WEBVTT - Sturgill Simpson

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<v Speaker 1>Pushkin. Kentucky singer songwriter Sturgil Simpson is used to doing

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<v Speaker 1>what he wants one he wants, at least until contracting

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<v Speaker 1>COVID in early March sidelined him. After a rough month

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<v Speaker 1>long battle with the virus, Sturgil was itching to get

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<v Speaker 1>back into the studio, so in October he released a

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<v Speaker 1>surprise bluegrass album that masterfully reworks his back catalog, called

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<v Speaker 1>Cut and Grass Volume One. Sturgel was in his mid

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<v Speaker 1>thirties when he found fame as a country artist in Nashville.

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<v Speaker 1>He had already lived at full life, including the stint

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<v Speaker 1>in the Navy and years spent working in Salt Lake

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<v Speaker 1>City rail yards. His outsider status in Nashville only boosted

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<v Speaker 1>his outlaw peel, but as time passed, Sturgil began to

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<v Speaker 1>despise the relentless expectations of the major label system. So

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<v Speaker 1>in true fashion, Sturgil has now taken back control of

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<v Speaker 1>his career and returned to his independent roots. In this

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<v Speaker 1>interview with Rick Rubin, Sturgel explains why is bluegrass album

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<v Speaker 1>is the purest expression of his work, why it bothers

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<v Speaker 1>him that people often overlook the stories and the songs,

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<v Speaker 1>and why being classified as a country star has been

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<v Speaker 1>perhaps the biggest detriment to his career. This is broken

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<v Speaker 1>record liner notes for the digital age. I'm justin Richmondon.

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<v Speaker 1>Here's Rick Rubin and Sturgill Simpson. What's happening in Maine?

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<v Speaker 1>Oh no much man. Sunday morning is a donut day

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<v Speaker 1>around these parts. So for the kids, So let's my

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<v Speaker 1>daddy's day to get up early and go handle breakfast

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<v Speaker 1>and all that from is donuts only on Sundays. Oh yeah,

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<v Speaker 1>only on Sundays and only for the kids. I don't

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<v Speaker 1>I don't touch those shit. So what's your what's your diet? Like? Overall?

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<v Speaker 1>Mostly I just try to monitor blood pressure. Ever since

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<v Speaker 1>the it's nothing that's gonna like cause a lot of

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<v Speaker 1>cholesterol and things like that. Blood pressure or blood oxygen.

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<v Speaker 1>Blood pressure? Really, how did COVID affect your blood pressure? Uh?

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<v Speaker 1>The early onset, everything was just insanely high. When I

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<v Speaker 1>went to the hospital. My initial reading when I checked

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<v Speaker 1>into that R was like one eighty seven over one

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<v Speaker 1>sixty four, about to stroke out like an old man.

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<v Speaker 1>So is that a normal COVID? I hadn't heard that

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<v Speaker 1>one before, you know, I'm not sure. I Honestly, I

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<v Speaker 1>was pretty obsessive about it for a couple of months

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<v Speaker 1>after I had it, and then now I feel like

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<v Speaker 1>I have superpowers, but so I've gotten kind of lazy.

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<v Speaker 1>I don't know where the preliminary studies are coming out,

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<v Speaker 1>but I mean, septems are sort of all over the place.

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<v Speaker 1>For me, it was just this really intense frontal lobe

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<v Speaker 1>headache and some severe chest tightness, which is what led

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<v Speaker 1>me to have her take me in. Yeah, did you

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<v Speaker 1>did you know people who had it before you had it? No? Man.

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<v Speaker 1>We we played the last show of our tour on

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<v Speaker 1>March tenth and Charleston, South Carolina, and it was only

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<v Speaker 1>that day that there was any type of mainstream media awareness,

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<v Speaker 1>where like when all the panic buttons started going off

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<v Speaker 1>and we were all just sort of like, WHOA, there's

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<v Speaker 1>a lot of people back here, you know. So the

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<v Speaker 1>next day we had off. We're supposed to be heading

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<v Speaker 1>to I think Virginia or Philly for some shows that weekend,

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<v Speaker 1>and my wife and I were still in Charleston. I

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<v Speaker 1>was just like, man, I don't feel right, Like I

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<v Speaker 1>was just physically just I don't know how to even

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<v Speaker 1>describe it. Man, it was so the most intense fatigue

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<v Speaker 1>I felt in a long time. And you know this job,

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<v Speaker 1>if there's one thing that you become accustomed to, it's fatigue.

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<v Speaker 1>But this was something different. So and then that that

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<v Speaker 1>day I just told her. I was like, I don't think.

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<v Speaker 1>I think I need to go home and rest, like

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<v Speaker 1>something's not right. I can't breathe, and all the inner

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<v Speaker 1>voices like I probably got this shit in Europe, like

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<v Speaker 1>here we go. And then the next morning I was

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<v Speaker 1>in the hospital, so wow, and how long we in

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<v Speaker 1>the hospital for? Oh? I was just there for about

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<v Speaker 1>six or seven hours. They would and well, they wouldn't

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<v Speaker 1>even test me. And then the doctors spent about forty

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<v Speaker 1>minutes sitting on my bed with his mask off, telling

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<v Speaker 1>me all the reasons why I couldn't possibly have contracted

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<v Speaker 1>and it wasn't Europe at that time, and it was

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<v Speaker 1>so rare and all the stuff we now know to

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<v Speaker 1>be completely false, and not to complain, there's a whole

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<v Speaker 1>lot of people in a hell of a lot worse

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<v Speaker 1>shape than I was. But so how did you know

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<v Speaker 1>you had it if they wouldn't test you? Just what

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<v Speaker 1>they were saying about symptoms, And it felt like I

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<v Speaker 1>had a ratchet strap going on around my chest, and

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<v Speaker 1>my wife had been really fatigued and tired too, And

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<v Speaker 1>that initial onset only lasted for a couple of days.

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<v Speaker 1>Those those symptoms all sort of evaporated as fast as

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<v Speaker 1>they came on, and then I was just really tired

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<v Speaker 1>for about two or three weeks. I felt just you know,

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<v Speaker 1>took like two naps a day, which is very unlike me.

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<v Speaker 1>What made it better? Because you didn't take any therapeutic drugs? Actually, yeah,

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<v Speaker 1>my booking agent JL brought me a big old cornucopia

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<v Speaker 1>basket of like holistic medicines and vitamins and a lot

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<v Speaker 1>of a lot of you know, detoxifants and stuff. I

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<v Speaker 1>was just drinking tea, a lot, a lot of water,

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<v Speaker 1>and plus we live out we're pretty secluded. I probably

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<v Speaker 1>overshot it on the solution, to be honest, and so

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<v Speaker 1>just to eating a lot of vegetables and trying to

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<v Speaker 1>be healthier and going for walks and uh. And then

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<v Speaker 1>I think it was around March twelfth or thirteenth thousand

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<v Speaker 1>in hospital and we didn't actually get tested until the first,

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<v Speaker 1>very very early April, and I was still still detected

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<v Speaker 1>like positive. Wow result so I must have had a

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<v Speaker 1>really large viral load or exposure. I guess for it too.

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<v Speaker 1>I'll stick around that long. I don't know. And do

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<v Speaker 1>you have any um, like, do you have asthma or

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<v Speaker 1>any Uh? No, no, allergic to anything. No, my lungs

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<v Speaker 1>are huge, man, I got like big fat swimmer lungs.

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<v Speaker 1>So the whole tour, you know, we played nine or

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<v Speaker 1>ten shows I can't remember, and like something wasn't right.

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<v Speaker 1>I remember vividly knowing I just couldn't get a real

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<v Speaker 1>deep inhale on stage. And I've lost like twenty pounds

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<v Speaker 1>before the tour. I was really making a conscious of

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<v Speaker 1>it to be healthy, and I was living cleaner. I

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<v Speaker 1>stopped smoking pot and all that shit, you know, and

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<v Speaker 1>and just every night I was like, what is it? God,

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<v Speaker 1>I'm old, Like this is middle age. It's here now.

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<v Speaker 1>You know something's going on. But I guess it was

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<v Speaker 1>just slowly metabolizing through my system. But you you essentially

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<v Speaker 1>beat it with no Western medicine. You're saying, yeah, I'm

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<v Speaker 1>just healthy. It was, you know, I mean it sucked.

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<v Speaker 1>I've definitely never woken up in my entire life and

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<v Speaker 1>said I need to go to the emergency room. Yeah,

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<v Speaker 1>and this was like something's very not right here, and yeah,

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<v Speaker 1>and then it went away. And then you know, some

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<v Speaker 1>friends like Prime passed away that was pretty close after.

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<v Speaker 1>I don't know, man, It's it's so funny to me

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<v Speaker 1>that you see all the denial and people just falling

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<v Speaker 1>at fear, moo, hungering or whatever. We were here renting

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<v Speaker 1>a house on the East coast, and the guy we

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<v Speaker 1>were renting from he got it, was in the hospital

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<v Speaker 1>for a while, like the handyman who I would constantly

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<v Speaker 1>have to ask him to mask up, tell me come

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<v Speaker 1>over in the lard. We kind of look at me laugh.

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<v Speaker 1>He was in the hospital for two weeks just recently,

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<v Speaker 1>so you know he's not laughing now. But it's it's

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<v Speaker 1>some real shit, man. Absolutely, Man, I'm so glad you're

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<v Speaker 1>I'm so glad you're over it. It's like I said, now,

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<v Speaker 1>it's I feel strangely sort of rejuvenated. I haven't felt

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<v Speaker 1>I'm probably just from being off and having rest for

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<v Speaker 1>the first time eight years, but I feel pretty great

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<v Speaker 1>right now. Yeah, tell me about Kentucky. You grew up

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<v Speaker 1>in Kentucky. What's it like growing up there? And again,

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<v Speaker 1>I'm really asking how to ignorance. I know very little.

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<v Speaker 1>In some ways not at all what most people probably think,

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<v Speaker 1>and in a lot of ways exactly like that. Kentucky's

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<v Speaker 1>a weird state. Depending on what corner or region you're in,

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<v Speaker 1>you might as well be in different worlds. I'm originally

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<v Speaker 1>from southeastern Kentucky or the Appalachian region, so um, you know,

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<v Speaker 1>we used to be coal mining, strip mining country, bluegrass country.

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<v Speaker 1>And then my dad had a he was a state trooper,

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<v Speaker 1>kind of ran the gamut of that career, and I

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<v Speaker 1>think when when I was young, he was doing some

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<v Speaker 1>more sketchy kind of work that put a lot of

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<v Speaker 1>stress on my mom in their marriage when I was

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<v Speaker 1>a young kid. So I think we ended up moving.

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<v Speaker 1>He took a transfer and got out of doing that stuff,

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<v Speaker 1>and we ended it moving up to central Kentucky, eventually

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<v Speaker 1>settling in a little town, Versailles, the locals called Sales.

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<v Speaker 1>I remember, you know, it's a good place to grow up.

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<v Speaker 1>But I do remember always feeling the wanderlust, you know,

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<v Speaker 1>So I left. I left for boot camp and the Navy.

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<v Speaker 1>I don't a week and a half, two weeks after

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<v Speaker 1>I graduated high school, just ready to go and get out,

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<v Speaker 1>you know, Yeah, what was the music in the house

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<v Speaker 1>that he grew up in, Like in the house I

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<v Speaker 1>grew up, and my mom would listen to a lot

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<v Speaker 1>of motown like Rod Stewart and stuff like that. And

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<v Speaker 1>then she had she still had her old forty five

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<v Speaker 1>when she was a teenager. And then my grandmother had

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<v Speaker 1>she had one of those old you know, the furniture

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<v Speaker 1>type record players had the built in speakers and he'd

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<v Speaker 1>flip the list, had to reach down in and my

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<v Speaker 1>grandmother just had a ton of old soul music and

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<v Speaker 1>that's what she listened to. So those were probably the

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<v Speaker 1>first records I was exposed to. And then CCR and

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<v Speaker 1>I think the first song I learned how to play

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<v Speaker 1>on guitar was probably Sunshine of Your Love. How old

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<v Speaker 1>were you then? Probably was second grade? So I got

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<v Speaker 1>my first guitar around second or third grade. And I

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<v Speaker 1>remember why, I was like Nickelodeon was really big back then,

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<v Speaker 1>you know, so I remember I was I watched the

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<v Speaker 1>Monkeys when I was a little kid on TV. So honestly,

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<v Speaker 1>those songs I had all those records, those songs which

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<v Speaker 1>we now know were like Nielsen and Neil Neil Diamond Tunes,

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<v Speaker 1>so you know, they're getting that melodic chop burned into

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<v Speaker 1>your brain at a young age. And then an older

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<v Speaker 1>cousin and also older next to her neighbor. Both of

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<v Speaker 1>them were teenagers when I was in like i'd say,

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<v Speaker 1>fifth grade, and they both corrupted me pretty good and proper.

