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Speaker 1: Twitter, Gay Facebook. We're about to get this show started.

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Speaker 1: Ready to get it started? Day? Hell ye the first

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Speaker 1: ain't like now show? You see this man MTV w

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Speaker 1: he is your cold is trust me the game? He

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Speaker 1: WoT he day he's gonna looking easy on this latary snag.

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Speaker 1: Today we got cheat remember anybody now show who see

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Speaker 1: him everywhere he is down we call them blue flegs

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Speaker 1: him on MTV while and now you see him in

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Speaker 1: the movie I got this looks up to my best

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Speaker 1: of peak and you won't see him on this stage

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Speaker 1: in the night. He's from the West nine in Atlanta

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Speaker 1: Poto Theater. Figot get out the nerve paper anybody style show?

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Speaker 1: He needed no intercuption? What we're gonna do like this?

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Speaker 1: My lad? You see this man on him wild out

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Speaker 1: keeps Cavil School rapo because he means don't interduction. He

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Speaker 1: is to put the case. Lady, your lady, daddy, this

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Speaker 1: amount tak your longs down. We're about to get the

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Speaker 1: show started. Taking warms up because you got ready to

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Speaker 1: get the show started, saying hell yeah, why the PA

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Speaker 1: needs you to make your lost as you can't right now.

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Speaker 1: I need you to make the most nois you can't

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Speaker 1: many say no man, be in the fun. You hit

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Speaker 1: a po long and don't load. Don't love trying to run.

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Speaker 1: We had to fino down, say get the flow the

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Speaker 1: boy yet fill out now down hold fowl, I said,

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Speaker 1: I gotta pile up. Who what was that busy? I said,

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Speaker 1: fou we are we who we are? Wet PI were

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Speaker 1: at the pilu hold hold part up. Yeah when we

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Speaker 1: had gay on the day, on the down and be

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Speaker 1: open to the household. Take me over the take me off. Yeah,

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Speaker 1: y comes up? What the boy? You know I do right?

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Speaker 1: Hen story break brais longus pou man, hear me with

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Speaker 1: some sex and bold We've got a sex a little

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Speaker 1: to the Hello, better play that ship. Nigga held m

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Speaker 1: see my whole out from let me says, you're su

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Speaker 1: We heard about two hollo niggas. Look ahead. I'll tell

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Speaker 1: you like this. I don't care where you run your established,

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Speaker 1: but don't come across a hunt twenty five people out

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Speaker 1: of that dive. So nigga, you see this coat, nigga,

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Speaker 1: I'm freak looking. When you see this head, nigg I'm

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Speaker 1: Freddy Krug and I'm your worst nightmare. Hey man, y'all.

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Speaker 1: Brother's cool loud man, cool loud many turn the nick

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Speaker 1: got my nick inches out. You know how these thing

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Speaker 1: did this ship? He jacky jack, that's a cool Yet

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Speaker 1: you got a right there baby, where you get those

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Speaker 1: fans from around? Then? Listen, baby, I'm just trying to

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Speaker 1: bend in skinny and see what's saying it? You understand? Yeah,

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Speaker 1: you already know. I love the jacket? Baby? What did

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Speaker 1: that made out of? Out of big girl legs? Kid?

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Speaker 1: Get girl legs? Getting that was probably hard to kid? Baby?

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Speaker 1: How many big girls did it take you to get

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Speaker 1: that jacket? Just this is only a two legs right here,

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Speaker 1: two big girl legs. It's a whole cambus right here.

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Speaker 1: All right, that's very nice. What about the what about

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Speaker 1: the white pot? What is that? Let's coo cooch your head.

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Speaker 1: You must have been working with an X man man.

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Speaker 1: Let's wat they did? It's coogle cooch your head. Yeah,

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Speaker 1: it already lost his color. Bro. We put his hand

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Speaker 1: on this ship automatically made of thirty years. I ain't

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Speaker 1: I know, I feel like I gotta view it. I

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Speaker 1: feel like I ain't got damn whodinny of this motherfucker's

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Speaker 1: even if he said a up with the priest on

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Speaker 1: his cold day there right now, because of all, I

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Speaker 1: ain't never so no capris so that see lunchable his motherfucker.

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Speaker 1: Let me tell you something. J B told me that

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Speaker 1: he was round here and see the caprizza on that.

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Speaker 1: You know, I see it. Keep you strawberry, Now, you

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Speaker 1: can't be selling. This is hard of baby. This is

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Speaker 1: your home. Off the hustle, y'all. Niggas are rats in

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Speaker 1: hard of Baby. Wait a minute. Ain't no goddamn rats

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Speaker 1: in hollow ship number Swiss cheese everywhere. No, ain't no

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Speaker 1: rats in Holland. Baby, Ain't no rats in Holland. Baby,

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Speaker 1: We're staying tall in Holland. Babies, see y'all some loud motherfucker's. Yeah,

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Speaker 1: I see y'all, some shining motherfucker's. But soon as y'all

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Speaker 1: get in the courtroom, y'all some telling. Motherfucker. Ain't nobody else,

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Speaker 1: Ain't nobody telling nothing, baby. You know what I tell

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Speaker 1: I tell the bitches. I say, look here, ladies, if

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Speaker 1: you want to be a part of the team, you

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Speaker 1: got to sell the dream and you have to be

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Speaker 1: mean on the scene down on the peach he willing

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Speaker 1: from you from Brooklyn. Let me tell you I have

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Speaker 1: tried everything. I've tried sending cocaine. I've tried cocaine and

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Speaker 1: had a wait a minute. You said you're from Brooklyn,

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Speaker 1: and you talking about but I think that the country

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Speaker 1: six nine boy from Brooklyn, ain't it? No, Nope, he

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Speaker 1: from way from here from bus wit he from Pasadena. Yeah,

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Speaker 1: that ship in Jersey. I don't disrespect Jersey like that day.

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Speaker 1: And this motherfucker too. They up top, they got outside

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Speaker 1: people in New Jersey. People in New Jersey came on

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Speaker 1: the megabus. Well you're going down the street. Yeah, I'm

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Speaker 1: going to cool. I like this crowd single ladies here tonight.

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Speaker 1: Shit your ass up. Well forgot the white lady with

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Speaker 1: the white tits in the billy bought those tits out.

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Speaker 1: They're not titties. Those are tits. She brought up the tits.

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Speaker 1: Tits we have, those are breasts. I meant, your ariola.

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Speaker 1: She looked like undone baloney right, never look like a

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Speaker 1: set on starbursts. That's what that is, y'all. A fund

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Speaker 1: up individuals man cook see hunt like, holdo, we gotta

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Speaker 1: frond of those got we have looking like Carl Thomas.

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Speaker 1: That's exactly you do. You do, got your Donnelle Jones

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Speaker 1: going on, and when you love someone, you don't you

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Speaker 1: eat damn bag you do like old is thinking that

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Speaker 1: you're singing and the way look it is about to

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Speaker 1: take the coat right, you got that turtle neck and

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Speaker 1: that code boy, you're gonna hands out. That's how niggers

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Speaker 1: Us addressed that sing on the corner should be a

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Speaker 1: dude to bed and you be dude, be dude, you

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Speaker 1: bude should be you are something. When I see amazing

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Speaker 1: on the lad was what I said. I said the

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Speaker 1: way sweet won't ship be mine? And I said, shad

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Speaker 1: sh shine ship sweet lean see shine ship sweet lady,

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Speaker 1: timmy shine ship. Let me tell you something, y'all. What's

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Speaker 1: going on? Baby? You wouldn't really what's going on? Because

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Speaker 1: I keep a going on shooting shot and don't let

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Speaker 1: go n pulls it, pulls it push shoot you already

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Speaker 1: doc when I go old, you've better handle pigs and

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Speaker 1: complete ship shop because I'm gonna oh wa pop shine shoot.

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Speaker 1: You still want my feet shine shop shine. Let's bring

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Speaker 1: it down lower, bring it down lower. Don't want to

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Speaker 1: shoot shoot shot. I'm thinking all that they got fo

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Speaker 1: dollars you very much, very much, that was a lot

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Speaker 1: of money at night. Jees sick, they don't they don't

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Speaker 1: hold of that still in that ship. Shout out to

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Speaker 1: all the ladies in here that shape. They don't coach you,

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Speaker 1: but you missed the spite on the other side. It's

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Speaker 1: like a little island. Yeah, one of them lives is

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Speaker 1: hair in the mother. You're standing the fun. I don't

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Speaker 1: know about sucking you man. Yes, they are somebody hitting her.

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Speaker 1: She stood up. I know what you're talking about. Bench.

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Speaker 1: They nobotterucking you man. Nigga looked like this one need

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Speaker 1: fuck you. No, I can't fuck you A leading people

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Speaker 1: on top top. They ain't even got no seats. They're

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Speaker 1: just standing up. This is gonna be a great show

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Speaker 1: right here, the luck to look forward to. Yep, y'all

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Speaker 1: know that. Let me have a bunch of shadows. What's

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Speaker 1: up with you in the shadows? They ain't even got

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Speaker 1: no bathroom up there, right, y'all, be still, y'all like

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Speaker 1: the Nintendo Wee people before you make them all the way.

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Speaker 1: That's what y'all look like. They gotta hold it and

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Speaker 1: they got old sports over this wood is legendary. Yep,

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Speaker 1: that's the Apollo wood man that she just only wood

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Speaker 1: you can rub as a man and not have to

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Speaker 1: say Paul's this is crazy. Yeah, man, I don't want

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Speaker 1: what happened. If you take this motherfucker home. So many

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Speaker 1: people have rubbed on this wood. If you rub it,

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Speaker 1: you just you could just mush out your hand. It's

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Speaker 1: a lot of cocoa butt on that bit. You take

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Speaker 1: that motherfucker home. The goes to Rick James, gonna be

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Speaker 1: standing over your bit. You'se a super thief. Super thief.

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Speaker 1: You're super thiefat out Ah. She might bring you good.

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Speaker 1: Look like my wana, My wanna make we boy. It's

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Speaker 1: an old nigga that adapt he'll catch before you get

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Speaker 1: out here, young man. Put that ward down. It's a

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Speaker 1: nigga supervising that mothercker right now. He's just in the cut.

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Speaker 1: Wish the nigga would take that damn stop care somebody

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Speaker 1: about that stuff. It goes to a black artifact. This

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Speaker 1: piece of wood is worth at least fifteen hundred dollars

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Speaker 1: in the black community. It's worth more than that. All

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Speaker 1: the hands that didn't touch that man, all the legendary

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Speaker 1: hands who didn't touch this, everybody, everybody who Michael Jackson,

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Speaker 1: Michael Jackson, Marvin Gaye, Michael Brown. Niggas said Jesus Jesus.

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Speaker 1: Don't we playing with Jesus like Jesus was after Apollo

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Speaker 1: this way he did some of his early miracles and

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Speaker 1: shiit the Apolo sold gangs that they might have booled Jesus.

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Speaker 1: And get out of here, niggy, funk out of here,

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Speaker 1: son with Mohammed. Get Muhammed out here, soun out of here.

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Speaker 1: Niggas mean, you know New York niggas like, Yo, I'm

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Speaker 1: fun with Moses anyway, I don't really funk with him, right,

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Speaker 1: I don't know who this nig is, my son, don't

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Speaker 1: funk with Jesus. This the nigga who who discovered Brooklyn

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Speaker 1: the you know I was here when Brooklyn first started

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Speaker 1: in eighteen o five. Now this is the look, dude

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Speaker 1: will be standing up on the train. I don't mean

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Speaker 1: to ask nobody for anything, but I'm just trying to

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Speaker 1: sell candy so I can go to school. It won't

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Speaker 1: be feeling just like that, though, and should be biggest

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Speaker 1: hill's disrespectful in New York. You're trying to ride home.

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Speaker 1: It's a nick on that motherfucker doing a full dance

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Speaker 1: room team. Go through the seats, go through the seats,

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Speaker 1: like he got this right here, man, I tell him,

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Speaker 1: snick got a tempt service shirt right here. This that's

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Speaker 1: the best part of New York. I want to job

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Speaker 1: for real. This. I'm trying to turn my life around.

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Speaker 1: Where your life is already good. This is the most

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Speaker 1: legendary black entertainment center in the world. Like, it's no

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Speaker 1: more legendary space then the Apollo And we're in hollow man,

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Speaker 1: We're in the Black Mecca. This was where the black man.

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Speaker 1: This is where being black was cool. Hold on, wait

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Speaker 1: a minute. Hello, Oh those tennis? Yeah, damn. When I

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Speaker 1: seen no tis from damn, oh Lord Lord Lord Lord

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Speaker 1: got it from my way, I was like, who she?

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Speaker 1: Oh Lord Lord Lord. We got sit in the field.

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Speaker 1: Oh I say't a weak guy. T everybody lived when

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Speaker 1: we got nap. You want okay, y'all whim out? Oh

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Speaker 1: sa you fund to come on, come on, you know

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Speaker 1: what what to see. Damn it. He don't got no mouse.

