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Speaker 1: Since up, white guy.

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Speaker 2: You guys really are like the hip hop, early morning

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Speaker 2: late night Talkhill.

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Speaker 3: Breakfast Club is the most powerful popular urban radio show.

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Speaker 4: Like from the Black Mothership in New York City. It's

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Speaker 4: DJ Ymvy and Charlemagne.

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Speaker 5: To God, it's different. You know what I'm saying, Like,

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Speaker 5: y'all know what y'all talking about.

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Speaker 2: Thanks to y'all be Black.

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Speaker 4: I love y'all collectively known as Breakfast Club.

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Speaker 6: So I'm always nervous.

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Speaker 7: When I do the Breakfast Club because sometimes you say

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Speaker 7: stuff and it's just gonna get you in trouble.

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Speaker 2: Everybody, what.

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Speaker 8: Ray right?

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Speaker 4: Ray Yo?

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Speaker 8: Charlamagne, Jaffy, what up are we lost?

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Speaker 4: This is your time to get it off your chest.

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Speaker 2: I got an indoor pool, door pool.

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Speaker 4: We want to hear from you on the Breakfast Club.

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Speaker 8: Get on the phone right now here.

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Speaker 9: What it is?

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Speaker 5: Hello?

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Speaker 10: Who's this?

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Speaker 11: Love?

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Speaker 2: Yo?

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Speaker 11: Yo?

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Speaker 9: What up?

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Speaker 11: DJ V CHARLEMAGNEA God and the beautiful lady that y'all

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Speaker 11: got up there? My name Diana from San Antonio, Countdown

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Speaker 11: City with Texas.

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Speaker 2: Get it off your chest.

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Speaker 11: First of all, I want to say thank you for

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Speaker 11: giving us knowledge, for investing, and Uncle Charlotte's for all

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Speaker 11: the information. He gives me a mental health because that's

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Speaker 11: put me in a good position that I'm in now.

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Speaker 5: That's right.

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Speaker 11: What I want to get off my chest is, Uh,

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Speaker 11: I'm tired of this job. I'm a truck driver and

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Speaker 11: I'm tired of this job because I've been working for

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Speaker 11: like a year trying to get my raise. I finally

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Speaker 11: get my raise and then they cut my hours. I'm

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Speaker 11: like out here struggling. But we's gonna make it.

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Speaker 4: Work, all right.

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Speaker 11: You in that truck now, brother, Nah, I'm not in

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Speaker 11: the truck right now. Actually just got off, but I

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Speaker 11: wish I was so I could give you go to

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Speaker 11: harm for you know what I mean?

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Speaker 4: There you go.

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Speaker 11: But I want to know y'all if I can get

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Speaker 11: like a signed copies off the book.

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Speaker 5: All yah, I got you.

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Speaker 12: I don't have any more of mine up here right now,

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Speaker 12: but I do have a State of Emergency by Tamika

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Speaker 12: Mallory and Anita Copax by Shallow Waters. Those of both

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Speaker 12: off my book in print. Black Priller is Publishing. I'll

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Speaker 12: send you off for show for.

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Speaker 11: Show, and if you can sign it for me, I

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Speaker 11: already got stoop one. I just would appreciate it.

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Speaker 13: Yeah, we'll get him out to you. Hold on, okay, Hello,

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Speaker 13: who's this? This is Cal from Atlanta.

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Speaker 2: Hey, Cayla from the at L. Get it off your chest, Mama.

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Speaker 1: This one is a huge, huge Finatalie done.

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Speaker 14: But they talked.

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Speaker 1: About you on her life that day.

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Speaker 14: I feel in a minute to talk about this because.

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Speaker 1: I didn't like it where she cannot prepare. What you

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Speaker 1: have done for your community and for the people is.

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Speaker 12: On a whole other level and she she could never

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Speaker 12: even compare.

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Speaker 1: And it really makes me head.

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Speaker 2: Well, thank you. I just you know, I'm just happy

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Speaker 2: to be here. Thank you. God is good all the time.

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Speaker 2: Thank you very much.

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Speaker 14: V what's that you say about you?

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Speaker 1: Hard body?

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Speaker 10: All right?

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Speaker 2: Thank you Caylea, thank you, Cale, appreciate you call. All

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Speaker 2: right a Kayla, gotta love Kayla. Right, get it off

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Speaker 2: your chest? Hello.

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Speaker 8: De Tody from Detroy, Hey, tod do Hey years.

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Speaker 14: So I want to get on my chest about this money.

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Speaker 14: This government always come out they running matter. How is

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Speaker 14: that possible when all they have to do is keep

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Speaker 14: making more money?

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Speaker 8: Like and then when they.

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Speaker 14: Say they oh who do they owe? Like how do

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Speaker 14: you owe something?

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Speaker 8: Like?

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Speaker 14: I'm thinking it's gonna be sitting all in a room somewhere,

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Speaker 14: everybody give all the money back.

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Speaker 2: I don't know what you're talking about this morning, man,

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Speaker 2: what are you talking about? Exactly?

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Speaker 11: Said?

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Speaker 14: The deficit is going up and up. Like when I

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Speaker 14: was in middle school, they just say we all.

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Speaker 1: Owe your kids.

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Speaker 14: Oh how we all owe something that we ain't borrowed at?

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Speaker 8: Or who are you boling that from?

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Speaker 11: Oh?

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Speaker 5: You mean like America's in that the US O?

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Speaker 14: Yeah, Like who is this money from?

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Speaker 12: I have no idea. That's not my that's not my

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Speaker 12: that's not my lane. I don't know what you're talking

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Speaker 12: I don't know.

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Speaker 9: How can I know?

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Speaker 2: The US government spends more money than it generates.

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Speaker 12: So that's why the national that keeps rising.

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Speaker 8: Yes, that's what I mean.

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Speaker 14: How do the national debt? So who were supposed to

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Speaker 14: pay all this money back to? Like, let's say everybody

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Speaker 14: paid all the money back? Where the money gonna be at?

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Speaker 2: Where the money gonna be at?

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Speaker 14: Yeah, in the bank, in a room, or where it's

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Speaker 14: gonna be at who gives permission to? Like how they

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Speaker 14: get Oh?

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Speaker 11: Yeah? And another thing, this is who I really wanted to.

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Speaker 10: Say about the conspetitution.

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Speaker 8: Why don't you I think the competition.

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Speaker 14: Need fifty five new people to write it over.

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Speaker 5: I agree with that.

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Speaker 14: That that I agree yeah, and that's back in seventeen

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Speaker 14: whatever time.

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Speaker 8: It's like, it's new people and new colors of people.

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Speaker 14: We need fifty five Now, how can we get a

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Speaker 14: petition going on.

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Speaker 10: To do that?

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Speaker 12: I definitely agree with that. I definitely think the Constitution

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Speaker 12: needs to be updated tremendous.

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Speaker 13: Get it off your chest eight hundred five five one

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Speaker 13: oh five one. If you need the vent phone lines

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Speaker 13: wide open. It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 9: And from Newday.

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Speaker 4: Is it your time to get it off your chest?

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Speaker 9: Wait?

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Speaker 4: Wait up, whether you're man or blessed, time to get

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Speaker 4: up and get something. Call up now. Eight hundred and

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Speaker 4: five eight five one five one. We want to hear

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Speaker 4: from you on the Breakfast Club.

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Speaker 2: Hello.

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Speaker 8: Who's this too tall? From Betray?

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Speaker 9: Too tall?

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Speaker 4: Too tall?

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Speaker 2: Yes?

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Speaker 8: Their what's going on? Charlotte? What's going on?

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Speaker 11: DJ?

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Speaker 5: And what's your actual height?

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Speaker 10: Tu?

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Speaker 4: Tall?

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Speaker 10: Yeah?

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Speaker 2: How tall?

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Speaker 14: Man?

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Speaker 8: Six eight?

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Speaker 15: Man?

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Speaker 8: You know what I'm saying. So he's standing tall around

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Speaker 8: his part?

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Speaker 13: Okay, and you can't play no basketball, hu man.

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Speaker 8: I played when I was younger, man, But everybody asked

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Speaker 8: me why you don't play basketball like them getting riched

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Speaker 8: some other way? Donal or nah?

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Speaker 12: You just tell them the truth. I'm trash. I'm tall

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Speaker 12: and trash on the basketball court. It's okay, yeah for sure, man,

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Speaker 12: But y'all want to get off my test.

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Speaker 8: Man, I don't know what the world coming to man,

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Speaker 8: messing with cash money, Drake and bird Man and all

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Speaker 8: that Drewski, you know, especially PG man PG A leegend.

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Speaker 8: If people talking about you look at Besky and stuff.

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Speaker 8: I don't know what the world coming to man. They

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Speaker 8: about the lead cash money records over there alone. Man,

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Speaker 8: But no, boys get on at the wall and mag

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Speaker 8: know your third world type stuff.

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Speaker 12: You know, Well, Drewski's playing, Bro, those are skips and sketches.

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Speaker 2: He just he just needs a comedian.

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Speaker 5: Man.

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Speaker 8: You do you think bird Man taking it like back.

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Speaker 2: A bird Yes, yes, Birdman is in on the joke.

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Speaker 12: Everybody forget when bird Man and Drewsky did that Instagram

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Speaker 12: live together.

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Speaker 2: Bird Man is clearly in on the joke.

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Speaker 8: Bro oh man, all right, that one wasn't it been?

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Speaker 11: BG?

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Speaker 8: Then? Man? What's something? What's something that you talking about?

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Speaker 16: Man?

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Speaker 8: PG matter? He's a gangster man looking they start to

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Speaker 8: put respect on his name.

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Speaker 12: When you say when you say today, you do realize

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Speaker 12: you're just talking about a bunch of random comments on

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Speaker 12: the internet, right man?

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Speaker 8: But comments on the internet, the online stuff, you know

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Speaker 8: that people taking a round with him. Man. You know,

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Speaker 8: BG just come on and got yours the family all

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Speaker 8: that online talking about he's a youngster man. But I

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Speaker 8: don't know what he joking.

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Speaker 13: Bro, you gotta stop looking at Todether. You gotta stop

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Speaker 13: looking into these Instagram commenters.

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Speaker 12: Bro, I cannot wait until y'all just put the phones

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Speaker 12: down and stop worrying about what a bunch of you

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Speaker 12: don't know y'all say they say about y'all.

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Speaker 13: I'm sure BG don't care about people with no face

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Speaker 13: talking about him. That man just came, just happy to

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Speaker 13: be home. He's celebrating with his family. He about to

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Speaker 13: get in the studio, get to some more music. I

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Speaker 13: don't think he cares. Salute the BG.

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Speaker 8: And one more things, Charlotte, have you ever met that

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Speaker 8: with little Mama?

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Speaker 12: Man for calling it and the place christ and y'all listen,

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Speaker 12: Little Mama has been on Breakfast Club like five times

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Speaker 12: since then.

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Speaker 2: That's thirteen years ago. Yeah, like literal thought.

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Speaker 8: Yes, Oh that's good. That's good man. I said, well, man,

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Speaker 8: it's a it's a pleasure being on here with Ya's

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Speaker 8: hard you do y'all. Man, y'all need y'all need the

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Speaker 8: ball lines and something. Man, we go car.

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Speaker 2: Bro, But thank you for calling and checking out.

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Speaker 5: Right, brother, I have a pillow.

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Speaker 8: Man, y'all have a blessed sus.

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Speaker 13: You know what is there's two things that people always say.

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Speaker 13: They were like, Yo, what's up with Charlamagne? And Little Mama?

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Speaker 13: And I'm like, Little Mama's been on the show several times.

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Speaker 13: After that, people always say, what's up with you? And

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Speaker 13: DJ Drama. I'm like, Drama's been on the show many

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Speaker 13: times after that?

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Speaker 12: But you know why don't because the way the Internet moves,

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Speaker 12: it's like, even though that happened thirteen years ago, if

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Speaker 12: you never saw it, say you just saw it yesterday,

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Speaker 12: it's new to you. You know what I mean, You

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Speaker 12: don't realize that was thirteen years ago. You had we

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Speaker 12: had the inter that has these little moments in time

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Speaker 12: where these these frozen moments, these moments are suspended in time, right,

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Speaker 12: and so to us we know the context. It was

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Speaker 12: thirteen years ago but somebody might just see it and

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Speaker 12: be like, oh, that happened yesterday, right, you know that's it.

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Speaker 2: I get it, Get it off your chest.

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Speaker 13: Eight hundred five five, one oh five on if you

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Speaker 13: need the Vent phone lines wide open.

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Speaker 2: It's the Breakfast Club.

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Speaker 4: Good morning, the Breakfast Club.

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Speaker 8: Learn everybody.

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Speaker 13: It's DJ Envy, Charlamagne the God. We are the Breakfast Club.

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Speaker 13: We got a special guest in the building. Yes, indeed,

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Speaker 13: Brother black Thought, welcome back.

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Speaker 10: Yeah, man, thank you, thank you, thank you, Larry black Thought.

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Speaker 10: I'm great. I'm great. I feel great this morning.

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Speaker 11: Man.

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Speaker 12: I had an amazing book called The Upcycled Self.

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Speaker 2: Ucycled Self. What does that title meant?

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Speaker 10: You know?

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Speaker 17: Essentially, it's about, you know, putting those parts of our

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Speaker 17: of our of ourselves, of our of our past. You

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Speaker 17: know what I'm saying that you're no longer going to

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Speaker 17: service or no longer going to service in the same way,

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Speaker 17: to a to a different use, you know what I'm saying,

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Speaker 17: to a better use.

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Speaker 10: Right.

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Speaker 17: So that's that's what it's about. Really, it's a it's

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Speaker 17: a self help memoir of sorts.

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Speaker 5: Yeah, the art of becoming who we are. I always wonder.

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Speaker 12: Why did it take us so long to discover who

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Speaker 12: we actually are.

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Speaker 17: I mean, you know, it's a it's a it's a process,

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Speaker 17: you know what I mean. It's it's it's valleys and peaks,

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Speaker 17: and I think it's uh, you know you you you

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Speaker 17: you arrive at in understanding of who you are, you know, uh,

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Speaker 17: over time.

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Speaker 10: So it's really no shortcut, you know what I'm saying.

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Speaker 17: It's a uh it's a lot of people that think

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Speaker 17: you can go from A to Z, but you gotta go.

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Speaker 10: B, C, D, E, F G first, you know saying.

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Speaker 12: And it teaches you too that you know, everything is parallel,

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Speaker 12: like there's really nothing behind you.

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Speaker 17: Absolutely, you know what I mean. Yeah, Yeah, And in

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Speaker 17: this book is about that too. It's about you know,

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Speaker 17: accepting uh the present.

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Speaker 2: You know what I mean.

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Speaker 17: It's just you know, living, uh, being more intentional about

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Speaker 17: about your So yeah, that's that's That's where I'm at

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Speaker 17: with it.

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Speaker 13: Did you get a chance to deal with all the

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Speaker 13: trauma before you put it in this book? Or was

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Speaker 13: it some of it was releasing that trauma by writing

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Speaker 13: this book.

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Speaker 17: Yeah, a lot of the trauma, you know, it was

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Speaker 17: it was addressed in during the process, you know, And

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Speaker 17: that's That's what made it, you know, just like this

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Speaker 17: was my therapy. It was really you know, a cathartic

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Speaker 17: sort of experience, and more so than I'd expected. I mean,

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Speaker 17: you know, you know your your history, right, but when

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Speaker 17: it's laid out there, you know what I mean, when

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Speaker 17: you have it on on the Q cards and you

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Speaker 17: know what I mean and you're reading it, uh.

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Speaker 10: You know in a linear sort of way.

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Speaker 17: I mean, it just hits different man, it hits it

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Speaker 17: hits differently. And there was something that uh, my co author,

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Speaker 17: Jasmine Martin was able to, uh to employ like a

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Speaker 17: tool she was able to use during this process that

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Speaker 17: it really hit me hard when I was reading one

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Speaker 17: of the final drafts of the book and it was

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Speaker 17: you know, she was able to speak. There's an a

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Speaker 17: side section where you hear, you know, my mother, like

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Speaker 17: you hear my mother's perspective, and the way she was

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Speaker 17: able to, uh, you know, just to approximate my mother's

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Speaker 17: perspective in her voice, That's what really really hit me

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Speaker 17: hard in the process.

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Speaker 13: Did you have a question your faith as a kid

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Speaker 13: growing up because you talk about so much death in

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Speaker 13: your life and yeah, all the stuff that you've been through,

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Speaker 13: did you ever say, you know, what, does this really exist?

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Speaker 13: Is there really a god or whoever you believe it?

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Speaker 13: Did you have a question your faith at all?

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Speaker 10: I did?

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Speaker 17: Yeah, There's definitely been times, you know when you I've

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Speaker 17: questioned my my faith? Uh you know, or I mean

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Speaker 17: just on the existential tip, you know what I mean,

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Speaker 17: like if there's a god, you know, how could all

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Speaker 17: of this you know, loss and trauma and death, uh,

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Speaker 17: you know exists. It's some of the stuff that I

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Speaker 17: write about. How was the world this ugly? If you

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Speaker 17: made it in your image? You know what I'm saying.

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Speaker 17: That's one of my bars from a song called Dear God.

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Speaker 17: But yeah, to answer your question, definitely.

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Speaker 2: How did you get that back?

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Speaker 13: And the reason I asked is if you don't know

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Speaker 13: when you read the book, you're line out that you

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Speaker 13: lost your father at a young age.

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Speaker 2: You lost your mom at a young age as well.

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Speaker 4: I murdered.

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Speaker 15: Yeah.

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Speaker 2: Yeah, So how did you get that faith back?

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Speaker 10: Through the arts?

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Speaker 17: Visual art, which was my gateway you know, into music,

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Speaker 17: and and that's that's what really saved my life.

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Speaker 10: You know what I'm saying.

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Speaker 17: It was a game changer that I would have been

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Speaker 17: on the I was already on it. I was on

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Speaker 17: that path. And you know, me meeting quest love when

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Speaker 17: I did, which you know I talk about in the book,

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Speaker 17: and just getting on on that musical trajectory of the

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Speaker 17: arts is what really saved me.

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Speaker 11: Now.

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Speaker 12: I know you was a baby when your father was

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Speaker 12: tragedally murdered, when a teenager when your mother. Was you

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Speaker 12: able to process that pain in the moment or was

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Speaker 12: that something that you dealt with as you got older?

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Speaker 10: Yeah, I think it's something that I'm still dealing with.

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Speaker 17: I definitely was not able to process it in the moment,

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Speaker 17: you know, no matter how hard I tried, right, you know,

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Speaker 17: I wanted to feel all the emotion that that you

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Speaker 17: you know, you expect you would expect one to feel

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Speaker 17: when you experienced that sort of loss. But I mean

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Speaker 17: for me, it, I mean, it took forever before I

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Speaker 17: was even able to shed.

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Speaker 10: A tear about, you know, my mother's murder, you know.

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Speaker 17: And I think it's just because there was so many

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Speaker 17: layers of callous and in scar tissue to to sort

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Speaker 17: of work through.

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Speaker 10: And that's what that's what this book is about.

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Speaker 17: It's about that armor that you know, at one point

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Speaker 17: in time it might it might serve as a defense mechanism.

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Speaker 10: It might you know, protect you.

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Speaker 17: But as we move through life and you get into

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Speaker 17: different spaces, you start to interact with different people, and

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Speaker 17: you know, you're now you in these different dynamics, they

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Speaker 17: no longer service in the same way.

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Speaker 12: What about vengeance and revenge Like, how do you ultimately

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Speaker 12: let let that go?

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Speaker 10: I mean, did you? Yeah?

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Speaker 17: Yeah, I mean I feeling I definitely feel like I have.

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Speaker 17: It's that that was just a wise move. I think

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Speaker 17: I definitely came to to to understand as a young person,

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Speaker 17: when I was still a teenager that uh, you know,

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Speaker 17: holding on to uh, to to negative energy in that way,

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Speaker 17: you know, it's as as detrimental to you know, the

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Speaker 17: beholder as is to whoever you're trying to project it upon.

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Speaker 17: So there, Yeah, I've never really sat with, uh, you know,

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Speaker 17: the whole vengeance in that way, you know what I

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Speaker 17: mean as far as like in the in my dad's case,

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Speaker 17: uh it was it's still it was never a solved murder.

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Speaker 17: But in my mom's case, uh, you know, they they

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Speaker 17: they apprehended someone shortly after and uh, you know we

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Speaker 17: went through the trial and everything, and you know, he

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Speaker 17: received the sentence, and then there was a mistrial of

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Speaker 17: it all and he was we had to sit through

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Speaker 17: it again. So I sat through actually through my mother's

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Speaker 17: murder trial twice, you know. And but in that, you know,

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Speaker 17: once it, once it was done, it was something that

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Speaker 17: I had to let go of, you know what I mean,

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Speaker 17: in order for me to be able to move forward.

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Speaker 13: So and you still had love for fulfilling regardless of

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Speaker 13: everything that happened.

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Speaker 10: That got to be tough to absolutely, Yeah, yeah, I have.

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Speaker 17: I have, absolutely have love, you know, for for Philadelphia.

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Speaker 10: That's that's the place that made me.

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Speaker 17: But you know it's also it's one of those you know,

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Speaker 17: it could make you, it could break you, you know

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Speaker 17: what I mean.

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Speaker 10: And it's the city of brotherly love. That love. It

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Speaker 10: has always been a tough love, all right.

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Speaker 13: We got more with Black Thought when we come back,

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Speaker 13: don't move.

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Speaker 2: It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 13: Morning everybody at j Envy, Charlamagne, the guy we are

402
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Speaker 13: the Breakfast Club were still kicking it with Black Thought. Charlomagne,

403
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Speaker 13: I was gonna ask with the roots, when you guys

404
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Speaker 13: created the roots, When did y'all start making money? And

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Speaker 13: the reason I asked, is because it was new, Like

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Speaker 13: when when the Roots came out, it was something that

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Speaker 13: hip hop hasn't seen on that platform or respected on

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Speaker 13: that platform. So when did the Roots finally break through

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Speaker 13: and was like, nah, this is hip hop's bad.

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Speaker 17: I want to say around two thousand and six.

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Speaker 13: So was it hard to always, you know, break into

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Speaker 13: a market, sell it to a promoter because I just

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Speaker 13: remember the Roots so early on and just like this

414
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Speaker 13: is just so different, and sometimes in hip hop different,

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Speaker 13: it's hard to break through.

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Speaker 10: It was very hard for us.

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Speaker 17: It was you know, super difficult to what because we

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Speaker 17: didn't really look or sound or feel like anything else

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Speaker 17: that was that was happening. It was a lot of uh,

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Speaker 17: you know, we always had to prove ourselves right and

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Speaker 17: and you know, I mean it took so long for

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Speaker 17: us to even break even financially, and that's something that

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Speaker 17: just came over time. Uh, you know, just paying those

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Speaker 17: dues on the road, you know what I'm saying, Like

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Speaker 17: you start at one point touring and then you're able

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Speaker 17: to sort of get your stock up just through when

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Speaker 17: you keep coming back, you.

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Speaker 10: Know what I mean.

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Speaker 17: So we were able to sort of build on on

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Speaker 17: on that relevance and it was wild. It was like

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Speaker 17: when we finally hit a point, you know, six o seven,

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Speaker 17: you know where we felt like, yeah, you know, all

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Speaker 17: of these years of two hundred plus days on the

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Speaker 17: road started to pay off. That's when, you know, there

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Speaker 17: was a whole seismic shift in the way people started

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Speaker 17: to receive you know, people were receiving music and you know,

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Speaker 17: concert tickets and all that thing. It was, you know,

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Speaker 17: we went through a revolution with the you know, streaming

439
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Speaker 17: and that whole thing. So and then that's when the

440
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Speaker 17: Tonight Show opportunity presented itself, and that's what made it

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Speaker 17: make sense. It was like, you know, we had just reached,

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Speaker 17: finally reach stuff.

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Speaker 10: We hit a stride and and everything was changing.

