 1>probably deserves. I don't feel like they play zero music

0:34:49.920 --> 0:34:52.279
<v Speaker 1>like they need to, right, you know what I mean,

0:34:52.360 --> 0:34:55.400
<v Speaker 1>unless you go to Houston and they played, but they played.

0:34:55.520 --> 0:34:57.719
<v Speaker 1>You know, his fan base is crazy. You know, he's

0:34:57.719 --> 0:35:02.560
<v Speaker 1>got a crazy and I fel feel like they go

0:35:02.640 --> 0:35:06.080
<v Speaker 1>see That's why that was one of the main things

0:35:06.600 --> 0:35:08.680
<v Speaker 1>why it was so important for me to put Free

0:35:08.719 --> 0:35:12.040
<v Speaker 1>Him on my cover because a lot of times, you know,

0:35:12.120 --> 0:35:15.160
<v Speaker 1>it's a stigma of when you get this major deal

0:35:15.640 --> 0:35:18.040
<v Speaker 1>the record label, you know they change you, and you

0:35:18.080 --> 0:35:20.759
<v Speaker 1>know you sell your soul. I believe in God, so

0:35:21.480 --> 0:35:25.440
<v Speaker 1>I'm not gonna compromise my manhood, my integrity, my morals,

0:35:25.680 --> 0:35:30.280
<v Speaker 1>my principles for no money. So that's why all my deals,

0:35:30.280 --> 0:35:32.040
<v Speaker 1>I was able to do what I wanted to do,

0:35:32.080 --> 0:35:34.040
<v Speaker 1>even with the g Unit mixtapes. She was asking how

0:35:34.080 --> 0:35:36.279
<v Speaker 1>I get on that, because when I came to New York,

0:35:36.320 --> 0:35:38.799
<v Speaker 1>I was saying, if I want to take over New York,

0:35:38.840 --> 0:35:40.719
<v Speaker 1>I need to wrap next to the great. So I

0:35:40.800 --> 0:35:44.120
<v Speaker 1>was with Dipset on all the cam mixtapes doing records,

0:35:44.239 --> 0:35:47.960
<v Speaker 1>I'm with g Unit. Buck was already my homie who

0:35:48.040 --> 0:35:51.520
<v Speaker 1>kid putting me on mixtapes and stuff like that, so

0:35:51.560 --> 0:35:53.359
<v Speaker 1>I had to go in, like y'all want, I'm gonna

0:35:53.360 --> 0:35:55.520
<v Speaker 1>show you that it's some people from Houston that don't

0:35:55.560 --> 0:35:57.960
<v Speaker 1>just wrap up by popping trunks and candy paint. I

0:35:58.080 --> 0:36:00.279
<v Speaker 1>rap about that shit as well, but I know how

0:36:00.320 --> 0:36:03.080
<v Speaker 1>to limit how much I talk about that because I'm

0:36:03.120 --> 0:36:05.920
<v Speaker 1>thinking worldwide. But back to Zero, I just wanted to

0:36:05.960 --> 0:36:07.920
<v Speaker 1>go into that g Unit. How did I end up

0:36:07.960 --> 0:36:09.960
<v Speaker 1>on the mixtapes because I knew I needed to rap

0:36:10.000 --> 0:36:12.480
<v Speaker 1>next to the greats and showed them that somebody in

0:36:12.520 --> 0:36:15.879
<v Speaker 1>Texas can rap as well, you know what I mean?

0:36:16.680 --> 0:36:19.040
<v Speaker 1>And so but yeah, with Zero man, that dude, bro.

0:36:19.160 --> 0:36:22.040
<v Speaker 1>When we get in the studio, our vibe is like

0:36:22.880 --> 0:36:25.120
<v Speaker 1>me and my cousin, Big Shasta, Me and Big t

0:36:25.320 --> 0:36:27.279
<v Speaker 1>rest In Piece. Big t He's the one who sung

0:36:27.320 --> 0:36:29.360
<v Speaker 1>the hook to want to be a bottle he died.

0:36:30.120 --> 0:36:33.640
<v Speaker 1>So those are the three people that when I get

0:36:33.640 --> 0:36:37.080
<v Speaker 1>in the studio, it's like, you know what I mean, Magic,

0:36:37.280 --> 0:36:40.080
<v Speaker 1>you know what I mean? All that, Like we just

0:36:40.480 --> 0:36:43.000
<v Speaker 1>get we get it in and his hooks and and

0:36:43.320 --> 0:36:46.160
<v Speaker 1>the way he constructed his melodies. He was actually the

0:36:46.200 --> 0:36:50.120
<v Speaker 1>first you know rapper really you know, singing and rapping.

