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Speaker 1: The volume.

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Speaker 2: Willian happy twenty twenty six. That welcome back. It's a

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Speaker 2: whole new year.

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Speaker 3: I was trying to give you some like effects. Oh,

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Speaker 3: I wanted to sound like it was like twenty yeah

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Speaker 3: the studio no, you know, splices enable to now too.

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Speaker 3: So you had a great break just like me. You

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Speaker 3: have all the sound effects, all the sound effects. We

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Speaker 3: are back twenty twenty six.

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Speaker 2: Rory, it does like it feels like a Jetson's year.

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Speaker 2: You're much much much older than me, like light years

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Speaker 2: you like years older than twenty twenty six. I still

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Speaker 2: feels like futuristic to me. I can only imagine someone

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Speaker 2: born in the nineteen sixty.

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Speaker 3: I was born in the nineteen hundreds.

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Speaker 2: I saw a tweet over the break that someone said,

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Speaker 2: the young kids are calling people born in the nineties,

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Speaker 2: the late nineteen hundreds. I was like, all right, man,

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Speaker 2: I wasn't born in the late nineteen.

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Speaker 3: He was born in the late nineteen hundred. Yeah, y'all

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Speaker 3: was born. We was all born in the late nineteen hundreds.

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Speaker 2: How was your break? It was cool? Man.

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Speaker 3: Spent some time with the Fams and saw some friends

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Speaker 3: that I haven't seen in a little while. Caught up

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Speaker 3: with some of my you know, old buddies and shit

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Speaker 3: like that. Old buddies, old buddies. Man, everybody's getting older.

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Speaker 3: Man seeing all my friends.

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Speaker 2: Little a little rounder in the face.

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Speaker 3: Yeah, you know what I'm saying. It's like, damn, that's

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Speaker 3: what you be doing now on your off days. You know,

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Speaker 3: It's funny when you see like dudes used to run

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Speaker 3: the streets with it, and then you see them as

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Speaker 3: like grown men and it seeming like what they do.

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Speaker 3: You're like, this is what you do. Like when you

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Speaker 3: ain't got no like gotta work, you just be like,

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Speaker 3: this is what you want.

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Speaker 2: It's like this is all I got. Yeah. I tried

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Speaker 2: to do like a FaceTime with like the three high

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Speaker 2: school friends that I still talk to on New Year's Eve.

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Speaker 2: Two out of three were already asleep. This is at

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Speaker 2: like eleven pm. You got. It was just it was

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Speaker 2: just the waiting shit the whole time. He was like,

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Speaker 2: they're not even going People.

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Speaker 3: That fal asleep before the ball drop scared me though,

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Speaker 3: like a father to not stay up.

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Speaker 2: What's crazy? He is one of them is in Tucson, Arizona,

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Speaker 2: so he was three hours behind us in a sleep. Wow.

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Speaker 3: I was like all right, sleep at eight. I don't

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Speaker 3: trust you.

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Speaker 1: Yes, sleep at eight.

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Speaker 3: I don't trust you if you sleep at apn the

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Speaker 3: news ain't even on yet. You don't even know what's

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Speaker 3: going on in the world yet.

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Speaker 2: I'll see it. I'll see it at five am when

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Speaker 2: I wake up. Nah, man, I saw it with Foxing

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Speaker 2: Friends in the morning. Yeah, you gotta see.

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Speaker 3: Ryan Seacrest at midnight on New Year's You have to.

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Speaker 2: You actually don't, though, No, you don't have to. Man

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Speaker 2: if you in New York, you have to. I mean,

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Speaker 2: I feel like when Steve Harvey and Gronk took over

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Speaker 2: that that could have been like I could have cut

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Speaker 2: this stable. But I mean then he smashed the lego

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Speaker 2: Steve Harvey and their relationship was over. Yeah, that was

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Speaker 2: probably my favorite moment in recent time Square member.

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Speaker 3: Seeing twenty twenty six on the ball drop was just

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Speaker 3: like it was crazy just seeing that number, Like, you

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Speaker 3: don't you never thought I never thought I would see

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Speaker 3: that number. I never thought I like in real life,

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Speaker 3: like imagine being in high school in the nineties and

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Speaker 3: then you know, you said the the year, Yeah, twenty

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Speaker 3: twenty six. I thought we will all be dead at

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Speaker 3: twenty twenty six.

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Speaker 2: And speaking of Time Square New Year's Eve, this is

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Speaker 2: why I hate young hip hop Twitter. I'm starting out

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Speaker 2: as an old man hating out the gate. All all

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Speaker 2: the headlines on Twitter were Jada Kisses in Tome Square

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Speaker 2: with no security. Jadakis used to go to skate key

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Speaker 2: with no security wherever. They thought it was the craziest

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Speaker 2: thing that kiss would be in Tome Square on New

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Speaker 2: Yars even no security. Jada kiss He walked School Street

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Speaker 2: exactly scared Tom Square on New Year's Eve.

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Speaker 3: Yeah that was I don't understand how people thought that

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Speaker 3: was such a big deal.

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Speaker 2: Like Jada Kisses walked even he was joking, yo, no security,

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Speaker 2: Like yeah, he was joking.

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Speaker 3: Much tougher streets than Tom Square, Like are you kidding me?

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Speaker 2: But you didn't do anything at all. I literally just

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Speaker 2: watched the Knicks and ball drop and I went to sleep.

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Speaker 2: But I didn't do nothing.

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Speaker 3: I was in the house, you know, just cleaned up,

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Speaker 3: you know, did all of that throughout the day, cleaned

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Speaker 3: everything and got rid of a lot of stuff, you know,

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Speaker 3: going into the New year kind of you know, just

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Speaker 3: old rituals you do.

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Speaker 2: Did that.

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Speaker 3: I was going link up with and my friends but

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Speaker 3: then I was just like for what to just come

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Speaker 3: straight home after Like, it's just like I'm just chilling

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Speaker 3: the cribs. So I was home, Yeah, FaceTime my sister

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Speaker 3: and my nephew. New Year's my sister. You know, she's

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Speaker 3: holy rolling in the church, he prayed. I like it,

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Speaker 3: so I did, you know. I tried to had to

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Speaker 3: act like I was praying to you, just close yours.

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Speaker 2: She's seen combat. It's a relationship with the Lord than you.

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Speaker 1: Yeah.

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Speaker 2: I just took a quick nap. That was it.

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Speaker 3: Quick thirty second nap. Why she preak, But that was it.

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Speaker 2: Yeah. Yeah, it just brought Christmas too. Was just chilling.

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Speaker 2: I had a very very calm break, which I needed

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Speaker 2: and loved. Yeah.

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Speaker 3: Spent a lot of time chilling, relaxing, get some rest. Yeah,

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Speaker 3: and that was it, man.

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Speaker 2: Yeah. I had to awkwardly break to my family that Christmas,

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Speaker 2: Eve and Christmas would be sober this year. Mmm. Like

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Speaker 2: my mom was like, yo, you want to stop by

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Speaker 2: legistoring yourself? Like nah, She was like, all right, do

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Speaker 2: you want me to go? I said nah. She was

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Speaker 2: like all right, So what are we going to drink? Nothing?

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Speaker 2: There's celica water in the fresh. Yeah yeah, raspberry the

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Speaker 2: lime I think it is. It's flavord yeah yeah. So

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Speaker 2: nothing is more awkward than a sober Irish holiday. Yeah.

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Speaker 2: I feel like I actually got to know my parents

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Speaker 2: for the first time in thirty five years. What did

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Speaker 2: they do? It was cool, it was just it was quiet,

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Speaker 2: it was calm. I realized that a lot of my

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Speaker 2: family we suppressed things naturally, and alcohol will everything you

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Speaker 2: were thinking of the whole year will explode. It. It's

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Speaker 2: like an Irish Tyler Perry dinner scene. So I'll tell

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Speaker 2: you I had nothing to talk about. It was. It

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Speaker 2: was just like, so, how's so mars counting? It was

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Speaker 2: so but I was like arriving and loving the like.

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Speaker 2: It was so fun to just watch adults have to

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Speaker 2: be themselves.

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Speaker 3: Yeh, it was weird, that's funny. I decided that I'm

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Speaker 3: not smoking twenty six. I don't believe that shit. I

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Speaker 3: haven't smoked year.

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Speaker 2: Knew me.

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Speaker 1: January January. But this nigga right here is going to

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Speaker 1: do a fucking unhigh fucking whole year.

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Speaker 3: All right, cool, but more than I've I've gone four

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Speaker 3: years without smoking before.

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Speaker 2: Yeah, it's not hard. Thirty years ago, no was it.

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Speaker 3: That's not hard for me to do, like to stop smoking,

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Speaker 3: it's really not hard.

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Speaker 1: Like, well, what you're gonna do to supplement because smoke

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Speaker 1: and be balancing out your mood. I ain't really got

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Speaker 1: too much for you if I.

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Speaker 3: Never smoke before I see you, you don't smoke in

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Speaker 3: the morning. Not hell, No, I'm not waking Baker.

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Speaker 2: I don't do that. Nah. I've never been that guy,

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Speaker 2: but Hi'm all on the pods the few times we

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Speaker 2: have him is one of my favorite. Like, I wouldn't

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Speaker 2: mind if you do the little waken Baker.

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Speaker 3: But I'll smoke here like on you know, on Patreon

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Speaker 3: sometimes I would, but like before I come to the

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Speaker 3: to the student in the morning, so I never smoke.

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Speaker 2: You get high mall with a girl here, Nah, he's

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Speaker 2: gonna be that's Will Chamber points.

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Speaker 1: We just saw the footage over the break. Can't tell

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Speaker 1: each other out. He's gonna be too cool. I don't

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Speaker 1: want to see how mall risen up. No, Chick, I

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Speaker 1: need silly mal I like drunk law drunks. Mall is

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Speaker 1: my favorite.

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Speaker 3: Can I ask you this, baby, whenever you ever see

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Speaker 3: me rise up and chick, we're letting maybe they just

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Speaker 3: get like, when have you ever baby seen me? Like

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Speaker 3: documented in his wrist bag, when have you ever seen

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Speaker 3: that in my house? Would be smoke.

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Speaker 2: That was razed game, that's crazy. The Riz meet the Riz,

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Speaker 2: the Riz Riddler meter was nuts. No, that was me.

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Speaker 2: That was risometer for sure. Oh that was friends. That

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Speaker 2: was friends, just we made we have We should probably

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Speaker 2: re upload that and put the risometer next to it.

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Speaker 2: As as the episode progresses, you just love.

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Speaker 3: That's a friend, man, that doesn't count. That's friends. Gosh,

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Speaker 3: that's friendship. We were just catching up on the couch.

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Speaker 2: That was it. That was like real time, y'all. Was

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Speaker 2: just let in on that.

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Speaker 3: Like the cameras just happened to be it.

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Speaker 2: Was my house.

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Speaker 3: Yeah, it just happened. But we just happened to set

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Speaker 3: up the cameras like you were opening your doors to me.

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Speaker 3: We just happened to set up the cameras. Like that's

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Speaker 3: how the conversation would have went went out of the camp.

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Speaker 2: Yeah, we didn't plan for episode. No, no, come on, man,

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Speaker 2: you know this is us. Man, this is us Baby,

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Speaker 2: Me and Peage almost went to Belize for New Year's

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Speaker 2: almost almost how do you own? It was like a

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Speaker 2: ninety eight percent chance. The court shut it down. But me,

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Speaker 2: me and Peage was about to just be in Belize

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Speaker 2: for forty eight hours. The court shut it down. Yeah, which,

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Speaker 2: well I'll tell you off Mike. Okay, No, we was

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Speaker 2: about to be out. We was about to be on

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Speaker 2: the compound going nuts with our SPF. Oh my gosh.

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Speaker 2: Like I was more excited, not it was for work purposes,

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Speaker 2: We're gonna shoot some stuff down there. I was more

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Speaker 2: excited to just FaceTime the group with me and Peage, like,

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Speaker 2: not tell y'all anything.

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Speaker 3: Oh god, I'm so glad that got canceled. That's just

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Speaker 3: disgusting to bring it in new year like that.

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Speaker 2: And I said, page is the most the wildest text, like, yo,

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Speaker 2: you want to go to Belize tomorrow? And he said sure.

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Speaker 2: Didn't ask any follow up questions nothing.

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Speaker 3: Can we see how many flights have left Kansas headed

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Speaker 3: to Belief. I don't think no flight has ever left

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Speaker 3: Cans He.

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Speaker 2: Said yes, And his only follow up was let me

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Speaker 2: know so I could pack up the equipment.

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Speaker 3: Okay, that makes sense, though we were right, we were ready.

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Speaker 3: We's gonna shoot something. Yeah, that makes sense if it's work.

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Speaker 3: But I just wanted to like to know how many

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Speaker 3: flights leave Kansas City to Belieze. I budgeted things that

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Speaker 3: once once a week. You gotta get them up flight

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Speaker 3: once a week. Who the fuck is going to believes

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Speaker 3: for Kansas City?

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Speaker 2: And I'm so ignorant. I don't even realize how big

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Speaker 2: believes were. I just thought there was like one airport

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Speaker 2: that I go to the map, I'm like, I should

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Speaker 2: probably figure out where we're shoot at yea to where.

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Speaker 3: I said clear Belieze City. But oh, there's actually a

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Speaker 3: flight with every other hour. Oh ship, I didn't know

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Speaker 3: that drugs. It's Kansas, you know.

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Speaker 2: Just is the airport in Kansas?

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Speaker 3: Is that like a uh it's the International Airwood Oh okay,

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Speaker 3: then yeah that makes sense. I'm seeing all these flights.

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Speaker 3: They got to be international. What airports are not JFK's now,

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Speaker 3: I mean the waters International.

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Speaker 2: Oh yeah that's true. So yeah, I was about to

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Speaker 2: have a crazy New Year's Eve, but it ended up

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Speaker 2: falling apart.

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Speaker 3: Yeah, I'm glad. I'm glad that y'all didn't. Yeah, and

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Speaker 3: want to believe that's too much. No, I would have

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Speaker 3: been fun. They want to believee for twenty four hours

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Speaker 3: it's hilarious. No, it sounds like a great time. I

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Speaker 3: just just like y'all pale.

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Speaker 2: We would have spent more time in the air than

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Speaker 2: we would have like in Belieze. Yes, and it would

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Speaker 2: have been worth just FaceTime you guys if like, what

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Speaker 2: the fuck are y'all doing? Yeah, that would have been nasty.

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Speaker 2: Baby did. How was your holiday? I was your break?

241
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Speaker 2: I missed you. You're a liar. I tried to get

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Speaker 2: it off. I'm sorry.

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Speaker 1: Yeah, I hate when a nigga lie to me no

244
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Speaker 1: more that baby did.

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Speaker 2: Yeah, we know about.

246
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Speaker 1: Say ain't no more niggas line I got.

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Speaker 3: I'm telling you right now, I got my list of

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Speaker 3: things I bet and I hear you saying in twenty

249
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Speaker 3: twenty So what's the list now?

250
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Speaker 2: I'm just when you say it, I'm gonna say that's

251
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Speaker 2: on the list. You can't. I don't want to hear that.

252
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Speaker 2: I knew that.

253
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Speaker 1: I knew you was gonna guest seven, Like, know the

254
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Speaker 1: fuck you didn't? What was your number?

255
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Speaker 2: You said?

256
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Speaker 3: I it's just certain things I don't want to hear

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Speaker 3: from you in twenty twenty six. And when I start

258
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Speaker 3: to see that, you look like you're about to say it.

259
00:10:31,760 --> 00:10:34,679
Speaker 3: I'm gonna stop you. I'm like, don't even But how

260
00:10:34,760 --> 00:10:35,960
Speaker 3: is your holiday? How was your break?

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Speaker 1: It was awful? But thank you for asking. You know,

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Speaker 1: life goes on.

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00:10:39,679 --> 00:10:40,760
Speaker 2: Life does go on, all right.

264
00:10:40,800 --> 00:10:45,880
Speaker 3: That's baby DDW clapping out, clapping like clapping up for life.

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Speaker 2: Baby did so depressed. Well, there's a reason why I

266
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Speaker 2: just asked you, how did your break? Yeah, like I

267
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Speaker 2: was going to just skip over that because already.

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Speaker 3: Baby d But I like you. You know that obviously,

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Speaker 3: I'll prays with you, so you and the family.

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Speaker 2: So yes, nobody has wished me a happy founder's day.

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Speaker 2: Happy found his day to the greatest fraternity in the

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Speaker 2: entire world. Lam De Lamb de Lambda no capital Officibe

273
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Speaker 2: Fraternity Incorporated. We're in my Indiana University and my scroller

274
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Speaker 2: Green today.

