1 00:00:10,320 --> 00:00:16,920 Speaker 1: H Hello, level you. Welcome to the Naughty but Nice 2 00:00:17,000 --> 00:00:19,480 Speaker 1: I'm your host from Shooter and it's Thursday, my favorite 3 00:00:19,520 --> 00:00:22,239 Speaker 1: day of the week. Loopy, Loopy lou Are you. 4 00:00:22,239 --> 00:00:24,160 Speaker 2: There, Loopy Louise? Here? 5 00:00:24,200 --> 00:00:28,160 Speaker 1: Hi ro Hey, coming to us from our Florida bureau, 6 00:00:28,200 --> 00:00:31,360 Speaker 1: which is your mom and dad's magnificent new house. I'm 7 00:00:31,360 --> 00:00:34,360 Speaker 1: looking at you on the skype now when we normally 8 00:00:34,440 --> 00:00:36,559 Speaker 1: do this. You have a lovely apartment Mark, You've got 9 00:00:36,680 --> 00:00:39,560 Speaker 1: great taste, and the view from your living room window 10 00:00:40,200 --> 00:00:46,280 Speaker 1: is spectacular. However, I think I like this even better. 11 00:00:46,280 --> 00:00:48,839 Speaker 2: I think I do too. It's it's quite nice here, 12 00:00:48,880 --> 00:00:50,559 Speaker 2: and it's also warm. 13 00:00:50,840 --> 00:00:54,640 Speaker 1: Oh it's so cold in Hey. Happy birthday to your mommy. 14 00:00:54,680 --> 00:00:57,800 Speaker 1: You're down there for for your mom's birthday. Happy birthday, Doris, 15 00:00:57,840 --> 00:01:00,320 Speaker 1: and also your dad, who we never talk about. It's 16 00:01:00,360 --> 00:01:03,000 Speaker 1: like Doris as a single person. The way we talk 17 00:01:03,080 --> 00:01:07,120 Speaker 1: about your dad is retiring too, so happy retirement. A 18 00:01:07,120 --> 00:01:09,200 Speaker 1: little shout out there on the Naughty but Nice Show. 19 00:01:09,200 --> 00:01:10,920 Speaker 1: Did they ever think that would happen? When she met 20 00:01:10,920 --> 00:01:14,440 Speaker 1: me ten years ago at Del Fresco was in Rockefeller 21 00:01:14,520 --> 00:01:15,319 Speaker 1: said no, but. 22 00:01:15,280 --> 00:01:17,319 Speaker 2: I love how this gift is the gift that keeps 23 00:01:17,360 --> 00:01:17,800 Speaker 2: on giving. 24 00:01:17,840 --> 00:01:22,200 Speaker 1: It's amazing, Happy, happy birthday, Happy retirement. Let's jump into 25 00:01:22,200 --> 00:01:24,040 Speaker 1: the show. What time is it? My friends? It is 26 00:01:24,360 --> 00:01:26,240 Speaker 1: tea time. A big story at the top of the show. 27 00:01:26,280 --> 00:01:30,640 Speaker 1: Mark Meghan Markel's new podcast has hit even more delays. 28 00:01:30,720 --> 00:01:34,600 Speaker 1: Let me explain. So Meghan signed a new deal with 29 00:01:34,720 --> 00:01:39,479 Speaker 1: a different company after her Spotyfy podcast fell apart. If 30 00:01:39,480 --> 00:01:43,400 Speaker 1: you remember, she got about twenty million to do podcasts 31 00:01:43,440 --> 00:01:47,480 Speaker 1: with Spotify. They're great. They're not iHeartRadio, Hello Hello, but 32 00:01:47,920 --> 00:01:50,160 Speaker 1: they're very, very good. So she put out her podcast. 33 00:01:50,200 --> 00:01:53,240 Speaker 1: Remember we listened to some of them, Mark Archie types 34 00:01:53,280 --> 00:01:59,480 Speaker 1: remembers that is that what we're called very strange interviewing celebrities, 35 00:01:59,560 --> 00:02:04,520 Speaker 1: famous people. But the problem was is that the stereotype 36 00:02:04,840 --> 00:02:07,840 Speaker 1: that the person was they weren't and they explained to 37 00:02:07,880 --> 00:02:11,120 Speaker 1: how why, But they did that every single episode, so 38 00:02:11,160 --> 00:02:14,519 Speaker 1: it got a little bit dull. Plus, let's remember they 39 00:02:14,600 --> 00:02:17,360 Speaker 1: thought Megan was going to get on the phone with 40 00:02:17,480 --> 00:02:23,200 Speaker 1: the Pope, Beyonce, with Taylor Swift and she ended up 41 00:02:23,200 --> 00:02:25,760 Speaker 1: with Paris Hilton and Andy Cohen. Not bad, I'm not 42 00:02:25,800 --> 00:02:29,320 Speaker 1: putting them down, but they're not quite what they had 43 00:02:29,520 --> 00:02:31,960 Speaker 1: in buying. So it didn't do very well. So then 44 00:02:32,160 --> 00:02:35,160 Speaker 1: Meghan went to a different company gave her We don't 45 00:02:35,200 --> 00:02:37,600 Speaker 1: know how much she got paid, but she signed a 46 00:02:37,840 --> 00:02:43,560 Speaker 1: deal in February mark twenty twenty four. Well, it's almost 47 00:02:43,960 --> 00:02:49,960 Speaker 1: February twenty twenty five. It took a year. Now. Sometimes 48 00:02:49,960 --> 00:02:52,800 Speaker 1: if you're working on a massive production, mark you've been 49 00:02:52,840 --> 00:02:55,040 Speaker 1: behind the scenes and a lot of TV shows, on 50 00:02:55,120 --> 00:02:57,640 Speaker 1: a lot of productions, it takes a long time to 51 00:02:57,800 --> 00:03:01,320 Speaker 1: get them up and running. But I'm not quite sure 52 00:03:01,440 --> 00:03:05,520 Speaker 1: you to do a podcast. We don't know what it's about. 