0:36:50.360 --> 0:36:54.080
<v Speaker 1>You know what I mean, you know, shout out to him. Yeah, yo,

0:36:54.400 --> 0:36:57.880
<v Speaker 1>I feel like some did somebody just try sampling Sunshine

0:36:57.960 --> 0:36:59.719
<v Speaker 1>or just put out like a remix, like a new

0:36:59.840 --> 0:37:03.640
<v Speaker 1>verse version of it. Am I tripping? Man, it's funny.

0:37:03.640 --> 0:37:06.280
<v Speaker 1>It's funny. It's funny. You said that because I'm trying

0:37:06.280 --> 0:37:08.919
<v Speaker 1>not to give away. But okay, so look, or maybe

0:37:08.960 --> 0:37:12.279
<v Speaker 1>someone played me a sampled version of it that isn't

0:37:12.280 --> 0:37:14.920
<v Speaker 1>out yet or something. I just feel like it's about

0:37:14.920 --> 0:37:19.760
<v Speaker 1>time somebody tries to put remake Sunshine. Bruh. It's crazy.

0:37:19.840 --> 0:37:23.480
<v Speaker 1>So it's a two way part to that story. I'm

0:37:23.520 --> 0:37:25.719
<v Speaker 1>not gonna say who the artist is, but okay. So

0:37:26.280 --> 0:37:29.320
<v Speaker 1>on the way out here though, I got a d

0:37:29.480 --> 0:37:31.719
<v Speaker 1>M and artist hit me and it was like hey man,

0:37:32.840 --> 0:37:35.960
<v Speaker 1>I remade, well what's your information? You know what's going on?

0:37:35.960 --> 0:37:41.479
<v Speaker 1>O G And we exchange information. Then he called I text.

0:37:41.560 --> 0:37:44.120
<v Speaker 1>I text like hey, this meet like me. Then he

0:37:44.239 --> 0:37:46.680
<v Speaker 1>called you know what I'm saying, I just gave the gender.

0:37:46.760 --> 0:37:51.040
<v Speaker 1>Huh yeah, yeah, he called it's a guy. It's a guy.

0:37:51.719 --> 0:37:54.719
<v Speaker 1>So he hit me up and he was like, man,

0:37:54.719 --> 0:38:00.120
<v Speaker 1>I remade you know the record, Sunshine flipped it and

0:38:00.320 --> 0:38:02.680
<v Speaker 1>he was like, I gotta let you hear it. And

0:38:03.120 --> 0:38:06.120
<v Speaker 1>we talked a little business or whatever. Major artists, like

0:38:06.160 --> 0:38:10.000
<v Speaker 1>a major label artist rather major major. Yeah yeah, yeah, major,

0:38:10.320 --> 0:38:13.920
<v Speaker 1>yeah yeah. It's crazy part one of his plaques and

0:38:13.920 --> 0:38:18.080
<v Speaker 1>his motherfucker. But I'll tell you off the air. I

0:38:18.120 --> 0:38:24.400
<v Speaker 1>can tell you what it is, but we'll make this

0:38:24.440 --> 0:38:30.240
<v Speaker 1>a bet if you can get if you can guess, Nope,

0:38:30.480 --> 0:38:33.440
<v Speaker 1>it's not y G Nope. So look, you owe me,

0:38:33.719 --> 0:38:37.120
<v Speaker 1>You owe me seven grams of some zaz I. Damn.

0:38:37.440 --> 0:38:40.440
<v Speaker 1>I feel like someone played me. I feel like somebody

0:38:40.440 --> 0:38:42.279
<v Speaker 1>played me a record. And I was like, oh something,

0:38:42.280 --> 0:38:45.520
<v Speaker 1>it's about time someone flipped it. And it's so crazy

0:38:45.520 --> 0:38:48.640
<v Speaker 1>to peep this though. That happened the other day now,

0:38:48.719 --> 0:38:52.920
<v Speaker 1>a year ago. Another artist was working on the project

0:38:53.000 --> 0:38:57.319
<v Speaker 1>and hit me and his producer was like, Hey, that's