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Speaker 1: His mouth is bust out. He don't be out no mouth.

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Speaker 1: He don't got no mouth. You don't got no mouth,

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Speaker 1: and everybody here here and see I got no mouth,

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Speaker 1: so he can't sup on no fig tit t say yo,

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Speaker 1: titny's so big. You hope that they don't hurt me.

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Speaker 1: Your titnies look just like two biggs Christmas turkeys. I

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Speaker 1: love said she in the build. We got this nig

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Speaker 1: look like he said a fruit in the church. And

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Speaker 1: you know I got the can't look fle He'll come on,

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Speaker 1: come on them, come here. No, that's one of them.

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Speaker 1: That's one of the negatives on the Hunt twenty five

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Speaker 1: s three Settling in black books. Ain't my brother, my brother?

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Speaker 1: My brother? Did you like to know the message of

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Speaker 1: the black man? Where you come from? What you are? Hey?

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Speaker 1: What's that screet? Where they be setting out that face

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Speaker 1: on canal? Screet? Be looking? Come here? I have Coucci.

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Speaker 1: I'm like that, ain't Cuchi right now? Hey? I tried

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Speaker 1: to tell that think not the bad as ship. Why

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Speaker 1: don't they Well one of Africa gave me a little

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Speaker 1: I walked by. I was like, hey, I don't do

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Speaker 1: that any good? Like baby serious about that ship? Ain't

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Speaker 1: my brother? I see you? You? You were you were nice? Nike?

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Speaker 1: I have Nike here force one. I have Jordan, and

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Speaker 1: you're done one, two, three, four or five, six, seven, eight,

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Speaker 1: nineteen and never as well thirteen fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, twenty,

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Speaker 1: twenty one, twenty twenty four, twenty five, twenty six. I

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Speaker 1: don't have twenty seven. It'll be here tomorrow, but I

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Speaker 1: have all the rest. I'm not buying, no clothes off,

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Speaker 1: no praying carpet. New York, the hustling, this goddamn city

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Speaker 1: you've ever been to? Being got a little squirrel, They're like, yeah,

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Speaker 1: that's I don't like that right now? Is you have

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Speaker 1: a walk past that nigger who drew a picture of

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Speaker 1: you and tried to sell it. They think, I'm not

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Speaker 1: bating the picture of me. Ain't nobody to tell you

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Speaker 1: to draw that ship? Look it's you know up, No,

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Speaker 1: it's New York is the husband and city, hey man.

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Speaker 1: And then y'all ever been to them comedy shows? Them

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Speaker 1: niggers be selling tickets too on forty second Street. Them

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Speaker 1: niggers got comedy tickets. And then you'd be like, no,

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Speaker 1: I'm good, I got the sour too, bro, sour sour sour.

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Speaker 1: My man got got that sour sour. I don't buy

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Speaker 1: where you from them niggers, because them bags be dirty.

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Speaker 1: Them niggast looked like they didn't handed for a long time.

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Speaker 1: Like nah, that we about four weeks old. It's more

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Speaker 1: sting that bad. If you go on your next to

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Speaker 1: get some weed, I'm not smoking at balls as weed

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Speaker 1: right there, and watch you go on your knits without

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Speaker 1: a real nutsack. They had a notice that loud. Now

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Speaker 1: that's that stink. Shout out to everybody sitting in the booths.

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Speaker 1: And the legendary they don't stand up is not reinforced.

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Speaker 1: You know, there ain't did no renovation of this building

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Speaker 1: since the thirties. Handicap seats. The motherfucker's sent on ramps,

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Speaker 1: nigga STI excuse excuse yo, excuse you should you should

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Speaker 1: do it? Okay, throw those excuse like that. Y'all ain't

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Speaker 1: know all this ship. This is the crowd right here.

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Speaker 1: Anybody here be caught the train, Well you're going to

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Speaker 1: shoot they weren't going to y'all. Don't this fun if

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Speaker 1: y'all didn't catch your train, nigger all this fucked up

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Speaker 1: and find a pocket spot in New York. Nare I

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Speaker 1: don't understand why you even drive up here. And you

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Speaker 1: be in New York. You'll be like, yeah, your destination

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Speaker 1: is a half a mile away. You put the destination

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Speaker 1: and that's just say six hours you like nigger, really

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Speaker 1: want to go no more. I see the nigga park

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Speaker 1: his car just in case you'd be like, yeah, I'm

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Speaker 1: gonna need that Parker's farn later on. I'm just gonna

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Speaker 1: leave my car here like this is a bullshit shout

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Speaker 1: out to all the women that live upstairs from the

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Speaker 1: palm shop dealing go straight now, stay and get a

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Speaker 1: sandwich with your home grass. And then looked then got

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Speaker 1: like a little buffet that should be neat to get

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Speaker 1: a little chicken little you know what I'm saying, Short, Fred,

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Speaker 1: you're going there and get a shrimp out? Fred over

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Speaker 1: the next and mother fucking kiddy can't jump up from

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Speaker 1: behind and down and lands telling your food that real chicken.

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Speaker 1: But I had a little checker that more like him.

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Speaker 1: I don't still if you eat it though, No, I

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Speaker 1: can't work with it. I stopped working with them both

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Speaker 1: just because they leave the minutes at all day. My

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Speaker 1: grandmother saying that ship give you salmonil. I'm not working

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Speaker 1: with that Mannaime that's been out the whole day. Who

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Speaker 1: went here from Chris Cross right there? That's the one. Lady,

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Speaker 1: I ain't from Harlem. No, you're not. You're from a

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Speaker 1: good part of harm. You're from the gentrified part of Harlem. Yeah,

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Speaker 1: you're not from the original about the Harlem is a classic, lady.

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Speaker 1: I got a lot of a lot of legendary music

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Speaker 1: acts that came out of Hallom. The dip said. One

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Speaker 1: of my favorite niggas, Max B. I love mac Man,

285
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Speaker 1: Free Max B, the Wavy want crazy, the wavy one.

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Speaker 1: That nigga was the nigger the wave. Would you say,

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Speaker 1: free the wave that nigga go on my Mamma pass

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Speaker 1: I really missed, couldn't go to the funeral and kissing him.

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Speaker 1: Mysel I was staring there picture. I never liked my

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Speaker 1: way your life told me, yeah, would pay the price.

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Speaker 1: Plotting on my foes got me riding on these holes,

292
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Speaker 1: feeling like some mother type of nigga coming fuck with

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Speaker 1: the bigger. We can live it up one day, We're

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Speaker 1: gonna give it it up, be a family man and

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Speaker 1: settled down with the wife and kids. They got you

296
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Speaker 1: like traffic nigga, don't be trying to spit that righteous ship.

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Speaker 1: You ain't better that, Nigga. I don't like that ship

298
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Speaker 1: staying now late, trying to come home when you want,

299
00:23:12,160 --> 00:23:14,159
Speaker 1: trying to come and roll up blood, trying to come

300
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Speaker 1: nigga for what you don't really want to be My man?

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Speaker 1: Max Damn Max. Yeah, I don't even understand that, but

302
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Speaker 1: I can't stand every time you get around your friends,

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Speaker 1: you'd be starting that ship again. Called me big, Pop

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Speaker 1: that's the wrong section, nigga. Oh, that's the wrong song.

305
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Speaker 1: I've been where you called me big. That's Brooklyn. I

306
00:23:38,640 --> 00:23:48,320
Speaker 1: have been where you be pop her. What you say, nigga, Oh,

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Speaker 1: God damn what you say, nigga? Bo one more time?

308
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Speaker 1: What you say? Nigga? Hey everybody? What do you say? Nigger?

309
00:23:57,480 --> 00:24:05,879
Speaker 1: Keep being going? What you say? Hey? White man? She went, No,

310
00:24:06,280 --> 00:24:13,600
Speaker 1: I didn't know about every time I fought white people

311
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Speaker 1: gonna do this. Bigger was one of the coldest thingers ever.

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Speaker 1: It's still ain't been nobody who topped him. Bro. When

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Speaker 1: they Nigga said to all the ladies in the place,

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Speaker 1: just down the grace allowed me to lace these lyrical

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00:24:28,160 --> 00:24:31,920
Speaker 1: dishes and your bushes the nigger wanted his rams to

316
00:24:32,040 --> 00:24:40,360
Speaker 1: clean pussy. Bro dish ain't even good for pussy. That's

317
00:24:40,400 --> 00:24:43,120
Speaker 1: when you want to reset your whole pussy and start over.

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Speaker 1: Yeah that disher. Throw all your pussy away and give

319
00:24:48,280 --> 00:24:55,240
Speaker 1: me about photos to rebuild. That bitch who's mother? I

320
00:24:55,359 --> 00:25:06,000
Speaker 1: love you back. It's somebody smokes. I'm know somebody got

321
00:25:06,119 --> 00:25:10,160
Speaker 1: it all hit every they're scared. They wouldn't be smoked

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00:25:10,200 --> 00:25:13,640
Speaker 1: that ship. I'll try it. Give me my plan. Girl,

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00:25:13,720 --> 00:25:15,840
Speaker 1: she's coming out her fanny packs. Sit there, man, you're

324
00:25:15,880 --> 00:25:20,600
Speaker 1: gonna get us all locked up. She like dick every

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00:25:20,640 --> 00:25:24,159
Speaker 1: two weekends, like you're gonna get a movie. Roll with

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00:25:24,240 --> 00:25:26,080
Speaker 1: that outfit and you look like you know what you

327
00:25:26,119 --> 00:25:29,160
Speaker 1: look like. It's a it's a rap video that came

328
00:25:29,200 --> 00:25:31,119
Speaker 1: out and the nigger was dressed just like that. That

329
00:25:31,560 --> 00:25:35,399
Speaker 1: This is it Wood Lucini broll everything. This guy rich Wood.

330
00:25:36,080 --> 00:25:45,440
Speaker 1: Yeah that's you. Hey, hey, hey, I feel like a

331
00:25:45,560 --> 00:25:52,360
Speaker 1: superhero in the Big Game car. He just dropped down

332
00:25:52,400 --> 00:25:57,600
Speaker 1: to save you. Man, be those teens need to be saved.

333
00:25:59,200 --> 00:26:03,399
Speaker 1: I say where, I fucking loved the Apollo. This is

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Speaker 1: my first time in here. It's all everybody, that's all

335
00:26:06,080 --> 00:26:11,760
Speaker 1: that first time. Man, it's amazing. Right. We used to

336
00:26:11,840 --> 00:26:13,760
Speaker 1: watch this ship growing up, you know what I mean,

337
00:26:14,280 --> 00:26:15,800
Speaker 1: Like we used to watch this ship. Some of your

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00:26:15,840 --> 00:26:18,800
Speaker 1: favorite artists guy albums that was recorded live here made

339
00:26:19,320 --> 00:26:30,000
Speaker 1: and we had made it. Man, I don't know if

340
00:26:30,000 --> 00:26:32,480
Speaker 1: you're singing scenes from No Limit or what the fun

341
00:26:33,080 --> 00:26:39,000
Speaker 1: do that? That was the same man, the same man? Alright, ship? Yeah?

342
00:26:39,359 --> 00:26:47,800
Speaker 1: What when go like that ship? That is not the

343
00:26:47,920 --> 00:26:51,959
Speaker 1: right sauray, that sounds like a project building fil somebody

344
00:26:52,040 --> 00:26:56,760
Speaker 1: left the door over right, that's what you like think

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00:26:56,880 --> 00:26:58,280
Speaker 1: that's what they think. Used to come out too. That

346
00:26:58,400 --> 00:27:00,080
Speaker 1: was you. I'm just saying that was your favorite to

347
00:27:00,200 --> 00:27:02,520
Speaker 1: the show. Didn't come out there go crag on the

348
00:27:02,640 --> 00:27:10,000
Speaker 1: game my favorite father? Was there food anybody, It don't matter.

349
00:27:10,040 --> 00:27:11,880
Speaker 1: You can come out with the say this story. Yeah,

350
00:27:12,000 --> 00:27:14,399
Speaker 1: my name is Wilson Johnson. Yeah, I just knows my

351
00:27:14,520 --> 00:27:20,440
Speaker 1: whole family and my whole Yeah. I think it's so

352
00:27:20,680 --> 00:27:26,720
Speaker 1: cold that I just love my whole family. Hey, that

353
00:27:26,920 --> 00:27:29,000
Speaker 1: was my favorite part of the show. That old as

354
00:27:29,200 --> 00:27:31,200
Speaker 1: lady who used to be in every show she always

355
00:27:31,240 --> 00:27:39,680
Speaker 1: stand up as part didn't say we have to do

356
00:27:39,800 --> 00:27:42,680
Speaker 1: something like that him, what you're trying to do do

357
00:27:42,840 --> 00:27:46,800
Speaker 1: like a eighty fast sound. What you want to do?

358
00:27:49,480 --> 00:27:52,680
Speaker 1: Y'all want to funk with? I don't trust these couches.

