WEBVTT - INTERVIEW 1: Colin Dickey

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<v Speaker 1>Strange Arrivals is a production of I Heart three D

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<v Speaker 1>Audience for full exposure listen with headphones. In October, in

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<v Speaker 1>the midst of the pandemic, I spoke by zoom with

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<v Speaker 1>author Colin Dickey. He is the author of ghost Land

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<v Speaker 1>about American haunted houses, and teaches at National University. I

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<v Speaker 1>spoke with him about his latest book, The Unidentified Mythical Monsters,

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<v Speaker 1>Alien Encounters and Our Obsession with the Unexplained. I'm Toby

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<v Speaker 1>Ball and this is Strange Arrivals. My name is Colin Dickey.

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<v Speaker 1>I am the author of The Unidentified Mythical Monsters, Alien

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<v Speaker 1>Encounters and Our Obsession with the Unexplained. So how did

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<v Speaker 1>you come to write this book? Like what one interest

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<v Speaker 1>led you to to do in the research and then

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<v Speaker 1>in the writing. Um. I think I've always been interested

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<v Speaker 1>in the way in which a set of beliefs to

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<v Speaker 1>ideas which you could maybe call sort of like fringe beliefs, um,

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<v Speaker 1>you know, for for lack of a better term, the

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<v Speaker 1>stuff that's not taken seriously by by mainstream science or

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<v Speaker 1>journalism or religion or or kind of you know, the

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<v Speaker 1>usual kind of authorities, and and thus gets sort of

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<v Speaker 1>shunted into the side in terms of you know, superstition

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<v Speaker 1>and that kind of stuff. Um. But but I found

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<v Speaker 1>that that those kind of beliefs often really whether or

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<v Speaker 1>not one beliefs that they're true or not, they have

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<v Speaker 1>a pretty enormous effect on culture and and and the

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<v Speaker 1>way you know, the world works, and you know, they

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<v Speaker 1>have sort of material effects. And I've found that it

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<v Speaker 1>seems necessary to talk about these things again, not necessarily

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<v Speaker 1>in terms of are they real or all they are

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<v Speaker 1>they you know, fake, although you know, that's an interesting question,

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<v Speaker 1>but but more so like what do these beliefs do

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<v Speaker 1>in in the world and how do they affect the

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<v Speaker 1>world around us? Um, you know, even for those of

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<v Speaker 1>us who don't necessarily believe in these things. And I

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<v Speaker 1>you know, my my previous book, ghost Land in American

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<v Speaker 1>History and Haunted Places was similarly based around this question

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<v Speaker 1>of you know, I think whether or not you believe

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<v Speaker 1>that ghosts exists, it's sort of undeniable that the sort

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<v Speaker 1>of language of of ghosts and haunted places are are

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<v Speaker 1>things that sort of drive American culture and sort of

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<v Speaker 1>say a great deal about our history. So I think

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<v Speaker 1>that's kind of how I gradually sort of got more

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<v Speaker 1>and more interested in these kind of you know again

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<v Speaker 1>quote unquote fringe topics for lack of a better word,

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<v Speaker 1>did you have sort of a central thesis for this book, which,

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<v Speaker 1>for people who haven't read it is, you know it

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<v Speaker 1>um it encompasses sort of a variety of different you know,

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<v Speaker 1>quote unquote fringe topics, including cryptids and UFOs. Is there

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<v Speaker 1>some sort of central organizing thesis you have, Well, it's funny.

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<v Speaker 1>It's started out so so this this book in particular,

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<v Speaker 1>in the wake of the election. UM. You know, there

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<v Speaker 1>was a lot of discussion about the ways in which

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<v Speaker 1>social media companies like Facebook had had been responsible directly

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<v Speaker 1>or indirectly for pushing a lot of conspiracy theories into

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<v Speaker 1>the mainstream. And you know, at the time, I thought, well,

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<v Speaker 1>you know, that's that's undeniably true, and I think that

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<v Speaker 1>these companies have a real obligation that they aren't taken seriously.

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<v Speaker 1>But at the same time, I wanted to push back

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<v Speaker 1>on the idea that the rising conspiracy theories was somehow

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<v Speaker 1>unique to a social media era and UM, and what

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<v Speaker 1>I wanted to do was to do a kind of

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<v Speaker 1>genealogical history in some sense of UM you know, a

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<v Speaker 1>set of French beliefs and or you know, conspiracy theories.

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<v Speaker 1>And in the beginning I cast a pretty wide net. So,

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<v Speaker 1>you know, my the first draft of the book, UM,

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<v Speaker 1>you know, had everything from you know, anti submitted conspiracy

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<v Speaker 1>theories like the Protocols of the Elders Desigon to um,

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<v Speaker 1>you know, flat Earth spiracy theories, as well as UM

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<v Speaker 1>cryptids and UFOs and and as I worked through the

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<v Speaker 1>material and kind of you know, worked on the book,

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<v Speaker 1>I I've found that I kind of didn't want to

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<v Speaker 1>go that wide. I wanted to kind of narrow it down,

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<v Speaker 1>and so, you know, so I started to kind of

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<v Speaker 1>pair back my my list of subjects. But I couldn't

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<v Speaker 1>quite get away from the fact that that the three

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<v Speaker 1>topics that ended up being sort of the driving force

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<v Speaker 1>of this book, UM, you know, not just cryptis and aliens,

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<v Speaker 1>but also the lost continents of Atlantis and Lamaria UM

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<v Speaker 1>all were kind of interrelated in some form historically. You

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<v Speaker 1>know that that you know, the the rise of the

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<v Speaker 1>modern UFO movement comes out of um, you know, uh,

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<v Speaker 1>Ray Palmer's magazine Fate, and Ray Palmer before that had

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<v Speaker 1>introduced the world to the Shaver mysteries and um, you know,

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<v Speaker 1>the Shave of the with these sort of kind of

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<v Speaker 1>sci fi but maybe supposedly true things about these sort

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<v Speaker 1>of weird underground races that controlled, you know, our mind

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<v Speaker 1>and thoughts and that sort of thing. And and Palmer

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<v Speaker 1>had had titled the first installment of the Shaber Mysteries.

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<v Speaker 1>I remember Lamuria, so sort of I couldn't get two

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<v Speaker 1>UFOs without first talking about Lamiria, this sort of fabled

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<v Speaker 1>lost continent sort of the Pacific Ocean version of Atlantis

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<v Speaker 1>that you know, has a long history in and of itself.

