1 00:00:00,560 --> 00:00:07,600 Speaker 1: From Hollywood. Thank you for listening to us with Ryan Seacrest. 2 00:00:09,800 --> 00:00:12,399 Speaker 1: All right, well, good morning. Let's see what we got 3 00:00:13,560 --> 00:00:17,560 Speaker 1: former RAMS QB friend of the show Jared Golf celebrating 4 00:00:17,600 --> 00:00:20,080 Speaker 1: a birthday today. Does his roommates still work for us? 5 00:00:20,360 --> 00:00:22,880 Speaker 1: You know throughout the COVID. I don't know who he does. 6 00:00:23,600 --> 00:00:25,840 Speaker 1: You know, he really didn't deliver Jared that often. If 7 00:00:25,880 --> 00:00:30,160 Speaker 1: I'm thinking back, did we ever get Jared Goff? No, 8 00:00:30,320 --> 00:00:32,279 Speaker 1: so he totally didn't deliver Jared Goff and he lived 9 00:00:32,280 --> 00:00:34,120 Speaker 1: with the guy. He could have just passed the phone 10 00:00:34,120 --> 00:00:38,560 Speaker 1: over all right. I thought, what was his name? I 11 00:00:38,640 --> 00:00:42,199 Speaker 1: thought Jared Goff moved through Detroit? Did he? Yea? So 12 00:00:42,280 --> 00:00:44,159 Speaker 1: Patrick and Jared are having along an l d D 13 00:00:44,360 --> 00:00:50,320 Speaker 1: a Long distance dedication LDR. That too. Hey, our teams 14 00:00:50,320 --> 00:00:53,680 Speaker 1: are doing well, the Rams and the Chargers right up 15 00:00:53,680 --> 00:00:58,760 Speaker 1: top in the conference. Yeah, looking pretty good? Looking good baby? 16 00:00:58,960 --> 00:01:01,920 Speaker 1: How are you, Patty? I'm doing great. I'm still thinking 17 00:01:01,920 --> 00:01:05,800 Speaker 1: about the conversation we had last tubing yesterday, which one 18 00:01:06,600 --> 00:01:11,640 Speaker 1: the deep fake conversation, like it really, I don't mean 19 00:01:12,040 --> 00:01:14,959 Speaker 1: we're talking about that sixty minutes episode. I get I 20 00:01:15,000 --> 00:01:16,800 Speaker 1: heard something. I just watched the tape back this week, 21 00:01:16,840 --> 00:01:21,319 Speaker 1: but talking about AI right, artificial intelligence, and how they 22 00:01:21,319 --> 00:01:26,240 Speaker 1: can make any politician, any public figure, look and sound 23 00:01:26,520 --> 00:01:31,679 Speaker 1: and mimic and act and mannerism exactly like the person. However, 24 00:01:31,680 --> 00:01:35,360 Speaker 1: it has nothing to do with the person. What freaks 25 00:01:35,400 --> 00:01:38,880 Speaker 1: you out everything the whole concept. I feel like, you know, 26 00:01:39,120 --> 00:01:41,200 Speaker 1: as a mom, I started thinking, like the worst case 27 00:01:41,200 --> 00:01:45,800 Speaker 1: scenarios and that's why it's got into it's got to 28 00:01:45,840 --> 00:01:48,480 Speaker 1: be governed in so it's gotta they've gotta put some 29 00:01:48,520 --> 00:01:51,400 Speaker 1: walls around this because they are the propaganda that could 30 00:01:51,400 --> 00:01:54,120 Speaker 1: be created. But how do you regulate something that anyone 31 00:01:54,160 --> 00:01:57,960 Speaker 1: can do from their cell phone? Right? I don't know. 32 00:01:58,000 --> 00:02:01,440 Speaker 1: We got to I don't know, but I don't want. Sorry, 33 00:02:01,440 --> 00:02:02,880 Speaker 1: I don't mean to be a party pooper, but it 34 00:02:02,960 --> 00:02:04,720 Speaker 1: really freaked me out. No, no, this isn't pooping on 35 00:02:04,720 --> 00:02:08,600 Speaker 1: anybody's party. And it's like, when I'm dead, do I 36 00:02:08,639 --> 00:02:11,359 Speaker 1: want something to be able to just recreate me doing this? 37 00:02:11,520 --> 00:02:15,280 Speaker 1: Not really right? Well? Probably good, hook, it's kind of 38 00:02:15,280 --> 00:02:20,959 Speaker 1: a good and seacrest, he's dead, right, what will you 39 00:02:21,040 --> 00:02:24,600 Speaker 1: say next? He's dead? Don't really matter? Started thinking like 40 00:02:24,720 --> 00:02:27,799 Speaker 1: what if somebody were to break into the house they 41 00:02:27,960 --> 00:02:31,600 Speaker 1: murder you, and then they create a deep fake and 42 00:02:31,639 --> 00:02:33,240 Speaker 1: you never have to leave your house because you do 43 00:02:33,280 --> 00:02:35,320 Speaker 1: your entire life your zoom and they'll never know that 44 00:02:35,400 --> 00:02:38,079 Speaker 1: you're dead, that a deep fake is taking over. But 45 00:02:38,200 --> 00:02:40,079 Speaker 1: they've got to be a very clean killer. Then to 46 00:02:40,280 --> 00:02:43,359 Speaker 1: mess you up. You always take things to like a 47 00:02:44,160 --> 00:02:48,440 Speaker 1: she has a great point. Well, lots to get, lots 48 00:02:48,440 --> 00:02:50,200 Speaker 1: to do today, lots to get to. Let's not go 49 00:02:50,280 --> 00:02:53,040 Speaker 1: too far down one path, so Patty, let me let's 50 00:02:53,040 --> 00:02:54,680 Speaker 1: get to this before we get side tracked in Ryan's 51 00:02:54,720 --> 00:02:58,440 Speaker 1: roses Land after seven o'clock. But your Michael thought you 52 00:02:58,480 --> 00:03:04,280 Speaker 1: were cheating. Funny story, Yes, well, how's that funny? Well? 53 00:03:04,400 --> 00:03:07,520 Speaker 1: Remember last week I came to work with red lipstick. 54 00:03:07,600 --> 00:03:09,800 Speaker 1: I don't know you guys, remember, but I did. Of course, 55 00:03:09,840 --> 00:03:13,280 Speaker 1: we noticed it and we commented about it, and uh, 56 00:03:13,440 --> 00:03:14,919 Speaker 1: but he didn't know that I was wearing real lipstick 57 00:03:14,919 --> 00:03:16,680 Speaker 1: because I usually don't wear red lipstick. But I had 58 00:03:16,680 --> 00:03:18,640 Speaker 1: a really big meeting after the show, so I wanted 59 00:03:18,680 --> 00:03:22,079 Speaker 1: to look really, you know, I wanted to make I 60 00:03:22,320 --> 00:03:26,440 Speaker 1: want to pop um. And then I went to go 61 00:03:26,480 --> 00:03:28,800 Speaker 1: pick up the kids and took him to soccer, and 62 00:03:28,840 --> 00:03:32,760 Speaker 1: I was wearing my face mask and wearing a face 63 00:03:32,840 --> 00:03:38,480 Speaker 1: mask mask with red lipstick. My entire face was smashed. 64 00:03:38,480 --> 00:03:40,440 Speaker 1: It smashed, the red all over your smear and all 65 00:03:40,440 --> 00:03:43,560 Speaker 1: over your entire face. And I had no idea, No 66 00:03:43,880 --> 00:03:48,640 Speaker 1: told me. My son didn't tell me. I walked in, yeah, 67 00:03:48,680 --> 00:03:52,040 Speaker 1: and Michael looked at me really weird. And then at 68 00:03:52,160 --> 00:03:55,720 Speaker 1: one in the morning he wakes me up. I am 69 00:03:55,760 --> 00:03:57,920 Speaker 1: not kidding. It was one in the morning. He wakes 70 00:03:57,960 --> 00:04:00,320 Speaker 1: me up and he's like, Patty, who were you making 71 00:04:00,320 --> 00:04:04,400 Speaker 1: out with earlier today? And I was like, wait what, 72 00:04:04,920 --> 00:04:07,840 Speaker 1: I'm so confused. Why did you have makeup smeared all 73 00:04:07,880 --> 00:04:11,040 Speaker 1: over your face for a lipstick? And I'm like, why 74 00:04:11,120 --> 00:04:12,920 Speaker 1: didn't you ask me this when I got home at 75 00:04:13,240 --> 00:04:15,560 Speaker 1: seven pm? Why did you have to wait till one 76 00:04:15,600 --> 00:04:18,240 Speaker 1: in the morning. And I'm like, for the record, I 77 00:04:18,279 --> 00:04:20,480 Speaker 1: was not making out with anyone. I had a read lipstick, 78 00:04:20,640 --> 00:04:22,680 Speaker 1: I had a meeting. I put on my face mask, 79 00:04:22,800 --> 00:04:25,320 Speaker 1: in the face mask, smear the entire lipstick on my face. 80 00:04:27,760 --> 00:04:30,720 Speaker 1: Hold on to me, I just heard. He's already kind 81 00:04:30,720 --> 00:04:33,520 Speaker 1: of accepted the fact that you're making out with somebody, 82 00:04:33,800 --> 00:04:36,360 Speaker 1: because he didn't say what's going on? He said, who 83 00:04:36,360 --> 00:04:38,680 Speaker 1: were you making I just want to know who. That's 84 00:04:38,720 --> 00:04:43,320 Speaker 1: crazy to me, spooling. I think that maybe he wanted 85 00:04:43,360 --> 00:04:47,040 Speaker 1: to come across. As you know, I'm not the jealous type, 86 00:04:47,320 --> 00:04:49,880 Speaker 1: but I can't help it. I'm gonna have to mask. 87 00:04:50,279 --> 00:04:52,800 Speaker 1: I don't know. There's two things. One, I'm just surprised. 