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Speaker 4: You know.

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Speaker 17: So yeah, that that in that uncertainty, uh you know,

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Speaker 17: the the consistency of the day job, in that platform

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Speaker 17: that it would it would represent you know, it looked

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Speaker 17: really good.

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Speaker 2: Was there a particular moment?

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Speaker 4: Was it?

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Speaker 2: Was it a Jay Z using y'all a lot, or like,

452
00:17:19,960 --> 00:17:22,719
Speaker 2: was it a particular moment that caused that shift?

453
00:17:23,920 --> 00:17:26,160
Speaker 10: You know, when we started to make some bread, Yeah,

454
00:17:26,720 --> 00:17:28,240
Speaker 10: I meant.

455
00:17:27,520 --> 00:17:30,080
Speaker 12: Get recognized by enough to where the Tonight Show was

456
00:17:30,080 --> 00:17:31,480
Speaker 12: like ya want that well.

457
00:17:31,320 --> 00:17:33,400
Speaker 10: You know, yeah, and I think it was just over time, man.

458
00:17:33,480 --> 00:17:37,639
Speaker 17: You know, we you know, we've been around for I

459
00:17:37,640 --> 00:17:40,159
Speaker 17: mean blessed enough to have been around for such a

460
00:17:40,160 --> 00:17:43,080
Speaker 17: long time that you know. A good example is, you know,

461
00:17:43,160 --> 00:17:47,720
Speaker 17: there's a festival that takes place in in in Denmark and.

462
00:17:47,680 --> 00:17:49,040
Speaker 10: Copenhagen every year.

463
00:17:49,040 --> 00:17:51,639
Speaker 17: It's called Ross Guild, and uh, you know, we started

464
00:17:51,640 --> 00:17:55,040
Speaker 17: playing at Ross Guild before we were even you know,

465
00:17:55,200 --> 00:17:57,800
Speaker 17: allowed on the actual festival grounds, like we were you know,

466
00:17:57,880 --> 00:18:01,120
Speaker 17: two tenths you know, out on the main strip right

467
00:18:01,200 --> 00:18:04,160
Speaker 17: and you know, we we worked our way up from

468
00:18:04,200 --> 00:18:06,919
Speaker 17: you know, the outskirts to the tenth you know, right.

469
00:18:06,800 --> 00:18:09,960
Speaker 10: On the borderline to you know, uh you know, third

470
00:18:10,000 --> 00:18:10,880
Speaker 10: and fourth.

471
00:18:10,800 --> 00:18:14,520
Speaker 17: Stages until we came back and we were able to headline,

472
00:18:14,640 --> 00:18:17,200
Speaker 17: you know with it was the Roots and Bruce Springsteen

473
00:18:17,480 --> 00:18:20,600
Speaker 17: co headline. So you know, but yeah, that was over

474
00:18:20,680 --> 00:18:22,280
Speaker 17: you know what I'm saying many years and it's like

475
00:18:23,440 --> 00:18:25,120
Speaker 17: Roskilda isn't like we've.

476
00:18:24,920 --> 00:18:26,680
Speaker 10: Done that around the world, you.

477
00:18:26,600 --> 00:18:28,680
Speaker 17: Know what I mean, just because we've been able to

478
00:18:28,840 --> 00:18:32,040
Speaker 17: keep up appearances. So yeah, yeah, I guess we just

479
00:18:32,040 --> 00:18:34,639
Speaker 17: paid our dues, you know. Yeah, and then once we

480
00:18:34,680 --> 00:18:36,600
Speaker 17: got you know, we got into Late Night and we

481
00:18:36,640 --> 00:18:39,560
Speaker 17: started doing that thing. It definitely represented a change in

482
00:18:39,560 --> 00:18:41,679
Speaker 17: our career where we haven't been able to tour in

483
00:18:41,720 --> 00:18:44,560
Speaker 17: that same way. So yeah, everything that we had done

484
00:18:44,600 --> 00:18:47,159
Speaker 17: up until that point, it's just been a blessing. And

485
00:18:47,200 --> 00:18:49,480
Speaker 17: it's this sort of thing where we probably had taken

486
00:18:49,480 --> 00:18:51,080
Speaker 17: it for granted and thought we'd be able to do

487
00:18:51,080 --> 00:18:51,520
Speaker 17: it forever.

488
00:18:51,600 --> 00:18:54,000
Speaker 10: But you know, here we are and now.

489
00:18:54,359 --> 00:18:56,679
Speaker 17: Yeah, it's uh, it's just more of a blessing and

490
00:18:56,760 --> 00:18:59,240
Speaker 17: just a greater opportunity when we do get to go

491
00:18:59,320 --> 00:19:01,240
Speaker 17: out and still touch the fans.

492
00:19:01,000 --> 00:19:01,800
Speaker 10: In that way. Now.

493
00:19:01,880 --> 00:19:05,159
Speaker 12: Now, when you decided to write about the altercation you

494
00:19:05,200 --> 00:19:07,840
Speaker 12: had request love, Yeah, back back in the nineties, you

495
00:19:07,840 --> 00:19:09,280
Speaker 12: have to ask him if you could speak on that.

496
00:19:09,480 --> 00:19:11,680
Speaker 17: No, I didn't have to ask him because he's written

497
00:19:11,680 --> 00:19:14,720
Speaker 17: about it in one of his books. And it's the

498
00:19:14,760 --> 00:19:16,800
Speaker 17: sort of thing that you know, like, that's my brother,

499
00:19:16,880 --> 00:19:18,840
Speaker 17: So I mean, I know if it's good or not,

500
00:19:18,960 --> 00:19:19,840
Speaker 17: you know, And.

501
00:19:19,800 --> 00:19:22,800
Speaker 2: Also that's it's like to me, those are best relationships.

502
00:19:23,000 --> 00:19:24,680
Speaker 12: Oh yeah, if you can have, if you can fight

503
00:19:25,240 --> 00:19:27,920
Speaker 12: and then get over it, yeah, hey man, Yeah.

504
00:19:28,320 --> 00:19:31,120
Speaker 17: And you know, it really takes it takes it takes

505
00:19:31,200 --> 00:19:34,480
Speaker 17: love for somebody to get you that upset, right, you

506
00:19:34,560 --> 00:19:36,679
Speaker 17: know what I mean, Only my my loved ones have

507
00:19:36,800 --> 00:19:39,000
Speaker 17: ever really been able to get me that ribbed up, right.

508
00:19:39,840 --> 00:19:42,560
Speaker 17: So it's it's there's there's something in that. But yeah,

509
00:19:42,600 --> 00:19:45,160
Speaker 17: you know I was. We were all kids at that point,

510
00:19:45,680 --> 00:19:47,520
Speaker 17: you know. Now now I'm an adult, so I would

511
00:19:47,520 --> 00:19:49,240
Speaker 17: I would, I would have dealt with that situation a

512
00:19:49,280 --> 00:19:50,120
Speaker 17: completely different way.

513
00:19:50,160 --> 00:19:51,320
Speaker 2: How long did y'all not speak?

514
00:19:52,200 --> 00:19:54,240
Speaker 10: I mean we lived together, maybe we didn't speak for

515
00:19:54,280 --> 00:19:55,400
Speaker 10: the train ride home.

516
00:19:55,200 --> 00:19:57,280
Speaker 5: But it's like once we got.

517
00:19:57,119 --> 00:20:01,199
Speaker 2: Back to its and and how was that I had

518
00:20:01,240 --> 00:20:02,040
Speaker 2: to be uncomfortable?

519
00:20:02,040 --> 00:20:03,959
Speaker 4: Awkward? Like, bro, yeah it was.

520
00:20:04,240 --> 00:20:06,960
Speaker 10: It was definitely, you know, it was awkward. It was uncomfortable.

521
00:20:07,880 --> 00:20:10,400
Speaker 17: You know, It's the sort of thing that I would

522
00:20:10,480 --> 00:20:13,320
Speaker 17: laugh about, you know, almost most immediately. Like that's just

523
00:20:13,320 --> 00:20:14,120
Speaker 17: where I come from.

524
00:20:14,359 --> 00:20:19,240
Speaker 5: And the name black thoughts, where exactly did that derive from?

525
00:20:19,359 --> 00:20:24,360
Speaker 17: It derived from you know, my my, my time as

526
00:20:24,359 --> 00:20:27,760
Speaker 17: a visual artist and uh, you know, just dealing with

527
00:20:27,800 --> 00:20:32,120
Speaker 17: paints and you know, just the color palette. I realized

528
00:20:32,160 --> 00:20:35,000
Speaker 17: that you know, so much more went into you know,

529
00:20:35,160 --> 00:20:37,240
Speaker 17: arriving at the color black, you know what I mean?

530
00:20:37,480 --> 00:20:38,800
Speaker 10: Uh, than than one would think.

531
00:20:38,880 --> 00:20:42,240
Speaker 17: There's so many different nuances and colors, other colors that

532
00:20:42,320 --> 00:20:44,440
Speaker 17: go into you know, arriving at the color black.

533
00:20:44,640 --> 00:20:45,560
Speaker 10: So that's sort of what it.

534
00:20:45,560 --> 00:20:49,360
Speaker 17: Would it began as, and over time it's it's evolved

535
00:20:49,400 --> 00:20:54,040
Speaker 17: into something you know, that has taken far, far greater

536
00:20:54,119 --> 00:20:56,800
Speaker 17: meaning you know both I guess to me and and

537
00:20:56,840 --> 00:21:00,840
Speaker 17: to you know, to people who support me. So yeah,

538
00:21:00,880 --> 00:21:02,800
Speaker 17: at the time I didn't think, you know, I wasn't

539
00:21:02,840 --> 00:21:06,479
Speaker 17: thinking of black thought as the concept of a people

540
00:21:06,920 --> 00:21:09,000
Speaker 17: you know what I'm saying, But that's sort of what

541
00:21:09,000 --> 00:21:09,880
Speaker 17: what has come to mean.

542
00:21:10,040 --> 00:21:13,200
Speaker 12: Absolutely, Yeah, well man, black thoughts book man, that's right,

543
00:21:13,760 --> 00:21:15,679
Speaker 12: cyclesycle selves.

544
00:21:15,760 --> 00:21:17,600
Speaker 13: Yes, we appreciate you for Jordan said, what do you

545
00:21:17,600 --> 00:21:19,080
Speaker 13: want people to get out of this book? If they

546
00:21:19,200 --> 00:21:20,399
Speaker 13: if they can get one thing out of it, what

547
00:21:20,400 --> 00:21:21,240
Speaker 13: do you want them to get out of this?

548
00:21:22,000 --> 00:21:24,200
Speaker 17: You know, if if if one person is able to

549
00:21:24,200 --> 00:21:28,400
Speaker 17: see themselves, you know, better understand themselves or better understand

550
00:21:28,440 --> 00:21:32,080
Speaker 17: you know, their path, their their lived experience. If this

551
00:21:32,160 --> 00:21:34,480
Speaker 17: is going to be you know, an entree into someone

552
00:21:34,560 --> 00:21:37,640
Speaker 17: else being able to start to work through their stuff,

553
00:21:37,680 --> 00:21:40,480
Speaker 17: and you know, shed some of those layers of armor

554
00:21:40,880 --> 00:21:43,160
Speaker 17: that are no longer useful, you know what I mean,

555
00:21:43,680 --> 00:21:48,080
Speaker 17: those layers of callous and in scar tissue. Then not yeah,

556
00:21:48,119 --> 00:21:50,280
Speaker 17: then it's it's it's a win. And I've already you know,

557
00:21:50,440 --> 00:21:54,120
Speaker 17: experienced that. You know, I've already had some of those conversations.

558
00:21:54,119 --> 00:21:56,240
Speaker 17: So I feel this book has already been helpful.

559
00:21:56,359 --> 00:21:58,439
Speaker 5: All right, And y'all get nominated program this year.

560
00:21:58,680 --> 00:22:00,680
Speaker 10: I did back a couple of days ago.

561
00:22:01,440 --> 00:22:04,920
Speaker 17: Congratulations Black thought the album Yeah, I know, a cappella

562
00:22:05,040 --> 00:22:07,119
Speaker 17: not even with a beat, wow, just the voice.

563
00:22:07,320 --> 00:22:08,840
Speaker 4: Love it bars wow?

564
00:22:09,119 --> 00:22:09,280
Speaker 2: Yeah?

565
00:22:09,359 --> 00:22:11,200
Speaker 10: Yeah yeah, love love letter to hip hop?

566
00:22:11,880 --> 00:22:12,560
Speaker 2: How did that feel?

567
00:22:13,080 --> 00:22:13,919
Speaker 10: It feels awesome.

568
00:22:13,960 --> 00:22:17,760
Speaker 17: It feels feel awesome like in that moment, I didn't

569
00:22:17,760 --> 00:22:19,920
Speaker 17: really realize it until, you know, my homie started telling

570
00:22:19,960 --> 00:22:22,040
Speaker 17: me like, yeah, you know, it was wild, like this is,

571
00:22:22,080 --> 00:22:24,920
Speaker 17: you know, your first Grandmy nomination, you know what I mean,

572
00:22:25,040 --> 00:22:28,199
Speaker 17: like outside of the roots. And then another homie hit

573
00:22:28,240 --> 00:22:29,720
Speaker 17: me was like, Yo, it'd be wild if you win

574
00:22:29,800 --> 00:22:32,080
Speaker 17: this joint like that's the flex. You ain't even need music,

575
00:22:32,119 --> 00:22:33,080
Speaker 17: you know.

576
00:22:33,119 --> 00:22:40,960
Speaker 12: I said, like, do you still I don't want to

577
00:22:40,960 --> 00:22:43,080
Speaker 12: say need it, but do you do you like that

578
00:22:43,119 --> 00:22:44,000
Speaker 12: type of validation?

579
00:22:44,200 --> 00:22:44,439
Speaker 10: I do?

580
00:22:44,760 --> 00:22:45,000
Speaker 4: I do.

581
00:22:45,720 --> 00:22:48,560
Speaker 17: I still appreciate that that that sort of validation. You

582
00:22:48,560 --> 00:22:50,439
Speaker 17: know what I mean. That's not you know what I

583
00:22:50,520 --> 00:22:54,240
Speaker 17: do it for, but it definitely uh yeah, I mean

584
00:22:54,280 --> 00:22:56,680
Speaker 17: it feels. It's great to be recognized, you know what

585
00:22:56,680 --> 00:22:56,960
Speaker 17: I mean?

586
00:22:57,440 --> 00:22:59,720
Speaker 13: Absolutely well, it's black thought. We appreciate you. Pick up

587
00:22:59,720 --> 00:23:02,680
Speaker 13: his book, The Upcycled Self. It is the Breakfast Club.

588
00:23:02,720 --> 00:23:07,760
Speaker 2: Good morning, it's.

589
00:23:07,640 --> 00:23:08,440
Speaker 4: Topic time.

590
00:23:09,840 --> 00:23:12,240
Speaker 3: Eight hundred five five five one to join into the

591
00:23:12,240 --> 00:23:13,600
Speaker 3: discussion with the Breakfast Club.

592
00:23:15,880 --> 00:23:16,640
Speaker 2: Morning everybody.

593
00:23:16,680 --> 00:23:20,240
Speaker 13: It's DJ Envy Charlamagne to God. We are the Breakfast Club.

594
00:23:20,280 --> 00:23:22,560
Speaker 13: Now if you're just joining us, we're talking about a

595
00:23:22,600 --> 00:23:26,000
Speaker 13: situation that comes out of blue Face and Krashan's relationship. Now,

596
00:23:26,040 --> 00:23:30,600
Speaker 13: blue Face allegedly took a DNA test, uh secretly and

597
00:23:30,680 --> 00:23:33,680
Speaker 13: it proved that he is not the father of their child.

598
00:23:33,840 --> 00:23:36,200
Speaker 13: So we're asking, is it disrespectful to ask for a

599
00:23:36,280 --> 00:23:39,640
Speaker 13: DNA test and is it even more disrespectful to secretly doing.

600
00:23:39,560 --> 00:23:41,200
Speaker 7: And you got to say, we don't know for sure

601
00:23:41,320 --> 00:23:42,960
Speaker 7: if like that DNA test and.

602
00:23:42,920 --> 00:23:43,560
Speaker 6: What he said is real.

603
00:23:43,680 --> 00:23:47,360
Speaker 2: Yeah, we said that leg yes, So I mean he's

604
00:23:47,359 --> 00:23:48,840
Speaker 2: saying he took it and it's not his, but we

605
00:23:48,880 --> 00:23:49,440
Speaker 2: don't know for sure.

606
00:23:49,880 --> 00:23:52,080
Speaker 12: It don't even matter about them, no, Yeah, let's let's

607
00:23:52,119 --> 00:23:53,320
Speaker 12: let's talk about the situation.

608
00:23:53,760 --> 00:23:55,119
Speaker 2: Yeah, so that is the question.

609
00:23:55,280 --> 00:23:57,359
Speaker 13: So, how would you feel if if you were dating somebody,

610
00:23:57,480 --> 00:23:59,880
Speaker 13: you were pregnant and a dude got a DNA test

611
00:23:59,880 --> 00:24:00,600
Speaker 13: and you didn't.

612
00:24:00,359 --> 00:24:02,480
Speaker 7: Know how serious? Are we like locked in or we

613
00:24:02,600 --> 00:24:03,440
Speaker 7: just like having fun?

614
00:24:03,560 --> 00:24:04,080
Speaker 2: Doesn't matter?

615
00:24:04,400 --> 00:24:07,440
Speaker 7: Yeah, yes, it doesn't matter. If we just having fun

616
00:24:07,600 --> 00:24:09,480
Speaker 7: and like we are honest about the fact that we're

617
00:24:09,560 --> 00:24:11,919
Speaker 7: dating other people and that happened, I would have to

618
00:24:11,960 --> 00:24:13,879
Speaker 7: respect it. I would want you to be able to

619
00:24:13,920 --> 00:24:15,800
Speaker 7: just know me and trust me, but I'll have to

620
00:24:15,840 --> 00:24:18,560
Speaker 7: respect it because we are obviously dealing with.

621
00:24:18,520 --> 00:24:20,760
Speaker 12: Other people, and I would expect you to get a

622
00:24:20,840 --> 00:24:22,560
Speaker 12: DNA test. That'd be the first thing I'd do. If

623
00:24:22,600 --> 00:24:23,880
Speaker 12: it was just a girl that I was out here

624
00:24:23,920 --> 00:24:26,920
Speaker 12: having fun with and she got pregnant, the first thing

625
00:24:26,960 --> 00:24:29,520
Speaker 12: I'm going to do is say, let's get a DNA test.

626
00:24:29,520 --> 00:24:31,479
Speaker 13: But even if you're in a relationship and you feel

627
00:24:31,480 --> 00:24:33,679
Speaker 13: possibly that baby is not yours, you wouldn't tell a

628
00:24:33,680 --> 00:24:36,320
Speaker 13: person because that ruins the whole relationship, that relationship, that

629
00:24:36,400 --> 00:24:38,760
Speaker 13: ruins everything what you might want to know, right, because

630
00:24:38,760 --> 00:24:41,080
Speaker 13: what's the first thing. Usually a guy's mama say that

631
00:24:41,080 --> 00:24:42,720
Speaker 13: baby don't look like you. If the baby say that,

632
00:24:42,760 --> 00:24:43,560
Speaker 13: baby don't look like you.

633
00:24:43,680 --> 00:24:45,680
Speaker 7: But you also know too, as a guy, what you're

634
00:24:45,720 --> 00:24:47,680
Speaker 7: doing and how often you're doing it, and how locked

635
00:24:47,680 --> 00:24:48,159
Speaker 7: in y'all are.

636
00:24:48,200 --> 00:24:50,120
Speaker 2: So I don't know how often the woman is doing

637
00:24:50,160 --> 00:24:51,080
Speaker 2: it and how much you know.

638
00:24:51,160 --> 00:24:54,200
Speaker 7: They could be doing it under each other all the time, though,

639
00:24:54,280 --> 00:24:54,760
Speaker 7: like that.

640
00:24:54,680 --> 00:24:57,639
Speaker 2: Don't mean nothing, really, No, women are like cats. Men

641
00:24:57,640 --> 00:24:58,120
Speaker 2: are like y'all.

642
00:24:58,680 --> 00:25:00,680
Speaker 12: See men when they go out there cheat, they get

643
00:25:00,800 --> 00:25:03,320
Speaker 12: you know, they they do it in the open, in

644
00:25:03,320 --> 00:25:06,000
Speaker 12: front of everybody, like you'd be driving. You're driving down

645
00:25:06,040 --> 00:25:08,960
Speaker 12: the road, you then pass the yard and seeing two

646
00:25:09,000 --> 00:25:09,960
Speaker 12: dogs stuck together.

647
00:25:10,200 --> 00:25:11,000
Speaker 2: You ain't never.

648
00:25:10,840 --> 00:25:14,080
Speaker 12: Seen two cats having sex with each other ever. That's

649
00:25:14,119 --> 00:25:16,480
Speaker 12: why men are like dogs. Women are like cats smarter.

650
00:25:16,680 --> 00:25:19,640
Speaker 12: So I don't think it's disrespectful, No, sneaky, I don't

651
00:25:19,640 --> 00:25:20,720
Speaker 12: think it's disrespectful.

652
00:25:20,760 --> 00:25:21,720
Speaker 2: You know, to go do what?

653
00:25:21,840 --> 00:25:22,240
Speaker 15: Uh you know?

654
00:25:22,240 --> 00:25:22,760
Speaker 2: Blue face?

655
00:25:22,800 --> 00:25:23,199
Speaker 4: Did you know?

656
00:25:23,240 --> 00:25:26,359
Speaker 12: You can't tell people, trust their intuition, trust their gut,

657
00:25:26,640 --> 00:25:29,200
Speaker 12: And then when they do tell them they're being disrespectful.

658
00:25:29,200 --> 00:25:29,720
Speaker 2: Because if a.

659
00:25:29,640 --> 00:25:31,679
Speaker 12: Man sneaks and does it, and he's right about not

660
00:25:31,760 --> 00:25:34,440
Speaker 12: being the father being mad at him for sneaking and

661
00:25:34,440 --> 00:25:35,400
Speaker 12: getting the DNA test.

662
00:25:35,480 --> 00:25:36,280
Speaker 5: That's just a deflection.

663
00:25:38,000 --> 00:25:39,600
Speaker 7: But even if the woman really thought that he was

664
00:25:39,600 --> 00:25:43,040
Speaker 7: a father, yes, but like it's not like she's pinning

665
00:25:43,040 --> 00:25:44,479
Speaker 7: the kid on you. She just really thought you were

666
00:25:44,480 --> 00:25:44,760
Speaker 7: the fire.

667
00:25:44,920 --> 00:25:46,480
Speaker 2: You put the other options on the table.

668
00:25:46,520 --> 00:25:48,560
Speaker 13: You should have put the other the kid.

669
00:25:48,960 --> 00:25:50,160
Speaker 5: Did you put the other option on the table?

670
00:25:53,280 --> 00:25:54,959
Speaker 7: Said that in the beginning. I said, if we were

671
00:25:54,960 --> 00:25:56,720
Speaker 7: just having fun, and I'm but if you're.

672
00:25:56,600 --> 00:25:58,480
Speaker 2: Not having what if you're in a relationship but you

673
00:25:58,520 --> 00:25:59,120
Speaker 2: did creep.

674
00:25:59,000 --> 00:26:01,600
Speaker 7: Off, well then that's messed up. Of course that's messed up.

675
00:26:01,680 --> 00:26:03,440
Speaker 12: So you can't be mad at a person for having

676
00:26:03,440 --> 00:26:05,280
Speaker 12: some intuition and feeling like they should go get a

677
00:26:05,320 --> 00:26:05,800
Speaker 12: DNA test.

678
00:26:05,840 --> 00:26:06,119
Speaker 15: Not at all.

679
00:26:06,160 --> 00:26:07,440
Speaker 2: Hello, who's this hell?

680
00:26:07,680 --> 00:26:07,880
Speaker 1: Hey?

