WEBVTT - Ep. 510: On Nature and Suffering with Werner Herzog

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<v Speaker 1>If this is the me Eater podcast coming at you shirtless, severely,

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<v Speaker 1>bug bitten, and in my case, underwear listening podcast, you

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<v Speaker 1>can't predict anything presented by First Light, creating proven versatile

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<v Speaker 1>hunting apparel from Marino bass layers to technical outerwear. For

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<v Speaker 1>every hunt, First Light, Go farther, Stay longer. I want

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<v Speaker 1>to start this show out by saying this me Eater's

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<v Speaker 1>American history, The Long Hunters seventeen sixty one to seventeen

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<v Speaker 1>seventy five is out.

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<v Speaker 2>Now.

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<v Speaker 1>When you get to the end of this episode, you're

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<v Speaker 1>gonna hear a long I don't wanna call it long.

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<v Speaker 1>You're gonna hear a very good explanation of what this

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<v Speaker 1>project is and why you want to buy it. Just

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<v Speaker 1>be prepared for that, Like when you get to the

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<v Speaker 1>end of the episode, get your credit card out and

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<v Speaker 1>go to wherever you buy your audiobooks, because you're gonna

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<v Speaker 1>be like, damn, I'm buying that. So get to the

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<v Speaker 1>end and I'm gonna tell you a lot about it.

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<v Speaker 1>I'm gonna just convince you just how good it is.

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<v Speaker 1>It's really good. We've been talking about it a long time.

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<v Speaker 1>This is narrated by me Steven Arnello and Clay Nukem

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<v Speaker 1>from the Bear Grease podcast, and it is a audio original.

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<v Speaker 1>It's like an audiobook that you listen to, okay, and

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<v Speaker 1>it's called Meat Eater's American History The Long Hunters seventeen

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<v Speaker 1>sixty one to seventeen seventy five. It tells one of

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<v Speaker 1>the most bloody, hair raising stories of hunting in American history.

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<v Speaker 1>It's out now, but listen to the show. Enjoy the show,

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<v Speaker 1>but know that at the end of the show that

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<v Speaker 1>you're about to listen to, I'm gonna give you the

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<v Speaker 1>sales pitch to end all sales pitches, so you can

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<v Speaker 1>if you're not convinced, you can listen and be convinced,

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<v Speaker 1>or you can just know that you'll be convinced and

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<v Speaker 1>buy it now. I don't really care. I just want

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<v Speaker 1>you to get it and start listening because this is

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<v Speaker 1>one of the things that I've made that I'm most

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<v Speaker 1>proud of. Meet Eater's American History The Long Hunters, available

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<v Speaker 1>now and explained in greater detail at the end of

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<v Speaker 1>the show. Is to stay tuned, everybody. I'm very, very

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<v Speaker 1>excited to announce that I am seated here with the

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<v Speaker 1>writer and film director Werner Herzog, who's made over sixty

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<v Speaker 1>films and documentaries, including many I'm sure you heard of,

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<v Speaker 1>and a bunch of them that you better have seen.

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<v Speaker 1>Little Deader Needs to Fly Rescue Dawn, the famous in

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<v Speaker 1>my circle of people, Grizzly Man, Happy People, cav of

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<v Speaker 1>Forgotten Dreams, which I believe is your only film that

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<v Speaker 1>I managed to catch when it released in a theater

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<v Speaker 1>in New York Cava Forgotten Dreams. His films deal with extremes,

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<v Speaker 1>with struggle, with absurdity, with madness, with happiness, and many

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<v Speaker 1>are fused, in my opinion, with a very unique perspective

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<v Speaker 1>on nature in the natural world. If you read about Herzog,

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<v Speaker 1>you'll often find writers describing it his work as man

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<v Speaker 1>against man, against nature, man versus nature. We'll find out

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<v Speaker 1>if he describes it that way. I'm guessing he doesn't,

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<v Speaker 1>as I believe that description would imply that nature is

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<v Speaker 1>aware of man as an adversary. Mister Herzige, a couple

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<v Speaker 1>of your own quotes, the universe is monstrously indifferent to

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<v Speaker 1>the presence of man. You also once said, I believe

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<v Speaker 1>the common denominator of the universe is not harmony, but chaos, hostility,

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<v Speaker 1>and murder. Now, many documentarians who deal with the natural

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<v Speaker 1>world I find personally seem to reflect the relationship with

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<v Speaker 1>nature sometimes feels to me as though it's as though

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<v Speaker 1>it's taught, as though it's something they picked up or

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<v Speaker 1>learned from their peers. It's oftentimes political. But our guest

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<v Speaker 1>here today, I feel that the things he has to

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<v Speaker 1>say about the natural world and the way that the

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<v Speaker 1>natural world plays into his movies is wholly original influence

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<v Speaker 1>me immensely, not just as a writer or TV person,

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<v Speaker 1>but as a human. I'd say, for me on par

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<v Speaker 1>with Cormick McCarthy, because both have these immense bodies of

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<v Speaker 1>work that interplay together as something that is not schizophrenic,

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<v Speaker 1>meaning they carry this sort of intellectual trademark. And the

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<v Speaker 1>last little bit of introduction I'll saying this is a

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<v Speaker 1>very inside joke. When I'm arguing with production people, which

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<v Speaker 1>I do in my line of work, I've a lot

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<v Speaker 1>of times dealt with camera guys producers that want to

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<v Speaker 1>catch the entirety of a process, and if they can't

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<v Speaker 1>catch the entirety of a process, they don't want to

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<v Speaker 1>use it. And I will say to them in shorthand.

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<v Speaker 1>I will take a line from Happy People and I

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<v Speaker 1>will say the nets were set the night before, because

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<v Speaker 1>there's a scene in Happy People which chronicles the lives

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<v Speaker 1>of Siberian fur travers and subsistence hunters, and there's a

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<v Speaker 1>scene that opens where they're just checking a net, and

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<v Speaker 1>my camera guys would have been like, well, we can't

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<v Speaker 1>use that. We never saw you set the net, to

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<v Speaker 1>which I will refer them to Happy People, and I

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<v Speaker 1>will say to them, the nets were set the night before.

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<v Speaker 1>And that's it. Go on with your movie. Go on

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<v Speaker 1>with your movie. I want to start our conversation talk

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<v Speaker 1>a little bit about your your childhood, which I was like, like,

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<v Speaker 1>I said, my avenue to you and your work. It's

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<v Speaker 1>just been your movies. I've been a fan of your

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<v Speaker 1>movies for such a long time, and it wasn't I

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<v Speaker 1>read your new book, which I haven't finished yet. It

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<v Speaker 1>started a new book. It's every Man for Himself and

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<v Speaker 1>God against all your life. Yeah, I didn't realize the

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<v Speaker 1>extent of the poverty that you grew up in.

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<v Speaker 2>Well, it's easy to imagine when you grew up at

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<v Speaker 2>the end of the Second World War and then mostly

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<v Speaker 2>post war time and you have to imagine a scenario

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<v Speaker 2>where everybody here in the country, in the United States

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<v Speaker 2>is very well aware how Ground zero looked at ninety eleven.

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<v Speaker 2>After nine eleven, complete devastation, but very limited, a very

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<v Speaker 2>limited area on the island of Manhattan. But you have

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<v Speaker 2>to imagine a whole country Germany, where seven hundred twenty

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<v Speaker 2>or so cities were wiped out, the entire cities, some

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<v Speaker 2>of them not as completely. For example, Munich, where I

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<v Speaker 2>was born, was only eighty eighty five percent flattened and destroyed.

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<v Speaker 2>And it was one of these Allied bombing raids, carpet

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<v Speaker 2>bombings that hit our neighborhood and everything around destroyed. And

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<v Speaker 2>I was only two weeks old, fourteen days old, and

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<v Speaker 2>where we lived was partially destroyed, and my mother picks

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<v Speaker 2>me up from my cradle, which was covered with about

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<v Speaker 2>a foot high shards of glass and bricks and debris.

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<v Speaker 2>But I was unhurt, And of course you get when

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<v Speaker 2>your mother, you're naturally are scared. And she fled with

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<v Speaker 2>my older brother and me into the remotest mountain valley

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<v Speaker 2>in the Alps in Bavaria.

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<v Speaker 1>And your dad had split out on you guys, Your

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<v Speaker 1>dad wasn't in the picture at this time.

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<v Speaker 2>He wasn't in the picture. Well, he was in the

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<v Speaker 2>war when I was born. I was born nineteen forty two.

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<v Speaker 2>The war was over nineteen forty five, and when he

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<v Speaker 2>came back very soon divorced, and my mother was a

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<v Speaker 2>singing a singing mother and had to raise Then she

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<v Speaker 2>had another boy, my younger brother, so she had to

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<v Speaker 2>raise three children, and there was never enough to eat.

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<v Speaker 2>What I remember very well is starving.

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<v Speaker 1>Yeah, you tell a story of a lesson you learned

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<v Speaker 1>about nagging your mother, You and your brother nagging your

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<v Speaker 1>mother about how hungry you were, and her saying, if

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<v Speaker 1>I could take it from my ribs, I would take

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<v Speaker 1>it from my ribs.

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<v Speaker 2>Yeah, but I can't. But I can't, And you shut

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<v Speaker 2>up boys in me. Of course that that was a

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<v Speaker 2>serious moment, and it's engraved in my memories. So and

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<v Speaker 2>and of course it was not only food. We had

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<v Speaker 2>literally nothing. For example, we don't have didn't have mattresses.

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<v Speaker 2>My mother stuffed burlap sacks with hay that she made

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<v Speaker 2>from fern. But when you cut the stem of a fern,

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<v Speaker 2>it hardens when it dries, it hardens like the tip

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<v Speaker 2>of a shark. Yes, she cut it with a side

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<v Speaker 2>and it you would feel it at night when you

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<v Speaker 2>shifted around, all of a sudden you were on two

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<v Speaker 2>pencils that were stings stinging you. And and fern also hardens.

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<v Speaker 2>It's not like hay more fluffy. It becomes almost like cementing.

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<v Speaker 2>You have this little dents and I had to navigate

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<v Speaker 2>the dents in my mattress. So my entire childhood, I

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<v Speaker 2>never had a flat surface on which I slept. And

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<v Speaker 2>we had no running water. You had to go to

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<v Speaker 2>the well with a bucket and bring in the water

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<v Speaker 2>in no sewage system, no heating, no toy, no real

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<v Speaker 2>I mean a toilet, but an outhouse which was adjacent

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<v Speaker 2>to this little to this little house where we grew up.

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<v Speaker 1>And you talk about eating a someone killing a crow

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<v Speaker 1>or a raven. Yes, yes, and you're being surprised by

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<v Speaker 1>the the seeing fat, yeah, fat on a soup broth

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<v Speaker 1>and being surprised but fat.

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<v Speaker 2>I never had seen anything like this until today. This

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<v Speaker 2>means wealth. For example, the first time I ate a

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<v Speaker 2>fried egg, what an ache in my life. I must

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<v Speaker 2>have been about ten or eleven, and it was like

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<v Speaker 2>an incredible feast. Never ate a chicken for me. Even

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<v Speaker 2>I see, and even you see, even when you drive

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<v Speaker 2>by the fast food Kentucky right chicken finger licking good,

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<v Speaker 2>and it makes an impression on me because chicken means

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<v Speaker 2>the definitive feast.

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<v Speaker 1>You mentioned another detail of your mother getting a loaf

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<v Speaker 1>of bread with food coupons or I describe them, but

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<v Speaker 1>then scoring the bread right in seven segments for each

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<v Speaker 1>day so that she would part she would partition the

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<v Speaker 1>breadh as the week's ration of bread. And in that

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<v Speaker 1>passage you mentioned you don't elaborate on it, and I

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<v Speaker 1>was looking for you to elaborate on it that you

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<v Speaker 1>said that you have no tolerance for the culture of complaint.

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<v Speaker 3>Sure, yeah, yeah, I get it, But explain that to me. Well,

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<v Speaker 3>I cannot make it the norm. How I grew up,

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<v Speaker 3>it was an unusual, unusual childhood because it was in

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<v Speaker 3>the aftermath of a catastrophic war that Germany actually had started,

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<v Speaker 3>and the catastrophe came from our own people, from our society,

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<v Speaker 3>from our.

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<v Speaker 2>Leader adult Fitland. It was it was really so bad

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<v Speaker 2>that we knew now what we got. We got, and

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<v Speaker 2>each one of us had a thin slice of bread

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<v Speaker 2>per day, and the kind of grooves that my mother

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<v Speaker 2>carved into the loaf of bread. We knew this was

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<v Speaker 2>the only thing we have, and of course she would

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<v Speaker 2>also make some food from dandelion leaves and from syrup

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<v Speaker 2>from some trees and replacing sugar which we didn't have.

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<v Speaker 2>So when I see in our kind of society's western

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<v Speaker 2>highly technical societies where a lot of food is being

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<v Speaker 2>thrown away in the United States, I think more than

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<v Speaker 2>forty percent of food, and I find it outrageous. And

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<v Speaker 2>I never say anything because it was my experience and

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<v Speaker 2>I know the value of food. I now there's something

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<v Speaker 2>which has to be honored, and it in a way,

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<v Speaker 2>it pains me when I see so much food being

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<v Speaker 2>thrown away. Because of my experience, it was unusual, but

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<v Speaker 2>I never I never speak out loud.

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<v Speaker 1>But you.

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<v Speaker 2>Know, for God's sake, I would be the last one.

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<v Speaker 2>That's not in my nature. Because you have to determine

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<v Speaker 2>how you live and whether you live a life of

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<v Speaker 2>consumerism or whether you are more cautious with wasting resources

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<v Speaker 2>that we have. And I think when you are in

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<v Speaker 2>other societies hunters and gatherers, they are more careful and cautious.

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<v Speaker 2>There's no doubt in my heart, because that's how we've

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<v Speaker 2>organized as biological creatures. And so how can I say.

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<v Speaker 2>I see people in the restaurant complaining to the waiter

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<v Speaker 2>that this wasn't any good and give it back to

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<v Speaker 2>the kitchen, and so I don't like this complaint. And

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<v Speaker 2>it's not only about food, it's about whatever. Our lives

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<v Speaker 2>are so difficult, and gasoline has become so expensive, into

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<v Speaker 2>all these things. Yes, deal with it, deal with it

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<v Speaker 2>in the right way, but don't complain too much.

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<v Speaker 1>There was a I got two questions stacked up in

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<v Speaker 1>my head and when I was going to ask you,

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<v Speaker 1>and when I thought about asking you and decided not to.

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<v Speaker 1>But now I'm going to ask you because you alluded

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<v Speaker 1>to it.

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<v Speaker 2>Uh.

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<v Speaker 1>My father fought in World War Two serving the European

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<v Speaker 1>Theater and maintained, I don't want to say we we

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<v Speaker 1>joke about it now, but maintained a deep suspicion of

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<v Speaker 1>Germany through to the end. Rightly, So zero for Japan,

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<v Speaker 1>didn't zero for Japan. Father? Well, no, no, no, I'm not

0:15:56.120 --> 0:15:58.320
<v Speaker 1>gonna that. But what was the It's kind of like,

0:15:58.360 --> 0:16:03.040
<v Speaker 1>outside of a subject matter, I'm like anything, but or

0:16:03.240 --> 0:16:08.640
<v Speaker 1>that I'm an expert on but what was the How

0:16:08.680 --> 0:16:11.320
<v Speaker 1>did you perceive when you're thrust in at a young age,

0:16:11.520 --> 0:16:14.760
<v Speaker 1>when you're thrust into such like this, this devastating situation,

0:16:14.920 --> 0:16:19.200
<v Speaker 1>and so many of your countrymen are being killed, your

0:16:19.240 --> 0:16:23.840
<v Speaker 1>cities are being destroyed, You're starving. What is your perception

0:16:24.160 --> 0:16:28.200
<v Speaker 1>of Germany? Is it gone?

