1 00:00:10,119 --> 00:00:13,480 Speaker 1: Dennis Brendon Bay and Iron Rapports Stereo podcast is here. Higy, 2 00:00:13,600 --> 00:00:18,320 Speaker 1: Have No fear, museum quality iron Wrap Ports Stereo podcast. 3 00:00:18,400 --> 00:00:21,840 Speaker 1: Beautiful day for podcasting. Today we talk about the loss 4 00:00:21,920 --> 00:00:26,680 Speaker 1: of the great, the one and only good fellow Ray Leota, 5 00:00:26,720 --> 00:00:28,520 Speaker 1: who I had the honor and the pleasure of working 6 00:00:28,560 --> 00:00:32,800 Speaker 1: with on the movie Copland. Talk about the loss of 7 00:00:33,640 --> 00:00:38,600 Speaker 1: one of a kind, uh Gray Leota. Plus updates on 8 00:00:38,640 --> 00:00:43,680 Speaker 1: the Amber Turd, Johnny Depp trial and some other Hollywood breakdowns, 9 00:00:43,800 --> 00:00:46,240 Speaker 1: and of course and I hate doing it, got to 10 00:00:46,280 --> 00:00:50,440 Speaker 1: talk about another mass a mass killing, a mass shooting 11 00:00:50,520 --> 00:00:55,160 Speaker 1: in Texas. Great Iron Rapports Stereo podcast coming up next. 12 00:00:55,360 --> 00:00:58,600 Speaker 1: Iron Wrap Ports Stereo Podcast Live and direct Miles Jordan Ak, 13 00:00:58,680 --> 00:01:00,240 Speaker 1: The Belief brother day k the Dutch Brothers. Start to 14 00:01:00,240 --> 00:01:02,800 Speaker 1: puppy with something real nice, yes, start to pupping with 15 00:01:02,840 --> 00:01:05,320 Speaker 1: something real, proper, Okay, but most important, start to pupping 16 00:01:05,360 --> 00:01:07,640 Speaker 1: off with something real, loud and real proper. Iron wrap 17 00:01:07,680 --> 00:01:11,720 Speaker 1: Port Stereo podcast coming up right now. Let's fucking go 18 00:01:22,920 --> 00:01:27,840 Speaker 1: all right, have no Fear of the Iron rapp Reports 19 00:01:27,880 --> 00:01:33,399 Speaker 1: Stereo pond cast is here. I hope everybody's good, hope 20 00:01:33,400 --> 00:01:38,400 Speaker 1: everybody's safe. I hope everybody is saying. It's the Iron 21 00:01:38,440 --> 00:01:42,680 Speaker 1: wrap Port Stereo Podcast, and my name is Michael Rappaport 22 00:01:42,760 --> 00:01:44,680 Speaker 1: a k a. The Salt of Sniff, a k a. 23 00:01:44,840 --> 00:01:49,760 Speaker 1: The Gringo man Dingo a k a. The Disruptive Warrior 24 00:01:49,880 --> 00:01:54,840 Speaker 1: a k The Raging Bullshitter. And you're now rocking with 25 00:01:54,920 --> 00:01:57,800 Speaker 1: the very best. Welcome to the Iron Dome of Disruption, 26 00:01:57,880 --> 00:02:00,960 Speaker 1: the Ziggity, the Ziggity, I'll do it one more time 27 00:02:01,000 --> 00:02:06,000 Speaker 1: to it the Zone of Disruption. I am Rapport Stereo Podcast, 28 00:02:06,040 --> 00:02:12,359 Speaker 1: coming live and direct from beautiful New York City. Gorgeous, gorgeous, 29 00:02:12,400 --> 00:02:15,600 Speaker 1: Just a gorgeous week here in New York. We had 30 00:02:15,639 --> 00:02:18,880 Speaker 1: a couple of days that we're in the nineties last weekend, 31 00:02:18,919 --> 00:02:23,079 Speaker 1: which was bizarre. But this is what spring is all about. 32 00:02:23,160 --> 00:02:26,840 Speaker 1: Spring and fall in New York City. I don't think 33 00:02:26,880 --> 00:02:29,880 Speaker 1: you could beat it. I don't think you can beat it. 34 00:02:29,960 --> 00:02:34,040 Speaker 1: It is a beautiful day here right now. And like 35 00:02:34,080 --> 00:02:36,840 Speaker 1: I said, I hope everybody is feeling good. I hope 36 00:02:36,880 --> 00:02:42,000 Speaker 1: everybody is feeling safe, and I hope everybody is feeling sane. Anyway, 37 00:02:42,040 --> 00:02:46,200 Speaker 1: I am Rapport Stereo Podcast. So much to talk about today, 38 00:02:46,880 --> 00:02:53,520 Speaker 1: so much has going on since the last podcast. You know, 39 00:02:53,560 --> 00:02:58,040 Speaker 1: where I was going to start with the podcast was 40 00:02:58,080 --> 00:03:06,560 Speaker 1: this terrible shooting in Texas, another fucking mass murder in Texas, 41 00:03:06,720 --> 00:03:11,200 Speaker 1: which I'm gonna get to that. Um, but it's become 42 00:03:11,280 --> 00:03:16,760 Speaker 1: so redundant talking about these these shootings, but of course 43 00:03:16,800 --> 00:03:20,440 Speaker 1: we have to talk about it, and of course, um, 44 00:03:20,520 --> 00:03:24,239 Speaker 1: you know what I'm gonna say about it. Um, Before that, 45 00:03:25,520 --> 00:03:32,160 Speaker 1: I want to talk about Ray Liota. The iconic actor. 46 00:03:32,280 --> 00:03:38,480 Speaker 1: Ray Leota passed away the other day, Um, out of nowhere, 47 00:03:38,560 --> 00:03:44,680 Speaker 1: sixty seven years old, the great Ray Liota, truly a 48 00:03:44,800 --> 00:03:50,760 Speaker 1: great actor, totally unique actor, passed away in his sleep. 49 00:03:50,840 --> 00:03:54,080 Speaker 1: No foul play has been reported. Sixty seven years old. 50 00:03:55,040 --> 00:03:57,840 Speaker 1: He was down in Dominican Republic filming a movie. I 51 00:03:57,840 --> 00:04:01,760 Speaker 1: don't know what movie he was filming down there. Um, 52 00:04:01,840 --> 00:04:06,040 Speaker 1: but he died in his sleep. And UM, you know, 53 00:04:06,160 --> 00:04:12,600 Speaker 1: very very very sad obviously, Rayliota. Um, good Fellas, I 54 00:04:12,640 --> 00:04:17,839 Speaker 1: mean one of the most I mean, what a piece 55 00:04:17,839 --> 00:04:22,680 Speaker 1: of fucking cinema, What a piece of art, What an 56 00:04:22,839 --> 00:04:30,120 Speaker 1: iconic piece of film and pop culture and just perfection. 57 00:04:30,200 --> 00:04:33,360 Speaker 1: And you know, I mean, what can you say about 58 00:04:33,360 --> 00:04:38,080 Speaker 1: good Fellows that you haven't already said? Heard or discussed 59 00:04:38,440 --> 00:04:43,520 Speaker 1: amongst yourselves. And of course, the film starts with ray 60 00:04:43,600 --> 00:04:48,400 Speaker 1: Liota's voice over where he says, as far as I 61 00:04:48,400 --> 00:04:51,360 Speaker 1: can remember, I always wanted to be a gangster, as 62 00:04:51,400 --> 00:04:53,520 Speaker 1: far back as I can remember, I always wanted to 63 00:04:53,520 --> 00:04:59,640 Speaker 1: be a gangster in that distinct gravelly ray Liota voice. 64 00:05:00,440 --> 00:05:05,239 Speaker 1: And obviously, ray Leota went on to narrate and star 65 00:05:06,160 --> 00:05:13,360 Speaker 1: in Good Fellas, and you know, he's a part. He's 66 00:05:13,400 --> 00:05:20,640 Speaker 1: the star of one of the most important iconic films 67 00:05:20,800 --> 00:05:25,760 Speaker 1: to ever be made. And um, you know, had an 68 00:05:25,760 --> 00:05:31,720 Speaker 1: incredible career, had a just a fucking unique, totally one 69 00:05:31,760 --> 00:05:34,800 Speaker 1: of a kind actor, because of that voice, because of 70 00:05:34,839 --> 00:05:41,160 Speaker 1: his look, because of those eyes. Um, just an incredible career. Um. 71 00:05:41,440 --> 00:05:44,760 Speaker 1: I first saw raylio in a film that not a 72 00:05:44,800 --> 00:05:49,080 Speaker 1: lot of people have seen, a film called Something Wild, 73 00:05:49,120 --> 00:05:53,279 Speaker 1: which came out directed by Jonathan Demi, the great Jonathan Demi, 74 00:05:54,240 --> 00:05:57,920 Speaker 1: who has made you know, a bunch of other really 75 00:05:57,920 --> 00:06:04,240 Speaker 1: good films, was famously Silence of the Lambs. Um. But 76 00:06:04,360 --> 00:06:09,920 Speaker 1: it's a weird, small film that Jeff Daniels and Melanie 77 00:06:10,520 --> 00:06:15,680 Speaker 1: Griffin staring, and a young ray Liota, who was you know, 78 00:06:15,680 --> 00:06:20,280 Speaker 1: an unknown at the time, plays this fucking Psycho. The 79 00:06:20,279 --> 00:06:22,800 Speaker 1: two of them are on this like you know, love 80 00:06:22,839 --> 00:06:28,040 Speaker 1: adventure Melanie Griffin and Jeff Daniel and they meet up 81 00:06:28,080 --> 00:06:32,960 Speaker 1: with this fucking lunatic played by ray Liota and it's 82 00:06:33,120 --> 00:06:37,080 Speaker 1: just beause, I mean, he is so I remember seeing 83 00:06:37,120 --> 00:06:40,680 Speaker 1: that film and being like, I've never like he was scary. 