53 00:03:05,680 --> 00:03:08,720 Speaker 1: And now we're finding out it's been delayed. Agay, in 54 00:03:08,800 --> 00:03:10,680 Speaker 1: what is going on. This is not a good sign. 55 00:03:11,320 --> 00:03:13,280 Speaker 2: It's not a good sign. And I I will say 56 00:03:13,440 --> 00:03:17,520 Speaker 2: in life, timing is everything, and I think timing it 57 00:03:17,680 --> 00:03:20,000 Speaker 2: just has not worked out for Meghan with the fires 58 00:03:20,080 --> 00:03:22,919 Speaker 2: happening in LA and then you know, all of her 59 00:03:22,919 --> 00:03:26,040 Speaker 2: projects that she seems to have released since leaving the 60 00:03:26,160 --> 00:03:28,760 Speaker 2: Royal family have all kind of failed. And you know, 61 00:03:28,919 --> 00:03:30,959 Speaker 2: there's been a lot of talk that Megan and Harry 62 00:03:31,040 --> 00:03:33,359 Speaker 2: just don't have ideas when they come to these projects. 63 00:03:33,360 --> 00:03:36,560 Speaker 2: They show up, they want these grand projects, they really 64 00:03:36,600 --> 00:03:38,480 Speaker 2: can't support it because they don't have the ideas to 65 00:03:38,600 --> 00:03:39,760 Speaker 2: you know, really bring to the table. 66 00:03:40,560 --> 00:03:42,200 Speaker 1: Yeah, they don't have the ideas. We've been in so 67 00:03:42,280 --> 00:03:45,240 Speaker 1: many pitch meetings Mark where somebody comes in with no 68 00:03:45,400 --> 00:03:47,600 Speaker 1: ideas and then you don't know what to do. The 69 00:03:47,680 --> 00:03:51,320 Speaker 1: Vanity Fair story really dug deep into this. They said, 70 00:03:51,360 --> 00:03:55,160 Speaker 1: the Spotify employees they spoke with Vanity Fair, and they 71 00:03:55,200 --> 00:03:58,160 Speaker 1: said Harry would turn up and just say, pitch me ideas, 72 00:03:58,560 --> 00:04:01,360 Speaker 1: and they had no idea what to say because they 73 00:04:01,400 --> 00:04:04,320 Speaker 1: didn't really know who he is. They said, outside of 74 00:04:04,400 --> 00:04:07,600 Speaker 1: enjoying polo, they have no idea who Harry is. As 75 00:04:07,640 --> 00:04:11,000 Speaker 1: a very famous story within the halls of Spotify that 76 00:04:11,080 --> 00:04:14,400 Speaker 1: reached my ears, where Harry turned up and asked for 77 00:04:14,440 --> 00:04:17,800 Speaker 1: a cup of cocoa. They didn't have any cocoa, so 78 00:04:17,920 --> 00:04:21,640 Speaker 1: they went scrambling to find some hot chocolate, some cocoa 79 00:04:21,880 --> 00:04:24,960 Speaker 1: for the Prince. They finally found a hot chocolate. He 80 00:04:25,080 --> 00:04:28,440 Speaker 1: sat down. He barely tasted it. However, it gave them 81 00:04:28,480 --> 00:04:32,320 Speaker 1: an idea that maybe Harry should drink hot chocolate and 82 00:04:32,400 --> 00:04:36,599 Speaker 1: every episode talk about it. Kitschi for of you, very cute, 83 00:04:36,640 --> 00:04:39,200 Speaker 1: that could be a good tea. No, he didn't like it, 84 00:04:39,400 --> 00:04:42,279 Speaker 1: and they were like, well, what do you like? And 85 00:04:42,320 --> 00:04:46,120 Speaker 1: he had no answer to that, and his response was 86 00:04:46,560 --> 00:04:48,839 Speaker 1: why am I doing this? It's a good question to 87 00:04:48,920 --> 00:04:52,440 Speaker 1: ask why, And everybody in the room, apart from Harry, 88 00:04:52,480 --> 00:04:55,200 Speaker 1: wanted to reply because you got paid twenty million dollars. 89 00:04:55,200 --> 00:04:58,080 Speaker 1: That's why you got paid to do this. We're not 90 00:04:58,120 --> 00:05:00,600 Speaker 1: sure why you got paid, but you've got paid. She've 91 00:05:00,600 --> 00:05:04,680 Speaker 1: got to produce something. I think at this point, podcasting 92 00:05:04,800 --> 00:05:09,119 Speaker 1: is probably not gonna be their thing because not only 93 00:05:09,160 --> 00:05:13,160 Speaker 1: do they not have any ideas, they can't take advice. 