0:16:28.720 --> 0:16:31.880
<v Speaker 2>No? No, of course not. I'm still a German citizen.

0:16:32.160 --> 0:16:34.320
<v Speaker 1>No, no, I'm saying at that time, how are people

0:16:34.400 --> 0:16:35.040
<v Speaker 1>feeling about?

0:16:35.120 --> 0:16:35.240
<v Speaker 2>You know?

0:16:35.240 --> 0:16:37.760
<v Speaker 1>I mean, is this all happening to them? Is it

0:16:37.800 --> 0:16:41.360
<v Speaker 1>a thing they created? That was your mom's perception?

0:16:41.560 --> 0:16:45.120
<v Speaker 2>It's a different response some of them. You still until

0:16:45.160 --> 0:16:50.240
<v Speaker 2>today you have denious You even have Holocaust denials, which

0:16:50.280 --> 0:16:53.320
<v Speaker 2>is the most absurd of all, because it's one hundred

0:16:53.400 --> 0:16:58.920
<v Speaker 2>thousands of times documented survivors are there, the bodies were found,

0:16:59.280 --> 0:17:04.959
<v Speaker 2>I mean, and and a crime of proportions that the

0:17:05.000 --> 0:17:09.119
<v Speaker 2>world has never seen in any country throughout the entire

0:17:09.240 --> 0:17:13.400
<v Speaker 2>history of the human race. Nothing like that has ever happened.

0:17:14.040 --> 0:17:16.639
<v Speaker 2>So you, of course, you have to ask yourself what

0:17:16.880 --> 0:17:22.840
<v Speaker 2>went wrong? What made Germany lapse into a culture from

0:17:22.920 --> 0:17:28.800
<v Speaker 2>a very solid culture of philosophy, mathematics, writers compose us,

0:17:29.080 --> 0:17:31.840
<v Speaker 2>you just name it. How does it lapse into a

0:17:31.880 --> 0:17:36.399
<v Speaker 2>culture of barbarism within very few years. So of course

0:17:36.440 --> 0:17:39.600
<v Speaker 2>that gave me to think, and of course it has

0:17:39.800 --> 0:17:45.000
<v Speaker 2>importance always rest something is resonating from from that in

0:17:45.000 --> 0:17:46.360
<v Speaker 2>my entire existence.

0:17:47.240 --> 0:17:51.760
<v Speaker 1>But where the pot? What was your sense of or

0:17:51.800 --> 0:17:53.439
<v Speaker 1>perhaps this would be a question that you'd have to

0:17:53.440 --> 0:17:57.639
<v Speaker 1>answer on your mother's behalf. Where what was the sense

0:17:57.680 --> 0:18:01.159
<v Speaker 1>of blame? There was the blame the wise was the

0:18:01.160 --> 0:18:05.120
<v Speaker 1>blame on England the US for doing this?

0:18:05.320 --> 0:18:14.160
<v Speaker 2>No, I think the overwhelming, the overwhelming part of the

0:18:13.080 --> 0:18:21.600
<v Speaker 2>population knew it was self inflicted. And you have to

0:18:22.000 --> 0:18:25.480
<v Speaker 2>also see one strange thing when you speak about Germany.

0:18:25.520 --> 0:18:28.560
<v Speaker 2>As a child, and even when I was six and

0:18:28.800 --> 0:18:33.000
<v Speaker 2>eight years old, I didn't know that Germany existed, that

0:18:33.000 --> 0:18:36.440
<v Speaker 2>there was such a thing like Germany. For me, this

0:18:36.640 --> 0:18:41.400
<v Speaker 2>valley in the mountains that was the world. And beyond that, yes,

0:18:41.480 --> 0:18:44.920
<v Speaker 2>there was Austria because a border was close, and some

0:18:45.880 --> 0:18:50.399
<v Speaker 2>young men, that bold young men would secretly smug goods

0:18:50.440 --> 0:18:54.000
<v Speaker 2>from Austria into Germany, and some of them were my

0:18:54.600 --> 0:18:59.600
<v Speaker 2>childhood heroes. But I did not notice. I had no

0:18:59.680 --> 0:19:04.640
<v Speaker 2>concent except that there were countries, I mean Austria, tiar role. Yes,

0:19:05.520 --> 0:19:10.280
<v Speaker 2>our valley and something beyond it. And my very first

0:19:11.359 --> 0:19:15.080
<v Speaker 2>memory that I have about I was must have been

0:19:15.119 --> 0:19:21.280
<v Speaker 2>two and a half years Allied bombers hit the city

0:19:21.320 --> 0:19:25.080
<v Speaker 2>of Rosenheim, and my mother took us out of bed,

0:19:25.200 --> 0:19:27.520
<v Speaker 2>and it was in middle of the night ice colt

0:19:28.080 --> 0:19:31.919
<v Speaker 2>must have been March or April. Still snow out there

0:19:32.560 --> 0:19:35.240
<v Speaker 2>and very fine. The distance at the end of the

0:19:35.320 --> 0:19:41.359
<v Speaker 2>valley you could see the entire sky, not burning, not flickering,

0:19:41.560 --> 0:19:45.879
<v Speaker 2>so a very slow pulsing of red and orange. And

0:19:45.920 --> 0:19:50.960
<v Speaker 2>she said, boys, the city of Rosenheim is burning. But

0:19:51.080 --> 0:19:56.240
<v Speaker 2>the city of Rosenheim is forty miles away that far,

0:19:56.880 --> 0:20:00.479
<v Speaker 2>an entire city burning, And for me it was a

0:20:00.720 --> 0:20:05.560
<v Speaker 2>very essential moment because I apparently started to understand there's

0:20:05.600 --> 0:20:08.960
<v Speaker 2>a world. There's a world out there, not our valley

0:20:09.040 --> 0:20:15.000
<v Speaker 2>alone and not the waterfall in the ravine behind the home,

0:20:15.560 --> 0:20:18.320
<v Speaker 2>that there was something out there that was different and

0:20:18.480 --> 0:20:22.679
<v Speaker 2>dangerous and burning, and there was such a thing like

0:20:22.720 --> 0:20:27.840
<v Speaker 2>a war. Of course, we saw American soldiers coming in,

0:20:28.080 --> 0:20:33.560
<v Speaker 2>but they were very genial with kids and befriended the kids.

0:20:33.600 --> 0:20:37.840
<v Speaker 2>And for the first time I saw an African American

0:20:38.800 --> 0:20:43.760
<v Speaker 2>and I was completely enthralled. A huge, big, big guy

0:20:43.880 --> 0:20:47.480
<v Speaker 2>with a big, resonant voice. A little bit. I could

0:20:47.600 --> 0:20:53.119
<v Speaker 2>always compare him to Shaquille O'Neill, a very very big

0:20:53.200 --> 0:20:58.399
<v Speaker 2>man with a very big heart and a wonderful voice,

0:20:58.520 --> 0:21:03.080
<v Speaker 2>a soft, wonderful voice. That was that was for us.

0:21:03.520 --> 0:21:08.480
<v Speaker 2>We only knew it from fairy tales. The moors, oh

0:21:08.480 --> 0:21:10.960
<v Speaker 2>the more and there was a more and that was

0:21:11.119 --> 0:21:16.280
<v Speaker 2>completely completely fascinated and I knew, yes, it's true that

0:21:16.520 --> 0:21:20.920
<v Speaker 2>some foreign countries like Africa and you have the moors,

0:21:21.960 --> 0:21:45.760
<v Speaker 2>and there are moors in America. How about that.

0:21:35.280 --> 0:21:40.160
<v Speaker 1>That particular city that burned that the story you're telling

0:21:40.200 --> 0:21:45.000
<v Speaker 1>your book demonstrates a little bit of the of a

0:21:45.040 --> 0:21:52.280
<v Speaker 1>different perspective on collateral damage then you see in warfare today,

0:21:52.600 --> 0:21:56.159
<v Speaker 1>where in warfare today there's so much public emphasis on

0:21:58.359 --> 0:22:01.679
<v Speaker 1>not you know, targetings of billions where you're hitting, and

0:22:01.680 --> 0:22:04.480
<v Speaker 1>you're telling that story that Allied bombers are actually trying

0:22:04.520 --> 0:22:07.160
<v Speaker 1>to get to a different place entirely, yes, and they

0:22:07.160 --> 0:22:09.199
<v Speaker 1>can't get over the mountains because of the weather, and they

0:22:09.280 --> 0:22:10.200
<v Speaker 1>just find a town.

0:22:10.280 --> 0:22:14.479
<v Speaker 2>Ye sure, and they they want to return to the

0:22:14.520 --> 0:22:19.399
<v Speaker 2>base empty. And it was probably the reason why the

0:22:19.440 --> 0:22:25.960
<v Speaker 2>city of Rosenheim was destroyed in a gigantic contralt contra flagration.

0:22:26.840 --> 0:22:34.520
<v Speaker 2>So but only later let me add up one thing

0:22:35.480 --> 0:22:43.119
<v Speaker 2>with a sky in the distance pulsing in flames. It

0:22:43.240 --> 0:22:46.920
<v Speaker 2>made me curious, and I knew there was something out

0:22:47.000 --> 0:22:51.560
<v Speaker 2>I wanted to to understand. I wanted to learn so

0:22:51.640 --> 0:22:55.080
<v Speaker 2>and that's why I moved out, and that's why I

0:22:55.119 --> 0:22:59.080
<v Speaker 2>have been so much around. And it's very strange because

0:23:00.119 --> 0:23:03.439
<v Speaker 2>people ask me, why can you say that you are

0:23:03.440 --> 0:23:07.480
<v Speaker 2>a writer. And I have always maintained that my writing

0:23:08.080 --> 0:23:13.520
<v Speaker 2>will live longer, my prose, my poetry will probably live

0:23:13.640 --> 0:23:20.160
<v Speaker 2>longer than my films. How do you somehow compare that

0:23:21.320 --> 0:23:25.359
<v Speaker 2>why it is a conflict between filmmaking. No, it is not.

0:23:25.560 --> 0:23:31.080
<v Speaker 2>And I have a simple almost like a formula, films

0:23:32.280 --> 0:23:35.560
<v Speaker 2>on my voyage and writing is home.

0:23:36.119 --> 0:23:40.320
<v Speaker 1>Oh that's your Your films are your forays out into

0:23:40.359 --> 0:23:40.680
<v Speaker 1>the world.

0:23:40.840 --> 0:23:42.399
<v Speaker 2>Yeah, writing is home.

0:23:42.680 --> 0:23:46.200
<v Speaker 1>Yeah, that's a good way of putting it. That brings

0:23:46.240 --> 0:23:49.280
<v Speaker 1>it to a question that I was hoping to share

0:23:49.320 --> 0:23:52.719
<v Speaker 1>with you, to ask about, Like I said, I had,

0:23:52.840 --> 0:23:55.080
<v Speaker 1>I was unfamiliar with the level of poverty that you

0:23:55.119 --> 0:23:56.040
<v Speaker 1>that you grew up in.

0:23:58.080 --> 0:23:59.639
<v Speaker 2>Oh it doesn't it doesn't matter.

0:24:00.280 --> 0:24:03.600
<v Speaker 1>No, no, no, this is no no, no, no.

0:24:03.760 --> 0:24:06.840
<v Speaker 2>I don't want to be commiserated for children. It was

0:24:06.880 --> 0:24:11.400
<v Speaker 2>a wonderfully incredible time and we had to take responsibility.

0:24:11.520 --> 0:24:14.600
<v Speaker 2>We had to go out foraging. We were the ones

0:24:14.640 --> 0:24:18.959
<v Speaker 2>who would catch trout in the creek, but since we

0:24:19.000 --> 0:24:23.119
<v Speaker 2>had no fishing gear, we caught them by hand. You

0:24:23.200 --> 0:24:33.240
<v Speaker 2>can catch trout slow movement, and they flee under under stones,

0:24:33.359 --> 0:24:39.159
<v Speaker 2>They take refuge under under tufts of grass overhanging into

0:24:39.400 --> 0:24:42.400
<v Speaker 2>into the creek, into the water, and you know where

0:24:42.440 --> 0:24:45.760
<v Speaker 2>they're hiding, and you have to be very very patient

0:24:45.800 --> 0:24:49.439
<v Speaker 2>and cautious, and you actually can catch them with their

0:24:49.480 --> 0:24:55.800
<v Speaker 2>own hands. People think I'm making it. You have probably

0:24:55.800 --> 0:24:56.720
<v Speaker 2>done it yourself.

0:24:57.359 --> 0:25:01.840
<v Speaker 1>When so considering that that that childhood, it made me

0:25:01.920 --> 0:25:09.400
<v Speaker 1>rethink you're film Happy People. Yes, And within the last

0:25:09.440 --> 0:25:11.600
<v Speaker 1>day or two, maybe it was even our producer Krinn

0:25:12.840 --> 0:25:16.959
<v Speaker 1>or Phil the engineer here, I mentioned happy People and

0:25:17.000 --> 0:25:20.040
<v Speaker 1>he said, you mean that I remember who he said.

0:25:20.200 --> 0:25:22.399
<v Speaker 1>They said, you mean the people that seem miserable but

0:25:22.440 --> 0:25:26.720
<v Speaker 1>they're happy. And I wondered about that or some joke

0:25:26.840 --> 0:25:29.640
<v Speaker 1>like that, meaning I just remember watching Happy People, which

0:25:29.680 --> 0:25:33.040
<v Speaker 1>is about Siberian hunter gatherers and fur trappers, and just

0:25:33.080 --> 0:25:40.000
<v Speaker 1>seeing someone carpeted into mosquitos. I mean it was like

0:25:40.040 --> 0:25:43.200
<v Speaker 1>they had apparel, like they're apparel was made of mosquitos,

0:25:43.520 --> 0:25:48.960
<v Speaker 1>you know, but just working away and uh, without complaint, Yeah,

0:25:49.040 --> 0:25:51.600
<v Speaker 1>without complaint. And that's what I thought about, because because

0:25:53.240 --> 0:25:56.639
<v Speaker 1>in Happy People, there's no no person meditates on the

0:25:56.680 --> 0:26:00.760
<v Speaker 1>meaning of happiness. No person says, well, you know, in

0:26:00.800 --> 0:26:04.320
<v Speaker 1>spite of appearances, I'm quite happy. There's no matter. It's

0:26:04.359 --> 0:26:07.679
<v Speaker 1>just the title, it's Happy People. But then it's this

0:26:07.840 --> 0:26:12.040
<v Speaker 1>portrait of people. And and no, a viewer would not

0:26:12.080 --> 0:26:14.359
<v Speaker 1>watch Happy People and someone said, what did you watch

0:26:14.400 --> 0:26:16.520
<v Speaker 1>a movie about, they wouldn't say, I watched the movie

0:26:16.520 --> 0:26:18.280
<v Speaker 1>about these very happy people.

0:26:18.800 --> 0:26:23.280
<v Speaker 2>Yes, and not only happy, they are dignified. They lead

0:26:23.520 --> 0:26:28.280
<v Speaker 2>a life full of dignity, of awe, of wonder, of nature,

0:26:28.480 --> 0:26:33.240
<v Speaker 2>of being out there, a life that takes a lot

0:26:33.359 --> 0:26:37.800
<v Speaker 2>of deep meaning. I envy them. And when I see

0:26:37.800 --> 0:26:41.000
<v Speaker 2>them in on a on a screen, there's only one wish,

0:26:41.080 --> 0:26:42.920
<v Speaker 2>old man, I would like to join them.

