1 00:00:00,520 --> 00:00:08,200 Speaker 1: M h. What's up? Everyone, Welcome back to a brand 2 00:00:08,240 --> 00:00:11,239 Speaker 1: new episode of Wrestling with Freddy, and today's episode is 3 00:00:11,240 --> 00:00:15,280 Speaker 1: a very special episode because of you. Today is our 4 00:00:15,360 --> 00:00:18,360 Speaker 1: ask Freddy episode that was our hashtag and y'all came 5 00:00:18,400 --> 00:00:21,280 Speaker 1: through big time. So a ton of appreciation for you, 6 00:00:21,560 --> 00:00:24,919 Speaker 1: a ton of appreciation for professional wrestling, and let's start 7 00:00:24,960 --> 00:00:28,960 Speaker 1: the show. Wrestling with Freddie starts right now now stuffing 8 00:00:29,000 --> 00:00:32,560 Speaker 1: up for the mic. The host of Wrestling with Freddy 9 00:00:33,159 --> 00:00:40,000 Speaker 1: Freddie Prince Tune. Yeah, all right, everybody, welcome back. Sorry 10 00:00:40,040 --> 00:00:44,720 Speaker 1: for the bat young counter impression. Today's episode was asked Freddie. 11 00:00:44,960 --> 00:00:48,280 Speaker 1: We got tons of questions from all of y'all fine 12 00:00:48,479 --> 00:00:51,280 Speaker 1: ladies and germs, and I'm gonna get through as many 13 00:00:51,280 --> 00:00:53,880 Speaker 1: as I can, and I will try not decide quest 14 00:00:54,240 --> 00:00:56,920 Speaker 1: um although some of you probably like the side quest 15 00:00:57,040 --> 00:01:00,440 Speaker 1: more so we'll keep an open mind and we'll see 16 00:01:00,480 --> 00:01:02,959 Speaker 1: where the river takes us. So today, if I get 17 00:01:02,960 --> 00:01:06,280 Speaker 1: any names wrong, I apologize a lot of these. I 18 00:01:06,280 --> 00:01:08,959 Speaker 1: feel like I cannot screw up. So we're gonna start 19 00:01:09,080 --> 00:01:11,880 Speaker 1: right away with Haley Hales, and I'm reading some of 20 00:01:11,920 --> 00:01:14,080 Speaker 1: these for the first time, so you're gonna get honest 21 00:01:14,120 --> 00:01:20,120 Speaker 1: reactions here we go. Haley Hales asks from Twitter. Throughout 22 00:01:20,120 --> 00:01:22,800 Speaker 1: your tenure with w w E, was there ever a 23 00:01:22,840 --> 00:01:27,840 Speaker 1: time where you thought you might be fired for doing something? No? 24 00:01:28,160 --> 00:01:30,399 Speaker 1: I was never afraid I would lose my job. But 25 00:01:30,480 --> 00:01:32,520 Speaker 1: that's not to say there weren't times where I was 26 00:01:32,560 --> 00:01:35,959 Speaker 1: almost fired. I just don't. I just don't know about him. 27 00:01:37,040 --> 00:01:39,759 Speaker 1: Maybe Bruce Pritchard would know. You could ask his Were 28 00:01:39,760 --> 00:01:42,240 Speaker 1: you guys ever going to secretly fire Freddie? No? I 29 00:01:42,319 --> 00:01:44,679 Speaker 1: never got in any trouble when I worked there. I 30 00:01:44,720 --> 00:01:48,120 Speaker 1: had a couple of segments that Vince didn't feel worked 31 00:01:48,240 --> 00:01:51,480 Speaker 1: or that Vince didn't like that he would yell about. 32 00:01:51,520 --> 00:01:53,640 Speaker 1: But that was never like, oh my gosh, am I 33 00:01:53,640 --> 00:01:57,040 Speaker 1: gonna get fired. That's just two people with different ideas arguing, 34 00:01:57,120 --> 00:02:00,560 Speaker 1: and that's to me, is rarely a bad thing if 35 00:02:00,560 --> 00:02:03,680 Speaker 1: they're both If both people have the same goal in mind, 36 00:02:03,720 --> 00:02:06,360 Speaker 1: which is, let's make the best thing. When one person's 37 00:02:06,360 --> 00:02:10,600 Speaker 1: goal is simply screw you, then no, that's not a 38 00:02:10,600 --> 00:02:13,960 Speaker 1: healthy conversation. But I never had any of those, Hailey Hales. 39 00:02:14,960 --> 00:02:19,560 Speaker 1: Our next question is from Comahan. Oh, like Han Solo 40 00:02:19,639 --> 00:02:22,400 Speaker 1: and the Coma and the Carbon Night, maybe different fans 41 00:02:22,639 --> 00:02:26,280 Speaker 1: want different things with wrestling. Some companies try to be 42 00:02:26,320 --> 00:02:31,720 Speaker 1: a buffet. Yes, they do, some target specific audiences also true. 43 00:02:32,240 --> 00:02:35,800 Speaker 1: How would you balance a national company between character driven, 44 00:02:35,919 --> 00:02:42,839 Speaker 1: moral stories, athletics, sport, light competition, grandeur, nice word, etcetera. 45 00:02:43,240 --> 00:02:47,840 Speaker 1: What's the ideal mix for you? Ask FPJ so Comahan. 46 00:02:48,720 --> 00:02:52,800 Speaker 1: There's no right or wrong answer to this. I don't 47 00:02:52,800 --> 00:02:56,000 Speaker 1: think there's anything wrong with buffet wrestling, though that's not 48 00:02:57,040 --> 00:03:00,639 Speaker 1: what I would want to do if I we're making 49 00:03:00,960 --> 00:03:04,320 Speaker 1: a wrestling con federation. But there is something to be 50 00:03:04,360 --> 00:03:06,639 Speaker 1: said for that, a little something for everyone, and that's 51 00:03:06,639 --> 00:03:10,000 Speaker 1: definitely the w w E style. Per Vince McMahon's own lips, 52 00:03:10,480 --> 00:03:12,680 Speaker 1: you know, he said to me, verbatim, this is this 53 00:03:12,720 --> 00:03:14,960 Speaker 1: is vaudeville. We give the people a little bit of everything, 54 00:03:15,000 --> 00:03:17,800 Speaker 1: a little bit of song dance, which was literal back then. 55 00:03:17,840 --> 00:03:21,920 Speaker 1: It was not Lillian Garcia, it was Jillian and she 56 00:03:22,120 --> 00:03:27,120 Speaker 1: her gimmick was to sing poorly, so the crowd would boo, 57 00:03:27,400 --> 00:03:30,160 Speaker 1: and when the baby face female wrestler would come out 58 00:03:30,600 --> 00:03:33,560 Speaker 1: and beat her up and more importantly shut her up, 59 00:03:33,960 --> 00:03:36,520 Speaker 1: than the crowd would cheer and would love our baby 60 00:03:36,560 --> 00:03:40,360 Speaker 1: face female wrestler. So he literally put song and dance 61 00:03:40,400 --> 00:03:43,840 Speaker 1: into the show. That's not exactly my style, but when 62 00:03:43,880 --> 00:03:45,839 Speaker 1: I was young, I didn't, you know, I didn't mind 63 00:03:45,880 --> 00:03:49,280 Speaker 1: it at all. Then there's cater to your to the 64 00:03:49,320 --> 00:03:54,000 Speaker 1: more of the social media hardcore, the vocal fans, which 65 00:03:54,040 --> 00:03:57,880 Speaker 1: is more the A e W style, which gets it 66 00:03:57,960 --> 00:04:00,480 Speaker 1: right and gets it wrong, just like w W W E. 67 00:04:01,040 --> 00:04:04,200 Speaker 1: Although I do give a W credit for the best 68 00:04:04,240 --> 00:04:08,360 Speaker 1: wrestling story in over a decade with the m JF 69 00:04:08,480 --> 00:04:11,480 Speaker 1: and CM punk storyline, which if you haven't seen it, 70 00:04:11,480 --> 00:04:15,120 Speaker 1: I'm sure someone edited it together on YouTube, if not 71 00:04:15,240 --> 00:04:19,719 Speaker 1: a e W themselves and their social media and YouTube group, 72 00:04:19,960 --> 00:04:22,839 Speaker 1: they cut together some pretty awesome stuff, so you should 73 00:04:22,839 --> 00:04:25,680 Speaker 1: even check that out. They're less buffet and they cater 74 00:04:25,800 --> 00:04:29,080 Speaker 1: I think, more to the modern wrestling fan. And then 75 00:04:29,120 --> 00:04:33,760 Speaker 1: there's smaller promotions that do just female wrestling, the Japanese promotions, 76 00:04:33,800 --> 00:04:37,360 Speaker 1: which is more a strong, beat them up, tough guy 77 00:04:37,560 --> 00:04:41,560 Speaker 1: kind of even tough girl style, which people like, although 78 00:04:41,760 --> 00:04:44,560 Speaker 1: maybe in Japan they called there's buffet style, I don't know, 79 00:04:45,320 --> 00:04:47,839 Speaker 1: and the g c ws that do more hardcore and 80 00:04:47,880 --> 00:04:51,040 Speaker 1: deathmatch stuff. I think for me and I can't say 81 00:04:51,080 --> 00:04:53,600 Speaker 1: too much, and I don't know if your question was 82 00:04:53,600 --> 00:04:56,400 Speaker 1: was evil enough to be trying to figure out what 83 00:04:56,440 --> 00:04:58,279 Speaker 1: I'm going to try to do with my federation. But 84 00:04:58,279 --> 00:05:01,320 Speaker 1: if it is, kudos, but