88 00:04:52,839 --> 00:04:56,200 Speaker 1: My reaction would be what is going on? Not? Could 89 00:04:56,200 --> 00:04:58,320 Speaker 1: you tell me who you made out with? Number two? 90 00:04:58,839 --> 00:05:00,640 Speaker 1: Has he made out with somebody? So he's hoping you 91 00:05:00,680 --> 00:05:03,800 Speaker 1: have to No, don't say that. Well, you're the one 92 00:05:03,839 --> 00:05:06,200 Speaker 1: that just told me thought you were cheating. Well because 93 00:05:06,240 --> 00:05:08,920 Speaker 1: I was wearing I don't wear lipstick a lot, And 94 00:05:09,960 --> 00:05:13,120 Speaker 1: the only thing he didn't think that the reason I'd 95 00:05:13,120 --> 00:05:14,760 Speaker 1: have a lipstick all over my face was because I 96 00:05:14,800 --> 00:05:17,559 Speaker 1: was making out. Number three, you're telling me he'd he'd 97 00:05:17,560 --> 00:05:20,440 Speaker 1: play it cool, like he would play it cool. Is 98 00:05:20,440 --> 00:05:22,720 Speaker 1: that how he would em o this. I just think 99 00:05:22,760 --> 00:05:24,960 Speaker 1: he would just play it. He is just that kind 100 00:05:24,960 --> 00:05:27,520 Speaker 1: of guy. He would just have He would he would 101 00:05:27,520 --> 00:05:32,280 Speaker 1: just play it cool to not show that his emotion emotional. 102 00:05:32,680 --> 00:05:36,200 Speaker 1: I would be so ill to my stomach and upset 103 00:05:36,279 --> 00:05:39,000 Speaker 1: and jealous, I couldn't even breathe in. My heart would 104 00:05:39,000 --> 00:05:42,479 Speaker 1: be pounding. But you would also know that when we 105 00:05:42,480 --> 00:05:46,400 Speaker 1: were lipstick and we put a face mask over it, 106 00:05:46,400 --> 00:05:48,919 Speaker 1: it would smear the entire lipstick all over your facing. 107 00:05:49,120 --> 00:05:52,520 Speaker 1: I would not know, not if I thought he were cheating, 108 00:05:52,800 --> 00:05:55,160 Speaker 1: I would not know that. I would be miserable. I 109 00:05:55,200 --> 00:05:57,360 Speaker 1: would be physically ill. I would not be able to talk. 110 00:05:57,400 --> 00:05:59,240 Speaker 1: I'd be sweating on my heart be pounding, and I'd 111 00:05:59,279 --> 00:06:00,880 Speaker 1: be jealous, and I'd be set, and I'd be angry, 112 00:06:00,920 --> 00:06:02,600 Speaker 1: and I would go through all this in my own narrative, 113 00:06:02,880 --> 00:06:05,200 Speaker 1: even if we're just smeared. I'd already beat myself up 114 00:06:05,240 --> 00:06:08,480 Speaker 1: over it. That's what happened. And he couldn't sleep, so 115 00:06:08,520 --> 00:06:12,320 Speaker 1: he woke me up. But I mean he's strong to 116 00:06:12,720 --> 00:06:17,200 Speaker 1: play it cool, I'd play it way dramatic. But no 117 00:06:17,320 --> 00:06:20,640 Speaker 1: cheating away here? Good? Well, no, no, no one thinks, 118 00:06:20,960 --> 00:06:23,320 Speaker 1: no one thinks. Not all right, let's come back. Wow 119 00:06:23,480 --> 00:06:26,440 Speaker 1: what a but not even seven yet. So as a 120 00:06:26,480 --> 00:06:29,560 Speaker 1: general rule, research shows that we eat less if there's 121 00:06:29,600 --> 00:06:32,320 Speaker 1: a high contrast between your food and the color of 122 00:06:32,360 --> 00:06:34,760 Speaker 1: the plate. Did you know this? I'm trying to stop 123 00:06:34,760 --> 00:06:37,400 Speaker 1: at I was watching one of the Ted talks and 124 00:06:37,480 --> 00:06:39,680 Speaker 1: one of the guys says, hey, stop eating when you're 125 00:06:39,680 --> 00:06:41,920 Speaker 1: at full because you'll be at a hud pent in 126 00:06:41,960 --> 00:06:46,600 Speaker 1: twenty minutes. So they say you'll eat less if you 127 00:06:46,720 --> 00:06:53,479 Speaker 1: eat off of a blue plate. It's the least appealing 128 00:06:53,520 --> 00:06:56,200 Speaker 1: color to pare food with. I disagree because I like 129 00:06:56,360 --> 00:06:59,320 Speaker 1: a sky blue, or like the blue of the on 130 00:06:59,400 --> 00:07:03,479 Speaker 1: air logo behind me that I think it's festive and fun, 131 00:07:03,600 --> 00:07:05,680 Speaker 1: and I like the way sauce looks on a blue plate. 132 00:07:07,560 --> 00:07:09,160 Speaker 1: I don't think I've ever eaten on a blue plate, 133 00:07:09,160 --> 00:07:11,600 Speaker 1: now that I think of it. So many blue plate 134 00:07:11,880 --> 00:07:18,880 Speaker 1: serving places. Yeah, it's such a blue plate special cafe. 135 00:07:19,840 --> 00:07:22,679 Speaker 1: And it goes on and on the list. Anyway, today's 136 00:07:22,720 --> 00:07:26,320 Speaker 1: quote setting goals is the first step and turning the 137 00:07:26,360 --> 00:07:35,160 Speaker 1: invisible into the visible. On a seacrest with you this 138 00:07:35,200 --> 00:07:39,480 Speaker 1: morning on a Thursday, after seven o'clock, we have got 139 00:07:40,200 --> 00:07:43,560 Speaker 1: Ryan's roses. Chris Martin is gonna be the next thing 140 00:07:43,640 --> 00:07:46,080 Speaker 1: we do here. We're gonna talk to Chris Martin new 141 00:07:46,160 --> 00:07:48,200 Speaker 1: music and the i R Radio I'm Released Party. The 142 00:07:48,240 --> 00:07:51,480 Speaker 1: Tany's hosting tonight with Coldplay. So Chris Martin is up 143 00:07:51,520 --> 00:07:54,400 Speaker 1: next here on Kiss at First headlines Tany and for Sissony, 144 00:07:54,600 --> 00:07:57,800 Speaker 1: tens of thousands of union workers in the entertainment industry 145 00:07:57,840 --> 00:08:00,360 Speaker 1: are set to walk off the job Monday if a 146 00:08:00,440 --> 00:08:03,680 Speaker 1: deal is not reached with TV and film studios, a 147 00:08:03,680 --> 00:08:06,760 Speaker 1: move that would bring Hollywood to a stand still. The 148 00:08:06,800 --> 00:08:10,480 Speaker 1: International Alliance of Theatrical Stage Employees has a membership of 149 00:08:10,520 --> 00:08:14,360 Speaker 1: about sixty with the majority based in the l A area. 150 00:08:15,200 --> 00:08:18,120 Speaker 1: A federal advisory panel is meeting today and tomorrow to 151 00:08:18,160 --> 00:08:21,000 Speaker 1: consider whether to back booster shots for both the Johnson 152 00:08:21,000 --> 00:08:24,760 Speaker 1: and Johnson and Maderna COVID nineteen vaccines. The FDA will 153 00:08:24,800 --> 00:08:27,920 Speaker 1: vote tomorrow and then the CDC will debate who actually 154 00:08:27,960 --> 00:08:31,520 Speaker 1: should get them. And The Dodgers and Giants meet tonight 155 00:08:31,600 --> 00:08:34,840 Speaker 1: in Game five of the mL Division Series in San Francisco. 156 00:08:35,240 --> 00:08:37,679 Speaker 1: The first pitch is at six or seven pm and 157 00:08:37,720 --> 00:08:39,760 Speaker 1: you can hear it all on a M five seventy 158 00:08:39,920 --> 00:08:42,640 Speaker 1: l A Sports. The winner advances to play Atlanta in 159 00:08:42,679 --> 00:08:45,600 Speaker 1: the National League Championship Series, and the loser is done 160 00:08:45,720 --> 00:08:53,160 Speaker 1: until on air with Ryan Seacrest. We're linking to the 161 00:08:53,240 --> 00:08:56,920 Speaker 1: Chris Martin Hub right now, somewhere underground in America. Chris 162 00:08:56,960 --> 00:08:59,840 Speaker 1: Martin is with us. Chris, good morning, How are you good? Am? 163 00:08:59,840 --> 00:09:03,439 Speaker 1: I in London, Ryan, But it's just me here and 164 00:09:03,480 --> 00:09:06,520 Speaker 1: a few people with drills outside. Well that's what are they? 165 00:09:06,679 --> 00:09:08,800 Speaker 1: What are they looking for? What are they in search 166 00:09:08,840 --> 00:09:11,520 Speaker 1: of their in in the underground of London. When we 167 00:09:11,640 --> 00:09:14,160 Speaker 1: got successful, all I did was spending on people to 168 00:09:14,240 --> 00:09:16,840 Speaker 1: drill things around me and everywhere we go we just 169 00:09:16,920 --> 00:09:20,480 Speaker 1: drill for whatever we can find. It's amazing because you 170 00:09:20,600 --> 00:09:23,000 Speaker 1: debuted some music in space and now perhaps your next 171 00:09:23,000 --> 00:09:25,240 Speaker 1: that will be in the Earth's core. Yeah, we've got 172 00:09:25,280 --> 00:09:27,720 Speaker 1: we're looking for the locations. Yeah, you've run out of 173 00:09:27,720 --> 00:09:30,160 Speaker 1: things on this planet that I have to say. That 174 00:09:30,280 --> 00:09:33,600 Speaker 1: was a very obviously unique and a first and a 175 00:09:33,600 --> 00:09:36,080 Speaker 1: cool thing to do. Tell me about that process of 176 00:09:37,160 --> 00:09:41,120 Speaker 1: premiering music off the planet. You were unavailable, you were 177 00:09:41,160 --> 00:09:45,440 Speaker 1: on some sort of spar retreat. Our next choice was 178 00:09:45,640 --> 00:09:49,240 Speaker 1: a real life astronaut and this really sweet guy called 179 00:09:49,280 --> 00:09:53,000 Speaker 1: Toma who's French. It was from the European Space Agency. 