681
00:26:07,880 --> 00:26:10,119
Speaker 2: This is hey Jay. Look I want to talk to us.

682
00:26:10,119 --> 00:26:10,720
Speaker 4: What's your thoughts.

683
00:26:10,880 --> 00:26:13,560
Speaker 18: So I don't think it's disrespectful at all to ask

684
00:26:13,600 --> 00:26:16,480
Speaker 18: for a DNA test. It is disrespectful to get one

685
00:26:16,520 --> 00:26:19,159
Speaker 18: behind the parents' back. But you could just straight up

686
00:26:19,160 --> 00:26:23,320
Speaker 18: everyone and if they deny the dad, get the DNA

687
00:26:23,400 --> 00:26:26,320
Speaker 18: test and you know they can take them on the court.

688
00:26:26,520 --> 00:26:28,120
Speaker 2: I think you got to protect your peace, man.

689
00:26:28,400 --> 00:26:30,879
Speaker 12: I get what you're saying, but you know, asking for

690
00:26:30,920 --> 00:26:32,920
Speaker 12: a DNA test is going to start a whole other

691
00:26:33,040 --> 00:26:36,120
Speaker 12: audible the household. Correct, So so I wouldn't much rather

692
00:26:36,240 --> 00:26:38,120
Speaker 12: let me go do this on my own.

693
00:26:38,520 --> 00:26:39,960
Speaker 7: But if you do it on your own and then

694
00:26:40,000 --> 00:26:42,000
Speaker 7: the kid is not yours and you decide to stay,

695
00:26:42,800 --> 00:26:44,520
Speaker 7: do you didn't have to have a conversation about the

696
00:26:44,520 --> 00:26:46,280
Speaker 7: fact that you snuck it like it's a whole thing.

697
00:26:46,440 --> 00:26:49,120
Speaker 2: No, No, because the reason you stuck was true.

698
00:26:49,200 --> 00:26:51,359
Speaker 7: Regardless of what you decide to stay, You're not gonna

699
00:26:52,000 --> 00:26:53,399
Speaker 7: You're not gonna say nothing to the.

700
00:26:53,400 --> 00:26:54,199
Speaker 5: Woman I would be.

701
00:26:54,320 --> 00:26:57,040
Speaker 12: I mean, I'm not saying that that can't happen, but

702
00:26:57,119 --> 00:27:00,560
Speaker 12: I think it's very rare to find the man who

703
00:27:00,640 --> 00:27:03,639
Speaker 12: snucking did the DNA test, found out the kid wasn't here,

704
00:27:03,680 --> 00:27:05,320
Speaker 12: and said, I'm just gonna keep this to myself.

705
00:27:05,800 --> 00:27:06,440
Speaker 2: I don't know.

706
00:27:06,560 --> 00:27:09,440
Speaker 7: It's cold, people need heating a hot bed, you stupid d.

707
00:27:10,720 --> 00:27:15,240
Speaker 2: Yes, yes, indeed, what's your thoughts? D this happened to me.

708
00:27:16,680 --> 00:27:19,679
Speaker 19: It's not disrespectful to ask for a DNA test, but

709
00:27:19,720 --> 00:27:23,159
Speaker 19: it's disrespectful all my language, But it is this respectful

710
00:27:23,160 --> 00:27:26,080
Speaker 19: to go behind my map. It's by my child without

711
00:27:26,359 --> 00:27:28,560
Speaker 19: without me know, very disrespectful.

712
00:27:28,880 --> 00:27:31,800
Speaker 1: I feel like whether we messing around or not.

713
00:27:31,920 --> 00:27:32,720
Speaker 18: And I say it's.

714
00:27:32,560 --> 00:27:34,840
Speaker 19: Your baby and you believe it, then he's like that,

715
00:27:35,040 --> 00:27:36,320
Speaker 19: go for it, don't believe it.

716
00:27:36,359 --> 00:27:37,960
Speaker 8: Got to get a test, like just.

717
00:27:39,560 --> 00:27:43,639
Speaker 2: Be real, Well, technically somebody's back is.

718
00:27:45,119 --> 00:27:48,560
Speaker 12: Well, technically I'm not just swapping your child. I'm swapping

719
00:27:48,600 --> 00:27:50,640
Speaker 12: my child because it's still our child until I find

720
00:27:50,640 --> 00:27:51,000
Speaker 12: out it's not.

721
00:27:52,359 --> 00:27:52,960
Speaker 1: What is the act.

722
00:27:53,280 --> 00:27:54,879
Speaker 8: I'm doing it for me around as.

723
00:27:54,760 --> 00:27:56,960
Speaker 12: Well, or just I don't want to go through the beef.

724
00:27:57,000 --> 00:27:58,920
Speaker 12: You know, you know good and well, you're not gonna

725
00:27:58,920 --> 00:28:00,600
Speaker 12: take that. Well if a man with you and be

726
00:28:00,680 --> 00:28:03,840
Speaker 12: like I'm gonna put you out, No you're not.

727
00:28:03,880 --> 00:28:05,760
Speaker 13: You're only gonna go through the beef if I find

728
00:28:05,760 --> 00:28:06,720
Speaker 13: out the child is not mine.

729
00:28:07,119 --> 00:28:07,840
Speaker 2: Child is hours.

730
00:28:07,880 --> 00:28:12,959
Speaker 13: I ain't gonna come on like what the problem?

731
00:28:13,000 --> 00:28:16,960
Speaker 5: Just like I feel like, mom, you know what the

732
00:28:17,000 --> 00:28:17,560
Speaker 5: problem is?

733
00:28:19,440 --> 00:28:23,760
Speaker 13: That doesn't He looks like the would.

734
00:28:23,640 --> 00:28:25,119
Speaker 7: Make it even worse. If you say that to me,

735
00:28:25,240 --> 00:28:25,960
Speaker 7: you better be ready.

736
00:28:26,359 --> 00:28:28,480
Speaker 13: I say, unless your kids old enough, and they'll be like, mommy,

737
00:28:28,920 --> 00:28:30,640
Speaker 13: why did daddy put that cute tip in my mouth?

738
00:28:30,640 --> 00:28:30,880
Speaker 2: Today?

739
00:28:30,920 --> 00:28:31,000
Speaker 9: Did?

740
00:28:31,119 --> 00:28:33,480
Speaker 2: Now you're in trouble in trouble. There is.

741
00:28:33,840 --> 00:28:36,600
Speaker 12: There is no woman on earth that's gonna take that well.

742
00:28:36,760 --> 00:28:38,640
Speaker 12: No a man coming to her saying, I don't think

743
00:28:38,640 --> 00:28:40,719
Speaker 12: this baby is mine? Can we get a DNA too?

744
00:28:40,840 --> 00:28:42,800
Speaker 7: And he looked like the other one is that.

745
00:28:43,280 --> 00:28:44,920
Speaker 12: The only way a woman takes that well is if

746
00:28:44,960 --> 00:28:46,800
Speaker 12: y'all not not in the relationship, if y'all was just

747
00:28:46,800 --> 00:28:49,400
Speaker 12: sleeping around with each other and you know, it was

748
00:28:49,440 --> 00:28:52,600
Speaker 12: still I don't think it's like.

749
00:28:52,680 --> 00:28:54,800
Speaker 7: She can't you can't really be mad about it, but

750
00:28:54,840 --> 00:28:55,360
Speaker 7: you still be.

751
00:28:55,360 --> 00:28:58,520
Speaker 13: Like if she said the child is yours and you're like, well,

752
00:28:58,560 --> 00:28:59,560
Speaker 13: I wanted to get a test.

753
00:28:59,800 --> 00:29:01,560
Speaker 12: If you're just sleeping around, if we don't have no

754
00:29:01,640 --> 00:29:03,280
Speaker 12: relationship but we don't know each other, I don't think

755
00:29:03,320 --> 00:29:03,560
Speaker 12: does it.

756
00:29:03,640 --> 00:29:05,840
Speaker 7: You gotta be practical and you cannot be upset. But

757
00:29:06,000 --> 00:29:08,240
Speaker 7: in the inside and in her group chat, she's gonna

758
00:29:08,240 --> 00:29:09,920
Speaker 7: be like, y'all know he asked me for it, Like

759
00:29:10,040 --> 00:29:11,320
Speaker 7: she gonna feel little way a little bit.

760
00:29:11,440 --> 00:29:12,160
Speaker 2: Hello, who's this?

761
00:29:12,680 --> 00:29:13,000
Speaker 20: Hello?

762
00:29:13,120 --> 00:29:13,920
Speaker 9: This is Race Stair.

763
00:29:14,440 --> 00:29:16,760
Speaker 2: Hey Rachel, talk to us. What's your thoughts?

764
00:29:17,040 --> 00:29:20,960
Speaker 1: So I'm big on telling everybody, like, get a DNA test,

765
00:29:21,000 --> 00:29:24,880
Speaker 1: Get a DNA test. It's mama's baby. Daddy's maybe so

766
00:29:25,320 --> 00:29:29,360
Speaker 1: rather y'all together. No matter what's going on, a DNA

767
00:29:29,440 --> 00:29:32,440
Speaker 1: test should be had. Nobody have to sneak into it

768
00:29:32,520 --> 00:29:35,920
Speaker 1: because it should already be something that's disgusted. That's something

769
00:29:35,920 --> 00:29:38,360
Speaker 1: you should talk about before you even have a kid

770
00:29:38,400 --> 00:29:40,600
Speaker 1: with a person. I want to make sure there's not

771
00:29:40,680 --> 00:29:42,600
Speaker 1: ayb I'm gonna get a DNA test.

772
00:29:42,760 --> 00:29:44,760
Speaker 12: Yeah, you know, I just thought about something too, Like,

773
00:29:44,840 --> 00:29:47,360
Speaker 12: you know, if you go to a woman and you

774
00:29:47,440 --> 00:29:50,000
Speaker 12: ask for a DNA test, if she knows that it's

775
00:29:50,040 --> 00:29:53,960
Speaker 12: a possibility the baby may not be hers, she probably

776
00:29:54,040 --> 00:29:57,800
Speaker 12: would get highly highly upset because you only it's two

777
00:29:57,840 --> 00:29:59,560
Speaker 12: things go have you gethighly upset because you know the

778
00:29:59,560 --> 00:30:01,720
Speaker 12: baby may not be his? Are you gonna get highly

779
00:30:01,800 --> 00:30:04,440
Speaker 12: upset because he asked you? But if he asked you

780
00:30:04,520 --> 00:30:06,240
Speaker 12: and you know it's his, you're probably just gonna be

781
00:30:06,240 --> 00:30:07,960
Speaker 12: just sitting back waiting to give him that little smirk

782
00:30:08,040 --> 00:30:09,320
Speaker 12: like now what?

783
00:30:09,640 --> 00:30:11,960
Speaker 1: But that's not so I wouldn't get mad like my

784
00:30:12,600 --> 00:30:14,640
Speaker 1: baby daddy. I was like, please, do you get a

785
00:30:14,720 --> 00:30:17,240
Speaker 1: DNA test? Like I tried a lot of them and everything,

786
00:30:17,320 --> 00:30:25,320
Speaker 1: like it's the possibility. I don't know. You know, I'm

787
00:30:25,360 --> 00:30:27,360
Speaker 1: gonna tell you why I did it though my baby daddy.

788
00:30:27,400 --> 00:30:31,400
Speaker 1: My baby daddy is from the country in South Carolina.

789
00:30:32,360 --> 00:30:36,160
Speaker 1: He feels as if he don't have to do anything

790
00:30:36,560 --> 00:30:38,000
Speaker 1: because it's not proof that it's.

791
00:30:37,880 --> 00:30:40,240
Speaker 2: His part from corner.

792
00:30:40,560 --> 00:30:41,320
Speaker 1: He's from Dylan.

793
00:30:42,320 --> 00:30:43,520
Speaker 2: Yeah, that's country country.

794
00:30:43,760 --> 00:30:45,480
Speaker 1: So he feels like he don't got to do nothing

795
00:30:45,480 --> 00:30:47,680
Speaker 1: without proof. So when I was putting them on child support,

796
00:30:48,120 --> 00:30:50,800
Speaker 1: I'm like, just get a DNA set. Just get one.

797
00:30:50,880 --> 00:30:53,280
Speaker 1: Just get one, you know, child support. They asked you, like,

798
00:30:53,320 --> 00:30:56,440
Speaker 1: do you want to get one? He will not get one,

799
00:30:56,800 --> 00:30:59,840
Speaker 1: and he finally confessed, like I already knew it was.

800
00:31:00,520 --> 00:31:03,320
Speaker 1: I ain't had no doubt about it. I'm like, you

801
00:31:03,440 --> 00:31:07,560
Speaker 1: still should have got one, just for your security, like

802
00:31:07,680 --> 00:31:10,360
Speaker 1: that black and white paper would have made you feel

803
00:31:10,360 --> 00:31:14,600
Speaker 1: a whole lot better. That's right, you would not get one,

804
00:31:15,400 --> 00:31:17,440
Speaker 1: But I feel like everybody still get one. I got

805
00:31:17,440 --> 00:31:19,320
Speaker 1: five brothers. I been telling my brothers all the time.

806
00:31:19,840 --> 00:31:21,000
Speaker 1: You don't know what these women do.

807
00:31:21,520 --> 00:31:22,040
Speaker 5: That's right.

808
00:31:22,240 --> 00:31:24,920
Speaker 7: Even married people y'all think should do this as well too.

809
00:31:25,280 --> 00:31:27,000
Speaker 2: No, no, not married people.

810
00:31:27,240 --> 00:31:29,480
Speaker 12: I see you just in a relationship with somebody and

811
00:31:29,560 --> 00:31:33,440
Speaker 12: y'all not committed, or if y'all just sleeping around.

812
00:31:33,760 --> 00:31:34,680
Speaker 5: Yeah, I want.

813
00:31:34,600 --> 00:31:35,800
Speaker 7: That piece in my life. I don't want to have

814
00:31:35,840 --> 00:31:36,240
Speaker 7: to go through that.

815
00:31:36,560 --> 00:31:39,400
Speaker 12: But I think any any time you have any intuition,

816
00:31:39,520 --> 00:31:41,560
Speaker 12: any inkling that they may not be all.

817
00:31:41,520 --> 00:31:43,960
Speaker 2: Get a DNA test that feeling for a reason.

818
00:31:44,080 --> 00:31:44,640
Speaker 10: Hello, who's this?

819
00:31:47,080 --> 00:31:49,480
Speaker 2: It was something? Talk to us, brother man.

820
00:31:49,680 --> 00:31:52,800
Speaker 4: I used to work with a guy right he found.

821
00:31:52,480 --> 00:31:54,080
Speaker 8: Out it wasn't here.

822
00:31:54,160 --> 00:31:56,760
Speaker 4: When he was like, where you going?

823
00:31:57,360 --> 00:31:59,040
Speaker 1: She said she still and said I'm going to see

824
00:31:59,080 --> 00:31:59,600
Speaker 1: my daddy.

825
00:32:00,520 --> 00:32:04,520
Speaker 5: And he was like, what, so you have to get

826
00:32:04,520 --> 00:32:05,360
Speaker 5: a DNA test?

827
00:32:05,880 --> 00:32:09,360
Speaker 1: I heard as she's from the meditatory DNA.

828
00:32:09,760 --> 00:32:13,720
Speaker 5: Once want the woman have the baby? Hu, they're gonna

829
00:32:13,760 --> 00:32:19,120
Speaker 5: have a DNA test? Is goodbye?

830
00:32:19,160 --> 00:32:19,280
Speaker 10: Sir?

831
00:32:19,760 --> 00:32:22,600
Speaker 2: What the hell that? I don't know? Jesus Christ? What's

832
00:32:22,600 --> 00:32:24,160
Speaker 2: the mother of the story? More the stories?

833
00:32:24,200 --> 00:32:26,840
Speaker 12: What I said earlier, If you have any you know inkling,

834
00:32:27,000 --> 00:32:29,520
Speaker 12: or you know your instincts are telling you it may

835
00:32:29,560 --> 00:32:30,080
Speaker 12: not be yours?

836
00:32:30,080 --> 00:32:31,320
Speaker 2: What's wrong with getting the dnahs?

837
00:32:31,480 --> 00:32:32,920
Speaker 7: Moral can also be just pull out?

838
00:32:33,200 --> 00:32:34,160
Speaker 2: What are you talking about?

839
00:32:34,240 --> 00:32:36,520
Speaker 7: Don't get pregnant by somebody that's gonna have to question you.

840
00:32:36,440 --> 00:32:37,920
Speaker 2: You'll get pregnant soon if you go in with the

841
00:32:37,920 --> 00:32:38,600
Speaker 2: pullout message.

842
00:32:38,920 --> 00:32:41,760
Speaker 5: Just what why what I'm just saying.

843
00:32:42,520 --> 00:32:44,360
Speaker 12: I want you to get on this radio sometimes and

844
00:32:44,440 --> 00:32:46,920
Speaker 12: defy Delaware stereo.

845
00:32:47,880 --> 00:32:50,040
Speaker 2: We call it dirty Delaware, and all you.

846
00:32:50,000 --> 00:32:52,200
Speaker 12: Do every time you get the opportunity to guest holds

847
00:32:52,240 --> 00:32:56,200
Speaker 12: on Breakfast Club is reinforced the dirty Delaware stereo tech

848
00:32:57,520 --> 00:32:58,760
Speaker 12: dirt coming from a woman.

849
00:32:58,800 --> 00:33:01,760
Speaker 7: They're not using kind of if the person is potentially pregnant,

850
00:33:01,760 --> 00:33:02,880
Speaker 7: so you're not going to use them.

851
00:33:06,120 --> 00:33:09,640
Speaker 5: Guys, don't be like that.

852
00:33:09,760 --> 00:33:12,880
Speaker 7: Don't don't with that discuss I don't like that.

853
00:33:13,040 --> 00:33:13,360
Speaker 4: Alright.

854
00:33:13,480 --> 00:33:15,120
Speaker 2: It's the Breakfast Club of One.

855
00:33:15,160 --> 00:33:16,680
Speaker 4: The Breakfast Club.

856
00:33:18,960 --> 00:33:19,720
Speaker 9: Morning Everybody.

857
00:33:19,760 --> 00:33:22,400
Speaker 2: It's d J n V Charlamage the guy. We are

858
00:33:22,480 --> 00:33:25,280
Speaker 2: the Breakfast Club. Our special guest host Chris kling his hair.

859
00:33:25,440 --> 00:33:25,800
Speaker 9: What's up?

860
00:33:25,920 --> 00:33:27,680
Speaker 2: Have we got some special guests in the building.

861
00:33:27,760 --> 00:33:29,680
Speaker 9: Our guy you can in his hair?

862
00:33:30,000 --> 00:33:32,360
Speaker 2: Yes, with a special guest Klondike Blonde.

863
00:33:32,600 --> 00:33:36,120
Speaker 9: We got a future superstar in the building, integrated to

864
00:33:36,200 --> 00:33:36,480
Speaker 9: you all.

865
00:33:36,560 --> 00:33:39,560
Speaker 2: Yeah, no seen, but he hasn't been here. But you

866
00:33:39,600 --> 00:33:40,960
Speaker 2: can do it every damn thing out there.

867
00:33:41,080 --> 00:33:43,200
Speaker 9: Yeah, I mean, I'm good man.

868
00:33:43,240 --> 00:33:45,480
Speaker 21: I'm excited about you know, obviously, here to talk about

869
00:33:45,600 --> 00:33:47,800
Speaker 21: the new show that we launching on b t V

870
00:33:48,040 --> 00:33:50,680
Speaker 21: H one but just working man, you know how to

871
00:33:50,720 --> 00:33:53,280
Speaker 21: go just the grinds, doing my morning show thing too.

872
00:33:53,400 --> 00:33:55,320
Speaker 21: So that's probably why I really ain't been able to

873
00:33:55,360 --> 00:33:55,719
Speaker 21: be up here.

874
00:33:55,880 --> 00:33:58,080
Speaker 12: What's your superstar? Speaking of you the superstars, how do

875
00:33:58,080 --> 00:33:59,640
Speaker 12: you feel about your son being a better rapper than

876
00:33:59,680 --> 00:33:59,920
Speaker 12: you guys?

877
00:34:00,040 --> 00:34:02,120
Speaker 2: Amazing?

878
00:34:02,320 --> 00:34:02,480
Speaker 10: Yes?

879
00:34:08,280 --> 00:34:08,879
Speaker 9: Who you think?

880
00:34:09,200 --> 00:34:09,840
Speaker 11: I I go?

881
00:34:10,120 --> 00:34:12,040
Speaker 9: I want none of my wax sauce to get on him.

882
00:34:12,080 --> 00:34:15,640
Speaker 9: So he's doing I'm calling back now.

883
00:34:15,680 --> 00:34:17,600
Speaker 2: Somebody said he over the ghost right for you?

884
00:34:18,000 --> 00:34:18,480
Speaker 9: He should?

885
00:34:19,000 --> 00:34:21,279
Speaker 21: Nah, My son is amazing man, And like seeing like that.

886
00:34:21,640 --> 00:34:23,560
Speaker 21: You know, when I'm young, kids really got the natural

887
00:34:23,680 --> 00:34:25,520
Speaker 21: swag like I'll be. He'd be putting me up on

888
00:34:25,880 --> 00:34:27,920
Speaker 21: the new game and stuff. And the dope thing is

889
00:34:28,000 --> 00:34:29,880
Speaker 21: he's a rapper, but he's also a producer too, so

890
00:34:30,000 --> 00:34:32,040
Speaker 21: he's really into that space of like making beats and

891
00:34:32,120 --> 00:34:34,879
Speaker 21: DJ and gaming and all that stuff. If he wants

892
00:34:34,920 --> 00:34:36,719
Speaker 21: to do that, I see he really got it. He

893
00:34:37,239 --> 00:34:39,080
Speaker 21: y'all see him rocking them stage and doing it every

894
00:34:39,120 --> 00:34:40,080
Speaker 21: night on tour with his mom.

895
00:34:40,160 --> 00:34:43,160
Speaker 12: So that's pressure though, right, because he's Nick Cannon's damn right,

896
00:34:43,600 --> 00:34:44,759
Speaker 12: there's no pressure.

897
00:34:44,480 --> 00:34:45,960
Speaker 9: Of being Nick Cannon's.

898
00:34:46,080 --> 00:34:50,600
Speaker 21: You're still a superstar, but now being Mariah's daughter and

899
00:34:50,800 --> 00:34:54,200
Speaker 21: singing yes true, that's the presson. So that's why even

900
00:34:54,239 --> 00:34:56,640
Speaker 21: with Monroe, we gotta doing things like I taught her

901
00:34:56,640 --> 00:34:58,759
Speaker 21: how to play guitar. We still I want her to

902
00:34:58,840 --> 00:35:01,040
Speaker 21: have other aspect. She really wants to be an actress too.

903
00:35:01,120 --> 00:35:03,400
Speaker 21: She's talking about she wants to go to the Yale

904
00:35:03,640 --> 00:35:05,560
Speaker 21: Drama School and make sure like if she.

905
00:35:05,640 --> 00:35:07,760
Speaker 5: Really gets like she's taking it serious.

906
00:35:07,760 --> 00:35:10,279
Speaker 21: And she's already talking about, you know, getting her her

907
00:35:10,360 --> 00:35:14,000
Speaker 21: degree in theater at Yale. So like just trying to,

908
00:35:14,040 --> 00:35:15,960
Speaker 21: you know, as a father, trying to really guide them

909
00:35:16,000 --> 00:35:18,239
Speaker 21: in the direction. And we never pushed it on them,

910
00:35:18,239 --> 00:35:20,000
Speaker 21: but the fact that now they're really starting to embrace

911
00:35:20,040 --> 00:35:22,719
Speaker 21: it as they get into the teenage world, really want

912
00:35:22,719 --> 00:35:23,360
Speaker 21: to cultivate it.