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<v Speaker 1>I mean, I was exposed to Appetite for Destruction and

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<v Speaker 1>I don't know Man Hendricks and the whole Zeppelin box

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<v Speaker 1>that found it all like probably I used to stay

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<v Speaker 1>way too young, but now, I mean I responded immediately,

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<v Speaker 1>so I guess it was right on time. You know,

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<v Speaker 1>when you were a kid and you'd hear Jimmy Hendrix

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<v Speaker 1>and you'd hear Appetite for Destruction, did it all seemed

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<v Speaker 1>like it was music from the past? Or was it

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<v Speaker 1>clear when something was more current and something was from

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<v Speaker 1>the more distant past. I definitely think it was clear

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<v Speaker 1>when things were more from a different era or just

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<v Speaker 1>the way I remember like the sound of it, you know,

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<v Speaker 1>it just sounded lived in and cooler. And but now,

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<v Speaker 1>you know, appetite even that sonically to a fourth or

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<v Speaker 1>fifth grader because at the time MTV was probably playing

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<v Speaker 1>god knows what Poison and def Leopard videos add nauseum

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<v Speaker 1>over and over. But I remember vividly seeing that video

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<v Speaker 1>for Welcome to the Jungle come on because we were

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<v Speaker 1>living in this apartment one summer and I couldn't go

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<v Speaker 1>outside a mom and dad worked all day. I had

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<v Speaker 1>to stay inside, and uh, I was so young, I

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<v Speaker 1>couldn't really do much. So I was just sitting watch

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<v Speaker 1>MTV all day and that video came on, man, and

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<v Speaker 1>it was like you could just feel the danger, you

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<v Speaker 1>know what I mean. I was just like, oh shit,

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<v Speaker 1>this is this is something entirely different, like this is real,

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<v Speaker 1>you know. I remember, I remember that being so clear,

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<v Speaker 1>like I gotta know everything about this, you know. And

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<v Speaker 1>and then later on that year, I guess I hadn't

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<v Speaker 1>really heard the record yet. And we had an older

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<v Speaker 1>My next door neighbor was this older kid, Michael, and

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<v Speaker 1>he had a navy blue Chevy Nova, and he'd like

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<v Speaker 1>used to run away from home all the time, and shit,

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<v Speaker 1>you know, he's a bad kid, and uh he was.

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<v Speaker 1>He was basically woodson from from days and confused, and

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<v Speaker 1>uh he pulled up one day just cranking that record

0:11:43.040 --> 0:11:44.880
<v Speaker 1>in his car, and I was out. I was outside.

0:11:44.920 --> 0:11:46.400
<v Speaker 1>I don't even know what I was doing, probably sitting

0:11:46.400 --> 0:11:47.880
<v Speaker 1>on my button in grass and I heard it. I

0:11:47.920 --> 0:11:49.880
<v Speaker 1>was just like, what is that man? And he and

0:11:49.920 --> 0:11:51.840
<v Speaker 1>he was such a dick. He was just like, fuck,

0:11:51.880 --> 0:11:54.000
<v Speaker 1>you've been kid in the caves, guns and roses man.

0:11:54.200 --> 0:11:57.600
<v Speaker 1>And he gave me the cassette tape like he gave

0:11:57.600 --> 0:11:59.439
<v Speaker 1>me the cassette and it still had had the original

0:11:59.520 --> 0:12:01.320
<v Speaker 1>artwork in the middle with the robot jump in the

0:12:01.360 --> 0:12:03.839
<v Speaker 1>fence and all that shit and men. I wore it out.

0:12:03.920 --> 0:12:06.199
<v Speaker 1>My mom found it threw it away because she saw that,

0:12:06.360 --> 0:12:08.600
<v Speaker 1>she saw the artwork and everything. I think I ended

0:12:08.679 --> 0:12:11.400
<v Speaker 1>up buying like two more copies that ended up getting trashed.

0:12:11.679 --> 0:12:14.160
<v Speaker 1>But that that record was a huge, a huge bomb

0:12:14.160 --> 0:12:18.800
<v Speaker 1>going off for me. And then yeah, Cream Hendricks and

0:12:18.840 --> 0:12:21.080
<v Speaker 1>then I had a big Clapton phase for a while.

0:12:21.080 --> 0:12:24.400
<v Speaker 1>I got real into Clapton. I just like reading everything

0:12:24.440 --> 0:12:26.520
<v Speaker 1>I could find about him, and then that takes you

0:12:26.559 --> 0:12:29.680
<v Speaker 1>down these holes to you know, guys like Peter Green

0:12:29.800 --> 0:12:32.880
<v Speaker 1>and all the John Male stuff, which which takes you

0:12:32.960 --> 0:12:36.840
<v Speaker 1>back to the Chicago and Delta, and it was just

0:12:36.840 --> 0:12:38.920
<v Speaker 1>this rabbit hole. Man. I was like a weird sixteen

0:12:38.960 --> 0:12:41.640
<v Speaker 1>year old into a lot of shit that you know,

0:12:41.880 --> 0:12:44.160
<v Speaker 1>it was probably nerdy, I guess looking back on it.

0:12:45.040 --> 0:12:47.240
<v Speaker 1>Did you have many experiences of your mom taking away

0:12:47.280 --> 0:12:50.720
<v Speaker 1>stuff and throwing it away? That record and the other

0:12:50.720 --> 0:12:52.800
<v Speaker 1>one she pulled, she popped out of the tape deck

0:12:52.800 --> 0:12:55.079
<v Speaker 1>and tossed out the car window. Once was Stepping Wolf

0:12:55.080 --> 0:12:58.400
<v Speaker 1>when the Pusher came on, she was just like, no, sir,

0:12:59.000 --> 0:13:03.080
<v Speaker 1>you know anything talking about pimping and pushing hose and

0:13:03.440 --> 0:13:05.839
<v Speaker 1>selling drugs was probably nothing your mom. My mom once

0:13:05.880 --> 0:13:08.079
<v Speaker 1>they're nine year old bumping too. My dad was a

0:13:08.120 --> 0:13:11.040
<v Speaker 1>steak cop too, and he was probably the biggest supporter

0:13:11.080 --> 0:13:14.080
<v Speaker 1>of it. He bought my first guitar and what was

0:13:14.200 --> 0:13:18.200
<v Speaker 1>what was your dad's tasted music like rock and roll? Yeah, yeah,

0:13:18.200 --> 0:13:20.120
<v Speaker 1>he took me. He took me to see Van Halen

0:13:20.440 --> 0:13:22.440
<v Speaker 1>in like fourth or fifth grades, so it was always,

0:13:22.840 --> 0:13:25.240
<v Speaker 1>you know, he liked a party. Do you ever go

0:13:25.280 --> 0:13:27.800
<v Speaker 1>down rabbit holes of different kinds of music that you

0:13:27.840 --> 0:13:30.880
<v Speaker 1>haven't listened to before? Absolutely? Yeah, I mean I think

0:13:30.920 --> 0:13:36.000
<v Speaker 1>that's important. One year, one year to Blonde come out,

0:13:36.000 --> 0:13:40.120
<v Speaker 1>that Frank Ocean record sixteen, maybe when Sailor's got I

0:13:40.120 --> 0:13:41.760
<v Speaker 1>think it was around the same time A Sailors guy

0:13:41.880 --> 0:13:44.520
<v Speaker 1>came out, and I was just I wanted to listen

0:13:44.559 --> 0:13:47.280
<v Speaker 1>to something like so far away from anything that I

0:13:47.320 --> 0:13:50.400
<v Speaker 1>did or understood. And I heard a song. A friend

0:13:50.440 --> 0:13:52.320
<v Speaker 1>of mine play was listening to that and heard a

0:13:52.360 --> 0:13:54.920
<v Speaker 1>song and I was just like, I remember being struck

0:13:55.040 --> 0:14:00.400
<v Speaker 1>by the production values and the sounds, and I just

0:14:00.400 --> 0:14:02.440
<v Speaker 1>was like, I have no idea what he's doing or

0:14:02.440 --> 0:14:05.880
<v Speaker 1>how he made these noises, and that it really fascinated

0:14:05.960 --> 0:14:08.240
<v Speaker 1>me to just stick my head in something that was

0:14:08.280 --> 0:14:11.920
<v Speaker 1>so different than the tools that we use, you know.

0:14:12.440 --> 0:14:14.720
<v Speaker 1>And I listened to that record for about a month straight.

0:14:15.000 --> 0:14:18.600
<v Speaker 1>Must have been but yeah, a lot of hip hop, weirdly,

0:14:19.800 --> 0:14:23.160
<v Speaker 1>maybe not. I don't know. One thing I never really

0:14:23.200 --> 0:14:26.600
<v Speaker 1>got into, I guess was jazz other than the basics.

0:14:26.680 --> 0:14:30.880
<v Speaker 1>You know. Yeah, I predict you will maybe it's coming.

0:14:31.160 --> 0:14:34.680
<v Speaker 1>Yeah he'll billy jazz. But let's talk about bluegrass a

0:14:34.720 --> 0:14:38.120
<v Speaker 1>little bit in general. I know almost nothing about it.

0:14:38.520 --> 0:14:41.000
<v Speaker 1>Tell me about what do you know about bluegrass? You

0:14:41.040 --> 0:14:44.240
<v Speaker 1>could start from the beginning. Well, okay, I got out

0:14:44.280 --> 0:14:48.240
<v Speaker 1>of the navy. I know, I know more now, I've

0:14:48.280 --> 0:14:51.320
<v Speaker 1>forgotten a lot. In my twenties, I was obsessed, like

0:14:51.680 --> 0:14:54.120
<v Speaker 1>scoured the earth kind of shit. And when I was younger,

0:14:54.240 --> 0:14:56.440
<v Speaker 1>my grandfather I wrote this little letter sent out with

0:14:56.440 --> 0:14:59.680
<v Speaker 1>the record. He my paternal grandfather, was obsessed with it.

0:14:59.680 --> 0:15:03.680
<v Speaker 1>It's he thought about, spent his entire later years going

0:15:03.720 --> 0:15:07.280
<v Speaker 1>to festivals and it's always listened to. Oh to the

0:15:07.280 --> 0:15:09.560
<v Speaker 1>point it would drive my mom crazy, and he would

0:15:09.560 --> 0:15:11.440
<v Speaker 1>always trying to push it on me, you know, even

0:15:11.520 --> 0:15:14.240
<v Speaker 1>like a real young age. But my palette wasn't ready, man,

0:15:14.280 --> 0:15:17.880
<v Speaker 1>because it's it's very complex music. You know, it's always

0:15:17.920 --> 0:15:21.200
<v Speaker 1>recorded or would you see people play it live? Mostly

0:15:21.280 --> 0:15:23.640
<v Speaker 1>field recordings. And then he took me to a festival

0:15:23.640 --> 0:15:26.320
<v Speaker 1>one year out the horse Park and it was like

0:15:26.360 --> 0:15:28.640
<v Speaker 1>that was that I do remember vividly feeling like I

0:15:28.720 --> 0:15:31.760
<v Speaker 1>was watching magic because these guys were like dancing around

0:15:31.760 --> 0:15:33.720
<v Speaker 1>the mic. It was old school, you know, it's still

0:15:33.720 --> 0:15:37.080
<v Speaker 1>early eighties. And then in Jackson, where I'm from, every

0:15:37.120 --> 0:15:39.240
<v Speaker 1>Labor Day they had this a festival in the city

0:15:39.240 --> 0:15:42.480
<v Speaker 1>called the Honey Festival, and on Friday nights, I think

0:15:42.520 --> 0:15:44.280
<v Speaker 1>they have rock bands, and on Saturday night it was

0:15:44.320 --> 0:15:47.840
<v Speaker 1>bluegrass and all the old timers. I mean, dude, it

0:15:47.920 --> 0:15:50.240
<v Speaker 1>was like something right out of a time where these

0:15:50.240 --> 0:15:52.200
<v Speaker 1>guys would come down from the Hollers and the Hills,

0:15:52.240 --> 0:15:54.360
<v Speaker 1>like in their start shirts and overalls and dances this

0:15:54.440 --> 0:15:58.800
<v Speaker 1>ship and it was like probably the last of that stuff,

0:15:59.000 --> 0:16:02.000
<v Speaker 1>you know, time capsule kind of thing, but those images

0:16:02.000 --> 0:16:05.040
<v Speaker 1>are burned into my head and so that was really

0:16:05.040 --> 0:16:07.960
<v Speaker 1>the early exposure. But then it wasn't until I got

0:16:08.000 --> 0:16:12.160
<v Speaker 1>out of the military. I'd gotten off some pretty pretty

0:16:12.200 --> 0:16:15.320
<v Speaker 1>heavy drugs. I was kind of floating pretty hard for

0:16:15.320 --> 0:16:17.000
<v Speaker 1>about a year and I got home. I was clean.