180 00:09:53,040 --> 00:09:55,360 Speaker 1: They somehow we've been in touch with them about something 181 00:09:56,080 --> 00:09:57,800 Speaker 1: and then the idea just came up, was like, hey, 182 00:09:57,880 --> 00:09:59,720 Speaker 1: do you want to press play on on you? So 183 00:10:00,440 --> 00:10:04,320 Speaker 1: and he said, we absolute more and wait. Somehow you 184 00:10:04,360 --> 00:10:09,440 Speaker 1: were in touch with an astronaut about something. What is that? 185 00:10:09,480 --> 00:10:12,560 Speaker 1: I don't really know how it happened, but it was. 186 00:10:13,760 --> 00:10:15,600 Speaker 1: We were thinking, we're considering going up in one of 187 00:10:15,640 --> 00:10:18,720 Speaker 1: those spaceships that they've been launching, and would you would 188 00:10:18,720 --> 00:10:21,200 Speaker 1: you do that? I was, I would you want to 189 00:10:21,200 --> 00:10:23,840 Speaker 1: go up there? I mean how much money can you 190 00:10:23,920 --> 00:10:29,800 Speaker 1: let me? Yeah? I don't know. To me, I could 191 00:10:29,800 --> 00:10:31,920 Speaker 1: not afford. And I'd rather be tested many more times 192 00:10:31,960 --> 00:10:33,319 Speaker 1: before I make the run. I mean, look at what 193 00:10:33,360 --> 00:10:35,840 Speaker 1: happened with Southwest Airlines. That's an airline and they had 194 00:10:35,880 --> 00:10:37,559 Speaker 1: to shut the whole thing down. I worry about space 195 00:10:37,600 --> 00:10:40,520 Speaker 1: travel for myself. I mean I would I would, you know, 196 00:10:40,640 --> 00:10:42,800 Speaker 1: if you're really asking, of course I would at some 197 00:10:42,880 --> 00:10:46,360 Speaker 1: point if it was like a if there was a reason, 198 00:10:46,520 --> 00:10:49,120 Speaker 1: or we were going exploring something. I don't know about 199 00:10:49,160 --> 00:10:52,120 Speaker 1: just going up to come right down again. But pready 200 00:10:52,160 --> 00:10:55,640 Speaker 1: respect those people because you know that might be really 201 00:10:56,160 --> 00:10:59,160 Speaker 1: hopeful things out there for making life on Earth better 202 00:10:59,200 --> 00:11:03,199 Speaker 1: for everyone. And yeah, I think when there's when there's 203 00:11:03,320 --> 00:11:06,480 Speaker 1: when there's a bigger layover, we can experience more. It 204 00:11:06,480 --> 00:11:09,320 Speaker 1: does seem exciting, but it's so fast to come up 205 00:11:09,320 --> 00:11:13,480 Speaker 1: and write back down. Yeah, it's like an amazing Disneyland 206 00:11:13,559 --> 00:11:18,160 Speaker 1: right right. It's over too fast. Chris. I was thinking about, 207 00:11:18,440 --> 00:11:20,679 Speaker 1: you know, looking at this album that you guys have 208 00:11:20,760 --> 00:11:25,040 Speaker 1: and you've collaborated with other artists in BTS and Selena Gomez, 209 00:11:25,840 --> 00:11:28,840 Speaker 1: and I was thinking back two was what was the 210 00:11:28,960 --> 00:11:35,040 Speaker 1: first collaboration? Was the first collaboration Coldplay did with a 211 00:11:35,320 --> 00:11:41,400 Speaker 1: pop artist Rihanna? Yeah? Yeah, And that was something that 212 00:11:41,559 --> 00:11:43,640 Speaker 1: just seemed meant to be. You didn't think, oh, these 213 00:11:43,679 --> 00:11:46,599 Speaker 1: are two totally different kinds of artists breaking down a 214 00:11:46,640 --> 00:11:48,679 Speaker 1: wall of genres and performing together. And then you went 215 00:11:48,720 --> 00:11:51,120 Speaker 1: on with others in Big Sean and I'm just curious 216 00:11:51,160 --> 00:11:54,520 Speaker 1: to know what that was, what that was like or 217 00:11:54,600 --> 00:11:56,400 Speaker 1: is that something that you continue to think about and 218 00:11:56,400 --> 00:11:59,760 Speaker 1: working with other artists Coldplay and bridging the gaps they're 219 00:11:59,800 --> 00:12:03,240 Speaker 1: gonna moved to the corridor, So that's less really, Yeah, 220 00:12:03,280 --> 00:12:05,360 Speaker 1: I think the truth is ment It's like, for for 221 00:12:05,360 --> 00:12:08,319 Speaker 1: whatever reason, I and we are blessed that we really 222 00:12:08,320 --> 00:12:11,480 Speaker 1: love so many different kinds of music, and then we've 223 00:12:11,480 --> 00:12:13,440 Speaker 1: become fans of people and then they're sort of in 224 00:12:13,480 --> 00:12:16,200 Speaker 1: our consciousness and then if the right song comes along, 225 00:12:16,760 --> 00:12:19,280 Speaker 1: then we just feel like, well, let's just ask. And 226 00:12:19,520 --> 00:12:22,080 Speaker 1: the older we've got, the less and less rules we 227 00:12:22,120 --> 00:12:24,880 Speaker 1: have on what kind of music can we do? We 228 00:12:24,920 --> 00:12:29,800 Speaker 1: just follow the songs and we with BTS for example, 229 00:12:30,000 --> 00:12:32,240 Speaker 1: I think there might be some artists that say, wow, 230 00:12:32,280 --> 00:12:34,520 Speaker 1: that's just not what we do. We're not bringing what 231 00:12:34,559 --> 00:12:37,240 Speaker 1: we do into that world. That wasn't it for you 232 00:12:37,320 --> 00:12:39,600 Speaker 1: at all? I mean, right, or did you think that? 233 00:12:39,800 --> 00:12:41,640 Speaker 1: But it was At first I was like no, because 234 00:12:41,640 --> 00:12:45,400 Speaker 1: the idea got suggested by somebody by jin worldwide handsome 235 00:12:45,480 --> 00:12:48,640 Speaker 1: gin from BTS. And also, I don't know how that 236 00:12:48,679 --> 00:12:51,480 Speaker 1: could ever work. We're gonna look like they're sort of 237 00:12:51,679 --> 00:12:56,880 Speaker 1: fading sports coaches on the And then it was just 238 00:12:57,080 --> 00:12:59,479 Speaker 1: you know, then I of course we love them. And 239 00:12:59,520 --> 00:13:02,199 Speaker 1: then one day the song disappeared and I was like, oh, 240 00:13:02,240 --> 00:13:04,560 Speaker 1: this is supposed to be for us in BTS, I think, 241 00:13:04,600 --> 00:13:06,880 Speaker 1: And and now here you know, it's been a very 242 00:13:06,920 --> 00:13:13,160 Speaker 1: surreal but amazing adventure. Yeah, and it works. Let me 243 00:13:13,200 --> 00:13:25,480 Speaker 1: take it back. Cold Play, this cold this cold Play, 244 00:13:26,520 --> 00:13:38,760 Speaker 1: this could play, this gold Play, this cold Play? Where 245 00:13:38,880 --> 00:13:41,720 Speaker 1: where where does Coldplay land in music? It seems to me. 246 00:13:41,720 --> 00:13:44,320 Speaker 1: And I think it's been written about Chris Martin, and 247 00:13:44,360 --> 00:13:48,000 Speaker 1: I find it to be somewhat astute that you think 248 00:13:48,040 --> 00:13:50,440 Speaker 1: cold Play. I mean, I remember the first time we 249 00:13:50,520 --> 00:13:54,000 Speaker 1: met actually was at starn at eight point seven, and 250 00:13:54,760 --> 00:13:56,880 Speaker 1: it was around the time you guys were doing a 251 00:13:56,920 --> 00:13:59,960 Speaker 1: show with the Chili Peppers and you two explaining Castle 252 00:14:00,000 --> 00:14:01,480 Speaker 1: in Ireland. It wasn't far It was like a little 253 00:14:01,480 --> 00:14:04,520 Speaker 1: before that, a long time ago, run a long time ago, 254 00:14:05,280 --> 00:14:09,920 Speaker 1: and you looked about two years younger. Thank you. This 255 00:14:10,000 --> 00:14:13,760 Speaker 1: radio gig is what does it? Uh? But I remember, Okay, 256 00:14:13,920 --> 00:14:16,680 Speaker 1: you know you're you're a big band and and and 257 00:14:17,200 --> 00:14:20,120 Speaker 1: artists writing their music and writing their songs very pure 258 00:14:20,200 --> 00:14:22,400 Speaker 1: and still are. But now I don't think of you 259 00:14:22,600 --> 00:14:25,400 Speaker 1: not as impure, but I think of you almost as 260 00:14:25,400 --> 00:14:27,400 Speaker 1: a genre of music. You know what I'm saying, Like 261 00:14:27,440 --> 00:14:29,800 Speaker 1: there there are there are boundaries with Coldplay. There's not 262 00:14:29,840 --> 00:14:33,720 Speaker 1: a there's not a genre um ceiling or floor. What 263 00:14:33,800 --> 00:14:35,960 Speaker 1: do you think? I think? I think that's absolutely right. Yeah, 264 00:14:36,400 --> 00:14:38,600 Speaker 1: And I take that's a real compliment that you wouldn't 265 00:14:38,600 --> 00:14:41,080 Speaker 1: know where to put us in the music rack, in 266 00:14:41,080 --> 00:14:44,320 Speaker 1: the fashion records to them like the jazz and they 267 00:14:44,880 --> 00:14:48,720 Speaker 1: they indeed, but it was that was that was that? 268 00:14:49,240 --> 00:14:52,640 Speaker 1: Was that a plan? Or did that evolve? No? I 269 00:14:52,640 --> 00:14:57,600 Speaker 1: think that that's That's what I'm saying. I love Brittany's music. 270 00:14:57,680 --> 00:15:00,400 Speaker 1: I love Oliver Rodrigo, and I love Metallica, I love 271 00:15:00,680 --> 00:15:04,360 Speaker 1: Shop and yeah, you know, some people just like eating 272 00:15:04,440 --> 00:15:10,160 Speaker 1: loads of It's like being a musical foodie. That makes sense, Yeah, 273 00:15:10,320 --> 00:15:13,920 Speaker 1: that makes sense. Chris Martin is with us cold Play. 274 00:15:14,320 --> 00:15:17,280 Speaker 1: Music of the Spears is out tomorrow. Tanya, you are 275 00:15:17,520 --> 00:15:20,320 Speaker 1: going to be hosting the album release party, right? Album 276 00:15:20,320 --> 00:15:22,960 Speaker 1: release party? Right? I am going to be hosting the 277 00:15:22,960 --> 00:15:26,360 Speaker 1: album release IM so excited to see you guys live, 278 00:15:26,680 --> 00:15:29,440 Speaker 1: and I'm just really excited for the album in general. 