WEBVTT - Mini Crush #8

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<v Speaker 1>Hey, everybody, and welcome to Movie Crush. Many Crush, Many Crush.

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<v Speaker 1>It's the little crush. It's the tiniest, littlest, cutest damn

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<v Speaker 1>crush on the Internet. Yet it still crushes you. That

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<v Speaker 1>isn't about baby goats. How are you doing all? I'm

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<v Speaker 1>doing okay, man, I'm about about the same as when

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<v Speaker 1>we recorded a few minutes ago. Um beak behind the

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<v Speaker 1>curtain or ruining the magic? Call it what you will, man,

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<v Speaker 1>I'm sweating. It is hot in here. How do you

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<v Speaker 1>have on that coat? I don't know. I'm not feeling

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<v Speaker 1>it like you are, Chuck. Jeez. Alright, I don't know

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<v Speaker 1>what's going on. Um, Welcome everyone. I hope these many

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<v Speaker 1>crushes are going well for you. I am certainly enjoying them.

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<v Speaker 1>And I think Nola is how big time. I don't

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<v Speaker 1>want to speak for you, No speak away, all right.

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<v Speaker 1>My name is Nolan. I'm super hot too, and I

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<v Speaker 1>just don't support Chuck lies. All right. This week we're

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<v Speaker 1>gonna start with segment one, social studies. And as you know,

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<v Speaker 1>social studies is when I ask you on Facebook on

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<v Speaker 1>the movie Crush page a little question and everybody answers.

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<v Speaker 1>And this week We're going to go with this question,

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<v Speaker 1>what actor or actress will make you see a movie

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<v Speaker 1>just because they're in it? And why how about that

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<v Speaker 1>it's making It's making me think, Yeah, um, I'm going

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<v Speaker 1>to go, well, I have a couple of answers. As

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<v Speaker 1>you usual, that's so cheat when it comes to these things.

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<v Speaker 1>Part of me says Michael Shannon just because he's so

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<v Speaker 1>awesome and I will see anything that he's in for sure.

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<v Speaker 1>I recently heard him describe on NPR as as constantly

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<v Speaker 1>playing bug eyed psychopaths, and I was like, that's not

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<v Speaker 1>very nice. That's just how he looks. But then I

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<v Speaker 1>looked at pictures of him and he doesn't always look

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<v Speaker 1>like that. He can totally put on the bug eyed expression,

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<v Speaker 1>and that is like a thing that he does. He's

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<v Speaker 1>a very attractive man. He's acting. Um sonal has a

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<v Speaker 1>rush on Michael Shannon, which is great. But then part

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<v Speaker 1>of me also says, um, like, you know, like George

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<v Speaker 1>Clooney because of this reason, is George Clooney the best

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<v Speaker 1>actor ever? No? But he's really solid. And my deal

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<v Speaker 1>with Cloones is if I'm talking about, well I see

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<v Speaker 1>a movie if he's in it, I know it's gonna

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<v Speaker 1>be a good movie because people like George Clooney can

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<v Speaker 1>be super selective. Now, the George Clooney's and the Julia

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<v Speaker 1>rob Birds of the world are super selective in their movies.

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<v Speaker 1>So nine times out of ten, a George Clooney movie

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<v Speaker 1>is gonna be a really good movie. Michael Clayton is

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<v Speaker 1>gonna be a great movie. Syriana is gonna be a

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<v Speaker 1>great movie. Um Oh, brother, Where Art Thou is gonna

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<v Speaker 1>be a great movie. Um So, if you're asking what

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<v Speaker 1>movie would I see just because they're in it, Clooney's

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<v Speaker 1>pretty solid choice for me for that reason. Minus Nicolas Cage.

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<v Speaker 1>Come on, don't no one alive has seen every movie

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<v Speaker 1>Nicolas cages and makes so many. I don't know. I

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<v Speaker 1>I think he's a delight. I'm really excited about his

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<v Speaker 1>new movie Mandy coming out. Apparently he I've heard about

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<v Speaker 1>that Chainsaw Fight and yeah, yeah, like it's the guy

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<v Speaker 1>that directed that movie Beyond the Black Rainbow that was

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<v Speaker 1>kind of this throwback VHS style like Cynth the eighties,

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<v Speaker 1>you know, sci fi, and this one is apparently Nicolas

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<v Speaker 1>Cage at his most batshit and unhinged and used properly,

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<v Speaker 1>because Nicolas Cage is like a deadly weapon in the

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<v Speaker 1>wrong hands. Yes, you're gonna burn the town down, which

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<v Speaker 1>is to say, his own hands. Yeah. Uh, I don't know.

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<v Speaker 1>I I think he's a fascinating character. I'm only half joking.

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<v Speaker 1>I love saying his bad movies. You know, the Wickerman

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<v Speaker 1>Is is insanely bad. I would not I didn't see that,

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<v Speaker 1>you know, or we're on two opposite sides of the

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<v Speaker 1>spectrum here in shock. I like the original though. Um

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<v Speaker 1>all right, I'm gonna go ahead and start listing some

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<v Speaker 1>of these. Erica Winter says Richard Jenkins. Boy, he's great. Uh.

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<v Speaker 1>He's an incredible actor, elevates even a mediocre script with

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<v Speaker 1>his interpretation. Um, I agree with that. I don't know.

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<v Speaker 1>You said you didn't love Shape of Water, but didn't

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<v Speaker 1>you think he was fantastic? I mean he's great now

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<v Speaker 1>six ft under his is one of my top three

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<v Speaker 1>all time shows, and he's just every time he appears

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<v Speaker 1>as the uh, the ghost Father, the ghost Father, ghost Dad.

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<v Speaker 1>He is ghost Dad, um fox Rain Matthews, says Gene Wilder.

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<v Speaker 1>I was raising Foster Care growing up and always imagine

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<v Speaker 1>him as my long lost father. That's how it started. Anyway. Boy,

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<v Speaker 1>that's a great reason we have a lot of Tom

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<v Speaker 1>Hanks's in here. Uh Brett well said, says Tom Hanks,

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<v Speaker 1>because he's been in a variety of roles in film

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<v Speaker 1>genres comedy, drama, crime, suspense, dark, rom com, sci fi, animation. Um,

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<v Speaker 1>that is true. Tom Hanks is solid. He doesn't really

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<v Speaker 1>pick a stinker either. Usually. I mean, I'm not usual

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<v Speaker 1>about those Da Vinci movies. Those are just not my thing.

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<v Speaker 1>But not into that either. I'm sure they're fine. Did

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<v Speaker 1>you see Cloud Atlas. That's one of those ones that

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<v Speaker 1>people either said was fucking amazing or unwatchably bad, and

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<v Speaker 1>I have not seen it, so I have yet to

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<v Speaker 1>make a determination. Now I need to check that out.