359
00:27:53,040 --> 00:27:56,080
Speaker 1: We got any telling in in the building. Then what

360
00:27:56,280 --> 00:28:00,480
Speaker 1: you do, I'm gonna break do say for real? She

361
00:28:00,560 --> 00:28:06,240
Speaker 1: did be fucking around? Who say what you can sing?

362
00:28:06,840 --> 00:28:09,320
Speaker 1: He gotta take the jacket off. No, didn't leaving this

363
00:28:09,400 --> 00:28:11,399
Speaker 1: ship on fun. I gotta take my jacket out for

364
00:28:11,480 --> 00:28:14,800
Speaker 1: you to show how talent you are. He gotta take

365
00:28:14,800 --> 00:28:18,200
Speaker 1: the jacket off. He make it me hot? All these

366
00:28:18,240 --> 00:28:24,040
Speaker 1: fuck's quick? Oh, check on? What is your doing? It's

367
00:28:24,080 --> 00:28:28,520
Speaker 1: my Steve Hobby coach. Okay, okay, say no more. Then

368
00:28:33,560 --> 00:28:47,880
Speaker 1: on the bed up? Damn, Oh my god, that's out, baby.

369
00:28:48,200 --> 00:28:49,840
Speaker 1: Hold on, let me get my guy that hat back?

370
00:28:55,880 --> 00:28:58,920
Speaker 1: Who we got? All right? Cut it off? Cut it off,

371
00:28:59,000 --> 00:29:01,440
Speaker 1: Cut it on, lady animal, lady and gentlemen, Lady and gentlemen,

372
00:29:01,480 --> 00:29:06,000
Speaker 1: Lady gentlemen, Welcome out to the Anybob South Show Talent

373
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Speaker 1: Night here at the legendary Apollo Theater. I want to

374
00:29:09,880 --> 00:29:12,680
Speaker 1: thank each and every last one of y'all for coming

375
00:29:12,680 --> 00:29:14,040
Speaker 1: out to night, even the people up top of the

376
00:29:14,080 --> 00:29:17,400
Speaker 1: boat day tickets on the scalpel. I love you. We

377
00:29:17,520 --> 00:29:19,360
Speaker 1: got a lot of talent here tonight. You got ready

378
00:29:19,360 --> 00:29:21,040
Speaker 1: to see an amazing show here to add a fast

379
00:29:21,080 --> 00:29:23,480
Speaker 1: houth sohol talent show you guys ready to see amazing show.

380
00:29:24,720 --> 00:29:26,440
Speaker 1: The lady back there to look like you gotta attitude?

381
00:29:26,440 --> 00:29:29,240
Speaker 1: Wick your heads up, man, don'tbody body about to tack

382
00:29:29,240 --> 00:29:30,720
Speaker 1: your feet here. Don't look around. I'm talking to you

383
00:29:31,440 --> 00:29:35,040
Speaker 1: all right, d We got our talent ready. Alright, ladies

384
00:29:35,080 --> 00:29:38,479
Speaker 1: and gentlemen, first talent we have coming up? What's up

385
00:29:38,480 --> 00:29:42,760
Speaker 1: with your brother? What is your name? Jelil? Where you're from?

386
00:29:42,840 --> 00:29:46,520
Speaker 1: Jalil from New Jersey? Litenok, New Jersey and Elizabeth New

387
00:29:46,640 --> 00:29:51,240
Speaker 1: Jersey and Elizabeth New Jersey? Well what are you going

388
00:29:51,360 --> 00:29:53,600
Speaker 1: to be doing here today? For the lovely people here?

389
00:29:53,640 --> 00:29:58,360
Speaker 1: Dere Polo theater? Wherever the fun I want? He is

390
00:29:58,560 --> 00:30:01,200
Speaker 1: very confident. It's probably he's very black and he had

391
00:30:01,200 --> 00:30:03,040
Speaker 1: to go through a lad when he was young, so

392
00:30:03,120 --> 00:30:04,880
Speaker 1: he's built up a level of confidence to be able

393
00:30:04,920 --> 00:30:06,360
Speaker 1: to not kire. But I would nobody to think about him.

394
00:30:06,400 --> 00:30:08,520
Speaker 1: What brother? I want you to go ahead and do

395
00:30:08,600 --> 00:30:10,440
Speaker 1: you think ladies and gentlemen wish you ain't time to

396
00:30:11,320 --> 00:30:20,800
Speaker 1: make some noise for your leo. Hey, Hey, my man.

397
00:30:20,920 --> 00:30:23,840
Speaker 1: He literally you're so cool. You forgot the rubb you

398
00:30:23,880 --> 00:30:28,600
Speaker 1: got them and rude rub the wood nigger ain't no Paul,

399
00:30:28,680 --> 00:30:31,880
Speaker 1: shut your freak gass up. But you're thinking about freaking heads. Nigga,

400
00:30:32,120 --> 00:30:34,560
Speaker 1: you know where that wood is? That pashic Shut you freak.

401
00:30:35,280 --> 00:30:37,680
Speaker 1: I could feel the luck already, man. But like he's saying,

402
00:30:37,720 --> 00:30:41,200
Speaker 1: I'm confident, I'm confident itself. But this ain't happen overnight.

403
00:30:43,240 --> 00:30:46,760
Speaker 1: This ain't happen overnight that this confidence, it happened overnight.

404
00:30:47,160 --> 00:30:50,840
Speaker 1: I grew up with my grandma. I was insecure. Wait now,

405
00:30:52,080 --> 00:30:55,920
Speaker 1: hold on, wait a minute, and wait, shopping man, Wait

406
00:30:55,960 --> 00:30:58,440
Speaker 1: a second, Wait a second, y'all, y'all get strong. Kevin

407
00:30:58,480 --> 00:31:01,880
Speaker 1: had a chance, Okay, give me, give him a chance

408
00:31:01,920 --> 00:31:04,560
Speaker 1: to see and I trying to pull me already. I

409
00:31:04,680 --> 00:31:08,160
Speaker 1: grew up insecure, right because my grandmothers always said, God

410
00:31:08,240 --> 00:31:10,960
Speaker 1: don't like ugly. I used to go on the bathroom

411
00:31:11,040 --> 00:31:17,320
Speaker 1: like Jesus swamps me. Jesus swamps me. Yeah, you know

412
00:31:17,440 --> 00:31:44,640
Speaker 1: you want to fucking laugh, you do not, Damn we

413
00:31:44,760 --> 00:31:52,160
Speaker 1: gotta hurd y'all showing some love to the same man, alright,

414
00:31:52,200 --> 00:31:59,160
Speaker 1: And that was that was that was Jalil. That was Jalil, Jalil,

415
00:32:00,760 --> 00:32:03,000
Speaker 1: delil you need did your leave? I'm gonna let you

416
00:32:03,040 --> 00:32:08,320
Speaker 1: know right now, Yeah, delil head, did you leave? Alrighty, alrighty, alrighty.

417
00:32:08,360 --> 00:32:11,040
Speaker 1: Who we got up next at the eighty five South

418
00:32:11,120 --> 00:32:14,120
Speaker 1: Show Talent Night, nigga, don't rub the wood first, get

419
00:32:14,120 --> 00:32:17,320
Speaker 1: your freaky gas over here. Alright, there you go, hey,

420
00:32:17,360 --> 00:32:18,720
Speaker 1: you go. What's up with your big man? What is

421
00:32:18,760 --> 00:32:22,760
Speaker 1: your name? My name is melviol Your name is Malcolm? Alright,

422
00:32:22,880 --> 00:32:26,440
Speaker 1: well where is yours? All right now, I'm just joking. Alright, alright,

423
00:32:26,760 --> 00:32:28,520
Speaker 1: what are you gonna be doing the day for? I'm

424
00:32:28,520 --> 00:32:30,920
Speaker 1: gonna dance for y'all. You're gonna dance? Boys, alright, we'll

425
00:32:30,960 --> 00:32:32,520
Speaker 1: go ahead and do your thing? Ro do what do

426
00:32:32,600 --> 00:32:42,719
Speaker 1: your thing? Brother? I'll take that alright? Man ay myself.

427
00:32:42,800 --> 00:32:45,920
Speaker 1: Your bad fat man said he gonna dance. So I

428
00:32:46,000 --> 00:32:47,760
Speaker 1: want to see the fat man dance. Give him something,

429
00:32:47,800 --> 00:33:09,840
Speaker 1: booget to give him something the booget too. All right,

430
00:33:10,480 --> 00:33:14,800
Speaker 1: all right, all right, come here, brother, come here, brother,

431
00:33:15,200 --> 00:33:19,400
Speaker 1: I'll make them noise me didn't thing? Man? Hey man,

432
00:33:19,800 --> 00:33:21,719
Speaker 1: Since you did your thing, I got a question, how

433
00:33:21,840 --> 00:33:23,720
Speaker 1: many snacks did it take you to learn how to

434
00:33:23,760 --> 00:33:27,880
Speaker 1: do that. Man about Ti snap Ti snap? Hey man,

435
00:33:27,960 --> 00:33:29,920
Speaker 1: y'all make sure y'all get him some row lunch as

436
00:33:29,960 --> 00:33:31,520
Speaker 1: to something from the back. Give it up a fan

437
00:33:31,600 --> 00:33:36,320
Speaker 1: man that came out of here, got this? I love it?

438
00:33:37,280 --> 00:33:41,120
Speaker 1: I love it. Whould they bipes off? Show talent night?

439
00:33:41,200 --> 00:33:44,440
Speaker 1: He lord to a great start. Who's next? We got

440
00:33:44,480 --> 00:33:47,320
Speaker 1: our next talented person coming on up here? What's up?

441
00:33:47,400 --> 00:33:54,920
Speaker 1: John B. Don't listen to what negro see. They don't

442
00:33:54,960 --> 00:33:57,960
Speaker 1: know about about Caucasian thing. Come here, man, I'm just

443
00:33:58,080 --> 00:34:00,800
Speaker 1: playing with your brother. I am just playing in. How

444
00:34:00,920 --> 00:34:02,840
Speaker 1: are you, brother? How are you finish your dap? There

445
00:34:02,880 --> 00:34:05,040
Speaker 1: you go? I know y'all don't usually do that in

446
00:34:05,120 --> 00:34:07,160
Speaker 1: your community. But come here. What is your name? Brother?

447
00:34:07,640 --> 00:34:11,719
Speaker 1: My name is Vick. What's up, y'all? Vick? Vick? Vick

448
00:34:11,840 --> 00:34:14,359
Speaker 1: like the vapor rub? I like it all right? Where

449
00:34:14,400 --> 00:34:17,680
Speaker 1: you're from? Vick from Brooklyn, y'all? Brooklyn being here? Yeah,

450
00:34:19,680 --> 00:34:23,439
Speaker 1: he is from Brooklyn, Williamsburg to be exact, that's where

451
00:34:23,440 --> 00:34:30,280
Speaker 1: it's from. But what are you gonna be doing? Actually? Sports? Rick? Alright, alright, alright, alright,

452
00:34:30,440 --> 00:34:32,279
Speaker 1: don't grab my mic like that. No more white man

453
00:34:32,440 --> 00:34:36,040
Speaker 1: get sunked up in hire. Now watch you see him say, man,

454
00:34:36,120 --> 00:34:38,680
Speaker 1: it's all good. Sam Man here bag babe, hey, watch

455
00:34:38,760 --> 00:34:41,520
Speaker 1: him grab the pistol. Come here all right? Now, what

456
00:34:41,680 --> 00:34:44,040
Speaker 1: will you be doing today for the lovely people at

457
00:34:44,080 --> 00:34:46,480
Speaker 1: the Apollo Theater. I'm gonna wrap for these people. Y'all

458
00:34:46,480 --> 00:34:49,439
Speaker 1: want to hear some wrap? We over some bars. Yeah,

459
00:34:49,880 --> 00:34:52,560
Speaker 1: I'm a wrap for y'all. He is going to wrap. Well,

460
00:34:53,000 --> 00:34:55,520
Speaker 1: ain't go ahead and rub the wood? Uh, do it

461
00:34:55,600 --> 00:34:57,440
Speaker 1: slow because you're white. It might break your finger. Got

462
00:34:57,760 --> 00:35:02,960
Speaker 1: at you rub the wood? Got are? You're in New York, y'all? Yo? Well,

463
00:35:03,000 --> 00:35:05,760
Speaker 1: up the wood? What's up? New York? Up the wood?

464
00:35:07,400 --> 00:35:10,160
Speaker 1: There you go? Yeah, that's the wrong white people, now, y'all,

465
00:35:10,239 --> 00:35:12,120
Speaker 1: I don't know about it. I'm born the Rais in

466
00:35:12,160 --> 00:35:13,719
Speaker 1: New York. If you're born the Rais in New York

467
00:35:13,800 --> 00:35:18,239
Speaker 1: makes some fucking noise. Yeah, we all here. You know

468
00:35:18,360 --> 00:35:21,359
Speaker 1: I'm so And why motherfucker's don't like me? The thing

469
00:35:21,440 --> 00:35:23,880
Speaker 1: I tied might be suiting, Like I'm Spike Lee. You

470
00:35:24,040 --> 00:35:26,080
Speaker 1: left that try I gotta switch it like she's Nike

471
00:35:26,760 --> 00:35:29,120
Speaker 1: flight Peak. What's about my city? My size is big?