it didn't work. Mine is 85 00:05:01,360 --> 00:05:05,880 Speaker 1: certainly gonna be in a specific lane, and it's gonna 86 00:05:06,120 --> 00:05:09,680 Speaker 1: lean into that lane as much as all of us 87 00:05:09,960 --> 00:05:15,240 Speaker 1: physically and emotionally can. But I will be global. As 88 00:05:15,240 --> 00:05:17,440 Speaker 1: far as the type of talent that I'm looking for, 89 00:05:17,839 --> 00:05:20,680 Speaker 1: I feel I have a really smart way to protect 90 00:05:21,120 --> 00:05:24,200 Speaker 1: non English speaking talent. I feel I have a really 91 00:05:24,200 --> 00:05:27,359 Speaker 1: smart way to protect talent that's maybe not so strong 92 00:05:27,440 --> 00:05:30,800 Speaker 1: on the mic, but they're wrestling is super legit and 93 00:05:30,839 --> 00:05:32,760 Speaker 1: they just need someone to help him out. In the 94 00:05:32,800 --> 00:05:35,919 Speaker 1: old days, we have managers speak for him, and in 95 00:05:35,960 --> 00:05:38,760 Speaker 1: the in the in the new day, in the in 96 00:05:38,800 --> 00:05:42,240 Speaker 1: the contemporary wrestling world, it still works as well if 97 00:05:42,240 --> 00:05:45,760 Speaker 1: you have the right kind of voice. Paul Hayman, I guess, 98 00:05:45,880 --> 00:05:48,560 Speaker 1: is the perfect example of that. Although my favorite manager 99 00:05:48,600 --> 00:05:51,800 Speaker 1: of all times Mr Fuji, who wasn't even that great 100 00:05:51,839 --> 00:05:53,719 Speaker 1: on the mic, but I just loved him. But I 101 00:05:53,760 --> 00:05:56,120 Speaker 1: think I have a unique way to do it that 102 00:05:56,640 --> 00:06:00,599 Speaker 1: I'm sure it's been done before, but not to my knowledge. 103 00:06:00,640 --> 00:06:04,799 Speaker 1: I'm no historian, but I look forward to surprising people 104 00:06:04,800 --> 00:06:07,400 Speaker 1: with that. Hopefully it's a surprise, and I don't get 105 00:06:07,400 --> 00:06:09,080 Speaker 1: a million people going, oh, that was done and not 106 00:06:09,200 --> 00:06:12,360 Speaker 1: d in thirty three. I's so sorry, born in seventy, 107 00:06:13,440 --> 00:06:15,839 Speaker 1: so so yeah. I hope that answers your question. I 108 00:06:15,839 --> 00:06:18,960 Speaker 1: think it does, but it will certainly be in a 109 00:06:19,040 --> 00:06:24,520 Speaker 1: specific in a specific lane. Next we have X. That's 110 00:06:24,520 --> 00:06:26,920 Speaker 1: what you get, bro or chick. I don't know who 111 00:06:26,920 --> 00:06:30,480 Speaker 1: you are, asks Freddie. That's me. I've listened to most 112 00:06:30,520 --> 00:06:36,120 Speaker 1: of your podcast apps, hold on most for if your 113 00:06:36,400 --> 00:06:39,080 Speaker 1: hashtag is four twenty, you and I both know how 114 00:06:39,160 --> 00:06:42,280 Speaker 1: much damn free time you have on your hands, and 115 00:06:42,320 --> 00:06:45,200 Speaker 1: you've only listened to most. I get the Cornett and 116 00:06:45,200 --> 00:06:47,359 Speaker 1: the others give you two and a half three hours, 117 00:06:47,400 --> 00:06:49,839 Speaker 1: and that can maybe feel the day. Come on, Matt, 118 00:06:50,760 --> 00:06:53,000 Speaker 1: you can listen to me while you're driving to the 119 00:06:53,040 --> 00:06:56,640 Speaker 1: shop right for twenty or maybe your delivery dude, and 120 00:06:56,680 --> 00:06:58,719 Speaker 1: you're helping people out. You can listen to me on 121 00:06:58,800 --> 00:07:01,600 Speaker 1: your delivery. It be the perfect amount of time. And 122 00:07:01,640 --> 00:07:05,160 Speaker 1: you've listened to most of the episodes. I'm skipping your quip, 123 00:07:05,240 --> 00:07:08,320 Speaker 1: not chucking. Here we go, you've dropped nuggets along the way. 124 00:07:08,680 --> 00:07:12,400 Speaker 1: Then did the full app about your own wrestling promotion, Yes, 125 00:07:12,440 --> 00:07:15,560 Speaker 1: I did. What's the most important to have slash grow 126 00:07:15,720 --> 00:07:20,320 Speaker 1: hardcore fan base or casual fan base. I think there's 127 00:07:20,360 --> 00:07:24,239 Speaker 1: a way to have one show that serves the house 128 00:07:24,280 --> 00:07:27,440 Speaker 1: audience with edits and cuts that they never see that 129 00:07:27,480 --> 00:07:30,720 Speaker 1: would make it to the TV version of that same 130 00:07:30,760 --> 00:07:32,960 Speaker 1: house show. I think there's a way to do that, 131 00:07:33,440 --> 00:07:36,040 Speaker 1: and I think I have a way to do that 132 00:07:36,440 --> 00:07:39,960 Speaker 1: which makes the house show feel more hardcore than it 133 00:07:40,000 --> 00:07:44,040 Speaker 1: would to a television distributor, so to speak. As far 134 00:07:44,080 --> 00:07:48,760 Speaker 1: as what's important to grow, your house has to be 135 00:07:48,840 --> 00:07:52,480 Speaker 1: a hot crowd, whether you have a hundred and fifty attendees, 136 00:07:53,600 --> 00:07:55,640 Speaker 1: which are some of my favorite wrestling shows that I've 137 00:07:55,640 --> 00:07:57,840 Speaker 1: been to, by the way, or whether you have a 138 00:07:57,920 --> 00:08:02,840 Speaker 1: hundred thousand attend to ease either way, your crowd has 139 00:08:02,880 --> 00:08:08,040 Speaker 1: to be hot for the TV product to have energy. 140 00:08:08,200 --> 00:08:10,520 Speaker 1: I used to hate the what chant I really did? 141 00:08:10,640 --> 00:08:13,840 Speaker 1: I've said this before, but I when there were no 142 00:08:13,920 --> 00:08:17,440 Speaker 1: more crowds during the pandemic, I got how wrong I was. 143 00:08:18,680 --> 00:08:24,120 Speaker 1: That energy was gone and the magic was gone. Imagine 144 00:08:24,160 --> 00:08:28,840 Speaker 1: being a magician and doing tricks for no one when 145 00:08:28,920 --> 00:08:31,800 Speaker 1: you know how the trick has done, which you're going 146 00:08:31,840 --> 00:08:35,880 Speaker 1: to impress yourself. What do you even why you why 147 00:08:35,880 --> 00:08:38,880 Speaker 1: did you take up? Magic is a profession if there's 148 00:08:38,880 --> 00:08:43,000 Speaker 1: gonna be no crowd. So I was I was dead 149 00:08:43,040 --> 00:08:48,720 Speaker 1: wrong and and dead ass arrogant on that. But my 150 00:08:48,760 --> 00:08:52,160 Speaker 1: experience came from television, where there is no audience minus sitcoms, 151 00:08:52,160 --> 00:08:55,199 Speaker 1: of course, and I didn't like theater. I liked movies. 152 00:08:55,760 --> 00:09:00,480 Speaker 1: I think you have to dedicate a great portion of 153 00:09:00,520 --> 00:09:04,960 Speaker 1: your energy into servicing the people who bought tickets, over 154 00:09:05,040 --> 00:09:08,520 Speaker 1: servicing the people that turn onto television. And I think 155 00:09:08,559 --> 00:09:12,640 Speaker 1: if you take care of one, that magic exists, and 156 00:09:12,720 --> 00:09:15,880 Speaker 1: it in turn can take care of the other. If 157 00:09:15,920 --> 00:09:19,280 Speaker 1: someone's not gonna watch, they're not gonna watch. There's a 158 00:09:19,320 --> 00:09:22,480 Speaker 1: million cops shows on Law and Order still gets a 159 00:09:22,480 --> 00:09:24,480 Speaker 1: better rating than all of them, but there's a million 160 00:09:24,520 --> 00:09:27,000 Speaker 1: of them, so there's room for a million wrestling shows. 161 00:09:27,240 --> 00:09:29,160 Speaker 1: People are gonna watch what they like and watch what 162 00:09:29,200 --> 00:09:32,640 Speaker 1: they connect to. So I think that answers your question. 163 00:09:32,679 --> 00:09:37,600 Speaker 1: I think if you appetize the hardcore, you can gain 164 00:09:37,679 --> 00:09:40,760 Speaker 1: the mainstream. Look what punk rock did. Punk rock stayed 165 00:09:40,800 --> 00:09:43,600 Speaker 1: true to itself and then the mainstream embraced it, and 166 00:09:43,760 --> 00:09:48,400 Speaker 1: music evolved over time, like all art does. But horror films, 167 00:09:48,440 --> 00:09:52,120 Speaker 1: which were very niche back in the day, get hundred 168 00:09:52,160 --> 00:09:55,520 Speaker 1: million dollar budgets today's and they don't need it. You 169 00:09:55,559 --> 00:09:58,600 Speaker 1: can scare people for a lot less and art always changes, 170 00:09:59,080 --> 00:10:01,720 Speaker 1: just like just like punk rock music and just like wrestling. 