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<v Speaker 1>Quite a few Tom Hardy's as well. Uh Kayla m

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<v Speaker 1>h says Tom Hardy. Not only is he gorgeous, but

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<v Speaker 1>I love the intensity he brings to his roles. That

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<v Speaker 1>is certainly true. He's great. Have you seen Bronson? Oh? Yeah,

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<v Speaker 1>so so good. That's where he's Yeah, that's started for me,

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<v Speaker 1>at least one where he's all beefed up. It's like

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<v Speaker 1>a clockwork orange in a lot of ways, like the

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<v Speaker 1>story to that movie, and just the way it's that's

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<v Speaker 1>a true story, the way it's shot, and like the

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<v Speaker 1>way that character progresses reminds me a lot of of

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<v Speaker 1>of Kubrick and Orange for sure. Blaine Turner says, Tilda

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<v Speaker 1>Swinton so captivating and really vanishes into her characters. That

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<v Speaker 1>is certainly true. She's wonderful. Nick Kelly, I'll see anything

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<v Speaker 1>Ryan Gosling since Drive came out mainly to see if

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<v Speaker 1>he's playing dark Side Ryan or Lars Ryan. Yeah. Man,

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<v Speaker 1>he's really versatile. I like Gosling. Same man Crush Avalon Rector. Hey,

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<v Speaker 1>we heard from Avalon on listener, mail on the last one.

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<v Speaker 1>Dame Maggie Smith, She's a powerhouse and rocks everything she does.

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<v Speaker 1>Her stint on doubt and Abbey as a startastic, sarcastic

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<v Speaker 1>Dowager is tops. Boy, you are right there, Greta Coning,

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<v Speaker 1>says Daniel day Lewis. Of course, yeah, I just saw

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<v Speaker 1>Fantom Thread. I have not seen it yet. I'm very

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<v Speaker 1>much looking forward to it. Man, what a movie. Jason

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<v Speaker 1>Hancock again with Daniel day Lewis and anything Um. Vanessa

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<v Speaker 1>Lopez is Steve ba Shimmy. Sometimes the movies isn't aren't

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<v Speaker 1>great like con Aaron Armageddon, but he's a great character actor,

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<v Speaker 1>always entertaining. Conn Air is a masterpiece. I don't know

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<v Speaker 1>what you're talking about, uh Rene Chevez. John Cusack, So

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<v Speaker 1>I'll say anything. When I was an impressionable thirteen year old,

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<v Speaker 1>when my home life was a wreck and I escaped

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<v Speaker 1>to the movies with movies and music, He's been a

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<v Speaker 1>part of my movie going life since then. Uh yeah,

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<v Speaker 1>I like John Cusack. But boy, you want to read

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<v Speaker 1>some stories read about crazy John Cusack stories in Chicago.

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<v Speaker 1>Apparently not the not the nicest fellow. Yeah, he sounds

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<v Speaker 1>like a real piece of work. Jennifer fitz Fee says

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<v Speaker 1>Robert Daval, Wayne Hickson says Jason Statham, Dan Stillheart Brody

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<v Speaker 1>says Gary Oldman, Shannon Lambert. Tom Cruise In any action movie,

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<v Speaker 1>Tom Cruise can rock the action picture. He's really good

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<v Speaker 1>at running. I will say I'll say that. Oh man,

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<v Speaker 1>I saw a thing the other day where showed the

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<v Speaker 1>real you know, he's famous for doing his own stunts,

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<v Speaker 1>and they showed the behind the scenes. Um, I guess

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<v Speaker 1>this is new mention impossible where he jumps from one

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<v Speaker 1>building to another, and it's really him, and he has

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<v Speaker 1>of course wires and stuff. But he runs and jumps

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<v Speaker 1>off of a building to another one and slams into

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<v Speaker 1>the wall, comes up short and it shows it in

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<v Speaker 1>slow mo and like cracks his ankle sideways. So he's

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<v Speaker 1>wired and stuff, but he got like legit injured. And

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<v Speaker 1>it's crazy. Even if I had wires, I don't know

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<v Speaker 1>if I would do that. Well, he's like obviously some

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<v Speaker 1>kind of magical ageless pixie creature because he looks like

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<v Speaker 1>he's twenty years old. He's got to be pushing like fifties.

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<v Speaker 1>I don't know, how do you think he is? Dude,

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<v Speaker 1>I'm forty six and he's at least ten or twelve

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<v Speaker 1>years older than me. Crazy. I think you think he's

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<v Speaker 1>drinking children's blood or something to keep looking like that.

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<v Speaker 1>He's drinking that scientology juice. Uh. Annabelle Sutton says Benedict

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<v Speaker 1>Cumberbatch and Kristen Bell two great picks. I love me some.

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<v Speaker 1>Kristen Bell, She's great. Oh Man, Mary Lydia, the late

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<v Speaker 1>great Philip Seymour Hoffman. Absolutely heartbreaking. Rob. Speaking of heartbreaking,

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<v Speaker 1>Rob Dickinson says Bill Paxton, always so grounded and relatable.

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<v Speaker 1>That is certainly true. I really enjoyed a big love

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<v Speaker 1>a lot. I think that wasn't a lot of people's

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<v Speaker 1>number one HBO show, but I watched at every moment

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<v Speaker 1>of that, and I think he is such a grounded,

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<v Speaker 1>interesting character, like flawed, but also just very human and

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<v Speaker 1>relatable in that show as unrelatable a situation as that,

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<v Speaker 1>you know show, I think we saw that. I never

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<v Speaker 1>saw that. It's great about the you know, polygamy in Utah.

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<v Speaker 1>Debbie Huntsman dropped, says Meryl Streep. Well, I know that's

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<v Speaker 1>a bit of an obvious answer, but you can't go

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<v Speaker 1>wrong with Meryl Streep. Tim Curry from Lisa Matta Bond interesting.

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<v Speaker 1>Tim Curry is great. Um, it's pretty sad that he is,

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<v Speaker 1>uh not gonna be acting anymore. I think he's making

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<v Speaker 1>appearances though. Someone said that he was at a con.

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<v Speaker 1>They saw him at a con recently, and that he is,

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<v Speaker 1>you know, with it enough to like do those appearances. Yeah,

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<v Speaker 1>he had a pretty severe stroke. Wasn't that what it was?

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<v Speaker 1>That was what it was. Yeah, very sad. The great

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<v Speaker 1>Tim Tim Curry and his best work is in the

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<v Speaker 1>movie Congo. If you haven't seen Congo at some serious

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<v Speaker 1>scenery chewing character at you know, I'm talking about one

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<v Speaker 1>with the monkeys shooting the lasers. Yeah, it was like,

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<v Speaker 1>you know, a cash grab after Jurassic Park did so well.

