1 00:00:00,440 --> 00:00:04,000 Speaker 1: This podcast is sponsored by Better Help Online Therapy. I'm 2 00:00:04,000 --> 00:00:07,680 Speaker 1: Michleine Maloof and I'm Nadi Adessi, licensed therapists and hosts 3 00:00:07,680 --> 00:00:10,200 Speaker 1: of Getting Better Stories of Mental Health. Join us for 4 00:00:10,240 --> 00:00:13,560 Speaker 1: discussions with Megan Trainer, Chris Bosh, Rebel Wilson, and more, 5 00:00:13,720 --> 00:00:17,400 Speaker 1: from discussing motherhood to immigrating to general mental health. Our 6 00:00:17,440 --> 00:00:20,720 Speaker 1: guests are awe inspiring. We all struggle with the same things, 7 00:00:20,840 --> 00:00:23,640 Speaker 1: so let's talk about it and de stigmatize them. Find 8 00:00:23,680 --> 00:00:26,840 Speaker 1: our new podcast, Getting Better Stories of Mental Health on 9 00:00:26,920 --> 00:00:32,920 Speaker 1: iHeart Apple Podcasts and Spotify. 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Grow stronger with a DP, 19 00:00:59,800 --> 00:01:04,240 Speaker 1: A your talent, time and tayroll. Welcome to money making Conversation. 20 00:01:04,400 --> 00:01:07,520 Speaker 1: I am your host, Rashan McDonald. I recognize that we 21 00:01:07,600 --> 00:01:11,560 Speaker 1: all have different definitions of success. For some insercizable paycheck. 22 00:01:11,880 --> 00:01:14,120 Speaker 1: Mine is helping people wake up and inspiring them to 23 00:01:14,160 --> 00:01:17,280 Speaker 1: accomplish their goals and live their very best life. These 24 00:01:17,319 --> 00:01:19,280 Speaker 1: are my passions and that's what I'm going to do 25 00:01:19,319 --> 00:01:21,640 Speaker 1: for you. When you listen to Money Making Conversations, I 26 00:01:21,680 --> 00:01:24,279 Speaker 1: want you to stop tripping over small challenges and prepare 27 00:01:24,360 --> 00:01:26,840 Speaker 1: to rise above the bigger obstacles that life will present 28 00:01:26,880 --> 00:01:30,640 Speaker 1: to you. The Money Making Conversation interviews provide relatable information 29 00:01:30,680 --> 00:01:35,679 Speaker 1: to you as a listener about career and financial planning, entrepreneurship, motivation, leadership, 30 00:01:35,800 --> 00:01:38,800 Speaker 1: overcoming the arts, and how to live a balanced life. 31 00:01:39,240 --> 00:01:42,000 Speaker 1: My next guest is a true young rising star in 32 00:01:42,040 --> 00:01:44,440 Speaker 1: Hollywood and I'm a big fan of his talents. He's 33 00:01:44,440 --> 00:01:47,280 Speaker 1: an accomplished singer, dancer, and actor. He first came on 34 00:01:47,319 --> 00:01:50,320 Speaker 1: my gradar when he started the movie Slight, but that 35 00:01:50,400 --> 00:01:52,240 Speaker 1: was one of many movies he has been seen in, 36 00:01:52,320 --> 00:01:56,880 Speaker 1: such as Collateral, Beauty Detroit, Crystal Candy Jaw, Box Office 37 00:01:56,960 --> 00:01:59,440 Speaker 1: Hits and Clue, Ride Alone and The Major Runner. Now 38 00:01:59,480 --> 00:02:02,240 Speaker 1: you can see every Sunday Night starting in season three, 39 00:02:02,480 --> 00:02:05,880 Speaker 1: of Showtime's original series, the shot where he plays the 40 00:02:06,000 --> 00:02:10,440 Speaker 1: character Emmit Washington. Please welcome to money making conversation, Jacob, 41 00:02:10,440 --> 00:02:15,560 Speaker 1: A lotta more, Jacob, What I was saying your name? Man? 42 00:02:15,600 --> 00:02:21,240 Speaker 1: I had to started laughing, Man because that character Man, Man, 43 00:02:21,600 --> 00:02:25,120 Speaker 1: can I Jacob? Can I trust him? Man? Can I 44 00:02:25,120 --> 00:02:30,360 Speaker 1: trust Can I trust him? It? No, Man, can't trust him? 45 00:02:30,400 --> 00:02:33,200 Speaker 1: But as a as the beauty of that character, the 46 00:02:33,200 --> 00:02:36,200 Speaker 1: frustration of your mom. But let's talk about your career, man, 47 00:02:36,240 --> 00:02:39,120 Speaker 1: because you've been in the game. You're young guy, and 48 00:02:39,200 --> 00:02:41,880 Speaker 1: successes came your way and a lot of people my 49 00:02:42,080 --> 00:02:44,639 Speaker 1: my career as a producer, writer, manager, over the years, 50 00:02:44,600 --> 00:02:47,360 Speaker 1: I've a lot of success and still having success and 51 00:02:47,400 --> 00:02:50,760 Speaker 1: sending young talent like you come into the game. Can 52 00:02:50,800 --> 00:02:55,160 Speaker 1: you talk about how you got started? Jacob? Yeah? Well, Um, 53 00:02:55,360 --> 00:02:58,040 Speaker 1: you know, music random you know, runs in my family. 54 00:02:58,240 --> 00:03:01,560 Speaker 1: My dad of my uncle's uh you know, seeing gospel 55 00:03:01,639 --> 00:03:05,840 Speaker 1: music and Kimny Lottimore was my cousin, my grandfather and 56 00:03:05,919 --> 00:03:08,239 Speaker 1: my uncle Joe rest in Peace, who you know, had 57 00:03:08,280 --> 00:03:11,720 Speaker 1: their own group when they were younger. Um, so I 58 00:03:11,800 --> 00:03:14,280 Speaker 1: just grew up in a house full of musicians and 59 00:03:14,320 --> 00:03:18,399 Speaker 1: singers and I was always you know, just hearing acapella 60 00:03:18,560 --> 00:03:21,799 Speaker 1: and and just I was absorbing so much as a child. 61 00:03:22,040 --> 00:03:24,480 Speaker 1: And then I would see you know, performances and music 62 00:03:24,560 --> 00:03:29,480 Speaker 1: videos and limos being parked outside to you know, pick 63 00:03:29,560 --> 00:03:31,240 Speaker 1: up my dad and uncles for them to go to 64 00:03:31,400 --> 00:03:32,920 Speaker 1: l A when they were signed an m C A 65 00:03:33,040 --> 00:03:36,000 Speaker 1: and the other two thousand's, And I was just I've 66 00:03:36,000 --> 00:03:38,160 Speaker 1: just seen this lifestyle. I was just like, what's this? 67 00:03:38,560 --> 00:03:40,120 Speaker 1: You know what I want to do it? You know 68 00:03:40,120 --> 00:03:41,960 Speaker 1: what I mean, But you gotta have a talent to 69 00:03:42,000 --> 00:03:45,320 Speaker 1: do it, Jacob gotta have the talent to do it exactly. 70 00:03:45,360 --> 00:03:47,680 Speaker 1: So I was just I was absorbing. I was I 71 00:03:47,720 --> 00:03:50,920 Speaker 1: started practicing, you know, as early as six years old, 72 00:03:51,200 --> 00:03:55,400 Speaker 1: got into the studio at nine years old. So when 73 00:03:55,400 --> 00:03:57,640 Speaker 1: you when you when did you realize you had the talent? 