472
00:35:29,760 --> 00:35:34,279
Speaker 1: Hold on up, Hold up, I'm a hold up, yo,

473
00:35:34,760 --> 00:35:37,839
Speaker 1: I'm made inspire. So my band keeping white. They can't

474
00:35:37,880 --> 00:35:40,440
Speaker 1: inspire their track and they tie it. I'm a young

475
00:35:40,560 --> 00:35:45,479
Speaker 1: start up me. Y'all can't hear me. Bro y'all can't

476
00:35:45,520 --> 00:36:12,719
Speaker 1: hear me. I love y'all. I love y'all. I said

477
00:36:12,760 --> 00:36:16,359
Speaker 1: that all love, It's all love job, Thank y'all. Thank

478
00:36:16,400 --> 00:36:20,600
Speaker 1: you John. We need motherfucker through the broom, I thought,

479
00:36:21,760 --> 00:36:29,600
Speaker 1: thank you John, John. C alright, uh excuse, excuse the

480
00:36:30,400 --> 00:36:33,600
Speaker 1: sad man's broom. We have been using that broom here

481
00:36:33,920 --> 00:36:36,000
Speaker 1: at the Apollo for for thirty years and there's a

482
00:36:36,040 --> 00:36:39,399
Speaker 1: lot of cocaine still left inside of it. But we're

483
00:36:39,400 --> 00:36:42,600
Speaker 1: gonna be okay. Next up, we have we have lovely

484
00:36:42,640 --> 00:36:47,880
Speaker 1: in the terror. Come here, baby, Oh lord, how are

485
00:36:47,960 --> 00:36:51,640
Speaker 1: you gorgeous? Look? Come here, baby, skip get out of here,

486
00:36:51,680 --> 00:36:54,719
Speaker 1: saying man, not yet. I just want to let you

487
00:36:54,880 --> 00:36:58,440
Speaker 1: know that you are gorgeous. You are beautiful and lovely.

488
00:36:59,560 --> 00:37:03,279
Speaker 1: I love love that oodle and noodle colored wig you

489
00:37:03,360 --> 00:37:07,560
Speaker 1: are wearing. Yeah, that's all I have. Yes, I love it. Dude.

490
00:37:07,680 --> 00:37:11,000
Speaker 1: Where are you from? Beautiful Brooklyn, New York? Is here

491
00:37:11,520 --> 00:37:15,480
Speaker 1: the real Brooklyn? And what are you gonna be doing tonight?

492
00:37:15,520 --> 00:37:18,480
Speaker 1: For it is beautiful. I'm gonna be singing. She's going

493
00:37:18,520 --> 00:37:21,480
Speaker 1: to be singing. Make some noise, for the loving lady

494
00:37:21,560 --> 00:37:23,400
Speaker 1: is gonna be singing. Make sure you rubbed that wood,

495
00:37:23,880 --> 00:37:27,080
Speaker 1: rubbed that wood. Rubbed the wood. Hey, Ray rubbed the wood?

496
00:37:27,719 --> 00:37:31,880
Speaker 1: Why rub the wood? Why would I forget this? I'm sorry,

497
00:37:32,040 --> 00:37:36,759
Speaker 1: I'm sorry, my apologies. First of all, thank you all

498
00:37:36,800 --> 00:37:41,279
Speaker 1: for the opportunity. And tonight is actually that's the six

499
00:37:41,400 --> 00:37:44,080
Speaker 1: year anniversary of my mother's passing. And I've actually been

500
00:37:44,120 --> 00:37:49,120
Speaker 1: on the Apollo twenty four years ago. This moth I'm

501
00:37:49,200 --> 00:37:52,520
Speaker 1: a free time amate tonight to toime Apollo kids winner.

502
00:37:52,840 --> 00:37:54,600
Speaker 1: I was on Apollo when I was ten years old.

503
00:37:55,040 --> 00:37:57,839
Speaker 1: I'm nervous, but I'm gonna do saying, Hey, hey, y'all,

504
00:37:57,920 --> 00:38:01,160
Speaker 1: now nigga letter you want to god damn you need

505
00:38:01,239 --> 00:38:03,840
Speaker 1: to do. Now, ship y'all, Let goddamn the white man

506
00:38:03,920 --> 00:38:07,960
Speaker 1: come up here and do all that bullshit. I just

507
00:38:08,040 --> 00:38:14,880
Speaker 1: want to dedicate this to my mama. I will never

508
00:38:15,239 --> 00:38:27,120
Speaker 1: leave go Si, I will never wor ships down. Baby.

509
00:38:28,800 --> 00:38:49,759
Speaker 1: See how the amways be around agree right away? I

510
00:38:49,960 --> 00:39:17,400
Speaker 1: will get I will away let s bull come hello ba,

511
00:39:23,239 --> 00:39:24,600
Speaker 1: but trying to let me get all the way through

512
00:39:24,640 --> 00:39:31,399
Speaker 1: the motherfucker's everybody come here, girl, come browns real bit,

513
00:39:31,840 --> 00:39:41,160
Speaker 1: brown little bit. Yeah, yeah, Brownsville Bitch's brown's Ville bitch.

514
00:39:41,400 --> 00:39:47,480
Speaker 1: She's from Brownsville bitch. Alrighty, this has been an amazing

515
00:39:47,600 --> 00:39:51,920
Speaker 1: telling night here to follow, y'all, very very tough crowd.

516
00:39:52,280 --> 00:39:55,880
Speaker 1: But you know we got one more prison that's gonna come.

517
00:39:56,320 --> 00:39:58,920
Speaker 1: We gotta do a word for my sponsors. This segment

518
00:39:59,000 --> 00:40:01,840
Speaker 1: of the show is brought to your part back Waves,

519
00:40:01,920 --> 00:40:05,600
Speaker 1: Grease and Do Rags holding down the black community since

520
00:40:05,719 --> 00:40:12,000
Speaker 1: nineteen sixty seven. Thank you we are here. Also sponsive

521
00:40:12,000 --> 00:40:15,399
Speaker 1: about blue je dot com. Go get you some, gonna

522
00:40:15,480 --> 00:40:20,440
Speaker 1: make ridicule chew dot com and go get you some

523
00:40:21,480 --> 00:40:26,400
Speaker 1: I sent through chew dot com and go get you some.

524
00:40:27,160 --> 00:40:30,960
Speaker 1: You don't get made love to your lady for a

525
00:40:31,040 --> 00:40:35,040
Speaker 1: long long time. He stole that ship out with in

526
00:40:35,280 --> 00:40:40,359
Speaker 1: wood swear to God line. All right, here we go. Yeah,

527
00:40:40,520 --> 00:40:42,480
Speaker 1: one more person that's gonna come out of hand before

528
00:40:42,600 --> 00:40:47,200
Speaker 1: for here is from New York City, and I think

529
00:40:47,239 --> 00:40:53,200
Speaker 1: you guys will be excited to see him. Yes, I

530
00:40:53,320 --> 00:40:56,440
Speaker 1: think you're going without an introduction to y'all, make him

531
00:40:56,440 --> 00:40:58,640
Speaker 1: know what I want to know this ship in the fielding.

532
00:41:04,200 --> 00:41:06,319
Speaker 1: I know you gotta know we are shiitky, but I'm

533
00:41:06,360 --> 00:41:09,640
Speaker 1: going I'm on some rapper ship. Now. I go by

534
00:41:09,680 --> 00:41:13,920
Speaker 1: p dot dot dot dot dot first say right now

535
00:41:13,920 --> 00:41:15,719
Speaker 1: and they call me period, So we gonna ya talk

536
00:41:15,840 --> 00:41:18,600
Speaker 1: like you ain't. No, we got queens and to build

537
00:41:18,640 --> 00:41:23,040
Speaker 1: up for quicks, but we su I'll be all my

538
00:41:23,160 --> 00:41:25,719
Speaker 1: dance and ship. But I figured i'd be on my

539
00:41:25,840 --> 00:41:29,440
Speaker 1: singing shot to night here for me my funny shifts.

540
00:41:30,800 --> 00:41:32,640
Speaker 1: Try that QUI need. I need no vat on that

541
00:41:32,719 --> 00:41:42,000
Speaker 1: no not ajudation. I'mna singing some ushers. Yeah, listen, listen, listen,

542
00:41:42,040 --> 00:41:44,320
Speaker 1: y'all can put me all y'all one, it's cool. Listen.

543
00:41:45,000 --> 00:41:49,719
Speaker 1: Figure I'll hit it and quit it. Just whatnot? Got

544
00:41:49,800 --> 00:41:55,160
Speaker 1: so good to be double back twice my sippin out

545
00:41:55,239 --> 00:42:00,879
Speaker 1: of vin vine. No, No, I don't wanna not huh

546
00:42:01,719 --> 00:42:06,840
Speaker 1: So it's too late to turn back now Caravata, John's

547
00:42:08,080 --> 00:42:16,800
Speaker 1: ain't barsta. I know I missed up. I ain't rubbed

548
00:42:16,840 --> 00:43:19,840
Speaker 1: the wood chop that ship. Ship. May y'all show so

549
00:43:20,040 --> 00:43:30,360
Speaker 1: love a man, oh ship boy. They'll never let us

550
00:43:30,400 --> 00:43:32,399
Speaker 1: host this big No, they would never let us host

551
00:43:32,520 --> 00:43:34,400
Speaker 1: up the pilot. That's why we had to while we

552
00:43:34,560 --> 00:43:39,400
Speaker 1: was here. But y'all show some little everybody, So that

553
00:43:39,600 --> 00:43:45,680
Speaker 1: was some weak ads. Love y'all listen, what the fun was, y'all?

554
00:43:45,760 --> 00:43:50,319
Speaker 1: Nick is about to do you was gonna do spoken word,

555
00:43:50,520 --> 00:43:58,840
Speaker 1: We'll bring your ass up it in. You're about to

556
00:43:58,880 --> 00:44:05,000
Speaker 1: do a pause? Yes, O, man, that don't matter. Ship.

557
00:44:07,680 --> 00:44:09,840
Speaker 1: She's about to do a point. Somebody to get her

558
00:44:09,880 --> 00:44:12,640
Speaker 1: a micro ub. That would girl, She's about to do

559
00:44:12,760 --> 00:44:19,799
Speaker 1: a point. There's don't put me in your pa I'm

560
00:44:19,800 --> 00:44:23,120
Speaker 1: ready at that. It was two thousand and fifteen when

561
00:44:23,160 --> 00:44:25,759
Speaker 1: I saw my first a bitter fruit. I asked my

562
00:44:25,920 --> 00:44:28,360
Speaker 1: girl was that. She was like, nah, but that is

563
00:44:28,400 --> 00:44:31,799
Speaker 1: not for you. Years has gone by then I seen

564
00:44:31,880 --> 00:44:34,959
Speaker 1: that fruit again. The same feelings run into my body

565
00:44:35,040 --> 00:44:38,120
Speaker 1: as if I first played eyes on this outside. What

566
00:44:38,360 --> 00:44:41,520
Speaker 1: the taste if you bit of the juices inside to

567
00:44:41,680 --> 00:44:45,080
Speaker 1: see if it's bitter or sweet? It's sad. I had

568
00:44:45,160 --> 00:44:47,320
Speaker 1: up to this pizza fruit. I think you already belonged

569
00:44:47,400 --> 00:44:51,880
Speaker 1: to me. I know how to take it to the

570
00:44:52,000 --> 00:44:55,000
Speaker 1: counter for purchase. All waited in line. Once I walked

571
00:44:55,000 --> 00:44:59,080
Speaker 1: out there with my purchase, I've seen caution, damn dead God, wanted,

572
00:44:59,160 --> 00:45:02,960
Speaker 1: so I treated it from when you to care and

573
00:45:03,080 --> 00:45:07,160
Speaker 1: nor design because they had been amused. Every fruit needs loves.

574
00:45:07,200 --> 00:45:11,280
Speaker 1: I took good care of you. I spoke positive things

575
00:45:11,360 --> 00:45:13,560
Speaker 1: and showered you like a flower with nothing but love

576
00:45:13,640 --> 00:45:16,560
Speaker 1: and affection. I even named you Tourist because you're so

577
00:45:16,719 --> 00:45:20,520
Speaker 1: god being stubborn. I've seen how that bull came out

578
00:45:20,600 --> 00:45:23,719
Speaker 1: of you. Too hard to touch, too hard to cut

579
00:45:23,800 --> 00:45:26,360
Speaker 1: through layers on top of layers, just to feel the

580
00:45:26,440 --> 00:45:30,320
Speaker 1: soft part of you. But I waited. I waited patiently,

581
00:45:30,400 --> 00:45:32,920
Speaker 1: but it so beated fruit to right. So of course

582
00:45:33,239 --> 00:45:36,440
Speaker 1: I took my time with you, and did it happen.