275
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Speaker 3: That's where it started, right, Yes, is that the villain

276
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Speaker 3: origin for the Kappus Indiana University. I wouldn't call it

277
00:11:21,920 --> 00:11:25,079
Speaker 3: a villain origin. They were somebody were ten gods here

278
00:11:25,080 --> 00:11:28,080
Speaker 3: in that attorney started. Somebody didn't get picked up for

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Speaker 3: the pickup game. He got mad, went home and said

280
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Speaker 3: I'll show them, and then he went and made a

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Speaker 3: group of his own friends.

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Speaker 2: Well, mall if if you must know, Indiana has the

283
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Speaker 2: highest population of KKK members, and the ten black gentlemen

284
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Speaker 2: that were attending Indiana University obviously faced a lot of

285
00:11:46,480 --> 00:11:50,079
Speaker 2: racism in nineteen oh nine, nineteen ten into nineteen eleven

286
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Speaker 2: when it was founded. So yeah, it was a little

287
00:11:52,120 --> 00:11:54,960
Speaker 2: bit more than being picked last for a pickup game.

288
00:11:55,000 --> 00:11:56,040
Speaker 2: It was more about survival.

289
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Speaker 3: So they like the Bill Russells of the Eternity.

290
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Speaker 2: I wouldn't put it that way, but if you want to,

291
00:12:02,400 --> 00:12:03,080
Speaker 2: that's your journey.

292
00:12:03,679 --> 00:12:06,000
Speaker 3: I mean the green Celtic green is the same, like

293
00:12:06,160 --> 00:12:07,559
Speaker 3: it's part of the same type of story.

294
00:12:07,600 --> 00:12:11,160
Speaker 2: Well, Indiana colors are red, but yeah, yeah, this is

295
00:12:11,760 --> 00:12:13,640
Speaker 2: it's deeper than you know what this color to see.

296
00:12:13,679 --> 00:12:15,439
Speaker 3: I don't even listen, and it's a whole it's another link.

297
00:12:15,480 --> 00:12:16,679
Speaker 3: I don't even want to know about it.

298
00:12:17,280 --> 00:12:19,320
Speaker 2: I know nothing about it because it's a non hazennation.

299
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Speaker 3: Happy Founder's Day to you and.

300
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Speaker 2: The all of the members of Kapa Aphosophergy. Absolutely great

301
00:12:24,760 --> 00:12:27,080
Speaker 2: shout out to the guys. I went out last night

302
00:12:27,120 --> 00:12:31,000
Speaker 2: for a little celebration, a twenty five plus party. I

303
00:12:31,080 --> 00:12:32,760
Speaker 2: was so excited when I saw the fly. What is

304
00:12:32,760 --> 00:12:35,320
Speaker 2: a twenty five plus there was Saturday night was like

305
00:12:35,320 --> 00:12:39,000
Speaker 2: the young Kids celebration, which I was not going to

306
00:12:39,080 --> 00:12:42,160
Speaker 2: go to, but I ended up being free around eleven

307
00:12:42,200 --> 00:12:46,360
Speaker 2: pm to go, so I stopped by real quick and

308
00:12:46,520 --> 00:12:50,199
Speaker 2: lasted all of five minutes with the youngsters. But yesterday

309
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Speaker 2: Sunday was the R and B Day party twenty five

310
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Speaker 2: plus for Founder's Day. I had such a good time.

311
00:12:55,240 --> 00:12:57,240
Speaker 2: Oh it was the Founders. It was okay, Yeah, it

312
00:12:57,280 --> 00:12:59,520
Speaker 2: was great. It was great to see everyone. It was

313
00:12:59,559 --> 00:13:01,720
Speaker 2: the R and B party. Yes, it's funnyest. I was

314
00:13:01,760 --> 00:13:03,400
Speaker 2: gonna hit you, but I was like, that is not

315
00:13:03,880 --> 00:13:06,920
Speaker 2: I called you drinking, but that is what's funny. Baby.

316
00:13:06,960 --> 00:13:07,679
Speaker 2: He was gonna call you.

317
00:13:08,320 --> 00:13:11,319
Speaker 1: I literally called him yesterday and the nigga was taking shots, but.

318
00:13:11,280 --> 00:13:13,439
Speaker 3: He was gonna call you. Though you don't understand. I'm

319
00:13:13,480 --> 00:13:15,559
Speaker 3: just letting you know that he was gonna call you.

320
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Speaker 1: You know, I love that party. He called me. He

321
00:13:17,720 --> 00:13:19,360
Speaker 1: called me and told me he was about But it's

322
00:13:19,360 --> 00:13:21,040
Speaker 1: not a this is the first time they've done it.

323
00:13:21,480 --> 00:13:23,280
Speaker 1: Oh well I went to some capa party with you

324
00:13:23,320 --> 00:13:23,920
Speaker 1: before or whatever.

325
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Speaker 3: Yeah, but baby, did it is dry January. You don't

326
00:13:26,160 --> 00:13:27,080
Speaker 3: need to be going to no party.

327
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Speaker 2: I don't have to drink to go to a party.

328
00:13:29,280 --> 00:13:30,439
Speaker 2: Not the baby d I know.

329
00:13:31,600 --> 00:13:33,920
Speaker 1: Yeah, people, I ain't gonna lie being around you.

330
00:13:34,240 --> 00:13:36,199
Speaker 3: Be no clubs sober. You can't be in no day

331
00:13:36,240 --> 00:13:36,839
Speaker 3: party sober.

332
00:13:36,920 --> 00:13:37,360
Speaker 2: You know that.

333
00:13:38,400 --> 00:13:40,160
Speaker 3: You're right, Yeah, you can't do that to yourself.

334
00:13:40,720 --> 00:13:42,840
Speaker 2: See you try, slipper. What's in that? First of all?

335
00:13:42,800 --> 00:13:47,000
Speaker 2: What's in that? Stanley? Can you smell it? Burt Burke?

336
00:13:47,120 --> 00:13:53,000
Speaker 2: My face is that's freaking that's freaking Burt baby? What's

337
00:13:53,040 --> 00:13:53,640
Speaker 2: in that cup?

338
00:13:54,720 --> 00:13:56,200
Speaker 1: Now you're having to get eat you out and tell

339
00:13:56,240 --> 00:13:57,320
Speaker 1: him to bury your fake Burt?

340
00:13:57,440 --> 00:14:05,160
Speaker 2: What's up? Why? Man? Last feet? Cut it out? That's

341
00:14:05,160 --> 00:14:08,360
Speaker 2: the first clip, Maine, No cut it out? No cutting?

342
00:14:08,840 --> 00:14:10,640
Speaker 2: Why did you break it? See? This is what happened

343
00:14:10,640 --> 00:14:12,880
Speaker 2: when you don't drink. See this is bad happened where

344
00:14:12,920 --> 00:14:16,920
Speaker 2: you don't drink. That's crazy that I would have to

345
00:14:17,000 --> 00:14:21,120
Speaker 2: drink to get there. But on Saturday it was going

346
00:14:21,120 --> 00:14:22,600
Speaker 2: to hit you like, yo, Sunday, I'm going to this.

347
00:14:22,720 --> 00:14:24,560
Speaker 2: But I felt like you weren't going to go all

348
00:14:24,600 --> 00:14:25,440
Speaker 2: the way to Newark And.

349
00:14:25,680 --> 00:14:28,360
Speaker 1: Oh it was in Jersey? Yeah, oh no, I was

350
00:14:28,400 --> 00:14:29,160
Speaker 1: made in New Jersey.

351
00:14:29,240 --> 00:14:29,640
Speaker 2: He wasn't.

352
00:14:29,720 --> 00:14:32,680
Speaker 3: It's my tribe. What he was made where New Jersey,

353
00:14:32,760 --> 00:14:35,520
Speaker 3: New Jersey. He was made made in New Jersey.

354
00:14:35,240 --> 00:14:38,320
Speaker 2: Sorry. I did the test and paid the money and

355
00:14:39,440 --> 00:14:41,520
Speaker 2: it was one weekend, okay, and I became a member

356
00:14:42,360 --> 00:14:45,000
Speaker 2: made being uh paperwork.

357
00:14:44,880 --> 00:14:46,720
Speaker 1: Yeah, we get it. No haz an organization.

358
00:14:46,880 --> 00:14:50,080
Speaker 3: Do you have any resolutions that you self yourself? There's

359
00:14:50,160 --> 00:14:52,120
Speaker 3: no drinking on Christmas Day? Is that something you're gonna

360
00:14:52,320 --> 00:14:53,960
Speaker 3: Are you doing drw January? Or did you drink at

361
00:14:54,000 --> 00:14:55,800
Speaker 3: the R and B party? I drank it the Army Okay,

362
00:14:55,880 --> 00:14:57,560
Speaker 3: all right, well you gotta start seven.

363
00:14:57,680 --> 00:15:01,120
Speaker 2: I didn't drink years though it injured. Yeah, the Army party. Listen.

364
00:15:01,160 --> 00:15:03,040
Speaker 2: I had social anxiety the moment I fucking walked in there.

365
00:15:03,120 --> 00:15:04,720
Speaker 2: Thank god I went to the pregame, because if I

366
00:15:04,760 --> 00:15:06,560
Speaker 2: went in there dead silber, I probably would have walked out.

367
00:15:06,800 --> 00:15:08,400
Speaker 2: Even though it was good to see like people I

368
00:15:08,440 --> 00:15:10,360
Speaker 2: hadn't seen in a while. It was similar to you

369
00:15:10,640 --> 00:15:12,880
Speaker 2: seeing friends. Yeah, round in the face and it's still

370
00:15:13,040 --> 00:15:17,640
Speaker 2: yeah good, good to kick it with everyone. I forgot that,

371
00:15:17,880 --> 00:15:24,480
Speaker 2: like women still go to parties. All that women do

372
00:15:24,560 --> 00:15:26,880
Speaker 2: is go to Yeah, but like the women we would

373
00:15:26,880 --> 00:15:31,320
Speaker 2: all like like not the ig model worlds, Like there's

374
00:15:31,360 --> 00:15:34,360
Speaker 2: still there's still women in their thirties that still like

375
00:15:34,440 --> 00:15:36,440
Speaker 2: go out and have a good time and are in

376
00:15:36,480 --> 00:15:40,680
Speaker 2: bed by eight like you would have done numbers in there,

377
00:15:40,680 --> 00:15:42,320
Speaker 2: like I feel like you would have had a new

378
00:15:43,120 --> 00:15:45,720
Speaker 2: look on life, like on some andy duframe shit. You

379
00:15:45,720 --> 00:15:47,160
Speaker 2: would have just saw everything differently.

380
00:15:47,240 --> 00:15:48,960
Speaker 3: I always say that the day party is what I

381
00:15:48,960 --> 00:15:51,200
Speaker 3: should try, because you would have found your wife in there.

382
00:15:51,200 --> 00:15:53,440
Speaker 3: I don't like being out like crazy late, and I

383
00:15:53,480 --> 00:15:55,040
Speaker 3: don't like that. But if I can get to a

384
00:15:55,080 --> 00:15:56,880
Speaker 3: party at like one and be out of there about

385
00:15:56,880 --> 00:16:00,880
Speaker 3: like five, yeah, four, I'm cool. They had food. Yeah,

386
00:16:00,960 --> 00:16:03,200
Speaker 3: I did smoke hookah for the first time.

387
00:16:03,240 --> 00:16:07,720
Speaker 2: And I don't know, three years, two months, when did

388
00:16:07,720 --> 00:16:12,480
Speaker 2: I smoke hookah? Never mind? Oh yeah I did. I did?

389
00:16:12,560 --> 00:16:14,720
Speaker 2: Uh when adding in them had that ship here? M

390
00:16:14,840 --> 00:16:19,760
Speaker 2: hm yo? Hookah sucks. I don't know how. I don't

391
00:16:19,800 --> 00:16:21,520
Speaker 2: know how, y'all. I took a pull of that ship

392
00:16:21,520 --> 00:16:22,800
Speaker 2: at the pre air. I was like, oh God, this

393
00:16:22,880 --> 00:16:25,800
Speaker 2: is awful. I don't know how y'all liked packed that ship? Right?

394
00:16:26,560 --> 00:16:28,760
Speaker 2: They ain't packed that shot, I know that's right. No,

395
00:16:28,920 --> 00:16:31,680
Speaker 2: they had chemists in there with that ship looked like

396
00:16:31,720 --> 00:16:34,280
Speaker 2: a brush to poke all the holes. Then they had

397
00:16:34,320 --> 00:16:37,080
Speaker 2: a vacuum like you know little fans like when you're hot.

398
00:16:37,120 --> 00:16:39,120
Speaker 2: They had that in a tube that they were putting

399
00:16:39,160 --> 00:16:41,560
Speaker 2: in hook I was like, this is some real fucking

400
00:16:41,800 --> 00:16:43,800
Speaker 2: chemist ship that this is breaking bad that y'all doing.

401
00:16:44,160 --> 00:16:46,480
Speaker 3: Yeah, I'm cool. I've never been a hookah guy. I

402
00:16:46,480 --> 00:16:48,280
Speaker 3: mean I was never. I was never a fan of that.

403
00:16:48,480 --> 00:16:50,240
Speaker 2: With the pretty women that were there, you probably would

404
00:16:50,280 --> 00:16:53,520
Speaker 2: have smoked. Smuga. You think that I'm gonna smoke. I

405
00:16:53,520 --> 00:16:55,920
Speaker 2: think you would do anything in pretty girls doing the.

406
00:16:55,840 --> 00:16:59,000
Speaker 3: First of all, that's crazy. No, you might try a

407
00:16:59,040 --> 00:16:59,440
Speaker 3: little fence.

408
00:16:59,480 --> 00:17:01,440
Speaker 2: Is she doing it? She bat? That's when.

409
00:17:01,600 --> 00:17:03,960
Speaker 1: That's when I want my niggas sucking too hard on

410
00:17:04,000 --> 00:17:04,359
Speaker 1: a hookah.

411
00:17:04,400 --> 00:17:05,560
Speaker 2: I don't lie. I ain't gonna lie.

412
00:17:06,440 --> 00:17:08,240
Speaker 1: I don't want my nigga sucking too hard on the hookah.

413
00:17:08,240 --> 00:17:08,960
Speaker 1: That's not really my.

414
00:17:09,040 --> 00:17:11,400
Speaker 2: Like you know aesthetic.

415
00:17:11,840 --> 00:17:15,200
Speaker 1: Yeah, like she's going yeah, like you go puffet like once,

416
00:17:15,240 --> 00:17:16,960
Speaker 1: but like, I don't want to see no like niggas

417
00:17:16,960 --> 00:17:18,720
Speaker 1: be fighting over the hookah tips when they bring it

418
00:17:18,760 --> 00:17:20,840
Speaker 1: to the table and ship no hookah tips, niggas.

419
00:17:21,200 --> 00:17:22,399
Speaker 3: This is why I don't go out, because this is

420
00:17:22,400 --> 00:17:24,480
Speaker 3: what they're doing in the club now fighting over hookah tips.

421
00:17:25,040 --> 00:17:30,199
Speaker 2: Yeah, no, I had the orange one. Hukah niggas like

422
00:17:30,200 --> 00:17:33,280
Speaker 2: a big family at breakfast when the food is fighting.

423
00:17:33,640 --> 00:17:35,480
Speaker 3: Hoka tip for I'm sure they have more these in

424
00:17:35,480 --> 00:17:36,400
Speaker 3: the back yo you chief?

425
00:17:36,440 --> 00:17:37,639
Speaker 1: And why she why that girl in here?

426
00:17:37,720 --> 00:17:39,960
Speaker 2: Chief? And the hookah? Yeah, I'm just not a hookah fan.

427
00:17:39,960 --> 00:17:43,800
Speaker 2: I don't know, man, I just feel like these are things. Man.

428
00:17:43,920 --> 00:17:47,840
Speaker 2: Men can't do nothing smoke smoke tricks unless you're in

429
00:17:47,880 --> 00:17:51,720
Speaker 2: high school smoking weed or like blow like like there

430
00:17:51,760 --> 00:17:56,320
Speaker 2: was somebody there was a dude doing Doing this at

431
00:17:56,320 --> 00:18:00,320
Speaker 2: the day party is the craziest fucking thing ever. It's stop.

432
00:18:00,400 --> 00:18:02,600
Speaker 2: Stop touching your dimple and making an oh in the

433
00:18:02,600 --> 00:18:06,040
Speaker 2: fucking air. Oh my god, Like no girl is looking

434
00:18:06,040 --> 00:18:09,360
Speaker 2: at you like m that's that's that's him right there. Yeah.

