WEBVTT - DJ Enuff | ROC Solid w/ Memphis Bleek

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<v Speaker 1>What up, y'all? This is your main man, Memphis Bleak

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<v Speaker 1>right here.

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<v Speaker 2>Welcome to rock Solid, a production of iHeart Radio and

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<v Speaker 2>the Black Effect Network and partnership with my guys over

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<v Speaker 2>at Drink Champs.

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<v Speaker 1>Yeah, y'all, you already know what it is.

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<v Speaker 2>Yours truly Memphis Bleak, back with another exclusive episode Rock

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<v Speaker 2>Solid Podcast with a legendary motherfucking figure in this hip

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<v Speaker 2>hop music business. When it comes down to New York radio,

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<v Speaker 2>you cannot mention High ninety seven without this guy sitting

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<v Speaker 2>right here. Man, A's welcome my brother DJ enough to

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<v Speaker 2>the mom. Man, what's uping?

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<v Speaker 3>How you doing?

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<v Speaker 1>Yo?

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<v Speaker 2>I got a phone call, Nigga said, Now I even

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<v Speaker 2>get a phone call. I saw the Instagram. Bro, they

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<v Speaker 2>like Bleak said, he'll fuck with you, cash on, try

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<v Speaker 2>to start some beef. You see that the way he

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<v Speaker 2>lined it up, He's like, Yo, fuck with you.

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<v Speaker 3>He put it in the chat and then I heard

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<v Speaker 3>it and I was like, what are you talking about?

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<v Speaker 3>And then I heard it and I was like, nah,

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<v Speaker 3>he's bugging. I'm like, Yo, Bleak, you're bugging. There's no

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<v Speaker 3>way I was in the studio with you co signing

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<v Speaker 3>the record. Damn near producing the record with the record

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<v Speaker 3>with No. One hundred thousand do that. And I heard

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<v Speaker 3>you said, you know he was like proof and be

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<v Speaker 3>high and all them guys my day ones blah blah

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<v Speaker 3>blah blah blah. I remember all of that. It was

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<v Speaker 3>me and Google came late night. But what I don't

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<v Speaker 3>understand is what are you mad about? You didn't played

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<v Speaker 3>the record, not ever played the record.

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<v Speaker 1>You gave it probably five spins.

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<v Speaker 3>No, no way, man. You know why I remember cutting

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<v Speaker 3>the ship out that record because it goes get him.

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<v Speaker 3>But I ain't get that. Yay love Yo yay was hot.

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<v Speaker 3>So to me, I wasn't you Yeah, damn just say yo,

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<v Speaker 3>you was kind of whack. No, I wasn't ever say that.

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<v Speaker 3>But for me, you gotta understand something. I'm gonna keep

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<v Speaker 3>it into perspective, so you get it. I used to

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<v Speaker 3>have the heavy hit his record pool on thirty eighth

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<v Speaker 3>Street and my man with name of Clean's office, right, okay,

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<v Speaker 3>So they used to be a young rapper out of

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<v Speaker 3>Chicago named Kanye West who used to knock on my

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<v Speaker 3>door every night. I remember was heavy something. But I'm bugging,

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<v Speaker 3>I'm like, yoo, who is this dude? And he was like,

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<v Speaker 3>I want to be a heavy hitter, and I'm like, yo,

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<v Speaker 3>I'm not yo. This is this is I got a

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<v Speaker 3>DJ collective. Man, I'm not trying to manage no artists.

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<v Speaker 3>We're not trying to put no artists out. I played

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<v Speaker 3>myself because I could have should.

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<v Speaker 1>Have wored out.

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<v Speaker 3>But what I didn't realize that what's the studio on

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<v Speaker 3>thirty eighth Street the one we had, yeah, Baseline, No,

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<v Speaker 3>it wasn't Baseline, a different one where he recorded his album,

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<v Speaker 3>was it right track? No, there's the studio on thirty eighth,

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<v Speaker 3>like and tenth or eleventh or whatever. It was literally

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<v Speaker 3>down the block from the office. So all this time,

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<v Speaker 3>that all this time that I know to time, got

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<v Speaker 3>a room in there or something or whatever it was.

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<v Speaker 1>I don't know what.

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<v Speaker 3>It's a legacy, remember that legacy legacy.

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<v Speaker 1>Remember, so.

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<v Speaker 3>He was recording that legacy. But I never knew about legacy.

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<v Speaker 3>So I thought he was crazy. I said, this, dude's

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<v Speaker 3>always coming to Manhattan to meet me, because I think

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<v Speaker 3>he was staying in Jersey at the time before his

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<v Speaker 3>mom passed away. He was producing and I remember literally

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<v Speaker 3>like him just begging to be down with my collective,

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<v Speaker 3>And I'm like, why he goes because you got so

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<v Speaker 3>much power you could just in the in the turn

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<v Speaker 3>of a night make me a superstar. I need you, bro,

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<v Speaker 3>you know so remember I had heavy hit this in Chicago.

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<v Speaker 3>J Farius Timbuctoo, guy that was all.

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<v Speaker 1>Over the world got dj oh No Wing fucking.

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<v Speaker 3>Many everywhere pulled.

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<v Speaker 1>Up my guys.

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<v Speaker 3>Man, that's right, just like you got the nation I

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<v Speaker 3>got going. That's the same thing. Is powerful as big,

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<v Speaker 3>and you know that's that's how sol it was.

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<v Speaker 1>I respect, I was just fucking around, wasn't it.

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<v Speaker 2>Now? You know I don't take none of this music

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<v Speaker 2>shit serious because even to get played one time or

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<v Speaker 2>Hot ninety seven, it was more than another flag, you

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<v Speaker 2>know what I'm saying because growing up listening to the

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<v Speaker 2>legends y'all playing, you know, knowing read alert all the

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<v Speaker 2>history that comes from New York City.

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<v Speaker 1>So to even be in.

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<v Speaker 3>That party, invited in there getting a few spins, I

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<v Speaker 3>appreciate it when you have it. Yeah, it had me

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<v Speaker 3>fucked up. I'm gonna tell you what when you said

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<v Speaker 3>what you said, because I'm thinking now I'm talking to

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<v Speaker 3>cast and it was like, yo, is this true? And

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<v Speaker 3>I'm thinking, what if it was true? Did I forget

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<v Speaker 3>to show my man love number one? Did the beef

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<v Speaker 3>Jay and Flex had fuck up something? Or was it

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<v Speaker 3>that's or was it remember when Jay's ninety nine problems

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<v Speaker 3>when he said, if you don't play my show, don't

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<v Speaker 3>give a shit. I told y'all, So I don't know

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<v Speaker 3>if that had ain't gonna do with anything. Well, I remember,

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<v Speaker 3>was that what year you dropped that record? Two thousand

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<v Speaker 3>and that was three or four five, So I was

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<v Speaker 3>already I was already at five o'clock at that time,

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<v Speaker 3>So I remember only I guess talking to Swiss because

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<v Speaker 3>Swiss used to always talk to me like, yo, you

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<v Speaker 3>killed it today, But me, I don't know if I

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<v Speaker 3>ever had your number back then, not like that.

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<v Speaker 2>Yeah, we kicked it here and there when you get

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<v Speaker 2>in touch with each other. The rest of smissed the

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<v Speaker 2>sea was my brage to all the DJs in New.

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<v Speaker 3>York City was Guy. So I'm thinking in my head

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<v Speaker 3>like did I fuck up on bleak? I'm really thinking,

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<v Speaker 3>and I was like, those are the only reasons why?

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<v Speaker 3>And then we started thinking like, you know, wait a minute,

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<v Speaker 3>was this Vinyl days or was this Sorado because I'm like, so, then,

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<v Speaker 3>how you gave me the record? Do you remember? He

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<v Speaker 3>don't even remember?

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<v Speaker 2>No, Remember we had it was Bobby Dash first, remember everything,

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<v Speaker 2>and then Donna and everybody are running to the radio.

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<v Speaker 2>When we got to the when Jay became president of

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<v Speaker 2>Death Jam, there was no I don't even know who

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<v Speaker 2>the radio person was. Remember, that was a whole new system.

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<v Speaker 2>So my goal was we in the studio making this

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<v Speaker 2>record together, Swiss, gonna get this record like we get

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<v Speaker 2>it to every DJ. He going to be down there,

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<v Speaker 2>like I said, produce the record, Swiss, ow some pub

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<v Speaker 2>on that.

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<v Speaker 1>Let's talk about that.

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<v Speaker 3>Yeah.

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<v Speaker 1>So I just felt like and I ain't gonna hold you, bro.

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<v Speaker 2>I always felt like in New York City again, I

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<v Speaker 2>didn't get showed to love I deserved. And it was

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<v Speaker 2>always because I was too close to the fire.

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<v Speaker 3>Maybe because whatever whole didn't do they took out on me.

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<v Speaker 3>It could have been, but I wasn't in charge of that.

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<v Speaker 3>Of course I was never That's not factor.

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<v Speaker 2>Yeah, it comes from the top down, you know what

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<v Speaker 2>I'm saying. It's not like it's you like, Yo, we're

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<v Speaker 2>gonna take bleep records out now?

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<v Speaker 3>If he ain't come to your party. And on the

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<v Speaker 3>heavy of this podcast, I told my guys your story.

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<v Speaker 3>I said, yo, I said, Blee could say what he

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<v Speaker 3>wants about that, but I'm gonna tell you he's a

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<v Speaker 3>short shot dude. It's what you mean. I said. I

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<v Speaker 3>remember trying to catch a cab. I was going to

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<v Speaker 3>the label. You pulled up on me on West fourth

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<v Speaker 3>Street and sixth Avenue. I remember where you're going. I'm

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<v Speaker 3>going to the label. It was like, I'll give you

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<v Speaker 3>a ride, but the car is dirty. Oh yeah, you

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<v Speaker 3>told me the.

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<v Speaker 1>Car was super dirty.

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<v Speaker 3>So I said, nah, man, you go ahead, bleak, I'll

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<v Speaker 3>catch the next ride. So it was at that moment

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<v Speaker 3>I was like, I got the ultimate respect for this dude,

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<v Speaker 3>because you think of how many dudes in the hood

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<v Speaker 3>get jammed up. Not even my car is dirty. My

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<v Speaker 3>car is this. And then you go to a stop

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<v Speaker 3>check or someone pulls you over and everybody going, and

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<v Speaker 3>everybody goes to the system. Because I'm a firm belief

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<v Speaker 3>you got car man, let me know, real one, let

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<v Speaker 3>me know or you. So I just got to say that, No,

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<v Speaker 3>I appreciate that, my Godnike, but let's go back because

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<v Speaker 3>I got a legend here, so I want to know history.