74 00:03:57,680 --> 00:03:59,800 Speaker 1: Because everything's cute you when you're a young kid. You know, 75 00:04:00,000 --> 00:04:03,880 Speaker 1: people he can dance, dance for the song, Mamy, dance 76 00:04:03,960 --> 00:04:05,920 Speaker 1: for the song. Jake would come on, come on, and 77 00:04:05,960 --> 00:04:09,160 Speaker 1: then on you realize he has something, he has a gift. 78 00:04:09,440 --> 00:04:11,720 Speaker 1: When did that realization come on? Come come to you? 79 00:04:11,800 --> 00:04:15,480 Speaker 1: And the people surrounding you, Um, I think it was 80 00:04:17,400 --> 00:04:21,000 Speaker 1: it was more so like I think they seen how 81 00:04:21,160 --> 00:04:25,159 Speaker 1: serious I was taking it beyond just um, you know, 82 00:04:25,320 --> 00:04:28,920 Speaker 1: just wanting to sing. I feel like my uncle brought 83 00:04:29,000 --> 00:04:32,040 Speaker 1: up something really funny, um and it sounds like something 84 00:04:32,040 --> 00:04:33,920 Speaker 1: I would say. He said I was about seven or 85 00:04:34,040 --> 00:04:36,520 Speaker 1: eight years old or something like that. And then my 86 00:04:36,600 --> 00:04:39,760 Speaker 1: uncle was like, Jake, look, look, Jake, you want some McDonald's. 87 00:04:40,120 --> 00:04:43,920 Speaker 1: And he said that. I said, uh uh nah nah, 88 00:04:45,960 --> 00:04:47,920 Speaker 1: I gotta be on stage, and you know, I'm about 89 00:04:47,920 --> 00:04:50,080 Speaker 1: to do this artist thing, so I gotta watch my figure. 90 00:04:50,120 --> 00:04:56,080 Speaker 1: I can't eat McDonald And he said he died live, 91 00:04:56,160 --> 00:05:00,200 Speaker 1: and he was like what he was like, figure, I 92 00:05:00,240 --> 00:05:02,200 Speaker 1: was just like and for me to know that I 93 00:05:02,279 --> 00:05:04,080 Speaker 1: love to work out so much and I like to 94 00:05:04,320 --> 00:05:08,200 Speaker 1: I like to generally staying solid shape. So I was 95 00:05:08,240 --> 00:05:10,760 Speaker 1: just like, I was like, I don't remember that, but 96 00:05:10,800 --> 00:05:12,680 Speaker 1: it definitely sounds like something I would say. And I 97 00:05:12,760 --> 00:05:15,200 Speaker 1: just think that I just took it so serious. I 98 00:05:15,279 --> 00:05:18,000 Speaker 1: was working up rehearsing on my own, and I was 99 00:05:18,000 --> 00:05:22,000 Speaker 1: studying so many different performers and and and listening to 100 00:05:22,080 --> 00:05:24,359 Speaker 1: how many songs. The Temptations movie was one of my 101 00:05:24,440 --> 00:05:27,719 Speaker 1: favorite movies, and uh B two K was one of 102 00:05:27,760 --> 00:05:30,279 Speaker 1: my favorite groups. I was just in front of the television, 103 00:05:30,360 --> 00:05:35,000 Speaker 1: just absorbing so much of the entertainment of it. I 104 00:05:35,040 --> 00:05:37,280 Speaker 1: was just like, I think I think they would just like, 105 00:05:37,320 --> 00:05:39,720 Speaker 1: let's put him in the studio, just just do it. 106 00:05:40,040 --> 00:05:44,160 Speaker 1: And so your education was just your just your life, right, 107 00:05:44,240 --> 00:05:47,840 Speaker 1: just watching your family, watching people around you being successful, 108 00:05:47,920 --> 00:05:50,720 Speaker 1: realizing that you know, that's an option that was kind 109 00:05:50,720 --> 00:05:54,280 Speaker 1: of like you mentored by the opportunity because you know, 110 00:05:54,480 --> 00:05:57,040 Speaker 1: if your father is an engineer, you might watch how 111 00:05:57,080 --> 00:05:59,159 Speaker 1: he goes to work every day. You become an engineer 112 00:05:59,160 --> 00:06:02,840 Speaker 1: off somebody who cheek higher education exactly exactly as as 113 00:06:02,839 --> 00:06:05,960 Speaker 1: a child, you absorbed you know what your parents are 114 00:06:06,000 --> 00:06:09,400 Speaker 1: doing and their lifestyleed living, and you sort of you know, 115 00:06:09,440 --> 00:06:11,159 Speaker 1: either you fall in love with it or you don't. 116 00:06:11,200 --> 00:06:13,520 Speaker 1: But I just happen to really to really fall in 117 00:06:13,560 --> 00:06:15,279 Speaker 1: love with it and uh and want to do it 118 00:06:15,360 --> 00:06:17,680 Speaker 1: and also just take it to the next level with 119 00:06:17,760 --> 00:06:21,479 Speaker 1: my acting career and and and and dive into so 120 00:06:21,520 --> 00:06:24,599 Speaker 1: many different other things. So it was it's been a 121 00:06:24,680 --> 00:06:26,880 Speaker 1: huge blessing. I think, you know, our family is real 122 00:06:26,960 --> 00:06:29,120 Speaker 1: proud just to you know, see me like squreaming around 123 00:06:29,160 --> 00:06:32,400 Speaker 1: in the living room, dancing and singing all day. So 124 00:06:32,720 --> 00:06:34,680 Speaker 1: you know, my my grandfather said, man, you didn't really 125 00:06:34,720 --> 00:06:39,040 Speaker 1: dance and shake yourself into a career. Like, why that 126 00:06:40,000 --> 00:06:45,880 Speaker 1: sounds like a grandfather's statement, right, yeah, something about yourself. Yeah, yeah, 127 00:06:45,880 --> 00:06:48,360 Speaker 1: he didn't. He didn't. Yeah. He always say that too, 128 00:06:48,440 --> 00:06:52,080 Speaker 1: you know, he like they always repeat, he said all 129 00:06:52,080 --> 00:06:55,080 Speaker 1: the stuff. Yeah, so you know that that's really at 130 00:06:55,080 --> 00:06:57,480 Speaker 1: you a good looking guy. So how did the dancing 131 00:06:57,520 --> 00:06:59,680 Speaker 1: come about? I got the singing and then that, and 132 00:06:59,720 --> 00:07:02,400 Speaker 1: if you good singer, sometimes you can transition to the acting. 133 00:07:02,800 --> 00:07:06,880 Speaker 1: How did the dancing became a major part of your portfolio? Oh, 134 00:07:06,960 --> 00:07:08,840 Speaker 1: you know, my dad got real good rhythms, and my 135 00:07:08,880 --> 00:07:11,640 Speaker 1: mom actually used to dance too when she was young. 136 00:07:12,160 --> 00:07:14,400 Speaker 1: So uh, and then I just, I don't know, I 137 00:07:14,440 --> 00:07:16,600 Speaker 1: just fell in love with like dancing. I don't know. 138 00:07:16,720 --> 00:07:21,040 Speaker 1: I think I started absorbing myself around dancers too. When 139 00:07:21,040 --> 00:07:24,280 Speaker 1: I once I got to Atlanta, I started going to 140 00:07:24,320 --> 00:07:28,120 Speaker 1: these like dance competitions. It was a thing that we're 141 00:07:28,240 --> 00:07:32,000 Speaker 1: doing at this club. It was called dance Invasion. Young 142 00:07:32,120 --> 00:07:35,080 Speaker 1: kids would be battling, and you know, you just absorbed 143 00:07:35,080 --> 00:07:37,720 Speaker 1: around all these great dances here in Atlanta, and I 144 00:07:37,760 --> 00:07:41,160 Speaker 1: just started making friends with them, having ciphers, having dance 145 00:07:41,160 --> 00:07:44,680 Speaker 1: battles and just being around dancers, you know, and then 146 00:07:44,720 --> 00:07:47,120 Speaker 1: they were like yo, like and I was taking as 147 00:07:47,200 --> 00:07:49,360 Speaker 1: classes every now and then, but mostly it was just 148 00:07:49,400 --> 00:07:53,560 Speaker 1: like really just just being around and man, yeah, like everything, 149 00:07:53,640 --> 00:07:55,960 Speaker 1: every everything I wanted to do, I just put my 150 00:07:56,000 --> 00:07:58,320 Speaker 1: mind to it, and I just I didn't you know, 151 00:07:58,400 --> 00:08:00,800 Speaker 1: it was it's it's been dope. You know. The great 152 00:08:00,800 --> 00:08:02,840 Speaker 1: thing about I was speaking of Jacob Lattimore, one of 153 00:08:02,880 --> 00:08:05,800 Speaker 1: the stars of the Incredible or Showtime original series To 154 00:08:05,880 --> 00:08:09,480 Speaker 1: Shine Us as a family show, it's a community show. 155 00:08:09,680 --> 00:08:13,120 Speaker 1: Is a sometimes the uh, the realism