1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch, to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,800 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,800 --> 00:00:33,000 Speaker 1: a little thing we like to call the after party. 6 00:00:33,040 --> 00:00:35,040 Speaker 1: This is the show after the show, the party after 7 00:00:35,040 --> 00:00:36,600 Speaker 1: the party, the bridge to get you from one full 8 00:00:36,600 --> 00:00:39,440 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:39,520 --> 00:00:42,760 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:42,800 --> 00:00:45,640 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:45,720 --> 00:00:49,159 Speaker 1: we are discussing killer concert films. In the last Waltz, 12 00:00:49,159 --> 00:00:52,520 Speaker 1: we're winding back with Merle Haggard Part one and previewing 13 00:00:52,560 --> 00:00:56,280 Speaker 1: next week's episode our Merle Haggard Part two story. And 14 00:00:56,320 --> 00:00:58,680 Speaker 1: then we get into your emails, comments, dms, and as 15 00:00:58,720 --> 00:01:01,600 Speaker 1: always a whole lot of This is the podcast for 16 00:01:01,680 --> 00:01:04,360 Speaker 1: the musically obsessed, the outsiders, the independent thinkers who know 17 00:01:04,400 --> 00:01:06,800 Speaker 1: that the best history is the history that gets buried. 18 00:01:07,080 --> 00:01:09,960 Speaker 1: Disgraceland is where I tell the stories they didn't want told, 19 00:01:10,120 --> 00:01:12,720 Speaker 1: the kind you'll end up telling someone else. All right, Discos, 20 00:01:13,080 --> 00:01:31,360 Speaker 1: let's get into it. Happy Thanksgiving discos. Are you watching 21 00:01:31,440 --> 00:01:35,680 Speaker 1: the last Waltz this evening after your meal, before you're leftovers? 22 00:01:36,680 --> 00:01:37,240 Speaker 2: When you do it? 23 00:01:37,240 --> 00:01:39,520 Speaker 1: What's your ritual? I'm watching it. It's been a tradition 24 00:01:39,560 --> 00:01:42,319 Speaker 1: of mine for at least a decade, and each year 25 00:01:42,400 --> 00:01:46,399 Speaker 1: it never fails. I am leveled by how great the 26 00:01:46,480 --> 00:01:50,840 Speaker 1: performances are in this concert film. As concert films go, 27 00:01:51,240 --> 00:01:53,120 Speaker 1: you know where I stand. This is my favorite. I 28 00:01:53,120 --> 00:01:55,920 Speaker 1: think it's because the band, who in this case are 29 00:01:56,680 --> 00:01:59,360 Speaker 1: also the house band, are at the peak of their 30 00:01:59,440 --> 00:02:03,920 Speaker 1: powers musically. That's one reason. In most concerts with this 31 00:02:04,040 --> 00:02:08,040 Speaker 1: kind of variety, a bunch of different artists performing, you know, 32 00:02:08,080 --> 00:02:10,320 Speaker 1: I think your average rock and roll Hall of Fame 33 00:02:10,360 --> 00:02:13,519 Speaker 1: induction ceremony, that sort of thing, you don't get this 34 00:02:13,680 --> 00:02:18,600 Speaker 1: type of consistency in the performance. And well, in concert 35 00:02:18,600 --> 00:02:22,000 Speaker 1: films that are solely focused on one artist, you don't 36 00:02:22,000 --> 00:02:24,320 Speaker 1: get the variety. But here you kind of get everything 37 00:02:25,320 --> 00:02:27,800 Speaker 1: because of the band at the core the spine of everything, 38 00:02:28,280 --> 00:02:32,440 Speaker 1: both musically and from a storytelling perspective. And it's variety. 39 00:02:33,280 --> 00:02:35,720 Speaker 1: You know, isn't variety what Thanksgiving is all about? So 40 00:02:35,800 --> 00:02:41,440 Speaker 1: thematically this makes sense as well. Here's what I mean, actually, 41 00:02:41,520 --> 00:02:43,320 Speaker 1: you know, variety is not what Thanksgiving is all about. 42 00:02:43,360 --> 00:02:46,080 Speaker 1: Gratitude is what Thanksgiving is all about, of course, but 43 00:02:46,200 --> 00:02:49,320 Speaker 1: variety is sort of what Thanksgiving dinner is about anyways, 44 00:02:49,639 --> 00:02:52,200 Speaker 1: all those sides. You got your mash potatoes, your stuffing, 45 00:02:52,240 --> 00:02:55,840 Speaker 1: the squash, the broccoli Jennifer, the spenacopia, the cranberry sauce, 46 00:02:55,840 --> 00:02:58,600 Speaker 1: of stuff in the can. Of course, so much variety 47 00:02:58,720 --> 00:03:02,840 Speaker 1: in you know, that's what the Last Waltz delivers. You 48 00:03:02,840 --> 00:03:05,840 Speaker 1: get your mashed potatoes with Ronnie Hawkins, and you're stuffing 49 00:03:05,880 --> 00:03:08,960 Speaker 1: with Doctor John, your squash with Van Morrison, your broccoli 50 00:03:09,000 --> 00:03:11,239 Speaker 1: Jennifer with Joni Mitchell. You're sped a cocao with Bob 51 00:03:11,320 --> 00:03:14,160 Speaker 1: Dylan and your cranberry sauce and a can with Neil Diamond. 52 00:03:14,160 --> 00:03:16,120 Speaker 1: What am I talking about? I have no idea. 53 00:03:16,120 --> 00:03:16,560 Speaker 3: Who cares? 54 00:03:16,600 --> 00:03:20,040 Speaker 1: It's Thanksgiving, all right. My favorite performance from the Last Waltz, 55 00:03:20,080 --> 00:03:23,560 Speaker 1: aside from every moment Levon Helm is singing into the 56 00:03:23,560 --> 00:03:26,440 Speaker 1: microphone and holding it down on the kit, is the 57 00:03:26,560 --> 00:03:31,720 Speaker 1: Muddy Waters performance. It is just incredible. It's a full 58 00:03:31,760 --> 00:03:35,840 Speaker 1: grown man right there. And speaking of thanksgiving and gratitude, 59 00:03:35,880 --> 00:03:40,280 Speaker 1: you can see the gratitude on Robbie Robertson's face during 60 00:03:40,320 --> 00:03:43,080 Speaker 1: Mannish Boy with Muddy Waters up there on stage, and 61 00:03:43,120 --> 00:03:45,520 Speaker 1: I believe you can actually hear it in the music. 62 00:03:46,520 --> 00:03:49,440 Speaker 1: Part of what makes The Last Waltz so satisfying to 63 00:03:49,480 --> 00:03:53,040 Speaker 1: watch each year, it's not just the music, it's the story, 64 00:03:53,520 --> 00:03:57,160 Speaker 1: the myth. The Last Waltz is so much more than 65 00:03:57,200 --> 00:04:00,160 Speaker 1: a concert, so much more than a random show on 66 00:04:00,240 --> 00:04:03,600 Speaker 1: an artist's tour, so much more than you know, something 67 00:04:03,640 --> 00:04:06,400 Speaker 1: that just happened when the cameras and mics were set 68 00:04:06,480 --> 00:04:09,160 Speaker 1: up in just the right way, or in so much 69 00:04:09,160 --> 00:04:12,840 Speaker 1: more than a concert contrived by the artists to sell records. 70 00:04:13,440 --> 00:04:17,279 Speaker 1: The Last Waltz is pure myth. You're watching the band 71 00:04:17,360 --> 00:04:21,800 Speaker 1: play and they are so good, and throughout the entire 72 00:04:21,839 --> 00:04:25,920 Speaker 1: movie you're asking yourself, why in God's name are they 73 00:04:26,080 --> 00:04:32,599 Speaker 1: breaking up? Why is this their last show? That tension 74 00:04:32,880 --> 00:04:38,719 Speaker 1: undergirds the entire concert. It's it's incredible counterpoints storytelling delivered 75 00:04:38,720 --> 00:04:42,919 Speaker 1: by the most rock and roll of film directors, master storyteller, 76 00:04:42,960 --> 00:04:47,599 Speaker 1: Martin Scorsese. No other film has this type of subtext. 77 00:04:47,920 --> 00:04:50,120 Speaker 1: Not to my eyes anyways, I almost said not to 78 00:04:50,160 --> 00:04:53,719 Speaker 1: my years. And the other thing that the Last Waltz 79 00:04:53,720 --> 00:04:58,440 Speaker 1: has that most other concert films don't have is stakes. 80 00:04:59,240 --> 00:05:01,880 Speaker 1: You can see it in Robbie's eyes in the interview 81 00:05:01,880 --> 00:05:06,200 Speaker 1: sections of the film. He's a dead man. He's dying. 82 00:05:06,839 --> 00:05:10,320 Speaker 1: The road is killing him. It's either the road or 83 00:05:10,360 --> 00:05:12,440 Speaker 1: all that cocaine that he's ripping through at night with Scorsese. 