435
00:18:09,440 --> 00:18:11,840
Speaker 2: I don't know, man. If they do it with the vape,

436
00:18:12,240 --> 00:18:12,480
Speaker 2: I don't.

437
00:18:12,560 --> 00:18:14,199
Speaker 1: I'm not fucking nobody smoke a VP. But if they

438
00:18:14,280 --> 00:18:15,560
Speaker 1: do it with the vape, it looks more cool. You

439
00:18:15,640 --> 00:18:16,520
Speaker 1: can't do it with the hookah.

440
00:18:16,640 --> 00:18:20,879
Speaker 3: Well, I'm glad everybody is back safe. Let's have a

441
00:18:20,920 --> 00:18:23,040
Speaker 3: great year. Let's have a fun year.

442
00:18:23,160 --> 00:18:24,440
Speaker 2: Were you at the inauguration?

443
00:18:24,920 --> 00:18:29,560
Speaker 3: No, I was not at the inauguration for Zorn Mamdani. Yeah,

444
00:18:29,680 --> 00:18:32,240
Speaker 3: he was inaugurated as the mayor of New York City.

445
00:18:32,400 --> 00:18:34,960
Speaker 3: Since we've been gone, how do you feel about it?

446
00:18:34,960 --> 00:18:39,679
Speaker 2: Though? Honestly, I did you vote Sorah? I am officially

447
00:18:39,840 --> 00:18:42,240
Speaker 2: a resident of New Jersey? Oh yes, yes, I forgot.

448
00:18:42,760 --> 00:18:45,400
Speaker 2: Damn you couldn't vote fam, but you would have the one.

449
00:18:45,520 --> 00:18:50,359
Speaker 2: The one time I've ever wanted, like me to be

450
00:18:50,440 --> 00:18:54,000
Speaker 2: famous was that the DMV. I was there from eight

451
00:18:54,000 --> 00:18:57,920
Speaker 2: am to maybe three pm. Like, I've never in my life.

452
00:18:57,960 --> 00:19:00,400
Speaker 2: This is gonna sound I've never in my life been God,

453
00:19:00,440 --> 00:19:03,800
Speaker 2: I hope somebody recognizes me. But why why? Because the

454
00:19:03,880 --> 00:19:08,280
Speaker 2: DMV just takes everyone's trying to do their fucking inspections too.

455
00:19:08,480 --> 00:19:11,119
Speaker 2: Like Jersey only has so many nities. It's not like

456
00:19:11,160 --> 00:19:14,080
Speaker 2: New York where you go the sneak one downtown by

457
00:19:14,119 --> 00:19:17,399
Speaker 2: World Trade that nobody knows about. Thanks, It's a whole

458
00:19:17,560 --> 00:19:21,280
Speaker 2: fucking Proust the whole time. I'm just like, who looks

459
00:19:21,320 --> 00:19:26,120
Speaker 2: young enough, who may know the pod?

460
00:19:25,840 --> 00:19:29,160
Speaker 3: God, that's my listen, that's a real Sometimes you walk

461
00:19:29,200 --> 00:19:30,960
Speaker 3: in you got to catch the eye contact with the

462
00:19:31,000 --> 00:19:33,400
Speaker 3: right person and be like yo, listen, I'm a by

463
00:19:33,480 --> 00:19:35,560
Speaker 3: pass all of this, like I need to get out

464
00:19:35,560 --> 00:19:36,400
Speaker 3: of here in like an hour.

465
00:19:36,640 --> 00:19:37,040
Speaker 2: That's real.

466
00:19:37,080 --> 00:19:39,000
Speaker 3: I know what Rory's saying, Like sometimes you do walk

467
00:19:39,000 --> 00:19:40,920
Speaker 3: in and be like, I'm not that guy, but it's like,

468
00:19:40,960 --> 00:19:44,240
Speaker 3: I'm also not trying to be in here for six hours.

469
00:19:43,400 --> 00:19:46,439
Speaker 2: Awful, And I almost even considered having to bring tomorrow.

470
00:19:46,480 --> 00:19:47,919
Speaker 2: But I've fixed it because I was like, what if

471
00:19:47,960 --> 00:19:50,080
Speaker 2: I'm there for a while. And on top of that,

472
00:19:50,119 --> 00:19:51,800
Speaker 2: when I got to the because you go from waiting

473
00:19:51,880 --> 00:19:53,919
Speaker 2: room to waiting room to line to line to line,

474
00:19:54,080 --> 00:19:56,480
Speaker 2: I get to like the final boss, like I'm like

475
00:19:56,560 --> 00:20:01,040
Speaker 2: looking up waiting for my number, and this dude sits

476
00:20:01,200 --> 00:20:05,359
Speaker 2: directly next to me modice, there's mad seats, reaking of

477
00:20:05,520 --> 00:20:08,919
Speaker 2: fucking cigarette like reaking of cigarettes, hands me his ticket

478
00:20:09,119 --> 00:20:13,000
Speaker 2: and goes, that's probably him right now, hands me his

479
00:20:13,080 --> 00:20:16,000
Speaker 2: ticket and goes, y'all gonna go outside and smoke. I'm

480
00:20:16,040 --> 00:20:18,000
Speaker 2: gonna look through the window, put your hand up with

481
00:20:18,080 --> 00:20:24,160
Speaker 2: my numbers. Called he didn't, he told me, he didn't

482
00:20:24,160 --> 00:20:26,560
Speaker 2: ask me. He handed me the ticket and like and

483
00:20:26,640 --> 00:20:28,880
Speaker 2: reaction on my headphone and I'm like what and then

484
00:20:28,960 --> 00:20:31,639
Speaker 2: said that ship and walked out and I looked behind it.

485
00:20:31,640 --> 00:20:34,120
Speaker 2: It's a glass ship and he's just standing there smoking

486
00:20:34,400 --> 00:20:38,720
Speaker 2: with your hand. He looking at you through the window

487
00:20:38,800 --> 00:20:42,480
Speaker 2: like he chained smoked like three cigarettes. Then comes back

488
00:20:42,480 --> 00:20:44,520
Speaker 2: and he's like, they got a screen outside. Bro, I'm good,

489
00:20:44,720 --> 00:20:49,000
Speaker 2: I said, I regardless. He was like, I was looking

490
00:20:49,000 --> 00:20:50,920
Speaker 2: for your number. He was like, you was off the clock,

491
00:20:50,960 --> 00:20:52,480
Speaker 2: Like you don't worry, you ain't got a un on

492
00:20:52,480 --> 00:20:54,080
Speaker 2: the clock and the walk and see the screen from

493
00:20:54,080 --> 00:20:56,840
Speaker 2: the outside. Then in the middle, because I was trying

494
00:20:56,840 --> 00:20:59,000
Speaker 2: to register my car too, because I still have New

495
00:20:59,080 --> 00:21:03,919
Speaker 2: York plates and everything, this woman goes, it's my union

496
00:21:03,960 --> 00:21:07,679
Speaker 2: mandated break. I said, how long does that take? Thirty minutes?

497
00:21:07,960 --> 00:21:09,480
Speaker 2: I said, where the fuck do you want. We were

498
00:21:09,520 --> 00:21:11,200
Speaker 2: in the middle of paperwork and she had to go

499
00:21:11,280 --> 00:21:13,840
Speaker 2: take her break. I was like, yo, what the we

500
00:21:13,920 --> 00:21:16,160
Speaker 2: wanted to see? So crazy and it's like a bunch

501
00:21:16,160 --> 00:21:18,600
Speaker 2: of different boots. So then the woman next to her

502
00:21:19,320 --> 00:21:21,240
Speaker 2: tells me, hey, you should go back in the waiting room.

503
00:21:21,280 --> 00:21:23,080
Speaker 2: On the cameras, it's going to look like she left

504
00:21:23,920 --> 00:21:26,199
Speaker 2: a customer. I said, she went on her break. Now

505
00:21:26,240 --> 00:21:27,679
Speaker 2: you're telling me to go back in the line.

506
00:21:27,760 --> 00:21:30,159
Speaker 3: Because she was on hert in the line. No, no, okay,

507
00:21:30,400 --> 00:21:32,119
Speaker 3: that's cool as long as didn't lose your spot in

508
00:21:32,160 --> 00:21:32,480
Speaker 3: the line.

509
00:21:32,520 --> 00:21:34,200
Speaker 2: I had to wait another thirty minutes. Yeah, no, I

510
00:21:34,240 --> 00:21:36,400
Speaker 2: feel you. I feel you. We had maybe five minutes

511
00:21:36,480 --> 00:21:38,280
Speaker 2: left the paperwork. You could have just you could have

512
00:21:38,359 --> 00:21:41,240
Speaker 2: just let me get this over with. Yeah, well you

513
00:21:41,280 --> 00:21:44,800
Speaker 2: got it over with. Yeah, it's all good. But I

514
00:21:44,840 --> 00:21:47,400
Speaker 2: mean shout out to Zorai. I mean I felt seen

515
00:21:47,400 --> 00:21:48,919
Speaker 2: when he came in the cab. I was like, finally

516
00:21:48,960 --> 00:21:52,440
Speaker 2: a politician that gets us. Yeah. Do you think he

517
00:21:52,520 --> 00:21:55,720
Speaker 2: held that cab? Do you think he held that cab?

518
00:21:56,240 --> 00:21:59,000
Speaker 2: That cab has been booked for about two weeks at

519
00:21:59,240 --> 00:22:01,320
Speaker 2: look at that cab. Drop Yeah, come on, I've never

520
00:22:01,320 --> 00:22:03,560
Speaker 2: seen someone that looks like that. Drop a guy, oh Man,

521
00:22:03,640 --> 00:22:04,439
Speaker 2: New York, New York.

522
00:22:04,520 --> 00:22:06,679
Speaker 3: Gotta love it. Well, it is all right, mom. Donnie

523
00:22:06,720 --> 00:22:08,320
Speaker 3: is the official mayor. So we'll have to see what

524
00:22:08,320 --> 00:22:10,560
Speaker 3: he does with the city and what changes, what things happen.

525
00:22:10,760 --> 00:22:12,840
Speaker 2: I mean, good luck to you guys. Now I'm in

526
00:22:12,840 --> 00:22:16,000
Speaker 2: your garden state. You're in Jersey, You're you're out the way. Yeah,

527
00:22:16,160 --> 00:22:18,639
Speaker 2: and I had to go to uh to the party

528
00:22:18,680 --> 00:22:22,800
Speaker 2: with my paper license. You know what that's like In

529
00:22:22,800 --> 00:22:25,840
Speaker 2: Newark when everyone at the door is wearing bulletproof vests

530
00:22:25,880 --> 00:22:28,600
Speaker 2: in their cops Like, that's how NEARK gets down as

531
00:22:28,600 --> 00:22:30,800
Speaker 2: far as door people, They're like, this is a piece

532
00:22:30,840 --> 00:22:32,080
Speaker 2: of paper. I was like, what the fuck do you

533
00:22:32,080 --> 00:22:33,480
Speaker 2: want me the d m V game me? Oh for

534
00:22:33,520 --> 00:22:36,240
Speaker 2: your ID? Yeah, because I don't even have the Okay, gotcha?

535
00:22:36,640 --> 00:22:38,480
Speaker 1: So you don't have your old New York i D

536
00:22:38,840 --> 00:22:41,200
Speaker 1: take it. I would have said I lost it. I

537
00:22:41,200 --> 00:22:42,040
Speaker 1: don't have it anymore.

538
00:22:42,119 --> 00:22:45,240
Speaker 2: You can't get in what club has let you in?

539
00:22:45,480 --> 00:22:49,520
Speaker 1: No, I'm saying the d m V. Oh, Newark doesn't

540
00:22:49,560 --> 00:22:51,520
Speaker 1: take your New York I.

541
00:22:51,640 --> 00:22:55,000
Speaker 2: D if you're switching state. Yeah, they took my what.

542
00:22:55,520 --> 00:22:58,920
Speaker 3: They took he didn't have a physical ID, nod m V.

543
00:22:59,080 --> 00:23:01,159
Speaker 1: You should have told that you lost your idea. Oh,

544
00:23:01,160 --> 00:23:02,439
Speaker 1: I don't have it anymore. I don't even have my

545
00:23:02,480 --> 00:23:03,080
Speaker 1: New York idea.

546
00:23:03,440 --> 00:23:07,080
Speaker 2: Oh see what you mean when he was getting switched over. Yeah, Brook,

547
00:23:07,160 --> 00:23:10,520
Speaker 2: I've never done this before. I'm bad. Sorry, Yeah, yeah,

548
00:23:10,760 --> 00:23:12,840
Speaker 2: I didn't you could do that. It's my new to crime.

549
00:23:13,680 --> 00:23:17,240
Speaker 3: I mean, you can't lose your idea. So what they're

550
00:23:17,240 --> 00:23:19,919
Speaker 3: gonna say, No, you didn't like they gonna know you

551
00:23:19,920 --> 00:23:22,640
Speaker 3: didn't you lie to see your pocket? I see it like, yo,

552
00:23:22,680 --> 00:23:24,600
Speaker 3: I don't have my old idea. I can't turn it in.

553
00:23:24,720 --> 00:23:27,320
Speaker 2: Like there's so many things that I realized, like I'm

554
00:23:27,359 --> 00:23:29,880
Speaker 2: not an adult, Like doing things for the first time

555
00:23:29,920 --> 00:23:31,960
Speaker 2: at thirty five is like kind of embarrassing, even to

556
00:23:32,000 --> 00:23:33,560
Speaker 2: the point that I've switched plates. When I got my

557
00:23:33,640 --> 00:23:36,280
Speaker 2: new car and Lloyon was like, you never sent your

558
00:23:36,280 --> 00:23:38,840
Speaker 2: plates in? I was like, why would I do that?

559
00:23:39,000 --> 00:23:42,880
Speaker 2: He said, Bro, that's illegal Jesus. I was like, they've

560
00:23:42,920 --> 00:23:44,800
Speaker 2: been sitting in my career. I didn't where do I

561
00:23:44,800 --> 00:23:47,760
Speaker 2: shift these? Just put them in? Y On is really

562
00:23:47,800 --> 00:23:49,760
Speaker 2: my father, Like he really has to tell me so

563
00:23:49,840 --> 00:23:51,280
Speaker 2: many things at my big age.

564
00:23:51,040 --> 00:23:53,679
Speaker 3: Of like, Bro, you didn't know that, No, say to me,

565
00:23:53,720 --> 00:23:55,160
Speaker 3: I know you'd be feeling like, Yo, what the fuck?

566
00:23:55,400 --> 00:23:57,679
Speaker 3: I'm like, Bro, I know I did everything illegal for you.

567
00:23:57,880 --> 00:23:59,800
Speaker 2: He said it to me like everyone knows. You have

568
00:23:59,800 --> 00:24:02,680
Speaker 2: to say in your place back, like that's literally where

569
00:24:02,680 --> 00:24:05,320
Speaker 2: do you ship them to the DMV? I don't know

570
00:24:05,359 --> 00:24:07,080
Speaker 2: their address? What you mean, I'm not going to the

571
00:24:07,119 --> 00:24:08,520
Speaker 2: post office license plates? No?

572
00:24:08,840 --> 00:24:10,080
Speaker 3: Or you could just pull up to the DMV and

573
00:24:10,119 --> 00:24:10,720
Speaker 3: drop them off.

574
00:24:10,960 --> 00:24:13,320
Speaker 2: I guess, yeah, I picked up my other plates at

575
00:24:13,320 --> 00:24:17,119
Speaker 2: thirty Rock, Okay, Like I literally went and I was like,

576
00:24:17,160 --> 00:24:20,120
Speaker 2: why is why is the license plate spot the same

577
00:24:20,119 --> 00:24:24,240
Speaker 2: place as SNL And picking up license plates in a

578
00:24:24,280 --> 00:24:26,119
Speaker 2: neighborhood you can't park in is the craziest thing in

579
00:24:26,119 --> 00:24:28,520
Speaker 2: the world. Where did you got double parks and ran in?

580
00:24:29,160 --> 00:24:31,040
Speaker 2: You did? You got that off? No ticket? Of course

581
00:24:31,040 --> 00:24:31,600
Speaker 2: I got a ticket.

582
00:24:31,680 --> 00:24:36,320
Speaker 3: Okay, about to say that blame ticket, I put in, Okay, yes,

583
00:24:36,760 --> 00:24:38,359
Speaker 3: of course I got a ticket. So much sh it

584
00:24:38,359 --> 00:24:42,440
Speaker 3: has happened since we've been going, baby d Really, it's

585
00:24:42,480 --> 00:24:44,439
Speaker 3: been some interesting stuff. It's been some funny stuff, some

586
00:24:44,480 --> 00:24:45,760
Speaker 3: crazy stuff. But where do we start?