279 00:15:30,160 --> 00:15:32,360 Speaker 1: And I want to ask you, because you're talking about 280 00:15:32,360 --> 00:15:35,320 Speaker 1: how these specific songs lend you. Hear a song and 281 00:15:35,440 --> 00:15:37,520 Speaker 1: it lends you to act, just reach out to your 282 00:15:37,720 --> 00:15:40,360 Speaker 1: wherever you want to collaborate with. Why did you want 283 00:15:40,520 --> 00:15:43,000 Speaker 1: Selena Gomez to be on let somebody go? What did 284 00:15:43,000 --> 00:15:49,080 Speaker 1: that song? I mean, first of all, Selena's personality aside, 285 00:15:49,080 --> 00:15:51,560 Speaker 1: which is she's just an angel, and you know, I 286 00:15:51,920 --> 00:15:55,120 Speaker 1: got so much love and respect for her as a person, 287 00:15:56,000 --> 00:16:01,520 Speaker 1: and she's just such a good kind and and then 288 00:16:01,560 --> 00:16:04,320 Speaker 1: her voice to me is like it's in what I 289 00:16:04,320 --> 00:16:07,480 Speaker 1: would call the Rihanna bag, which is like just voices 290 00:16:07,520 --> 00:16:13,040 Speaker 1: which are gifts to humanity, and hers is one of 291 00:16:13,040 --> 00:16:16,600 Speaker 1: those where you can't feel worse listening to her scene 292 00:16:18,040 --> 00:16:20,480 Speaker 1: and shed and then this song that was around and 293 00:16:20,560 --> 00:16:23,160 Speaker 1: so could let somebody go? And I thought, well, this 294 00:16:23,200 --> 00:16:25,320 Speaker 1: would be this would be good on our own, but 295 00:16:25,400 --> 00:16:27,680 Speaker 1: it would be really great if it was to the 296 00:16:27,720 --> 00:16:31,320 Speaker 1: two sides of the story. And then there was only 297 00:16:31,360 --> 00:16:34,200 Speaker 1: ever Selina's. It was only ever for Selina after that. 298 00:16:34,840 --> 00:16:38,480 Speaker 1: So Chris Martin with us, it looks as if he 299 00:16:38,760 --> 00:16:42,600 Speaker 1: is in a chamber under the surface. I don't know 300 00:16:42,640 --> 00:16:45,840 Speaker 1: if it's a renovation project or if you are serving 301 00:16:45,880 --> 00:16:49,120 Speaker 1: some sort of everything. Right, And we're about to play 302 00:16:49,160 --> 00:16:52,800 Speaker 1: a show here in London, a theatrical shepherds for Empire, 303 00:16:52,840 --> 00:16:56,440 Speaker 1: which is quite small, and so we're all getting ready 304 00:16:56,560 --> 00:16:59,840 Speaker 1: and it's all buzzy buzzy, and then there's a gent 305 00:17:00,000 --> 00:17:03,240 Speaker 1: woman and his accomplice outside right outside the dress room, 306 00:17:03,480 --> 00:17:07,760 Speaker 1: drilling and cutting concrete. We just we just offered them 307 00:17:07,840 --> 00:17:09,520 Speaker 1: some money to go to the pub so that we 308 00:17:09,560 --> 00:17:11,680 Speaker 1: could do this interview and they can and he said, no, 309 00:17:11,800 --> 00:17:13,359 Speaker 1: I can't do that, Mane, I got to finish this 310 00:17:13,440 --> 00:17:16,440 Speaker 1: and get out of here. No, So I said, it's 311 00:17:16,520 --> 00:17:22,040 Speaker 1: Ryan Seacrest. Man Antonio He's like, I don't care. That's 312 00:17:22,160 --> 00:17:24,920 Speaker 1: very good on the floor in the corridor. I'm sorry, 313 00:17:25,119 --> 00:17:27,080 Speaker 1: but no worries. We'll have a great show tonight. It's 314 00:17:27,080 --> 00:17:28,720 Speaker 1: always great to see you man. Thanks for coming on 315 00:17:28,840 --> 00:17:30,760 Speaker 1: and I love you man. We'll be know only a 316 00:17:30,800 --> 00:17:33,920 Speaker 1: long time. It's been a good we're talking to us. Yeah, 317 00:17:33,960 --> 00:17:36,520 Speaker 1: of course, let's keep it up. Let's stay close. Thank you, Tony. 318 00:17:36,520 --> 00:17:38,159 Speaker 1: We'll see you later, and thank you so much for 319 00:17:38,200 --> 00:17:47,800 Speaker 1: doing that with us. I'm Ryan, Yes, I can't wait. Bye, Rys, 320 00:17:53,320 --> 00:17:56,040 Speaker 1: it's time why or two point seven kiss FM for 321 00:17:56,200 --> 00:17:59,959 Speaker 1: Ryan's roses. So here's the email. My wife told me 322 00:18:00,119 --> 00:18:02,919 Speaker 1: this from Alex in Manhattan Beach. My wife told me 323 00:18:03,000 --> 00:18:06,119 Speaker 1: someone from the European Office was in town and they 324 00:18:06,119 --> 00:18:08,080 Speaker 1: were going out to a work dinner. I didn't think 325 00:18:08,480 --> 00:18:10,520 Speaker 1: much of it, why would I write, But then he 326 00:18:10,600 --> 00:18:13,560 Speaker 1: ended up extending his trip. There was another work dinner, 327 00:18:13,720 --> 00:18:15,879 Speaker 1: and that was even later, and she had worked another 328 00:18:15,960 --> 00:18:21,359 Speaker 1: late night. It's just all suspicious. The other dinners weren't 329 00:18:21,359 --> 00:18:26,440 Speaker 1: work dinners, they were just a two of them. So look, 330 00:18:27,240 --> 00:18:31,239 Speaker 1: I'm Alex. I'm feeling the same way. It's a it's 331 00:18:31,280 --> 00:18:33,199 Speaker 1: a bit weird, Alex, good morning, thanks for coming on 332 00:18:33,280 --> 00:18:35,320 Speaker 1: with us. So it started out and you didn't think 333 00:18:35,359 --> 00:18:38,760 Speaker 1: twice about it, and then these dinners became often later 334 00:18:38,880 --> 00:18:41,080 Speaker 1: and just the two of them. Do you know who 335 00:18:41,160 --> 00:18:47,639 Speaker 1: this European employee is. Yeah, well his name is Russell Umsell. 336 00:18:48,320 --> 00:18:50,840 Speaker 1: I've never met him personally, but I know of him 337 00:18:51,080 --> 00:18:55,480 Speaker 1: and yet in town. And why what she say about him? 338 00:18:56,280 --> 00:18:59,480 Speaker 1: He's like one of her higher ups. Um. She says 339 00:18:59,520 --> 00:19:01,720 Speaker 1: it's import and that she, you know, hang out with 340 00:19:01,800 --> 00:19:04,320 Speaker 1: him and talked to him, and uh, but it it 341 00:19:04,359 --> 00:19:06,639 Speaker 1: seems it seems very fishy to me. I gotta tell you, 342 00:19:06,840 --> 00:19:09,720 Speaker 1: I got a bad feeling about it. Yeah, what were 343 00:19:09,760 --> 00:19:13,679 Speaker 1: the indicators? What? What struck you as? Not right? To 344 00:19:13,720 --> 00:19:16,679 Speaker 1: give you the bad feelings? Well, it was, you know, 345 00:19:16,840 --> 00:19:19,040 Speaker 1: first it was just one day. He was in town 346 00:19:19,119 --> 00:19:20,680 Speaker 1: for a day and she had to go on. I 347 00:19:20,680 --> 00:19:23,600 Speaker 1: would work dinner with him, and I didn't think anything 348 00:19:23,600 --> 00:19:26,119 Speaker 1: of it, you know, work his work so um. But 349 00:19:26,240 --> 00:19:29,399 Speaker 1: then it ended up like he extended his trip, it 350 00:19:29,440 --> 00:19:32,560 Speaker 1: seems um. And then there was another work dinner and 351 00:19:32,600 --> 00:19:34,960 Speaker 1: that one went even later, and then then there was 352 00:19:35,000 --> 00:19:38,560 Speaker 1: a third, a third work dinner in a week, and 353 00:19:38,640 --> 00:19:40,439 Speaker 1: she came home and she was you know she had 354 00:19:40,480 --> 00:19:42,880 Speaker 1: had some wine, which she never does, like she's very 355 00:19:42,960 --> 00:19:47,399 Speaker 1: very professional. Um So having wine with especially with the 356 00:19:47,480 --> 00:19:50,080 Speaker 1: higher up, just doesn't make any sense because that's something 357 00:19:50,119 --> 00:19:52,840 Speaker 1: she would never do. So, you know, I hope I'm wrong. 358 00:19:52,880 --> 00:19:55,719 Speaker 1: I hope it's just you know, some kind of you know, 359 00:19:55,840 --> 00:19:58,280 Speaker 1: she's trying to move up in the company or something. 360 00:19:58,320 --> 00:20:03,119 Speaker 1: But it feels very uneasy. Listen, that's you lose sleep 361 00:20:03,160 --> 00:20:05,119 Speaker 1: over that feeling. I get it each up on the inside. 362 00:20:05,160 --> 00:20:07,280 Speaker 1: What we're gonna do is we're gonna come back. Tany 363 00:20:07,400 --> 00:20:09,640 Speaker 1: is gonna give her a call and tell her she's 364 00:20:09,640 --> 00:20:12,320 Speaker 1: got some flowers for delivery, and we'll see what the reaction. 365 00:20:12,400 --> 00:20:15,240 Speaker 1: So hold on one sec. Okay, awesome, thank you so much. 366 00:20:20,880 --> 00:20:23,440 Speaker 1: We are just now one or two point seven kiss 367 00:20:23,520 --> 00:20:25,959 Speaker 1: up them making the Ryan's Roses call. So you have 368 00:20:25,960 --> 00:20:29,359 Speaker 1: not missed anything. We we've only met Alex Manhattan Beach. 