0:26:43.160 --> 0:26:44.879
<v Speaker 1>Oh yeah, I can see that.

0:26:45.720 --> 0:26:51.960
<v Speaker 2>And the fact that they do not have let's say,

0:26:52.160 --> 0:26:57.840
<v Speaker 2>electricity and air condition and mosquito repelling and you just

0:26:58.000 --> 0:27:04.280
<v Speaker 2>name it. Just their dogs, insane intelligence and rifleent and

0:27:04.320 --> 0:27:09.280
<v Speaker 2>fishing gear. And they live an incredible life, so fulfilled,

0:27:09.320 --> 0:27:14.000
<v Speaker 2>so wonderful. And whoever whoever sees this, and I believe

0:27:14.920 --> 0:27:20.280
<v Speaker 2>those who who actually have ever hunted, they will immediately

0:27:20.359 --> 0:27:24.760
<v Speaker 2>understand instantly. Yeah I envy them.

0:27:24.880 --> 0:27:31.360
<v Speaker 1>Yeah you when you made Grill, I had watched your films,

0:27:31.560 --> 0:27:36.760
<v Speaker 1>but became interested in your thinking about nature. And you're

0:27:36.800 --> 0:27:40.520
<v Speaker 1>thinking about animals like I had seen a Geary Wrath

0:27:40.560 --> 0:27:45.280
<v Speaker 1>of God. I'd seen fitz Crawl though, which are great stories,

0:27:46.240 --> 0:27:48.840
<v Speaker 1>really enjoyable films, and and and and it sparked a

0:27:48.920 --> 0:27:53.760
<v Speaker 1>curiosity in me about how you view things. But then

0:27:53.800 --> 0:27:57.439
<v Speaker 1>it then the Timothy Treadwell incident happened. So just to

0:27:57.440 --> 0:28:00.239
<v Speaker 1>give listeners a quick run through Timothy Treadwell, I think

0:28:00.240 --> 0:28:02.200
<v Speaker 1>he's born in the late fifties, if I'm not mistaken.

0:28:02.560 --> 0:28:05.240
<v Speaker 1>He had been a he was wanted to be an actor.

0:28:06.080 --> 0:28:10.240
<v Speaker 1>He had actually was in competition with Woody Harrelson.

0:28:10.760 --> 0:28:12.040
<v Speaker 2>Well, that's what he claims.

0:28:12.160 --> 0:28:14.720
<v Speaker 1>We do not know excectly.

0:28:15.760 --> 0:28:19.320
<v Speaker 2>We can look at him and say he was a failed.

0:28:18.960 --> 0:28:20.440
<v Speaker 1>Actor, failed actor.

0:28:20.240 --> 0:28:25.720
<v Speaker 2>And then and then deeply, deeply into alcohol and drugs.

0:28:26.280 --> 0:28:30.080
<v Speaker 2>So he was struggling, struggling to get out of addiction,

0:28:30.800 --> 0:28:35.160
<v Speaker 2>and in a way that brought him to Alaska because

0:28:35.240 --> 0:28:40.640
<v Speaker 2>out there in nature and with a task too that

0:28:40.720 --> 0:28:44.440
<v Speaker 2>he put on his own shoulders to protect the bears

0:28:44.960 --> 0:28:49.280
<v Speaker 2>against the bad guys, the poachers. Poaches hardly existed all

0:28:49.360 --> 0:28:53.360
<v Speaker 2>but that was his his fiction under which he lived,

0:28:54.080 --> 0:28:59.280
<v Speaker 2>and he got himself straightened out in a way. And

0:28:59.320 --> 0:29:02.080
<v Speaker 2>when you look at Team, of course he has moments

0:29:02.160 --> 0:29:06.520
<v Speaker 2>where he unravels and where he's completely falling apart, but

0:29:06.840 --> 0:29:12.120
<v Speaker 2>moments of deep insight, moments of poetry, moments of beauty,

0:29:12.200 --> 0:29:15.800
<v Speaker 2>what he's doing, what he's seeing, how he describes it,

0:29:15.920 --> 0:29:21.600
<v Speaker 2>how he depicts things, a wonderful, wonderful kind of life

0:29:21.680 --> 0:29:23.440
<v Speaker 2>out there in the wilderness.

0:29:24.400 --> 0:29:28.960
<v Speaker 1>In my world at that time, there was this what

0:29:29.200 --> 0:29:31.479
<v Speaker 1>was getting at about when I became interested in your

0:29:32.160 --> 0:29:34.840
<v Speaker 1>in how you view these because in my world at

0:29:34.840 --> 0:29:42.040
<v Speaker 1>that timing, you know, fairly serious outdoorsman, strong Alaska connections.

0:29:42.560 --> 0:29:47.440
<v Speaker 1>There was just people reveled in his death and it

0:29:47.600 --> 0:29:53.000
<v Speaker 1>was just how stupid he should have known. What a nutjob.

0:29:53.600 --> 0:29:56.200
<v Speaker 1>And I would find myself before you did your film,

0:29:56.280 --> 0:29:59.680
<v Speaker 1>I would find myself joking like that man would out

0:29:59.760 --> 0:30:03.120
<v Speaker 1>camp any person I know, and I would say, I

0:30:03.160 --> 0:30:09.080
<v Speaker 1>would love to see you go spend yeah, thirteen summers, Yes,

0:30:09.440 --> 0:30:13.600
<v Speaker 1>in an alder thicket on the Alaska Peninsula.

0:30:15.040 --> 0:30:15.560
<v Speaker 2>Population.

0:30:15.680 --> 0:30:19.840
<v Speaker 1>Ye, go do that and then come tell me how

0:30:19.880 --> 0:30:21.760
<v Speaker 1>stupid the guy was. You might not agree with what

0:30:21.800 --> 0:30:23.960
<v Speaker 1>he stood for, you might not agree with his practice,

0:30:24.000 --> 0:30:28.320
<v Speaker 1>but like there was a tenacity and a sort of

0:30:28.400 --> 0:30:31.080
<v Speaker 1>outdoor expertise. And then your film came out and it's

0:30:31.120 --> 0:30:34.040
<v Speaker 1>like I had joked about it and commented on it,

0:30:34.080 --> 0:30:38.360
<v Speaker 1>but your film came out and was so it was

0:30:38.400 --> 0:30:45.720
<v Speaker 1>so like open hearted and fair. Yeah, but the proper condemnation,

0:30:45.960 --> 0:30:50.000
<v Speaker 1>the proper respect, which just painted a wholly different picture

0:30:50.040 --> 0:30:52.520
<v Speaker 1>than what you got from the media, which was just

0:30:52.840 --> 0:30:53.880
<v Speaker 1>nothing but a nut job.

0:30:54.080 --> 0:30:57.240
<v Speaker 2>Yeah, well that was a small part of the media.

0:30:58.120 --> 0:31:03.480
<v Speaker 2>But of course it's also unusual that the filmmaker has

0:31:03.520 --> 0:31:08.920
<v Speaker 2>an ongoing argument with his protagonist who was already killed

0:31:08.960 --> 0:31:10.720
<v Speaker 2>by a bear ten months before.

0:31:12.040 --> 0:31:13.680
<v Speaker 1>Ten months when you're working on that, you got to

0:31:13.760 --> 0:31:14.320
<v Speaker 1>it right away.

0:31:14.400 --> 0:31:18.000
<v Speaker 2>Yeah, well I never met him. Of course, he was

0:31:18.040 --> 0:31:21.480
<v Speaker 2>dead when I heard about and his girlfriend was also

0:31:21.640 --> 0:31:26.840
<v Speaker 2>killed and eaten by the same bear. So it doesn't

0:31:26.840 --> 0:31:30.320
<v Speaker 2>matter that I'm that I differ from him, and I

0:31:30.480 --> 0:31:35.960
<v Speaker 2>differ from him in some basic I said, with caught

0:31:36.080 --> 0:31:40.800
<v Speaker 2>caution in quotes basic philosophy. He was more a little

0:31:40.840 --> 0:31:46.320
<v Speaker 2>bit towards New Age, which I can't stand, this pseudo

0:31:46.360 --> 0:31:51.480
<v Speaker 2>philosophical babble. But behind this new agey aspect of wild

0:31:51.600 --> 0:31:56.920
<v Speaker 2>nature there's something which I call the disneyization of wild nature.

0:31:57.480 --> 0:32:03.840
<v Speaker 2>For Treadwill, the bears were wonderful, big hearted, fluffy creatures,

0:32:03.960 --> 0:32:07.080
<v Speaker 2>and you had to approach them and if possibly even

0:32:07.240 --> 0:32:10.520
<v Speaker 2>hug them and sing a song to them, and tell

0:32:10.560 --> 0:32:14.400
<v Speaker 2>them how much you love them. And one of the

0:32:14.520 --> 0:32:20.880
<v Speaker 2>native Alutic people on Kodiak Island, he says on camera,

0:32:21.520 --> 0:32:25.120
<v Speaker 2>there was something wrong. You do not love the bear.

0:32:25.320 --> 0:32:29.640
<v Speaker 2>You should You should rather respect the bear and respect

0:32:29.680 --> 0:32:37.400
<v Speaker 2>the territory, keep your distance, allow the bear, it's territory,

0:32:38.440 --> 0:32:41.120
<v Speaker 2>but you do not need to love it. You do

0:32:41.160 --> 0:32:45.480
<v Speaker 2>not love the bear, respect it. And that this kind

0:32:45.520 --> 0:32:54.480
<v Speaker 2>of philosophy that went awry into Walt Disney fluffiness somehow, unfortunately,

0:32:54.800 --> 0:32:59.520
<v Speaker 2>unfortunately cost him his life and the life of his girlfriend,

0:32:59.640 --> 0:33:03.080
<v Speaker 2>and a life of two grizzly bears who were shot

0:33:03.600 --> 0:33:07.760
<v Speaker 2>by park rangers who found them still feasting on the bodies.

0:33:09.320 --> 0:33:12.680
<v Speaker 1>How when you heard how did you first hear that

0:33:12.880 --> 0:33:17.480
<v Speaker 1>story and jump into that project.

0:33:18.840 --> 0:33:22.440
<v Speaker 2>Well, it was unusual, because I do things that come

0:33:22.520 --> 0:33:25.080
<v Speaker 2>with vehemence at me, and it was one of those

0:33:25.640 --> 0:33:29.760
<v Speaker 2>cases where something stumbles in me into me. I was

0:33:29.800 --> 0:33:35.640
<v Speaker 2>at a producer's place down in the valley, a few

0:33:35.680 --> 0:33:39.520
<v Speaker 2>miles away from here only where I'm sitting, and he

0:33:39.640 --> 0:33:44.920
<v Speaker 2>had helped me very generously with finding partners for a film,

0:33:45.640 --> 0:33:49.520
<v Speaker 2>and I paid him a visit just to thank him.

0:33:49.560 --> 0:33:52.760
<v Speaker 2>And at the end we were sitting at a glass

0:33:52.800 --> 0:33:57.840
<v Speaker 2>table full of messy papers and fedexis and half eaten

0:33:57.960 --> 0:34:01.480
<v Speaker 2>lunch salad. And so when I got up, I got

0:34:01.600 --> 0:34:05.760
<v Speaker 2>up and I had miss I couldn't find my car keys.

0:34:06.240 --> 0:34:09.880
<v Speaker 2>I swear to God, I was searching for my car keys,

0:34:10.200 --> 0:34:13.680
<v Speaker 2>not for a movie, and I had placed it on

0:34:13.719 --> 0:34:21.560
<v Speaker 2>the table and I look at the car key, and

0:34:21.640 --> 0:34:25.920
<v Speaker 2>he sees it and thinks I spotted some paper and

0:34:25.960 --> 0:34:28.319
<v Speaker 2>shoves an article to me. It was one of the

0:34:28.360 --> 0:34:33.080
<v Speaker 2>first magazine articles about Timothy Treadwill, and he says, read this,

0:34:33.239 --> 0:34:37.200
<v Speaker 2>we are doing a very interesting project. So I took

0:34:37.239 --> 0:34:40.320
<v Speaker 2>it and my keys went home. And I was sitting

0:34:40.400 --> 0:34:44.960
<v Speaker 2>literally here, just at this table next behind you. I

0:34:45.080 --> 0:34:48.000
<v Speaker 2>was sitting there, and normally I don't read these things.

0:34:48.000 --> 0:34:51.279
<v Speaker 2>I read it, and you know what, I was instantly

0:34:51.320 --> 0:34:53.720
<v Speaker 2>back in my car and I rushed down and I said,

0:34:54.200 --> 0:34:57.600
<v Speaker 2>this is this is big, This is so big I

0:34:57.640 --> 0:35:00.440
<v Speaker 2>cannot believe it. And I said, how far are you

0:35:00.520 --> 0:35:04.040
<v Speaker 2>in preparations? We have to start in eight days at

0:35:04.040 --> 0:35:08.120
<v Speaker 2>the latest. There's hardly any time left. We have to travel.

0:35:08.160 --> 0:35:11.239
<v Speaker 2>And then I asked who is directing the film and

0:35:11.280 --> 0:35:15.479
<v Speaker 2>he said, listen, very very carefully, he said, I'm kind

0:35:15.520 --> 0:35:20.920
<v Speaker 2>of directing the film, kind of directing these film. So

0:35:20.960 --> 0:35:26.840
<v Speaker 2>I sensed he didn't know exactly what I was, what

0:35:27.000 --> 0:35:30.200
<v Speaker 2>he was doing, or how to tack it is. And

0:35:30.239 --> 0:35:33.680
<v Speaker 2>I looked at him and I said, no, I will

0:35:33.719 --> 0:35:37.719
<v Speaker 2>direct this movie now. And was kind of surprised and

0:35:38.760 --> 0:35:40.960
<v Speaker 2>shook my hand and said it would be an honor.

0:35:41.880 --> 0:35:46.000
<v Speaker 2>And I made the film in that movie, but it

0:35:46.040 --> 0:35:49.960
<v Speaker 2>was you see, what was clear, this is big. And

0:35:50.000 --> 0:35:54.200
<v Speaker 2>there's a storyteller as somebody who makes movies and also

0:35:54.239 --> 0:35:56.759
<v Speaker 2>a writer. I know this is big.

0:35:58.080 --> 0:36:03.479
<v Speaker 1>In that there's the famous scene where you I believe

0:36:03.480 --> 0:36:06.040
<v Speaker 1>you're at a kitchen table and you put on the

0:36:06.080 --> 0:36:11.120
<v Speaker 1>headphones and you're able to hear the recording. There was

0:36:11.160 --> 0:36:14.000
<v Speaker 1>a camera rolling for six months during the attack, and

0:36:14.080 --> 0:36:20.520
<v Speaker 1>you hear the recording, and your comment does your comment

0:36:20.600 --> 0:36:24.440
<v Speaker 1>does more to convey the horror of what you're hearing

0:36:24.480 --> 0:36:26.640
<v Speaker 1>than perhaps hearing it.

0:36:27.120 --> 0:36:29.520
<v Speaker 2>Because I say comment, I barely comment.

0:36:29.560 --> 0:36:32.400
<v Speaker 1>But you say no one, You say no one should

0:36:32.400 --> 0:36:35.040
<v Speaker 1>listen to this, Yes, and never let anyone listen to this.