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<v Speaker 1>It is Jurassic Park, it is not, I tell you right.

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<v Speaker 1>Kristen Glenn kissed her, says Helen Mirren. Always totally agree.

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<v Speaker 1>I have the biggest crush on here and Helen Mirren.

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<v Speaker 1>That's me talking. By the way, Katherine Burwit's You and

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<v Speaker 1>McGregor you went was pretty great. Robert lamb our own

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<v Speaker 1>Robert lamb and the stuff to plow your mind, says

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<v Speaker 1>Brad Dorriff, because you know he's always going to breathe

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<v Speaker 1>the right level of wide eyes insanity into the part.

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<v Speaker 1>And now I google Brad Dorriff. He was the voice

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<v Speaker 1>of Chucky tell you that. Oh he's also the dock

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<v Speaker 1>and uh in Deadwood and yeah, well he was, and

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<v Speaker 1>he was I remember him from one floor of the

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<v Speaker 1>Cuckoo's Nest. Oh my god, I didn't even remember that,

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<v Speaker 1>but yeah, he was one of the asylum mates. Like yeah,

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<v Speaker 1>and the kind of the main A lot of the

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<v Speaker 1>story revolves around what happens to him, which I won't spoil,

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<v Speaker 1>even though the movie is like a hundred years old.

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<v Speaker 1>Jessica Foley says Julia Roberts. Yeah, that's true what I

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<v Speaker 1>mentioned earlier. She doesn't act much anymore, and you can

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<v Speaker 1>bet if she does, it's going to be a pretty

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<v Speaker 1>good movie. Remembering your tig guitar interview, she was talking

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<v Speaker 1>about Share not Share. It was only you know dozen

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<v Speaker 1>movie Once in a Blue Moon, and they're all super high. Caliper,

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<v Speaker 1>I think that's an interesting one too, totally. Brian Throckmorton, No,

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<v Speaker 1>what's up Brian and O'Brian from way back? Sally Hawkins

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<v Speaker 1>and Sam Rockwell. Sam Rockwell for sure, all right, I

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<v Speaker 1>guess that probably winds it up that I read enough. Yeah,

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<v Speaker 1>that was a good number. Eve Elliott, Vigo Mortenson. Oh, yes,

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<v Speaker 1>is good history of violence. I watched that again for

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<v Speaker 1>the first time in years recently, and excellent excellence. Did

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<v Speaker 1>you see Captain Fantastic? I loved it so great. I

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<v Speaker 1>think I got a bad rap for being too overly

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<v Speaker 1>smalty or you know, I thought it was just amazing.

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<v Speaker 1>It just got me. Caleb Wyant says Bill Murray and

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<v Speaker 1>Michael Sarah Hey there's a there's a Nick Cage fan

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<v Speaker 1>in here. Adam Balkovic, my boy. Nice. All right, So

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<v Speaker 1>we're gonna move on. Thanks for those answers. That was great.

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<v Speaker 1>We're gonna move on a segment to and we're gonna

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<v Speaker 1>do Highlight Reel this week. And so for Highlight Reel,

0:12:32.000 --> 0:12:34.320
<v Speaker 1>as you know, I just highlight whatever I feel like highlighting,

0:12:34.320 --> 0:12:37.000
<v Speaker 1>whether it's a movie or an actor or a director,

0:12:37.679 --> 0:12:40.160
<v Speaker 1>or maybe a a few movies from a director. And

0:12:40.200 --> 0:12:44.200
<v Speaker 1>this week I'm gonna go with the wonderful actor Amy

0:12:44.240 --> 0:12:48.760
<v Speaker 1>Adams Um one of my favorites. Um her career, you know,

0:12:48.840 --> 0:12:51.040
<v Speaker 1>she started in TV, did a bunch of TV small

0:12:51.120 --> 0:12:54.080
<v Speaker 1>roles for a few years, kind of the traditional path,

0:12:54.800 --> 0:12:56.800
<v Speaker 1>and then the first thing I saw her in was

0:12:57.320 --> 0:12:59.960
<v Speaker 1>Catch Me if you can, the great Steven Spielberg. Move

0:13:00.040 --> 0:13:03.640
<v Speaker 1>Me with Leo DiCaprio is the I can't remember his name,

0:13:03.679 --> 0:13:06.960
<v Speaker 1>but the true story of the guy who wrote fake

0:13:07.040 --> 0:13:11.440
<v Speaker 1>checks to great success, just like an expert grifter. Yes,

0:13:11.480 --> 0:13:13.600
<v Speaker 1>expert grifter. That's a good way to I like that too,

0:13:13.600 --> 0:13:15.679
<v Speaker 1>because it's you know, it's a period pieces like seventies.

0:13:15.720 --> 0:13:17.760
<v Speaker 1>I got her late late sixties, and there's a part

0:13:17.840 --> 0:13:20.640
<v Speaker 1>in Atlanta. That's always interesting. Yeah, yeah, when there's this

0:13:20.760 --> 0:13:24.080
<v Speaker 1>party pad in midtown or something. Yeah. Well, actually that

0:13:24.120 --> 0:13:27.040
<v Speaker 1>party pad was a was a party pad near the

0:13:27.080 --> 0:13:32.040
<v Speaker 1>Chattahoochee River and it was a legendary apartment complex on

0:13:32.080 --> 0:13:36.640
<v Speaker 1>the on the hooch for um singles only, like no kids,

0:13:36.760 --> 0:13:39.280
<v Speaker 1>and it was pretty I had looked it up, I

0:13:39.320 --> 0:13:41.480
<v Speaker 1>remember at the time, and it was just kind of

0:13:41.480 --> 0:13:44.040
<v Speaker 1>one of those places that existed only in that time.

0:13:44.480 --> 0:13:46.360
<v Speaker 1>That's awesome. That's a good, good bit of trivia there

0:13:46.720 --> 0:13:49.839
<v Speaker 1>key party every night. Um. So she wasn't catch me

0:13:49.920 --> 0:13:52.439
<v Speaker 1>if you can, and she played the kind of dough

0:13:52.559 --> 0:13:55.640
<v Speaker 1>i'de um, well, young wife. He married her. I think

0:13:55.640 --> 0:13:59.120
<v Speaker 1>she had even braces at the beginning of the role. Um,

0:13:59.160 --> 0:14:01.320
<v Speaker 1>and she was just so long at the time. And

0:14:01.360 --> 0:14:04.200
<v Speaker 1>then she kind of broke out from there in two

0:14:04.240 --> 0:14:06.920
<v Speaker 1>thousand five with the great as a critic, starling in

0:14:06.920 --> 0:14:10.800
<v Speaker 1>the great independent film June Bug Um. That really put

0:14:10.800 --> 0:14:12.600
<v Speaker 1>her on the map. And then she had a really

0:14:12.679 --> 0:14:15.840
<v Speaker 1>terrific run over the next few years and Sunshine Cleaning.