171 00:10:01,760 --> 00:10:04,760 Speaker 1: But I think when you stay true to the to 172 00:10:04,840 --> 00:10:08,120 Speaker 1: the foundation of it, that can that can be best. 173 00:10:17,400 --> 00:10:20,360 Speaker 1: Next question is at Reef is Um. I know this 174 00:10:20,480 --> 00:10:22,600 Speaker 1: dude from Twitter. I know Reef is M. He's very 175 00:10:22,720 --> 00:10:27,200 Speaker 1: vocal whether he's he's pro or con my opinion at 176 00:10:27,200 --> 00:10:31,240 Speaker 1: the time. What is the best wrestling match you've seen 177 00:10:31,320 --> 00:10:36,080 Speaker 1: in person? I mean, that's that's pretty easy. It upsets 178 00:10:36,120 --> 00:10:38,600 Speaker 1: some people based on the content, But I think if 179 00:10:38,640 --> 00:10:44,880 Speaker 1: people investigate the damage that was done to that man's brain, 180 00:10:45,840 --> 00:10:49,679 Speaker 1: which was the cause of him doing such horrible damage 181 00:10:49,679 --> 00:10:53,040 Speaker 1: to his family, then hopefully you can get around me 182 00:10:53,120 --> 00:10:55,360 Speaker 1: saying this. If you can't, I understand you can be 183 00:10:55,480 --> 00:10:58,960 Speaker 1: upset with me. You're allowed those feelings. I'm not trying 184 00:10:58,960 --> 00:11:01,800 Speaker 1: to hurt anyone's feeling by saying this, so I'm just 185 00:11:01,880 --> 00:11:04,120 Speaker 1: answering the question. But the best match I ever saw 186 00:11:04,160 --> 00:11:07,880 Speaker 1: in person was Curt Angle and the late Chris ben 187 00:11:07,920 --> 00:11:12,240 Speaker 1: Wah at Staples Center, and it was a repeat of 188 00:11:12,280 --> 00:11:15,880 Speaker 1: a match they had in Boston. I remember Shot came 189 00:11:15,880 --> 00:11:18,000 Speaker 1: in and the crowd went crazy because Shot came in, 190 00:11:18,360 --> 00:11:20,120 Speaker 1: and I was like, I only heard the applause. I 191 00:11:20,160 --> 00:11:22,440 Speaker 1: was like, wait, let's go. Why did Charon so loud? 192 00:11:22,480 --> 00:11:24,440 Speaker 1: This is a regular spot. And then I saw this 193 00:11:24,760 --> 00:11:27,400 Speaker 1: seven ft plus pound to walk back. It was the 194 00:11:27,440 --> 00:11:29,840 Speaker 1: best match I ever saw in person because neither man 195 00:11:30,040 --> 00:11:33,840 Speaker 1: stopped moving for thirty minutes like it was. It was 196 00:11:33,880 --> 00:11:37,120 Speaker 1: so insane that I hope answers your question, and anyone 197 00:11:37,160 --> 00:11:39,679 Speaker 1: that I offended, please remember that's that's not that's not 198 00:11:39,720 --> 00:11:41,920 Speaker 1: my intention. It was just the best. It was the 199 00:11:41,920 --> 00:11:44,439 Speaker 1: best match I ever. So next question is from to 200 00:11:44,679 --> 00:11:49,200 Speaker 1: one two Q underscore J g Man. To make sure 201 00:11:49,240 --> 00:11:51,440 Speaker 1: that no one's name is like a prank against me 202 00:11:51,480 --> 00:11:54,240 Speaker 1: where I'm saying stuff like the way y'all got Michael 203 00:11:54,320 --> 00:11:57,240 Speaker 1: bisbeing because I'm not young and quick anymore. All right, 204 00:11:57,360 --> 00:11:59,320 Speaker 1: J g Man, if you were able to go back 205 00:11:59,360 --> 00:12:02,559 Speaker 1: in time too before you worked at the w w E, 206 00:12:02,840 --> 00:12:06,280 Speaker 1: knowing how it turned out, would you still have agreed 207 00:12:06,360 --> 00:12:10,600 Speaker 1: to work for them? Yeah? Absolutely, I mean nothing turned 208 00:12:10,600 --> 00:12:13,559 Speaker 1: out poorly, yet I loved what I was able to 209 00:12:13,600 --> 00:12:17,000 Speaker 1: accomplish there. I loved the opportunities that I was able 210 00:12:17,040 --> 00:12:19,199 Speaker 1: to provide for the people I was there in the 211 00:12:19,200 --> 00:12:22,000 Speaker 1: short amount of time I was there. I've heard from 212 00:12:22,000 --> 00:12:26,199 Speaker 1: wrestlers since I left who said, thank you, this helped 213 00:12:26,200 --> 00:12:28,200 Speaker 1: me so much, or that little things that I didn't 214 00:12:28,240 --> 00:12:30,640 Speaker 1: even realize at the time. I mean, I did Gerald 215 00:12:30,640 --> 00:12:34,000 Speaker 1: Brisco and J B L's podcast, and at Brisco I'm 216 00:12:34,000 --> 00:12:36,760 Speaker 1: sure he says it to everybody just to be polite, 217 00:12:37,000 --> 00:12:39,760 Speaker 1: but he said, hey, you left the business better than 218 00:12:39,800 --> 00:12:43,079 Speaker 1: you than you inherited it, and that meant a lot 219 00:12:43,120 --> 00:12:45,080 Speaker 1: to me. You know again, even if it was just polite, 220 00:12:45,080 --> 00:12:46,840 Speaker 1: he didn't have to, he didn't have to say that 221 00:12:47,160 --> 00:12:49,640 Speaker 1: at the end of the show. But I I took 222 00:12:49,679 --> 00:12:52,360 Speaker 1: it and and I believed it because I felt like 223 00:12:52,400 --> 00:12:55,080 Speaker 1: I did good work when I was there, So regardless 224 00:12:55,120 --> 00:12:58,240 Speaker 1: of of the challenges and all that stuff. Now, I 225 00:12:58,280 --> 00:13:01,320 Speaker 1: would I wouldn't change the thing. I would go there. 226 00:13:02,000 --> 00:13:06,040 Speaker 1: Next question is from Media Uncharted. What are some wrestling 227 00:13:06,120 --> 00:13:10,280 Speaker 1: cliches that you think are overused or sick of seeing 228 00:13:10,679 --> 00:13:14,400 Speaker 1: referees getting something in their eyeballs. That's pretty much that's 229 00:13:14,400 --> 00:13:18,280 Speaker 1: pretty much two. I don't think refs need to I'm 230 00:13:18,320 --> 00:13:21,000 Speaker 1: not saying they can't ever be distracted the eye. The 231 00:13:21,080 --> 00:13:23,920 Speaker 1: I thing is silly. Some of the distractions that are 232 00:13:24,040 --> 00:13:26,400 Speaker 1: used in the mainstream are still silly to me. Some 233 00:13:26,520 --> 00:13:30,319 Speaker 1: are totally acceptable. I get that interference from the outside 234 00:13:30,320 --> 00:13:33,839 Speaker 1: of manager yelling at him, an opponent barking at him, 235 00:13:33,920 --> 00:13:35,599 Speaker 1: sometimes to the point where they get thrown out of 236 00:13:35,600 --> 00:13:37,559 Speaker 1: the ring. I don't get mad at that, but the 237 00:13:38,040 --> 00:13:42,280 Speaker 1: silly distractions, I get a little sick of contract signings maybe, 238 00:13:42,320 --> 00:13:43,800 Speaker 1: but ever once in a a while you still see a 239 00:13:43,840 --> 00:13:45,600 Speaker 1: good one. So I don't think that's played out. I 240 00:13:45,600 --> 00:13:48,280 Speaker 1: think it's just not always done well. So I would 241 00:13:48,320 --> 00:13:51,040 Speaker 1: go with the I got something in my eye cliche. 242 00:13:51,200 --> 00:13:53,160 Speaker 1: That's the one. That's the one I'm done with. Man. 243 00:13:53,600 --> 00:13:57,920 Speaker 1: Next question is from Jim Underscore ko W Jim Cow, 244 00:13:58,160 --> 00:14:01,360 Speaker 1: is there someone either ww UI or a e W 245 00:14:01,960 --> 00:14:07,880 Speaker 1: that you think is under you, that you think is underutilized, 246 00:14:07,920 --> 00:14:10,040 Speaker 1: and if so, how would you book them to get 247 00:14:10,120 --> 00:14:13,000 Speaker 1: over I like that. Thank you for the challenge. Okay, 248 00:14:13,000 --> 00:14:15,800 Speaker 1: all right, here we go. First of all, the Return 249 00:14:15,840 --> 00:14:19,479 Speaker 1: of Alexa Bliss was was a complete and total tragedy. 