913
00:35:23,440 --> 00:35:25,759
Speaker 13: So I'm proud of them. Man, they do it skip

914
00:35:25,840 --> 00:35:28,799
Speaker 13: with one of your child's moms, Yes a lot. Yeah,

915
00:35:28,960 --> 00:35:30,279
Speaker 13: any other child mom be like, why do you do

916
00:35:30,360 --> 00:35:32,640
Speaker 13: so many skits with what's interesting? Because like I mean,

917
00:35:32,719 --> 00:35:35,440
Speaker 13: everybody kind of got they lane. So like on my

918
00:35:35,560 --> 00:35:38,960
Speaker 13: morning show, The Daily Cannon, I have, you know, one

919
00:35:39,000 --> 00:35:41,120
Speaker 13: of the mothers of my children, she's in radio.

920
00:35:41,320 --> 00:35:42,719
Speaker 9: She dj Abby Daily Rosa.

921
00:35:42,880 --> 00:35:46,160
Speaker 21: So that's kind of her space, so our social commentary

922
00:35:46,280 --> 00:35:49,640
Speaker 21: and daily conversation, that's her lane. Brie is on selling

923
00:35:49,719 --> 00:35:52,200
Speaker 21: Sunset and like kind of like a social media gurgle

924
00:35:52,239 --> 00:35:55,160
Speaker 21: and stuff, So that's her lane, and everybody even behind

925
00:35:55,200 --> 00:35:57,880
Speaker 21: the scenes, like you know, some of them have like foundations,

926
00:35:57,920 --> 00:35:59,359
Speaker 21: and we do a lot of philanthropic work.

927
00:35:59,400 --> 00:36:02,239
Speaker 5: You'll see that someone literally like doctors.

928
00:36:01,800 --> 00:36:04,960
Speaker 21: And writing op EDGs and BCIs, so you'll be able

929
00:36:05,080 --> 00:36:07,440
Speaker 21: like the people that specifically the mothers and my children

930
00:36:07,520 --> 00:36:09,480
Speaker 21: that I have in my life, I try to cultivate

931
00:36:09,560 --> 00:36:12,040
Speaker 21: whatever it is that they're into, and even kind of

932
00:36:12,080 --> 00:36:13,520
Speaker 21: goes all the way back to the business of like

933
00:36:13,640 --> 00:36:16,040
Speaker 21: future superstars, Like I feel like I'm in that season.

934
00:36:16,080 --> 00:36:18,440
Speaker 21: I'm in my era of just helping others and kind

935
00:36:18,440 --> 00:36:20,480
Speaker 21: of amplifying whatever it is that they got going.

936
00:36:20,560 --> 00:36:22,759
Speaker 9: And sometimes it just happened to be my baby mama.

937
00:36:22,840 --> 00:36:26,200
Speaker 21: Yeah, that's always been your thing though, I mean you too, man,

938
00:36:26,280 --> 00:36:28,759
Speaker 21: you don't get enough credit for all that you do

939
00:36:28,880 --> 00:36:30,840
Speaker 21: is you know, helping people and putting them on and

940
00:36:30,880 --> 00:36:33,319
Speaker 21: allowing them to shine. So I feel like we're kind

941
00:36:33,320 --> 00:36:35,879
Speaker 21: of those guys that get to say, all right, if

942
00:36:35,920 --> 00:36:38,160
Speaker 21: we see something in somebody, we can kind of put

943
00:36:38,200 --> 00:36:39,400
Speaker 21: the mechanisms.

944
00:36:38,920 --> 00:36:41,480
Speaker 12: Around them and allow them to do their thing allfreasons

945
00:36:41,520 --> 00:36:44,359
Speaker 12: to God. There it is now Klondake Blond, how are you, man?

946
00:36:44,640 --> 00:36:45,920
Speaker 7: I'm doing goody? How are you?

947
00:36:46,120 --> 00:36:46,560
Speaker 2: I'm blessed?

948
00:36:46,560 --> 00:36:48,320
Speaker 12: Black and holl the favorite. Now where did the content

949
00:36:48,400 --> 00:36:49,680
Speaker 12: of future Superstars come from?

950
00:36:49,760 --> 00:36:49,920
Speaker 4: Nick?

951
00:36:50,040 --> 00:36:51,200
Speaker 2: And why Klondike Blond?

952
00:36:51,200 --> 00:36:51,880
Speaker 4: Why did why her?

953
00:36:51,920 --> 00:36:52,480
Speaker 2: Specifically?

954
00:36:52,600 --> 00:36:54,600
Speaker 9: I mean, if you go, she's to go.

955
00:36:55,120 --> 00:36:57,359
Speaker 21: She her vibe is punk rock rap like and if

956
00:36:57,360 --> 00:36:59,520
Speaker 21: you saw her episode that actually just aired, you know

957
00:37:00,320 --> 00:37:03,839
Speaker 21: this week is really these people have compelling stories. If

958
00:37:03,840 --> 00:37:06,640
Speaker 21: we remember what VH one was always about, was like

959
00:37:06,880 --> 00:37:09,399
Speaker 21: we saw the behind the music, and it was really

960
00:37:09,520 --> 00:37:12,480
Speaker 21: like telling the story sometimes you know it was a

961
00:37:12,640 --> 00:37:15,640
Speaker 21: retrospective story, but now it's like these are the origin stories.

962
00:37:15,680 --> 00:37:18,120
Speaker 5: So this is like before the music. This is in

963
00:37:18,480 --> 00:37:19,319
Speaker 5: her journey man.

964
00:37:19,360 --> 00:37:22,719
Speaker 21: I mean everything that she's gone through in life from

965
00:37:22,920 --> 00:37:25,200
Speaker 21: you know, there's a lot of tragedy, there's a lot

966
00:37:25,239 --> 00:37:27,040
Speaker 21: of things to wear. How her music helps with their

967
00:37:27,080 --> 00:37:30,400
Speaker 21: anxiety and to be able to kind of create your

968
00:37:30,440 --> 00:37:33,800
Speaker 21: own genre. We went on this tour and I just

969
00:37:33,920 --> 00:37:36,319
Speaker 21: wanted to highlight and tell the stories of these people

970
00:37:36,400 --> 00:37:37,560
Speaker 21: that are just more than.

971
00:37:37,560 --> 00:37:39,080
Speaker 9: Musicians because we didn't.

972
00:37:39,120 --> 00:37:39,960
Speaker 4: We don't have that no more.

973
00:37:40,040 --> 00:37:42,440
Speaker 21: We don't have other than platforms like y'all had. But

974
00:37:42,520 --> 00:37:45,320
Speaker 21: we came up with VH one behind the music, you know,

975
00:37:46,120 --> 00:37:48,160
Speaker 21: one oh six in partings. So I feel like we

976
00:37:48,239 --> 00:37:51,000
Speaker 21: can now still be those curators to help this next generation,

977
00:37:51,040 --> 00:37:53,080
Speaker 21: because I just got frustrated as somebody who has a

978
00:37:53,160 --> 00:37:55,360
Speaker 21: label and has artists, and like, yo, what happened to

979
00:37:55,440 --> 00:37:58,200
Speaker 21: that promo run? What happened to putting people on the road,

980
00:37:58,280 --> 00:38:01,239
Speaker 21: coming into radio stations playing the song, meeting pds and

981
00:38:01,600 --> 00:38:03,800
Speaker 21: shake your hands, kissing babies, all of that type of stuff,

982
00:38:03,960 --> 00:38:06,919
Speaker 21: And we did that. I started the tour with Live Nation,

983
00:38:07,280 --> 00:38:08,960
Speaker 21: and then I put the cameras on it, and you know,

984
00:38:09,040 --> 00:38:11,399
Speaker 21: now we got you know, a tour, a TV show.

985
00:38:11,400 --> 00:38:12,920
Speaker 5: They on the cover of Vibe magazine.

986
00:38:12,960 --> 00:38:14,600
Speaker 21: It's like so now it's like this is like that

987
00:38:15,080 --> 00:38:17,759
Speaker 21: that starter kit of like all right, the way double

988
00:38:18,000 --> 00:38:20,440
Speaker 21: XL has the Freshman cover, But now we got the

989
00:38:20,560 --> 00:38:22,239
Speaker 21: cover of the magazine, we got the tour, we got

990
00:38:22,280 --> 00:38:24,640
Speaker 21: the TV show. So if you see one of these acts,

991
00:38:24,760 --> 00:38:26,200
Speaker 21: they literally gonna become you know.

992
00:38:26,239 --> 00:38:28,200
Speaker 12: The next What you just said is why I feel

993
00:38:28,239 --> 00:38:31,160
Speaker 12: like it's hard to build superstars nowadays.

994
00:38:31,000 --> 00:38:34,320
Speaker 21: One you don't everything is so microwaveable, you know what

995
00:38:34,360 --> 00:38:36,040
Speaker 21: I mean. Everybody wanted, want it now, and then when

996
00:38:36,080 --> 00:38:37,320
Speaker 21: they don't want it no more, they on to the

997
00:38:37,400 --> 00:38:39,600
Speaker 21: next thing. But if you know someone's story, if you

998
00:38:39,719 --> 00:38:41,800
Speaker 21: know what she went through, if you know you know

999
00:38:41,960 --> 00:38:45,479
Speaker 21: her relationship, you know with her family and the things

1000
00:38:45,560 --> 00:38:47,560
Speaker 21: that you know how close she is with you know,

1001
00:38:47,640 --> 00:38:50,600
Speaker 21: her brother was one of her biggest fans and had

1002
00:38:50,640 --> 00:38:53,000
Speaker 21: a tragic accident and now she's doing it for her brother.

1003
00:38:53,120 --> 00:38:55,000
Speaker 21: If you know that the songs that you know Ray

1004
00:38:55,040 --> 00:38:57,640
Speaker 21: she has all the tattoos is connected to growing up

1005
00:38:57,680 --> 00:39:00,400
Speaker 21: in a trap house and mom and dad being teen agers.

1006
00:39:00,440 --> 00:39:02,200
Speaker 21: Like when you know that about somebody, when you hear

1007
00:39:02,239 --> 00:39:04,680
Speaker 21: their music, you're like, Okay, I'm connected now, And I

1008
00:39:04,760 --> 00:39:08,040
Speaker 21: feel like this generation of kids they're figuring it out

1009
00:39:08,120 --> 00:39:11,400
Speaker 21: through their phones and social media, but it's never amplified.

1010
00:39:11,480 --> 00:39:14,479
Speaker 21: You never get to see it at a level where

1011
00:39:14,600 --> 00:39:17,240
Speaker 21: you know, hopefully we're doing with super Future Superstar.

1012
00:39:17,360 --> 00:39:19,759
Speaker 6: So like what you're being from Raley, North Carolina to South,

1013
00:39:19,840 --> 00:39:21,640
Speaker 6: how did you get discovered? Because it seems like no

1014
00:39:21,680 --> 00:39:22,680
Speaker 6: one really looks for us.

1015
00:39:22,600 --> 00:39:25,880
Speaker 7: Down South exactly, especially in Carolina, right right. So the

1016
00:39:26,000 --> 00:39:28,200
Speaker 7: thing is I did move to Cali when I was twelve.

1017
00:39:28,400 --> 00:39:30,919
Speaker 6: Okay, so, but this was in the Bay Area.

1018
00:39:31,040 --> 00:39:32,960
Speaker 20: Even in the Bay Area, I couldn't really like get

1019
00:39:33,040 --> 00:39:35,120
Speaker 20: my name out there like I wanted to. So since

1020
00:39:35,160 --> 00:39:37,439
Speaker 20: I turned eighteen, I moved to Atlanta because I knew,

1021
00:39:37,600 --> 00:39:39,320
Speaker 20: like growing up, I knew that was a spot like

1022
00:39:39,400 --> 00:39:41,440
Speaker 20: to be like to get discovered in to pop off

1023
00:39:41,480 --> 00:39:44,240
Speaker 20: your career. So that's really how I got discovered in Atlanta.

1024
00:39:44,520 --> 00:39:46,360
Speaker 2: What about the name Klondyke Blonde.

1025
00:39:46,960 --> 00:39:49,359
Speaker 20: Honestly, it came out of my ass one day, really

1026
00:39:57,120 --> 00:40:00,160
Speaker 20: whatever nowhere, Like I had just cut my hair and

1027
00:40:00,200 --> 00:40:02,919
Speaker 20: bleashit blonde and I was about to upload my first song.

1028
00:40:03,280 --> 00:40:05,160
Speaker 20: I'm looking in the mirror high as hell and I'm like,

1029
00:40:05,200 --> 00:40:07,520
Speaker 20: I'm not feel to upload this song under my government name.

1030
00:40:08,080 --> 00:40:09,440
Speaker 20: So I don't know, it just came to me. I

1031
00:40:09,560 --> 00:40:11,759
Speaker 20: was like, Klondike Bland, this is it. So I really

1032
00:40:11,880 --> 00:40:14,279
Speaker 20: I uploaded this song, I put the name is Klondike Blond,

1033
00:40:14,280 --> 00:40:15,279
Speaker 20: and it's just fuck what.

1034
00:40:16,760 --> 00:40:17,000
Speaker 11: I mean?

1035
00:40:17,120 --> 00:40:20,680
Speaker 21: Well, honestly, it's you know, she's kind of truncating her

1036
00:40:20,719 --> 00:40:22,360
Speaker 21: story a little bit, but she was on the grind

1037
00:40:22,440 --> 00:40:24,080
Speaker 21: for a minute and actually had a song that went

1038
00:40:24,160 --> 00:40:27,720
Speaker 21: super viral. A lot of people already her drip record

1039
00:40:27,840 --> 00:40:30,680
Speaker 21: went crazy like twenty thirty million strin and I heard

1040
00:40:30,880 --> 00:40:33,200
Speaker 21: like my kids were singing it off of TikTok and

1041
00:40:33,360 --> 00:40:35,680
Speaker 21: I'm like one of them, annoying ass.

1042
00:40:36,840 --> 00:40:38,680
Speaker 7: Like I'm back on my d Yeah.

1043
00:40:38,760 --> 00:40:39,040
Speaker 12: I mean.

1044
00:40:40,640 --> 00:40:42,479
Speaker 21: I didn't know about it, Like I seen my kids

1045
00:40:42,520 --> 00:40:44,560
Speaker 21: singing it, like what is this damn song and the

1046
00:40:44,719 --> 00:40:46,919
Speaker 21: like you got to make sure it's not something appropriate. Yeah,

1047
00:40:47,440 --> 00:40:49,560
Speaker 21: And it's like, oh, this joint is crazy. And then

1048
00:40:49,640 --> 00:40:52,360
Speaker 21: through our connection, you know, through Frisco Chuck in the

1049
00:40:52,400 --> 00:40:56,600
Speaker 21: Bay and everything. She they who runs incredible music, was like, Yo,

1050
00:40:56,880 --> 00:40:59,799
Speaker 21: this is this is that record? And then we met

1051
00:40:59,840 --> 00:41:02,800
Speaker 21: her and knowing that she was already moving as I

1052
00:41:02,920 --> 00:41:06,040
Speaker 21: was like, yo, this she's a superstar, Like when she

1053
00:41:06,120 --> 00:41:08,040
Speaker 21: walked in the room, like that's a star right there.

1054
00:41:08,400 --> 00:41:10,520
Speaker 21: And then from there I was putting together the future

1055
00:41:10,560 --> 00:41:13,000
Speaker 21: Superstar tour and we're like, yo, we could probably make

1056
00:41:13,040 --> 00:41:16,200
Speaker 21: this work. And you know me, I'm always thinking TV shows, movies,

1057
00:41:16,640 --> 00:41:19,320
Speaker 21: products and all that, and she embodied everything that we

1058
00:41:19,400 --> 00:41:22,200
Speaker 21: were trying to put together with that young energy fact

1059
00:41:22,239 --> 00:41:25,120
Speaker 21: that she already had something that was popping and really

1060
00:41:25,239 --> 00:41:27,560
Speaker 21: just wanted to cultivate, Like yo, when you see somebody.

1061
00:41:27,600 --> 00:41:29,520
Speaker 21: I was like, all right, we're gonna tweak it like this.

1062
00:41:29,840 --> 00:41:32,640
Speaker 21: We're gonna take all that viral sensation and put something on.

1063
00:41:32,760 --> 00:41:34,279
Speaker 21: And I was like, Yo, she's a rock star. So

1064
00:41:34,320 --> 00:41:36,680
Speaker 21: we've been going with this punk rock rap movement that

1065
00:41:36,800 --> 00:41:37,280
Speaker 21: she created.

1066
00:41:37,360 --> 00:41:39,080
Speaker 6: Do you feel like you had your I made it moment?

1067
00:41:39,160 --> 00:41:42,360
Speaker 20: Yet I feel like I accomplished everything I said I

1068
00:41:42,440 --> 00:41:44,320
Speaker 20: was gonna do as a kid. But being here and

1069
00:41:44,480 --> 00:41:47,040
Speaker 20: seeing that like I accomplished those things, I still see

1070
00:41:47,080 --> 00:41:48,279
Speaker 20: that I have way further to go.

1071
00:41:48,520 --> 00:41:50,759
Speaker 7: So I don't think in my head that like I'm

1072
00:41:50,800 --> 00:41:52,000
Speaker 7: where exactly where I need to be.

1073
00:41:52,200 --> 00:41:53,799
Speaker 6: She's definitely gona write track, but I'm on the right.

1074
00:41:53,880 --> 00:41:55,120
Speaker 7: Yeah, you definitely almost there.

1075
00:41:55,200 --> 00:41:58,680
Speaker 2: Yeah, So we got more with Nick Cannon and Klondyke Blam.

1076
00:41:58,719 --> 00:42:01,160
Speaker 2: When we come back, it's the Breakfast Come on, all right,

1077
00:42:01,200 --> 00:42:01,759
Speaker 2: welcome back.

1078
00:42:01,800 --> 00:42:04,920
Speaker 13: More than everybody, it's DJ env Charlamagne the guy we

1079
00:42:05,000 --> 00:42:06,920
Speaker 13: are the Breakfast Club is still kicking it with Nick

1080
00:42:06,960 --> 00:42:08,560
Speaker 13: Cannon and klondyke Blonde.

1081
00:42:08,600 --> 00:42:10,799
Speaker 2: Now we taped this in in You yesterday, so Chris

1082
00:42:10,920 --> 00:42:13,640
Speaker 2: Kayln was here Charlamagne. Why why did you just focus

1083
00:42:13,719 --> 00:42:14,480
Speaker 2: on music though?

1084
00:42:14,560 --> 00:42:17,319
Speaker 21: With future superstars, I think we're gonna I mean, that's

1085
00:42:17,400 --> 00:42:18,600
Speaker 21: just the first show that I wrote out.

1086
00:42:18,600 --> 00:42:19,640
Speaker 9: You will see a lot more stuff.

1087
00:42:19,680 --> 00:42:22,000
Speaker 21: I mean, obviously in the space of you know, comedy

1088
00:42:22,120 --> 00:42:24,560
Speaker 21: is where you know, we get off really well, and

1089
00:42:24,719 --> 00:42:27,720
Speaker 21: you know, platforms like wild'n out has birthed so many stars,

1090
00:42:27,920 --> 00:42:30,080
Speaker 21: So I don't I have that place where I can

1091
00:42:30,160 --> 00:42:34,520
Speaker 21: implement social media stars and even comedians and actors because

1092
00:42:34,719 --> 00:42:36,320
Speaker 21: wild'n out is going to continue to go and do

1093
00:42:36,600 --> 00:42:37,320
Speaker 21: do what it needs to do.

1094
00:42:37,400 --> 00:42:38,719
Speaker 5: So I feel like I have that lane.

1095
00:42:38,960 --> 00:42:40,759
Speaker 21: And again, part of the music thing for me was

1096
00:42:40,880 --> 00:42:42,759
Speaker 21: people didn't know that there's a lot of people like

1097
00:42:42,840 --> 00:42:43,759
Speaker 21: Nick Cannon does music.

1098
00:42:44,120 --> 00:42:47,080
Speaker 9: And then then so the fact that is like see

1099
00:42:47,120 --> 00:42:51,719
Speaker 9: this mother, not even just the word music like before

1100
00:42:51,760 --> 00:42:52,480
Speaker 9: I was rapper.

1101
00:42:52,680 --> 00:42:53,759
Speaker 10: Right now, music.

1102
00:42:55,280 --> 00:43:01,200
Speaker 9: This music is something every project, all of my successful projects,

1103
00:43:01,280 --> 00:43:02,920
Speaker 9: Charlotte Mane have music in them.

1104
00:43:02,920 --> 00:43:05,560
Speaker 2: And I'm a musical gospel song with Kim Burrell.

1105
00:43:06,680 --> 00:43:11,279
Speaker 9: With Kim Ky, I was lying.

1106
00:43:12,560 --> 00:43:14,120
Speaker 2: I just was like, you know what, I'm not gonna

1107
00:43:14,120 --> 00:43:14,600
Speaker 2: do them like that.

1108
00:43:14,680 --> 00:43:17,880
Speaker 9: And I'm not even talking about I'm.

1109
00:43:19,920 --> 00:43:24,959
Speaker 21: So like mass singer America's got talent absolutely all music

1110
00:43:25,080 --> 00:43:28,360
Speaker 21: based stuff, wild'n out every like, and I say this

1111
00:43:28,440 --> 00:43:28,799
Speaker 21: all the time.

1112
00:43:28,880 --> 00:43:30,400
Speaker 9: I make all the music on wild'ing Out.

1113
00:43:30,680 --> 00:43:33,440
Speaker 21: But it's just like people just they see the aspect

1114
00:43:33,800 --> 00:43:36,160
Speaker 21: of like drum line, like everything, like everything that I

1115
00:43:36,280 --> 00:43:38,759
Speaker 21: do has a musical vibration to it.

1116
00:43:39,120 --> 00:43:42,480
Speaker 9: It's just that, you know, for whatever reason, because like this,

1117
00:43:42,760 --> 00:43:45,640
Speaker 9: the narrative is that I haven't been successful.

1118
00:43:45,760 --> 00:43:46,520
Speaker 2: Nothing to do with me.

1119
00:43:47,200 --> 00:43:51,399
Speaker 9: You're the corporate you. I only say rap. I don't

1120
00:43:51,400 --> 00:43:53,200
Speaker 9: feel just that music.

1121
00:43:53,239 --> 00:43:56,759
Speaker 21: You see how the comedian I take the rap the

1122
00:43:56,760 --> 00:44:00,680
Speaker 21: clip back like, but now it's like now now I'm

1123
00:44:00,719 --> 00:44:03,960
Speaker 21: not successful in music like people do those things though,

1124
00:44:04,000 --> 00:44:05,480
Speaker 21: But that's why that's the whole purpose.

1125
00:44:05,239 --> 00:44:06,400
Speaker 9: Of Future Superstar and itself.

1126
00:44:06,440 --> 00:44:08,200
Speaker 21: Like we joking, we're friends and shit like that, but

1127
00:44:08,480 --> 00:44:11,520
Speaker 21: it really is educating people to the space of like, Yo,

1128
00:44:11,600 --> 00:44:13,799
Speaker 21: I've been a music executive for over twenty years, but.

1129
00:44:13,760 --> 00:44:16,680
Speaker 2: Do you think you overworking? We know you had health

1130
00:44:16,760 --> 00:44:19,200
Speaker 2: issues before, yeah, but you it don't seem like you

1131
00:44:19,239 --> 00:44:21,320
Speaker 2: slow down. It seemed like that made you work harder.

1132
00:44:21,120 --> 00:44:21,680
Speaker 5: Like gave me more.

1133
00:44:22,080 --> 00:44:24,600
Speaker 21: I mean the clocks start ticking faster, like it gave

1134
00:44:24,640 --> 00:44:26,920
Speaker 21: me like yo, I really had to get serious in

1135
00:44:27,000 --> 00:44:29,360
Speaker 21: that sense of like yo, all right, let's it's bandwidth

1136
00:44:29,440 --> 00:44:30,120
Speaker 21: more than anything.

1137
00:44:30,400 --> 00:44:31,759
Speaker 5: It's like, all right, I got a lot to do.

