WEBVTT - Listener Mail: Piano Fighter

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow your Mind. Listener mail.

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<v Speaker 2>My name is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick, and it's Monday, the day

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<v Speaker 3>of each week that we read back messages from the

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<v Speaker 3>Stuff to Blow Your Mind email address. If you are

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<v Speaker 3>a listener of the show and you've never gotten in

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<v Speaker 3>touch before, why not give it a shot. You can

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<v Speaker 3>email us at contact at stuff to Blow your Mind

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<v Speaker 3>dot com. Send whatever you like. We especially appreciate if

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<v Speaker 3>you have something interesting to add to a topic we've

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<v Speaker 3>recently talked about on the show. But any kind of

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<v Speaker 3>feedback is fair game. Of course, if you have corrections,

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<v Speaker 3>those are always welcome. If you just want to say hi,

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<v Speaker 3>send us a friendly message, let us know what you

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<v Speaker 3>like about the show, or you know how you listen,

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<v Speaker 3>any of that's fair game. Also, if you want to

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<v Speaker 3>recommend topics or suggest movies for Weird House Cinema, that's

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<v Speaker 3>that's welcome as well. Contact at Stuff to Blow your

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<v Speaker 3>Mind dot com. Oh, before we get into the messages,

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<v Speaker 3>brief announcement. We're going to be out for the rest

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<v Speaker 3>of this week, so there will be some Vault episodes

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<v Speaker 3>running in Tuesday and Thursday slots this week, and we

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<v Speaker 3>will have a Weird House Cinema rewind for you on Friday,

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<v Speaker 3>but we should be back with new stuff the following week.

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<v Speaker 2>All right, Well, what do we have in the mail

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<v Speaker 2>bag for us this time? Joe?

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<v Speaker 3>Okay, we got some messages in response to our series

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<v Speaker 3>on Strange Ice. This first message is specifically about a

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<v Speaker 3>comment I made when we were talking about ice shove. Remember,

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<v Speaker 3>ice shove is where ice that forms on the top

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<v Speaker 3>of a lake or the sea gets pushed onto shore

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<v Speaker 3>by wind or ocean currents, and in some cases it

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<v Speaker 3>can pile up in these huge ice dunes that, when

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<v Speaker 3>they get very large, can damage structures near the shore.

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<v Speaker 3>We were talking about one specific news report about a

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<v Speaker 3>supper club in Wisconsin that was affected by some especially

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<v Speaker 3>menacing ice shove. So this message comes from John and Milwalk.

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<v Speaker 3>John says, Hello, I'm writing in about Joe's quote the

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<v Speaker 3>supper club is threatened. They're going to get ice in

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<v Speaker 3>their hot dish comment regarding an ice push threatening Jim

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<v Speaker 3>and Linda's supper club in your Strange Ice Part two.

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<v Speaker 3>Your comment made me smile, but I wanted to adjust

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<v Speaker 3>it slightly as a former Minnesotan and current Wisconsinite. More

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<v Speaker 3>likely you'll find hot dish at a Minnesota church or

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<v Speaker 3>community pot luck. At the supper club in Wisconsin, you

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<v Speaker 3>may have extra ice for your Brandy Old Fashioned or

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<v Speaker 3>ice cream blended Brandy Alexander. The ice would the ice

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<v Speaker 3>would threaten your prime rib special or fish fry, depending

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<v Speaker 3>on the day. All delicious by the bye, except for

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<v Speaker 3>the Brandy Old Fashioned too sweet. Keep doing great work.

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<v Speaker 3>Thanks John from Milwaukee. John, I accept this correction, so

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<v Speaker 3>you are exactly right. For those unfamiliar with what I

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<v Speaker 3>was talking about in my original joke, hot dish is

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<v Speaker 3>a famous common type of dish prepared in the Upper Midwest.

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<v Speaker 3>I've never lived in the Upper Midwest, so I don't

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<v Speaker 3>have like intimate familiarity, but I know sort of secondhand

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<v Speaker 3>from what I understand, it's basically like a casserole blueprint

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<v Speaker 3>that can take a lot of different forms. But the

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<v Speaker 3>version I know is like some kind of meat, maybe

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<v Speaker 3>like shredded chicken or ground beef, frozen mixed vegetables mixed

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<v Speaker 3>with a can or multiple cans of condensed cream of

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<v Speaker 3>mushroom soup, and then topped with frozen tater tots, so

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<v Speaker 3>you bake that until it's crispy.

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<v Speaker 2>So kind of a casserole situation, right.

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<v Speaker 3>Yeah, we have similar dishes here in the Southeast as well.

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<v Speaker 3>I think they're just not called hot dish. It's like,

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<v Speaker 3>you know, Grandma's casserole or whatever. It's some kind of

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<v Speaker 3>casserole where a major ingredient is canned cream of mushroom soup. Meanwhile,

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<v Speaker 3>the supper Club in Wisconsin, I think that's like a

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<v Speaker 3>somewhat traditional or old school, fancy type of fair where

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<v Speaker 3>you go to the supper club on I don't know,

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<v Speaker 3>Friday night or whatever. You get your classic cocktails, your

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<v Speaker 3>brandy old fashioned or whatever, and they've got prime rib

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<v Speaker 3>or something like that.

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<v Speaker 2>All right, all right, well this is exactly the kind

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<v Speaker 2>of email we like. We get some nice on the

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<v Speaker 2>ground regional feedback.

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<v Speaker 3>Right, and Midwesterners, I'm sorry, I hope that's close to

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<v Speaker 3>the mark as I just described it. I'm sorry if

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<v Speaker 3>I've slandered your culture once again.