0:36:35.160 --> 0:36:38.600
<v Speaker 2>And my comment is even stronger because her camera is

0:36:38.680 --> 0:36:41.960
<v Speaker 2>over my shoulder. You see only the back on the

0:36:42.040 --> 0:36:44.880
<v Speaker 2>side of my head, and the camera is on the

0:36:44.920 --> 0:36:48.280
<v Speaker 2>woman who owns the tape, who has worked with treadwell

0:36:48.400 --> 0:36:52.640
<v Speaker 2>for long, long years, and she tries to read from

0:36:52.760 --> 0:36:57.279
<v Speaker 2>my face, but I'm hearing how horribleiss it is, and

0:36:57.360 --> 0:37:00.840
<v Speaker 2>she starts to cry. She can tell from my face

0:37:01.560 --> 0:37:06.319
<v Speaker 2>that there's something terrible that I'm hearing. No, And I

0:37:06.360 --> 0:37:09.719
<v Speaker 2>said to her, please don't ever listen to it. And

0:37:09.760 --> 0:37:12.320
<v Speaker 2>I said to her something very stupid. Please you should

0:37:12.400 --> 0:37:16.120
<v Speaker 2>rather destroy it, which she didn't do. She was smart

0:37:16.280 --> 0:37:19.440
<v Speaker 2>enough not to do it. But she separated her from

0:37:19.480 --> 0:37:22.560
<v Speaker 2>the tape and put it in a bank vault, so

0:37:22.680 --> 0:37:27.160
<v Speaker 2>it's locked away from her. And you see, as a filmmaker,

0:37:27.200 --> 0:37:31.399
<v Speaker 2>you do not have to to put everything out, even

0:37:31.480 --> 0:37:35.560
<v Speaker 2>though it was say and it would have sensationalized the film.

0:37:35.840 --> 0:37:40.000
<v Speaker 2>Everybody wanted me to include it into the film. The distributor,

0:37:40.080 --> 0:37:45.200
<v Speaker 2>the TV network, the production company, everyone said, And I said,

0:37:45.280 --> 0:37:49.520
<v Speaker 2>I will address the tape because it is known. It's

0:37:49.560 --> 0:37:53.520
<v Speaker 2>out there, but I will make the decision. And after

0:37:53.600 --> 0:37:56.080
<v Speaker 2>I had heard it, I said, it's not going to

0:37:56.160 --> 0:37:59.280
<v Speaker 2>be in my film. You have to take me out,

0:38:00.120 --> 0:38:03.399
<v Speaker 2>but I will resist to be taken out. I'm a

0:38:03.440 --> 0:38:08.799
<v Speaker 2>formidable opponent. Be careful, i will fight. And this is

0:38:08.840 --> 0:38:11.839
<v Speaker 2>not going to be in my film because there's such

0:38:11.840 --> 0:38:15.960
<v Speaker 2>a thing as a dignity and the privacy of an

0:38:16.000 --> 0:38:21.800
<v Speaker 2>individual's death, and you do not you do not publicize

0:38:21.800 --> 0:38:28.680
<v Speaker 2>it and sensationalize it. Period. So and I understood. And

0:38:28.719 --> 0:38:32.080
<v Speaker 2>another example, because I saw the film two days ago

0:38:33.120 --> 0:38:35.840
<v Speaker 2>for the first time in many years, The White Diamond.

0:38:35.960 --> 0:38:41.920
<v Speaker 2>It's about a jungle airship some sort of that maneuvers

0:38:42.760 --> 0:38:48.479
<v Speaker 2>in the canopies of trees and nearby in in Guyana. Yeah,

0:38:48.520 --> 0:38:52.560
<v Speaker 2>and there's a waterfall that kaye to a waterfall three

0:38:52.640 --> 0:38:56.520
<v Speaker 2>times the height of Niagara Fall, not as much volume

0:38:56.560 --> 0:38:58.920
<v Speaker 2>of water, but a formidable waterfall.

0:38:59.400 --> 0:39:01.440
<v Speaker 1>I've been waterfall, you have been.

0:39:01.719 --> 0:39:05.520
<v Speaker 2>Wow, h and you have seen the swifts. There are

0:39:05.520 --> 0:39:12.440
<v Speaker 2>swifts that come down. They come down from from the sky.

0:39:12.520 --> 0:39:16.920
<v Speaker 2>They form VORTI sees a vortex and then they shoot

0:39:16.960 --> 0:39:21.960
<v Speaker 2>down and with his speed that is higher than free fall,

0:39:22.640 --> 0:39:27.680
<v Speaker 2>they swish behind the waterfall, behind this massive curtain. There's

0:39:27.719 --> 0:39:30.640
<v Speaker 2>a gap, and they have a million and a half

0:39:31.160 --> 0:39:35.000
<v Speaker 2>a million nests behind there. And I was curious, and

0:39:35.080 --> 0:39:39.960
<v Speaker 2>we lowered a strong guy in the team, actually also

0:39:39.960 --> 0:39:43.400
<v Speaker 2>a mountain climber, lowered him on a rope with a

0:39:43.480 --> 0:39:46.960
<v Speaker 2>camera and he filmed it. And a few days later,

0:39:47.360 --> 0:39:53.440
<v Speaker 2>a local tribal leader tells us, Ah, you filmed that here.

0:39:53.440 --> 0:39:58.400
<v Speaker 2>But you know, for us, in our culture, there's a secret,

0:39:58.560 --> 0:40:02.600
<v Speaker 2>because they are gigantic snakes and that keep the secrets

0:40:02.640 --> 0:40:06.400
<v Speaker 2>of our people, that keep the treasures of our hearts,

0:40:07.080 --> 0:40:12.400
<v Speaker 2>and nobody of us would ever look behind the waterfalls.

0:40:12.920 --> 0:40:16.799
<v Speaker 2>And very politely he says, could it maybe? Could it

0:40:16.920 --> 0:40:21.040
<v Speaker 2>be that you just saw it, but you don't publish it.

0:40:22.040 --> 0:40:25.319
<v Speaker 2>And that very moment I said, it's not going to

0:40:25.360 --> 0:40:26.000
<v Speaker 2>be published.

0:40:26.600 --> 0:40:30.680
<v Speaker 1>Yeah, that little bit of h Yeah, but I guess

0:40:30.680 --> 0:40:35.080
<v Speaker 1>there's something. There's something bigger, that bigger than filmmaker. There's

0:40:35.080 --> 0:40:37.279
<v Speaker 1>something bigger that you have to live with than the

0:40:37.320 --> 0:40:39.400
<v Speaker 1>films put out for people to enjoy.

0:40:39.320 --> 0:40:42.200
<v Speaker 2>They're bigger things. And filmmaking, let's face it.

0:40:51.960 --> 0:40:58.520
<v Speaker 1>You've done a number, You've done two, You've done three

0:40:58.520 --> 0:41:05.319
<v Speaker 1>films about people. You've done three films about people who

0:41:05.360 --> 0:41:10.239
<v Speaker 1>were shot down or survived air crashes. Yeah, and land

0:41:10.280 --> 0:41:12.960
<v Speaker 1>in the jungle. So you did one about a woman

0:41:13.040 --> 0:41:16.040
<v Speaker 1>the soul survivor from an air crash.

0:41:16.400 --> 0:41:19.040
<v Speaker 2>Yes, and Peru was this the jungle of.

0:41:19.320 --> 0:41:22.920
<v Speaker 1>Yeah, a plane was struck by lightning. She was buckled

0:41:22.920 --> 0:41:26.560
<v Speaker 1>into a row of seats, yes, which maybe acted as

0:41:26.600 --> 0:41:29.279
<v Speaker 1>a parachute. It's just inexplicable. But she and a number

0:41:29.360 --> 0:41:32.719
<v Speaker 1>of other people's, a number of other passengers fell ten

0:41:32.719 --> 0:41:35.200
<v Speaker 1>thousand feet hit the forest.

0:41:34.880 --> 0:41:39.200
<v Speaker 2>Cannopy ten thousand. I think it came down, but we

0:41:39.239 --> 0:41:44.000
<v Speaker 2>can only estimate from five thousand meters altitude fifteen sixteen

0:41:44.040 --> 0:41:49.400
<v Speaker 2>thousand feet. And she survived it. And probably it's mysterious.

0:41:49.440 --> 0:41:53.640
<v Speaker 2>I mean, there was a violent thunderstorm at the eastern

0:41:53.680 --> 0:41:57.520
<v Speaker 2>slopes of the Andes and this updraft may even take

0:41:57.560 --> 0:42:01.520
<v Speaker 2>you high up into the sky. It could happen. And

0:42:01.760 --> 0:42:05.360
<v Speaker 2>she was on a window seat on the three seats

0:42:05.960 --> 0:42:10.200
<v Speaker 2>her mother in the middle seat, an obese Peruvian man

0:42:10.320 --> 0:42:16.080
<v Speaker 2>immediately falling asleep snoring on the aisle seat, and she

0:42:16.480 --> 0:42:21.400
<v Speaker 2>has fragments of memory that she sailed on strapped to

0:42:21.560 --> 0:42:26.040
<v Speaker 2>the row of seats, and she complained, she said, people

0:42:26.120 --> 0:42:28.880
<v Speaker 2>say I left the plane. Now the plane left me,

0:42:29.560 --> 0:42:33.239
<v Speaker 2>she says. And you know, I was always fascinated by

0:42:33.280 --> 0:42:35.960
<v Speaker 2>her story because I was booked on that very flight

0:42:37.040 --> 0:42:41.040
<v Speaker 2>and a huge chain of coincidences took me out of this.

0:42:41.960 --> 0:42:47.239
<v Speaker 2>And also something as he was had the seat, the

0:42:47.320 --> 0:42:51.520
<v Speaker 2>empty seats next to her. It's what we call the

0:42:51.520 --> 0:42:55.240
<v Speaker 2>maple seat effect. If you have the seed of a maple,

0:42:55.880 --> 0:42:58.959
<v Speaker 2>you have the seat, and then something like a wing

0:42:59.480 --> 0:43:03.440
<v Speaker 2>and it's virals. It keeps spiraling down to the ground.

0:43:03.520 --> 0:43:08.920
<v Speaker 2>So that may have saved There were actually other, probably

0:43:08.960 --> 0:43:15.800
<v Speaker 2>other survivors, because some people were found sitting and leaning

0:43:15.840 --> 0:43:19.920
<v Speaker 2>against a tree, so they must have crawled there. And

0:43:21.400 --> 0:43:26.200
<v Speaker 2>it was a very eerie scene. When the first rescue

0:43:26.200 --> 0:43:30.120
<v Speaker 2>people arrived, they had actually given up the search after

0:43:30.239 --> 0:43:33.920
<v Speaker 2>ten days or eleven days. It was hopeless because the

0:43:34.040 --> 0:43:39.160
<v Speaker 2>plane had disintegrated in thousands of fragments and rained down,

0:43:40.320 --> 0:43:43.640
<v Speaker 2>so there was no impact site that it could spot

0:43:43.680 --> 0:43:49.520
<v Speaker 2>from the air and suitcases had opened in mid air

0:43:49.760 --> 0:43:54.840
<v Speaker 2>because it was Christmas eve Day and there were presents

0:43:55.400 --> 0:44:02.480
<v Speaker 2>dangling in the jungle trees and also human intestines is decoration.

0:44:02.680 --> 0:44:06.719
<v Speaker 2>I mean, it's an eerie must have been a very

0:44:07.040 --> 0:44:08.879
<v Speaker 2>very surreal sight.

0:44:09.680 --> 0:44:11.799
<v Speaker 1>But she survives.

0:44:12.120 --> 0:44:16.160
<v Speaker 2>She survived because she knew about the junkie. She had

0:44:16.200 --> 0:44:19.319
<v Speaker 2>grown up with her she had grown up with her

0:44:19.360 --> 0:44:25.320
<v Speaker 2>parents at an ecological station, biological station in the jungie.

0:44:25.640 --> 0:44:28.560
<v Speaker 2>And then you understood what was going on around.

0:44:28.680 --> 0:44:31.000
<v Speaker 1>Yeah, and then you did two films about You did

0:44:31.880 --> 0:44:36.560
<v Speaker 1>a fictional film and a documentary about an individual a

0:44:36.760 --> 0:44:39.320
<v Speaker 1>US airman I think a Navy pilot and he was

0:44:39.320 --> 0:44:43.759
<v Speaker 1>shot down over Laos during the Vietnam War. Survives all

0:44:43.800 --> 0:44:48.480
<v Speaker 1>these just horrific conditions. When he finally gets rescued, they

0:44:48.520 --> 0:44:50.839
<v Speaker 1>can't the guys at the helicopter pilots that rescue him

0:44:50.880 --> 0:44:53.440
<v Speaker 1>came tell what he is. They don't know who he is.

0:44:53.719 --> 0:44:56.799
<v Speaker 1>They find a half eaten snake and his backpack and

0:44:56.840 --> 0:44:59.600
<v Speaker 1>it's this airman that had been missing for I don't

0:44:59.600 --> 0:45:00.480
<v Speaker 1>know how many half.

0:45:00.480 --> 0:45:02.200
<v Speaker 2>Half yeah, yes, uh.

0:45:03.440 --> 0:45:06.920
<v Speaker 1>And thinking about those and then thinking about when you

0:45:06.960 --> 0:45:10.399
<v Speaker 1>were doing the may when there's there's a documentary made

0:45:10.440 --> 0:45:15.440
<v Speaker 1>about you, making Fitzgrawal though I remember you saying some

0:45:15.560 --> 0:45:18.160
<v Speaker 1>of the birds in the jungle and you said the

0:45:18.880 --> 0:45:23.280
<v Speaker 1>birds here I'm paraphrasing you said, the birds here don't sing,

0:45:24.000 --> 0:45:27.960
<v Speaker 1>They scream in agony. What what? But you've spent a

0:45:27.960 --> 0:45:30.279
<v Speaker 1>lot of time in the jungle, yes, I mean, do

0:45:30.320 --> 0:45:32.880
<v Speaker 1>you what is your how do you feel about the jungle?

0:45:33.960 --> 0:45:34.680
<v Speaker 1>Where jungle?

0:45:35.120 --> 0:45:38.960
<v Speaker 2>I say it also in in some written texts in

0:45:39.000 --> 0:45:45.680
<v Speaker 2>my book Conquest of the Useless, and at some point

0:45:45.760 --> 0:45:50.719
<v Speaker 2>I'm saying I love the Chungie yet against my better knowledge.

0:45:51.480 --> 0:45:55.799
<v Speaker 2>But you see, you cannot take it completely out of context.

0:45:55.840 --> 0:46:00.319
<v Speaker 2>When Les Blank was filming me, it was right after

0:46:00.400 --> 0:46:05.000
<v Speaker 2>we had two plane crashes, two small aircraft that brought

0:46:05.040 --> 0:46:11.839
<v Speaker 2>provisions and extras to us. We have just had our

0:46:12.000 --> 0:46:14.960
<v Speaker 2>camp for eight hundred people in the jungle burned down.

0:46:16.000 --> 0:46:19.520
<v Speaker 2>We ran into a border war between Peru and Ecuador,

0:46:20.520 --> 0:46:26.319
<v Speaker 2>and my leading character was became so ill that we

0:46:26.400 --> 0:46:29.600
<v Speaker 2>had to fly him back out to the United States,

0:46:29.640 --> 0:46:33.680
<v Speaker 2>and his doctors wouldn't allow him to return. Then there

0:46:33.719 --> 0:46:37.680
<v Speaker 2>was an attack of the tribal group far far up

0:46:37.719 --> 0:46:43.560
<v Speaker 2>in the mountains that had suffered from the drought. There

0:46:43.640 --> 0:46:48.200
<v Speaker 2>was a dry stry season in recorded history in memory.