0:14:16.440 --> 0:14:19.080
<v Speaker 1>Um in doubt, doubt did you see that? That's a

0:14:19.080 --> 0:14:21.720
<v Speaker 1>great one now I should though I know people it's

0:14:21.720 --> 0:14:25.640
<v Speaker 1>pretty hard yeah. Um, Julie and Julia of course. In

0:14:25.640 --> 0:14:28.840
<v Speaker 1>two thousand ten, David or Russell's The Fighter and the

0:14:28.920 --> 0:14:32.240
<v Speaker 1>Master in two thousand twelve, pretty heavy year for her. Uh,

0:14:32.280 --> 0:14:37.640
<v Speaker 1>two thousand thirteen American Hustle and then Arrival and Nocturnal Animals. Um,

0:14:37.680 --> 0:14:40.360
<v Speaker 1>just a couple of years ago. Have you seen Nocturnal Animals?

0:14:40.400 --> 0:14:44.720
<v Speaker 1>I love not Colonel an Daddy. It's intense, but it's perfect.

0:14:45.040 --> 0:14:49.680
<v Speaker 1>Hits all the boxes for me. It's like, yep, creepy, atmospheric, surreal, yep, violent,

0:14:49.800 --> 0:14:53.480
<v Speaker 1>amazing performances. It's got that kind of unreliable narrator quality

0:14:53.520 --> 0:14:55.880
<v Speaker 1>to which, yeah, like it's a really cool movie. Yeah.

0:14:55.920 --> 0:14:58.280
<v Speaker 1>I saw Not Turnal Animals without knowing anything about it,

0:14:58.280 --> 0:15:02.440
<v Speaker 1>which is wonderful when that happens, because the name doesn't

0:15:02.440 --> 0:15:05.280
<v Speaker 1>really tell you much and uh, you're really not sure

0:15:05.280 --> 0:15:07.600
<v Speaker 1>where the story is going when you start watching that movie. Yeah.

0:15:07.600 --> 0:15:10.320
<v Speaker 1>And Michael Shannon like doesn't play a bug eyed sociopath

0:15:10.360 --> 0:15:12.040
<v Speaker 1>and that one. I think he's like the sheriff, like

0:15:12.120 --> 0:15:14.880
<v Speaker 1>a kind of a good guy character. That's right, so

0:15:14.960 --> 0:15:19.200
<v Speaker 1>he can do it. Um. Anyway, She's just great. She's

0:15:19.200 --> 0:15:21.640
<v Speaker 1>been a lot of movies in between obviously in Big Eyes,

0:15:21.720 --> 0:15:24.440
<v Speaker 1>which I did not like, but she's great. Um. She

0:15:24.520 --> 0:15:26.840
<v Speaker 1>had a small part in the Spike Jones movie Her,

0:15:27.680 --> 0:15:29.480
<v Speaker 1>which I just saw giving me in the Night Good movie,

0:15:29.920 --> 0:15:32.760
<v Speaker 1>and of course played Lowis Lane, probably the best thing

0:15:32.800 --> 0:15:35.840
<v Speaker 1>about those Superman movies to me. Uh. And she's just

0:15:35.880 --> 0:15:38.760
<v Speaker 1>so versatile. When Amy Adams shows up, you know you're

0:15:38.760 --> 0:15:41.360
<v Speaker 1>gonna get a great performance. UM. She has ability to

0:15:41.400 --> 0:15:45.080
<v Speaker 1>be so natural no matter what role she's playing. UM.

0:15:45.560 --> 0:15:47.440
<v Speaker 1>And that's really like the mark of a great actor

0:15:47.480 --> 0:15:50.480
<v Speaker 1>to me, is when they're just you can never tell

0:15:50.520 --> 0:15:52.840
<v Speaker 1>that she's acting. She's just so effortless and everything that

0:15:52.920 --> 0:15:56.600
<v Speaker 1>she's in UM physically she's really or she's like a

0:15:56.720 --> 0:16:01.800
<v Speaker 1>casting director's dream because she can play the plane, Jane

0:16:01.800 --> 0:16:06.400
<v Speaker 1>next Door or um like an American Hustle. She can

0:16:07.080 --> 0:16:10.760
<v Speaker 1>you can glamor her up because she's very beautiful obviously,

0:16:10.800 --> 0:16:13.640
<v Speaker 1>but she can run the gamut on who she plays.

0:16:13.720 --> 0:16:17.400
<v Speaker 1>She can play anything. UM. And again, it's just so effortless.

0:16:17.480 --> 0:16:20.240
<v Speaker 1>She's there's really no role that I don't think that

0:16:20.280 --> 0:16:23.120
<v Speaker 1>she could tackle UM successfully, and you can tell. In

0:16:23.160 --> 0:16:26.920
<v Speaker 1>the past few years, obviously, everything from American Hustle, which

0:16:26.920 --> 0:16:30.400
<v Speaker 1>she just chewed through that movie, um tow Arrival, which

0:16:30.480 --> 0:16:35.560
<v Speaker 1>was a very um kind of an internal performance. I think,

0:16:35.920 --> 0:16:37.880
<v Speaker 1>is that a fair way of saying it? I think so, Yeah,

0:16:38.280 --> 0:16:41.560
<v Speaker 1>it's not big, no, but there's exactly there's a lot

0:16:41.560 --> 0:16:45.280
<v Speaker 1>of emotional complexity in that that reveals itself kind of

0:16:45.320 --> 0:16:47.400
<v Speaker 1>gradually throughout the movie, and then there's a big kind

0:16:47.400 --> 0:16:51.040
<v Speaker 1>of reveal. Yeah, big, big stuff. I love that movie.

0:16:51.040 --> 0:16:54.280
<v Speaker 1>That movie really got me. Yeah, me too. If you're

0:16:54.320 --> 0:16:57.400
<v Speaker 1>not like Shedding Tears and Arrival, then again you're dead inside.

0:16:58.720 --> 0:17:00.960
<v Speaker 1>Uh So that's my high real for the week, Amy

0:17:00.960 --> 0:17:03.240
<v Speaker 1>adams Man. Maybe one day the show can get to

0:17:03.240 --> 0:17:04.800
<v Speaker 1>the point where I'm sitting down with people like her.

0:17:05.240 --> 0:17:12.000
<v Speaker 1>You didn't like Big Eyes, No, how come? I thought

0:17:12.320 --> 0:17:15.360
<v Speaker 1>the movie just wasn't very good. And Christoph Waltz Um.

0:17:15.640 --> 0:17:20.280
<v Speaker 1>The casting of Christoph Waltz really bugged me. Yeah, because

0:17:20.640 --> 0:17:23.960
<v Speaker 1>he was from Oklahoma and christof Foltz comes in there.