587
00:24:45,840 --> 00:24:47,560
Speaker 1: I want to get on you know what I'm saying, Doci,

588
00:24:47,640 --> 00:24:51,520
Speaker 1: you know, getting on the ass and Rory prediction being right, go.

589
00:24:51,680 --> 00:24:56,040
Speaker 2: Rory out the gate, true prediction of the gate.

590
00:24:56,760 --> 00:24:59,119
Speaker 1: One of the things that Rory predicted was that DOCI

591
00:24:59,280 --> 00:25:01,400
Speaker 1: and SIZZL would have a collab this year.

592
00:25:01,680 --> 00:25:03,919
Speaker 2: Well, I said, well, listen, I said it was number one,

593
00:25:03,960 --> 00:25:05,840
Speaker 2: So let's not give me too many flowers. It's gonna

594
00:25:05,840 --> 00:25:09,359
Speaker 2: be a number one. It's gonna be a slow burn. Listen,

595
00:25:09,560 --> 00:25:12,280
Speaker 2: We're gonna get this to number one. They're gonna work it.

596
00:25:12,280 --> 00:25:14,200
Speaker 1: It is a good record. I really do like the jump. Yeah,

597
00:25:14,240 --> 00:25:16,479
Speaker 1: I love that record. I didn't think I would love it.

598
00:25:16,480 --> 00:25:18,760
Speaker 1: I loved it. It's really good. She dished y'all a

599
00:25:18,760 --> 00:25:20,520
Speaker 1: little bit in it, which I love, Like, you know,

600
00:25:20,680 --> 00:25:24,240
Speaker 1: wait what it's like, I'm joking. She didn't, but she

601
00:25:24,320 --> 00:25:26,560
Speaker 1: dissed the industry plant allegations.

602
00:25:26,960 --> 00:25:28,600
Speaker 2: I've never called Dohia industry plant.

603
00:25:28,480 --> 00:25:30,760
Speaker 1: That's separate from my last sentence. I said I was

604
00:25:30,800 --> 00:25:32,880
Speaker 1: joking when it came to dissing you, but she did.

605
00:25:32,800 --> 00:25:34,080
Speaker 2: You're confusing white streamers.

606
00:25:34,119 --> 00:25:37,000
Speaker 1: Okay, I'm sorry. She came at the industry plant allegations.

607
00:25:37,200 --> 00:25:39,320
Speaker 1: She also addressed the people. One of my favorite lines

608
00:25:39,400 --> 00:25:41,959
Speaker 1: is when she said, like y'all be coming at my sisters,

609
00:25:42,000 --> 00:25:44,840
Speaker 1: like my fellow sisters, fellow female rappers about pussy rap,

610
00:25:44,880 --> 00:25:46,720
Speaker 1: like I rap about my pussy too, Like don't y'all

611
00:25:46,720 --> 00:25:48,639
Speaker 1: ain't gonna do that separation ship Like I fucked with

612
00:25:48,680 --> 00:25:50,439
Speaker 1: her for that. So she did an amazing job. I

613
00:25:50,440 --> 00:25:50,920
Speaker 1: love that song.

614
00:25:51,720 --> 00:25:54,920
Speaker 2: Yeah, I mean don't. She's obviously not pussy rap, but

615
00:25:55,080 --> 00:25:56,720
Speaker 2: she rapped about a pussy a lot, which is fine.

616
00:25:56,800 --> 00:25:58,840
Speaker 2: At least there's like I don't think Doja Cat's a

617
00:25:58,840 --> 00:26:01,720
Speaker 2: pussy rapper, but she rapped butter pussy a lot. I

618
00:26:01,720 --> 00:26:04,520
Speaker 2: don't think Nikki's a pussy rapper, but raps about he

619
00:26:04,520 --> 00:26:05,080
Speaker 2: pussy a lot.

620
00:26:05,320 --> 00:26:08,200
Speaker 3: Yeah, they all have one, so mm hmm, there's that.

621
00:26:08,720 --> 00:26:10,760
Speaker 2: I mean, Big Pun has a song called my Dick,

622
00:26:12,720 --> 00:26:16,120
Speaker 2: My Dick, my Dick, my Dick, claud my dick, Clade Dick,

623
00:26:16,200 --> 00:26:18,439
Speaker 2: my dick, my dick. Okay, thank you so much for that.

624
00:26:19,119 --> 00:26:22,320
Speaker 2: Thank you? Did you? But no, I did like the record?

625
00:26:23,480 --> 00:26:25,440
Speaker 1: Did you have the inside school? Did you notice was coming?

626
00:26:25,560 --> 00:26:27,600
Speaker 2: No? I swear to got it. It just makes the

627
00:26:27,640 --> 00:26:30,560
Speaker 2: most sense going into twenty twenty six with what TD

628
00:26:30,880 --> 00:26:33,680
Speaker 2: is doing, So why why wouldn't you do that? Yeah?

629
00:26:34,359 --> 00:26:38,960
Speaker 2: Does this mean DOCI is coming with an album soon?

630
00:26:40,200 --> 00:26:43,800
Speaker 2: You got rap album the year twenty twenty five? I

631
00:26:43,840 --> 00:26:49,480
Speaker 2: mean TD typically does longer cycles between artists, but it's

632
00:26:49,480 --> 00:26:52,720
Speaker 2: a different time. I can see Dochi coming out first quarter.

633
00:26:52,800 --> 00:26:55,880
Speaker 2: If she's leading with a scissor record to start the year, Oh,

634
00:26:55,880 --> 00:26:59,199
Speaker 2: she's done. I don't know if they're gonna wait, like,

635
00:26:59,240 --> 00:27:01,000
Speaker 2: of course they're gonna work work this record, but I

636
00:27:01,000 --> 00:27:03,720
Speaker 2: think this was more of a I hate to say

637
00:27:03,760 --> 00:27:06,440
Speaker 2: statement because it sounds kind of corny. But I think

638
00:27:06,480 --> 00:27:09,720
Speaker 2: this is just a way of saying Dochi is going

639
00:27:09,720 --> 00:27:12,320
Speaker 2: to be dropping constantly this year, like it's not gonna

640
00:27:12,320 --> 00:27:15,719
Speaker 2: be some quiet disappear. You got a Grammy, Let's wait

641
00:27:15,800 --> 00:27:17,920
Speaker 2: till twenty twenty seven and do the lower thing. I

642
00:27:17,960 --> 00:27:21,000
Speaker 2: think Dochi's gonna be dropping all year, all year. I

643
00:27:21,040 --> 00:27:23,560
Speaker 2: don't even know if this mixed the album. No, this

644
00:27:23,640 --> 00:27:25,520
Speaker 2: song is definitely making an album. I don't know. I

645
00:27:25,520 --> 00:27:26,639
Speaker 2: don't know if you have an album.

646
00:27:26,840 --> 00:27:27,600
Speaker 1: I don't know if it mixed it.

647
00:27:27,680 --> 00:27:29,879
Speaker 2: I hear what he I think. I think there's you

648
00:27:29,920 --> 00:27:32,040
Speaker 2: have a system. I think there doesn't, she says, a

649
00:27:32,080 --> 00:27:34,320
Speaker 2: record right now, just on a hard drive somewhere. Yeah.

650
00:27:34,320 --> 00:27:35,919
Speaker 3: But it's a reason they put this out first.

651
00:27:36,040 --> 00:27:39,600
Speaker 2: It was more of a statement. It definitely got everybody.

652
00:27:39,840 --> 00:27:41,280
Speaker 2: It did what it was supposed to do outside of

653
00:27:41,280 --> 00:27:43,439
Speaker 2: Dochi rapping really well into being a good song. It

654
00:27:43,480 --> 00:27:46,399
Speaker 2: got people talking about the streamer shit. She addressed everything

655
00:27:46,440 --> 00:27:49,360
Speaker 2: that people have been saying in twenty twenty five going

656
00:27:49,400 --> 00:27:51,679
Speaker 2: in twenty twenty six. I think she wanted to address

657
00:27:51,720 --> 00:27:53,960
Speaker 2: that shit. And now we're moving on. I think there's

658
00:27:54,000 --> 00:27:57,040
Speaker 2: another bigger Scissor record that would be on that album.

659
00:27:57,080 --> 00:27:58,320
Speaker 1: And I also think, to me, this is like a

660
00:27:58,400 --> 00:28:02,080
Speaker 1: Lucy this just works so well, and not a Lucy

661
00:28:02,160 --> 00:28:04,800
Speaker 1: because it's not good like I just want to call it.

662
00:28:05,600 --> 00:28:08,439
Speaker 1: I don't mean yeah. I think also it was perfect

663
00:28:08,440 --> 00:28:10,399
Speaker 1: to release right now. This would be the time to

664
00:28:10,440 --> 00:28:14,160
Speaker 1: release it because it's a very much like girl motivation song,

665
00:28:14,359 --> 00:28:17,119
Speaker 1: Like it gives like you and your goal are you go?

666
00:28:17,160 --> 00:28:17,360
Speaker 2: Girl?

667
00:28:17,359 --> 00:28:19,560
Speaker 1: It gives the same vibe as that song. So releasing

668
00:28:19,600 --> 00:28:20,920
Speaker 1: it right before the New Year when all the girls

669
00:28:20,960 --> 00:28:24,320
Speaker 1: are making their New Year's resolutions is perfect for real.

670
00:28:24,560 --> 00:28:26,720
Speaker 1: I mean, I'm sure that that was considered in the

671
00:28:26,720 --> 00:28:28,760
Speaker 1: marketing of this fucking song. Like this song is called

672
00:28:28,760 --> 00:28:29,640
Speaker 1: Girl Get Up, like.

673
00:28:29,840 --> 00:28:33,399
Speaker 3: So y'all think that she has more sis or features.

674
00:28:33,440 --> 00:28:36,960
Speaker 3: Do ya feel like this is a like a collab album?

675
00:28:37,160 --> 00:28:40,240
Speaker 2: No, no, no, I don't. But I think they just

676
00:28:40,280 --> 00:28:42,720
Speaker 2: have a lot of records together and this was one

677
00:28:42,760 --> 00:28:45,240
Speaker 2: that maybe wouldn't make sense for the album, but it

678
00:28:45,280 --> 00:28:47,640
Speaker 2: was a good statement piece coming into the year for

679
00:28:47,680 --> 00:28:51,120
Speaker 2: what they're going to roll out with DOGI okay, but

680
00:28:51,360 --> 00:28:55,120
Speaker 2: I don't think that they pull back. I think Dogie

681
00:28:55,200 --> 00:28:58,480
Speaker 2: drops if it's not a full album first quarter. I

682
00:28:58,560 --> 00:28:59,760
Speaker 2: do think we're going to get two or three more

683
00:28:59,800 --> 00:29:00,800
Speaker 2: record It's pretty.

684
00:29:00,520 --> 00:29:03,640
Speaker 3: Soon, I could. I think her album is coming out

685
00:29:03,680 --> 00:29:05,560
Speaker 3: in the first quarter. Yeah, yeah, I don't think they're

686
00:29:05,600 --> 00:29:08,760
Speaker 3: gonna keep dropping songs all year and then she dropping

687
00:29:08,840 --> 00:29:09,680
Speaker 3: the third or fourth quarter.

688
00:29:09,680 --> 00:29:11,560
Speaker 2: I don't mean that. Yeah, I think she's dropping top

689
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Speaker 2: of this year. Yeah yet, Maul, I saw your vision

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Speaker 2: I should while we're on music, it's January fifth, we're

740
00:31:32,200 --> 00:31:34,560
Speaker 2: recording this. How does hip Boy already have video of

741
00:31:34,560 --> 00:31:34,840
Speaker 2: the year.

742
00:31:36,320 --> 00:31:39,959
Speaker 3: Well that's because it was real life, like yo. But seriously,

743
00:31:40,000 --> 00:31:42,120
Speaker 3: I'm glad that I'm hip Boy and his family. Everybody

744
00:31:42,160 --> 00:31:46,360
Speaker 3: is safe, but his his his studio was burglarized three times,

745
00:31:46,480 --> 00:31:49,200
Speaker 3: three times, two different studios. Yeah, I don't know you

746
00:31:49,240 --> 00:31:54,480
Speaker 3: know what exactly they're looking for. But yeah, it's just

747
00:31:54,480 --> 00:31:57,440
Speaker 3: good that he took this and used this as you know,

748
00:31:57,520 --> 00:31:58,920
Speaker 3: some creative energy.

749
00:32:01,040 --> 00:32:02,240
Speaker 2: And I like, you, man, I ain't gonna I like,

750
00:32:02,280 --> 00:32:02,920
Speaker 2: I like when.

751
00:32:02,840 --> 00:32:04,680
Speaker 3: When artists go through shit like this and they turn

752
00:32:04,720 --> 00:32:06,640
Speaker 3: it over and create art out of it.

753
00:32:06,720 --> 00:32:07,680
Speaker 2: I mean, his real life shit.

754
00:32:07,760 --> 00:32:10,400
Speaker 3: So but for the fortunate thing is that nobody, you know,

755
00:32:10,600 --> 00:32:14,320
Speaker 3: his family is safe and nothing that he really you know,

756
00:32:14,600 --> 00:32:16,719
Speaker 3: would miss was taken and things like that, like all

757
00:32:16,760 --> 00:32:20,720
Speaker 3: of his belongings and jewelry and obviously Grammys and things

758
00:32:20,800 --> 00:32:22,800
Speaker 3: like that, like everything is still with him.

759
00:32:22,840 --> 00:32:25,960
Speaker 2: So that was a good thing. I just don't I

760
00:32:26,000 --> 00:32:30,520
Speaker 2: don't get it. This is at Challice, which is a

761
00:32:30,560 --> 00:32:33,480
Speaker 2: major recording studio where Hipoy used to have a spot at.

762
00:32:33,520 --> 00:32:37,040
Speaker 2: That's his new studio. Those are two different ones. What

763
00:32:37,360 --> 00:32:40,200
Speaker 2: if you're not stealing the MPC microphone, Like what do

764
00:32:40,240 --> 00:32:44,480
Speaker 2: you what do you think he's keeping in there? The laptop? No,

765
00:32:44,680 --> 00:32:47,440
Speaker 2: these fucking losers just broke the laptop out of frustration.

766
00:32:47,520 --> 00:32:51,600
Speaker 2: Where their fucking immature anger, Like what are y'all trying

767
00:32:51,640 --> 00:32:52,080
Speaker 2: to do here?

768
00:32:52,520 --> 00:32:53,920
Speaker 3: Well, they're probably looking for jewelry.

769
00:32:55,120 --> 00:32:57,040
Speaker 2: I mean he mentioned that in the record they were

770
00:32:57,040 --> 00:32:59,600
Speaker 2: looking for jewels was in the safe, but like, I

771
00:32:59,680 --> 00:33:02,520
Speaker 2: just don't if you guys are oero for three, why

772
00:33:02,520 --> 00:33:04,320
Speaker 2: do we keep You're just going into his new studio

773
00:33:04,320 --> 00:33:07,560
Speaker 2: to break his laptop, Like, y'all look like fucking losers.

774
00:33:08,040 --> 00:33:09,400
Speaker 2: That's some real loser as shit.

775
00:33:09,440 --> 00:33:13,080
Speaker 3: Well that means, but I mean away from that, it.

776
00:33:13,080 --> 00:33:15,280
Speaker 2: Takes seventy Like how dumb are you? It takes seventy

777
00:33:15,320 --> 00:33:17,480
Speaker 2: out of break into a fucking recording studio.

778
00:33:17,120 --> 00:33:19,200
Speaker 3: All right, But aside from that, Rory, my question is

779
00:33:19,240 --> 00:33:21,960
Speaker 3: what kind of security measures are at your studio? Like

780
00:33:21,960 --> 00:33:23,000
Speaker 3: how do they keep getting in?

781
00:33:23,720 --> 00:33:25,920
Speaker 2: Oh? Well, the child and I didn't want to get

782
00:33:25,920 --> 00:33:27,320
Speaker 2: on some because I know a lot of our listeners

783
00:33:27,320 --> 00:33:29,240
Speaker 2: don't even know what Challice is. That's what confused the

784
00:33:29,240 --> 00:33:30,880
Speaker 2: fun out. I mean, and childs is twenty four hours

785
00:33:30,880 --> 00:33:34,120
Speaker 2: where the fuck was everybody? But this is not This

786
00:33:34,200 --> 00:33:36,640
Speaker 2: second one is not Childice, but that first one looked

787
00:33:36,640 --> 00:33:39,840
Speaker 2: like his door at Childie Studios. But then again there

788
00:33:39,880 --> 00:33:42,520
Speaker 2: was a murder in the puff doc at Chalice and

789
00:33:42,560 --> 00:33:47,160
Speaker 2: that just disappeared. Yeah, I don't know, yo, Childie. I

790
00:33:47,160 --> 00:33:48,760
Speaker 2: don't even know who owned Challice. I've worked out of

791
00:33:48,760 --> 00:33:50,680
Speaker 2: there a bunch of times. I want no smoke with y'all.