84 00:06:41,839 --> 00:06:45,240 Speaker 1: He was frightening in that film. I don't know where 85 00:06:45,279 --> 00:06:47,960 Speaker 1: you could watch it. I'm sure it's it's downloadable somewhere. 86 00:06:49,080 --> 00:06:51,600 Speaker 1: I'm sure it's on on some streaming platform. But if 87 00:06:51,640 --> 00:06:54,560 Speaker 1: you want to see a totally unique, weird film and 88 00:06:54,600 --> 00:07:01,240 Speaker 1: an incredible Ray Aliota performance, you should absolutely check out 89 00:07:01,240 --> 00:07:06,200 Speaker 1: the film Something Whild, directed by Jonathan Demi, the Great 90 00:07:06,279 --> 00:07:09,359 Speaker 1: Jonathan Demi, who, of course, like I said, directed Silence 91 00:07:09,360 --> 00:07:14,360 Speaker 1: to the Limbs and uh some other films. Uncle two, 92 00:07:15,160 --> 00:07:19,480 Speaker 1: the late great Ted Demi, who directed ray Leiota in 93 00:07:19,520 --> 00:07:22,520 Speaker 1: the movie Blow starring Johnny Depp. I'm gonna talk about 94 00:07:23,080 --> 00:07:24,880 Speaker 1: I'm talking about a lot of people asking me. I've 95 00:07:24,880 --> 00:07:29,600 Speaker 1: talked about these sick Fox a few other times. They 96 00:07:29,600 --> 00:07:34,480 Speaker 1: talked about Amber heard Amber Tard and Johnny Depp since 97 00:07:34,520 --> 00:07:36,880 Speaker 1: this whole thing came up. But let me stay focused 98 00:07:36,920 --> 00:07:42,280 Speaker 1: on ray Leiota, Um, So, like I said, um, you 99 00:07:42,280 --> 00:07:45,080 Speaker 1: should definitely try to find that film something. While it's 100 00:07:45,080 --> 00:07:48,640 Speaker 1: not a perfect film, but it's just a weird, unique totally. 101 00:07:49,520 --> 00:07:51,640 Speaker 1: I mean, the performance he gives you just like, who 102 00:07:51,800 --> 00:07:55,400 Speaker 1: is this fucking freak? And you know, then he went 103 00:07:55,480 --> 00:08:01,560 Speaker 1: on a few years later to get Good Fellas, which 104 00:08:01,600 --> 00:08:05,760 Speaker 1: came out, and you know, the rest is history. In 105 00:08:05,800 --> 00:08:13,000 Speaker 1: my opinion, because his voice was so distinctly used through 106 00:08:13,040 --> 00:08:17,520 Speaker 1: the narration, and because we've watched Good Fellas so many 107 00:08:17,560 --> 00:08:20,920 Speaker 1: times over and over and over and over and over again, 108 00:08:22,920 --> 00:08:25,440 Speaker 1: and because he's the narrator of it, and the voice 109 00:08:25,440 --> 00:08:28,560 Speaker 1: and the way it's used in the I mean, there's 110 00:08:28,600 --> 00:08:32,520 Speaker 1: just so many great moments in Good Fellas. Ts those 111 00:08:32,559 --> 00:08:35,800 Speaker 1: goody good people who work shitty jobs for bump paychecks 112 00:08:35,800 --> 00:08:38,040 Speaker 1: and who took the subway to work every day, worried 113 00:08:38,080 --> 00:08:41,520 Speaker 1: about their bills, were dead and they were suckers. They 114 00:08:41,520 --> 00:08:45,240 Speaker 1: had no balls. If we wanted something, we just took it. 115 00:08:45,720 --> 00:08:48,520 Speaker 1: If anyone complained twice, they got hit so bad. Believe me, 116 00:08:48,600 --> 00:08:51,679 Speaker 1: they never complained again. It was just all routine and 117 00:08:51,760 --> 00:08:55,160 Speaker 1: you didn't even think about it. We know every line, 118 00:08:55,200 --> 00:09:00,840 Speaker 1: every frame, every stitch of clothing, every every song, cue, 119 00:09:00,840 --> 00:09:04,480 Speaker 1: every musical que we we know everything about this film 120 00:09:04,640 --> 00:09:07,920 Speaker 1: and ray Leo it is all over. In my opinion, 121 00:09:08,679 --> 00:09:12,760 Speaker 1: he was almost a prisoner of how great he was 122 00:09:12,880 --> 00:09:15,839 Speaker 1: in this great film. It was hard to get out of. 123 00:09:16,559 --> 00:09:19,200 Speaker 1: Not the type casting, it was just us. He was 124 00:09:19,280 --> 00:09:22,840 Speaker 1: just It's ingrained in our fucking brain. It's like Rocky 125 00:09:23,000 --> 00:09:27,800 Speaker 1: or Saturday Fever, like fucking Henry Hill. Henry fucking Hill. 126 00:09:27,840 --> 00:09:32,840 Speaker 1: He played Henry Hill in Good Fellas. He was in 127 00:09:32,920 --> 00:09:38,959 Speaker 1: Field of Dreams, another incredible film shoelas Joe Jackson um 128 00:09:39,760 --> 00:09:42,079 Speaker 1: which everybody's seen Field of Dreams. I think, right is 129 00:09:42,080 --> 00:09:44,160 Speaker 1: everybody saw a Field of Dreams. Not that you want 130 00:09:44,160 --> 00:09:52,040 Speaker 1: to cry go funk with Field of Dreams. Um, beautiful film. 131 00:09:52,080 --> 00:09:55,000 Speaker 1: And I had the pleasure of working with ray Leiota 132 00:09:55,120 --> 00:09:59,959 Speaker 1: on Copland, which I've talked about a lot on this podcast, 133 00:10:00,080 --> 00:10:06,280 Speaker 1: and sometimes I forget to mention how exciting, like I said, 134 00:10:06,320 --> 00:10:08,680 Speaker 1: to work with fucking Henry Hill, to work with ray Leota. 135 00:10:09,320 --> 00:10:11,079 Speaker 1: And you know my experience, you know, I had a 136 00:10:11,120 --> 00:10:14,120 Speaker 1: few days of of long days with him. You know 137 00:10:14,200 --> 00:10:18,240 Speaker 1: the first scene that I believe it was the first 138 00:10:18,320 --> 00:10:21,520 Speaker 1: day of production, the first scene it might have been 139 00:10:21,520 --> 00:10:24,480 Speaker 1: The first day of production of Copland is the last 140 00:10:24,480 --> 00:10:30,200 Speaker 1: scene in the film where Sylvester Stallone's character ray Leota's 141 00:10:30,240 --> 00:10:35,400 Speaker 1: character are essentially delivering my character super Boy. They're delivering 142 00:10:35,440 --> 00:10:40,720 Speaker 1: my character to the police because they're afraid that other police. 143 00:10:40,760 --> 00:10:44,160 Speaker 1: The whole film is about corrupt cops. Um are gonna 144 00:10:44,240 --> 00:10:47,880 Speaker 1: kill me And obviously, yeah to Robert de Niro's character, 145 00:10:48,160 --> 00:10:51,760 Speaker 1: I'm throwing these fucking names on. I mean, you get 146 00:10:51,840 --> 00:10:56,760 Speaker 1: you have to really understand. At the time we shot 147 00:10:56,800 --> 00:11:01,720 Speaker 1: this movie, I was twenty six years old. I'm fifty 148 00:11:01,760 --> 00:11:06,160 Speaker 1: two years old. Now. If I did that film now, 149 00:11:07,800 --> 00:11:11,040 Speaker 1: I would be head over heels excited about working with 150 00:11:11,080 --> 00:11:19,480 Speaker 1: those guys. I would be so just flabberg acid. Never 151 00:11:19,640 --> 00:11:24,640 Speaker 1: used the word flabberg acid on nine plus I am 152 00:11:24,679 --> 00:11:27,240 Speaker 1: wrap por stereo podcast episodes. Have I ever used the 153 00:11:27,240 --> 00:11:30,920 Speaker 1: word flabbergacid? I would guess not. And at fifty two, 154 00:11:31,080 --> 00:11:34,640 Speaker 1: I've done tons of things and worked with tons of people. 