0:16:17.080 --> 0:16:20.000
<v Speaker 1>I was just like dealing with all that, like the

0:16:20.080 --> 0:16:22.520
<v Speaker 1>shame spiral and everything, and like trying to figure out

0:16:22.520 --> 0:16:27.800
<v Speaker 1>my mom would remarried. Nothing, everything was just uplifted. You

0:16:27.840 --> 0:16:31.520
<v Speaker 1>went into the military just to escape escape home, but well, yeah,

0:16:31.640 --> 0:16:34.720
<v Speaker 1>escape home. And also I kind of got in some trouble.

0:16:34.880 --> 0:16:36.880
<v Speaker 1>I got really lucky, but I got in some trouble

0:16:36.960 --> 0:16:39.600
<v Speaker 1>my senior year of high school, just doing shit I

0:16:39.600 --> 0:16:41.680
<v Speaker 1>shouldn't have been. And it was sort of like a

0:16:41.680 --> 0:16:45.360
<v Speaker 1>wake up call. What was the experience? Your service experience?

0:16:45.440 --> 0:16:49.040
<v Speaker 1>Like what it was peacetime for starters, And I was

0:16:49.080 --> 0:16:53.360
<v Speaker 1>stationed overseas, the majority of it in Asia, Southeast Asia,

0:16:53.360 --> 0:16:55.880
<v Speaker 1>and we'd go a lot of places I would have

0:16:55.920 --> 0:16:58.440
<v Speaker 1>never seen otherwise. And it turned into some songs later

0:16:58.480 --> 0:17:00.720
<v Speaker 1>on in life, thankfully. But you know, a lot of

0:17:00.800 --> 0:17:04.600
<v Speaker 1>a lot of experiences that were eye opening, a lot

0:17:04.600 --> 0:17:08.159
<v Speaker 1>of expensive experiences that were probably things I could have

0:17:08.240 --> 0:17:10.960
<v Speaker 1>done without. Things I wish I hadn't seen older dudes

0:17:11.000 --> 0:17:13.520
<v Speaker 1>I hadn't. I wish I hadn't been exposed to, you know,

0:17:13.640 --> 0:17:17.520
<v Speaker 1>sailors in life. That comes with that, and you just

0:17:17.560 --> 0:17:20.240
<v Speaker 1>hard to wash a lot of that shit off man um.

0:17:20.800 --> 0:17:23.879
<v Speaker 1>But then a lot of a lot of most a

0:17:23.880 --> 0:17:26.479
<v Speaker 1>lot of drinking and partying, to be honest with you,

0:17:26.560 --> 0:17:30.800
<v Speaker 1>and and uh, a lot of girls. That kind of thing,

0:17:30.880 --> 0:17:33.760
<v Speaker 1>like what you do when you're stuck in this like tyrannical,

0:17:33.840 --> 0:17:37.480
<v Speaker 1>oppressive environment with lots of sharp corners and gray paint,

0:17:37.560 --> 0:17:39.119
<v Speaker 1>you know what I mean. Like as an artist, it

0:17:39.240 --> 0:17:42.040
<v Speaker 1>was like the fuck have I done? You know, and

0:17:42.119 --> 0:17:44.199
<v Speaker 1>you're you're stuck. We'd go out to see sometimes like

0:17:44.320 --> 0:17:48.399
<v Speaker 1>ninety one hundred and eight days, you know, so like

0:17:48.440 --> 0:17:51.480
<v Speaker 1>it's basically prison. I mean, you're basically in prison eating

0:17:51.520 --> 0:17:54.600
<v Speaker 1>better food maybe, I don't know. So I got out

0:17:54.640 --> 0:17:56.720
<v Speaker 1>and I was just ready to I was ready to

0:17:56.760 --> 0:17:58.840
<v Speaker 1>not be that anymore, and I went a little too

0:17:58.840 --> 0:18:02.440
<v Speaker 1>buck wild. How long were you in for long enough

0:18:02.480 --> 0:18:06.240
<v Speaker 1>about three years. Yeah, And it's like I said, I

0:18:06.400 --> 0:18:08.159
<v Speaker 1>just sort of burned it at both ends. And I

0:18:08.200 --> 0:18:10.720
<v Speaker 1>came home and I was really lost, man, I was

0:18:10.720 --> 0:18:14.320
<v Speaker 1>really lost and probably severely depressed, and serotonin levels were

0:18:14.320 --> 0:18:16.280
<v Speaker 1>still finding their way home and that kind of ship.

0:18:16.480 --> 0:18:18.840
<v Speaker 1>And was driving down a row one day and I

0:18:18.960 --> 0:18:22.040
<v Speaker 1>heard it was a Monroe Brothers song, and I want

0:18:22.080 --> 0:18:24.280
<v Speaker 1>to I'm trying to remember what the song was. It

0:18:24.320 --> 0:18:27.160
<v Speaker 1>wasn't something as easy as it was, like a deep cut,

0:18:27.240 --> 0:18:29.520
<v Speaker 1>probably long journey home or something, man, and I had

0:18:29.520 --> 0:18:31.919
<v Speaker 1>to pull the chuck over. I was just like the tears,

0:18:32.000 --> 0:18:35.520
<v Speaker 1>just it just it slam me in the chest. But everything,

0:18:35.840 --> 0:18:41.439
<v Speaker 1>like whatever it was, was extremely visceral connection, an emotional

0:18:41.960 --> 0:18:45.200
<v Speaker 1>reaction to that music. And then for the next i'd

0:18:45.240 --> 0:18:47.680
<v Speaker 1>say seven or eight years, I don't give a fuck

0:18:47.720 --> 0:18:51.159
<v Speaker 1>about anything else. Was it in the song itself or

0:18:51.200 --> 0:18:54.040
<v Speaker 1>were you reconnecting to something from childhood by hearing it.

0:18:54.040 --> 0:18:57.639
<v Speaker 1>It was the inflection of their voices, It was the lyric,

0:18:57.720 --> 0:19:01.879
<v Speaker 1>the underlying like there I say, religious themes with like

0:19:01.960 --> 0:19:04.399
<v Speaker 1>pain and lament and sorrow. But mostly man, it was

0:19:04.440 --> 0:19:07.639
<v Speaker 1>just the voice, the voices and the music and the

0:19:07.760 --> 0:19:11.520
<v Speaker 1>notes it took me back to like just childhood memories

0:19:11.520 --> 0:19:14.320
<v Speaker 1>and like funerals and these things that you can't really

0:19:14.359 --> 0:19:16.159
<v Speaker 1>put a finger on, but I knew like this is,

0:19:16.240 --> 0:19:19.479
<v Speaker 1>this is where I'm from. We'll be right back with

0:19:19.520 --> 0:19:27.040
<v Speaker 1>more Rick's conversation with Sturgil After a quick break, we're

0:19:27.080 --> 0:19:30.720
<v Speaker 1>back with Rick Rubin and Sturgil Simpson. Let's talk about

0:19:30.720 --> 0:19:34.400
<v Speaker 1>the Sailor's album a little bit. It's it's very different

0:19:34.440 --> 0:19:37.840
<v Speaker 1>than what came before. How about how does it happen?

0:19:38.560 --> 0:19:41.359
<v Speaker 1>I mean that one, I think more than any record

0:19:41.400 --> 0:19:44.280
<v Speaker 1>of me I probably heard in my head or in

0:19:44.359 --> 0:19:46.800
<v Speaker 1>terms of the blueprint before we went in what I

0:19:46.840 --> 0:19:48.919
<v Speaker 1>wanted to do and what I wanted to incorporate. I

0:19:48.960 --> 0:19:50.680
<v Speaker 1>was listening to a lot of Marvin Gay, a lot

0:19:50.680 --> 0:19:54.840
<v Speaker 1>of Memphis Elva stuff at the time and wanted to,

0:19:54.920 --> 0:19:57.480
<v Speaker 1>you know, meta modern. Was just me and the three

0:19:57.480 --> 0:19:59.680
<v Speaker 1>other guys in the room. Once we set the mics

0:19:59.760 --> 0:20:02.760
<v Speaker 1>up record, we didn't really move or change anything. It

0:20:02.840 --> 0:20:05.520
<v Speaker 1>was It wasn't so the songs has all kind of

0:20:05.520 --> 0:20:07.720
<v Speaker 1>been carved out live on the road and this three

0:20:07.760 --> 0:20:10.600
<v Speaker 1>month tour prior to us going in and banging that

0:20:10.680 --> 0:20:13.000
<v Speaker 1>record out, and so I knew I didn't want to

0:20:13.000 --> 0:20:15.879
<v Speaker 1>do something that stripped down and raw again for starters.

0:20:15.920 --> 0:20:20.000
<v Speaker 1>And then two I was was my first label record,

0:20:20.040 --> 0:20:22.159
<v Speaker 1>and the only reason I really signed with the label

0:20:22.280 --> 0:20:25.359
<v Speaker 1>was for a larger recording budget. So I was like, well,

0:20:25.560 --> 0:20:27.640
<v Speaker 1>you know, I don't really want to make a ten

0:20:27.680 --> 0:20:30.280
<v Speaker 1>thousand dollar album because that's that's not what we're doing here.

0:20:30.359 --> 0:20:33.919
<v Speaker 1>So and you have that toolbox now available and opened

0:20:34.000 --> 0:20:35.320
<v Speaker 1>up to you, and I just kind of went all

0:20:35.359 --> 0:20:38.440
<v Speaker 1>in on it, man, and wanted to make this really

0:20:38.520 --> 0:20:42.960
<v Speaker 1>lush and cinematic sort of soundscape to accompany the story

0:20:43.000 --> 0:20:45.320
<v Speaker 1>of the album. And some of it was notes. Some

0:20:45.440 --> 0:20:47.679
<v Speaker 1>of like I told you, man, I had like probably

0:20:47.720 --> 0:20:50.560
<v Speaker 1>four songs, five songs, and then we got in the

0:20:50.600 --> 0:20:53.680
<v Speaker 1>studio and I had little pieces and things that there

0:20:53.720 --> 0:20:55.679
<v Speaker 1>was nothing for me to play for the band, so

0:20:55.720 --> 0:20:58.439
<v Speaker 1>they could chart out form and sit there and do

0:20:58.480 --> 0:21:00.480
<v Speaker 1>the things. It was kind of like nobody really knew

0:21:00.480 --> 0:21:05.680
<v Speaker 1>what was happening but me too much to Ferg's dismay

0:21:05.800 --> 0:21:11.240
<v Speaker 1>some days, and but it all came together pretty pretty fast,

0:21:11.280 --> 0:21:14.359
<v Speaker 1>I think four four or five days maybe, And so

0:21:14.440 --> 0:21:16.640
<v Speaker 1>you did the basic tracks with the band and then

0:21:16.760 --> 0:21:20.280
<v Speaker 1>all of the orchestration happened after. Yeah, we overdubbed the

0:21:20.359 --> 0:21:23.920
<v Speaker 1>strings and the horns later, but those were in your

0:21:23.920 --> 0:21:27.120
<v Speaker 1>original vision for the songs. Those were always there. Some

0:21:27.520 --> 0:21:30.080
<v Speaker 1>yes and no, but it was I think there was.

0:21:30.119 --> 0:21:33.000
<v Speaker 1>There was definitely a moment once with that first three

0:21:33.080 --> 0:21:35.040
<v Speaker 1>days of tracking, and I just looked at furg and

0:21:35.080 --> 0:21:37.439
<v Speaker 1>I was like, we gotta do a cox this ship. Man.

0:21:37.480 --> 0:21:39.040
<v Speaker 1>I was like, we gotta get we gotta get strings.

0:21:39.040 --> 0:21:40.680
<v Speaker 1>I want to hear horns. He was. He just kind

0:21:40.680 --> 0:21:43.040
<v Speaker 1>of set there, smoker a cigarette. He's like yeah, and

0:21:43.080 --> 0:21:46.200
<v Speaker 1>then you know, so we went up to New York

0:21:46.240 --> 0:21:48.399
<v Speaker 1>for a couple of days and recorded the Dap Kings

0:21:48.400 --> 0:21:52.280
<v Speaker 1>and the and the String Quartet there at the Atlantic Studios. Yeah,

0:21:52.359 --> 0:21:54.199
<v Speaker 1>and then that's when I finally heard it, you know

0:21:54.200 --> 0:21:55.879
<v Speaker 1>what I mean. I was just like, Okay, there it is.

0:21:56.600 --> 0:21:59.480
<v Speaker 1>It's such a surprise coming from the first two records.

