WEBVTT - Ask Me Anything

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<v Speaker 1>M h. What's up? Everyone, Welcome back to a brand

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<v Speaker 1>new episode of Wrestling with Freddy, and today's episode is

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<v Speaker 1>a very special episode because of you. Today is our

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<v Speaker 1>ask Freddy episode that was our hashtag and y'all came

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<v Speaker 1>through big time. So a ton of appreciation for you,

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<v Speaker 1>a ton of appreciation for professional wrestling, and let's start

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<v Speaker 1>the show. Wrestling with Freddie starts right now now stuffing

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<v Speaker 1>up for the mic. The host of Wrestling with Freddy

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<v Speaker 1>Freddie Prince Tune. Yeah, all right, everybody, welcome back. Sorry

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<v Speaker 1>for the bat young counter impression. Today's episode was asked Freddie.

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<v Speaker 1>We got tons of questions from all of y'all fine

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<v Speaker 1>ladies and germs, and I'm gonna get through as many

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<v Speaker 1>as I can, and I will try not decide quest

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<v Speaker 1>um although some of you probably like the side quest

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<v Speaker 1>more so we'll keep an open mind and we'll see

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<v Speaker 1>where the river takes us. So today, if I get

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<v Speaker 1>any names wrong, I apologize a lot of these. I

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<v Speaker 1>feel like I cannot screw up. So we're gonna start

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<v Speaker 1>right away with Haley Hales, and I'm reading some of

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<v Speaker 1>these for the first time, so you're gonna get honest

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<v Speaker 1>reactions here we go. Haley Hales asks from Twitter. Throughout

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<v Speaker 1>your tenure with w w E, was there ever a

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<v Speaker 1>time where you thought you might be fired for doing something? No?

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<v Speaker 1>I was never afraid I would lose my job. But

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<v Speaker 1>that's not to say there weren't times where I was

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<v Speaker 1>almost fired. I just don't. I just don't know about him.

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<v Speaker 1>Maybe Bruce Pritchard would know. You could ask his Were

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<v Speaker 1>you guys ever going to secretly fire Freddie? No? I

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<v Speaker 1>never got in any trouble when I worked there. I

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<v Speaker 1>had a couple of segments that Vince didn't feel worked

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<v Speaker 1>or that Vince didn't like that he would yell about.

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<v Speaker 1>But that was never like, oh my gosh, am I

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<v Speaker 1>gonna get fired. That's just two people with different ideas arguing,

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<v Speaker 1>and that's to me, is rarely a bad thing if

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<v Speaker 1>they're both If both people have the same goal in mind,

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<v Speaker 1>which is, let's make the best thing. When one person's

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<v Speaker 1>goal is simply screw you, then no, that's not a

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<v Speaker 1>healthy conversation. But I never had any of those, Hailey Hales.

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<v Speaker 1>Our next question is from Comahan. Oh, like Han Solo

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<v Speaker 1>and the Coma and the Carbon Night, maybe different fans

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<v Speaker 1>want different things with wrestling. Some companies try to be

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<v Speaker 1>a buffet. Yes, they do, some target specific audiences also true.

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<v Speaker 1>How would you balance a national company between character driven,

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<v Speaker 1>moral stories, athletics, sport, light competition, grandeur, nice word, etcetera.

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<v Speaker 1>What's the ideal mix for you? Ask FPJ so Comahan.

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<v Speaker 1>There's no right or wrong answer to this. I don't

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<v Speaker 1>think there's anything wrong with buffet wrestling, though that's not

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<v Speaker 1>what I would want to do if I we're making

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<v Speaker 1>a wrestling con federation. But there is something to be

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<v Speaker 1>said for that, a little something for everyone, and that's

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<v Speaker 1>definitely the w w E style. Per Vince McMahon's own lips,

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<v Speaker 1>you know, he said to me, verbatim, this is this

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<v Speaker 1>is vaudeville. We give the people a little bit of everything,

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<v Speaker 1>a little bit of song dance, which was literal back then.

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<v Speaker 1>It was not Lillian Garcia, it was Jillian and she

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<v Speaker 1>her gimmick was to sing poorly, so the crowd would boo,

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<v Speaker 1>and when the baby face female wrestler would come out

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<v Speaker 1>and beat her up and more importantly shut her up,

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<v Speaker 1>than the crowd would cheer and would love our baby

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<v Speaker 1>face female wrestler. So he literally put song and dance

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<v Speaker 1>into the show. That's not exactly my style, but when

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<v Speaker 1>I was young, I didn't, you know, I didn't mind

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<v Speaker 1>it at all. Then there's cater to your to the

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<v Speaker 1>more of the social media hardcore, the vocal fans, which

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<v Speaker 1>is more the A e W style, which gets it

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<v Speaker 1>right and gets it wrong, just like w W W E.

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<v Speaker 1>Although I do give a W credit for the best

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<v Speaker 1>wrestling story in over a decade with the m JF

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<v Speaker 1>and CM punk storyline, which if you haven't seen it,

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<v Speaker 1>I'm sure someone edited it together on YouTube, if not

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<v Speaker 1>a e W themselves and their social media and YouTube group,

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<v Speaker 1>they cut together some pretty awesome stuff, so you should

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<v Speaker 1>even check that out. They're less buffet and they cater

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<v Speaker 1>I think, more to the modern wrestling fan. And then

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<v Speaker 1>there's smaller promotions that do just female wrestling, the Japanese promotions,

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<v Speaker 1>which is more a strong, beat them up, tough guy

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<v Speaker 1>kind of even tough girl style, which people like, although

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<v Speaker 1>maybe in Japan they called there's buffet style, I don't know,

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<v Speaker 1>and the g c ws that do more hardcore and

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<v Speaker 1>deathmatch stuff. I think for me and I can't say

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<v Speaker 1>too much, and I don't know if your question was

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<v Speaker 1>was evil enough to be trying to figure out what

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<v Speaker 1>I'm going to try to do with my federation. But

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<v Speaker 1>if it is, kudos, but it didn't work. Mine is

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<v Speaker 1>certainly gonna be in a specific lane, and it's gonna

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<v Speaker 1>lean into that lane as much as all of us

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<v Speaker 1>physically and emotionally can. But I will be global. As

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<v Speaker 1>far as the type of talent that I'm looking for,

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<v Speaker 1>I feel I have a really smart way to protect

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<v Speaker 1>non English speaking talent. I feel I have a really

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<v Speaker 1>smart way to protect talent that's maybe not so strong

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<v Speaker 1>on the mic, but they're wrestling is super legit and

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<v Speaker 1>they just need someone to help him out. In the

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<v Speaker 1>old days, we have managers speak for him, and in

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<v Speaker 1>the in the in the new day, in the in

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<v Speaker 1>the contemporary wrestling world, it still works as well if

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<v Speaker 1>you have the right kind of voice. Paul Hayman, I guess,

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<v Speaker 1>is the perfect example of that. Although my favorite manager

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<v Speaker 1>of all times Mr Fuji, who wasn't even that great

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<v Speaker 1>on the mic, but I just loved him. But I

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<v Speaker 1>think I have a unique way to do it that

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<v Speaker 1>I'm sure it's been done before, but not to my knowledge.

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<v Speaker 1>I'm no historian, but I look forward to surprising people

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<v Speaker 1>with that. Hopefully it's a surprise, and I don't get

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<v Speaker 1>a million people going, oh, that was done and not

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<v Speaker 1>d in thirty three. I's so sorry, born in seventy,

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<v Speaker 1>so so yeah. I hope that answers your question. I

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<v Speaker 1>think it does, but it will certainly be in a

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<v Speaker 1>specific in a specific lane. Next we have X. That's

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<v Speaker 1>what you get, bro or chick. I don't know who

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<v Speaker 1>you are, asks Freddie. That's me. I've listened to most

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<v Speaker 1>of your podcast apps, hold on most for if your

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<v Speaker 1>hashtag is four twenty, you and I both know how

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<v Speaker 1>much damn free time you have on your hands, and

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<v Speaker 1>you've only listened to most. I get the Cornett and

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<v Speaker 1>the others give you two and a half three hours,

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<v Speaker 1>and that can maybe feel the day. Come on, Matt,

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<v Speaker 1>you can listen to me while you're driving to the

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<v Speaker 1>shop right for twenty or maybe your delivery dude, and

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<v Speaker 1>you're helping people out. You can listen to me on

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<v Speaker 1>your delivery. It be the perfect amount of time. And

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<v Speaker 1>you've listened to most of the episodes. I'm skipping your quip,

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<v Speaker 1>not chucking. Here we go, you've dropped nuggets along the way.