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<v Speaker 2>All Right, we have some more. We have some more

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<v Speaker 2>regional feedback here. This one comes to us from Quinn.

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<v Speaker 2>Quinn says, I have seen the ice bubbles described in

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<v Speaker 2>the Strange Ice episode while ice skating on Lake Minnetonka

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<v Speaker 2>in Minnesota. Although not as clear and plentiful as the

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<v Speaker 2>photos from Alberta, they were very present. They were most

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<v Speaker 2>common around areas that were a little marshy with heavy

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<v Speaker 2>plant growth in the summer. My mother talked about when

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<v Speaker 2>she was a child, her and her siblings would go

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<v Speaker 2>hunting for one or the surface. When they found these,

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<v Speaker 2>they would use the toepics on their figure skates to

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<v Speaker 2>break open the bubble and drop a match into it,

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<v Speaker 2>lighting the methane.

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<v Speaker 3>That's an impressive story. I don't know how recommended that

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<v Speaker 3>activity is, but yeah, great.

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<v Speaker 2>I mean, I guess in theory we're dealing with like

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<v Speaker 2>individual small bubbles small amounts of methane, So I guess

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<v Speaker 2>it's fine. But yeah, I didn't even think about that possibility.

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<v Speaker 3>I guess it makes sense that these would be most

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<v Speaker 3>common in, as you say, Quinn, areas that are a

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<v Speaker 3>little marshy or have heavy plant growth. That seems like

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<v Speaker 3>where there would be some kind of decay or decomposition

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<v Speaker 3>of vegetable matter in the water that would lead to

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<v Speaker 3>these methane pockets.

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<v Speaker 2>Yeah. Yeah, because again, if you don't remember, you can

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<v Speaker 2>listen to that episode. The basic idea is that, yeah,

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<v Speaker 2>methane is rising up from decomposing organic material at the

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<v Speaker 2>bottom of said body of water, and then it is

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<v Speaker 2>like collecting underneath the forming layer of ice at the top,

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<v Speaker 2>and then it gets trapped and it forms like multiple

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<v Speaker 2>layers of these kind of squashed, elongated bubbles of captured methane.

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<v Speaker 3>Yeah, so thank you Quinn. Let's see Rob. Do you

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<v Speaker 3>mind if I do this one from Jeremy? Go for it,

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<v Speaker 3>Jeremy says, still on the subject of strange ice, Hello,

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<v Speaker 3>Robert and Joe. In response to your request for strange

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<v Speaker 3>ice pictures, here are a couple we found while skiing

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<v Speaker 3>in Switzerland in twenty twenty. These are ice stalagmites in

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<v Speaker 3>a tunnel. Best regards, Jeremy and Rob. I've attached the

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<v Speaker 3>pictures Jeremy sent for you to look at here. This

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<v Speaker 3>does look at some kind of cave or tunnel and

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<v Speaker 3>the floor is iced over. It has, you know, pools

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<v Speaker 3>of standing ice in the bottom, and there are all

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<v Speaker 3>of these spikes coming up out of the pools and

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<v Speaker 3>they're frozen. And I was wondering, are those ice spikes

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<v Speaker 3>formed by the process we described in the Strange Ice episode,

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<v Speaker 3>where if you'll call in that process, you have like

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<v Speaker 3>a pool of water that is freezing gradually, and as

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<v Speaker 3>it freezes from the outside in because water expands as

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<v Speaker 3>it freezes, it squeezes the water out from a remaining

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<v Speaker 3>hole in the surface of the ice and just keeps

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<v Speaker 3>squeezing out and expanding as the whole thing freezes over,

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<v Speaker 3>eventually forming these weird spikes that come out of the top.

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<v Speaker 3>So it could be that, or I'm wondering, is this

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<v Speaker 3>actually a stalagmite formed by accumulation through dripping, just like

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<v Speaker 3>a stalagmite in a limestone cave. I guess one clue

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<v Speaker 3>would be if the stalagmites below were directly aligned with

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<v Speaker 3>matching icicles above. But I can't tell from the pictures

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<v Speaker 3>if this is the case. So Jeremy, if you have

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<v Speaker 3>more pictures or insight on this, let us know.

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<v Speaker 2>Yeah, very cool photos, a little bit creepy.

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<v Speaker 3>More than a little bit. Yeah, there's some frosty, ghostly

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<v Speaker 3>magic happening in there.

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<v Speaker 2>Yeah, it might be a wampa back there. You never

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<v Speaker 2>know what's going to happen, all right, For this next one,

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<v Speaker 2>we have yet more regional feedback. This one comes to

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<v Speaker 2>us from Carlos in response to our Illusion of Control episodes.

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<v Speaker 2>Carlos says, currently taking a break from grading some papers,

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<v Speaker 2>and I thought i'd reach out about your mention of

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<v Speaker 2>Las Vegas in your most recent episode of The Illusion

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<v Speaker 2>of Control Part one, which I started on during breakfast.