155 00:11:36,160 --> 00:11:39,920 Speaker 1: But at twenty six and the film came out twenty six, 156 00:11:40,720 --> 00:11:44,560 Speaker 1: I mean, this is five or six years before I 157 00:11:44,600 --> 00:11:47,800 Speaker 1: even had the idea. This is five or six shut 158 00:11:47,880 --> 00:11:54,560 Speaker 1: up fucking motorcycle evil, kinevil cock sucker fuck motherfucking X 159 00:11:54,600 --> 00:12:02,120 Speaker 1: game motorcycle cock sucker fucking worm you fuck excuse me, 160 00:12:03,840 --> 00:12:10,320 Speaker 1: fucking guys outside with his stupid fucking motorcycle anyway is 161 00:12:10,960 --> 00:12:13,160 Speaker 1: you know? I decided to become a stand up comedian 162 00:12:13,200 --> 00:12:19,120 Speaker 1: slash actor when I was nineteen, But the first day 163 00:12:19,120 --> 00:12:24,000 Speaker 1: of shooting Copland, I was head over fucking heels with 164 00:12:24,120 --> 00:12:29,560 Speaker 1: excitement the anticipation of working with Robert DeNiro, Sylvester Stallone, 165 00:12:29,640 --> 00:12:35,160 Speaker 1: Harvey Keitel, and Ray Liotta, and I would work with 166 00:12:35,640 --> 00:12:37,360 Speaker 1: a couple of them all at the same time. I 167 00:12:37,400 --> 00:12:41,920 Speaker 1: believe that day I know I worked with was Carvey 168 00:12:42,000 --> 00:12:45,160 Speaker 1: Kiteel that no, he wasn't there. It was Robert de Niro, 169 00:12:45,600 --> 00:12:53,280 Speaker 1: Sylvester Stallone, Ray Liotta and myself and I got to 170 00:12:53,400 --> 00:12:56,400 Speaker 1: set and we, you know, read through the lines with 171 00:12:56,440 --> 00:13:00,560 Speaker 1: the director, James Mangold, and you know, he's like, you know, Mike, 172 00:13:00,679 --> 00:13:04,000 Speaker 1: this is Ray, Ray, this is you know Mike, and 173 00:13:04,320 --> 00:13:07,640 Speaker 1: I had already met Sevester Stallone and Mike, this is 174 00:13:07,920 --> 00:13:13,880 Speaker 1: Bob being bobbed, And I'm like, what the fuck am 175 00:13:13,920 --> 00:13:16,720 Speaker 1: I doing? Like how crazy is this? Like I was 176 00:13:17,360 --> 00:13:19,800 Speaker 1: prepared to kick ass and prepared to do my thing, 177 00:13:19,840 --> 00:13:23,960 Speaker 1: but you know, being in front of them, I was like, 178 00:13:24,040 --> 00:13:27,520 Speaker 1: this is in New York City, down by one police plaza. 179 00:13:27,600 --> 00:13:37,280 Speaker 1: I'm like elated, literally elation, flabbergasted, overwhelmed with excitement and 180 00:13:37,360 --> 00:13:41,480 Speaker 1: gratitude that I'm doing this. Like I'm like, what the funk? 181 00:13:41,559 --> 00:13:46,880 Speaker 1: This is incredible and um, you know, and to be 182 00:13:46,920 --> 00:13:48,560 Speaker 1: there with a few of them all at the same time, 183 00:13:48,559 --> 00:13:52,360 Speaker 1: I'm I'm bugging I'm literally I'm bugging out. But I'm 184 00:13:52,400 --> 00:13:54,559 Speaker 1: also prepared because I had to prepare myself because I 185 00:13:54,600 --> 00:13:58,000 Speaker 1: knew that I would be bugging out anyway, you know. 186 00:13:59,160 --> 00:14:00,960 Speaker 1: I remember, like, you know, being there was a couple 187 00:14:01,000 --> 00:14:02,760 Speaker 1: of scenes in cars, and I remember being in a 188 00:14:02,800 --> 00:14:06,640 Speaker 1: car one day and it was I think me Robert Patrick, 189 00:14:07,679 --> 00:14:12,280 Speaker 1: maybe it was Robert Patrick, um Ray Liotta, and and 190 00:14:12,320 --> 00:14:16,160 Speaker 1: it was definitely a Harvey Kitel ray Leota. Maybe maybe 191 00:14:16,160 --> 00:14:18,880 Speaker 1: it was just the three of us. And I'm in 192 00:14:18,880 --> 00:14:20,560 Speaker 1: the car and like we're waiting, and we'll wait. You know, 193 00:14:20,600 --> 00:14:23,280 Speaker 1: sometimes you can wait twenty minutes, thirty minutes, you know, 194 00:14:23,360 --> 00:14:25,280 Speaker 1: to get a shot going. Here they're tweaking something. You're 195 00:14:25,280 --> 00:14:30,360 Speaker 1: just sitting here. There's no cell phones, there's no Instagram, 196 00:14:30,400 --> 00:14:32,320 Speaker 1: you know, and I'm like a kid. I'm sucking twenty 197 00:14:32,360 --> 00:14:36,000 Speaker 1: six years old. I'm literally a fucking kid. You know, 198 00:14:36,040 --> 00:14:37,840 Speaker 1: I'm like a kid now, but at the time, I'm 199 00:14:37,880 --> 00:14:41,040 Speaker 1: really a kid six years old and I'm in the 200 00:14:41,040 --> 00:14:43,560 Speaker 1: car with these people that have they mean so much 201 00:14:43,600 --> 00:14:46,400 Speaker 1: for me. And you know, I'll say this. You know, 202 00:14:46,480 --> 00:14:50,160 Speaker 1: I remember ray Leo to being very quiet, very nice, 203 00:14:50,640 --> 00:14:53,040 Speaker 1: but just sort of quiet. He was a quiet guy 204 00:14:53,160 --> 00:14:55,400 Speaker 1: when I worked with them. You know, I would ask 205 00:14:55,480 --> 00:14:58,800 Speaker 1: him questions he didn't He wasn't stand office or anything. 206 00:14:58,800 --> 00:15:02,240 Speaker 1: He was just a quiet, you know, quiet guy, always prepared. 207 00:15:02,320 --> 00:15:05,560 Speaker 1: You know, his voice was it's ray Leo. It's his voice. 208 00:15:05,600 --> 00:15:09,040 Speaker 1: You know. It's those eyes, it's that you know, that 209 00:15:09,120 --> 00:15:13,960 Speaker 1: face and um you know that. That was my memory 210 00:15:13,960 --> 00:15:16,880 Speaker 1: of him. Like, you know, I didn't get much from him, 211 00:15:16,920 --> 00:15:20,280 Speaker 1: but one thing I will say this. I don't know 212 00:15:20,320 --> 00:15:23,280 Speaker 1: if this means you're a good person, but you know, 213 00:15:23,320 --> 00:15:24,920 Speaker 1: I know this is a fact. You know, at one 214 00:15:24,920 --> 00:15:27,160 Speaker 1: point he was dating a woman who was in a wheelchair. 215 00:15:27,240 --> 00:15:32,320 Speaker 1: She was a wheelchair bound woman. And I remember finding 216 00:15:32,320 --> 00:15:34,120 Speaker 1: out about that and I was like, damn, that must 217 00:15:35,080 --> 00:15:36,920 Speaker 1: he must be a really fucking good guy. And you 218 00:15:37,000 --> 00:15:38,440 Speaker 1: might be like, what do you mean you might fall 219 00:15:38,440 --> 00:15:42,200 Speaker 1: in loop. No, not everybody would do that. I don't 220 00:15:42,200 --> 00:15:44,920 Speaker 1: think I would do that obviously, if something happened my wife, 221 00:15:44,960 --> 00:15:48,360 Speaker 1: God forbid. It's one thing. But he he was dating 222 00:15:49,120 --> 00:15:53,280 Speaker 1: a woman that he met and fell in love with 223 00:15:53,440 --> 00:15:56,160 Speaker 1: who was wheelchair bound, and I was was just like fuck. 224 00:15:58,040 --> 00:16:01,240 Speaker 1: But you know, it's just a sad had huge loss 225 00:16:01,320 --> 00:16:05,120 Speaker 1: for film and film lovers, and I'm sure his family 226 00:16:05,200 --> 00:16:09,640 Speaker 1: and you know so many people that that worked with him. Um, 227 00:16:09,680 --> 00:16:15,000 Speaker 1: you know that film Narc another really cool film, interesting 228 00:16:15,040 --> 00:16:18,280 Speaker 1: film that guy Joe Carnahan directed. And the last time 229 00:16:18,320 --> 00:16:22,160 Speaker 1: I was really hyped about Rayliota. Uh, he was in 230 00:16:22,200 --> 00:16:27,640 Speaker 1: that movie A Marriage Story, the Noah Bomback film, Uh, 231 00:16:27,680 --> 00:16:31,800 Speaker 1: starring Adam Driver and Scarlett Joe Answer. He played the 232 00:16:31,800 --> 00:16:35,640 Speaker 1: the divorce lawyer. And again because of his fucking voice 233 00:16:35,640 --> 00:16:39,080 Speaker 1: and his presence, and divorces so ugly and rotten and 234 00:16:39,120 --> 00:16:43,160 Speaker 1: it's so criminal like and those lawyers are such scumbags. 235 00:16:43,200 --> 00:16:47,080 Speaker 1: He was so creepy and skeevy as that fucking lawyer 236 00:16:47,720 --> 00:16:51,000 Speaker 1: in that movie Marriage Story, which is a really really heavy, 237 00:16:51,040 --> 00:16:53,720 Speaker 1: good film. And of course I think Laura Dern either 238 00:16:53,760 --> 00:16:56,320 Speaker 1: won an Academy Awards. She was nominated for Academy, but 239 00:16:56,400 --> 00:17:01,720 Speaker 1: ray Leota should have totally been nominated as well in 240 00:17:01,960 --> 00:17:05,600 Speaker 1: UM for his performance in Marriage Story. And it's just 241 00:17:05,640 --> 00:17:07,399 Speaker 1: a you know, a huge loss. He was in that 242 00:17:08,240 --> 00:17:12,240 Speaker 1: Sopranos prequel, Uh, many Saints of Newark, I mean, in 243 00:17:12,320 --> 00:17:15,920 Speaker 1: tons and tons and tons of of other performances TV 244 00:17:16,080 --> 00:17:21,640 Speaker 1: stuff and um, you know, just movie after movie after movie. UM. 245 00:17:21,680 --> 00:17:25,119 Speaker 1: And it's just a huge loss for fans. UM. And 246 00:17:25,200 --> 00:17:28,639 Speaker 1: it's sixty seven years old, is not it's not old 247 00:17:28,680 --> 00:17:32,840 Speaker 1: man sixty seven years old? Is that's for natural causes. 