250 00:14:19,520 --> 00:14:22,800 Speaker 1: They literally just said, here's a match, no story whatsoever, 251 00:14:22,840 --> 00:14:25,360 Speaker 1: here's a match. But they just brought her back, so 252 00:14:25,440 --> 00:14:27,920 Speaker 1: maybe they have something. So I'm not gonna dump on 253 00:14:27,960 --> 00:14:31,680 Speaker 1: that just yet. But Kevin owens Man, I feel he 254 00:14:31,680 --> 00:14:35,800 Speaker 1: should be playing in major stories all the time. I 255 00:14:35,840 --> 00:14:39,040 Speaker 1: think it's unfair to use him in stories that if 256 00:14:39,080 --> 00:14:41,520 Speaker 1: anyone else was trying to sell it, there's just no 257 00:14:41,680 --> 00:14:44,080 Speaker 1: way that the story would work or that you would 258 00:14:44,080 --> 00:14:48,480 Speaker 1: invest any time. But his level of commitment and his 259 00:14:48,480 --> 00:14:51,640 Speaker 1: his talent and his ability to execute that talent in 260 00:14:51,680 --> 00:14:54,280 Speaker 1: the ring and on the mic is next level. So 261 00:14:54,320 --> 00:14:57,040 Speaker 1: he's like writer or proof right, Like there's actors used. 262 00:14:57,080 --> 00:15:00,320 Speaker 1: All have seen movies where you're like, YEO, this movie hucks, 263 00:15:00,440 --> 00:15:03,920 Speaker 1: but actor X is rocking the ship out of this, 264 00:15:03,960 --> 00:15:07,920 Speaker 1: so almost stick with it, whether whether it's male or female. 265 00:15:07,960 --> 00:15:10,200 Speaker 1: And you might like the dog to air Bud movies 266 00:15:10,240 --> 00:15:12,280 Speaker 1: and you're like, Yo, this movie sucks, but man, a 267 00:15:12,400 --> 00:15:15,400 Speaker 1: dog hit a home run, Like whatever it is, it's 268 00:15:15,440 --> 00:15:18,920 Speaker 1: the lead of that that film that that makes you watch, 269 00:15:19,240 --> 00:15:21,760 Speaker 1: you know, irrespective of the words coming out of their mouth. 270 00:15:22,000 --> 00:15:25,040 Speaker 1: Oh how you like that? Mr who wrote Grandeur? In 271 00:15:25,160 --> 00:15:27,920 Speaker 1: your question? I just hit him with irrespective, I'll just 272 00:15:28,040 --> 00:15:30,520 Speaker 1: hit you back. So that's how I feel about that. 273 00:15:31,280 --> 00:15:34,760 Speaker 1: It's hard to say is underutilized. I just feel maybe No, 274 00:15:34,920 --> 00:15:37,600 Speaker 1: I'm sticking with that. He should be a major title player. 275 00:15:37,640 --> 00:15:40,760 Speaker 1: He should always be competing or up near the top 276 00:15:40,840 --> 00:15:46,680 Speaker 1: with say Cody, Seth Roman, Bobby, anybody who's a at 277 00:15:47,160 --> 00:15:50,120 Speaker 1: world championship level. He should be involved with one of 278 00:15:50,160 --> 00:15:55,200 Speaker 1: their character storylines at all times. Alright, Next question from 279 00:15:55,440 --> 00:15:59,280 Speaker 1: mL Gavin if you could watch this is a good question. 280 00:15:59,760 --> 00:16:03,280 Speaker 1: If you could watch two celebs fight in a TLC 281 00:16:03,520 --> 00:16:06,880 Speaker 1: match that's tables, ladders and chairs for all you civilians, 282 00:16:06,960 --> 00:16:10,120 Speaker 1: who would they be? This is good, all right, I 283 00:16:10,160 --> 00:16:14,280 Speaker 1: like this very much. Two celebs in a tables, ladders 284 00:16:14,440 --> 00:16:19,280 Speaker 1: and chairs, and so basically, who do I want to see? 285 00:16:20,160 --> 00:16:23,200 Speaker 1: What two actors do I want to see just get annihilated? 286 00:16:24,880 --> 00:16:28,640 Speaker 1: I would We're gonna do. I might give you two matches. Alright. 287 00:16:28,640 --> 00:16:30,960 Speaker 1: First of all, check peete this. I already have the match. 288 00:16:31,520 --> 00:16:33,240 Speaker 1: And these are two friends of mine who I love 289 00:16:33,360 --> 00:16:35,640 Speaker 1: very much, and both of them love wrestling. But I 290 00:16:35,640 --> 00:16:38,840 Speaker 1: would love to see Seth Green, which is Scott Evil 291 00:16:38,960 --> 00:16:42,000 Speaker 1: if you guys don't know who that is versus Mcaulay Culkin. 292 00:16:42,520 --> 00:16:44,760 Speaker 1: I don't have to tell you what movies he was in. 293 00:16:44,760 --> 00:16:48,280 Speaker 1: In a tables, ladders and Chairs match, They're they're smaller 294 00:16:48,280 --> 00:16:52,760 Speaker 1: than Luca Doors. They would literally fly. If he jumped 295 00:16:52,760 --> 00:16:54,600 Speaker 1: off a ten foot ladder, it would look like it 296 00:16:54,640 --> 00:16:58,520 Speaker 1: was thirty feet up. I would love to and I 297 00:16:58,560 --> 00:17:00,720 Speaker 1: love them, and they would get hurt. Would I would 298 00:17:00,800 --> 00:17:03,960 Speaker 1: visit them in the hospital and give them kind words. 299 00:17:04,000 --> 00:17:08,679 Speaker 1: But Seth Green versus Macaulay Culkin in a TLC match, 300 00:17:09,200 --> 00:17:12,320 Speaker 1: and on the women's side, I'm putting Rachel Lee Cook 301 00:17:12,400 --> 00:17:16,439 Speaker 1: in there against Jennifer Love Hewitt, and Rachel Lee Cook's 302 00:17:16,480 --> 00:17:20,720 Speaker 1: going over big, big, and it's a squash match. And 303 00:17:20,720 --> 00:17:24,240 Speaker 1: I'm not giving the women less time because I'm a misogynist. 304 00:17:24,520 --> 00:17:28,359 Speaker 1: It's just because Rachel's so powerful and unpredictable that she 305 00:17:28,480 --> 00:17:32,440 Speaker 1: just annihilates Love in less than three minutes. I give 306 00:17:32,480 --> 00:17:35,200 Speaker 1: him three minutes with entrances, and I get Seth in 307 00:17:35,720 --> 00:17:41,520 Speaker 1: seven Mack, I give him thirty five minutes. That's my 308 00:17:41,600 --> 00:17:44,679 Speaker 1: favorite question of the day. Not the best question, mL Gavin, 309 00:17:44,760 --> 00:17:48,080 Speaker 1: but my favorite question. Our next question is from Aliva 310 00:17:48,320 --> 00:17:52,359 Speaker 1: Underscore Andrew call you Olive. We're gonna call you alive. 311 00:17:52,359 --> 00:17:56,520 Speaker 1: How's that all right, Olive? If you could pick, oh, okay, 312 00:17:56,560 --> 00:17:58,960 Speaker 1: if you could pick any wrestler in the history of 313 00:17:59,000 --> 00:18:03,040 Speaker 1: the business to be the top guy in your new company, 314 00:18:03,560 --> 00:18:05,800 Speaker 1: who would it be. So this is pretty easy because 315 00:18:06,320 --> 00:18:08,680 Speaker 1: you don't just want to go to who was super successful. 316 00:18:10,000 --> 00:18:15,760 Speaker 1: You have to go to whom had the biggest cultural impact? Right, 317 00:18:16,080 --> 00:18:20,639 Speaker 1: cultural impact where people who didn't even know wrestling knew 318 00:18:20,680 --> 00:18:25,399 Speaker 1: who your top guy was cultural impact, so they'll go to. 319 00:18:25,600 --> 00:18:29,280 Speaker 1: For most people around our age would probably be Hulk Hogan. 320 00:18:29,920 --> 00:18:32,040 Speaker 1: But I'm not a Hogan guy. I was I was 321 00:18:32,119 --> 00:18:35,080 Speaker 1: like the bad guys. I was an Andre the giant guy. 322 00:18:35,240 --> 00:18:37,040 Speaker 1: So if I was going to do cultural like we 323 00:18:37,080 --> 00:18:40,480 Speaker 1: could go hardcore like down in Mexico and go Al Santo. Right, 324 00:18:40,520 --> 00:18:43,960 Speaker 1: who's probably I mean, you could argue as on the 325 00:18:44,040 --> 00:18:47,760 Speaker 1: Mount Rushmore of cultural impact and professional wrestling. If you 326 00:18:47,800 --> 00:18:50,400 Speaker 1: don't know who he is, that's okay, I'm not here 327 00:18:50,440 --> 00:18:53,800 Speaker 1: to dump on you. Just look up his impact in 328 00:18:53,880 --> 00:18:59,359 Speaker 1: Mexico and you'll you'll you'll see man do birthday as 329 00:18:59,400 --> 00:19:02,040 Speaker 1: a holiday. I think you have to go stone cold 330 00:19:02,080 --> 00:19:06,280 Speaker 1: Steve Austin because it was the ultimate fantasy, which was 331 00:19:06,640 --> 00:19:10,000 Speaker 1: punching your boss. Well, if your boss was cool, then 332 00:19:10,040 --> 00:19:12,439 Speaker 1: you don't have this fantasy. But for the working man, 333 00:19:12,640 --> 00:19:15,639 Speaker 1: for the blue collar man and woman for that matter, 334 00:19:16,040 --> 00:19:19,880 Speaker 1: stone Cold represented everything you wanted to do but couldn't. 335 00:19:20,560 --> 00:19:22,800 Speaker 1: And you knew maybe your boss is bigger than you, 336 00:19:22,880 --> 00:19:25,200 Speaker 1: so you couldn't throw a punch because he whooped your butt. 337 00:19:25,920 --> 00:19:28,679 Speaker 1: If you lived through Stone Cold's eyes, that wasn't gonna happen. 