94 00:05:13,240 --> 00:05:16,040 Speaker 1: So when we started this show, Mark, I sat with 95 00:05:16,120 --> 00:05:18,800 Speaker 1: you with all your TV experience, and we mapped this 96 00:05:18,880 --> 00:05:22,159 Speaker 1: show out almost like a twenty minute TV show. We 97 00:05:22,240 --> 00:05:25,440 Speaker 1: have sections, it's the same section every day. They're naughties 98 00:05:25,440 --> 00:05:27,480 Speaker 1: of the day, they're nicest of the day, a moment rob, 99 00:05:27,480 --> 00:05:29,919 Speaker 1: all the gossip at the front of the show. We 100 00:05:30,160 --> 00:05:32,599 Speaker 1: literally do this as if we're the first twenty minutes 101 00:05:32,640 --> 00:05:35,200 Speaker 1: of the Wendy Williams Show, where she's got no script, 102 00:05:35,240 --> 00:05:38,040 Speaker 1: she's just talking about the big, big toppets of the day. 103 00:05:38,240 --> 00:05:40,240 Speaker 1: And it's really worked out well for us. The show's 104 00:05:40,279 --> 00:05:42,919 Speaker 1: doing very well. Thank you, thank you, thank you. However, Mark, 105 00:05:43,279 --> 00:05:45,960 Speaker 1: if it wasn't doing very well. You would be the 106 00:05:45,960 --> 00:05:49,279 Speaker 1: first to tell me, we gotta pivot, We've got to change. 107 00:05:49,800 --> 00:05:52,320 Speaker 1: And I wish that somebody could say that to Harry 108 00:05:52,320 --> 00:05:53,640 Speaker 1: and Meghan. I don't think they can. 109 00:05:54,080 --> 00:05:56,040 Speaker 2: I mean, it's grubbed such a good point. The show 110 00:05:56,200 --> 00:06:00,320 Speaker 2: works because the audience expects the format. We know what 111 00:06:00,400 --> 00:06:02,960 Speaker 2: we're doing every day, and the coasts are the same 112 00:06:03,000 --> 00:06:05,480 Speaker 2: for the last very many years, and there's something familiar 113 00:06:05,480 --> 00:06:07,599 Speaker 2: about it and the relatable. And I don't think Harry 114 00:06:07,680 --> 00:06:10,520 Speaker 2: and Megan translate to an audience because they don't have 115 00:06:10,600 --> 00:06:14,000 Speaker 2: that same, you know right now lived experience where they 116 00:06:14,200 --> 00:06:17,440 Speaker 2: almost are above the people listening, and they don't connect, 117 00:06:17,440 --> 00:06:20,960 Speaker 2: they don't relate, and so I understand why this isn't 118 00:06:20,960 --> 00:06:24,279 Speaker 2: working for them. And I also feel like for the 119 00:06:24,360 --> 00:06:27,919 Speaker 2: podcast to be continuously delayed, and then also for Spotify 120 00:06:27,960 --> 00:06:31,200 Speaker 2: to call them grifters, I feel like, oh, you know, 121 00:06:31,480 --> 00:06:34,159 Speaker 2: it's not great for their image. And I'm not looking 122 00:06:34,160 --> 00:06:36,320 Speaker 2: to listen to the people that are being called scam wortis. 123 00:06:36,400 --> 00:06:37,000 Speaker 2: I don't all. 124 00:06:37,360 --> 00:06:40,239 Speaker 1: Yeah, yeah, no, it's not great. One of the reasons, 125 00:06:40,240 --> 00:06:42,240 Speaker 1: as well as the format, that the show is so 126 00:06:42,360 --> 00:06:46,039 Speaker 1: successful is that everybody on the mic on the show, 127 00:06:46,080 --> 00:06:49,400 Speaker 1: all the co hosts my good self, well, very comfortable 128 00:06:49,400 --> 00:06:51,359 Speaker 1: with who we are. Now. I'm at the point of 129 00:06:51,360 --> 00:06:54,040 Speaker 1: my life where I like who I am and if 130 00:06:54,080 --> 00:06:56,280 Speaker 1: I've done this. Twenty years ago, Mark, I didn't know 131 00:06:56,320 --> 00:06:58,360 Speaker 1: who really I was. I was trying to be a 132 00:06:58,440 --> 00:07:01,159 Speaker 1: Perez Hilton want to be, and then I wanted to 133 00:07:01,200 --> 00:07:03,960 Speaker 1: be a Matt Lauer wanna be, and a Jimmy Fallon 134 00:07:04,240 --> 00:07:07,120 Speaker 1: and now I'm Rob Shooter and I really like being me. 135 00:07:07,240 --> 00:07:09,640 Speaker 1: And I think you've gone on that journey to Mark. 136 00:07:09,720 --> 00:07:12,560 Speaker 1: The mark I knew twenty years ago wasn't a self 137 00:07:12,640 --> 00:07:14,960 Speaker 1: shewed about themselves as you are now. 138 00:07:15,080 --> 00:07:17,200 Speaker 2: It's true, And I think there is this level of 139 00:07:17,200 --> 00:07:20,720 Speaker 2: transparency that you owe the audience at home because they 140 00:07:20,880 --> 00:07:23,400 Speaker 2: wanted to know who you are. They want to connect 141 00:07:23,440 --> 00:07:26,480 Speaker 2: to the person that you really are. And I still 142 00:07:26,480 --> 00:07:29,360 Speaker 2: don't know who Meghan Harry are. It keeps They just 143 00:07:29,400 --> 00:07:31,560 Speaker 2: take a chameleon that keeps changing week to week. 144 