0:38:57.320 --> 0:38:58.919
<v Speaker 1>such a great record. And you know what's crazy about

0:38:58.920 --> 0:39:01.440
<v Speaker 1>that record is it's like, to this day, it still

0:39:01.480 --> 0:39:04.440
<v Speaker 1>is such a great gold record that radio stations have

0:39:04.520 --> 0:39:08.439
<v Speaker 1>to play because it's it's like just one of those

0:39:08.480 --> 0:39:11.359
<v Speaker 1>ones is like, it's never gonna go away, and I

0:39:11.400 --> 0:39:14.280
<v Speaker 1>love when it come on the way it possessed ladies

0:39:14.280 --> 0:39:17.120
<v Speaker 1>and stuff. But the other artist, it be like a

0:39:17.160 --> 0:39:21.439
<v Speaker 1>year ago his producing I actually had recorded a verse

0:39:21.520 --> 0:39:25.360
<v Speaker 1>on that version. So it's two artists that contacted me

0:39:25.400 --> 0:39:27.080
<v Speaker 1>to do with the other one. I don't know, it

0:39:27.120 --> 0:39:31.279
<v Speaker 1>didn't come out or whatever whatever. But yo, so let

0:39:31.280 --> 0:39:33.920
<v Speaker 1>me ask you this. You're involved in the metaverse. Obviously,

0:39:33.960 --> 0:39:36.680
<v Speaker 1>the crypto shit just crashed pretty crazy. NFTs are crashing

0:39:36.719 --> 0:39:41.360
<v Speaker 1>like crazy right now. Yea, what is your like thoughts

0:39:41.560 --> 0:39:47.640
<v Speaker 1>because like, obviously somebody like Snoop Dogg, who's murdering it

0:39:47.719 --> 0:39:49.920
<v Speaker 1>right now? Right I can't even listen to Doggie Style

0:39:50.000 --> 0:39:52.600
<v Speaker 1>on Spotify anymore. You got to go buy the NFT man.

0:39:52.640 --> 0:39:54.600
<v Speaker 1>I don't even know how to buy a fucking NFC man.

0:39:55.520 --> 0:39:57.759
<v Speaker 1>But what are your thoughts just on the whole metaverse?

0:39:57.840 --> 0:40:01.120
<v Speaker 1>And like, is there a way to to take advantage

0:40:01.120 --> 0:40:04.480
<v Speaker 1>of it as an artist without worrying about whether or

0:40:04.520 --> 0:40:08.400
<v Speaker 1>not that n FT market crashes or like, Because obviously crypto,

0:40:08.520 --> 0:40:10.680
<v Speaker 1>NFT metaverse they all kind of go hand in hand,

0:40:10.960 --> 0:40:13.480
<v Speaker 1>but they're also very separate. Because I can go home

0:40:13.520 --> 0:40:15.160
<v Speaker 1>and throw on my oculas and play a game in

0:40:15.200 --> 0:40:17.560
<v Speaker 1>the metaverse and it's not the same thing as you know,

0:40:17.960 --> 0:40:20.880
<v Speaker 1>so you're obviously doing concerts. You're right, You're you're involved

0:40:20.880 --> 0:40:23.400
<v Speaker 1>in the metaverse shit like correct, talk about your involvement

0:40:23.440 --> 0:40:26.040
<v Speaker 1>in that and just your thoughts on that whole shit. Well, see,

0:40:26.480 --> 0:40:29.120
<v Speaker 1>a lot of times the communities, they have a problem

0:40:29.120 --> 0:40:31.400
<v Speaker 1>when a person tries to like, you know, take advantage

0:40:31.440 --> 0:40:34.280
<v Speaker 1>of that when you try to use So I believe

0:40:34.320 --> 0:40:37.200
<v Speaker 1>in using the word like utilize, right, and then I

0:40:37.239 --> 0:40:39.680
<v Speaker 1>believe in reaching my people. So I'm a pain that

0:40:39.840 --> 0:40:44.560
<v Speaker 1>paint art. Yeah, I do shoes, skateboards, hats. I draw

0:40:44.800 --> 0:40:46.759
<v Speaker 1>like my jery and my test you know, I mean

0:40:46.800 --> 0:40:50.480
<v Speaker 1>I draw so so like when it comes to art

0:40:50.560 --> 0:40:53.320
<v Speaker 1>and our people, and you know the percent of people

0:40:53.360 --> 0:40:57.840
<v Speaker 1>that are labeled weird because we might throw on a

0:40:57.880 --> 0:41:01.680
<v Speaker 1>green shirt with a orange pair of pans, right, and

0:41:02.040 --> 0:41:04.240
<v Speaker 1>to the average eye, they'll be like, that doesn't match.