0:17:24.000 --> 0:17:27.960
<v Speaker 1>He didn't he can't hide his accent and he is

0:17:28.040 --> 0:17:32.679
<v Speaker 1>just the man from Oklahoma nunciates everything yeah, and he

0:17:32.680 --> 0:17:35.520
<v Speaker 1>didn't even try. It was so weird. It just threw me.

0:17:36.119 --> 0:17:38.159
<v Speaker 1>It threw me from the whole movie because I was

0:17:38.240 --> 0:17:42.480
<v Speaker 1>just like, why why why cast a German guy to

0:17:42.520 --> 0:17:44.960
<v Speaker 1>play dude from Oklahoma? I can see that. I guess

0:17:45.000 --> 0:17:47.840
<v Speaker 1>I didn't. It wasn't made real clear in the movie

0:17:47.880 --> 0:17:49.240
<v Speaker 1>that he was from Oklahoma to me, and I didn't

0:17:49.280 --> 0:17:51.080
<v Speaker 1>know anything about the story, and I just thought I

0:17:51.080 --> 0:17:54.159
<v Speaker 1>probably thought he was Austrie in Ergot. Yeah, but to me,

0:17:54.240 --> 0:17:57.480
<v Speaker 1>that didn't really playing into the into the movie. But

0:17:57.640 --> 0:18:01.159
<v Speaker 1>I I quite enjoyed it. But it's a real cloying, awful,

0:18:01.240 --> 0:18:04.880
<v Speaker 1>awful character. Yeah, he's just like the worst he steals

0:18:05.000 --> 0:18:07.800
<v Speaker 1>you know, his uh he basically like kind of marries

0:18:07.840 --> 0:18:11.199
<v Speaker 1>this woman who is a really talented painter, he himself

0:18:11.280 --> 0:18:13.439
<v Speaker 1>is like a hack painter, and then ends up like

0:18:13.480 --> 0:18:17.720
<v Speaker 1>stealing her work and almost like keeping her enslaved, almost

0:18:17.760 --> 0:18:20.639
<v Speaker 1>for it's such a crazy story that it kind of

0:18:20.760 --> 0:18:23.920
<v Speaker 1>kept me invested in. I like a small Tim Burton

0:18:24.000 --> 0:18:26.640
<v Speaker 1>movie too, so that it had me in that respect.

0:18:26.640 --> 0:18:28.600
<v Speaker 1>But alright, I can see what you're saying. Chuck thumbs

0:18:28.640 --> 0:18:33.560
<v Speaker 1>up from Noel and Big Guys thumbs down from me down.

0:18:35.000 --> 0:18:37.479
<v Speaker 1>Although Amy Adams was great, and I think I remember

0:18:37.520 --> 0:18:41.280
<v Speaker 1>just feeling like that true story deserved better than what

0:18:41.359 --> 0:18:45.720
<v Speaker 1>it got. So put that in your pipe and smoke it,

0:18:46.080 --> 0:18:49.679
<v Speaker 1>but not literally because we're it worked all right, and uh,

0:18:49.760 --> 0:18:54.560
<v Speaker 1>finally we finished with stream this and comment card stream this.

0:18:56.160 --> 0:19:00.320
<v Speaker 1>I yesterday in real time watched the rich A Wowl.

0:19:00.760 --> 0:19:05.480
<v Speaker 1>Have you seen it yet? Horror? Yes, isn't Netflix original?

0:19:06.240 --> 0:19:10.840
<v Speaker 1>Well that's not true. Netflix bought it. But Atlantic guys

0:19:10.920 --> 0:19:12.920
<v Speaker 1>that had something to do with it. Yeah. David Bruckner. Okay,

0:19:13.240 --> 0:19:16.119
<v Speaker 1>So David Bruckner is a local Atlanta filmmaker. He made

0:19:16.160 --> 0:19:20.320
<v Speaker 1>his name originally with his his part to the anthology

0:19:20.359 --> 0:19:23.000
<v Speaker 1>horror movie The Signal. Um it was a three part

0:19:23.000 --> 0:19:25.679
<v Speaker 1>and he on He went on to do three anthology

0:19:25.720 --> 0:19:27.879
<v Speaker 1>movies in a row. So he did segments of The Signal,

0:19:28.480 --> 0:19:34.720
<v Speaker 1>VHS and Southbound and um, I personally think he was

0:19:34.800 --> 0:19:36.600
<v Speaker 1>probably the best part of all three of those movies.

0:19:37.119 --> 0:19:39.159
<v Speaker 1>But Bruckner is super talented and it took him a

0:19:39.200 --> 0:19:42.400
<v Speaker 1>long time to get his first feature under his belt.

0:19:42.440 --> 0:19:45.760
<v Speaker 1>He was he he really made a name for himself.

0:19:45.760 --> 0:19:49.919
<v Speaker 1>So he was attached to the Friday reboot for a

0:19:49.920 --> 0:19:53.600
<v Speaker 1>while and as it goes in Hollywood, it kind of

0:19:53.640 --> 0:19:55.760
<v Speaker 1>wanted to turn around, hell, I think, and he never

0:19:55.840 --> 0:19:58.320
<v Speaker 1>got that off the ground. Um, you know, not his

0:19:58.359 --> 0:20:01.240
<v Speaker 1>fault of course, and uh, it just took a while

0:20:01.280 --> 0:20:03.480
<v Speaker 1>for for David and to get in there and get

0:20:03.480 --> 0:20:05.080
<v Speaker 1>his first feature going. And I think this one came

0:20:05.080 --> 0:20:07.920
<v Speaker 1>together pretty quick. Um. In the end, it was based

0:20:07.920 --> 0:20:12.600
<v Speaker 1>on a novel, um, maybe a novella short novel. Uh.

0:20:12.640 --> 0:20:15.200
<v Speaker 1>And it's called The Ritual. Just released in real time

0:20:15.280 --> 0:20:18.280
<v Speaker 1>here uh this week, so that would be kind of

0:20:18.320 --> 0:20:23.440
<v Speaker 1>early mid February, and it's it's really good, it's unnerving. Um.

0:20:23.480 --> 0:20:25.640
<v Speaker 1>And actually got in touch with David and he's gonna

0:20:25.640 --> 0:20:27.320
<v Speaker 1>be on the show, which is gonna be great. Cool.