369 00:20:29,760 --> 00:20:31,920 Speaker 1: His he thinks his wife's cheating. His wife keeps going 370 00:20:31,920 --> 00:20:35,800 Speaker 1: out with some employee that's on business from Europe, employee 371 00:20:35,840 --> 00:20:38,480 Speaker 1: the company. They keep having dinners just the two of them, 372 00:20:38,560 --> 00:20:40,760 Speaker 1: later and later at night, more frequent. He's like, this 373 00:20:40,840 --> 00:20:44,840 Speaker 1: is not feeling right, hey, Alex. Before we call your wife. 374 00:20:44,960 --> 00:20:47,159 Speaker 1: Have you asked her what's going on? Have you been direct? 375 00:20:48,240 --> 00:20:51,280 Speaker 1: I have not. I haven't really, you know, it's it's 376 00:20:51,320 --> 00:20:53,240 Speaker 1: been eating me up. So I didn't know how to 377 00:20:53,320 --> 00:20:55,680 Speaker 1: approach her on the whole subject. So got it. Well, 378 00:20:55,680 --> 00:20:57,920 Speaker 1: well let us step in. Be very quiet. We're gonna 379 00:20:57,920 --> 00:20:59,439 Speaker 1: call her now and see we can find out. Just 380 00:20:59,480 --> 00:21:02,400 Speaker 1: needs you to say, Ryan, you have my permission to call, 381 00:21:02,480 --> 00:21:05,800 Speaker 1: and then her name on Kiss FM. Go ahead, Ryan, 382 00:21:05,960 --> 00:21:11,800 Speaker 1: you have my permission to call on Kiss FM. Okay, 383 00:21:11,800 --> 00:21:27,720 Speaker 1: here we go, good luck, be very quiet. Hello, Hi 384 00:21:27,920 --> 00:21:33,199 Speaker 1: is this Elena? Ah? Yes, it is hi Elena. My 385 00:21:33,280 --> 00:21:36,160 Speaker 1: name is Tia. I'm calling from Enchanted Flories. How are 386 00:21:36,160 --> 00:21:42,119 Speaker 1: you doing today? Um? I'm good? How are you? I'm great. 387 00:21:42,240 --> 00:21:44,440 Speaker 1: I just actually wanted to call because we have these 388 00:21:44,480 --> 00:21:47,240 Speaker 1: beautiful flowers that we're going to deliver to you today. 389 00:21:47,280 --> 00:21:49,959 Speaker 1: But I just wanted to confirm where you wanted these 390 00:21:50,080 --> 00:22:01,200 Speaker 1: flowers to be sent today. Oh um, okay, Well I um, 391 00:22:01,200 --> 00:22:03,920 Speaker 1: I guess I don't really know. I mean, I guess 392 00:22:03,960 --> 00:22:07,400 Speaker 1: you can send them to my house, but can they 393 00:22:07,520 --> 00:22:11,919 Speaker 1: arrive before five pm? Is that possible? Of course, we 394 00:22:11,920 --> 00:22:14,520 Speaker 1: can get them out after one pm today, so five 395 00:22:14,600 --> 00:22:18,560 Speaker 1: is no problem. Yeah, that would that would be good. Okay, 396 00:22:18,560 --> 00:22:24,800 Speaker 1: So wait, who set me flowers? Oh? Um? I actually 397 00:22:25,359 --> 00:22:28,560 Speaker 1: I'm not supposed to tell you who they're from until 398 00:22:28,600 --> 00:22:33,280 Speaker 1: they get delivered. Is there a card? Can you tell me? Like, 399 00:22:33,440 --> 00:22:37,880 Speaker 1: was there a message with it? Or all right, well 400 00:22:37,920 --> 00:22:40,320 Speaker 1: there is a message. I will tell you. I could 401 00:22:40,920 --> 00:22:44,200 Speaker 1: do not tell my boss. They're actually really sweet and 402 00:22:44,200 --> 00:22:47,400 Speaker 1: they're so beautiful it says, I'm really glad we had 403 00:22:47,440 --> 00:22:59,800 Speaker 1: the extra time. Can't wait for next time? Russell Russell. Wow. Yeah, 404 00:22:59,800 --> 00:23:05,879 Speaker 1: they're so on their red roses. Oh my god, I 405 00:23:05,960 --> 00:23:11,119 Speaker 1: just got goose bumps. Wow, so exciting. Wait is this 406 00:23:11,200 --> 00:23:18,399 Speaker 1: a new relationship? Um? Oh god, I I don't even like, 407 00:23:19,280 --> 00:23:22,399 Speaker 1: have you ever met a guy and you just get 408 00:23:22,680 --> 00:23:27,720 Speaker 1: like tingling all over? Like there's this weird, uncontrollable chemistry 409 00:23:28,000 --> 00:23:31,199 Speaker 1: between you. I don't even know how to actually what 410 00:23:31,240 --> 00:23:38,520 Speaker 1: you're talking about. Yeah, I wow, Okay, I don't even 411 00:23:38,560 --> 00:23:46,679 Speaker 1: know what to say. Um yeah, yeah, that's so weird. 412 00:23:46,720 --> 00:23:52,199 Speaker 1: I don't Elena, my name is Ryan, your voice is 413 00:23:52,400 --> 00:23:54,639 Speaker 1: being a broadcast on the radio, and I have your 414 00:23:54,720 --> 00:23:58,399 Speaker 1: husband Alex on the line. Elena, is Russell? Does he 415 00:23:58,480 --> 00:24:04,920 Speaker 1: work for your company? Visiting from Europe. Alex, that's the man, right, Yeah, 416 00:24:05,080 --> 00:24:14,879 Speaker 1: that's that's the man. What's going to leave this? Alex? Um? Oh? 417 00:24:15,160 --> 00:24:20,439 Speaker 1: How are you? How? You? You? You? You told me 418 00:24:20,480 --> 00:24:24,240 Speaker 1: it was like business. You didn't this whole week, I've 419 00:24:24,280 --> 00:24:29,639 Speaker 1: known something was up. Tell him what? Tell your husband 420 00:24:29,640 --> 00:24:32,000 Speaker 1: what's going on? Obviously there's something going on with you 421 00:24:32,040 --> 00:24:34,280 Speaker 1: and Russell. We just heard it, so there's no point 422 00:24:34,320 --> 00:24:37,520 Speaker 1: in backtracking. Just tell him, be upfront. What's going on 423 00:24:37,840 --> 00:24:42,240 Speaker 1: with you and this other guy? I don't know. I 424 00:24:42,320 --> 00:24:46,000 Speaker 1: can't talk about this right now. You just were telling 425 00:24:46,240 --> 00:24:48,200 Speaker 1: the stranger on the phone. You got goose bumps because 426 00:24:48,200 --> 00:24:52,000 Speaker 1: he's sending your flowers? So what's going on? This? No, 427 00:24:52,240 --> 00:24:53,720 Speaker 1: this is on the radio. I'm not gonna I'm not 428 00:24:53,720 --> 00:24:56,320 Speaker 1: gonna talk about it. Like, if I look all this 429 00:24:56,400 --> 00:24:59,320 Speaker 1: out here right now, it could really mess things up 430 00:24:59,359 --> 00:25:03,520 Speaker 1: more than it already has. I can't Well, what's your 431 00:25:03,560 --> 00:25:05,600 Speaker 1: Are you cheating? You're cheating on your husband and Lena? 432 00:25:05,600 --> 00:25:09,560 Speaker 1: Is that right? I'm not going to talk with you. 433 00:25:10,800 --> 00:25:18,480 Speaker 1: That's an indicator that it's true. I'm devastated, honey, I'm devastated. Yeah, 434 00:25:18,520 --> 00:25:20,400 Speaker 1: we're going to talk about it later, for sure. I'm 435 00:25:20,440 --> 00:25:25,040 Speaker 1: so devastated. I can't believe this. What why why didn't 436 00:25:25,080 --> 00:25:26,760 Speaker 1: you just tell me you could have said something you 437 00:25:27,000 --> 00:25:30,480 Speaker 1: didn't have to. I feel like such a fool. You're 438 00:25:30,720 --> 00:25:34,399 Speaker 1: not Lex, I'm not doing this here like this. Um, 439 00:25:34,560 --> 00:25:42,280 Speaker 1: we we can talk at home, Okay, I'm sorry. I mean, Alex, 440 00:25:42,960 --> 00:25:46,560 Speaker 1: clearly you were right and your instinct was right, and 441 00:25:46,600 --> 00:25:49,080 Speaker 1: your wife has certainly got feelings for this other man. 442 00:25:49,160 --> 00:25:52,200 Speaker 1: I think you guys should you talk and in private 443 00:25:52,200 --> 00:25:54,280 Speaker 1: and see who you can find out. All right, Alex, 444 00:25:54,320 --> 00:25:56,959 Speaker 1: thank you for reaching out. Thank you Ryan. All right, 445 00:26:00,080 --> 00:26:05,720 Speaker 1: Clearly she's cheating for for sure, for sure, for sure 446 00:26:05,840 --> 00:26:10,359 Speaker 1: not clearly goog emotionally. At least she was thrilled she 447 00:26:10,440 --> 00:26:12,520 Speaker 1: got the flowers from him, and then she was We 448 00:26:12,600 --> 00:26:16,960 Speaker 1: just asked her, are you cheating? And she didn't say no. So, yeah, 449 00:26:17,400 --> 00:26:21,159 Speaker 1: Shari's good morning. It's m How are you doing? I 450 00:26:21,200 --> 00:26:23,960 Speaker 1: am doing great? How are you guys doing today? Good? Thanks? 