583
00:45:37,360 --> 00:45:42,840
Speaker 1: I took my first vife lord home baby. When it happened.

584
00:45:43,520 --> 00:45:46,400
Speaker 1: The sweetness of your fruit touching the inside of my lips,

585
00:45:47,120 --> 00:45:49,640
Speaker 1: I stick out my tongue to not waste one single

586
00:45:49,760 --> 00:45:52,560
Speaker 1: drop of it. The essence of your sitting now have

587
00:45:52,840 --> 00:45:55,879
Speaker 1: me in a days. I had never tasted any other

588
00:45:55,960 --> 00:45:58,800
Speaker 1: fruit like you before. It was never my thing. But

589
00:45:58,960 --> 00:46:03,040
Speaker 1: you see, you, You're something kind of special. Your special

590
00:46:03,160 --> 00:46:05,799
Speaker 1: teens take control of me. Like the blood running through

591
00:46:05,840 --> 00:46:09,000
Speaker 1: my bass hit in that right spot. Now I got

592
00:46:09,080 --> 00:46:12,239
Speaker 1: love on the brain, loving each and every moment of

593
00:46:12,320 --> 00:46:16,319
Speaker 1: the submitted fruit man. How can I explain see how

594
00:46:16,320 --> 00:46:18,200
Speaker 1: I wanted to shout to the world, but the world

595
00:46:18,280 --> 00:46:20,920
Speaker 1: already knew of his name. I would just last to know,

596
00:46:21,840 --> 00:46:23,919
Speaker 1: my heart pulling me to stay with this truth, while

597
00:46:23,960 --> 00:46:26,840
Speaker 1: my mind telling me to run fast and go. My

598
00:46:27,040 --> 00:46:30,239
Speaker 1: sweet my seat two got the best of me. Now

599
00:46:30,320 --> 00:46:33,759
Speaker 1: to fight is now over. Now I need clarity at

600
00:46:33,840 --> 00:46:46,960
Speaker 1: thirty seven. At thirty seven difference having time out. That

601
00:46:47,120 --> 00:46:49,920
Speaker 1: point is very long. Everyone can dig it. Point is

602
00:46:50,000 --> 00:46:52,399
Speaker 1: longer than standing behind old people in the grocery store

603
00:46:52,440 --> 00:46:55,600
Speaker 1: buying lottery tickets. You know it's going down, and you

604
00:46:55,680 --> 00:46:57,920
Speaker 1: know she's very loose. You did so well up here.

605
00:46:57,920 --> 00:47:00,520
Speaker 1: I'm gonna buy you another fair fashion over boom. It's

606
00:47:00,560 --> 00:47:04,320
Speaker 1: going down. It's going down, down, down, baby, Like Nellie,

607
00:47:04,640 --> 00:47:07,239
Speaker 1: you already know that Couci has a pouch on it,

608
00:47:07,360 --> 00:47:13,719
Speaker 1: so I know it's not smelling. Okay, Yes, indeed, yes,

609
00:47:13,960 --> 00:47:21,400
Speaker 1: indeed bore the heat in five South show that you

610
00:47:21,480 --> 00:47:28,640
Speaker 1: remember even sleep, I thought that was my puss, just

611
00:47:29,080 --> 00:47:35,120
Speaker 1: that pussy away it was your You thought it was

612
00:47:35,200 --> 00:47:37,120
Speaker 1: your pussy, but you were not knowing. You should have

613
00:47:37,160 --> 00:47:39,080
Speaker 1: got the pussy in the middle of the point, but

614
00:47:39,480 --> 00:47:42,440
Speaker 1: you let her go too long, too strong. The point

615
00:47:42,560 --> 00:47:44,960
Speaker 1: was longer than this building it's been around. The point

616
00:47:45,120 --> 00:47:50,000
Speaker 1: was longer than it was going down down down. I

617
00:47:50,080 --> 00:47:52,720
Speaker 1: can't even can't be talking this. He is too nicked

618
00:47:52,760 --> 00:47:56,480
Speaker 1: for me right now, NA put something to see. Let

619
00:47:56,520 --> 00:48:03,880
Speaker 1: me see when should be boyd spitch returned some pappuses.

620
00:48:10,320 --> 00:48:19,680
Speaker 1: You don't know what side your baby is a man?

621
00:48:23,239 --> 00:48:36,480
Speaker 1: She liked a man. You're doing it l Look how

622
00:48:36,560 --> 00:48:40,600
Speaker 1: the intecure men I have put close now you do

623
00:48:40,800 --> 00:48:42,560
Speaker 1: look like you was about to funk, but the kids

624
00:48:42,600 --> 00:48:51,520
Speaker 1: woke up. She that ain't gonna stop meeting? Why are

625
00:48:51,560 --> 00:48:55,960
Speaker 1: you clapping? Man? You ain't fit either? To you like

626
00:48:56,040 --> 00:48:57,680
Speaker 1: I've been looking for. I think you had to keep

627
00:48:57,719 --> 00:49:09,000
Speaker 1: sucking m I think your sas told me about to

628
00:49:09,000 --> 00:49:12,200
Speaker 1: stop for helming. Give her a point, DZs you want

629
00:49:12,239 --> 00:49:16,600
Speaker 1: a point? Yeah with the auto two. Let me tell

630
00:49:16,640 --> 00:49:21,560
Speaker 1: you something clear, sing to you, let me tell you

631
00:49:21,800 --> 00:49:31,480
Speaker 1: something clean. Hold on, I'll buck you too, but let

632
00:49:31,560 --> 00:49:46,680
Speaker 1: me bust my lad here. We just have any fun,

633
00:49:49,239 --> 00:49:53,279
Speaker 1: white led. We ain't forgot that something that was ain't done.

634
00:49:57,760 --> 00:50:01,319
Speaker 1: I said her titties ain't done. I mean I said

635
00:50:01,320 --> 00:50:07,879
Speaker 1: I ain't tryings ain't done that tends ain't done. He said,

636
00:50:07,920 --> 00:50:21,719
Speaker 1: that's tennis ain't done. Ah oh my, I would as

637
00:50:27,000 --> 00:50:43,759
Speaker 1: ye oh, oh, oh, oh oh, what the heavens the

638
00:50:43,920 --> 00:50:51,000
Speaker 1: morning Gregory hands think it had kicking a small remember

639
00:50:51,320 --> 00:51:01,680
Speaker 1: you remind me? He was like, hey, ain't it ain't

640
00:51:01,680 --> 00:51:03,839
Speaker 1: a motherfucking here, and they fucked up a pair of stocks.

641
00:51:03,880 --> 00:51:06,960
Speaker 1: And he was young, trying to dance like somebody. I

642
00:51:07,080 --> 00:51:08,760
Speaker 1: know when I was trying to step out my shoes

643
00:51:08,840 --> 00:51:11,080
Speaker 1: like us, you did, nigger, I want twisted my ankle

644
00:51:11,160 --> 00:51:17,120
Speaker 1: three times. I'm trying to do that. See you got

645
00:51:17,200 --> 00:51:25,200
Speaker 1: great socks. You know you're fl little dirty hen taking

646
00:51:25,200 --> 00:51:29,880
Speaker 1: a chance when the white stock. Now you got the

647
00:51:29,920 --> 00:51:33,200
Speaker 1: great bottom on yours? You good, and the jail issue

648
00:51:33,239 --> 00:51:37,920
Speaker 1: socks you can dimmit. Ranker's allan if we ain't even today?

649
00:51:37,960 --> 00:51:39,880
Speaker 1: Is who else sucks with the great busy with the

650
00:51:40,040 --> 00:51:47,320
Speaker 1: grown mum. I don't know why. It's just like a

651
00:51:47,440 --> 00:51:50,200
Speaker 1: motherfucker that nigga s it white. I don't know, it's

652
00:51:50,239 --> 00:51:59,279
Speaker 1: just that I don't tell. Yeah, the fund's wrong with

653
00:51:59,400 --> 00:52:04,800
Speaker 1: this thing, man. I'm never burnt it out of turn anymore.

654
00:52:05,280 --> 00:52:08,000
Speaker 1: Oh my god, there you like you're about to do

655
00:52:08,120 --> 00:52:17,000
Speaker 1: the spool criminal video they can leave, Oh ship, how

656
00:52:17,200 --> 00:52:21,040
Speaker 1: what do you mean overbody to get on your car

657
00:52:21,200 --> 00:52:29,160
Speaker 1: to let's say man and if we can win from

658
00:52:29,200 --> 00:52:31,680
Speaker 1: wind the most closed to the least, that ship crazy.

659
00:52:31,760 --> 00:52:35,920
Speaker 1: Yeah they can started the show with the biggest colder

660
00:52:36,040 --> 00:52:40,000
Speaker 1: hand letter thing. He's just being different. R and B singers,

661
00:52:40,880 --> 00:52:48,799
Speaker 1: I can't work, see would leave me wants so well,

662
00:52:48,840 --> 00:52:50,560
Speaker 1: when you do your chest like that, that ship look

663
00:52:50,600 --> 00:52:53,000
Speaker 1: like a motherfucker double pounded with cheese. And then you

664
00:52:53,120 --> 00:52:57,600
Speaker 1: got to have that double corter pounded chests. A couple

665
00:52:57,640 --> 00:53:06,640
Speaker 1: look just like the good lady will tell you like me, baby,

666
00:53:07,160 --> 00:53:09,000
Speaker 1: do you do a big girl? I like you too.

667
00:53:09,719 --> 00:53:12,719
Speaker 1: What type of snacks you gott at your house all over?

668
00:53:15,280 --> 00:53:19,640
Speaker 1: She says, snack boxes? Oh well, come in your snack box.

669
00:53:21,800 --> 00:53:25,440
Speaker 1: She said, anything you want you must get food stamps.

670
00:53:25,440 --> 00:53:33,040
Speaker 1: I fun with you. I love you, Carlos. Well, every

671
00:53:33,080 --> 00:53:35,920
Speaker 1: time somebody like me in the audience, they voice fucked up.

672
00:53:37,239 --> 00:53:43,239
Speaker 1: I love you Carlos. You get a secrets, I get

673
00:53:43,320 --> 00:53:49,080
Speaker 1: all the cigarettes smokers, Carlos. I know you hear me, Carlos.

674
00:53:53,560 --> 00:53:56,400
Speaker 1: They always talk like they got their voice like their grandma.

675
00:53:56,600 --> 00:53:58,640
Speaker 1: That you don't like spending the night with getting that

676
00:53:58,880 --> 00:54:08,600
Speaker 1: laid out. Hey, Hey, yo, what wait what you say

677
00:54:08,719 --> 00:54:17,719
Speaker 1: nigger or your mi to fly? Mike fucked up? That's

678
00:54:17,800 --> 00:54:22,680
Speaker 1: that's that's how that nigga was sounded up. Look at

679
00:54:22,719 --> 00:54:26,680
Speaker 1: this nigga right here? My ship up? Hello? Sound what

680
00:54:26,760 --> 00:54:32,160
Speaker 1: are you saying up? This, sir, sounds the same. You

681
00:54:32,400 --> 00:54:34,919
Speaker 1: have to text your jokes from the top. Nigger check

682
00:54:38,480 --> 00:54:40,719
Speaker 1: take me on the date, na, I ain't trying to

683
00:54:40,719 --> 00:54:43,520
Speaker 1: go on on dates. Baby, I don't go on dates.

684
00:54:44,000 --> 00:54:45,680
Speaker 1: I need a cooler. I need a cooler that's trying

685
00:54:45,680 --> 00:54:50,439
Speaker 1: to get a fun tonight. Ain't nobody in here fucking

686
00:54:50,480 --> 00:54:54,560
Speaker 1: a night they're gonna get want to talk? I'm not.

687
00:54:54,760 --> 00:54:57,319
Speaker 1: I'm not playing no more. I think I just wave

688
00:54:57,400 --> 00:54:59,719
Speaker 1: to the wrong motherfucker because the light was in my face.

689
00:55:00,280 --> 00:55:02,400
Speaker 1: Cool You looked up and there was a nigger waving

690
00:55:02,400 --> 00:55:12,080
Speaker 1: back at me like this. I ain't calos. What you

691
00:55:12,160 --> 00:55:17,839
Speaker 1: can tell they New York women, yoself be, what the fun?

692
00:55:20,960 --> 00:55:22,640
Speaker 1: I'm trying to take you on a date. They're gonna

693
00:55:22,640 --> 00:55:30,160
Speaker 1: funk out of here, nigg we on the water. Something

694
00:55:30,200 --> 00:55:32,479
Speaker 1: fucking happened the white people trying to tell us something.

695
00:55:34,280 --> 00:55:35,640
Speaker 1: They're trying to tell us to get the funk on.