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<v Speaker 2>First of all, I wanted to say thanks for mentioning

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<v Speaker 2>that there is more to Vegas than gambling. I have

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<v Speaker 2>lived here for almost three years now, since I started

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<v Speaker 2>a PhD program in literature at UNLV. I thought for

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<v Speaker 2>sure that I would hate it, that I would just

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<v Speaker 2>put my head down and get through the years. This

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<v Speaker 2>was based on my preconceived notions about Vegas, despite my

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<v Speaker 2>wife having grown up here. Growing up in Bakersfield, California,

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<v Speaker 2>we used to just come here to party, and that

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<v Speaker 2>was basically all I have associated with the city. It

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<v Speaker 2>was a pleasant surprise to learn how much more the

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<v Speaker 2>city has to offer, especially since before moving here, my

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<v Speaker 2>wife and I lived in Bishop, California, which has maybe

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<v Speaker 2>three thy five hundred people. I wanted to highlight something

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<v Speaker 2>else Vegas has that's worth visiting. Slash doing. In addition

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<v Speaker 2>to what you both mentioned, Red Rock State Park, just

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<v Speaker 2>outside of the city, is one of the most beautiful

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<v Speaker 2>places on Earth. We moved here in part because we

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<v Speaker 2>knew the climbing was good. But after a few years

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<v Speaker 2>spending time in the canyons, I've fallen increasingly in love

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<v Speaker 2>with the incredibly unique landscape here. It really is something special,

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<v Speaker 2>from the strange rocks to the huge rock walls. I've

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<v Speaker 2>attached some pictures anyways, thanks Carlos and Rob.

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<v Speaker 3>I pulled in some of the photos Carlos attached for

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<v Speaker 3>us to look at. Thank you so much, Carlos wonderful

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<v Speaker 3>message and these photos are great. So we have a

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<v Speaker 3>landscape seeing the canyon and the rocks at a distance.

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<v Speaker 3>But Carlos also sent a lot of close ups of

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<v Speaker 3>just beautiful patterns in the rocks, some of which look

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<v Speaker 3>like the weather on ju Jupiter. Others look like they

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<v Speaker 3>have patches like a cow.

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<v Speaker 2>Yeah. Yeah, these look great. Yeah. Unfortunately, when my family

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<v Speaker 2>and I went out to Vegas, we were primarily visiting

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<v Speaker 2>family in Arizona, and then we went up to Vegas

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<v Speaker 2>for just a couple of days, and we knew that

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<v Speaker 2>there was good stuff to see out in the surrounding area,

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<v Speaker 2>but we just ended up not having time to do it.

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<v Speaker 2>So if we go back to Vegas at some point,

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<v Speaker 2>I'm gonna have to make sure that we head out

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<v Speaker 2>and see some of these rocks.

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<v Speaker 3>All right. This next message, also about Illusion of Control,

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<v Speaker 3>is from Jessica. Jessica says, good afternoon. I enjoyed the

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<v Speaker 3>show and wish to thank you for all the time

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<v Speaker 3>and effort you put into it. I enjoyed part one

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<v Speaker 3>of the new series on Control, but was a little

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<v Speaker 3>disappointed that you did not mention Big Jewels dice in

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<v Speaker 3>the dice section. It is from Guys and Dolls. Unfortunately

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<v Speaker 3>I could not find a clip. It goes something like this.

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<v Speaker 3>So the character Big Jewel says, and to change my life,

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<v Speaker 3>I'm going to use my own dice. Another character named

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<v Speaker 3>Nathan Detroit says, not to be petty, but may I

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<v Speaker 3>see those dice. These dice ain't got no spots on them,

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<v Speaker 3>and Jewel says, oh, I had them removed for luck.

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<v Speaker 3>But it's all right. I remember where the spots formerly were.

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<v Speaker 3>And then Detroit asks, you're going to roll blank dice

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<v Speaker 3>and remember where the spots formerly were. I guess. Jewel says, yes, so,

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<v Speaker 3>and then Jessica continues, needless to say, Big Jewel wins

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<v Speaker 3>all his money back. That is the kind of control

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<v Speaker 3>we all wish we had at the casino. It's a

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<v Speaker 3>running joke in our house when we place, when we

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<v Speaker 3>place dice, when we play I guess dice based games.

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<v Speaker 3>Someone get me Big Jewels dice. Thank you for the podcast.

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<v Speaker 3>I hope this entertained you for a moment, at least

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<v Speaker 3>as you have entertained me for many hours. Have a

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<v Speaker 3>good day, Jessica. Thank you, Jessica. And yeah, I'm not

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<v Speaker 3>familiar with guys and dolls, but that's a great gag.

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<v Speaker 2>Yeah, I mean I know some of the songs, but

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<v Speaker 2>never never seen the musical in full or the movie adaptation.

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<v Speaker 2>Uh though of course it's, you know, considered a classic.

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<v Speaker 2>I did do a quick search because I'm like, I

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<v Speaker 2>bet you can do this, And sure enough, you can

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<v Speaker 2>just go to your any of your favorite online retailers

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<v Speaker 2>and buy blank d twenties to do with what you

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<v Speaker 2>will if you want to tempt the wrath of your

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<v Speaker 2>dungeon master.

0:12:21.640 --> 0:12:32.199
<v Speaker 4>Oh the mischief we shall make, all right.

0:12:32.280 --> 0:12:34.320
<v Speaker 2>This next one comes to us from Mike. Mike says

0:12:34.440 --> 0:12:36.640
<v Speaker 2>was listening to this episode while waiting for a bus,

0:12:36.960 --> 0:12:41.040
<v Speaker 2>and this was on the light pole I was leaning against. Lol, Mike,

0:12:42.440 --> 0:12:43.839
<v Speaker 2>let's see, let's take a look at this booture. I

0:12:43.840 --> 0:12:44.640
<v Speaker 2>haven't looked at it yet.

0:12:44.840 --> 0:12:49.000
<v Speaker 3>It's a very elaborate sign posted on a crosswalk button.

0:12:49.200 --> 0:12:50.680
<v Speaker 3>It's got a lot of instructions.