0:20:27.560 --> 0:20:29.080
<v Speaker 1>He's in l A now, so it's gonna have to

0:20:29.119 --> 0:20:32.720
<v Speaker 1>be out there. So the Dan Bush just kind of

0:20:32.760 --> 0:20:35.840
<v Speaker 1>in that world too, write correct. Dan also directed one

0:20:35.880 --> 0:20:40.640
<v Speaker 1>of the signal pieces in Our Illustrious Boss, Conald Byrne

0:20:41.440 --> 0:20:45.000
<v Speaker 1>is in those movies often that's right, that that is

0:20:45.080 --> 0:20:49.080
<v Speaker 1>it comes weirdly full circle here. Um. But The Ritual

0:20:49.240 --> 0:20:54.399
<v Speaker 1>is story about these four friends, um and uh. I

0:20:54.440 --> 0:20:58.600
<v Speaker 1>guess they're in London at the beginning of the movie. Um,

0:20:58.640 --> 0:21:02.199
<v Speaker 1>but they're they're British do and I don't want to

0:21:02.280 --> 0:21:05.399
<v Speaker 1>spoil anything, but the friends end up going on a

0:21:05.480 --> 0:21:10.240
<v Speaker 1>hiking trip through Sweden to honor their friend um. And

0:21:10.480 --> 0:21:13.560
<v Speaker 1>they take a shortcut through the forest to get to

0:21:13.680 --> 0:21:17.399
<v Speaker 1>the wherever they're going to end up like a lodge

0:21:17.800 --> 0:21:20.480
<v Speaker 1>to get there quicker. Uh. And as you know, when

0:21:20.520 --> 0:21:22.480
<v Speaker 1>you take a shortcut through the forest, bad things happen

0:21:24.280 --> 0:21:26.800
<v Speaker 1>every single time. Every single time, I'm like, how do

0:21:26.840 --> 0:21:29.640
<v Speaker 1>these people not know they're in a horror movie? Don't

0:21:29.680 --> 0:21:32.440
<v Speaker 1>do it? Don't go that well. In fact, one of

0:21:32.480 --> 0:21:36.160
<v Speaker 1>the characters even has a line that says, uh, shortcuts

0:21:37.440 --> 0:21:39.920
<v Speaker 1>like aren't even real or something, because if if they were,

0:21:39.960 --> 0:21:45.000
<v Speaker 1>they would just be called the route, you know, the

0:21:45.000 --> 0:21:49.080
<v Speaker 1>exactly the trudge. So the ritual is great. It's um

0:21:49.119 --> 0:21:52.640
<v Speaker 1>genuinely unnerving and spooky and creepy. And David does an

0:21:52.640 --> 0:21:56.440
<v Speaker 1>exceptional job of my favorite thing in these kind of movies,

0:21:56.480 --> 0:22:00.119
<v Speaker 1>which is called dread building, um, not giving you too

0:22:00.200 --> 0:22:05.360
<v Speaker 1>much really anticipate, like building up this anticipation of oh shit,

0:22:05.640 --> 0:22:08.000
<v Speaker 1>what is going on here? What is going to happen

0:22:08.040 --> 0:22:10.920
<v Speaker 1>with these guys? What is this thing in the woods

0:22:11.480 --> 0:22:16.320
<v Speaker 1>that is haunting slash stalking them? Uh? Really really terrific

0:22:16.400 --> 0:22:19.359
<v Speaker 1>job there. And the hardest part of these movies to

0:22:19.440 --> 0:22:22.320
<v Speaker 1>me is the payoff that that end, you know, fifteen

0:22:22.400 --> 0:22:25.240
<v Speaker 1>or twenty minutes or so. The third act is really

0:22:25.240 --> 0:22:28.359
<v Speaker 1>tough in a movie like this because there's always the

0:22:28.440 --> 0:22:30.080
<v Speaker 1>choice of like, if there is a creature, do you

0:22:30.440 --> 0:22:31.879
<v Speaker 1>how much do you show of the creature? Do you

0:22:31.880 --> 0:22:34.639
<v Speaker 1>give it all away? Do you explain it or not? Um?

0:22:34.680 --> 0:22:37.080
<v Speaker 1>And I just think David did a great job wrapping

0:22:37.080 --> 0:22:39.679
<v Speaker 1>this one up. It was satisfying to me on all levels.

0:22:40.840 --> 0:22:42.600
<v Speaker 1>Just hearing you describe it kind of makes me think

0:22:42.640 --> 0:22:45.360
<v Speaker 1>of it comes at night maybe seeing that or it's

0:22:45.359 --> 0:22:47.040
<v Speaker 1>sort of like I have not yet there in the

0:22:47.040 --> 0:22:50.679
<v Speaker 1>woods cabin and you know the threat of a creature

0:22:50.880 --> 0:22:53.760
<v Speaker 1>or this idea of this existential dread is as much

0:22:54.320 --> 0:22:57.280
<v Speaker 1>the thing that built the tension as any actual reveal

0:22:57.359 --> 0:23:00.159
<v Speaker 1>of creature or Yeah, you know, I mean that's the

0:23:01.000 --> 0:23:02.959
<v Speaker 1>That's what I want, at least out of my movies

0:23:03.000 --> 0:23:07.080
<v Speaker 1>like this. Um, you can take your your hostels. I

0:23:07.119 --> 0:23:09.320
<v Speaker 1>saw The Green Inferno the other day. Finally have you

0:23:09.359 --> 0:23:11.720
<v Speaker 1>seen that? That's like the kind of cannibal Holocaust type

0:23:11.720 --> 0:23:14.480
<v Speaker 1>of line. Yeah, Eli Ross kind of homage to those

0:23:14.520 --> 0:23:19.240
<v Speaker 1>movies too much. It was just bad. Yeah, I just

0:23:19.240 --> 0:23:21.480
<v Speaker 1>went any good. The only over the over the top

0:23:21.560 --> 0:23:24.359
<v Speaker 1>gore I like is stuff like Peter Jackson's Dead Alive

0:23:24.880 --> 0:23:28.359
<v Speaker 1>or Units of Humor to kind of weird schlocky Japanese

0:23:28.400 --> 0:23:30.920
<v Speaker 1>gangster movies and stuff. But when the torture points, stuff

0:23:30.960 --> 0:23:33.520
<v Speaker 1>just just I don't see the point. Yeah. I actually

0:23:33.560 --> 0:23:37.120
<v Speaker 1>fast forwarded through much of Green Inferno. I just kind

0:23:37.119 --> 0:23:39.359
<v Speaker 1>of wanted to finally see what the deal was. And

0:23:39.520 --> 0:23:41.119
<v Speaker 1>I know the deal and it's not the great of

0:23:41.119 --> 0:23:44.120
<v Speaker 1>a deal anyway. The ritual you can get on Netflix.