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<v Speaker 1>So this is a long answer to your question, but it,

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<v Speaker 1>you know, I mean, it did start with a kind

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<v Speaker 1>of wide net. And I found these kind of three

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<v Speaker 1>topics intertwining in such a way that I wanted to

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<v Speaker 1>try and figure out a way to account for them,

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<v Speaker 1>a kind of you know, a kind of hypothesis that

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<v Speaker 1>would that will encompass these kind of three areas and

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<v Speaker 1>why they seem to be so interrelated to one another.

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<v Speaker 1>So while you're talking it, you know, there there are

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<v Speaker 1>certain figures in the book who seemed to drive, um,

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<v Speaker 1>certain of these ideas. Do you have any sense about

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<v Speaker 1>like why certain ideas like make it into sort of

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<v Speaker 1>wider fringe belief while others kind of die on the vine. Yeah,

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<v Speaker 1>and I think that that again, I mean I that

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<v Speaker 1>was one of the questions that really drove me to

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<v Speaker 1>try and sort of figure out why, you know, you know,

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<v Speaker 1>how this book was going to work, and sort of

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<v Speaker 1>figure out like why does you know, for example, one

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<v Speaker 1>of the things I talked about in the book, that

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<v Speaker 1>the Gloucester Sea Serpent was this extremely well documented cryptic

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<v Speaker 1>siting um in the the eighteen teens, I think eighteen

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<v Speaker 1>seventeen um that has been more or less ignored by

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<v Speaker 1>you know, a lot of kind of you know, mainstream

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<v Speaker 1>understandings of cryptics in favor of the Lockniff Monster and

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<v Speaker 1>Bigfoot and um, you know a couple of others. So,

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<v Speaker 1>you know, partly I was just like, you know, why

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<v Speaker 1>was this thing, which which by any objective standards is

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<v Speaker 1>much more well documented than than Bigfoot or the Yeti

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<v Speaker 1>or whatever. Nonetheless, um kind of get you know, place

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<v Speaker 1>second fiddle. So yeah, so I really wanted to kind

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<v Speaker 1>of try and understand in those and I think what

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<v Speaker 1>I found, um was that in a lot of cases,

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<v Speaker 1>these beliefs are you know, these Um, these beings, these objects,

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<v Speaker 1>whatever you want to call them, light up a kind

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<v Speaker 1>of central kind of narrative that works for the person

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<v Speaker 1>who believes in them, you know, I mean I think

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<v Speaker 1>that's that's a kind of abstract way of saying that.

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<v Speaker 1>I mean, they they do, they do something for people.

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<v Speaker 1>They they explain the world in a way, you know.

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<v Speaker 1>I mean, I think for for everyone who actually has

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<v Speaker 1>you know, has had a UFO sighting in some form

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<v Speaker 1>and another. Um, there are a bunch of other people

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<v Speaker 1>who haven't, but who you know, and to to quote

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<v Speaker 1>the X files want to believe because the idea of

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<v Speaker 1>you know, UFOs will uh, it's it's pleasing, you know,

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<v Speaker 1>I mean, you know, the possibility is exciting, or you know,

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<v Speaker 1>what it says about our relationship to the government sort

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<v Speaker 1>of checks out in their belief, you know, I mean

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<v Speaker 1>like it it does something for them in a way

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<v Speaker 1>that goes beyond I think just you know, the question

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<v Speaker 1>of of documentary evidence. So you've got you've got a

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<v Speaker 1>long narrative section on UFOs. Since can you talk a

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<v Speaker 1>little bit about sort of your take on that you know,

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<v Speaker 1>history and timeline. Yeah, I mean, the idea that there

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<v Speaker 1>are unidentified objects in the sky. I mean those that

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<v Speaker 1>that belief goes back you know, millennia, you know, I

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<v Speaker 1>mean you can find it in you know, ancient Greek

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<v Speaker 1>and Roman writing. So it's it's it's not as though

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<v Speaker 1>when Kenneth Arnold sees, um, you know, seven bat wing

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<v Speaker 1>shaped silver objects flying over Mount Rainier, that that's the

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<v Speaker 1>beginning of um, you know, UFO sightings by any means.

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<v Speaker 1>So so to start there is in some sense a

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<v Speaker 1>little bit arbitrary, but it also is the moment at

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<v Speaker 1>which those strange objects in the sky become crystallized as

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<v Speaker 1>a certain kind of thing, you know. But prior to that, um,

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<v Speaker 1>you know, I mean again you can go back millennia

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<v Speaker 1>and you you have objects in the sky which are

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<v Speaker 1>you know, omens or their signs from God's or whomever

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<v Speaker 1>you know, And and that's sort of one stable narrative trajectory, right,

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<v Speaker 1>um you know, or they are you know, sort of

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<v Speaker 1>magical in some sense or another. And what happens in

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<v Speaker 1>is that suddenly these things are no longer considered to

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<v Speaker 1>be I guess, supernatural. They're they're sort of they're sort

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<v Speaker 1>of paranormal while also being sort of scientifically plausible. And

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<v Speaker 1>I think that sort of changes how we start to see,

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<v Speaker 1>you know, what a UFO is or what a thing

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<v Speaker 1>in the sky might be in a way that's that's

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<v Speaker 1>sort of new and different. So there's this sort of

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<v Speaker 1>progression of I don't know, sort of sort of conceptualizing

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<v Speaker 1>what the UFOs are like. You kind of start off

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<v Speaker 1>with the contact e these who you know, by modern standards,

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<v Speaker 1>I kind of feel like, seem a little quaint. Um,

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<v Speaker 1>But there's you know, past that or beyond that, there's

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<v Speaker 1>this sense that, um, that that people's ideas about UFOs

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<v Speaker 1>and how the government's dealing with them are um, reflective

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<v Speaker 1>of sort of what's going on in government in non

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<v Speaker 1>sort of fringe things and people's perceptions of that. And

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<v Speaker 1>I think you brought up in the book, you know, Vietnam,

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<v Speaker 1>uh CO, Intel, pro Watergate, Um. You know, there are

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<v Speaker 1>lots of examples. Um, So what what was your what's

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<v Speaker 1>your sense of that? Yeah, I mean one of the

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<v Speaker 1>things that that became really early on, you know, clear

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<v Speaker 1>to me really early on, is I think that in

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<v Speaker 1>a lot of ways, you know, belief in encryptids parallels

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<v Speaker 1>belief in you know, parallels of belief in UFOs, and

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<v Speaker 1>you see that again in terms of just you know,

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<v Speaker 1>who believes what and that kind of stuff. But but

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<v Speaker 1>very early on it also was made clear to me

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<v Speaker 1>that there's there's one really specific way in which they're different.