0:12:51.160 --> 0:12:53.240
<v Speaker 2>Yeah, yeah, so it shows us what to do and

0:12:53.280 --> 0:12:55.880
<v Speaker 2>what not to do when the walking man is on

0:12:55.920 --> 0:12:59.480
<v Speaker 2>the light, when the hand is flashing, when the hand

0:12:59.559 --> 0:13:03.320
<v Speaker 2>is solid, Harry, when you're getting the countdown. It's a

0:13:03.360 --> 0:13:05.800
<v Speaker 2>fair amount of instructions. But I mean it must be

0:13:05.840 --> 0:13:07.280
<v Speaker 2>necessary if they've had to post it.

0:13:07.600 --> 0:13:10.080
<v Speaker 3>I'm just gonna say, if they're going to make you

0:13:10.120 --> 0:13:12.600
<v Speaker 3>read that much text and follow all the instructions, I

0:13:12.640 --> 0:13:14.720
<v Speaker 3>hope that button actually does change something.

0:13:15.120 --> 0:13:17.600
<v Speaker 2>Yeah, it's also one of those nice elbow friendly buttons.

0:13:17.600 --> 0:13:20.480
<v Speaker 2>It looks like I'm a big fan of this, or

0:13:20.559 --> 0:13:23.920
<v Speaker 2>knee friendly, depending on the exact height. All right, here's

0:13:23.920 --> 0:13:31.560
<v Speaker 2>another one. This one comes to us from John. John says, Hey, guys,

0:13:31.600 --> 0:13:34.160
<v Speaker 2>thanks for your podcast. Here's a brief anecdote, followed by

0:13:34.200 --> 0:13:38.920
<v Speaker 2>my thoughts on control anecdote. I bought a lottery ticket once.

0:13:39.240 --> 0:13:41.880
<v Speaker 2>The jackpot was huge, so I thought I would. I

0:13:41.920 --> 0:13:44.240
<v Speaker 2>went to a gas station and there was a separate

0:13:44.280 --> 0:13:47.040
<v Speaker 2>line for lottery tickets because they were so popular. I

0:13:47.080 --> 0:13:48.840
<v Speaker 2>get to the front and I'm ask if I want

0:13:48.840 --> 0:13:52.000
<v Speaker 2>to choose my numbers. Understanding my level of control, I

0:13:52.040 --> 0:13:53.760
<v Speaker 2>say no, and before I know it, I have a

0:13:53.800 --> 0:13:56.160
<v Speaker 2>ticket and the next person is being served. My ticket

0:13:56.200 --> 0:13:59.400
<v Speaker 2>wasn't printed, but handed to me from a stack, presumably

0:13:59.400 --> 0:14:02.040
<v Speaker 2>a bunch of and of numbers were pre printed to

0:14:02.080 --> 0:14:05.040
<v Speaker 2>move things along. But knowing nothing about the lottery, I

0:14:05.040 --> 0:14:07.080
<v Speaker 2>couldn't help but wonder if I got a ticket from

0:14:07.200 --> 0:14:12.280
<v Speaker 2>yesterday or something like that. I think chance skepticism at

0:14:12.320 --> 0:14:15.640
<v Speaker 2>times limits both the chance and ease of being cheated,

0:14:15.920 --> 0:14:18.680
<v Speaker 2>or at least a perception. Of course, you could also

0:14:18.720 --> 0:14:21.120
<v Speaker 2>see the entire lottery as a cheat. And he spared

0:14:21.160 --> 0:14:25.120
<v Speaker 2>me from ever buying another ticket. Hah. Yeah.

0:14:25.200 --> 0:14:27.280
<v Speaker 3>I guess they probably just pre printed him to speed

0:14:27.360 --> 0:14:29.560
<v Speaker 3>up the line, and they weren't trying to scam you.

0:14:29.640 --> 0:14:32.920
<v Speaker 3>But yeah, it may be beneficial to you just to

0:14:32.960 --> 0:14:35.720
<v Speaker 3>have that suspicion, as I think you're suggesting here, because

0:14:35.720 --> 0:14:38.760
<v Speaker 3>it discourages you from wasting too much money on a

0:14:38.800 --> 0:14:39.880
<v Speaker 3>losing game in the future.

0:14:40.240 --> 0:14:44.520
<v Speaker 2>Yeah, he continues my thoughts on control. I see my

0:14:44.600 --> 0:14:47.400
<v Speaker 2>mind broken down into consciousness and non consciousness, but not

0:14:47.520 --> 0:14:50.280
<v Speaker 2>in the way that's traditionally defined. I see my consciousness

0:14:50.320 --> 0:14:54.320
<v Speaker 2>as being pure observation and nothing more. My non consciousness

0:14:54.400 --> 0:14:57.600
<v Speaker 2>is everything else. I'll spare most of the details here.

0:14:57.800 --> 0:15:00.480
<v Speaker 2>A decent analogy might be that my mind is like ocean.