792
00:33:50,720 --> 00:33:54,080
Speaker 2: But something is weird at Childie Studios in Los Angeles.

793
00:33:54,160 --> 00:33:56,000
Speaker 2: They try to break in a hit boy shit twice.

794
00:33:56,440 --> 00:33:58,840
Speaker 2: There was some crazy shit that happened in y'all bathroom.

795
00:33:59,280 --> 00:34:00,920
Speaker 2: What the fuck is going on at that studio?

796
00:34:01,800 --> 00:34:03,880
Speaker 3: That doesn't look like Childis that looks like his new spot?

797
00:34:04,000 --> 00:34:06,560
Speaker 2: Yeah? No, well the second one when they're with the

798
00:34:06,600 --> 00:34:08,400
Speaker 2: lights are on, that's that's definitely the new spot. But

799
00:34:09,400 --> 00:34:12,640
Speaker 2: I like, I don't know. I guess I'm just not

800
00:34:13,800 --> 00:34:17,120
Speaker 2: that committed to the robbery game. Oh for two, and

801
00:34:17,120 --> 00:34:18,439
Speaker 2: they're gonna go for a third time.

802
00:34:18,520 --> 00:34:20,759
Speaker 3: Yeah, we missed it. We gotta go back. We got

803
00:34:20,760 --> 00:34:22,480
Speaker 3: to go back and hopefully left it there this time.

804
00:34:22,520 --> 00:34:24,400
Speaker 3: But I'm safe though, man.

805
00:34:26,200 --> 00:34:29,320
Speaker 2: And dog Like y'all trying to move like Ocean's eleven

806
00:34:30,000 --> 00:34:33,000
Speaker 2: for thousands of dollars, Like you need that many guys

807
00:34:33,440 --> 00:34:37,120
Speaker 2: for an unproven robbery. Yeah, that third one had like

808
00:34:37,160 --> 00:34:41,799
Speaker 2: fifteen guys to split between one MacBook. Yeah, I don't

809
00:34:41,840 --> 00:34:43,600
Speaker 2: know how heavy is that door that you need all

810
00:34:43,640 --> 00:34:45,640
Speaker 2: them guys? But what are they looking for? Though?

811
00:34:46,400 --> 00:34:48,440
Speaker 3: What do they think he keeps in the studio? Like

812
00:34:48,480 --> 00:34:52,880
Speaker 3: do anything keeps a bunch of cash and jew just jewelry.

813
00:34:53,200 --> 00:34:57,040
Speaker 2: I think there's probably, to your point, somebody that's probably

814
00:34:57,040 --> 00:34:59,360
Speaker 2: been in the studio with hit Boy as like a

815
00:34:59,360 --> 00:35:02,480
Speaker 2: plus one or someone around and was like, yeah, I've

816
00:35:02,480 --> 00:35:05,360
Speaker 2: seen hit Head twenty k and he may have just

817
00:35:05,400 --> 00:35:08,520
Speaker 2: had that on him that day. Yeah, and they that's

818
00:35:08,520 --> 00:35:14,520
Speaker 2: what I think, huh. Well or man, or he's hiding

819
00:35:14,640 --> 00:35:17,000
Speaker 2: the fucking national treasure in there, and like he left

820
00:35:17,040 --> 00:35:19,800
Speaker 2: some things out of those bars that we don't know about.

821
00:35:20,280 --> 00:35:21,839
Speaker 2: I don't like, he may have the Da Vinci code

822
00:35:21,840 --> 00:35:23,799
Speaker 2: in there and we just don't fucking know. Yeah, that's

823
00:35:23,840 --> 00:35:24,440
Speaker 2: just I don't know.

824
00:35:24,640 --> 00:35:26,959
Speaker 3: But either way, I think the security measures or whatever

825
00:35:27,040 --> 00:35:30,440
Speaker 3: needs to be stepped up, because if they keep burglars

826
00:35:30,520 --> 00:35:32,839
Speaker 3: in the studio, it's like, all right, what are we doing? Yeah,

827
00:35:32,840 --> 00:35:34,400
Speaker 3: we gotta move at this point, we gotta move. We

828
00:35:34,440 --> 00:35:36,160
Speaker 3: gotta get a whole new new spot.

829
00:35:36,360 --> 00:35:39,440
Speaker 2: Well, I mean, out of everything, I'm glad he was

830
00:35:39,520 --> 00:35:41,640
Speaker 2: never there for anything and that, you know, because that

831
00:35:41,640 --> 00:35:44,000
Speaker 2: can always turn bad. So I'm very happy state and

832
00:35:44,040 --> 00:35:46,160
Speaker 2: I'm very happy how he handled this. And the video

833
00:35:46,200 --> 00:35:49,480
Speaker 2: is incredible, the verses are incredible. I just feel like

834
00:35:50,040 --> 00:35:52,919
Speaker 2: I would never break into anyone's studio. But with that said,

835
00:35:52,920 --> 00:35:55,000
Speaker 2: if I knew it was hit boys, I'm taking your

836
00:35:55,040 --> 00:35:58,920
Speaker 2: hard drive. Yeah I need these beats. Where are all

837
00:35:58,960 --> 00:36:02,000
Speaker 2: the throwing knos running? Like I'm selling nas Versus on.

838
00:36:01,960 --> 00:36:04,360
Speaker 3: Pat That's what I'm saying. Would have went straight to

839
00:36:04,400 --> 00:36:06,399
Speaker 3: the laptop like I need this. I know he got

840
00:36:06,400 --> 00:36:07,800
Speaker 3: them nas Versus on his somewhere.

841
00:36:08,200 --> 00:36:10,480
Speaker 2: You know expensive the mic is and what the fuck

842
00:36:10,520 --> 00:36:11,120
Speaker 2: are y'all doing?

843
00:36:11,239 --> 00:36:12,680
Speaker 3: That's what I'm like. They just looking for I guess

844
00:36:12,760 --> 00:36:15,880
Speaker 3: just quit your jewelry in cash. Yeah, but luckily, you

845
00:36:15,880 --> 00:36:18,880
Speaker 3: know hip boy is safe, his family is safe, and

846
00:36:18,880 --> 00:36:21,360
Speaker 3: hopefully you know, they step up the security masses at

847
00:36:21,360 --> 00:36:24,319
Speaker 3: the studio because obviously they looking for something and they

848
00:36:24,360 --> 00:36:24,919
Speaker 3: might be back.

849
00:36:25,120 --> 00:36:30,240
Speaker 2: Yeah, I mean shit, Then we got security downstairs twenty

850
00:36:30,239 --> 00:36:33,360
Speaker 2: four hours. So if you want to steal mass hoodies,

851
00:36:34,600 --> 00:36:37,120
Speaker 2: breaking through them.

852
00:36:36,360 --> 00:36:38,520
Speaker 3: Breaking into steal hoodies is your fau.

853
00:36:38,600 --> 00:36:40,160
Speaker 2: I just gave it. You ain't have to break the now.

854
00:36:40,840 --> 00:36:42,640
Speaker 2: I saw the most laid the other day, like I

855
00:36:42,680 --> 00:36:44,319
Speaker 2: gotta have it. You can have it, man, you ain't

856
00:36:44,320 --> 00:36:45,960
Speaker 2: got to break none. Ahead, man, you can have it.

857
00:36:46,040 --> 00:36:49,799
Speaker 2: Take it. Man, Did you guys pay attention to any

858
00:36:49,880 --> 00:36:57,120
Speaker 2: of the Fab Mano, Dave East, fifty, Jim Jones, Sagas,

859
00:36:57,440 --> 00:36:58,279
Speaker 2: I have no idea what was.

860
00:36:58,280 --> 00:37:01,840
Speaker 1: Going They're a little less rap about it. Christmas, what happened?

861
00:37:01,840 --> 00:37:02,719
Speaker 1: What's going on?

862
00:37:02,840 --> 00:37:06,759
Speaker 2: Rory? What happened? It's fifty. It's fifty bullying people again

863
00:37:06,800 --> 00:37:12,399
Speaker 2: with his Well, first of all, Fab got off. Let's

864
00:37:12,400 --> 00:37:12,879
Speaker 2: start there.

865
00:37:13,000 --> 00:37:15,319
Speaker 3: I keep telling y'all, Fab is the most underrated rapp

866
00:37:15,400 --> 00:37:19,759
Speaker 3: of all time. I've said that before. Fab has had

867
00:37:19,800 --> 00:37:22,520
Speaker 3: probably a big statement. No it's not, it's a real statement.

868
00:37:23,080 --> 00:37:23,520
Speaker 2: Fabest.

869
00:37:23,719 --> 00:37:25,600
Speaker 3: First of all, the average lifespan of rappers, how many

870
00:37:25,680 --> 00:37:26,120
Speaker 3: years were.

871
00:37:27,719 --> 00:37:29,759
Speaker 2: Two albums depending on how you want to know? That

872
00:37:29,840 --> 00:37:32,839
Speaker 2: was out? So we know that Fab fat has been

873
00:37:32,920 --> 00:37:35,280
Speaker 2: out since the late nineties. So Fab is a llegend.

874
00:37:36,200 --> 00:37:38,680
Speaker 3: He doesn't he doesn't drop albums like that, so he's

875
00:37:38,680 --> 00:37:40,440
Speaker 3: not you know what I mean. He might get a freestyle.

876
00:37:40,760 --> 00:37:43,200
Speaker 3: We still we're still asking for a soul tape around

877
00:37:43,239 --> 00:37:45,439
Speaker 3: the holidays. He ain't gave us that yet. He didn't

878
00:37:45,440 --> 00:37:48,520
Speaker 3: put him on DSPs though, so okay cool. But like

879
00:37:48,760 --> 00:37:54,040
Speaker 3: Fab has been consistently in conversations, consistently you know, on

880
00:37:54,320 --> 00:37:58,200
Speaker 3: songs and giving us verses over almost over twenty five

881
00:37:58,239 --> 00:38:01,680
Speaker 3: years probably right, Yeah, definitely over twenty five years and

882
00:38:01,840 --> 00:38:04,280
Speaker 3: like it's still in this type of shape.

883
00:38:05,040 --> 00:38:07,640
Speaker 2: But all right, I think that's probably a young a

884
00:38:07,840 --> 00:38:11,160
Speaker 2: little bit younger generation than mine. Would feel like he's

885
00:38:11,280 --> 00:38:14,880
Speaker 2: underrated because to me, I think maybe people get Fab

886
00:38:14,920 --> 00:38:18,240
Speaker 2: with his singles, uh, the records he does with girls

887
00:38:18,560 --> 00:38:21,359
Speaker 2: like I say, I think people. I think people don't

888
00:38:21,440 --> 00:38:25,600
Speaker 2: realize clue tape Fab. No, that's how we were introduced

889
00:38:25,600 --> 00:38:27,480
Speaker 2: to Fab. So we've always known Fab, but I say

890
00:38:27,480 --> 00:38:29,400
Speaker 2: it's one of the better rappers in New York period.

891
00:38:29,440 --> 00:38:32,719
Speaker 3: I say underrated because more people know Fab for Instagram

892
00:38:32,840 --> 00:38:35,720
Speaker 3: and captions and what he wears, yeah, than for his music.

893
00:38:36,120 --> 00:38:36,520
Speaker 2: But wow.

894
00:38:36,680 --> 00:38:39,239
Speaker 3: And then because when we have conversations, when we get

895
00:38:39,280 --> 00:38:41,279
Speaker 3: to talking about the best from New York and this,

896
00:38:41,440 --> 00:38:45,120
Speaker 3: that top Fab is very rarely in anybody's conversation. When

897
00:38:45,160 --> 00:38:47,600
Speaker 3: you say the best from New York, people put Jada

898
00:38:47,680 --> 00:38:49,279
Speaker 3: Kiss in that conversation.

899
00:38:49,000 --> 00:38:49,840
Speaker 2: I mean, as they should.

900
00:38:50,160 --> 00:38:53,720
Speaker 3: Yeah, but I'm saying Fab is probably have better albums

901
00:38:53,719 --> 00:38:54,840
Speaker 3: than Jada.

902
00:38:55,560 --> 00:38:58,960
Speaker 2: No. I watched the verses that.

903
00:39:00,280 --> 00:39:05,760
Speaker 1: Mixtapes mixtapes maybe, but not albums, not albums, that Fab

904
00:39:05,840 --> 00:39:08,520
Speaker 1: is not a FABS albums are not.

905
00:39:10,480 --> 00:39:13,680
Speaker 2: Bad albums, but they're not better albums than Jadakis, Brois

906
00:39:13,680 --> 00:39:15,640
Speaker 2: to Death and Kiss the Game Goodbye. I don't know

907
00:39:15,760 --> 00:39:18,759
Speaker 2: if Fab has Street Dreams. Street Dreams is great. I

908
00:39:18,760 --> 00:39:22,040
Speaker 2: just don't think it's better than to Kiss of Death, Bro.

909
00:39:22,200 --> 00:39:24,879
Speaker 3: Fab has better albums than Jadakis and I love both

910
00:39:24,920 --> 00:39:28,120
Speaker 3: of them. But with my albums, I think is his

911
00:39:28,120 --> 00:39:31,439
Speaker 3: best album that is that's the one they did together, right, No,

912
00:39:31,480 --> 00:39:34,719
Speaker 3: that's the That album is crazy to me, insane. But

913
00:39:34,800 --> 00:39:36,880
Speaker 3: what I'm saying, young o g album crazy to me,

914
00:39:37,000 --> 00:39:40,160
Speaker 3: Like I don't. Jada is not known at least you

915
00:39:40,160 --> 00:39:42,120
Speaker 3: know the people that I in my circle. He's not

916
00:39:42,160 --> 00:39:45,320
Speaker 3: known for having great albums. He's known for having great versus,

917
00:39:45,320 --> 00:39:47,440
Speaker 3: great bars, great songs.

918
00:39:48,080 --> 00:39:52,600
Speaker 1: Fab is having great mixtapes. Yeah, he's not known for

919
00:39:52,719 --> 00:39:55,200
Speaker 1: hiving great albums. His albums are not bad, but he's

920
00:39:55,200 --> 00:39:57,640
Speaker 1: not known for his albums. He's known for his mixtapes.

921
00:39:58,200 --> 00:40:01,759
Speaker 2: I don't mix, I don't take stays and singles is

922
00:40:01,800 --> 00:40:03,600
Speaker 2: probably what the casual fan knows Fab for.

923
00:40:03,920 --> 00:40:06,319
Speaker 3: I don't know if Jada has a better album than

924
00:40:06,320 --> 00:40:08,920
Speaker 3: Street Dreams. I don't know if he has a better album.

925
00:40:09,080 --> 00:40:12,880
Speaker 2: We pull up the street Dreams track list, because I

926
00:40:12,920 --> 00:40:16,800
Speaker 2: mean once once you get Obviously he has more albums

927
00:40:16,840 --> 00:40:20,520
Speaker 2: than Jada, But I like Loso's Way is cool, but

928
00:40:20,520 --> 00:40:25,920
Speaker 2: I don't know if that's touching. Kiss of Death Street

929
00:40:25,960 --> 00:40:28,040
Speaker 2: Dreams had great singles. I like it, but I don't

930
00:40:28,040 --> 00:40:32,000
Speaker 2: think people revere it as like Fab is top tier

931
00:40:32,040 --> 00:40:33,960
Speaker 2: in New York. But if you were to compare him

932
00:40:34,000 --> 00:40:36,640
Speaker 2: amongst his peers that are top tier, his catalog as

933
00:40:36,640 --> 00:40:39,880
Speaker 2: far as albums go, does not equal the same people.

934
00:40:39,920 --> 00:40:43,879
Speaker 2: And it's unfair comparison to with Kiss because his first

935
00:40:43,880 --> 00:40:47,200
Speaker 2: two projects were with a group, both of which are

936
00:40:47,239 --> 00:40:49,560
Speaker 2: better than any Fab project.

937
00:40:49,560 --> 00:40:51,800
Speaker 3: No no, no, that's not you can't no, we can't bring that.

