WEBVTT - Chapter V - The Truth

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<v Speaker 1>Maxie Miles is a production of a typical artists and

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<v Speaker 1>I heart radio. Hey THEO. Wait up? Okay, Max, you

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<v Speaker 1>have a free period now too. Well. I'm headed to

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<v Speaker 1>the library to study if you want to join. Actually,

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<v Speaker 1>I was hoping to talk to you. Look, Max, I

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<v Speaker 1>don't know anything about the investigation. I promise my dad

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<v Speaker 1>won't tell me anything. No, no, it's not that. I

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<v Speaker 1>mean so if you had even overheard something or know

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<v Speaker 1>what the main theory is right now? Nope, no, never mind,

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<v Speaker 1>just focus, Max, Um, Are you okay? I so this

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<v Speaker 1>is kind of weird. Okay. Jenna has been getting these

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<v Speaker 1>notes in her locker, like poems and stuff, and she

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<v Speaker 1>wanted me to figure out who it was. And yeah,

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<v Speaker 1>have you told her yet? No? No, I didn't. I

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<v Speaker 1>thought that maybe you'd want to tell her. What Why

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<v Speaker 1>would I want to do that because you have a

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<v Speaker 1>crush on her? Max? What you don't know? I? Oh god,

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<v Speaker 1>this is humiliating. Yeah, thanks, No, sorry, I didn't mean.

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<v Speaker 1>I just look. I think it's really sweet what you

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<v Speaker 1>were doing. I read the notes and they were really good,

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<v Speaker 1>THEO really romantic. Really Yeah, Jenna's a lucky girl. You

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<v Speaker 1>really think so? I do? Often this is perfect. You

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<v Speaker 1>can tell her for me, what I mean. She wanted

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<v Speaker 1>you to find out who it was, and you did,

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<v Speaker 1>so now you can tell her. But THEO, if you

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<v Speaker 1>know she's going to know it's you, wouldn't it be

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<v Speaker 1>better to just tell her yourself ask her out? But

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<v Speaker 1>she might say no, okay, but that's true. Even if

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<v Speaker 1>I tell her, don't you want her to hear how

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<v Speaker 1>you feel from you? I don't know. I guess I

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<v Speaker 1>never really thought about what I would do if she

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<v Speaker 1>found out, So you were never planning on telling her.

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<v Speaker 1>I was kind of just focused on writing the poems,

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<v Speaker 1>if I'm honest, I never really thought about what she

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<v Speaker 1>might think of them. But you were writing those poems

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<v Speaker 1>for her, right, Yeah? You really think they're good, the poems. Yeah,

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<v Speaker 1>I mean it's it's clear you really care about her. Well,

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<v Speaker 1>you know what they say, poetry is the food of love.

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<v Speaker 1>I guess the opposite is true too, love makes for

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<v Speaker 1>good poetry. I guess THEO if you're not going to

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<v Speaker 1>do anything about it, I did promise Jenna i'd figure

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<v Speaker 1>it out for her. Yeah. Yeah, it's totally fine. I

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<v Speaker 1>get it. So you're okay with me telling her that

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<v Speaker 1>you like her sure, and if she doesn't like me back,

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<v Speaker 1>well I hear heartbreak is good for poetry too, Right, Anyway,

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<v Speaker 1>I should get to study hall. Are you coming? Um? Actually,

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<v Speaker 1>I've got other stuff I need to do. Are you

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<v Speaker 1>going to tell Jenna now? No? No, I'm meeting her

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<v Speaker 1>after work. I just I don't much feel like sitting

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<v Speaker 1>in a dark and quiet library right now. See you later, Max. Yeah.

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<v Speaker 1>By THEO from a Typical Artists and I heart radio.

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<v Speaker 1>You're listening to Maximles. This is chapter five The Truth.

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<v Speaker 1>Good afternoon, Max, Hey liss honey. Well, I'm so sorry

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<v Speaker 1>about the other day with Oh, no need to apologize.

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<v Speaker 1>I understand where your father is coming from. Joe. Isn't

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<v Speaker 1>my dad, he's my uncle. How nice to have family

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<v Speaker 1>in town. No, it's my parents. They they passed away

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<v Speaker 1>a few years ago. So Joe takes care of me.

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<v Speaker 1>Oh I see, I'm so sorry Max, Yeah, me too.