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<v Speaker 1>Is that, you know, you either believe in the Lockness

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<v Speaker 1>sponsor you don't. But what you you don't believe that

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<v Speaker 1>the Lockness monster is the existence of the Locknes sponsors

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<v Speaker 1>being covered up by the government, Whereas if you believe

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<v Speaker 1>in UFOs, almost by default you believe that the government

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<v Speaker 1>knows more than they're letting on and it's being um,

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<v Speaker 1>you know, hidden from us in some some fashion. And

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<v Speaker 1>I found that to be again, you know, considering that

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<v Speaker 1>both of these ideas you know, prior to World War Two,

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<v Speaker 1>we're pretty synchronous, you know, in terms of the shape

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<v Speaker 1>of of of the narrative that a company of these

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<v Speaker 1>beliefs suddenly in the wake of World War two, and

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<v Speaker 1>and for me, I think really in the wake of

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<v Speaker 1>the Manhattan Project, which was this incredibly successful attempt to

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<v Speaker 1>keep a completely unknown and unknowable and world changing technological

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<v Speaker 1>weapon entirely out of the public eye until it was used, right,

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<v Speaker 1>you know, I mean, like you know, the the amount

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<v Speaker 1>of secrecy required to keep the Manhattan Projects secret, and

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<v Speaker 1>the success that they had, you know, sort of gave

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<v Speaker 1>the world a sense that, um, you know, and specifically Americans,

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<v Speaker 1>well you know that that the American government was capable

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<v Speaker 1>of doing absolutely unheard of things in utter secrecy. And

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<v Speaker 1>you know, and again, I don't think it's a coincidence that,

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<v Speaker 1>you know, so much of the modern UFO lore is about,

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<v Speaker 1>you know, the deserts of New Mexico and Nevada and Arizona.

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<v Speaker 1>You know, precisely where you know, the Manhattan Project was

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<v Speaker 1>located outside of Santa Fe, Right, So, um, so I

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<v Speaker 1>think that that the Manhattan Project suddenly makes the the

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<v Speaker 1>the idea that the government is capable of of covering

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<v Speaker 1>up something beyond belief quite plausible. And so the arrival

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<v Speaker 1>of of you know, the kind of modern UFO myth

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<v Speaker 1>really becomes to reflect that idea that it is absolutely

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<v Speaker 1>within the realm of plausibility that the government has uh

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<v Speaker 1>these sort of secret, supernatural, paranormal things going on at

0:13:22.600 --> 0:13:24.520
<v Speaker 1>all times, and and it's only a matter of time

0:13:24.559 --> 0:13:44.079
<v Speaker 1>before we all know about them. You know. One of

0:13:44.400 --> 0:13:46.440
<v Speaker 1>the things that that you cover in your book is

0:13:46.480 --> 0:13:53.320
<v Speaker 1>the story of Paul Benowitz and William Moore and and

0:13:53.679 --> 0:13:59.120
<v Speaker 1>Richard Doughty, And what what's your sense of how that

0:13:59.200 --> 0:14:05.760
<v Speaker 1>fits into what you were just talking about the story

0:14:05.840 --> 0:14:08.600
<v Speaker 1>of Paul Bennowit's again, I mean, you know, so so

0:14:08.679 --> 0:14:10.440
<v Speaker 1>what I was just talking about, you know, is is

0:14:10.480 --> 0:14:14.880
<v Speaker 1>I think UH sort of a credulity among people about

0:14:14.920 --> 0:14:16.839
<v Speaker 1>what the government is capable of doing, you know, the

0:14:17.200 --> 0:14:21.360
<v Speaker 1>lengths of UH secrecy that that it can sustain, which

0:14:21.440 --> 0:14:26.440
<v Speaker 1>which frankly, I myself have difficulty going there a lot

0:14:26.440 --> 0:14:28.120
<v Speaker 1>of the times because you know, I mean I look

0:14:28.160 --> 0:14:31.720
<v Speaker 1>at actual conspiracies, like something like Watergate. You know, Watergate.

0:14:32.280 --> 0:14:35.000
<v Speaker 1>As soon as you know, Woodward and Bernstein and the

0:14:35.000 --> 0:14:38.520
<v Speaker 1>New York Times started asking questions about Watergate, the whole

0:14:38.520 --> 0:14:41.600
<v Speaker 1>thing fell apart. You know, it was, you know, barely

0:14:41.600 --> 0:14:44.120
<v Speaker 1>two years later before Nixon resigns. Right. So It's like,

0:14:44.520 --> 0:14:48.400
<v Speaker 1>once you actually start asking around about government secrets, it's

0:14:48.600 --> 0:14:51.920
<v Speaker 1>usually the case that if they are big enough, UM,

0:14:52.080 --> 0:14:55.600
<v Speaker 1>and they are momentous enough, you'll find people who can talk.

0:14:55.680 --> 0:14:57.560
<v Speaker 1>You know, I mean, you know, you you you can

0:14:57.600 --> 0:15:02.600
<v Speaker 1>find secretaries, you can find janitors, you can find bookkeepers.