696
00:55:35,719 --> 00:55:41,880
Speaker 1: What are you hugging at? What you say? Nigger? He was, Oh, no, man,

697
00:55:41,960 --> 00:55:44,560
Speaker 1: I don't break that up. That's an old joke. If

698
00:55:44,560 --> 00:55:47,040
Speaker 1: you didn't see the first New York show this nigga,

699
00:55:47,080 --> 00:55:49,319
Speaker 1: Carlos told one of the funniest jokes I have ever

700
00:55:49,400 --> 00:55:51,799
Speaker 1: heard in my ships. Hilarious. Oh he's talking about when

701
00:55:51,800 --> 00:55:53,719
Speaker 1: that nigga was on the train. He wasn't holding on

702
00:55:53,800 --> 00:55:55,440
Speaker 1: the nothing, He just had his ass up to the

703
00:55:55,600 --> 00:55:58,239
Speaker 1: rail and the train made it stop. And then he

704
00:55:58,400 --> 00:56:04,920
Speaker 1: was like, what whoof said? I slow it down? This

705
00:56:06,040 --> 00:56:11,960
Speaker 1: fat as I said in this couch and disappear. How

706
00:56:12,080 --> 00:56:15,239
Speaker 1: you know you love me? Yeah? You don't never have

707
00:56:15,440 --> 00:56:21,320
Speaker 1: that part? How the fund? Do you know you love me?

708
00:56:21,440 --> 00:56:24,280
Speaker 1: I could be the I could be the worst nigger.

709
00:56:24,280 --> 00:56:25,960
Speaker 1: I could be the type of nigger that's still at

710
00:56:25,960 --> 00:56:29,800
Speaker 1: your person all your home girl. But you love me?

711
00:56:29,880 --> 00:56:32,040
Speaker 1: You know? Are you gonna look past all that? If

712
00:56:32,080 --> 00:56:39,800
Speaker 1: you love me? I used to be the nigger you

713
00:56:39,840 --> 00:56:42,960
Speaker 1: need to take. That is amazing. I just told these

714
00:56:43,000 --> 00:56:45,400
Speaker 1: women had terrible I was, And another moment was like

715
00:56:47,600 --> 00:56:52,479
Speaker 1: she ain't got nothing you to steal? I ain't got nothing,

716
00:56:52,600 --> 00:56:59,480
Speaker 1: can see me hold on I'm gonna suk around and

717
00:56:59,600 --> 00:57:01,719
Speaker 1: meet one these ladies that be screaming at me in

718
00:57:01,800 --> 00:57:09,279
Speaker 1: the audience one day. Who is that yelling? It's that

719
00:57:09,400 --> 00:57:12,680
Speaker 1: I scan fish right now? All right? How to get

720
00:57:12,719 --> 00:57:16,480
Speaker 1: up there? How do you get up there? How stuffs glass?

721
00:57:16,800 --> 00:57:19,200
Speaker 1: How you get up there? Make it on bout there

722
00:57:19,240 --> 00:57:22,680
Speaker 1: by yourself? Nighte Chico, check out, take your knife, don't

723
00:57:22,680 --> 00:57:29,280
Speaker 1: get me standing up your bath you we might not

724
00:57:29,400 --> 00:57:38,680
Speaker 1: see him again. To make practical if I think I

725
00:57:38,760 --> 00:57:46,160
Speaker 1: want to get it to him. Checking it's the hate

726
00:57:46,200 --> 00:57:53,480
Speaker 1: itself show, Chico. Whatever cold this podcast, hate it pass out.

727
00:57:56,160 --> 00:58:01,800
Speaker 1: This podcast quickly used to hint the above. So soon

728
00:58:03,080 --> 00:58:14,240
Speaker 1: the Cody test. So she got a weather orders yeaking

729
00:58:14,280 --> 00:58:17,840
Speaker 1: away your bou baby, it's up guy, keep your mate

730
00:58:18,000 --> 00:58:20,600
Speaker 1: with you. Take a smile, nigga up well with you?

731
00:58:20,720 --> 00:58:23,480
Speaker 1: You're sitting up and looking aggressive as fun, lean as

732
00:58:23,640 --> 00:58:29,280
Speaker 1: New York. Nigga be happy, be happy or be side.

733
00:58:31,240 --> 00:58:39,200
Speaker 1: You ain't eat your peanut butter jendy okay, and let's

734
00:58:39,240 --> 00:58:42,920
Speaker 1: give me she go right here the middle, the great

735
00:58:42,960 --> 00:58:48,840
Speaker 1: girl right here, the faky spanning right here all right?

736
00:58:50,080 --> 00:58:55,919
Speaker 1: Where you're here? Were the one that was yelling where

737
00:58:55,960 --> 00:59:00,200
Speaker 1: you at? Who was yelling. Was it you? It was

738
00:59:00,240 --> 00:59:04,400
Speaker 1: the light ship Chico. Oh she adn't want coming. Oh shoo,

739
00:59:04,720 --> 00:59:19,520
Speaker 1: that's right. Keish, what's up? See you know what? French

740
00:59:19,560 --> 00:59:34,080
Speaker 1: bull dog? Yeah, callow callo what what? What's what you mean?

741
00:59:35,680 --> 00:59:40,600
Speaker 1: They love you up here too? Over somebody up here.

742
00:59:40,680 --> 00:59:44,560
Speaker 1: Lollo's gonna get that Coogle cooks. They don't want me

743
00:59:44,680 --> 00:59:54,760
Speaker 1: and I kill a uterus? Get you did, love bab

744
00:59:55,200 --> 00:59:57,600
Speaker 1: I love you. You got you got to get the

745
00:59:57,680 --> 01:00:01,080
Speaker 1: braids read one th now to get them broad. I

746
01:00:01,120 --> 01:00:06,200
Speaker 1: can see your roost. It's been two weeks and yeah

747
01:00:06,280 --> 01:00:11,440
Speaker 1: you got them. Patricia Russian bread very special. He's like,

748
01:00:11,560 --> 01:00:16,040
Speaker 1: get this bitch rightin' we up wherever? Get your answer?

749
01:00:16,120 --> 01:00:17,800
Speaker 1: But you just went up there to be a slut.

750
01:00:18,280 --> 01:00:20,960
Speaker 1: I wanted to see who it was. You get your

751
01:00:21,000 --> 01:00:23,520
Speaker 1: answer back up there? She got one go too for

752
01:00:23,760 --> 01:00:26,480
Speaker 1: no trust me? Hold on, hold on, I can't hear

753
01:00:26,600 --> 01:00:30,240
Speaker 1: hold on. What's she talking about? Chico? Hold up? Time out?

754
01:00:30,280 --> 01:00:34,160
Speaker 1: Since I'm up here, who was the one yelling for Carlos? Help?

755
01:00:34,560 --> 01:00:38,320
Speaker 1: Hey baby, Hey, hey the baby baby? Hey tell him

756
01:00:38,360 --> 01:00:41,440
Speaker 1: what you want them to know? I love you and

757
01:00:41,520 --> 01:00:46,600
Speaker 1: I don't care what you're talking about. I she loves you, bro,

758
01:00:48,160 --> 01:00:55,120
Speaker 1: I see the print. She loves sing. I see the print.

759
01:00:55,400 --> 01:01:02,320
Speaker 1: You see I see the print? Who come on? She

760
01:01:02,600 --> 01:01:08,320
Speaker 1: she them prayer, She seeing them prayer. She's seen the

761
01:01:08,440 --> 01:01:13,120
Speaker 1: prayer booking on black niggers. We both got on. It's

762
01:01:13,120 --> 01:01:18,520
Speaker 1: been drunk. Now we got black. Are you like the prayer?

763
01:01:18,800 --> 01:01:26,160
Speaker 1: Where do you see my dick nigger? Hey? How you doing?

764
01:01:26,560 --> 01:01:31,080
Speaker 1: My eye pointing in your last men? Once? Try see

765
01:01:31,120 --> 01:01:33,520
Speaker 1: the girl and don't need no wife, y'all. I'm trying

766
01:01:33,520 --> 01:01:36,440
Speaker 1: to like later to night. I said, Oh, and I'm

767
01:01:36,440 --> 01:01:39,080
Speaker 1: gonna talk this ship, jae. Where do you see my jack?

768
01:01:39,200 --> 01:01:42,840
Speaker 1: I said, now? And I ain't talking those ship? Do

769
01:01:42,920 --> 01:01:47,080
Speaker 1: you see lose? Hey? Hey, I'm gonna let your pants.

770
01:01:47,120 --> 01:01:49,080
Speaker 1: I'm gonna keep a riddles fish got a whole lot

771
01:01:49,120 --> 01:01:52,720
Speaker 1: of she gonna let your smash and I gotta keep

772
01:01:52,720 --> 01:01:55,040
Speaker 1: it rish. You got a whole lot of wish you.

773
01:01:55,320 --> 01:01:57,920
Speaker 1: I want you come back down, bitch, then I fucking

774
01:01:57,960 --> 01:02:06,400
Speaker 1: win needs a su brais a god damn she go,

775
01:02:06,920 --> 01:02:11,120
Speaker 1: she just worked all over my sweatpants. And then the

776
01:02:11,200 --> 01:02:14,000
Speaker 1: one with the mad ass bring up back with you? Hey,

777
01:02:14,080 --> 01:02:18,480
Speaker 1: come on, come on, come on? Look going all that?

778
01:02:18,560 --> 01:02:20,919
Speaker 1: And now she don't want to. I don't want to ship.

779
01:02:21,200 --> 01:02:24,760
Speaker 1: I look fake you back. You're tracking the come on

780
01:02:25,280 --> 01:02:28,600
Speaker 1: so sick of the ship. That's the ship we're talking about, ladies,

781
01:02:30,760 --> 01:02:33,320
Speaker 1: that's the ship worked up about. Y'all do all it

782
01:02:33,480 --> 01:02:35,880
Speaker 1: talking and you don't want to do no fucking for real,

783
01:02:36,080 --> 01:02:37,520
Speaker 1: she don't want to get a puss out and then

784
01:02:37,600 --> 01:02:41,880
Speaker 1: O that what you with your you s around? I count,

785
01:02:42,800 --> 01:02:46,919
Speaker 1: don't say you want to come. I see the prayer. God, damn,

786
01:02:46,960 --> 01:02:50,320
Speaker 1: I'm going over there. He love you, he love you.

787
01:02:51,040 --> 01:02:54,720
Speaker 1: You ain't got over that. Cooklet see the pray. Come

788
01:02:54,800 --> 01:03:01,480
Speaker 1: on your ship. Out of a print. I'm about to

789
01:03:01,480 --> 01:03:05,800
Speaker 1: see if we got a real winter. Guys, it's up, niggas.

790
01:03:07,280 --> 01:03:10,360
Speaker 1: Flow that ship and do not want to phone up

791
01:03:10,400 --> 01:03:16,680
Speaker 1: with y'all here, but y'all here up, nigga, what's up?

792
01:03:18,120 --> 01:03:21,680
Speaker 1: Always suck up? BC. The women who worked your back

793
01:03:24,080 --> 01:03:28,920
Speaker 1: playing with your girl? Fuck up? I did the print?

794
01:03:29,960 --> 01:03:34,320
Speaker 1: Whoa I got over there? Yeah? Oh that's your girl?

795
01:03:34,560 --> 01:03:38,400
Speaker 1: Oh my bad, nigga. The fuck hold up? Give your

796
01:03:38,440 --> 01:03:40,960
Speaker 1: house set up? You need some hot No, no this thing.

797
01:03:41,000 --> 01:03:42,920
Speaker 1: I wanna talk about something. No, no, not do your thing.

798
01:03:43,080 --> 01:03:45,760
Speaker 1: But that's my girl. I ain't sucking her nigga. Okay,

799
01:03:45,960 --> 01:03:49,360
Speaker 1: funk out of here, y'all. Freaky as small bike. You

800
01:03:49,480 --> 01:03:51,160
Speaker 1: go over there to funk her. That nigga standing in

801
01:03:51,200 --> 01:03:54,600
Speaker 1: the closet, Yeah, fuck the ship on her, nigga. Fucker nigga.

802
01:03:54,760 --> 01:03:58,360
Speaker 1: Yeah here they're nigging the hell now, y'all some super freaks.

803
01:03:58,400 --> 01:04:04,760
Speaker 1: Scuse me, yo? What's up? Oh jee st what's up? Hey?

804
01:04:05,120 --> 01:04:10,440
Speaker 1: Hey y'all, Hey, look he follow We got a playground

805
01:04:10,520 --> 01:04:14,480
Speaker 1: basketball legend up his mother buck this big too sweet Jones,

806
01:04:15,080 --> 01:04:17,720
Speaker 1: the fu the rock up. You smell like candy Awns.

807
01:04:20,720 --> 01:04:25,360
Speaker 1: We he what's up with everybody up here with chicken grain?