338 00:19:29,080 --> 00:19:31,640 Speaker 1: You were, you were getting the w So I think 339 00:19:31,680 --> 00:19:34,040 Speaker 1: I'd have to start it with Stone Cold Steve Austin. 340 00:19:34,119 --> 00:19:36,199 Speaker 1: I mean, his presence is still felt with the what 341 00:19:36,400 --> 00:19:40,879 Speaker 1: chant today in any wrestling federation. I don't know if 342 00:19:40,880 --> 00:19:43,280 Speaker 1: they do in Japan, I don't think. So that's so respectful, 343 00:19:43,320 --> 00:19:46,840 Speaker 1: the crowds are so insanely respectful. But everywhere else it's 344 00:19:46,880 --> 00:19:49,760 Speaker 1: still done. So I think you gotta go with with 345 00:19:49,800 --> 00:19:52,320 Speaker 1: the rattlesnake stone Cold, Stephen. He was getting he was 346 00:19:52,400 --> 00:19:55,520 Speaker 1: drinking beer on live TV. Man like that. He got 347 00:19:55,520 --> 00:19:58,600 Speaker 1: away with a lot at one True Richie. Has there 348 00:19:58,640 --> 00:20:01,040 Speaker 1: ever been a talent that pitched an idea to you 349 00:20:01,640 --> 00:20:04,359 Speaker 1: that you didn't think would work but did? That's a 350 00:20:04,359 --> 00:20:07,000 Speaker 1: pretty good question. I mean, we spoke at length about 351 00:20:07,640 --> 00:20:11,120 Speaker 1: the Dolph Ziggler. We did an episode dedicated to the man, 352 00:20:11,280 --> 00:20:14,920 Speaker 1: but he didn't come up with that. Brian Gowertz came 353 00:20:15,000 --> 00:20:17,280 Speaker 1: up with it, and Vince came up with the gimmick 354 00:20:17,320 --> 00:20:20,360 Speaker 1: of him just introducing himself. And I did not think 355 00:20:20,440 --> 00:20:23,440 Speaker 1: that was gonna work at all, and I was dead 356 00:20:23,480 --> 00:20:26,040 Speaker 1: as wrong. But as far as a wrestler pitching me 357 00:20:26,080 --> 00:20:31,240 Speaker 1: an idea that I then later saw that worked. Man, 358 00:20:31,320 --> 00:20:34,960 Speaker 1: I'm trying to think this doesn't exactly go to your question. 359 00:20:35,000 --> 00:20:38,639 Speaker 1: But I worked with E C three back when Ann Next. 360 00:20:38,680 --> 00:20:42,160 Speaker 1: He was like a like a mentor show, like young 361 00:20:42,280 --> 00:20:44,840 Speaker 1: rookie wrestlers, even though they weren't rookies. They're working with 362 00:20:44,880 --> 00:20:47,439 Speaker 1: a w W a mentor to learn how to wrestle, 363 00:20:47,640 --> 00:20:49,880 Speaker 1: and he was one of them, and they gave him 364 00:20:49,920 --> 00:20:52,360 Speaker 1: like this goofy gimmick where he was like a comedy 365 00:20:52,359 --> 00:20:56,320 Speaker 1: guy and he was always kind of pitching more serious stuff. 366 00:20:57,200 --> 00:20:59,600 Speaker 1: But I didn't think it wouldn't work. He just wasn't 367 00:20:59,600 --> 00:21:03,360 Speaker 1: gonna have the opportunity to get that bit over at 368 00:21:03,400 --> 00:21:06,080 Speaker 1: that time because they just didn't see that. They wanted 369 00:21:06,760 --> 00:21:09,280 Speaker 1: silly stuff. And then when he went to t NA, 370 00:21:09,440 --> 00:21:13,879 Speaker 1: he became that guy, and that gimmick got over real quick, 371 00:21:13,920 --> 00:21:15,880 Speaker 1: and he got that over really well too, and he's 372 00:21:15,880 --> 00:21:19,440 Speaker 1: still working that gimmick today. But none of us was like, yeah, 373 00:21:19,480 --> 00:21:22,399 Speaker 1: that's not gonna work. It just that that wasn't gonna 374 00:21:22,440 --> 00:21:24,440 Speaker 1: happen for him. He wasn't going to receive that type 375 00:21:24,480 --> 00:21:27,320 Speaker 1: of an opportunity there. So that's as close to answering 376 00:21:27,320 --> 00:21:29,320 Speaker 1: that one as I can get. Rich all right, This 377 00:21:29,359 --> 00:21:33,560 Speaker 1: one is for at merk Z Underscore Maverick. If you 378 00:21:33,600 --> 00:21:36,879 Speaker 1: had an opportunity to develop any type of video game 379 00:21:36,960 --> 00:21:40,359 Speaker 1: for consoles, what type of game would you choose? And 380 00:21:40,480 --> 00:21:42,560 Speaker 1: why is your show so dope? Love you? All right, 381 00:21:42,600 --> 00:21:44,480 Speaker 1: So we'll get a little off topic here. This will 382 00:21:44,520 --> 00:21:46,480 Speaker 1: be our side quest for the day. Two of my 383 00:21:46,560 --> 00:21:50,160 Speaker 1: favorite worlds have been done already. The Wild West, which 384 00:21:50,160 --> 00:21:53,440 Speaker 1: read Dead Redemption Too is a perfect game. They've already 385 00:21:53,480 --> 00:21:55,760 Speaker 1: done that. So I don't want to do something that 386 00:21:55,880 --> 00:21:59,240 Speaker 1: someone else has done perfectly because I wouldn't be able 387 00:21:59,280 --> 00:22:01,320 Speaker 1: to make it as good. And their stories and that 388 00:22:01,359 --> 00:22:03,520 Speaker 1: were great too, and they pulled from the same movies 389 00:22:03,560 --> 00:22:06,560 Speaker 1: that I would have pulled from. I wrote a Dungeons 390 00:22:06,560 --> 00:22:10,000 Speaker 1: and Dragons story, a much longer one for the up 391 00:22:10,080 --> 00:22:12,720 Speaker 1: Up Downtown people at w w E. I was there 392 00:22:12,880 --> 00:22:16,160 Speaker 1: dungeon Master for season three and wrote like a five 393 00:22:16,200 --> 00:22:18,720 Speaker 1: and a half hour story for them that they broke 394 00:22:18,760 --> 00:22:21,680 Speaker 1: into I think four or five episodes. Originally we're talking 395 00:22:21,680 --> 00:22:23,720 Speaker 1: about doing another one and making it much longer. And 396 00:22:23,760 --> 00:22:26,000 Speaker 1: it was literally the wild West and a lot of 397 00:22:26,040 --> 00:22:29,040 Speaker 1: Red Dead Redemption too was in there, a lot of 398 00:22:29,040 --> 00:22:30,639 Speaker 1: it with my own stuff. I did a lot of 399 00:22:30,760 --> 00:22:32,560 Speaker 1: uh but we still they do it, so I don't 400 00:22:32,560 --> 00:22:35,000 Speaker 1: want to spoil it. But yeah, so I wouldn't want 401 00:22:35,000 --> 00:22:38,159 Speaker 1: to do that, so I'll go with this. I was 402 00:22:38,200 --> 00:22:43,560 Speaker 1: a huge cyberpunk nerd. I have, over the pandemic written 403 00:22:43,600 --> 00:22:50,320 Speaker 1: a custom futuristic ish table top role playing game that 404 00:22:50,440 --> 00:22:53,639 Speaker 1: I can't say the name of yet, maybe I have 405 00:22:53,760 --> 00:22:57,280 Speaker 1: on social media already. It's called Asphalt and Augments, and 406 00:22:57,320 --> 00:23:02,840 Speaker 1: it's basically if Street out Laws and Cyberpunk took mushrooms 407 00:23:02,840 --> 00:23:05,920 Speaker 1: and had a baby, I would probably create something in there. 408 00:23:05,920 --> 00:23:10,680 Speaker 1: Because the Cyberpunk game was not what it should have been. 409 00:23:10,960 --> 00:23:13,080 Speaker 1: I know they did an update and improved it a lot, 410 00:23:13,119 --> 00:23:16,840 Speaker 1: but it was it was not. It just wasn't as 411 00:23:16,880 --> 00:23:19,000 Speaker 1: special as it should have been. And that's not all 412 00:23:19,000 --> 00:23:20,840 Speaker 1: the developers fault. You know, most of it is the 413 00:23:20,880 --> 00:23:24,320 Speaker 1: studio's fault. These release dates that they insist on having 414 00:23:24,359 --> 00:23:27,280 Speaker 1: to make themselves look Hollywood, even though they fall hate 415 00:23:27,320 --> 00:23:32,080 Speaker 1: Hollywood is so stupid. Games and movies with this quarterly crap. 416 00:23:32,119 --> 00:23:35,200 Speaker 1: Once things got publicly traded, you were getting movies made 417 00:23:35,240 --> 00:23:40,439 Speaker 1: without scripts, without scripts. There was a movie called The Avengers, 418 00:23:40,480 --> 00:23:43,520 Speaker 1: not the Marvel one. It was with Ray Finds, Uma 419 00:23:43,600 --> 00:23:47,919 Speaker 1: Thurman and Sean Connery is the villain, and it was 420 00:23:47,960 --> 00:23:51,040 Speaker 1: based off you know, it was an intellectual property, based 421 00:23:51,040 --> 00:23:53,960 Speaker 1: off an older show or whatever. Yeah, show called the 422 00:23:54,000 --> 00:23:58,320 Speaker 1: Avengers whatever it was, British, British show. They legit started 423 00:23:58,320 --> 00:24:02,520 Speaker 1: filming without a script. They started filming a movie without 424 00:24:02,520 --> 00:24:05,960 Speaker 1: a script because they had to get out x amount 425 00:24:05,960 --> 00:24:08,680 Speaker 1: of films quarterly, and this had been approved by their 426 00:24:08,720 --> 00:24:12,320 Speaker 1: publicly traded company. Would be based on we have this cast, 427 00:24:12,359 --> 00:24:14,480 Speaker 1: this sector of this sector in this sector. And it 428 00:24:14,520 --> 00:24:17,399 Speaker 1: was they were starting to do analytics saying this actor 429 00:24:17,440 --> 00:24:20,160 Speaker 1: equals this amount of revenue with the box office, instead 430 00:24:20,200 --> 00:24:22,960 Speaker 1: of hey, let's get some good actors and make a movie. 