248 00:17:32,920 --> 00:17:35,720 Speaker 1: Something happened, it wasn't you know, I don't know what 249 00:17:35,800 --> 00:17:39,439 Speaker 1: had that that um place Beyond the Pines, which is 250 00:17:39,440 --> 00:17:43,960 Speaker 1: another really good film, UM, which I really like that film. Um. 251 00:17:44,200 --> 00:17:49,040 Speaker 1: Just sad, sad, sad, huge loss for show business and 252 00:17:49,119 --> 00:17:52,040 Speaker 1: fans and of course family of ray Leota, big big, 253 00:17:52,080 --> 00:18:06,760 Speaker 1: big loss. Alright, Illinois, Rampa, pack, I got a surprise 254 00:18:06,960 --> 00:18:11,240 Speaker 1: for you. I got a little something something for everybody 255 00:18:11,240 --> 00:18:16,000 Speaker 1: in the Illinois area. Captain Picks is hosting its first 256 00:18:16,280 --> 00:18:21,159 Speaker 1: ever Wager Watch and Win viewing party next week in 257 00:18:21,240 --> 00:18:24,920 Speaker 1: Chicago shy Town for Game one of the NBA Finals. 258 00:18:25,400 --> 00:18:29,520 Speaker 1: The Dust Brothers are coming to Town, Miles Jordan's a k. 259 00:18:29,760 --> 00:18:33,119 Speaker 1: The Bleach Brothers are coming to Chicago to r s 260 00:18:33,240 --> 00:18:38,840 Speaker 1: v P for free. Please d m at the Captain 261 00:18:38,920 --> 00:18:42,960 Speaker 1: Picks on Instagram. D m at the Captain Picks on 262 00:18:43,000 --> 00:18:46,680 Speaker 1: Instagram for details, I'll pop in, I'll say what's up 263 00:18:46,720 --> 00:18:50,959 Speaker 1: to everybody via FaceTime. Okay. As our gift to you, 264 00:18:51,040 --> 00:18:53,399 Speaker 1: we will be offering a free open bar. It's a 265 00:18:53,440 --> 00:18:57,040 Speaker 1: free open bar in Chicago an hour before tip off 266 00:18:57,080 --> 00:19:00,199 Speaker 1: along with all of the pregame picks to help you 267 00:19:00,800 --> 00:19:04,560 Speaker 1: win Champion Chip cash just to say. Live Betting Sports 268 00:19:04,560 --> 00:19:11,320 Speaker 1: Extravaganza at the Dime to two six three North Lincoln Avenue, Chicago, Illinois. 269 00:19:11,480 --> 00:19:16,720 Speaker 1: Raffles giveaways including T shirts, hats, shot glasses, and Ben 270 00:19:17,320 --> 00:19:21,080 Speaker 1: Baller signed baseball cards. Those are worth money, special virtual 271 00:19:21,119 --> 00:19:25,000 Speaker 1: appearances by Ben Baller and like I said myself, all 272 00:19:25,080 --> 00:19:28,920 Speaker 1: access to unlimited sports picks to break your bookies bank 273 00:19:29,000 --> 00:19:31,800 Speaker 1: roll and break their fucking balls. V I P tables 274 00:19:31,840 --> 00:19:35,320 Speaker 1: and packages are available again. D m at the Captain 275 00:19:35,400 --> 00:19:38,280 Speaker 1: Picks on i G for inquiries and to r s 276 00:19:38,400 --> 00:19:42,160 Speaker 1: v P. The event is sponsored by www. Captain picks 277 00:19:42,200 --> 00:19:45,840 Speaker 1: dot com. Captain Picks is coming to Chicago next Thursday, 278 00:19:45,880 --> 00:19:48,800 Speaker 1: June second, for Game one of the NBA Finals. Let's 279 00:19:49,160 --> 00:20:11,040 Speaker 1: fucking go have I officially declared Kevin Spacey actor incredible, actor, 280 00:20:12,359 --> 00:20:15,040 Speaker 1: a sick funk. I'd have to go into the files 281 00:20:15,160 --> 00:20:18,960 Speaker 1: to check to see if I have given Kevin Spacey 282 00:20:19,040 --> 00:20:25,719 Speaker 1: is Sick Fuck Award. I mean, Daniello would go nuts 283 00:20:27,520 --> 00:20:31,160 Speaker 1: over this fucking guy. Um, but I'm not gonna Allo 284 00:20:31,320 --> 00:20:36,280 Speaker 1: right now because full transparency, I haven't been feeling great, 285 00:20:36,320 --> 00:20:39,640 Speaker 1: nothing bad. I want to just there's a lot, it's 286 00:20:39,640 --> 00:20:42,080 Speaker 1: a lot going on in this podcast. I don't want 287 00:20:42,080 --> 00:20:44,879 Speaker 1: to a Yello, But Danny Aello would be like, you 288 00:20:45,080 --> 00:20:50,679 Speaker 1: sick cocksucker. You asked grabbing? Motherfuck? Are you? What the 289 00:20:50,800 --> 00:20:54,679 Speaker 1: funk are you doing? Um? I don't know if I 290 00:20:54,720 --> 00:20:59,640 Speaker 1: ever gave Kevin Spacey is Sick Funk of the Week award, 291 00:20:59,680 --> 00:21:04,680 Speaker 1: but he certainly fucking deserves it. Kevin Spacey was charged 292 00:21:05,240 --> 00:21:11,600 Speaker 1: today with four counts of sexual assault in the UK 293 00:21:11,720 --> 00:21:18,680 Speaker 1: and the United Kingdom. The same day, while in New 294 00:21:18,800 --> 00:21:21,399 Speaker 1: York City and money Making Manhattan, where I am recording 295 00:21:21,400 --> 00:21:25,000 Speaker 1: this Iron Wrap por Stereo podcast, he took the stand 296 00:21:26,000 --> 00:21:32,400 Speaker 1: and yet another sexual abuse case that he's dealing with 297 00:21:32,480 --> 00:21:35,600 Speaker 1: in New York City. This is a sick fuck. And 298 00:21:35,600 --> 00:21:40,880 Speaker 1: and unfortunately, you know, there's no exemptions for the sick 299 00:21:40,960 --> 00:21:45,760 Speaker 1: fox Um actors. And I don't know Kevin space Actually, 300 00:21:45,760 --> 00:21:47,760 Speaker 1: I don't think i've ever I know I've been in 301 00:21:47,760 --> 00:21:52,320 Speaker 1: the same room with him, but I've never met him. 302 00:21:52,359 --> 00:21:55,520 Speaker 1: Maybe I met him like in passing. But you know, 303 00:21:56,760 --> 00:21:59,800 Speaker 1: there's been rumors about Kevin Spacey before any of this, 304 00:22:00,000 --> 00:22:03,120 Speaker 1: aren't it years ago? You know, first of all, Kevin 305 00:22:03,119 --> 00:22:08,600 Speaker 1: Spacey was gay, is gay. He never has admitted to 306 00:22:09,720 --> 00:22:13,680 Speaker 1: being gay, He's never come out is gay. I remember 307 00:22:13,680 --> 00:22:15,760 Speaker 1: he did a sixty minutes piece where he gave some 308 00:22:15,840 --> 00:22:19,800 Speaker 1: convalution and I get that. I get that. Not judging 309 00:22:19,880 --> 00:22:22,040 Speaker 1: him for that, I get how hard it must be 310 00:22:22,119 --> 00:22:25,120 Speaker 1: for somebody who's trying to be a leading man, especially 311 00:22:25,280 --> 00:22:28,480 Speaker 1: sixty two years old. You know the stigma of being gay, 312 00:22:28,520 --> 00:22:31,840 Speaker 1: being gay in Hollywood. And he also, you know, had 313 00:22:31,880 --> 00:22:34,199 Speaker 1: a career where he's playing strade people, So I get that. 314 00:22:34,680 --> 00:22:37,680 Speaker 1: But it was a known thing that he was gay. 315 00:22:37,720 --> 00:22:39,800 Speaker 1: But it was also a known thing that he was 316 00:22:40,560 --> 00:22:43,879 Speaker 1: like a sick fuck. Like there's a what's the name 317 00:22:43,880 --> 00:22:46,399 Speaker 1: of this place, There's a there's a fund, is the 318 00:22:46,480 --> 00:22:50,400 Speaker 1: name of this massage place, like a a famous massage place, 319 00:22:50,480 --> 00:22:52,760 Speaker 1: up and up massage place, not like a Robert Kraft, 320 00:22:52,800 --> 00:22:55,480 Speaker 1: you know, tug and rub rub and tug, you know, 321 00:22:55,520 --> 00:22:57,919 Speaker 1: off the side of the road, Asian massage place, like 322 00:22:57,960 --> 00:23:01,040 Speaker 1: a famous place in Los Angeles, like Beverly Hills. And 323 00:23:01,080 --> 00:23:04,000 Speaker 1: I remember hearing a rumor like, oh, he he's banned 324 00:23:04,080 --> 00:23:06,840 Speaker 1: from I can't remember the name of the place, because 325 00:23:07,200 --> 00:23:11,640 Speaker 1: he was chasing around the masseuse like motherfucker's is coming 326 00:23:11,640 --> 00:23:14,160 Speaker 1: in there to give him a massage. And he's probably 327 00:23:14,280 --> 00:23:17,719 Speaker 1: unfolding the loaf, putting their hands on his pipe and 328 00:23:17,760 --> 00:23:19,320 Speaker 1: doing all. You know, maybe he wants them to stick 329 00:23:19,320 --> 00:23:21,720 Speaker 1: a finger up and listen, you want to finger up 330 00:23:21,720 --> 00:23:25,960 Speaker 1: your ass, go to the rubbing tug like everybody else, 331 00:23:26,040 --> 00:23:30,040 Speaker 1: Kevin Spacey, you want to get a jerk off at 332 00:23:30,119 --> 00:23:33,119 Speaker 1: the fucking