00:07:32,280 --> 00:07:35,200 Speaker 1: Yeah. Yeah. A really good example of this is people 145 00:07:35,240 --> 00:07:37,120 Speaker 1: I know that worked with them on the Netflix show. 146 00:07:37,440 --> 00:07:40,840 Speaker 1: They said some meetings they wanted to be called Mam 147 00:07:40,880 --> 00:07:43,960 Speaker 1: and sir, which is sort of royal titles and then 148 00:07:44,040 --> 00:07:47,040 Speaker 1: other meetings they insisted, please call me Harry and please 149 00:07:47,080 --> 00:07:49,600 Speaker 1: call me me Meghan, and they didn't know what to call. 150 00:07:50,240 --> 00:07:53,680 Speaker 1: On different days it changed and some days they were 151 00:07:53,720 --> 00:07:56,400 Speaker 1: the Duke and the Duchess, and then on other days 152 00:07:56,440 --> 00:07:59,560 Speaker 1: they were Megan and Harry. And so I think they're 153 00:07:59,640 --> 00:08:02,360 Speaker 1: still figuring it out. My advice would be, and we 154 00:08:02,480 --> 00:08:04,520 Speaker 1: know why this is not gonna work. They want the money, 155 00:08:04,560 --> 00:08:06,760 Speaker 1: but you've got to do the work to make the money. 156 00:08:06,960 --> 00:08:08,640 Speaker 1: But I think they should just take a break for 157 00:08:08,720 --> 00:08:10,600 Speaker 1: a little bit and just take a couple of years 158 00:08:10,640 --> 00:08:12,200 Speaker 1: off and figure out who we are and what we 159 00:08:12,320 --> 00:08:14,680 Speaker 1: really want to do. Just my advice if you're listening, 160 00:08:14,720 --> 00:08:17,840 Speaker 1: Megan Lloa lolo, which brings us to our whole question 161 00:08:18,320 --> 00:08:21,080 Speaker 1: of the day. This is the best advice from the noughties. 162 00:08:21,520 --> 00:08:25,040 Speaker 1: Mega Marcles podcast has been hit with more delays. This 163 00:08:25,080 --> 00:08:27,760 Speaker 1: is a new podcast, it's not even aired yet. They've 164 00:08:27,800 --> 00:08:29,880 Speaker 1: been working on it for a year and they still 165 00:08:30,240 --> 00:08:33,439 Speaker 1: don't have an air date. Should Megan just give up 166 00:08:33,600 --> 00:08:38,040 Speaker 1: the podcasting? Is this podcasting just not her thing? It 167 00:08:38,120 --> 00:08:40,720 Speaker 1: might not be her thing. Mark, I'm not an ice skater, 168 00:08:41,240 --> 00:08:44,199 Speaker 1: I'm not I'm not really a dancer, so I know that, 169 00:08:44,280 --> 00:08:46,680 Speaker 1: so I stopped trying. I never really tried that hard 170 00:08:46,679 --> 00:08:48,520 Speaker 1: to be an ice skater. Let's be honest. But you 171 00:08:48,600 --> 00:08:51,600 Speaker 1: get my point here? Is this just not working? Hey, 172 00:08:51,600 --> 00:08:54,000 Speaker 1: go vote on our Twitter page I'd naughty kniserb our 173 00:08:54,000 --> 00:08:56,280 Speaker 1: Facebook page is Naughty Gossip and be sure to check 174 00:08:56,280 --> 00:08:58,760 Speaker 1: back to my rout which I hear your results. Hey, Loopy, 175 00:08:59,200 --> 00:08:59,920 Speaker 1: Oh how do you work? 176 00:09:00,520 --> 00:09:04,600 Speaker 2: Oh my god, I'm obsessed with this story. Blake Lively 177 00:09:04,640 --> 00:09:10,080 Speaker 2: and Justin Baldoni's flirty texts have been leaked amid their war. Okay, so, 178 00:09:11,200 --> 00:09:13,800 Speaker 2: Newly released text messages between It Ends with US co 179 00:09:13,920 --> 00:09:17,679 Speaker 2: stars Blake Lively and Justin Baldoni reveal a once friendly 180 00:09:17,760 --> 00:09:22,360 Speaker 2: relationship before their collaborations spiraled into lawsuits and scandal. Not 181 00:09:22,559 --> 00:09:24,880 Speaker 2: The text paint a picture of two co stars who 182 00:09:24,920 --> 00:09:28,680 Speaker 2: once enjoyed a warm, working relationship, trading jokes and memes 183 00:09:28,679 --> 00:09:31,320 Speaker 2: and heartfelt messages in the early days of filming in 184 00:09:31,360 --> 00:09:33,800 Speaker 2: May twenty twenty three. It's such a good feeling to 185 00:09:33,800 --> 00:09:36,360 Speaker 2: get to work together and do work that we're proud of, 186 00:09:36,440 --> 00:09:39,559 Speaker 2: and to do it together Lively, text of Baldoni. According 187 00:09:39,559 --> 00:09:42,719 Speaker 2: to lawsuit, she said, this is why we do it now. 188 00:09:43,360 --> 00:09:46,920 Speaker 2: Baldoni loved the message and responded playfully, I like the 189 00:09:46,960 --> 00:09:50,839 Speaker 2: sentimental blake, to which Lively quit back, never metter. Now 190 00:09:51,679 --> 00:09:54,160 Speaker 2: this is where it gets kind of more flirty. So 191 00:09:54,200 --> 00:09:57,640 Speaker 2: the flirty undertones didn't stop there. Valdoni added, I also 192 00:09:57,840 --> 00:10:01,360 Speaker 2: like a whole blake. Don't worry, and then Lively fireback 193 00:10:01,400 --> 00:10:04,520 Speaker 2: with the now infamous response, I've met her so of 194 00:10:04,600 --> 00:10:05,880 Speaker 2: Maya suppositories. 