938
00:40:54,400 --> 00:40:56,399
Speaker 2: There's very few rappers period that have ever put out

939
00:40:56,400 --> 00:40:59,480
Speaker 2: anything better than We Are the Streets. Yeah, but that's

940
00:40:59,640 --> 00:41:01,800
Speaker 2: one of the It's New York City group. Though, I

941
00:41:01,840 --> 00:41:04,920
Speaker 2: just want to say it's a little unfair, but I

942
00:41:04,960 --> 00:41:06,920
Speaker 2: feel like if Kiss was solo his whole career, he

943
00:41:06,960 --> 00:41:09,840
Speaker 2: would probably have a higher output of solo stuff that

944
00:41:09,880 --> 00:41:11,320
Speaker 2: I think would rival Fab.

945
00:41:11,600 --> 00:41:14,520
Speaker 3: But that's more of a hypothetical. That's the listen. That's subjective.

946
00:41:14,719 --> 00:41:17,040
Speaker 3: It's who you like me personally. I feel like Fab

947
00:41:17,080 --> 00:41:20,960
Speaker 3: has a better discography than Jada. Now I'm not I'm

948
00:41:20,960 --> 00:41:24,200
Speaker 3: not gonna say Fab is a better rapper than Jada.

949
00:41:24,200 --> 00:41:26,959
Speaker 3: I think Fab is a better artist than Jada for sure,

950
00:41:27,440 --> 00:41:30,640
Speaker 3: but I don't think I think Jada is probably the

951
00:41:30,680 --> 00:41:31,320
Speaker 3: better rapper.

952
00:41:31,440 --> 00:41:34,280
Speaker 1: So I would agree with you with better discography because

953
00:41:34,280 --> 00:41:37,279
Speaker 1: in the discography, i'm counting the mixtapes. If I'm taking

954
00:41:37,320 --> 00:41:39,000
Speaker 1: the mixtapes off the table, I'm giving it to Jada.

955
00:41:39,040 --> 00:41:41,759
Speaker 1: But if I'm counting the mixtapes, I'm agreeing. I'm gonna

956
00:41:41,760 --> 00:41:44,120
Speaker 1: bring with you if you're talking about discography in total.

957
00:41:43,960 --> 00:41:46,439
Speaker 3: I mean it takes at locks albums aside, I don't

958
00:41:46,440 --> 00:41:49,120
Speaker 3: think that Jada has a better discogossy separate conversation.

959
00:41:49,160 --> 00:41:51,040
Speaker 2: As far as solo go, I think styles P is

960
00:41:51,080 --> 00:41:55,719
Speaker 2: the best individual catalog out of the lots. Yeah, I

961
00:41:55,760 --> 00:41:58,520
Speaker 2: agree with that. Gangster and Gentleman is the best solo

962
00:41:58,560 --> 00:42:01,440
Speaker 2: projects period to me, from anyone from the lot, I

963
00:42:01,480 --> 00:42:04,879
Speaker 2: would say time is money. The Ghost got a lot

964
00:42:04,920 --> 00:42:08,520
Speaker 2: of great, great solo albums. I put him over Kiss

965
00:42:08,520 --> 00:42:12,440
Speaker 2: as far as that part, But I mean, I hear you.

966
00:42:12,520 --> 00:42:14,640
Speaker 2: I guess you could put Fab is the most underrated.

967
00:42:14,680 --> 00:42:15,600
Speaker 2: I don't know if I put him there, I.

968
00:42:15,600 --> 00:42:17,799
Speaker 1: Don't like is under I don't think I think he

969
00:42:17,880 --> 00:42:20,040
Speaker 1: might be the most talented of the underrated, but I

970
00:42:20,040 --> 00:42:21,000
Speaker 1: don't think he's the most.

971
00:42:21,040 --> 00:42:26,080
Speaker 2: Who you think is the most underrated rapper? That was Peach.

972
00:42:26,760 --> 00:42:30,000
Speaker 2: I don't want to sit Murphy.

973
00:42:30,680 --> 00:42:32,279
Speaker 3: I forgot Peach is a Murphy Lee fan.

974
00:42:33,719 --> 00:42:40,239
Speaker 2: You forgot every time you don't think any chance he

975
00:42:40,360 --> 00:42:41,239
Speaker 2: gets to tell me that.

976
00:42:41,239 --> 00:42:42,640
Speaker 3: He says it, So I don't know why I keep

977
00:42:42,640 --> 00:42:43,080
Speaker 3: forgetting it.

978
00:42:43,120 --> 00:42:44,839
Speaker 2: But yeah, well all right, what do you mean by

979
00:42:45,239 --> 00:42:48,279
Speaker 2: you mean underrated? As far as like people that are

980
00:42:48,840 --> 00:42:52,440
Speaker 2: mainstream getting the like I think you could be, like,

981
00:42:52,880 --> 00:42:54,640
Speaker 2: is one of the most under it you're saying like mainstream?

982
00:42:55,120 --> 00:42:55,799
Speaker 2: This is what I say.

983
00:42:55,840 --> 00:42:59,200
Speaker 3: This is why say underrated because when you put this this, uh,

984
00:42:59,480 --> 00:43:03,359
Speaker 3: you know, guess a disrecord out right. I saw HW

985
00:43:03,360 --> 00:43:05,280
Speaker 3: everybody's reacting to it going crazy, and I'm.

986
00:43:05,120 --> 00:43:08,520
Speaker 2: Like, this is light. I'm like, that's nothing that's light

987
00:43:08,600 --> 00:43:09,680
Speaker 2: to me that would lock it.

988
00:43:09,680 --> 00:43:12,360
Speaker 3: He was like, that's like that's like layup line and

989
00:43:12,440 --> 00:43:15,759
Speaker 3: he just got like, you know, the breakaways unbuttoned, Like

990
00:43:15,760 --> 00:43:17,680
Speaker 3: he just got a little style on the layup. That

991
00:43:17,840 --> 00:43:22,360
Speaker 3: wasn't to me that wasn't Fab going like crazy? Like

992
00:43:22,400 --> 00:43:24,160
Speaker 3: I was like, yeah, no, that's what Fab. But that's

993
00:43:24,200 --> 00:43:26,359
Speaker 3: what he do, Like he could roll out of bed

994
00:43:26,400 --> 00:43:27,759
Speaker 3: and turn the mic on to do that.

995
00:43:28,000 --> 00:43:28,200
Speaker 2: Yeah.

996
00:43:28,440 --> 00:43:30,560
Speaker 3: So when I say underrated, because I saw everybody like,

997
00:43:30,960 --> 00:43:33,759
Speaker 3: oh shit, Fab, yo, now he went crazy and I'm

998
00:43:33,800 --> 00:43:38,319
Speaker 3: just like that was light like to me. But I

999
00:43:38,400 --> 00:43:41,359
Speaker 3: understand it because a lot of times Fab don't put

1000
00:43:41,400 --> 00:43:43,319
Speaker 3: out songs. You don't put out music, you know, around

1001
00:43:43,360 --> 00:43:45,359
Speaker 3: the holidays. Here, give us a nice little visual, put

1002
00:43:45,360 --> 00:43:47,680
Speaker 3: a freestyle out. But then other than that, it's like,

1003
00:43:48,040 --> 00:43:50,560
Speaker 3: you know, we just getting pictures when he doing his

1004
00:43:50,600 --> 00:43:52,520
Speaker 3: residency in Vegas or you know what I'm saying, he

1005
00:43:52,600 --> 00:43:54,640
Speaker 3: on vacation. It's like, you don't really a lot of

1006
00:43:54,680 --> 00:43:57,200
Speaker 3: these newer, younger cats, they don't really know. To me,

1007
00:43:57,320 --> 00:43:59,239
Speaker 3: they don't know how dope Fab really is.

1008
00:44:00,160 --> 00:44:03,480
Speaker 2: I hate that the Internet does to rappers sometimes when

1009
00:44:03,560 --> 00:44:06,640
Speaker 2: y'all type out their lyrics, Yeah, it does look whack.

1010
00:44:06,680 --> 00:44:09,120
Speaker 2: Sometimes they do that to Fab. They do it to

1011
00:44:09,160 --> 00:44:12,840
Speaker 2: Big Sean sometimes, like yeah, if you type out that, uh,

1012
00:44:13,280 --> 00:44:16,000
Speaker 2: we get so fled that you can't swat us. Yeah,

1013
00:44:16,080 --> 00:44:18,719
Speaker 2: reading that on Twitter, that sounds like a whack bar.

1014
00:44:18,840 --> 00:44:21,279
Speaker 2: But the way he delivered it, in the scheme, I

1015
00:44:21,280 --> 00:44:25,719
Speaker 2: think delivery. That's why I just hate Sometimes they'll be

1016
00:44:25,719 --> 00:44:28,279
Speaker 2: putting up big Sean bon like, Yeah, of course that

1017
00:44:28,400 --> 00:44:31,240
Speaker 2: sounds bad when you just fucking read it. He delivered

1018
00:44:31,280 --> 00:44:32,239
Speaker 2: it in a certain way.

1019
00:44:32,239 --> 00:44:35,560
Speaker 1: That's a big Sean horney ass walking the study. Don't

1020
00:44:35,560 --> 00:44:39,399
Speaker 1: really say it ass ass as to start fucking crying. Yeah,

1021
00:44:39,440 --> 00:44:44,239
Speaker 1: that was a freaking party, mm hmm. But I will

1022
00:44:44,239 --> 00:44:46,400
Speaker 1: say the house up on the ass. That's an ass state.

1023
00:44:47,719 --> 00:44:50,000
Speaker 2: You ain't get. But when you say it that way,

1024
00:44:50,640 --> 00:44:53,799
Speaker 2: that's not fair. That. Don't kill the ball like that.

1025
00:44:53,840 --> 00:44:54,600
Speaker 2: Don't do that.

1026
00:44:54,880 --> 00:44:56,640
Speaker 3: Don't do that, man, Please don't do that.

1027
00:44:56,920 --> 00:44:59,680
Speaker 2: But nah, I'm with you, Fab, Fab was he was chilling.

1028
00:44:59,800 --> 00:45:03,280
Speaker 2: He's underrated, man, I don't care what y'all say, Fab underrated.

1029
00:45:03,920 --> 00:45:04,680
Speaker 2: He's underrated.

1030
00:45:05,760 --> 00:45:07,840
Speaker 3: Y'all talk about a whole lot of other mid niggas

1031
00:45:07,840 --> 00:45:09,160
Speaker 3: way more than y'all talk about Fab.

1032
00:45:09,640 --> 00:45:13,200
Speaker 2: What was that that window chopper line when Fifty was

1033
00:45:13,200 --> 00:45:14,759
Speaker 2: trying to said he was gonna buy the studio, so

1034
00:45:14,840 --> 00:45:17,040
Speaker 2: he was just window shopping. Fab went fucking nuts on that.

1035
00:45:17,360 --> 00:45:22,040
Speaker 2: I feel like I feel like fifty, And you guys

1036
00:45:22,080 --> 00:45:24,200
Speaker 2: know I'm biased. And kind of take fifty side all

1037
00:45:24,200 --> 00:45:27,320
Speaker 2: the time Fat went in and I haven't heard ship

1038
00:45:27,320 --> 00:45:30,359
Speaker 2: but the Instagram posting fifty fifty ain't rapping, y'all think

1039
00:45:30,400 --> 00:45:33,480
Speaker 2: fifty about the rat do something he told you?

1040
00:45:33,520 --> 00:45:35,120
Speaker 3: He posted he said after the New Year, you know

1041
00:45:35,120 --> 00:45:36,560
Speaker 3: he had to do the show with Ryan Seacresh.

1042
00:45:36,560 --> 00:45:38,800
Speaker 2: I don't like that. Nah, No, you see that's the problem.

1043
00:45:38,800 --> 00:45:40,520
Speaker 2: Not y'all be wanting y'all be wanting to come from

1044
00:45:40,520 --> 00:45:43,160
Speaker 2: the school in the game. No, nah nah, someone comes

1045
00:45:43,160 --> 00:45:44,319
Speaker 2: down Tuesday. I'm coming out on.

1046
00:45:44,840 --> 00:45:46,799
Speaker 3: You can't rush the chef. That's your problem that you

1047
00:45:46,840 --> 00:45:47,359
Speaker 3: be mad when.

1048
00:45:47,239 --> 00:45:50,760
Speaker 2: The he invented this this, you'd be mad.

1049
00:45:50,560 --> 00:45:53,640
Speaker 3: When the frog. No, no, no, it's a whole different.

1050
00:45:53,680 --> 00:45:56,000
Speaker 3: Fifty we getting that though. He's not about the rap.

1051
00:45:56,760 --> 00:45:58,359
Speaker 3: You ain't no fifty to rap. You're gonna be waiting

1052
00:45:58,440 --> 00:45:58,640
Speaker 3: for you.

1053
00:45:58,680 --> 00:46:00,400
Speaker 2: I don't think. I don't I do. I see a

1054
00:46:00,440 --> 00:46:01,360
Speaker 2: world with fifty.

1055
00:46:01,120 --> 00:46:07,839
Speaker 3: Responds to mayno gym fab did davis this fifty two?

1056
00:46:08,560 --> 00:46:10,759
Speaker 3: Did he own it like a vultron with them? Did

1057
00:46:10,760 --> 00:46:11,600
Speaker 3: they all let go at him?

1058
00:46:11,880 --> 00:46:12,120
Speaker 2: Yeah?

1059
00:46:12,560 --> 00:46:15,200
Speaker 3: So I don't see a world where fifty is rapping

1060
00:46:15,360 --> 00:46:17,160
Speaker 3: with those guys. He's not going back and forth with

1061
00:46:17,200 --> 00:46:19,959
Speaker 3: those guys on Wax. No, I don't think so, here's

1062
00:46:19,960 --> 00:46:21,560
Speaker 3: not and I mean this, they're gonna show up to

1063
00:46:21,600 --> 00:46:24,160
Speaker 3: the studio. It's gonna be a Marshall padlock on there.

1064
00:46:24,520 --> 00:46:26,840
Speaker 3: It's gonna say the building has been sold.

1065
00:46:26,880 --> 00:46:29,360
Speaker 2: That's the game. That's what fifty playing that now, fifty

1066
00:46:29,400 --> 00:46:30,280
Speaker 2: playing in that world.

1067
00:46:30,320 --> 00:46:33,640
Speaker 3: Like he goes by the block that you record, that

1068
00:46:33,719 --> 00:46:36,520
Speaker 3: building you record, you're showing he now owns that block.

1069
00:46:36,600 --> 00:46:39,239
Speaker 3: Y'all pay him rent. That's the that's the petty game

1070
00:46:39,280 --> 00:46:41,840
Speaker 3: that fifties in there. He's in that world. Fifty is

1071
00:46:41,880 --> 00:46:44,879
Speaker 3: not going to the booth laying down balls, going back

1072
00:46:44,920 --> 00:46:47,879
Speaker 3: at fab Jim, Maino and Davy. He's not doing that.

1073
00:46:48,040 --> 00:46:49,799
Speaker 3: I don't see. I don't see fifty doing that.

1074
00:46:49,840 --> 00:46:51,640
Speaker 2: I agree with you. I just thought he would have

1075
00:46:51,719 --> 00:46:55,120
Speaker 2: moved faster in this regard because you went online and

1076
00:46:55,160 --> 00:46:57,239
Speaker 2: said all this shit about the squatters thing this and that,

1077
00:46:57,600 --> 00:46:59,919
Speaker 2: and I mean it's respectfully, I thought may No, East

1078
00:47:00,239 --> 00:47:04,080
Speaker 2: and Jim did great. Cool. You need to reply the fact,

1079
00:47:05,000 --> 00:47:09,680
Speaker 2: like rapping something I'm asking you want to. There's no

1080
00:47:09,760 --> 00:47:11,600
Speaker 2: way he has lost that part of him where he's

1081
00:47:11,600 --> 00:47:13,600
Speaker 2: gonna wait till the New Year. Okay, I'm asking you

1082
00:47:13,600 --> 00:47:15,719
Speaker 2: a question. He did that while he was doing something else,

1083
00:47:15,760 --> 00:47:17,160
Speaker 2: and I just want to know what it is. I'm

1084
00:47:17,200 --> 00:47:19,520
Speaker 2: asking you think fifty is going to rap? I think

1085
00:47:19,520 --> 00:47:22,560
Speaker 2: he's gonna buy Englewood, New Jersey and take Fab house.

1086
00:47:22,680 --> 00:47:26,920
Speaker 1: Do you think he's gonna rap? It's a direct question. No, no, no, okay.

1087
00:47:26,680 --> 00:47:27,479
Speaker 2: And that's all I'm saying.

1088
00:47:27,480 --> 00:47:29,719
Speaker 3: Fifty not wrapping, but he's not those days as though.