0:46:48.760 --> 0:46:52.719
<v Speaker 2>And they had wandered down with a drying river in

0:46:52.800 --> 0:46:57.560
<v Speaker 2>search apparently of turtle eggs. And they clashed through two

0:46:57.920 --> 0:47:05.160
<v Speaker 2>three people, local people, much againer, native tribal people who

0:47:05.160 --> 0:47:07.920
<v Speaker 2>had been fishing for us and looking for turtle eggs.

0:47:08.400 --> 0:47:10.719
<v Speaker 2>And they shot them in the dark of the night.

0:47:10.800 --> 0:47:15.359
<v Speaker 2>And the man was shot through his throat and had

0:47:15.400 --> 0:47:19.480
<v Speaker 2>an also deflected arrow at his shin, and a woman

0:47:20.120 --> 0:47:23.279
<v Speaker 2>shot by three arrows into her body very close, a

0:47:23.280 --> 0:47:29.279
<v Speaker 2>cluster of three arrows, and so, and we had to

0:47:29.320 --> 0:47:31.760
<v Speaker 2>operate them on the kitchen table. They would have died

0:47:32.239 --> 0:47:35.120
<v Speaker 2>if he had tried to transport them. And I was

0:47:35.640 --> 0:47:40.120
<v Speaker 2>with mosquito repellent spraying away the cloud of mosquitoes, and

0:47:40.400 --> 0:47:46.680
<v Speaker 2>with the other hand a torchlight illuminating the operation. And

0:47:47.600 --> 0:47:52.000
<v Speaker 2>all this happens on a daily basis. And then Les

0:47:52.000 --> 0:47:54.720
<v Speaker 2>Blank says, let's speak about the jungle.

0:47:56.080 --> 0:47:59.360
<v Speaker 1>So in a way that was the frame of mind,

0:47:59.520 --> 0:48:01.319
<v Speaker 1>was usual in.

0:48:01.320 --> 0:48:07.680
<v Speaker 2>The frame of mind, should be mentioned at least, otherwise

0:48:07.760 --> 0:48:11.399
<v Speaker 2>it sounds like a crazy statement. It was a very

0:48:11.520 --> 0:48:12.560
<v Speaker 2>natural statement.

0:48:12.840 --> 0:48:16.120
<v Speaker 1>When I describe that movie to people, I describe it

0:48:16.120 --> 0:48:18.480
<v Speaker 1>probly the way many people do. Where it's the story

0:48:18.560 --> 0:48:21.640
<v Speaker 1>of a of a rubber baron trying to move a

0:48:21.680 --> 0:48:23.960
<v Speaker 1>boat from one drainage to the next, and it's just

0:48:23.960 --> 0:48:24.839
<v Speaker 1>as impossible.

0:48:24.880 --> 0:48:27.240
<v Speaker 2>That's a huge steam boat over a mountain.

0:48:27.400 --> 0:48:30.239
<v Speaker 1>Yeah, and so what you do in the movie, which

0:48:30.239 --> 0:48:33.800
<v Speaker 1>sounds funny in this age of special effects and cgi

0:48:34.120 --> 0:48:38.799
<v Speaker 1>what the movie does the exact and the making of

0:48:38.840 --> 0:48:43.400
<v Speaker 1>the movie does the exact insane thing that is portrayed

0:48:43.480 --> 0:48:45.760
<v Speaker 1>as an insane thing in the movie.

0:48:46.280 --> 0:48:51.200
<v Speaker 2>No, I do not agree insane. Okay, it is number one.

0:48:51.280 --> 0:48:54.480
<v Speaker 2>I knew it was doable, and I did it. And

0:48:54.680 --> 0:48:59.360
<v Speaker 2>it is not insane because it's a big metaphor somehow

0:48:59.440 --> 0:49:05.960
<v Speaker 2>dormant in us, so big, like let's say don Quixote

0:49:06.320 --> 0:49:12.279
<v Speaker 2>tackling with his lands the windmills. It's something described, of

0:49:12.320 --> 0:49:15.280
<v Speaker 2>course by Sevantes and we know, a yeah, that's somehow

0:49:15.360 --> 0:49:19.400
<v Speaker 2>in us. It's a metaphor or Mobby Dick the Hunt

0:49:19.440 --> 0:49:24.359
<v Speaker 2>for the White Whale, things like that. And I knew

0:49:24.400 --> 0:49:30.080
<v Speaker 2>a ship pulled over a mountain by force of human

0:49:30.320 --> 0:49:35.359
<v Speaker 2>strength and turnstiles and coiling up ropes, and I would

0:49:35.440 --> 0:49:38.759
<v Speaker 2>move it over a mountain. It's a big metaphor, not insanity,

0:49:39.560 --> 0:49:44.200
<v Speaker 2>because it's deep inside of us and it has something

0:49:44.320 --> 0:49:51.000
<v Speaker 2>that I could articulate and others couldn't. But since I articulated,

0:49:51.560 --> 0:49:55.200
<v Speaker 2>we have a metaphor, one more of the metaphors that

0:49:55.280 --> 0:50:01.279
<v Speaker 2>are probably dormant in many of us. Absolutely not insanity,

0:50:02.280 --> 0:50:04.959
<v Speaker 2>clinically sane, so to speak.

0:50:05.120 --> 0:50:06.800
<v Speaker 1>But I did stay in corrected.

0:50:07.800 --> 0:50:10.920
<v Speaker 2>And at the time, of course, there was no digital effect.

0:50:11.000 --> 0:50:12.719
<v Speaker 2>It was done in nineteen eighty one.

0:50:12.880 --> 0:50:17.160
<v Speaker 1>You had to do it when you had no not.

0:50:16.840 --> 0:50:21.160
<v Speaker 2>Not necessarily because twentieth Century Fox at the time wanted

0:50:21.200 --> 0:50:28.480
<v Speaker 2>to produce the film, however, only with a miniature plastic

0:50:28.600 --> 0:50:33.640
<v Speaker 2>replica and what they called in a good Jungle, and

0:50:33.680 --> 0:50:37.799
<v Speaker 2>they meant the botanic garden in San Diego. And I

0:50:37.840 --> 0:50:41.600
<v Speaker 2>asked them, gentlemen, what's the bad jungle then? And that

0:50:41.760 --> 0:50:44.920
<v Speaker 2>it became frosty and I knew I was alone and

0:50:44.960 --> 0:50:46.960
<v Speaker 2>I had to do it alone. I was also the

0:50:47.000 --> 0:50:54.520
<v Speaker 2>producer of the film, and so I don't want to

0:50:54.600 --> 0:50:56.000
<v Speaker 2>miss this work.

0:50:57.719 --> 0:51:02.640
<v Speaker 1>What a how do you look at with all the

0:51:02.680 --> 0:51:05.920
<v Speaker 1>movies you made, sixty over sixty movies and how many

0:51:05.920 --> 0:51:07.400
<v Speaker 1>books you don know.

0:51:07.480 --> 0:51:09.800
<v Speaker 2>It's probably eighty movies by now.

0:51:09.960 --> 0:51:11.480
<v Speaker 1>And a dozen books or so.

0:51:11.680 --> 0:51:15.560
<v Speaker 2>Yeah, in poetry, and I just finished yet another book.

0:51:16.239 --> 0:51:21.319
<v Speaker 2>You have to take it seriously that that I am

0:51:21.440 --> 0:51:28.080
<v Speaker 2>deeply inside convinced that the written stuff, the pros, the poetry,

0:51:29.080 --> 0:51:34.239
<v Speaker 2>has somewhat direct impact something. And it's not the events

0:51:34.360 --> 0:51:36.879
<v Speaker 2>you see if you're in my memoirs, if you look

0:51:37.120 --> 0:51:41.400
<v Speaker 2>after event, event event, Yes, of course a wild events.

0:51:41.440 --> 0:51:45.360
<v Speaker 2>But it's a style, it's a prose. That's what makes

0:51:45.760 --> 0:51:47.479
<v Speaker 2>the book on.

0:51:47.640 --> 0:51:52.080
<v Speaker 1>I mean, you're a I mean like from me to

0:51:52.080 --> 0:51:53.680
<v Speaker 1>feel the need to tell you this, but I mean,

0:51:53.719 --> 0:51:56.880
<v Speaker 1>you're a phenomenal writer. And reading your book, I had

0:51:56.960 --> 0:51:59.879
<v Speaker 1>said Karen, our producer, I had said, I had kind

0:51:59.920 --> 0:52:11.200
<v Speaker 1>of given up on literary memoirs in exchange for memoirs

0:52:11.280 --> 0:52:18.360
<v Speaker 1>autobiographies of people who have a you know, a story

0:52:18.400 --> 0:52:22.719
<v Speaker 1>to tell, right, and this book but this book is.

0:52:24.719 --> 0:52:26.560
<v Speaker 1>But this book is a combination of those two things.

0:52:26.840 --> 0:52:30.120
<v Speaker 1>I mean, this book is. This book is of a

0:52:30.239 --> 0:52:33.600
<v Speaker 1>high literary merit, like like you know, as a writer,

0:52:33.760 --> 0:52:35.680
<v Speaker 1>as a person who loves the language, it's of high

0:52:35.680 --> 0:52:39.440
<v Speaker 1>literary merit, but also does that heavy lifting of telling

0:52:39.440 --> 0:52:42.319
<v Speaker 1>a story that really ought to be told, which is

0:52:42.360 --> 0:52:46.239
<v Speaker 1>how you came to view the world the way you

0:52:46.280 --> 0:52:49.520
<v Speaker 1>do and produce the work that you did. But I

0:52:49.560 --> 0:52:55.000
<v Speaker 1>have two last questions. With all that work, how do

0:52:55.040 --> 0:52:58.160
<v Speaker 1>you gauge which How do you gauge which are the

0:52:58.480 --> 0:53:01.120
<v Speaker 1>your favorites? Like which are the ones you shouldn't have done?

0:53:01.480 --> 0:53:02.600
<v Speaker 1>What are you going to do?

0:53:02.920 --> 0:53:06.200
<v Speaker 2>You can stop right away. I love them all, I

0:53:06.239 --> 0:53:10.400
<v Speaker 2>truly love them all, and they're all good. They're all good.

0:53:10.719 --> 0:53:12.279
<v Speaker 1>There's no one you wish you could put ba in

0:53:12.280 --> 0:53:12.720
<v Speaker 1>the box.

0:53:12.920 --> 0:53:16.840
<v Speaker 2>No, for God's sake, never only over made that body.

0:53:17.160 --> 0:53:19.640
<v Speaker 2>I would allow you to put it away and put

0:53:19.680 --> 0:53:24.840
<v Speaker 2>it back, but you have to be aware that. Of course,

0:53:24.880 --> 0:53:28.600
<v Speaker 2>I'm critical as well, and I see mistakes. Yes, I

0:53:28.680 --> 0:53:31.879
<v Speaker 2>do see mistakes, and I see how I evolved as

0:53:31.880 --> 0:53:35.640
<v Speaker 2>a kid who made films because I made my first

0:53:35.719 --> 0:53:37.320
<v Speaker 2>film at the age of nineteen.

0:53:39.960 --> 0:53:42.560
<v Speaker 1>I know you made your first phone call at seventeen.

0:53:42.760 --> 0:53:48.920
<v Speaker 2>That's true. Yes, nobody, Yes, nobody nowadays believes it. Everybody

0:53:48.920 --> 0:53:53.239
<v Speaker 2>with a cell phones and applications. So I literally made

0:53:53.320 --> 0:53:58.760
<v Speaker 2>my first phone call it age seventeen. Yes, all these films,

0:53:59.080 --> 0:54:03.920
<v Speaker 2>I see mistakes, mistake here, mistake there, but I accept them.

0:54:03.960 --> 0:54:06.960
<v Speaker 2>I can live with it. And it's the same way

0:54:07.120 --> 0:54:09.600
<v Speaker 2>like with a mother. You do not ask the mother

0:54:10.200 --> 0:54:13.719
<v Speaker 2>your five children here, which is your favorite? And you

0:54:13.800 --> 0:54:17.440
<v Speaker 2>know who the favorites are. My favorites are all the

0:54:17.560 --> 0:54:22.680
<v Speaker 2>children that have the worst defects, the child that has

0:54:22.760 --> 0:54:28.440
<v Speaker 2>squint eyes, the child that has a stutter, the child

0:54:28.480 --> 0:54:32.200
<v Speaker 2>that has a limp. And I would be as a

0:54:32.280 --> 0:54:39.000
<v Speaker 2>mother the lioness to help them, defend them, make them proud,

0:54:40.080 --> 0:54:44.479
<v Speaker 2>shine as great and wonderful as they can shine.

0:54:45.480 --> 0:54:48.960
<v Speaker 1>You mentioned a minute ago you said, over my dead body, Uh,

0:54:49.800 --> 0:54:52.680
<v Speaker 1>let's move on to your dead body for me? What

0:54:54.960 --> 0:54:58.160
<v Speaker 1>I have no idea? What you'd say to this? What?

0:54:58.160 --> 0:55:01.640
<v Speaker 1>What do you what do you hope and fear about?

0:55:01.680 --> 0:55:06.080
<v Speaker 1>What's going to happen to you when you die? Like?

0:55:06.080 --> 0:55:08.400
<v Speaker 1>What do you are? Do you entertain an idea?

0:55:08.640 --> 0:55:12.400
<v Speaker 2>No, I won't be around anymore. I always said, posterity

0:55:14.320 --> 0:55:17.280
<v Speaker 2>doesn't interest me because I won't be around there anyway.

0:55:18.120 --> 0:55:20.480
<v Speaker 1>However, But like what what I mean? Do you do

0:55:20.520 --> 0:55:23.919
<v Speaker 1>you picture? What is your idea? I don't know, get

0:55:23.920 --> 0:55:25.400
<v Speaker 1>like I don't want to get like terribly personal in

0:55:25.360 --> 0:55:26.960
<v Speaker 1>a way, it's on card. But what is your idea

0:55:26.960 --> 0:55:27.960
<v Speaker 1>of an afterlife?

0:55:30.239 --> 0:55:33.720
<v Speaker 2>I think it's highly likely that there's no afterlife.

0:55:34.400 --> 0:55:37.480
<v Speaker 1>So your posterity like you don't care about that, and

0:55:37.520 --> 0:55:38.040
<v Speaker 1>then it's.

0:55:38.040 --> 0:55:43.120
<v Speaker 2>I won't be around here. However, I did something which

0:55:43.280 --> 0:55:47.319
<v Speaker 2>was not in my catalog of behavior and thinking, and

0:55:47.440 --> 0:55:51.640
<v Speaker 2>my brothers and my wife Lynna convinced me there are

0:55:51.640 --> 0:55:58.560
<v Speaker 2>ad films, negatives, mixes, tens of thousands of photos, manuscripts,

0:55:59.840 --> 0:56:06.520
<v Speaker 2>you just name it, documents. It should be somehow preserved.

0:56:06.600 --> 0:56:13.040
<v Speaker 2>And I started a non profit foundation which is has

0:56:13.080 --> 0:56:16.560
<v Speaker 2>the oversight of the state of Bavaria, where all the

0:56:16.680 --> 0:56:20.879
<v Speaker 2>rights of all my films, of everything I've created went

0:56:20.960 --> 0:56:27.880
<v Speaker 2>in Bavaria. Well, because because my culture is Bavarian.