195 00:10:08,320 --> 00:10:10,680 Speaker 1: This is going to be trouble, Mark, because they really 196 00:10:10,720 --> 00:10:14,800 Speaker 1: did have a flirty, nice relationship, and a lot of 197 00:10:14,840 --> 00:10:18,600 Speaker 1: the things that she is now saying were sexual harassment 198 00:10:19,240 --> 00:10:23,000 Speaker 1: seems to have been initiated, maybe by her. They have 199 00:10:23,160 --> 00:10:26,160 Speaker 1: some jokes here. It is going back and forth. Never 200 00:10:26,240 --> 00:10:28,960 Speaker 1: did she text to him You've stepped over a line. 201 00:10:29,120 --> 00:10:32,960 Speaker 1: This is inappropriate, please stop. And so I have a 202 00:10:33,080 --> 00:10:39,199 Speaker 1: source who tells me that maybe all of this drama 203 00:10:39,400 --> 00:10:44,240 Speaker 1: is because Ryan got Chelse. Ryan found out that Blake 204 00:10:44,559 --> 00:10:47,920 Speaker 1: and justin nothing happened, but they both were a little 205 00:10:48,000 --> 00:10:50,560 Speaker 1: bit too close, and we see from these texts when 206 00:10:50,600 --> 00:10:55,280 Speaker 1: you're talking about suppositories, it's a different relationship. Then I'll 207 00:10:55,320 --> 00:10:57,960 Speaker 1: meet you at Bottinos at seven point thirty tonight, Mark. 208 00:10:58,000 --> 00:11:00,439 Speaker 1: It's very difficult me and you know each other very well. 209 00:11:00,480 --> 00:11:02,600 Speaker 1: We've never said that to one another. You could read 210 00:11:02,640 --> 00:11:05,160 Speaker 1: all add texts. I mean, there's terrible gossip on those 211 00:11:05,160 --> 00:11:08,080 Speaker 1: texts that we've sent each other, and maybe even I'm sorry, Doris, 212 00:11:08,080 --> 00:11:11,400 Speaker 1: if you're listening your mummy closures, maybe even a naughty 213 00:11:11,440 --> 00:11:15,520 Speaker 1: picture or two. Right, Remember we've sent to each other. Right, 214 00:11:15,600 --> 00:11:20,760 Speaker 1: celebrities don't worry. But when a celebrity sends one, we're 215 00:11:20,800 --> 00:11:24,920 Speaker 1: the first. And so I think all these texts now 216 00:11:25,120 --> 00:11:28,760 Speaker 1: paint a very different picture. But what if, what if 217 00:11:29,400 --> 00:11:35,200 Speaker 1: behind all this is Ryan who got really jealous, really insecure, 218 00:11:35,640 --> 00:11:39,280 Speaker 1: and then blew this up. I'm told Ryan is very 219 00:11:39,320 --> 00:11:43,160 Speaker 1: much with Blake about this lawsuit. He's encouraging it. He 220 00:11:43,240 --> 00:11:47,360 Speaker 1: pushed her to take legal action. What if it's all 221 00:11:47,360 --> 00:11:49,520 Speaker 1: about jealousy. 222 00:11:49,640 --> 00:11:51,880 Speaker 2: I think your spot arm of the rub. And you know, 223 00:11:51,920 --> 00:11:53,679 Speaker 2: I have to point back to when he was married 224 00:11:53,720 --> 00:11:57,760 Speaker 2: to Scrolet Johanson and she's luded. She's not spoken about 225 00:11:57,760 --> 00:12:00,880 Speaker 2: their divorce much, but she has said that he was 226 00:12:01,000 --> 00:12:04,679 Speaker 2: very controlling. And so you know, Ryan is about eleven 227 00:12:04,760 --> 00:12:06,920 Speaker 2: years I think ten eleven years older than Bleak, and 228 00:12:06,960 --> 00:12:11,000 Speaker 2: I think Bleak was floriding the's text messages that during 229 00:12:11,040 --> 00:12:13,200 Speaker 2: the time of this filming, you know, they were separated, 230 00:12:13,200 --> 00:12:15,679 Speaker 2: they were both filming their movies in different areas. The 231 00:12:15,800 --> 00:12:19,719 Speaker 2: writer or strike happened. Ryan came home and then suddenly 232 00:12:19,960 --> 00:12:23,600 Speaker 2: this all exploded and so oh hot, jealousy. 