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<v Speaker 1>Then did the full app about your own wrestling promotion, Yes,

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<v Speaker 1>I did. What's the most important to have slash grow

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<v Speaker 1>hardcore fan base or casual fan base. I think there's

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<v Speaker 1>a way to have one show that serves the house

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<v Speaker 1>audience with edits and cuts that they never see that

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<v Speaker 1>would make it to the TV version of that same

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<v Speaker 1>house show. I think there's a way to do that,

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<v Speaker 1>and I think I have a way to do that

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<v Speaker 1>which makes the house show feel more hardcore than it

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<v Speaker 1>would to a television distributor, so to speak. As far

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<v Speaker 1>as what's important to grow, your house has to be

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<v Speaker 1>a hot crowd, whether you have a hundred and fifty attendees,

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<v Speaker 1>which are some of my favorite wrestling shows that I've

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<v Speaker 1>been to, by the way, or whether you have a

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<v Speaker 1>hundred thousand attend to ease either way, your crowd has

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<v Speaker 1>to be hot for the TV product to have energy.

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<v Speaker 1>I used to hate the what chant I really did?

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<v Speaker 1>I've said this before, but I when there were no

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<v Speaker 1>more crowds during the pandemic, I got how wrong I was.

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<v Speaker 1>That energy was gone and the magic was gone. Imagine

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<v Speaker 1>being a magician and doing tricks for no one when

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<v Speaker 1>you know how the trick has done, which you're going

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<v Speaker 1>to impress yourself. What do you even why you why

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<v Speaker 1>did you take up? Magic is a profession if there's

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<v Speaker 1>gonna be no crowd. So I was I was dead

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<v Speaker 1>wrong and and dead ass arrogant on that. But my

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<v Speaker 1>experience came from television, where there is no audience minus sitcoms,

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<v Speaker 1>of course, and I didn't like theater. I liked movies.

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<v Speaker 1>I think you have to dedicate a great portion of

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<v Speaker 1>your energy into servicing the people who bought tickets, over

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<v Speaker 1>servicing the people that turn onto television. And I think

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<v Speaker 1>if you take care of one, that magic exists, and

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<v Speaker 1>it in turn can take care of the other. If

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<v Speaker 1>someone's not gonna watch, they're not gonna watch. There's a

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<v Speaker 1>million cops shows on Law and Order still gets a

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<v Speaker 1>better rating than all of them, but there's a million

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<v Speaker 1>of them, so there's room for a million wrestling shows.

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<v Speaker 1>People are gonna watch what they like and watch what

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<v Speaker 1>they connect to. So I think that answers your question.

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<v Speaker 1>I think if you appetize the hardcore, you can gain

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<v Speaker 1>the mainstream. Look what punk rock did. Punk rock stayed

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<v Speaker 1>true to itself and then the mainstream embraced it, and

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<v Speaker 1>music evolved over time, like all art does. But horror films,

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<v Speaker 1>which were very niche back in the day, get hundred

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<v Speaker 1>million dollar budgets today's and they don't need it. You

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<v Speaker 1>can scare people for a lot less and art always changes,

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<v Speaker 1>just like just like punk rock music and just like wrestling.

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<v Speaker 1>But I think when you stay true to the to

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<v Speaker 1>the foundation of it, that can that can be best.

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<v Speaker 1>Next question is at Reef is Um. I know this

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<v Speaker 1>dude from Twitter. I know Reef is M. He's very

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<v Speaker 1>vocal whether he's he's pro or con my opinion at

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<v Speaker 1>the time. What is the best wrestling match you've seen

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<v Speaker 1>in person? I mean, that's that's pretty easy. It upsets

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<v Speaker 1>some people based on the content, But I think if

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<v Speaker 1>people investigate the damage that was done to that man's brain,

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<v Speaker 1>which was the cause of him doing such horrible damage

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<v Speaker 1>to his family, then hopefully you can get around me

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<v Speaker 1>saying this. If you can't, I understand you can be

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<v Speaker 1>upset with me. You're allowed those feelings. I'm not trying

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<v Speaker 1>to hurt anyone's feeling by saying this, so I'm just

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<v Speaker 1>answering the question. But the best match I ever saw

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<v Speaker 1>in person was Curt Angle and the late Chris ben

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<v Speaker 1>Wah at Staples Center, and it was a repeat of

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<v Speaker 1>a match they had in Boston. I remember Shot came

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<v Speaker 1>in and the crowd went crazy because Shot came in,

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<v Speaker 1>and I was like, I only heard the applause. I

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<v Speaker 1>was like, wait, let's go. Why did Charon so loud?

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<v Speaker 1>This is a regular spot. And then I saw this

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<v Speaker 1>seven ft plus pound to walk back. It was the

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<v Speaker 1>best match I ever saw in person because neither man

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<v Speaker 1>stopped moving for thirty minutes like it was. It was

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<v Speaker 1>so insane that I hope answers your question, and anyone

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<v Speaker 1>that I offended, please remember that's that's not that's not

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<v Speaker 1>my intention. It was just the best. It was the

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<v Speaker 1>best match I ever. So next question is from to

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<v Speaker 1>one two Q underscore J g Man. To make sure

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<v Speaker 1>that no one's name is like a prank against me

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<v Speaker 1>where I'm saying stuff like the way y'all got Michael

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<v Speaker 1>bisbeing because I'm not young and quick anymore. All right,

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<v Speaker 1>J g Man, if you were able to go back

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<v Speaker 1>in time too before you worked at the w w E,

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<v Speaker 1>knowing how it turned out, would you still have agreed

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<v Speaker 1>to work for them? Yeah? Absolutely, I mean nothing turned

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<v Speaker 1>out poorly, yet I loved what I was able to

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<v Speaker 1>accomplish there. I loved the opportunities that I was able

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<v Speaker 1>to provide for the people I was there in the

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<v Speaker 1>short amount of time I was there. I've heard from

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<v Speaker 1>wrestlers since I left who said, thank you, this helped

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<v Speaker 1>me so much, or that little things that I didn't

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<v Speaker 1>even realize at the time. I mean, I did Gerald

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<v Speaker 1>Brisco and J B L's podcast, and at Brisco I'm

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<v Speaker 1>sure he says it to everybody just to be polite,

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<v Speaker 1>but he said, hey, you left the business better than

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<v Speaker 1>you than you inherited it, and that meant a lot

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<v Speaker 1>to me. You know again, even if it was just polite,

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<v Speaker 1>he didn't have to, he didn't have to say that

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<v Speaker 1>at the end of the show. But I I took

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<v Speaker 1>it and and I believed it because I felt like

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<v Speaker 1>I did good work when I was there, So regardless

0:12:55.120 --> 0:12:58.240
<v Speaker 1>of of the challenges and all that stuff. Now, I

0:12:58.280 --> 0:13:01.320
<v Speaker 1>would I wouldn't change the thing. I would go there.

0:13:02.000 --> 0:13:06.040
<v Speaker 1>Next question is from Media Uncharted. What are some wrestling

0:13:06.120 --> 0:13:10.280
<v Speaker 1>cliches that you think are overused or sick of seeing

0:13:10.679 --> 0:13:14.400
<v Speaker 1>referees getting something in their eyeballs. That's pretty much that's

0:13:14.400 --> 0:13:18.280
<v Speaker 1>pretty much two. I don't think refs need to I'm

0:13:18.320 --> 0:13:21.000
<v Speaker 1>not saying they can't ever be distracted the eye. The

0:13:21.080 --> 0:13:23.920
<v Speaker 1>I thing is silly. Some of the distractions that are

0:13:24.040 --> 0:13:26.400
<v Speaker 1>used in the mainstream are still silly to me. Some

0:13:26.520 --> 0:13:30.319
<v Speaker 1>are totally acceptable. I get that interference from the outside

0:13:30.320 --> 0:13:33.839
<v Speaker 1>of manager yelling at him, an opponent barking at him,

0:13:33.920 --> 0:13:35.599
<v Speaker 1>sometimes to the point where they get thrown out of

0:13:35.600 --> 0:13:37.559
<v Speaker 1>the ring. I don't get mad at that, but the

0:13:38.040 --> 0:13:42.280
<v Speaker 1>silly distractions, I get a little sick of contract signings maybe,

0:13:42.320 --> 0:13:43.800
<v Speaker 1>but ever once in a a while you still see a

0:13:43.840 --> 0:13:45.600
<v Speaker 1>good one. So I don't think that's played out. I

0:13:45.600 --> 0:13:48.280
<v Speaker 1>think it's just not always done well. So I would

0:13:48.320 --> 0:13:51.040
<v Speaker 1>go with the I got something in my eye cliche.