1089
00:47:29,719 --> 00:47:32,120
Speaker 3: I don't think fifty is writing new raps, dis records

1090
00:47:32,120 --> 00:47:35,040
Speaker 3: going that. Dude, Like, I just don't see him lending

1091
00:47:35,080 --> 00:47:37,839
Speaker 3: that much, you know, energy to it. Now again his

1092
00:47:37,960 --> 00:47:40,839
Speaker 3: petty his petty games on the others. On the business side,

1093
00:47:40,840 --> 00:47:43,879
Speaker 3: now he goes that, right, He's been clear about that.

1094
00:47:43,880 --> 00:47:46,040
Speaker 3: That's what he does. That's the world he's in. Like,

1095
00:47:46,120 --> 00:47:48,200
Speaker 3: I'm just gonna go the business route and then make

1096
00:47:48,320 --> 00:47:51,120
Speaker 3: y'all work for me somehow somewhere y'all all work for me.

1097
00:47:51,200 --> 00:47:54,799
Speaker 2: Now, I see that happening. But he tried to say

1098
00:47:54,800 --> 00:47:57,600
Speaker 2: that in Fab addressed it. We're still in our studio

1099
00:47:57,880 --> 00:48:05,320
Speaker 2: by shit yet yet because because even how to Pod,

1100
00:48:06,440 --> 00:48:09,719
Speaker 2: how the Pod is hilarious, we better get distant out

1101
00:48:09,760 --> 00:48:12,279
Speaker 2: of pod. I would not feel offended if we weren't

1102
00:48:12,239 --> 00:48:15,400
Speaker 2: dising out of pod. But I mean fifty even backtracked

1103
00:48:15,440 --> 00:48:17,000
Speaker 2: a bit too, because it looked like he was talking

1104
00:48:17,000 --> 00:48:19,120
Speaker 2: to the owner and they had owed a bunch of

1105
00:48:19,160 --> 00:48:21,839
Speaker 2: money and then they paid their their debts, and even

1106
00:48:21,880 --> 00:48:23,680
Speaker 2: fifty was like, all right, they paid their debts. They're

1107
00:48:23,680 --> 00:48:26,719
Speaker 2: cool now, like he even had he he backtracked a

1108
00:48:26,719 --> 00:48:28,520
Speaker 2: bit on Instagram too. This isn't the fifty, I know.

1109
00:48:29,120 --> 00:48:31,160
Speaker 2: That's all I'm saying. I think Fab asm a little rattled.

1110
00:48:31,160 --> 00:48:34,279
Speaker 2: That's all a little rattled. We're gonna see. I mean,

1111
00:48:34,440 --> 00:48:36,680
Speaker 2: I'm only doing this to instigate fun. Not no, no, no,

1112
00:48:36,840 --> 00:48:38,800
Speaker 2: this is all this is. Listen, this is all great.

1113
00:48:38,840 --> 00:48:41,880
Speaker 3: I think that uh you know, Fab, Jim East, and

1114
00:48:42,160 --> 00:48:45,240
Speaker 3: may Not all agree that it's been great for them.

1115
00:48:45,360 --> 00:48:46,640
Speaker 2: You know, it's good back and forth.

1116
00:48:47,400 --> 00:48:50,200
Speaker 3: You know the views are probably you know, well, definitely

1117
00:48:50,800 --> 00:48:53,160
Speaker 3: doing great because of this. You know, it adds to

1118
00:48:53,200 --> 00:48:55,560
Speaker 3: it and you get into a back and forth with fifty, more.

1119
00:48:55,400 --> 00:48:56,160
Speaker 2: Eyes are on you.

1120
00:48:56,400 --> 00:48:59,840
Speaker 3: Momentum changes like it's good for business, just like like like,

1121
00:48:59,840 --> 00:49:01,759
Speaker 3: like Mayno said in the interview, I saw a couple

1122
00:49:01,760 --> 00:49:03,799
Speaker 3: weeks so you said it's great for business. You know

1123
00:49:03,880 --> 00:49:06,200
Speaker 3: when fifty, when you beefing with fifty is great for business,

1124
00:49:06,200 --> 00:49:09,359
Speaker 3: So it's fun. I mean the fact that they went

1125
00:49:09,400 --> 00:49:11,360
Speaker 3: in the booth and wrapped and the drop joints.

1126
00:49:12,280 --> 00:49:12,839
Speaker 2: I like that.

1127
00:49:13,360 --> 00:49:15,080
Speaker 3: I was like, okay, like this, that's what y'all. Y'all

1128
00:49:15,120 --> 00:49:17,759
Speaker 3: are rappers, so y'all want to rap. I like that.

1129
00:49:17,840 --> 00:49:19,560
Speaker 3: I respect that. I think they did what they were

1130
00:49:19,560 --> 00:49:21,480
Speaker 3: supposed to do. Now we just wait and see what

1131
00:49:21,560 --> 00:49:24,040
Speaker 3: fifty does when he got the ball.

1132
00:49:24,320 --> 00:49:28,319
Speaker 2: That's all. Listen, man, Fab went went light on on

1133
00:49:28,400 --> 00:49:31,799
Speaker 2: the nuke that he could have went in on. He's wait,

1134
00:49:31,840 --> 00:49:35,120
Speaker 2: he's waiting for round two palls. Yeah, come on man,

1135
00:49:36,280 --> 00:49:37,800
Speaker 2: after all everything that was in the paperwork.

1136
00:49:38,600 --> 00:49:40,439
Speaker 1: Ah, but he also got to play a cool too.

1137
00:49:42,560 --> 00:49:49,239
Speaker 2: Everybody got dirty. Come on now fair. Yes, I'm just

1138
00:49:49,280 --> 00:49:53,880
Speaker 2: saying everybody history of entandras that Fab, which I understand

1139
00:49:53,920 --> 00:49:56,520
Speaker 2: saving it for like you just gotta check the temperature

1140
00:49:56,560 --> 00:50:01,840
Speaker 2: right away. But the amount of joy flips that Fab

1141
00:50:01,920 --> 00:50:08,239
Speaker 2: is capable of, it's absolutely insane. You're playing with the

1142
00:50:08,320 --> 00:50:11,719
Speaker 2: last name Joy and everything that we read in that paperwork. Yeah,

1143
00:50:11,760 --> 00:50:14,480
Speaker 2: but that's you know again that that I think you

1144
00:50:14,480 --> 00:50:18,680
Speaker 2: don't you got Vlad interviewing and everyone playing fuck somebody

1145
00:50:18,719 --> 00:50:21,160
Speaker 2: with Diddy. There's a lot of shit that just had

1146
00:50:21,200 --> 00:50:21,600
Speaker 2: to play with.

1147
00:50:21,760 --> 00:50:24,200
Speaker 3: Yeah, of course, but you know everybody everybody got history.

1148
00:50:24,680 --> 00:50:28,080
Speaker 3: Oh yeah, everybody got history. Man, it's just who's going

1149
00:50:28,160 --> 00:50:29,560
Speaker 3: who's gonna go about it more clever?

1150
00:50:29,680 --> 00:50:32,520
Speaker 2: That's what it is. And I think you give fab

1151
00:50:32,560 --> 00:50:36,680
Speaker 2: the word joy and round two's a little crazy. We

1152
00:50:36,760 --> 00:50:37,320
Speaker 2: gonna see.

1153
00:50:37,680 --> 00:50:39,680
Speaker 3: It's gonna be fun to watch, though, fifty fifty said,

1154
00:50:39,680 --> 00:50:41,560
Speaker 3: he you know, he get into it. So we just

1155
00:50:41,560 --> 00:50:42,960
Speaker 3: got to sit back and wait and watch it. See

1156
00:50:42,960 --> 00:50:43,320
Speaker 3: what happens.

1157
00:50:43,320 --> 00:50:45,520
Speaker 2: All right, So if you wrap and we can close this,

1158
00:50:45,560 --> 00:50:47,160
Speaker 2: but I do want to ask you if you wrap

1159
00:50:47,239 --> 00:50:51,480
Speaker 2: in round one and then he replies with some type

1160
00:50:51,480 --> 00:50:54,760
Speaker 2: of business acromat or some type of technique like buying

1161
00:50:54,760 --> 00:50:57,120
Speaker 2: the studio or something like that, do you rap again?

1162
00:50:57,640 --> 00:50:57,839
Speaker 1: Now?

1163
00:50:57,880 --> 00:51:01,440
Speaker 3: How do you reply that buy your studio back from him?

1164
00:51:02,600 --> 00:51:03,919
Speaker 3: What's the number we need it back?

1165
00:51:04,040 --> 00:51:04,120
Speaker 2: Like?

1166
00:51:04,200 --> 00:51:06,480
Speaker 3: Yeah, that's the game.

1167
00:51:06,520 --> 00:51:08,759
Speaker 1: That's where we find a new studio and you let

1168
00:51:08,800 --> 00:51:10,600
Speaker 1: that shit die off in the wind before you embarrass

1169
00:51:10,840 --> 00:51:11,479
Speaker 1: yourself further.

1170
00:51:13,120 --> 00:51:16,600
Speaker 2: Here's what maybe just because uh, you know, I've been

1171
00:51:16,600 --> 00:51:19,400
Speaker 2: in therapy and my egos and what it was buying

1172
00:51:19,440 --> 00:51:21,680
Speaker 2: my studio, I would just go get another studio like

1173
00:51:21,719 --> 00:51:24,680
Speaker 2: that wouldn't bother me that much. No, it disrupts things

1174
00:51:24,680 --> 00:51:26,880
Speaker 2: if I'm not if I'm renting somewhere and you end

1175
00:51:26,960 --> 00:51:30,200
Speaker 2: up going to do that like it's it's called gentrification.

1176
00:51:30,400 --> 00:51:32,960
Speaker 2: Happens all the time. No, no, no, yeah, buying to

1177
00:51:32,960 --> 00:51:33,960
Speaker 2: get out of my studio.

1178
00:51:34,200 --> 00:51:36,680
Speaker 1: Yeah, enemy coming by this motherfuck up.

1179
00:51:36,680 --> 00:51:39,320
Speaker 2: You're gonna be pissed. Buying the studio that I rent

1180
00:51:39,400 --> 00:51:42,719
Speaker 2: isn't crazy. Like if if Jazz Oh went to the

1181
00:51:42,840 --> 00:51:47,840
Speaker 2: Rockefeller auction and bought thirty three point three percent of Rockefeller.

1182
00:51:48,160 --> 00:51:51,120
Speaker 2: Now I'm feeling a fucking way like that would bother me.

1183
00:51:51,320 --> 00:51:53,160
Speaker 2: But just fucking buying a building a rent and I

1184
00:51:53,200 --> 00:51:56,480
Speaker 2: don't that's not really a stat to me, Like I

1185
00:51:56,560 --> 00:51:58,360
Speaker 2: literally just will be back on Monday.

1186
00:51:59,360 --> 00:52:02,279
Speaker 3: Okay, Well, we're gonna wait to see. It's gonna be

1187
00:52:02,320 --> 00:52:03,640
Speaker 3: fun to watch. So I think there's gonna be fun

1188
00:52:03,640 --> 00:52:05,960
Speaker 3: to watch. But I am glad that people got a

1189
00:52:06,040 --> 00:52:08,600
Speaker 3: chance to really you know, shit with that fab verse

1190
00:52:08,640 --> 00:52:11,640
Speaker 3: and really going on and give fab as flowers. But

1191
00:52:12,200 --> 00:52:15,400
Speaker 3: to me, that was like that was just confirmation that, oh,

1192
00:52:15,440 --> 00:52:17,560
Speaker 3: y'all don't know how dope Fab really is because y'all

1193
00:52:17,600 --> 00:52:19,719
Speaker 3: going crazy over that verse which he got off and

1194
00:52:20,200 --> 00:52:24,520
Speaker 3: he got off on that verse. But that proves that

1195
00:52:24,560 --> 00:52:25,719
Speaker 3: Fab is underrated, and.

1196
00:52:25,680 --> 00:52:27,480
Speaker 1: I think some people are just happy to hear Fab again.

1197
00:52:27,640 --> 00:52:29,480
Speaker 3: Oh no, that was not a lot of it too,

1198
00:52:29,520 --> 00:52:31,880
Speaker 3: Like people just you know how many times, you know

1199
00:52:31,880 --> 00:52:35,480
Speaker 3: how many times I've told Fa, what the something my

1200
00:52:35,560 --> 00:52:39,640
Speaker 3: nigga sold something soul food, So burd I don't know,

1201
00:52:39,960 --> 00:52:42,600
Speaker 3: give us sold something Nigga, Like even if you do

1202
00:52:42,640 --> 00:52:45,319
Speaker 3: that every year around the holiday, that's that's it, Like

1203
00:52:45,360 --> 00:52:48,000
Speaker 3: it's light Like that's just an easy that's so easy

1204
00:52:48,000 --> 00:52:50,319
Speaker 3: for Fab to do every year, like just put a

1205
00:52:50,320 --> 00:52:55,160
Speaker 3: couple records together and drop it around things given like, but.

1206
00:52:55,440 --> 00:52:57,800
Speaker 2: He abandoned us like a family member around the holidays.

1207
00:52:57,840 --> 00:53:00,320
Speaker 2: It was it was the tenth series was always around Chris.

1208
00:53:00,320 --> 00:53:02,480
Speaker 2: Then it was the Soul Like, yeah, man, every holiday

1209
00:53:02,600 --> 00:53:06,000
Speaker 2: was Fab thanksgiving him and dropped like that's what we

1210
00:53:06,040 --> 00:53:08,440
Speaker 2: always expected. And now there's no presence under the Christmas

1211
00:53:08,440 --> 00:53:09,160
Speaker 2: tree and now.

1212
00:53:09,040 --> 00:53:13,279
Speaker 3: And now he's a podcaster, so it's like we really

1213
00:53:13,320 --> 00:53:14,759
Speaker 3: ain't getting no fucking soul tape.

1214
00:53:14,800 --> 00:53:17,120
Speaker 2: Now we should thank fifty though, because I feel like

1215
00:53:17,920 --> 00:53:20,640
Speaker 2: that maybe woke Fab up. I think Fab saw the

1216
00:53:20,640 --> 00:53:24,440
Speaker 2: reaction of everyone and maybe is reconsidering all right, maybe

1217
00:53:24,440 --> 00:53:26,480
Speaker 2: people do want to tape from me right now?

1218
00:53:27,120 --> 00:53:29,280
Speaker 3: So I hope, I hope that people are very vocal

1219
00:53:29,320 --> 00:53:31,319
Speaker 3: about that with Fab like they've been.

1220
00:53:31,960 --> 00:53:34,359
Speaker 2: I mean, artists living their own bubbles sometimes, and I'm

1221
00:53:34,360 --> 00:53:37,440
Speaker 2: not saying Fab it would be insecure by any stance,

1222
00:53:37,440 --> 00:53:39,920
Speaker 2: but artists sometimes like I don't know, like when you

1223
00:53:39,920 --> 00:53:43,080
Speaker 2: get a little older and hip hop being perceived as

1224
00:53:43,080 --> 00:53:44,880
Speaker 2: a young man's games, Like do people really want to

1225
00:53:44,920 --> 00:53:46,319
Speaker 2: hear from me am by the old guy at the club?

1226
00:53:46,360 --> 00:53:48,080
Speaker 2: Like I think a lot of older artists go through that,

1227
00:53:48,400 --> 00:53:50,200
Speaker 2: Whereas I don't think that's the case with Fab clearly

1228
00:53:50,239 --> 00:53:52,160
Speaker 2: because he's in shape and everyone loved the verse, but

1229
00:53:52,520 --> 00:53:54,319
Speaker 2: I could see him being in his head about that

1230
00:53:54,360 --> 00:53:56,719
Speaker 2: type of stuff, like yeah, but I don't want to

1231
00:53:56,719 --> 00:54:00,680
Speaker 2: be the old head. Still he has a Vegas residency.

1232
00:54:01,120 --> 00:54:03,560
Speaker 2: Well that's because he has a thousand hit records.

1233
00:54:03,320 --> 00:54:05,120
Speaker 3: That's what I'm saying. So it's like people still want

1234
00:54:05,160 --> 00:54:07,279
Speaker 3: to hear you. Yeah, if you get off of the

1235
00:54:07,360 --> 00:54:09,799
Speaker 3: Vegas residency, that means people want to hear you. People

1236
00:54:09,800 --> 00:54:12,040
Speaker 3: still want to see you perform, you got like you said,

1237
00:54:12,040 --> 00:54:14,320
Speaker 3: you got classic records, you got classic verses.