431 00:24:23,400 --> 00:24:26,639 Speaker 1: Once all this stuff became corporate, man, to get a 432 00:24:26,680 --> 00:24:29,320 Speaker 1: good game, you have to really give it up to 433 00:24:29,359 --> 00:24:33,960 Speaker 1: the developers who have to not drive over speed bumps. 434 00:24:33,960 --> 00:24:36,120 Speaker 1: I mean they're driving over the Grand Canyon, only there's 435 00:24:36,160 --> 00:24:38,119 Speaker 1: no bridge. They got to jump it and hope they 436 00:24:38,160 --> 00:24:40,880 Speaker 1: don't end up like Thelm and Louise. So shout out 437 00:24:40,920 --> 00:24:43,960 Speaker 1: to video game developers everywhere. And this ends our side quest. 438 00:24:52,640 --> 00:24:55,800 Speaker 1: P F t Asia Tour. We're gonna make your name 439 00:24:55,920 --> 00:25:00,600 Speaker 1: very European. Did you ever sneeze around Vince McMahon, I 440 00:25:00,640 --> 00:25:04,320 Speaker 1: don't think so. If I did, I didn't care. I mean, 441 00:25:04,320 --> 00:25:06,920 Speaker 1: it's a it's a normal thing. I know, I've heard 442 00:25:06,960 --> 00:25:09,879 Speaker 1: all like the gross stories and all that, but he 443 00:25:10,000 --> 00:25:11,959 Speaker 1: just plays it up, you know, and he doesn't like it. 444 00:25:12,000 --> 00:25:14,040 Speaker 1: But who wants to get sneezed done? Who wants to 445 00:25:14,080 --> 00:25:16,800 Speaker 1: get sick? Nobody? But I think that's been blown up 446 00:25:16,840 --> 00:25:21,400 Speaker 1: more than it actually is. Or when I worked there 447 00:25:21,440 --> 00:25:23,280 Speaker 1: at one point it had been a real thing. But 448 00:25:23,359 --> 00:25:26,280 Speaker 1: even he kind of played it up a little bit 449 00:25:26,320 --> 00:25:28,560 Speaker 1: at this point. But I never got in trouble for sneezing. 450 00:25:28,800 --> 00:25:33,080 Speaker 1: Damon Moves is our next question er. I'm gonna try 451 00:25:33,119 --> 00:25:35,879 Speaker 1: to refrain from asking you any She's all that questions. 452 00:25:36,560 --> 00:25:39,480 Speaker 1: Everyone thinks a w W E writer is a dream job. 453 00:25:39,520 --> 00:25:42,280 Speaker 1: But what are things that fans don't know that would 454 00:25:42,400 --> 00:25:47,359 Speaker 1: ruin their expectations of the job, pressure, deadlines, etcetera. We 455 00:25:47,440 --> 00:25:51,120 Speaker 1: just spoke about deadlines in our previous video game segment. Well, 456 00:25:51,200 --> 00:25:53,560 Speaker 1: I mean, if it's your dream job, I don't know 457 00:25:53,640 --> 00:25:59,080 Speaker 1: what this is. This is tricky because I look, all 458 00:25:59,160 --> 00:26:02,760 Speaker 1: writers jobs can be difficult in the modern age. If 459 00:26:02,760 --> 00:26:05,919 Speaker 1: you knew how many rewrites the script went through from 460 00:26:05,960 --> 00:26:08,320 Speaker 1: the moment of studio buys it to the movie you 461 00:26:08,359 --> 00:26:13,000 Speaker 1: see on screen, you would vomit in in pity for 462 00:26:13,080 --> 00:26:15,960 Speaker 1: the original writer. Because sometimes there's five six writers on 463 00:26:16,000 --> 00:26:17,520 Speaker 1: a single script. A lot of them don't even go 464 00:26:17,560 --> 00:26:19,480 Speaker 1: credited and just get paid a little bit extra to 465 00:26:19,520 --> 00:26:22,080 Speaker 1: not be credited. The writer's life again in the in 466 00:26:22,160 --> 00:26:27,959 Speaker 1: the corporate modern world is is hell. It's hell. And 467 00:26:28,000 --> 00:26:29,960 Speaker 1: the notes you're getting you have to remember you're getting 468 00:26:30,080 --> 00:26:33,840 Speaker 1: notes from people who have never written a script, who 469 00:26:33,840 --> 00:26:36,560 Speaker 1: have never been to college and taught a class on screenwriting. 470 00:26:37,240 --> 00:26:40,080 Speaker 1: They just want to put their fingerprints, meaning their ego 471 00:26:40,280 --> 00:26:43,480 Speaker 1: compels them to give a note. They want their fingerprints 472 00:26:43,520 --> 00:26:45,560 Speaker 1: on something so they can say when they go, oh, 473 00:26:45,600 --> 00:26:47,720 Speaker 1: I like this, they go, oh, well, I had a 474 00:26:47,720 --> 00:26:49,600 Speaker 1: great deal to do with that. This was my note, 475 00:26:49,920 --> 00:26:54,120 Speaker 1: and that's okay. That's a human instinct and there's nothing 476 00:26:54,160 --> 00:26:57,920 Speaker 1: wrong with that, but an assertive artist to protect their 477 00:26:57,920 --> 00:27:01,720 Speaker 1: own ideas, their own creativity. When something they know is 478 00:27:01,880 --> 00:27:06,560 Speaker 1: bad for what they've created, they must say, I'll try 479 00:27:06,600 --> 00:27:09,280 Speaker 1: to make that work, but if I can't, we're going 480 00:27:09,320 --> 00:27:12,359 Speaker 1: to have to cross this bridge again. And it's important 481 00:27:12,400 --> 00:27:15,919 Speaker 1: that writers are straight up, incredibly important that they're straight up, 482 00:27:15,960 --> 00:27:18,639 Speaker 1: and a lot of them getting nervous because the person 483 00:27:18,760 --> 00:27:22,440 Speaker 1: buying their script is their boss, and they feel entitled 484 00:27:22,480 --> 00:27:26,600 Speaker 1: two notes, and they are. It's a natural human instinct, 485 00:27:26,960 --> 00:27:30,080 Speaker 1: but a lot of times those notes get you so 486 00:27:30,160 --> 00:27:35,320 Speaker 1: far off what the original idea was, and all the 487 00:27:35,440 --> 00:27:39,440 Speaker 1: note givers are so inside the forest that they don't 488 00:27:39,520 --> 00:27:43,360 Speaker 1: see outside, that they only see it from their tiny prism, 489 00:27:43,720 --> 00:27:47,320 Speaker 1: and it destroys ideas. So that's something if you're an 490 00:27:47,320 --> 00:27:49,679 Speaker 1: aspiring W W E writer that you can get or 491 00:27:49,720 --> 00:27:52,640 Speaker 1: any type of writer you can get ready for emotionally, 492 00:27:52,920 --> 00:27:55,240 Speaker 1: because it's a roller coaster, and it's hell not a 493 00:27:55,280 --> 00:27:59,800 Speaker 1: good one. It's not six flags, it's not what was 494 00:27:59,840 --> 00:28:02,879 Speaker 1: that sick one in Colorado? Elitch Is, it's not is 495 00:28:03,119 --> 00:28:07,080 Speaker 1: it sucks. It sucks very rare. Do you get something 496 00:28:07,160 --> 00:28:09,919 Speaker 1: through with no notes? I think I had one promo, 497 00:28:10,240 --> 00:28:12,520 Speaker 1: well they didn't touch my Jeff Hardy stuff, but an 498 00:28:12,560 --> 00:28:18,159 Speaker 1: Undertaker promo they got zero notes from anybody and everyone 499 00:28:18,200 --> 00:28:19,920 Speaker 1: that that was a big deal. But that's a big 500 00:28:19,920 --> 00:28:23,840 Speaker 1: deal in Hollywood too. I mean everything it gets changed 501 00:28:23,920 --> 00:28:26,399 Speaker 1: so so much. And even the actors on script sometimes 502 00:28:26,400 --> 00:28:29,439 Speaker 1: they're changing lines. If what you wrote that reads beautifully 503 00:28:29,760 --> 00:28:32,840 Speaker 1: sounds horribly coming out of their head, they're not gonna 504 00:28:32,880 --> 00:28:34,600 Speaker 1: want to say that, they're gonna want to change it 505 00:28:34,600 --> 00:28:37,680 Speaker 1: and make