0:56:28.600 --> 0:56:29.880
<v Speaker 1>I feel like you owe that. I feel like you

0:56:29.920 --> 0:56:30.960
<v Speaker 1>owe that to the America.

0:56:32.360 --> 0:56:37.800
<v Speaker 2>No, because you you do not see where I come from.

0:56:37.880 --> 0:56:42.239
<v Speaker 2>English was only my fourth or fifth language. I mean,

0:56:42.640 --> 0:56:47.480
<v Speaker 2>but that's the language. It doesn't matter. It's I would

0:56:47.480 --> 0:56:51.719
<v Speaker 2>not write a novel like The Twilight World in English.

0:56:52.040 --> 0:56:54.800
<v Speaker 2>I write it in German and it's translated.

0:56:55.400 --> 0:56:58.759
<v Speaker 1>And your your new book was translated.

0:56:58.840 --> 0:57:04.000
<v Speaker 2>Sure, yes, very well. The best translator arguably from Germany

0:57:04.040 --> 0:57:09.160
<v Speaker 2>into English has done it. Michael Hoffmann. It's in German prose.

0:57:09.360 --> 0:57:12.960
<v Speaker 1>Yeah, but you but you have zero problem communicating in English?

0:57:13.120 --> 0:57:16.200
<v Speaker 2>Yes, but I do not write poetry in English. You

0:57:16.480 --> 0:57:19.760
<v Speaker 2>can only do it in your in your mother tongue.

0:57:20.200 --> 0:57:24.680
<v Speaker 2>But let me go back to the to the after life. Yes,

0:57:24.800 --> 0:57:29.360
<v Speaker 2>my my work will have after life because it's owned

0:57:29.440 --> 0:57:34.360
<v Speaker 2>now by a foundation, a nonprofit foundation. In other words,

0:57:34.400 --> 0:57:39.640
<v Speaker 2>if I become impoverished tomorrow, I cannot sell the catalog

0:57:39.840 --> 0:57:43.560
<v Speaker 2>of my films to Time Turner Classics or you just

0:57:43.680 --> 0:57:46.080
<v Speaker 2>name it, because I do not own them anymore.

0:57:46.160 --> 0:57:47.840
<v Speaker 1>You're protecting yourself and yourself.

0:57:48.760 --> 0:57:52.760
<v Speaker 2>No, I don't need protection against myself. I understand that.

0:57:53.120 --> 0:57:58.000
<v Speaker 2>And I was clearly told, sat down at a table

0:57:59.160 --> 0:58:02.080
<v Speaker 2>by my wife in She said to me, you think

0:58:02.680 --> 0:58:06.000
<v Speaker 2>your films are your property? Yes, many of them that

0:58:06.120 --> 0:58:12.040
<v Speaker 2>I produced and wrote and directed technically legally, they are

0:58:12.080 --> 0:58:16.480
<v Speaker 2>my property. But you know what, you really do not

0:58:16.640 --> 0:58:20.560
<v Speaker 2>own them. The people own it. The people, the audiences

0:58:20.600 --> 0:58:24.320
<v Speaker 2>out there, they own it. They owned the books, they

0:58:24.360 --> 0:58:30.200
<v Speaker 2>own your pros, they own your poetry, they own your memoirs.

0:58:30.920 --> 0:58:36.800
<v Speaker 2>So and I'm completely at ease with that and let

0:58:40.080 --> 0:58:44.640
<v Speaker 2>let life go on. I won't be around And that's

0:58:45.000 --> 0:58:50.120
<v Speaker 2>totally absolutely fine, because we are made into all biological

0:58:50.480 --> 0:58:56.400
<v Speaker 2>life is made like that. I'm totally at ease, I likes.

0:58:56.440 --> 0:58:59.240
<v Speaker 1>I got one last question for you, Okay, I haven't

0:58:59.240 --> 0:59:01.480
<v Speaker 1>gotten to the end of of every Man for Himself

0:59:01.480 --> 0:59:05.400
<v Speaker 1>and God Against All your new memoir. Do you this

0:59:05.720 --> 0:59:09.720
<v Speaker 1>one's for from my kids? Do you in the end

0:59:09.760 --> 0:59:14.960
<v Speaker 1>of that book get into acting in the Mandalorian or

0:59:15.040 --> 0:59:17.480
<v Speaker 1>is not address in the memoir?

0:59:17.560 --> 0:59:22.040
<v Speaker 2>I believe I am addressing it, but briefly. But the

0:59:22.160 --> 0:59:25.120
<v Speaker 2>end it has a very very strange end that he

0:59:25.160 --> 0:59:31.480
<v Speaker 2>will never see anywhere in world literature. And it has

0:59:31.520 --> 0:59:36.640
<v Speaker 2>to do with something the Japanese soldier hero Onoda, who

0:59:37.800 --> 0:59:43.000
<v Speaker 2>fought the Second World War twenty nine years still after

0:59:43.040 --> 0:59:46.880
<v Speaker 2>the end of the war in the Jungling in the Philippines,

0:59:47.560 --> 0:59:51.760
<v Speaker 2>and he had survived one hundred and eleven ambushes and

0:59:51.880 --> 0:59:55.640
<v Speaker 2>being fired at. And he says to me, because we

0:59:55.640 --> 1:00:02.280
<v Speaker 2>were discussing time, does present time existent? Is there only

1:00:02.720 --> 1:00:06.280
<v Speaker 2>past in future? And present time is a fiction? Which

1:00:06.320 --> 1:00:09.960
<v Speaker 2>actually is And he says, but sometimes you can see

1:00:10.000 --> 1:00:14.960
<v Speaker 2>the future, because one day a bullet was fired at him,

1:00:15.280 --> 1:00:17.720
<v Speaker 2>and the sun very low, and he sees a bullet

1:00:17.760 --> 1:00:23.120
<v Speaker 2>coming right at him, and with the sun it has

1:00:23.200 --> 1:00:28.080
<v Speaker 2>this orange copper kind of glow, and he knows it

1:00:28.720 --> 1:00:32.880
<v Speaker 2>will kill him, and he only had time to rotate

1:00:33.000 --> 1:00:36.720
<v Speaker 2>his body to the side and whist it whizzed by

1:00:37.680 --> 1:00:42.160
<v Speaker 2>his body. And I was writing on my last chapter.

1:00:42.240 --> 1:00:44.080
<v Speaker 2>I knew it was going to be the last chapter,

1:00:44.160 --> 1:00:49.480
<v Speaker 2>the absence of images, the absence of the human race

1:00:49.640 --> 1:00:54.000
<v Speaker 2>on this planet, maybe two hundred thousand years in the future.

1:00:54.920 --> 1:01:00.280
<v Speaker 2>And I was typing at a window was out there,

1:01:00.800 --> 1:01:03.080
<v Speaker 2>and all of a sudden, I have this sensation a

1:01:03.120 --> 1:01:07.720
<v Speaker 2>bullet is coming at me, because I saw in somehow

1:01:07.800 --> 1:01:17.720
<v Speaker 2>I sense something golden and greenish iridescent came shooting towards me.

1:01:18.320 --> 1:01:20.760
<v Speaker 2>And I look up, but it was not a bullet.

1:01:20.840 --> 1:01:25.120
<v Speaker 2>It was a hummingbird. Sometimes they shoot straight like that.

1:01:26.280 --> 1:01:31.040
<v Speaker 2>And I looked at my text. In the moment I

1:01:31.120 --> 1:01:35.800
<v Speaker 2>had reached I thought, I don't I shouldn't write any

1:01:35.880 --> 1:01:41.560
<v Speaker 2>more word. And the text stops in mid sentence. The book,

1:01:41.720 --> 1:01:44.760
<v Speaker 2>the entire book stops in mid sentence.

1:01:45.920 --> 1:01:46.480
<v Speaker 1>And that's it.

1:01:46.840 --> 1:01:47.320
<v Speaker 2>That's it.

1:01:48.360 --> 1:01:50.160
<v Speaker 1>Did you get a lot of pushback from an editor?

1:01:50.400 --> 1:01:53.720
<v Speaker 2>Now they loved it in audiences those who read it.

1:01:53.800 --> 1:01:58.240
<v Speaker 2>You will see when you finish reading the memoirs, you

1:01:58.280 --> 1:01:59.400
<v Speaker 2>will like it, I guess.

1:02:00.480 --> 1:02:06.120
<v Speaker 1>So thank you very much for joining us. Check out patience. Well,

1:02:06.240 --> 1:02:09.880
<v Speaker 1>check out all of his movies, and especially check out

1:02:09.960 --> 1:02:15.040
<v Speaker 1>every Man for Himself and God Against All by Werner Herzog,

1:02:15.120 --> 1:02:17.680
<v Speaker 1>and then do yourself a favor and watch Happy People.

1:02:18.080 --> 1:02:20.080
<v Speaker 2>Yes, they're highly advisibly.

1:02:20.640 --> 1:02:30.880
<v Speaker 1>Thank you very much. Picture. We've talked about it a lot.

1:02:30.960 --> 1:02:34.120
<v Speaker 1>We've talked about it, we've promoted it, we've pimped it.

1:02:34.120 --> 1:02:36.480
<v Speaker 1>It's here, it's finally ready. You can go right now

1:02:36.520 --> 1:02:39.280
<v Speaker 1>and get it. You can go right now, go to

1:02:39.320 --> 1:02:41.360
<v Speaker 1>where you buy your audio books, go to where you

1:02:41.360 --> 1:02:45.520
<v Speaker 1>buy your audio originals, right now, and you can get it.

1:02:45.520 --> 1:02:48.520
<v Speaker 1>It's done. You can get it right now, beating the

1:02:48.640 --> 1:02:51.680
<v Speaker 1>table because you can get it. What can you get?

1:02:51.720 --> 1:02:55.080
<v Speaker 1>You can get me Eater's American History The Long Hunters

1:02:55.440 --> 1:02:59.440
<v Speaker 1>seventeen sixty one to seventeen seventy five. This is the

1:02:59.520 --> 1:03:01.960
<v Speaker 1>beginning of a big project, and this is just the

1:03:02.000 --> 1:03:05.240
<v Speaker 1>first one. We're doing the first installment of meat Eaters

1:03:05.280 --> 1:03:10.880
<v Speaker 1>of American History, where we explain in great fun, lively, bloody detail,

1:03:11.840 --> 1:03:15.440
<v Speaker 1>chunks of American history. The one we're starting with is

1:03:15.480 --> 1:03:18.520
<v Speaker 1>the Long Hunters. If you wonder what a long hunter is,

1:03:18.720 --> 1:03:21.400
<v Speaker 1>Daniel Boone was a long hunter. Everybody knows Daniel Boone, like, oh,

1:03:21.400 --> 1:03:24.280
<v Speaker 1>he's some kind of pioneer or explorer. Well he was,

1:03:24.760 --> 1:03:27.600
<v Speaker 1>but he was a long hunter. He was a white

1:03:27.600 --> 1:03:30.440
<v Speaker 1>tail deer skin hunter. That was his business, that was

1:03:30.440 --> 1:03:33.560
<v Speaker 1>his craft, that was his trade. The peak of the

1:03:33.600 --> 1:03:35.760
<v Speaker 1>long hunter era, mean the peak of the white tail

1:03:35.840 --> 1:03:38.880
<v Speaker 1>deer hide business, as we're going to explain in this thing,

1:03:39.480 --> 1:03:42.360
<v Speaker 1>runs from about seventeen sixty one to seventeen seventy five.

1:03:42.400 --> 1:03:45.360
<v Speaker 1>If seventeen seventy five sticks in your head as some

1:03:45.480 --> 1:03:49.640
<v Speaker 1>a year something happened, that's because it's right before seventeen

1:03:49.720 --> 1:03:53.040
<v Speaker 1>seventy six. And if you're any kind of American, you

1:03:53.080 --> 1:03:58.000
<v Speaker 1>know seventeen seventy six Declaration of Independence, the Revolutionary War. Okay,

1:03:58.080 --> 1:04:01.760
<v Speaker 1>there's a reason that this era ends then, and this

1:04:01.840 --> 1:04:04.480
<v Speaker 1>you will learn this reason and be fascinated by this,

1:04:05.200 --> 1:04:07.360
<v Speaker 1>Like why would the long hunters who are hunting white

1:04:07.360 --> 1:04:10.240
<v Speaker 1>tailed deer skins, having all kinds of adventures and getting

1:04:10.320 --> 1:04:13.160
<v Speaker 1>killed like flies, why would that all of a sudden

1:04:13.360 --> 1:04:15.920
<v Speaker 1>end with the American Revolution? You will learn when you

1:04:15.960 --> 1:04:19.760
<v Speaker 1>get meters American History, Long Hunters seventeen sixty one to

1:04:19.800 --> 1:04:24.360
<v Speaker 1>seventeen seventy five. It's an audio original. You can't read this,

1:04:24.440 --> 1:04:26.520
<v Speaker 1>you can only listen to it. It's narrated by me,

1:04:26.920 --> 1:04:33.080
<v Speaker 1>Steven Ronella, my friend Klay Nukeom and exhaustively researched by

1:04:33.320 --> 1:04:36.520
<v Speaker 1>me Eater Trivia thirty time champion, whatever the hell he is,

1:04:37.000 --> 1:04:41.120
<v Speaker 1>Doctor Randall Williams. It's out now now. This is the

1:04:41.160 --> 1:04:45.400
<v Speaker 1>definitive telling of the story of the long hunters. It's

1:04:45.440 --> 1:04:48.280
<v Speaker 1>perfect for you if you are a person who understands

1:04:48.360 --> 1:04:53.520
<v Speaker 1>or wants to understand how backwoods hunting actually happened in

1:04:53.560 --> 1:04:57.200
<v Speaker 1>the years before the American Revolution, and how market hunters,

1:04:57.240 --> 1:04:59.280
<v Speaker 1>these are people who hunt for a living, how they

1:04:59.320 --> 1:05:02.880
<v Speaker 1>actually went ab out their business of killing, skinning, selling

1:05:03.440 --> 1:05:07.280
<v Speaker 1>scores or hundreds of deer per season, which if they

1:05:07.280 --> 1:05:11.600
<v Speaker 1>were successful, could be more lucrative than farming. Really being

1:05:11.600 --> 1:05:14.120
<v Speaker 1>a long hunter, if you got lucky and lived, and

1:05:14.200 --> 1:05:15.720
<v Speaker 1>you got lucky and had a good hunt, you got

1:05:15.800 --> 1:05:18.760
<v Speaker 1>lucky and all your stuff didn't get stolen by Native Americans,

1:05:19.200 --> 1:05:21.040
<v Speaker 1>or they wouldn't view it as stolen. They would view

1:05:21.080 --> 1:05:23.120
<v Speaker 1>it as taking their stuff back from you, which you

1:05:23.160 --> 1:05:26.320
<v Speaker 1>stole from them. Was more lucrative than farming, is more

1:05:26.400 --> 1:05:29.040
<v Speaker 1>lucrative than being a builder, more lucrative than all that.

1:05:30.080 --> 1:05:33.720
<v Speaker 1>In this we start out that there's a phenomenal opening

1:05:33.720 --> 1:05:35.240
<v Speaker 1>to the book which is going to hook you like

1:05:35.280 --> 1:05:38.120
<v Speaker 1>a circle hook. But we quickly get into this question

1:05:38.520 --> 1:05:41.160
<v Speaker 1>what is a long hunter? Now? Like I said, you know,

1:05:41.200 --> 1:05:43.640
<v Speaker 1>the most famous one of all Daniel Boone, But he

1:05:43.720 --> 1:05:47.920
<v Speaker 1>was only one of a generation of backwoodsmen who were

1:05:48.000 --> 1:05:50.720
<v Speaker 1>hunting white tailed deer for the commercial high market. I

1:05:51.480 --> 1:05:54.200
<v Speaker 1>was tempted to say one of a generation of Americans.