233 00:12:23,800 --> 00:12:28,959 Speaker 1: Oh it's wild. Just a little thought for you naughties, 234 00:12:29,000 --> 00:12:32,280 Speaker 1: but a thought that is not going away. And we're 235 00:12:32,320 --> 00:12:34,080 Speaker 1: going to find out more about this mark because this 236 00:12:34,160 --> 00:12:37,559 Speaker 1: lawsuit is not going away either. Okay, moving along. We 237 00:12:37,600 --> 00:12:39,640 Speaker 1: don't did politics on this show, but it's such an 238 00:12:39,640 --> 00:12:42,880 Speaker 1: interesting family dynamic. That is what I really want to 239 00:12:42,880 --> 00:12:45,760 Speaker 1: focus on here, not the politics. So Maria Schreiber, you 240 00:12:45,840 --> 00:12:51,360 Speaker 1: know her from NBC, backs Caroline Kennedy's scathing attack on 241 00:12:51,400 --> 00:12:54,880 Speaker 1: her relatives. So veteran journalist, she really is a great journalist. 242 00:12:54,880 --> 00:12:58,400 Speaker 1: Maria Schreiver took to social media to applaud her cousin 243 00:12:58,840 --> 00:13:05,920 Speaker 1: Caroline Kennedy after she issued a blistering letter denouncing Robert F. 244 00:13:06,080 --> 00:13:12,640 Speaker 1: Kennedy Junior ahead of his Senate Finance Committee confirmation. This 245 00:13:12,760 --> 00:13:15,320 Speaker 1: is a really big mark. So what she wrote, and 246 00:13:15,360 --> 00:13:18,640 Speaker 1: I think it's it's true. Here is quote. Courage is 247 00:13:18,679 --> 00:13:24,160 Speaker 1: when you do something hard, heartbreaking and painful. And yet 248 00:13:24,240 --> 00:13:28,040 Speaker 1: you do it anyway. Love you, Caroline. What an amazing 249 00:13:28,080 --> 00:13:30,880 Speaker 1: message there. Once again, this is not about the politics. 250 00:13:31,080 --> 00:13:34,280 Speaker 1: This is about a family. This is about courage. And 251 00:13:34,360 --> 00:13:37,880 Speaker 1: if you believe something, if you really believe it, do 252 00:13:37,960 --> 00:13:41,160 Speaker 1: you turn away? Do you turn a blind eye, or 253 00:13:41,200 --> 00:13:44,480 Speaker 1: do you speak at It's hard mark, particularly when family 254 00:13:44,520 --> 00:13:45,040 Speaker 1: is involved. 255 00:13:45,600 --> 00:13:48,160 Speaker 2: It isn't It also involves semi legacy, right that. It 256 00:13:48,320 --> 00:13:52,679 Speaker 2: involves Caroline's father, It involves his his father, you know, 257 00:13:52,960 --> 00:13:55,400 Speaker 2: and his brother, and so it is complicated, and you're 258 00:13:55,440 --> 00:13:58,280 Speaker 2: saying things, some really serious things that you really can't 259 00:13:58,320 --> 00:14:01,920 Speaker 2: take back. And I think it changes, of course, and 260 00:14:01,960 --> 00:14:03,199 Speaker 2: the family dynamic forever. 261 00:14:03,640 --> 00:14:06,440 Speaker 1: Oh it has to. This is like the Windsors. This 262 00:14:06,600 --> 00:14:09,160 Speaker 1: is like Harry's book Spare, Like once you put it 263 00:14:09,200 --> 00:14:11,480 Speaker 1: in writing, once you say it, once you make it public, 264 00:14:11,880 --> 00:14:15,680 Speaker 1: you can't take that back. And so this is going 265 00:14:15,720 --> 00:14:18,640 Speaker 1: to not go away. I would imagine Thanksgiving at the 266 00:14:18,720 --> 00:14:22,520 Speaker 1: Kennedy Compound. It's very awkward. I'm not sure they invite 267 00:14:22,560 --> 00:14:25,680 Speaker 1: Bobby anymore. A little naughty secret here, I think I 268 00:14:25,680 --> 00:14:30,120 Speaker 1: can talk about it. Caroline's son, Jack has moved into 269 00:14:30,200 --> 00:14:33,600 Speaker 1: my building, really, and I know I spotted him in 270 00:14:33,640 --> 00:14:36,960 Speaker 1: the elevator and we said hello, and now he follows 271 00:14:37,040 --> 00:14:39,400 Speaker 1: us on Instagram. I think he might be listening to 272 00:14:39,440 --> 00:14:43,840 Speaker 1: our little podcast. Allejack is one floor above me, so 273 00:14:43,880 --> 00:14:46,680 Speaker 1: he could probably listen to me right now. My apartment's 274 00:14:46,680 --> 00:14:51,800 Speaker 1: slightly bigger, but he's slightly higher. Kennedy in the building. Okay, 275 00:14:51,840 --> 00:14:54,760 Speaker 1: we're going to take a quick break and we will 276 00:14:54,800 --> 00:15:00,760 Speaker 1: be right back. Welcome back to the but a nice Show'm 277 00:15:00,760 --> 00:15:03,560 Speaker 1: a hisstor shooter with a dear friend, Mark Lupo, Hey Loopy, 278 00:15:03,920 --> 00:15:07,560 Speaker 1: let's get to the polls. Hey, last show. It's a 279 00:15:07,560 --> 00:15:11,760 Speaker 1: fascinating story. Sam Asgay. He's Britney Spears's ex. He's talking 280 00:15:11,840 --> 00:15:15,400 Speaker 1: out about their relationship, their marriage and saying the weirdest 281 00:15:15,400 --> 00:15:17,920 Speaker 1: thing about the marriage was not her fame, not her money, 282 00:15:18,200 --> 00:15:21,160 Speaker 1: but the conservatorship. Our question is he might be telling 283 00:15:21,200 --> 00:15:22,920 Speaker 1: the truth. I think he probably is. That must be 284 00:15:22,960 --> 00:15:26,560 Speaker 1: really weird to marry somebody and then realize, oh my goodness, 285 00:15:26,600 --> 00:15:28,040 Speaker 1: every time they want to do something, they've got to 286 00:15:28,040 --> 00:15:32,040 Speaker 1: get permission from her dad. So our question was should 287 00:15:32,040 --> 00:15:35,720 Speaker 1: he be talking or should he just shut up? That's 288 00:15:35,720 --> 00:15:39,360 Speaker 1: other look. Seventy five percent want him to shut up. 289 00:15:39,920 --> 00:15:42,840 Speaker 1: I think I do too. I think Sam thought after 290 00:15:42,920 --> 00:15:47,240 Speaker 1: the divorced his career would explode. And really, let's be 291 00:15:47,320 --> 00:15:50,120 Speaker 1: honest to what makes Sam interesting is what he's running 292 00:15:50,160 --> 00:15:52,920 Speaker 1: away from, which is Britney Spears. And so if you're 293 00:15:52,920 --> 00:15:55,800 Speaker 1: not going to talk about Britney, I'm not sure I'd 294 00:15:55,800 --> 00:15:58,640 Speaker 1: even be that interested in an interviewing Sam. If I 295 00:15:58,680 --> 00:16:01,200 Speaker 1: got a call from his is saying do I want 296 00:16:01,240 --> 00:16:04,160 Speaker 1: to interview him, I'd be like, will he talk about Brittany? 297 00:16:04,280 --> 00:16:08,200 Speaker 1: And if the answer is no, I probably wouldn't do it. Mark, 298 00:16:08,440 --> 00:16:10,560 Speaker 1: would you book Sam if he wasn't in a gossip 299 00:16:10,560 --> 00:16:12,560 Speaker 1: about britt No? No. 300 00:16:13,280 --> 00:16:16,160 Speaker 2: And I think for Sam he's better just to be 301 00:16:16,280 --> 00:16:18,920 Speaker 2: seen and not heard, and like there's always only fans, 302 00:16:19,040 --> 00:16:21,760 Speaker 2: or there's other avenues he can approach, but this is 303 00:16:21,920 --> 00:16:24,880 Speaker 2: we don't run. Yeah, sorry Sam, Yeah. 304 00:16:24,520 --> 00:16:27,400 Speaker 1: We'll be very kind. You're so kind, Mark, although what 305 00:16:27,440 --> 00:16:30,080 Speaker 1: you just said was very very shady. I heard. Yes, 306 00:16:30,400 --> 00:16:33,520 Speaker 1: see how Mark does that? Everybody? I just say it. 307 00:16:33,560 --> 00:16:36,400 Speaker 1: Mark's more dangerous than me because he says it. It's 308 00:16:36,440 --> 00:16:39,120 Speaker 1: such a nice way you leave, and then ten minutes 309 00:16:39,120 --> 00:16:41,920 Speaker 1: you're later, you're like, oh my goodness, he just said 310 00:16:42,040 --> 00:16:46,280 Speaker 1: that shady. I agree with you Naughty's I agree with you, Mark, 311 00:16:46,520 --> 00:16:49,880 Speaker 1: don't forget to vote on today's poul go to a 312 00:16:50,080 --> 00:16:52,560 Speaker 1: Twitter page at naughty nice well By Facebook page which 313 00:16:52,560 --> 00:16:54,920 Speaker 1: is naughty goes it, maybe shure it's a shad back 314 00:16:54,960 --> 00:16:57,280 Speaker 1: tom My Ramble to hear your results. And now I 315 00:16:57,320 --> 00:17:00,960 Speaker 1: love this part of the show. It's a nicest of 316 00:17:01,000 --> 00:17:01,640 Speaker 1: the day. 317 00:17:02,200 --> 00:17:07,760 Speaker 2: Oh wow, Martha Stewart has gone full thirst Strap and 318 00:17:07,840 --> 00:17:12,480 Speaker 2: an unhinged Mac ad. I'm obsessed. Okay, Martha Stewart is 319 00:17:12,520 --> 00:17:15,040 Speaker 2: proving yet again that age is just a number, and 320 00:17:15,080 --> 00:17:18,560 Speaker 2: she's doing it with a sultry, fruit filled beauty campaign 321 00:17:18,920 --> 00:17:22,760 Speaker 2: that has fans completely unhinged. The eighty three year old 322 00:17:22,800 --> 00:17:27,080 Speaker 2: lifestyle mogul set social media on fire after Mac Cosmetic 323 00:17:27,119 --> 00:17:29,439 Speaker 2: Strap their latest ad featuring Stewart as one of their 324 00:17:29,480 --> 00:17:33,840 Speaker 2: newest brand ambassadors. Draped in a silky nude robe, Stewart 325 00:17:33,880 --> 00:17:37,520 Speaker 2: desductantly bites into a fresh strawberry, slopes honey and eats 326 00:17:37,560 --> 00:17:41,720 Speaker 2: pomegranate seeds before applying a nude Mac lip blanner and lipstick. 