808
01:04:27,560 --> 01:04:32,240
Speaker 1: I'm top to go. I gotta I gotta get from

809
01:04:32,320 --> 01:04:36,320
Speaker 1: up this hot motherfucker? Yeah, what's up? Give me? I

810
01:04:36,360 --> 01:04:40,120
Speaker 1: gotta my life. What's up? Look like you just came't home?

811
01:04:40,840 --> 01:04:42,760
Speaker 1: I got I got well, what's your name? Cut me out?

812
01:04:42,880 --> 01:04:47,160
Speaker 1: Daryl Brown? It is Daryl Brown. Looked like Keith Murray. Up.

813
01:04:47,240 --> 01:04:50,400
Speaker 1: This motherfucker was all right, Give me out here, Let

814
01:04:50,440 --> 01:04:53,080
Speaker 1: me get back downstairs. Get away with men for whatever.

815
01:04:54,040 --> 01:04:57,480
Speaker 1: That's some New York ship to say. Then give men's up.

816
01:05:00,120 --> 01:05:04,000
Speaker 1: I'm chilling. Somebody got to stay up here. And work.

817
01:05:04,920 --> 01:05:11,480
Speaker 1: We can't all be goddamn gold. Oh my, look, ma'am,

818
01:05:11,640 --> 01:05:18,120
Speaker 1: you got a whole as. Come here, bring it up here, everybody, No,

819
01:05:18,320 --> 01:05:23,000
Speaker 1: come up here. Everybody want to see this. Everybody wants

820
01:05:23,040 --> 01:05:26,480
Speaker 1: to see this. Look, we're just gonna walk back one time.

821
01:05:26,560 --> 01:05:42,200
Speaker 1: Look at this god down ship. You need saving, ma'am.

822
01:05:43,760 --> 01:05:58,040
Speaker 1: Good gracious? Who asked this? Moms? That is ass right there? Ladies,

823
01:05:58,040 --> 01:05:59,760
Speaker 1: when you see her asks like that, you have to

824
01:05:59,800 --> 01:06:04,360
Speaker 1: tell your as saying like a little chain, Hey, y'all,

825
01:06:05,160 --> 01:06:06,880
Speaker 1: this the section the nigga is that board? They all

826
01:06:07,040 --> 01:06:09,160
Speaker 1: come in from the house. We got another one. Look

827
01:06:09,200 --> 01:06:12,680
Speaker 1: at this since we got another reception. What you're talking about?

828
01:06:12,680 --> 01:06:15,040
Speaker 1: We got big gass bootits down here? I ain't see it.

829
01:06:15,120 --> 01:06:42,000
Speaker 1: Where's that right? Oh my god, shamn, I'm gonna keep

830
01:06:42,040 --> 01:06:44,480
Speaker 1: my coming through my ship. Check on, look around here,

831
01:06:44,520 --> 01:06:49,640
Speaker 1: stand up again, ma'am. Damn, watch this one. This is

832
01:06:49,680 --> 01:06:51,479
Speaker 1: the one right here? What happened? I mean, you didn't

833
01:06:51,520 --> 01:06:55,959
Speaker 1: see this? One's wrong? What's this? Where you're wrong? Bros?

834
01:06:56,120 --> 01:07:02,320
Speaker 1: Is that Brooklyn ass watched this? Oh my god, Oh

835
01:07:02,440 --> 01:07:08,760
Speaker 1: my god, old loose watch yourself, nigger, damn damn. They

836
01:07:08,840 --> 01:07:10,880
Speaker 1: can't do that around no South, you know what the

837
01:07:10,960 --> 01:07:18,960
Speaker 1: fun going on? Shout ship? Okay, hold I just hold up,

838
01:07:19,080 --> 01:07:24,400
Speaker 1: just wait, just still hear the ass jiggle dogs. Yeah

839
01:07:26,320 --> 01:07:34,560
Speaker 1: yeah yeah you yeah see see hold up, hold up.

840
01:07:34,640 --> 01:07:36,800
Speaker 1: I just wanted to you see you see what the

841
01:07:36,880 --> 01:07:40,080
Speaker 1: fat ASTs do bring us together as a whole community.

842
01:07:40,920 --> 01:07:43,320
Speaker 1: We didn't practice that ship and then everybody was like

843
01:07:43,520 --> 01:07:49,280
Speaker 1: you yeah, that's beautiful. All we had to do and

844
01:07:49,360 --> 01:07:51,800
Speaker 1: see one thing and we all came together. What that

845
01:07:51,840 --> 01:08:00,600
Speaker 1: ship mean? Like okay, like that what's up? Yeah? I

846
01:08:00,680 --> 01:08:02,560
Speaker 1: don't say that to me early in the morning. What's over?

847
01:08:04,000 --> 01:08:08,440
Speaker 1: It's it's crazy, man, Calm the funk out. Okay, Jesus Christ,

848
01:08:08,560 --> 01:08:12,400
Speaker 1: that ass is extreme? Which one though? That one? What

849
01:08:12,520 --> 01:08:14,960
Speaker 1: an other? One's share? Ship was so big name? You

850
01:08:15,080 --> 01:08:18,439
Speaker 1: got to fuck her in sections Like I'm gonna sun

851
01:08:18,560 --> 01:08:20,439
Speaker 1: this part today. I'll be back to the fun the

852
01:08:20,520 --> 01:08:23,679
Speaker 1: rest because only I only got a thirty minute break.

853
01:08:23,720 --> 01:08:29,439
Speaker 1: I got to shoot that with a tranquilizer. Hey, I'll

854
01:08:29,479 --> 01:08:31,880
Speaker 1: be hitting up from the back with a safety harness open.

855
01:08:42,320 --> 01:08:44,240
Speaker 1: Are you about to come? Hey? This how they're had

856
01:08:44,280 --> 01:08:58,400
Speaker 1: to give me about the poop a rock cloud on

857
01:08:58,479 --> 01:09:04,000
Speaker 1: that ass? This thigging in tardy run you got to

858
01:09:04,040 --> 01:09:10,360
Speaker 1: have one of them hands with the light on it. Hey, man,

859
01:09:10,560 --> 01:09:14,080
Speaker 1: this nigga's crazy. Man. They worked for the Harry coaches.

860
01:09:14,880 --> 01:09:17,400
Speaker 1: This nigger had to put the ballet on. The fucker.

861
01:09:22,160 --> 01:09:23,960
Speaker 1: Look at this a nigg over there. Man, put your

862
01:09:24,000 --> 01:09:26,360
Speaker 1: shirt on. Man, he been saying this in the whole day.

863
01:09:26,720 --> 01:09:28,760
Speaker 1: I keep looking it in You did put your shirt on.

864
01:09:29,000 --> 01:09:31,360
Speaker 1: Now that nigga been to jail, he's trying to have flashback.

865
01:09:31,439 --> 01:09:34,240
Speaker 1: You put your fucking shirt on, son, put your shirt ons.

866
01:09:34,320 --> 01:09:36,800
Speaker 1: Put your fucking shirt on something? What the fox? Huh?

867
01:09:37,439 --> 01:09:39,680
Speaker 1: Goddamn so you make me wonk? Get you a honey bun?

868
01:09:39,840 --> 01:09:43,040
Speaker 1: Nigg What the fux huh? You want some noodles? Niggers?

869
01:09:43,080 --> 01:09:47,280
Speaker 1: Snickleby up? Put your shirt on? B with you? You heard?

870
01:09:47,600 --> 01:09:49,519
Speaker 1: What's the real ship? My nigga said there like one

871
01:09:49,560 --> 01:09:51,960
Speaker 1: too minute times like relaxed, bro. You two got damn

872
01:09:52,000 --> 01:09:55,240
Speaker 1: freaky bro. Broll with you, my nigga, You ain't even

873
01:09:55,240 --> 01:09:58,000
Speaker 1: got no shirt on? Then shut up. They just got

874
01:09:58,080 --> 01:10:01,240
Speaker 1: on the hood and no shirt. See the sweat is hell?

875
01:10:01,320 --> 01:10:05,639
Speaker 1: Fuck him, nicky standing up? He got too fat legs.

876
01:10:11,360 --> 01:10:17,680
Speaker 1: Did you see put a shirt on? You heard? Do

877
01:10:17,720 --> 01:10:23,600
Speaker 1: you see put a shirt on you heard? Did you

878
01:10:23,640 --> 01:10:29,800
Speaker 1: see put a shirt on? You heard? Salute to my

879
01:10:29,920 --> 01:10:32,720
Speaker 1: black man right here. They got one of the white

880
01:10:32,760 --> 01:10:35,120
Speaker 1: pictures Rick James used to funk with him. I appreciate

881
01:10:35,200 --> 01:10:37,920
Speaker 1: you where you find her and in the eighties, damn,

882
01:10:38,000 --> 01:10:42,519
Speaker 1: don't scatter, huh, don't do it. Hustling the floor apart too,

883
01:10:42,640 --> 01:10:46,280
Speaker 1: don't do it. She's looking like you're gonna let him

884
01:10:46,280 --> 01:10:47,720
Speaker 1: talk to me like dad, He's like, YO, shut the

885
01:10:47,760 --> 01:10:50,479
Speaker 1: funk up. So you heard, Chico, you hit that you're

886
01:10:50,479 --> 01:10:54,240
Speaker 1: gonna be walking like this? Do you see? Put a

887
01:10:54,280 --> 01:11:11,280
Speaker 1: shirt on you heard? Hey, man, Yo, they shouldn't never

888
01:11:11,400 --> 01:11:15,320
Speaker 1: let us in here. Never. Man, This is yo like

889
01:11:15,520 --> 01:11:20,360
Speaker 1: this has been one of the dopest fucking shows. Hollo Hollo,

890
01:11:20,680 --> 01:11:27,439
Speaker 1: my Niggallollo. It's the Apollos eighty five anniversary edition. Yeah

891
01:11:27,920 --> 01:11:36,800
Speaker 1: you heard you you heard. It's the Apolo was eighty

892
01:11:36,840 --> 01:11:47,240
Speaker 1: five anniversary this Apolo at five. Yeah, you know what,

893
01:11:47,479 --> 01:11:49,360
Speaker 1: eighty five more years? You know what they're gonna be saying,

894
01:11:49,360 --> 01:11:51,439
Speaker 1: they're gonna have rid over head. Ay, DC, put a

895
01:11:51,479 --> 01:12:00,960
Speaker 1: shirt on you her? DC put a shirt on you her? Yeah,

896
01:12:02,640 --> 01:12:05,040
Speaker 1: d C put a shirt on you heard? You heard?

897
01:12:05,240 --> 01:12:09,040
Speaker 1: You heard? I probably gotta do here. Put a shirt on,

898
01:12:09,120 --> 01:12:17,560
Speaker 1: you d c put a shirt on you heard? No, no,

899
01:12:19,920 --> 01:12:23,640
Speaker 1: I won't put no shirt on my knees hurt? What

900
01:12:23,760 --> 01:12:30,000
Speaker 1: do you say? My ther show? Stupid as for real

901
01:12:30,160 --> 01:12:32,599
Speaker 1: but real talk. I'm so sick of this uglad jean

902
01:12:32,760 --> 01:12:36,920
Speaker 1: jacket right here. But well, this ship made out of

903
01:12:36,960 --> 01:12:43,000
Speaker 1: fronteral home carpet. But what's the crowd? I touch it?

904
01:12:46,840 --> 01:12:49,519
Speaker 1: This is your woman right here here. What the hell

905
01:12:49,520 --> 01:12:54,479
Speaker 1: are you frying a ran wig here? No, brother, that's

906
01:12:54,520 --> 01:13:01,320
Speaker 1: what it is. Man, what nigga this lady miss later

907
01:13:01,400 --> 01:13:03,880
Speaker 1: with the biggest titties. I'm about you all eighty five

908
01:13:04,000 --> 01:13:15,880
Speaker 1: South Show hoodie? Whatt you need? Small? You're stupid. You

909
01:13:15,960 --> 01:13:23,320
Speaker 1: don't need no small right though. I ain't gonna back

910
01:13:23,400 --> 01:13:25,320
Speaker 1: the hood And when you leave, go get tell them

911
01:13:25,400 --> 01:13:28,400
Speaker 1: that I told you you wouldn't titty. Do they need

912
01:13:28,479 --> 01:13:31,519
Speaker 1: their own hood or y'all gonna wear one together those

913
01:13:31,600 --> 01:13:35,559
Speaker 1: titties when you coming so much titty meats, so much

914
01:13:35,680 --> 01:13:38,160
Speaker 1: titty meat, you're gonna buy her a hoodie. I'm about

915
01:13:38,439 --> 01:13:40,559
Speaker 1: as some hammer pants because that's what you need. Man,

916
01:13:40,600 --> 01:13:42,920
Speaker 1: you don't see no pants. Well I can find her

917
01:13:43,000 --> 01:13:46,280
Speaker 1: something because you got them hammer asks. Yeah, that crazy

918
01:13:46,280 --> 01:13:48,600
Speaker 1: that baby dad and with no kids, I bet she

919
01:13:48,680 --> 01:13:52,680
Speaker 1: got bout like you got no kids, got no kid,

920
01:13:52,840 --> 01:13:55,240
Speaker 1: I'd be here all weekend. Yeah, that puts it probably

921
01:13:55,360 --> 01:14:00,280
Speaker 1: trash and Nick ain't trying to skeet in there. That's

922
01:14:00,280 --> 01:14:09,519
Speaker 1: your she got that how you D D U? I D?

