1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh I see you? Why why? And look 2 00:00:04,840 --> 00:00:14,520 Speaker 1: over there? How is that culture? Yes? Goodness calling. I'm 3 00:00:14,560 --> 00:00:16,800 Speaker 1: having a fun time, having a little bit of a 4 00:00:16,800 --> 00:00:19,600 Speaker 1: fun time, and this is the thing. So you know, 5 00:00:19,720 --> 00:00:23,200 Speaker 1: what's one type of podcast that's really popular? What true crime? 6 00:00:23,480 --> 00:00:27,320 Speaker 1: Yes girl, yes, queen. I don't really listen to them 7 00:00:27,360 --> 00:00:29,160 Speaker 1: me neither, not a single one. What do you think 8 00:00:29,200 --> 00:00:32,560 Speaker 1: makes them so popular? I think that people love trying 9 00:00:32,560 --> 00:00:34,560 Speaker 1: to parse out in their head who done it? Of 10 00:00:34,680 --> 00:00:36,040 Speaker 1: them all? You know what I mean? Like I think, 11 00:00:36,200 --> 00:00:37,879 Speaker 1: and also I think people like to be a fly 12 00:00:38,000 --> 00:00:41,400 Speaker 1: on the wall to something that is grisly. I really 13 00:00:41,440 --> 00:00:43,680 Speaker 1: think that with it. They don't want something nasty and 14 00:00:43,720 --> 00:00:46,040 Speaker 1: bad and dark and violence to happen to them. But 15 00:00:46,080 --> 00:00:49,560 Speaker 1: they're curious. They have a morbid curiosity. As they say, 16 00:00:49,720 --> 00:00:51,720 Speaker 1: I don't care about the who and who done it? You? 17 00:00:51,720 --> 00:00:54,840 Speaker 1: And I care about what the why? I think you should. 18 00:00:55,000 --> 00:00:57,120 Speaker 1: I think they should call them why done? It's because 19 00:00:57,320 --> 00:01:00,960 Speaker 1: that's the juice, honey, Yeah, that's what you want. That's 20 00:01:00,960 --> 00:01:04,920 Speaker 1: like I don't Okay, great, this person killed that person. 21 00:01:05,360 --> 00:01:08,000 Speaker 1: That's not that that doesn't tell the whole story. I'm 22 00:01:08,040 --> 00:01:12,040 Speaker 1: gonna need some more context. So why why is what 23 00:01:12,080 --> 00:01:15,160 Speaker 1: we want to know. And you as an actor, as 24 00:01:15,240 --> 00:01:18,520 Speaker 1: an artist, you're always thinking of the motivations, you know 25 00:01:18,520 --> 00:01:20,759 Speaker 1: what I mean, Like and so many of your creations, 26 00:01:20,840 --> 00:01:24,520 Speaker 1: I I it's a fully realized you know exactly where 27 00:01:24,520 --> 00:01:27,400 Speaker 1: they came from. Like every every time you do a sketch, right, 28 00:01:27,440 --> 00:01:30,000 Speaker 1: you think of this sketch. Comedy is something that has 29 00:01:30,040 --> 00:01:34,360 Speaker 1: to be very nuanced, very deep. It's never about you know, 30 00:01:35,720 --> 00:01:40,080 Speaker 1: doing it. It's everybody anything except the motivation. Yeah. So 31 00:01:40,080 --> 00:01:42,440 Speaker 1: so this is really why I guess I bring this 32 00:01:42,600 --> 00:01:45,640 Speaker 1: up is because I think today we're actually going to 33 00:01:45,760 --> 00:01:48,840 Speaker 1: be um a little bit of a true crime podcast. 34 00:01:49,360 --> 00:01:51,400 Speaker 1: We're gonna be a little bit of a true crime podcast, 35 00:01:51,440 --> 00:01:54,880 Speaker 1: but only today, only today, and then everyone can go 36 00:01:54,920 --> 00:01:57,480 Speaker 1: back to your other podcast that you enjoy, like you know, 37 00:01:57,600 --> 00:02:00,840 Speaker 1: my favorite murder or et cetera 's cereal, you know 38 00:02:00,960 --> 00:02:05,320 Speaker 1: these other grizzly you know they're so scary. These podcasts 39 00:02:05,680 --> 00:02:07,640 Speaker 1: we're gonna be only get a little bit spooky today 40 00:02:07,680 --> 00:02:12,320 Speaker 1: as we talk about a very bad criminal, criminal who's 41 00:02:12,320 --> 00:02:15,320 Speaker 1: now who's now sent up the river. As they say, 42 00:02:15,560 --> 00:02:20,040 Speaker 1: as they say, this is day five and on the 43 00:02:28,440 --> 00:02:39,239 Speaker 1: July two arrest, this is the day that Galene Maxwell 44 00:02:39,360 --> 00:02:43,640 Speaker 1: was thrown in jail, arrested in New Hampshire with a founder, 45 00:02:43,960 --> 00:02:48,600 Speaker 1: and they threw her in the bin where she belongs. 46 00:02:50,080 --> 00:02:54,040 Speaker 1: Has there ever been anyone more loathsome than Glen? I 47 00:02:54,040 --> 00:02:56,600 Speaker 1: don't think there's ever been anyone more littlesome. And I 48 00:02:56,600 --> 00:02:59,120 Speaker 1: couldn't believe when they finally found her and threw in 49 00:02:59,200 --> 00:03:02,960 Speaker 1: the damn been. She is horrid. And you know what 50 00:03:03,040 --> 00:03:06,440 Speaker 1: I don't like about Gillane. She ran away in her house. 