rubbing tug, You need to go to the 333 00:23:33,200 --> 00:23:37,440 Speaker 1: rubbing tug. Stay out of the legitimate massages. Stay out 334 00:23:37,440 --> 00:23:40,600 Speaker 1: of the legitimate massage parlors and Beverlys. But I remember 335 00:23:40,640 --> 00:23:44,480 Speaker 1: hearing about this years ago, and this is before anything 336 00:23:44,480 --> 00:23:46,400 Speaker 1: of this foolishness has come out about him. But it's 337 00:23:46,400 --> 00:23:49,840 Speaker 1: just it's one count here it's two counts there. We 338 00:23:49,960 --> 00:23:53,119 Speaker 1: got United Kingdom, we got Manhattan. There's all sorts of ship. 339 00:23:54,720 --> 00:23:56,160 Speaker 1: And it's not like he could be like, oh, I'm 340 00:23:56,160 --> 00:23:58,880 Speaker 1: being black bol I mean there's been there's probably things 341 00:23:58,880 --> 00:24:02,280 Speaker 1: that people aren't coming out about. But Kevin Spacey is, 342 00:24:02,320 --> 00:24:05,359 Speaker 1: in fact what we would call a sick funck. He 343 00:24:05,600 --> 00:24:10,360 Speaker 1: is absolutely a a true blue sick funk. And he's 344 00:24:10,400 --> 00:24:16,480 Speaker 1: got more. He's got more accusations, more counts of sexual 345 00:24:16,600 --> 00:24:19,200 Speaker 1: against him, three more men, three men in the UK 346 00:24:19,480 --> 00:24:22,480 Speaker 1: just came out against him while he was in court 347 00:24:22,600 --> 00:24:26,040 Speaker 1: and money making Manhattan just today, you sick fuck you. 348 00:24:29,280 --> 00:24:32,879 Speaker 1: The other Hollywood thing people keep asking me about is 349 00:24:33,880 --> 00:24:38,320 Speaker 1: the Amber heard Johnny dep child. Now, I've been talking 350 00:24:38,359 --> 00:24:40,480 Speaker 1: about this for a while. Also, I said, if I 351 00:24:40,520 --> 00:24:42,000 Speaker 1: was the judge, I'd be like you to get the 352 00:24:42,040 --> 00:24:46,720 Speaker 1: funk out of here, Get the fuck out of my court, 353 00:24:46,840 --> 00:24:48,879 Speaker 1: Stay the funk away from each other. You're not allowed 354 00:24:48,880 --> 00:24:53,080 Speaker 1: in the same City's certainly not loud within five thousand 355 00:24:53,080 --> 00:24:57,040 Speaker 1: feet of each other. Get the funk outta here now 356 00:24:58,200 --> 00:25:05,720 Speaker 1: during this long arduous civil suit that's going on. And 357 00:25:05,760 --> 00:25:08,760 Speaker 1: I understand that Johnny Depp is apparently let me get 358 00:25:08,760 --> 00:25:14,520 Speaker 1: this right, is suing Amber Turd for making accusations. She 359 00:25:14,560 --> 00:25:17,080 Speaker 1: wrote a piece in a magazine, it was a Washington 360 00:25:17,160 --> 00:25:21,879 Speaker 1: Post or something like that, that he beat her. And 361 00:25:21,920 --> 00:25:24,680 Speaker 1: that's a serious thing. You can't go around telling people 362 00:25:25,400 --> 00:25:28,640 Speaker 1: somebody beat you if they didn't beat you, okay, especially 363 00:25:28,640 --> 00:25:30,439 Speaker 1: if you're a woman and he's a man, especially if 364 00:25:30,440 --> 00:25:35,160 Speaker 1: you're a big fucking star like Johnny Depp. So these 365 00:25:35,160 --> 00:25:38,239 Speaker 1: two were married, they obviously had a dysfunctional relationship. If 366 00:25:38,240 --> 00:25:41,520 Speaker 1: you've seen anything about this trial, follow these two. These 367 00:25:41,520 --> 00:25:47,960 Speaker 1: two were fucking nuts wine, drinking beer, drinking brown liquor, drinking, 368 00:25:48,040 --> 00:25:54,000 Speaker 1: fucking cooks, total dysfunction. And my man Toby today was 369 00:25:54,080 --> 00:25:55,879 Speaker 1: asking me about He goes, oh, I'm watching the trial, 370 00:25:55,920 --> 00:25:57,720 Speaker 1: and I said, you know what, he said, what do 371 00:25:57,720 --> 00:25:59,800 Speaker 1: you think? I go, this is what I think, in 372 00:26:00,000 --> 00:26:02,480 Speaker 1: my opinion, I think it was an abusive relationship on 373 00:26:02,640 --> 00:26:08,639 Speaker 1: both fucking sides. Whether or not Johnny Depp was smacking 374 00:26:08,640 --> 00:26:11,320 Speaker 1: her around when he was drunk, whether or not he 375 00:26:11,359 --> 00:26:15,399 Speaker 1: doesn't remember, I'm just throwing this out there. He doesn't 376 00:26:15,400 --> 00:26:17,919 Speaker 1: remember smacking around because he was drunk, he was on drugs, 377 00:26:17,920 --> 00:26:20,479 Speaker 1: he was all fucked up. Whether or not this bitch 378 00:26:20,960 --> 00:26:23,440 Speaker 1: Amber heard did the same thing. She's smacking him around, 379 00:26:23,480 --> 00:26:26,320 Speaker 1: She's punching them. They're beating each other up there, shipping 380 00:26:26,680 --> 00:26:31,040 Speaker 1: in the bed. These are two lunatics in my opinion, 381 00:26:31,080 --> 00:26:33,520 Speaker 1: based on everything I've know, I know everything I've watched 382 00:26:33,520 --> 00:26:35,239 Speaker 1: of this ron. I've had enough. This thing has been 383 00:26:35,400 --> 00:26:39,640 Speaker 1: fucking month. My instinct from the beginning was these are 384 00:26:39,720 --> 00:26:45,000 Speaker 1: two sick funks. Okay, these two were fucking out of 385 00:26:45,040 --> 00:26:48,040 Speaker 1: their mind. I think they allegedly were both drinking, drunk 386 00:26:48,119 --> 00:26:53,240 Speaker 1: and boozing. In my opinion, I think they were abusive 387 00:26:53,240 --> 00:26:55,439 Speaker 1: to each other. That's my opinion based on what I 388 00:26:55,480 --> 00:26:57,879 Speaker 1: know about the case so far, And like I said, 389 00:26:58,560 --> 00:27:00,679 Speaker 1: if I was the judge, I'd be like, since you 390 00:27:00,720 --> 00:27:04,400 Speaker 1: guys have pretty much ruined the way people will ever 391 00:27:04,480 --> 00:27:08,000 Speaker 1: look at you again. You both are fucked up. You 392 00:27:08,119 --> 00:27:13,720 Speaker 1: both were fucked up. Stay away from each other. Don't 393 00:27:13,760 --> 00:27:16,520 Speaker 1: come within five thousand feet of each other. In my opinion, 394 00:27:16,560 --> 00:27:18,840 Speaker 1: stay the funk out of each other like you shouldn't even, 395 00:27:18,840 --> 00:27:20,640 Speaker 1: like I said, be in the same city as each other. 396 00:27:22,600 --> 00:27:27,600 Speaker 1: Get help, get sober, and move on with your lives, 397 00:27:27,680 --> 00:27:30,480 Speaker 1: because in my opinion, they're both fucked up. Whether amber 398 00:27:30,520 --> 00:27:35,320 Speaker 1: Turd is less likable than Johnny Depp. It's meaningless if 399 00:27:35,359 --> 00:27:38,000 Speaker 1: I was the judge, like, you're both sick fus, you 400 00:27:38,080 --> 00:27:42,520 Speaker 1: both have problems. Move on with your fucking life, because 401 00:27:42,520 --> 00:27:44,919 Speaker 1: I think there's no conclusive evidence that either one of 402 00:27:44,960 --> 00:27:49,600 Speaker 1: them wasn't fucking being abusive physically and emotionally to each other. 403 00:27:50,200 --> 00:27:52,560 Speaker 1: That's how I fucking judge this case. Boom done, Get 404 00:27:52,600 --> 00:27:55,200 Speaker 1: out of my fucking court. You wasted enough time, you freaks. 