0:21:59.520 --> 0:22:03.000
<v Speaker 1>You know, it's like it's a total departure, but for me,

0:22:03.080 --> 0:22:06.560
<v Speaker 1>not so much. I felt like getting away from other

0:22:06.640 --> 0:22:10.640
<v Speaker 1>influences or maybe agendas. I was finally able to make

0:22:10.640 --> 0:22:13.840
<v Speaker 1>the music I'd actually been influenced by and listening to

0:22:13.920 --> 0:22:16.199
<v Speaker 1>as a kid growing up, which was more soul and

0:22:17.080 --> 0:22:19.480
<v Speaker 1>rock and roll and things more so than like Hank

0:22:19.600 --> 0:22:23.280
<v Speaker 1>Junior or Waylon Jennings, you know, whereas you moved to

0:22:23.359 --> 0:22:25.399
<v Speaker 1>Nashville and I just had all these country songs, and

0:22:25.440 --> 0:22:28.080
<v Speaker 1>I guess just not norm where to start. Well, this

0:22:28.119 --> 0:22:29.720
<v Speaker 1>is what you do now, You make like these hard

0:22:29.720 --> 0:22:32.919
<v Speaker 1>country records. And I love that music too, but I

0:22:32.920 --> 0:22:35.159
<v Speaker 1>don't really hear a lot of my voice, especially on

0:22:35.240 --> 0:22:37.960
<v Speaker 1>that first one, met a modern more so because like

0:22:38.000 --> 0:22:39.639
<v Speaker 1>I said, we worked it out on the road and

0:22:40.320 --> 0:22:43.240
<v Speaker 1>Dave did a good job on the console and Mike

0:22:43.320 --> 0:22:46.920
<v Speaker 1>choices and stuff like that. But Sailor's Guide was honestly

0:22:47.000 --> 0:22:50.720
<v Speaker 1>for me, I guess stretching my legs a little bit

0:22:50.800 --> 0:22:53.160
<v Speaker 1>more for the first time and talk about the new

0:22:53.160 --> 0:22:58.320
<v Speaker 1>one a little bit. The grass was there was zero

0:22:58.400 --> 0:23:02.159
<v Speaker 1>planning on that one. That was definitely okay. Well, I've

0:23:02.160 --> 0:23:04.240
<v Speaker 1>always wanted to make a bluegrass record. Now I have

0:23:04.320 --> 0:23:06.440
<v Speaker 1>the time. I'm not going on a tour anytime in

0:23:06.480 --> 0:23:10.800
<v Speaker 1>the next two or three years. So I was feeling better.

0:23:10.840 --> 0:23:13.879
<v Speaker 1>I think I was mostly just excited that I was

0:23:13.920 --> 0:23:17.440
<v Speaker 1>finally feeling good. By June early June, and I called

0:23:17.520 --> 0:23:19.680
<v Speaker 1>furg up and I was like, man, I've always wanted

0:23:19.680 --> 0:23:22.240
<v Speaker 1>to do this. We did this big fundraiser thing online

0:23:22.280 --> 0:23:25.440
<v Speaker 1>because I had this We've been on Instagram for maybe

0:23:25.480 --> 0:23:28.200
<v Speaker 1>a month or two, and then just everything hit the fan.

0:23:28.880 --> 0:23:31.399
<v Speaker 1>We had incorporated some charity stuff into the tour with

0:23:31.480 --> 0:23:34.040
<v Speaker 1>the ticket sales, and I was just trying to figure

0:23:34.080 --> 0:23:36.360
<v Speaker 1>out a way to continue that and actually hold through

0:23:36.440 --> 0:23:38.919
<v Speaker 1>on that promise. So and then it turned in, you know,

0:23:38.920 --> 0:23:42.360
<v Speaker 1>there's a big tornado in Nashville and all the COVID shit,

0:23:42.440 --> 0:23:43.960
<v Speaker 1>and we just we were like, well, we could raise

0:23:43.960 --> 0:23:46.160
<v Speaker 1>some money from music cares because everybody's out of work now,

0:23:46.400 --> 0:23:49.400
<v Speaker 1>and the fans totally blew it out of the water. Man,

0:23:49.440 --> 0:23:51.800
<v Speaker 1>I don't know what I expected all and all, we

0:23:51.960 --> 0:23:55.200
<v Speaker 1>raised about a half million dollars a thing, so amazing.

0:23:55.720 --> 0:23:57.800
<v Speaker 1>I was just like, well, I gotta put a record

0:23:57.840 --> 0:24:00.080
<v Speaker 1>out now, because I promised him I would. So I

0:24:02.240 --> 0:24:04.439
<v Speaker 1>also knew I was about to have at least the

0:24:04.480 --> 0:24:08.080
<v Speaker 1>rest of this year off. Yeah, and I knew I

0:24:08.119 --> 0:24:10.399
<v Speaker 1>wanted to spend a lot of time folks and on

0:24:10.560 --> 0:24:13.560
<v Speaker 1>my kids and home things that had sort of slipped

0:24:13.560 --> 0:24:16.240
<v Speaker 1>through the cracks because of the work. And I didn't

0:24:16.240 --> 0:24:18.760
<v Speaker 1>want to sit around the next six months thinking about

0:24:18.840 --> 0:24:20.800
<v Speaker 1>what that next thing would be. So I just said,

0:24:20.800 --> 0:24:23.280
<v Speaker 1>fuck it, let's just do the next thing now and

0:24:23.480 --> 0:24:25.080
<v Speaker 1>get it in the can. And then it was I'm

0:24:25.080 --> 0:24:27.200
<v Speaker 1>glad I did it because now I've just been fishing

0:24:27.200 --> 0:24:30.040
<v Speaker 1>and changing diapers for the last couple of months while

0:24:30.040 --> 0:24:32.840
<v Speaker 1>we set up putting this thing out. It's great, though,

0:24:34.359 --> 0:24:37.679
<v Speaker 1>I really love it. Had you ever looked at the

0:24:37.720 --> 0:24:42.560
<v Speaker 1>songs through the filter of bluegrass before making the record, well,

0:24:42.560 --> 0:24:43.960
<v Speaker 1>I mean yeah, they were all written on a D

0:24:44.080 --> 0:24:47.240
<v Speaker 1>twenty eight, probably sung on played a little too fast,

0:24:47.440 --> 0:24:49.760
<v Speaker 1>just because that's where my natural I have a tendency

0:24:49.800 --> 0:24:53.320
<v Speaker 1>to push things a little bit ahead, like most blue

0:24:53.320 --> 0:24:55.960
<v Speaker 1>grass pickers, and so when you make country records, you

0:24:56.040 --> 0:24:58.280
<v Speaker 1>basically just slow everything down. I could put some form

0:24:58.400 --> 0:25:01.760
<v Speaker 1>changes here and there to make it stretch out and phrases,

0:25:01.800 --> 0:25:04.760
<v Speaker 1>but they were all I mean, no bullshit, man. I'd

0:25:04.800 --> 0:25:07.959
<v Speaker 1>say eighty percent of them were written as more as

0:25:08.000 --> 0:25:11.600
<v Speaker 1>bluegrass songs than anything. So so these renditions of the

0:25:11.640 --> 0:25:14.480
<v Speaker 1>songs are closer to how they were originally written, yeah,

0:25:15.200 --> 0:25:18.560
<v Speaker 1>before they became country. They're written closer to who I

0:25:18.600 --> 0:25:23.360
<v Speaker 1>am more naturally, that's my voice and my instrument and

0:25:23.440 --> 0:25:26.359
<v Speaker 1>like I saved, like if I had to express myself

0:25:26.359 --> 0:25:30.320
<v Speaker 1>in a medium as truly as possible, this would be it. Yeah,

0:25:30.359 --> 0:25:32.680
<v Speaker 1>It's one of the things that came away from listening

0:25:32.680 --> 0:25:37.320
<v Speaker 1>to it was the lyrics. Now, even though I've heard

0:25:37.359 --> 0:25:42.480
<v Speaker 1>these songs before, there's something about hearing lyrics when there's

0:25:42.560 --> 0:25:46.439
<v Speaker 1>not drumming going on that they hit me in a

0:25:46.480 --> 0:25:51.720
<v Speaker 1>different way. You understand them in a different way. Generals,

0:25:53.040 --> 0:25:57.560
<v Speaker 1>it feels like this this album really is the storytelling

0:25:57.680 --> 0:26:01.520
<v Speaker 1>version of the story of these songs, where it's really

0:26:01.560 --> 0:26:05.120
<v Speaker 1>about the lyrics. Thanks man. It's always been something I've

0:26:05.119 --> 0:26:07.360
<v Speaker 1>never said anything about it, but it has always sort

0:26:07.400 --> 0:26:10.400
<v Speaker 1>of bothered me that the last six or seven years,

0:26:10.400 --> 0:26:12.399
<v Speaker 1>I put these records out and I'm writing all the songs,

0:26:12.440 --> 0:26:15.640
<v Speaker 1>and anybody talks about is my voice or the production

0:26:15.880 --> 0:26:19.560
<v Speaker 1>or the instruments, But it's like they're missing the story. Yeah,

0:26:19.880 --> 0:26:23.240
<v Speaker 1>and even some of the fans aren't really listening, or

0:26:23.240 --> 0:26:24.879
<v Speaker 1>at least some of the fans I used to have,

0:26:24.960 --> 0:26:26.720
<v Speaker 1>because they've kind of fallen off now that they figured

0:26:26.760 --> 0:26:30.680
<v Speaker 1>out more who I am. So it's been it's all

0:26:30.760 --> 0:26:34.560
<v Speaker 1>just learning and growth, I think. But finally hearing these

0:26:34.560 --> 0:26:37.200
<v Speaker 1>songs the way they were probably always intended to is

0:26:37.800 --> 0:26:41.199
<v Speaker 1>very gratifying for me. Is it is it acceptable to

0:26:41.359 --> 0:26:43.560
<v Speaker 1>do songs that are not in the cannon in the

0:26:43.560 --> 0:26:47.320
<v Speaker 1>bluegrass style? I don't. I think anything is acceptable if

0:26:47.359 --> 0:26:50.400
<v Speaker 1>you mean, I'm just asking the bluegrass community. I don't

0:26:50.400 --> 0:26:54.000
<v Speaker 1>know anything about bluegrass. I mean, I was told like

0:26:54.040 --> 0:26:56.399
<v Speaker 1>it was unacceptable to put horns on a country record,

0:26:56.400 --> 0:26:59.159
<v Speaker 1>even though I grew up in my grandfather's car here

0:26:59.160 --> 0:27:01.160
<v Speaker 1>and merl Agger do it, So I don't. I don't know, man.

0:27:01.200 --> 0:27:03.920
<v Speaker 1>I guess it depends who you ask, based on their

0:27:04.040 --> 0:27:07.440
<v Speaker 1>their criteria of what fits their identity that week. I

0:27:07.480 --> 0:27:10.600
<v Speaker 1>don't know. I made what I thought to be a

0:27:10.600 --> 0:27:14.840
<v Speaker 1>true bluegrass record with some songs that are probably country

0:27:14.880 --> 0:27:20.080
<v Speaker 1>songs and also bluegrass songs. So yeah, I feel like

0:27:20.119 --> 0:27:24.600
<v Speaker 1>it's got potential to turn more people onto bluegrass who

0:27:24.680 --> 0:27:26.680
<v Speaker 1>might not already be into it. I feel like that's

0:27:26.720 --> 0:27:30.840
<v Speaker 1>the real potential that's held in this world. That's the goal.

0:27:31.040 --> 0:27:34.600
<v Speaker 1>I mean, I've always been trying to turn people on.