1:05:54.240 --> 1:05:57.720
<v Speaker 1>But as we'll get into, the idea of America hadn't

1:05:57.720 --> 1:06:00.680
<v Speaker 1>taken shape, and the long hunters did not identify as Americans.

1:06:01.280 --> 1:06:03.360
<v Speaker 1>We talk about that about some of these long hunters

1:06:03.360 --> 1:06:06.520
<v Speaker 1>like Daniel Boone becoming these sort of honorary founding fathers,

1:06:06.560 --> 1:06:10.160
<v Speaker 1>but they were anything but founding fathers of America. These

1:06:10.200 --> 1:06:14.560
<v Speaker 1>guys participated in hunting expeditions beyond the line of British

1:06:14.600 --> 1:06:20.280
<v Speaker 1>colonial settlement to supply a booming as will explain, global

1:06:20.760 --> 1:06:25.080
<v Speaker 1>marketplace for white tailed deer skins you might expect from

1:06:25.120 --> 1:06:27.560
<v Speaker 1>the name. They were gone a long time, months or

1:06:27.600 --> 1:06:31.600
<v Speaker 1>even years at a time on hunting trips, killing hundreds

1:06:31.640 --> 1:06:35.720
<v Speaker 1>of deer, killing thousands of deer. These adventures include some

1:06:35.760 --> 1:06:38.160
<v Speaker 1>of the most hair raising and jaw dropping stories of

1:06:38.160 --> 1:06:42.480
<v Speaker 1>wilderness living and deer hunting known to man. In this

1:06:42.560 --> 1:06:45.760
<v Speaker 1>audio original, you're going to hear about buffalo stampedes, bear attacks,

1:06:45.800 --> 1:06:49.720
<v Speaker 1>people get lost, bodies getting found, long journeys, close calls,

1:06:49.960 --> 1:06:53.280
<v Speaker 1>in the rise and fall of a forgotten trade, and

1:06:53.360 --> 1:06:56.280
<v Speaker 1>the skin of a creature that remains America's favorite big

1:06:56.320 --> 1:06:59.400
<v Speaker 1>game animal. We've always had market hunters. We continue to

1:06:59.400 --> 1:07:02.120
<v Speaker 1>have market hunters. Okay, keep this in mind as you

1:07:02.120 --> 1:07:04.240
<v Speaker 1>as you go about getting into this story. We explain

1:07:04.320 --> 1:07:09.200
<v Speaker 1>all this. You've got market hunters who hunt for whale oil. Okay,

1:07:09.280 --> 1:07:12.080
<v Speaker 1>if you've read Moby Dick, you've read about whale oil

1:07:12.640 --> 1:07:16.080
<v Speaker 1>market hunters. You've got market hunters who hunted for beaver pelts.

1:07:16.120 --> 1:07:19.440
<v Speaker 1>So if you're familiar with the exploits of say Jim Bridger,

1:07:20.040 --> 1:07:23.640
<v Speaker 1>he was a market hunter. After beaver pelts, you have

1:07:23.720 --> 1:07:26.320
<v Speaker 1>market hunters who hunted for buffalo hides and buffalo meat.

1:07:27.160 --> 1:07:30.320
<v Speaker 1>Buffalo Bill Cody you probably heard of, he was a

1:07:30.360 --> 1:07:36.200
<v Speaker 1>buffalo meat market hunter. Davy Crockett market hunter, generally black

1:07:36.240 --> 1:07:40.600
<v Speaker 1>bear meat market hunter. But these guys were from the

1:07:40.640 --> 1:07:43.080
<v Speaker 1>era when the thing that the market hunters were after,

1:07:43.200 --> 1:07:47.560
<v Speaker 1>the money to be made was in deer skins, But

1:07:47.640 --> 1:07:49.200
<v Speaker 1>our story is not. It's the story of the rise

1:07:49.240 --> 1:07:52.640
<v Speaker 1>and fall of trade in this particular animal. These guys

1:07:52.640 --> 1:07:58.240
<v Speaker 1>were engaged in a risky business, and this chapter of history,

1:07:58.280 --> 1:08:02.600
<v Speaker 1>this broad story that we telling, this includes no shortage

1:08:02.600 --> 1:08:07.439
<v Speaker 1>of life or death adventures. As you'll see, Daniel Boone

1:08:07.520 --> 1:08:11.760
<v Speaker 1>is one example. He in this area that we describe

1:08:11.760 --> 1:08:13.960
<v Speaker 1>and we described as the first Far West. We'll explain

1:08:14.000 --> 1:08:16.880
<v Speaker 1>why we call it the first far West, And as

1:08:16.880 --> 1:08:19.080
<v Speaker 1>you'll learn, the second Far West is the one you

1:08:19.120 --> 1:08:20.720
<v Speaker 1>think of when you think of far West. When you

1:08:20.760 --> 1:08:23.679
<v Speaker 1>hear far West, you probably think the American Great Plains,

1:08:23.720 --> 1:08:26.400
<v Speaker 1>the Rocky Mountains. As we'll explain, that's the second Far West.

1:08:27.080 --> 1:08:28.760
<v Speaker 1>This is the first Far West, and it was just

1:08:28.880 --> 1:08:33.080
<v Speaker 1>as harrowing Boone, Daniel Boone, you heard the name. He

1:08:33.120 --> 1:08:38.040
<v Speaker 1>probably don't know. He lost two sons, He lost his brother,

1:08:38.720 --> 1:08:42.479
<v Speaker 1>he lost his brother in law, all in the first

1:08:42.520 --> 1:08:46.439
<v Speaker 1>Far West. And those are some heart wrenching stories. But

1:08:47.439 --> 1:08:50.200
<v Speaker 1>even these father son tragedies were not limited to the Boons.

1:08:51.120 --> 1:08:53.920
<v Speaker 1>Here's a snippet of a story we tell about long

1:08:54.000 --> 1:08:57.960
<v Speaker 1>hunter named Henry Skaggs, who witnessed his own son's death

1:08:58.360 --> 1:09:01.639
<v Speaker 1>as well. This happened in the late seventeen seventies when

1:09:01.760 --> 1:09:05.800
<v Speaker 1>Skaggs was hunting with about twenty long hunters and what

1:09:05.960 --> 1:09:10.040
<v Speaker 1>is now Kentucky along the Green River. They're out, they

1:09:10.040 --> 1:09:12.759
<v Speaker 1>get attacked by Indians. They lose a bunch of their horses.

1:09:13.800 --> 1:09:16.920
<v Speaker 1>Most of the guys that are with Skags turntail and run.

1:09:16.960 --> 1:09:19.960
<v Speaker 1>They want to head back to the settlements, but three

1:09:20.000 --> 1:09:22.960
<v Speaker 1>of them stick it out. It's Henry Skaggs, his son

1:09:23.080 --> 1:09:28.160
<v Speaker 1>John In a hunter named Alexander Sinclair. They go over

1:09:28.200 --> 1:09:30.720
<v Speaker 1>the Cumberland Gap, and if you've heard of the Cumberland Gap,

1:09:30.760 --> 1:09:33.880
<v Speaker 1>you're gonna at the end of this, when you buy this, listen,

1:09:33.920 --> 1:09:35.799
<v Speaker 1>you're gonna know more about the Cumberland Gap than anybody

1:09:35.800 --> 1:09:39.040
<v Speaker 1>you've ever met. They go over to Cumberland Gap and

1:09:39.120 --> 1:09:41.080
<v Speaker 1>begin their hunt, but it's one of the worst winners

1:09:41.120 --> 1:09:45.680
<v Speaker 1>on record. Hunters that winter were reporting large numbers of

1:09:45.720 --> 1:09:49.640
<v Speaker 1>deer simply frozen to death near Salt Licks. And if

1:09:49.640 --> 1:09:51.479
<v Speaker 1>you're thinking, what the hell's is salt Lick, you will

1:09:51.520 --> 1:09:54.160
<v Speaker 1>know more about Salt Licks than anybody you've ever met.

1:09:54.680 --> 1:09:58.320
<v Speaker 1>When you finish listen to this. So Skaggs keeps hunting

1:09:58.400 --> 1:10:00.240
<v Speaker 1>out right, all his friends take off and sk Eggs

1:10:00.280 --> 1:10:02.640
<v Speaker 1>hunts it out and we tell this whole story. His

1:10:02.760 --> 1:10:06.920
<v Speaker 1>son gets sick soon after that guy Sinclair, who's with him,

1:10:07.000 --> 1:10:09.160
<v Speaker 1>heads off to run his trap line, never to be

1:10:09.160 --> 1:10:13.160
<v Speaker 1>seen him again. Henry Skaggs leaves his sick child and

1:10:13.200 --> 1:10:14.720
<v Speaker 1>goes to try to find the guy. All he can

1:10:14.760 --> 1:10:17.800
<v Speaker 1>finds a hole in the ice, and he deduces that

1:10:17.840 --> 1:10:21.120
<v Speaker 1>the guy must have just fallen through the frozen surface

1:10:21.160 --> 1:10:25.639
<v Speaker 1>of the Green River drowned. Apparently, the river freezes back

1:10:25.760 --> 1:10:30.960
<v Speaker 1>up shortly after that, Skags his boy dies, but the

1:10:30.960 --> 1:10:34.200
<v Speaker 1>ground's so frozen he can't dig a grave, so he

1:10:34.439 --> 1:10:37.960
<v Speaker 1>stuffs his boy's body into a hollow log and stoppers

1:10:38.040 --> 1:10:42.280
<v Speaker 1>up the ends. He then returns to a station camp.

1:10:42.600 --> 1:10:44.120
<v Speaker 1>If you're like, what in the hell's a station camp,

1:10:44.200 --> 1:10:46.920
<v Speaker 1>you will learn very well what a station camp is.

1:10:47.840 --> 1:10:51.080
<v Speaker 1>And then Skags alone now, after losing his partner and

1:10:51.120 --> 1:10:54.280
<v Speaker 1>his son, spends his whole winter under an overhanging rock

1:10:54.600 --> 1:10:58.360
<v Speaker 1>near a salt lick and kills whatever animals he can

1:10:58.400 --> 1:11:01.439
<v Speaker 1>find that approach the lick, and then in the spring

1:11:01.520 --> 1:11:04.320
<v Speaker 1>makes his way back to the settlements. This is like

1:11:04.400 --> 1:11:07.760
<v Speaker 1>nothing compared to other hardships you'll encounter in this story.

1:11:07.960 --> 1:11:09.840
<v Speaker 1>Some of these stories blow away anything you'll hear of

1:11:09.880 --> 1:11:13.679
<v Speaker 1>the Rocky Mountains and the mountain men. Here's another one

1:11:14.000 --> 1:11:16.680
<v Speaker 1>in May seventeen seventy one. This is a story we

1:11:16.720 --> 1:11:20.639
<v Speaker 1>tell in great detail. Daniel and his brother Squire Boone,

1:11:20.680 --> 1:11:23.439
<v Speaker 1>are headed back to the settlements after a long hunt,

1:11:23.680 --> 1:11:25.400
<v Speaker 1>and they need to stop to shoot some game for

1:11:25.479 --> 1:11:27.679
<v Speaker 1>meat that they're gonna bring home with them. They set

1:11:27.760 --> 1:11:30.639
<v Speaker 1>up camp and Squire is just heading out to hunt

1:11:31.120 --> 1:11:33.439
<v Speaker 1>when he sees a lone figure coming in the distance.

1:11:34.120 --> 1:11:36.280
<v Speaker 1>He's cautious about it. He doesn't know who it is,

1:11:36.960 --> 1:11:39.320
<v Speaker 1>but it winds up being a guy named Alexander Neely,

1:11:39.439 --> 1:11:41.800
<v Speaker 1>who they'd been hunting with and had vanished on a

1:11:42.000 --> 1:11:46.080
<v Speaker 1>previous long hunt. The guy's all messed up, his clothing's torn,

1:11:46.520 --> 1:11:49.240
<v Speaker 1>he's starving to death. His arms and legs are all

1:11:49.280 --> 1:11:54.800
<v Speaker 1>cut up. Neely explains that he had got separated from

1:11:54.840 --> 1:11:57.960
<v Speaker 1>a group of hunters and tried to shoot his gun

1:11:58.080 --> 1:12:00.200
<v Speaker 1>fire off his gun so they could hear him, but

1:12:00.240 --> 1:12:03.040
<v Speaker 1>he burned up all of his gunpowder, so he had

1:12:03.080 --> 1:12:05.920
<v Speaker 1>no way of shooting his gun anymore, and never found

1:12:05.960 --> 1:12:09.040
<v Speaker 1>his hunting partners. Tried to make his way back to

1:12:09.040 --> 1:12:11.400
<v Speaker 1>the settlement with no gun, so he's got no way

1:12:11.400 --> 1:12:15.280
<v Speaker 1>of obtaining meat, gets hopelessly lost, and then one day

1:12:15.400 --> 1:12:18.800
<v Speaker 1>he's resting against a downtree and a dog shows up.

1:12:19.520 --> 1:12:22.080
<v Speaker 1>This dog probably belonged to an Indian hunter, and it

1:12:22.160 --> 1:12:26.000
<v Speaker 1>runs up to greet him, but Neely strangles the dog

1:12:26.560 --> 1:12:29.680
<v Speaker 1>and roasts it and makes jerky out of it and

1:12:29.800 --> 1:12:32.760
<v Speaker 1>stores that jerky in a sack made out of the

1:12:32.840 --> 1:12:36.800
<v Speaker 1>dog's skin. When Squire Boone finds him, he still got

1:12:36.840 --> 1:12:39.559
<v Speaker 1>some of this dog jerky in the dog skin bag,

1:12:39.720 --> 1:12:44.440
<v Speaker 1>and Squire Boone comments how it was quite alive with maggots.