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<v Speaker 1>He seems like he's a fantastic guardian. He is, even

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<v Speaker 1>if he's being stupidly overprotective. You don't think you should

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<v Speaker 1>be worried that that boy Riley is still missing, isn't he? Yeah?

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<v Speaker 1>He is, which is whyatt I just I think I

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<v Speaker 1>can help. Max. I understand being worried about your friend,

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<v Speaker 1>really I do, but you need to take care of yourself.

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<v Speaker 1>The last thing this town needs is another missing child. Yeah, yeah,

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<v Speaker 1>I know. Chin up, Max, It's going to be okay. Why,

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<v Speaker 1>just on my way here, I heard some people discussing

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<v Speaker 1>the search party this afternoon. They're doing another one. I

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<v Speaker 1>guess they want to look deeper into the woods. This

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<v Speaker 1>time they'll find Riley. Max. Yeah, yeah, they will, right, Yes.

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<v Speaker 1>Now the reason I'm here, Oh right, what are you

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<v Speaker 1>shopping for today? You? In fact, I was hoping to

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<v Speaker 1>solicit your aid in a peculiar problem I'm having. Really

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<v Speaker 1>you want my help? Well, as you know, this town

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<v Speaker 1>really is quite small, and people do talk. Guessing you've

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<v Speaker 1>heard some stories about me. Apparently you're very good at

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<v Speaker 1>solving town issues. See, I can help with Riley. Missing

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<v Speaker 1>pets and stolen bikes are a bit different. I think.

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<v Speaker 1>I don't say that to diminish the things you do, Max,

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<v Speaker 1>but it might be best to work your way up

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<v Speaker 1>to the serious stuff. So what kind of problem are

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<v Speaker 1>you having? It's the end. There's been some strange noises

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<v Speaker 1>this past day or so. I fear that someone may

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<v Speaker 1>have broken in. Oh wow. Now, I don't want to

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<v Speaker 1>distract the community watch group with this when they've got

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<v Speaker 1>much more urgent things to focus on. So I was

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<v Speaker 1>hoping you could lend a hand. You're sure my uncle

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<v Speaker 1>didn't put you up to this to keep me busy.

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<v Speaker 1>I assure you he did not. Why would someone want

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<v Speaker 1>to break into the maple floorpe. It's not even open yet,

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<v Speaker 1>right exactly, It's practically empty, so I have absolutely no

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<v Speaker 1>idea why anyone would be lurking about unless unless what, Well,

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<v Speaker 1>it's foolish, but some of the noises, it almost feels

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<v Speaker 1>as if the place is haunted. What. I'm not inclined

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<v Speaker 1>to believe in such things, but the building really does

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<v Speaker 1>have quite the history. Oh, I am in, I am

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<v Speaker 1>all the way in, excellent. I know you have school

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<v Speaker 1>and work and all of that. So I was thinking

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<v Speaker 1>maybe Saturday. Whatever is going on, I don't think it's

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<v Speaker 1>a danger. Said today is perfect, lovely. I will see

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<v Speaker 1>you then, have a good day, Detective Miles, thanks you too. Hey,

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<v Speaker 1>Mr Monty, is my uncle there? Hey? Joe? Yeah, Yeah,

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<v Speaker 1>everything's fine, No, not yet. Well, that's actually why I'm calling.

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<v Speaker 1>We just got a new shipment of stuff in and

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<v Speaker 1>I offered to stay late to do inventory. Is that okay? No?

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<v Speaker 1>I think we're planning on ordering a pizza, maybe like

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<v Speaker 1>nine or so. No, you don't need to What was that? Oh? Wow, great? Thanks? No,

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<v Speaker 1>she just said she'd give me a ride home. Yep,

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<v Speaker 1>of course, I love you too. Where are you calling

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<v Speaker 1>for me? Uh? Nope, it was out on the phone,

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<v Speaker 1>wrong number anyway, tills all locked up? Wait wait, wait,

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<v Speaker 1>it's only four thirty. Right, you've got that extra curriculo

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<v Speaker 1>thing today I forgot yep, exactly. Me and a friend

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<v Speaker 1>are doing an environmental survey in the park. All right,

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<v Speaker 1>thanks bye? What not the answer you were expecting? THEO?

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<v Speaker 1>THEO has been sending me these notes. No, no, THEO

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<v Speaker 1>and I are friends. This there's no way I thought

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<v Speaker 1>we understood each other. This is a disaster understood each other?