0:15:00.520 --> 0:15:03.760
<v Speaker 2>My consciousness is the sunlight. What percentage of the ocean

0:15:03.960 --> 0:15:07.320
<v Speaker 2>is sunlight? Zero? And yet the past present in future

0:15:07.560 --> 0:15:10.520
<v Speaker 2>sunlight plays a huge role in what the ocean was,

0:15:10.720 --> 0:15:13.680
<v Speaker 2>is and will be. How does control fit in? Control,

0:15:13.720 --> 0:15:16.200
<v Speaker 2>it seems to me, is a feeling. It's often helpful,

0:15:16.280 --> 0:15:19.280
<v Speaker 2>it might be necessary for normal function, and it might

0:15:19.280 --> 0:15:22.000
<v Speaker 2>be impossible to eliminate. It feels like I have control,

0:15:22.000 --> 0:15:24.520
<v Speaker 2>for example, over what I include in this email. I

0:15:24.560 --> 0:15:29.080
<v Speaker 2>think that I do counterintuitively and walking a linguistic tight rope,

0:15:29.120 --> 0:15:31.800
<v Speaker 2>I believe I am consciously observing my non conscious control

0:15:32.120 --> 0:15:35.800
<v Speaker 2>splitting hairs. I would argue that consciously controlling what's included

0:15:35.840 --> 0:15:37.920
<v Speaker 2>in this email is a less accurate way of saying

0:15:37.920 --> 0:15:40.800
<v Speaker 2>I consciously observe my control of what's included in this email.

0:15:41.080 --> 0:15:44.840
<v Speaker 2>It's a potentially meaningless distinction, but one that I find intriguing.

0:15:45.120 --> 0:15:48.160
<v Speaker 2>This isn't directly applicable to the illusion of control as

0:15:48.160 --> 0:15:51.040
<v Speaker 2>you've described it, but I thought you might find it interesting.

0:15:51.640 --> 0:15:54.520
<v Speaker 2>I would guess the subjective feeling of control is correlated

0:15:54.560 --> 0:15:57.040
<v Speaker 2>with objective control, but I'll leave that to you guys

0:15:57.040 --> 0:15:59.600
<v Speaker 2>to figure out. Looking forward to part two, if you're

0:15:59.640 --> 0:16:02.880
<v Speaker 2>not lost, I'm happy, honestly if you just read this far,

0:16:02.960 --> 0:16:06.120
<v Speaker 2>I'm thrilled. Thanks John, Thank you, John.

0:16:06.440 --> 0:16:08.760
<v Speaker 3>No, I think this is somewhat applicable, especially to stuff

0:16:08.760 --> 0:16:10.840
<v Speaker 3>we talked about in part three with like the magical

0:16:10.840 --> 0:16:14.360
<v Speaker 3>thinking stuff that you brought up, Rob, So I guess

0:16:14.440 --> 0:16:16.240
<v Speaker 3>this has come up at a couple of points now.

0:16:16.280 --> 0:16:21.640
<v Speaker 3>But the idea of control can be taken in multiple ways.

0:16:22.000 --> 0:16:25.520
<v Speaker 3>One is a simple level of control, and it's the

0:16:25.600 --> 0:16:29.000
<v Speaker 3>meaning used in most of this research. It just means that, like,

0:16:29.200 --> 0:16:33.720
<v Speaker 3>what you do has some predictable influence on the outcome, Whereas,

0:16:33.720 --> 0:16:36.640
<v Speaker 3>on the other hand, there's this other way of looking

0:16:36.720 --> 0:16:40.560
<v Speaker 3>at control, the level you're talking about here, John, where

0:16:41.160 --> 0:16:45.280
<v Speaker 3>the closer you examine your own consciousness and behavior, the

0:16:45.360 --> 0:16:48.440
<v Speaker 3>more difficult it is to see how you meaning your

0:16:48.440 --> 0:16:52.840
<v Speaker 3>consciousness actually controls anything, even your own thoughts and behavior,

0:16:53.320 --> 0:16:55.800
<v Speaker 3>and Rob you brought this up in part three of

0:16:55.840 --> 0:16:58.920
<v Speaker 3>the series when you're talking about magical thinking, because even

0:16:59.240 --> 0:17:04.520
<v Speaker 3>normal physic causation starts to feel more mysterious and potentially

0:17:04.600 --> 0:17:08.160
<v Speaker 3>magical when you start looking for like, where's the clear

0:17:08.200 --> 0:17:11.160
<v Speaker 3>evidence that my conscious will is in the driver's seat,

0:17:11.440 --> 0:17:14.120
<v Speaker 3>and that evidence kind of seems to evaporate the closer

0:17:14.160 --> 0:17:18.320
<v Speaker 3>you look for it. However, I think, as you said, John,

0:17:18.359 --> 0:17:21.040
<v Speaker 3>in the more everyday sense, it is still useful to

0:17:21.080 --> 0:17:24.400
<v Speaker 3>make a distinction between outcomes we can control or influence

0:17:24.760 --> 0:17:27.560
<v Speaker 3>and those we can't, in that sense of just like

0:17:27.720 --> 0:17:31.240
<v Speaker 3>having what you do has some predictable influence on the outcome,

0:17:32.040 --> 0:17:34.439
<v Speaker 3>because if you don't make that distinction, you fail to

0:17:34.520 --> 0:17:37.120
<v Speaker 3>realize that difference, it can, as we talked about, lead

0:17:37.200 --> 0:17:39.160
<v Speaker 3>to all sorts of maladaptive behaviors.

0:17:40.200 --> 0:17:42.040
<v Speaker 2>All right, Shoe, we look at a little bit of

0:17:42.080 --> 0:17:44.560
<v Speaker 2>Weird House Cinema. Male here, Joe.

0:17:44.720 --> 0:17:46.760
<v Speaker 3>Oh yeah, all right, Well, actually I'm going to do

0:17:46.760 --> 0:17:49.520
<v Speaker 3>this one from Chelsea May, which touches on both an

0:17:49.560 --> 0:17:59.119
<v Speaker 3>older Core episode and on Weird House Cinema. Chelsea May says, Hello, Robin,

0:17:59.200 --> 0:18:02.200
<v Speaker 3>Joe of your Guys show, I own a cleaning business,

0:18:02.200 --> 0:18:05.600
<v Speaker 3>and your podcast has gotten has got me through many jobs.