0:13:51.200 --> 0:13:53.160
<v Speaker 1>That's the one. That's the one I'm done with. Man.

0:13:53.600 --> 0:13:57.920
<v Speaker 1>Next question is from Jim Underscore ko W Jim Cow,

0:13:58.160 --> 0:14:01.360
<v Speaker 1>is there someone either ww UI or a e W

0:14:01.960 --> 0:14:07.880
<v Speaker 1>that you think is under you, that you think is underutilized,

0:14:07.920 --> 0:14:10.040
<v Speaker 1>and if so, how would you book them to get

0:14:10.120 --> 0:14:13.000
<v Speaker 1>over I like that. Thank you for the challenge. Okay,

0:14:13.000 --> 0:14:15.800
<v Speaker 1>all right, here we go. First of all, the Return

0:14:15.840 --> 0:14:19.479
<v Speaker 1>of Alexa Bliss was was a complete and total tragedy.

0:14:19.520 --> 0:14:22.800
<v Speaker 1>They literally just said, here's a match, no story whatsoever,

0:14:22.840 --> 0:14:25.360
<v Speaker 1>here's a match. But they just brought her back, so

0:14:25.440 --> 0:14:27.920
<v Speaker 1>maybe they have something. So I'm not gonna dump on

0:14:27.960 --> 0:14:31.680
<v Speaker 1>that just yet. But Kevin owens Man, I feel he

0:14:31.680 --> 0:14:35.800
<v Speaker 1>should be playing in major stories all the time. I

0:14:35.840 --> 0:14:39.040
<v Speaker 1>think it's unfair to use him in stories that if

0:14:39.080 --> 0:14:41.520
<v Speaker 1>anyone else was trying to sell it, there's just no

0:14:41.680 --> 0:14:44.080
<v Speaker 1>way that the story would work or that you would

0:14:44.080 --> 0:14:48.480
<v Speaker 1>invest any time. But his level of commitment and his

0:14:48.480 --> 0:14:51.640
<v Speaker 1>his talent and his ability to execute that talent in

0:14:51.680 --> 0:14:54.280
<v Speaker 1>the ring and on the mic is next level. So

0:14:54.320 --> 0:14:57.040
<v Speaker 1>he's like writer or proof right, Like there's actors used.

0:14:57.080 --> 0:15:00.320
<v Speaker 1>All have seen movies where you're like, YEO, this movie hucks,

0:15:00.440 --> 0:15:03.920
<v Speaker 1>but actor X is rocking the ship out of this,

0:15:03.960 --> 0:15:07.920
<v Speaker 1>so almost stick with it, whether whether it's male or female.

0:15:07.960 --> 0:15:10.200
<v Speaker 1>And you might like the dog to air Bud movies

0:15:10.240 --> 0:15:12.280
<v Speaker 1>and you're like, Yo, this movie sucks, but man, a

0:15:12.400 --> 0:15:15.400
<v Speaker 1>dog hit a home run, Like whatever it is, it's

0:15:15.440 --> 0:15:18.920
<v Speaker 1>the lead of that that film that that makes you watch,

0:15:19.240 --> 0:15:21.760
<v Speaker 1>you know, irrespective of the words coming out of their mouth.

0:15:22.000 --> 0:15:25.040
<v Speaker 1>Oh how you like that? Mr who wrote Grandeur? In

0:15:25.160 --> 0:15:27.920
<v Speaker 1>your question? I just hit him with irrespective, I'll just

0:15:28.040 --> 0:15:30.520
<v Speaker 1>hit you back. So that's how I feel about that.

0:15:31.280 --> 0:15:34.760
<v Speaker 1>It's hard to say is underutilized. I just feel maybe No,

0:15:34.920 --> 0:15:37.600
<v Speaker 1>I'm sticking with that. He should be a major title player.

0:15:37.640 --> 0:15:40.760
<v Speaker 1>He should always be competing or up near the top

0:15:40.840 --> 0:15:46.680
<v Speaker 1>with say Cody, Seth Roman, Bobby, anybody who's a at

0:15:47.160 --> 0:15:50.120
<v Speaker 1>world championship level. He should be involved with one of

0:15:50.160 --> 0:15:55.200
<v Speaker 1>their character storylines at all times. Alright, Next question from

0:15:55.440 --> 0:15:59.280
<v Speaker 1>mL Gavin if you could watch this is a good question.

0:15:59.760 --> 0:16:03.280
<v Speaker 1>If you could watch two celebs fight in a TLC

0:16:03.520 --> 0:16:06.880
<v Speaker 1>match that's tables, ladders and chairs for all you civilians,

0:16:06.960 --> 0:16:10.120
<v Speaker 1>who would they be? This is good, all right, I

0:16:10.160 --> 0:16:14.280
<v Speaker 1>like this very much. Two celebs in a tables, ladders

0:16:14.440 --> 0:16:19.280
<v Speaker 1>and chairs, and so basically, who do I want to see?

0:16:20.160 --> 0:16:23.200
<v Speaker 1>What two actors do I want to see just get annihilated?

0:16:24.880 --> 0:16:28.640
<v Speaker 1>I would We're gonna do. I might give you two matches. Alright.

0:16:28.640 --> 0:16:30.960
<v Speaker 1>First of all, check peete this. I already have the match.

0:16:31.520 --> 0:16:33.240
<v Speaker 1>And these are two friends of mine who I love

0:16:33.360 --> 0:16:35.640
<v Speaker 1>very much, and both of them love wrestling. But I

0:16:35.640 --> 0:16:38.840
<v Speaker 1>would love to see Seth Green, which is Scott Evil

0:16:38.960 --> 0:16:42.000
<v Speaker 1>if you guys don't know who that is versus Mcaulay Culkin.

0:16:42.520 --> 0:16:44.760
<v Speaker 1>I don't have to tell you what movies he was in.

0:16:44.760 --> 0:16:48.280
<v Speaker 1>In a tables, ladders and Chairs match, They're they're smaller

0:16:48.280 --> 0:16:52.760
<v Speaker 1>than Luca Doors. They would literally fly. If he jumped

0:16:52.760 --> 0:16:54.600
<v Speaker 1>off a ten foot ladder, it would look like it

0:16:54.640 --> 0:16:58.520
<v Speaker 1>was thirty feet up. I would love to and I

0:16:58.560 --> 0:17:00.720
<v Speaker 1>love them, and they would get hurt. Would I would

0:17:00.800 --> 0:17:03.960
<v Speaker 1>visit them in the hospital and give them kind words.

0:17:04.000 --> 0:17:08.679
<v Speaker 1>But Seth Green versus Macaulay Culkin in a TLC match,

0:17:09.200 --> 0:17:12.320
<v Speaker 1>and on the women's side, I'm putting Rachel Lee Cook

0:17:12.400 --> 0:17:16.439
<v Speaker 1>in there against Jennifer Love Hewitt, and Rachel Lee Cook's

0:17:16.480 --> 0:17:20.720
<v Speaker 1>going over big, big, and it's a squash match. And

0:17:20.720 --> 0:17:24.240
<v Speaker 1>I'm not giving the women less time because I'm a misogynist.

0:17:24.520 --> 0:17:28.359
<v Speaker 1>It's just because Rachel's so powerful and unpredictable that she

0:17:28.480 --> 0:17:32.440
<v Speaker 1>just annihilates Love in less than three minutes. I give

0:17:32.480 --> 0:17:35.200
<v Speaker 1>him three minutes with entrances, and I get Seth in

0:17:35.720 --> 0:17:41.520
<v Speaker 1>seven Mack, I give him thirty five minutes. That's my

0:17:41.600 --> 0:17:44.679
<v Speaker 1>favorite question of the day. Not the best question, mL Gavin,

0:17:44.760 --> 0:17:48.080
<v Speaker 1>but my favorite question. Our next question is from Aliva

0:17:48.320 --> 0:17:52.359
<v Speaker 1>Underscore Andrew call you Olive. We're gonna call you alive.