84 00:05:12,600 --> 00:05:15,839 Speaker 1: But Robbie knows that if he doesn't get off the road, 85 00:05:16,200 --> 00:05:19,080 Speaker 1: the road is going to kill him. And the other 86 00:05:19,080 --> 00:05:24,479 Speaker 1: guys in the band, eh, they don't necessarily agree despite 87 00:05:24,480 --> 00:05:27,200 Speaker 1: what they're saying, or how they're acting or how they're 88 00:05:27,240 --> 00:05:30,640 Speaker 1: being directed. They're just going along for the ride following Robbie, 89 00:05:30,640 --> 00:05:34,640 Speaker 1: and that tension only adds to the DRUMA. Of course, 90 00:05:35,279 --> 00:05:39,400 Speaker 1: a lot of this isn't evident on first watch. Upon 91 00:05:39,480 --> 00:05:43,920 Speaker 1: first watch, you're just captivated by the music, blown away 92 00:05:44,040 --> 00:05:47,040 Speaker 1: by the personalities in the band. You're like, wait, why 93 00:05:47,040 --> 00:05:48,800 Speaker 1: didn't anyone tell me Rick Danko, this is as cool 94 00:05:48,800 --> 00:05:51,520 Speaker 1: as Robert Nero mean streets And what the fuck is 95 00:05:52,000 --> 00:05:55,080 Speaker 1: who is Richard May? Wow? What's out? This guy's got 96 00:05:55,160 --> 00:05:57,960 Speaker 1: the sweetest soul ever. And Garth Hudson is the oldest 97 00:05:57,960 --> 00:05:59,760 Speaker 1: looking young dude I've ever seen in my life, and 98 00:06:01,120 --> 00:06:02,800 Speaker 1: you know, as anyone in the history of rock and 99 00:06:02,839 --> 00:06:06,039 Speaker 1: roll ever had more feel than Leave on Helm. It's 100 00:06:06,160 --> 00:06:10,280 Speaker 1: just incredible. And I do you know, I don't know 101 00:06:10,360 --> 00:06:14,800 Speaker 1: if it's it was subliminally transferred to me as a 102 00:06:14,800 --> 00:06:18,240 Speaker 1: young person watching this film, but I like to think 103 00:06:18,279 --> 00:06:22,080 Speaker 1: that I felt that gratitude, just the gratitude to be 104 00:06:22,160 --> 00:06:27,200 Speaker 1: able to watch this movie, to watch this band, to 105 00:06:28,000 --> 00:06:31,640 Speaker 1: feel like I had been let in on a secret gratitude. 106 00:06:31,720 --> 00:06:35,160 Speaker 1: It's the undercurrent of the Last Waltz. The concert performed 107 00:06:35,200 --> 00:06:39,360 Speaker 1: on Thanksgiving Eve nineteen seventy seven, and like I said, 108 00:06:39,400 --> 00:06:41,560 Speaker 1: you can see it and you can hear it in 109 00:06:41,600 --> 00:06:45,000 Speaker 1: the performance. The band understands their place in rock and 110 00:06:45,080 --> 00:06:49,640 Speaker 1: roll and pop music history. When they're making this incredible document, 111 00:06:50,720 --> 00:06:53,320 Speaker 1: they are right up there with the giants of the day. 112 00:06:53,200 --> 00:06:57,320 Speaker 1: They're up there on stage with living icons like their 113 00:06:57,360 --> 00:07:01,800 Speaker 1: friend Bob Dylan and Eric Clapton, and they're standing tall, 114 00:07:01,920 --> 00:07:03,960 Speaker 1: shoulder to shoulder with the giants, and not for a 115 00:07:04,000 --> 00:07:08,200 Speaker 1: second the sense that anything is being taken for granted. 116 00:07:09,240 --> 00:07:14,160 Speaker 1: We should all be so lucky to find some sense 117 00:07:14,200 --> 00:07:18,760 Speaker 1: of that in our vocation, in our work, in our art, 118 00:07:19,240 --> 00:07:22,840 Speaker 1: in our day to day life. It's so important, and 119 00:07:22,920 --> 00:07:25,240 Speaker 1: it's up there for everybody to see on the screen 120 00:07:25,640 --> 00:07:27,280 Speaker 1: in this movie that I know a bunch of you 121 00:07:27,320 --> 00:07:29,640 Speaker 1: are gonna be watching tonight, that I'm watching tonight. It's 122 00:07:29,640 --> 00:07:32,480 Speaker 1: a powerful lesson one again that we should all remember. 123 00:07:33,120 --> 00:07:35,760 Speaker 1: It's worth pointing out at this point that you know, 124 00:07:36,120 --> 00:07:38,080 Speaker 1: I'm grateful for a lot of things in my life, 125 00:07:38,440 --> 00:07:42,160 Speaker 1: Grateful especially for you guys out there listening and engaging 126 00:07:42,200 --> 00:07:45,040 Speaker 1: with me and Zeth and Matt and everyone else at 127 00:07:45,080 --> 00:07:48,119 Speaker 1: Double Elvis every week we're making this content for you, guys. 128 00:07:48,520 --> 00:07:51,320 Speaker 1: Appreciate you so much. I hope you're having an awesome 129 00:07:51,320 --> 00:07:54,280 Speaker 1: Thanksgiving with your family. I hope you're getting some time 130 00:07:54,320 --> 00:07:57,800 Speaker 1: to watch The Last Waltz, one of the greatest, if 131 00:07:57,840 --> 00:08:02,040 Speaker 1: not the greatest, concert film of all time. Zeth and 132 00:08:02,040 --> 00:08:05,640 Speaker 1: I will be going through a pretty substantial list of 133 00:08:05,880 --> 00:08:11,040 Speaker 1: great concert films, our favorites, some critics favorites, and some 134 00:08:11,240 --> 00:08:14,880 Speaker 1: overlooked gems in the exclusive section of this after party. 135 00:08:14,920 --> 00:08:16,960 Speaker 1: Head to Disgrace sampod dot com to sign up for 136 00:08:17,000 --> 00:08:20,320 Speaker 1: all access. You can catch this conversation. If you're not 137 00:08:20,400 --> 00:08:23,679 Speaker 1: signed up already, go do so. I'll be back after 138 00:08:23,720 --> 00:08:39,200 Speaker 1: this short break and we're gonna hear from you guys. 139 00:08:48,200 --> 00:08:49,760 Speaker 1: All right, guys, we are back. I'm going to dig 140 00:08:49,800 --> 00:08:52,400 Speaker 1: into some more emails, more than I normally do here. 141 00:08:52,400 --> 00:08:54,000 Speaker 1: I want to give you guys a chance to be 142 00:08:54,080 --> 00:08:56,240 Speaker 1: heard here. This one comes from Rick Martinez. Hey there, 143 00:08:56,320 --> 00:08:59,360 Speaker 1: love the podcast. I would say it's storytelling at its best. 144 00:08:59,400 --> 00:09:03,200 Speaker 1: Thank you, Ricky. But these stories are real, so enthralling, 145 00:09:03,240 --> 00:09:05,440 Speaker 1: and you can't wait for the next sentence. I've always 146 00:09:05,440 --> 00:09:07,920 Speaker 1: thought the story of Jacko Pastorius would be great with 147 00:09:08,000 --> 00:09:11,439 Speaker 1: your format. Keep up the awesome work. You're absolutely right, Rick. 148 00:09:11,480 --> 00:09:13,640 Speaker 1: We've had Jocko on the on the board for a 149 00:09:13,720 --> 00:09:17,200 Speaker 1: while and I think I think it might be on 150 00:09:17,280 --> 00:09:20,200 Speaker 1: the schedule for next year. This is one of those 151 00:09:20,240 --> 00:09:21,520 Speaker 1: stories that I know just. 152 00:09:21,679 --> 00:09:22,400 Speaker 3: A little about. 153 00:09:22,440 --> 00:09:25,000 Speaker 1: I want to know more, and I'm very intrigued and 154 00:09:25,000 --> 00:09:28,240 Speaker 1: I'm very excited to learn more about Jocko in this story. 155 00:09:28,520 --> 00:09:31,000 Speaker 1: So Rick, We're gonna have that for you at some point. 156 00:09:31,040 --> 00:09:33,640 Speaker 1: Appreciate you writing in. All right, let's go to this 157 00:09:33,760 --> 00:09:36,960 Speaker 1: email from Pip. Pip writs and Hey, Jake, Aphex Twin 158 00:09:37,320 --> 00:09:40,480 Speaker 1: and outside with the Stars for music when I'm high, 159 00:09:40,679 --> 00:09:47,040 Speaker 1: fucking excellent question. Looking forward to the answers, Pip says 160 00:09:47,040 --> 00:09:49,400 Speaker 1: I didn't use my phone number. I'm in Australia. There 161 00:09:49,400 --> 00:09:52,280 Speaker 1: we go. Pip also says I'm very lazy. But then 162 00:09:52,320 --> 00:09:53,880 Speaker 1: you know, Pip, you say you're lazy, but then you 163 00:09:53,880 --> 00:09:57,440 Speaker 1: said the second email as well, So you said you 164 00:09:57,480 --> 00:09:59,680 Speaker 1: know one more song when I'm Stoned at the bottom 165 00:09:59,679 --> 00:10:03,079 Speaker 1: of every Thing by Bright Eyes. I don't know that 166 00:10:03,160 --> 00:10:05,400 Speaker 1: I know that song, and I don't know much about 167 00:10:05,440 --> 00:10:09,400 Speaker 1: Aphex Twin as well, so appreciate that. Come to doing 168 00:10:09,400 --> 00:10:11,480 Speaker 1: a grab bag here, guys, I'm not staying on topic. 