0:18:05.720 --> 0:18:08.359
<v Speaker 3>Keep it up. I did have a comment on I

0:18:08.440 --> 0:18:11.879
<v Speaker 3>believe the Sunken Lands episode. I apologize if I'm stating

0:18:11.920 --> 0:18:14.199
<v Speaker 3>the wrong episode. I had a thought about emailing you

0:18:14.240 --> 0:18:16.400
<v Speaker 3>after it came out, but I'm just getting to it,

0:18:17.160 --> 0:18:19.320
<v Speaker 3>Chelsea May, having read your email, I think this is

0:18:19.359 --> 0:18:22.719
<v Speaker 3>actually referring to the episodes we did on these ancient

0:18:22.840 --> 0:18:26.040
<v Speaker 3>tales of lands where people did not have heads or

0:18:26.080 --> 0:18:28.600
<v Speaker 3>were said to have like their faces were on their

0:18:28.680 --> 0:18:32.320
<v Speaker 3>chest or their abdomen or something, and the context was

0:18:32.720 --> 0:18:35.360
<v Speaker 3>there is a strong possibility that these stories of headless

0:18:35.400 --> 0:18:40.119
<v Speaker 3>people are just purely fanciful invention, creative storytelling, or maybe

0:18:40.160 --> 0:18:43.240
<v Speaker 3>some kind of information got mangled in a telephone game

0:18:43.320 --> 0:18:45.640
<v Speaker 3>in the ancient world. But on the other hand, if

0:18:45.680 --> 0:18:49.840
<v Speaker 3>these stories were based on somebody in the ancient world

0:18:49.880 --> 0:18:54.080
<v Speaker 3>looking at people and somehow mistakenly believing they didn't have heads,

0:18:54.960 --> 0:18:58.040
<v Speaker 3>what could be the cause of that confusion. So anyway,

0:18:58.119 --> 0:19:01.720
<v Speaker 3>Chelsea May's email goes on mention something about people on

0:19:01.920 --> 0:19:05.600
<v Speaker 3>ships seeing people on an island shore that didn't look

0:19:05.640 --> 0:19:07.679
<v Speaker 3>like they had a head. I could see how from

0:19:07.720 --> 0:19:10.760
<v Speaker 3>a certain perspective a person could look like that. It

0:19:10.840 --> 0:19:13.280
<v Speaker 3>made me think of my grandmother. She was one of

0:19:13.280 --> 0:19:15.760
<v Speaker 3>the sweetest and most caring people I've ever met, but

0:19:15.920 --> 0:19:19.240
<v Speaker 3>for many years she worked for Lee Outlet making jeans

0:19:19.280 --> 0:19:22.160
<v Speaker 3>and worked on a farm, so she was bent over

0:19:22.320 --> 0:19:25.280
<v Speaker 3>sewing for most of her life as well as manual labor.

0:19:25.680 --> 0:19:28.520
<v Speaker 3>Because of this, she developed a humped back. When she

0:19:28.680 --> 0:19:30.960
<v Speaker 3>was looking down at something, her back could seem like

0:19:31.040 --> 0:19:34.200
<v Speaker 3>it came up above her head slightly. The people seeing

0:19:34.240 --> 0:19:36.680
<v Speaker 3>on an island could also have had this same back

0:19:36.720 --> 0:19:38.800
<v Speaker 3>ailment because of the work they might have been doing

0:19:38.800 --> 0:19:41.359
<v Speaker 3>to survive. I hope this makes sense, but this is

0:19:41.400 --> 0:19:43.560
<v Speaker 3>why my mind went to my grandmother and I could

0:19:43.680 --> 0:19:46.919
<v Speaker 3>understand why people might have thought the island people didn't

0:19:46.960 --> 0:19:49.720
<v Speaker 3>have heads. Thanks again for all the information I've learned

0:19:49.720 --> 0:19:52.040
<v Speaker 3>from you guys, and all the strange movies you have

0:19:52.119 --> 0:19:55.720
<v Speaker 3>exposed me to. My husband and I watched Santa Claus

0:19:55.920 --> 0:20:00.159
<v Speaker 3>versus the Martians over Christmas because of your show. You

0:20:00.200 --> 0:20:03.680
<v Speaker 3>may well, I'm certainly glad to hear that the conquest

0:20:03.760 --> 0:20:06.159
<v Speaker 3>of Mars by the forces of the North Pole has

0:20:06.880 --> 0:20:11.760
<v Speaker 3>more witnesses. Now, yeah, yeah, that's an interesting idea about

0:20:12.359 --> 0:20:14.359
<v Speaker 3>these things. I mean I think this is one of

0:20:14.400 --> 0:20:16.480
<v Speaker 3>these cases, like we talked about in that episode, where

0:20:17.040 --> 0:20:19.840
<v Speaker 3>we're probably never going to know what actually happened leading

0:20:19.880 --> 0:20:23.239
<v Speaker 3>to these stories. Obviously it was not the case that

0:20:23.280 --> 0:20:26.119
<v Speaker 3>people didn't actually have heads, but it is interesting to

0:20:26.520 --> 0:20:29.479
<v Speaker 3>consider the possibilities, and that does seem like another one

0:20:29.480 --> 0:20:29.760
<v Speaker 3>of them.