0:17:52.359 --> 0:17:56.520
<v Speaker 1>How's that all right, Olive? If you could pick, oh, okay,

0:17:56.560 --> 0:17:58.960
<v Speaker 1>if you could pick any wrestler in the history of

0:17:59.000 --> 0:18:03.040
<v Speaker 1>the business to be the top guy in your new company,

0:18:03.560 --> 0:18:05.800
<v Speaker 1>who would it be. So this is pretty easy because

0:18:06.320 --> 0:18:08.680
<v Speaker 1>you don't just want to go to who was super successful.

0:18:10.000 --> 0:18:15.760
<v Speaker 1>You have to go to whom had the biggest cultural impact? Right,

0:18:16.080 --> 0:18:20.639
<v Speaker 1>cultural impact where people who didn't even know wrestling knew

0:18:20.680 --> 0:18:25.399
<v Speaker 1>who your top guy was cultural impact, so they'll go to.

0:18:25.600 --> 0:18:29.280
<v Speaker 1>For most people around our age would probably be Hulk Hogan.

0:18:29.920 --> 0:18:32.040
<v Speaker 1>But I'm not a Hogan guy. I was I was

0:18:32.119 --> 0:18:35.080
<v Speaker 1>like the bad guys. I was an Andre the giant guy.

0:18:35.240 --> 0:18:37.040
<v Speaker 1>So if I was going to do cultural like we

0:18:37.080 --> 0:18:40.480
<v Speaker 1>could go hardcore like down in Mexico and go Al Santo. Right,

0:18:40.520 --> 0:18:43.960
<v Speaker 1>who's probably I mean, you could argue as on the

0:18:44.040 --> 0:18:47.760
<v Speaker 1>Mount Rushmore of cultural impact and professional wrestling. If you

0:18:47.800 --> 0:18:50.400
<v Speaker 1>don't know who he is, that's okay, I'm not here

0:18:50.440 --> 0:18:53.800
<v Speaker 1>to dump on you. Just look up his impact in

0:18:53.880 --> 0:18:59.359
<v Speaker 1>Mexico and you'll you'll you'll see man do birthday as

0:18:59.400 --> 0:19:02.040
<v Speaker 1>a holiday. I think you have to go stone cold

0:19:02.080 --> 0:19:06.280
<v Speaker 1>Steve Austin because it was the ultimate fantasy, which was

0:19:06.640 --> 0:19:10.000
<v Speaker 1>punching your boss. Well, if your boss was cool, then

0:19:10.040 --> 0:19:12.439
<v Speaker 1>you don't have this fantasy. But for the working man,

0:19:12.640 --> 0:19:15.639
<v Speaker 1>for the blue collar man and woman for that matter,

0:19:16.040 --> 0:19:19.880
<v Speaker 1>stone Cold represented everything you wanted to do but couldn't.

0:19:20.560 --> 0:19:22.800
<v Speaker 1>And you knew maybe your boss is bigger than you,

0:19:22.880 --> 0:19:25.200
<v Speaker 1>so you couldn't throw a punch because he whooped your butt.

0:19:25.920 --> 0:19:28.679
<v Speaker 1>If you lived through Stone Cold's eyes, that wasn't gonna happen.

0:19:29.080 --> 0:19:31.640
<v Speaker 1>You were, you were getting the w So I think

0:19:31.680 --> 0:19:34.040
<v Speaker 1>I'd have to start it with Stone Cold Steve Austin.

0:19:34.119 --> 0:19:36.199
<v Speaker 1>I mean, his presence is still felt with the what

0:19:36.400 --> 0:19:40.879
<v Speaker 1>chant today in any wrestling federation. I don't know if

0:19:40.880 --> 0:19:43.280
<v Speaker 1>they do in Japan, I don't think. So that's so respectful,

0:19:43.320 --> 0:19:46.840
<v Speaker 1>the crowds are so insanely respectful. But everywhere else it's

0:19:46.880 --> 0:19:49.760
<v Speaker 1>still done. So I think you gotta go with with

0:19:49.800 --> 0:19:52.320
<v Speaker 1>the rattlesnake stone Cold, Stephen. He was getting he was

0:19:52.400 --> 0:19:55.520
<v Speaker 1>drinking beer on live TV. Man like that. He got

0:19:55.520 --> 0:19:58.600
<v Speaker 1>away with a lot at one True Richie. Has there

0:19:58.640 --> 0:20:01.040
<v Speaker 1>ever been a talent that pitched an idea to you

0:20:01.640 --> 0:20:04.359
<v Speaker 1>that you didn't think would work but did? That's a

0:20:04.359 --> 0:20:07.000
<v Speaker 1>pretty good question. I mean, we spoke at length about

0:20:07.640 --> 0:20:11.120
<v Speaker 1>the Dolph Ziggler. We did an episode dedicated to the man,

0:20:11.280 --> 0:20:14.920
<v Speaker 1>but he didn't come up with that. Brian Gowertz came

0:20:15.000 --> 0:20:17.280
<v Speaker 1>up with it, and Vince came up with the gimmick

0:20:17.320 --> 0:20:20.360
<v Speaker 1>of him just introducing himself. And I did not think

0:20:20.440 --> 0:20:23.440
<v Speaker 1>that was gonna work at all, and I was dead

0:20:23.480 --> 0:20:26.040
<v Speaker 1>as wrong. But as far as a wrestler pitching me

0:20:26.080 --> 0:20:31.240
<v Speaker 1>an idea that I then later saw that worked. Man,

0:20:31.320 --> 0:20:34.960
<v Speaker 1>I'm trying to think this doesn't exactly go to your question.

0:20:35.000 --> 0:20:38.639
<v Speaker 1>But I worked with E C three back when Ann Next.

0:20:38.680 --> 0:20:42.160
<v Speaker 1>He was like a like a mentor show, like young

0:20:42.280 --> 0:20:44.840
<v Speaker 1>rookie wrestlers, even though they weren't rookies. They're working with

0:20:44.880 --> 0:20:47.439
<v Speaker 1>a w W a mentor to learn how to wrestle,

0:20:47.640 --> 0:20:49.880
<v Speaker 1>and he was one of them, and they gave him

0:20:49.920 --> 0:20:52.360
<v Speaker 1>like this goofy gimmick where he was like a comedy

0:20:52.359 --> 0:20:56.320
<v Speaker 1>guy and he was always kind of pitching more serious stuff.

0:20:57.200 --> 0:20:59.600
<v Speaker 1>But I didn't think it wouldn't work. He just wasn't

0:20:59.600 --> 0:21:03.360
<v Speaker 1>gonna have the opportunity to get that bit over at

0:21:03.400 --> 0:21:06.080
<v Speaker 1>that time because they just didn't see that. They wanted

0:21:06.760 --> 0:21:09.280
<v Speaker 1>silly stuff. And then when he went to t NA,

0:21:09.440 --> 0:21:13.879
<v Speaker 1>he became that guy, and that gimmick got over real quick,

0:21:13.920 --> 0:21:15.880
<v Speaker 1>and he got that over really well too, and he's

0:21:15.880 --> 0:21:19.440
<v Speaker 1>still working that gimmick today. But none of us was like, yeah,

0:21:19.480 --> 0:21:22.399
<v Speaker 1>that's not gonna work. It just that that wasn't gonna

0:21:22.440 --> 0:21:24.440
<v Speaker 1>happen for him. He wasn't going to receive that type

0:21:24.480 --> 0:21:27.320
<v Speaker 1>of an opportunity there. So that's as close to answering

0:21:27.320 --> 0:21:29.320
<v Speaker 1>that one as I can get. Rich all right, This

0:21:29.359 --> 0:21:33.560
<v Speaker 1>one is for at merk Z Underscore Maverick. If you

0:21:33.600 --> 0:21:36.879
<v Speaker 1>had an opportunity to develop any type of video game

0:21:36.960 --> 0:21:40.359
<v Speaker 1>for consoles, what type of game would you choose? And