1138
00:44:32,040 --> 00:44:33,160
Speaker 5: You know, God ain't done with me.

1139
00:44:33,480 --> 00:44:36,319
Speaker 21: He's he's blessed me with the opportunity to have gone

1140
00:44:36,360 --> 00:44:38,200
Speaker 21: through some real and now it's like all right, now,

1141
00:44:38,360 --> 00:44:40,879
Speaker 21: let's get your health together. Let's lock in and really

1142
00:44:40,960 --> 00:44:42,480
Speaker 21: focus and make the most of your time. So every

1143
00:44:42,560 --> 00:44:44,480
Speaker 21: day that I wake up healthy, it don't hurt. It's

1144
00:44:44,520 --> 00:44:45,840
Speaker 21: like I got to get to it. Like that's the

1145
00:44:45,920 --> 00:44:47,800
Speaker 21: blessing in itself. So do you really think like the

1146
00:44:48,560 --> 00:44:51,239
Speaker 21: hell yeah, especially like during that time it got dark,

1147
00:44:51,400 --> 00:44:54,040
Speaker 21: like during like you know, twenty twelve to even like

1148
00:44:54,120 --> 00:44:56,839
Speaker 21: twenty sixteen, cause I didn't know and I couldn't get

1149
00:44:56,920 --> 00:44:59,680
Speaker 21: this right. So every time I got one thing rightly,

1150
00:45:00,080 --> 00:45:03,320
Speaker 21: I get a blood clot here, a pulmonary embolism.

1151
00:45:03,400 --> 00:45:04,560
Speaker 9: I couldn't like my lungs.

1152
00:45:04,640 --> 00:45:07,279
Speaker 21: Like, So once I got to this space of like

1153
00:45:07,320 --> 00:45:10,000
Speaker 21: all right, I figured out, you know, how to stay

1154
00:45:10,120 --> 00:45:12,719
Speaker 21: healthy and how to stay alive, then it's like that's

1155
00:45:12,880 --> 00:45:15,320
Speaker 21: the constant reminder of like you gotta do something with this.

1156
00:45:15,440 --> 00:45:17,719
Speaker 5: You got to turn your pain into purpose and and

1157
00:45:17,920 --> 00:45:20,160
Speaker 5: for me that became.

1158
00:45:20,120 --> 00:45:22,680
Speaker 21: Helping others, like and you know, you go through this

1159
00:45:23,280 --> 00:45:27,040
Speaker 21: this spiritual transition of like, all the things that feed

1160
00:45:27,160 --> 00:45:29,560
Speaker 21: me are probably not the best for me. But when

1161
00:45:29,560 --> 00:45:33,319
Speaker 21: I'm feeding others, that's when I feel the healthiest. That's

1162
00:45:33,360 --> 00:45:37,480
Speaker 21: when I feel the drive to do so. Now I

1163
00:45:37,600 --> 00:45:39,160
Speaker 21: live in that space, I'm like, all right, what can

1164
00:45:39,239 --> 00:45:41,239
Speaker 21: I do to make the world a better place? What

1165
00:45:41,320 --> 00:45:43,920
Speaker 21: can I do to lend a hand to the next artist?

1166
00:45:44,080 --> 00:45:47,800
Speaker 21: And you know that's you know, that's that's that healthy

1167
00:45:47,880 --> 00:45:50,359
Speaker 21: journey for me to where it gives me that drive

1168
00:45:50,400 --> 00:45:52,040
Speaker 21: because I don't feel like I'm busy. I don't feel

1169
00:45:52,040 --> 00:45:54,400
Speaker 21: like I'm doing too much. I feel like, yo, this

1170
00:45:54,600 --> 00:45:57,120
Speaker 21: is this is my calling. This is where I'm supposed

1171
00:45:57,160 --> 00:46:00,280
Speaker 21: to go with it. So, you know, hopefully, however, anymore

1172
00:46:00,360 --> 00:46:01,759
Speaker 21: years I got left, was.

1173
00:46:01,760 --> 00:46:03,439
Speaker 2: That the reason you started having so many kids?

1174
00:46:04,000 --> 00:46:06,200
Speaker 9: People say that I don't know, like I if I,

1175
00:46:06,360 --> 00:46:08,200
Speaker 9: if I took the spiritual you might.

1176
00:46:08,120 --> 00:46:13,040
Speaker 2: Have said it in an interviewer joked around, Yeah, but.

1177
00:46:13,520 --> 00:46:16,359
Speaker 21: If I'm being serious, it wasn't like I set out

1178
00:46:16,480 --> 00:46:18,239
Speaker 21: to do it. It probably got to that space of

1179
00:46:18,400 --> 00:46:21,520
Speaker 21: like I value being a father, I value life. So

1180
00:46:21,600 --> 00:46:24,120
Speaker 21: I was I was never against the concept. And if

1181
00:46:24,160 --> 00:46:27,279
Speaker 21: we want to have deeper conversations about you know, like

1182
00:46:27,400 --> 00:46:30,520
Speaker 21: what I talk about in therapy and even as as men,

1183
00:46:30,760 --> 00:46:34,560
Speaker 21: it's like there are those times and we've been you know,

1184
00:46:34,800 --> 00:46:37,759
Speaker 21: I call it access to access. I have the ability

1185
00:46:38,719 --> 00:46:43,160
Speaker 21: to do my thing and bro and and a lot

1186
00:46:43,239 --> 00:46:46,960
Speaker 21: of others. Probably I could I could have stopped, you know,

1187
00:46:47,800 --> 00:46:50,360
Speaker 21: and and or even not had the children. But I

1188
00:46:51,000 --> 00:46:54,040
Speaker 21: was welcoming the idea of it and was never against it.

1189
00:46:54,160 --> 00:46:56,279
Speaker 21: People say, or people's opinions about me is none of

1190
00:46:56,360 --> 00:47:00,279
Speaker 21: my business. And and if anything, I take that that

1191
00:47:00,400 --> 00:47:02,799
Speaker 21: low frequency energy and shifted to where it's like all

1192
00:47:02,880 --> 00:47:05,120
Speaker 21: I keep talking because I'm doing the work.

1193
00:47:05,280 --> 00:47:07,440
Speaker 4: How you how are you women? In Christmas?

1194
00:47:08,680 --> 00:47:11,279
Speaker 12: It is it low frequency energy? If people say, Nick,

1195
00:47:11,320 --> 00:47:12,200
Speaker 12: why don't you wear conn?

1196
00:47:14,960 --> 00:47:15,880
Speaker 9: Who told you?

1197
00:47:16,320 --> 00:47:17,360
Speaker 5: I don't wear condom?

1198
00:47:20,440 --> 00:47:21,920
Speaker 9: You need the sue you use, the kind of you

1199
00:47:22,040 --> 00:47:22,520
Speaker 9: need your suit?

1200
00:47:23,120 --> 00:47:24,520
Speaker 2: How do you do it Christmas?

1201
00:47:25,440 --> 00:47:27,399
Speaker 21: I mean I joked, I say all I'm saying Nick

1202
00:47:27,520 --> 00:47:30,000
Speaker 21: and everything, But it's really structured in a way to

1203
00:47:30,080 --> 00:47:33,080
Speaker 21: where those I kind of take that week and turn

1204
00:47:33,200 --> 00:47:36,560
Speaker 21: it into Christmas week, you know, And and there is

1205
00:47:37,040 --> 00:47:39,360
Speaker 21: because I'm traveling and flying like I'm trying to be

1206
00:47:39,600 --> 00:47:40,200
Speaker 21: every everybody.

1207
00:47:40,239 --> 00:47:41,600
Speaker 5: And even Thanksgiving was the same way.

1208
00:47:41,600 --> 00:47:44,600
Speaker 21: I was in five six different Thanksgivings at the time

1209
00:47:44,600 --> 00:47:47,360
Speaker 21: because it's not it's my mom's house, because my grandmother says.

1210
00:47:47,160 --> 00:47:48,680
Speaker 4: Nobody said twenty minutes, thirty minutes.

1211
00:47:49,120 --> 00:47:54,600
Speaker 21: I mean dinner, y'all play spas I'm out to the

1212
00:47:54,680 --> 00:47:56,319
Speaker 21: next time do you eat?

1213
00:47:57,120 --> 00:47:59,920
Speaker 9: I mean, I'm telling everybody. You know, everybody cook different.

1214
00:48:00,080 --> 00:48:04,920
Speaker 9: So the last time you got my white baby mom,

1215
00:48:04,920 --> 00:48:11,320
Speaker 9: I'm not really eating pumpkin pies.

1216
00:48:13,160 --> 00:48:14,279
Speaker 5: One of your baby mom's breech.

1217
00:48:14,360 --> 00:48:17,200
Speaker 12: She said, how you juggle your twelve kids for the

1218
00:48:17,239 --> 00:48:19,200
Speaker 12: holidays is your problem, and.

1219
00:48:19,239 --> 00:48:20,520
Speaker 9: I don't see it as a problem. I think she

1220
00:48:20,640 --> 00:48:22,920
Speaker 9: was saying, like that's it is, but it's I don't.

1221
00:48:22,840 --> 00:48:25,560
Speaker 5: Involve her, like sheel like a baby Mom's gotta make

1222
00:48:25,600 --> 00:48:26,759
Speaker 5: it easy for you too, right, they.

1223
00:48:26,680 --> 00:48:28,680
Speaker 21: Do, and that's what I, like, I said, I give

1224
00:48:28,760 --> 00:48:31,320
Speaker 21: them credit to where like even in the process of

1225
00:48:31,480 --> 00:48:33,440
Speaker 21: like they say, this is what we want, and it's

1226
00:48:33,480 --> 00:48:37,320
Speaker 21: everything from Christmas pictures, the slid riding the pictures with

1227
00:48:37,480 --> 00:48:40,240
Speaker 21: saying that our experiences, like I make sure that every

1228
00:48:40,520 --> 00:48:42,600
Speaker 21: kid who wants to do something or we have certain

1229
00:48:42,640 --> 00:48:44,640
Speaker 21: things set up, we make time to go do it.

1230
00:48:44,760 --> 00:48:47,080
Speaker 9: So I'm all over the damn place. But it's fun.

1231
00:48:47,160 --> 00:48:48,920
Speaker 21: I mean, y'all see my ig, You see me, like

1232
00:48:49,200 --> 00:48:51,640
Speaker 21: we're having a ball. Like you know how much money

1233
00:48:51,680 --> 00:48:53,279
Speaker 21: I spend at Disneyland a year.

1234
00:48:53,440 --> 00:48:56,200
Speaker 5: We can imagine a lot. I got six.

1235
00:48:59,000 --> 00:49:01,799
Speaker 21: Crazy thing is because I used to host Christmas Morning

1236
00:49:01,840 --> 00:49:03,440
Speaker 21: at Disneyland, right, and so I used to get that

1237
00:49:03,560 --> 00:49:06,160
Speaker 21: Disney bag like it was like and it was there

1238
00:49:06,200 --> 00:49:09,000
Speaker 21: were perks, so all of that stuff was free.

1239
00:49:09,320 --> 00:49:11,719
Speaker 9: No longer for you, it's no longer free. And how

1240
00:49:11,800 --> 00:49:13,200
Speaker 9: we had two kids then.

1241
00:49:13,200 --> 00:49:15,759
Speaker 21: So like to be twelve and every birthday christ like

1242
00:49:15,960 --> 00:49:18,520
Speaker 21: I'm literally at Disneyland at least once a month, and

1243
00:49:18,640 --> 00:49:22,560
Speaker 21: to move around Disney like I probably I'm probably spending

1244
00:49:23,000 --> 00:49:24,760
Speaker 21: two hundred thousand dollars a year.

1245
00:49:27,040 --> 00:49:28,440
Speaker 2: Cause you got pay for the chaperone you got.

1246
00:49:29,640 --> 00:49:32,840
Speaker 21: Didneyland is expensive a top, like if you're trying to

1247
00:49:32,840 --> 00:49:35,080
Speaker 21: stay in the hotel, and now it's it's not how

1248
00:49:35,120 --> 00:49:37,920
Speaker 21: it used to be, like you gotta make reservations and stuff.

1249
00:49:37,920 --> 00:49:41,520
Speaker 21: But so I spending two hundred thousand dollars a year

1250
00:49:41,560 --> 00:49:42,480
Speaker 21: at Disneyland.

1251
00:49:42,840 --> 00:49:44,520
Speaker 6: You need to give you, like a membership or something.

1252
00:49:44,840 --> 00:49:49,280
Speaker 9: I used to be an employeed. Like I I'm like, Mickey,

1253
00:49:49,360 --> 00:49:53,200
Speaker 9: can you can I get back in my job? That's

1254
00:49:53,239 --> 00:49:53,680
Speaker 9: what job?

1255
00:49:53,719 --> 00:49:54,279
Speaker 15: I need back.

1256
00:49:54,320 --> 00:49:56,239
Speaker 13: But there's any woman that you had a child with,

1257
00:49:56,400 --> 00:49:58,759
Speaker 13: did they feel like they were gonna stop you from

1258
00:49:58,800 --> 00:49:59,920
Speaker 13: doing it and you were gonna be the one?

1259
00:50:00,080 --> 00:50:00,799
Speaker 4: Did y'all ever have that.

1260
00:50:00,880 --> 00:50:01,759
Speaker 9: Conversation to them?

1261
00:50:02,000 --> 00:50:04,920
Speaker 21: I mean, the women in my life are so amazing

1262
00:50:04,960 --> 00:50:07,520
Speaker 21: that they are elevated in the sense that they never

1263
00:50:07,680 --> 00:50:09,840
Speaker 21: tried to change them. They knew what it was and

1264
00:50:09,960 --> 00:50:12,560
Speaker 21: it wasn't like it was just a process because all

1265
00:50:12,640 --> 00:50:15,319
Speaker 21: of them started off as true companions. And I look

1266
00:50:15,400 --> 00:50:17,040
Speaker 21: at them now, like those are the people I talked to,

1267
00:50:17,280 --> 00:50:19,680
Speaker 21: like that's my circle, That's who I That's who I

1268
00:50:19,800 --> 00:50:22,600
Speaker 21: go to when I'm having issues because the world a

1269
00:50:22,680 --> 00:50:24,840
Speaker 21: lot of times is against us. So like we gotta

1270
00:50:24,920 --> 00:50:27,200
Speaker 21: stick together in the sense of like I gotta protect

1271
00:50:27,239 --> 00:50:29,840
Speaker 21: them and they gotta protect me. Even not to generalize

1272
00:50:29,880 --> 00:50:32,000
Speaker 21: them as a group, but just individually, those are the

1273
00:50:32,040 --> 00:50:33,920
Speaker 21: people that I go to when I'm depressed, when I'm

1274
00:50:34,160 --> 00:50:35,360
Speaker 21: the relationship or not.

1275
00:50:35,520 --> 00:50:37,799
Speaker 2: All right, we got more with Nick Cannon, the Klondyke Blonde.

1276
00:50:37,800 --> 00:50:39,600
Speaker 13: When we come back, it's the Breakfast Club. Good morning,

1277
00:50:39,719 --> 00:50:42,680
Speaker 13: all right, welcome back. More than everybody. It's dej nv

1278
00:50:42,880 --> 00:50:45,080
Speaker 13: Charlamagne the guy. We are the Breakfast Club. It's still

1279
00:50:45,160 --> 00:50:47,960
Speaker 13: kicking it with Nick Cannon and Klondyke Blonde. Now we

1280
00:50:48,080 --> 00:50:48,680
Speaker 13: take the cit of you.

1281
00:50:48,800 --> 00:50:52,239
Speaker 2: Yesterday, so Chris Kaitlin was his and I got a question, Nick,

1282
00:50:52,320 --> 00:50:54,040
Speaker 2: want to get married? Do you look at you see that?

1283
00:50:55,080 --> 00:50:55,560
Speaker 4: Never again?

1284
00:50:55,640 --> 00:50:59,000
Speaker 9: Absolutely no. I mean because last time I got I

1285
00:50:59,200 --> 00:51:00,400
Speaker 9: used my words in correctly.

1286
00:51:00,480 --> 00:51:02,520
Speaker 21: Last time we was having conversation, i'd be forgetting the

1287
00:51:02,560 --> 00:51:06,640
Speaker 21: mixes on it, and I said it was a eurocentric concept.

1288
00:51:07,160 --> 00:51:11,600
Speaker 21: What I really meant is the colonial aspect of marriage.

1289
00:51:11,640 --> 00:51:15,600
Speaker 21: It's a business, and I've been in that business before.

1290
00:51:16,000 --> 00:51:17,480
Speaker 21: I don't want to be in that business no more.

1291
00:51:17,480 --> 00:51:19,880
Speaker 21: It's so much paperwork. I don't want the government to

1292
00:51:19,960 --> 00:51:23,200
Speaker 21: be involved with my love life. I shouldn't have to

1293
00:51:23,280 --> 00:51:26,799
Speaker 21: have a legal document or a contract to let someone

1294
00:51:26,880 --> 00:51:28,239
Speaker 21: know how much I care for them. Now I want

1295
00:51:28,280 --> 00:51:30,480
Speaker 21: to be their protector and that provider. It's kind of

1296
00:51:30,520 --> 00:51:33,080
Speaker 21: like the child support system. If you take care of

1297
00:51:33,200 --> 00:51:38,600
Speaker 21: your children, there's no need for paperwork. Because I want

1298
00:51:38,640 --> 00:51:41,279
Speaker 21: I want my kids to have everything that I own

1299
00:51:41,800 --> 00:51:43,680
Speaker 21: I want. I don't want them to go without at all.

1300
00:51:43,719 --> 00:51:46,080
Speaker 21: I want them to live an abundant life. So I

1301
00:51:46,120 --> 00:51:48,360
Speaker 21: don't need the government to tell me the minimum that

1302
00:51:48,440 --> 00:51:50,200
Speaker 21: I need to pay, because I'm gonna give them the maximum.

1303
00:51:50,640 --> 00:51:53,040
Speaker 9: So same thing with love and marriage.

1304
00:51:53,200 --> 00:51:55,400
Speaker 21: If I put you for life, I don't need to

1305
00:51:55,440 --> 00:51:59,360
Speaker 21: be binded by a contract or a ring. And therefore

1306
00:51:59,480 --> 00:52:02,080
Speaker 21: that's in the way those contracts are designed.

1307
00:52:02,480 --> 00:52:06,960
Speaker 9: That's from a Roman Catholicism approach of how we do it.

1308
00:52:07,040 --> 00:52:10,640
Speaker 21: There's ways to have unions and covenants and marriages through

1309
00:52:10,719 --> 00:52:13,600
Speaker 21: so many other philosophies and life specifically. You know in

1310
00:52:13,680 --> 00:52:17,800
Speaker 21: our African community from the diaspora, they do it differently,

1311
00:52:18,480 --> 00:52:21,840
Speaker 21: and you know, I'm learning and understanding those processes, but

1312
00:52:21,920 --> 00:52:25,239
Speaker 21: I know you go over to the continent, it ain't

1313
00:52:25,280 --> 00:52:29,080
Speaker 21: about contracts, it ain't about paperwork and rings. It's like, nah,

1314
00:52:29,160 --> 00:52:31,480
Speaker 21: this is my wife, this is my wife, and however

1315
00:52:31,560 --> 00:52:36,200
Speaker 21: that moves around. So the concept of the American society marriage,

1316
00:52:36,239 --> 00:52:38,759
Speaker 21: I'll never do that again. But who's to say I

1317
00:52:38,800 --> 00:52:42,279
Speaker 21: can't find a life partner that I'm a rock with.

1318
00:52:42,360 --> 00:52:45,360
Speaker 21: I'm wen't know, Like were in that state where It's like,

1319
00:52:45,760 --> 00:52:47,440
Speaker 21: by the time I'm in my sixties, I want to

1320
00:52:47,480 --> 00:52:49,240
Speaker 21: be on an island or the top of a mountain

1321
00:52:49,280 --> 00:52:50,719
Speaker 21: in Tibet somewhere with somebody I.

1322
00:52:50,760 --> 00:52:51,640
Speaker 9: Could rock with forever.

1323
00:52:52,080 --> 00:52:55,160
Speaker 2: So I'm living like cam A Lliles actually told me

1324
00:52:55,200 --> 00:52:55,759
Speaker 2: a long time ago.

1325
00:52:55,760 --> 00:52:57,160
Speaker 12: He said, I can't tell you to get married, but

1326
00:52:57,200 --> 00:52:59,320
Speaker 12: I can tell you you should always have somebody to

1327
00:52:59,360 --> 00:53:00,319
Speaker 12: share you experien.

1328
00:53:01,960 --> 00:53:02,000
Speaker 8: That.

1329
00:53:02,120 --> 00:53:04,880
Speaker 21: He you like that, I can see myself doing that.

1330
00:53:04,960 --> 00:53:06,719
Speaker 21: And then the fact that people like, aren't you worried

1331
00:53:06,719 --> 00:53:09,719
Speaker 21: about getting lonely, Like I got twelve kids, they never

1332
00:53:09,800 --> 00:53:11,759
Speaker 21: gonna be homeing somebody coming over, like.

1333
00:53:11,880 --> 00:53:13,719
Speaker 12: But even with that, that's scary too though, right because

1334
00:53:13,719 --> 00:53:17,120
Speaker 12: I read something where it said you spend seventy percent

1335
00:53:17,280 --> 00:53:19,520
Speaker 12: of all the time you're ever gonna spend with your

1336
00:53:19,640 --> 00:53:21,200
Speaker 12: kids between one and eighteen.

1337
00:53:21,760 --> 00:53:22,440
Speaker 2: That's when you.

1338
00:53:22,480 --> 00:53:25,359
Speaker 12: Think about it, that's probably true. Many times. You've probably

1339
00:53:25,360 --> 00:53:27,920
Speaker 12: seen your parents as you get it an become an

1340
00:53:27,920 --> 00:53:29,439
Speaker 12: adult and you're out in the world trying to pick

1341
00:53:29,520 --> 00:53:29,920
Speaker 12: things out.

1342
00:53:30,120 --> 00:53:31,640
Speaker 21: And then even when you think about like the time

1343
00:53:31,680 --> 00:53:33,600
Speaker 21: that they spend at school and sports and stuff like that,

1344
00:53:33,719 --> 00:53:36,120
Speaker 21: there's other people with your children throughout the day more

1345
00:53:36,200 --> 00:53:38,319
Speaker 21: than you are, and I'm learning that too, because I'm

1346
00:53:38,520 --> 00:53:40,600
Speaker 21: trying to be present at all of these games, and

1347
00:53:40,920 --> 00:53:43,600
Speaker 21: you know, I'm picking them up from school and knowing

1348
00:53:43,640 --> 00:53:46,520
Speaker 21: the teachers and spending time at the recitals, and it's like,

1349
00:53:46,800 --> 00:53:48,839
Speaker 21: I want them to at least see my presence there

1350
00:53:48,880 --> 00:53:50,680
Speaker 21: because I know there's gonna be a time where I'm

1351
00:53:50,680 --> 00:53:52,360
Speaker 21: on a film set for two months. There's gonna be

1352
00:53:52,400 --> 00:53:54,839
Speaker 21: time where I'm on tour over here. So I want

1353
00:53:54,920 --> 00:53:57,200
Speaker 21: them to see me every free time that I can.

1354
00:53:57,320 --> 00:54:00,000
Speaker 21: Because when you think about the person with the average person,

1355
00:54:00,120 --> 00:54:04,439
Speaker 21: one are nine to five from eight am to three

1356
00:54:04,480 --> 00:54:07,000
Speaker 21: of them, they are under the supervision of a completely

1357
00:54:07,040 --> 00:54:07,680
Speaker 21: different adult.

1358
00:54:08,080 --> 00:54:09,880
Speaker 9: And then even by the time you get get to

1359
00:54:09,960 --> 00:54:11,680
Speaker 9: where you tired, they tired.