of the series 156 00:08:13,200 --> 00:08:16,760 Speaker 1: can uh make you angry, make you wish the characters 157 00:08:16,760 --> 00:08:19,720 Speaker 1: will do something differently and your roof for people then 158 00:08:19,720 --> 00:08:22,360 Speaker 1: they then they fail you. But but I want to 159 00:08:22,400 --> 00:08:24,360 Speaker 1: move back a little bit when I first saw you 160 00:08:24,560 --> 00:08:28,239 Speaker 1: and the movie Slip, when you played the Magician Street Magician, 161 00:08:28,800 --> 00:08:33,040 Speaker 1: and that was a starring role for you, Jacob. You know, 162 00:08:33,360 --> 00:08:38,440 Speaker 1: that's a lot to to to realize. Talk about that opportunity, 163 00:08:38,520 --> 00:08:40,760 Speaker 1: how it was presented to you, and then the whole 164 00:08:40,800 --> 00:08:44,280 Speaker 1: process of taking that that that that knowledge is this 165 00:08:44,559 --> 00:08:47,000 Speaker 1: movie is you're starting in and you have to carry 166 00:08:47,040 --> 00:08:52,200 Speaker 1: the weight of this movie. Yeah, it was actually know, 167 00:08:52,280 --> 00:08:54,200 Speaker 1: I mean, I don't think I thought about it that 168 00:08:54,320 --> 00:08:58,040 Speaker 1: hard because I think my second film, Black Nativity, was 169 00:08:58,120 --> 00:09:02,320 Speaker 1: so the schedule was so heavy and the amount of 170 00:09:02,320 --> 00:09:04,839 Speaker 1: scenes I was doing, you know, next to Likene Forest 171 00:09:04,840 --> 00:09:08,880 Speaker 1: Whitaker and like Angela Bashet and memorizing all these things 172 00:09:08,920 --> 00:09:11,559 Speaker 1: that startpower, that startpower put pressure on you right there, 173 00:09:11,640 --> 00:09:15,960 Speaker 1: you just said to start. Yeah, that experience alone was 174 00:09:16,040 --> 00:09:19,200 Speaker 1: so heavy for me. And uh so by the time 175 00:09:19,240 --> 00:09:22,360 Speaker 1: I got to a film like Slight, which I filmed 176 00:09:22,360 --> 00:09:24,520 Speaker 1: Black Nativity for about a month and a half, I 177 00:09:24,559 --> 00:09:29,400 Speaker 1: feel Slight in two weeks, which was Yeah. Yeah, Slight 178 00:09:29,520 --> 00:09:33,280 Speaker 1: was an independent film for two hundred and fifty grand, 179 00:09:33,480 --> 00:09:35,959 Speaker 1: you know what I mean, Like it was fantastic. Man, 180 00:09:36,280 --> 00:09:39,440 Speaker 1: I'm gonna ta man, I'm weighing on Slight two. It 181 00:09:39,559 --> 00:09:42,760 Speaker 1: was that good to me. And the characterizations and the 182 00:09:42,840 --> 00:09:45,440 Speaker 1: emotional it was. It was what I'm saying, is that 183 00:09:45,520 --> 00:09:48,600 Speaker 1: two weeks, man, that's a lot of emotional range that 184 00:09:48,679 --> 00:09:53,280 Speaker 1: you showed in that big screen opperdate the debate right there. 185 00:09:53,320 --> 00:09:55,120 Speaker 1: That was amazing what you were doing, man, And it 186 00:09:55,240 --> 00:09:58,040 Speaker 1: was just two weeks. And that's how independent productions usually happened. 187 00:09:58,040 --> 00:10:00,559 Speaker 1: They don't have the budget, the catering, the crew that 188 00:10:00,640 --> 00:10:03,280 Speaker 1: ain't around, and usually say, man, look I'm a squeeze 189 00:10:03,280 --> 00:10:05,720 Speaker 1: is in my schedules, but this ain't my real moneys 190 00:10:06,200 --> 00:10:08,680 Speaker 1: and that's how But but it allowed me to see 191 00:10:08,720 --> 00:10:13,559 Speaker 1: you as a as a really brilliant young actor. M yeah, man, 192 00:10:13,600 --> 00:10:17,400 Speaker 1: I appreciate that. It was it was incredible, you know. Um. 193 00:10:17,440 --> 00:10:19,199 Speaker 1: I was out in l A and was so was 194 00:10:19,320 --> 00:10:22,880 Speaker 1: so funny about Slight. Slight was the only film that 195 00:10:22,960 --> 00:10:25,520 Speaker 1: I had booked that year, and I was kind of 196 00:10:25,559 --> 00:10:28,319 Speaker 1: stressing out man, and be honest, like, I was auditioning 197 00:10:28,400 --> 00:10:31,520 Speaker 1: like crazy, and I was getting a lot of nose. 198 00:10:32,000 --> 00:10:33,880 Speaker 1: You know. It was just like you're a star, but 199 00:10:34,640 --> 00:10:37,080 Speaker 1: we don't feel like you're right for this role. And 200 00:10:37,480 --> 00:10:40,559 Speaker 1: I kept getting that that in so like yeah, you're 201 00:10:40,559 --> 00:10:43,000 Speaker 1: a star, and Jacobs a star, but it's just I 202 00:10:43,040 --> 00:10:45,120 Speaker 1: don't know, he's maybe too cool for this one, or 203 00:10:45,200 --> 00:10:47,760 Speaker 1: like maybe he's too much of a star for this role. 204 00:10:48,160 --> 00:10:52,040 Speaker 1: And I was auditioning for like, you know, the like 205 00:10:52,080 --> 00:10:55,679 Speaker 1: the second role from next to the leading role, and 206 00:10:55,679 --> 00:10:57,920 Speaker 1: they were like, well, he's probably outshining the star. He's 207 00:10:57,960 --> 00:10:59,800 Speaker 1: just just to start, you know. I was just and 208 00:11:00,120 --> 00:11:02,600 Speaker 1: was like, man, come on, man, book me in the movie. 209 00:11:02,640 --> 00:11:06,679 Speaker 1: I'm trying to work, you know, you know, so, uh, 210 00:11:06,720 --> 00:11:09,559 Speaker 1: that's that's that's where my mind was. And then, uh, 211 00:11:09,600 --> 00:11:13,680 Speaker 1: I remember we took Slight to Sundance the topic of 212 00:11:13,720 --> 00:11:16,360 Speaker 1: the next year, and then I got a phone call 213 00:11:16,600 --> 00:11:19,920 Speaker 1: saying that I booked Collaiteral Beauty with Will Smith, Food 214 00:11:19,920 --> 00:11:23,679 Speaker 1: to New York. Two weeks later worked with will after 215 00:11:23,800 --> 00:11:27,280 Speaker 1: the Will Smith movie. Uh, they said, uh, You're gonna 216 00:11:27,280 --> 00:11:31,200 Speaker 1: work with William H. Macy Um on this independent film 217 00:11:31,240 --> 00:11:35,040 Speaker 1: called Crystal. And then after that I booked Detroit. So 218 00:11:35,120 --> 00:11:38,400 Speaker 1: I did those three films and one year after a 219 00:11:38,520 --> 00:11:41,960 Speaker 1: year prior of just barely working, you know, because Slight 220 00:11:42,080 --> 00:11:45,240 Speaker 1: was only two weeks of that year. And uh so 221 00:11:45,360 --> 00:11:47,720 Speaker 1: I was like, I was really just stressing out, to 222 00:11:47,760 --> 00:11:49,840 Speaker 1: be honest, But how did you maintain How did you 223 00:11:49,920 --> 00:11:52,160 Speaker 1: was the family player role in that? Did your faith 224 00:11:52,160 --> 00:11:55,160 Speaker 1: player role in that? Being able to overcome that frustration 225 00:11:55,200 --> 00:11:57,960 Speaker 1: of people saying what they what they know you're talented, 226 00:11:58,040 --> 00:12:01,240 Speaker 1: but hey, we're gonna pass on this one. Rich dude 227 00:12:01,360 --> 00:12:04,240 Speaker 1: check to dude, checks on coming in. Food needs to 228 00:12:04,280 --> 00:12:08,600 Speaker 1: be in your billy, what's going on right there? And yeah, honestly, man, Um, 229 00:12:09,120 --> 00:12:11,319 Speaker 1: I was standing with one of my best friends. Actually 230 00:12:11,400 --> 00:12:13,400 Speaker 1: just saw him a few days ago. His name is 231 00:12:13,440 --> 00:12:16,320 Speaker 1: Decor Darden. I stayed out with in l A. With 232 00:12:16,640 --> 00:12:18,679 Speaker 1: him at his apartment. He had like a guest from 233 00:12:18,800 --> 00:12:21,720 Speaker 1: bathroom and I would just sort of renting out. I 234 00:12:21,800 --> 00:12:24,360 Speaker 1: was paying him monthly, and I was just like, man, 235 00:12:24,440 --> 00:12:25,760 Speaker 1: you know, I'm coming out to l A. I want 236 00:12:25,800 --> 00:12:28,120 Speaker 1: to audition. I just want to get out here and grind. 