0:21:40.480 --> 0:21:42.560
<v Speaker 1>why is your show so dope? Love you? All right,

0:21:42.600 --> 0:21:44.480
<v Speaker 1>So we'll get a little off topic here. This will

0:21:44.520 --> 0:21:46.480
<v Speaker 1>be our side quest for the day. Two of my

0:21:46.560 --> 0:21:50.160
<v Speaker 1>favorite worlds have been done already. The Wild West, which

0:21:50.160 --> 0:21:53.440
<v Speaker 1>read Dead Redemption Too is a perfect game. They've already

0:21:53.480 --> 0:21:55.760
<v Speaker 1>done that. So I don't want to do something that

0:21:55.880 --> 0:21:59.240
<v Speaker 1>someone else has done perfectly because I wouldn't be able

0:21:59.280 --> 0:22:01.320
<v Speaker 1>to make it as good. And their stories and that

0:22:01.359 --> 0:22:03.520
<v Speaker 1>were great too, and they pulled from the same movies

0:22:03.560 --> 0:22:06.560
<v Speaker 1>that I would have pulled from. I wrote a Dungeons

0:22:06.560 --> 0:22:10.000
<v Speaker 1>and Dragons story, a much longer one for the up

0:22:10.080 --> 0:22:12.720
<v Speaker 1>Up Downtown people at w w E. I was there

0:22:12.880 --> 0:22:16.160
<v Speaker 1>dungeon Master for season three and wrote like a five

0:22:16.200 --> 0:22:18.720
<v Speaker 1>and a half hour story for them that they broke

0:22:18.760 --> 0:22:21.680
<v Speaker 1>into I think four or five episodes. Originally we're talking

0:22:21.680 --> 0:22:23.720
<v Speaker 1>about doing another one and making it much longer. And

0:22:23.760 --> 0:22:26.000
<v Speaker 1>it was literally the wild West and a lot of

0:22:26.040 --> 0:22:29.040
<v Speaker 1>Red Dead Redemption too was in there, a lot of

0:22:29.040 --> 0:22:30.639
<v Speaker 1>it with my own stuff. I did a lot of

0:22:30.760 --> 0:22:32.560
<v Speaker 1>uh but we still they do it, so I don't

0:22:32.560 --> 0:22:35.000
<v Speaker 1>want to spoil it. But yeah, so I wouldn't want

0:22:35.000 --> 0:22:38.159
<v Speaker 1>to do that, so I'll go with this. I was

0:22:38.200 --> 0:22:43.560
<v Speaker 1>a huge cyberpunk nerd. I have, over the pandemic written

0:22:43.600 --> 0:22:50.320
<v Speaker 1>a custom futuristic ish table top role playing game that

0:22:50.440 --> 0:22:53.639
<v Speaker 1>I can't say the name of yet, maybe I have

0:22:53.760 --> 0:22:57.280
<v Speaker 1>on social media already. It's called Asphalt and Augments, and

0:22:57.320 --> 0:23:02.840
<v Speaker 1>it's basically if Street out Laws and Cyberpunk took mushrooms

0:23:02.840 --> 0:23:05.920
<v Speaker 1>and had a baby, I would probably create something in there.

0:23:05.920 --> 0:23:10.680
<v Speaker 1>Because the Cyberpunk game was not what it should have been.

0:23:10.960 --> 0:23:13.080
<v Speaker 1>I know they did an update and improved it a lot,

0:23:13.119 --> 0:23:16.840
<v Speaker 1>but it was it was not. It just wasn't as

0:23:16.880 --> 0:23:19.000
<v Speaker 1>special as it should have been. And that's not all

0:23:19.000 --> 0:23:20.840
<v Speaker 1>the developers fault. You know, most of it is the

0:23:20.880 --> 0:23:24.320
<v Speaker 1>studio's fault. These release dates that they insist on having

0:23:24.359 --> 0:23:27.280
<v Speaker 1>to make themselves look Hollywood, even though they fall hate

0:23:27.320 --> 0:23:32.080
<v Speaker 1>Hollywood is so stupid. Games and movies with this quarterly crap.

0:23:32.119 --> 0:23:35.200
<v Speaker 1>Once things got publicly traded, you were getting movies made

0:23:35.240 --> 0:23:40.439
<v Speaker 1>without scripts, without scripts. There was a movie called The Avengers,

0:23:40.480 --> 0:23:43.520
<v Speaker 1>not the Marvel one. It was with Ray Finds, Uma

0:23:43.600 --> 0:23:47.919
<v Speaker 1>Thurman and Sean Connery is the villain, and it was

0:23:47.960 --> 0:23:51.040
<v Speaker 1>based off you know, it was an intellectual property, based

0:23:51.040 --> 0:23:53.960
<v Speaker 1>off an older show or whatever. Yeah, show called the

0:23:54.000 --> 0:23:58.320
<v Speaker 1>Avengers whatever it was, British, British show. They legit started

0:23:58.320 --> 0:24:02.520
<v Speaker 1>filming without a script. They started filming a movie without

0:24:02.520 --> 0:24:05.960
<v Speaker 1>a script because they had to get out x amount

0:24:05.960 --> 0:24:08.680
<v Speaker 1>of films quarterly, and this had been approved by their

0:24:08.720 --> 0:24:12.320
<v Speaker 1>publicly traded company. Would be based on we have this cast,

0:24:12.359 --> 0:24:14.480
<v Speaker 1>this sector of this sector in this sector. And it

0:24:14.520 --> 0:24:17.399
<v Speaker 1>was they were starting to do analytics saying this actor

0:24:17.440 --> 0:24:20.160
<v Speaker 1>equals this amount of revenue with the box office, instead

0:24:20.200 --> 0:24:22.960
<v Speaker 1>of hey, let's get some good actors and make a movie.

0:24:23.400 --> 0:24:26.639
<v Speaker 1>Once all this stuff became corporate, man, to get a

0:24:26.680 --> 0:24:29.320
<v Speaker 1>good game, you have to really give it up to

0:24:29.359 --> 0:24:33.960
<v Speaker 1>the developers who have to not drive over speed bumps.

0:24:33.960 --> 0:24:36.120
<v Speaker 1>I mean they're driving over the Grand Canyon, only there's

0:24:36.160 --> 0:24:38.119
<v Speaker 1>no bridge. They got to jump it and hope they

0:24:38.160 --> 0:24:40.880
<v Speaker 1>don't end up like Thelm and Louise. So shout out

0:24:40.920 --> 0:24:43.960
<v Speaker 1>to video game developers everywhere. And this ends our side quest.

0:24:52.640 --> 0:24:55.800
<v Speaker 1>P F t Asia Tour. We're gonna make your name

0:24:55.920 --> 0:25:00.600
<v Speaker 1>very European. Did you ever sneeze around Vince McMahon, I

0:25:00.640 --> 0:25:04.320
<v Speaker 1>don't think so. If I did, I didn't care. I mean,

0:25:04.320 --> 0:25:06.920
<v Speaker 1>it's a it's a normal thing. I know, I've heard

0:25:06.960 --> 0:25:09.879
<v Speaker 1>all like the gross stories and all that, but he

0:25:10.000 --> 0:25:11.959
<v Speaker 1>just plays it up, you know, and he doesn't like it.

0:25:12.000 --> 0:25:14.040
<v Speaker 1>But who wants to get sneezed done? Who wants to

0:25:14.080 --> 0:25:16.800
<v Speaker 1>get sick? Nobody? But I think that's been blown up

0:25:16.840 --> 0:25:21.400
<v Speaker 1>more than it actually is. Or when I worked there

0:25:21.440 --> 0:25:23.280
<v Speaker 1>at one point it had been a real thing. But

0:25:23.359 --> 0:25:26.280
<v Speaker 1>even he kind of played it up a little bit

0:25:26.320 --> 0:25:28.560
<v Speaker 1>at this point. But I never got in trouble for sneezing.

0:25:28.800 --> 0:25:33.080
<v Speaker 1>Damon Moves is our next question er. I'm gonna try

0:25:33.119 --> 0:25:35.879
<v Speaker 1>to refrain from asking you any She's all that questions.

0:25:36.560 --> 0:25:39.480
<v Speaker 1>Everyone thinks a w W E writer is a dream job.