0:27:34.960 --> 0:27:37.440
<v Speaker 1>We've went with earlier stuff, maybe to country music that

0:27:37.480 --> 0:27:40.520
<v Speaker 1>wouldn't necessarily be into it, or to change their opinions

0:27:40.520 --> 0:27:43.720
<v Speaker 1>of what it could be, and then it's been all

0:27:44.600 --> 0:27:47.280
<v Speaker 1>this is weird to say, but having that word, that

0:27:47.400 --> 0:27:50.560
<v Speaker 1>c word attached to my name as an artist has

0:27:50.640 --> 0:27:55.119
<v Speaker 1>probably been more of a detriment to me in my

0:27:55.200 --> 0:27:59.080
<v Speaker 1>career in terms of reaching my actual fan base than anything,

0:27:59.119 --> 0:28:02.760
<v Speaker 1>because so many people well that don't listen to country music,

0:28:02.800 --> 0:28:05.560
<v Speaker 1>they only know it by what they've been told the

0:28:05.640 --> 0:28:07.919
<v Speaker 1>last twenty five years. To believe it is, you know,

0:28:08.000 --> 0:28:12.520
<v Speaker 1>from watching awards shows on TV and stuff, or you know,

0:28:12.400 --> 0:28:14.760
<v Speaker 1>I have no desire to sit here and talk shit

0:28:14.800 --> 0:28:17.280
<v Speaker 1>about any of that crap but anymore. But it just

0:28:17.400 --> 0:28:19.960
<v Speaker 1>is what it is, you know. Um So then you

0:28:20.000 --> 0:28:21.960
<v Speaker 1>have to sort of point out, oh, we can also

0:28:22.119 --> 0:28:24.840
<v Speaker 1>be this, you know. I don't know if artists would

0:28:24.840 --> 0:28:28.080
<v Speaker 1>ever really give any of this stuff thought if they

0:28:28.080 --> 0:28:30.040
<v Speaker 1>didn't have to sit down and answer questions when it

0:28:30.080 --> 0:28:32.840
<v Speaker 1>was time to foot records about it. You know. I

0:28:32.880 --> 0:28:35.119
<v Speaker 1>think sometimes it's interesting to think about though, Like I

0:28:35.480 --> 0:28:40.120
<v Speaker 1>feel like we find clarity through through discussion if we

0:28:40.240 --> 0:28:42.800
<v Speaker 1>think about things who wouldn't normally think about. And I

0:28:42.840 --> 0:28:47.400
<v Speaker 1>don't know, I learned a lot through the conversations, you know. Well,

0:28:47.440 --> 0:28:49.960
<v Speaker 1>you know, man, I'll tell you what, starting in this

0:28:50.080 --> 0:28:53.760
<v Speaker 1>business at thirty five thirty six really actually taking a

0:28:53.880 --> 0:28:55.880
<v Speaker 1>go at it trying to be a pro musician. I

0:28:56.040 --> 0:29:01.760
<v Speaker 1>was damn near middle aged, unlike i'd say ninety five

0:29:01.920 --> 0:29:04.640
<v Speaker 1>or even more percent of the people that start out

0:29:04.680 --> 0:29:06.720
<v Speaker 1>at eighteen or nineteen, and this is all they ever know,

0:29:06.920 --> 0:29:10.440
<v Speaker 1>you know. And I was so held bent at first

0:29:10.520 --> 0:29:13.760
<v Speaker 1>on like I finally found something in my life to

0:29:13.800 --> 0:29:15.760
<v Speaker 1>be ambitious about because we had a child on the way,

0:29:15.800 --> 0:29:17.480
<v Speaker 1>and I knew, like, I have to make this work,

0:29:17.520 --> 0:29:20.040
<v Speaker 1>it has to happen, it has to succeed. I gotta

0:29:20.040 --> 0:29:22.440
<v Speaker 1>take care of my family. I want to have something

0:29:22.480 --> 0:29:24.120
<v Speaker 1>I can look back on and know that like I

0:29:24.160 --> 0:29:26.600
<v Speaker 1>didn't compromise whatsoever, and this is like, I did this

0:29:26.680 --> 0:29:28.560
<v Speaker 1>the right way and it was very important to me

0:29:28.560 --> 0:29:32.200
<v Speaker 1>and it still is. And then somewhere along the lines,

0:29:32.240 --> 0:29:34.160
<v Speaker 1>you know, you get on the train and it's hard.

0:29:34.200 --> 0:29:36.080
<v Speaker 1>I've always said, it's hard to tell how fast the

0:29:36.120 --> 0:29:38.720
<v Speaker 1>train's going when you're on it. And next thing you know,

0:29:38.800 --> 0:29:40.640
<v Speaker 1>you think, well, like you get in, you get sucked

0:29:40.640 --> 0:29:43.520
<v Speaker 1>in or like manipulated in the music industry has a

0:29:43.600 --> 0:29:48.760
<v Speaker 1>really scientifically applied methodology about making artists feel like if

0:29:48.760 --> 0:29:52.200
<v Speaker 1>they don't keep treading water, they're gonna drown because everybody's

0:29:52.200 --> 0:29:54.480
<v Speaker 1>got to keep generating their paychecks, you know what I mean.

0:29:54.560 --> 0:29:57.400
<v Speaker 1>And if something's working, you want to keep working. So

0:29:57.440 --> 0:29:59.239
<v Speaker 1>you just keep throwing fuel on the fire. And then

0:29:59.240 --> 0:30:00.640
<v Speaker 1>next thing you know, you weigh up and you just

0:30:00.640 --> 0:30:03.240
<v Speaker 1>completely burnt out, and you're like, how did this happen?

0:30:03.280 --> 0:30:07.400
<v Speaker 1>Who was taking care of me to keep this from happening?

0:30:07.400 --> 0:30:12.040
<v Speaker 1>And I realized that nobody was putting more pressure on

0:30:12.120 --> 0:30:15.560
<v Speaker 1>me than I was. And I tell you two things again,

0:30:15.680 --> 0:30:19.760
<v Speaker 1>there was two very distinct incidences that were wake up

0:30:19.800 --> 0:30:23.320
<v Speaker 1>calls from me and very touchdown reminders. The first one

0:30:23.480 --> 0:30:26.920
<v Speaker 1>was when I went to Merle Haggard's house for the

0:30:27.000 --> 0:30:30.960
<v Speaker 1>very first time ever, and he I think Merle only

0:30:30.960 --> 0:30:34.160
<v Speaker 1>won one Grammy in his career. And when you walked

0:30:34.200 --> 0:30:37.280
<v Speaker 1>into the house, it was sitting on the floor used

0:30:37.280 --> 0:30:39.880
<v Speaker 1>as a doorstopper to hold the screen door open, just

0:30:39.920 --> 0:30:41.920
<v Speaker 1>scratched and be all to hell, And I was like,

0:30:42.400 --> 0:30:45.800
<v Speaker 1>got it, you know what I mean? Yeah? And the

0:30:45.840 --> 0:30:50.720
<v Speaker 1>second one was when Ferd when we came out to

0:30:50.960 --> 0:30:53.760
<v Speaker 1>La to go to the awards, and when he took

0:30:53.800 --> 0:30:55.800
<v Speaker 1>you came, he brought me to visit and meet you

0:30:56.080 --> 0:30:58.719
<v Speaker 1>for the first time. And I can't Yeah, we were

0:30:58.720 --> 0:31:00.720
<v Speaker 1>hanging out. We were there in the room that you're

0:31:00.720 --> 0:31:04.600
<v Speaker 1>sitting in right now, and he asked you you got

0:31:04.600 --> 0:31:08.280
<v Speaker 1>any records up for anything this year, Rick, And you said,

0:31:09.120 --> 0:31:12.920
<v Speaker 1>I don't know, and I knew you weren't bullshitting, and

0:31:12.960 --> 0:31:16.080
<v Speaker 1>I was like, that's it. I mean, that's it. Just

0:31:16.080 --> 0:31:19.760
<v Speaker 1>just make art. Fuck the rest, you know. And and

0:31:20.000 --> 0:31:23.400
<v Speaker 1>I've been trying to like commit and live in that

0:31:23.440 --> 0:31:26.720
<v Speaker 1>headspace ever since, man, and just just block out all

0:31:26.800 --> 0:31:30.200
<v Speaker 1>the trivial nous and the hedge of money. Yea of

0:31:30.320 --> 0:31:33.160
<v Speaker 1>the system that makes us think we all have to

0:31:33.240 --> 0:31:35.880
<v Speaker 1>end up on these lists every year, like standing at

0:31:35.880 --> 0:31:39.360
<v Speaker 1>a podium giving little speeches because it doesn't have shit

0:31:39.480 --> 0:31:42.200
<v Speaker 1>to do with anything about like connecting with human beings

0:31:42.200 --> 0:31:47.480
<v Speaker 1>and making music. Yeah, there's so many distractions that can

0:31:47.600 --> 0:31:51.800
<v Speaker 1>really get in the way and and putting the blinders

0:31:51.840 --> 0:31:54.680
<v Speaker 1>on and focusing on making something that you love. That's

0:31:54.680 --> 0:31:57.360
<v Speaker 1>all it's about. If you love it, it doesn't matter

0:31:57.400 --> 0:32:00.280
<v Speaker 1>if anyone else likes it. And if you of it,

0:32:00.520 --> 0:32:02.959
<v Speaker 1>there's a better chance someone else might like it because

0:32:03.080 --> 0:32:06.840
<v Speaker 1>at least one person cares about it. You yeah, or

0:32:06.880 --> 0:32:09.920
<v Speaker 1>it wasn't for that person, which is fine, but there's

0:32:10.040 --> 0:32:13.400
<v Speaker 1>two or three other people out there that maybe everything

0:32:13.400 --> 0:32:16.600
<v Speaker 1>I've done before wasn't for them, but this thing save

0:32:16.680 --> 0:32:19.040
<v Speaker 1>their fucking life, you know, I don't know. It's hard

0:32:19.480 --> 0:32:24.040
<v Speaker 1>to describe. How much do you take into consideration the

0:32:24.160 --> 0:32:27.960
<v Speaker 1>audience in the making process when you're writing and when

0:32:27.960 --> 0:32:32.040
<v Speaker 1>you're recording. Is it okay to say zero? Absolutely, that's

0:32:32.080 --> 0:32:35.120
<v Speaker 1>the right answer. In the studio, I'm not thinking about

0:32:35.400 --> 0:32:37.640
<v Speaker 1>how's this going to translate live? That's all. That's like

0:32:37.640 --> 0:32:40.080
<v Speaker 1>a problem to worry about later, you know. It's really

0:32:40.120 --> 0:32:42.960
<v Speaker 1>just it feel right? Does it sound right? Could this

0:32:43.080 --> 0:32:47.200
<v Speaker 1>be better? Or is this gross enough? I don't know,

0:32:47.240 --> 0:32:48.880
<v Speaker 1>Like these are thoughts that I have. More so, there

0:32:48.920 --> 0:32:51.040
<v Speaker 1>are people are gonna like this. I think if you

0:32:51.080 --> 0:32:54.000
<v Speaker 1>start thinking like that, you're gonna make some shitty records,

0:32:54.200 --> 0:32:56.760
<v Speaker 1>for sure. Absolutely, That's that's why I asked a question.

0:32:57.240 --> 0:32:59.480
<v Speaker 1>And so and there are so many artists who really

0:32:59.520 --> 0:33:03.320
<v Speaker 1>do pollute their process thinking about the audience, and it

0:33:03.800 --> 0:33:07.360
<v Speaker 1>really just undermines the whole, the whole enterpress. And you

0:33:07.400 --> 0:33:09.880
<v Speaker 1>can hear that people just keep making the same records

0:33:09.920 --> 0:33:11.760
<v Speaker 1>over and over. Then what are you What are you

0:33:11.840 --> 0:33:15.760
<v Speaker 1>really chasing or serving? I guess, But well, the bluegrass thing. Honestly,

0:33:15.760 --> 0:33:18.960
<v Speaker 1>this probably came more of That's what I was listening

0:33:19.000 --> 0:33:21.600
<v Speaker 1>to me before we cut this. I was listening I

0:33:21.680 --> 0:33:24.600
<v Speaker 1>love Van Morrison. Him and Marvin are probably my two

0:33:24.600 --> 0:33:28.480
<v Speaker 1>favorite singers, and and I think I love Van Morrison

0:33:29.040 --> 0:33:31.640
<v Speaker 1>even more because a lot of times it's hard for

0:33:31.680 --> 0:33:33.920
<v Speaker 1>me to understand what he's saying. And that's a complaint

0:33:33.920 --> 0:33:36.080
<v Speaker 1>that I get about my voice a lot. It's like

0:33:37.000 --> 0:33:41.479
<v Speaker 1>the annunciation becomes far less important than the emotion behind

0:33:41.480 --> 0:33:43.640
<v Speaker 1>the note, you know what I mean, Like you can

0:33:43.640 --> 0:33:46.520
<v Speaker 1>just feel him squeezing and it's coming from all these

0:33:46.560 --> 0:33:51.040
<v Speaker 1>different places as opposed to just like I am articulating now,

0:33:51.200 --> 0:33:53.080
<v Speaker 1>you know what I mean. But listening to a lot

0:33:53.120 --> 0:33:56.200
<v Speaker 1>of his stuff, I feel like with the bluegrass record,

0:33:56.440 --> 0:34:00.280
<v Speaker 1>I feel more in tune to that kind kind of

0:34:00.280 --> 0:34:03.400
<v Speaker 1>thing right now, maybe more of like a hillbilly astral

0:34:03.440 --> 0:34:06.120
<v Speaker 1>week sort of. That would be like my dream record

0:34:06.160 --> 0:34:09.439
<v Speaker 1>to make. Sounds pretty good, It's what I'd like to hear. Yeah, man,

0:34:11.400 --> 0:34:15.040
<v Speaker 1>It's it's weird because I was one on social media

0:34:15.280 --> 0:34:17.560
<v Speaker 1>at all until this year, and I you know, I

0:34:17.560 --> 0:34:21.440
<v Speaker 1>don't want to be like some definitely have no desire

0:34:21.480 --> 0:34:25.160
<v Speaker 1>in like hiding behind a public persona or some crafted

0:34:25.200 --> 0:34:27.600
<v Speaker 1>image to sell records. So I don't know how to.