0:23:44.680 --> 0:23:47.359
<v Speaker 1>Uh David made this himself and then uh sold it

0:23:47.400 --> 0:23:50.360
<v Speaker 1>to Netflix, so that's where it will live forever. So

0:23:50.520 --> 0:24:01.320
<v Speaker 1>go check it out and support David Bruckner. Um, great guy. Finally,

0:24:01.320 --> 0:24:04.280
<v Speaker 1>we finish up here with comic cards, some emails from

0:24:04.280 --> 0:24:07.439
<v Speaker 1>you guys, and this one is from Aaron Burke. What

0:24:07.640 --> 0:24:10.600
<v Speaker 1>is a book you want to make into a movie?

0:24:10.600 --> 0:24:13.160
<v Speaker 1>You would want made into a movie. Um, I'm gonna

0:24:13.160 --> 0:24:15.639
<v Speaker 1>go with my first instinct here, Aaron, and say the

0:24:15.680 --> 0:24:19.120
<v Speaker 1>book Middlesex. I've been long on record is saying it's

0:24:19.119 --> 0:24:21.720
<v Speaker 1>one of my favorite books, if not my favorite, from

0:24:21.720 --> 0:24:26.360
<v Speaker 1>the great Jeffrey Eugenites. And he also wrote The Virgin Suicides,

0:24:26.560 --> 0:24:30.800
<v Speaker 1>which made a great movie, and um, it's just really

0:24:30.880 --> 0:24:36.480
<v Speaker 1>really terrific it's a wonderful story Middlesex. However, it would

0:24:36.480 --> 0:24:38.600
<v Speaker 1>be tough to make into a two hour film. And

0:24:38.640 --> 0:24:41.000
<v Speaker 1>so the last thing I saw which would be great

0:24:41.160 --> 0:24:44.880
<v Speaker 1>is that somebody I think Showtime might have been developing

0:24:44.880 --> 0:24:48.639
<v Speaker 1>it for a limited run series, which is the perfect

0:24:48.640 --> 0:24:51.600
<v Speaker 1>way to tell the story of Middlesex. And I think,

0:24:51.760 --> 0:24:53.560
<v Speaker 1>I mean, this is a few years ago, so clearly

0:24:53.560 --> 0:24:58.200
<v Speaker 1>there some problems um in development with it because I

0:24:58.200 --> 0:25:00.640
<v Speaker 1>don't think it's like right around the corner. But hopefully

0:25:00.640 --> 0:25:03.760
<v Speaker 1>Showtime still has her eyes on the prize with Middlesex,

0:25:04.320 --> 0:25:06.159
<v Speaker 1>because that would be just just great to see that

0:25:06.240 --> 0:25:09.760
<v Speaker 1>on the small big screen. You got one, knoll, I

0:25:09.760 --> 0:25:12.199
<v Speaker 1>don't read nearly enough as I should chuck all right,

0:25:12.520 --> 0:25:14.600
<v Speaker 1>fair enough, Oh, I will say though, I'd love to

0:25:14.640 --> 0:25:18.879
<v Speaker 1>see uh a modern adaptation of the Grapes of Wrath.

0:25:19.280 --> 0:25:21.280
<v Speaker 1>And I know it's a classic of the kind of

0:25:21.320 --> 0:25:23.639
<v Speaker 1>the film, but I just would love to see it

0:25:23.680 --> 0:25:27.960
<v Speaker 1>like Allah p. T Anderson or big sweeping you know,

0:25:28.080 --> 0:25:30.800
<v Speaker 1>modern Grapes of Wrath. Yeah, I hear you, like with

0:25:31.240 --> 0:25:35.000
<v Speaker 1>cell phones and now laser tech with you know, Ryan

0:25:35.040 --> 0:25:40.120
<v Speaker 1>Gosling and Amy Adam oh Man alright sold casting directors

0:25:40.240 --> 0:25:44.960
<v Speaker 1>hit me up alright, Number two, Carrie Gray best and

0:25:45.040 --> 0:25:49.520
<v Speaker 1>worst remake. Um, I am going to go. I mentioned

0:25:49.520 --> 0:25:52.879
<v Speaker 1>this in the last episode. Arthur is the worst remake.

0:25:53.600 --> 0:25:56.480
<v Speaker 1>And when it comes to bad remakes, it's probably because

0:25:56.560 --> 0:25:59.359
<v Speaker 1>that first movie was important to you. The original Arthur

0:25:59.440 --> 0:26:02.000
<v Speaker 1>was very warded to me as a movie. In fact,

0:26:02.000 --> 0:26:04.720
<v Speaker 1>I'll do a whole segment on Arthur at some point. Uh.

0:26:04.760 --> 0:26:06.359
<v Speaker 1>And I only saw a little bit of the remake.

0:26:06.400 --> 0:26:08.800
<v Speaker 1>I just I didn't even want to see a little

0:26:08.800 --> 0:26:11.280
<v Speaker 1>bit of it, even though our pal John Hodgeman is

0:26:11.280 --> 0:26:15.200
<v Speaker 1>in it briefly. It's just it was a bad idea.

0:26:15.320 --> 0:26:17.879
<v Speaker 1>The great credit Gerwigs in it. Russell Brand is great,

0:26:18.119 --> 0:26:21.320
<v Speaker 1>and on paper I would have thought, you know, Russell Brand,

0:26:21.400 --> 0:26:25.120
<v Speaker 1>perfect casting to replace Deadly Moore. But in the end,

0:26:25.280 --> 0:26:29.880
<v Speaker 1>just don't remake Arthur. Russell Brands a bit much. Sometimes, yeah,

0:26:30.920 --> 0:26:34.879
<v Speaker 1>you got a bad remake, bad remake. I just I

0:26:34.920 --> 0:26:37.080
<v Speaker 1>don't go for I don't. I try not to watch

0:26:37.160 --> 0:26:42.120
<v Speaker 1>bad movies if possible, unless they're ness. No, nothing comes

0:26:42.119 --> 0:26:44.320
<v Speaker 1>to mind right off the Nicolas that this is becoming

0:26:44.320 --> 0:26:47.240
<v Speaker 1>a bit now. I like it. I'm a fan. Uh.