it more of their own. So any type 506 00:28:37,680 --> 00:28:40,320 Speaker 1: of writer outside maybe a novelist where you just have 507 00:28:40,560 --> 00:28:43,560 Speaker 1: an editor, I think it's just a hell crap job 508 00:28:43,600 --> 00:28:50,080 Speaker 1: and you shouldn't do it. Mike f and Murphy, Yeah, 509 00:28:50,640 --> 00:28:53,240 Speaker 1: this is my Mike Eff and Murphy voice. When you 510 00:28:53,280 --> 00:28:55,640 Speaker 1: open your own promotion, are we gonna get to see 511 00:28:55,680 --> 00:28:58,040 Speaker 1: you take some bumps? I want to see that jiu 512 00:28:58,160 --> 00:29:01,800 Speaker 1: jitsu in action too, O F and No, I'm no 513 00:29:02,360 --> 00:29:08,240 Speaker 1: not taking bumps. And it really isn't to be about me. 514 00:29:09,080 --> 00:29:12,200 Speaker 1: I wanted to be well, let me say this. If 515 00:29:12,240 --> 00:29:14,560 Speaker 1: I have to be in it to get it sold, 516 00:29:14,560 --> 00:29:17,239 Speaker 1: on TV. When it's ready to go, then I'll be 517 00:29:17,320 --> 00:29:20,800 Speaker 1: in it. It would be in a minor way, but 518 00:29:20,880 --> 00:29:23,440 Speaker 1: I would find a way to make that work. But 519 00:29:23,520 --> 00:29:26,880 Speaker 1: in no way, shape or form will I be inside 520 00:29:26,880 --> 00:29:30,880 Speaker 1: a ring in between the start and finished bell. No way, dude, 521 00:29:30,880 --> 00:29:33,840 Speaker 1: no way, that's not That's not what I want to 522 00:29:33,880 --> 00:29:36,920 Speaker 1: do with with my brand. That's not really who I 523 00:29:36,960 --> 00:29:39,680 Speaker 1: am at this age, maybe in my twenties. But I 524 00:29:39,720 --> 00:29:44,160 Speaker 1: appreciate you wanting to see me. I respect that. Craig Fraser, Frasier, 525 00:29:44,400 --> 00:29:46,520 Speaker 1: We're going Fraser now, we're gonna mess it. We're gonna 526 00:29:46,520 --> 00:29:49,280 Speaker 1: go Frazer like Fraggle Rock. If you could go back 527 00:29:49,280 --> 00:29:52,040 Speaker 1: to two one and book a d X versus n 528 00:29:52,200 --> 00:29:54,600 Speaker 1: w O Invasion angle, how would you book it? And 529 00:29:54,640 --> 00:29:57,720 Speaker 1: who goes over? Look? Man, d X is winning. I 530 00:29:57,760 --> 00:30:00,240 Speaker 1: know that Hunter. I wasn't Hunter's favorite person when I 531 00:30:00,280 --> 00:30:02,880 Speaker 1: worked there, but before the Jeff Hardy thing, he and 532 00:30:02,920 --> 00:30:05,560 Speaker 1: I were cool, man like, we showed each other respect. 533 00:30:05,960 --> 00:30:08,440 Speaker 1: It was the Jeff thing that that kind of turned 534 00:30:08,520 --> 00:30:12,600 Speaker 1: him off on me and and had him keep specific 535 00:30:12,640 --> 00:30:16,360 Speaker 1: wrestlers away from me. But as far as as Triple HS, 536 00:30:16,440 --> 00:30:19,560 Speaker 1: the wrestler like, that's d X all day, and this 537 00:30:19,600 --> 00:30:21,880 Speaker 1: would be the quickest booking ever because I would have 538 00:30:21,920 --> 00:30:24,280 Speaker 1: had that tank goes straight through the wall of that arena, 539 00:30:24,560 --> 00:30:27,640 Speaker 1: having him go in there and just beat up everybody, 540 00:30:27,760 --> 00:30:30,120 Speaker 1: and just have it be a full unshoot invasion where 541 00:30:30,120 --> 00:30:32,200 Speaker 1: we're having to pay for the construction of an arena 542 00:30:32,240 --> 00:30:35,040 Speaker 1: and Georgia. So that's how I would book that death 543 00:30:35,480 --> 00:30:37,720 Speaker 1: Death to the n w O, which leads us to 544 00:30:37,760 --> 00:30:42,240 Speaker 1: our next question from Whale Wolf Jones. This is Sean Connery. 545 00:30:42,400 --> 00:30:45,960 Speaker 1: What's something you she in today's Pro Wrestling Loungeescape but 546 00:30:46,120 --> 00:30:49,920 Speaker 1: you don't see your shelf doing with your promotion. That's 547 00:30:49,920 --> 00:30:53,840 Speaker 1: a pretty good question, Mr Connery, I mean Mr wolf Jones. Sorry, 548 00:30:53,840 --> 00:30:56,840 Speaker 1: it's such a good impression. Tricked myself. I don't want 549 00:30:56,840 --> 00:31:00,880 Speaker 1: any supernatural stuff in my promotion. That something that I 550 00:31:00,920 --> 00:31:04,400 Speaker 1: think can work for some people. It certainly has. It 551 00:31:05,080 --> 00:31:07,480 Speaker 1: was a career for the Well, almost an entire career 552 00:31:07,480 --> 00:31:09,800 Speaker 1: for the Undertaker, minus the American badass years, which he 553 00:31:10,280 --> 00:31:12,800 Speaker 1: still managed to pull up. It certainly worked for Kane, 554 00:31:13,160 --> 00:31:15,160 Speaker 1: It even worked for Bray Wyatt to the eyes of 555 00:31:15,200 --> 00:31:18,760 Speaker 1: a lot of people. I know there's vocals, but there 556 00:31:19,040 --> 00:31:22,760 Speaker 1: no no But for most people, Gray White or the Fiend, 557 00:31:22,840 --> 00:31:25,000 Speaker 1: I should say, worked for a lot of people, but 558 00:31:25,040 --> 00:31:27,760 Speaker 1: I'm not looking for supernatural stuff out of mind. That's 559 00:31:27,800 --> 00:31:29,840 Speaker 1: not to say it won't be there won't be room 560 00:31:29,880 --> 00:31:33,080 Speaker 1: for it to be a little darker. Optimal universe spelled 561 00:31:33,200 --> 00:31:37,840 Speaker 1: una verse. Have you ever played the tabletop game Rumble Slam? Okay, 562 00:31:37,880 --> 00:31:40,000 Speaker 1: I've heard of this game. It's a fantasy wrestling so 563 00:31:40,040 --> 00:31:42,120 Speaker 1: thank D and D for Wrestling. Okay. I have heard 564 00:31:42,160 --> 00:31:44,800 Speaker 1: of this game A long time ago. I did a 565 00:31:45,040 --> 00:31:48,720 Speaker 1: stream I think it was probably on Twitch for for 566 00:31:48,840 --> 00:31:51,120 Speaker 1: Wizards of the Coast and it was called D and 567 00:31:51,200 --> 00:31:54,760 Speaker 1: D w Dungeons and Dragons Wrestling, and it was run 568 00:31:54,760 --> 00:31:57,200 Speaker 1: by this actor who does voice work for all the 569 00:31:57,240 --> 00:31:59,800 Speaker 1: anime that you've seen. I don't like the term voice 570 00:32:00,040 --> 00:32:02,320 Speaker 1: there because he's an actor. He just does voices. But 571 00:32:02,360 --> 00:32:05,280 Speaker 1: we're all actors. I hate that crap. On Star Wars, 572 00:32:05,800 --> 00:32:09,160 Speaker 1: what was it side Quest? On Star Wars Rogue one, 573 00:32:10,120 --> 00:32:13,280 Speaker 1: they had the actors that were considered the live action 574 00:32:13,320 --> 00:32:18,960 Speaker 1: actors separate from the voice actors on the red carpet 575 00:32:19,000 --> 00:32:21,440 Speaker 1: when they took the picture of all the actors in 576 00:32:21,480 --> 00:32:25,080 Speaker 1: the movie, and I just thought that was so disrespectful. 577 00:32:25,960 --> 00:32:28,120 Speaker 1: To the other actors that were in that film, because 578 00:32:28,120 --> 00:32:32,160 Speaker 1: it's all such a powerful part of the process and 579 00:32:32,240 --> 00:32:34,520 Speaker 1: to just overlook them like that, it's like, oh, wow, 580 00:32:34,560 --> 00:32:37,800 Speaker 1: you really don't appreciate him. We know you don't financially, 581 00:32:37,880 --> 00:32:41,320 Speaker 1: but that's like next level. That's artistically. You're not respected 582 00:32:41,360 --> 00:32:46,000 Speaker 1: and that's crazy. His name is KG Vontagne and he's awesome. Okay, 583 00:32:46,200 --> 00:32:50,560 Speaker 1: he runs a Monster's only wrestling D and D league, 584 00:32:51,240 --> 00:32:53,520 Speaker 1: so you can't be like you have to be a 585 00:32:53,560 --> 00:32:55,840 Speaker 1: monster to be in it. And I was an owl bear, 586 00:32:56,480 --> 00:33:01,160 Speaker 1: which is a half hour half you get us to bear. 587 00:33:01,920 --> 00:33:04,640 Speaker 1: And I was an indie wrestler. My inspiration was Kevin 588 00:33:04,680 --> 00:33:08,640 Speaker 1: Owens and I was cursed to understand and speak every 589 00:33:08,720 --> 00:33:12,120 Speaker 1: language of every culture, beast, whatever, except my own, by 590 00:33:12,120 --> 00:33:15,000 Speaker 1: a wizard long ago who I ate. By