51 00:03:06,480 --> 00:03:08,440 Speaker 1: When that she ran away, you know, when they knocked 52 00:03:08,440 --> 00:03:11,360 Speaker 1: on her door and said Gilane, come out. They said 53 00:03:11,400 --> 00:03:15,400 Speaker 1: that she was spotted running away in the house. Guess what, stupid, 54 00:03:15,760 --> 00:03:17,959 Speaker 1: you can't go anywhere in the house. What are you 55 00:03:17,960 --> 00:03:22,040 Speaker 1: gonna do? Jump? No, no, no, house ain't that big? No, 56 00:03:22,520 --> 00:03:26,560 Speaker 1: in fact, not for nothing. But get a bigger house, 57 00:03:26,600 --> 00:03:28,399 Speaker 1: get a better house, get it harder to find house. 58 00:03:29,120 --> 00:03:32,480 Speaker 1: These millions. Shut up, Gillane. Want me to care, want 59 00:03:32,480 --> 00:03:34,880 Speaker 1: me to care about you? You should have been richer. 60 00:03:35,040 --> 00:03:40,040 Speaker 1: Stupid British from the stupidest British people ever. And guess 61 00:03:40,040 --> 00:03:44,120 Speaker 1: what y'all are supposed to be smart honey, you're offsetting 62 00:03:44,160 --> 00:03:49,120 Speaker 1: the average. You're an outlier. Babe, gee, Lane, can we 63 00:03:49,120 --> 00:03:52,320 Speaker 1: talk about this stupid name. Let's just go letter by 64 00:03:52,400 --> 00:03:58,320 Speaker 1: letter Okay, yeah, G cool, fun different um, so far 65 00:03:58,360 --> 00:04:01,000 Speaker 1: I'm into it. And then i've then and then I 66 00:04:01,040 --> 00:04:04,120 Speaker 1: even hear the hard G like A, and I'm like, 67 00:04:04,120 --> 00:04:07,320 Speaker 1: oh interesting, what's this person's name? Then what comes next? 68 00:04:07,560 --> 00:04:12,560 Speaker 1: Here's what it is? Twist you ready for it? H 69 00:04:13,280 --> 00:04:17,520 Speaker 1: h Okay, what is it going to be? Gentry? Don't 70 00:04:17,520 --> 00:04:19,479 Speaker 1: tell me it's gonna be Gandhi, honey, because there's only 71 00:04:19,520 --> 00:04:23,200 Speaker 1: one queen with that name. There's only Gandhi. It's g A. 72 00:04:23,800 --> 00:04:25,600 Speaker 1: I think you're wrong. I think it's g H A 73 00:04:25,839 --> 00:04:28,279 Speaker 1: N D. I don't think. Can I say this, we 74 00:04:28,360 --> 00:04:31,440 Speaker 1: won't cut it out no matter what it's. I'm and 75 00:04:31,480 --> 00:04:33,320 Speaker 1: I just looked it up. I can confirm that I 76 00:04:33,320 --> 00:04:36,960 Speaker 1: am correct G A N D H. I wow. Okay, 77 00:04:37,000 --> 00:04:39,680 Speaker 1: spelling be my ass off. I would be out of 78 00:04:39,680 --> 00:04:44,280 Speaker 1: the spelling. Be down. Look, I see I see your 79 00:04:44,360 --> 00:04:47,160 Speaker 1: name and I see the letters G H. I'm like, 80 00:04:47,560 --> 00:04:53,039 Speaker 1: wait a minute, I forgot to buckle up because what 81 00:04:53,160 --> 00:04:55,880 Speaker 1: where the funk are we going? Yeah? I just want 82 00:04:55,880 --> 00:04:58,159 Speaker 1: to pause on this and say that. Hans just chimed 83 00:04:58,160 --> 00:05:00,400 Speaker 1: into the chat and said, to be fair, he didn't 84 00:05:00,400 --> 00:05:02,960 Speaker 1: spell it with the same letters. So actually you're being 85 00:05:03,160 --> 00:05:07,320 Speaker 1: very sort of American capitalist. What what does what does 86 00:05:07,320 --> 00:05:09,960 Speaker 1: that mean? Hans? What do you mean, Hans? Hans come 87 00:05:10,000 --> 00:05:14,719 Speaker 1: in the chat, didn't spell it with the same letters. 88 00:05:14,760 --> 00:05:18,799 Speaker 1: This is not enough. Oh no, well he's saying that, yeah, 89 00:05:18,880 --> 00:05:22,760 Speaker 1: he that Gandhi himself did not anglicize his own name. 90 00:05:23,120 --> 00:05:27,360 Speaker 1: Romana is you know how what have you exactly? Which 91 00:05:27,360 --> 00:05:31,480 Speaker 1: is which was my point? It was it was and 92 00:05:31,600 --> 00:05:36,680 Speaker 1: you anglicized it. You and you anglicize a lot. I know, 93 00:05:37,080 --> 00:05:41,960 Speaker 1: I know, g H, g H. Where does your mind 94 00:05:41,960 --> 00:05:44,640 Speaker 1: go when you see a name that starts with g H? 95 00:05:44,839 --> 00:05:50,279 Speaker 1: Can I be real and hoping it's something like gilly? No, 96 00:05:50,360 --> 00:05:56,000 Speaker 1: but l unacceptable. I think it's unacceptable. But once someone 97 00:05:56,040 --> 00:05:59,760 Speaker 1: says and like, I'm like, oh god, I have no 98 00:06:00,040 --> 00:06:02,600 Speaker 1: do you let me just get real specific for everybody's bed, 99 00:06:02,960 --> 00:06:06,560 Speaker 1: for everybody. You tell me this woman, this is the 100 00:06:06,680 --> 00:06:10,800 Speaker 1: name of a middle aged British woman. That's all I'm 101 00:06:10,800 --> 00:06:15,719 Speaker 1: telling you. She's white. What do you think of these letters? 