0:25:39.520 --> 0:25:42.280
<v Speaker 1>But what are things that fans don't know that would

0:25:42.400 --> 0:25:47.359
<v Speaker 1>ruin their expectations of the job, pressure, deadlines, etcetera. We

0:25:47.440 --> 0:25:51.120
<v Speaker 1>just spoke about deadlines in our previous video game segment. Well,

0:25:51.200 --> 0:25:53.560
<v Speaker 1>I mean, if it's your dream job, I don't know

0:25:53.640 --> 0:25:59.080
<v Speaker 1>what this is. This is tricky because I look, all

0:25:59.160 --> 0:26:02.760
<v Speaker 1>writers jobs can be difficult in the modern age. If

0:26:02.760 --> 0:26:05.919
<v Speaker 1>you knew how many rewrites the script went through from

0:26:05.960 --> 0:26:08.320
<v Speaker 1>the moment of studio buys it to the movie you

0:26:08.359 --> 0:26:13.000
<v Speaker 1>see on screen, you would vomit in in pity for

0:26:13.080 --> 0:26:15.960
<v Speaker 1>the original writer. Because sometimes there's five six writers on

0:26:16.000 --> 0:26:17.520
<v Speaker 1>a single script. A lot of them don't even go

0:26:17.560 --> 0:26:19.480
<v Speaker 1>credited and just get paid a little bit extra to

0:26:19.520 --> 0:26:22.080
<v Speaker 1>not be credited. The writer's life again in the in

0:26:22.160 --> 0:26:27.959
<v Speaker 1>the corporate modern world is is hell. It's hell. And

0:26:28.000 --> 0:26:29.960
<v Speaker 1>the notes you're getting you have to remember you're getting

0:26:30.080 --> 0:26:33.840
<v Speaker 1>notes from people who have never written a script, who

0:26:33.840 --> 0:26:36.560
<v Speaker 1>have never been to college and taught a class on screenwriting.

0:26:37.240 --> 0:26:40.080
<v Speaker 1>They just want to put their fingerprints, meaning their ego

0:26:40.280 --> 0:26:43.480
<v Speaker 1>compels them to give a note. They want their fingerprints

0:26:43.520 --> 0:26:45.560
<v Speaker 1>on something so they can say when they go, oh,

0:26:45.600 --> 0:26:47.720
<v Speaker 1>I like this, they go, oh, well, I had a

0:26:47.720 --> 0:26:49.600
<v Speaker 1>great deal to do with that. This was my note,

0:26:49.920 --> 0:26:54.120
<v Speaker 1>and that's okay. That's a human instinct and there's nothing

0:26:54.160 --> 0:26:57.920
<v Speaker 1>wrong with that, but an assertive artist to protect their

0:26:57.920 --> 0:27:01.720
<v Speaker 1>own ideas, their own creativity. When something they know is

0:27:01.880 --> 0:27:06.560
<v Speaker 1>bad for what they've created, they must say, I'll try

0:27:06.600 --> 0:27:09.280
<v Speaker 1>to make that work, but if I can't, we're going

0:27:09.320 --> 0:27:12.359
<v Speaker 1>to have to cross this bridge again. And it's important

0:27:12.400 --> 0:27:15.919
<v Speaker 1>that writers are straight up, incredibly important that they're straight up,

0:27:15.960 --> 0:27:18.639
<v Speaker 1>and a lot of them getting nervous because the person

0:27:18.760 --> 0:27:22.440
<v Speaker 1>buying their script is their boss, and they feel entitled

0:27:22.480 --> 0:27:26.600
<v Speaker 1>two notes, and they are. It's a natural human instinct,

0:27:26.960 --> 0:27:30.080
<v Speaker 1>but a lot of times those notes get you so

0:27:30.160 --> 0:27:35.320
<v Speaker 1>far off what the original idea was, and all the

0:27:35.440 --> 0:27:39.440
<v Speaker 1>note givers are so inside the forest that they don't

0:27:39.520 --> 0:27:43.360
<v Speaker 1>see outside, that they only see it from their tiny prism,

0:27:43.720 --> 0:27:47.320
<v Speaker 1>and it destroys ideas. So that's something if you're an

0:27:47.320 --> 0:27:49.679
<v Speaker 1>aspiring W W E writer that you can get or

0:27:49.720 --> 0:27:52.640
<v Speaker 1>any type of writer you can get ready for emotionally,

0:27:52.920 --> 0:27:55.240
<v Speaker 1>because it's a roller coaster, and it's hell not a

0:27:55.280 --> 0:27:59.800
<v Speaker 1>good one. It's not six flags, it's not what was

0:27:59.840 --> 0:28:02.879
<v Speaker 1>that sick one in Colorado? Elitch Is, it's not is

0:28:03.119 --> 0:28:07.080
<v Speaker 1>it sucks. It sucks very rare. Do you get something

0:28:07.160 --> 0:28:09.919
<v Speaker 1>through with no notes? I think I had one promo,

0:28:10.240 --> 0:28:12.520
<v Speaker 1>well they didn't touch my Jeff Hardy stuff, but an

0:28:12.560 --> 0:28:18.159
<v Speaker 1>Undertaker promo they got zero notes from anybody and everyone

0:28:18.200 --> 0:28:19.920
<v Speaker 1>that that was a big deal. But that's a big

0:28:19.920 --> 0:28:23.840
<v Speaker 1>deal in Hollywood too. I mean everything it gets changed

0:28:23.920 --> 0:28:26.399
<v Speaker 1>so so much. And even the actors on script sometimes

0:28:26.400 --> 0:28:29.439
<v Speaker 1>they're changing lines. If what you wrote that reads beautifully

0:28:29.760 --> 0:28:32.840
<v Speaker 1>sounds horribly coming out of their head, they're not gonna

0:28:32.880 --> 0:28:34.600
<v Speaker 1>want to say that, they're gonna want to change it

0:28:34.600 --> 0:28:37.680
<v Speaker 1>and make it more of their own. So any type

0:28:37.680 --> 0:28:40.320
<v Speaker 1>of writer outside maybe a novelist where you just have

0:28:40.560 --> 0:28:43.560
<v Speaker 1>an editor, I think it's just a hell crap job

0:28:43.600 --> 0:28:50.080
<v Speaker 1>and you shouldn't do it. Mike f and Murphy, Yeah,

0:28:50.640 --> 0:28:53.240
<v Speaker 1>this is my Mike Eff and Murphy voice. When you

0:28:53.280 --> 0:28:55.640
<v Speaker 1>open your own promotion, are we gonna get to see

0:28:55.680 --> 0:28:58.040
<v Speaker 1>you take some bumps? I want to see that jiu

0:28:58.160 --> 0:29:01.800
<v Speaker 1>jitsu in action too, O F and No, I'm no

0:29:02.360 --> 0:29:08.240
<v Speaker 1>not taking bumps. And it really isn't to be about me.

0:29:09.080 --> 0:29:12.200
<v Speaker 1>I wanted to be well, let me say this. If

0:29:12.240 --> 0:29:14.560
<v Speaker 1>I have to be in it to get it sold,

0:29:14.560 --> 0:29:17.239
<v Speaker 1>on TV. When it's ready to go, then I'll be

0:29:17.320 --> 0:29:20.800
<v Speaker 1>in it. It would be in a minor way, but

0:29:20.880 --> 0:29:23.440
<v Speaker 1>I would find a way to make that work. But

0:29:23.520 --> 0:29:26.880
<v Speaker 1>in no way, shape or form will I be inside

0:29:26.880 --> 0:29:30.880
<v Speaker 1>a ring in between the start and finished bell. No way, dude,

0:29:30.880 --> 0:29:33.840
<v Speaker 1>no way, that's not That's not what I want to

0:29:33.880 --> 0:29:36.920
<v Speaker 1>do with with my brand. That's not really who I

0:29:36.960 --> 0:29:39.680
<v Speaker 1>am at this age, maybe in my twenties. But I

0:29:39.720 --> 0:29:44.160
<v Speaker 1>appreciate you wanting to see me. I respect that. Craig Fraser, Frasier,

0:29:44.400 --> 0:29:46.520
<v Speaker 1>We're going Fraser now, we're gonna mess it. We're gonna

0:29:46.520 --> 0:29:49.280
<v Speaker 1>go Frazer like Fraggle Rock. If you could go back

0:29:49.280 --> 0:29:52.040
<v Speaker 1>to two one and book a d X versus n

0:29:52.200 --> 0:29:54.600
<v Speaker 1>w O Invasion angle, how would you book it? And

0:29:54.640 --> 0:29:57.720
<v Speaker 1>who goes over? Look? Man, d X is winning. I

0:29:57.760 --> 0:30:00.240
<v Speaker 1>know that Hunter. I wasn't Hunter's favorite person when I

0:30:00.280 --> 0:30:02.880
<v Speaker 1>worked there, but before the Jeff Hardy thing, he and

0:30:02.920 --> 0:30:05.560
<v Speaker 1>I were cool, man like, we showed each other respect.