169 00:10:11,520 --> 00:10:15,199 Speaker 1: I'm just gonna blast through your emails. April Hershey writes 170 00:10:15,240 --> 00:10:18,080 Speaker 1: in How Music Heals and Triggers Jake, I wanted to 171 00:10:18,080 --> 00:10:20,559 Speaker 1: respond to your prompt from this past week regarding how 172 00:10:20,640 --> 00:10:23,360 Speaker 1: music is therapeutic but may also be a trigger. My 173 00:10:23,440 --> 00:10:25,400 Speaker 1: story is about both being true. To start, I need 174 00:10:25,400 --> 00:10:29,360 Speaker 1: to introduce my late husband, Chris. He passed away at 175 00:10:29,400 --> 00:10:32,840 Speaker 1: age forty nine in twenty twenty four. Chris loved everything 176 00:10:32,840 --> 00:10:36,360 Speaker 1: that reminded him of his childhood and youth, especially music. 177 00:10:36,640 --> 00:10:40,400 Speaker 1: His favorites were punk, new wave, in eighties rock. Chris's 178 00:10:40,440 --> 00:10:43,360 Speaker 1: prize possession was his twenty fifteen jeep Wrangler, where his 179 00:10:43,440 --> 00:10:46,280 Speaker 1: serious XM channels were all of the above. One of 180 00:10:46,360 --> 00:10:48,440 Speaker 1: our favorite things to do together was to throw our 181 00:10:48,480 --> 00:10:50,760 Speaker 1: beloved dog Charlotte in the back of the jeep, roll 182 00:10:50,800 --> 00:10:53,520 Speaker 1: down the windows, and take off for parks, breweries, hikes 183 00:10:53,640 --> 00:10:56,440 Speaker 1: while listening to our favorite tunes. After his death, I 184 00:10:56,520 --> 00:10:58,800 Speaker 1: found that any time I took the jeep out and 185 00:10:58,840 --> 00:11:02,480 Speaker 1: that music would come on, I would sob body racking 186 00:11:02,720 --> 00:11:06,240 Speaker 1: sobs whilst trying to drive. This was definitely one of 187 00:11:06,240 --> 00:11:08,680 Speaker 1: those triggers that they tell you about in grief, and 188 00:11:08,720 --> 00:11:11,480 Speaker 1: I could choose to avoid it by not driving the 189 00:11:11,559 --> 00:11:13,760 Speaker 1: jeep and turning on the radio, or I could try 190 00:11:13,800 --> 00:11:16,040 Speaker 1: to find joy in it. It's been almost two years 191 00:11:16,080 --> 00:11:18,320 Speaker 1: since he passed, and I can now report that I'm 192 00:11:18,360 --> 00:11:22,360 Speaker 1: not sobbing every time I drive the jeep and Jawbreaker 193 00:11:22,600 --> 00:11:25,360 Speaker 1: or Pet Shop Boys come on, But it still happens. 194 00:11:25,480 --> 00:11:27,400 Speaker 1: Driving the jeep and listening to our favorite music was 195 00:11:27,440 --> 00:11:29,719 Speaker 1: and is fun and allows me to feel closer to him, 196 00:11:29,720 --> 00:11:31,520 Speaker 1: but it also makes me sad that he's in here 197 00:11:31,800 --> 00:11:33,920 Speaker 1: with Charlotte and I. As we hit the road to 198 00:11:34,000 --> 00:11:36,040 Speaker 1: Asheville for the weekend, I'm grateful that I have so 199 00:11:36,120 --> 00:11:38,560 Speaker 1: many of his favorites as constant reminders and the happy 200 00:11:38,559 --> 00:11:41,840 Speaker 1: memories those songs evoke. But grief is a cruel emotion 201 00:11:42,240 --> 00:11:47,959 Speaker 1: that can turn great music into sadness and tears. Sincerely, April, April, 202 00:11:48,000 --> 00:11:51,760 Speaker 1: I'm so sorry for your loss. This email is heavy, 203 00:11:52,400 --> 00:11:55,160 Speaker 1: and I'm glad you sent it into us, and I 204 00:11:55,200 --> 00:11:58,240 Speaker 1: can completely relate. And you know, the only way they 205 00:11:58,320 --> 00:12:00,480 Speaker 1: say it's a cliche, but the only way to get 206 00:12:00,520 --> 00:12:03,360 Speaker 1: through grief is to go right through it. And it's 207 00:12:03,600 --> 00:12:07,920 Speaker 1: absolutely true. You can't avoid it. And I think your 208 00:12:08,160 --> 00:12:10,559 Speaker 1: method here, or your process, whatever you want to call it, 209 00:12:10,640 --> 00:12:13,559 Speaker 1: is the right one. It's one that I've certainly used 210 00:12:13,679 --> 00:12:16,360 Speaker 1: in my past and dealing with grief. And I have 211 00:12:16,559 --> 00:12:21,520 Speaker 1: absolutely used music myself, particularly writing about music, as a 212 00:12:21,559 --> 00:12:23,960 Speaker 1: way to kind of find my way through these really 213 00:12:24,240 --> 00:12:29,960 Speaker 1: really complex feelings. April, appreciate your message. I hope you 214 00:12:30,000 --> 00:12:32,840 Speaker 1: and Charlotte are doing well. Right back. Let us know 215 00:12:33,480 --> 00:12:36,000 Speaker 1: what you're listening to these days. I hope you're having 216 00:12:36,040 --> 00:12:38,679 Speaker 1: a good Thanksgiving, April. All right, let's keep going here. 217 00:12:38,720 --> 00:12:41,040 Speaker 1: Do a couple more while I got you, guys paying attention. 218 00:12:41,360 --> 00:12:44,080 Speaker 1: Tiffany Scherer writes in Hey, I've been listening to the 219 00:12:44,120 --> 00:12:45,880 Speaker 1: podcast for two to three years now, and I love 220 00:12:45,960 --> 00:12:48,360 Speaker 1: everything about it. I've learned so much about popular music 221 00:12:48,400 --> 00:12:50,719 Speaker 1: and new things about new musicians that were also new 222 00:12:50,760 --> 00:12:52,800 Speaker 1: to me. I love the concept, I love the way. Okay, Okay, 223 00:12:52,840 --> 00:12:54,480 Speaker 1: you love it. I love it. I love that you 224 00:12:54,520 --> 00:12:58,760 Speaker 1: love it. Thank you appreciate it. You've got some cool 225 00:12:58,800 --> 00:13:01,560 Speaker 1: recommendations here for show future episode, Tiffany, So I just 226 00:13:01,559 --> 00:13:04,880 Speaker 1: want to read these here. Appreciate the praise, not trying 227 00:13:04,880 --> 00:13:08,840 Speaker 1: to be uh, not trying to not be grateful, just 228 00:13:09,040 --> 00:13:12,800 Speaker 1: you know, appreciate it. Okay, let's see here. Number one. 229 00:13:12,960 --> 00:13:16,400 Speaker 1: Your first recommendation here, Tiffany, Wendy Williams. You say, I 230 00:13:16,440 --> 00:13:18,240 Speaker 1: know she's not directly a musician, but I think her 231 00:13:18,240 --> 00:13:22,800 Speaker 1: story and association with the music industry qualify her. I agree. 232 00:13:22,800 --> 00:13:24,679 Speaker 1: I think you're right, and I think the story is 233 00:13:25,480 --> 00:13:30,080 Speaker 1: pretty nuts and Wendy's super interesting, and I think that 234 00:13:30,200 --> 00:13:33,280 Speaker 1: this is something we might get into your next wreck. 235 00:13:33,360 --> 00:13:36,040 Speaker 1: Here is a great one. Bobby Womack. You're going to say, 236 00:13:36,040 --> 00:13:37,839 Speaker 1: I knew a little bit about the drama between him 237 00:13:37,840 --> 00:13:40,080 Speaker 1: and Sam Cook. The story was just brought back to 238 00:13:40,120 --> 00:13:43,559 Speaker 1: my attention, and my job literally hit the floor at 239 00:13:43,559 --> 00:13:47,120 Speaker 1: the scandal of his relationship with Sam Cook's wife and daughter, 240 00:13:47,520 --> 00:13:49,959 Speaker 1: him wearing Sam Cook's suit to the wedding with his 241 00:13:50,040 --> 00:13:54,120 Speaker 1: former mentor's wife. I know it's fucked up when I 242 00:13:54,200 --> 00:13:57,640 Speaker 1: read this. When I was doing the Sam Cook research, 243 00:13:57,679 --> 00:14:03,440 Speaker 1: which I think Sam Cook was episode three Disgraceland, and man, 244 00:14:03,480 --> 00:14:07,400 Speaker 1: that was a tough episode to find my way through 245 00:14:07,520 --> 00:14:11,000 Speaker 1: in the early days because for many reasons, there's the 246 00:14:11,160 --> 00:14:13,120 Speaker 1: you know, who killed Sam Cook thing, and there are 247 00:14:13,160 --> 00:14:15,520 Speaker 1: all these conspiracy theories and I don't believe in any 248 00:14:15,520 --> 00:14:18,440 Speaker 1: of them, and most people do. That's the problem. I 249 00:14:18,520 --> 00:14:22,360 Speaker 1: believe that Sam Cook behaved in a really horrible way, 250 00:14:22,640 --> 00:14:27,160 Speaker 1: and you know, a woman defended herself and he was 251 00:14:27,160 --> 00:14:29,440 Speaker 1: shot and killed. And I know that's not a sexy answer, 252 00:14:29,520 --> 00:14:32,880 Speaker 1: but that's my conclusion after the research. The other big 253 00:14:32,880 --> 00:14:34,840 Speaker 1: thing in the research that I came upon, though, was 254 00:14:34,880 --> 00:14:39,600 Speaker 1: this Bobby Womack story, which was little known and is 255 00:14:39,720 --> 00:14:43,800 Speaker 1: really tough to tell as well, because people love Bobby Womac. 