1:12:45.560 --> 1:12:47.280
<v Speaker 1>This is all stuff you're going to hear about. It's

1:12:47.320 --> 1:12:50.680
<v Speaker 1>just it's stuff that blows your mind. And I had

1:12:50.720 --> 1:12:52.880
<v Speaker 1>been my whole life, I've read about the long hunters,

1:12:53.520 --> 1:12:55.839
<v Speaker 1>and these are all like so many of these stories

1:12:55.840 --> 1:12:57.800
<v Speaker 1>like that one, for instance, are stories that I had

1:12:57.880 --> 1:13:01.240
<v Speaker 1>never known until he got into this project. Like this

1:13:01.280 --> 1:13:04.439
<v Speaker 1>is the level of detail stuff that we drug out

1:13:04.479 --> 1:13:07.880
<v Speaker 1>through research to bring out in this project. And there's

1:13:07.920 --> 1:13:09.479
<v Speaker 1>other stuff that's going to really blow your mind. Because

1:13:09.479 --> 1:13:11.880
<v Speaker 1>you might have heard a lot about Daniel Boone or

1:13:11.920 --> 1:13:14.800
<v Speaker 1>heard the term long hunters even but there's stuff you

1:13:14.840 --> 1:13:17.719
<v Speaker 1>might not know, like even just the intricacy of game

1:13:17.840 --> 1:13:22.080
<v Speaker 1>laws back then in the first Far West, meaning there

1:13:22.120 --> 1:13:26.280
<v Speaker 1>was restrictions on the kind of hunting that these backwoods

1:13:26.360 --> 1:13:29.519
<v Speaker 1>frontiersmen were supposed to do, whether or not people listened

1:13:29.520 --> 1:13:32.440
<v Speaker 1>to him or not. There were restrictions passed by lawmakers

1:13:33.320 --> 1:13:39.040
<v Speaker 1>to try to discourage these colonial backwoodsmen from engaging in

1:13:39.160 --> 1:13:42.320
<v Speaker 1>the deer skin trade. So this is an era when

1:13:42.720 --> 1:13:46.160
<v Speaker 1>Daniel Boone these other Euro American hunters are literally having

1:13:46.200 --> 1:13:49.360
<v Speaker 1>like running gun battles with Native Americans over access to

1:13:49.400 --> 1:13:53.080
<v Speaker 1>deer herds. Meanwhile there's people trying to impose game laws

1:13:53.479 --> 1:13:57.040
<v Speaker 1>on them. There was a law meant to prevent these

1:13:57.040 --> 1:14:01.759
<v Speaker 1>so called quote disorderly persons from hunting deer quote merely

1:14:01.840 --> 1:14:05.840
<v Speaker 1>for the sake of skins, which lawmakers pointed out were

1:14:05.880 --> 1:14:10.000
<v Speaker 1>clandestinely carried out of the colony in order that the

1:14:10.120 --> 1:14:15.120
<v Speaker 1>hunters could avoid paying taxes, or that legislators in some

1:14:15.200 --> 1:14:19.559
<v Speaker 1>areas had explicitly banned the practice of shooting or killing

1:14:19.640 --> 1:14:24.000
<v Speaker 1>any deer just for the skin. You could not kill

1:14:24.040 --> 1:14:26.960
<v Speaker 1>a deer for the skin while leaving the flesh in

1:14:27.000 --> 1:14:29.839
<v Speaker 1>the woods to rot. If you did, you were subject

1:14:29.880 --> 1:14:33.160
<v Speaker 1>to a fine. And in this project, as you're listening

1:14:33.160 --> 1:14:35.160
<v Speaker 1>to this, you'll learn like how that could be reconciled

1:14:35.200 --> 1:14:38.120
<v Speaker 1>with this history of people who are killing hundreds or

1:14:38.240 --> 1:14:41.920
<v Speaker 1>thousands of deer for the skins. Likewise, to try to

1:14:41.920 --> 1:14:46.439
<v Speaker 1>discourage over harvest by market hunters. In North Carolina, check

1:14:46.479 --> 1:14:49.040
<v Speaker 1>this out, they had a law that prohibited you from

1:14:49.080 --> 1:14:52.439
<v Speaker 1>hunting deer if you didn't have a settled habitation in

1:14:52.479 --> 1:14:56.000
<v Speaker 1>the colony. So nowadays, when you hear people complaining about

1:14:56.000 --> 1:14:59.479
<v Speaker 1>out of state hunters, there were rules like that in

1:14:59.520 --> 1:15:02.320
<v Speaker 1>place them and we lay these out. I think the

1:15:02.360 --> 1:15:04.760
<v Speaker 1>reason most stories miss this stuff is because they have

1:15:04.800 --> 1:15:07.040
<v Speaker 1>an audience that isn't going to understand or they fear

1:15:07.080 --> 1:15:10.439
<v Speaker 1>they won't understand it anyways. But our audience understands this,

1:15:10.560 --> 1:15:13.400
<v Speaker 1>and you're gonna be like delighted in these kind of intricacies.

1:15:14.280 --> 1:15:17.080
<v Speaker 1>You needed to have in certain places. Check this one.

1:15:17.680 --> 1:15:20.479
<v Speaker 1>You needed to have five thousand corn hills within the

1:15:20.520 --> 1:15:25.000
<v Speaker 1>colony in order to be illegal deer hunter, meaning they

1:15:25.000 --> 1:15:26.800
<v Speaker 1>would at that time they would say like no, no,

1:15:26.800 --> 1:15:28.720
<v Speaker 1>you gotta have you gotta have you can't be from

1:15:28.720 --> 1:15:31.120
<v Speaker 1>out of town, you gotta have land. Not only you

1:15:31.160 --> 1:15:34.000
<v Speaker 1>gotta have land, you have to have five thousand corn hills.

1:15:34.080 --> 1:15:36.000
<v Speaker 1>And you'll learn what a corn hill was and why

1:15:36.040 --> 1:15:40.559
<v Speaker 1>that mattered if you wanted to hunt deer. South Carolina

1:15:40.600 --> 1:15:45.200
<v Speaker 1>at the time Boone was out being Boone, South Carolina

1:15:45.320 --> 1:15:47.880
<v Speaker 1>passed the law that made it illegal to hunt more

1:15:48.000 --> 1:15:51.920
<v Speaker 1>than seven miles from one's own home in an effort

1:15:52.000 --> 1:15:55.479
<v Speaker 1>to try to restrict these commercial deer hunters who would

1:15:55.479 --> 1:15:58.599
<v Speaker 1>come through an area and wipe out the deer to

1:15:58.600 --> 1:16:03.280
<v Speaker 1>get the hides. There were exceptions of these rules, meaning

1:16:03.360 --> 1:16:06.280
<v Speaker 1>they still even back then. You've heard of depredation permits now,

1:16:06.320 --> 1:16:10.480
<v Speaker 1>even back then, pre America, okay, pre Declaration of Independence,

1:16:10.880 --> 1:16:13.760
<v Speaker 1>there was exemptions for landowners who needed to kill deer

1:16:13.800 --> 1:16:17.080
<v Speaker 1>to protect their crops, and there were exceptions for people

1:16:17.080 --> 1:16:19.719
<v Speaker 1>who needed to kill deer for food what they called

1:16:19.800 --> 1:16:24.679
<v Speaker 1>the necessary subsistence of himself or his family. But even then,

1:16:24.880 --> 1:16:27.040
<v Speaker 1>they had provisions. Back then, if you killed a deer

1:16:27.040 --> 1:16:29.599
<v Speaker 1>for food, you were not allowed to sell or dispose

1:16:29.680 --> 1:16:32.679
<v Speaker 1>of the skin, because they were trying to deter these

1:16:32.720 --> 1:16:38.880
<v Speaker 1>frontier settlers, these crazy backwoods wild men from hunting deer

1:16:38.920 --> 1:16:44.280
<v Speaker 1>for skins. These restrictions combined with declining deer numbers are

1:16:44.400 --> 1:16:47.679
<v Speaker 1>part of what pushed the long hunters to go further

1:16:47.760 --> 1:16:51.160
<v Speaker 1>and further west into the farther reaches of this first

1:16:51.160 --> 1:16:54.320
<v Speaker 1>far West. Now, what we wanted to do with this book,

1:16:54.360 --> 1:16:56.280
<v Speaker 1>I'm just giving you a handful of examples of stuff

1:16:56.280 --> 1:16:58.720
<v Speaker 1>you're going to learn. We're talking. This is hours of

1:16:58.840 --> 1:17:03.040
<v Speaker 1>material that's like expert researched and very succinctly presented. This

1:17:03.120 --> 1:17:05.200
<v Speaker 1>is just me talking about this thing. But this thing

1:17:05.280 --> 1:17:09.160
<v Speaker 1>is different because it's it's perfect. Okay. What we wanted

1:17:09.160 --> 1:17:11.559
<v Speaker 1>to do in the book is we wanted to dig

1:17:11.760 --> 1:17:16.040
<v Speaker 1>into the historical sources so we could tell you who

1:17:16.120 --> 1:17:20.599
<v Speaker 1>these guys were, like really, who they were, where they

1:17:20.640 --> 1:17:23.800
<v Speaker 1>came from, what their backgrounds were, what their circumstances were,

1:17:23.840 --> 1:17:27.960
<v Speaker 1>what pushed them into this this very deadly bloody trade,

1:17:28.320 --> 1:17:30.880
<v Speaker 1>Why they engaged in the deerskin trade, which means we

1:17:31.000 --> 1:17:35.960
<v Speaker 1>have to explain what America was then, who Americans were then,

1:17:36.479 --> 1:17:41.240
<v Speaker 1>what the globe looked like then, what cattle ranching was, like,

1:17:41.800 --> 1:17:44.960
<v Speaker 1>why there was a shortage of leather, And telling this

1:17:45.000 --> 1:17:47.479
<v Speaker 1>we explained all this other stuff like why did they

1:17:47.600 --> 1:17:49.240
<v Speaker 1>use the rifles they use When you hear of a

1:17:49.320 --> 1:17:54.439
<v Speaker 1>Kentucky long rifle. What did that mean back then? Now

1:17:54.479 --> 1:17:58.280
<v Speaker 1>you shoot it because it seems old and antique. They

1:17:58.360 --> 1:18:01.200
<v Speaker 1>shot them because it was the most sophisticated weapon you

1:18:01.200 --> 1:18:04.600
<v Speaker 1>could get your hands on. They were shooting state of

1:18:04.640 --> 1:18:08.680
<v Speaker 1>the art equipment, cutting edge equipment. Why was that the

1:18:08.720 --> 1:18:13.280
<v Speaker 1>way it was? How did they camp? Because I mean, remember, no,

1:18:13.320 --> 1:18:16.280
<v Speaker 1>they didn't have flashlights, they didn't have lighters, they didn't

1:18:16.320 --> 1:18:19.720
<v Speaker 1>have tents. But they're gone for two years killing deer

1:18:19.760 --> 1:18:22.840
<v Speaker 1>in the woods. How did they camp? What did they eat?

1:18:23.560 --> 1:18:26.200
<v Speaker 1>What were their interactions with native people? What were the

1:18:26.280 --> 1:18:32.040
<v Speaker 1>long hunter's interactions with tribes the Shawnee, the Cherokee, who

1:18:32.120 --> 1:18:38.200
<v Speaker 1>had a rightful, thousands of years old claim to these

1:18:38.280 --> 1:18:41.439
<v Speaker 1>hunting grounds. And this becomes a really complicated thing that

1:18:41.479 --> 1:18:45.360
<v Speaker 1>will explain. The long Hunters had this idea of this area,

1:18:46.040 --> 1:18:50.800
<v Speaker 1>against all historical evidence outside of these things that they

1:18:50.840 --> 1:18:52.400
<v Speaker 1>saw when they were there, they had this idea that

1:18:52.439 --> 1:18:55.120
<v Speaker 1>it was unclaimed. And we're gonna talk we talk a

1:18:55.120 --> 1:18:57.240
<v Speaker 1>lot about that. Why did the long hunters think there

1:18:57.360 --> 1:19:00.679
<v Speaker 1>was on this landscape the first far West? Why did

1:19:00.800 --> 1:19:04.920
<v Speaker 1>they think it was unclaimed? And why did the Shawnee

1:19:04.920 --> 1:19:07.360
<v Speaker 1>and Cherokee and other tribes know that in fact, that

1:19:07.439 --> 1:19:11.200
<v Speaker 1>was not true. It was quite claimed. They had been

1:19:11.240 --> 1:19:14.320
<v Speaker 1>hunting it a long time and they were not going

1:19:14.400 --> 1:19:17.240
<v Speaker 1>to stand by and watch these euro Americans come in

1:19:18.040 --> 1:19:22.320
<v Speaker 1>and rape and pillage the landscape and deplete it of deer.

1:19:22.800 --> 1:19:27.920
<v Speaker 1>So we explore this, just like very different perceptions of

1:19:27.960 --> 1:19:31.680
<v Speaker 1>the American wilderness. To the long hunters, it was wilderness,

1:19:32.520 --> 1:19:34.719
<v Speaker 1>it was the unknown, it was the dark and dangerous.

1:19:34.800 --> 1:19:38.840
<v Speaker 1>Right to the Shawnee and Cherokee, it was home. It

1:19:38.880 --> 1:19:44.120
<v Speaker 1>was their hunting spot. And this disagreement takes many shapes

1:19:44.160 --> 1:19:47.000
<v Speaker 1>and forms, and we dig a lot into this so

1:19:47.040 --> 1:19:54.120
<v Speaker 1>you can understand this interplay of America and Native America

1:19:54.439 --> 1:19:57.960
<v Speaker 1>on the landscape. How did the long hunters like actually

1:19:58.080 --> 1:20:01.600
<v Speaker 1>hunt deer? This is something like there are audience is

1:20:01.600 --> 1:20:02.880
<v Speaker 1>going to want to know because you might just read

1:20:02.920 --> 1:20:05.360
<v Speaker 1>a normal history book they hunted deer. But you know

1:20:05.439 --> 1:20:09.400
<v Speaker 1>about hunting deer, right, You know about bait, you know

1:20:09.479 --> 1:20:12.400
<v Speaker 1>about blinds, you know what still hunting is, you know

1:20:12.439 --> 1:20:15.160
<v Speaker 1>what deer drives are, you know what ambush hunting is.

1:20:16.040 --> 1:20:19.360
<v Speaker 1>We tell you how they were so effective, like how

1:20:19.400 --> 1:20:22.360
<v Speaker 1>they hunted deer, and a normal history book might be

1:20:22.360 --> 1:20:24.880
<v Speaker 1>like they sold the skins, they processed the skins, but

1:20:24.920 --> 1:20:27.400
<v Speaker 1>you want to know more, we tell you, like like

1:20:27.800 --> 1:20:31.960
<v Speaker 1>how they skinned them, what they did with those skins,

1:20:31.960 --> 1:20:34.439
<v Speaker 1>step by step, and we're honest with you when there's

1:20:34.479 --> 1:20:36.640
<v Speaker 1>parts of that explanation that we don't know, and we

1:20:36.720 --> 1:20:39.080
<v Speaker 1>tell you why we don't know what we know. We

1:20:39.120 --> 1:20:41.320
<v Speaker 1>tell you why, how we know what we know, and

1:20:41.320 --> 1:20:43.479
<v Speaker 1>we were straight with you when we tell you what's

1:20:43.520 --> 1:20:47.920
<v Speaker 1>not known. How the skins get the market, and then

1:20:48.360 --> 1:20:52.080
<v Speaker 1>how did those skins travel across the Atlantic to craftsmen

1:20:52.240 --> 1:20:57.920
<v Speaker 1>and consumers in Europe and get this? How did piracy pirates?

1:20:58.240 --> 1:21:03.120
<v Speaker 1>How did piracy play into this whole thing. It includes

1:21:03.479 --> 1:21:07.919
<v Speaker 1>a deep dive on the global financial circumstances, the global

1:21:08.200 --> 1:21:12.320
<v Speaker 1>economic circumstances that drove the deerskin trade at that time,

1:21:13.080 --> 1:21:15.639
<v Speaker 1>and all of this plays into explaining what would cause

1:21:15.640 --> 1:21:19.360
<v Speaker 1>a person who could become some humdrum farmer to instead

1:21:20.200 --> 1:21:25.679
<v Speaker 1>risk fairly certain death, pretty certain death, damn certain trouble

1:21:26.479 --> 1:21:31.799
<v Speaker 1>and risk to go out and become this thing called

1:21:32.080 --> 1:21:37.360
<v Speaker 1>a long hunter. Me Eater's American History The Long Hunters

1:21:37.880 --> 1:21:42.559
<v Speaker 1>seventeen sixty one to seventeen seventy five, narrated by me

1:21:42.840 --> 1:21:47.559
<v Speaker 1>Steven Ranella and Clay Newcomb available now wherever you get

1:21:47.600 --> 1:22:15.000
<v Speaker 1>your books.