1360
00:54:11,760 --> 00:54:14,560
Speaker 21: You might get to see your kids what from six

1361
00:54:14,680 --> 00:54:18,759
Speaker 21: to eight and then y'all sleep and then again like

1362
00:54:18,840 --> 00:54:22,600
Speaker 21: so like the average because with my with my therapist,

1363
00:54:22,640 --> 00:54:26,279
Speaker 21: we've done the the math on it. The average time

1364
00:54:26,440 --> 00:54:28,080
Speaker 21: that a parent spends with their kids a day is

1365
00:54:28,239 --> 00:54:31,359
Speaker 21: less than three hours. And then when you think about

1366
00:54:31,440 --> 00:54:33,880
Speaker 21: like that's why weekends are so important, that's why vacations

1367
00:54:33,880 --> 00:54:36,800
Speaker 21: are so important, because that's when they really get to

1368
00:54:36,880 --> 00:54:38,520
Speaker 21: know you, and that's when you really get to it's all.

1369
00:54:38,640 --> 00:54:41,440
Speaker 21: It's about the qualitative approach, and it's really about creating

1370
00:54:41,560 --> 00:54:43,719
Speaker 21: as many core memories in that amount of time that

1371
00:54:43,760 --> 00:54:44,600
Speaker 21: you possibly.

1372
00:54:44,360 --> 00:54:47,960
Speaker 12: Your therapist talks about average parent, you ain't talking about you, right, no, because.

1373
00:54:47,760 --> 00:54:49,920
Speaker 2: Clearly, but that's what to me.

1374
00:54:50,000 --> 00:54:51,920
Speaker 9: I'm trying to go above and beyond.

1375
00:54:51,680 --> 00:54:53,920
Speaker 21: When it comes to that that parenting aspect, because I'm

1376
00:54:53,920 --> 00:54:56,040
Speaker 21: trying to create the best core memories as possible. Because

1377
00:54:56,120 --> 00:54:57,920
Speaker 21: core memories can be in a positive light or in

1378
00:54:57,960 --> 00:55:00,640
Speaker 21: a negative light. So you know, I don't ever and

1379
00:55:00,719 --> 00:55:03,080
Speaker 21: that that's all about keeping your word. That's all about

1380
00:55:03,160 --> 00:55:06,040
Speaker 21: managing expectations, because if I tell my kids something, I'm

1381
00:55:06,040 --> 00:55:08,400
Speaker 21: gonna make sure I do it. And and you know,

1382
00:55:08,640 --> 00:55:11,680
Speaker 21: obviously I have a strong support team that helped me

1383
00:55:11,719 --> 00:55:14,400
Speaker 21: accomplish a lot of that. But again, you know, is

1384
00:55:15,320 --> 00:55:17,560
Speaker 21: as important as it is to sit back and analyze

1385
00:55:17,600 --> 00:55:18,680
Speaker 21: these things through therapy.

1386
00:55:19,239 --> 00:55:20,960
Speaker 9: Uh And I mean you know this very well.

1387
00:55:21,040 --> 00:55:22,040
Speaker 2: It's like you're.

1388
00:55:21,920 --> 00:55:24,399
Speaker 21: Constantly trying to grow. You're constantly trying to figure out

1389
00:55:24,400 --> 00:55:27,360
Speaker 21: how can I be a better dad? And considering the circumstance, I.

1390
00:55:27,360 --> 00:55:29,440
Speaker 2: Saw the mask Guttie Murphy too. To give you some advice.

1391
00:55:29,800 --> 00:55:30,360
Speaker 5: Did you see that?

1392
00:55:30,520 --> 00:55:30,920
Speaker 4: I love it.

1393
00:55:32,000 --> 00:55:33,120
Speaker 9: I was waiting for the advice.

1394
00:55:34,800 --> 00:55:35,400
Speaker 6: Absolutely, not.

1395
00:55:41,360 --> 00:55:42,440
Speaker 9: Eddie quick too, because he was.

1396
00:55:43,040 --> 00:55:45,320
Speaker 21: I look up to the Eddie Murphy's, to the Bob Marley's,

1397
00:55:45,320 --> 00:55:47,960
Speaker 21: to the Muhammad al Lei's, to all to the Doctor Saves,

1398
00:55:48,000 --> 00:55:51,760
Speaker 21: to all these people who have giant families and providing

1399
00:55:51,840 --> 00:55:54,359
Speaker 21: for them all in all of their When you talk

1400
00:55:54,440 --> 00:55:57,600
Speaker 21: to anybody in Muhammad Ali's, can anybody in the Marley family?

1401
00:55:57,640 --> 00:55:58,000
Speaker 10: Anybody?

1402
00:55:58,320 --> 00:56:01,839
Speaker 5: They love their father so much and they like, man,

1403
00:56:01,880 --> 00:56:02,880
Speaker 5: my father was amazing.

1404
00:56:02,960 --> 00:56:03,160
Speaker 8: Like that.

1405
00:56:03,360 --> 00:56:06,600
Speaker 21: I hope and pray people look at me the way

1406
00:56:07,440 --> 00:56:10,400
Speaker 21: my children look at me, the way that Eddie's children

1407
00:56:10,440 --> 00:56:10,960
Speaker 21: look at him.

1408
00:56:11,040 --> 00:56:12,320
Speaker 9: I hope and pray that.

1409
00:56:12,560 --> 00:56:15,120
Speaker 21: You know the way that people admire Muhammad Ali is

1410
00:56:15,160 --> 00:56:18,440
Speaker 21: the father that he was. Like that's hopefully, you know,

1411
00:56:18,840 --> 00:56:20,920
Speaker 21: ten fifteen years from now, my children are saying those

1412
00:56:20,920 --> 00:56:21,759
Speaker 21: type of things about me.

1413
00:56:22,120 --> 00:56:24,120
Speaker 2: Well, we appreciate you for joining us. Nick Cannon and

1414
00:56:24,200 --> 00:56:25,480
Speaker 2: Klondyke Blonde.

1415
00:56:25,800 --> 00:56:29,160
Speaker 5: Clondyke Blonde next door like is it a project dropping?

1416
00:56:29,320 --> 00:56:29,360
Speaker 9: Like?

1417
00:56:29,440 --> 00:56:29,800
Speaker 11: What is it?

1418
00:56:30,360 --> 00:56:32,239
Speaker 20: We are working on a lot of records right now

1419
00:56:32,320 --> 00:56:34,520
Speaker 20: within the punk rock rap little genre.

1420
00:56:35,880 --> 00:56:38,640
Speaker 21: She and that vibe that that little uzzy, that juice

1421
00:56:38,680 --> 00:56:41,800
Speaker 21: world that she's like that whole festival vibe. So she

1422
00:56:42,239 --> 00:56:43,480
Speaker 21: you know, you're gonna see her doing a lot a

1423
00:56:43,520 --> 00:56:46,120
Speaker 21: lot of shows and like, yeah, she got the tatted

1424
00:56:46,239 --> 00:56:48,960
Speaker 21: Up record out right now that's streaming going crazy. You know,

1425
00:56:49,080 --> 00:56:52,280
Speaker 21: the tattoo world is a real world that she's embraced

1426
00:56:52,320 --> 00:56:55,440
Speaker 21: and living and like her punk rock rap music is

1427
00:56:55,480 --> 00:56:57,239
Speaker 21: gonna is gonna go up. So she's one of those

1428
00:56:57,320 --> 00:56:59,560
Speaker 21: artists that stream. Like again, that was one of the

1429
00:56:59,640 --> 00:57:02,759
Speaker 21: issues created. Like you heard the song, you heard the

1430
00:57:02,840 --> 00:57:04,759
Speaker 21: song on TikTok, you know that, but you never see

1431
00:57:04,800 --> 00:57:07,680
Speaker 21: the person. Now we're gonna turn her into the superstar

1432
00:57:07,760 --> 00:57:09,480
Speaker 21: that she needs to be and you know, allow her

1433
00:57:09,520 --> 00:57:11,360
Speaker 21: fans to kind of touch her in the way that

1434
00:57:11,560 --> 00:57:12,320
Speaker 21: you know it be.

1435
00:57:12,520 --> 00:57:13,880
Speaker 5: Hopefully we take it to that level with.

1436
00:57:14,080 --> 00:57:16,400
Speaker 2: All on Incredible. I know, Justina Valentine.

1437
00:57:16,160 --> 00:57:21,360
Speaker 21: Hitman holler, yeah, those are I mean, there's a plethora

1438
00:57:21,640 --> 00:57:23,439
Speaker 21: of acts that we're working with. And again I don't

1439
00:57:23,480 --> 00:57:25,200
Speaker 21: like to be like, oh, you're signed to Incredible, but

1440
00:57:25,280 --> 00:57:27,560
Speaker 21: these are the people from the artists that you see

1441
00:57:28,160 --> 00:57:30,200
Speaker 21: on you know, even people like DC. Young Fly is

1442
00:57:30,200 --> 00:57:33,600
Speaker 21: an amazing artist. It's just that we gotta line it

1443
00:57:33,680 --> 00:57:35,360
Speaker 21: up for when it's time to focus on his music

1444
00:57:35,400 --> 00:57:37,880
Speaker 21: because he's doing so many other things. So the artists

1445
00:57:37,880 --> 00:57:41,200
Speaker 21: that we're focusing on at the moment is Klondyke, hit Man,

1446
00:57:41,440 --> 00:57:43,520
Speaker 21: and Justine are the ones that you're gonna see in

1447
00:57:43,520 --> 00:57:46,560
Speaker 21: the like within the next sixty days dropping and you know,

1448
00:57:46,600 --> 00:57:49,680
Speaker 21: we got a lot of Season two of Future Superstars

1449
00:57:49,720 --> 00:57:50,720
Speaker 21: is gonna be a whole nother run.

1450
00:57:51,000 --> 00:57:52,400
Speaker 6: He's until you got to come to Charleston.

1451
00:57:52,880 --> 00:57:55,360
Speaker 9: We do have some talent percent.

1452
00:57:55,440 --> 00:57:56,600
Speaker 5: I mean, you got Caroline.

1453
00:57:56,640 --> 00:57:57,720
Speaker 6: You can hear some awesome thing.

1454
00:57:57,880 --> 00:57:58,000
Speaker 16: You know.

1455
00:57:58,080 --> 00:57:58,520
Speaker 7: We we are.

1456
00:57:58,600 --> 00:58:02,800
Speaker 9: We are Carolina right here, Carolina over here. I'm gonta

1457
00:58:02,800 --> 00:58:03,880
Speaker 9: be there tomorrow.

1458
00:58:04,480 --> 00:58:08,600
Speaker 21: My grandmother just turned hunting at four. Yeah, shouts out

1459
00:58:08,640 --> 00:58:14,560
Speaker 21: to Kareem Cannon. Happy birthday, So spending my great absolutely Cannapolis, North.

1460
00:58:14,440 --> 00:58:15,800
Speaker 2: Carolina, Connapolis.

1461
00:58:15,840 --> 00:58:18,200
Speaker 9: What's that next to Concord, Charlotte.

1462
00:58:20,200 --> 00:58:22,200
Speaker 2: All right, well it's the Breakfast Club? Is Nick Cannon,

1463
00:58:22,240 --> 00:58:23,840
Speaker 2: Klon Dake Blind, Thank y'all, let's go.

1464
00:58:25,480 --> 00:58:27,600
Speaker 4: It's time for Donkey of the Day. So if you

1465
00:58:27,640 --> 00:58:29,720
Speaker 4: ever feel I need to be a donkey man, be

1466
00:58:29,840 --> 00:58:30,240
Speaker 4: with the heat.

1467
00:58:31,600 --> 00:58:33,000
Speaker 9: Did she get the name? Please?

1468
00:58:33,000 --> 00:58:35,600
Speaker 2: Doesn't I had become donkey of.

1469
00:58:35,680 --> 00:58:42,400
Speaker 5: The day the breakfast club. Bitch, you're a donkey, michael

1470
00:58:42,440 --> 00:58:42,760
Speaker 5: On Red.

1471
00:58:42,840 --> 00:58:43,240
Speaker 4: There you go.

1472
00:58:43,400 --> 00:58:46,600
Speaker 12: Donkey today goes to a man in Fort Mayers, Florida

1473
00:58:46,720 --> 00:58:48,720
Speaker 12: named Kevin. Now, what does your uncle Shalla always say

1474
00:58:48,760 --> 00:58:49,880
Speaker 12: about the great state of Florida?

1475
00:58:50,080 --> 00:58:50,640
Speaker 5: Staying with me?

1476
00:58:50,720 --> 00:58:53,120
Speaker 12: People, they're crazy as people in America come from the

1477
00:58:53,240 --> 00:58:55,800
Speaker 12: Bronx and all of Florida, and today's donkey of today

1478
00:58:55,920 --> 00:58:58,440
Speaker 12: is no different. Now, I don't know if this man's

1479
00:58:58,520 --> 00:59:00,320
Speaker 12: name is actually Kevin, but that's what he said his

1480
00:59:00,440 --> 00:59:02,840
Speaker 12: name was, and I don't know if that's really his name,

1481
00:59:02,920 --> 00:59:06,080
Speaker 12: because this man made some other claims that make me.

1482
00:59:06,120 --> 00:59:07,520
Speaker 2: Feel like I don't know if we could believe anything

1483
00:59:07,560 --> 00:59:08,400
Speaker 2: that comes out of his mouth.

1484
00:59:08,520 --> 00:59:10,840
Speaker 12: And because this man is just running around saying things

1485
00:59:10,880 --> 00:59:12,560
Speaker 12: that we don't know if we can believe, we the

1486
00:59:12,680 --> 00:59:15,120
Speaker 12: people need to get this man off the street and

1487
00:59:15,240 --> 00:59:16,560
Speaker 12: get him some help. And now I know it's just

1488
00:59:16,680 --> 00:59:19,440
Speaker 12: saying I know, it's just saying, Charlamagne. Since when do

1489
00:59:19,520 --> 00:59:21,520
Speaker 12: you want to get people from Florida some help? Well,

1490
00:59:21,560 --> 00:59:24,400
Speaker 12: that should let you know the severity of the level

1491
00:59:24,760 --> 00:59:26,960
Speaker 12: of donkey we are dealing with. Would you like to

1492
00:59:27,080 --> 00:59:30,000
Speaker 12: know what Kevin's claims were let's go to NBC two

1493
00:59:30,040 --> 00:59:30,479
Speaker 12: for the report.

1494
00:59:30,520 --> 00:59:33,560
Speaker 16: Please here at the McCastle in household on Shadowy Road,

1495
00:59:33,720 --> 00:59:35,840
Speaker 16: it was all but a typical Thursday evening.

1496
00:59:35,960 --> 00:59:39,320
Speaker 22: We were eating dinner with myself and my two daughters,

1497
00:59:39,520 --> 00:59:40,200
Speaker 22: and we heard.

1498
00:59:40,080 --> 00:59:41,120
Speaker 15: A noise at the door.

1499
00:59:41,600 --> 00:59:44,720
Speaker 16: Oh but nobody was knocking. Instead, this random man was

1500
00:59:44,800 --> 00:59:47,600
Speaker 16: inviting himself in for a bite to eat. Brian got

1501
00:59:47,680 --> 00:59:49,960
Speaker 16: up from the table and found this guy standing right

1502
00:59:50,120 --> 00:59:50,919
Speaker 16: in his living room.

1503
00:59:51,000 --> 00:59:52,520
Speaker 5: It was in he was in the house.

1504
00:59:52,760 --> 00:59:54,800
Speaker 22: He started telling me that he was a ghost and

1505
00:59:54,880 --> 00:59:56,160
Speaker 22: that I shouldn't be able to see him.

1506
00:59:56,320 --> 00:59:58,680
Speaker 9: That's right, this guy thought he was a ghost.

1507
00:59:58,800 --> 01:00:00,600
Speaker 22: He was shocked that I could seem him, thought he

1508
01:00:00,760 --> 01:00:04,439
Speaker 22: was walking around and that nobody could see.

1509
01:00:04,960 --> 01:00:07,600
Speaker 16: Brian is barely able to believe what he's seeing.

1510
01:00:07,680 --> 01:00:10,160
Speaker 22: I could tell his behavior was not normal. Who knows

1511
01:00:10,240 --> 01:00:12,560
Speaker 22: what this person might do, you know, if they had

1512
01:00:12,560 --> 01:00:13,280
Speaker 22: a chance to think.

1513
01:00:13,440 --> 01:00:16,160
Speaker 16: After causing this scene inside, this guy who claims his

1514
01:00:16,240 --> 01:00:18,760
Speaker 16: name is Kevin, came running outside to where a crew

1515
01:00:19,240 --> 01:00:21,360
Speaker 16: was cutting down a tree. He hopped up in one

1516
01:00:21,400 --> 01:00:24,600
Speaker 16: of their trucks and locked himself inside. So at this point,

1517
01:00:24,760 --> 01:00:27,560
Speaker 16: this man barged into Brian's home. He thinks he's a ghost,

1518
01:00:27,720 --> 01:00:30,080
Speaker 16: and now he's locked inside a tree cruise truck.

1519
01:00:30,200 --> 01:00:31,240
Speaker 5: I think it's all wild.

1520
01:00:31,320 --> 01:00:33,480
Speaker 16: After coaxing the man for a while, the tree trimmers

1521
01:00:33,520 --> 01:00:35,680
Speaker 16: were finally able to get him out, where he then

1522
01:00:35,760 --> 01:00:37,800
Speaker 16: took off wearing nothing but his bathing suit.

1523
01:00:38,200 --> 01:00:40,800
Speaker 12: Let me tell you something, man, If you come to

1524
01:00:40,880 --> 01:00:43,600
Speaker 12: my house with a bathing suit, no shoes or anything

1525
01:00:43,640 --> 01:00:45,560
Speaker 12: else on, and I'm in there eating with my daughters

1526
01:00:45,600 --> 01:00:47,600
Speaker 12: and you are advancing into my house, you get into

1527
01:00:47,640 --> 01:00:49,520
Speaker 12: my house and you claim to be a ghost, I

1528
01:00:49,680 --> 01:00:51,320
Speaker 12: promise I'm gonna make your claim come true.

1529
01:00:55,280 --> 01:00:55,680
Speaker 4: That's right.

1530
01:00:56,000 --> 01:00:57,760
Speaker 12: You may not have been a ghost when you entered,

1531
01:00:57,920 --> 01:00:59,800
Speaker 12: but you shall be a ghost when you leave. Okay,

1532
01:01:00,040 --> 01:01:02,080
Speaker 12: if you die, slow my full fourth, make sure all

1533
01:01:02,120 --> 01:01:04,640
Speaker 12: your kids don't grow. Look, man, here's the thing I know.

1534
01:01:04,800 --> 01:01:07,400
Speaker 12: This man is probably dealing with some form of mental illness.

1535
01:01:07,440 --> 01:01:09,800
Speaker 12: Within that moment when someone invades the peace that is

1536
01:01:09,840 --> 01:01:11,680
Speaker 12: your house, you in there with your kid is the

1537
01:01:11,720 --> 01:01:13,480
Speaker 12: first law of nature is self preservation.

1538
01:01:13,760 --> 01:01:15,080
Speaker 2: I gotta protect me in mind.

1539
01:01:15,120 --> 01:01:17,360
Speaker 12: And at this point I don't know what your angle is,

1540
01:01:17,400 --> 01:01:19,280
Speaker 12: but if you're coming in talking about you a ghost,

1541
01:01:19,440 --> 01:01:21,560
Speaker 12: I don't have no choice but to defend myself because

1542
01:01:21,600 --> 01:01:22,880
Speaker 12: you might be trying to make me one.

1543
01:01:23,200 --> 01:01:25,520
Speaker 2: Okay, I don't know if you're a friendly ghost or

1544
01:01:25,520 --> 01:01:26,600
Speaker 2: a demon. We don't know.

1545
01:01:26,640 --> 01:01:28,920
Speaker 12: If you cast for a Freddy Krueger slim Off and

1546
01:01:29,000 --> 01:01:31,840
Speaker 12: Marion Morgan from The Ring. You're breaking somebody's house talking

1547
01:01:31,840 --> 01:01:33,840
Speaker 12: about you a ghost, then you deserve to get sent

1548
01:01:33,920 --> 01:01:36,320
Speaker 12: to your makeup and becoming the ghost of Christmas past.

1549
01:01:36,360 --> 01:01:38,560
Speaker 12: They said he was wearing nothing but a bathing suit,

1550
01:01:39,040 --> 01:01:41,840
Speaker 12: no shoes or anything else. You know, another way to

1551
01:01:41,880 --> 01:01:44,840
Speaker 12: look at it. That's not a ghost, that's a crackhead. Okay,

1552
01:01:45,000 --> 01:01:48,640
Speaker 12: maybe Matho all right, maybe bath salts, maybe finty beauty

1553
01:01:48,760 --> 01:01:51,160
Speaker 12: by fifty I mean fentonyl All I'm saying is I

1554
01:01:51,360 --> 01:01:53,680
Speaker 12: know drug head behavior when I hear it. This man

1555
01:01:53,800 --> 01:01:55,680
Speaker 12: was feeling for a hit, so he was doing what

1556
01:01:55,920 --> 01:01:59,160
Speaker 12: drugheads do, breaking and entering and stealing stuff looking to

1557
01:01:59,200 --> 01:02:01,600
Speaker 12: make money to get it next hit. See what happened

1558
01:02:01,680 --> 01:02:03,680
Speaker 12: is he didn't expect for these people to be home.

1559
01:02:03,840 --> 01:02:06,200
Speaker 12: And I have to commend the father here because he

1560
01:02:06,280 --> 01:02:09,480
Speaker 12: knows rule number one when dealing with a full blown crackhead.

1561
01:02:09,680 --> 01:02:11,080
Speaker 2: Okay, you must remain.

1562
01:02:10,920 --> 01:02:11,600
Speaker 10: Calm, all right.

1563
01:02:11,640 --> 01:02:14,280
Speaker 12: It's like if you saw a bear or ladies, when

1564
01:02:14,280 --> 01:02:16,680
Speaker 12: you see that guy you left on read Claudia, you

1565
01:02:16,720 --> 01:02:19,040
Speaker 12: can you understand that, right, you just just remain calm.

1566
01:02:20,480 --> 01:02:24,160
Speaker 12: But the moment Kevin realized he wasn't invisible and could

1567
01:02:24,200 --> 01:02:28,120
Speaker 12: be seen, that's when he knew maybe, just maybe, he

1568
01:02:28,280 --> 01:02:29,320
Speaker 12: probably was still high.

1569
01:02:29,680 --> 01:02:30,880
Speaker 2: Okay, yes, this man was.

1570
01:02:30,920 --> 01:02:33,720
Speaker 12: Clearly still under the influence, because whenever I'm high, you

1571
01:02:33,840 --> 01:02:36,400
Speaker 12: can't tell me I don't have superpowers like invisibility or

1572
01:02:36,440 --> 01:02:36,919
Speaker 12: mind reading.

1573
01:02:36,960 --> 01:02:38,000
Speaker 2: But that's a whole other topic.

1574
01:02:38,080 --> 01:02:38,240
Speaker 11: Now.

1575
01:02:38,520 --> 01:02:41,000
Speaker 2: I agree that we need to find this man some help, right,

1576
01:02:41,040 --> 01:02:42,200
Speaker 2: but first we have to find him.

1577
01:02:42,200 --> 01:02:44,440
Speaker 12: So they are asking if you have any information that

1578
01:02:44,520 --> 01:02:47,280
Speaker 12: might help investigate us, you can submit an anonymous tip

1579
01:02:47,400 --> 01:02:51,760
Speaker 12: that SWFL crime stoppers are call one eight hundred seven

1580
01:02:51,880 --> 01:02:54,960
Speaker 12: eight old tips. But I am a person who loves

1581
01:02:54,960 --> 01:02:57,320
Speaker 12: to see things from both sides, and I've lived long

1582
01:02:57,400 --> 01:03:00,320
Speaker 12: enough to know to always be skeptical. But listen, so

1583
01:03:00,440 --> 01:03:02,840
Speaker 12: Kevin says he's a ghost, I take a step back.