237 00:12:28,800 --> 00:12:32,400 Speaker 1: And then um, yeah, like he was really really supported. 238 00:12:32,440 --> 00:12:35,040 Speaker 1: He's like, you know, a really good friend of mine. 239 00:12:35,280 --> 00:12:38,040 Speaker 1: We actually met on the Major Running set actually pays 240 00:12:38,559 --> 00:12:41,800 Speaker 1: he plays fried Pen and uh and Mays running all 241 00:12:41,840 --> 00:12:45,000 Speaker 1: three major runners actually and uh yeah, he's he's like 242 00:12:45,040 --> 00:12:47,120 Speaker 1: a really supportive friend. Because I was away from my 243 00:12:47,160 --> 00:12:49,240 Speaker 1: mom and my dad, I really wasn't. That was like 244 00:12:49,240 --> 00:12:51,400 Speaker 1: my first time really being out on my own, you 245 00:12:51,400 --> 00:12:53,240 Speaker 1: know what I'm saying, Almost like going to college. It's 246 00:12:53,280 --> 00:12:55,600 Speaker 1: like going to college. Yeah, yeah, yeah, I was out 247 00:12:55,600 --> 00:12:58,320 Speaker 1: there on my own, you know. So, Um, I just 248 00:12:58,360 --> 00:13:01,120 Speaker 1: had a great support system even with my friends, you 249 00:13:01,120 --> 00:13:03,200 Speaker 1: know what I mean, I was choosing my friends wisely. 250 00:13:03,640 --> 00:13:06,080 Speaker 1: I was choosing you know, I was choosing to you know, 251 00:13:06,200 --> 00:13:08,080 Speaker 1: called my family and just but the movie, you know, 252 00:13:08,080 --> 00:13:11,359 Speaker 1: and they were giving me a lot of um just encouragement, 253 00:13:11,360 --> 00:13:13,280 Speaker 1: and I just always knew I was gonna book something 254 00:13:13,320 --> 00:13:15,440 Speaker 1: because I feel like even though they were saying no, 255 00:13:15,559 --> 00:13:19,520 Speaker 1: they were saying I was a star, which which felt good. 256 00:13:19,559 --> 00:13:21,120 Speaker 1: But I was just like, man, I need some work. 257 00:13:21,240 --> 00:13:23,960 Speaker 1: But I knew something was gonna come, and I knew 258 00:13:23,960 --> 00:13:26,160 Speaker 1: the right role was gonna man uh. And I just 259 00:13:26,200 --> 00:13:28,680 Speaker 1: knew a lot of people saw something in me. And 260 00:13:28,760 --> 00:13:30,760 Speaker 1: my agents were like, look, this happens all the time 261 00:13:30,840 --> 00:13:33,760 Speaker 1: sometimes because a year of nose and then like the 262 00:13:33,840 --> 00:13:36,280 Speaker 1: next year could be just full of work. So and 263 00:13:36,320 --> 00:13:39,000 Speaker 1: be ready. That Hollywood is is to be ready to 264 00:13:39,000 --> 00:13:41,160 Speaker 1: be at. That's that's to start lying being at. And 265 00:13:41,640 --> 00:13:44,160 Speaker 1: when they said go be ready, that's what Hollywood all about. 266 00:13:44,200 --> 00:13:46,520 Speaker 1: It could be frustrating, but it also could be it 267 00:13:46,640 --> 00:13:49,480 Speaker 1: also could be like, Wow, this is why I want 268 00:13:49,520 --> 00:13:51,640 Speaker 1: to do this. And one of the movies you played 269 00:13:51,679 --> 00:13:53,920 Speaker 1: in with Trot Detroit, when I look at the civil 270 00:13:54,000 --> 00:13:57,360 Speaker 1: unrest now that we all are experiencing now and doing 271 00:13:57,400 --> 00:14:00,040 Speaker 1: the time of pandemic, you know you did that what 272 00:14:00,120 --> 00:14:02,560 Speaker 1: you did that movie prior to the George Floyd and 273 00:14:02,600 --> 00:14:05,160 Speaker 1: all the situations that are but bri on the Taylor 274 00:14:05,160 --> 00:14:07,200 Speaker 1: and all these things that have been going on on 275 00:14:07,200 --> 00:14:09,559 Speaker 1: a regular bation that we talked to us about, when 276 00:14:09,600 --> 00:14:11,360 Speaker 1: you do you look back on that movie now and 277 00:14:11,400 --> 00:14:13,640 Speaker 1: think about what's going on right now in the in 278 00:14:13,720 --> 00:14:16,400 Speaker 1: the world today, not only just in US, the world 279 00:14:16,679 --> 00:14:22,600 Speaker 1: in general. Oh yeah, absolutely, Like, um, you know, we 280 00:14:22,600 --> 00:14:26,840 Speaker 1: we thought we thought that film would really Obviously I 281 00:14:26,880 --> 00:14:29,720 Speaker 1: think the longevity of it still speaks values, but we 282 00:14:29,760 --> 00:14:32,360 Speaker 1: really thought it would go. It would it would blow 283 00:14:32,480 --> 00:14:36,160 Speaker 1: up much bigger than it did, you know what I mean, 284 00:14:36,200 --> 00:14:39,600 Speaker 1: because we were touching on something so so relevant. But 285 00:14:39,640 --> 00:14:41,720 Speaker 1: I think that the reality of it was no one 286 00:14:41,760 --> 00:14:44,360 Speaker 1: really wanted to go to a movie theater and see 287 00:14:44,400 --> 00:14:48,080 Speaker 1: something that they're seeing on CNN every day, and uh, 288 00:14:48,240 --> 00:14:50,200 Speaker 1: you know, and it was just like it was hard 289 00:14:50,240 --> 00:14:52,760 Speaker 1: for people to watch it. Man, it was like it 290 00:14:52,760 --> 00:14:54,160 Speaker 1: really was hard. I would you can tell you that 291 00:14:54,200 --> 00:14:56,560 Speaker 1: I watched that at the house. It was difficult because 292 00:14:56,560 --> 00:14:59,760 Speaker 1: it was the truth. It was the truth. Yeah, people 293 00:14:59,800 --> 00:15:02,400 Speaker 1: are man, I need a cigarette and I need a drink, 294 00:15:02,600 --> 00:15:05,320 Speaker 1: you know, people are leaving the theater and that was 295 00:15:05,360 --> 00:15:09,080 Speaker 1: just like I was like, wow, like it's and and 296 00:15:09,160 --> 00:15:11,320 Speaker 1: people come out of crying, they would come out of hugging, 297 00:15:11,560 --> 00:15:14,880 Speaker 1: and it was it was really emotional. So the impact 298 00:15:15,080 --> 00:15:18,320 Speaker 1: was was so dope. And uh, just to to know 299 00:15:18,440 --> 00:15:21,920 Speaker 1: that film still speaks volumes and the speaking values over 300 00:15:21,960 --> 00:15:24,920 Speaker 1: these years and it will speak volumes after we're going 301 00:15:25,000 --> 00:15:26,840 Speaker 1: and after our careers are done, you know. So I'm 302 00:15:26,880 --> 00:15:29,240 Speaker 1: happy I was able to get a film like that 303 00:15:29,360 --> 00:15:31,280 Speaker 1: under my built and I usually try to do a 304 00:15:31,400 --> 00:15:33,960 Speaker 1: variety of different films. Well you do, you know, and uh, 305 00:15:34,600 --> 00:15:37,360 Speaker 1: the the ability to be able to go from you know, 306 00:15:37,360 --> 00:15:39,840 Speaker 1: because Maze Runner was a sci fi you know, and 307 00:15:39,880 --> 00:15:42,640 Speaker 1: then you had you know, ride Along with a comedy 308 00:15:42,720 --> 00:15:46,080 Speaker 1: and Detrot was just dramatic. And then of course Slight 309 00:15:46,160 --> 00:15:48,720 Speaker 1: a true star and Roll to me, that was to me, 310 00:15:48,960 --> 00:15:51,080 Speaker 1: that was the movie that said it for me. As 311 00:15:51,120 --> 00:15:54,000 Speaker 1: a fan of Jacob Lattimore, I became a fan Jacob. 