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<v Speaker 3>Gem take us back that when you first started DJing

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<v Speaker 3>the party scene. What was that like? All right, so

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<v Speaker 3>there were these guys from Brooklyn called the Love Brothers.

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<v Speaker 3>I tell the story. I'm too young for that. I

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<v Speaker 3>told the story all the time. Right. They have the

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<v Speaker 3>del Gatto's podcast, now that's them. Oh okay, anyway, So

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<v Speaker 3>my interesting thing, I don't want to talk too much

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<v Speaker 3>about it because I got a book I'm coming out with,

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<v Speaker 3>but I'll tell you some important things. Like I did

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<v Speaker 3>the Sunday night party in the city. It was called

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<v Speaker 3>the Grill. It was an African spot. It was a

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<v Speaker 3>cross street from the California Club. It was on forty

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<v Speaker 3>sixth Street or forty third Street and in Times Square.

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<v Speaker 3>It was a big deal. Right now, imagine they hire

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<v Speaker 3>me every week to do this party. Right, first week,

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<v Speaker 3>nobody's there, Lee, I'm like, come on, man, three hundred bucks.

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<v Speaker 3>They're trying to pay me to do this part. I'm

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<v Speaker 3>like three hundred bucks in there. I was telling my people,

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<v Speaker 3>I do that ship for free because I love the

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<v Speaker 3>music so much. Right, I was in love with the music.

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<v Speaker 3>Right second week go by, nobody's there. The hottest party

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<v Speaker 3>in the city at the time was the Red Zone

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<v Speaker 3>on a Thursday night.

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<v Speaker 1>You just named like four clubs I never heard of.

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<v Speaker 3>You never heard the Red Zone. No man, oh man,

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<v Speaker 3>you was outside yet he was on the bench of Marshy. Yeah.

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<v Speaker 1>I was still trust the bridge. I ain't crust the

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<v Speaker 1>bridge yet.

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<v Speaker 3>So anyway, on this Thursday night party, you had the

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<v Speaker 3>likes of like Kick Capri Clark Kent, DJ Pete Rock.

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<v Speaker 3>They were the DJ legends. You God Dag, the DJs,

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<v Speaker 3>a guy named but Naked Tim Dogg who used to

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<v Speaker 3>roll with the Chill. But that.

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<v Speaker 1>Was wicked. But that was left that last part up.

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<v Speaker 3>You know what they're going to say, all right, but

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<v Speaker 3>I'm just tell you that was his name. Yo, it

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<v Speaker 3>comes from Google him man comes up butt Naked Tim

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<v Speaker 3>Dag Yo Chill.

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<v Speaker 1>And then we had the rapper Tim dog Oh man, it.

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<v Speaker 3>Was problems problem man. So I mean that was my vibe.

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<v Speaker 3>And then at that party, the host of my party

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<v Speaker 3>was a guy named Toughy. Toughy was one of the

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<v Speaker 3>hosts of Video Music Box. Okay, right, Ralph mcdamn Bronx. Right,

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<v Speaker 3>So we decided, I said, I came up with this

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<v Speaker 3>marketing plan. I said, you know what, if nobody coming

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<v Speaker 3>to the party, let's at least get some bodies in

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<v Speaker 3>the party. Because if you're a club owner and you

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<v Speaker 3>open up to some promoters and it's not working. But

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<v Speaker 3>if I got three four hundred heads in there and

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<v Speaker 3>they're at least buying something at the ball, you're gonna

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<v Speaker 3>be good at that. Maybe we're not doing good at

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<v Speaker 3>the door, but we're doing good at the ball, right.

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<v Speaker 3>So I printed up like three four or five hundred

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<v Speaker 3>VIP free tickets and that Thursday night party at the

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<v Speaker 3>Red Zone I'm telling you about, there was a New

0:10:58.320 --> 0:11:03.600
<v Speaker 3>Jack City party the movie. This is when I thought

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<v Speaker 3>I was Christopher Williams. No list me mad, Yeah, I understand.

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<v Speaker 3>I'm a light skinned dude that had I had the

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<v Speaker 3>curly hair, came in there like with a suit.

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<v Speaker 1>And back in the days, that's how you had to

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<v Speaker 1>step out, had to get dressed up.

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<v Speaker 3>I was doing parties with heavy d and a lot

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<v Speaker 3>of these dudre heroes and those dudes. We had to dress.

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<v Speaker 3>You had to be like suits, sari ties and shoes.

0:11:33.000 --> 0:11:34.560
<v Speaker 1>More reason ship can play.

0:11:34.720 --> 0:11:37.560
<v Speaker 3>It wasn't until later that everybody wanted to dress like

0:11:37.600 --> 0:11:40.040
<v Speaker 3>Russell Simmons and come with jeans and a white dan.

0:11:40.440 --> 0:11:45.160
<v Speaker 2>Russell Simmons fucked the game up. Just connected right there.

0:11:45.480 --> 0:11:48.640
<v Speaker 3>There's the reason why everybody's because they wanted to be

0:11:48.720 --> 0:11:52.680
<v Speaker 3>downtown swingers. And that's what it was. He give it

0:11:52.760 --> 0:11:56.000
<v Speaker 3>some game, right now. I didn't know that you give

0:11:56.040 --> 0:11:58.360
<v Speaker 3>it some game with that one right now, I'm talking

0:11:58.360 --> 0:11:59.920
<v Speaker 3>too much, bleak. No, I didn't know.

0:12:00.080 --> 0:12:01.640
<v Speaker 1>Russell simm has changed the gag.

0:12:02.640 --> 0:12:05.160
<v Speaker 3>Yo. You remember the time when jay Z started wearing

0:12:05.720 --> 0:12:09.400
<v Speaker 3>uh button ups. Yes, he changed the whole entire industry.

0:12:09.760 --> 0:12:13.560
<v Speaker 3>It's the same thing, man, Guys empower the the ones

0:12:13.559 --> 0:12:16.400
<v Speaker 3>who make all the decisions. At that time, my Susan King,

0:12:17.440 --> 0:12:21.320
<v Speaker 3>whatever he wore, people wore. So whether it was up

0:12:22.360 --> 0:12:26.040
<v Speaker 3>or shelter, Adidas, some jeans and a white tea, that's

0:12:26.080 --> 0:12:27.920
<v Speaker 3>how you went to the parties. And he was picking

0:12:28.000 --> 0:12:29.400
<v Speaker 3>up models just like that.

0:12:30.600 --> 0:12:36.440
<v Speaker 1>Some like a rich fuck that suit, that suit. I'm good.

0:12:37.040 --> 0:12:41.720
<v Speaker 2>I'm good as legendary man. So do you remember the

0:12:41.760 --> 0:12:44.400
<v Speaker 2>first time you felt like, damn my name ringing out

0:12:44.400 --> 0:12:47.720
<v Speaker 2>here in New York man? Like the night life, the streets.

0:12:48.160 --> 0:12:51.760
<v Speaker 3>All right, there's a few times, but one of the

0:12:51.800 --> 0:12:57.600
<v Speaker 3>most dynamic times was I was with Angie Martinez. Shout

0:12:57.720 --> 0:13:00.640
<v Speaker 3>to my sister Angie Martinez, Right, we will on the

0:13:00.679 --> 0:13:04.680
<v Speaker 3>Hot ninety seven float during the Puerto Rican Day Parade. Right.

0:13:05.360 --> 0:13:08.480
<v Speaker 3>So every year, you know, Angie does that, right, and

0:13:08.600 --> 0:13:10.720
<v Speaker 3>she's you know, she got on the mic. She'd be like, yeah,

0:13:11.679 --> 0:13:16.080
<v Speaker 3>and you hit a cloud. So she said my name

0:13:16.120 --> 0:13:19.920
<v Speaker 3>one time, right, and it was like whatever, and then

0:13:19.960 --> 0:13:22.040
<v Speaker 3>she said it again the next year, and it was

0:13:22.080 --> 0:13:24.440
<v Speaker 3>like it got a little bit better. But like the

0:13:24.520 --> 0:13:29.560
<v Speaker 3>third year she said my name, it was like and

0:13:29.600 --> 0:13:34.120
<v Speaker 3>she looked at me, she goes, here, that's right, I'm here,

0:13:34.200 --> 0:13:36.280
<v Speaker 3>you're hearing that, that's right. So I was like that

0:13:36.400 --> 0:13:38.600
<v Speaker 3>was my cod sign, like you know what I mean,

0:13:38.920 --> 0:13:41.839
<v Speaker 3>I know that feeling and you know, crazy. And then

0:13:43.480 --> 0:13:47.040
<v Speaker 3>when j became the president of death jam my mother

0:13:47.120 --> 0:13:50.480
<v Speaker 3>being in forty forty and Jay came to me on

0:13:50.520 --> 0:13:53.160
<v Speaker 3>the side and he pulled me to the side, and

0:13:53.200 --> 0:13:54.520
<v Speaker 3>this is when I felt like I was one of

0:13:54.559 --> 0:14:01.920
<v Speaker 3>his soldiers. Beat this, beat this, because you know, I

0:14:01.920 --> 0:14:04.280
<v Speaker 3>didn't know any other presidents to any of labors except

0:14:04.360 --> 0:14:08.120
<v Speaker 3>Kevin Lyles. He's the only one I do coolest presidents too.

0:14:08.480 --> 0:14:11.800
<v Speaker 3>So JA was like you know, I'm about to be

0:14:11.840 --> 0:14:14.199
<v Speaker 3>the president of Death Jam. Right. So he was like,

0:14:15.480 --> 0:14:18.400
<v Speaker 3>I was, so you, yo, bro, I'm from Brooklyn. You

0:14:18.440 --> 0:14:21.800
<v Speaker 3>get the I need you from Hove. It's amazing, Like

0:14:22.040 --> 0:14:29.560
<v Speaker 3>I'm here, what's up? Yeah? Man, you gotta understand something

0:14:29.640 --> 0:14:32.920
<v Speaker 3>like we're like cousins. And the reason why I'll tell

0:14:32.960 --> 0:14:38.040
<v Speaker 3>you we're like cousins peat this. When I was on

0:14:38.080 --> 0:14:41.120
<v Speaker 3>the road with Big I would hear the stories of

0:14:41.160 --> 0:14:44.360
<v Speaker 3>the commission of what he was trying to make with Iceberg,

0:14:44.400 --> 0:14:51.080
<v Speaker 3>Slim with Charlie Baltimore and then whoever. Right. So one

0:14:51.080 --> 0:14:57.480
<v Speaker 3>of the magic nights was we performed at BAM downtown Brooklyn.