256 00:14:45,040 --> 00:14:48,040 Speaker 1: It just looks so bad. The optics are so so, so, 257 00:14:48,040 --> 00:14:51,040 Speaker 1: so bad. And I do think there's a Bobby Womack 258 00:14:51,080 --> 00:14:53,280 Speaker 1: story there. I don't know that it could be entirely 259 00:14:53,320 --> 00:14:56,000 Speaker 1: about this Sam Cook piece, because how do you do 260 00:14:56,040 --> 00:14:58,920 Speaker 1: that without painting him as a complete and total fucking monster. 261 00:14:59,600 --> 00:15:02,040 Speaker 1: I don't know. I'm sure there's some interesting stuff from 262 00:15:02,080 --> 00:15:06,160 Speaker 1: Bobby Womack's early days coming up and the circuit he 263 00:15:06,240 --> 00:15:07,840 Speaker 1: was playing on and all that that gets kind of 264 00:15:07,880 --> 00:15:10,040 Speaker 1: crimey and grimey. That'll lead us into a Sam Cook 265 00:15:10,120 --> 00:15:13,280 Speaker 1: story or maybe you know I've been doing these. We've 266 00:15:13,320 --> 00:15:15,880 Speaker 1: been doing more video production here sort of in the background, 267 00:15:16,080 --> 00:15:20,080 Speaker 1: and I'm going to do a new version, video version 268 00:15:20,520 --> 00:15:22,280 Speaker 1: of the Sam Cook story. Maybe I'll find a way 269 00:15:22,280 --> 00:15:24,920 Speaker 1: to weave Bobby Womac into that a little more fully. 270 00:15:25,400 --> 00:15:29,640 Speaker 1: Appreciate you, Tiffany, thanks for writing in Lee. Leonard Wright said, Hey, 271 00:15:29,720 --> 00:15:31,720 Speaker 1: question of the week, Jacob's Lee in the four one 272 00:15:31,760 --> 00:15:34,240 Speaker 1: two Dude, what happened with your phone number? I get 273 00:15:34,240 --> 00:15:37,080 Speaker 1: a weird Google voice message. Anyway, my number one rock record, 274 00:15:37,120 --> 00:15:40,120 Speaker 1: my Desert Island disc, has to be Songs for the 275 00:15:40,160 --> 00:15:42,080 Speaker 1: Deaf by Queens of the Stone Age. Number two would 276 00:15:42,080 --> 00:15:45,080 Speaker 1: be Paranoid by Sabbath, but Songs for the Deaf has everything. 277 00:15:45,120 --> 00:15:47,840 Speaker 1: It's a masterpiece in my opinion. Thanks to my friend 278 00:15:47,880 --> 00:15:50,880 Speaker 1: and Rock a Rolla. Songs for the Deaf is fantastic, 279 00:15:51,960 --> 00:15:57,640 Speaker 1: paranoid by Sabbath, though I actually go Black Sabbath, Black Sabbath, 280 00:15:59,160 --> 00:16:01,920 Speaker 1: just that intro. I have a distinct memory of being 281 00:16:02,640 --> 00:16:06,680 Speaker 1: high out of my mind in Detroit and it was 282 00:16:06,720 --> 00:16:12,120 Speaker 1: storming out. We're driving and we're smoking a lot of hash, 283 00:16:12,720 --> 00:16:16,160 Speaker 1: and that that song was on the little moody kind 284 00:16:16,160 --> 00:16:19,600 Speaker 1: of like rain in the beginning. Oh, it's just awesome. 285 00:16:19,720 --> 00:16:23,760 Speaker 1: The thunder was perfect. That was fun. Mike Viola, What's up? Figs? 286 00:16:23,800 --> 00:16:27,360 Speaker 1: FIGS Tour two thousand and three? A long time ago? 287 00:16:27,440 --> 00:16:30,480 Speaker 1: Another life. All right, it's a holiday weekend, so I'm 288 00:16:30,480 --> 00:16:33,560 Speaker 1: just gonna keep rocking here. I want to read this. 289 00:16:33,560 --> 00:16:36,200 Speaker 1: This is from Brian Stone on Patreon rights and hey, 290 00:16:36,240 --> 00:16:38,600 Speaker 1: finally signed up for the all access past during the 291 00:16:38,640 --> 00:16:42,480 Speaker 1: Doctor John episode. This is Brian writing in the Patreon chat, 292 00:16:42,720 --> 00:16:44,280 Speaker 1: and Brian goes on to say I wanted to hear 293 00:16:44,320 --> 00:16:46,960 Speaker 1: the exclusive mini episode. I about fell over when I 294 00:16:47,000 --> 00:16:49,640 Speaker 1: heard Brian Stone was a piece of shit manager who 295 00:16:49,680 --> 00:16:52,520 Speaker 1: did Doctor John wrong. To be clear, I am not 296 00:16:52,760 --> 00:16:56,280 Speaker 1: that Brian Stone. However, it may explain the cold welcome 297 00:16:56,320 --> 00:16:58,560 Speaker 1: I received while working at Doctor John show at a 298 00:16:58,560 --> 00:17:02,120 Speaker 1: club in Portant, Maine about twelve years ago, maybe a 299 00:17:02,240 --> 00:17:04,720 Speaker 1: bit more. I was the monitor mixer and I just 300 00:17:04,760 --> 00:17:08,320 Speaker 1: finished micing up the Baby Grand and introduced myself to 301 00:17:08,400 --> 00:17:11,480 Speaker 1: doctor John when he came out for soundcheck, I have 302 00:17:11,640 --> 00:17:14,720 Speaker 1: my name and he went blank. And now it all clicks. 303 00:17:15,040 --> 00:17:17,200 Speaker 1: He must have wanted to kill me on my name alone. 304 00:17:17,520 --> 00:17:20,760 Speaker 1: It's definitely at the wrong time, but in the right place. 305 00:17:20,880 --> 00:17:24,920 Speaker 1: That's from our new All Access member, Brian Stone. Brian 306 00:17:25,400 --> 00:17:28,680 Speaker 1: Way to introduce yourself in the chat man, Okay, Mike 307 00:17:28,920 --> 00:17:32,720 Speaker 1: Lamina writes in this is on Disgraceland at Disgraceland Pod. Hey, 308 00:17:32,840 --> 00:17:35,520 Speaker 1: I can't figure out from your website how to not 309 00:17:35,640 --> 00:17:41,160 Speaker 1: get commercials. I bought a year subscription. Thanks Mike. Mike, Well, 310 00:17:41,200 --> 00:17:44,840 Speaker 1: I don't know. But here's what we're gonna do. Matt Bowden, 311 00:17:45,119 --> 00:17:48,400 Speaker 1: who handles sort of everything behind the scenes here at 312 00:17:48,440 --> 00:17:51,120 Speaker 1: Double Elvis, is going to chime in in about four 313 00:17:51,160 --> 00:17:54,400 Speaker 1: seconds and he's going to give you the best explanation 314 00:17:54,640 --> 00:17:59,240 Speaker 1: he can on how to make sure that you're all 315 00:17:59,280 --> 00:18:03,480 Speaker 1: access membership is delivering ad free episodes, and it's different 316 00:18:03,560 --> 00:18:06,680 Speaker 1: whether you're on Apple Podcasts or whether you are on Patreon. 317 00:18:07,080 --> 00:18:11,040 Speaker 1: And Matt will quickly and succinctly run through each scenario 318 00:18:11,240 --> 00:18:13,159 Speaker 1: right now for you, Mike, so that you can be 319 00:18:13,200 --> 00:18:14,960 Speaker 1: taken care of. Appreciate your membership. 320 00:18:15,760 --> 00:18:18,720 Speaker 2: Hi, Mike. First of all, thanks for being a subscriber. 321 00:18:18,800 --> 00:18:22,560 Speaker 2: We really appreciate it. I'm not sure if you're subscribed 322 00:18:22,640 --> 00:18:27,199 Speaker 2: through Apple Podcasts or through Patreon. If you're subscribed through 323 00:18:27,240 --> 00:18:30,040 Speaker 2: Apple Podcasts, you should be able to access the ad 324 00:18:30,119 --> 00:18:35,000 Speaker 2: free feed automatically and you'll just be served the ad 325 00:18:35,000 --> 00:18:38,760 Speaker 2: free versions of the episodes. That's all going to happen 326 00:18:38,800 --> 00:18:42,480 Speaker 2: through Apple Podcasts rather than our website. If you're a 327 00:18:42,520 --> 00:18:45,719 Speaker 2: Patreon subscriber and you want to get access to the 328 00:18:45,760 --> 00:18:50,520 Speaker 2: ad free feed, there's a custom RSS link that you're 329 00:18:50,520 --> 00:18:54,840 Speaker 2: going to get from Patreon and paste that into your podcatcher. 330 00:18:55,160 --> 00:19:00,399 Speaker 2: That could be Apple Podcasts, Spotify, Overcast, whatever podcatcher you're using. 