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<v Speaker 1>What do you mean? I thought THEO was like me, like,

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<v Speaker 1>too busy for dating? You mean, yeah, too busy for dating? Well,

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<v Speaker 1>I mean after talking to him, I'm not sure that.

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<v Speaker 1>I mean, is he totally cracked? Never in my life

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<v Speaker 1>have I thought about THEO combs in that way. If

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<v Speaker 1>it makes you feel better, I actually think because like,

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<v Speaker 1>even if dating was on the table, he shouldn't want

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<v Speaker 1>to date me, and I would never want to date him.

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<v Speaker 1>We'd want to date people like ourselves, or at least

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<v Speaker 1>that's what I thought. I'm sorry, Jenna, I'm totally lost

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<v Speaker 1>like another girl. Okay, that's what I'm saying. I don't

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<v Speaker 1>want to date THEO, not because he's not great and all,

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<v Speaker 1>but because I don't see him in that way. In fact,

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<v Speaker 1>I'll never be able to see him in that way,

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<v Speaker 1>because because you want to date another girl? Yeah, anyone

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<v Speaker 1>in particular, that's your first question. Well, I don't know.

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<v Speaker 1>I'm kind of like invested in your love life after

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<v Speaker 1>all this. I'm curious Max. You always zig when I

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<v Speaker 1>think you're gonna zag. No, No, there's no one in particular.

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<v Speaker 1>What what are you thinking right now? No, it's nothing.

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<v Speaker 1>I just got I got swept up in the romance

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<v Speaker 1>of these notes. I guess I was kind of hoping

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<v Speaker 1>this would all lead to you sailing off in the

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<v Speaker 1>sunset with someone. And you thought THEO was the same

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<v Speaker 1>way that he wouldn't want to date you because he

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<v Speaker 1>would want to date a boy instead. Yeah, And I

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<v Speaker 1>don't know. We never talked about it or anything clearly.

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<v Speaker 1>Maybe he does want to date boys too, but I

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<v Speaker 1>just thought it doesn't matter now our friendship is screwed

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<v Speaker 1>up forever. Why because he likes me and I can't

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<v Speaker 1>like him back. I don't see why that has to

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<v Speaker 1>ruin everything? And for what it's worth. Well, I wasn't

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<v Speaker 1>planning on saying anything, but I don't think you'll be

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<v Speaker 1>offended by it now, So what is it? Max? I

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<v Speaker 1>don't think THEO was really all that invested. What well?

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<v Speaker 1>I told him that I knew it was him who

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<v Speaker 1>wrote the notes so that he could tell you himself

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<v Speaker 1>instead of me, and he didn't want to see I

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<v Speaker 1>knew whoever was writing these was a coward. Come on,

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<v Speaker 1>that's not fair, Jenna. Theo's your best friend. He probably

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<v Speaker 1>didn't want to mess anything up either, then why write

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<v Speaker 1>them at all? I think I think you're his news? What? Yeah,

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<v Speaker 1>that must be it. He seemed way more focused on

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<v Speaker 1>his poems being good than anything else and was going

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<v Speaker 1>on about heartbreak is food for poetry or something. I

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<v Speaker 1>don't know. I wasn't really following. That sounds like THEO,

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<v Speaker 1>so maybe he was just playing a part the poet

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<v Speaker 1>in love with the beauty a full news. Maybe I

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<v Speaker 1>think you should talk to him. You won't tell him, right,

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<v Speaker 1>tell him what that I'm that I'm gay? Oh No,

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<v Speaker 1>I don't think it's mine to tell. I am surprised

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<v Speaker 1>that he doesn't know already. Aren't you guys like really close? Yeah?

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<v Speaker 1>We are, but I don't know. We don't always talk

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<v Speaker 1>about real stuff, you know. Yeah, why didn't you tell

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<v Speaker 1>me what? In all the heart to hearts we've had

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<v Speaker 1>in the past few years? Okay? Fair? So you didn't

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<v Speaker 1>know in middle school what I mean. We were friends then,

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<v Speaker 1>so I assume you hadn't figured it out, or otherwise

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<v Speaker 1>you would have told me. Oh my god, Max, How

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<v Speaker 1>are you making this about you right now? Sorry? Sorry,

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<v Speaker 1>I'm not I I just want you to know that

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<v Speaker 1>you could have told me. You could have told me anything.