1584
01:03:03,320 --> 01:03:05,919
Speaker 12: I think to myself, what if we are the ones trip?

1585
01:03:06,640 --> 01:03:08,760
Speaker 12: What if he's not a crackhead and he is indeed

1586
01:03:08,840 --> 01:03:09,240
Speaker 12: a ghost?

1587
01:03:10,200 --> 01:03:11,000
Speaker 2: Who you gonna call.

1588
01:03:13,960 --> 01:03:14,920
Speaker 9: Something strange.

1589
01:03:16,720 --> 01:03:18,800
Speaker 2: That's all I'm saying. Who you gonna call?

1590
01:03:19,320 --> 01:03:19,760
Speaker 10: That's right?

1591
01:03:20,360 --> 01:03:21,920
Speaker 7: Maybe he identifies as a ghost.

1592
01:03:22,040 --> 01:03:26,400
Speaker 2: Maybe he identifies as a ghost. Right, that's right?

1593
01:03:26,520 --> 01:03:29,440
Speaker 12: Or what you're absolutely right? Please give this man who

1594
01:03:29,520 --> 01:03:32,000
Speaker 12: identifies as a ghost, Kevin the big as he Hull

1595
01:03:35,920 --> 01:03:38,640
Speaker 12: all right, and we can't deny him if he wants

1596
01:03:38,680 --> 01:03:40,440
Speaker 12: to identify as a ghost. Who are we to say

1597
01:03:40,480 --> 01:03:41,280
Speaker 12: he can't be a ghost?

1598
01:03:44,200 --> 01:03:47,280
Speaker 2: I don't know. That's a good question. Crazy, that's a

1599
01:03:47,320 --> 01:03:49,640
Speaker 2: good question. Well, thank you for that. Donkey of the day.

1600
01:03:50,240 --> 01:03:53,960
Speaker 4: The breakfast Club God.

1601
01:03:54,120 --> 01:03:57,520
Speaker 13: Let everybody is DJ Envy Charlamagne the God. We are

1602
01:03:57,600 --> 01:03:59,640
Speaker 13: the breakfast Club. We got a special guest in the building.

1603
01:04:01,120 --> 01:04:02,440
Speaker 4: Forty. What's happening?

1604
01:04:02,640 --> 01:04:03,240
Speaker 2: Broken back?

1605
01:04:03,720 --> 01:04:03,960
Speaker 10: Right on?

1606
01:04:04,600 --> 01:04:06,360
Speaker 2: Man? You know what I'll be wondering, eat forty? Do

1607
01:04:06,440 --> 01:04:07,360
Speaker 2: you cook the Thanksgiving?

1608
01:04:07,600 --> 01:04:08,800
Speaker 5: How do you let somebody else.

1609
01:04:08,680 --> 01:04:11,360
Speaker 3: Get my mother in law, father in law, my wife,

1610
01:04:11,960 --> 01:04:13,600
Speaker 3: and my son iron skillet Master?

1611
01:04:14,040 --> 01:04:16,120
Speaker 2: Do you take the breakiving on Thanksgiving?

1612
01:04:16,120 --> 01:04:18,520
Speaker 4: I'll take the break I can find all the beverages.

1613
01:04:18,720 --> 01:04:22,640
Speaker 5: Okay, okay, okay, Well why do you take a backseat

1614
01:04:22,680 --> 01:04:23,320
Speaker 5: on Thanksgiving?

1615
01:04:23,760 --> 01:04:24,680
Speaker 4: They cook better than me?

1616
01:04:24,800 --> 01:04:28,240
Speaker 3: Bro Really yeah, I'll go crazy, but you know when

1617
01:04:28,280 --> 01:04:31,080
Speaker 3: it comes to Thanksgiving foods like you know, dressing, and

1618
01:04:31,400 --> 01:04:34,200
Speaker 3: my mother in law make these these them, you know,

1619
01:04:34,280 --> 01:04:38,480
Speaker 3: the yams over it, Ruth Chris, the sweet potato castle.

1620
01:04:38,800 --> 01:04:41,680
Speaker 4: Marshmallow it she do better than she has. What is it?

1621
01:04:41,760 --> 01:04:44,720
Speaker 3: Walnuts? Is walnuts on their pecan? She do it better

1622
01:04:44,760 --> 01:04:46,600
Speaker 3: than that, Like, she do it better than the Ruth

1623
01:04:46,720 --> 01:04:50,600
Speaker 3: Chris sweet potato castle. Yeah, so stuff like that. Wife,

1624
01:04:50,680 --> 01:04:54,040
Speaker 3: you do potato salad and all that, and chicken spaghetties

1625
01:04:54,120 --> 01:04:57,439
Speaker 3: and not your normal chicken spaghetti too. We'll talk about

1626
01:04:57,480 --> 01:05:00,840
Speaker 3: all that. But I'm hungry right now because you think

1627
01:05:00,840 --> 01:05:01,880
Speaker 3: it's red sauce, but it's not.

1628
01:05:02,720 --> 01:05:04,919
Speaker 5: It is not red sauce. Nah, you can't.

1629
01:05:04,920 --> 01:05:06,080
Speaker 2: You've about to see your ingredient.

1630
01:05:06,200 --> 01:05:09,760
Speaker 4: I can't because I'm a co packet. It's already in

1631
01:05:09,840 --> 01:05:10,720
Speaker 4: motion like the ocean.

1632
01:05:10,800 --> 01:05:13,280
Speaker 2: Okay, okay, we got going to spoon the book with

1633
01:05:13,360 --> 01:05:15,720
Speaker 2: you and you in Snooper on the cover. So you

1634
01:05:15,880 --> 01:05:18,000
Speaker 2: and Stoop this did this together? Can Snoop cook?

1635
01:05:19,120 --> 01:05:20,800
Speaker 4: Snooky cook? He got his little you know what I saying,

1636
01:05:20,840 --> 01:05:22,960
Speaker 4: his little wickles that what does he cook?

1637
01:05:23,160 --> 01:05:25,280
Speaker 3: So he liked to do fried chicken and stuff like that,

1638
01:05:25,480 --> 01:05:28,120
Speaker 3: you know, I'm just all over the place, like space

1639
01:05:28,200 --> 01:05:28,600
Speaker 3: with mine.

1640
01:05:28,720 --> 01:05:29,440
Speaker 4: I'm liable to do.

1641
01:05:30,560 --> 01:05:33,600
Speaker 3: You know, some orange ruffy or something with some panciered

1642
01:05:33,640 --> 01:05:36,840
Speaker 3: orange roughy with some almonds, almonds and some butter and

1643
01:05:36,960 --> 01:05:38,520
Speaker 3: some white and white wines.

1644
01:05:39,840 --> 01:05:41,240
Speaker 2: I saw you do that the other day. I saw

1645
01:05:41,240 --> 01:05:44,360
Speaker 2: you do a mozzarella stuff turkey meating.

1646
01:05:44,480 --> 01:05:45,280
Speaker 4: Yeah, go crazy.

1647
01:05:45,320 --> 01:05:46,840
Speaker 2: I don't even eat cheese, but I'm like, man, I

1648
01:05:46,880 --> 01:05:47,920
Speaker 2: would have to taste some of that.

1649
01:05:48,080 --> 01:05:48,840
Speaker 4: It's delicious.

1650
01:05:48,880 --> 01:05:52,200
Speaker 2: Brother, Yes, where do you evens?

1651
01:05:52,240 --> 01:05:52,360
Speaker 10: Bro?

1652
01:05:53,280 --> 01:05:59,680
Speaker 4: Just being being greedy? Being greedy straight up? You know,

1653
01:06:00,040 --> 01:06:01,560
Speaker 4: I've been cooking for many moons.

1654
01:06:01,920 --> 01:06:04,520
Speaker 3: I used to work at this restaurant in Benicia, California,

1655
01:06:05,760 --> 01:06:09,280
Speaker 3: called the Kamonos Restaurant. I started off working in the

1656
01:06:09,800 --> 01:06:12,600
Speaker 3: I was a teenage started off working in the kitchen,

1657
01:06:13,240 --> 01:06:15,760
Speaker 3: washing dishes in the pantry. Next thing, you know, a

1658
01:06:15,800 --> 01:06:17,320
Speaker 3: guy by the name of Lewis. He was the main

1659
01:06:17,440 --> 01:06:19,600
Speaker 3: chef there. And this place was like a to me,

1660
01:06:20,080 --> 01:06:21,920
Speaker 3: it was like a Michelin Star restaurant. A lot of

1661
01:06:22,000 --> 01:06:24,160
Speaker 3: rich people go there, but it wasn't. They wasn't giving

1662
01:06:24,200 --> 01:06:27,120
Speaker 3: out Michelin Stars at that time. But if they was,

1663
01:06:27,240 --> 01:06:29,680
Speaker 3: that definitely would have been it because dude taught me

1664
01:06:29,720 --> 01:06:30,640
Speaker 3: how to make orange.

1665
01:06:31,240 --> 01:06:33,640
Speaker 4: I talked about orange, ruffy chicken.

1666
01:06:33,480 --> 01:06:39,320
Speaker 3: Gordon blue a scargo UK stand me, London London broil,

1667
01:06:39,960 --> 01:06:42,360
Speaker 3: you know, just all kind of just elegant stuff, you know,

1668
01:06:42,920 --> 01:06:45,720
Speaker 3: and so uh but you know along with magazine Street

1669
01:06:46,000 --> 01:06:50,439
Speaker 3: you know, top Ruman noodles with eggs and stuff like that. Yeah,

1670
01:06:50,480 --> 01:06:52,960
Speaker 3: stand me, I just go crazy. I just do with

1671
01:06:53,240 --> 01:06:54,880
Speaker 3: what I feel taste best. You know what I'm saying.

1672
01:06:54,880 --> 01:06:57,920
Speaker 3: I love making ox tails and a power pressure cooker,

1673
01:06:58,080 --> 01:07:02,959
Speaker 3: ox tails, short ribs, it's a gumbo things of that nature.

1674
01:07:03,040 --> 01:07:05,400
Speaker 2: This is interesting because you know, I've wondered where the

1675
01:07:05,520 --> 01:07:06,360
Speaker 2: because I love watching you.

1676
01:07:06,400 --> 01:07:07,800
Speaker 12: I've been telling you this. I love watching you on

1677
01:07:07,880 --> 01:07:10,760
Speaker 12: Instagram and seeing you cook. So your family come from

1678
01:07:10,800 --> 01:07:12,480
Speaker 12: a family of cooks and you worked in the restaurant.

1679
01:07:12,560 --> 01:07:13,439
Speaker 4: Absolutely wow.

1680
01:07:13,800 --> 01:07:16,720
Speaker 13: Yeah, you surprised with the receptiveness that you get from

1681
01:07:17,360 --> 01:07:19,600
Speaker 13: the cookie because I almost seemed like it, like I

1682
01:07:19,680 --> 01:07:21,640
Speaker 13: see more people loving more the cooking than.

1683
01:07:21,680 --> 01:07:23,040
Speaker 2: Some of the music at times.

1684
01:07:23,360 --> 01:07:26,960
Speaker 3: Hey, you know people people love music, and but they

1685
01:07:27,040 --> 01:07:30,200
Speaker 3: love food more than music. I think, period, don't you think?

1686
01:07:30,280 --> 01:07:32,160
Speaker 3: So when you wake up in the morning, you're trying

1687
01:07:32,160 --> 01:07:34,200
Speaker 3: to hear music how you want to eat kind.

1688
01:07:34,080 --> 01:07:37,800
Speaker 5: Of both, you know, yeah, you kind yeah, it kind

1689
01:07:37,800 --> 01:07:38,880
Speaker 5: of go hand in hand a little bit.

1690
01:07:39,080 --> 01:07:42,280
Speaker 3: So you know, so in twenty fourteen, I got a

1691
01:07:42,320 --> 01:07:45,080
Speaker 3: power pressure cooking, So that's when I started making all

1692
01:07:45,120 --> 01:07:46,720
Speaker 3: the all the meals and stuff like that. And then

1693
01:07:47,000 --> 01:07:49,320
Speaker 3: you know what I'm saying, me and be Legit got

1694
01:07:49,360 --> 01:07:52,640
Speaker 3: a song. Beler just said the goon with the spoon.

1695
01:07:52,840 --> 01:07:54,400
Speaker 3: You know what I'm saying, And we said on a

1696
01:07:54,440 --> 01:07:57,200
Speaker 3: couple of songs and whatnot, and I was like, you

1697
01:07:57,280 --> 01:07:59,640
Speaker 3: know what I started. I started hashtagging gooon with the spoon,

1698
01:08:00,160 --> 01:08:02,120
Speaker 3: and then I told my boy cousin Feet to have

1699
01:08:02,280 --> 01:08:03,360
Speaker 3: his guy go make the logo.

1700
01:08:03,480 --> 01:08:05,840
Speaker 4: So he went and made the logo. And so I

1701
01:08:05,920 --> 01:08:06,800
Speaker 4: feel like, you know how.

1702
01:08:06,720 --> 01:08:10,320
Speaker 3: You got McDonald's, and you got RB's, and you got

1703
01:08:10,800 --> 01:08:12,360
Speaker 3: Jack in the Box and so on and so forth.

1704
01:08:12,400 --> 01:08:16,280
Speaker 3: You know those logos they subliminately in your head. That's

1705
01:08:16,320 --> 01:08:17,920
Speaker 3: what I want to do. When I got the vector,

1706
01:08:18,240 --> 01:08:21,080
Speaker 3: I put the vector on the on every post that

1707
01:08:21,160 --> 01:08:22,800
Speaker 3: I did, when I made the when I did the cooking,

1708
01:08:22,840 --> 01:08:25,120
Speaker 3: so you would always see gooon with the spoon down

1709
01:08:25,160 --> 01:08:28,120
Speaker 3: at the bottom right hand corner. And so I knew

1710
01:08:28,160 --> 01:08:29,519
Speaker 3: what I was doing because I knew I was finna

1711
01:08:29,560 --> 01:08:32,320
Speaker 3: go into co packing. So now the gooon with the

1712
01:08:32,360 --> 01:08:34,720
Speaker 3: spoon is just not just me just on Instagram. I'm

1713
01:08:34,720 --> 01:08:36,960
Speaker 3: a it's a brand, like I co packed. Like I

1714
01:08:37,040 --> 01:08:40,120
Speaker 3: got going with the spoon, ice cream, six different flavors,

1715
01:08:40,160 --> 01:08:44,000
Speaker 3: I got going with the spoon, sausages, chicken, Terioki, pineapple,

1716
01:08:44,680 --> 01:08:47,240
Speaker 3: Philly chicken, cheese, steak, and mild beef and hot beef.

1717
01:08:48,520 --> 01:08:51,720
Speaker 3: I got gooing with spoon, burritos, you understand me, and

1718
01:08:51,920 --> 01:08:54,720
Speaker 3: many more to come. So now we got the book

1719
01:08:54,800 --> 01:08:58,439
Speaker 3: and Snoop Dogg was like, he said, nephew, come on, man, listen.

1720
01:08:58,640 --> 01:09:00,680
Speaker 3: Well uncle, I'm you know he called you Biace left you.

1721
01:09:00,760 --> 01:09:03,040
Speaker 3: But man, let's go. Let's do something man. Because he

1722
01:09:03,200 --> 01:09:06,559
Speaker 3: was already in the he already got his own book.

1723
01:09:07,000 --> 01:09:11,360
Speaker 3: It's a best seller too, and so he had the outlet,

1724
01:09:12,240 --> 01:09:14,680
Speaker 3: and I was like, you know, it's only right. You know,

1725
01:09:14,720 --> 01:09:16,439
Speaker 3: I don't have no pride problem. You know that's the

1726
01:09:16,479 --> 01:09:18,840
Speaker 3: problem with people. They got Priday. You know what I'm saying,

1727
01:09:18,880 --> 01:09:20,439
Speaker 3: put your pride to the sides, you know what I mean.

1728
01:09:20,760 --> 01:09:22,240
Speaker 3: I'm like, we're better person to let you know what

1729
01:09:22,280 --> 01:09:24,519
Speaker 3: I'm saying. Put it out on the platform. It's everywhere now.

1730
01:09:24,640 --> 01:09:27,560
Speaker 3: So it's out now the gun with the spawn.

1731
01:09:27,560 --> 01:09:30,200
Speaker 2: And going with the spot. You weren't be Legit wasn't

1732
01:09:30,200 --> 01:09:31,320
Speaker 2: talking about cookie.

1733
01:09:33,600 --> 01:09:34,599
Speaker 4: It's a double untiondre.

1734
01:09:37,160 --> 01:09:39,200
Speaker 2: But it's a good way to turn a soul called

1735
01:09:39,240 --> 01:09:40,240
Speaker 2: negative into a positive.

1736
01:09:40,560 --> 01:09:41,200
Speaker 4: So check games.

1737
01:09:41,240 --> 01:09:44,040
Speaker 3: So I feel like, you know how when you play basketball,

1738
01:09:44,200 --> 01:09:46,679
Speaker 3: a lot of people like say like say, for instance,

1739
01:09:46,720 --> 01:09:50,120
Speaker 3: we got when we got McCaffrey on our team of

1740
01:09:50,200 --> 01:09:53,599
Speaker 3: the forty nine ers, my cousin had Dallas cowboy boy fans.

1741
01:09:54,200 --> 01:09:57,040
Speaker 3: Yeah he was for real, you think so? And he

1742
01:09:57,200 --> 01:09:59,080
Speaker 3: was like, you know, we talked big Bronco to each other,

1743
01:09:59,120 --> 01:10:00,360
Speaker 3: and I ain't talking about Denver Broncles.

1744
01:10:00,400 --> 01:10:01,400
Speaker 4: That's just a phrase I said.

1745
01:10:01,760 --> 01:10:04,640
Speaker 3: And he was like, I ain't gonna lie care for

1746
01:10:04,720 --> 01:10:07,479
Speaker 3: your dog, right so that the dog is not a

1747
01:10:07,600 --> 01:10:09,560
Speaker 3: dog in a bad way. It's like you know what

1748
01:10:09,560 --> 01:10:12,040
Speaker 3: I'm saying, Like that's just like being a beast. So

1749
01:10:12,680 --> 01:10:15,080
Speaker 3: you know why can't be a goon with a.

1750
01:10:15,080 --> 01:10:15,920
Speaker 4: Spoon cut tract.

1751
01:10:16,479 --> 01:10:19,880
Speaker 13: Yeah that's right now that you did mention basketball, can

1752
01:10:19,920 --> 01:10:23,160
Speaker 13: we tell Warriors a little bit? You Warriors, Draymond Green,

1753
01:10:23,360 --> 01:10:26,000
Speaker 13: just just you know, grab the poor light skinned brother,

1754
01:10:26,080 --> 01:10:27,400
Speaker 13: out his damnit, out his shoes.

1755
01:10:27,520 --> 01:10:29,720
Speaker 4: Man, what you want me to say? What you want?

1756
01:10:29,880 --> 01:10:30,439
Speaker 10: You're talking to me?

1757
01:10:31,560 --> 01:10:33,479
Speaker 4: You know, I'm not feeling to go against Draymond.

1758
01:10:33,760 --> 01:10:36,600
Speaker 3: First and foremost, he's shopping in a porcupine spine and

1759
01:10:36,680 --> 01:10:38,960
Speaker 3: he observes everything. And most of the time when he

1760
01:10:39,040 --> 01:10:42,120
Speaker 3: said we run rewind the tape, yes, when they called

1761
01:10:42,200 --> 01:10:43,080
Speaker 3: some bad stuff.

1762
01:10:42,880 --> 01:10:45,040
Speaker 4: On him, he right most of the time.

1763
01:10:45,200 --> 01:10:47,840
Speaker 3: So I'm just rocking with Draymond because when he when

1764
01:10:47,840 --> 01:10:50,240
Speaker 3: he reacts on something, I take his opinion.

1765
01:10:50,760 --> 01:10:52,719
Speaker 4: I know I'm rocking with Raymond.

1766
01:10:52,760 --> 01:10:56,799
Speaker 2: He's realm and he should. That was my favorite NBA.

1767
01:10:56,720 --> 01:10:58,840
Speaker 4: Player And nobody do nothing to none of his team

1768
01:10:59,360 --> 01:11:00,479
Speaker 4: especially and stuff.

1769
01:11:00,840 --> 01:11:06,879
Speaker 12: Absolutely, and you don't win championships without a Dramonday protective

1770
01:11:06,920 --> 01:11:09,800
Speaker 12: because because it was Roman Rodman was a fool with it.

1771
01:11:10,400 --> 01:11:15,560
Speaker 4: Was He was a fool, they was. They was with it.

1772
01:11:15,800 --> 01:11:18,360
Speaker 2: You needed for the Pistons back there, they were fools

1773
01:11:18,400 --> 01:11:18,560
Speaker 2: with it.

1774
01:11:18,800 --> 01:11:19,360
Speaker 4: Absolutely.

1775
01:11:19,520 --> 01:11:21,320
Speaker 13: Now, Now there was an incident that happened in the

1776
01:11:21,400 --> 01:11:23,840
Speaker 13: Sacramento when you were out at the playoff game.

1777
01:11:24,280 --> 01:11:25,439
Speaker 2: What happened during that time?

1778
01:11:26,000 --> 01:11:27,920
Speaker 3: Man, I just was just being me, Man, I was

1779
01:11:27,960 --> 01:11:30,439
Speaker 3: just sitting courtside like I always do. I just so

1780
01:11:30,560 --> 01:11:32,599
Speaker 3: happened to go to Sacramento. I just did a successful

1781
01:11:32,640 --> 01:11:35,040
Speaker 3: bottle sign that Total Wine with all my liquor brands.

1782
01:11:35,479 --> 01:11:37,840
Speaker 3: The line was wrapped around the building. I know Sacramento

1783
01:11:37,920 --> 01:11:41,080
Speaker 3: loved me dearly, and just a heckler in the background

1784
01:11:41,160 --> 01:11:44,000
Speaker 3: and you know, just was drunk or whatever.

1785
01:11:44,840 --> 01:11:47,760
Speaker 4: I just I just was like, tell me to sit down.

1786
01:11:48,160 --> 01:11:48,439
Speaker 10: I was.

1787
01:11:48,560 --> 01:11:50,960
Speaker 4: I was what, I'm at the basketball I'm front row,

1788
01:11:51,000 --> 01:11:53,160
Speaker 4: you like behind me like three rollers up or whatever.

1789
01:11:53,280 --> 01:11:54,360
Speaker 4: He can't tell you new to this.

1790
01:11:54,479 --> 01:11:56,360
Speaker 3: I've been doing this this Mobe Dick was a gold

1791
01:11:56,400 --> 01:12:00,400
Speaker 3: Fisher did and so she was like me to say

1792
01:12:00,400 --> 01:12:04,040
Speaker 3: down again. And I look back and I didn't cut

1793
01:12:04,120 --> 01:12:05,800
Speaker 3: her out or nothing. I said, hey hey, And next

1794
01:12:05,800 --> 01:12:07,800
Speaker 3: thing you know, the security came in. We just put

1795
01:12:07,840 --> 01:12:09,280
Speaker 3: it this way, man, We got it straight because I

1796
01:12:09,360 --> 01:12:13,360
Speaker 3: know this Sacramento loves me. I know Sacramento king fans

1797
01:12:14,200 --> 01:12:17,320
Speaker 3: love me, and the owner got big love for me.

1798
01:12:17,439 --> 01:12:18,840
Speaker 3: As a matter of fact, I'll be at the gold

1799
01:12:18,880 --> 01:12:22,599
Speaker 3: One Center what December. December got a big show there.

1800
01:12:22,680 --> 01:12:25,599
Speaker 3: So they own that building. So were rocking, all right.

1801
01:12:25,600 --> 01:12:27,439
Speaker 2: We got more with Eve forty when we come back

1802
01:12:27,479 --> 01:12:28,800
Speaker 2: so don't move. It's the Breakfast Club.

1803
01:12:28,840 --> 01:12:29,880
Speaker 4: Good morning Morning.