312 00:15:54,040 --> 00:15:55,640 Speaker 1: I won't know Slight too? Can you do it? Go 313 00:15:55,800 --> 00:15:58,880 Speaker 1: find me and something brother, something something, man, you know, 314 00:15:58,920 --> 00:16:01,720 Speaker 1: it's so funny. I reached out to the director Um 315 00:16:02,400 --> 00:16:05,320 Speaker 1: and I was h J. D. Dillon. I was like, hey, man, 316 00:16:05,360 --> 00:16:06,840 Speaker 1: what you want you think about a flight too? He 317 00:16:06,880 --> 00:16:12,440 Speaker 1: was like, I just don't know if I'm interested, and 318 00:16:12,480 --> 00:16:14,160 Speaker 1: he's like, I just want to do I want to 319 00:16:14,200 --> 00:16:16,080 Speaker 1: do something different with you. Man, I didn't want to 320 00:16:16,080 --> 00:16:19,040 Speaker 1: do like something different, you know. He said, I'm working 321 00:16:19,040 --> 00:16:21,400 Speaker 1: on this different film. I want to send you the script. 322 00:16:21,880 --> 00:16:24,320 Speaker 1: So I think for him it was flight was like 323 00:16:25,000 --> 00:16:27,840 Speaker 1: a step for him and you know, a phase for him, 324 00:16:27,960 --> 00:16:32,480 Speaker 1: like he created a story. But I think, um, I think, yeah, 325 00:16:32,480 --> 00:16:35,080 Speaker 1: he just he just loves what we did already. Absolutely, 326 00:16:36,520 --> 00:16:40,240 Speaker 1: it's finally here, the season of celebration, and no matter 327 00:16:40,320 --> 00:16:43,480 Speaker 1: how you celebrate with family and friends, whether you're preparing 328 00:16:43,600 --> 00:16:47,160 Speaker 1: for rays magos or Karamu lighting the Manura, are going 329 00:16:47,200 --> 00:16:50,080 Speaker 1: to midnight mass, Coles has just what you need to 330 00:16:50,160 --> 00:16:53,920 Speaker 1: make those traditions special. Plus you'll find gifts for all 331 00:16:53,960 --> 00:16:58,640 Speaker 1: your loved ones. Send warm wishes with Cozy Fleece's sweaters, loungeware, 332 00:16:58,720 --> 00:17:02,560 Speaker 1: blankets and throws. 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That's O T T 360 00:18:32,240 --> 00:18:35,639 Speaker 1: E R dot Ai, no argument. I'm just as a producer, 361 00:18:35,760 --> 00:18:37,639 Speaker 1: as a guy who looks at the talented person and 362 00:18:37,720 --> 00:18:39,719 Speaker 1: I see how sequels do well, and I see this 363 00:18:39,800 --> 00:18:41,520 Speaker 1: is a it's a lot of things could have come 364 00:18:41,520 --> 00:18:45,200 Speaker 1: out of that series, a Netflix series, uh you know, 365 00:18:45,520 --> 00:18:47,800 Speaker 1: uh the three series a lot because it was just 366 00:18:47,840 --> 00:18:50,240 Speaker 1: that good. It was just that personal and you and 367 00:18:50,320 --> 00:18:52,879 Speaker 1: you play a young character which I felt was relatable 368 00:18:53,280 --> 00:18:56,280 Speaker 1: to what's going on in the Marvel universe right now. 369 00:18:56,320 --> 00:18:59,760 Speaker 1: But but right now, right now, you're starting in the shot, 370 00:19:00,280 --> 00:19:02,840 Speaker 1: how did that come about? And this character. I'm gonna 371 00:19:02,880 --> 00:19:06,639 Speaker 1: tell you something, man, I don't know if I um, 372 00:19:07,680 --> 00:19:09,320 Speaker 1: if I was your big brother, I'll hit you in 373 00:19:09,320 --> 00:19:14,680 Speaker 1: the chest, dad center in your chest and can tell 374 00:19:14,760 --> 00:19:18,200 Speaker 1: you get your life together. Boy. It ain't in your parents, 375 00:19:18,480 --> 00:19:20,760 Speaker 1: Your life ain't in your parts. It's in your hat 376 00:19:21,480 --> 00:19:27,440 Speaker 1: above yourself. So tell us how that character came about. Honestly, man, 377 00:19:27,520 --> 00:19:31,240 Speaker 1: it was it was I think auditioned maybe three or 378 00:19:31,600 --> 00:19:35,440 Speaker 1: three times. Uh. Once was on tape, then I flew 379 00:19:35,440 --> 00:19:39,119 Speaker 1: out to l a um had. It was like maybe 380 00:19:39,200 --> 00:19:42,479 Speaker 1: four other people auditioning for Emmett, and they were kind 381 00:19:42,520 --> 00:19:44,479 Speaker 1: of throwing this in and out the room with different 382 00:19:44,760 --> 00:19:48,960 Speaker 1: um actresses that we're gonna play the mother row and 383 00:19:49,160 --> 00:19:52,080 Speaker 1: uh I met Yalanda, who who's casting now? And I 384 00:19:52,160 --> 00:19:54,560 Speaker 1: was seeing her and and I just didn't know what 385 00:19:54,600 --> 00:19:55,959 Speaker 1: was going on. I just wanted to go in there 386 00:19:56,000 --> 00:19:57,639 Speaker 1: and just you know, be myself. And I have a 387 00:19:57,640 --> 00:20:01,880 Speaker 1: lot of personality, and you know, luckily it came out 388 00:20:01,880 --> 00:20:04,080 Speaker 1: of my way, and I think we got right to work, 389 00:20:04,080 --> 00:20:06,399 Speaker 1: and I just I fell in love with it. It 390 00:20:06,480 --> 00:20:08,480 Speaker 1: was like, you know, I felt I really I was 391 00:20:08,480 --> 00:20:12,280 Speaker 1: really nervous, to be honest, because obviously, um different Chicago 392 00:20:12,320 --> 00:20:15,919 Speaker 1: projects hadn't really like nailed you know the city. You know, 393 00:20:15,960 --> 00:20:18,479 Speaker 1: they didn't really a lot of people didn't you know, 394 00:20:18,840 --> 00:20:21,720 Speaker 1: appreciate some of the prior projects that were by Chicago. 395 00:20:22,480 --> 00:20:24,440 Speaker 1: And I was just like, man, we gotta we gotta 396 00:20:24,520 --> 00:20:27,240 Speaker 1: be dope, we gotta be fly, we gotta be fresh, 397 00:20:27,320 --> 00:20:29,600 Speaker 1: you know what I mean. I was. I remember you 398 00:20:29,720 --> 00:20:31,720 Speaker 1: right down the road from you, right up the road 399 00:20:31,720 --> 00:20:36,080 Speaker 1: from Chicago, man walking. Yeah. And that was the beauty too, 400 00:20:36,160 --> 00:20:38,119 Speaker 1: you know, to just like be able to you know, 401 00:20:38,200 --> 00:20:41,240 Speaker 1: work where my family could kind of you know, drive 402 00:20:41,600 --> 00:20:43,280 Speaker 1: and come see me too. It was you know, it's 403 00:20:43,280 --> 00:20:47,040 Speaker 1: only an hour by hour and Chicago five very familiar 404 00:20:47,080 --> 00:20:48,880 Speaker 1: with Chicago. We're gonna talk about that a little bit. 405 00:20:49,160 --> 00:20:51,080 Speaker 1: But you know the beauty of this when you said 406 00:20:51,160 --> 00:20:53,280 Speaker 1: keep it real, like I lived in Chicago