0:34:27.800 --> 0:34:30.480
<v Speaker 1>Maybe it's a detrimental at times, So I do engage

0:34:30.520 --> 0:34:33.040
<v Speaker 1>with people even though people say not to. I mean,

0:34:33.040 --> 0:34:35.160
<v Speaker 1>the fans are coming, they want to connect and know you,

0:34:36.040 --> 0:34:40.400
<v Speaker 1>and I've realized that that platform is invaluable in the

0:34:40.400 --> 0:34:44.040
<v Speaker 1>case you ever really wanted to represent yourself, as opposed

0:34:44.040 --> 0:34:46.080
<v Speaker 1>to having go through the filter of the press or

0:34:46.960 --> 0:34:49.840
<v Speaker 1>you know, a press release and hope that the narrative

0:34:49.920 --> 0:34:52.280
<v Speaker 1>is what you intended it to be, where as opposed

0:34:52.320 --> 0:34:53.680
<v Speaker 1>now like I could just I got a mic and

0:34:53.719 --> 0:34:55.399
<v Speaker 1>a light in a computer. You're gonna line and say

0:34:55.440 --> 0:34:56.960
<v Speaker 1>whatever I want. However I want to say it and

0:34:57.000 --> 0:34:59.879
<v Speaker 1>it can't be twisted. So I think I'll always keep

0:35:00.040 --> 0:35:03.080
<v Speaker 1>it for that if no other reason. But also like

0:35:03.160 --> 0:35:07.280
<v Speaker 1>just seeing the love from people, man, and the really

0:35:07.360 --> 0:35:11.920
<v Speaker 1>seeing the difference that music makes in people's lives, especially

0:35:11.960 --> 0:35:15.120
<v Speaker 1>through shit like what's happening right now. It's been really

0:35:15.160 --> 0:35:18.880
<v Speaker 1>motivating for me in a way, and sometimes the haters

0:35:18.880 --> 0:35:22.160
<v Speaker 1>are the funniest part. Like you know, if you read

0:35:22.200 --> 0:35:25.720
<v Speaker 1>that shit after a while, it truly doesn't mean anything anymore,

0:35:25.880 --> 0:35:28.640
<v Speaker 1>and it's it almost. I told my wife like this summer,

0:35:29.480 --> 0:35:31.160
<v Speaker 1>I would get on there and blast them back for

0:35:31.200 --> 0:35:33.280
<v Speaker 1>like ten minutes fifteen minutes every day with my coffee.

0:35:33.320 --> 0:35:34.560
<v Speaker 1>And I was told HER's like, it's kind of like

0:35:34.560 --> 0:35:36.719
<v Speaker 1>my yoga now, Like I do that and then I

0:35:36.760 --> 0:35:38.400
<v Speaker 1>don't look at it. I can go walk out in

0:35:38.400 --> 0:35:40.360
<v Speaker 1>the woods and I just feel amazing, you know, so

0:35:41.840 --> 0:35:46.080
<v Speaker 1>and eventually they go away. It's so funny also the

0:35:46.280 --> 0:35:49.640
<v Speaker 1>social dynamic of it all, because if life isn't complex enough,

0:35:49.840 --> 0:35:53.680
<v Speaker 1>it just fascinates me. Something. Last week she pointed out that,

0:35:53.719 --> 0:35:56.440
<v Speaker 1>like I was, the record was number one on iTunes.

0:35:56.560 --> 0:35:58.200
<v Speaker 1>My wife told me that. She was like, yeah, it's

0:35:58.239 --> 0:36:00.680
<v Speaker 1>it's between you and Luna. This this a pop band.

0:36:00.760 --> 0:36:02.719
<v Speaker 1>I was like, that's insane, you know, it's like the

0:36:02.760 --> 0:36:06.440
<v Speaker 1>bluegrass record and a pop record. And I made a

0:36:06.480 --> 0:36:09.960
<v Speaker 1>post about the absurdity that, and of course there was

0:36:10.040 --> 0:36:15.120
<v Speaker 1>like you can't control that. It's like you've seen Ghostbusters too. No, okay,

0:36:15.160 --> 0:36:17.279
<v Speaker 1>I'll spare you anyway. There's a river of slime and

0:36:17.320 --> 0:36:19.840
<v Speaker 1>when you talk me into it, it bubbles up, and

0:36:19.960 --> 0:36:22.359
<v Speaker 1>I think, well, that's like that's the Internet, you know,

0:36:23.120 --> 0:36:26.520
<v Speaker 1>And of course, like some some slime bubbles started popping up,

0:36:26.520 --> 0:36:31.200
<v Speaker 1>and it was teetering in some cases towards some some xenophobia,

0:36:31.239 --> 0:36:33.239
<v Speaker 1>and I was just like, oh shit, like what did

0:36:33.239 --> 0:36:35.840
<v Speaker 1>I What did I do? You know, I feels I

0:36:35.880 --> 0:36:40.080
<v Speaker 1>feel responsible. You can't control you. You create this this

0:36:40.320 --> 0:36:42.920
<v Speaker 1>ripple and then it turns into this other thing and

0:36:42.920 --> 0:36:45.520
<v Speaker 1>it's out of your hands. So then all the all

0:36:45.560 --> 0:36:48.400
<v Speaker 1>the lunar fans started coming at me on Twitter, man like.

0:36:48.680 --> 0:36:51.080
<v Speaker 1>It was like, holy shit, this is amazing to watch

0:36:51.160 --> 0:36:53.719
<v Speaker 1>in a way. Then I listened to the record and

0:36:53.719 --> 0:36:55.319
<v Speaker 1>I was like, man, I kind of dig lima, this

0:36:55.440 --> 0:36:58.919
<v Speaker 1>is actually pretty bumping. So I just said like, look, guys,

0:36:58.920 --> 0:37:01.799
<v Speaker 1>you need to motivate. You know, the girls deserve they

0:37:01.880 --> 0:37:03.759
<v Speaker 1>deserve more love and respect, and like if you want

0:37:03.760 --> 0:37:05.160
<v Speaker 1>them at number one, you need to get off your

0:37:05.160 --> 0:37:07.839
<v Speaker 1>ass and do the work. You know. Yeah, it's like

0:37:07.880 --> 0:37:10.920
<v Speaker 1>where's my T shirt? I'm here for it. Orbit all

0:37:10.960 --> 0:37:14.600
<v Speaker 1>the way and it turned into a really beautiful thing

0:37:14.600 --> 0:37:17.560
<v Speaker 1>in the end. We'll be right back with Sturgill Simpson

0:37:17.920 --> 0:37:24.080
<v Speaker 1>in just a moment. We're back with the rest of

0:37:24.160 --> 0:37:27.600
<v Speaker 1>Rick's conversation with Sturgill Simpson. You said, when you came

0:37:27.640 --> 0:37:30.000
<v Speaker 1>back from the Navy, you were depressed. How would you

0:37:30.040 --> 0:37:32.479
<v Speaker 1>say your moods tend to run in general? Like what's

0:37:32.520 --> 0:37:39.239
<v Speaker 1>your Oh, brou I'm a geminium, pretty mercurial. Uh I can.

0:37:39.560 --> 0:37:42.080
<v Speaker 1>I can. I can either be the nicest, most giving,

0:37:42.760 --> 0:37:45.399
<v Speaker 1>kindest human being on the planet or like I can

0:37:45.480 --> 0:37:49.760
<v Speaker 1>definitely I'm aware, Like especially in the zone if I'm working,

0:37:50.080 --> 0:37:52.440
<v Speaker 1>is it like that you're focused to the point of

0:37:52.440 --> 0:37:58.320
<v Speaker 1>where niceties? No, man, it's environmental. I real to multiple's childhood,

0:37:58.560 --> 0:38:02.080
<v Speaker 1>there's some trauma there and then and between between, Like

0:38:02.160 --> 0:38:05.760
<v Speaker 1>just experienced military and then working railroad. I just wasn't.

0:38:05.800 --> 0:38:08.080
<v Speaker 1>I was never in these nurturing environments, you know. I

0:38:08.080 --> 0:38:09.719
<v Speaker 1>mean I was always in like shit needs to be

0:38:09.760 --> 0:38:12.239
<v Speaker 1>done now world, and I don't have time for your

0:38:12.280 --> 0:38:16.759
<v Speaker 1>fucking feelings. So coming into this world at thirty five

0:38:16.840 --> 0:38:19.839
<v Speaker 1>and learning like, oh these are artists and sensitive feeling

0:38:19.840 --> 0:38:21.719
<v Speaker 1>like I'm also a very sensitive dude. You know, I'm

0:38:21.800 --> 0:38:25.399
<v Speaker 1>very emotional dude, And uh, We're all vulnerable. We all

0:38:25.400 --> 0:38:28.600
<v Speaker 1>have like giant egos and the insecurity that comes with that,

0:38:28.760 --> 0:38:35.120
<v Speaker 1>and learning how to be a better leader or just

0:38:35.160 --> 0:38:39.120
<v Speaker 1>to empathize with people who although you need them to

0:38:39.120 --> 0:38:41.719
<v Speaker 1>do a job, like they also have lives outside of that,

0:38:41.880 --> 0:38:45.840
<v Speaker 1>and even people that have worked for me, like I

0:38:45.880 --> 0:38:49.200
<v Speaker 1>have very clear expectations, you know, especially when you're paying

0:38:49.239 --> 0:38:55.280
<v Speaker 1>people money, and not just musicians, Like I've lost friends

0:38:55.280 --> 0:38:58.360
<v Speaker 1>and relationships around me just from like I am not

0:38:58.480 --> 0:39:01.080
<v Speaker 1>happy with what you're doing and these my expectations, and

0:39:01.120 --> 0:39:03.400
<v Speaker 1>then people start crying in the meeting and all of

0:39:03.440 --> 0:39:07.200
<v Speaker 1>a sudden like okay, well, I guess I can't verbalize

0:39:07.239 --> 0:39:11.239
<v Speaker 1>those things like that anymore. And these have been very

0:39:11.400 --> 0:39:15.200
<v Speaker 1>very important lessons for me, like to know, everything is

0:39:15.200 --> 0:39:19.040
<v Speaker 1>not a train that's forty five minutes late, but it's

0:39:19.200 --> 0:39:23.319
<v Speaker 1>it's always circumstantial. It's not just you wake up in

0:39:23.320 --> 0:39:26.480
<v Speaker 1>a bad mood one day and na, man, I probably

0:39:26.480 --> 0:39:29.200
<v Speaker 1>got some some some shit going you know. I probably

0:39:29.239 --> 0:39:31.480
<v Speaker 1>got me and Kanye got the same birthday. I'm just

0:39:31.480 --> 0:39:35.839
<v Speaker 1>gonna leave it at that, you know. But all of that,

0:39:36.000 --> 0:39:40.120
<v Speaker 1>with children and family and root the last four years

0:39:40.200 --> 0:39:42.880
<v Speaker 1>is I'm feeling I had some I had some stuff

0:39:42.920 --> 0:39:46.359
<v Speaker 1>going on. I'll just be really honest, without teetering up

0:39:46.360 --> 0:39:49.440
<v Speaker 1>to like insurance policy, red flags and ships twenty seventeen

0:39:49.480 --> 0:39:53.000
<v Speaker 1>and twenty eighteen, I got pretty dark. I don't know why.

0:39:53.760 --> 0:39:55.719
<v Speaker 1>I think I just was out there too long. I

0:39:55.760 --> 0:39:58.960
<v Speaker 1>was drifting too hard, and things got slippery and I

0:39:59.000 --> 0:40:02.839
<v Speaker 1>fell back into some some ugly shit, especially on the road.

0:40:03.320 --> 0:40:05.360
<v Speaker 1>And you know, you spend too much time alone in

0:40:05.400 --> 0:40:10.320
<v Speaker 1>hotel rooms, man, and sometimes that translates into more escape

0:40:10.320 --> 0:40:12.799
<v Speaker 1>and freedom on stage, and it's not necessarily a good thing.

0:40:12.880 --> 0:40:17.480
<v Speaker 1>But and then I woke up to it and just decided,

0:40:17.560 --> 0:40:20.800
<v Speaker 1>you know what, I'm done, that it's never never happening again.

0:40:21.239 --> 0:40:24.399
<v Speaker 1>And ever since then, it's just been like focusing on

0:40:25.040 --> 0:40:28.320
<v Speaker 1>trying to be a better husband and the best father

0:40:28.440 --> 0:40:34.000
<v Speaker 1>I can be, and not wasting this opportunity that I've

0:40:34.000 --> 0:40:36.040
<v Speaker 1>been given. Was just to make art that will be

0:40:36.120 --> 0:40:40.040
<v Speaker 1>here long after I'm gone and affect people that I'll

0:40:40.040 --> 0:40:42.120
<v Speaker 1>never even know or meet, And like, when you really

0:40:42.719 --> 0:40:47.680
<v Speaker 1>weigh the gravity of that, it's an immense responsibility. Absolutely.