331 00:19:00,880 --> 00:19:05,120 Speaker 2: You'll need to paste in that custom RSS that you'll 332 00:19:05,119 --> 00:19:08,679 Speaker 2: get from Patreon. In the show notes of today's episode, 333 00:19:09,040 --> 00:19:12,119 Speaker 2: I'm going to post links that will help you for 334 00:19:12,880 --> 00:19:17,359 Speaker 2: both Apple Podcasts and Patreon. Just click on those links 335 00:19:17,400 --> 00:19:19,560 Speaker 2: and they'll take you to the information you need. If 336 00:19:19,600 --> 00:19:22,240 Speaker 2: you're still having trouble, you can always reach out to 337 00:19:22,240 --> 00:19:27,800 Speaker 2: me directly on email. The email address is Matthew M A. T. T. 338 00:19:28,080 --> 00:19:33,400 Speaker 2: Hw at Doublelvis dot com, Matthew at Doubleelvis dot com 339 00:19:33,440 --> 00:19:36,960 Speaker 2: and put in the subject line subscription help, and I'll 340 00:19:37,040 --> 00:19:40,360 Speaker 2: jump in onto that thread and help you out directly there. 341 00:19:40,640 --> 00:19:44,040 Speaker 2: And that goes for anybody who's having any trouble accessing 342 00:19:44,080 --> 00:19:48,040 Speaker 2: their subscriber benefits. Just shoot me an email and we'll 343 00:19:48,080 --> 00:19:49,920 Speaker 2: help you get sorted out. We want you to enjoy 344 00:19:49,960 --> 00:19:52,640 Speaker 2: your subscription and get those benefits, so if you need help, 345 00:19:52,720 --> 00:19:54,480 Speaker 2: shoot me an email and I will do my best 346 00:19:54,480 --> 00:19:56,680 Speaker 2: to help, all right. 347 00:19:56,720 --> 00:19:59,600 Speaker 1: Thanks, Matt appreciate that. I know Mike appreciates that as well. 348 00:20:00,000 --> 00:20:02,560 Speaker 1: And Drew Carpenter writes in hey man, I love the show. 349 00:20:02,600 --> 00:20:04,800 Speaker 1: I was thinking an episode of Elliott Smith would be interesting. 350 00:20:04,840 --> 00:20:06,800 Speaker 1: Elliott was a musical genius. In the tragic way he 351 00:20:06,840 --> 00:20:09,920 Speaker 1: died was awful. His music is important, and a swirl 352 00:20:09,920 --> 00:20:14,600 Speaker 1: of controversy surrounding his untimely death exists. Thank you well, Andrew. 353 00:20:14,800 --> 00:20:17,080 Speaker 1: You know, we talked about this a couple of weeks 354 00:20:17,119 --> 00:20:19,119 Speaker 1: ago in the exclusive section of the after Parties At 355 00:20:19,160 --> 00:20:22,480 Speaker 1: the night we did a pretty deep dive and well 356 00:20:22,480 --> 00:20:24,480 Speaker 1: we kind of scratched the surface in our conversation in 357 00:20:24,520 --> 00:20:26,280 Speaker 1: the after party, and we decided we wanted to tell 358 00:20:26,320 --> 00:20:31,160 Speaker 1: this story. Okay. Then I went into the research as 359 00:20:31,160 --> 00:20:34,919 Speaker 1: though I was going to write the story, and it's 360 00:20:34,960 --> 00:20:38,600 Speaker 1: this seldom happens to me, man, I cannot get to 361 00:20:38,640 --> 00:20:41,280 Speaker 1: the truth of this. I don't know what the truth is, 362 00:20:41,400 --> 00:20:43,879 Speaker 1: and I don't know how to tell the story. And 363 00:20:43,920 --> 00:20:48,400 Speaker 1: it's really frustrating because there's a lot of people out 364 00:20:48,400 --> 00:20:53,159 Speaker 1: there who were friends with Elliott Smith, and you know, 365 00:20:53,200 --> 00:20:57,280 Speaker 1: they're relatively my age, a little bit older, and you 366 00:20:57,359 --> 00:21:01,359 Speaker 1: want to be respectful to his memory, to his legacy. 367 00:21:02,160 --> 00:21:05,359 Speaker 1: It just feels too raw. It feels too soon, and 368 00:21:05,400 --> 00:21:10,159 Speaker 1: it feels too murky, and I just cannot get to 369 00:21:10,200 --> 00:21:12,520 Speaker 1: the bottom of it. And I, after researching it for 370 00:21:12,560 --> 00:21:17,119 Speaker 1: a week, I also felt completely gross and disgusting and depressed, 371 00:21:17,720 --> 00:21:19,760 Speaker 1: and I just decided. I called Zeth and I was like, dude, 372 00:21:19,760 --> 00:21:21,720 Speaker 1: I don't think I want to do this. I just 373 00:21:21,800 --> 00:21:24,760 Speaker 1: don't think I want to do it, not right now, Andrew, 374 00:21:24,800 --> 00:21:28,680 Speaker 1: perhaps another time in the future for mister Elliott Smith. 375 00:21:29,040 --> 00:21:31,040 Speaker 1: All right, disc goes you know how to hit me 376 00:21:31,119 --> 00:21:32,800 Speaker 1: up six one seven nine oh six six sixty three 377 00:21:32,840 --> 00:21:36,720 Speaker 1: eight voicemail and text at Disgrace Lampod on the Socials. 378 00:21:36,720 --> 00:21:40,040 Speaker 1: Disgrace Lampod at gmail dot com if you want to 379 00:21:40,080 --> 00:21:43,480 Speaker 1: email me. Next up coming up tomorrow in the remind 380 00:21:43,560 --> 00:21:46,440 Speaker 1: slot is our We're moving in right into Christmas, right 381 00:21:46,440 --> 00:21:50,560 Speaker 1: into the Christmas season after Thanksgiving with our Merle Haggard episode, 382 00:21:51,240 --> 00:21:54,439 Speaker 1: and then next week the next new full episode that 383 00:21:54,440 --> 00:21:56,800 Speaker 1: we're doing is part two of our Merle Haggard story, 384 00:21:56,840 --> 00:22:00,320 Speaker 1: which is fucking bananas. Here's the title, Surviving Chris Miss, 385 00:22:00,359 --> 00:22:06,040 Speaker 1: Cosmic American Aliens and Cocaine Clarity. Merle got weird the 386 00:22:06,080 --> 00:22:09,080 Speaker 1: older he got. He got weird in the best possible way, 387 00:22:09,520 --> 00:22:13,400 Speaker 1: and you're gonna hear all about it. And when you're listening, 388 00:22:13,440 --> 00:22:16,199 Speaker 1: you know, Merle has a voice that to me is 389 00:22:16,359 --> 00:22:20,040 Speaker 1: just it just stops me in my tracks and it 390 00:22:20,520 --> 00:22:22,760 Speaker 1: grabs me by the shoulders and it goes, Look, dude, 391 00:22:23,119 --> 00:22:25,879 Speaker 1: you're about to hear something incredible. So just you know, 392 00:22:25,960 --> 00:22:29,119 Speaker 1: focus on this right now. That's how powerful that dude's 393 00:22:29,160 --> 00:22:31,439 Speaker 1: voice is. He might be my I don't know. I 394 00:22:31,480 --> 00:22:34,360 Speaker 1: can't decide. Is it is it Merle or is it 395 00:22:34,400 --> 00:22:36,440 Speaker 1: is it George Jones. They both sing in a way 396 00:22:36,480 --> 00:22:40,720 Speaker 1: that is it's like listening to Jimmy Hendrix or Robert 397 00:22:40,800 --> 00:22:44,560 Speaker 1: Johnson play guitar. You're like, I don't, I don't. I 398 00:22:44,600 --> 00:22:46,680 Speaker 1: have such a deep appreciation for this, and I don't. 399 00:22:47,119 --> 00:22:49,520 Speaker 1: I don't necessarily like when Jimmy Hendricks is playing blues. 400 00:22:50,440 --> 00:22:53,440 Speaker 1: It's so deceptively simple, and I don't understand how he's 401 00:22:53,440 --> 00:22:57,040 Speaker 1: doing it. I really don't. Anyhow, I want you to 402 00:22:57,080 --> 00:23:01,760 Speaker 1: be listening to this this merl How Part two episode 403 00:23:01,920 --> 00:23:06,920 Speaker 1: and just let me know of all the great country 404 00:23:06,920 --> 00:23:11,440 Speaker 1: singers Johnny Cash, Merle Haggard, George Jones, take your pick, 405 00:23:11,480 --> 00:23:15,040 Speaker 1: Morgan Wallen, George Strait. I'm trying to think about the 406 00:23:15,119 --> 00:23:19,040 Speaker 1: modern one, Chris Stapleton. I guess who has the voice 407 00:23:19,640 --> 00:23:23,840 Speaker 1: that just just owns you when you hear it. Who 408 00:23:23,880 --> 00:23:27,600 Speaker 1: is your favorite country singer? Because country singing is a 409 00:23:27,680 --> 00:23:31,000 Speaker 1: distinct thing. It is different from clearly different from rock 410 00:23:31,040 --> 00:23:35,320 Speaker 1: and roll singing. It's so cool, it's so badass, it's 411 00:23:35,359 --> 00:23:39,160 Speaker 1: so adult. I just love it. And you know, I'm 412 00:23:39,160 --> 00:23:41,560 Speaker 1: going to try and think through my favorite. Here is 413 00:23:41,560 --> 00:23:43,240 Speaker 1: it Merle is a George. I'm going to listen to 414 00:23:43,280 --> 00:23:45,240 Speaker 1: a bunch over the weekend, try to make a decision, 415 00:23:45,280 --> 00:23:46,960 Speaker 1: and you let me know when you're listening to the 416 00:23:46,960 --> 00:23:50,919 Speaker 1: Merle Haggard Part two episode, our new episode on Merl Haggard. 