0:15:02.640 --> 0:15:04.600
<v Speaker 1>You know, somebody knows something that you know, it is

0:15:04.640 --> 0:15:07.400
<v Speaker 1>willing to talk. So that's why I've always been somewhat

0:15:07.400 --> 0:15:10.120
<v Speaker 1>skeptical about, you know, some of this sort of more

0:15:10.280 --> 0:15:13.840
<v Speaker 1>outlandish government conspiracy theories. And then I came across the

0:15:13.880 --> 0:15:19.960
<v Speaker 1>story of Paul Benowitz, and I was frankly flabbergasted by

0:15:20.160 --> 0:15:27.760
<v Speaker 1>the depths of cynicism and um uh sort of disdain

0:15:27.920 --> 0:15:31.680
<v Speaker 1>with which a you know, a government operation would treat

0:15:32.360 --> 0:15:35.920
<v Speaker 1>um not just an American citizen, but a a veteran

0:15:36.000 --> 0:15:38.640
<v Speaker 1>and someone who you know worked for the government and

0:15:38.680 --> 0:15:41.880
<v Speaker 1>deeply loved his government. And this idea that you know,

0:15:42.000 --> 0:15:45.120
<v Speaker 1>as Paul Benowitz began, you know, living on the edge

0:15:45.160 --> 0:15:49.320
<v Speaker 1>of Curtland Air Force Base in Albuquerque, began to see

0:15:49.400 --> 0:15:54.000
<v Speaker 1>things above the skies of Curtland Air Force Base and

0:15:54.200 --> 0:15:59.360
<v Speaker 1>photographing them and distributing them to you know, his UFO believer,

0:16:00.160 --> 0:16:03.800
<v Speaker 1>you know networks the government. It seems to me, I mean,

0:16:03.920 --> 0:16:06.040
<v Speaker 1>you know, what I presume is the most sort of

0:16:06.040 --> 0:16:09.440
<v Speaker 1>Okam's Razor example, you know, explanation is that there was

0:16:09.520 --> 0:16:12.960
<v Speaker 1>some sort of you know, top secret craft of some

0:16:13.080 --> 0:16:17.680
<v Speaker 1>kind being you know, um, I don't know tested out there,

0:16:17.720 --> 0:16:20.000
<v Speaker 1>you know, but that that the Air Force could have

0:16:20.240 --> 0:16:22.480
<v Speaker 1>Paul called in Paul Benewitz and said, you know, look

0:16:23.520 --> 0:16:26.600
<v Speaker 1>what you saw was classified, and you, being a good patriot,

0:16:26.600 --> 0:16:28.000
<v Speaker 1>we're just going to ask you to just you know,

0:16:28.120 --> 0:16:31.240
<v Speaker 1>stop sending out those those images. You know. And I

0:16:31.280 --> 0:16:34.400
<v Speaker 1>have no reason to think that Paul Benowitz, who's who's

0:16:34.400 --> 0:16:37.120
<v Speaker 1>not only was a patriot, but his livelihood. His company

0:16:37.200 --> 0:16:39.520
<v Speaker 1>was a Air Force contractor, so there's no reason he

0:16:39.520 --> 0:16:42.880
<v Speaker 1>would have sacrificed his livelihood. Um, But they don't do that. Instead,

0:16:42.920 --> 0:16:45.880
<v Speaker 1>they say, we are going to pump this guy with

0:16:46.600 --> 0:16:51.400
<v Speaker 1>an elaborate campaign of disinformation to the point where, you know,

0:16:51.440 --> 0:16:55.320
<v Speaker 1>they gave him a computer that they said was receiving

0:16:55.880 --> 0:17:00.160
<v Speaker 1>extraterrestrial communications of unknown origin and could he help them,

0:17:00.200 --> 0:17:02.920
<v Speaker 1>you know, decode any of it and so and then

0:17:02.960 --> 0:17:06.840
<v Speaker 1>they just bombarded this computer with just gibberish that they

0:17:06.840 --> 0:17:09.120
<v Speaker 1>were broadcasting from across the street to make him think

0:17:09.160 --> 0:17:11.040
<v Speaker 1>that he was getting alien signals, you know. And so

0:17:11.200 --> 0:17:13.200
<v Speaker 1>you know, things like that, where it's just this very

0:17:13.280 --> 0:17:19.320
<v Speaker 1>bizarre and elaborate, sustained campaign to take a you know,

0:17:19.440 --> 0:17:25.600
<v Speaker 1>a law abiding and patriotic American citizen and basically, yeah,

0:17:27.080 --> 0:17:29.200
<v Speaker 1>more or less drive him crazy, you know, like to

0:17:29.200 --> 0:17:31.120
<v Speaker 1>to like push him to the point where nobody would

0:17:31.160 --> 0:17:34.280
<v Speaker 1>take him seriously because he was advancing these wild and

0:17:34.800 --> 0:17:38.840
<v Speaker 1>unverifiable um theories about aliens, and that just seems to me.

0:17:40.160 --> 0:17:42.600
<v Speaker 1>I mean it's a it's a really sad and tragic story.

0:17:42.640 --> 0:17:44.920
<v Speaker 1>I mean, there's there's so much like pathos involved in there.

0:17:44.920 --> 0:17:47.600
<v Speaker 1>And also I think it does speak to a kind

0:17:47.640 --> 0:17:51.520
<v Speaker 1>of weird cynicism that that seems to drive some levels

0:17:51.560 --> 0:17:55.800
<v Speaker 1>of the U. S. Government. Yeah, you know, it just

0:17:55.840 --> 0:18:00.399
<v Speaker 1>seems so unnecessary. Like you were saying, I was struck

0:18:00.440 --> 0:18:02.400
<v Speaker 1>by that too. It's like, this seems like a lot

0:18:02.440 --> 0:18:09.800
<v Speaker 1>of effort two do something that's completely unnecessary, and you know,

0:18:09.960 --> 0:18:14.000
<v Speaker 1>with malintent. I guess you know my take in some sense,

0:18:14.040 --> 0:18:15.640
<v Speaker 1>as they were testing out to see what they could

0:18:15.640 --> 0:18:17.520
<v Speaker 1>get away with, you know that that again it was

0:18:17.600 --> 0:18:19.800
<v Speaker 1>not only was it unnecessary, but I think that there

0:18:19.880 --> 0:18:23.600
<v Speaker 1>was some elements um, you know among um you know,

0:18:23.640 --> 0:18:27.320
<v Speaker 1>the Air Force intelligence officers involved of like you know, like, uh,

0:18:27.359 --> 0:18:29.320
<v Speaker 1>you know what happens if we do this, you know,

0:18:29.359 --> 0:18:31.160
<v Speaker 1>like it was it was a little sort of guinea

0:18:31.200 --> 0:18:34.200
<v Speaker 1>pig experiment that they carried out on this this unwitting

0:18:35.080 --> 0:18:37.159
<v Speaker 1>uh you know, a guy who ended up, you know,

0:18:37.240 --> 0:18:40.360
<v Speaker 1>really really suffering through what seems like, you know, sort