1804
01:12:29,920 --> 01:12:33,080
Speaker 2: Everybody's DJ n V. Charlamagne the guy. We are the

1805
01:12:33,120 --> 01:12:35,639
Speaker 2: Breakfast Club. We're kicking it with E forty Charlomagne.

1806
01:12:35,720 --> 01:12:37,240
Speaker 12: I know, I know you're here to talking about your

1807
01:12:37,280 --> 01:12:39,360
Speaker 12: your twenty seventh solo album, Ruler Thumb.

1808
01:12:39,439 --> 01:12:41,160
Speaker 3: But you know we can't way more than that. I

1809
01:12:41,200 --> 01:12:43,640
Speaker 3: don't know why to keep putting twenty more than that.

1810
01:12:43,920 --> 01:12:46,840
Speaker 3: You're thirty thirty something, Damn Jesus, because you got to

1811
01:12:46,840 --> 01:12:48,400
Speaker 3: put my EPs up in that thing, you know what

1812
01:12:48,439 --> 01:12:51,479
Speaker 3: I'm saying. Yeah, my solo epiece, Mister Flamboyan came out

1813
01:12:51,520 --> 01:12:52,920
Speaker 3: in eight, nineteen eighty nine.

1814
01:12:53,160 --> 01:12:56,080
Speaker 5: Do you count the compilations too, Like, no, no compilation.

1815
01:12:56,120 --> 01:12:58,240
Speaker 3: I ain't even count the compilations or the albums with

1816
01:12:58,320 --> 01:13:02,760
Speaker 3: the click. Yeah, I've been doing this since uh Comra

1817
01:13:02,880 --> 01:13:03,759
Speaker 3: Defraud was a probably.

1818
01:13:06,360 --> 01:13:09,240
Speaker 12: But you know, a couple of weeks ago November November ninth,

1819
01:13:09,439 --> 01:13:11,800
Speaker 12: nineteen ninety three, Federal album Drop.

1820
01:13:12,160 --> 01:13:14,120
Speaker 3: It really was nineteen ninety two. We used to play

1821
01:13:14,160 --> 01:13:15,840
Speaker 3: it up a year because we was in the we.

1822
01:13:16,000 --> 01:13:18,040
Speaker 3: When you say when we, when you talk about independent,

1823
01:13:18,080 --> 01:13:21,479
Speaker 3: we was the real independent. Like yeah, Stanley, I'm talking

1824
01:13:21,479 --> 01:13:24,519
Speaker 3: about using City Hall Records as our main hub, and

1825
01:13:24,800 --> 01:13:28,160
Speaker 3: UH music people, we didn't have a big distribution deal,

1826
01:13:28,600 --> 01:13:31,600
Speaker 3: you know, until like ninety four when Jive Records and

1827
01:13:31,640 --> 01:13:36,720
Speaker 3: every label that that did rap music, they had a

1828
01:13:36,760 --> 01:13:39,080
Speaker 3: big bid and wore on me, and uh they wanted

1829
01:13:39,240 --> 01:13:41,160
Speaker 3: you know, they wanted me stick with It Records, they

1830
01:13:41,200 --> 01:13:44,479
Speaker 3: wanted us, you know, and Uh, I went ahead and

1831
01:13:44,520 --> 01:13:47,639
Speaker 3: went with job. But now they put the We used

1832
01:13:47,640 --> 01:13:49,519
Speaker 3: to always put it up a year because it would

1833
01:13:49,520 --> 01:13:53,880
Speaker 3: take some time to get to other states. And when

1834
01:13:53,920 --> 01:13:56,479
Speaker 3: it did get to other states, we wanted to soak in.

1835
01:13:56,560 --> 01:13:58,200
Speaker 3: We didn't want them to think the album, the album

1836
01:13:58,280 --> 01:13:59,280
Speaker 3: or the EP is old.

1837
01:14:00,000 --> 01:14:00,599
Speaker 4: It's just our method.

1838
01:14:00,680 --> 01:14:03,479
Speaker 3: My uncle Saint Charles, I'm sure y'all heard me speak

1839
01:14:03,479 --> 01:14:06,640
Speaker 3: of Uncle Saint Charles. That's my mother's brother blood so

1840
01:14:06,680 --> 01:14:08,920
Speaker 3: you know, everybody say uncle, this uncle, that's my that's

1841
01:14:08,960 --> 01:14:12,080
Speaker 3: my bloodline. And he, you know, helped you know what

1842
01:14:12,120 --> 01:14:14,439
Speaker 3: I'm saying, Uh, the Boy and Master P and many

1843
01:14:14,520 --> 01:14:16,040
Speaker 3: of us. You know what I mean from the beginning,

1844
01:14:16,040 --> 01:14:17,559
Speaker 3: because Master P used to be out there with us

1845
01:14:17,600 --> 01:14:20,840
Speaker 3: in the Bay Area in Richmond, California. So PC and

1846
01:14:20,880 --> 01:14:23,040
Speaker 3: how I was doing it, he was doing his thing too,

1847
01:14:23,400 --> 01:14:25,000
Speaker 3: but he wasn't doing it on the level that he

1848
01:14:25,120 --> 01:14:26,560
Speaker 3: was doing it when he once he got to with

1849
01:14:26,640 --> 01:14:28,719
Speaker 3: Saint Charles and then he just took it to big heights.

1850
01:14:28,960 --> 01:14:30,479
Speaker 3: So it's been and that's my brother right now to

1851
01:14:30,560 --> 01:14:30,880
Speaker 3: this day.

1852
01:14:31,040 --> 01:14:33,160
Speaker 2: So it's been thirty one years since Federal.

1853
01:14:32,880 --> 01:14:33,560
Speaker 4: Then not that.

1854
01:14:33,760 --> 01:14:37,439
Speaker 2: In nineteen ninety two, Dang came in And what does

1855
01:14:37,479 --> 01:14:38,680
Speaker 2: your mind go when you think about that?

1856
01:14:39,160 --> 01:14:40,960
Speaker 3: It was gonna start off as an EP because that's

1857
01:14:40,960 --> 01:14:42,800
Speaker 3: what we was doing when you do solo stuff back then.

1858
01:14:42,840 --> 01:14:46,000
Speaker 3: It was and I just have too much gas, and uh,

1859
01:14:46,400 --> 01:14:47,639
Speaker 3: I was like, man, let me, you know what I'm saying.

1860
01:14:47,680 --> 01:14:48,960
Speaker 3: Let me just go in and ask the more songs

1861
01:14:49,000 --> 01:14:50,960
Speaker 3: to to make it an album. And that's the mind

1862
01:14:51,000 --> 01:14:54,000
Speaker 3: frame I had a lot to stay, being fresh from

1863
01:14:54,040 --> 01:14:56,679
Speaker 3: the soil and way ahead of my time.

1864
01:14:57,400 --> 01:14:58,599
Speaker 2: Do you remember the impact it had?

1865
01:14:59,280 --> 01:15:04,160
Speaker 4: Yeah, walked again. I'm the dopest bro. Only only suckers

1866
01:15:04,200 --> 01:15:06,080
Speaker 4: and clowns can't see it. You know what I'm saying.

1867
01:15:06,160 --> 01:15:09,479
Speaker 3: I'm I'm above, I'm beyond what they think. You know,

1868
01:15:09,600 --> 01:15:11,240
Speaker 3: you go back and listen to all my old stuff,

1869
01:15:11,280 --> 01:15:12,240
Speaker 3: you listen to my new.

1870
01:15:12,200 --> 01:15:15,640
Speaker 4: Slaps right now. Rule of thumb. You understand. I'm the

1871
01:15:15,640 --> 01:15:16,960
Speaker 4: epitome of mob music.

1872
01:15:18,080 --> 01:15:21,320
Speaker 3: I've been in every era from the you understand me,

1873
01:15:21,400 --> 01:15:23,840
Speaker 3: the black Fists in the air with the you know,

1874
01:15:23,960 --> 01:15:26,439
Speaker 3: with the with the African medallion in the late eighties

1875
01:15:26,520 --> 01:15:28,920
Speaker 3: to you understand, to the mob music area to the

1876
01:15:29,000 --> 01:15:32,200
Speaker 3: G funk to the South music with cash Money and

1877
01:15:32,479 --> 01:15:36,160
Speaker 3: and and a Bar and MJG and all all these casts.

1878
01:15:36,200 --> 01:15:41,280
Speaker 3: You understand me, master P. I'm the Hyphee movement. I'm

1879
01:15:41,360 --> 01:15:42,559
Speaker 3: just everything all in one.

1880
01:15:43,120 --> 01:15:45,680
Speaker 2: You think that with them celebrating fifty years of hip hop,

1881
01:15:45,720 --> 01:15:47,000
Speaker 2: they celebrated you the right way.

1882
01:15:48,080 --> 01:15:49,519
Speaker 4: Yeah, I was. I was part of a lot of it.

1883
01:15:49,800 --> 01:15:50,720
Speaker 4: I was part of all dead.

1884
01:15:50,760 --> 01:15:54,680
Speaker 3: They invited me to pretty much everything everything. You think

1885
01:15:54,680 --> 01:15:57,720
Speaker 3: they celebrated the beta right way. I think they reached out,

1886
01:15:57,760 --> 01:16:00,680
Speaker 3: took me and Short was there, and they reached out

1887
01:16:00,760 --> 01:16:03,680
Speaker 3: to you know, Hammer, Hammer already said he you know

1888
01:16:03,960 --> 01:16:06,240
Speaker 3: a lot of them reached out to him. People didn't

1889
01:16:06,240 --> 01:16:08,400
Speaker 3: know that, but you know, Hammer chose to do what

1890
01:16:08,680 --> 01:16:09,080
Speaker 3: Hammer do.

1891
01:16:09,240 --> 01:16:10,400
Speaker 4: He he'd o G.

1892
01:16:10,600 --> 01:16:12,679
Speaker 3: I got nothing of love for him. You know, Hammer

1893
01:16:12,800 --> 01:16:15,120
Speaker 3: wasn't even tripping. I don't know why, but I didn't

1894
01:16:15,160 --> 01:16:16,320
Speaker 3: ask you. But that's my big Bro.

1895
01:16:16,760 --> 01:16:18,920
Speaker 12: You know what's interesting when you say about how you've

1896
01:16:18,960 --> 01:16:21,559
Speaker 12: been able to transcend through every genre, it's because your

1897
01:16:21,720 --> 01:16:25,080
Speaker 12: flow and rhymes have always been so unorthodox.

1898
01:16:25,560 --> 01:16:27,120
Speaker 2: They don't fit a time period anyway.

1899
01:16:27,240 --> 01:16:29,599
Speaker 4: Absolutely, it's no time limit. That's real, bro.

1900
01:16:29,840 --> 01:16:32,519
Speaker 3: Nobody could bite it, nobody. I don't even know what

1901
01:16:32,560 --> 01:16:34,080
Speaker 3: I'm gonna do when I get in the vocal. If

1902
01:16:34,120 --> 01:16:35,639
Speaker 3: I don't know what pattern I'm gonna do, I don't

1903
01:16:35,680 --> 01:16:36,120
Speaker 3: know none of that.

1904
01:16:36,240 --> 01:16:36,880
Speaker 4: I just do it.

1905
01:16:37,479 --> 01:16:40,120
Speaker 3: I'm a professional beat picker, and I know I'm ahead

1906
01:16:40,120 --> 01:16:42,200
Speaker 3: of my time, you know, cause I like to do

1907
01:16:42,400 --> 01:16:45,000
Speaker 3: things that's innovating. I like to do what everybody else don't.

1908
01:16:45,280 --> 01:16:47,320
Speaker 3: Even my slaps. I like them to be up temple,

1909
01:16:47,360 --> 01:16:48,200
Speaker 3: I like them to be slow.

1910
01:16:48,200 --> 01:16:48,720
Speaker 4: I do it all.

1911
01:16:48,840 --> 01:16:50,960
Speaker 3: So I'm just I love to talk about the you know,

1912
01:16:51,120 --> 01:16:54,639
Speaker 3: the hard times, the struggle climb up the ladder, trying

1913
01:16:54,680 --> 01:16:57,120
Speaker 3: to climb up the ladder and climb up and you know.

1914
01:16:57,240 --> 01:16:58,519
Speaker 4: Get over the fence of the ghetto.

1915
01:16:58,720 --> 01:17:00,840
Speaker 3: You know what I'm saying, because that's what we all,

1916
01:17:01,040 --> 01:17:03,280
Speaker 3: that's what we all worked hard for us to, you know,

1917
01:17:03,400 --> 01:17:06,360
Speaker 3: provide our family with uh, you know, with a better life.

1918
01:17:07,240 --> 01:17:10,320
Speaker 5: Was it between forty that did Federal and E forty

1919
01:17:10,400 --> 01:17:11,200
Speaker 5: that did Rule of Thumb.

1920
01:17:11,560 --> 01:17:14,000
Speaker 3: The difference between the FOYD that did Federal and the

1921
01:17:14,200 --> 01:17:16,880
Speaker 3: FOID that did Rule of Thumb is now I the

1922
01:17:16,960 --> 01:17:20,000
Speaker 3: things I would have said back then, I think things out,

1923
01:17:20,479 --> 01:17:21,760
Speaker 3: you know what i mean. Like back then, I was

1924
01:17:21,800 --> 01:17:23,880
Speaker 3: just a young, hard headed, managed little dude, you know

1925
01:17:23,920 --> 01:17:26,320
Speaker 3: what I'm saying, just just spitting what I spend.

1926
01:17:26,439 --> 01:17:29,799
Speaker 4: Now I'm more of a I'm more of a teacher,

1927
01:17:30,640 --> 01:17:30,840
Speaker 4: you know.

1928
01:17:31,040 --> 01:17:33,160
Speaker 3: And when I did talk about like trigger play and

1929
01:17:33,200 --> 01:17:35,200
Speaker 3: sliding and you know what I'm saying and all that

1930
01:17:35,320 --> 01:17:37,640
Speaker 3: whole spinning the block and all that stuff, it.

1931
01:17:37,760 --> 01:17:38,880
Speaker 4: Was it was never.

1932
01:17:40,880 --> 01:17:41,880
Speaker 2: Like glorifying.

1933
01:17:41,920 --> 01:17:44,080
Speaker 4: It was never glorifying. It was I'm a storyteller. I'm

1934
01:17:44,080 --> 01:17:44,479
Speaker 4: a poet.

1935
01:17:44,680 --> 01:17:44,800
Speaker 8: You know.

1936
01:17:44,840 --> 01:17:46,680
Speaker 3: I got a verbal paint brush. I paint pictures with

1937
01:17:46,760 --> 01:17:49,120
Speaker 3: my lyrics. So that's one thing I've always did. And

1938
01:17:49,439 --> 01:17:52,439
Speaker 3: I talk about the consequences and repercussions about the situation.

1939
01:17:53,200 --> 01:17:55,439
Speaker 3: A lot of cats, don't you know what I mean.

1940
01:17:55,479 --> 01:17:57,920
Speaker 3: If you do this, this could happen. You can lose

1941
01:17:57,960 --> 01:17:59,439
Speaker 3: a love one. You know, they gonna take it out

1942
01:17:59,479 --> 01:18:00,240
Speaker 3: on somebody else.

1943
01:18:00,400 --> 01:18:02,439
Speaker 4: You know what I'm saying. This is how this thing goes,

1944
01:18:03,120 --> 01:18:04,479
Speaker 4: I spit all that, you know.

1945
01:18:04,600 --> 01:18:07,000
Speaker 13: We had a Coco Jones urepare one time and she

1946
01:18:07,080 --> 01:18:08,840
Speaker 13: was talking about one of the first times she ran

1947
01:18:08,920 --> 01:18:10,720
Speaker 13: into you, you remember, I.

1948
01:18:10,920 --> 01:18:12,640
Speaker 9: Saw but.

1949
01:18:14,280 --> 01:18:16,240
Speaker 15: I go up to him and I was like, oh

1950
01:18:16,280 --> 01:18:18,360
Speaker 15: my gosh, like you had just seen my cover, my

1951
01:18:18,560 --> 01:18:21,280
Speaker 15: uh my freestyle of your thinking about on wilding out

1952
01:18:21,840 --> 01:18:24,559
Speaker 15: and he was like, yeah, Nation.

1953
01:18:25,840 --> 01:18:26,599
Speaker 2: I was like remember.

1954
01:18:26,800 --> 01:18:28,840
Speaker 7: I was like, because I feel like I'm like I

1955
01:18:28,880 --> 01:18:30,600
Speaker 7: gotta get away, get away, you know, and.

1956
01:18:30,680 --> 01:18:32,880
Speaker 5: He was like that's good, that's good.

1957
01:18:33,160 --> 01:18:36,280
Speaker 7: I was like, all right, I walk away and I'm

1958
01:18:36,280 --> 01:18:37,040
Speaker 7: talking to my manager.

1959
01:18:37,080 --> 01:18:38,400
Speaker 5: I said, what's the rhymes?

1960
01:18:39,600 --> 01:18:41,360
Speaker 4: Who was that anymore?

1961
01:18:41,960 --> 01:18:44,840
Speaker 2: My manager goes, girl, that's e forty No.

1962
01:18:45,680 --> 01:18:51,360
Speaker 4: I was like, oh no, I don't remember. Bro all right,

1963
01:18:51,439 --> 01:18:52,000
Speaker 4: well I don't.

1964
01:18:52,560 --> 01:18:54,559
Speaker 3: I know what she's talking about, but I don't remember.

1965
01:18:54,960 --> 01:18:56,920
Speaker 3: And I wasn't drunk. She said that the rock Nation

1966
01:18:57,240 --> 01:18:58,160
Speaker 3: rock me, she said.

1967
01:18:58,160 --> 01:19:00,240
Speaker 2: She walks up to you and she just started rap

1968
01:19:00,360 --> 01:19:01,040
Speaker 2: and bust around.

1969
01:19:01,439 --> 01:19:02,720
Speaker 4: Don't I don't, I just.

1970
01:19:02,920 --> 01:19:06,599
Speaker 3: Because because I've seen her saying something about she said,

1971
01:19:06,600 --> 01:19:08,920
Speaker 3: I said shorty? Was it shorty? I don't even that

1972
01:19:09,000 --> 01:19:11,760
Speaker 3: ain't even in my vocabulary basic for that's basical for

1973
01:19:11,840 --> 01:19:15,120
Speaker 3: fody water. You know what I'm saying, I say some

1974
01:19:15,280 --> 01:19:18,600
Speaker 3: ways looking in that. So you know, maybe she was

1975
01:19:18,720 --> 01:19:20,760
Speaker 3: just I don't know, maybe she thought I was somebody else.

1976
01:19:20,840 --> 01:19:22,760
Speaker 3: I don't know, because me and Buster we got we

1977
01:19:23,080 --> 01:19:25,720
Speaker 3: rapped different, two of the most creative rappers on earth.

1978
01:19:25,760 --> 01:19:28,080
Speaker 3: And you know, maybe she thought that or something. But

1979
01:19:28,120 --> 01:19:30,080
Speaker 3: we don't look alike or nothing, you know, but that's

1980
01:19:30,120 --> 01:19:32,560
Speaker 3: my guy, you know. But I don't recall that.

1981
01:19:33,479 --> 01:19:34,720
Speaker 4: But hey, it is what it is.

1982
01:19:34,840 --> 01:19:38,120
Speaker 3: It's you know, everybody don't know me because I've been around,

1983
01:19:38,640 --> 01:19:39,760
Speaker 3: like I say, ever since.

1984
01:19:39,960 --> 01:19:40,960
Speaker 4: You know, Yogi Bear was.

1985
01:19:40,920 --> 01:19:44,680
Speaker 3: A Teddy Bear, you know, the late eighties. You feel me,

1986
01:19:45,240 --> 01:19:47,320
Speaker 3: and so you know, maybe she didn't know me. Really,

1987
01:19:47,720 --> 01:19:49,960
Speaker 3: you know, I don't. I don't get offended this gravity.

1988
01:19:50,640 --> 01:19:50,800
Speaker 4: Now.

1989
01:19:51,000 --> 01:19:52,800
Speaker 2: I got to ask these one liners that you have

1990
01:19:52,920 --> 01:19:54,599
Speaker 2: forty do you write them down?

1991
01:19:54,640 --> 01:19:57,599
Speaker 13: Because you have a one liner for everything you must

1992
01:19:57,720 --> 01:19:59,120
Speaker 13: If you had to count how many one line as

1993
01:19:59,160 --> 01:20:00,880
Speaker 13: you do, it has to be thousands a day.

1994
01:20:01,439 --> 01:20:03,479
Speaker 4: I just got memory like a spelling bee sick.

1995
01:20:08,760 --> 01:20:10,920
Speaker 13: What I'm saying, You don't write it down and nothing,

1996
01:20:11,000 --> 01:20:13,800
Speaker 13: you just I just I just you know, log it in.

1997
01:20:14,240 --> 01:20:17,680
Speaker 13: You know, I heard porky pone spawn. I heard like

1998
01:20:17,760 --> 01:20:19,439
Speaker 13: a tab pole this morning. I said he was young

1999
01:20:19,479 --> 01:20:20,160
Speaker 13: as a mustache.

2000
01:20:20,200 --> 01:20:21,759
Speaker 4: I just heard so many plenty.

2001
01:20:22,120 --> 01:20:23,880
Speaker 3: If you sit down with me, man, you hear a

2002
01:20:23,920 --> 01:20:25,640
Speaker 3: whole bunch of stuff. It just come out natural, like

2003
01:20:25,680 --> 01:20:26,080
Speaker 3: an afro.

2004
01:20:27,080 --> 01:20:28,920
Speaker 2: We appreciate you for joining question.

2005
01:20:29,040 --> 01:20:29,200
Speaker 9: Man.

2006
01:20:29,280 --> 01:20:32,640
Speaker 2: The book is out right now. Of thumb is out

2007
01:20:32,720 --> 01:20:33,040
Speaker 2: right now.

2008
01:20:33,400 --> 01:20:36,760
Speaker 4: Yeah, twenty three slaps back to back. Stopped playing with

2009
01:20:36,880 --> 01:20:37,880
Speaker 4: water forty.

2010
01:20:37,960 --> 01:20:38,760
Speaker 2: It's the breakfast Club.

2011
01:20:38,800 --> 01:20:41,280
Speaker 4: Good morning, the breakfast Club.

2012
01:20:43,720 --> 01:20:45,439
Speaker 2: Everybody, EJ N G.

2013
01:20:45,720 --> 01:20:48,280
Speaker 13: Charlamage the guy We all the breakfast club now, charlamone,

2014
01:20:48,280 --> 01:20:48,840
Speaker 13: you got a positive?

2015
01:20:48,920 --> 01:20:51,880
Speaker 12: No positive notice simply this man, Be careful what you

2016
01:20:52,000 --> 01:20:54,880
Speaker 12: wish for others, because it just might get to you.

2017
01:20:55,080 --> 01:20:57,880
Speaker 12: All right, to wish bad things for somebody else is

2018
01:20:58,000 --> 01:21:00,880
Speaker 12: actually like looking for something bad to happen to you,

2019
01:21:00,920 --> 01:21:03,439
Speaker 12: because when you wish bad karm on somebody else, you

2020
01:21:03,520 --> 01:21:05,960
Speaker 12: bring bad karm on yourself. Okay, you are consuming and

2021
01:21:06,040 --> 01:21:08,760
Speaker 12: bringing in negative vibes into your life. Instead, be the

2022
01:21:08,800 --> 01:21:10,800
Speaker 12: person you wish they were. Be the person who brings

2023
01:21:10,880 --> 01:21:13,719
Speaker 12: only positive thoughts and good vibes into their own life,

2024
01:21:13,760 --> 01:21:16,640
Speaker 12: because being negative yourself will only bring negative into your

2025
01:21:16,720 --> 01:21:19,920
Speaker 12: life don't poison yourself hoping somebody else will die.

2026
01:21:20,160 --> 01:21:23,439
Speaker 9: All right, breakfast club bitches, You y'all finish or y'all done.