405 00:27:56,680 --> 00:28:01,280 Speaker 1: The other show is in this Hollywood thing I'm gonna 406 00:28:01,280 --> 00:28:05,040 Speaker 1: talk about is the Paramount Plus. It's on the streaming 407 00:28:05,080 --> 00:28:13,199 Speaker 1: Paramount Plus show. The offer which I have been I 408 00:28:13,280 --> 00:28:15,480 Speaker 1: have been binge watching, and I don't like to binge 409 00:28:15,480 --> 00:28:17,840 Speaker 1: watch shows, but I'm I had the time and I 410 00:28:17,920 --> 00:28:23,040 Speaker 1: really love this show. Uh. The offer on Paramount Plus 411 00:28:23,400 --> 00:28:31,159 Speaker 1: is about the making of the movie The Godfather, And 412 00:28:32,240 --> 00:28:33,399 Speaker 1: you know, at first, I was like, what are they 413 00:28:33,400 --> 00:28:36,840 Speaker 1: gonna tell me? Like I just kind of like reluctant 414 00:28:36,840 --> 00:28:39,360 Speaker 1: to watch. I've studied this film. I've studied the making 415 00:28:39,400 --> 00:28:43,320 Speaker 1: of the film. There's an actual documentary on the making 416 00:28:43,320 --> 00:28:45,840 Speaker 1: of The Godfather, which blew my mind when it first 417 00:28:45,880 --> 00:28:49,520 Speaker 1: came out, because there's screen tests from al Pacino screen 418 00:28:49,520 --> 00:28:54,600 Speaker 1: tests from Robert De Niro, screen tests with James Cohn, uh, 419 00:28:54,680 --> 00:28:58,120 Speaker 1: screen tests with Alpatit, say Appuccino, Marlon Brandon, I said 420 00:28:58,160 --> 00:29:02,040 Speaker 1: it all. And there's you know, screen tests where Robert 421 00:29:02,040 --> 00:29:06,320 Speaker 1: de Niro is, you know, auditioning to play Sonny, the 422 00:29:06,360 --> 00:29:10,240 Speaker 1: part that James Khan played, their screen tests where James 423 00:29:10,320 --> 00:29:14,480 Speaker 1: Khan is auditioning to play Michael Corleone, the part that out. 424 00:29:14,520 --> 00:29:16,640 Speaker 1: But I mean, I just was like, what the funk? 425 00:29:16,680 --> 00:29:20,400 Speaker 1: When I first saw that, I was like, whoa. It 426 00:29:20,520 --> 00:29:25,240 Speaker 1: tripped me out to see that stuff. And of course 427 00:29:25,280 --> 00:29:30,160 Speaker 1: the movie The Godfather, which came out. The fucking movie 428 00:29:30,200 --> 00:29:35,040 Speaker 1: The Godfather came out in two that's fifty fucking years ago. 429 00:29:36,640 --> 00:29:42,160 Speaker 1: That is crazy. That's nuts that that movie came out 430 00:29:42,200 --> 00:29:48,720 Speaker 1: fifty years ago. Anyway, the The Offer, which stars Miles 431 00:29:48,800 --> 00:29:53,560 Speaker 1: Teller as the producer Al Ruddy, and you know, it 432 00:29:53,600 --> 00:29:56,400 Speaker 1: has all the real people. It has a guy who's 433 00:29:56,400 --> 00:30:01,360 Speaker 1: playing Robert Evans, the famous producer I kN Nick, colorful 434 00:30:01,520 --> 00:30:07,240 Speaker 1: producer who produced China Down, Rosemary's Baby. Of course The Godfather. Um, 435 00:30:07,280 --> 00:30:09,640 Speaker 1: that's an excellent documentary. If you've never seen the documentary 436 00:30:09,640 --> 00:30:11,760 Speaker 1: about Robert Evans, The Kids stays in the picture. You 437 00:30:11,760 --> 00:30:14,080 Speaker 1: want to watch a really cool film about a bugged 438 00:30:14,080 --> 00:30:17,960 Speaker 1: out dude, you know, in a true blue show business guy, 439 00:30:17,960 --> 00:30:21,600 Speaker 1: you should definitely watch. Um the kids stays in the picture. Um, 440 00:30:21,680 --> 00:30:24,440 Speaker 1: there's an al Pacino character. There's a guy who's playing 441 00:30:24,480 --> 00:30:27,080 Speaker 1: al Pacino, which I thought it was c G. I. 442 00:30:28,120 --> 00:30:32,440 Speaker 1: The fucking guy is so good. Um who plays al Pacino? 443 00:30:32,560 --> 00:30:34,960 Speaker 1: I was like, what the fund There's a real Francis 444 00:30:34,960 --> 00:30:39,480 Speaker 1: Ford Coppola, who of course directed The Godfather, Apocalypse Now 445 00:30:39,600 --> 00:30:43,200 Speaker 1: and and other films. There's a guy who plays Mario Puzo, 446 00:30:43,320 --> 00:30:45,760 Speaker 1: who wrote the book The Godfather, and it's it's just 447 00:30:45,840 --> 00:30:49,520 Speaker 1: a great film. Giovanni Verbisi plays the mobster Joe Colombo, 448 00:30:50,160 --> 00:30:52,920 Speaker 1: and it's just a great film. Miles Teller, who you know, 449 00:30:52,920 --> 00:30:56,440 Speaker 1: I've always liked this excellent, excellent, excellent as the main dude. 450 00:30:56,440 --> 00:30:59,920 Speaker 1: This guy Al Ruddy, who you know, created the TV 451 00:31:00,040 --> 00:31:04,520 Speaker 1: show Hogan's Heroes, but really wanted to produce films. And 452 00:31:04,560 --> 00:31:07,000 Speaker 1: he gets a relationship with Robert Evans and he gives 453 00:31:07,040 --> 00:31:10,560 Speaker 1: them you know, you're gonna produce The Godfather, and you know, 454 00:31:10,600 --> 00:31:13,920 Speaker 1: some of the things that I learned and was reminded about. 455 00:31:14,240 --> 00:31:16,479 Speaker 1: First of all. You know, at the time, there was 456 00:31:16,520 --> 00:31:20,200 Speaker 1: no like The Godfather is the first you know, these 457 00:31:20,240 --> 00:31:23,640 Speaker 1: they called him gangster films. These gangster films back then, 458 00:31:23,680 --> 00:31:26,320 Speaker 1: they didn't do well. They weren't about family. They were 459 00:31:26,800 --> 00:31:28,840 Speaker 1: you know, they were about like you know, James Kangy 460 00:31:28,840 --> 00:31:30,800 Speaker 1: and oh yeah, stick them up. And it wasn't it 461 00:31:30,840 --> 00:31:33,360 Speaker 1: wasn't the way The Godfather was. Articulately there are The 462 00:31:33,400 --> 00:31:40,960 Speaker 1: Godfather obviously is about a family, a mob family, you know, uh, 463 00:31:41,000 --> 00:31:44,400 Speaker 1: the family meaning mafia and all that stuff. But it's 464 00:31:44,400 --> 00:31:50,080 Speaker 1: really about a family and the show. The offer breaks 465 00:31:50,120 --> 00:31:54,280 Speaker 1: down so many incredible things about The Godfather, but also 466 00:31:54,360 --> 00:31:57,200 Speaker 1: breaks down how hard it was and how hard it 467 00:31:57,360 --> 00:32:02,440 Speaker 1: is to make a movie. It articulates just how chaotic 468 00:32:02,520 --> 00:32:07,920 Speaker 1: and how focused and how um dead set and dedicated 469 00:32:08,040 --> 00:32:13,880 Speaker 1: and passionate and never give up, never fucking take no 470 00:32:14,080 --> 00:32:16,760 Speaker 1: for an answer. Uh, you know, change on the fly. 471 00:32:17,640 --> 00:32:21,320 Speaker 1: Be prepared for anything to go wrong, because it's gonna 472 00:32:21,360 --> 00:32:24,160 Speaker 1: go wrong. Things are when you're making a movie or 473 00:32:24,200 --> 00:32:28,320 Speaker 1: a TV show, Um, they're both really hard to get done. 474 00:32:28,360 --> 00:32:30,840 Speaker 1: That's why when I say, like a show you know 475 00:32:30,920 --> 00:32:33,240 Speaker 1: stays on for three or four seasons, it's a minor 476 00:32:33,320 --> 00:32:36,720 Speaker 1: miracle when a film gets made, you know, like The 477 00:32:36,760 --> 00:32:38,840 Speaker 1: Godfather and now it's like, you know, it's like pop 478 00:32:38,880 --> 00:32:42,720 Speaker 1: culture talk about good fellows. Like the Godfather started everything. 479 00:32:42,800 --> 00:32:47,480 Speaker 1: It started everything. Um, everything is based off the Godfather 480 00:32:47,600 --> 00:32:51,040 Speaker 1: and everything you know that uses family, it's all inspired 481 00:32:51,120 --> 00:32:54,440 Speaker 1: from the Godfather. Like the Godfather is the fucking it's 482 00:32:54,440 --> 00:32:56,760 Speaker 1: like the dunk. It's like the home run in baseball. 483 00:32:57,320 --> 00:32:59,720 Speaker 1: It's like, you know, like like a fucking you know. 484 00:32:59,800 --> 00:33:02,800 Speaker 1: It's just a game changing film. And and this show 485 00:33:02,880 --> 00:33:06,840 Speaker 1: really uh you know shows you know, just like I said, 486 00:33:06,880 --> 00:33:10,120 Speaker 1: how crazy and how hard it was to make this film. 487 00:33:10,160 --> 00:33:12,640 Speaker 1: But like I said, there's no easy film to get made. 488 00:33:13,080 --> 00:33:16,480 Speaker 1: Making movies is tough. Getting things done in Hollywood is tough. 