0:14:57.560 --> 0:15:00.880
<v Speaker 3>Right now, I know that spot. Now I'm outside. I

0:15:01.920 --> 0:15:04.960
<v Speaker 3>DJ for Big IRV God he was DJ for J

0:15:06.200 --> 0:15:08.000
<v Speaker 3>And it was like side by side and it was

0:15:08.080 --> 0:15:10.960
<v Speaker 3>like and then Jay dropped or can I live? And

0:15:11.000 --> 0:15:15.280
<v Speaker 3>then we dropped. The was beef and a bunch of records.

0:15:15.280 --> 0:15:18.560
<v Speaker 3>But it's like those magical moments where you just look

0:15:18.600 --> 0:15:21.160
<v Speaker 3>at each other, like and I remember a big light

0:15:21.800 --> 0:15:24.240
<v Speaker 3>being with his crew and then they would see you.

0:15:24.560 --> 0:15:28.120
<v Speaker 3>You know you guys. It was always it was always

0:15:28.160 --> 0:15:31.520
<v Speaker 3>it's always this like, but it was it was respect.

0:15:31.560 --> 0:15:36.480
<v Speaker 3>It was like, and then another story. You want me

0:15:36.480 --> 0:15:36.720
<v Speaker 3>to go.

0:15:36.720 --> 0:15:39.920
<v Speaker 1>Back, go back, go back. I love this ship.

0:15:41.320 --> 0:15:45.640
<v Speaker 3>At the Montrose Hotel. Remember that hotel, the Montrose.

0:15:48.560 --> 0:15:49.560
<v Speaker 1>Yeah, you kidding me.

0:15:49.760 --> 0:15:52.880
<v Speaker 3>So now peep this, y'all. So peep this. One of

0:15:52.960 --> 0:15:57.120
<v Speaker 3>the finest moments in my eyes. I'm in the lobby

0:15:57.200 --> 0:15:59.120
<v Speaker 3>of the hotel, were checking in. It's me and Money

0:15:59.240 --> 0:16:01.600
<v Speaker 3>l D Rock. I don't know. I don't know if

0:16:01.640 --> 0:16:04.000
<v Speaker 3>the Rock was there. If it was d Rock, then

0:16:04.040 --> 0:16:06.560
<v Speaker 3>it was gutt It wasn't there because there was a

0:16:06.600 --> 0:16:08.920
<v Speaker 3>time where someone them was in prison and that kind

0:16:08.960 --> 0:16:14.400
<v Speaker 3>of thing. And I see Rock him walking into the hotel, right,

0:16:15.000 --> 0:16:17.680
<v Speaker 3>and then BIG's on this side and they both walking

0:16:17.760 --> 0:16:21.240
<v Speaker 3>this way. So I'm looking at like, oh, ship, one

0:16:21.280 --> 0:16:23.360
<v Speaker 3>of the greatest rappers of all time is right here.

0:16:24.120 --> 0:16:27.600
<v Speaker 3>And then the newly crowned king is is is coming

0:16:27.680 --> 0:16:29.600
<v Speaker 3>this So in my mind I'm like, Yo, this is

0:16:29.640 --> 0:16:33.040
<v Speaker 3>going this is crazy. It's a movie. In my mind,

0:16:33.080 --> 0:16:36.560
<v Speaker 3>I'm looking like whatever. And then they just crossed paths

0:16:36.600 --> 0:16:39.640
<v Speaker 3>and Big was just like and then Rob was like,

0:16:40.520 --> 0:16:45.920
<v Speaker 3>that's it. That's the saying ship, that's crazy. I thought

0:16:45.960 --> 0:16:48.440
<v Speaker 3>it would I thought it would be better than that. Yeah, yeah,

0:16:48.560 --> 0:16:52.240
<v Speaker 3>word up some type of acknowledge. Man, Goddamn Big the

0:16:52.320 --> 0:16:53.000
<v Speaker 3>greatest bro.

0:16:53.080 --> 0:16:56.560
<v Speaker 2>We ain't gonna just go you DJ for Big you

0:16:56.760 --> 0:16:59.640
<v Speaker 2>and miss the c like y'all came up with me.

0:17:00.520 --> 0:17:03.840
<v Speaker 3>I'm gonna correct you because on your podcast, I didn't

0:17:03.880 --> 0:17:08.200
<v Speaker 3>DJ for Junior Mafia, my man Jiff Jeff Pause DJ

0:17:08.280 --> 0:17:11.719
<v Speaker 3>for Junior Mafia and then sighther sometimes DJ FORR Mafia.

0:17:12.200 --> 0:17:16.680
<v Speaker 3>I DD for Big to see found Big for a

0:17:16.760 --> 0:17:19.680
<v Speaker 3>big either, because I want you to get it all

0:17:19.720 --> 0:17:20.360
<v Speaker 3>in context.

0:17:20.440 --> 0:17:22.359
<v Speaker 1>You know, I mean, I know the I know the line.

0:17:22.400 --> 0:17:24.600
<v Speaker 2>I know you was DJ because I remember the Connecticut

0:17:24.680 --> 0:17:26.800
<v Speaker 2>Show when they came with Big hurt his leg after

0:17:26.840 --> 0:17:29.840
<v Speaker 2>his birthday party. You was definitely DJing that Connecticut show,

0:17:30.480 --> 0:17:33.040
<v Speaker 2>that nigga. They willed him out on that motherfucker stage

0:17:33.080 --> 0:17:38.000
<v Speaker 2>in that wheelchair pandemonium moneyggas shut ship down in the

0:17:38.200 --> 0:17:42.440
<v Speaker 2>wheelchairir like, so I remember those days. And like you said,

0:17:42.440 --> 0:17:44.439
<v Speaker 2>a lot of people don't even remember IRV Gotti was

0:17:44.520 --> 0:17:45.119
<v Speaker 2>j DJ.

0:17:45.560 --> 0:17:48.360
<v Speaker 1>They think IRV Gotti just started out, you know, murder ingland.

0:17:48.400 --> 0:17:50.640
<v Speaker 3>You don't know, everybody got a beginning in this his

0:17:50.720 --> 0:17:53.399
<v Speaker 3>in this in this hip hop here man, and I

0:17:53.440 --> 0:17:56.960
<v Speaker 3>respect that man like y'all niggas paved the way for us,

0:17:57.000 --> 0:17:59.359
<v Speaker 3>like you saying Jay with his crew and you was

0:17:59.400 --> 0:18:01.720
<v Speaker 3>were big in them, Nah, bro, I was the little

0:18:01.800 --> 0:18:05.800
<v Speaker 3>kid just sitting there like this. I can't wait till

0:18:05.840 --> 0:18:09.560
<v Speaker 3>I get my shot. This is how nigga's rolling, This

0:18:09.600 --> 0:18:11.880
<v Speaker 3>is how we go. And it's like when I got

0:18:11.960 --> 0:18:14.800
<v Speaker 3>my shot, the gang was still sweet, but it wasn't

0:18:14.840 --> 0:18:17.639
<v Speaker 3>like when y'all had it like when y'all had the

0:18:17.720 --> 0:18:21.640
<v Speaker 3>gang member groupies. Was happy to be a groupie.

0:18:21.680 --> 0:18:24.120
<v Speaker 1>And my time, they was like, I'm not no groupye

0:18:24.280 --> 0:18:25.840
<v Speaker 1>like you right, girl?

0:18:25.920 --> 0:18:26.240
<v Speaker 3>You not?

0:18:26.960 --> 0:18:29.680
<v Speaker 1>But y'all ever they like I'm grouped the fly.

0:18:30.000 --> 0:18:31.520
<v Speaker 3>All I know is this man. I was on the

0:18:31.600 --> 0:18:35.640
<v Speaker 3>road with these little four feet guys called Junior Mafia

0:18:35.720 --> 0:18:38.399
<v Speaker 3>and they were Yo. These guys were terrorists behind Yo.

0:18:38.680 --> 0:18:42.080
<v Speaker 3>They had females everywhere. There was groupies out the wazoo.

0:18:42.640 --> 0:18:43.600
<v Speaker 3>We had a good time, though.

0:18:43.840 --> 0:18:45.399
<v Speaker 1>I used to ENVYCS man.

0:18:45.440 --> 0:18:48.320
<v Speaker 2>I used to be like this little motherfucker snigger got

0:18:48.320 --> 0:18:49.040
<v Speaker 2>all the joints.

0:18:49.080 --> 0:18:51.320
<v Speaker 1>I wait till I drop a record, Nigga. I'm weird's

0:18:51.359 --> 0:18:52.200
<v Speaker 1>on yo, man.

0:18:52.359 --> 0:18:54.520
<v Speaker 3>When I think about it, she was like fourteen years

0:18:54.560 --> 0:18:57.560
<v Speaker 3>old when it's all happened. I'm like, yo, y'all, it's

0:18:57.640 --> 0:19:01.000
<v Speaker 3>crazy that niggas Yo, even Big Bro. You think about it,

0:19:01.080 --> 0:19:03.439
<v Speaker 3>rest of Pees, Big and Park was kids, Bro. They

0:19:03.520 --> 0:19:04.840
<v Speaker 3>had in the twenty twenties.

0:19:04.880 --> 0:19:08.000
<v Speaker 1>Bro, they didn't they see life at all twenty something.

0:19:08.320 --> 0:19:09.320
<v Speaker 1>We were babies, Bro.

0:19:10.040 --> 0:19:13.359
<v Speaker 2>So listen all right before the stream and these playlists

0:19:13.359 --> 0:19:15.720
<v Speaker 2>and everything that the rap games turned to. Yes, sir,

0:19:16.400 --> 0:19:19.960
<v Speaker 2>back then in New York, the DJs, y'all controlled everything

0:19:20.040 --> 0:19:22.000
<v Speaker 2>that was moving musically in the game.

0:19:22.640 --> 0:19:25.200
<v Speaker 1>What you feel like made that era so special?

0:19:27.440 --> 0:19:30.679
<v Speaker 3>Well, first, first of all, you know what I enjoyed

0:19:30.680 --> 0:19:34.359
<v Speaker 3>about that era. All our superstars were in the back,

0:19:34.520 --> 0:19:38.200
<v Speaker 3>in our backyard, meaning I didn't have to go to Atlanta,

0:19:38.400 --> 0:19:40.880
<v Speaker 3>I didn't have to go to La. They were literally

0:19:41.040 --> 0:19:43.800
<v Speaker 3>across the bridge in Brooklyn, or they were across the

0:19:43.800 --> 0:19:46.720
<v Speaker 3>bridge and Queens or through the tunnel whatever. They were

0:19:46.760 --> 0:19:50.680
<v Speaker 3>local at all, they were. They were local as a fact.

0:19:50.760 --> 0:19:54.000
<v Speaker 3>Ninety three, ninety four, ninety five, it was Wu Tang,

0:19:55.000 --> 0:19:59.960
<v Speaker 3>Big j Nas, Mob Deep you know all that fact.