0:18:40.400 --> 0:18:43.240
<v Speaker 1>of a lot of the hallmarks of of you know,

0:18:43.320 --> 0:18:48.399
<v Speaker 1>clinical psychosis as a result. So, and I'm just gonna

0:18:48.920 --> 0:18:53.680
<v Speaker 1>read like a brief part and this is actually um

0:18:54.080 --> 0:18:59.720
<v Speaker 1>is in the context of cryptid hoaxes, but I thought

0:18:59.720 --> 0:19:04.199
<v Speaker 1>it was sort of widely applicable. It's a you're you're

0:19:04.240 --> 0:19:08.919
<v Speaker 1>talking about Kevin Young's maxim quote hoax has proved that

0:19:08.960 --> 0:19:13.120
<v Speaker 1>believing is seeing end quote. Whatever is in those documents

0:19:13.240 --> 0:19:15.639
<v Speaker 1>is what you choose to put into them, whatever you

0:19:15.720 --> 0:19:18.399
<v Speaker 1>need them to be. And you pick up the quote again.

0:19:19.080 --> 0:19:22.600
<v Speaker 1>The hoax is rather a kind of coded confession, revealing

0:19:22.640 --> 0:19:26.080
<v Speaker 1>not only a deep seated cultural wish, but also a

0:19:26.119 --> 0:19:30.920
<v Speaker 1>common set of themes or faints or strategies that add

0:19:31.000 --> 0:19:34.240
<v Speaker 1>up to a ritual that that seems to me to

0:19:34.240 --> 0:19:39.119
<v Speaker 1>be fairly certainly widely applicable to almost all the stuff

0:19:39.119 --> 0:19:43.600
<v Speaker 1>that you're talking about in here. Oh yeah, and and definitely,

0:19:43.640 --> 0:19:45.960
<v Speaker 1>I mean, and you know, Kevin Kevin Young's book for

0:19:45.960 --> 0:19:48.240
<v Speaker 1>for those of you who don't know it, Bunk is

0:19:48.760 --> 0:19:53.320
<v Speaker 1>absolutely fantastic. What Young is interested in is is particularly

0:19:53.359 --> 0:19:58.320
<v Speaker 1>hoaxes that that reflect American ambivalence about race. So you know,

0:19:58.440 --> 0:20:02.200
<v Speaker 1>various white authors who of you know, published fake memoirs

0:20:02.280 --> 0:20:04.600
<v Speaker 1>as you know, uh, you know, black or Native American

0:20:04.600 --> 0:20:06.200
<v Speaker 1>writers or something like that, and then have been sort

0:20:06.240 --> 0:20:09.000
<v Speaker 1>of found out and that kind of stuff. And so

0:20:09.000 --> 0:20:11.160
<v Speaker 1>so what Young is sort of tracing, which I think

0:20:11.200 --> 0:20:13.960
<v Speaker 1>is is really valuable and important, is the way in

0:20:14.000 --> 0:20:16.320
<v Speaker 1>which as that Coaches sort of implies, you know that

0:20:16.440 --> 0:20:20.520
<v Speaker 1>that the idea that a hoax is a kind of

0:20:20.680 --> 0:20:24.720
<v Speaker 1>attempt to make a myth into reality. You know that

0:20:24.920 --> 0:20:27.399
<v Speaker 1>if you have a kind of and again this is

0:20:27.440 --> 0:20:29.520
<v Speaker 1>sort of you know, his argument, not not so much mine,

0:20:29.640 --> 0:20:33.080
<v Speaker 1>but I'm paraphrasing his argument, which I agree with that

0:20:33.359 --> 0:20:35.680
<v Speaker 1>you know, if you have a sort of narrative about

0:20:35.560 --> 0:20:38.320
<v Speaker 1>up inner city crime or urban poverty or whatever, and

0:20:38.359 --> 0:20:41.719
<v Speaker 1>then a white person comes along and writes a memoir

0:20:41.760 --> 0:20:43.920
<v Speaker 1>as a black person sort of burying out these these

0:20:43.960 --> 0:20:46.960
<v Speaker 1>myths and these sort of misconceptions, then you know, that's

0:20:47.080 --> 0:20:48.760
<v Speaker 1>that's what the hoax is there to do. The hoax

0:20:48.800 --> 0:20:52.480
<v Speaker 1>is there to sort of make the false thing look true.

0:20:52.560 --> 0:20:56.400
<v Speaker 1>And and so with my book, you know, when I'm

0:20:56.440 --> 0:20:58.600
<v Speaker 1>moving into you know, things like cryptos and UFOs, I

0:20:58.600 --> 0:21:00.919
<v Speaker 1>mean there's a lot that I talked about where I

0:21:00.960 --> 0:21:03.520
<v Speaker 1>don't I don't have any evidence to to believe that,

0:21:03.640 --> 0:21:05.280
<v Speaker 1>you know, a given story as a hoax. I don't

0:21:05.320 --> 0:21:06.800
<v Speaker 1>have a I don't have a good explanation. I think

0:21:06.800 --> 0:21:10.240
<v Speaker 1>there's a lot that remains unexplained, and so I, by

0:21:10.280 --> 0:21:12.879
<v Speaker 1>no means want to assert that the you know, the

0:21:12.880 --> 0:21:15.000
<v Speaker 1>whole field is full of hoaxes. But you know, we

0:21:15.080 --> 0:21:19.359
<v Speaker 1>do have a number of very obvious documented hoaxes. And

0:21:19.400 --> 0:21:22.359
<v Speaker 1>in fact, um, you know, one of the again, one

0:21:22.359 --> 0:21:27.160
<v Speaker 1>of more tragically you know, weird stories is this guy

0:21:27.400 --> 0:21:31.879
<v Speaker 1>and Calsco Montana who buys a gilly suit, which is

0:21:31.920 --> 0:21:34.600
<v Speaker 1>a you know, sort of extreme camouflage where you know,

0:21:34.640 --> 0:21:36.080
<v Speaker 1>the suit is supposed to make you look like a

0:21:36.080 --> 0:21:38.199
<v Speaker 1>pile of leaves, you know, so you can sort of

0:21:38.240 --> 0:21:41.879
<v Speaker 1>lie prone and you know, be a sniper or whatever. Um,

0:21:41.920 --> 0:21:44.880
<v Speaker 1>and he wears the suit and he wanders out onto

0:21:44.920 --> 0:21:47.680
<v Speaker 1>the freeway at night, hoping that a motorist will catch

0:21:48.200 --> 0:21:51.680
<v Speaker 1>just a glimpse of him and um and believe it

0:21:51.720 --> 0:21:52.800
<v Speaker 1>to be a big foot you know. So it's a

0:21:52.880 --> 0:21:57.520
<v Speaker 1>it's a bigfoot hoax thing. But um, he uh he

0:21:57.680 --> 0:22:01.320
<v Speaker 1>gets hit by uh not one but two cars actually

0:22:01.400 --> 0:22:03.160
<v Speaker 1>ends up dead, you know, it ends up you know, killed.