489 00:33:18,200 --> 00:33:20,880 Speaker 1: And uh, you know, it's just a trip down memory lane. 490 00:33:20,920 --> 00:33:23,960 Speaker 1: It's a great film about really truly, even though the 491 00:33:24,000 --> 00:33:28,960 Speaker 1: film takes place V One seventy two, the film, the 492 00:33:29,000 --> 00:33:32,520 Speaker 1: show takes place then, it's still it's damny impossible. And 493 00:33:32,520 --> 00:33:35,080 Speaker 1: you have to be as dedicated at this as this producer, 494 00:33:35,120 --> 00:33:39,200 Speaker 1: Al Ruddy, who's a real character, a real person, um 495 00:33:39,880 --> 00:33:43,480 Speaker 1: was and committed he was to getting this film made, 496 00:33:43,480 --> 00:33:46,520 Speaker 1: you know, because you know, like I'll just tell you 497 00:33:46,520 --> 00:33:48,680 Speaker 1: one story, like like at the time, al Pacino hadn't 498 00:33:48,720 --> 00:33:53,600 Speaker 1: done anything. He literally had done nothing. And Francis Ford Coppola, 499 00:33:53,760 --> 00:33:58,320 Speaker 1: the director, he wanted al Pacino, and the studio they 500 00:33:58,360 --> 00:34:01,440 Speaker 1: wanted like Robert Redford and and O'Neill and Paul Newman 501 00:34:01,480 --> 00:34:03,200 Speaker 1: and like that, and he was like, I want this 502 00:34:03,360 --> 00:34:06,360 Speaker 1: unknown guy to start in my movie. And Paramon Pictures like, 503 00:34:06,440 --> 00:34:08,080 Speaker 1: who the funk are you talking about? We we don't 504 00:34:08,080 --> 00:34:11,640 Speaker 1: even like he was a nobody And it's just crazy 505 00:34:11,680 --> 00:34:14,040 Speaker 1: how like Francis Ford Coppola fought for him and he 506 00:34:14,440 --> 00:34:18,240 Speaker 1: pushed for him, and and then um, you know obviously 507 00:34:18,840 --> 00:34:22,120 Speaker 1: went on to become Alpaccino. But maybe if Francis Ford 508 00:34:22,160 --> 00:34:25,479 Speaker 1: Coppola and Al Ruddy you know, didn't push that hard 509 00:34:25,560 --> 00:34:28,560 Speaker 1: for you know, al Pacino, who who knows how his 510 00:34:28,680 --> 00:34:31,759 Speaker 1: career were have played out. Um, anyway, it's just a 511 00:34:31,840 --> 00:34:34,319 Speaker 1: great show. It's a fun show. It's it's easy to 512 00:34:34,360 --> 00:34:38,240 Speaker 1: watch it as the real mafia involved, because they were involved. 513 00:34:38,239 --> 00:34:39,880 Speaker 1: They didn't want the film to get made because they 514 00:34:39,880 --> 00:34:42,600 Speaker 1: thought it made Italians and the mafia look bad, and 515 00:34:42,600 --> 00:34:44,719 Speaker 1: and it's just very very fun and easy to watch. 516 00:34:44,719 --> 00:34:47,759 Speaker 1: Like I said, and if you have Paramont Plus UM, 517 00:34:47,800 --> 00:34:50,280 Speaker 1: you should definitely take a look at UM the offer 518 00:34:50,440 --> 00:34:53,279 Speaker 1: starring Miles Teller who kills it, and the rest of 519 00:34:53,280 --> 00:34:55,719 Speaker 1: the is a guy who plays Marlon Brando. It's bugged out. 520 00:34:56,440 --> 00:34:58,759 Speaker 1: It's bugged out. It's very fun and I had a 521 00:34:59,480 --> 00:35:01,279 Speaker 1: you know, it's I'm not done with it, but I'm really, 522 00:35:01,320 --> 00:35:10,640 Speaker 1: really really enjoying UM watching UM the offer on Paramount Plus. 523 00:35:23,320 --> 00:35:31,640 Speaker 1: I gotta talk about this Texas shooting, which is as 524 00:35:31,680 --> 00:35:43,440 Speaker 1: of now, nineteen people children have died. UM nineteen children 525 00:35:44,000 --> 00:35:50,360 Speaker 1: and two teachers. Twenty one people killed. There's other people 526 00:35:50,400 --> 00:35:56,399 Speaker 1: that were shot. The death toll can go up. UM. 527 00:35:56,440 --> 00:35:59,520 Speaker 1: This was just reported before I started podcasting today. One 528 00:35:59,520 --> 00:36:05,719 Speaker 1: of the teacher yours four, one of the teachers who 529 00:36:05,800 --> 00:36:11,680 Speaker 1: died in the shooting, protecting her, her kids, her students. 530 00:36:13,640 --> 00:36:19,560 Speaker 1: Her husband today died of a heart attack. They had 531 00:36:19,560 --> 00:36:23,680 Speaker 1: no prior health issues. He was married to his wife 532 00:36:23,680 --> 00:36:27,280 Speaker 1: for twenty four years. He went to her memorial site, 533 00:36:28,040 --> 00:36:33,040 Speaker 1: came home and dropped dead. Which is not surprising because 534 00:36:34,560 --> 00:36:40,399 Speaker 1: can you imagine the shock and devastation that this man 535 00:36:40,560 --> 00:36:47,720 Speaker 1: has had in the last few days. And nineteen children, 536 00:36:47,760 --> 00:36:49,960 Speaker 1: I mean nine year old and ten year old and 537 00:36:51,440 --> 00:36:58,719 Speaker 1: in an elementary school killed by a sick fuck. And 538 00:36:58,760 --> 00:37:04,640 Speaker 1: this is just not even two weeks since the the 539 00:37:04,680 --> 00:37:10,520 Speaker 1: Buffalo shooting. We're another sick fuck went into the supermarket 540 00:37:10,560 --> 00:37:15,240 Speaker 1: and killed all those people, most of them were older people. 541 00:37:16,800 --> 00:37:19,399 Speaker 1: This is the same time we're we're arguing, we're we're 542 00:37:19,440 --> 00:37:26,920 Speaker 1: fighting for the right to keep abortion laws, for the 543 00:37:27,000 --> 00:37:28,840 Speaker 1: right for women to have aboard, to be able to 544 00:37:28,840 --> 00:37:34,400 Speaker 1: have abortions how and when they want. This is still 545 00:37:34,440 --> 00:37:36,680 Speaker 1: going on, that that an eighteen year old, both those 546 00:37:36,719 --> 00:37:39,400 Speaker 1: people is crazy. The guy in in Buffalo and the 547 00:37:39,440 --> 00:37:42,560 Speaker 1: guy in the kid in Texas. The kid in Texas 548 00:37:42,640 --> 00:37:44,440 Speaker 1: and the kid in Buffalo, both these are eighteen year 549 00:37:44,440 --> 00:37:52,920 Speaker 1: old got assault rifles assault weapons, just the name assault rifles, 550 00:37:53,600 --> 00:38:00,680 Speaker 1: not a hunting rifle. They're called assault rifles. This this 551 00:38:00,680 --> 00:38:04,800 Speaker 1: guy in Texas got this a couple of days after 552 00:38:04,880 --> 00:38:08,920 Speaker 1: his eighteenth birthday. I think it was two days after 553 00:38:08,960 --> 00:38:12,799 Speaker 1: his eighteenth birthday. He got to assault rifles. In the 554 00:38:12,840 --> 00:38:18,120 Speaker 1: state of Texas, where you must be twenty one to drink, 555 00:38:20,440 --> 00:38:22,440 Speaker 1: you have to do twenty one years old to drink 556 00:38:22,520 --> 00:38:26,560 Speaker 1: in Texas. Yea, at eighteen, you could get not one, 557 00:38:26,640 --> 00:38:33,760 Speaker 1: but two assault rifles too. Assault rifles that can shoot 558 00:38:33,880 --> 00:38:42,200 Speaker 1: up to twenty to forty bullets per minute. Not a 559 00:38:42,360 --> 00:38:46,880 Speaker 1: musket that could shoot two to three bullets per minute, 560 00:38:47,880 --> 00:38:50,920 Speaker 1: which was the gun of choice back when the Constitution 561 00:38:51,000 --> 00:38:54,280 Speaker 1: was written. Not a musket which shoots two to three 562 00:38:54,280 --> 00:38:58,400 Speaker 1: bullets per minute. An a R fifteen, an assault rifle, 563 00:38:59,200 --> 00:39:03,000 Speaker 1: tells it all right there, it's an assault rifle shoots 564 00:39:03,040 --> 00:39:10,560 Speaker 1: twenty to forty five bullets per minute. Musket was used 565 00:39:10,560 --> 00:39:14,160 Speaker 1: in the Revolutionary Ward. This is this is insane. You know. 566 00:39:14,239 --> 00:39:17,319 Speaker 1: Also in Texas you need to be twenty five. This 567 00:39:17,400 --> 00:39:21,640 Speaker 1: is a fact. You need to be twenty five to 568 00:39:21,719 --> 00:39:24,399 Speaker 1: rent a car, so you can get an assault rifle 569 00:39:24,440 --> 00:39:26,759 Speaker 1: at eighteen. You can't drink at twenty, but you need 570 00:39:26,800 --> 00:39:32,080 Speaker 1: to also be twenty five years old to rent a 571 00:39:32,080 --> 00:39:38,160 Speaker 1: car from like hurts. Hurts rent a car because hurts 572 00:39:38,160 --> 00:39:39,759 Speaker 1: rent a car is smart, Like, we don't want these 573 00:39:39,800 --> 00:39:43,680 Speaker 1: fucking eighteen year old dummies renting our cars. They can't 574 00:39:43,760 --> 00:39:48,200 Speaker 1: drive there eighteen, they're stupid. We could probably make more 575 00:39:48,239 --> 00:39:50,160 Speaker 1: money if we rent it to eighteen year old and 576 00:39:50,200 --> 00:39:52,319 Speaker 1: twenty one year old and twenty two year olds, but 577 00:39:52,400 --> 00:39:54,839 Speaker 1: it's not in our best interests to rent it to them, 578 00:39:54,840 --> 00:39:56,799 Speaker 1: because God only knows what the funk they'll do with 579 00:39:56,840 --> 00:40:03,120 Speaker 1: our cars, But not an assault rifle, an assault right 580 00:40:03,200 --> 00:40:07,880 Speaker 1: for you could get it eighteen on your birthday. Listen, 581 00:40:08,480 --> 00:40:13,239 Speaker 1: we've all talked about this, thought about it's disgusting. I 582 00:40:13,320 --> 00:40:17,720 Speaker 1: can't even offer up a solution, but it really says 583 00:40:18,040 --> 00:40:20,560 Speaker 1: it all that you have to be twenty five to 584 00:40:20,680 --> 00:40:27,560 Speaker 1: rent a car in Texas, but they'll give a gun 585 00:40:27,840 --> 00:40:30,360 Speaker 1: an assault right for to an eighteen year old. And 586 00:40:32,239 --> 00:40:39,360 Speaker 1: whether it's mental illness, mental illness caused by racism, because 587 00:40:39,360 --> 00:40:42,640 Speaker 1: like I said the other day, it's not just racism 588 00:40:42,680 --> 00:40:45,560 Speaker 1: that caused that person to go into the supermarket in Buffalo. 