102 00:06:15,800 --> 00:06:18,400 Speaker 1: As I as I sequenced them out for you, and 103 00:06:18,480 --> 00:06:20,840 Speaker 1: what do you think? Well, by the time it gets 104 00:06:20,880 --> 00:06:23,159 Speaker 1: to H, I'm like I have. I'm so thrown off 105 00:06:23,160 --> 00:06:27,760 Speaker 1: and disoriented. I don't trust already. I don't trust her already. No, okay, 106 00:06:27,760 --> 00:06:32,400 Speaker 1: so what's the next letter? I excuse me? I'm like, 107 00:06:32,520 --> 00:06:36,839 Speaker 1: what gee gee? I'm like, did you pronounce Georgia wrong? 108 00:06:37,200 --> 00:06:41,200 Speaker 1: I'm like, did you pronounce Gina wrong? Mama? Did you 109 00:06:41,240 --> 00:06:47,760 Speaker 1: pronounce Georgette wrong? No? No, the person tells you it's 110 00:06:48,000 --> 00:06:50,040 Speaker 1: g And I'm like, well, let me just sit back 111 00:06:50,040 --> 00:06:51,760 Speaker 1: in my chair, kick out my damn feet and see 112 00:06:51,760 --> 00:06:53,719 Speaker 1: how the rest of this plays out. Oh, let me 113 00:06:53,839 --> 00:06:58,120 Speaker 1: um strap myself in even further with the second buckle. 114 00:06:58,160 --> 00:07:02,880 Speaker 1: It's just popped over my face. I say, honey, this 115 00:07:02,880 --> 00:07:05,599 Speaker 1: this roller coaster has started and we're on it, and 116 00:07:05,640 --> 00:07:09,600 Speaker 1: there's multiple buckles and and and fastenings. Talk about the 117 00:07:09,640 --> 00:07:13,400 Speaker 1: next letter. You're not gonna believe it. S it's so 118 00:07:14,080 --> 00:07:23,000 Speaker 1: guess guess geese, since sister, I'm tired. I'm not Canadian sweetie, 119 00:07:23,040 --> 00:07:26,760 Speaker 1: I bitch, I don't like the geese. Get the geese 120 00:07:26,800 --> 00:07:29,960 Speaker 1: away from me, from me, Get the geese off the TV. 121 00:07:30,040 --> 00:07:33,080 Speaker 1: I'm not trying to see that. What what what are 122 00:07:33,080 --> 00:07:37,280 Speaker 1: you thinking? I'm thinking, I'm literally thinking, Okay, I guess 123 00:07:37,320 --> 00:07:39,680 Speaker 1: I bought a ticket to the damn circus, might as 124 00:07:39,720 --> 00:07:44,600 Speaker 1: well stay to the end. When the elephants twirl, I'm thinking, 125 00:07:44,760 --> 00:07:48,560 Speaker 1: I guess I elected for a procedure at the surgeon's 126 00:07:48,680 --> 00:07:53,760 Speaker 1: office so that my head can go spin around on 127 00:07:53,840 --> 00:07:57,440 Speaker 1: the damn hinge, off the hinge. And also I'm thinking, 128 00:07:57,720 --> 00:07:59,480 Speaker 1: are they going to pull this off? You know what 129 00:07:59,560 --> 00:08:03,480 Speaker 1: I mean? When when I'm when I'm g h, I 130 00:08:04,160 --> 00:08:07,680 Speaker 1: s far into this name, I'm like, Okay, is there 131 00:08:07,720 --> 00:08:11,320 Speaker 1: going to be some twist where they pull off this 132 00:08:11,600 --> 00:08:16,400 Speaker 1: woman's first name? And I have to eat crow? You 133 00:08:16,440 --> 00:08:19,400 Speaker 1: know what I mean? Well, I have to eat crow tonight. 134 00:08:19,840 --> 00:08:22,760 Speaker 1: Oh my god? And you hate you hate crow. I 135 00:08:22,800 --> 00:08:24,920 Speaker 1: hate eating crow. It's one of the It's a very 136 00:08:25,000 --> 00:08:28,640 Speaker 1: gamy bird, and no one wants to eat crow. You 137 00:08:28,640 --> 00:08:32,480 Speaker 1: know why. It's gamy iron a lot of iron content. Well, 138 00:08:33,000 --> 00:08:36,080 Speaker 1: there you go, there you go. And as far as 139 00:08:36,120 --> 00:08:40,120 Speaker 1: I'm concerned, I don't think I'll be eating crow. But 140 00:08:40,400 --> 00:08:42,800 Speaker 1: then we get that there's a possibility. What's the next 141 00:08:42,880 --> 00:08:45,720 Speaker 1: letter you? I think it's your turn. The next letter 142 00:08:45,800 --> 00:08:51,240 Speaker 1: is L excuse me, you're excused? That doesn't make no 143 00:08:51,760 --> 00:08:56,760 Speaker 1: one bit of sense. So now God is literally the 144 00:08:56,800 --> 00:09:00,360 Speaker 1: word geese, and and you're telling me we're getting name 145 00:09:00,360 --> 00:09:06,000 Speaker 1: out of this gissel. This woman's real and British, real 146 00:09:06,480 --> 00:09:12,000 Speaker 1: British and power woman is a powerful white woman of 147 00:09:12,000 --> 00:09:15,000 Speaker 1: British descent. Because none of these letters make any sense. 148 00:09:15,040 --> 00:09:18,360 Speaker 1: I'm five letters and I only got one damn vowel. 149 00:09:18,840 --> 00:09:20,679 Speaker 1: Get the funk out and let me tell you something. 150 00:09:20,720 --> 00:09:26,440 Speaker 1: I got zero patients, thank you and thank you Hello 151 00:09:27,360 --> 00:09:31,560 Speaker 1: g h I s l geesel. How are they going 152 00:09:31,600 --> 00:09:33,800 Speaker 1: to get out of this one? Hey, Pat, say Jack? 153 00:09:34,760 --> 00:09:37,280 Speaker 1: This bitch is broke. She she can't even buy any 154 00:09:37,360 --> 00:09:41,200 Speaker 1: vowels for herself. And Mama Vana White's turned to soup 155 00:09:41,920 --> 00:09:46,800 Speaker 1: honey because she's looking at the board saying there's no way. 156 00:09:47,120 --> 00:09:50,679 Speaker 1: Van A White staring at the board saying geese. She's saying, 157 00:09:50,720 --> 00:09:53,200 Speaker 1: I've never seen anything like this on Wheel of Fortune, 158 00:09:53,400 --> 00:09:56,400 Speaker 1: and my forty five years of tapping the screens on 159 00:09:56,480 --> 00:09:59,880 Speaker 1: this show, I've never seen nothing. She broke her silent. 