0:22:03.200 --> 0:22:06.720
<v Speaker 1>And so there's this this really strange sort of story about,

0:22:07.200 --> 0:22:09.480
<v Speaker 1>you know, an attempt to create a hoax, to kind

0:22:09.520 --> 0:22:12.000
<v Speaker 1>of gin up a belief in a thing which this

0:22:12.040 --> 0:22:15.399
<v Speaker 1>person knows to be false that ends up backfiring in

0:22:15.440 --> 0:22:18.600
<v Speaker 1>this horrible way. And so I think that when you

0:22:19.080 --> 0:22:22.159
<v Speaker 1>catalog a lot of the history of of hoaxes, you know,

0:22:22.320 --> 0:22:25.720
<v Speaker 1>um UFO photos where where it's sort of clearly a

0:22:25.800 --> 0:22:28.560
<v Speaker 1>hub cap or side view mirror or something like that,

0:22:28.760 --> 0:22:31.800
<v Speaker 1>and you you sort of aggregate all of them in

0:22:31.880 --> 0:22:34.879
<v Speaker 1>this kind of kind of compendium, which you get is

0:22:35.359 --> 0:22:39.200
<v Speaker 1>again and again a sort of aching desire to make

0:22:39.240 --> 0:22:42.800
<v Speaker 1>a thing true at all costs, even to the point

0:22:42.800 --> 0:22:44.879
<v Speaker 1>of sort of you know, inventing the whole the thing

0:22:44.920 --> 0:22:50.040
<v Speaker 1>from whole cloth. That's interesting going back to the whole

0:22:50.080 --> 0:22:53.440
<v Speaker 1>Doughty in Benewits. You know, one of the big differences

0:22:53.480 --> 0:22:57.000
<v Speaker 1>that although it's a big hoax, is that he you know,

0:22:57.080 --> 0:23:01.760
<v Speaker 1>it's not coming from this sort of sincere hope to

0:23:01.840 --> 0:23:04.359
<v Speaker 1>make something that you wish was real, have other people

0:23:04.440 --> 0:23:09.200
<v Speaker 1>also believe it's real. It's just this absolutely cynical exercise. Yeah,

0:23:09.320 --> 0:23:11.119
<v Speaker 1>that's that's a good point. And yeah, and at the

0:23:11.119 --> 0:23:12.919
<v Speaker 1>same time it makes me think just you know, what

0:23:12.960 --> 0:23:14.760
<v Speaker 1>you're saying just makes me think it's But it's also

0:23:14.800 --> 0:23:19.480
<v Speaker 1>an attempt to see, like how I guess I guess

0:23:19.520 --> 0:23:22.520
<v Speaker 1>the thing is, the more people desire something to be true,

0:23:22.560 --> 0:23:25.600
<v Speaker 1>the easier it is to to feed them lies. Right,

0:23:25.640 --> 0:23:28.320
<v Speaker 1>you know that, you know, the people buy things because

0:23:28.359 --> 0:23:30.840
<v Speaker 1>they they want to believe that they're true. And so

0:23:30.880 --> 0:23:33.919
<v Speaker 1>I feel, like with with Doughty trying to sort of

0:23:33.960 --> 0:23:37.320
<v Speaker 1>spread these these hoaxes throughout the UFO community, is also

0:23:37.320 --> 0:23:39.840
<v Speaker 1>a sense to see, like, you know, how deep is

0:23:40.480 --> 0:23:42.200
<v Speaker 1>you know, quote the Beachies, how deep is this love?

0:23:42.320 --> 0:23:45.359
<v Speaker 1>You know, like how um, how easy will it be

0:23:45.560 --> 0:23:48.520
<v Speaker 1>to get people to believe this? Because that becomes an

0:23:48.560 --> 0:23:51.280
<v Speaker 1>index of how strong the belief is. And it turns

0:23:51.280 --> 0:23:54.280
<v Speaker 1>out that, you know, until Bill Moore kind of you know,

0:23:54.320 --> 0:23:58.000
<v Speaker 1>gave his maya culpa, the belief was really strong. People

0:23:58.040 --> 0:24:01.560
<v Speaker 1>were were desperate even to the point to you know,

0:24:01.640 --> 0:24:04.840
<v Speaker 1>accepting things that that didn't hold up under any scrutiny whatsoever,

0:24:04.880 --> 0:24:06.960
<v Speaker 1>but they accepted them to be true because you know,

0:24:07.119 --> 0:24:10.200
<v Speaker 1>that strong desire to to have the thing be real.

0:24:11.480 --> 0:24:15.120
<v Speaker 1>Another thing that you bring up that I thought would

0:24:15.160 --> 0:24:17.639
<v Speaker 1>be would be interesting to the people who are listening.