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<v Speaker 1>I was still figuring it out, okay, and it wasn't

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<v Speaker 1>something I wanted to talk about until I had completely

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<v Speaker 1>figured it out. Did you think that I'd care? Because

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<v Speaker 1>I don't. I don't think anyone would. It's just it's

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<v Speaker 1>hard being different in Hastings. You know, it's easier to

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<v Speaker 1>just go along with what everyone else is doing and

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<v Speaker 1>there are no gay people here. My uncle is gay. Okay, great,

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<v Speaker 1>one person. Actually, I'm pretty sure he's dating someone, so

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<v Speaker 1>that would make two people who aren't totally straight. Really,

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<v Speaker 1>who is he dating? I have no idea, but he's

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<v Speaker 1>been spending large parts of the weekend out and then

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<v Speaker 1>he comes back all happy. Gross. I know you don't

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<v Speaker 1>think I understand what it's like to be different. I mean,

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<v Speaker 1>every family in Hastings is like the perfect white bread

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<v Speaker 1>all American, two parents and two point five children, and

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<v Speaker 1>I'm me. Yeah, you're you president of the Hastings is

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<v Speaker 1>the Best Place to Live Committee. Just because I love

0:16:25.480 --> 0:16:28.040
<v Speaker 1>Hastings doesn't mean I always feel like it loves me.

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<v Speaker 1>You're not alone and being raised by a single guardian person.

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<v Speaker 1>THEO lost his mom too. I know that's part of

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<v Speaker 1>why I'm sorry Max, for whatever that's worth. I actually

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<v Speaker 1>am sorry for what that THEO likes me and that

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<v Speaker 1>I don't like him. But you do, No, I don't. Oh,

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<v Speaker 1>come on, Mac, everyone knows ironically THEO is the one

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<v Speaker 1>exception to that. Yeah, well I guess I know why

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<v Speaker 1>he wouldn't. He's been a bit distracted. I'm sorry. It's

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<v Speaker 1>not your fault. Besides what, I don't know what talking

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<v Speaker 1>to THEO this morning about you, I wasn't nervous for

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<v Speaker 1>the first time ever, ever, since Ross told me that

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<v Speaker 1>THEO wrote the notes. I don't know what THEO liking

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<v Speaker 1>me made him repulsive to you. No, it's it's not that.

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<v Speaker 1>It's the poems were so beautiful, you know, so passionate,

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<v Speaker 1>and then talking to him about them was he didn't

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<v Speaker 1>mean any of it. I didn't say that THEO thinks

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<v Speaker 1>the world if you. I don't know what it is exactly.

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<v Speaker 1>THEO is more passionate about the idea of love than

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<v Speaker 1>he is about me. Yeah, yeah, that's what it is.

0:18:16.720 --> 0:18:21.639
<v Speaker 1>Classic prioritizing having a crush over who the crush is,

0:18:22.400 --> 0:18:26.040
<v Speaker 1>and that's a pretty cynical way to look at things. Yeah. Well,

0:18:26.720 --> 0:18:34.640
<v Speaker 1>understanding people has never been your strong suit. Max. You're right.

0:18:35.800 --> 0:18:39.679
<v Speaker 1>I don't understand how you could feel strongly enough to

0:18:39.720 --> 0:18:43.160
<v Speaker 1>write poems for someone and not do everything you possibly

0:18:43.200 --> 0:18:47.360
<v Speaker 1>could to tell them. I get being scared. I mean,

0:18:47.440 --> 0:18:51.000
<v Speaker 1>I never told THEO how I feel. But if I

0:18:51.040 --> 0:18:54.320
<v Speaker 1>were really in love with someone, I like to think

0:18:54.320 --> 0:18:57.920
<v Speaker 1>I'd do anything for them. Isn't that the way it's

0:18:57.920 --> 0:19:02.240
<v Speaker 1>supposed to be. I have no idea, Max, find me

0:19:02.320 --> 0:19:05.240
<v Speaker 1>another girl in New Hampshire who also likes girls, and

0:19:05.520 --> 0:19:11.399
<v Speaker 1>maybe I'll tell you. Well, I've already solved one. Jenna

0:19:11.480 --> 0:19:20.280
<v Speaker 1>Ambrose love life mystery. I'm on a roll. I wish

0:19:20.359 --> 0:19:23.760
<v Speaker 1>Riley was here. I feel like he'd have the answers.