five years 407 00:20:53,280 --> 00:20:59,399 Speaker 1: from and uh, and you're right, you know the the 408 00:20:59,480 --> 00:21:03,000 Speaker 1: Chicago an amazing city. You know, it's a very summer 409 00:21:03,080 --> 00:21:05,280 Speaker 1: is a very violent city. A lot of people aren't 410 00:21:05,280 --> 00:21:07,359 Speaker 1: aware of that. I don't know what happens to black 411 00:21:07,400 --> 00:21:10,240 Speaker 1: people up there, but on the major holidays, they're sitting 412 00:21:10,280 --> 00:21:13,080 Speaker 1: there want to shoot each other. And that's sad and 413 00:21:13,080 --> 00:21:15,639 Speaker 1: and and and and it's captured in this in this 414 00:21:15,840 --> 00:21:18,239 Speaker 1: series because there's a lot of hope, but there's a 415 00:21:18,240 --> 00:21:21,480 Speaker 1: lot of tragedy. Talk about the season one, season two, 416 00:21:21,480 --> 00:21:23,760 Speaker 1: season three, has your has your how your character has 417 00:21:23,840 --> 00:21:26,720 Speaker 1: developed each season in it? I call you in it, 418 00:21:26,760 --> 00:21:30,679 Speaker 1: but I know you're Jacob. Yeah, I think, um, I 419 00:21:30,720 --> 00:21:34,639 Speaker 1: think we're definitely seeing him grow in areas um and 420 00:21:34,680 --> 00:21:38,840 Speaker 1: then definitely see where his weaknesses continue to be. You know, 421 00:21:39,040 --> 00:21:41,200 Speaker 1: what is this week? What is this week? If Jacob? 422 00:21:41,440 --> 00:21:44,720 Speaker 1: What is this week? Women? Women? The FORGA teller told 423 00:21:44,760 --> 00:21:55,120 Speaker 1: you what your weakness was. The voice when I when 424 00:21:55,160 --> 00:21:57,200 Speaker 1: I first when we had the table read out, said 425 00:21:57,359 --> 00:22:02,040 Speaker 1: oh my god, I can't believe the ladies said that 426 00:22:03,000 --> 00:22:06,080 Speaker 1: right in front the tiff place. Your girlfriend and was 427 00:22:06,119 --> 00:22:08,840 Speaker 1: the mother of your child? What are your children? I knew. 428 00:22:09,280 --> 00:22:12,000 Speaker 1: I knew once we shot that it was gonna go crazy. 429 00:22:12,040 --> 00:22:17,920 Speaker 1: I was like, oh my goodness, it seems about to go. Wow. Um, 430 00:22:18,600 --> 00:22:20,600 Speaker 1: what's so dumb about the shots that I'm able to 431 00:22:20,640 --> 00:22:23,600 Speaker 1: dive into keep diving into a character every year, like 432 00:22:23,960 --> 00:22:26,440 Speaker 1: you know, with Slider, like other films I've done, I 433 00:22:26,480 --> 00:22:30,040 Speaker 1: only had one opportunity, you know, but with Shot, with 434 00:22:30,080 --> 00:22:33,040 Speaker 1: the shots, just keep every year I find new ways 435 00:22:33,080 --> 00:22:36,280 Speaker 1: to be Immit, you know, and bring out you know 436 00:22:36,400 --> 00:22:40,000 Speaker 1: his personality is swag and and dig deeper into you 437 00:22:40,000 --> 00:22:42,600 Speaker 1: know who Emmitt was, you know who he is now. 438 00:22:42,680 --> 00:22:46,440 Speaker 1: So it's just, um, it's really fun. It's really fun. 439 00:22:46,680 --> 00:22:48,399 Speaker 1: It's a lot of funks. It's a lot of fun, Jacob, 440 00:22:48,440 --> 00:22:51,280 Speaker 1: because you know, like, you have this is acting, man, 441 00:22:51,320 --> 00:22:54,320 Speaker 1: this is a gift that you have she you have this. 442 00:22:54,640 --> 00:22:57,520 Speaker 1: It's like it's like a kid getting coach sticking a 443 00:22:57,600 --> 00:23:00,399 Speaker 1: hand in the cookie jaw. Look that you have, you know, like, 444 00:23:01,920 --> 00:23:04,880 Speaker 1: what's wrong, what's wrong, what's the problem, what's the problem, 445 00:23:06,280 --> 00:23:09,920 Speaker 1: that's what your problem looked at. You have mastered it 446 00:23:10,000 --> 00:23:12,119 Speaker 1: is what makes your character work for me, because you 447 00:23:12,240 --> 00:23:16,280 Speaker 1: keep getting into trouble after trouble after trouble, and it's 448 00:23:16,280 --> 00:23:18,840 Speaker 1: all like it's always like with your hands out, what's wrong, 449 00:23:18,840 --> 00:23:23,960 Speaker 1: what's the problem, what's wrong? Right? Right? Exactly. Yeah, It's 450 00:23:24,000 --> 00:23:27,560 Speaker 1: just it's so fun to play, to play him. I 451 00:23:27,600 --> 00:23:30,320 Speaker 1: feel like it wasn't until I played the show where 452 00:23:30,359 --> 00:23:34,119 Speaker 1: I feel like I unpacked it. Uh people on a 453 00:23:34,160 --> 00:23:36,560 Speaker 1: different level. I think, I think I've I've played some 454 00:23:36,640 --> 00:23:41,520 Speaker 1: really incredible roads. But the show has really made a 455 00:23:41,560 --> 00:23:43,760 Speaker 1: stamp on the culture. Like when I walked down the street, 456 00:23:43,840 --> 00:23:46,040 Speaker 1: people don't even call me Jacob. They called me Immage, 457 00:23:46,160 --> 00:23:51,000 Speaker 1: called me. Yeah, I was there. I was in Cleveland 458 00:23:51,080 --> 00:23:54,680 Speaker 1: not too long ago, I said, getting some education on 459 00:23:54,840 --> 00:23:56,560 Speaker 1: some stuff. And then like I would stop at the 460 00:23:56,600 --> 00:23:59,359 Speaker 1: gas station or stop at the restaurant, and they'd be 461 00:23:59,400 --> 00:24:04,480 Speaker 1: like yo, yo, you know, like it's just when you 462 00:24:04,520 --> 00:24:06,880 Speaker 1: when you know, when you know Jacob. Let's be real 463 00:24:07,080 --> 00:24:10,720 Speaker 1: now you know that in the character is a highly 464 00:24:11,280 --> 00:24:14,240 Speaker 1: sex charge character. So I'm sure people look at you 465 00:24:14,560 --> 00:24:18,200 Speaker 1: from a ladies percilating from a different angle now. No, 466 00:24:18,359 --> 00:24:20,439 Speaker 1: it's definitely been different. I think I even think a 467 00:24:20,440 --> 00:24:25,040 Speaker 1: lot of people just now realizing that is Jacob, which 468 00:24:25,080 --> 00:24:27,399 Speaker 1: is who is me? I'm just like, and I just 469 00:24:27,440 --> 00:24:29,440 Speaker 1: realized Jacob. I'm seeing a lot of these twos now. 470 00:24:29,720 --> 00:24:31,879 Speaker 1: I'm just realizing Jacob Lottimore is playing in it on 471 00:24:31,920 --> 00:24:33,639 Speaker 1: the show. I've been watching this show for two seasons. 472 00:24:33,640 --> 00:24:35,760 Speaker 1: I didn't know that was Jacob, and I was just like, 473 00:24:36,240 --> 00:24:38,960 Speaker 1: I'm like, I must be really in it then, because well, 474 00:24:39,000 --> 00:24:40,480 Speaker 1: you know the things about here stuff, it's the interesting 475 00:24:40,520 --> 00:24:43,040 Speaker 1: about our relationship, you know, like what I've been don't 476 00:24:43,080 --> 00:24:45,119 Speaker 1: my make convintation a couple of years and when the 477 00:24:45,119 --> 00:24:47,320 Speaker 1: show came on the Shy, you know, they was just 478 00:24:47,359 --> 00:24:49,920 Speaker 1: there was totally you know, let's get Jacob on your show. 479 00:24:50,080 --> 00:24:51,840 Speaker 1: Just get him on your shows. You can interview him. 480 00:24:52,000 --> 00:24:54,640 Speaker 1: And I'm glad I waited or we just couldn't connect, 481 00:24:54,720 --> 00:24:59,000 Speaker 1: because talking about your character now is a really great opportunity. 