0:20:00.240 --> 0:20:04.560
<v Speaker 2>Joe Yeah, Ship the locks was on to come up.

0:20:04.840 --> 0:20:07.639
<v Speaker 2>That boy was on their run like shit, nigga.

0:20:07.680 --> 0:20:10.240
<v Speaker 3>That was the best ever ever I saw how I

0:20:10.280 --> 0:20:12.760
<v Speaker 3>saw how you said when you're talking to Cipher. It

0:20:12.800 --> 0:20:15.639
<v Speaker 3>was like, that's why bad Boy ran the game, because

0:20:15.760 --> 0:20:23.040
<v Speaker 3>enough his big DJ, little kidj DJ for I was like,

0:20:23.400 --> 0:20:24.440
<v Speaker 3>that's not the reason why.

0:20:24.480 --> 0:20:27.600
<v Speaker 2>I believe they had the hits. But they had the

0:20:27.720 --> 0:20:29.560
<v Speaker 2>inside plug.

0:20:29.320 --> 0:20:30.840
<v Speaker 3>Too, I'm sure to a certain degree.

0:20:30.920 --> 0:20:33.240
<v Speaker 1>Yeah, but yeah, yeah, his favoritism.

0:20:33.320 --> 0:20:36.040
<v Speaker 2>Man, Like, if I'm a DJ and I'm playing the

0:20:36.080 --> 0:20:38.040
<v Speaker 2>records of a nigga that we're not to get off

0:20:38.119 --> 0:20:40.480
<v Speaker 2>this radio, I'm on the road with him.

0:20:40.920 --> 0:20:42.480
<v Speaker 1>Come on, le's play these red We're gonna keep this

0:20:42.560 --> 0:20:44.639
<v Speaker 1>nigga on the road. I need these checks.

0:20:44.680 --> 0:20:47.760
<v Speaker 2>Maybe you were fuck They talk about X two more

0:20:47.840 --> 0:20:49.400
<v Speaker 2>spins before commercial.

0:20:51.160 --> 0:20:53.600
<v Speaker 1>Come on, facts are no facts.

0:20:53.680 --> 0:20:56.000
<v Speaker 3>You could be right, Joe. You see, you could be

0:20:56.119 --> 0:20:59.560
<v Speaker 3>right like that. You've been interrogated before, y'all. You could

0:20:59.560 --> 0:20:59.880
<v Speaker 3>be right.

0:21:00.160 --> 0:21:05.160
<v Speaker 1>Two things could be right and wrong at the same time. Yo.

0:21:05.240 --> 0:21:07.760
<v Speaker 2>You became known for breaking major records. You broke a

0:21:07.800 --> 0:21:09.399
<v Speaker 2>lot of records in New York City, you know what

0:21:09.440 --> 0:21:12.679
<v Speaker 2>I'm saying. Having strong relationships with all the artists across

0:21:12.760 --> 0:21:14.879
<v Speaker 2>different genres of music, you know.

0:21:14.880 --> 0:21:15.280
<v Speaker 3>What I mean?

0:21:16.680 --> 0:21:20.000
<v Speaker 2>What was it like building that trust with the artists

0:21:20.000 --> 0:21:22.479
<v Speaker 2>over the years, that they knew to gain my record,

0:21:22.520 --> 0:21:25.680
<v Speaker 2>really to the masses, I'm going to eat well.

0:21:25.720 --> 0:21:29.000
<v Speaker 3>I mean it was always a fight because you had

0:21:29.040 --> 0:21:33.520
<v Speaker 3>to fight with either. You know, Flex wanted records, then

0:21:33.600 --> 0:21:38.000
<v Speaker 3>Clue wanted records, then kse Slave wanted records. Right, you know,

0:21:38.000 --> 0:21:40.119
<v Speaker 3>you gotta think about all the superstars I'm naming. These

0:21:40.160 --> 0:21:46.760
<v Speaker 3>are big DJs in their own right. Then you know, like, yo,

0:21:46.880 --> 0:21:49.080
<v Speaker 3>we'll talk. I'm gonna talk about k Slave for a second.

0:21:49.560 --> 0:21:52.399
<v Speaker 3>Out of all the DJs in the country, you know,

0:21:53.000 --> 0:21:57.520
<v Speaker 3>he's one of the ones that fought for you guys.

0:21:57.880 --> 0:22:00.879
<v Speaker 3>When I say fought, because you know, after a while,

0:22:01.280 --> 0:22:06.080
<v Speaker 3>us DJ's got playlisted. If it first started with four records, right,

0:22:06.840 --> 0:22:09.280
<v Speaker 3>the program director will come to me like enough, do

0:22:09.359 --> 0:22:11.280
<v Speaker 3>your thing, but you got to play these four records

0:22:11.440 --> 0:22:13.800
<v Speaker 3>in the hour, right, And then I'd be like, all right,

0:22:13.880 --> 0:22:16.520
<v Speaker 3>that's not a problem. And then it went to eight

0:22:16.600 --> 0:22:20.560
<v Speaker 3>records and I'm like, damn. And then it went from

0:22:20.640 --> 0:22:25.480
<v Speaker 3>eight records to ten records, and then twelve and before

0:22:25.560 --> 0:22:27.840
<v Speaker 3>you know it, what am I breaking? You just just

0:22:27.880 --> 0:22:29.639
<v Speaker 3>tell me to play whatever you want me to play.

0:22:30.119 --> 0:22:32.400
<v Speaker 3>And then that's when it started not getting fun no more.

0:22:33.960 --> 0:22:40.520
<v Speaker 3>That's great because and for rating purposes, you might Okay,

0:22:40.560 --> 0:22:43.120
<v Speaker 3>I'll give you a perfect example, Like you might think

0:22:43.160 --> 0:22:45.800
<v Speaker 3>you hot, right because you're hearing your record on the

0:22:45.880 --> 0:22:49.080
<v Speaker 3>radio and you buzzing whatever whatever. But then you put

0:22:49.080 --> 0:22:52.760
<v Speaker 3>a concert together and nobody buys your ticket, nobody know

0:22:52.800 --> 0:22:56.040
<v Speaker 3>the record. Oh, they don't know who you are as

0:22:56.040 --> 0:23:01.080
<v Speaker 3>the artist. So then you get mad because what either

0:23:01.119 --> 0:23:04.119
<v Speaker 3>the who didn't support you, to the radio station, the DJ,

0:23:04.800 --> 0:23:07.119
<v Speaker 3>or maybe your record wasn't just good that's right, you know,

0:23:07.240 --> 0:23:12.359
<v Speaker 3>So that happens. There's been times where records really buzz

0:23:12.520 --> 0:23:15.439
<v Speaker 3>and they blow up, but it still don't connect with

0:23:15.480 --> 0:23:18.160
<v Speaker 3>the audience, right, Like I'm talking about to the point

0:23:18.160 --> 0:23:20.760
<v Speaker 3>where they want to go in their pocket and put

0:23:20.760 --> 0:23:23.119
<v Speaker 3>out their credit card or their cash and say, all right,

0:23:23.119 --> 0:23:24.919
<v Speaker 3>he goes fifty dollars, let me get a couple of tickets,

0:23:25.000 --> 0:23:28.000
<v Speaker 3>that's right. Like that's the error you're talking about when

0:23:28.000 --> 0:23:30.320
<v Speaker 3>you ask to do the calling where you would send

0:23:30.320 --> 0:23:32.920
<v Speaker 3>the record out and people called me like do they

0:23:32.960 --> 0:23:34.359
<v Speaker 3>identify that record or not?

0:23:34.440 --> 0:23:37.840
<v Speaker 2>They're like nope, I'm cool, that's it. That's crazy, like thin.

0:23:37.960 --> 0:23:40.280
<v Speaker 2>These kids don't even have to deal with that today.

0:23:40.320 --> 0:23:42.920
<v Speaker 3>And that's the part that when you're a person coming

0:23:42.960 --> 0:23:47.760
<v Speaker 3>up in radio, it hurt because you'd be like, yo, man,

0:23:48.960 --> 0:23:53.200
<v Speaker 3>enough flex Angie Martinez. They're all playing off shit, but

0:23:53.240 --> 0:23:57.120
<v Speaker 3>it's not working. It's the music, not my fault. It's

0:23:57.119 --> 0:24:00.440
<v Speaker 3>the music. But we try. That's a fact. You know.

0:24:00.920 --> 0:24:03.040
<v Speaker 3>His ability is everything at that point, you know what

0:24:03.080 --> 0:24:03.360
<v Speaker 3>I mean?

0:24:04.040 --> 0:24:06.879
<v Speaker 2>And outside of radio to me, like when I was

0:24:06.920 --> 0:24:10.240
<v Speaker 2>coming up, finally crossed the bridge getting into the music business,

0:24:10.359 --> 0:24:13.640
<v Speaker 2>like y'all party scenes. Gee, I don't give a fuck.

0:24:13.680 --> 0:24:16.000
<v Speaker 2>Even to this day, I don't care. Camelo could put

0:24:16.040 --> 0:24:20.959
<v Speaker 2>his name on a fucking rodeo. They showing up And

0:24:21.000 --> 0:24:23.679
<v Speaker 2>it started from you. You created that wave and then

0:24:23.760 --> 0:24:25.920
<v Speaker 2>trickled down to the family, the whole team.

0:24:26.080 --> 0:24:27.640
<v Speaker 1>Like your party.

0:24:27.680 --> 0:24:29.960
<v Speaker 2>I set the destination for New York where I feel

0:24:29.960 --> 0:24:32.960
<v Speaker 2>like people flew in just to come to your parties.

0:24:33.760 --> 0:24:38.280
<v Speaker 3>Being that big of a coach again. Shout to my

0:24:38.320 --> 0:24:41.920
<v Speaker 3>sister Andie Martinez, who we had our birthday parties. Oh

0:24:41.960 --> 0:24:44.760
<v Speaker 3>my god, we shut the city down, crazy bro. It

0:24:44.880 --> 0:24:49.399
<v Speaker 3>was like Hoove got a rested at me and Aggie's

0:24:49.440 --> 0:24:56.560
<v Speaker 3>birthday party. I'm just said, you wanted to be my

0:24:56.720 --> 0:25:02.960
<v Speaker 3>birthday party. Fat Joe was trying to kill fifty yoh

0:25:03.600 --> 0:25:07.359
<v Speaker 3>lots smokey yo, listen you want yeah those facts.

0:25:07.359 --> 0:25:09.480
<v Speaker 1>That's right. A lot of these guys is cool now.

0:25:09.960 --> 0:25:13.480
<v Speaker 3>I know the l o X, the D block dudes

0:25:13.520 --> 0:25:15.440
<v Speaker 3>are trying to kill DJ who kid in the booth.