327 00:17:42,160 --> 00:17:44,800 Speaker 2: And to add to this to the caption, it wrote 328 00:17:45,160 --> 00:17:48,080 Speaker 2: on Martha Stewart and I only wear Mac. 329 00:17:48,920 --> 00:17:52,680 Speaker 1: I love you. It's so funny. What I love about 330 00:17:52,720 --> 00:17:54,639 Speaker 1: Martha is she's in on the joke. I've met her 331 00:17:54,720 --> 00:17:57,680 Speaker 1: several times, and she's got a really good sense of humor, 332 00:17:57,720 --> 00:17:59,879 Speaker 1: and she's the first to make fun of herself. I 333 00:18:00,080 --> 00:18:02,560 Speaker 1: used to work for Mac Cosmetics when Pam Anderson was 334 00:18:02,560 --> 00:18:05,480 Speaker 1: their spokesperson. I used to drag Pam all over New York. 335 00:18:05,520 --> 00:18:07,040 Speaker 1: I remember I was with Pam once and we were 336 00:18:07,080 --> 00:18:09,000 Speaker 1: in her car and we went to Times Square to 337 00:18:09,000 --> 00:18:10,800 Speaker 1: look at her billboard and she got out of the 338 00:18:10,840 --> 00:18:14,439 Speaker 1: car and the police went insane. Pam Anderson just she 339 00:18:14,520 --> 00:18:15,879 Speaker 1: thought she could just get out in the middle of 340 00:18:15,920 --> 00:18:17,880 Speaker 1: Time Square and take a picture in front of a billboard. 341 00:18:18,000 --> 00:18:20,199 Speaker 1: I was like, Pam, they might recognize you. And if 342 00:18:20,200 --> 00:18:23,240 Speaker 1: they don't recognize you, there's literally a fifty foot poster 343 00:18:23,320 --> 00:18:26,040 Speaker 1: behind you of you. So I mean, like, but she 344 00:18:26,160 --> 00:18:29,760 Speaker 1: was wildly funny. I love Martha, I love Macca and 345 00:18:30,080 --> 00:18:33,240 Speaker 1: Nicest the other day, and now I'm naughtice of the day. Naughty, naughty, 346 00:18:33,400 --> 00:18:35,919 Speaker 1: naughty Reese is not the naughtiest of the day. But 347 00:18:36,080 --> 00:18:40,040 Speaker 1: the jury of which she was on is so. Reese 348 00:18:40,080 --> 00:18:42,840 Speaker 1: is revealing that she once was on a jury in 349 00:18:42,960 --> 00:18:45,600 Speaker 1: la and it was about the same time, Legally Blonde 350 00:18:45,680 --> 00:18:48,040 Speaker 1: was out where she famously plays a lawyer. Well, she said, 351 00:18:48,040 --> 00:18:51,280 Speaker 1: everybody in the jury decided she should be the fore woman, 352 00:18:51,400 --> 00:18:53,920 Speaker 1: she should be in charge. And she said to everybody, 353 00:18:54,119 --> 00:18:57,760 Speaker 1: you do know that I'm not really a lawyer. And 354 00:18:57,800 --> 00:19:02,080 Speaker 1: they couldn't believe it. This would in La. It's so 355 00:19:03,160 --> 00:19:05,439 Speaker 1: la and nortice in the day. Let's say, with the 356 00:19:05,480 --> 00:19:07,200 Speaker 1: moment of Rob, you're gonna rub, you get rub, You 357 00:19:07,240 --> 00:19:09,280 Speaker 1: get a rub, you get a rub. I think you 358 00:19:09,440 --> 00:19:12,960 Speaker 1: have to believe. That has always been one of my 359 00:19:13,040 --> 00:19:17,879 Speaker 1: biggest mantras. Just believe. I wouldn't be here right now 360 00:19:18,040 --> 00:19:22,439 Speaker 1: doing what I love if I didn't believe in myself. 361 00:19:22,840 --> 00:19:27,040 Speaker 1: Stop beating yourself up, be a cheer leader for yourself, 362 00:19:27,359 --> 00:19:30,880 Speaker 1: and really believe in yourself, because I promise you you 363 00:19:30,920 --> 00:19:35,200 Speaker 1: can do it. Hey, that is it for today. Thank 364 00:19:35,240 --> 00:19:38,000 Speaker 1: you so much for listening to the Naughty but Nice 365 00:19:38,000 --> 00:19:42,440 Speaker 1: with Rob and Mark Lupo show Hi Dari's Happy Birthday? 366 00:19:42,760 --> 00:19:44,119 Speaker 1: Is Jonathan your brother there too? 367 00:19:44,200 --> 00:19:44,879 Speaker 2: He is here? 368 00:19:45,560 --> 00:19:48,200 Speaker 1: Oh who got the nicest room in the new house? 369 00:19:48,240 --> 00:19:52,560 Speaker 1: You or John? Of course, you're such a bray that 370 00:19:53,320 --> 00:19:59,119 Speaker 1: you are of the Holy family. You're the Prince Prince 371 00:19:59,400 --> 00:20:05,000 Speaker 1: Rob Right, we're a prediction of iHeartRadio. Don't forget to 372 00:20:05,040 --> 00:20:08,040 Speaker 1: subscribe on the iHeartRadio app, Apple podcast, where avery you listen, 373 00:20:08,400 --> 00:20:10,439 Speaker 1: Leave us a review if you can. They really do 374 00:20:10,560 --> 00:20:14,919 Speaker 1: help and remember all together now, if you're going to 375 00:20:15,240 --> 00:20:19,919 Speaker 1: be naughty, you got to be. Let me hear nice. 376 00:20:20,840 --> 00:20:27,080 Speaker 1: Take care everybody. It's not even nice with Bro