the way, 591 00:33:15,120 --> 00:33:19,200 Speaker 1: it was their final episode and I beat everyone's ass 592 00:33:19,640 --> 00:33:23,880 Speaker 1: because you know, your boy represented and I am because 593 00:33:23,920 --> 00:33:25,960 Speaker 1: that was their final episode and they didn't get picked 594 00:33:26,000 --> 00:33:28,600 Speaker 1: up for another season. That's how That's how much of 595 00:33:28,640 --> 00:33:31,600 Speaker 1: an impact I made. I am the D and D 596 00:33:31,880 --> 00:33:34,960 Speaker 1: w Wrestling Champion, so put some respect on my name 597 00:33:35,000 --> 00:33:38,080 Speaker 1: when you tweet me, it's champion And what was my name? 598 00:33:38,120 --> 00:33:41,120 Speaker 1: I think it was Horace, Horace the Albert and he 599 00:33:41,160 --> 00:33:44,000 Speaker 1: was bad Yeah, he was. He was badass. But I 600 00:33:44,040 --> 00:33:46,520 Speaker 1: need to get this game. When I get off this podcast, 601 00:33:46,560 --> 00:33:49,560 Speaker 1: I'll order it off of Evil Amazon because it's not 602 00:33:49,640 --> 00:33:51,200 Speaker 1: at the game shop that I go to. I know 603 00:33:51,280 --> 00:33:53,520 Speaker 1: that for a fact. And support your local game shops 604 00:33:53,520 --> 00:33:55,840 Speaker 1: if you don't find one close by and and purchase 605 00:33:55,880 --> 00:33:58,720 Speaker 1: there instead of Amazon, and definitely keep them in business 606 00:33:58,840 --> 00:34:01,000 Speaker 1: and your friends and family. Well, thank you for having 607 00:34:01,040 --> 00:34:03,160 Speaker 1: such great games to play. And our final question of 608 00:34:03,160 --> 00:34:05,560 Speaker 1: the day, and I love doing this episode with you guys. 609 00:34:05,840 --> 00:34:08,600 Speaker 1: Is there any wrestlers you have your eye on for 610 00:34:08,680 --> 00:34:12,600 Speaker 1: your promotion and is there any new match type ideas 611 00:34:12,640 --> 00:34:16,279 Speaker 1: you have? Okay, what can I say here? New match types? No? 612 00:34:16,880 --> 00:34:19,680 Speaker 1: I was pitching ideas back and forth or tossing ideas 613 00:34:19,719 --> 00:34:23,799 Speaker 1: that at m JF, and it obviously deteriorated quickly into 614 00:34:23,920 --> 00:34:26,480 Speaker 1: jokes back and forth. The worst match we came up with, 615 00:34:26,640 --> 00:34:31,480 Speaker 1: I think was a trapeeze match suspended the line between 616 00:34:31,520 --> 00:34:35,520 Speaker 1: two elephants, and halfway through the match we pull the net. 617 00:34:35,640 --> 00:34:38,920 Speaker 1: I think is eventually where it was, but I promise 618 00:34:38,960 --> 00:34:41,480 Speaker 1: I'm not going to do that it'll be more old school, 619 00:34:41,520 --> 00:34:44,840 Speaker 1: more traditional style matches. It'll be the world around it 620 00:34:44,880 --> 00:34:47,719 Speaker 1: that is different. And are there any wrestlers. Yeah, this one. 621 00:34:47,719 --> 00:34:50,400 Speaker 1: I even said on social media. Somebody said, hey, you 622 00:34:50,440 --> 00:34:53,680 Speaker 1: should think about Killer Cross for your new promotion, and 623 00:34:53,719 --> 00:34:57,320 Speaker 1: I retweeted, he already knows, like I've I've spoke to 624 00:34:57,400 --> 00:35:00,480 Speaker 1: him months ago at the moment his con trek was 625 00:35:00,520 --> 00:35:03,920 Speaker 1: no more at w w E. Oh buddy. I randomly 626 00:35:03,960 --> 00:35:06,560 Speaker 1: had a FaceTime with him, and when he was on 627 00:35:06,600 --> 00:35:09,960 Speaker 1: the road with John Morrison, when John was briefly back 628 00:35:10,000 --> 00:35:12,200 Speaker 1: with the w w E and they had him and 629 00:35:12,280 --> 00:35:15,680 Speaker 1: crossed cruising together. Johnny just ruled randomly FaceTime me from 630 00:35:15,719 --> 00:35:17,400 Speaker 1: time to time, which is so much cooler than a 631 00:35:17,480 --> 00:35:19,439 Speaker 1: text or a phone call. I love it when old 632 00:35:19,480 --> 00:35:21,480 Speaker 1: friends FaceTime and I get to see their face and 633 00:35:21,480 --> 00:35:24,799 Speaker 1: see their big smiles. He panned over to Cross and 634 00:35:24,840 --> 00:35:26,600 Speaker 1: I was like, oh, I pop big. I was like, 635 00:35:26,600 --> 00:35:28,520 Speaker 1: oh dude, what's up? Man? I said, you and your 636 00:35:28,560 --> 00:35:32,399 Speaker 1: girl are like like the Satanic, super hot macho man 637 00:35:32,440 --> 00:35:34,640 Speaker 1: and Elizabeth and he laughed and choked and I said 638 00:35:34,880 --> 00:35:36,720 Speaker 1: this before they pulled him up to the main roster. 639 00:35:37,600 --> 00:35:39,080 Speaker 1: I said, man, I love what you guys are doing 640 00:35:39,120 --> 00:35:40,880 Speaker 1: over there for real, and so that's when he and 641 00:35:40,920 --> 00:35:42,600 Speaker 1: I first met, so as soon as he was gone, 642 00:35:42,680 --> 00:35:44,120 Speaker 1: he was one of the first guys that I reached 643 00:35:44,120 --> 00:35:45,880 Speaker 1: out to where I was like, hey, man, you know, 644 00:35:45,920 --> 00:35:48,319 Speaker 1: whatever you signed, make sure the contracts up in about 645 00:35:48,320 --> 00:35:50,520 Speaker 1: a year and a half. Eis. But but yeah, so 646 00:35:50,680 --> 00:35:53,560 Speaker 1: Cross is definitely a cat that uh that I like. 647 00:35:53,640 --> 00:35:55,120 Speaker 1: There's a lot of guys out there. I can't just 648 00:35:55,160 --> 00:35:57,160 Speaker 1: throw everybody's name out, but since I said that one 649 00:35:57,200 --> 00:36:00,520 Speaker 1: on on Twitter, it's okay. A lot of y'all reached out. 650 00:36:00,520 --> 00:36:03,319 Speaker 1: A lot of indie wrestlers reached out, so it was, 651 00:36:03,440 --> 00:36:05,480 Speaker 1: you know, I can't get back to everybody, but I 652 00:36:05,600 --> 00:36:07,279 Speaker 1: checked out a few that were like, yo, look at 653 00:36:07,280 --> 00:36:09,520 Speaker 1: my work list and that that had links there. There 654 00:36:09,520 --> 00:36:11,000 Speaker 1: were some people that were like, hey, give me a 655 00:36:11,080 --> 00:36:13,040 Speaker 1: job and there's nothing I can do with that, and 656 00:36:13,080 --> 00:36:14,840 Speaker 1: I'm a year and a half out anyway, but I 657 00:36:14,840 --> 00:36:16,520 Speaker 1: looked at a few links. I was like, dang, man, 658 00:36:16,840 --> 00:36:19,200 Speaker 1: Like I saw this one dude. I was like, damn, 659 00:36:20,560 --> 00:36:22,759 Speaker 1: I'll call his ask for sure, but I can't say 660 00:36:22,760 --> 00:36:26,600 Speaker 1: any names yet. Uh he was legit. So so yeah, 661 00:36:26,800 --> 00:36:29,399 Speaker 1: I'm I'm working hard on that and I love doing 662 00:36:29,440 --> 00:36:31,880 Speaker 1: this episode. Thank you, guys for all of your awesome 663 00:36:31,960 --> 00:36:33,799 Speaker 1: questions that made me laugh. A couple of them made 664 00:36:33,840 --> 00:36:36,160 Speaker 1: me think, a couple of them are really good guys. 665 00:36:36,160 --> 00:36:38,239 Speaker 1: Thank you so much for listening. This has been the 666 00:36:38,480 --> 00:36:41,719 Speaker 1: end of season one of Wrestling with Freddy, but not 667 00:36:41,880 --> 00:36:44,719 Speaker 1: the end of our show. I think each and every 668 00:36:44,719 --> 00:36:46,880 Speaker 1: one of you so much for joining this journey with 669 00:36:47,000 --> 00:36:49,640 Speaker 1: us and for joining the Federation, and I look forward 670 00:36:49,640 --> 00:36:52,239 Speaker 1: to talking to all of y'all next season with all 671 00:36:52,320 --> 00:36:54,279 Speaker 1: kinds of new crazy stuff that we're doing. So thank 672 00:36:54,280 --> 00:36:56,719 Speaker 1: you for listening, and thank you for joining the Federation. 673 00:36:58,400 --> 00:37:00,360 Speaker 1: This has been a production of My Hearts Michael to 674 00:37:00,719 --> 00:37:03,680 Speaker 1: podcast Network. For more podcasts for my Heart Radio, visit 675 00:37:03,719 --> 00:37:06,640 Speaker 1: the I Heart Radio app, Apple Podcasts, or wherever you 676 00:37:06,719 --> 00:37:12,240 Speaker 1: listen to your favorite shows. M h m hmmm mm hmmm.