0:40:48.400 --> 0:40:52.120
<v Speaker 1>I think the only people who I've ever met who've

0:40:52.160 --> 0:40:57.440
<v Speaker 1>become successful musicians starting in their thirties are you and

0:40:57.560 --> 0:41:01.600
<v Speaker 1>Bill Withers. I think you're the only you. I was

0:41:01.680 --> 0:41:05.440
<v Speaker 1>just talking the other night on a zoom called Donald

0:41:05.480 --> 0:41:08.879
<v Speaker 1>Glover about some other things, and he said the same

0:41:08.920 --> 0:41:11.399
<v Speaker 1>thing his manager, Fan told me that once two years ago,

0:41:12.120 --> 0:41:15.200
<v Speaker 1>and I watched that documentary and I love Bill Wither's music,

0:41:15.200 --> 0:41:17.880
<v Speaker 1>but I didn't really ever know that much about his life,

0:41:17.880 --> 0:41:20.879
<v Speaker 1>and it was kind of I was taking it back

0:41:20.920 --> 0:41:23.520
<v Speaker 1>some of the similarities, especially in our life before music.

0:41:23.520 --> 0:41:25.080
<v Speaker 1>He was in the Navy. I think he was from

0:41:25.080 --> 0:41:28.920
<v Speaker 1>a West Virginia coltown. Hated the industry side of the business,

0:41:28.960 --> 0:41:31.759
<v Speaker 1>the fickleness and the manipulation of it all was I

0:41:31.800 --> 0:41:34.160
<v Speaker 1>was just like, whoa man? And then Donald, Yeah, Donald,

0:41:34.320 --> 0:41:36.640
<v Speaker 1>we were just talking about the other night. And Bill also,

0:41:37.640 --> 0:41:40.560
<v Speaker 1>I don't know he. I loved the interviews I have

0:41:40.719 --> 0:41:44.960
<v Speaker 1>read that he gave Since then, it I feel like

0:41:45.000 --> 0:41:48.240
<v Speaker 1>I understood and know that guy just how he handles

0:41:48.360 --> 0:41:52.319
<v Speaker 1>those situations and those types of questions, and there's not

0:41:52.440 --> 0:41:57.080
<v Speaker 1>a lot of fool suffering, I guess. Yeah. One of

0:41:57.080 --> 0:42:00.600
<v Speaker 1>the things that was really interesting him out him as

0:42:00.600 --> 0:42:04.640
<v Speaker 1>well is that his music is put in a box

0:42:04.960 --> 0:42:08.719
<v Speaker 1>because of the genre that he came from, as you know,

0:42:09.120 --> 0:42:13.279
<v Speaker 1>urban music really because he's black yea. But he has

0:42:13.360 --> 0:42:16.359
<v Speaker 1>more in common with Bob Dylan than he does with

0:42:17.040 --> 0:42:21.600
<v Speaker 1>most R and B. You know, he's really a singer songwright.

0:42:21.640 --> 0:42:25.560
<v Speaker 1>He's a folk song folk folk song right basically with

0:42:25.719 --> 0:42:30.919
<v Speaker 1>incredible feel incredible. Do you think yourself more as a

0:42:30.960 --> 0:42:35.800
<v Speaker 1>guitar player, songwriter, singer, Like does the music come first?

0:42:36.000 --> 0:42:39.520
<v Speaker 1>Or is it what you're saying? It just depends. Man.

0:42:39.960 --> 0:42:42.799
<v Speaker 1>I've never made a record the same way twice, and

0:42:42.880 --> 0:42:44.839
<v Speaker 1>that wasn't intentional. It's just the way it worked out.

0:42:44.880 --> 0:42:47.480
<v Speaker 1>Like the way we approached Sound of Fury wasn't anything

0:42:47.520 --> 0:42:50.640
<v Speaker 1>like Sailor's Guide or Metal Modern and cut and Grass

0:42:50.800 --> 0:42:54.000
<v Speaker 1>was the easiest thing I've ever done, the fastest thing.

0:42:54.480 --> 0:42:57.480
<v Speaker 1>But I mean, I played guitar every day I got

0:42:57.520 --> 0:42:59.719
<v Speaker 1>I got a fifty four strap downstairs. That's like the

0:42:59.719 --> 0:43:02.760
<v Speaker 1>first hour of my day every morning. But the songs,

0:43:02.800 --> 0:43:04.200
<v Speaker 1>if I'm like, if you're asking, like where do the

0:43:04.280 --> 0:43:06.520
<v Speaker 1>songs come from? Usually a melody or like me just

0:43:06.600 --> 0:43:09.560
<v Speaker 1>play All my songs are written on acoustic guitars, and

0:43:09.560 --> 0:43:11.160
<v Speaker 1>then I come up a little risks and things around

0:43:11.160 --> 0:43:14.440
<v Speaker 1>them later. But it's always like a melody singing. Mostly

0:43:14.800 --> 0:43:17.520
<v Speaker 1>it comes from it here, and usually the melody comes

0:43:17.560 --> 0:43:20.239
<v Speaker 1>before the words. Usually a line will start things and

0:43:20.239 --> 0:43:23.160
<v Speaker 1>then the rest comes generally pretty quick. I'm not one

0:43:23.160 --> 0:43:24.719
<v Speaker 1>of those guys that like wakes up every day and

0:43:24.760 --> 0:43:27.479
<v Speaker 1>says I'm gonna write for three hours and like trying

0:43:27.560 --> 0:43:30.759
<v Speaker 1>to craft like a creative college essay or some shit.

0:43:30.840 --> 0:43:32.600
<v Speaker 1>It really like, if it takes me more than forty

0:43:32.600 --> 0:43:35.080
<v Speaker 1>minutes to write a song, it's probably not very good song.

0:43:35.840 --> 0:43:38.920
<v Speaker 1>Do you write a lot of songs? It goes in phases.

0:43:40.080 --> 0:43:44.279
<v Speaker 1>I'm pretty lazy. But when I sit down and do it, yeah,

0:43:44.280 --> 0:43:47.120
<v Speaker 1>I'll write like five or six in a week usually,

0:43:47.640 --> 0:43:49.600
<v Speaker 1>But no, I don't sit down every day and be like,

0:43:49.640 --> 0:43:53.200
<v Speaker 1>I'm a just a blue song writer. And God bless

0:43:53.239 --> 0:43:54.920
<v Speaker 1>people that can do that. It's just not for me.

0:43:55.880 --> 0:43:59.680
<v Speaker 1>Do you collect lines like yeah, over the course of

0:43:59.719 --> 0:44:02.560
<v Speaker 1>your life, if you over hear a phrase or or

0:44:02.560 --> 0:44:04.680
<v Speaker 1>an idea for a song, Yeah, a lot of a

0:44:04.680 --> 0:44:07.600
<v Speaker 1>lot of scribbled napkins, a lot of like notes on

0:44:07.719 --> 0:44:09.560
<v Speaker 1>your phone, where like you'll write a line and then

0:44:09.600 --> 0:44:12.239
<v Speaker 1>six months later that ends up being the first thing

0:44:12.280 --> 0:44:15.000
<v Speaker 1>in a chorus or something, or I hear somebody's A

0:44:15.040 --> 0:44:18.439
<v Speaker 1>lot of songs come from hearing things, just observation. You'll

0:44:18.480 --> 0:44:21.560
<v Speaker 1>hear people talking or pick something up and it's underlying

0:44:22.239 --> 0:44:24.960
<v Speaker 1>meanings or turning things that weren't meant to be metaphors

0:44:24.960 --> 0:44:28.319
<v Speaker 1>into them. Just play on words kind of stuff fascinates

0:44:28.360 --> 0:44:30.320
<v Speaker 1>me more or anything. I guess have you ever written

0:44:30.320 --> 0:44:33.040
<v Speaker 1>a song without having an instrument in your hand? Like?

0:44:33.360 --> 0:44:36.680
<v Speaker 1>Has it ever come? For sure? At work? Like work,

0:44:36.719 --> 0:44:38.759
<v Speaker 1>I find I don't have a job anymore, but when

0:44:38.760 --> 0:44:41.120
<v Speaker 1>I worked at the railroad or when I was in

0:44:41.160 --> 0:44:45.400
<v Speaker 1>the navy, just like purpose and daily monotonous purpose, like

0:44:45.480 --> 0:44:47.400
<v Speaker 1>a lot of a lot of songs and music and

0:44:47.480 --> 0:44:50.759
<v Speaker 1>melody can come out of that, man Like Yeah, you know,

0:44:50.840 --> 0:44:53.439
<v Speaker 1>without without being conscious of a thing. Yeah, a lot

0:44:53.480 --> 0:44:55.400
<v Speaker 1>of music comes to me like that when I'm not

0:44:55.480 --> 0:44:58.880
<v Speaker 1>sitting down to write music. I wrote Turtles in the shower,

0:44:59.400 --> 0:45:02.200
<v Speaker 1>you know, pretty much that whole entire first two verses

0:45:02.320 --> 0:45:04.080
<v Speaker 1>just like came to me in a shower one morning,

0:45:04.080 --> 0:45:07.680
<v Speaker 1>and I literally almost killed myself getting out of the

0:45:07.680 --> 0:45:10.560
<v Speaker 1>shower to write it all down. What was it like

0:45:10.640 --> 0:45:14.319
<v Speaker 1>working for the railroad? Actually I loved it, man? What

0:45:14.400 --> 0:45:16.759
<v Speaker 1>was the job? What was your job? I started as

0:45:16.760 --> 0:45:19.920
<v Speaker 1>a switchman on a switching yard, as like at this

0:45:20.000 --> 0:45:22.600
<v Speaker 1>intermodal opera, the Union Pacific Yard, and then you kind

0:45:22.640 --> 0:45:25.360
<v Speaker 1>of go through you work up like things that engineer

0:45:25.400 --> 0:45:27.920
<v Speaker 1>would drive the trains. Our main job. It was like

0:45:27.960 --> 0:45:31.439
<v Speaker 1>a main artery center for the entire western region United States.

0:45:31.520 --> 0:45:34.840
<v Speaker 1>We'd have trains coming literally an X from all corners

0:45:34.840 --> 0:45:36.480
<v Speaker 1>of the United States. They pull in and we'd have

0:45:36.520 --> 0:45:39.479
<v Speaker 1>to tear them apart, put other cars on them, slough

0:45:39.600 --> 0:45:41.760
<v Speaker 1>them off, build other trains, and then get them crewed

0:45:41.800 --> 0:45:43.560
<v Speaker 1>and out the gate on time and that kind of thing.

0:45:43.600 --> 0:45:46.279
<v Speaker 1>So it was like heavy, dude shit. You know. It

0:45:46.480 --> 0:45:50.120
<v Speaker 1>definitely saw train rex and you know, big big boy

0:45:50.160 --> 0:45:53.239
<v Speaker 1>pants type stuff. And I ended up. I became a

0:45:53.320 --> 0:45:55.160
<v Speaker 1>yardmaster for a while, which is like you're in this

0:45:55.200 --> 0:45:58.120
<v Speaker 1>pickup truck with eighteen radios and you're kind of coordinating

0:45:58.160 --> 0:46:00.759
<v Speaker 1>all the movements of everything. And then they had a

0:46:00.880 --> 0:46:05.240
<v Speaker 1>nighttime assistant manager position come open, and I decided more money,

0:46:05.320 --> 0:46:09.200
<v Speaker 1>let's do it. Did that, and then I just by chance,

0:46:09.320 --> 0:46:13.759
<v Speaker 1>about a year later, the main operations manager took a

0:46:13.840 --> 0:46:17.080
<v Speaker 1>transfer and they offered me. They offered me the office

0:46:17.120 --> 0:46:20.560
<v Speaker 1>and like running the operations of the yard, and I

0:46:20.600 --> 0:46:22.480
<v Speaker 1>took it. And that's where I fucked up, or i'd

0:46:22.520 --> 0:46:27.320
<v Speaker 1>probably still be there. I just you know, with the

0:46:27.320 --> 0:46:30.480
<v Speaker 1>conference calls and all that gets literally screamed at by

0:46:30.520 --> 0:46:32.439
<v Speaker 1>dudes I'll never meet in my life. Because the train

0:46:32.520 --> 0:46:35.959
<v Speaker 1>came in two minutes late and left three minutes early

0:46:36.040 --> 0:46:40.600
<v Speaker 1>instead of picking up an hour, you know, and I

0:46:40.640 --> 0:46:44.240
<v Speaker 1>think I hit vaporlock in a way just like, wow,

0:46:44.239 --> 0:46:46.000
<v Speaker 1>this is not this is not who I am. So

0:46:46.080 --> 0:46:48.279
<v Speaker 1>I started playing or writing for the first time in

0:46:48.280 --> 0:46:52.840
<v Speaker 1>about four years at night, and my wife, we weren't

0:46:52.880 --> 0:46:54.960
<v Speaker 1>married at the time, and she was just like, she

0:46:55.080 --> 0:46:57.239
<v Speaker 1>just set me down one night, you know, because she's like, look,

0:46:57.280 --> 0:46:59.719
<v Speaker 1>I know your miserables is creating tension with you and me.