0:20:30.160 --> 0:20:32.840
<v Speaker 2>Yeah, yeah, I didn't see it mentioned in any of

0:20:32.880 --> 0:20:35.880
<v Speaker 2>the materials we were looking at. Maybe it's explored elsewhere,

0:20:35.920 --> 0:20:38.360
<v Speaker 2>But now that I'm thinking about it, you could imagine

0:20:38.359 --> 0:20:43.240
<v Speaker 2>a scenario where you had a certain group of people

0:20:43.280 --> 0:20:47.879
<v Speaker 2>from a given culture that are maybe doing the gathering

0:20:48.080 --> 0:20:51.479
<v Speaker 2>on the shore, and maybe those people, you know, are

0:20:51.520 --> 0:20:56.800
<v Speaker 2>specialized in this particular task, or they're depending on elderly

0:20:56.840 --> 0:21:00.320
<v Speaker 2>members of the society that can't engage and some of

0:21:00.320 --> 0:21:03.560
<v Speaker 2>the more robust physical activities anymore. So Yeah, yeah, it's

0:21:03.600 --> 0:21:05.800
<v Speaker 2>a lot to think about, all right. This next one

0:21:05.840 --> 0:21:13.960
<v Speaker 2>comes to us from Chewy Chewy Rites high Fellows, longtime

0:21:13.960 --> 0:21:15.920
<v Speaker 2>listener and a huge fan of the Weird House episodes.

0:21:15.920 --> 0:21:18.280
<v Speaker 2>In particular, it's become a tradition for my wife and

0:21:18.320 --> 0:21:20.040
<v Speaker 2>I to put these movies on in the background and

0:21:20.119 --> 0:21:23.639
<v Speaker 2>enjoy the dialogue while we doodle, paint and art every

0:21:23.720 --> 0:21:26.040
<v Speaker 2>now and then the art gets shoved aside and the

0:21:26.040 --> 0:21:31.880
<v Speaker 2>weird movie wins memorable mention robot jocks Oh of course, Yeah,

0:21:31.920 --> 0:21:34.840
<v Speaker 2>that was a lot of fun. AnyWho, the RoboCop episode

0:21:35.000 --> 0:21:37.440
<v Speaker 2>had you guys talking about the goofy stance that RoboCop

0:21:37.480 --> 0:21:40.280
<v Speaker 2>takes when firing is gun. It reminded me of this

0:21:40.440 --> 0:21:44.200
<v Speaker 2>World War Two pistol training video with a similar goofy stance.

0:21:44.640 --> 0:21:49.000
<v Speaker 2>The offhand is not out like someone learning to skateboard,

0:21:49.280 --> 0:21:51.600
<v Speaker 2>but more like someone opening the oven to check on

0:21:51.640 --> 0:21:54.760
<v Speaker 2>the cake inside. Surely this helps with stability, but it

0:21:54.800 --> 0:21:57.520
<v Speaker 2>seems like you would become an easier target to hit

0:21:58.440 --> 0:21:59.920
<v Speaker 2>Smashing show chewing.

0:22:00.720 --> 0:22:02.840
<v Speaker 3>Yeah, I don't know about whether they'd be an easier

0:22:02.840 --> 0:22:04.719
<v Speaker 3>target to hit, but I did take a look at

0:22:04.720 --> 0:22:07.440
<v Speaker 3>this video, and yeah, there are some funny looking stances,

0:22:07.560 --> 0:22:10.800
<v Speaker 3>especially at one point where the instructor in the video

0:22:10.960 --> 0:22:15.399
<v Speaker 3>is showing how to sort of do a sort of

0:22:15.640 --> 0:22:20.240
<v Speaker 3>squatting walk and pivot to hit targets when coming out

0:22:20.240 --> 0:22:22.680
<v Speaker 3>of the walk to like freeze and try to aim.

0:22:23.440 --> 0:22:25.360
<v Speaker 3>And it does look pretty funny, and I guess it's

0:22:25.440 --> 0:22:27.440
<v Speaker 3>just one example of how there are a lot of

0:22:27.520 --> 0:22:30.720
<v Speaker 3>activities in the world where what we think is the

0:22:30.760 --> 0:22:33.480
<v Speaker 3>optimal form just does not make you look super cool.

0:22:34.240 --> 0:22:36.680
<v Speaker 2>Yeah, And to be clear, once you have a RoboCop

0:22:36.720 --> 0:22:42.280
<v Speaker 2>situation going on, the conditions for optimal form change. Because

0:22:42.440 --> 0:22:44.119
<v Speaker 2>he does not have a human body, he does not

0:22:44.280 --> 0:22:49.000
<v Speaker 2>have human weaknesses anymore. So whatever form he's taking to

0:22:49.040 --> 0:22:53.080
<v Speaker 2>fire is gun. Who are we to argue with his programmers?

0:22:53.200 --> 0:22:56.639
<v Speaker 2>By the way, if you're curious about this video, it's

0:22:56.760 --> 0:23:00.879
<v Speaker 2>on YouTube with the title combat Firing with Handgun Military

0:23:00.920 --> 0:23:03.879
<v Speaker 2>Training Video Part one. It's like an old World War

0:23:03.960 --> 0:23:07.919
<v Speaker 2>two short that's now public domain.