451 00:26:24,000 --> 00:26:30,080 Speaker 1: So what's the question you have? I mean it's for 452 00:26:30,240 --> 00:26:34,720 Speaker 1: that couple, I mean, like Rose the girl. Really sorry, 453 00:26:34,720 --> 00:26:38,000 Speaker 1: I thought you needed advice. I'm quickly reminded you're calling 454 00:26:38,080 --> 00:26:42,119 Speaker 1: about Ryan Roses a few minutes ago. So yes, Tanya, 455 00:26:42,640 --> 00:26:47,119 Speaker 1: I almost thought Tony, you were like, you're way into it, 456 00:26:47,160 --> 00:26:48,919 Speaker 1: like you were excited she got goose bumps, and I 457 00:26:48,960 --> 00:26:50,600 Speaker 1: was starting to lose my cold because you were so 458 00:26:50,640 --> 00:26:53,040 Speaker 1: excited about her having goose bumps, which means she's cheating 459 00:26:53,280 --> 00:26:55,840 Speaker 1: that I didn't recognize you. I didn't recognize know, but 460 00:26:55,880 --> 00:26:58,919 Speaker 1: I'm playing a role I'm tia from and Pat and 461 00:26:58,920 --> 00:27:00,440 Speaker 1: I were looking at like, wow, she's really kind of 462 00:27:00,480 --> 00:27:03,199 Speaker 1: I think into the goose bumps part forgetting that the 463 00:27:03,200 --> 00:27:10,320 Speaker 1: goosebumps are cheating, kind of egging her on and being okay, 464 00:27:11,800 --> 00:27:13,560 Speaker 1: there was some realness in all that they're through me, 465 00:27:13,600 --> 00:27:20,119 Speaker 1: but sure he's back to it. So basically, uh, the 466 00:27:20,240 --> 00:27:27,879 Speaker 1: situation was he Alex was concerned that his wife was 467 00:27:27,960 --> 00:27:30,399 Speaker 1: cheating with this guy who keeps coming in from Europe 468 00:27:30,400 --> 00:27:34,720 Speaker 1: from the company. Well, turns out when offered delivery of 469 00:27:34,760 --> 00:27:36,840 Speaker 1: flowers from the guy, she got goose bumps. She was 470 00:27:36,960 --> 00:27:39,399 Speaker 1: very excited. Then I asked her, are you cheating? And 471 00:27:39,480 --> 00:27:41,840 Speaker 1: she said, I didn't want to talk about it. Not 472 00:27:41,920 --> 00:27:44,199 Speaker 1: to me. That's an indicator that there's guilt there, and 473 00:27:44,240 --> 00:27:48,280 Speaker 1: clearly we saw we captured emotional cheating. She was thrilled. 474 00:27:48,880 --> 00:27:50,879 Speaker 1: So what do you think sheerie. I mean, what do 475 00:27:50,920 --> 00:27:53,400 Speaker 1: you do now? And what do you say? I mean, 476 00:27:53,560 --> 00:27:58,880 Speaker 1: like from from a girl's perspective, it's it's like it's 477 00:27:58,920 --> 00:28:01,520 Speaker 1: it's kind of complicated, right, It's it's okay. It's like 478 00:28:01,600 --> 00:28:04,080 Speaker 1: something happens at work. People flirt at work. But I 479 00:28:04,119 --> 00:28:06,560 Speaker 1: mean then again, like what are you supposed to do 480 00:28:06,760 --> 00:28:10,159 Speaker 1: when you get a gift and then all of a 481 00:28:10,240 --> 00:28:14,320 Speaker 1: sudden you feel goosebumps? I mean, nothing has actually happened, right, 482 00:28:14,480 --> 00:28:20,320 Speaker 1: So like emotionally, yeah, there's flirting and she's happy about it, 483 00:28:20,359 --> 00:28:24,359 Speaker 1: but like nothing physically happens, like she she didn't cross 484 00:28:24,400 --> 00:28:27,040 Speaker 1: the line. So I don't, I don't know. I don't. 485 00:28:27,080 --> 00:28:32,080 Speaker 1: I don't think anything is wrong. I think for sure 486 00:28:32,520 --> 00:28:35,119 Speaker 1: this is a big problem. Now find Alex. How do 487 00:28:35,200 --> 00:28:37,840 Speaker 1: I handle it? Probably get in touch with Russell. I 488 00:28:37,840 --> 00:28:39,680 Speaker 1: need to. I need to break it down with Russell 489 00:28:39,720 --> 00:28:42,280 Speaker 1: for a minute. Spending time with my wife is gonna 490 00:28:42,400 --> 00:28:45,160 Speaker 1: tell you spending I don't even to tell me anybody 491 00:28:45,200 --> 00:28:46,840 Speaker 1: spending time with my wife and you've done something to 492 00:28:46,840 --> 00:28:49,640 Speaker 1: get her to get goose bumps, And then I mean, 493 00:28:49,680 --> 00:28:57,960 Speaker 1: that's just I don't you it's all. He handled it 494 00:28:58,000 --> 00:28:59,640 Speaker 1: pretty well. I gotta give Alex Fredd it like he 495 00:28:59,720 --> 00:29:04,520 Speaker 1: was way too calm, Like I'm not whole another level, 496 00:29:04,680 --> 00:29:07,240 Speaker 1: Like if it was my guy, he would be completely livid. 497 00:29:07,720 --> 00:29:10,960 Speaker 1: But for him, I just like when they get home, 498 00:29:11,040 --> 00:29:14,480 Speaker 1: he's gonna like graze all hell, like it's gonna get crazy. 499 00:29:14,520 --> 00:29:17,239 Speaker 1: But like goosebumps are are like one thing you can 500 00:29:17,240 --> 00:29:20,160 Speaker 1: get goosebumps from from going to dunkin, don'ut like you 501 00:29:20,280 --> 00:29:23,560 Speaker 1: think if goosebumps was just not anything but that that 502 00:29:23,720 --> 00:29:26,360 Speaker 1: also just indicates to me that there's something wrong with 503 00:29:26,400 --> 00:29:30,440 Speaker 1: their marriage though, Like if if if he's you know, 504 00:29:30,720 --> 00:29:33,719 Speaker 1: like you, your girls should be getting goosebumps off of you, 505 00:29:33,880 --> 00:29:37,280 Speaker 1: not necessarily somebody else off of roses. I mean he's 506 00:29:37,280 --> 00:29:39,960 Speaker 1: not handling it. Yea. All right, Well, thanks for calling. 507 00:29:41,160 --> 00:29:45,720 Speaker 1: It was upsetting to your tingles and goose bumps on 508 00:29:45,840 --> 00:29:51,200 Speaker 1: air with Ryan's Secrets. So it's been an active morning 509 00:29:51,200 --> 00:29:54,280 Speaker 1: so far. Chris Martin, Cold Play, Last Hour, Ryan's Roses 510 00:29:54,400 --> 00:29:57,160 Speaker 1: Last Hour. Now you're telling me Adele's got new music 511 00:29:57,160 --> 00:30:01,440 Speaker 1: coming soon? Yes? So well, a l announced that she 512 00:30:01,520 --> 00:30:03,720 Speaker 1: had her single Easy on Me coming out, so we 513 00:30:03,800 --> 00:30:08,880 Speaker 1: knew that right. She just announced November nineteen that her 514 00:30:08,920 --> 00:30:13,160 Speaker 1: album thirty is going to drop and good news, thank 515 00:30:13,160 --> 00:30:15,160 Speaker 1: you ADELF for giving it to us at seven am, 516 00:30:15,240 --> 00:30:18,200 Speaker 1: not midnight. We'll actually get it in the morning. You know, 517 00:30:18,240 --> 00:30:19,880 Speaker 1: so many people leave it at midnight. I'm not up 518 00:30:19,880 --> 00:30:22,440 Speaker 1: midnight to check it out. She's gonna drop it at 519 00:30:22,440 --> 00:30:25,720 Speaker 1: seven am. He She's a giver. Adele's a giver. But 520 00:30:25,920 --> 00:30:28,880 Speaker 1: also proves the theory right that Taylor Swift moved up 521 00:30:28,920 --> 00:30:32,920 Speaker 1: her album release because we had a new adel album. 522 00:30:33,000 --> 00:30:36,120 Speaker 1: When is Taylor's coming out? So her album, her red rerelease, 523 00:30:36,160 --> 00:30:38,080 Speaker 1: was supposed to be November nineteenth, but she moved it 524 00:30:38,160 --> 00:30:40,040 Speaker 1: up a week, didn't say why, and everybody was like 525 00:30:40,080 --> 00:30:42,800 Speaker 1: kind of hypothesizing what the reason was, and now we know, 526 00:30:43,760 --> 00:30:45,920 Speaker 1: all right, well, what's going on with the Dell? Okay? 527 00:30:45,920 --> 00:30:47,480 Speaker 1: So she went live for the first time ever on 528 00:30:47,520 --> 00:30:49,480 Speaker 1: Instagram and it was actually the cutest thing because she 529 00:30:49,640 --> 00:30:52,640 Speaker 1: didn't know how to like let people into the conversation 530 00:30:53,440 --> 00:30:56,880 Speaker 1: and she basically played a minute clip of the single, 531 00:30:56,960 --> 00:30:59,760 Speaker 1: which I think was so cool for fans. But she 532 00:30:59,880 --> 00:31:02,760 Speaker 1: was reading like fan questions on the you know, pop 533 00:31:02,840 --> 00:31:05,440 Speaker 1: up on Instagram live and one of the one of 534 00:31:05,440 --> 00:31:08,200 Speaker 1: the fans asked her what her body count is, And 535 00:31:08,280 --> 00:31:12,720 Speaker 1: here was her response, small body count? What does that mean? Yeah? 536 00:31:12,760 --> 00:31:14,600 Speaker 1: What does that mean? I agree with you that what's 537 00:31:14,640 --> 00:31:20,400 Speaker 1: that mean? Okay, well let's dissect it. Body Wait she 538 00:31:20,480 --> 00:31:23,600 Speaker 1: in a bathtub doing a live thing feed? No, I 539 00:31:23,600 --> 00:31:26,520 Speaker 1: think she was in her living room or something. All right, Yeah, 540 00:31:26,520 --> 00:31:29,520 Speaker 1: it wasn't about them. She was fully clothed. All right, 541 00:31:29,600 --> 00:31:32,600 Speaker 1: Well I all right, go ahead. Body counts. So body 542 00:31:32,920 --> 00:31:36,840 Speaker 1: count meaning like, what's your number? I mean, how many 543 00:31:36,840 --> 00:31:39,160 Speaker 1: people you hooked up with? Yeah, you've really never heard 544 00:31:39,160 --> 00:31:41,840 Speaker 1: a body count before. I don't know if it's the 545 00:31:41,880 --> 00:31:44,000 Speaker 1: top of mind. But is that that seems like an 546 00:31:44,040 --> 00:31:47,400 Speaker 1: inappropriate and rude