417 00:23:51,200 --> 00:23:53,040 Speaker 1: Who your favorite country singer is? Call me six one 418 00:23:53,080 --> 00:23:56,119 Speaker 1: seventy nine oh six six six three eight, leave a voicemail, 419 00:23:56,280 --> 00:23:58,600 Speaker 1: send me a text, Hit me at Disgrace lampod on 420 00:23:58,640 --> 00:24:02,280 Speaker 1: the Socials, Disgrace Lampo at gmail dot com. I'll be 421 00:24:02,359 --> 00:24:19,160 Speaker 1: back right after this. All right, let's do some quick 422 00:24:19,600 --> 00:24:22,520 Speaker 1: recommendations here. Started this last week this whole one book, 423 00:24:22,640 --> 00:24:25,280 Speaker 1: one record, one documentary, and we talked a lot about 424 00:24:25,280 --> 00:24:27,520 Speaker 1: Scorsese last week. We're going to continue doing that as 425 00:24:27,520 --> 00:24:30,879 Speaker 1: we close the book, our Disgrace lam book on Scorsese 426 00:24:31,000 --> 00:24:35,119 Speaker 1: in the band this week. Last week I recommended Made Men. 427 00:24:35,720 --> 00:24:37,359 Speaker 1: This is the book I'm the making of Good Fellows. 428 00:24:37,400 --> 00:24:40,879 Speaker 1: This week I'm recommending actually two more scorsesebooks I wanted 429 00:24:40,920 --> 00:24:44,040 Speaker 1: to I only wanted to recommend this one here, which 430 00:24:44,080 --> 00:24:45,840 Speaker 1: is the main one. It's called A Personal Journey with 431 00:24:45,880 --> 00:24:49,000 Speaker 1: Martin Scorsese through American Movies by Martin Scorsese and Michael 432 00:24:49,119 --> 00:24:53,720 Speaker 1: Henry Wilson. And this book is fantastic. It's Scorsese taking 433 00:24:53,800 --> 00:24:55,679 Speaker 1: you through the history of film. You know, exactly like 434 00:24:55,720 --> 00:24:59,560 Speaker 1: it says, and it's based on I guess a documentary 435 00:24:59,600 --> 00:25:01,880 Speaker 1: that came out that I've never seen and I can't 436 00:25:01,880 --> 00:25:05,680 Speaker 1: really find. And it's fantastic because it's Scorsese giving you 437 00:25:06,480 --> 00:25:12,240 Speaker 1: his personal view on on sort of all the great 438 00:25:12,280 --> 00:25:15,159 Speaker 1: genres of filmmaking from the beginning of filmmaking, from the 439 00:25:15,240 --> 00:25:18,119 Speaker 1: silent era all the way through the huge you know, 440 00:25:18,359 --> 00:25:22,399 Speaker 1: even like you know, musicals and big studio films, like 441 00:25:22,480 --> 00:25:26,359 Speaker 1: you know, big Westerns and the Warner Brothers, gangster movies. 442 00:25:27,119 --> 00:25:34,280 Speaker 1: Just fantastic stuff. And it goes it's pretty deep, talks 443 00:25:34,280 --> 00:25:37,639 Speaker 1: about his favorite directors as well. It's just it's a 444 00:25:37,920 --> 00:25:40,680 Speaker 1: it's a really cool way to bone up on your 445 00:25:40,720 --> 00:25:43,359 Speaker 1: film history if you're interested in that sort of thing. 446 00:25:43,400 --> 00:25:46,840 Speaker 1: And I can't recommend it high ena highly enough. Again, 447 00:25:46,920 --> 00:25:51,080 Speaker 1: A Personal Journey with Martin Scorsese through American Movies. Second book. 448 00:25:51,320 --> 00:25:54,240 Speaker 1: I know I'm always supposed to do one, but if 449 00:25:54,280 --> 00:25:57,399 Speaker 1: you watched mister Scorsese on Apple podcasts and you were like, 450 00:25:57,520 --> 00:25:59,600 Speaker 1: I need more than this is the book you need 451 00:26:00,320 --> 00:26:03,520 Speaker 1: on Scorsese. It's a book of interviews that Scorsese did 452 00:26:04,040 --> 00:26:09,160 Speaker 1: and it goes up and until I think the early nineties. Yeah, 453 00:26:09,240 --> 00:26:14,119 Speaker 1: up and until Goodfellas, and it's it's really an expansion. 454 00:26:14,680 --> 00:26:17,200 Speaker 1: You can tell that this book is the spine of 455 00:26:17,200 --> 00:26:19,560 Speaker 1: that Scorsese doc that just came out on Apple. So 456 00:26:19,560 --> 00:26:21,760 Speaker 1: if you want a little bit more, you'll get a 457 00:26:21,760 --> 00:26:25,439 Speaker 1: little bit more with Scorsese on the score, SSE. So 458 00:26:25,720 --> 00:26:29,240 Speaker 1: that's those are the books I'm recommending. The record you know, 459 00:26:29,280 --> 00:26:31,480 Speaker 1: no one talks about Before the Flood Bob Dylan and 460 00:26:31,560 --> 00:26:33,560 Speaker 1: the Band from nineteen seventy four or live album. No 461 00:26:33,560 --> 00:26:36,719 Speaker 1: one talks about this album enough, and it's just it's scorching. 462 00:26:37,200 --> 00:26:41,200 Speaker 1: These guys are there, They're on fire, and I love 463 00:26:41,240 --> 00:26:44,280 Speaker 1: this album. It's kind of an overlooked, overlooked piece from 464 00:26:44,400 --> 00:26:48,520 Speaker 1: Dylan's catalog and the band is really pushing Bob pretty 465 00:26:48,600 --> 00:26:51,840 Speaker 1: damn herd on this record. It's fantastic again. Before the 466 00:26:51,880 --> 00:26:54,800 Speaker 1: Flood Bob Dylan in the Band, nineteen seventy four. That's 467 00:26:54,800 --> 00:26:59,200 Speaker 1: my one record recommendation. My one documentary recommendation. American Boy 468 00:26:59,240 --> 00:27:02,639 Speaker 1: Martin Scorse nineteen seventy eight documentary on his buddy Stephen 469 00:27:02,680 --> 00:27:06,760 Speaker 1: Prince who plays Easy Andy in Taxi Driver, The Gun 470 00:27:06,800 --> 00:27:11,760 Speaker 1: Dealer and Stephen Prince has this incredible history in New 471 00:27:11,840 --> 00:27:15,600 Speaker 1: York arts and culture, and he's a heroin addict. He 472 00:27:15,720 --> 00:27:19,640 Speaker 1: tells some amazing stories. Just you knows. I believe he's 473 00:27:19,640 --> 00:27:23,360 Speaker 1: in Scorseses Hollywood apartment in the late seventies. And this 474 00:27:23,440 --> 00:27:29,280 Speaker 1: is where that wild scene from Pulp Fiction comes, where 475 00:27:29,480 --> 00:27:34,360 Speaker 1: when Uma Thurman overdoses and John Travolta has to inject 476 00:27:34,400 --> 00:27:38,080 Speaker 1: her through the sternum with that hypodermic needle and the adrenaline. 477 00:27:38,119 --> 00:27:40,840 Speaker 1: It actually comes from a story that Stephen Prince, that 478 00:27:40,920 --> 00:27:44,320 Speaker 1: happened to Stephen Prince, and it's in this documentary called 479 00:27:44,400 --> 00:27:48,000 Speaker 1: American Boy by Martin Scorsese from nineteen seventy eight. So 480 00:27:48,040 --> 00:27:50,520 Speaker 1: there you have it. One book, one record, one doc. 481 00:27:50,600 --> 00:27:53,679 Speaker 1: Those are my recommendations. Check those out if you haven't already. 482 00:27:53,720 --> 00:27:55,239 Speaker 1: If you got any RECs for me, hit me up 483 00:27:55,280 --> 00:27:58,920 Speaker 1: six one seven nine oh six six six three eight 484 00:27:58,960 --> 00:28:03,000 Speaker 1: real quick. Speaking of films, speaking of music, speaking of Scorsese. 485 00:28:03,280 --> 00:28:05,960 Speaker 1: Zeth and I have a new video podcast called This 486 00:28:06,080 --> 00:28:10,560 Speaker 1: Film Should Be Played Loud that is available exclusively to 487 00:28:10,680 --> 00:28:15,320 Speaker 1: our All Access members. It's gonna be released on December tenth, 488 00:28:15,760 --> 00:28:19,240 Speaker 1: and uh, you're gonna love it. It's my two favorite 489 00:28:19,280 --> 00:28:21,719 Speaker 1: things it's my peanut butter in my chocolate. It is 490 00:28:22,119 --> 00:28:26,800 Speaker 1: the convergence of music and film. It's a video podcast 491 00:28:27,080 --> 00:28:31,119 Speaker 1: about great movies and the great music that makes them. 492 00:28:31,480 --> 00:28:36,159 Speaker 1: Hmmmmm choice. Okay, the first every episode's gonna be on 493 00:28:36,400 --> 00:28:39,000 Speaker 1: a different movie. First, when we're doing is on Goodfellas. 494 00:28:39,240 --> 00:28:40,720 Speaker 1: That's a good way to come out of the gates. 