0:25:16.240 --> 0:25:18.560
<v Speaker 1>This is all at your party, my party at the

0:25:18.600 --> 0:25:19.120
<v Speaker 1>same night.

0:25:19.160 --> 0:25:25.040
<v Speaker 3>Act cast one, he's heid chill cast one in my line, Damn.

0:25:24.880 --> 0:25:27.480
<v Speaker 1>Cast set is facts, it's facts, it's real talk.

0:25:28.080 --> 0:25:30.879
<v Speaker 3>Damn. So why Jay get locked up? Who he was

0:25:30.920 --> 0:25:33.160
<v Speaker 3>trying to kill? I don't know who he's trying to kill.

0:25:33.200 --> 0:25:35.479
<v Speaker 3>I think they probably checked this car. He might might

0:25:35.520 --> 0:25:38.720
<v Speaker 3>have found he had the blinking I think had the blick.

0:25:39.000 --> 0:25:42.200
<v Speaker 2>Told y'all project baby and start fucking around. Find out

0:25:42.720 --> 0:25:44.960
<v Speaker 2>you fuck around, you find out what happens.

0:25:45.000 --> 0:25:47.639
<v Speaker 3>Man, I get it. And we had some of the

0:25:47.640 --> 0:25:50.080
<v Speaker 3>best birthday party And man, that eerror was ill. Man,

0:25:50.160 --> 0:25:53.159
<v Speaker 3>you had the city going crazy by g Any party

0:25:53.200 --> 0:25:57.280
<v Speaker 3>you ever broke me to was out the door so real,

0:25:57.400 --> 0:26:01.080
<v Speaker 3>bro like crazy, my g It was always like back

0:26:01.119 --> 0:26:04.440
<v Speaker 3>then to me, like walking into Hot ninety seven during

0:26:04.480 --> 0:26:06.880
<v Speaker 3>this peak years man, Like I told you that's that's

0:26:06.920 --> 0:26:10.400
<v Speaker 3>a historic. Just saying hot ninety seven just made everything us,

0:26:10.440 --> 0:26:12.920
<v Speaker 3>you know, what I'm saying, going up there, stepping into

0:26:12.960 --> 0:26:16.280
<v Speaker 3>the center of hip hop, it felt like damn I

0:26:16.359 --> 0:26:18.440
<v Speaker 3>made it. Like I don't think it was no other

0:26:18.560 --> 0:26:21.639
<v Speaker 3>radio station, no disrespect in any station that I walked

0:26:21.640 --> 0:26:24.080
<v Speaker 3>in that showed love. But your son about being from

0:26:24.160 --> 0:26:28.440
<v Speaker 3>New York and being invited to Hot just made everything

0:26:28.600 --> 0:26:30.800
<v Speaker 3>matter to you, you know what I mean, Like, I

0:26:30.840 --> 0:26:32.919
<v Speaker 3>just want to know what was the environment like for

0:26:33.000 --> 0:26:37.720
<v Speaker 3>y'all from the inside a Hot I mean, it was

0:26:37.760 --> 0:26:43.679
<v Speaker 3>always competitive, but you know, like I mean, we had

0:26:43.880 --> 0:26:47.760
<v Speaker 3>ed Lover, we had Miss Jones, we had starn Buck Wild,

0:26:48.560 --> 0:26:53.280
<v Speaker 3>we had Angie Martinez, we had Sonny Anderson. Shout out, Sonny,

0:26:53.320 --> 0:26:57.200
<v Speaker 3>that's my girl, a big chef word, cooking up shit,

0:26:57.400 --> 0:27:01.840
<v Speaker 3>battling everybody. Now, I'm so proud of her, you know.

0:27:01.920 --> 0:27:06.399
<v Speaker 3>So the vibe was always good. I remember, you know,

0:27:06.560 --> 0:27:11.639
<v Speaker 3>like as much as DJ's the power wasn't really behind

0:27:11.680 --> 0:27:15.399
<v Speaker 3>the turntables, you know that right, The power was behind this.

0:27:16.600 --> 0:27:18.680
<v Speaker 3>But sometimes we didn't want the headaches when it came

0:27:18.720 --> 0:27:20.160
<v Speaker 3>with this, so we just wanted to do our jobs

0:27:20.200 --> 0:27:22.480
<v Speaker 3>and play the good music. Yeah, so it depends like

0:27:22.640 --> 0:27:25.560
<v Speaker 3>how much you wanted. But the power is this this

0:27:25.720 --> 0:27:29.080
<v Speaker 3>right here, this right here. That's a fact that micase Man.

0:27:29.119 --> 0:27:31.200
<v Speaker 3>You see Angie mob Voice in New York.

0:27:31.800 --> 0:27:34.680
<v Speaker 2>Everybody you wanted to get your point across or get

0:27:34.720 --> 0:27:38.639
<v Speaker 2>a message out, you had to go to Angie. If

0:27:38.640 --> 0:27:41.080
<v Speaker 2>you were anywhere else, we didn't hear it. It was

0:27:41.160 --> 0:27:45.320
<v Speaker 2>like what you said? Like what exactly? Like that's crazy, man,

0:27:45.440 --> 0:27:48.040
<v Speaker 2>like that era. I missed that era of New York.

0:27:48.200 --> 0:27:53.000
<v Speaker 3>Like my best radio moment was watching her and Hove

0:27:53.080 --> 0:27:55.000
<v Speaker 3>on the radio all the time. They were like to

0:27:55.080 --> 0:27:59.680
<v Speaker 3>Snoop and Dre of the radio right and Hope was

0:27:59.680 --> 0:28:03.960
<v Speaker 3>getting mad because she can't happen to stop for commercial breaks.

0:28:04.440 --> 0:28:05.800
<v Speaker 1>He's like, we're gonna pay the commerce.

0:28:05.960 --> 0:28:10.240
<v Speaker 3>They he pull out the black card and told the

0:28:10.240 --> 0:28:12.919
<v Speaker 3>the people at the station how much it costs for

0:28:12.960 --> 0:28:13.720
<v Speaker 3>me to just talk.

0:28:13.920 --> 0:28:16.160
<v Speaker 1>That's right, no more commercial I remember.

0:28:15.800 --> 0:28:18.520
<v Speaker 3>That, d D yo. They just wiped all the commercials,

0:28:18.520 --> 0:28:22.600
<v Speaker 3>got rid of everything. And then angim like, yo hour,

0:28:22.720 --> 0:28:26.640
<v Speaker 3>who does that? Straight up? Nobody does that. I remember

0:28:26.640 --> 0:28:29.760
<v Speaker 3>that history of me ever being on radio. Only him.

0:28:30.080 --> 0:28:32.080
<v Speaker 2>I was like, yo, I don't want no more commer.

0:28:32.200 --> 0:28:34.520
<v Speaker 2>We just go talk straight through. They can't see all

0:28:34.600 --> 0:28:38.760
<v Speaker 2>the commercials. That's ill. I ain't ever think about that.

0:28:38.880 --> 0:28:41.280
<v Speaker 2>No other artists did that, man, never they could do

0:28:41.360 --> 0:28:44.840
<v Speaker 2>that on XM. They don't pay no ain't no real

0:28:44.960 --> 0:28:46.360
<v Speaker 2>no reil commercials.

0:28:47.040 --> 0:28:49.959
<v Speaker 3>You know what I'm saying. Yeah, they were based on prescriptions.

0:28:49.960 --> 0:28:53.800
<v Speaker 3>That's why that's right, man, Like fucking the music industry

0:28:53.880 --> 0:28:56.960
<v Speaker 3>unchanged dramatically streaming digital. Like you know what I mean?

0:28:57.000 --> 0:28:59.680
<v Speaker 2>What was the hardest adjustment you think for you to

0:28:59.680 --> 0:29:01.720
<v Speaker 2>make the transition to the new world?

0:29:01.800 --> 0:29:06.560
<v Speaker 3>For me, it was this. When I first became a DJ,

0:29:07.720 --> 0:29:10.719
<v Speaker 3>I just wanted to play records and I was finally

0:29:10.760 --> 0:29:12.200
<v Speaker 3>good at it. I was like, Yo, I could mix

0:29:12.240 --> 0:29:14.600
<v Speaker 3>these records, I could blend them, I could talk on

0:29:14.640 --> 0:29:16.680
<v Speaker 3>top of them, I could cut, I could scratch. So

0:29:16.720 --> 0:29:21.200
<v Speaker 3>I was through the overalls are pretty good DJ. And

0:29:21.320 --> 0:29:24.960
<v Speaker 3>then I realized, you know what, I don't got no

0:29:25.000 --> 0:29:27.400
<v Speaker 3>real mic game, so I had to learn the mic game.

0:29:28.280 --> 0:29:32.920
<v Speaker 3>And then when the social media things started switching, it

0:29:32.960 --> 0:29:36.480
<v Speaker 3>became this. So now I'm djaying and you gotta film

0:29:36.560 --> 0:29:40.000
<v Speaker 3>yourself DJ, and I'm like, yo, I can't do this, yo.

0:29:40.400 --> 0:29:42.640
<v Speaker 3>So I couldn't do it. But like I used to

0:29:42.640 --> 0:29:45.720
<v Speaker 3>watch Camillo and Cast, they good at it. They'd be like, Yo,

0:29:45.800 --> 0:29:49.840
<v Speaker 3>we're gonna be here uptown tonight and I'm over be

0:29:49.880 --> 0:29:52.600
<v Speaker 3>here like, nah, man, I need my hands to keep

0:29:52.680 --> 0:29:54.840
<v Speaker 3>riding that thing. But they were good at it. They'd

0:29:54.840 --> 0:29:57.360
<v Speaker 3>be like, Yo, uptown tonight, we're doing this bl blah

0:29:57.360 --> 0:29:57.960
<v Speaker 3>blah blah blah.

0:29:58.000 --> 0:30:01.120
<v Speaker 1>Men please popping in. You know that that's a fact.

0:30:01.160 --> 0:30:03.800
<v Speaker 3>You're right. They be live like this, we live right now.

0:30:03.960 --> 0:30:10.200
<v Speaker 3>It's crazy, Yo, insane. I'm like, yo, am I doing

0:30:10.240 --> 0:30:12.520
<v Speaker 3>my job on the radio, on my my am, I

0:30:12.600 --> 0:30:14.680
<v Speaker 3>on TikTok, And I was like almost like you have

0:30:14.760 --> 0:30:17.320
<v Speaker 3>to do both, yes, at the same time at TikTok.

0:30:17.360 --> 0:30:19.280
<v Speaker 2>I'm still not on TikTok because I don't know it.