0:24:17.720 --> 0:24:22.919
<v Speaker 1>Is this idea of stigmatized knowledge. I realize I'm kind

0:24:22.960 --> 0:24:25.919
<v Speaker 1>of pulling a term out of the book, but do

0:24:25.960 --> 0:24:30.720
<v Speaker 1>you yeah, I mean this again, this is a really

0:24:31.359 --> 0:24:33.440
<v Speaker 1>this is this is difficult for me to kind of

0:24:33.880 --> 0:24:36.679
<v Speaker 1>part because I find myself often on both sides of

0:24:36.760 --> 0:24:39.199
<v Speaker 1>this in some ways. And you know, again, when I

0:24:39.200 --> 0:24:40.720
<v Speaker 1>was when I was trying to sort of make sense

0:24:40.720 --> 0:24:42.840
<v Speaker 1>of the genealogy of some of these believes, I kept

0:24:42.920 --> 0:24:45.600
<v Speaker 1>coming back to this period at the end of the

0:24:45.680 --> 0:24:53.119
<v Speaker 1>nineteenth century when um, you know, scientific sort of uh

0:24:53.480 --> 0:24:57.000
<v Speaker 1>methodology and thought becomes kind of institutionalized, right, So you

0:24:57.040 --> 0:25:00.040
<v Speaker 1>have the rise of PhD programs, which don't exist in

0:25:00.080 --> 0:25:03.199
<v Speaker 1>America before the eighteen seventies. You have the rise of

0:25:03.320 --> 0:25:06.920
<v Speaker 1>professional organizations, so you know, you can't just be can't

0:25:06.960 --> 0:25:08.679
<v Speaker 1>just be a country doctor anymore. Now you have to

0:25:08.720 --> 0:25:12.880
<v Speaker 1>belong to the you know, American Physicians Association or whatever

0:25:12.920 --> 0:25:15.399
<v Speaker 1>it is, you know, and so so things sort of

0:25:15.440 --> 0:25:20.040
<v Speaker 1>get ossified in these these institutions. And I think in

0:25:20.080 --> 0:25:22.359
<v Speaker 1>some ways I think that's good, you know, prevents you know,

0:25:22.520 --> 0:25:25.280
<v Speaker 1>I don't know, quacks from you know, taking people's money

0:25:25.320 --> 0:25:29.600
<v Speaker 1>for you know, dubious medical practices. It it allows you

0:25:29.640 --> 0:25:33.359
<v Speaker 1>to make scientific discoveries that you know at scale, which

0:25:33.359 --> 0:25:35.280
<v Speaker 1>you know are are are much easier to do in

0:25:35.359 --> 0:25:38.480
<v Speaker 1>a kind of you know university with you know, grant

0:25:38.520 --> 0:25:40.480
<v Speaker 1>funding or in you know whatever. Yeah, you know what

0:25:40.520 --> 0:25:44.320
<v Speaker 1>I'm saying. Um, But it also then creates this kind

0:25:44.359 --> 0:25:48.800
<v Speaker 1>of a group of outsiders who who rightly or wrongly

0:25:48.920 --> 0:25:52.840
<v Speaker 1>feel that they are not going to be taken seriously

0:25:52.840 --> 0:25:55.800
<v Speaker 1>because they're not part of this institution and um, and

0:25:56.000 --> 0:25:59.080
<v Speaker 1>that their contributions should be considered just as valid. And

0:25:59.160 --> 0:26:03.080
<v Speaker 1>so through through what I found is sort of um.

0:26:03.119 --> 0:26:05.320
<v Speaker 1>You know, this period of kind of the institutionalization of

0:26:05.320 --> 0:26:08.800
<v Speaker 1>science is when you first get the rise of uh,

0:26:08.800 --> 0:26:10.120
<v Speaker 1>you know what I what I call in the book

0:26:10.119 --> 0:26:11.880
<v Speaker 1>and what you know as they were known then cranks,

0:26:11.880 --> 0:26:14.560
<v Speaker 1>you know, these these people like ignacious Donnelly, who was

0:26:14.600 --> 0:26:18.840
<v Speaker 1>not an archaeologist or an anthropologist or or did he

0:26:18.920 --> 0:26:21.280
<v Speaker 1>do any field work, but he he writes the book

0:26:21.960 --> 0:26:24.400
<v Speaker 1>you know, on Atlantis, the first sort of modern book

0:26:24.440 --> 0:26:27.480
<v Speaker 1>on Atlantis, arguing that is a real place that you

0:26:27.520 --> 0:26:29.960
<v Speaker 1>know it existed, and that it's sunking to sea and

0:26:29.960 --> 0:26:32.760
<v Speaker 1>and you know, he has no scientific basis for this,

0:26:32.880 --> 0:26:35.640
<v Speaker 1>but um, he's not daunted by this, and it turns

0:26:35.640 --> 0:26:37.399
<v Speaker 1>out to be you know, pretty popular. And so this

0:26:37.680 --> 0:26:42.360
<v Speaker 1>institutionalization of science also gets the rise of cranks, who

0:26:42.359 --> 0:26:48.080
<v Speaker 1>are people on the outside of science arguing for scientific

0:26:48.119 --> 0:26:51.399
<v Speaker 1>knowledge and fact and so, you know, so stigmatized knowledge

0:26:51.400 --> 0:26:54.560
<v Speaker 1>I think sort of sort of comes out of that

0:26:54.560 --> 0:26:56.119
<v Speaker 1>that divide. I mean, you know, what do you do

0:26:56.200 --> 0:27:00.320
<v Speaker 1>with this stuff which is sort of outside of the

0:27:00.359 --> 0:27:04.280
<v Speaker 1>bounds of acceptable science and and thus not going to

0:27:04.359 --> 0:27:07.480
<v Speaker 1>be taken seriously in a kind of mainstream scientific discourse.

0:27:07.480 --> 0:27:10.520
<v Speaker 1>Like on the one hand, I think that's that seems good,

0:27:10.680 --> 0:27:14.760
<v Speaker 1>that seems right. Um, you know. Um, on the other hand,

0:27:15.200 --> 0:27:17.960
<v Speaker 1>science is only as ever as good as the scientists

0:27:17.960 --> 0:27:20.800
<v Speaker 1>who who do the science right, so that you know,

0:27:20.840 --> 0:27:23.320
<v Speaker 1>I mean, you know, science gets it wrong all the time,

0:27:23.520 --> 0:27:27.640
<v Speaker 1>and we depend on a kind of external system of

0:27:27.840 --> 0:27:31.399
<v Speaker 1>checks and balances to make sure that. You know, that

0:27:31.480 --> 0:27:35.280
<v Speaker 1>kind of institutionalized science is in itself making you know,

0:27:35.400 --> 0:27:37.840
<v Speaker 1>dangerous airs a fact and judgment, which it is often

0:27:37.920 --> 0:27:40.000
<v Speaker 1>capable of doing everything from you know, I don't know

0:27:40.040 --> 0:27:43.960
<v Speaker 1>eugenics to uh, you know, you name it, and so

0:27:43.960 --> 0:27:46.240
<v Speaker 1>so I think that it's On the one hand, I

0:27:46.720 --> 0:27:48.840
<v Speaker 1>find myself often sort of skeptical of a lot of