0:30:05.960 --> 0:30:08.440
<v Speaker 1>It was the Jeff thing that that kind of turned

0:30:08.520 --> 0:30:12.600
<v Speaker 1>him off on me and and had him keep specific

0:30:12.640 --> 0:30:16.360
<v Speaker 1>wrestlers away from me. But as far as as Triple HS,

0:30:16.440 --> 0:30:19.560
<v Speaker 1>the wrestler like, that's d X all day, and this

0:30:19.600 --> 0:30:21.880
<v Speaker 1>would be the quickest booking ever because I would have

0:30:21.920 --> 0:30:24.280
<v Speaker 1>had that tank goes straight through the wall of that arena,

0:30:24.560 --> 0:30:27.640
<v Speaker 1>having him go in there and just beat up everybody,

0:30:27.760 --> 0:30:30.120
<v Speaker 1>and just have it be a full unshoot invasion where

0:30:30.120 --> 0:30:32.200
<v Speaker 1>we're having to pay for the construction of an arena

0:30:32.240 --> 0:30:35.040
<v Speaker 1>and Georgia. So that's how I would book that death

0:30:35.480 --> 0:30:37.720
<v Speaker 1>Death to the n w O, which leads us to

0:30:37.760 --> 0:30:42.240
<v Speaker 1>our next question from Whale Wolf Jones. This is Sean Connery.

0:30:42.400 --> 0:30:45.960
<v Speaker 1>What's something you she in today's Pro Wrestling Loungeescape but

0:30:46.120 --> 0:30:49.920
<v Speaker 1>you don't see your shelf doing with your promotion. That's

0:30:49.920 --> 0:30:53.840
<v Speaker 1>a pretty good question, Mr Connery, I mean Mr wolf Jones. Sorry,

0:30:53.840 --> 0:30:56.840
<v Speaker 1>it's such a good impression. Tricked myself. I don't want

0:30:56.840 --> 0:31:00.880
<v Speaker 1>any supernatural stuff in my promotion. That something that I

0:31:00.920 --> 0:31:04.400
<v Speaker 1>think can work for some people. It certainly has. It

0:31:05.080 --> 0:31:07.480
<v Speaker 1>was a career for the Well, almost an entire career

0:31:07.480 --> 0:31:09.800
<v Speaker 1>for the Undertaker, minus the American badass years, which he

0:31:10.280 --> 0:31:12.800
<v Speaker 1>still managed to pull up. It certainly worked for Kane,

0:31:13.160 --> 0:31:15.160
<v Speaker 1>It even worked for Bray Wyatt to the eyes of

0:31:15.200 --> 0:31:18.760
<v Speaker 1>a lot of people. I know there's vocals, but there

0:31:19.040 --> 0:31:22.760
<v Speaker 1>no no But for most people, Gray White or the Fiend,

0:31:22.840 --> 0:31:25.000
<v Speaker 1>I should say, worked for a lot of people, but

0:31:25.040 --> 0:31:27.760
<v Speaker 1>I'm not looking for supernatural stuff out of mind. That's

0:31:27.800 --> 0:31:29.840
<v Speaker 1>not to say it won't be there won't be room

0:31:29.880 --> 0:31:33.080
<v Speaker 1>for it to be a little darker. Optimal universe spelled

0:31:33.200 --> 0:31:37.840
<v Speaker 1>una verse. Have you ever played the tabletop game Rumble Slam? Okay,

0:31:37.880 --> 0:31:40.000
<v Speaker 1>I've heard of this game. It's a fantasy wrestling so

0:31:40.040 --> 0:31:42.120
<v Speaker 1>thank D and D for Wrestling. Okay. I have heard

0:31:42.160 --> 0:31:44.800
<v Speaker 1>of this game A long time ago. I did a

0:31:45.040 --> 0:31:48.720
<v Speaker 1>stream I think it was probably on Twitch for for

0:31:48.840 --> 0:31:51.120
<v Speaker 1>Wizards of the Coast and it was called D and

0:31:51.200 --> 0:31:54.760
<v Speaker 1>D w Dungeons and Dragons Wrestling, and it was run

0:31:54.760 --> 0:31:57.200
<v Speaker 1>by this actor who does voice work for all the

0:31:57.240 --> 0:31:59.800
<v Speaker 1>anime that you've seen. I don't like the term voice

0:32:00.040 --> 0:32:02.320
<v Speaker 1>there because he's an actor. He just does voices. But

0:32:02.360 --> 0:32:05.280
<v Speaker 1>we're all actors. I hate that crap. On Star Wars,

0:32:05.800 --> 0:32:09.160
<v Speaker 1>what was it side Quest? On Star Wars Rogue one,

0:32:10.120 --> 0:32:13.280
<v Speaker 1>they had the actors that were considered the live action

0:32:13.320 --> 0:32:18.960
<v Speaker 1>actors separate from the voice actors on the red carpet

0:32:19.000 --> 0:32:21.440
<v Speaker 1>when they took the picture of all the actors in

0:32:21.480 --> 0:32:25.080
<v Speaker 1>the movie, and I just thought that was so disrespectful.

0:32:25.960 --> 0:32:28.120
<v Speaker 1>To the other actors that were in that film, because

0:32:28.120 --> 0:32:32.160
<v Speaker 1>it's all such a powerful part of the process and

0:32:32.240 --> 0:32:34.520
<v Speaker 1>to just overlook them like that, it's like, oh, wow,

0:32:34.560 --> 0:32:37.800
<v Speaker 1>you really don't appreciate him. We know you don't financially,

0:32:37.880 --> 0:32:41.320
<v Speaker 1>but that's like next level. That's artistically. You're not respected

0:32:41.360 --> 0:32:46.000
<v Speaker 1>and that's crazy. His name is KG Vontagne and he's awesome. Okay,

0:32:46.200 --> 0:32:50.560
<v Speaker 1>he runs a Monster's only wrestling D and D league,

0:32:51.240 --> 0:32:53.520
<v Speaker 1>so you can't be like you have to be a

0:32:53.560 --> 0:32:55.840
<v Speaker 1>monster to be in it. And I was an owl bear,

0:32:56.480 --> 0:33:01.160
<v Speaker 1>which is a half hour half you get us to bear.

0:33:01.920 --> 0:33:04.640
<v Speaker 1>And I was an indie wrestler. My inspiration was Kevin

0:33:04.680 --> 0:33:08.640
<v Speaker 1>Owens and I was cursed to understand and speak every

0:33:08.720 --> 0:33:12.120
<v Speaker 1>language of every culture, beast, whatever, except my own, by

0:33:12.120 --> 0:33:15.000
<v Speaker 1>a wizard long ago who I ate. By the way,

0:33:15.120 --> 0:33:19.200
<v Speaker 1>it was their final episode and I beat everyone's ass

0:33:19.640 --> 0:33:23.880
<v Speaker 1>because you know, your boy represented and I am because

0:33:23.920 --> 0:33:25.960
<v Speaker 1>that was their final episode and they didn't get picked

0:33:26.000 --> 0:33:28.600
<v Speaker 1>up for another season. That's how That's how much of

0:33:28.640 --> 0:33:31.600
<v Speaker 1>an impact I made. I am the D and D

0:33:31.880 --> 0:33:34.960
<v Speaker 1>w Wrestling Champion, so put some respect on my name

0:33:35.000 --> 0:33:38.080
<v Speaker 1>when you tweet me, it's champion And what was my name?