0:41:04.320 --> 0:41:07.160
<v Speaker 1>But when you elevate to a certain level of being fly,

0:41:10.080 --> 0:41:11.799
<v Speaker 1>if you look in the mirror and you like that shit,

0:41:11.880 --> 0:41:16.960
<v Speaker 1>that's all that fucking matters. Right, So everybody has to

0:41:17.040 --> 0:41:19.440
<v Speaker 1>do something one time to become a trend, right, so

0:41:20.280 --> 0:41:22.879
<v Speaker 1>the metaverse and just the people that I'm still able

0:41:22.920 --> 0:41:25.920
<v Speaker 1>to interact with that are fans and that you know

0:41:26.000 --> 0:41:29.399
<v Speaker 1>that are higher thinkers, people that are looking at life

0:41:29.400 --> 0:41:33.400
<v Speaker 1>from a different angle. They usually buy into people that

0:41:33.400 --> 0:41:36.640
<v Speaker 1>are like them. Right, And when you have a brand

0:41:36.800 --> 0:41:40.960
<v Speaker 1>and you're able to always show the promoter or the

0:41:41.080 --> 0:41:43.759
<v Speaker 1>artists or the fan people that spend money with me

0:41:43.880 --> 0:41:46.200
<v Speaker 1>or show that they support me, I always go out

0:41:46.239 --> 0:41:47.680
<v Speaker 1>my way to be like, thank you, I'm gonna take

0:41:47.719 --> 0:41:50.239
<v Speaker 1>that extra pitchure, I'm gonna give you anxiety pop, I'm

0:41:50.280 --> 0:41:53.160
<v Speaker 1>gonna do you know whatever the fuck just because you

0:41:53.280 --> 0:41:55.520
<v Speaker 1>told me my music got you through this and that

0:41:55.719 --> 0:41:59.759
<v Speaker 1>so I show fans and people love so people that

0:41:59.800 --> 0:42:03.200
<v Speaker 1>are there wherever my fans are or wherever there are

0:42:03.239 --> 0:42:07.000
<v Speaker 1>people who strive to surround themselves with great people and

0:42:07.040 --> 0:42:10.080
<v Speaker 1>make money and leave generation of well behind for their

0:42:10.080 --> 0:42:13.040
<v Speaker 1>family and not be on some dumb shit. Not easily easily,

0:42:13.640 --> 0:42:17.799
<v Speaker 1>you know, swathe, you know, like I'm creating stuff for

0:42:18.080 --> 0:42:21.240
<v Speaker 1>people that are thinkers and coming up with different ways

0:42:21.360 --> 0:42:23.320
<v Speaker 1>that people who want to be involved in the music

0:42:23.400 --> 0:42:27.279
<v Speaker 1>industry should invest in other artists, Like I'm working on

0:42:27.360 --> 0:42:29.680
<v Speaker 1>some other apps that's going to actually help a lot

0:42:29.760 --> 0:42:34.480
<v Speaker 1>of artists get investors and have people around the world

0:42:34.520 --> 0:42:38.399
<v Speaker 1>to be able to have stake in certain things. Well,

0:42:38.400 --> 0:42:40.719
<v Speaker 1>that's smart because I always I always Because there's a

0:42:40.760 --> 0:42:46.600
<v Speaker 1>guy named Larussell out of Vallejo, California, so he's doing

0:42:46.680 --> 0:42:51.560
<v Speaker 1>something similar for his music. He's like, Yo, if you

0:42:51.560 --> 0:42:53.480
<v Speaker 1>you can invest in this song and I give you

0:42:53.520 --> 0:42:56.960
<v Speaker 1>a chunk of it from distro kid. Right. So I

0:42:57.000 --> 0:42:59.600
<v Speaker 1>feel like for up and coming artists, if someone believes

0:42:59.600 --> 0:43:02.439
<v Speaker 1>in you and if there's a place you could point

0:43:02.480 --> 0:43:05.759
<v Speaker 1>them to be like, yo, you can go purchase a

0:43:05.800 --> 0:43:09.200
<v Speaker 1>stake in whatever this album is or whatever, and you

0:43:09.239 --> 0:43:11.440
<v Speaker 1>can help bankroll what I'm trying to do with it.