160 00:10:00,200 --> 00:10:02,920 Speaker 1: See the thing about Vana is she's actually very quiet, 161 00:10:03,120 --> 00:10:05,880 Speaker 1: very quiet girl. Only at the end when Pat sort 162 00:10:05,920 --> 00:10:08,040 Speaker 1: of asked her, like, what did you do this weekend? 163 00:10:08,520 --> 00:10:11,840 Speaker 1: Will she say anything at all? But she Vana White 164 00:10:11,840 --> 00:10:17,000 Speaker 1: when she started to spell this name gie Lane on 165 00:10:17,320 --> 00:10:19,600 Speaker 1: the wheel of Fortune board. She had to stop and say, now, 166 00:10:19,640 --> 00:10:23,280 Speaker 1: hold on a minute, hold on, I've never seen anything 167 00:10:23,320 --> 00:10:26,600 Speaker 1: like this. She broke her silence and said, I could 168 00:10:26,600 --> 00:10:29,480 Speaker 1: get fired for this, but I have to say this. 169 00:10:29,480 --> 00:10:32,319 Speaker 1: This doesn't feel right at all. This doesn't sit right 170 00:10:32,360 --> 00:10:35,160 Speaker 1: with me. And she would be right because the next 171 00:10:35,240 --> 00:10:38,400 Speaker 1: letter is, in fact, well you know what do you 172 00:10:38,400 --> 00:10:40,200 Speaker 1: remember two seconds ago and I was like, there aren't 173 00:10:40,240 --> 00:10:44,160 Speaker 1: n fowls. I could use another one. Now it's like, 174 00:10:44,360 --> 00:10:46,680 Speaker 1: I will be careful, We'll be careful what you wish for, 175 00:10:46,960 --> 00:10:52,320 Speaker 1: because this, this, this is deeply unsettling a A. So 176 00:10:52,360 --> 00:10:57,280 Speaker 1: now it's now it's literally you're like, gissla. Gisla asked 177 00:10:57,280 --> 00:10:59,800 Speaker 1: me one letter ago, anything like please, for the love 178 00:10:59,800 --> 00:11:02,160 Speaker 1: of odd, give me a vowel in this name. But 179 00:11:02,200 --> 00:11:04,280 Speaker 1: now that I have that vowel, I'm like, oh, I 180 00:11:04,320 --> 00:11:07,559 Speaker 1: didn't want that vowel. Yeah, yeah, And so this is 181 00:11:07,559 --> 00:11:12,079 Speaker 1: where Gisla. But the thing is, though, Bo, this is 182 00:11:12,120 --> 00:11:14,560 Speaker 1: where I'm at this point of the name. This is 183 00:11:14,559 --> 00:11:20,080 Speaker 1: where I'm like, oh my god, are they gonna at 184 00:11:20,200 --> 00:11:26,120 Speaker 1: this juncture start using vowels and more consonants later to 185 00:11:26,240 --> 00:11:29,760 Speaker 1: sort of make this work, because now I'm looking at 186 00:11:29,800 --> 00:11:33,200 Speaker 1: it like g h I s L and I'm I 187 00:11:33,240 --> 00:11:39,240 Speaker 1: am thinking of myself, get Get, Get, and I think 188 00:11:39,400 --> 00:11:43,480 Speaker 1: I'll like island, and I'm like, gil is that Gila? 189 00:11:43,920 --> 00:11:47,920 Speaker 1: Is this it? This might be something that that could 190 00:11:48,000 --> 00:11:50,480 Speaker 1: be a name, And that's this is the part of 191 00:11:50,520 --> 00:11:54,640 Speaker 1: the anymore. I started to get really scared because just 192 00:11:54,679 --> 00:11:57,480 Speaker 1: because it's sort of because they might figure it out. 193 00:11:58,000 --> 00:12:02,199 Speaker 1: They might figure it out, and they had not inspired 194 00:12:02,280 --> 00:12:07,240 Speaker 1: much confidence before. So it's very, very upsetting to see 195 00:12:07,280 --> 00:12:09,920 Speaker 1: a vow come up and you go, oh my god, 196 00:12:10,400 --> 00:12:14,079 Speaker 1: my greatest fears unfolding right before my eyes. Because that's 197 00:12:14,080 --> 00:12:16,680 Speaker 1: when I realized, Okay, this person, these people might actually 198 00:12:16,720 --> 00:12:20,440 Speaker 1: be really powerful. And it's it's scary because then when 199 00:12:20,480 --> 00:12:23,840 Speaker 1: you hear the next letter, you realize that the tides 200 00:12:23,880 --> 00:12:31,640 Speaker 1: are turning. What is it? It's ill, They're gonna do it. 201 00:12:31,640 --> 00:12:35,200 Speaker 1: They're they're gonna pull this off. It's like sick. It's 202 00:12:35,240 --> 00:12:39,720 Speaker 1: like watching an election goes off. It's like, oh my god, 203 00:12:41,040 --> 00:12:44,440 Speaker 1: this is really happening. The returns are coming in and 204 00:12:44,480 --> 00:12:52,119 Speaker 1: you're like, my work, my hard work, canvassing, phone banking, donating, 205 00:12:52,800 --> 00:12:56,920 Speaker 1: talking to my relatives, talking to my friends. It's it's 206 00:12:56,960 --> 00:13:01,040 Speaker 1: it's not going to matter. It's it wasn't enough. So 207 00:13:01,600 --> 00:13:04,240 Speaker 1: there's part of me that still has hope because right 208 00:13:04,240 --> 00:13:11,280 Speaker 1: now the word does look like and I'm like, this 209 00:13:11,440 --> 00:13:14,120 Speaker 1: can't no, this is not a thing. This is where 210 00:13:14,160 --> 00:13:18,240 Speaker 1: they start to sort of put the lid on it 211 00:13:18,280 --> 00:13:20,920 Speaker 1: in a sick way. They don't tighten that, they don't 212 00:13:20,960 --> 00:13:22,880 Speaker 1: tighten it, they don't screw it on just yet. But 213 00:13:22,920 --> 00:13:25,800 Speaker 1: the lid is on because you're like, oh my god, 214 00:13:26,280 --> 00:13:36,640 Speaker 1: it's making it out the factory and and g Galen Gizlan. 