0:33:38.120 --> 0:33:41.120
<v Speaker 1>I think it was Horace, Horace the Albert and he

0:33:41.160 --> 0:33:44.000
<v Speaker 1>was bad Yeah, he was. He was badass. But I

0:33:44.040 --> 0:33:46.520
<v Speaker 1>need to get this game. When I get off this podcast,

0:33:46.560 --> 0:33:49.560
<v Speaker 1>I'll order it off of Evil Amazon because it's not

0:33:49.640 --> 0:33:51.200
<v Speaker 1>at the game shop that I go to. I know

0:33:51.280 --> 0:33:53.520
<v Speaker 1>that for a fact. And support your local game shops

0:33:53.520 --> 0:33:55.840
<v Speaker 1>if you don't find one close by and and purchase

0:33:55.880 --> 0:33:58.720
<v Speaker 1>there instead of Amazon, and definitely keep them in business

0:33:58.840 --> 0:34:01.000
<v Speaker 1>and your friends and family. Well, thank you for having

0:34:01.040 --> 0:34:03.160
<v Speaker 1>such great games to play. And our final question of

0:34:03.160 --> 0:34:05.560
<v Speaker 1>the day, and I love doing this episode with you guys.

0:34:05.840 --> 0:34:08.600
<v Speaker 1>Is there any wrestlers you have your eye on for

0:34:08.680 --> 0:34:12.600
<v Speaker 1>your promotion and is there any new match type ideas

0:34:12.640 --> 0:34:16.279
<v Speaker 1>you have? Okay, what can I say here? New match types? No?

0:34:16.880 --> 0:34:19.680
<v Speaker 1>I was pitching ideas back and forth or tossing ideas

0:34:19.719 --> 0:34:23.799
<v Speaker 1>that at m JF, and it obviously deteriorated quickly into

0:34:23.920 --> 0:34:26.480
<v Speaker 1>jokes back and forth. The worst match we came up with,

0:34:26.640 --> 0:34:31.480
<v Speaker 1>I think was a trapeeze match suspended the line between

0:34:31.520 --> 0:34:35.520
<v Speaker 1>two elephants, and halfway through the match we pull the net.

0:34:35.640 --> 0:34:38.920
<v Speaker 1>I think is eventually where it was, but I promise

0:34:38.960 --> 0:34:41.480
<v Speaker 1>I'm not going to do that it'll be more old school,

0:34:41.520 --> 0:34:44.840
<v Speaker 1>more traditional style matches. It'll be the world around it

0:34:44.880 --> 0:34:47.719
<v Speaker 1>that is different. And are there any wrestlers. Yeah, this one.

0:34:47.719 --> 0:34:50.400
<v Speaker 1>I even said on social media. Somebody said, hey, you

0:34:50.440 --> 0:34:53.680
<v Speaker 1>should think about Killer Cross for your new promotion, and

0:34:53.719 --> 0:34:57.320
<v Speaker 1>I retweeted, he already knows, like I've I've spoke to

0:34:57.400 --> 0:35:00.480
<v Speaker 1>him months ago at the moment his con trek was

0:35:00.520 --> 0:35:03.920
<v Speaker 1>no more at w w E. Oh buddy. I randomly

0:35:03.960 --> 0:35:06.560
<v Speaker 1>had a FaceTime with him, and when he was on

0:35:06.600 --> 0:35:09.960
<v Speaker 1>the road with John Morrison, when John was briefly back

0:35:10.000 --> 0:35:12.200
<v Speaker 1>with the w w E and they had him and

0:35:12.280 --> 0:35:15.680
<v Speaker 1>crossed cruising together. Johnny just ruled randomly FaceTime me from

0:35:15.719 --> 0:35:17.400
<v Speaker 1>time to time, which is so much cooler than a

0:35:17.480 --> 0:35:19.439
<v Speaker 1>text or a phone call. I love it when old

0:35:19.480 --> 0:35:21.480
<v Speaker 1>friends FaceTime and I get to see their face and

0:35:21.480 --> 0:35:24.799
<v Speaker 1>see their big smiles. He panned over to Cross and

0:35:24.840 --> 0:35:26.600
<v Speaker 1>I was like, oh, I pop big. I was like,

0:35:26.600 --> 0:35:28.520
<v Speaker 1>oh dude, what's up? Man? I said, you and your

0:35:28.560 --> 0:35:32.399
<v Speaker 1>girl are like like the Satanic, super hot macho man

0:35:32.440 --> 0:35:34.640
<v Speaker 1>and Elizabeth and he laughed and choked and I said

0:35:34.880 --> 0:35:36.720
<v Speaker 1>this before they pulled him up to the main roster.

0:35:37.600 --> 0:35:39.080
<v Speaker 1>I said, man, I love what you guys are doing

0:35:39.120 --> 0:35:40.880
<v Speaker 1>over there for real, and so that's when he and

0:35:40.920 --> 0:35:42.600
<v Speaker 1>I first met, so as soon as he was gone,

0:35:42.680 --> 0:35:44.120
<v Speaker 1>he was one of the first guys that I reached

0:35:44.120 --> 0:35:45.880
<v Speaker 1>out to where I was like, hey, man, you know,

0:35:45.920 --> 0:35:48.319
<v Speaker 1>whatever you signed, make sure the contracts up in about

0:35:48.320 --> 0:35:50.520
<v Speaker 1>a year and a half. Eis. But but yeah, so

0:35:50.680 --> 0:35:53.560
<v Speaker 1>Cross is definitely a cat that uh that I like.

0:35:53.640 --> 0:35:55.120
<v Speaker 1>There's a lot of guys out there. I can't just

0:35:55.160 --> 0:35:57.160
<v Speaker 1>throw everybody's name out, but since I said that one

0:35:57.200 --> 0:36:00.520
<v Speaker 1>on on Twitter, it's okay. A lot of y'all reached out.

0:36:00.520 --> 0:36:03.319
<v Speaker 1>A lot of indie wrestlers reached out, so it was,

0:36:03.440 --> 0:36:05.480
<v Speaker 1>you know, I can't get back to everybody, but I

0:36:05.600 --> 0:36:07.279
<v Speaker 1>checked out a few that were like, yo, look at

0:36:07.280 --> 0:36:09.520
<v Speaker 1>my work list and that that had links there. There

0:36:09.520 --> 0:36:11.000
<v Speaker 1>were some people that were like, hey, give me a

0:36:11.080 --> 0:36:13.040
<v Speaker 1>job and there's nothing I can do with that, and

0:36:13.080 --> 0:36:14.840
<v Speaker 1>I'm a year and a half out anyway, but I

0:36:14.840 --> 0:36:16.520
<v Speaker 1>looked at a few links. I was like, dang, man,

0:36:16.840 --> 0:36:19.200
<v Speaker 1>Like I saw this one dude. I was like, damn,

0:36:20.560 --> 0:36:22.759
<v Speaker 1>I'll call his ask for sure, but I can't say

0:36:22.760 --> 0:36:26.600
<v Speaker 1>any names yet. Uh he was legit. So so yeah,

0:36:26.800 --> 0:36:29.399
<v Speaker 1>I'm I'm working hard on that and I love doing

0:36:29.440 --> 0:36:31.880
<v Speaker 1>this episode. Thank you, guys for all of your awesome

0:36:31.960 --> 0:36:33.799
<v Speaker 1>questions that made me laugh. A couple of them made

0:36:33.840 --> 0:36:36.160
<v Speaker 1>me think, a couple of them are really good guys.

0:36:36.160 --> 0:36:38.239
<v Speaker 1>Thank you so much for listening. This has been the

0:36:38.480 --> 0:36:41.719
<v Speaker 1>end of season one of Wrestling with Freddy, but not

0:36:41.880 --> 0:36:44.719
<v Speaker 1>the end of our show. I think each and every

0:36:44.719 --> 0:36:46.880
<v Speaker 1>one of you so much for joining this journey with

0:36:47.000 --> 0:36:49.640
<v Speaker 1>us and for joining the Federation, and I look forward

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<v Speaker 1>to talking to all of y'all next season with all

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<v Speaker 1>kinds of new crazy stuff that we're doing. So thank

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<v Speaker 1>you for listening, and thank you for joining the Federation.

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<v Speaker 1>This has been a production of My Hearts Michael to

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<v Speaker 1>podcast Network. For more podcasts for my Heart Radio, visit

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<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

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<v Speaker 1>listen to your favorite shows. M h m hmmm mm hmmm.