589 00:40:46,000 --> 00:40:50,120 Speaker 1: That's a mentally ill person. Their brain and their who 590 00:40:50,120 --> 00:40:53,640 Speaker 1: they are as a person is is so weak and 591 00:40:53,719 --> 00:40:57,440 Speaker 1: so twisted and so demented that they could read things 592 00:40:57,480 --> 00:41:02,520 Speaker 1: online about Blacks and Jews and they process them differently. 593 00:41:02,520 --> 00:41:04,759 Speaker 1: So if you tell me Blacks and Jews are this, 594 00:41:04,960 --> 00:41:08,400 Speaker 1: or Chinese people are that, or gay people are this, 595 00:41:08,600 --> 00:41:14,239 Speaker 1: or trans people are that, I have the ability to decipher, 596 00:41:14,280 --> 00:41:18,520 Speaker 1: oh this is this is this is bullshit, this is insanity. 597 00:41:19,200 --> 00:41:21,760 Speaker 1: But the person who shot up the place in Buffalo, 598 00:41:21,880 --> 00:41:25,359 Speaker 1: he didn't have that ability to do that, because there's 599 00:41:25,400 --> 00:41:28,400 Speaker 1: been the discussions like, well, he planned it, he bought 600 00:41:29,440 --> 00:41:31,319 Speaker 1: the guns, he thought it out, he mapped it out. 601 00:41:31,360 --> 00:41:39,680 Speaker 1: He wrote this a hundred seventy page manifesto. So Jeffrey 602 00:41:39,719 --> 00:41:42,279 Speaker 1: Dahmer's neighbors thought he was a cool, nice guy, a 603 00:41:42,280 --> 00:41:47,360 Speaker 1: polite guy. Look at all that Adolf Hitler accomplished. You 604 00:41:47,400 --> 00:41:50,000 Speaker 1: don't think it was mentally ill. You don't think Saddam 605 00:41:50,080 --> 00:41:53,760 Speaker 1: Hussein is mentally ill. You don't think that Vladimir Putin 606 00:41:53,880 --> 00:41:57,480 Speaker 1: is mentally ill. You don't think that Dick Stain Donald 607 00:41:57,520 --> 00:42:00,920 Speaker 1: Trump has a form of mental illness. Not to put 608 00:42:00,960 --> 00:42:03,560 Speaker 1: him in the same category with those murderers, but do 609 00:42:03,560 --> 00:42:06,880 Speaker 1: you understand what I'm saying. But that's not the point, because, 610 00:42:06,920 --> 00:42:10,120 Speaker 1: in my opinion, if you think it's acceptable, and okay, 611 00:42:10,280 --> 00:42:13,480 Speaker 1: I don't care if it's a a fucking little handgun 612 00:42:14,960 --> 00:42:18,760 Speaker 1: or an assault rifle or anything bigger or in between. 613 00:42:19,080 --> 00:42:21,160 Speaker 1: If you think it's acceptable to pull out a gun 614 00:42:21,200 --> 00:42:24,560 Speaker 1: and shoot people, you have a form of mental illness. 615 00:42:25,360 --> 00:42:27,279 Speaker 1: And I don't give a funk what the reason is. 616 00:42:27,320 --> 00:42:29,279 Speaker 1: I don't give a funk what your past was. I 617 00:42:29,280 --> 00:42:32,879 Speaker 1: don't give a funk that you were bullied. But the 618 00:42:32,960 --> 00:42:37,240 Speaker 1: fact that every country in the world has mentally old people, 619 00:42:37,280 --> 00:42:39,400 Speaker 1: but only here in the United States can an eighteen 620 00:42:39,480 --> 00:42:42,319 Speaker 1: year old get a fucking assault rifle is what I 621 00:42:42,360 --> 00:42:45,839 Speaker 1: care about. And they can't figure it out because they 622 00:42:45,880 --> 00:42:54,440 Speaker 1: want to make more money. Nineteen kids, ten, nine, eleven 623 00:42:54,520 --> 00:42:56,200 Speaker 1: year old fun. Look you see the faces of the 624 00:42:56,239 --> 00:43:03,080 Speaker 1: little little babies, little fucking kids destroyed in a classroom. 625 00:43:03,480 --> 00:43:08,080 Speaker 1: They said, the carnage was horrific. You can't do that 626 00:43:08,160 --> 00:43:12,759 Speaker 1: with a musket, a musket, which was the only gun 627 00:43:14,400 --> 00:43:16,120 Speaker 1: or one of the only guns that was available when 628 00:43:16,160 --> 00:43:20,960 Speaker 1: they wrote this fucking constitution. We change cars. We have 629 00:43:21,080 --> 00:43:25,440 Speaker 1: cars that contrived themselves. They didn't have that then. I 630 00:43:25,480 --> 00:43:30,560 Speaker 1: don't even if they add fucking cars. Then sneakers from 631 00:43:30,560 --> 00:43:33,000 Speaker 1: the seventies or ship compared to what we use now. 632 00:43:33,040 --> 00:43:44,560 Speaker 1: We got fucking sneakers that have a credible technology and comfort. Furniture, clothing, architecture, machinery. 633 00:43:45,080 --> 00:43:52,120 Speaker 1: Everything changes, except for the constitution. Everything changes. Everything is upgraded. 634 00:43:52,120 --> 00:43:59,080 Speaker 1: Our fucking phones are upgraded. Drinking fucking coconut water, you 635 00:43:59,120 --> 00:44:02,759 Speaker 1: know you can fucking green juice. Everything's upgraded. Speakers in 636 00:44:02,840 --> 00:44:06,759 Speaker 1: your ceiling, iPhones, phones that talk to you cameras all 637 00:44:06,800 --> 00:44:12,040 Speaker 1: over the place except for the fucking constitution. I mean, 638 00:44:12,080 --> 00:44:13,640 Speaker 1: I could go on and on about it, but what's 639 00:44:13,640 --> 00:44:18,560 Speaker 1: the point. It's a fucking shame. And I'll do next 640 00:44:18,600 --> 00:44:22,040 Speaker 1: week's podcast and the following week's podcast, and the and 641 00:44:22,080 --> 00:44:25,640 Speaker 1: the inevitable will happen. Within a few weeks, there'll be 642 00:44:25,680 --> 00:44:33,720 Speaker 1: another shooting. There'll be another shooting. Take your fucking breath away. 643 00:44:33,840 --> 00:44:39,080 Speaker 1: Devastate families, the kids that survived, devastated. Can you imagine 644 00:44:39,320 --> 00:44:42,320 Speaker 1: the kids that survived, their friends, the brothers and sisters 645 00:44:42,320 --> 00:44:48,560 Speaker 1: of these kids, devastated, lives ruined, fucking terrible. Anyway, I'm done, 646 00:44:52,960 --> 00:44:55,600 Speaker 1: all right. It's a Memorial Day week and I hope 647 00:44:55,600 --> 00:44:59,000 Speaker 1: everybody has a great safe weekend. Do not drink and drive, 648 00:44:59,040 --> 00:45:02,920 Speaker 1: do not drinking, rip calling, uber, walk, sleep, do whatever 649 00:45:02,920 --> 00:45:05,280 Speaker 1: you need to do to make it home safe. Okay, 650 00:45:05,640 --> 00:45:09,120 Speaker 1: to have a great, safe, fantastic Memorial Day weekend. I 651 00:45:09,120 --> 00:45:12,160 Speaker 1: hope everybody is truly good, safe and sound and has 652 00:45:12,200 --> 00:45:15,360 Speaker 1: gratitude for every single thing we have. Miles Jordan k 653 00:45:15,480 --> 00:45:19,279 Speaker 1: the Bleached brothers, AK the dust brothers who take me 654 00:45:19,320 --> 00:45:21,320 Speaker 1: out it with something real nice, Take me out it 655 00:45:21,360 --> 00:45:23,799 Speaker 1: with something real proper, but most importantly take me out 656 00:45:23,800 --> 00:45:26,160 Speaker 1: of Here's something real loud and real funky. I am 657 00:45:26,160 --> 00:45:28,279 Speaker 1: wrapped por stereo. Podcats have a good one, to have 658 00:45:28,320 --> 00:46:02,600 Speaker 1: a safe one. The band