0:23:08.200 --> 0:23:10.840
<v Speaker 3>I've watched other videos like this before. I think there's

0:23:10.880 --> 0:23:14.560
<v Speaker 3>a famous one that's like combat knife fighting training video

0:23:14.680 --> 0:23:17.920
<v Speaker 3>for World War Two, and it's the tone of them

0:23:18.000 --> 0:23:21.120
<v Speaker 3>is so strange because it has that kind of cheerful

0:23:21.200 --> 0:23:26.160
<v Speaker 3>sounding nineteen forties movie narrator film strip narrator voice, and it's,

0:23:26.520 --> 0:23:29.000
<v Speaker 3>you know, kind of like, oh, assume the fighting stance

0:23:29.040 --> 0:23:32.720
<v Speaker 3>so that the knife blade is pointed toward you. I

0:23:32.760 --> 0:23:34.800
<v Speaker 3>don't know, it just sounds like a like a National

0:23:34.840 --> 0:23:37.959
<v Speaker 3>Parks video or something, but it's about how to kill people.

0:23:39.440 --> 0:23:39.880
<v Speaker 4>All right.

0:23:40.000 --> 0:23:41.560
<v Speaker 2>I think we have one more, don't we, Joe.

0:23:41.760 --> 0:23:50.720
<v Speaker 3>That's right, This last message comes from column Column says, Hey, guys,

0:23:50.760 --> 0:23:53.080
<v Speaker 3>hope all is good. I just came across this cool

0:23:53.680 --> 0:23:57.440
<v Speaker 3>video attached on my Instagram feed about a guy who

0:23:57.480 --> 0:24:01.240
<v Speaker 3>gives a helping hand to hermit crabs off real shells

0:24:01.280 --> 0:24:04.360
<v Speaker 3>to poor hermit crabs who can only find plastic rubbish

0:24:04.440 --> 0:24:07.560
<v Speaker 3>shells on the beach. At the time the video was made,

0:24:07.640 --> 0:24:09.920
<v Speaker 3>he had helped over one hundred and fifty crabs move

0:24:10.080 --> 0:24:12.080
<v Speaker 3>into new proper shell homes.

0:24:12.640 --> 0:24:16.160
<v Speaker 2>Oh interesting, Okay, he's kind of breaking the prime directive there,

0:24:16.200 --> 0:24:18.440
<v Speaker 2>but I guess prime directive has already been broken regarding

0:24:18.640 --> 0:24:19.960
<v Speaker 2>hermit crab civilization.

0:24:20.800 --> 0:24:22.919
<v Speaker 3>At least on his face, it seems like that would

0:24:22.920 --> 0:24:26.160
<v Speaker 3>be a helpful thing to do. I guess my natural

0:24:26.200 --> 0:24:28.679
<v Speaker 3>instinct is to be a little cautious about interventions of

0:24:28.680 --> 0:24:30.600
<v Speaker 3>that sort, because I would always wonder if there's like

0:24:31.080 --> 0:24:34.960
<v Speaker 3>some secondary effect or something that could bring about that's

0:24:34.960 --> 0:24:37.960
<v Speaker 3>actually overall not helpful to the ecosystem. But I don't

0:24:37.960 --> 0:24:40.200
<v Speaker 3>want to be too suspicious. I mean, it seems like

0:24:40.240 --> 0:24:42.520
<v Speaker 3>a nice thing to do. I don't know, people who

0:24:42.520 --> 0:24:46.880
<v Speaker 3>have more knowledge about this environment or hermit krab ecology,

0:24:46.960 --> 0:24:48.959
<v Speaker 3>let us know. Is this a nice and helpful thing

0:24:49.000 --> 0:24:53.439
<v Speaker 3>to do. It seems like it maybe possibly yes, certainly

0:24:53.440 --> 0:24:56.560
<v Speaker 3>appears to come from a place of love. But the

0:24:56.680 --> 0:24:59.639
<v Speaker 3>second thing Colin says is regarding Zoo Warriors from the

0:24:59.680 --> 0:25:00.560
<v Speaker 3>Magic Mountain.

0:25:01.000 --> 0:25:01.440
<v Speaker 2>Wow.

0:25:01.560 --> 0:25:04.200
<v Speaker 3>I could only find a stream online in Chinese with

0:25:04.240 --> 0:25:07.120
<v Speaker 3>no subtitles, so I watched it with the sound off,

0:25:07.119 --> 0:25:09.600
<v Speaker 3>and even then I had to take regular breaks in

0:25:09.720 --> 0:25:11.679
<v Speaker 3>order to prevent my head from exploding.

0:25:12.119 --> 0:25:12.919
<v Speaker 4>What a movie.

0:25:13.320 --> 0:25:17.240
<v Speaker 3>All the best your pal, Column. Thank you so much, Column.

0:25:17.400 --> 0:25:21.159
<v Speaker 3>I'm glad you enjoyed Zoo Warriors. It sounds like as

0:25:21.240 --> 0:25:22.280
<v Speaker 3>much as we did.

0:25:22.520 --> 0:25:25.400
<v Speaker 2>Yeah, and it is overpowering. Yeah, I would say if

0:25:26.160 --> 0:25:29.520
<v Speaker 2>you set out to watch this movie, factor in some breaks.

0:25:29.320 --> 0:25:31.240
<v Speaker 2>It's a lot to take in in one setting.

0:25:31.480 --> 0:25:33.240
<v Speaker 3>Okay, I think that does it for today.

0:25:34.359 --> 0:25:36.680
<v Speaker 2>Yeah. We'll go ahead and close the mail bag for now,

0:25:36.760 --> 0:25:38.800
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0:25:38.880 --> 0:25:43.480
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0:25:50.080 --> 0:25:53.840
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0:25:59.000 --> 0:26:02.000
<v Speaker 2>serious concerns just about a weird movie on Weird Out Cinema.

0:26:02.119 --> 0:26:05.600
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

0:26:05.960 --> 0:26:07.560
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0:26:07.560 --> 0:26:09.920
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