0:30:19.640 --> 0:30:22.160
<v Speaker 2>It's confusing. And I know that's when you know when

0:30:22.200 --> 0:30:24.400
<v Speaker 2>you're old, when something like that, you'll be like, yo,

0:30:24.440 --> 0:30:26.440
<v Speaker 2>it's confusing. You give it to your son and be like,

0:30:26.680 --> 0:30:28.720
<v Speaker 2>show me how this ship work. But if you wanted

0:30:28.760 --> 0:30:31.959
<v Speaker 2>to use it, you would figure it out. It's no

0:30:32.040 --> 0:30:33.920
<v Speaker 2>real need for me to use it right now, So

0:30:34.000 --> 0:30:39.040
<v Speaker 2>I'm good. Like what you think the disconnect, I would

0:30:39.080 --> 0:30:42.000
<v Speaker 2>say from the younger generation now getting into the game,

0:30:42.360 --> 0:30:45.760
<v Speaker 2>for the appreciation of the DJ, the lost respect of

0:30:45.800 --> 0:30:46.280
<v Speaker 2>the art.

0:30:47.240 --> 0:30:52.120
<v Speaker 3>I think I mean first and foremost, I think we

0:30:52.200 --> 0:30:55.280
<v Speaker 3>have to re educate. Sometimes you have to reintroduce things

0:30:55.280 --> 0:30:58.560
<v Speaker 3>twice in three times so people get it. Like, my

0:30:58.600 --> 0:31:01.400
<v Speaker 3>son's a big time producer. I say that, right, But

0:31:01.440 --> 0:31:05.640
<v Speaker 3>you know what, he understands what I'm doing behind the

0:31:05.640 --> 0:31:08.080
<v Speaker 3>turntables because he's seen it. He grew up, he grew

0:31:08.160 --> 0:31:10.720
<v Speaker 3>up with it, so he appreciated it. Yeah, but a

0:31:10.720 --> 0:31:12.680
<v Speaker 3>lot of his friends don't get it, like, Yo, why's

0:31:12.680 --> 0:31:15.560
<v Speaker 3>your dad cutting the record like that? Why's your dad

0:31:15.640 --> 0:31:18.520
<v Speaker 3>slamming the record like that? Why's your dad doing this

0:31:18.560 --> 0:31:22.280
<v Speaker 3>to the record. Because the kids, they live on their phones,

0:31:22.880 --> 0:31:27.800
<v Speaker 3>so everything is Apple Music, Spotify, TikTok. They're getting fifteen seconds,

0:31:27.800 --> 0:31:30.920
<v Speaker 3>thirty seconds of something. It's short, it's sweet, it's to

0:31:30.960 --> 0:31:33.960
<v Speaker 3>the point, that's right. You know, when I first was

0:31:33.960 --> 0:31:37.400
<v Speaker 3>playing my uncle's records, those records were fifteen minutes long,

0:31:38.080 --> 0:31:40.840
<v Speaker 3>those old Disco and South records. They were long as

0:31:40.880 --> 0:31:43.080
<v Speaker 3>a fact. They were long as half records, and it

0:31:43.120 --> 0:31:47.280
<v Speaker 3>would last a whole entire year, Like if something dropped

0:31:47.320 --> 0:31:51.720
<v Speaker 3>in January of twenty of nineteen seventy five, it would

0:31:51.800 --> 0:31:55.239
<v Speaker 3>last to the same year nineteen seventy six. That's how

0:31:55.320 --> 0:31:57.760
<v Speaker 3>it was bro a whole year. We'll go by crazy

0:31:58.280 --> 0:32:02.000
<v Speaker 3>now record one week you might get what day you

0:32:02.120 --> 0:32:08.240
<v Speaker 3>might get a day. Don't let iceman drop cook.

0:32:08.760 --> 0:32:11.680
<v Speaker 1>We all cooked, Yo.

0:32:11.760 --> 0:32:14.600
<v Speaker 2>But your son been like, I know that's a I

0:32:14.640 --> 0:32:17.160
<v Speaker 2>know that's a proud pop up moment. You know what

0:32:17.200 --> 0:32:19.920
<v Speaker 2>I mean To raise a young a young one first

0:32:19.960 --> 0:32:22.400
<v Speaker 2>of all, keep him out the street is not It's

0:32:22.400 --> 0:32:25.440
<v Speaker 2>not an easy task in itself, raising a man in

0:32:25.440 --> 0:32:28.840
<v Speaker 2>this generation in need in this city of him. You

0:32:28.840 --> 0:32:30.520
<v Speaker 2>know what I mean for him to be doing what

0:32:30.640 --> 0:32:33.320
<v Speaker 2>he doing? You know what I mean, producing all them hits,

0:32:33.360 --> 0:32:35.680
<v Speaker 2>got ice spices out there on top of the world,

0:32:35.720 --> 0:32:38.080
<v Speaker 2>like she just took a lag carpet from him and

0:32:38.160 --> 0:32:41.280
<v Speaker 2>made it a female carpet. I love to see it.

0:32:41.320 --> 0:32:41.440
<v Speaker 3>Man.

0:32:41.600 --> 0:32:43.120
<v Speaker 2>When I found out it, it's like, Yo, you know

0:32:43.200 --> 0:32:45.480
<v Speaker 2>that's enough son, that doing all the production. I'm like

0:32:45.560 --> 0:32:49.600
<v Speaker 2>you lying like word, I'm like, yeah, that's fire.

0:32:49.720 --> 0:32:52.160
<v Speaker 3>You got me. He made me go back in the lab, Yo,

0:32:53.160 --> 0:32:55.840
<v Speaker 3>do it again, back to making beats again. Yep, no way,

0:32:56.040 --> 0:32:58.480
<v Speaker 3>I'm gonna give you some beats please. Man, Let's go,

0:32:58.640 --> 0:32:59.680
<v Speaker 3>manic let's go.

0:32:59.840 --> 0:33:04.920
<v Speaker 2>Man, Like, how differently you think your approach to DJ

0:33:05.080 --> 0:33:08.360
<v Speaker 2>and now breaking music would be today compared to how

0:33:08.400 --> 0:33:10.880
<v Speaker 2>it was back then, What would your advice be to

0:33:10.960 --> 0:33:13.200
<v Speaker 2>a new like a young DJ he wanted to be like,

0:33:13.280 --> 0:33:14.480
<v Speaker 2>I wanna break records.

0:33:14.840 --> 0:33:17.040
<v Speaker 3>Oh, I mean, he gotta do it because he loves it.

0:33:17.640 --> 0:33:21.520
<v Speaker 3>And then maybe he has somebody who was kind of

0:33:21.560 --> 0:33:23.400
<v Speaker 3>like ahead of the curve, you know what I mean,

0:33:23.920 --> 0:33:26.240
<v Speaker 3>Like to me, my son is ahead of the curve. Now,

0:33:26.320 --> 0:33:28.120
<v Speaker 3>that's right, So I can always go to him and

0:33:28.160 --> 0:33:30.800
<v Speaker 3>be like, Yo, who's who's moving on next? And be like, Yo,

0:33:30.840 --> 0:33:34.440
<v Speaker 3>it's this guy, this influencer, that guy, this dude, you know,

0:33:34.440 --> 0:33:37.520
<v Speaker 3>because he's going with the Ice Speeds and the Kai

0:33:37.600 --> 0:33:38.600
<v Speaker 3>Setts and those people.

0:33:38.920 --> 0:33:42.120
<v Speaker 2>They got millions and millions of followers. Yo, listen, you

0:33:42.360 --> 0:33:44.640
<v Speaker 2>know we all don't know our shit. That he really

0:33:44.760 --> 0:33:48.720
<v Speaker 2>plugged it. He called them consanette. We've been calling them consanat,

0:33:49.040 --> 0:33:51.880
<v Speaker 2>so you know we don't know our shit. We plugged

0:33:52.000 --> 0:33:54.560
<v Speaker 2>out the system. That's when you know you plugged in.

0:33:54.880 --> 0:33:56.640
<v Speaker 3>You say shit, right, we be in the street, Yo,

0:33:56.720 --> 0:33:59.480
<v Speaker 3>you got that Gavinci't be like no, I wear a Jivaanci.

0:34:00.040 --> 0:34:02.200
<v Speaker 1>That's how you just did that, just flexed on us

0:34:02.360 --> 0:34:03.160
<v Speaker 1>like damn.

0:34:05.760 --> 0:34:08.160
<v Speaker 2>Nah, that's what's up though, man, shout out all the

0:34:08.280 --> 0:34:12.920
<v Speaker 2>young streamers, young producers, young DJs, because they keeping it alive.

0:34:13.000 --> 0:34:15.279
<v Speaker 3>Man. You know what you gotta do too for some

0:34:15.400 --> 0:34:17.480
<v Speaker 3>of the old g's out there, or some of us

0:34:17.560 --> 0:34:19.919
<v Speaker 3>call us old heads. Whatever, Yeah, I'm getting the got

0:34:20.320 --> 0:34:23.080
<v Speaker 3>You gotta still respect the youngins man. Of course. Do

0:34:23.200 --> 0:34:24.840
<v Speaker 3>you know what it felt like when you was fifteen

0:34:24.920 --> 0:34:27.480
<v Speaker 3>years old listened to rap for the first time, That's right,

0:34:27.560 --> 0:34:28.840
<v Speaker 3>and the old heads be like, what the hell you

0:34:28.960 --> 0:34:30.200
<v Speaker 3>doing listening to that garbage?

0:34:30.239 --> 0:34:30.640
<v Speaker 1>That's right?

0:34:30.880 --> 0:34:31.839
<v Speaker 3>Remember that, that's right.

0:34:31.920 --> 0:34:33.640
<v Speaker 1>That's why I said they hated on my error. So

0:34:33.680 --> 0:34:35.600
<v Speaker 1>I would never hate on the young niggas ever.

0:34:36.560 --> 0:34:39.560
<v Speaker 3>Get all if you show respect to them, of course,

0:34:39.600 --> 0:34:41.440
<v Speaker 3>a little bit more respect to you, of course.

0:34:41.560 --> 0:34:42.880
<v Speaker 1>I never I never.

0:34:42.960 --> 0:34:45.080
<v Speaker 2>Shoot on the young niggas now, the ones I can't

0:34:45.160 --> 0:34:48.560
<v Speaker 2>understand where it feels like they just it's just the beat.

0:34:49.040 --> 0:34:53.239
<v Speaker 2>It's just like I don't funk with but real young spinners. Nah,

0:34:53.280 --> 0:34:54.200
<v Speaker 2>I respect it, bro.

0:34:54.520 --> 0:34:57.120
<v Speaker 1>I love. I love how these kids is coming up.

0:34:58.239 --> 0:34:58.880
<v Speaker 1>Think about it.