0:43:11.480 --> 0:43:13.359
<v Speaker 1>You know what I'm saying. I think that that's that's

0:43:13.400 --> 0:43:17.440
<v Speaker 1>a platform that's missing. Yeah, for independent especially for independent artists.

0:43:17.440 --> 0:43:20.239
<v Speaker 1>Hey man, I'm one of them type of people. But like,

0:43:21.440 --> 0:43:27.080
<v Speaker 1>I want to leave music in better shape, in business,

0:43:27.239 --> 0:43:30.399
<v Speaker 1>in better shape than it was before I came. Right, Like, so,

0:43:31.040 --> 0:43:33.440
<v Speaker 1>if you think about the era that came before me

0:43:33.760 --> 0:43:37.520
<v Speaker 1>and the way their contracts were, some of them still

0:43:37.520 --> 0:43:40.480
<v Speaker 1>be stres and some of them still suck the contracts

0:43:40.760 --> 0:43:43.319
<v Speaker 1>contracts stone right, And then think about the artists that

0:43:43.400 --> 0:43:45.759
<v Speaker 1>came out before them, the people in the fifties and

0:43:46.200 --> 0:43:48.799
<v Speaker 1>when they were getting paid one penny. It's crazy, and

0:43:48.960 --> 0:43:51.320
<v Speaker 1>you know, but the cost of living was way lower,

0:43:51.600 --> 0:43:55.080
<v Speaker 1>but still it was crazy. It's still crazy. Wow. So

0:43:55.480 --> 0:43:57.839
<v Speaker 1>now the era that came after me, in the era

0:43:58.760 --> 0:44:02.319
<v Speaker 1>the artists, they're making a whole bunch of money at

0:44:02.320 --> 0:44:05.520
<v Speaker 1>a faster rate, you know what I mean. So, you know,

0:44:05.719 --> 0:44:09.040
<v Speaker 1>money management and just it's a lot of different things

0:44:09.080 --> 0:44:13.799
<v Speaker 1>that you know, these artists should do and learn to

0:44:13.880 --> 0:44:16.919
<v Speaker 1>do with their money, and learn how to treat people

0:44:16.960 --> 0:44:19.399
<v Speaker 1>with more respect because you never know when you're gonna

0:44:19.400 --> 0:44:23.480
<v Speaker 1>see the same people coming down if you come down though, Yeah,

0:44:23.680 --> 0:44:27.239
<v Speaker 1>that's real, yo. Man, Houston's obviously in a great place

0:44:27.280 --> 0:44:29.399
<v Speaker 1>now two of the biggest artists in the fucking world

0:44:29.440 --> 0:44:32.719
<v Speaker 1>of Travis and Meghan. How do you feel like, uh,

0:44:33.480 --> 0:44:36.960
<v Speaker 1>just the scene locally is doing right now outside of

0:44:37.000 --> 0:44:39.279
<v Speaker 1>those two because obviously they're fucking out of here. But

0:44:39.440 --> 0:44:41.759
<v Speaker 1>just like in terms of just like the underground scene,

0:44:41.760 --> 0:44:46.359
<v Speaker 1>I guess, man, I mean, you got as far as

0:44:46.400 --> 0:44:49.799
<v Speaker 1>like newer artists, you got you know, South sotwalkers killing it.

0:44:50.320 --> 0:44:54.000
<v Speaker 1>You got pro pain has been dope for a while too. Yep,

0:44:55.480 --> 0:44:58.200
<v Speaker 1>you got Max O Cream just put out a crazy

0:44:58.200 --> 0:45:01.120
<v Speaker 1>record with Benning the Butcher, so I'm trying not to leave.

0:45:01.160 --> 0:45:03.440
<v Speaker 1>You got Toby. I don't know how to pronounce his

0:45:03.560 --> 0:45:05.960
<v Speaker 1>last name, so I always fuck his name up too,

0:45:06.040 --> 0:45:11.799
<v Speaker 1>so just be He's incredible. Yeah, it's talent out there. Man,

0:45:11.840 --> 0:45:14.160
<v Speaker 1>It's a lot of youngs. It's O M. B. Blood Bad,

0:45:15.840 --> 0:45:21.480
<v Speaker 1>a lady named Lady Ices. She's on the Freshman cover.