0:26:47.280 --> 0:26:50.480
<v Speaker 1>And then the best remakes, I'm just gonna list a

0:26:50.480 --> 0:26:53.400
<v Speaker 1>few of them. Here are some of my favorites. Uh, Scarface,

0:26:53.920 --> 0:26:56.800
<v Speaker 1>the Brian De Palma version, Um with al Pacino, one

0:26:56.840 --> 0:26:59.840
<v Speaker 1>of the great great remakes of all time. Cape Fear,

0:27:01.000 --> 0:27:06.520
<v Speaker 1>the Martin Scorsese Robert de Niro, Nick Nolty, Jessica Lange

0:27:06.640 --> 0:27:10.960
<v Speaker 1>version and Juliet Lewis one of the great great remakes

0:27:10.960 --> 0:27:13.840
<v Speaker 1>of all time. Uh. And I'm gonna stick with Scorsese

0:27:13.960 --> 0:27:16.119
<v Speaker 1>with The Departed. That was a remake of a foreign

0:27:16.119 --> 0:27:21.479
<v Speaker 1>film called Infernal Affairs, and The Departed is was one

0:27:21.480 --> 0:27:24.000
<v Speaker 1>of my favorite movies of that year. Uh. Some people

0:27:24.040 --> 0:27:25.360
<v Speaker 1>don't like that movie. I don't get it. I think

0:27:25.359 --> 0:27:28.280
<v Speaker 1>it's just terrific. I think it's excellent. And this one

0:27:28.359 --> 0:27:31.359
<v Speaker 1>came up, Um in your interview with John Ronson to

0:27:31.520 --> 0:27:35.160
<v Speaker 1>let the right one in remake is excellent, I would argue,

0:27:35.160 --> 0:27:38.760
<v Speaker 1>a little unnecessary, but very very good. Yep, agreed, let

0:27:38.760 --> 0:27:42.159
<v Speaker 1>me in. Very good job with that one. Good question,

0:27:42.240 --> 0:27:47.600
<v Speaker 1>Carrie Gray. And then finally Shannon Lee asks Chuck and

0:27:47.720 --> 0:27:51.040
<v Speaker 1>nol you can watch only one genre for the rest

0:27:51.040 --> 0:27:56.320
<v Speaker 1>of your life, which would it be one genre of

0:27:56.440 --> 0:28:01.880
<v Speaker 1>movie that is tough? Uh, Shannon, I'm gonna go I'm

0:28:01.880 --> 0:28:05.840
<v Speaker 1>gonna let nol think and I'm gonna go with I'm

0:28:05.840 --> 0:28:12.359
<v Speaker 1>gonna go I think with drama, just straight up drama. UM,

0:28:12.440 --> 0:28:15.200
<v Speaker 1>And drama is on a bit on a spectrum, so

0:28:15.400 --> 0:28:20.120
<v Speaker 1>that includes um, that includes a lot. So maybe that's

0:28:20.119 --> 0:28:22.600
<v Speaker 1>why I'm picking it. I wouldn't you know. I love

0:28:22.640 --> 0:28:24.520
<v Speaker 1>to laugh and I love comedies, but there are so

0:28:24.640 --> 0:28:26.879
<v Speaker 1>few really great comedies these days. I feel like I

0:28:26.920 --> 0:28:31.440
<v Speaker 1>would be wasting my time. Um, Romantic comedy is certainly

0:28:31.480 --> 0:28:34.160
<v Speaker 1>not If I was going to pick a genre, sci

0:28:34.240 --> 0:28:38.280
<v Speaker 1>Fi I love for sure, Horror I like, but I

0:28:38.640 --> 0:28:41.560
<v Speaker 1>don't think I could diet only on those movies. So

0:28:41.560 --> 0:28:43.840
<v Speaker 1>I'm gonna go with just straight up drama. I think

0:28:44.040 --> 0:28:46.160
<v Speaker 1>that's a bit of a cheat, chuck, because drama can

0:28:46.160 --> 0:28:49.800
<v Speaker 1>include sci Fi, and drama has comedy. Drama has, you know,

0:28:49.840 --> 0:28:52.240
<v Speaker 1>if it's a good, but if it's got sci Fi

0:28:52.320 --> 0:28:54.600
<v Speaker 1>in it, it will be called sci fi. And that's

0:28:54.640 --> 0:28:56.920
<v Speaker 1>the rules of this exercise. I think, So, okay, what

0:28:57.000 --> 0:29:01.400
<v Speaker 1>are you picking? I think drama as well. Only I

0:29:01.440 --> 0:29:03.400
<v Speaker 1>was gonna say comedy, but I feel like so much

0:29:03.440 --> 0:29:07.200
<v Speaker 1>good drama has comedy in it, and like these days,

0:29:07.280 --> 0:29:10.800
<v Speaker 1>like stuff that's build as a straight comedy, it's not

0:29:10.960 --> 0:29:13.640
<v Speaker 1>usually great, you know what I mean. Like, so, if

0:29:13.640 --> 0:29:15.880
<v Speaker 1>it's a good film like Ladybird, for example, which I

0:29:15.880 --> 0:29:18.480
<v Speaker 1>have not seen but apparently has a lot of humor

0:29:18.520 --> 0:29:21.040
<v Speaker 1>in it, but you know it's not a comedy Lady Bird,

0:29:21.080 --> 0:29:24.560
<v Speaker 1>I would call it coming of age drama. Yeah, for sure.

0:29:24.680 --> 0:29:28.120
<v Speaker 1>I think encapsulated within drama you kind of get all

0:29:28.160 --> 0:29:31.200
<v Speaker 1>of the uh the tasty bits that you need for

0:29:31.240 --> 0:29:33.040
<v Speaker 1>your movie diet. So I think that's a good one.

0:29:33.080 --> 0:29:36.840
<v Speaker 1>Talk tasty bits from nol So that's another mini crush

0:29:36.960 --> 0:29:40.120
<v Speaker 1>in the can right now. It is, in fact in

0:29:40.160 --> 0:29:41.840
<v Speaker 1>the can like a film can. Is that what we're

0:29:41.840 --> 0:29:44.720
<v Speaker 1>talking about? That's where it comes from. Cool, if I'm

0:29:44.760 --> 0:29:46.800
<v Speaker 1>not mistaken, you learned something new every day that you

0:29:46.840 --> 0:29:50.280
<v Speaker 1>probably already should have known. That's right. Uh, great subtitle

0:29:50.360 --> 0:29:54.280
<v Speaker 1>for this show. So your homework this week Everybody is

0:29:54.320 --> 0:29:58.760
<v Speaker 1>the great independent film Party Girl, starring Parker Posey. This

0:29:58.800 --> 0:30:02.640
<v Speaker 1>week's guest is gonna be Guy Brand Him wonderful, awesome,

0:30:03.520 --> 0:30:08.240
<v Speaker 1>super smart, just great guy. Um, great guy. See what

0:30:08.280 --> 0:30:11.160
<v Speaker 1>I did there. Guy's a comedian. He uh he does

0:30:11.160 --> 0:30:15.720
<v Speaker 1>this great show called talk show, The Game Show, and

0:30:15.720 --> 0:30:17.520
<v Speaker 1>he's just a great dude. It was good to have

0:30:17.520 --> 0:30:20.120
<v Speaker 1>the men here, and I wanted to do I wanted

0:30:20.160 --> 0:30:22.360
<v Speaker 1>to start my own podcast with Guy after we uh

0:30:22.840 --> 0:30:25.320
<v Speaker 1>we did that episode and so we talked about Party Girl.

0:30:25.400 --> 0:30:28.000
<v Speaker 1>Watch it this week and thanks a lot for listening.