0:19:23.880 --> 0:19:28.600
<v Speaker 1>You know, Riley has never dated anyone either. Yeah, but

0:19:29.880 --> 0:19:34.120
<v Speaker 1>he has that thing, you know, the fitting in thing

0:19:34.200 --> 0:19:38.760
<v Speaker 1>that we don't the perfect family. He feels like he

0:19:39.400 --> 0:19:45.480
<v Speaker 1>has things figured out. Yeah, I just hope he's okay

0:19:46.160 --> 0:19:53.879
<v Speaker 1>me too. Any new leads. I'm exploring a few avenues,

0:19:55.040 --> 0:20:01.520
<v Speaker 1>so no, yeah, basically not. But speaking of I gotta go.

0:20:02.119 --> 0:20:05.040
<v Speaker 1>They're doing another search party. Are you sure that's a

0:20:05.080 --> 0:20:10.320
<v Speaker 1>good idea after what happened last time? I promise I

0:20:10.400 --> 0:20:19.280
<v Speaker 1>won't go running around this time. Hey, Max, thanks for

0:20:19.280 --> 0:20:23.879
<v Speaker 1>for listening and for being cool with everything. Of course, Jenna,

0:20:25.040 --> 0:20:30.040
<v Speaker 1>I know we're not that we're not as close as

0:20:30.040 --> 0:20:38.439
<v Speaker 1>we used to be, but I'm here. I'm always here. Yeah,

0:20:38.920 --> 0:20:43.359
<v Speaker 1>all right, go be reckless and stupid. I'm not being

0:20:43.400 --> 0:21:20.280
<v Speaker 1>reckless or stupid. You say that now, Hiley, Riley, Riley, Riley, Righty,

0:21:20.560 --> 0:21:34.719
<v Speaker 1>Riley Right, Riley Riley Okay, right, Riley? Where are you right?

0:21:35.720 --> 0:21:42.040
<v Speaker 1>Is that? Riley? We're right? Why is Mr Beatie breaking

0:21:42.040 --> 0:21:54.679
<v Speaker 1>off from the crew? Where is he going? It's just

0:21:54.760 --> 0:22:14.040
<v Speaker 1>an animal, Max? Is that cabins? What are you doing? Ross? What? Why? Why? Sorry?

0:22:14.040 --> 0:22:17.040
<v Speaker 1>I didn't mean to scare you. Were you following me?

0:22:17.200 --> 0:22:20.240
<v Speaker 1>Were you joining the search party without a buddy? I

0:22:21.600 --> 0:22:25.800
<v Speaker 1>was late? So you walking around alone has nothing to

0:22:25.840 --> 0:22:28.080
<v Speaker 1>do with the fact that Sheriff Combs would definitely call

0:22:28.119 --> 0:22:29.720
<v Speaker 1>your uncle if he saw you trying to join the

0:22:29.760 --> 0:22:34.560
<v Speaker 1>search again? Look at me, I'm fine, aren't I? Now?

0:22:34.600 --> 0:22:39.440
<v Speaker 1>Come on? What where are you going? Mr Beaty is

0:22:39.480 --> 0:22:44.600
<v Speaker 1>up to something great? Here we go? Look Ross, there's

0:22:44.640 --> 0:22:48.360
<v Speaker 1>a cabin up there. Okay, so what we're in the woods?

0:22:48.560 --> 0:22:52.280
<v Speaker 1>Woods have cabins. But why is Mr Beady heading toward

0:22:52.359 --> 0:22:55.080
<v Speaker 1>it in the middle of a search? Is it his cabin?

0:22:55.480 --> 0:22:57.159
<v Speaker 1>Is this where he's been coming in the middle of

0:22:57.160 --> 0:23:00.480
<v Speaker 1>the night. I don't see him anywhere? Why, your beauty,

0:23:00.600 --> 0:23:06.440
<v Speaker 1>you said you saw him? Yeah? Where did he go?

0:23:07.480 --> 0:23:11.040
<v Speaker 1>Maybe he's searching like we're supposed to be doing. Why

0:23:11.040 --> 0:23:14.800
<v Speaker 1>are you even here? Ross? Remember what happened last time?