0:45:22.400 --> 0:45:24.839
<v Speaker 1>So it's like a it's a lot of artists. Man,

0:45:24.880 --> 0:45:27.440
<v Speaker 1>I don't want to forget. It's crazy too because now

0:45:27.480 --> 0:45:30.399
<v Speaker 1>like I feel like Houston without even I don't feel

0:45:30.400 --> 0:45:32.399
<v Speaker 1>like we acknowledge Houston is like one of the big

0:45:32.440 --> 0:45:35.480
<v Speaker 1>cities still, like right now if you really look at

0:45:35.520 --> 0:45:38.400
<v Speaker 1>like who's popping and hip hop like Houston is like

0:45:39.160 --> 0:45:42.000
<v Speaker 1>and also people love to go to Houston and record.

0:45:43.000 --> 0:45:45.239
<v Speaker 1>Houston is like a place people really enjoyed it just

0:45:45.280 --> 0:45:47.040
<v Speaker 1>oh yeah, yeah yeah. Not a lot of the artists

0:45:47.040 --> 0:45:49.160
<v Speaker 1>they come out. I know people who just who moved there.

0:45:49.239 --> 0:45:50.879
<v Speaker 1>Like a lot of people just live there because there's

0:45:50.880 --> 0:45:54.640
<v Speaker 1>no state tax. The food's good, clubs are amazing. Property

0:45:54.920 --> 0:45:57.239
<v Speaker 1>property is not too crazy. Oh yeah, now that's where

0:45:57.239 --> 0:46:01.480
<v Speaker 1>you we play Monopoly out there, Twelopoli board game. Like bro,

0:46:01.640 --> 0:46:04.719
<v Speaker 1>we that's why we love it where we're at. Yeah

0:46:04.719 --> 0:46:08.000
<v Speaker 1>we can, we don't. Yeah, we don't never have to leave.

0:46:08.040 --> 0:46:10.759
<v Speaker 1>If we never, you know, wanted to leave, we would

0:46:10.760 --> 0:46:13.440
<v Speaker 1>be kind of in the middle of everything. Quick flights Atlanta,

0:46:13.480 --> 0:46:15.960
<v Speaker 1>Quick flight to La Yeah, the hug Man and when

0:46:16.040 --> 0:46:18.600
<v Speaker 1>y'all do go to Houston, When y'all do go to Houston,

0:46:19.640 --> 0:46:23.200
<v Speaker 1>Turkey leg hut, get the Alfredo. Is that your spot?

0:46:23.400 --> 0:46:25.879
<v Speaker 1>Now that's my homie Lynn and his wife. What Turkey

0:46:25.960 --> 0:46:29.680
<v Speaker 1>leg hut? Yes, Hey, get the Alfred of the shrimp

0:46:29.719 --> 0:46:33.000
<v Speaker 1>Alfredo Turkey leg with the rice. That sounds amazing, like

0:46:33.200 --> 0:46:36.640
<v Speaker 1>it's like stuffed and man, now I'm hungry. Oh yeah,

0:46:36.880 --> 0:46:38.680
<v Speaker 1>I am too, as soon as I get done with this.

0:46:38.840 --> 0:46:41.760
<v Speaker 1>But there it is. Look little flip new music coming,

0:46:41.960 --> 0:46:46.040
<v Speaker 1>Oh yeah, all the freestyle three, coming to the freestyle three.

0:46:46.320 --> 0:46:49.160
<v Speaker 1>We're gonna get to some freestyling. Oh yeah. August nineteenth

0:46:49.160 --> 0:46:52.160
<v Speaker 1>man for YouTube video definitely. Then after that I'm dropping

0:46:52.160 --> 0:46:54.920
<v Speaker 1>funds and filip and then you know, me and zero

0:46:55.000 --> 0:46:57.680
<v Speaker 1>we got kings in the South part too. On tonight

0:46:57.800 --> 0:47:01.160
<v Speaker 1>videos out right now doing numbers. Check it out. Flipp

0:47:01.160 --> 0:47:06.799
<v Speaker 1>and zero f A Lovey f A The Homies. Yes,

0:47:06.840 --> 0:47:09.279
<v Speaker 1>sir F is a good guy man. He did, let's

0:47:09.280 --> 0:47:09.640
<v Speaker 1>get it.