question? I know, first of all, I 547 00:31:47,480 --> 00:31:51,840 Speaker 1: think it was really funny because a who asks somebody 548 00:31:51,840 --> 00:31:53,560 Speaker 1: what their body count is, it just goes to show 549 00:31:53,600 --> 00:31:55,960 Speaker 1: you that like everybody just feels that they can ask. 550 00:31:56,000 --> 00:32:00,320 Speaker 1: And I agree that's too comfortable. Yeah. But then my 551 00:32:00,360 --> 00:32:04,200 Speaker 1: other question was is it ever beneficial to know somebody's 552 00:32:04,240 --> 00:32:08,360 Speaker 1: body count? Wait? I mean, Patty, I'll go first here. 553 00:32:09,000 --> 00:32:12,400 Speaker 1: I don't Maybe it's men, Maybe it's me. I don't 554 00:32:12,480 --> 00:32:17,960 Speaker 1: count bodies Like, that's not a tally that I saying 555 00:32:18,000 --> 00:32:21,880 Speaker 1: I calculate. Is that something you calculate. Yeah, I I 556 00:32:21,920 --> 00:32:24,680 Speaker 1: always I never wanted to go past ten. That was 557 00:32:24,760 --> 00:32:28,120 Speaker 1: kind of like my thing. Do you write it down? No, 558 00:32:28,200 --> 00:32:30,440 Speaker 1: they're in my brain. I'm they're memorable. I know the 559 00:32:30,800 --> 00:32:34,160 Speaker 1: name all I could name all ten Patty. Is this 560 00:32:34,240 --> 00:32:38,720 Speaker 1: something that's crossed your mind before? Yes? And I had 561 00:32:38,800 --> 00:32:41,480 Speaker 1: a tally as well, But now I don't even know 562 00:32:41,520 --> 00:32:43,920 Speaker 1: that number anymore. Yeah, I don't know that i'd see 563 00:32:43,960 --> 00:32:45,800 Speaker 1: it like, I don't look at it as numbers. Don't 564 00:32:45,800 --> 00:32:47,720 Speaker 1: you look at as people? You can't put a number 565 00:32:47,720 --> 00:32:52,080 Speaker 1: on a person. It seems strange to me, right, you don't. 566 00:32:52,440 --> 00:32:55,840 Speaker 1: For me, it came from having low self esteem. And 567 00:32:55,880 --> 00:32:58,920 Speaker 1: I think maybe for me was you know, being able 568 00:32:59,000 --> 00:33:02,120 Speaker 1: to see this number or having been having a present 569 00:33:02,520 --> 00:33:06,160 Speaker 1: help my self esteem for some weird broken Did you 570 00:33:06,160 --> 00:33:10,120 Speaker 1: write down the number of the names? The names? But 571 00:33:10,160 --> 00:33:11,880 Speaker 1: now I don't remember anything, and I don't really care. 572 00:33:12,200 --> 00:33:14,760 Speaker 1: I don't neither. I don't really care. Well, I think 573 00:33:14,760 --> 00:33:17,400 Speaker 1: that's better because I used to always ask when I 574 00:33:17,440 --> 00:33:20,600 Speaker 1: was dating men what their number was, and that number 575 00:33:20,600 --> 00:33:28,760 Speaker 1: would really as the number would really affect me. It didn't. 576 00:33:28,800 --> 00:33:31,640 Speaker 1: It did affect you, Yeah, like I would. It made 577 00:33:31,680 --> 00:33:33,960 Speaker 1: me feel weird about them, and it shouldn't it should 578 00:33:34,360 --> 00:33:36,320 Speaker 1: you ask the question, you got the answer, and then 579 00:33:36,320 --> 00:33:39,240 Speaker 1: you made it more uncomfortable. I know. So now I'm 580 00:33:39,280 --> 00:33:42,200 Speaker 1: on the team of it's better not to ask because 581 00:33:42,280 --> 00:33:46,120 Speaker 1: there's no benefit and knowing your partner's body count. Yeah, 582 00:33:46,160 --> 00:33:49,280 Speaker 1: I think the question maybe is like how many, like 583 00:33:49,760 --> 00:33:54,720 Speaker 1: what's the number of people you you've loved intimately or what? 584 00:33:54,920 --> 00:33:57,000 Speaker 1: But kind of none of their business to ask about 585 00:33:57,040 --> 00:34:02,160 Speaker 1: BodyCount to a total stranger. Yeah right, Yeah, I'm giving 586 00:34:02,200 --> 00:34:05,160 Speaker 1: those away. They're sold out, presented by Capital One, and 587 00:34:05,280 --> 00:34:07,920 Speaker 1: I will have some more of those. Every single hour 588 00:34:08,480 --> 00:34:10,440 Speaker 1: got him here at Kiss all day, keep listening for 589 00:34:10,480 --> 00:34:13,000 Speaker 1: those big big deal to get these tickets because they 590 00:34:13,000 --> 00:34:17,040 Speaker 1: went fast. And I have a superstar announcement Monday, seven am. 591 00:34:17,120 --> 00:34:23,520 Speaker 1: Adding to the heat, Adding to the heat. Justine is 592 00:34:23,520 --> 00:34:26,360 Speaker 1: in New York. Into Justine. It's Ryan Seacrest, Tony and Patty. 593 00:34:26,360 --> 00:34:29,759 Speaker 1: How are you good? How are you? We're super good? 594 00:34:29,840 --> 00:34:35,160 Speaker 1: So how can we help you? I have a wedding question. 595 00:34:36,200 --> 00:34:41,240 Speaker 1: So I'm getting married, and you know what, the bridal 596 00:34:41,280 --> 00:34:45,200 Speaker 1: party is just stressing me out, and maybe it's unnecessarily 597 00:34:45,239 --> 00:34:48,040 Speaker 1: stressing me out, but I just have a question. Well, 598 00:34:48,080 --> 00:34:50,440 Speaker 1: First of all, just so you know your panel here 599 00:34:50,520 --> 00:34:55,400 Speaker 1: all of us are unmarried. I mean, what better people 600 00:34:55,480 --> 00:34:59,800 Speaker 1: to ask than those the new guys? Okay, perfect, And 601 00:35:00,000 --> 00:35:03,800 Speaker 1: it's the issue. What's the question? Okay, So at the moment, 602 00:35:04,160 --> 00:35:07,520 Speaker 1: we have an uneven brible party of rooms to bridemaids, 603 00:35:08,360 --> 00:35:13,399 Speaker 1: and I have to find somebody or be okay with unevenness. 604 00:35:13,560 --> 00:35:15,840 Speaker 1: And I'm not sure, like, do I need to feel 605 00:35:15,840 --> 00:35:20,000 Speaker 1: obligated to invite bridesmaids into my wedding if I was 606 00:35:20,040 --> 00:35:24,879 Speaker 1: a bridesmaid in their weddings? Okay, hold on, hold on 607 00:35:25,440 --> 00:35:28,600 Speaker 1: just a metre. Fact that you're using vocabulary like obligated 608 00:35:28,800 --> 00:35:33,440 Speaker 1: is wrong. There's no obligation to any of this. You 609 00:35:33,520 --> 00:35:36,320 Speaker 1: do what you want in your heart and feels comfortable. 610 00:35:36,600 --> 00:35:40,319 Speaker 1: There is no obligation. Once you get into obligations, guess 611 00:35:40,320 --> 00:35:42,759 Speaker 1: what you're doing. You're pleasing other people. You're trying to 612 00:35:42,760 --> 00:35:45,200 Speaker 1: please other people. That's about you and your day. This 613 00:35:45,280 --> 00:35:49,360 Speaker 1: is why I've not had my wedding yet. Is that 614 00:35:49,480 --> 00:35:51,719 Speaker 1: the only reason? No, But it's on the top of 615 00:35:51,719 --> 00:35:57,600 Speaker 1: the list regards. It makes a good point. It's still 616 00:35:57,600 --> 00:35:59,600 Speaker 1: a hard decision to make. I mean, we we can, 617 00:36:00,000 --> 00:36:02,600 Speaker 1: we can scream to the four winds that it doesn't 618 00:36:02,640 --> 00:36:06,799 Speaker 1: matter because it's it only matters what we think about ourselves. 619 00:36:07,280 --> 00:36:09,399 Speaker 1: But at the end of the day, you're it's also 620 00:36:09,440 --> 00:36:14,319 Speaker 1: affecting another individual, but we cannot worry about them so much. 621 00:36:14,840 --> 00:36:18,880 Speaker 1: That's their issue. But then nothing selfish. At the same time, 622 00:36:19,040 --> 00:36:23,319 Speaker 1: it's your wedding. No, But if you're somebody's bridesmaid and 623 00:36:24,000 --> 00:36:25,719 Speaker 1: you have your wedding and you have a ton of 624 00:36:25,760 --> 00:36:28,920 Speaker 1: bridesmaids and they're not in your bridal party, it is 625 00:36:29,080 --> 00:36:31,759 Speaker 1: kind of not cool. You either have to go. Then 626 00:36:31,800 --> 00:36:33,840 Speaker 1: you guys are gonna torture yourselves all the way up 627 00:36:33,920 --> 00:36:36,200 Speaker 1: until the wedding day and after. And if that's what 628 00:36:36,239 --> 00:36:40,239 Speaker 1: you want, order up, Order up. But I'm not I'm 629 00:36:40,239 --> 00:36:43,240 Speaker 1: not doing it. I'll do what I'll do it. By 630 00:36:43,280 --> 00:36:48,120 Speaker 1: the way, Justine, I'll break some news. Mh, I'm ready. 