482 00:24:59,040 --> 00:25:02,159 Speaker 1: Because the beginning of the first of all this season, 483 00:25:02,160 --> 00:25:05,400 Speaker 1: they brought on some great additional cast members. My boy 484 00:25:05,480 --> 00:25:07,879 Speaker 1: Luke James, Oh my god, what he's doing in that 485 00:25:07,960 --> 00:25:13,440 Speaker 1: character Candy Burrows. Wow, she's nailing it, nailing and then 486 00:25:13,520 --> 00:25:18,760 Speaker 1: Little Real you know, playing the character Zeke subringing comedy. 487 00:25:18,880 --> 00:25:20,600 Speaker 1: But you know how he does it. He can play 488 00:25:20,640 --> 00:25:23,199 Speaker 1: serious but actually so funny that it comes across like 489 00:25:23,200 --> 00:25:25,880 Speaker 1: a joke every time he opens is doing and so 490 00:25:26,920 --> 00:25:28,920 Speaker 1: And that's that's what you're saying. When you when you 491 00:25:29,000 --> 00:25:31,280 Speaker 1: got the chance to play against Will Smith, you know, 492 00:25:31,320 --> 00:25:34,760 Speaker 1: Angela Bassett, you bring on all these additional talent. It 493 00:25:34,800 --> 00:25:37,080 Speaker 1: causes you as a talent to step up your game 494 00:25:37,119 --> 00:25:40,679 Speaker 1: as well. Correct, Yeah, absolutely, yeah, I think you know, 495 00:25:40,960 --> 00:25:43,600 Speaker 1: Sabedia having a great cash you know, we are can 496 00:25:43,800 --> 00:25:46,359 Speaker 1: help out each other and uh motivate each other to 497 00:25:46,440 --> 00:25:48,960 Speaker 1: do to do better and it makes a great show. 498 00:25:49,480 --> 00:25:52,080 Speaker 1: And you know, as long as the chemistry is amazing, um, 499 00:25:52,560 --> 00:25:55,160 Speaker 1: we can always we can always make a scene work, 500 00:25:55,240 --> 00:25:57,320 Speaker 1: you know. So it's it's been it's been a blessing 501 00:25:57,440 --> 00:25:59,399 Speaker 1: because let's at the stage way yet with the character 502 00:26:00,080 --> 00:26:04,440 Speaker 1: brought in Lala Anthony. She's your supposed to the business partner, 503 00:26:04,480 --> 00:26:06,400 Speaker 1: but we found out last night you're a little bit 504 00:26:06,440 --> 00:26:09,800 Speaker 1: more than your business partner, sir. And then you have Tiff. 505 00:26:09,880 --> 00:26:11,600 Speaker 1: You are living at the home with your mom on 506 00:26:11,640 --> 00:26:15,440 Speaker 1: the sofa. You know, Tiff sALS. She kind of hasn't 507 00:26:15,480 --> 00:26:17,560 Speaker 1: got a license yet, but she kind of sells weed. 508 00:26:17,760 --> 00:26:21,640 Speaker 1: That's the way she brings money into the household. And 509 00:26:21,680 --> 00:26:24,439 Speaker 1: so did you have these other characters that are out there? Keysha? 510 00:26:24,640 --> 00:26:28,120 Speaker 1: She was, she was being held captive by this crazy 511 00:26:28,240 --> 00:26:30,879 Speaker 1: guy in the basement of his home. You have Runnie 512 00:26:30,880 --> 00:26:34,200 Speaker 1: out there trying to redeem himselves. But the season opened 513 00:26:34,240 --> 00:26:37,240 Speaker 1: this year which you are in tears, which I thought 514 00:26:37,320 --> 00:26:40,440 Speaker 1: wasn't a amazing moment when I see an actor able 515 00:26:40,480 --> 00:26:44,560 Speaker 1: to deliver an emotional like that, tell us how you 516 00:26:44,560 --> 00:26:46,520 Speaker 1: you know? Because you will? That was the That was 517 00:26:46,560 --> 00:26:49,040 Speaker 1: the that was the funeral moment of the open scene 518 00:26:49,080 --> 00:26:52,080 Speaker 1: of the season. How did you get the emotionally to 519 00:26:52,119 --> 00:26:55,080 Speaker 1: deliver that type of moment in the opening the premier 520 00:26:55,160 --> 00:27:00,480 Speaker 1: season of the third season premiere episode of the third season. UM, honestly, 521 00:27:00,640 --> 00:27:02,560 Speaker 1: I'm a crier anyway, you know if I feel like 522 00:27:04,840 --> 00:27:07,440 Speaker 1: because I'm a crying too, I'm a cry. Yeah, yeah, 523 00:27:07,600 --> 00:27:10,040 Speaker 1: like I cry. I'm like, yeah, it's time to cry. 524 00:27:10,080 --> 00:27:13,000 Speaker 1: I'll be back, you know. Um, I think for me, 525 00:27:13,200 --> 00:27:17,080 Speaker 1: I have just lost a cousin earlier. That year and 526 00:27:17,119 --> 00:27:19,960 Speaker 1: so I was it wasn't too long ago that I was, 527 00:27:20,280 --> 00:27:23,400 Speaker 1: you know, at the funeral, and uh it just kind 528 00:27:23,400 --> 00:27:25,639 Speaker 1: of hit home, you know, for for me and my 529 00:27:25,680 --> 00:27:29,720 Speaker 1: personal life. Um, and just I think the energy of 530 00:27:29,720 --> 00:27:33,360 Speaker 1: a funeral or the energy of the casket, Uh, it's 531 00:27:33,400 --> 00:27:36,480 Speaker 1: just it's strong, you know, without just being there, which 532 00:27:36,840 --> 00:27:39,640 Speaker 1: alone was just Uh, I've never been a pall better 533 00:27:39,760 --> 00:27:42,919 Speaker 1: before carrying the casket to the to the to the 534 00:27:43,000 --> 00:27:46,040 Speaker 1: car before. I just I've never I've never been in 535 00:27:46,080 --> 00:27:49,480 Speaker 1: that position, so uh to feel that weight of the 536 00:27:49,480 --> 00:27:53,119 Speaker 1: the casket, to be that close was just it just 537 00:27:53,160 --> 00:27:56,480 Speaker 1: felt awesome real, to be honest, and uh, I just 538 00:27:56,600 --> 00:27:58,600 Speaker 1: let it flow. I let it flow. And I think, 539 00:27:58,760 --> 00:28:01,880 Speaker 1: you know, the directors like, let's just let's film, let's 540 00:28:01,920 --> 00:28:04,520 Speaker 1: get it and get it there there in it so 541 00:28:05,240 --> 00:28:08,000 Speaker 1: and everybody had tears. You know, a lot of changes 542 00:28:08,040 --> 00:28:10,520 Speaker 1: were made. I think that was just that was kind 543 00:28:10,520 --> 00:28:12,760 Speaker 1: of sad too, to be honest. I was just like, man, 544 00:28:12,880 --> 00:28:16,439 Speaker 1: you know, um, it's just so much, so much change, 545 00:28:16,520 --> 00:28:18,560 Speaker 1: and uh it just felt so real. But it felt 546 00:28:18,600 --> 00:28:20,520 Speaker 1: like we were all growing to at the same time. 547 00:28:20,600 --> 00:28:25,280 Speaker 1: So um, that's how I tapped in that it played 548 00:28:25,320 --> 00:28:28,240 Speaker 1: a major role for me as far as this whole 549 00:28:28,320 --> 00:28:30,920 Speaker 1: series when I you know the name of the show 550 00:28:30,920 --> 00:28:33,560 Speaker 1: with money making conversations, and I always bring people on 551 00:28:33,760 --> 00:28:36,680 Speaker 1: to talk about how they run their business or how 552 00:28:36,720 --> 00:28:39,120 Speaker 1: they plan their business. And when I look at your 553 00:28:39,200 --> 00:28:43,000 Speaker 1: character in it, you know catering. You you did the 554 00:28:43,040 --> 00:28:46,520 Speaker 1: opening catering and yeah, you know, you got everybody to 555 00:28:46,560 --> 00:28:50,000 Speaker 1: bring from different stores and they wind up ordering pizza 556 00:28:50,080 --> 00:28:54,480 Speaker 1: at the wedding, and so you make as a young 557 00:28:54,640 --> 00:28:56,800 Speaker 1: startup business. If I had to use you as an 558 00:28:56,840 --> 00:29:01,000 Speaker 1: example on my show, you make all the stakes. Your character, 559 00:29:01,080 --> 00:29:03,920 Speaker 1: em it makes all the mistakes. Is he ever gonna 560 00:29:03,960 --> 00:29:06,360 Speaker 1: get it right? Or that's revealing too much of the 561 00:29:06,440 --> 00:29:10,120 Speaker 1: upcoming episodes. You know what I always learned just in 562 00:29:10,240 --> 00:29:16,400 Speaker 1: business WR rate of failing WR radar failure because in 563 00:29:16,480 --> 00:29:18,440 Speaker 1: the end, you're gonna know, You're donna know all the 564 00:29:18,480 --> 00:29:21,000 Speaker 1: mistakes you made, You're gonna be successful. So I think that, 565 00:29:21,160 --> 00:29:24,080 Speaker 1: like im it is really human right now, I feel 566 00:29:24,120 --> 00:29:28,480 Speaker 1: like he's like business wise, I feel like he's I 567 00:29:28,520 --> 00:29:30,560 Speaker 1: feel like that's the only area he's really grown in 568 00:29:30,600 --> 00:29:33,680 Speaker 1: to be honest, Like absolutely, That's what I'm excited about it, Jacob, 569 00:29:33,720 --> 00:29:36,680 Speaker 1: that character because I'm rooting for it. But then when 570 00:29:36,680 --> 00:29:39,760 Speaker 1: you had the moment with Dom that just like come on, 571 00:29:40,000 --> 00:29:43,600 Speaker 1: I please, right, But I think like for that that 572 00:29:43,760 --> 00:29:46,200 Speaker 1: it's like that's a separate thing, right. I feel like 573 00:29:46,600 --> 00:29:50,280 Speaker 1: maybe he hasn't really developed into maybe you know, want 574 00:29:50,400 --> 00:29:54,560 Speaker 1: a man, responsible man, Yeah, responsible man in a relationship. 575 00:29:54,640 --> 00:29:56,440 Speaker 1: But I feel like when it comes to when it 576 00:29:56,440 --> 00:29:58,400 Speaker 1: comes to business, I feel like he's wrapping his head 577 00:29:58,440 --> 00:30:01,360 Speaker 1: around how business goes, how how to market, how to 578 00:30:01,440 --> 00:30:04,280 Speaker 1: brand something, how to put pieces together, how to be 579 00:30:04,320 --> 00:30:07,160 Speaker 1: a leader. Um, you know, if he doesn't know how 580 00:30:07,160 --> 00:30:08,959 Speaker 1: to cook, okay, I'm gonna find a chef and I'm 581 00:30:09,000 --> 00:30:13,120 Speaker 1: gonna run a cash register, I'm gonna you know, uh, 582 00:30:13,160 --> 00:30:15,880 Speaker 1: you know, oversee things. So I think he's growing in 583 00:30:15,920 --> 00:30:18,280 Speaker 1: that area. But obviously women is just I think it's 584 00:30:18,280 --> 00:30:20,840 Speaker 1: good always going to be a child, a weakness for 585 00:30:20,960 --> 00:30:23,480 Speaker 1: this young brother that I was hit in the chest 586 00:30:23,560 --> 00:30:27,120 Speaker 1: and say, come on, Emmett, step up, step your game up, 587 00:30:27,480 --> 00:30:30,480 Speaker 1: get it right now. Earlier in that conversation, you said 588 00:30:30,520 --> 00:30:33,880 Speaker 1: that it was really important that this particular show about 589 00:30:33,960 --> 00:30:37,800 Speaker 1: Chicago got it right because the shows, hey, you know, 590 00:30:38,000 --> 00:30:40,000 Speaker 1: black people complained that wasn't us. You know, it's a 591 00:30:40,040 --> 00:30:44,520 Speaker 1: poor portrayal. What do you feel the shot which is 592 00:30:44,560 --> 00:30:47,480 Speaker 1: on Showtime every Sunday night at nine p m. Eastern, 593 00:30:48,760 --> 00:30:51,440 Speaker 1: What are you guys doing right on that show, Jacob? 594 00:30:51,480 --> 00:30:53,560 Speaker 1: That makes me excited, I can tell you. But again, 595 00:30:53,680 --> 00:30:56,680 Speaker 1: I'm a fan, as an as an actor, as a 596 00:30:56,680 --> 00:30:59,760 Speaker 1: guy who's in the streets. People are responding to your 597 00:30:59,800 --> 00:31:01,800 Speaker 1: care after So well, what are you guys doing right 598 00:31:01,800 --> 00:31:05,840 Speaker 1: about the characterization of Chicago? And this I think just 599 00:31:06,320 --> 00:31:12,360 Speaker 1: touching on real issues, uh, you know, missing young women, um, 600 00:31:12,520 --> 00:31:16,680 Speaker 1: gang activity. Um. I think that you know, we're also 601 00:31:16,760 --> 00:31:19,640 Speaker 1: just touching on just real human beings, are real relatable 602 00:31:19,920 --> 00:31:24,600 Speaker 1: situations that not only just maybe go on in Chicago, um, 603 00:31:24,640 --> 00:31:26,960 Speaker 1: but like maybe that go on the other hoods of 604 00:31:27,040 --> 00:31:28,760 Speaker 1: the country, you know what I mean. So I think 605 00:31:28,800 --> 00:31:32,160 Speaker 1: that it's finding a way to relate to Chicago, but 606 00:31:32,200 --> 00:31:35,320 Speaker 1: it's also finally relate to relate to them the whole world, 607 00:31:35,520 --> 00:31:38,680 Speaker 1: you know. And uh, it's just the language is right. 608 00:31:38,960 --> 00:31:42,200 Speaker 1: I think the lineage is so tapped into you know, 609 00:31:42,280 --> 00:31:46,080 Speaker 1: the media and what's really going on in the streets. So, um, 610 00:31:46,120 --> 00:31:47,760 Speaker 1: you know that, and that's good to happen. A lot 611 00:31:47,760 --> 00:31:50,320 Speaker 1: of the writers are from Chicago. That's awesome. Well, I'm 612 00:31:50,360 --> 00:31:51,720 Speaker 1: telling I want to take care. I want to thank 613 00:31:51,720 --> 00:31:53,640 Speaker 1: you for taking the time to come on Money Making Conversation. 614 00:31:53,720 --> 00:31:55,440 Speaker 1: Let me tell you something, Jacob, I'm a fan and 615 00:31:55,680 --> 00:31:57,680 Speaker 1: any product, when you're sawing, when you drop your song, 616 00:31:57,840 --> 00:32:00,240 Speaker 1: or you're doing anything out there other than the shot, 617 00:32:00,320 --> 00:32:02,560 Speaker 1: please come on the show. I will promote it. I 618 00:32:02,640 --> 00:32:05,840 Speaker 1: got a nice social media following over a million newsletter 619 00:32:05,880 --> 00:32:08,960 Speaker 1: over ninety thousand fan club members. I do want to 620 00:32:08,960 --> 00:32:11,080 Speaker 1: bring on the show. Introduce you to my fans and 621 00:32:11,160 --> 00:32:14,320 Speaker 1: let them know how real you are. And keep winning, 622 00:32:14,360 --> 00:32:17,720 Speaker 1: my man, keep winning. Thank you. I appreciate you here. 623 00:32:18,400 --> 00:32:21,720 Speaker 1: Thank you, Bye bye. If you want to hear more episodes, 624 00:32:21,920 --> 00:32:24,560 Speaker 1: any episodes of Money Making Conversation, please go to Money 625 00:32:24,560 --> 00:32:28,120 Speaker 1: Making Conversation dot com. I'm with Sean McDonald. I'm your host. 626 00:32:30,640 --> 00:32:33,360 Speaker 1: In this season of Giving, Coals has gifts for all 627 00:32:33,400 --> 00:32:36,000 Speaker 1: your loved ones. 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