215 00:13:39,920 --> 00:13:43,640 Speaker 1: Now I'm like, okay, it's kind of pretty Geese, not really, 216 00:13:44,120 --> 00:13:46,680 Speaker 1: but I mean pretty. But it's coming together in a 217 00:13:46,720 --> 00:13:50,800 Speaker 1: way that you didn't expect it first. Tough. And Vanna 218 00:13:51,000 --> 00:13:56,360 Speaker 1: is looking embarrassed. She's wishing she hadn't spoken up, and 219 00:13:56,440 --> 00:13:58,640 Speaker 1: she she's the writings on the wall. She's gonna get there, 220 00:13:58,640 --> 00:14:01,960 Speaker 1: gonna produce, is gonna grab her by the arm once 221 00:14:02,000 --> 00:14:04,800 Speaker 1: the camera stopped rolling and go the producers want to 222 00:14:04,840 --> 00:14:07,920 Speaker 1: talk to you, and she says, she says, will you 223 00:14:08,000 --> 00:14:11,640 Speaker 1: let go of my arm? Will you let go of mine? 224 00:14:11,640 --> 00:14:16,199 Speaker 1: You're hurting me. Stop it with your grip. You're hurting me. 225 00:14:16,760 --> 00:14:21,080 Speaker 1: And then the producer says, you can it and she says, 226 00:14:21,480 --> 00:14:24,920 Speaker 1: I've never been spoken to like this. I flipped the 227 00:14:24,960 --> 00:14:29,160 Speaker 1: panels for years. Get off of me, now, you know what. 228 00:14:29,240 --> 00:14:32,080 Speaker 1: I will go speak to them and she gets sat 229 00:14:32,120 --> 00:14:34,080 Speaker 1: down in the office and they tell her, you know, 230 00:14:34,400 --> 00:14:39,160 Speaker 1: dis close one more outburst like that. You're gone, You're gone, gone, 231 00:14:39,520 --> 00:14:44,040 Speaker 1: You're gone, missy. And she says missy and they say 232 00:14:45,200 --> 00:14:50,960 Speaker 1: like that, Yeah, never because I've spoken to like this. 233 00:14:52,040 --> 00:14:56,160 Speaker 1: I treated like this at my place of work ever 234 00:14:57,200 --> 00:15:00,520 Speaker 1: my five years work. I have worked here for forty 235 00:15:00,560 --> 00:15:08,800 Speaker 1: five years. They say, can it, Missy? Wait, don't end 236 00:15:08,800 --> 00:15:11,280 Speaker 1: the story yet, because we need to end the story 237 00:15:11,280 --> 00:15:16,680 Speaker 1: on the last letter. And so this is when you 238 00:15:16,720 --> 00:15:22,360 Speaker 1: realize we're working with true evil, because the last letter 239 00:15:22,960 --> 00:15:27,560 Speaker 1: is And that's when it's clear that the first name 240 00:15:27,640 --> 00:15:41,960 Speaker 1: of this villainous, vituperative, venomous woman woman is Delane Lane, 241 00:15:43,080 --> 00:15:48,240 Speaker 1: Deil Lane, and then her last name is Mac Mac 242 00:15:49,000 --> 00:15:51,960 Speaker 1: and she hits you with that everyday last name, de 243 00:15:52,240 --> 00:15:57,960 Speaker 1: Lane Maxwell Maxwell. It's it's just it's it's so it's 244 00:15:57,960 --> 00:16:02,000 Speaker 1: so like deceptively like from the earlier and warm ye trusted, 245 00:16:02,280 --> 00:16:05,480 Speaker 1: it's reliable now and that's the psycho thing about some 246 00:16:05,560 --> 00:16:07,600 Speaker 1: of these people, is they come in here with their 247 00:16:07,600 --> 00:16:10,200 Speaker 1: exotic first names and then a last name like Brown. 248 00:16:10,680 --> 00:16:16,440 Speaker 1: You know who's really really a criminal? Suti Green, Sui Green, 249 00:16:16,880 --> 00:16:21,000 Speaker 1: I'm sorry to say, poverty, shallow, Yeah, criminal criminal. It's 250 00:16:21,120 --> 00:16:24,520 Speaker 1: crazy you can profile people based on their first names 251 00:16:25,120 --> 00:16:31,200 Speaker 1: Bowen Yang, Yes, yes, criminal criminal. And so now we 252 00:16:31,320 --> 00:16:35,720 Speaker 1: have guil In Maxwell. And when Vanna returns to the studio, 253 00:16:35,920 --> 00:16:40,160 Speaker 1: she's walking back, she sees that Gilay is spelled out 254 00:16:40,200 --> 00:16:47,200 Speaker 1: on the board and she says, I'm sorry, I I 255 00:16:47,240 --> 00:16:52,320 Speaker 1: didn't know, and then her her arms start to give out. 256 00:16:52,760 --> 00:16:57,120 Speaker 1: She says, what's going on with my She can't feel 257 00:16:57,120 --> 00:16:59,520 Speaker 1: her toes, she can't feel her toes at all. And 258 00:16:59,560 --> 00:17:02,320 Speaker 1: it's very cold. All of a sudden, it's very cold 259 00:17:02,400 --> 00:17:04,199 Speaker 1: in the studio, and she realizes she's like, am I 260 00:17:04,200 --> 00:17:06,639 Speaker 1: having an anxiety attack? Am I having a panic attack? 