495 00:28:40,840 --> 00:28:44,000 Speaker 1: And again that's coming on December tenth. And to get 496 00:28:44,120 --> 00:28:46,960 Speaker 1: that podcast every single month, you're gonna have to become 497 00:28:47,000 --> 00:28:49,840 Speaker 1: an All Access member. Go to Disgrace lampod dot com 498 00:28:50,160 --> 00:28:53,840 Speaker 1: to sign up. All right, Matt, give me the buzzer beater, 499 00:28:54,440 --> 00:28:59,200 Speaker 1: because right now this is the sixty second sports rant 500 00:28:59,200 --> 00:29:02,000 Speaker 1: and under thirty and it is once again sponsored by 501 00:29:02,000 --> 00:29:05,320 Speaker 1: five Hour Energies new Pumpkin spice flavor, your favorite fall drink, 502 00:29:05,320 --> 00:29:07,000 Speaker 1: and an energy shot. You can pick up a Pumpkin 503 00:29:07,040 --> 00:29:10,120 Speaker 1: spice five hour Energy shot available online at five hour 504 00:29:10,200 --> 00:29:13,400 Speaker 1: Energy dot com or Amazon Now listen. I come from 505 00:29:13,400 --> 00:29:15,840 Speaker 1: a family of gamblers on my mother's side. The big 506 00:29:15,880 --> 00:29:18,520 Speaker 1: thing we bet on is football, professional football. We've been 507 00:29:18,520 --> 00:29:20,880 Speaker 1: doing this literally for as long as I can remember. 508 00:29:20,880 --> 00:29:23,120 Speaker 1: It started out with football cards, not the kind you 509 00:29:23,160 --> 00:29:25,360 Speaker 1: buying package with bubble gum, but kind of get from 510 00:29:25,360 --> 00:29:28,680 Speaker 1: a bookie has all the games on it, the points spreads. 511 00:29:28,720 --> 00:29:30,280 Speaker 1: You get a pick six, you gotta win every single 512 00:29:30,280 --> 00:29:31,720 Speaker 1: one of them and win a big pile of money. 513 00:29:31,760 --> 00:29:35,800 Speaker 1: Now listen. Also not just the football cards, Okay, calling 514 00:29:35,880 --> 00:29:37,720 Speaker 1: in bets to the local bookie, which I used to 515 00:29:37,760 --> 00:29:39,400 Speaker 1: do as a ten year old with my stepfather. I 516 00:29:39,400 --> 00:29:41,080 Speaker 1: had my own code and everything. Hey, this is our 517 00:29:41,120 --> 00:29:42,920 Speaker 1: one sixty two. Give me the pass with the points 518 00:29:43,040 --> 00:29:45,280 Speaker 1: Dallas minus three, Cleveland plus two. I never knew why 519 00:29:45,320 --> 00:29:47,400 Speaker 1: my stepfather had me calling the bets. I think it 520 00:29:47,440 --> 00:29:51,640 Speaker 1: got passed office being cute. But you know, I think 521 00:29:51,840 --> 00:29:53,840 Speaker 1: what was really going on is me and my stepdad 522 00:29:53,840 --> 00:29:55,920 Speaker 1: needed another voice to lay money on separate teams to 523 00:29:55,960 --> 00:29:57,760 Speaker 1: cover losses on his other bets. I don't know. I 524 00:29:57,760 --> 00:30:00,480 Speaker 1: didn't ask. I'm not sure you tell me the truth anyhow. 525 00:30:00,680 --> 00:30:04,400 Speaker 1: Now nowadays we bet with just the football cards, and 526 00:30:04,480 --> 00:30:06,840 Speaker 1: no it's not through an app, and yes it's done 527 00:30:07,160 --> 00:30:08,680 Speaker 1: in an old school kind of way, if you know 528 00:30:08,680 --> 00:30:11,120 Speaker 1: what I'm saying. True to our family's form. My seven 529 00:30:11,200 --> 00:30:13,600 Speaker 1: year old plays the cards on Sunday too, Willie the Greek, 530 00:30:13,640 --> 00:30:15,560 Speaker 1: that's what they've been calling him he's come closer to 531 00:30:15,600 --> 00:30:18,200 Speaker 1: winning the pond on Sunday than I have. Anyway, I 532 00:30:18,360 --> 00:30:21,480 Speaker 1: have an attitude toward gambling that is akin to I 533 00:30:21,480 --> 00:30:25,600 Speaker 1: guess how the French think about kids drinking wine. Expose 534 00:30:25,680 --> 00:30:28,640 Speaker 1: them young, destigmatize it, make it casual, and they will 535 00:30:28,680 --> 00:30:30,640 Speaker 1: likely not abuse it. That's how it worked for me anyways, 536 00:30:30,640 --> 00:30:33,520 Speaker 1: with the gambling out with drinking anyway. My family, however, 537 00:30:33,600 --> 00:30:37,360 Speaker 1: has officially taken it too far. My youngest sister is 538 00:30:37,400 --> 00:30:39,880 Speaker 1: about to have a baby next month, and her it's 539 00:30:39,880 --> 00:30:43,960 Speaker 1: her first. And yes there is a pool. We've got squares. 540 00:30:44,000 --> 00:30:46,440 Speaker 1: Top row for the days born. Side row is for 541 00:30:46,480 --> 00:30:49,040 Speaker 1: the minute of birth. It's insane. Winter gets five hundred 542 00:30:49,080 --> 00:30:51,840 Speaker 1: bucks and my newborn nephew will get five hundred as well. 543 00:30:51,880 --> 00:30:54,120 Speaker 1: I swear to God this is true. Is this too far? 544 00:30:54,200 --> 00:30:55,680 Speaker 1: I feel like it's too far. I feel like it's 545 00:30:55,680 --> 00:30:58,240 Speaker 1: like betting on the weather. Have we jumped some figurative 546 00:30:58,280 --> 00:31:00,400 Speaker 1: shark with our gambling? I think we have. Do I 547 00:31:00,440 --> 00:31:02,120 Speaker 1: really care? Though? No, I don't do. I want to 548 00:31:02,120 --> 00:31:04,200 Speaker 1: complain about it in the sports rant kind of Are 549 00:31:04,200 --> 00:31:06,120 Speaker 1: the Pat's gonna win on Monday Night against the Giants? 550 00:31:06,120 --> 00:31:07,880 Speaker 1: You bet your assay are, but I have to check 551 00:31:07,880 --> 00:31:09,320 Speaker 1: with my seven year old to see if they're gonna 552 00:31:09,320 --> 00:31:11,080 Speaker 1: cover the spread. Matt, don't tell me how I did. 553 00:31:11,120 --> 00:31:13,000 Speaker 1: I know I went too long, but I don't care. 554 00:31:13,080 --> 00:31:13,520 Speaker 3: Alright. 555 00:31:13,640 --> 00:31:17,320 Speaker 1: That was the sports rant sponsored by five Hour Energies 556 00:31:17,360 --> 00:31:20,120 Speaker 1: New Pumpkin Spice Flavor. These new Pumpkin Spice five hour 557 00:31:20,200 --> 00:31:22,200 Speaker 1: Energy Shots are a fall in a bottle and they 558 00:31:22,240 --> 00:31:24,800 Speaker 1: bring that classic pumpkin spice flavor that we all know 559 00:31:24,840 --> 00:31:27,200 Speaker 1: and love our favorite fall drink in an energy shot. 560 00:31:27,240 --> 00:31:29,120 Speaker 1: You can pick up a Pumpkin Spice five hour Energy 561 00:31:29,120 --> 00:31:32,440 Speaker 1: Shot available online at five hour Energy dot com or 562 00:31:32,520 --> 00:31:37,200 Speaker 1: Amazon Now with our band episode. This week, we released 563 00:31:37,360 --> 00:31:41,959 Speaker 1: our new mini episode for exclusive members entitled Go Deeper, 564 00:31:42,360 --> 00:31:46,760 Speaker 1: Dead band Members in a Box and Bootleg Basement Tapes. Matt, 565 00:31:46,960 --> 00:31:49,880 Speaker 1: give the people a little taste of what they're missing 566 00:31:50,280 --> 00:32:15,360 Speaker 1: if they're not signed up for all access Go Ahead. 567 00:32:22,080 --> 00:32:24,800 Speaker 1: The road was rough. You never knew what you'd find 568 00:32:24,840 --> 00:32:28,640 Speaker 1: out there. Five guys split between two station wagons, going 569 00:32:28,640 --> 00:32:31,160 Speaker 1: from town to town, gig to gig, living hand to mouth. 570 00:32:32,000 --> 00:32:34,680 Speaker 1: Sometimes the place was packed. The crowd was into it 571 00:32:34,680 --> 00:32:38,080 Speaker 1: and thus making it easier to endure another late night 572 00:32:38,200 --> 00:32:42,320 Speaker 1: staring at that long white line while tearing ass through 573 00:32:42,320 --> 00:32:46,240 Speaker 1: the darkness in one of those station wagons. Some nights, however, 574 00:32:46,920 --> 00:32:51,040 Speaker 1: he played to just three people, including the bartender, And 575 00:32:51,120 --> 00:32:53,720 Speaker 1: some nights you got stiff by the no bullshit having 576 00:32:53,760 --> 00:32:56,280 Speaker 1: club owner who wasn't afraid to use a loaded pistol 577 00:32:56,320 --> 00:32:59,000 Speaker 1: in his hand to help drive home the fact that 578 00:32:59,080 --> 00:33:02,480 Speaker 1: you weren't getting paid. And there were the hangers on, 579 00:33:02,640 --> 00:33:06,880 Speaker 1: the dealers, the dopers, the jealous husband who didn't like 580 00:33:06,880 --> 00:33:09,360 Speaker 1: the way he looked at his wife, And for all 581 00:33:09,400 --> 00:33:12,400 Speaker 1: of these reasons, a traveling band has to be tight. 