0:34:59.360 --> 0:35:02.839
<v Speaker 3>All real out there, it's still all it just gonna fo.

0:35:03.040 --> 0:35:03.880
<v Speaker 1>You fucking kidding me?

0:35:03.960 --> 0:35:06.399
<v Speaker 2>They got the kid j I d JED. I don't

0:35:06.440 --> 0:35:08.320
<v Speaker 2>know if I'm like, come on, bro, you're one of

0:35:08.400 --> 0:35:10.799
<v Speaker 2>my favorite dudes. Then you got the other nigga from

0:35:12.440 --> 0:35:14.680
<v Speaker 2>from Kendrick Crew, what's his name? He just dropped the

0:35:14.719 --> 0:35:20.239
<v Speaker 2>Blue Fake Blue Notes album, Baby King, Like, Yo, broers

0:35:20.320 --> 0:35:21.160
<v Speaker 2>be stupid with.

0:35:21.360 --> 0:35:23.959
<v Speaker 1>Like this ship is like I'm saying, all these guys.

0:35:24.080 --> 0:35:25.480
<v Speaker 1>I just had Benny up here.

0:35:25.520 --> 0:35:28.280
<v Speaker 2>I was just telling him it's like they manufacturing artists

0:35:28.280 --> 0:35:32.080
<v Speaker 2>over there. An That's what I'm saying. The spinners is

0:35:32.120 --> 0:35:34.120
<v Speaker 2>out here, bro. People just got to tap into the

0:35:34.239 --> 0:35:38.040
<v Speaker 2>market if they want it. Like so, like, when it's

0:35:38.080 --> 0:35:40.120
<v Speaker 2>all said and done, you've been through a lot. You

0:35:40.239 --> 0:35:44.200
<v Speaker 2>know the history Hot ninety seven, all the drama. You know,

0:35:44.480 --> 0:35:46.640
<v Speaker 2>people know what went down with Hot ninety seven. We

0:35:46.680 --> 0:35:49.400
<v Speaker 2>don't got to get into that. It's platforms where they

0:35:49.400 --> 0:35:51.960
<v Speaker 2>could go when everything is set and done. What you

0:35:52.040 --> 0:35:54.839
<v Speaker 2>want them to say about your contribution to the coach?

0:35:56.840 --> 0:36:00.440
<v Speaker 3>I mean that was fair. And then I was honest,

0:36:01.200 --> 0:36:03.160
<v Speaker 3>and I was you know, I was truthful to myself

0:36:03.600 --> 0:36:07.960
<v Speaker 3>bigger than anything else. And I was talking to my

0:36:08.040 --> 0:36:10.640
<v Speaker 3>man Mook on the way here, right and he was like,

0:36:11.400 --> 0:36:13.600
<v Speaker 3>because the thing you said that got me up here

0:36:13.719 --> 0:36:17.319
<v Speaker 3>was like, yo, DG enough, what'd you say, that's my heart.

0:36:17.360 --> 0:36:20.279
<v Speaker 3>I said, I love him, that's my brother. I said,

0:36:20.760 --> 0:36:26.400
<v Speaker 3>ready enough radio, enough fucking with him. So so Ka said, Yo,

0:36:26.480 --> 0:36:28.640
<v Speaker 3>but you're the same person. You're the same there's no

0:36:28.880 --> 0:36:31.640
<v Speaker 3>there's no in between like the DJ no f from

0:36:32.080 --> 0:36:34.160
<v Speaker 3>the radio and d G No the person. You guys

0:36:34.160 --> 0:36:35.240
<v Speaker 3>are still the same person.

0:36:35.480 --> 0:36:37.600
<v Speaker 2>But you know where I think the disconnect come from

0:36:37.640 --> 0:36:40.000
<v Speaker 2>because we had a conversation, right, But I would never

0:36:40.080 --> 0:36:42.640
<v Speaker 2>say what that conversation was about on it because it

0:36:42.719 --> 0:36:45.239
<v Speaker 2>was personal. But I think this was at the time

0:36:45.320 --> 0:36:48.560
<v Speaker 2>when Kanye and you had YO fall out. You told

0:36:48.600 --> 0:36:50.680
<v Speaker 2>me a situation was like Yo, bleak, I put my

0:36:50.840 --> 0:36:53.239
<v Speaker 2>all into you know what I mean, The niggas give

0:36:53.280 --> 0:36:55.760
<v Speaker 2>me the ads to kids. So to do that again,

0:36:55.880 --> 0:36:57.960
<v Speaker 2>I feel like I'm blaming too much on the line

0:36:58.000 --> 0:37:01.640
<v Speaker 2>for nothing. Turn so I expected that, but I was.

0:37:01.719 --> 0:37:04.640
<v Speaker 2>But at that time, I'm like, damn, why am I

0:37:04.800 --> 0:37:08.080
<v Speaker 2>being penalized for the relationship with somebody else? Yeah, but

0:37:08.080 --> 0:37:10.799
<v Speaker 2>I would never penalize you for that, not not per

0:37:10.920 --> 0:37:12.920
<v Speaker 2>se like, Yo, I ain't fucking with you because of that.

0:37:13.120 --> 0:37:15.880
<v Speaker 3>But I just think you didn't the.

0:37:15.960 --> 0:37:19.640
<v Speaker 2>Way like the way you gave you show Kanye that

0:37:19.800 --> 0:37:22.240
<v Speaker 2>love is the same way sifhe went for Rihanna.

0:37:22.680 --> 0:37:23.480
<v Speaker 3>You know what I'm saying.

0:37:24.080 --> 0:37:27.600
<v Speaker 2>But I just feel like after the situation went down

0:37:27.680 --> 0:37:31.480
<v Speaker 2>with y'all, and you just didn't fuck with no rapper

0:37:31.600 --> 0:37:34.279
<v Speaker 2>like that, not just Rockefeller, you just didn't put your

0:37:34.400 --> 0:37:36.360
<v Speaker 2>all into any mc like that.

0:37:36.560 --> 0:37:39.799
<v Speaker 3>That could be fair, you know what I mean. It's

0:37:39.840 --> 0:37:42.120
<v Speaker 3>almost it's almost to the point where if like, you

0:37:42.200 --> 0:37:46.520
<v Speaker 3>know what, don't get too invested in the artistry because

0:37:47.600 --> 0:37:49.480
<v Speaker 3>you might think that you're friends, but they're not really

0:37:49.560 --> 0:37:52.920
<v Speaker 3>your friends, you know. So then I started my mindset

0:37:53.000 --> 0:37:55.239
<v Speaker 3>back then, was like, Yo, if they're not coming, if

0:37:55.280 --> 0:37:57.680
<v Speaker 3>they're not coming over to the crib to eat on Thanksgiving,

0:37:58.120 --> 0:38:00.360
<v Speaker 3>they might not be a fan, right And i'd be

0:38:00.440 --> 0:38:01.080
<v Speaker 3>really your fan.

0:38:01.239 --> 0:38:03.400
<v Speaker 2>So and that's what's my thing. Like I used to

0:38:03.440 --> 0:38:05.880
<v Speaker 2>always try to express to all of y'all, was like, Yo, bro,

0:38:06.320 --> 0:38:10.239
<v Speaker 2>I'm in the industry, but I'm not an industry. That's

0:38:10.280 --> 0:38:13.080
<v Speaker 2>one thing. So I'm gonna follow the rules of life,

0:38:13.280 --> 0:38:16.840
<v Speaker 2>not the rules of industry. So regardless of how anything

0:38:16.960 --> 0:38:18.840
<v Speaker 2>played out, I'm gonna always be a man of my

0:38:18.960 --> 0:38:22.200
<v Speaker 2>word and integrity. First, I would never look at any

0:38:22.239 --> 0:38:23.839
<v Speaker 2>of them be like yo, he ain't playing my round funk.

0:38:23.920 --> 0:38:26.000
<v Speaker 2>That was just bullshit me chopping it up with Syche.

0:38:26.080 --> 0:38:28.440
<v Speaker 2>So I'm glad you didn't take it personally.

0:38:28.480 --> 0:38:29.560
<v Speaker 3>I was that ass.

0:38:29.719 --> 0:38:32.800
<v Speaker 1>Serien was because we got way too much history for

0:38:33.000 --> 0:38:35.760
<v Speaker 1>that to be like to break the that's.

0:38:35.640 --> 0:38:38.080
<v Speaker 2>Not gonna knock down the third little piggy house now

0:38:38.320 --> 0:38:40.480
<v Speaker 2>of course, you know what I mean. We need a

0:38:40.520 --> 0:38:44.200
<v Speaker 2>bigger wolf than that, like world, So what the next

0:38:44.320 --> 0:38:45.120
<v Speaker 2>chapter look like?

0:38:45.239 --> 0:38:47.319
<v Speaker 3>For enough? Man, I'm having a good time right now.

0:38:47.520 --> 0:38:50.759
<v Speaker 3>We just launched at Heavy It is DJ's podcast, that's

0:38:50.800 --> 0:38:53.960
<v Speaker 3>what something. And the premise on that is like I

0:38:54.040 --> 0:38:56.719
<v Speaker 3>get to tell all my DJ story and divisions right right.

0:38:57.680 --> 0:38:59.040
<v Speaker 3>We A lot of people don't know when I built

0:38:59.040 --> 0:39:02.600
<v Speaker 3>Heavy it is. It's just it was just based on knowledge.

0:39:03.960 --> 0:39:06.920
<v Speaker 3>I used to be in this this little article and

0:39:07.040 --> 0:39:10.080
<v Speaker 3>Hits magazine and this dude named Ricky Lee used to

0:39:10.160 --> 0:39:13.320
<v Speaker 3>run the magazine in this column and it was just

0:39:13.400 --> 0:39:16.320
<v Speaker 3>basically he would always ask you, what's your top favorite

0:39:16.320 --> 0:39:20.080
<v Speaker 3>three records of the time? Right, So the DJs in

0:39:20.120 --> 0:39:24.000
<v Speaker 3>the country all had different answers. So like there was

0:39:24.080 --> 0:39:27.160
<v Speaker 3>like dudes from Houston on the box or guys in

0:39:27.320 --> 0:39:31.560
<v Speaker 3>Dallas or dudes from La people in Miami. All the

0:39:31.680 --> 0:39:34.120
<v Speaker 3>music was different. It's not like it is today. It's

0:39:34.239 --> 0:39:37.480
<v Speaker 3>kind of similar. Yeah, it was very regional, and I

0:39:37.840 --> 0:39:41.480
<v Speaker 3>thought because at that time I was becoming I was

0:39:41.520 --> 0:39:44.560
<v Speaker 3>becoming a nationwide disc jockey. I was working at BET,

0:39:45.760 --> 0:39:47.879
<v Speaker 3>I was the DJ for one on sixt in Park Damn.