261 00:17:07,200 --> 00:17:11,000 Speaker 1: And then one by one, the lights, the ceiling lights 262 00:17:11,080 --> 00:17:14,320 Speaker 1: from the outside of the studio start to turn off, 263 00:17:15,000 --> 00:17:17,160 Speaker 1: and then and then the ones next to these start 264 00:17:17,200 --> 00:17:19,320 Speaker 1: to turn off. And then it's like and it's like, 265 00:17:19,840 --> 00:17:22,160 Speaker 1: all of a sudden, like and everyone in the audience 266 00:17:22,200 --> 00:17:24,400 Speaker 1: is starting to feel cold to everyone. They can see 267 00:17:24,400 --> 00:17:27,840 Speaker 1: their breath and all the contestants are like what and 268 00:17:28,000 --> 00:17:30,480 Speaker 1: and you know it's just it gets really cold in 269 00:17:30,520 --> 00:17:32,440 Speaker 1: the studio and all of a sudden, the doors open 270 00:17:32,840 --> 00:17:36,200 Speaker 1: and in walks and all you hear is the high 271 00:17:36,280 --> 00:17:44,720 Speaker 1: hills like clack clack clack clack clack clack clack clack 272 00:17:44,800 --> 00:17:50,959 Speaker 1: clack clack clack, and pan up and everyone pans up 273 00:17:51,000 --> 00:17:52,800 Speaker 1: because no one's looking at the at her face. And 274 00:17:52,840 --> 00:17:56,919 Speaker 1: I was just looking at the shoes. And it's Vanessa 275 00:17:57,359 --> 00:18:02,919 Speaker 1: Lisha and she says, I'm doing this now, my god, 276 00:18:03,200 --> 00:18:07,320 Speaker 1: And Vanessa Lesha, Vanessa Leach walks over to Vanah White, 277 00:18:07,359 --> 00:18:13,080 Speaker 1: who is on the floor just soblade a sobbing, can't 278 00:18:13,119 --> 00:18:16,720 Speaker 1: feel it, does not have any muscle control at all, 279 00:18:18,119 --> 00:18:21,800 Speaker 1: as if she was being attacked remotely, and she says, 280 00:18:21,960 --> 00:18:25,640 Speaker 1: I'm sorry. I didn't believe that Gilaine could be a name. 281 00:18:26,600 --> 00:18:29,199 Speaker 1: And then Vanessa says, shut up. She says shut up, 282 00:18:30,200 --> 00:18:32,879 Speaker 1: and then she walks over to the board to assume 283 00:18:32,920 --> 00:18:35,160 Speaker 1: her new job. And then she turns back and looks 284 00:18:35,200 --> 00:18:40,480 Speaker 1: over her shoulders. She goes, actually, on second thought, can 285 00:18:40,520 --> 00:18:49,600 Speaker 1: it missy curtains curtains down end of play, end of play. 286 00:18:49,680 --> 00:18:52,080 Speaker 1: It's a play of twist. It was a play twist. 287 00:18:52,119 --> 00:18:54,520 Speaker 1: It was a play all along. And this is the 288 00:18:54,600 --> 00:18:57,639 Speaker 1: problem with everyone that listens to our podcast is for 289 00:18:57,720 --> 00:19:01,680 Speaker 1: them things have to be movies and shows. And guess what, 290 00:19:02,119 --> 00:19:05,439 Speaker 1: sometimes things can be plays. It's actually real culture number nine. 291 00:19:07,160 --> 00:19:13,680 Speaker 1: Some sometimes things can plays. I think I would love 292 00:19:13,720 --> 00:19:18,000 Speaker 1: to see like a play about um a game show 293 00:19:18,359 --> 00:19:22,119 Speaker 1: host duo dynamic like passage Jack and Mana White? What 294 00:19:22,160 --> 00:19:24,760 Speaker 1: should what should what should their dynamic be? It should 295 00:19:24,760 --> 00:19:26,480 Speaker 1: be like on TV. It's like and I'm sure like 296 00:19:26,560 --> 00:19:29,080 Speaker 1: they get along great in real life, but like the 297 00:19:29,160 --> 00:19:31,280 Speaker 1: dynamics should be it should be like morning show or something. 298 00:19:31,280 --> 00:19:35,160 Speaker 1: But it's but a game show, yes, like Larry Sanders 299 00:19:35,160 --> 00:19:38,440 Speaker 1: as well, just like but then you know, behind behind 300 00:19:38,440 --> 00:19:41,720 Speaker 1: the scenes things get ugly. What if? What if? This 301 00:19:42,160 --> 00:19:45,399 Speaker 1: is crazy? It's Wheel of Fortune? But um And so 302 00:19:45,480 --> 00:19:48,440 Speaker 1: there's a host and a Vanna White and the second 303 00:19:48,680 --> 00:19:52,000 Speaker 1: they get backstage, the Vana White is like, what are 304 00:19:52,000 --> 00:19:54,680 Speaker 1: you doing? You fool? I told you? And all of 305 00:19:54,720 --> 00:19:57,159 Speaker 1: a sudden, the girl who does the stupid thing of 306 00:19:57,359 --> 00:19:59,800 Speaker 1: pressing the screens actually turns out to be one of 307 00:19:59,800 --> 00:20:12,119 Speaker 1: the more powerful people in entertainment like Lane, like real talk. 308 00:20:12,840 --> 00:20:15,480 Speaker 1: When I first heard about Gilay and Maxwell, I thought, 309 