0:27:48.840 --> 0:27:51.280
<v Speaker 1>stuff that falls under that category of stigmatized knowledge. I

0:27:51.320 --> 0:27:56.840
<v Speaker 1>also find it a really vital and valuable sort of arena,

0:27:56.960 --> 0:28:00.960
<v Speaker 1>precisely because it offers one of the few kind of

0:28:01.040 --> 0:28:05.640
<v Speaker 1>you know, checks we have against you know, an institutionization

0:28:05.720 --> 0:28:08.520
<v Speaker 1>of science that might be, uh, you know, prone to

0:28:08.560 --> 0:28:13.680
<v Speaker 1>its own problems. It's interesting you quote um Don Donderie

0:28:14.119 --> 0:28:18.480
<v Speaker 1>in the book, and I had a fairly long conversation

0:28:18.520 --> 0:28:22.520
<v Speaker 1>with him for the first season of Strange Arrivals, and

0:28:22.560 --> 0:28:25.959
<v Speaker 1>a fair amount of it was about sort of the

0:28:26.040 --> 0:28:33.719
<v Speaker 1>frustrations of trying to do scientific research on UFOs and

0:28:33.720 --> 0:28:37.600
<v Speaker 1>how there's just there's it's just not part of science, right,

0:28:37.720 --> 0:28:41.880
<v Speaker 1>There's there's no grants you can get, there's no place

0:28:41.920 --> 0:28:45.120
<v Speaker 1>that's gonna peer review papers about UFOs. That it just

0:28:45.160 --> 0:28:48.960
<v Speaker 1>sort of exists in this in this place, and you know,

0:28:49.040 --> 0:28:51.520
<v Speaker 1>he was sort of expressing his frustration and trying to

0:28:51.520 --> 0:28:55.400
<v Speaker 1>get anybody to take it seriously for those reasons. On

0:28:55.440 --> 0:28:58.000
<v Speaker 1>the one hand, I think that's a valid you know,

0:28:58.080 --> 0:28:59.760
<v Speaker 1>that's a that's a valid complain And you know, I

0:28:59.800 --> 0:29:04.120
<v Speaker 1>saw also saw that a lot with um luckness monster believers, right,

0:29:04.120 --> 0:29:06.440
<v Speaker 1>you know that you know, uh, it's not it's not

0:29:06.520 --> 0:29:09.800
<v Speaker 1>cheap to trawl the bottom of lockness with you know,

0:29:09.800 --> 0:29:14.240
<v Speaker 1>a sonar array looking for unidentified large creatures. Right, you know,

0:29:14.280 --> 0:29:17.640
<v Speaker 1>it takes takes funding, you know, and and mainstream science

0:29:17.680 --> 0:29:19.760
<v Speaker 1>is not going to pay for that funding, and thus

0:29:19.800 --> 0:29:21.960
<v Speaker 1>it you know, it doesn't get done and becomes a

0:29:22.000 --> 0:29:24.840
<v Speaker 1>sort of circular argument where you know, people say, well,

0:29:24.880 --> 0:29:26.720
<v Speaker 1>we have no scientific evidence, but we're also not going

0:29:26.760 --> 0:29:29.960
<v Speaker 1>to pay for the scientific inquiry that might turn up

0:29:30.000 --> 0:29:32.840
<v Speaker 1>that evidence. And I get that that is sort of frustrating.

0:29:33.800 --> 0:29:37.800
<v Speaker 1>The flip side is, um the cost of doing that

0:29:37.920 --> 0:29:41.959
<v Speaker 1>kind of of research has actually plummeted with the you know,

0:29:42.000 --> 0:29:45.760
<v Speaker 1>it's just the increases in sort of technological cheatment and

0:29:46.000 --> 0:29:49.120
<v Speaker 1>you know what you can accomplish and document with a

0:29:49.840 --> 0:29:53.200
<v Speaker 1>freaking iPhone, you know, to say nothing of ten dollars

0:29:53.280 --> 0:29:55.440
<v Speaker 1>or whatever worth of high tech equipment when we get

0:29:55.480 --> 0:29:57.960
<v Speaker 1>you quite far. And so we we both see on

0:29:58.000 --> 0:29:59.560
<v Speaker 1>the one hand the sort of sense of like, well,

0:29:59.560 --> 0:30:02.800
<v Speaker 1>we're not we're not sort of putting enough money into

0:30:03.040 --> 0:30:05.920
<v Speaker 1>you know, possibly finding these discoveries. But at the same time,

0:30:06.320 --> 0:30:09.000
<v Speaker 1>We're also at a point, I think, technologically where these

0:30:09.000 --> 0:30:12.280
<v Speaker 1>discoveries actually don't take that much money anymore, and when

0:30:12.320 --> 0:30:16.160
<v Speaker 1>we're still not finding them. So all right, well, uh,

0:30:16.440 --> 0:30:19.760
<v Speaker 1>I really appreciate your time. This is awesome. Yeah, a

0:30:19.800 --> 0:30:22.520
<v Speaker 1>lot of fun. Yeah, thanks for reaching out. Thanks, have

0:30:22.600 --> 0:30:25.080
<v Speaker 1>a good uh rest of your day. Yeah, youtuo, thanks

0:30:25.080 --> 0:30:30.200
<v Speaker 1>a lot. Strange Arrivals is a production of I Heart

0:30:30.240 --> 0:30:33.480
<v Speaker 1>three D Audio and Grim and Mild from Aaron Mankey.

0:30:33.720 --> 0:30:36.440
<v Speaker 1>This episode was written and hosted by Toby Ball and

0:30:36.520 --> 0:30:40.680
<v Speaker 1>produced by Miranda Hawkins and Josh Same, with executive producers

0:30:40.720 --> 0:30:45.640
<v Speaker 1>Alex Williams, Matt Frederick, and Aaron Mankey. Learn more about

0:30:45.680 --> 0:30:49.280
<v Speaker 1>Strange Rivals over at Grimm and Mild dot com, and

0:30:49.360 --> 0:30:52.560
<v Speaker 1>find more podcasts from my heart Radio by visiting the

0:30:52.560 --> 0:30:56.240
<v Speaker 1>I Heart Radio app, Apple Podcasts, or wherever you listen

0:30:56.240 --> 0:31:02.280
<v Speaker 1>to your favorite shows.