582 00:33:13,440 --> 00:33:16,200 Speaker 1: If you're on the road, you have to have your 583 00:33:16,200 --> 00:33:21,960 Speaker 1: band members' backs. Then, long ago, back before resentment and 584 00:33:22,080 --> 00:33:27,320 Speaker 1: jealousy and creative differences tore them apart, the band took 585 00:33:27,440 --> 00:33:33,600 Speaker 1: that unspoken rule one step further. Robbie Robertson, Rick Danko, Richard, 586 00:33:33,640 --> 00:33:37,720 Speaker 1: Manuel Garth Hudson, and Levon Helm had a pact. And 587 00:33:37,800 --> 00:33:41,280 Speaker 1: the pact was this, If one of them died out 588 00:33:41,280 --> 00:33:44,400 Speaker 1: there on the road, victim of too many pills or 589 00:33:44,440 --> 00:33:47,600 Speaker 1: too much drink, maybe even one of those jealous husbands, 590 00:33:48,000 --> 00:33:51,200 Speaker 1: then the other guys would put his dead body on ice, 591 00:33:51,880 --> 00:33:54,480 Speaker 1: stuff him back in the station wagon with the instruments 592 00:33:55,000 --> 00:33:58,120 Speaker 1: and haul his ass back to Woodstock, New York, where 593 00:33:58,120 --> 00:34:02,360 Speaker 1: they were living before the authorities caught on. By nineteen 594 00:34:02,440 --> 00:34:05,400 Speaker 1: sixty seven, however, after nearly a decade of life on 595 00:34:05,440 --> 00:34:08,360 Speaker 1: the road, the band were at long last taking a 596 00:34:08,400 --> 00:34:11,920 Speaker 1: break because their boss, Bob Dylan, was taking a break. 597 00:34:12,560 --> 00:34:15,480 Speaker 1: And it turns out it wasn't their bodies and reputations 598 00:34:15,480 --> 00:34:18,280 Speaker 1: they had to worry about protecting anymore. Their own music 599 00:34:18,560 --> 00:34:23,160 Speaker 1: would soon need guarding, and that's where all the trouble started. 600 00:34:23,960 --> 00:34:30,680 Speaker 1: Let me explain, all right, Like I said, that is 601 00:34:30,719 --> 00:34:33,319 Speaker 1: a clip from our new mini episode. Mini episodes come out. 602 00:34:33,320 --> 00:34:34,960 Speaker 1: We're gonna do a three or four of these a month, 603 00:34:35,280 --> 00:34:37,040 Speaker 1: a little way to go deeper into the subject that 604 00:34:37,040 --> 00:34:39,879 Speaker 1: we've been covering that week. And again, you can only 605 00:34:39,880 --> 00:34:42,359 Speaker 1: get it through all Access. You get to become an 606 00:34:42,360 --> 00:34:44,520 Speaker 1: all Access member, go to Disgrace sampod dot com. You're 607 00:34:44,520 --> 00:34:47,719 Speaker 1: gonna get exclusive content like the mini episode. You're gonna 608 00:34:47,719 --> 00:34:49,680 Speaker 1: get ad free listening. You're also going to get an 609 00:34:49,719 --> 00:34:53,200 Speaker 1: exclusive content like this, a little bit of the after party. 610 00:34:53,280 --> 00:34:57,600 Speaker 1: They were going to get into on the greatest concert 611 00:34:57,640 --> 00:35:02,120 Speaker 1: films of all time from our perspective mine and Zeth's, 612 00:35:02,719 --> 00:35:08,799 Speaker 1: and also some overlooked gems that we hope shine a 613 00:35:08,840 --> 00:35:11,440 Speaker 1: light on some films you might not have seen, some 614 00:35:11,600 --> 00:35:15,839 Speaker 1: great ones from master musicians, huge artists, and also some 615 00:35:15,920 --> 00:35:17,759 Speaker 1: artists who are kind of flying under the radar but 616 00:35:17,960 --> 00:35:21,960 Speaker 1: just you know, make great concert films. That is Zeth Lundy, 617 00:35:22,120 --> 00:35:25,239 Speaker 1: Doctor Zeth Lundy, to you and I in the all 618 00:35:25,280 --> 00:35:43,160 Speaker 1: Access section of The after Party. All right, guys, thanks 619 00:35:43,200 --> 00:35:46,400 Speaker 1: for joining me for another episode of The after Party. 620 00:35:46,840 --> 00:35:49,400 Speaker 1: Earlier we talked about so many artists, but earlier in 621 00:35:49,440 --> 00:35:51,960 Speaker 1: the B block here we talked about Bob Dylan, Eric Clapton, 622 00:35:52,840 --> 00:35:55,520 Speaker 1: Van Morrison. We have episodes on all those guys, as 623 00:35:55,560 --> 00:35:57,720 Speaker 1: well as a ton others, over two hundred and fifty 624 00:35:57,719 --> 00:36:01,080 Speaker 1: episodes in our archive, and and Matt is going to 625 00:36:01,080 --> 00:36:04,200 Speaker 1: put the episode information in the show notes for Dylan, 626 00:36:04,239 --> 00:36:06,360 Speaker 1: Clapton and Vara Morrison and you'll be able to easily 627 00:36:06,480 --> 00:36:09,439 Speaker 1: navigate to those who want to check those out. All right, 628 00:36:10,280 --> 00:36:13,800 Speaker 1: let's recap number one, this week's full episode, The Band 629 00:36:14,040 --> 00:36:16,480 Speaker 1: in the Last Waltz, that is available for you right now. 630 00:36:16,520 --> 00:36:18,640 Speaker 1: Go check that out if you haven't already. Number two, 631 00:36:18,760 --> 00:36:21,040 Speaker 1: our new mini episode for all access members on the 632 00:36:21,120 --> 00:36:23,719 Speaker 1: death pack that the band had that's available as well. 633 00:36:23,719 --> 00:36:25,440 Speaker 1: You gotta be an all access members sign up at 634 00:36:25,440 --> 00:36:28,720 Speaker 1: Disgrace lampod dot com. Number three Rewind episode on Merle 635 00:36:28,760 --> 00:36:31,280 Speaker 1: Haggard kicking off the Christmas season that's coming up next 636 00:36:31,680 --> 00:36:35,120 Speaker 1: and number four next week comes are part two Merle 637 00:36:35,160 --> 00:36:38,160 Speaker 1: Haggard episode that's brand new, that's gonna hit you. It's 638 00:36:38,160 --> 00:36:39,680 Speaker 1: gonna hit you right where you needed to hit you. 639 00:36:39,760 --> 00:36:41,560 Speaker 1: Number five so that's going to give you those Hollywood 640 00:36:41,600 --> 00:36:43,560 Speaker 1: and crime vibes in Hollywood lands. And make sure you're 641 00:36:43,560 --> 00:36:47,359 Speaker 1: subscribed over there. Six one seven nine six six six 642 00:36:47,480 --> 00:36:49,560 Speaker 1: three eight. Your voice keeps us digging into the dark 643 00:36:49,600 --> 00:36:52,560 Speaker 1: corners of music history. So keep calling, keep texting with 644 00:36:52,600 --> 00:36:54,440 Speaker 1: your answers to this week's question of the week or 645 00:36:54,480 --> 00:36:56,120 Speaker 1: whatever the hell else you want to talk about. And 646 00:36:56,200 --> 00:36:58,880 Speaker 1: remember this goes. This isn't just content, it's a community, 647 00:36:58,920 --> 00:37:01,560 Speaker 1: a community the obsessed. No one cares about music, books, 648 00:37:01,600 --> 00:37:03,480 Speaker 1: records and the crime and crime that ties them all 649 00:37:03,520 --> 00:37:07,719 Speaker 1: together like you do. And well that's a disgrace, all right. 650 00:37:07,719 --> 00:37:10,879 Speaker 1: Oki Doki, mister Muskogee On Thanksgiving Day, November twenty fifth, 651 00:37:10,920 --> 00:37:13,240 Speaker 1: nineteen seventy six, the Day of the Band and Martin 652 00:37:13,280 --> 00:37:16,080 Speaker 1: Scorsese filmed the greatest concert film of all time, The 653 00:37:16,160 --> 00:37:19,080 Speaker 1: Last Waltz. This is what America is listening to on 654 00:37:19,120 --> 00:37:23,480 Speaker 1: that day, according to the Billboard Charts. Number one Tonight's 655 00:37:23,480 --> 00:37:27,320 Speaker 1: the Night Gonna Be all Right Rod Stewart, last week 656 00:37:27,760 --> 00:37:32,440 Speaker 1: one weeks on chart nine, number two, The Wreck of 657 00:37:32,480 --> 00:37:37,239 Speaker 1: the Edmund Fitzgerald Gordon, Lightfoot, last week two weeks on 658 00:37:37,360 --> 00:37:42,600 Speaker 1: chart fourteen, peak position number two, number three, loves So 659 00:37:42,840 --> 00:37:46,520 Speaker 1: ripe Vegi's last week weeks on the three weeks on 660 00:37:46,640 --> 00:37:51,759 Speaker 1: chart eleventh, peak position last number six, number four, Muskrat Love, 661 00:37:52,120 --> 00:37:56,439 Speaker 1: Captain and Tum last week four weeks on chart is ten, 662 00:37:56,840 --> 00:38:01,759 Speaker 1: peak position four, number five, The Rubber Band Man The 663 00:38:01,840 --> 00:38:05,520 Speaker 1: Spinners last week six mix on shot. 664 00:38:05,360 --> 00:38:21,600 Speaker 3: Back, Quit talking and start mixing. Cult It