00:20:15,480 --> 00:20:18,160 Speaker 1: I don't know who that is, and I honestly want 310 00:20:18,240 --> 00:20:23,120 Speaker 1: to go look her up and couldn't figure out how 311 00:20:23,480 --> 00:20:27,359 Speaker 1: Gilaane worked. I think that that was that that was 312 00:20:27,359 --> 00:20:29,960 Speaker 1: a lot of people, and that's what makes her so 313 00:20:30,080 --> 00:20:35,240 Speaker 1: fucking sneaky. Oh yeah, you don't remember her name. It's 314 00:20:35,240 --> 00:20:37,600 Speaker 1: like she could have. That's why we haven't said his 315 00:20:37,680 --> 00:20:45,200 Speaker 1: name once until we won't. We won't. Yes, that's why 316 00:20:45,280 --> 00:20:47,720 Speaker 1: she was his She could like sort of be sneak 317 00:20:47,800 --> 00:20:50,000 Speaker 1: in his right hand person this whole time. The whole 318 00:20:50,040 --> 00:20:54,160 Speaker 1: time is because name was that woman and they were 319 00:20:54,200 --> 00:20:56,760 Speaker 1: like Gila right, and they were like, yes, that was 320 00:20:58,440 --> 00:21:01,840 Speaker 1: very shifty. I hope she gets what's coming to her prison. 321 00:21:02,960 --> 00:21:05,760 Speaker 1: She should be in prison for the rest of her life, 322 00:21:06,680 --> 00:21:11,680 Speaker 1: and we should say, for real, she should. I don't 323 00:21:11,680 --> 00:21:16,600 Speaker 1: think that's I don't think that's unclear our stance on 324 00:21:16,640 --> 00:21:18,520 Speaker 1: the guilline of it all. I think that we should 325 00:21:18,560 --> 00:21:21,400 Speaker 1: take us to everyone take a stance on Guillen today. Yeah, 326 00:21:21,400 --> 00:21:24,919 Speaker 1: can everyone just finally take a stance on Gilane and 327 00:21:24,920 --> 00:21:26,879 Speaker 1: talk to your family members about Glene so that they 328 00:21:26,880 --> 00:21:28,600 Speaker 1: can take a stance on it too, because we can't, 329 00:21:29,680 --> 00:21:31,639 Speaker 1: you know, we can't. We can't be neutral in this 330 00:21:31,920 --> 00:21:34,600 Speaker 1: otherwise the oppressor wins. Is that one way to bring 331 00:21:34,640 --> 00:21:47,120 Speaker 1: America together? Glean absolutely, yes, I'm sorry, this is this 332 00:21:47,160 --> 00:21:49,960 Speaker 1: is the way to like really kill two birds with 333 00:21:49,960 --> 00:21:52,879 Speaker 1: one stone is be like, this is what actual like, 334 00:21:53,520 --> 00:21:58,159 Speaker 1: you know, child sex looks like like it's it's the 335 00:21:58,160 --> 00:22:00,520 Speaker 1: Glen Maxwells of the world through like organ uns lest 336 00:22:00,640 --> 00:22:04,520 Speaker 1: it's not. It's not these other bad, bad actors, you know, 337 00:22:05,560 --> 00:22:09,640 Speaker 1: but you know, the Gallain thing could go prettyy far. 338 00:22:12,080 --> 00:22:14,240 Speaker 1: What do you mean? What does that mean? I think 339 00:22:14,280 --> 00:22:16,840 Speaker 1: a lot of guys out there need to be really worried. 340 00:22:18,200 --> 00:22:25,359 Speaker 1: M Ronald McDonald's all the powerful guys, Walt Disney, he 341 00:22:25,400 --> 00:22:29,399 Speaker 1: should be quaking bugs, bunny bugs, bunny We're coming for you. 342 00:22:30,080 --> 00:22:37,000 Speaker 1: Charles M. Schultz pedophile. No, I take that back. Cut 343 00:22:37,040 --> 00:22:40,560 Speaker 1: that out. These can't come out these episodes. Nothing can 344 00:22:40,600 --> 00:22:45,520 Speaker 1: come out. That's not true culture. That was not a 345 00:22:45,680 --> 00:22:51,840 Speaker 1: rule of culture. What are your closing thoughts on on 346 00:22:52,040 --> 00:22:55,320 Speaker 1: Gillane Um. I think that it was one of the 347 00:22:55,359 --> 00:22:58,720 Speaker 1: twelve days of culture. Was the day that she was arrested, 348 00:22:58,760 --> 00:23:00,520 Speaker 1: because I believe that she was one of the worst 349 00:23:00,520 --> 00:23:03,320 Speaker 1: criminals of all time. I believe that she should be 350 00:23:03,400 --> 00:23:06,719 Speaker 1: locked away with the likes of Yolanda Salivar, another one 351 00:23:06,720 --> 00:23:10,359 Speaker 1: of the worst criminals of all time, Keith Reneery. I 352 00:23:10,359 --> 00:23:12,320 Speaker 1: think he should be locked up for all time. I 353 00:23:12,359 --> 00:23:16,040 Speaker 1: think all these people should get locked up. And that's 354 00:23:16,080 --> 00:23:18,800 Speaker 1: sort of like my role as the one of the 355 00:23:18,840 --> 00:23:21,680 Speaker 1: hosts of this true crime podcast episode of Laws Cultures 356 00:23:21,960 --> 00:23:26,080 Speaker 1: is the one that's like wants justice so bad in 357 00:23:26,119 --> 00:23:30,200 Speaker 1: the form of imprisonment. Yeah, I love that. I feel 358 00:23:30,200 --> 00:23:33,840 Speaker 1: like in every duo there's like one that really wants justice, 359 00:23:34,560 --> 00:23:36,520 Speaker 1: Like there's like a molder in a skully, you know. 360 