0:23:15.720 --> 0:23:20.880
<v Speaker 1>But how would you know I would be here? Come? On. Whatever,

0:23:22.760 --> 0:23:26.359
<v Speaker 1>what's your plan here? Just barge into someone's house. I

0:23:26.440 --> 0:23:29.879
<v Speaker 1>know I saw Mr Beaty walking to the cabin seconds ago.

0:23:30.840 --> 0:23:34.560
<v Speaker 1>There's no likes on, so so maybe he's not there

0:23:34.600 --> 0:23:39.840
<v Speaker 1>at all. Right, there's one way to find out. Oh,

0:23:39.920 --> 0:23:43.640
<v Speaker 1>you can't be serious, Come on, Ross, what's the worst

0:23:43.680 --> 0:23:46.200
<v Speaker 1>that could happen? You want me to go down the list?

0:23:47.240 --> 0:23:50.200
<v Speaker 1>If Betty isn't in there, we can poke around the

0:23:50.400 --> 0:23:53.360
<v Speaker 1>in and out before he gets back. And if he

0:23:53.560 --> 0:23:57.639
<v Speaker 1>is in there, we'll play dumb. Say we got lost

0:23:57.720 --> 0:24:02.800
<v Speaker 1>on the search and are looking for help. Ship, What

0:24:02.800 --> 0:24:07.960
<v Speaker 1>what's wrong? That's a solid plan. I knew you'd come

0:24:08.000 --> 0:24:23.959
<v Speaker 1>around tell her. Now let's go ship. It's locked? Is

0:24:24.000 --> 0:24:36.560
<v Speaker 1>that surprising? Maybe there's a black door or you can't

0:24:36.560 --> 0:24:41.160
<v Speaker 1>be serious, it's unlocked. I think crawling through a window

0:24:41.240 --> 0:24:47.240
<v Speaker 1>still counts as breaking an entering, even if it's unlocked. Okay,

0:24:48.040 --> 0:24:51.600
<v Speaker 1>I don't see anyone. I think we're clear. Are we

0:24:51.680 --> 0:24:54.240
<v Speaker 1>really doing this? We have no idea if this has

0:24:54.320 --> 0:24:58.239
<v Speaker 1>anything at all to do with Riley? Well, only one

0:24:58.240 --> 0:25:09.639
<v Speaker 1>way to find out. Yeah. Maxie Miles was created by

0:25:09.680 --> 0:25:11.919
<v Speaker 1>Lauren Shippen and its production of Eighth boocal artists and

0:25:11.920 --> 0:25:14.800
<v Speaker 1>I Heart Radio. This episode was written and directed by

0:25:14.840 --> 0:25:17.840
<v Speaker 1>Lauren Shippen. Dialog getting and sound as I'm by Marrissy

0:25:17.880 --> 0:25:20.879
<v Speaker 1>Younging of Hemma Creek Productions, with editing systems from Lauren

0:25:20.960 --> 0:25:24.840
<v Speaker 1>Davis and Melissa Ponds. It featured Jordan Cobbs Maxie Miles,

0:25:25.080 --> 0:25:28.600
<v Speaker 1>Mike's a Follow as Ross Teller, Morgan Elgerton as the OCMBS,

0:25:28.960 --> 0:25:32.439
<v Speaker 1>Jacquelin Landgraph as Miss Honeywell, SHAWNA. Cannakar as Jennet Ambrose,

0:25:32.600 --> 0:25:36.520
<v Speaker 1>and Lauren Shippen as manager. Original artwork by Shane McMullan.

0:25:36.720 --> 0:25:39.560
<v Speaker 1>For more information about the show, please visit Maxie Miles

0:25:39.640 --> 0:25:42.040
<v Speaker 1>dot com and follow at a Typical Artists on Twitter

0:25:42.119 --> 0:25:45.359
<v Speaker 1>and Instagram. Maxie Miles is executive produced by Lauren Shippen

0:25:45.359 --> 0:25:47.359
<v Speaker 1>and I Heart Radio and for more podcasts for my

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<v Speaker 1>heart Radio, visit the iHeart Radio app, Apple Podcasts, or

0:25:50.400 --> 0:25:52.560
<v Speaker 1>wherever you listen to your favorite shows. Thank you for

0:25:52.640 --> 0:25:54.200
<v Speaker 1>listening and keep curious.