0:47:00.440 --> 0:47:04.279
<v Speaker 1>This is what you should be doing, whether anything comes

0:47:04.320 --> 0:47:07.560
<v Speaker 1>up or not. This is who you are, you know. Yeah, beautiful,

0:47:07.680 --> 0:47:10.120
<v Speaker 1>And that was it, and we I think two three

0:47:10.160 --> 0:47:13.960
<v Speaker 1>months later we had sold everything we couldn't fit in

0:47:14.000 --> 0:47:19.760
<v Speaker 1>the Bronco and drove Nashville Wow two into two thousand

0:47:19.840 --> 0:47:22.960
<v Speaker 1>ten a blue. And it's interesting if it wasn't for

0:47:23.040 --> 0:47:26.480
<v Speaker 1>that change in jobs, like you say, like you you

0:47:26.640 --> 0:47:29.160
<v Speaker 1>worked your way up the ladder at the point of

0:47:29.160 --> 0:47:33.080
<v Speaker 1>where it didn't suit you anymore, and luckily we get

0:47:33.280 --> 0:47:35.600
<v Speaker 1>we get your music now. Yeah, I mean, before I

0:47:35.640 --> 0:47:37.279
<v Speaker 1>took the management gig man, I was out on the

0:47:37.360 --> 0:47:39.439
<v Speaker 1>yard like twelve hours a day, and it was good.

0:47:39.480 --> 0:47:41.879
<v Speaker 1>We'd work three days, have three days off, work four,

0:47:41.960 --> 0:47:45.719
<v Speaker 1>have four off. You know, Salt Lake City's beautiful. Man,

0:47:46.120 --> 0:47:48.000
<v Speaker 1>it's kind of a well kept secret. The yard was

0:47:48.040 --> 0:47:50.320
<v Speaker 1>out in the west part of the valley, in the desert,

0:47:51.000 --> 0:47:53.560
<v Speaker 1>so like my office was looking at the Okrah Mountain

0:47:53.640 --> 0:47:55.800
<v Speaker 1>Range and over here is the western face of the Rockies,

0:47:55.800 --> 0:47:59.680
<v Speaker 1>and there's three hundred days of sunshine, and uh, I

0:48:00.160 --> 0:48:03.520
<v Speaker 1>very well possibly might still be there if all of

0:48:03.560 --> 0:48:06.400
<v Speaker 1>that hadn't gone the way it did, which is a

0:48:06.440 --> 0:48:11.200
<v Speaker 1>strange thing to think about. Yeah, it's amazing how so

0:48:11.280 --> 0:48:14.000
<v Speaker 1>much of this is out of our control, you know. Yeah,

0:48:14.160 --> 0:48:18.960
<v Speaker 1>control is an interesting concept. Letting go of that I

0:48:18.960 --> 0:48:22.560
<v Speaker 1>think has been the greatest lesson for me. But also

0:48:22.640 --> 0:48:25.600
<v Speaker 1>that job taught me a lot that most musicians probably

0:48:25.640 --> 0:48:29.120
<v Speaker 1>don't know, like logistics and overhead and keeping numbers in

0:48:29.160 --> 0:48:31.480
<v Speaker 1>the blacks. So like, you know, even the people around me.

0:48:31.520 --> 0:48:35.600
<v Speaker 1>I keep a pretty tight grip on my business. And

0:48:35.719 --> 0:48:38.359
<v Speaker 1>I'm thankful for that because I see, I see how

0:48:38.360 --> 0:48:39.920
<v Speaker 1>easy it would be for a lot of artists just

0:48:39.960 --> 0:48:42.840
<v Speaker 1>be copacetic and complacent and then you wake up and

0:48:42.840 --> 0:48:45.640
<v Speaker 1>you like, why am I broke? You know? So that

0:48:45.680 --> 0:48:48.799
<v Speaker 1>would be that's something in terms of dealing with the

0:48:49.000 --> 0:48:51.840
<v Speaker 1>mechanics and especially the record labels and then I self

0:48:51.920 --> 0:48:55.200
<v Speaker 1>manage myself for about three years, so I learned more

0:48:55.239 --> 0:48:58.000
<v Speaker 1>about the business than I probably want to know. Just

0:48:58.040 --> 0:49:00.480
<v Speaker 1>out of sheer necessity. I would sit on the lawyers

0:49:00.520 --> 0:49:02.760
<v Speaker 1>that make them explain things to me and like really

0:49:03.440 --> 0:49:07.600
<v Speaker 1>the back channels of how it all unfortunately works. So

0:49:08.040 --> 0:49:10.600
<v Speaker 1>and that's been good, and it's terms of like working

0:49:10.600 --> 0:49:12.719
<v Speaker 1>with my friends, people like Tyler and Margot, I've been

0:49:12.719 --> 0:49:16.319
<v Speaker 1>able to hopefully give them some pretty valuable advice to

0:49:16.400 --> 0:49:18.440
<v Speaker 1>keep them from making even some of the mistakes that

0:49:18.480 --> 0:49:21.239
<v Speaker 1>I made, knowing what I know, you know, and I

0:49:21.280 --> 0:49:24.080
<v Speaker 1>think it's just finding a new path and what is

0:49:24.160 --> 0:49:28.359
<v Speaker 1>ultimately a wild, wild West again, and there's a real

0:49:28.400 --> 0:49:31.000
<v Speaker 1>opportunity for artists to put a lot of the power

0:49:31.040 --> 0:49:34.680
<v Speaker 1>back in their own hands. Yeah, any recommendations you have

0:49:34.800 --> 0:49:39.680
<v Speaker 1>for artists in general, don't sign anything. There's no such

0:49:39.719 --> 0:49:41.440
<v Speaker 1>thing as a good record deal, even if you've got

0:49:41.440 --> 0:49:45.719
<v Speaker 1>a great one, it's it's essentially a bad loan from

0:49:45.719 --> 0:49:47.680
<v Speaker 1>a really shitty bank. And in this day and age,

0:49:47.680 --> 0:49:49.920
<v Speaker 1>if you've got work ethic and hustle and you're not

0:49:49.960 --> 0:49:52.399
<v Speaker 1>afraid to go out and do the laps, and by

0:49:52.440 --> 0:49:54.120
<v Speaker 1>that I mean go out and build a fan base

0:49:54.160 --> 0:49:56.239
<v Speaker 1>as opposed to go onto an industry town and waiting

0:49:56.280 --> 0:49:57.840
<v Speaker 1>for a bunch of suits to make it happen for you,

0:49:57.920 --> 0:50:00.600
<v Speaker 1>because that ain't gonna happen. They're not taking game anymore.

0:50:01.280 --> 0:50:03.680
<v Speaker 1>And if that does happen, I guess those are the

0:50:03.680 --> 0:50:05.359
<v Speaker 1>people that like wake up and don't know how hard

0:50:05.400 --> 0:50:07.680
<v Speaker 1>they just got fleeced a year later. But if you

0:50:07.680 --> 0:50:09.960
<v Speaker 1>want to play music, do what musicians do and go

0:50:10.040 --> 0:50:13.640
<v Speaker 1>play music. You know. That's that's what I did, and

0:50:13.680 --> 0:50:15.360
<v Speaker 1>that's the only reason I'm sitting you're talking to you

0:50:15.480 --> 0:50:20.640
<v Speaker 1>right now. Yeh, make good music, play good shows, wash rents. Repeat.

0:50:20.800 --> 0:50:23.359
<v Speaker 1>My wife, we're okay. But like she told me one

0:50:23.360 --> 0:50:25.360
<v Speaker 1>time and I realized she's a serious I probably turned

0:50:25.360 --> 0:50:27.319
<v Speaker 1>down more money than I made just because of what

0:50:27.440 --> 0:50:29.319
<v Speaker 1>came with it, you know, because like that, a lot

0:50:29.360 --> 0:50:33.040
<v Speaker 1>of it really kind of freaks me out because you're

0:50:33.719 --> 0:50:36.120
<v Speaker 1>as an introverted only child, you're letting a lot of

0:50:36.120 --> 0:50:38.920
<v Speaker 1>shit into your bubble and there it is, you know,

0:50:39.000 --> 0:50:40.600
<v Speaker 1>And I know there will be a day where I

0:50:40.640 --> 0:50:46.719
<v Speaker 1>probably don't do this anymore. Yeah, So I wonder, I

0:50:46.719 --> 0:50:49.480
<v Speaker 1>wonder if that's true, because if this really is what

0:50:49.520 --> 0:50:51.600
<v Speaker 1>you're meant to be doing. You can do this for

0:50:51.640 --> 0:50:56.040
<v Speaker 1>a long time, and in some ways, by choosing not

0:50:56.160 --> 0:51:00.439
<v Speaker 1>to take the check, you're not taking the office job.

0:51:00.800 --> 0:51:04.640
<v Speaker 1>You're still working in the train yard. Yeah, doing the

0:51:04.640 --> 0:51:08.480
<v Speaker 1>thing that that feels good. Yeah. I think for me,

0:51:09.160 --> 0:51:12.040
<v Speaker 1>I love the studio, I love creating, and I love

0:51:12.160 --> 0:51:16.560
<v Speaker 1>playing live when I want to. Yeah, I don't know

0:51:16.600 --> 0:51:18.959
<v Speaker 1>that I really ever feel the need to go spend

0:51:19.040 --> 0:51:20.919
<v Speaker 1>nine months a year on a tour bus again, though

0:51:21.080 --> 0:51:23.080
<v Speaker 1>that's not really At a certain point, you're like, wait,

0:51:23.719 --> 0:51:25.680
<v Speaker 1>who am I doing this for it? You know, because

0:51:26.680 --> 0:51:29.799
<v Speaker 1>I wanted to go home three months ago. So I

0:51:29.840 --> 0:51:33.719
<v Speaker 1>think it's learning your limits and learning you just want

0:51:33.760 --> 0:51:35.520
<v Speaker 1>everything to be the best you have to give, and

0:51:35.600 --> 0:51:38.680
<v Speaker 1>it's hard to be inspired if you're not. So that's

0:51:38.719 --> 0:51:40.719
<v Speaker 1>what I've learned from it all. Sometimes the best thing

0:51:40.760 --> 0:51:42.719
<v Speaker 1>I can do for my music is to not play

0:51:42.800 --> 0:51:46.000
<v Speaker 1>music and go and just live for a while. Yeah,

0:51:46.360 --> 0:51:49.319
<v Speaker 1>I really have been. I've been fishing all summer. Man,

0:51:50.040 --> 0:51:51.960
<v Speaker 1>we're down we're down here on the coast. So I

0:51:52.040 --> 0:51:56.320
<v Speaker 1>just feeding the crabs and playing guitar, playing with the kids,

0:51:57.000 --> 0:52:01.399
<v Speaker 1>reading a lot of Harry Potter to them. And then, uh,

0:52:01.440 --> 0:52:03.640
<v Speaker 1>you know at night, I spend time on the internet

0:52:03.640 --> 0:52:07.000
<v Speaker 1>looking at really expensive cars that go way too fast.

0:52:07.040 --> 0:52:09.600
<v Speaker 1>And that's that's sort of where I'm at. You know,

0:52:10.760 --> 0:52:14.080
<v Speaker 1>sounds pretty good. Yeah, it's something to do. Yeah, writing,

0:52:14.239 --> 0:52:17.720
<v Speaker 1>writing songs when they come, and then looking looking forward

0:52:17.760 --> 0:52:21.360
<v Speaker 1>to what's next. Great man, Well, thank you for talking,

0:52:21.800 --> 0:52:27.240
<v Speaker 1>you too, man, Thank you, Rut. Thanks to Stigill Simpson

0:52:27.360 --> 0:52:29.440
<v Speaker 1>for catching up with the Rick. You can hear all

0:52:29.480 --> 0:52:31.920
<v Speaker 1>of our favorite Sturgil songs on a playlist at Broken

0:52:31.960 --> 0:52:35.440
<v Speaker 1>Record podcast dot com, and be sure to subscribe to

0:52:35.480 --> 0:52:39.560
<v Speaker 1>our YouTube channel at YouTube dot com slash broken Record Podcast.

0:52:40.080 --> 0:52:43.120
<v Speaker 1>There you can find extended cuts of new and old episodes.

0:52:44.160 --> 0:52:47.240
<v Speaker 1>Broken Record is produced with helpful Leah Rose, Jason Gambrel,

0:52:47.440 --> 0:52:52.000
<v Speaker 1>Martin Gonzalez, Eric Sandler, and it's executive produced by miol Bell.

0:52:52.760 --> 0:52:55.239
<v Speaker 1>Broken Record is production of Pushkin Industries. And if you

0:52:55.320 --> 0:52:57.520
<v Speaker 1>like our show, please remember to share, rate, and review

0:52:57.600 --> 0:53:00.799
<v Speaker 1>us on your podcast. Act our themes, expect any beats.

0:53:01.000 --> 0:53:07.160
<v Speaker 1>I'm justin Richmond, Bass m