00:23:37,280 --> 00:23:42,080 Speaker 1: I want to believe in the skeptic mm hmm. Not 361 00:23:42,119 --> 00:23:44,600 Speaker 1: sure how that relates to us. Now, I think you're 362 00:23:44,600 --> 00:23:48,840 Speaker 1: saying you're you're the believer. Here's the thing. Do you 363 00:23:48,880 --> 00:23:57,800 Speaker 1: believe in aliens? Yeah, okay, freak explain why? Well, there's 364 00:23:57,920 --> 00:24:01,760 Speaker 1: um is it Kepler's paradigm. I don't know what it is. 365 00:24:02,000 --> 00:24:05,040 Speaker 1: In order to ask me if I know, yes, right, 366 00:24:05,320 --> 00:24:08,080 Speaker 1: I have to understand what it is. Explain why you 367 00:24:08,119 --> 00:24:11,199 Speaker 1: believe an aliens? Yes, there are there are these like 368 00:24:11,760 --> 00:24:15,960 Speaker 1: scientific paradoxes that are like statistically, like, there has to 369 00:24:16,000 --> 00:24:20,119 Speaker 1: be alien life forms in this galaxy. I don't know 370 00:24:20,119 --> 00:24:24,720 Speaker 1: about this galaxy, but the paradoxes are that there are 371 00:24:24,760 --> 00:24:28,000 Speaker 1: definitely aliens that are out there, but the paradox is 372 00:24:28,040 --> 00:24:30,639 Speaker 1: that none of them will want to come to Earth. 373 00:24:30,960 --> 00:24:32,840 Speaker 1: The ones that end up being so advanced that they 374 00:24:32,840 --> 00:24:37,960 Speaker 1: do come to Earth, UM, will only want to destroy us. Right, 375 00:24:39,080 --> 00:24:42,400 Speaker 1: So you're saying that they are out there, but they're 376 00:24:42,440 --> 00:24:46,159 Speaker 1: not going to bother us because they don't want anything 377 00:24:46,200 --> 00:24:49,720 Speaker 1: from us, because they've already surpassed us. Yeah, it's the 378 00:24:49,800 --> 00:24:52,320 Speaker 1: I'm sorry, Okay, it's the Fermi paradox. That's what I 379 00:24:52,359 --> 00:24:56,640 Speaker 1: was trying to think about. Fermi paradox. Yes, there's more 380 00:24:56,680 --> 00:24:59,320 Speaker 1: to it. I'm oversimplifying it, but yeah, do you believe 381 00:24:59,320 --> 00:25:03,280 Speaker 1: an aliens? Actually? Did hear from a friend today, um 382 00:25:03,400 --> 00:25:08,119 Speaker 1: that there is this idea that we are not developed 383 00:25:08,240 --> 00:25:10,359 Speaker 1: enough society if you can believe it, or not to 384 00:25:10,480 --> 00:25:14,960 Speaker 1: be of use to anyone in another galaxy that would 385 00:25:14,960 --> 00:25:18,359 Speaker 1: have the opportunity to come talk to us. Oh yeah, 386 00:25:18,640 --> 00:25:22,800 Speaker 1: for sure, for sure. Anyway, Um, I think this has 387 00:25:22,840 --> 00:25:27,720 Speaker 1: been really interesting. Oh, Doug says, Hans knows. Wait, Hans 388 00:25:27,800 --> 00:25:31,280 Speaker 1: knows Hans, what information do you have about life outside 389 00:25:31,280 --> 00:25:34,080 Speaker 1: of this galaxy. I think Hans is gonna tell us 390 00:25:34,080 --> 00:25:36,399 Speaker 1: that he believes in aliens or that he's had an encounter. 391 00:25:36,560 --> 00:25:40,400 Speaker 1: It exists, he says, he says, it exists. Well, that's 392 00:25:40,440 --> 00:25:42,520 Speaker 1: not going to be enough, and we only have two 393 00:25:42,520 --> 00:25:44,480 Speaker 1: more minutes left in the episode, so you have to 394 00:25:44,480 --> 00:25:47,920 Speaker 1: like sort of prove or give credence to your theory, 395 00:25:48,680 --> 00:25:55,160 Speaker 1: give useful information before we wrap for the day. Crickets, crickets. 396 00:25:56,040 --> 00:25:58,879 Speaker 1: I believe I'll forget it. He's just being He's just 397 00:25:58,920 --> 00:26:02,640 Speaker 1: being a David ducaf Me and we're we're being Jillian, 398 00:26:03,320 --> 00:26:06,920 Speaker 1: We're being Ailli. And it's it's hard or soft. Gee, 399 00:26:07,000 --> 00:26:10,879 Speaker 1: this is women, figure it out with figured out with 400 00:26:10,880 --> 00:26:14,600 Speaker 1: the I really don't trust hard soft culture. I mean, like, 401 00:26:14,840 --> 00:26:16,560 Speaker 1: and then all of a sudden you get Gee Laine, 402 00:26:16,680 --> 00:26:18,560 Speaker 1: and then we have to have this whole episode. I 403 00:26:18,600 --> 00:26:21,880 Speaker 1: don't trust. So happy that that woman is locked up, 404 00:26:22,080 --> 00:26:24,720 Speaker 1: Thank god, thank god. I'm really happy that we finally 405 00:26:24,760 --> 00:26:28,159 Speaker 1: walked through her name. Well, we still have to to 406 00:26:28,200 --> 00:26:31,720 Speaker 1: our appreciation for the Day of Culture. That was the 407 00:26:31,760 --> 00:26:34,399 Speaker 1: day that Gillian Maxwell was arrested this past summer to 408 00:26:34,520 --> 00:26:37,240 Speaker 1: everyone that put her away. What we want to say 409 00:26:37,440 --> 00:26:55,800 Speaker 1: is thank you forgiving gay col You had a little 410 00:26:57,040 --> 00:26:57,080 Speaker 1: h