923
01:14:09,760 --> 01:14:15,680
Speaker 1: You are you D D? When D I? You D

924
01:14:15,880 --> 01:14:20,000
Speaker 1: with a G E D. That puts it good and

925
01:14:20,040 --> 01:14:22,960
Speaker 1: they can taking that rubbo. Hey man, what y'all not

926
01:14:23,080 --> 01:14:25,800
Speaker 1: gonna do is y're not about to keep disrespecting my

927
01:14:25,920 --> 01:14:32,360
Speaker 1: new baby mama. Everything is not a joke. You say

928
01:14:32,520 --> 01:14:38,800
Speaker 1: everything is not a joke. You're right. I'm an as

929
01:14:38,920 --> 01:14:40,880
Speaker 1: smack of that ass. Can't be that fat around me.

930
01:14:40,960 --> 01:14:45,040
Speaker 1: I'm sorry for real. That's real fat. Like if I

931
01:14:45,160 --> 01:14:46,719
Speaker 1: was hitting from the bank and she has in sion,

932
01:14:46,760 --> 01:14:52,360
Speaker 1: I'll blow it out you We can smack y'all lass ladies.

933
01:14:52,360 --> 01:14:54,360
Speaker 1: Don't y'all be doing that stupid as ship to us.

934
01:14:54,439 --> 01:14:56,920
Speaker 1: That's you dumbest fuck you ever had your girl play

935
01:14:56,960 --> 01:14:59,240
Speaker 1: with you like that? What's that? Boo? Bitch? I kid,

936
01:14:59,320 --> 01:15:03,120
Speaker 1: you don't hit my that's she automatically made my butt

937
01:15:03,160 --> 01:15:11,280
Speaker 1: squitch up. Stop playing. Don't do that you look at mean,

938
01:15:11,360 --> 01:15:13,400
Speaker 1: its funk like think around and foot when they get

939
01:15:13,439 --> 01:15:18,439
Speaker 1: an ass man that niggers be word out. You go

940
01:15:20,280 --> 01:15:22,800
Speaker 1: all right, baby, love you too up there at the top.

941
01:15:23,920 --> 01:15:28,080
Speaker 1: But she is she about to go catch the uber? Well, yeah,

942
01:15:31,640 --> 01:15:34,200
Speaker 1: we gotta get get out of here and hang us out.

943
01:15:34,880 --> 01:15:36,559
Speaker 1: But if you had a good time and it's busy

944
01:15:36,640 --> 01:15:42,800
Speaker 1: nice a year everybody in this bust a year? Ye

945
01:15:44,000 --> 01:15:46,680
Speaker 1: hold on, hold on, dope, bro, you know how this

946
01:15:46,760 --> 01:15:50,360
Speaker 1: ship go. We sold this bitch out. We gotta take

947
01:15:50,400 --> 01:15:54,280
Speaker 1: a picture. Stand up, We gotta tetch up and put

948
01:15:54,320 --> 01:15:57,759
Speaker 1: your phone out. Put your phones out back the polo

949
01:15:57,960 --> 01:16:03,360
Speaker 1: man I said, we gotta take everybody, but that cell

950
01:16:03,439 --> 01:16:06,000
Speaker 1: phone lights up. But your lights up even if you

951
01:16:06,080 --> 01:16:08,200
Speaker 1: gotta and rake what your light up? A little bus,

952
01:16:08,360 --> 01:16:11,040
Speaker 1: if you gotta and what your light up? Right? Light

953
01:16:11,240 --> 01:16:21,679
Speaker 1: up and say yeah, yeah yeah, let's lord, you hit

954
01:16:27,760 --> 01:16:29,200
Speaker 1: New York. We want to let you know that we

955
01:16:29,240 --> 01:16:32,000
Speaker 1: couldn't do this without y'all. Man. We appreciate y'all so much.

956
01:16:32,120 --> 01:16:39,320
Speaker 1: Right now make some norse. We love y'all, New York.

957
01:16:59,760 --> 01:17:06,760
Speaker 1: I'm being one more time. Do you give it up

958
01:17:06,840 --> 01:17:10,800
Speaker 1: for DC? You pl one more time? New York and

959
01:17:10,960 --> 01:17:14,040
Speaker 1: give it up for the sa Carlos one more time,

960
01:17:14,160 --> 01:17:20,040
Speaker 1: do y. You guys are all officially eighty fight for twos. Now,

961
01:17:20,520 --> 01:17:22,960
Speaker 1: make sure you're gonna tell somebody what you see tonight.

962
01:17:23,560 --> 01:17:27,240
Speaker 1: Have a good time, all right. Make sure you buy

963
01:17:27,320 --> 01:17:30,040
Speaker 1: so many places. Appreciate what you got, especially when it's

964
01:17:30,040 --> 01:17:40,679
Speaker 1: given to you. What's up? Hush? What's good for any

965
01:17:40,720 --> 01:17:44,680
Speaker 1: for ourself to be? It's an honor, bro, I'm just

966
01:17:44,760 --> 01:17:47,040
Speaker 1: taking it all in. You feel me. You can't wait

967
01:17:47,080 --> 01:17:48,720
Speaker 1: to see what this show got. The offer, Bro, we're

968
01:17:48,720 --> 01:17:52,000
Speaker 1: about to put on I have to put on. Man's

969
01:17:52,040 --> 01:17:54,080
Speaker 1: one thing, you know, liten to clack that on to

970
01:17:54,200 --> 01:17:57,560
Speaker 1: this point. He again, everything happens for a reason, and

971
01:17:57,640 --> 01:17:59,560
Speaker 1: what's meant for you? Guy, will play some fun of

972
01:17:59,600 --> 01:18:01,640
Speaker 1: you to have, Bron, you gotta give him all the

973
01:18:01,720 --> 01:18:04,000
Speaker 1: glory and the phrase you feeling see us a photo,

974
01:18:04,400 --> 01:18:06,240
Speaker 1: b You already know what it is. So you look

975
01:18:06,280 --> 01:18:08,960
Speaker 1: behind this, but you see the fucking projects. Be you

976
01:18:09,000 --> 01:18:10,960
Speaker 1: know what I'm saying. The next sign working mother, where

977
01:18:11,040 --> 01:18:13,519
Speaker 1: the fucking mother sound hard and be we all here.

978
01:18:13,600 --> 01:18:15,840
Speaker 1: You know what I'm saying, Getting money. You know this,

979
01:18:16,000 --> 01:18:18,240
Speaker 1: this this little playground right here, right here, When we

980
01:18:18,360 --> 01:18:21,479
Speaker 1: was doing nothing. You know what I'm saying, changed it.

981
01:18:21,560 --> 01:18:24,360
Speaker 1: But we're right here. Look over there, over there, over there,

982
01:18:27,520 --> 01:18:30,559
Speaker 1: right there, so you see it top top right window,

983
01:18:30,640 --> 01:18:34,840
Speaker 1: so that what I'm saying on the street is fine.

984
01:18:39,080 --> 01:18:44,320
Speaker 1: We are we all here, say work out we out here.

985
01:18:44,360 --> 01:18:46,080
Speaker 1: So you see it's my man used to sell him,

986
01:18:46,120 --> 01:18:47,760
Speaker 1: you know, you know he used to come through get

987
01:18:47,800 --> 01:18:48,880
Speaker 1: what he used to get it. You know, I ain't

988
01:18:48,880 --> 01:18:53,280
Speaker 1: never work with Yeah, you know what I mean, talk

989
01:18:53,360 --> 01:18:55,479
Speaker 1: crazy to us, but you're getting thrown off the buildings.

990
01:18:55,560 --> 01:18:59,400
Speaker 1: Be funk out of here. Sign' been throwing niggas off

991
01:18:59,400 --> 01:19:04,920
Speaker 1: the roofs. That's how we get down the pit. Like

992
01:19:05,280 --> 01:19:10,439
Speaker 1: how showy Man and ship is amazing because you know

993
01:19:10,520 --> 01:19:14,080
Speaker 1: it's historic. It's one of those places man that damn

994
01:19:14,479 --> 01:19:19,439
Speaker 1: every black entertainer performer ever touched ever. This used to

995
01:19:19,520 --> 01:19:23,280
Speaker 1: be it. This is the mecca is blackertainment, man like

996
01:19:23,400 --> 01:19:25,720
Speaker 1: it was. It was a time where this was the

997
01:19:25,800 --> 01:19:28,800
Speaker 1: only place that was a haven for black entertainment, where

998
01:19:28,800 --> 01:19:30,720
Speaker 1: you know, you can come and your people can come

999
01:19:30,800 --> 01:19:32,760
Speaker 1: in and watch you and embrace you, embrace you and

1000
01:19:32,840 --> 01:19:34,960
Speaker 1: be safe and have a good time. I mean the greats,

1001
01:19:35,040 --> 01:19:41,439
Speaker 1: the greatest of the greats, everybody, Michael Michael Jackson, James Brown,

1002
01:19:41,920 --> 01:19:47,960
Speaker 1: Jackie Wilson, Flips Cook for everybody, all the comedians, all

1003
01:19:48,000 --> 01:19:54,400
Speaker 1: the comedian Jamie David, everybody, even even the white Homers.

1004
01:19:54,760 --> 01:19:58,320
Speaker 1: You know what I mean. Everybody's been heading town and

1005
01:19:58,439 --> 01:20:00,320
Speaker 1: now you can add the Edy five South show to

1006
01:20:00,439 --> 01:20:02,800
Speaker 1: that list. Man, put my name on the wall, put

1007
01:20:02,920 --> 01:20:05,320
Speaker 1: us in there. Man. We made it to the Polo

1008
01:20:05,600 --> 01:20:12,760
Speaker 1: Baby because I look around this circle realized I don't

1009
01:20:12,760 --> 01:20:18,479
Speaker 1: just like idiot if that has nothing to do with

1010
01:20:18,680 --> 01:20:23,479
Speaker 1: the business. Tonight, the Coalition of Black super Heroes shall

1011
01:20:23,600 --> 01:20:28,679
Speaker 1: stand together to defeat the Ninja Turtles once and for all.

1012
01:20:30,640 --> 01:20:34,439
Speaker 1: We have been forced underground to deal with each other.

1013
01:20:34,600 --> 01:20:37,160
Speaker 1: But now that we are here, we bring all of

1014
01:20:37,200 --> 01:20:40,880
Speaker 1: our talents to the table and we shall tryumph. We

1015
01:20:41,080 --> 01:20:45,960
Speaker 1: already eliminated the Batman, We have already eliminated the Joker.

1016
01:20:46,200 --> 01:20:48,800
Speaker 1: The X Men are no more, and the Avengers never

1017
01:20:48,880 --> 01:20:54,160
Speaker 1: still a chat. We are standing in a circle of

1018
01:20:54,280 --> 01:20:59,880
Speaker 1: extraordinary gentlemen and gentle ladies. Everyone you see before you

1019
01:21:00,680 --> 01:21:05,240
Speaker 1: maybe the person you need to save your life. Now,

1020
01:21:05,320 --> 01:21:07,719
Speaker 1: before we walk out of here and go into battle,

1021
01:21:08,600 --> 01:21:12,160
Speaker 1: I want everyone to focus. We're gonna take out the

1022
01:21:12,280 --> 01:21:17,680
Speaker 1: Ninja turtles one by one. Master Splinter is already on

1023
01:21:17,880 --> 01:21:26,519
Speaker 1: his last leg. I gave that nigga some tonight. We

1024
01:21:26,680 --> 01:21:31,639
Speaker 1: shall triumph in victory. DC did not wear this coat

1025
01:21:31,720 --> 01:21:38,639
Speaker 1: for nothing. It's amazing how you two walked in together

1026
01:21:38,680 --> 01:21:40,880
Speaker 1: and I never noticed that she is you without here?

1027
01:21:53,120 --> 01:22:02,439
Speaker 1: Hey man, I love y'all. This beautiful. Fuck y'all, but

1028
01:22:02,600 --> 01:22:05,960
Speaker 1: what the church doing right? It's okay your birthday, yeah,

1029
01:22:06,040 --> 01:22:17,439
Speaker 1: my first birthday six six Yeah, I'm appreciate that. Y'all

1030
01:22:17,479 --> 01:22:21,400
Speaker 1: got him. Mom appreciate y'all. Man now eight five South

1031
01:22:21,560 --> 01:22:25,559
Speaker 1: proof this ups. This ship is beautiful. It's amazing from

1032
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Speaker 1: the exception when we first started to where we are

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Speaker 1: now we at the Apollo Theater, So that's an accomplishment, y'all.

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Speaker 1: Chock it up two times show