0:39:47.880 --> 0:39:51.319
<v Speaker 3>I forgot about that and I hosted a show called

0:39:51.640 --> 0:39:54.040
<v Speaker 3>one O six in Park Prime. The only was out

0:39:54.120 --> 0:39:56.120
<v Speaker 3>for about a year or so, but that gave me

0:39:56.239 --> 0:40:03.480
<v Speaker 3>a lot of light, especially in black South America. Hey

0:40:03.560 --> 0:40:06.200
<v Speaker 3>what I mean? But it's like you go to Alabama, Louisiana.

0:40:06.440 --> 0:40:09.480
<v Speaker 2>They knew my name, bro, that's right, and they knew it. Well,

0:40:09.600 --> 0:40:12.360
<v Speaker 2>that's one thing. High ninety seven DJs. All your niggas

0:40:12.480 --> 0:40:15.239
<v Speaker 2>was like rappers, straight up so good.

0:40:15.560 --> 0:40:19.640
<v Speaker 3>I'd be in Shriport, Louisiana and they be like, you'll

0:40:19.680 --> 0:40:23.200
<v Speaker 3>teach you enough. Like the fuck? Do you know why?

0:40:23.200 --> 0:40:24.120
<v Speaker 1>I Matt, that's right.

0:40:24.239 --> 0:40:27.440
<v Speaker 3>You know I'm in New Orleans enough. You know I'm

0:40:27.480 --> 0:40:31.400
<v Speaker 3>in Texas, Yeah enough. I'm like, this is crazy. It major.

0:40:31.880 --> 0:40:34.719
<v Speaker 3>It's so great a DJ. That's that's major. Man.

0:40:34.760 --> 0:40:37.160
<v Speaker 2>It's not It's not easy, man, trust me. As many

0:40:37.280 --> 0:40:40.239
<v Speaker 2>DJs I love in San Francisco. But I'm telling you

0:40:40.320 --> 0:40:42.080
<v Speaker 2>a lot of my dogs in New York probably don't

0:40:42.080 --> 0:40:44.000
<v Speaker 2>even know who they are, right, you know what I mean.

0:40:44.160 --> 0:40:46.920
<v Speaker 2>So that's a major deal to be a DJ.

0:40:46.880 --> 0:40:51.480
<v Speaker 3>Breaking cultural barriers and facts states, different countries all over

0:40:51.640 --> 0:40:52.200
<v Speaker 3>like heavy hit.

0:40:52.239 --> 0:40:53.920
<v Speaker 2>That's like I say, y'all all over the world. Bro

0:40:54.080 --> 0:40:57.040
<v Speaker 2>shouts of the pirate DJs in the Bay something. Man,

0:40:57.200 --> 0:40:59.960
<v Speaker 2>So I know you said, you know what I mean.

0:41:00.080 --> 0:41:02.359
<v Speaker 2>You got the podcast, you got the book coming out.

0:41:02.400 --> 0:41:04.960
<v Speaker 2>You want to elaborate when Nash dropping or anything.

0:41:05.280 --> 0:41:07.080
<v Speaker 3>The book we're still working on. So I can't give

0:41:07.080 --> 0:41:10.239
<v Speaker 3>you a time yet. Maybe maybe next year sometime. That's

0:41:10.280 --> 0:41:13.319
<v Speaker 3>what's uping man. Now, I appreciate you pulling up e man.

0:41:13.480 --> 0:41:16.880
<v Speaker 3>I appreciate you everything, my brother, you know it. Like yo,

0:41:17.000 --> 0:41:18.400
<v Speaker 3>I wish you none but success.

0:41:18.480 --> 0:41:20.720
<v Speaker 2>You just killed me. You told me you fifty seven.

0:41:20.840 --> 0:41:24.040
<v Speaker 2>You like you fucking forty seven out here, you know

0:41:24.040 --> 0:41:26.640
<v Speaker 2>what I'm saying. Still mingling with us, man, because I'm

0:41:26.719 --> 0:41:29.040
<v Speaker 2>forty seven feeling like I'm thirty seven.

0:41:29.160 --> 0:41:30.600
<v Speaker 1>So we got a kid.

0:41:30.640 --> 0:41:32.960
<v Speaker 2>We gotta rewind the clock. We ain't going for we

0:41:33.200 --> 0:41:34.319
<v Speaker 2>vintage were not old.

0:41:34.440 --> 0:41:34.719
<v Speaker 3>That's it.

0:41:35.280 --> 0:41:37.600
<v Speaker 2>That's a good time. That's right, man, we here, man,

0:41:37.680 --> 0:41:39.480
<v Speaker 2>you know what it is. You know what This is

0:41:39.560 --> 0:41:43.000
<v Speaker 2>the thirtieth anniversary of Reasonable Doubt. Right, we're doing the

0:41:43.160 --> 0:41:45.879
<v Speaker 2>Jay thirty. You got anything you will want to say

0:41:45.920 --> 0:41:49.560
<v Speaker 2>about his contribution to the You know about Reasonable Doubt

0:41:49.680 --> 0:41:52.560
<v Speaker 2>thirty years later? Bro, I can't even imagine that should

0:41:52.600 --> 0:41:54.879
<v Speaker 2>sound funny saying thirty years reasonable doubt.

0:41:54.960 --> 0:41:58.000
<v Speaker 3>Yo, I'm gonna drop. I'm gonna drop something that's it's

0:41:58.040 --> 0:42:00.520
<v Speaker 3>not reasonable bout doubt it. But I'm gonna give you

0:42:00.560 --> 0:42:03.560
<v Speaker 3>a fun fact. So I do this thing. We just

0:42:03.600 --> 0:42:06.440
<v Speaker 3>started it on our podcast called Believe It or Not? Right,

0:42:09.600 --> 0:42:13.160
<v Speaker 3>Remember that song Reservoir Dogs? All right, Okay, if it

0:42:13.239 --> 0:42:16.279
<v Speaker 3>wasn't for it wasn't for Big Spanish DG enough, I

0:42:16.320 --> 0:42:19.640
<v Speaker 3>don't think Reservoir Dogs would have happened, No fucking way.

0:42:19.680 --> 0:42:23.040
<v Speaker 3>I'll tell you why. So I was doing the morning

0:42:23.080 --> 0:42:25.880
<v Speaker 3>show at the time of the radio. Right, there's a

0:42:25.960 --> 0:42:28.479
<v Speaker 3>gentleman who worked on the other side of the radio

0:42:28.600 --> 0:42:32.799
<v Speaker 3>on BLS or Kiss. His name was Isaac Hayes. Right.

0:42:33.640 --> 0:42:37.160
<v Speaker 3>The sample to the Reservoir Dogs was Sir mister Isaac

0:42:37.200 --> 0:42:41.359
<v Speaker 3>Hayes aka Black Moses. I'm having my big and egg

0:42:41.400 --> 0:42:46.400
<v Speaker 3>and cheese. He's drinking like some healthy honey, cayenne pepper,

0:42:46.600 --> 0:42:51.719
<v Speaker 3>lemon fasting. He's doing some fast and he talks to me,

0:42:52.520 --> 0:42:55.960
<v Speaker 3>you know, jay Z, I'm like, yeah, he's about to

0:42:56.040 --> 0:42:58.400
<v Speaker 3>be the biggest thing in the world. Why what's up?

0:42:59.120 --> 0:43:04.040
<v Speaker 3>He wants some sample my baby? What baby? My shaft?

0:43:05.120 --> 0:43:08.279
<v Speaker 3>Because the sample for resid wal doll is a shaft, right,

0:43:09.120 --> 0:43:11.440
<v Speaker 3>And he was like, you know that one of an

0:43:11.480 --> 0:43:14.799
<v Speaker 3>Academy award for Grammy or this or that. He's breaking

0:43:14.880 --> 0:43:17.359
<v Speaker 3>down all the accolades and he was like, he wants

0:43:17.400 --> 0:43:20.160
<v Speaker 3>to sample my baby. I said, Isaac, you gotta let

0:43:20.239 --> 0:43:21.959
<v Speaker 3>him do it because he's one of the hottest dudes

0:43:22.000 --> 0:43:24.880
<v Speaker 3>in the street. He's gonna take it to a space

0:43:24.960 --> 0:43:28.439
<v Speaker 3>and maybe you'll be proud of him for doing that. Yeah. Yeah,

0:43:28.560 --> 0:43:30.600
<v Speaker 3>so go sign that. Wow.

0:43:31.160 --> 0:43:34.120
<v Speaker 2>Little things like that, that's crazy it or not, believe

0:43:34.200 --> 0:43:36.320
<v Speaker 2>it or not. And Jay, That's that's dope, man, you

0:43:36.360 --> 0:43:38.680
<v Speaker 2>know what I mean? Like I said, reasonable thout thirty years.

0:43:38.760 --> 0:43:40.480
<v Speaker 2>I mean, I've been in the game thirty years. I'm

0:43:40.480 --> 0:43:41.799
<v Speaker 2>an old young ass nigga.

0:43:41.880 --> 0:43:43.640
<v Speaker 3>Man. Niggas ain't got nothing knowing me, man.

0:43:44.280 --> 0:43:47.480
<v Speaker 2>He like I said, Bro, I appreciate you man always

0:43:47.520 --> 0:43:50.000
<v Speaker 2>showed love. Like I said, one of the staples of

0:43:50.160 --> 0:43:52.960
<v Speaker 2>New York hip hop party sing. When you go to

0:43:53.040 --> 0:43:56.040
<v Speaker 2>these parties in New York City, y'all created that wave.

0:43:56.200 --> 0:44:00.400
<v Speaker 3>I believe that we're still going my g especially additional

0:44:00.480 --> 0:44:03.080
<v Speaker 3>rock dation have em Marie, thank you, my brother.

0:44:03.239 --> 0:44:05.920
<v Speaker 1>You already know man, You already know who the fam is.

0:44:06.080 --> 0:44:06.279
<v Speaker 3>Man.

0:44:06.360 --> 0:44:08.879
<v Speaker 2>It's rock solid and when they see him mean one thing,

0:44:09.040 --> 0:44:16.080
<v Speaker 2>they solid too know what it is. For more podcasts

0:44:16.120 --> 0:44:20.720
<v Speaker 2>from iHeart Radio, visit iHeartRadio app, Apple Podcasts, or wherever

0:44:20.800 --> 0:44:23.160
<v Speaker 2>you listen to your favorite shows at and you can

0:44:23.239 --> 0:44:26.359
<v Speaker 2>follow me on any social media platform under the name

0:44:26.440 --> 0:44:27.120
<v Speaker 2>Memphis Bleach.

0:44:27.280 --> 0:44:29.520
<v Speaker 1>You see anybody fraud and flag him