631 00:36:48,400 --> 00:36:52,640 Speaker 1: I may never do it. You may never never get 632 00:36:52,680 --> 00:36:55,840 Speaker 1: married or never have a bridal party. I may never 633 00:36:56,880 --> 00:37:01,000 Speaker 1: have either. But if I do, I have a bridal party. Now, 634 00:37:01,040 --> 00:37:03,319 Speaker 1: if I do have a wedding, I will make it 635 00:37:04,080 --> 00:37:08,319 Speaker 1: an unobligated scenario and I will not feel bad. I 636 00:37:08,440 --> 00:37:11,800 Speaker 1: cannot and it will be small. I have a solution 637 00:37:11,840 --> 00:37:15,400 Speaker 1: moving forward, Justine, it may not work for you anymore, 638 00:37:15,400 --> 00:37:17,839 Speaker 1: but for everyone listening moving forward. If you are being 639 00:37:17,880 --> 00:37:20,640 Speaker 1: asked to be a bridesmaid, before you say yes or no, 640 00:37:20,800 --> 00:37:24,560 Speaker 1: ask yourself, when I get married, am I going to 641 00:37:24,880 --> 00:37:27,960 Speaker 1: have her as a bridesmaid? If the answer for you 642 00:37:28,040 --> 00:37:30,800 Speaker 1: like no, then that means the relationship you have between 643 00:37:30,880 --> 00:37:33,279 Speaker 1: this person and you is not strong enough for you 644 00:37:33,320 --> 00:37:37,360 Speaker 1: to be a bridesmaid. Yeah, it's totally true. That's true. 645 00:37:37,719 --> 00:37:40,640 Speaker 1: It is true because it avoids this right now. No, 646 00:37:40,800 --> 00:37:43,319 Speaker 1: because sometimes I was in weddings ten years ago, right 647 00:37:43,400 --> 00:37:45,960 Speaker 1: after I graduated college, and those friendships have drifted a 648 00:37:45,960 --> 00:37:48,880 Speaker 1: little bit as well. That's different dates. Yeah, give yourself 649 00:37:48,960 --> 00:37:52,319 Speaker 1: like you know, after five years then doesn't matter. After 650 00:37:52,320 --> 00:37:55,160 Speaker 1: ten years it doesn't matter. But if it's like three, 651 00:37:55,280 --> 00:37:57,319 Speaker 1: four or five, you know, four years, it does matter. 652 00:37:57,920 --> 00:38:02,080 Speaker 1: All right, We'll just seeing. Good luck with all that advice. Yeah, 653 00:38:02,160 --> 00:38:04,759 Speaker 1: I don't know if that helps or maybe more conflicted. No, 654 00:38:04,800 --> 00:38:09,600 Speaker 1: I don't help you, but I do not use vocabulary 655 00:38:09,640 --> 00:38:14,120 Speaker 1: like obligated dropped a vocabulary. Good luck? Just team who's 656 00:38:14,120 --> 00:38:16,920 Speaker 1: getting married next? Here? I'm looking at Patty and I'm thinking, 657 00:38:17,000 --> 00:38:19,080 Speaker 1: maybe it's going to be Patty. She's been talking about 658 00:38:19,120 --> 00:38:24,640 Speaker 1: it quite a bit, maybe or is it Tanya? Tanya 659 00:38:24,680 --> 00:38:26,880 Speaker 1: is not blinked in three minutes, and so this is 660 00:38:26,920 --> 00:38:29,600 Speaker 1: definitely something that's near and dear to her heart and 661 00:38:29,600 --> 00:38:31,320 Speaker 1: she's finally found the person. I don't know if I 662 00:38:31,360 --> 00:38:33,719 Speaker 1: ever have I ever seen Tany as in love as 663 00:38:33,760 --> 00:38:42,319 Speaker 1: she is in love with Robbie. No, didn't you want 664 00:38:42,320 --> 00:38:45,720 Speaker 1: to answer that? Yeah? I was like for me, No, 665 00:38:45,920 --> 00:38:54,280 Speaker 1: never a right? So who's next? Oh? Coming up, tubbs? 666 00:38:54,360 --> 00:38:56,520 Speaker 1: Might be he's gonna come out of his jugitsus corner 667 00:38:56,600 --> 00:39:00,520 Speaker 1: and invite us to some doyo for the wedding. So 668 00:39:00,640 --> 00:39:03,680 Speaker 1: here's the deal on the tens six A to six 669 00:39:03,719 --> 00:39:07,000 Speaker 1: P on the tens qualified to get your next vacation 670 00:39:07,120 --> 00:39:11,960 Speaker 1: paid for. This is what happens. You qualify and then 671 00:39:12,000 --> 00:39:15,440 Speaker 1: every day I in the morning will give away a 672 00:39:15,600 --> 00:39:18,640 Speaker 1: grand prize trip where we pay for your vacation bills. 673 00:39:19,080 --> 00:39:22,280 Speaker 1: You pick the location, you pick who goes. For example, 674 00:39:22,440 --> 00:39:25,719 Speaker 1: follow me with this, Miguel, job is dorth Hills. Came 675 00:39:25,719 --> 00:39:30,120 Speaker 1: one to Miguel. How's it going? Where are you? Miguel? U? 676 00:39:30,280 --> 00:39:32,680 Speaker 1: Currently on my work? What do you do for work? 677 00:39:33,480 --> 00:39:36,680 Speaker 1: I work at a bakery Oh my gosh, what do 678 00:39:36,719 --> 00:39:40,520 Speaker 1: you make? What do you bake there? We make cheesecakes, muffins, 679 00:39:40,600 --> 00:39:43,160 Speaker 1: cookies all the times. What time do you start, Miguel, 680 00:39:43,920 --> 00:39:47,239 Speaker 1: I actually started around six right on. What's the name 681 00:39:47,239 --> 00:39:50,960 Speaker 1: of the bakery. It's called Bubble's Baking Company. And why 682 00:39:51,000 --> 00:39:54,080 Speaker 1: is it called Bubble's Baking Company? It's supposed to be 683 00:39:54,200 --> 00:40:02,600 Speaker 1: touch What do you mean by that? Yeah, like I'm 684 00:40:02,600 --> 00:40:05,640 Speaker 1: I'm missing something. I have no idea how to do 685 00:40:05,680 --> 00:40:08,359 Speaker 1: with their culture. I don't know. I'm not touching. Don't 686 00:40:08,360 --> 00:40:11,920 Speaker 1: you work there at six am? Yeah? Might just make 687 00:40:11,960 --> 00:40:15,760 Speaker 1: the stuff. I don't know. The company Bubble, Bubbles Bakery 688 00:40:15,800 --> 00:40:20,919 Speaker 1: of North Hills, Bubbles Bakery, and vent Eyes. I'm gonna 689 00:40:21,800 --> 00:40:25,600 Speaker 1: give you some of your history here, So Pulvita and 690 00:40:25,719 --> 00:40:29,080 Speaker 1: sata Quoi. That's right, all right, hold on, let me 691 00:40:29,080 --> 00:40:30,799 Speaker 1: see what it says. I mean, this is very true 692 00:40:30,840 --> 00:40:33,319 Speaker 1: for both of us. Tomorrow you'll know why it's named 693 00:40:33,320 --> 00:40:37,080 Speaker 1: Bubbles Bakery. Looking like that, because I was like, uh, 694 00:40:37,640 --> 00:40:39,719 Speaker 1: like one of those things that just goes over my head. 695 00:40:39,840 --> 00:40:42,080 Speaker 1: I was just going to laugh, like, oh, I got it. Nope, 696 00:40:42,120 --> 00:40:43,600 Speaker 1: I don't get it. But I don't get it. I 697 00:40:43,640 --> 00:40:45,040 Speaker 1: don't get it, but I was going along with it 698 00:40:45,120 --> 00:40:47,920 Speaker 1: for about a second. Well I got good new. Here's 699 00:40:47,920 --> 00:40:51,120 Speaker 1: the news, Mike out you ready, ye ready. There is 700 00:40:51,239 --> 00:40:55,840 Speaker 1: no logged archive of any history of your bakery and 701 00:40:55,880 --> 00:41:01,880 Speaker 1: its name, so nobody really knows. Goods Now, let's get 702 00:41:01,920 --> 00:41:04,520 Speaker 1: to important business. Migel Chevetz. We're calling you because you 703 00:41:04,560 --> 00:41:08,279 Speaker 1: are Kiss FM grand prize winner. I'm paid for your 704 00:41:08,280 --> 00:41:11,520 Speaker 1: next vacation. Bro, Oh my god, Oh my god. For 705 00:41:11,840 --> 00:41:15,000 Speaker 1: sure that's good news. Paying for your vacation. And where 706 00:41:15,080 --> 00:41:20,799 Speaker 1: would you go? Uh would go to Prague. I've never 707 00:41:20,840 --> 00:41:22,280 Speaker 1: been to Progue. I've just seen it in the movies. 708 00:41:23,320 --> 00:41:24,880 Speaker 1: I've seen it in the movie. Said, that's why I 709 00:41:24,880 --> 00:41:29,760 Speaker 1: picked it. You're right. I was actually watching a Spider 710 00:41:29,760 --> 00:41:32,080 Speaker 1: Man Far from Home and that's what gave me the idea. 711 00:41:32,719 --> 00:41:37,759 Speaker 1: All right, great, so many ideas coming from Marvel. Yeah, 712 00:41:37,800 --> 00:41:43,799 Speaker 1: that's really good company. Spider Man, Marvel. What's what's the 713 00:41:43,800 --> 00:41:48,239 Speaker 1: origin of the Dutch bakery? All right, So that's it, Bro, 714 00:41:48,400 --> 00:41:51,760 Speaker 1: I'm done. Thank you for listening to us. Thank you guys. 715 00:41:52,120 --> 00:41:55,520 Speaker 1: You guys are amazing. Thanks man, I appreciate it. Still 716 00:41:55,560 --> 00:41:59,080 Speaker 1: nothing on the bakery, Bubble's Bakery. There's no website, Bubble's 717 00:41:59,080 --> 00:42:03,480 Speaker 1: Bakery website list. Look at them, Irreverend, aren't they vintage? 718 00:42:03,480 --> 00:42:12,000 Speaker 1: You know? On Air with Ryan Seacrest, all right, it's 719 00:42:12,040 --> 00:42:13,839 Speaker 1: it for us, one of two point seven Kiss FM. 720 00:42:13,880 --> 00:42:17,399 Speaker 1: You're gonna rull out tomorrow. Guys, we're gonna start paying 721 00:42:17,400 --> 00:42:20,000 Speaker 1: free vacations again. We'll do it all day today. Another 722 00:42:20,000 --> 00:42:22,719 Speaker 1: shot at ten ten and it was kiss at them 723 00:42:22,840 --> 00:42:25,120 Speaker 1: Jingle Baull tickets sold out, presented a top of of one. 724 00:42:25,480 --> 00:42:28,360 Speaker 1: So happy until they take you care. All right, thanks 725 00:42:28,360 --> 00:42:31,080 Speaker 1: for listening to On Air with Ryan Seacrest. Make sure 726 00:42:31,080 --> 00:42:33,160 Speaker 1: to subscribe, and we'll talk to you again tomorrow.