1238
00:54:15,080 --> 00:54:18,200
Speaker 2: People love that shit. Even whereas Jim Jones may not

1239
00:54:18,280 --> 00:54:21,480
Speaker 2: have as many hits as Fab, we've seen what Jim

1240
00:54:21,520 --> 00:54:22,960
Speaker 2: has done with the second half of his career with

1241
00:54:23,000 --> 00:54:25,640
Speaker 2: his catalog, Like we want to hear from Jim Jones. Yeah,

1242
00:54:26,840 --> 00:54:29,560
Speaker 2: fucking I'm saying fashion look at that, Like, no, we

1243
00:54:29,600 --> 00:54:32,200
Speaker 2: all love everything Jim Jones puts out. His albums are incredible.

1244
00:54:32,200 --> 00:54:34,160
Speaker 2: You don't think we want to hear from YouTube? Damn man,

1245
00:54:34,960 --> 00:54:36,600
Speaker 2: Well I was glad we got that, man, So shout

1246
00:54:36,600 --> 00:54:38,399
Speaker 2: out to the guys. Man squad squad as.

1247
00:54:38,400 --> 00:54:43,359
Speaker 3: Rights is the name of the squats Rights you look

1248
00:54:43,400 --> 00:54:44,920
Speaker 3: at it.

1249
00:54:45,400 --> 00:54:50,600
Speaker 2: Also the wildest loss squad that's still on the books.

1250
00:54:50,800 --> 00:54:52,440
Speaker 2: Oh man, Like I thought they would have got rid

1251
00:54:52,480 --> 00:54:54,000
Speaker 2: of that, like when they got rid of like burning

1252
00:54:54,000 --> 00:54:57,439
Speaker 2: Witches and Salem, Like, why is this legal? Somebody could

1253
00:54:57,440 --> 00:55:00,400
Speaker 2: do this? Speaking of Davies, before we get off this,

1254
00:55:01,160 --> 00:55:04,960
Speaker 2: did you see the footage of him at his squatter's residency.

1255
00:55:05,280 --> 00:55:08,960
Speaker 2: He's squatting, Yeah, and there was a producer there trying

1256
00:55:08,960 --> 00:55:11,680
Speaker 2: to get Dave on one of his artists albums. And

1257
00:55:11,719 --> 00:55:14,600
Speaker 2: apparently this this producer played Dave back in the day,

1258
00:55:14,640 --> 00:55:16,120
Speaker 2: didn't give him a beat when he was still up

1259
00:55:16,120 --> 00:55:18,800
Speaker 2: and coming, and Dave said, nah, fuck that. I like you.

1260
00:55:18,800 --> 00:55:19,799
Speaker 2: You tried to play me back then.

1261
00:55:19,840 --> 00:55:23,360
Speaker 3: I like it, Dave E's I like that, and it

1262
00:55:23,440 --> 00:55:26,200
Speaker 3: was done with respectfully. Dave wasn't you know, he wasn't

1263
00:55:26,239 --> 00:55:28,080
Speaker 3: disrespecting the guy. He was just like, yo, when I

1264
00:55:28,040 --> 00:55:31,000
Speaker 3: ain't had no name, I ain't had no motion, no buzz,

1265
00:55:31,560 --> 00:55:34,360
Speaker 3: I couldn't get nothing from you. Oh yeah, now that

1266
00:55:34,440 --> 00:55:35,200
Speaker 3: the table's turn.

1267
00:55:36,600 --> 00:55:38,839
Speaker 1: I hate I hate that, Like, nah, you niggas wasn't

1268
00:55:38,840 --> 00:55:40,800
Speaker 1: paying attention to me when nobody else was paying attention

1269
00:55:40,840 --> 00:55:41,000
Speaker 1: to me.

1270
00:55:41,200 --> 00:55:44,080
Speaker 2: Well, yeah, I wasn't the only one. Like, fuck me

1271
00:55:44,160 --> 00:55:44,359
Speaker 2: the first.

1272
00:55:45,520 --> 00:55:47,279
Speaker 3: Now that I got some buzz in the name, don't

1273
00:55:47,320 --> 00:55:48,759
Speaker 3: come asking me to do a joint.

1274
00:55:48,760 --> 00:55:50,560
Speaker 1: Well now it makes sense. Now you have buzz and

1275
00:55:50,600 --> 00:55:51,840
Speaker 1: a name, so now you are a.

1276
00:55:51,880 --> 00:55:54,640
Speaker 3: Valued But but you know what, now I also have

1277
00:55:54,760 --> 00:55:55,200
Speaker 3: leverage too.

1278
00:55:55,320 --> 00:55:57,759
Speaker 2: No, okay, I mean that's fine, that's what I was.

1279
00:55:57,800 --> 00:55:59,920
Speaker 3: That's why that's why I respect that, because now when

1280
00:55:59,920 --> 00:56:03,080
Speaker 3: you got leverage as well. No, I'm cool, respectfully though,

1281
00:56:03,080 --> 00:56:04,279
Speaker 3: like it's all good, you know what I mean? But

1282
00:56:04,600 --> 00:56:06,759
Speaker 3: we not we can't do No, we can't work together.

1283
00:56:06,840 --> 00:56:09,000
Speaker 2: Though I would only feel that way if, like, if

1284
00:56:09,000 --> 00:56:10,759
Speaker 2: I asked me, like, really try to play me out?

1285
00:56:10,920 --> 00:56:13,279
Speaker 2: Yeah like that at that point, Yeah, I'm gonna be

1286
00:56:13,440 --> 00:56:16,759
Speaker 2: fifty level of petty, like I'll actually agree to it,

1287
00:56:17,000 --> 00:56:19,400
Speaker 2: book the session, and I'm not even showing up like

1288
00:56:19,520 --> 00:56:21,000
Speaker 2: I would go that far if you try. If you

1289
00:56:21,040 --> 00:56:23,719
Speaker 2: disrespected me when I just simply asked, y'all, I'm up

1290
00:56:23,760 --> 00:56:26,000
Speaker 2: and coming, I'd love to work with you, and you

1291
00:56:26,200 --> 00:56:28,520
Speaker 2: like played me out, then i'd feel that way. But

1292
00:56:29,239 --> 00:56:32,759
Speaker 2: I don't know. I mean, in this business, if you

1293
00:56:32,760 --> 00:56:35,520
Speaker 2: can't be used, you're useless. Like I totally understand if

1294
00:56:35,520 --> 00:56:39,200
Speaker 2: a producer was like, no, I'm cool right now, Yeah,

1295
00:56:39,200 --> 00:56:41,600
Speaker 2: but all right, Like everyone's not supposed to reply to

1296
00:56:41,680 --> 00:56:44,560
Speaker 2: everybody that says you're work right, you're right, like, but

1297
00:56:44,600 --> 00:56:47,279
Speaker 2: if you do it in an arrogant, nasty way, then yes,

1298
00:56:47,400 --> 00:56:50,719
Speaker 2: Day should want you to play him out. But Tom's ten, all.

1299
00:56:50,640 --> 00:56:54,719
Speaker 3: Right, but let's have another part of this conversation. Just

1300
00:56:54,760 --> 00:56:59,879
Speaker 3: because I'm not like hot, right, don't mean that you hot?

1301
00:57:01,360 --> 00:57:03,360
Speaker 1: Well obviously you coming over here wanting to work for me.

1302
00:57:03,440 --> 00:57:07,239
Speaker 1: I like your beats. I like your production. But you

1303
00:57:07,360 --> 00:57:13,440
Speaker 1: ain't Alchemist, You ain't Timberland like you ain't dumb niggas.

1304
00:57:13,440 --> 00:57:16,080
Speaker 3: We understand if they don't respond to Davi's like and

1305
00:57:16,080 --> 00:57:17,640
Speaker 3: I'm just speaking how I feel like Dave might look

1306
00:57:17,680 --> 00:57:19,720
Speaker 3: at it like Homie had a buzz I did a

1307
00:57:19,720 --> 00:57:21,680
Speaker 3: lot of like work with Cam and shit like that.

1308
00:57:23,320 --> 00:57:24,120
Speaker 2: He might not be.

1309
00:57:24,120 --> 00:57:27,160
Speaker 3: Nominated for no Grammys no time soon though, you.

1310
00:57:27,040 --> 00:57:29,000
Speaker 2: Get what I'm saying. So, yes, you're a producer. You

1311
00:57:29,040 --> 00:57:31,240
Speaker 2: got some songs out here in the space that's that's lit,

1312
00:57:31,360 --> 00:57:32,160
Speaker 2: that's popping.

1313
00:57:31,920 --> 00:57:35,280
Speaker 3: Right now, I'm go to come up. But I feel

1314
00:57:35,280 --> 00:57:37,240
Speaker 3: like I could do some dope shit on your records.

1315
00:57:38,240 --> 00:57:40,840
Speaker 3: I don't know if every artist is because you not hot,

1316
00:57:40,960 --> 00:57:43,440
Speaker 3: could just shut it down. Now if you were one

1317
00:57:43,480 --> 00:57:47,440
Speaker 3: of those again, you a legacy art producer, and then

1318
00:57:47,480 --> 00:57:49,040
Speaker 3: it's like, I'm on, I'm an artist on the come

1319
00:57:49,080 --> 00:57:50,760
Speaker 3: up and I'm coming to you, like yo, Alchemist, can

1320
00:57:50,800 --> 00:57:52,480
Speaker 3: I get you one of my favorite producers?

1321
00:57:52,480 --> 00:57:52,760
Speaker 2: I need it.

1322
00:57:53,080 --> 00:57:56,440
Speaker 3: I can understand Alchemist shutting artist down to that, But

1323
00:57:56,520 --> 00:57:58,680
Speaker 3: if you just if you working with niggas that I'm

1324
00:57:58,760 --> 00:58:01,360
Speaker 3: chilling with every day, you working with Cam and you

1325
00:58:01,400 --> 00:58:06,320
Speaker 3: know all of them, I can't get a beat, like,

1326
00:58:06,400 --> 00:58:08,600
Speaker 3: come on, bro, Like, I can understand why Dave took

1327
00:58:08,640 --> 00:58:10,800
Speaker 3: that a little like, Bro, you working with niggas that

1328
00:58:10,840 --> 00:58:12,439
Speaker 3: I'm in the studio with every day.

1329
00:58:12,520 --> 00:58:14,080
Speaker 2: And again, we don't know the full story of this

1330
00:58:14,320 --> 00:58:15,680
Speaker 2: entire thing, so I want to say we are kind

1331
00:58:15,680 --> 00:58:18,200
Speaker 2: of we're just having a conversation about it. Let's put it,

1332
00:58:18,320 --> 00:58:20,520
Speaker 2: let's put yourself in about that producer shoes. I got

1333
00:58:20,520 --> 00:58:25,160
Speaker 2: a little traction. Now I'm working with cam Vodo. I'm

1334
00:58:25,520 --> 00:58:27,480
Speaker 2: in the position of trying to hustle and get my

1335
00:58:27,560 --> 00:58:30,520
Speaker 2: ship to the biggest people are working with me. But

1336
00:58:30,600 --> 00:58:34,640
Speaker 2: this was way before.

1337
00:58:34,680 --> 00:58:38,720
Speaker 1: That's what that's he denied Davi's way before that, Like.

1338
00:58:38,680 --> 00:58:41,120
Speaker 2: No, if I got these beats that I think are incredible.

1339
00:58:40,760 --> 00:58:42,640
Speaker 3: I'm trying to get them to the best way was

1340
00:58:42,680 --> 00:58:44,280
Speaker 3: trying to get a beat from him before he like

1341
00:58:44,320 --> 00:58:46,720
Speaker 3: when he first started rapping. Yeah, I don't know if

1342
00:58:46,720 --> 00:58:48,720
Speaker 3: that's when he first started wrapping. I think Dave had

1343
00:58:49,080 --> 00:58:51,640
Speaker 3: he already had a name. He wasn't as he didn't

1344
00:58:51,640 --> 00:58:53,800
Speaker 3: have the name that he has now. But I don't

1345
00:58:53,800 --> 00:58:56,360
Speaker 3: think Dave bumped into this dude when he was writing

1346
00:58:56,360 --> 00:58:57,960
Speaker 3: his first raps and was like Yo, can I get

1347
00:58:57,960 --> 00:58:59,240
Speaker 3: a beat? I don't think that's how to happen.

1348
00:58:59,760 --> 00:59:03,280
Speaker 2: I say this respectfully to it, just because my relationship

1349
00:59:03,280 --> 00:59:05,760
Speaker 2: with Wyno, how I was really introduced to Davis was

1350
00:59:06,440 --> 00:59:10,919
Speaker 2: through Weno. Once Wayno was leading the ship. I don't

1351
00:59:10,920 --> 00:59:12,720
Speaker 2: know if there was a producer that was turning down

1352
00:59:13,440 --> 00:59:17,120
Speaker 2: working with Davies. So this had to have been No. No,

1353
00:59:17,400 --> 00:59:20,040
Speaker 2: it don't have to have been because, especially in New York,

1354
00:59:20,080 --> 00:59:23,120
Speaker 2: cited like the connections just Wayno had because he's been

1355
00:59:23,120 --> 00:59:25,919
Speaker 2: in this industry for so long and has been such

1356
00:59:25,960 --> 00:59:29,800
Speaker 2: a pivotal person. If Weyno says something's hot, we're gonna

1357
00:59:29,800 --> 00:59:32,280
Speaker 2: believe it. And of course Davies ended up being fucking nice.

1358
00:59:32,320 --> 00:59:34,000
Speaker 2: It's not like Reno was going to co sign some Nah.

1359
00:59:34,360 --> 00:59:36,720
Speaker 2: I don't think there's any producer that's telling Wayno and

1360
00:59:36,800 --> 00:59:39,160
Speaker 2: Dave East at that time. Nah. I think this was

1361
00:59:39,280 --> 00:59:40,000
Speaker 2: before then.

1362
00:59:40,400 --> 00:59:40,600
Speaker 1: Nah.

1363
00:59:40,800 --> 00:59:42,200
Speaker 3: I think this happened around the time.

1364
00:59:42,360 --> 00:59:44,080
Speaker 2: Oh and if that's the case, then I'm gonna be

1365
00:59:44,120 --> 00:59:46,480
Speaker 2: a dick. Yeah, that's what I'm saying. Like I'm not,

1366
00:59:46,560 --> 00:59:50,560
Speaker 2: I'm not hot as can I see a producer on

1367
00:59:50,600 --> 00:59:52,680
Speaker 2: his own individual ground. I'm not trying to think about

1368
00:59:52,680 --> 00:59:54,400
Speaker 2: everyone else. I'm trying to get my beats to the

1369
00:59:54,400 --> 00:59:58,080
Speaker 2: biggest artists. I'm not wasting I'm not wasting this beat

1370
00:59:58,080 --> 01:00:00,000
Speaker 2: on somebody that I don't know is proven yet. I'm trying.

1371
01:00:00,080 --> 01:00:02,480
Speaker 2: Like we're all hustling in our own individual worlds. I

1372
01:00:02,560 --> 01:00:03,160
Speaker 2: understand that.

1373
01:00:03,200 --> 01:00:06,720
Speaker 3: But what I'm saying is sometimes certain producers that shut

1374
01:00:06,840 --> 01:00:09,000
Speaker 3: artists down, they don't really be in a position to

1375
01:00:09,040 --> 01:00:13,240
Speaker 3: shut artists down. You grinding and hustling, just like I'm grinding.

1376
01:00:13,440 --> 01:00:16,440
Speaker 3: We both out here selling nicks and doms nigga. We

1377
01:00:16,440 --> 01:00:17,560
Speaker 3: ain't moving weight yet.

1378
01:00:17,600 --> 01:00:20,800
Speaker 2: Like, yeah, there's there's artists I try to work with

1379
01:00:20,800 --> 01:00:25,160
Speaker 2: on my first project that respectfully said no, and then

1380
01:00:25,160 --> 01:00:27,720
Speaker 2: after the first one came out, was like, yes, work,

1381
01:00:27,880 --> 01:00:29,960
Speaker 2: Yeah they needed which I didn't. I didn't find that

1382
01:00:30,000 --> 01:00:32,640
Speaker 2: offensive at all. They need proof I need. I need

1383
01:00:32,680 --> 01:00:36,280
Speaker 2: to know, like what is this all right? Which? Which

1384
01:00:36,400 --> 01:00:40,160
Speaker 2: artist shut you down? I'm not going to get into that. Yeah,

1385
01:00:40,280 --> 01:00:43,080
Speaker 2: I don't want to get into the why it's the

1386
01:00:43,440 --> 01:00:46,160
Speaker 2: artist album asking them the gossip of musclebody.

1387
01:00:46,200 --> 01:00:48,200
Speaker 1: You still want to work with them again, And sometimes

1388
01:00:48,240 --> 01:00:49,800
Speaker 1: people aren't too keen on that.

1389
01:00:49,840 --> 01:00:52,000
Speaker 3: Like let them let people know that they shut me

1390
01:00:52,040 --> 01:00:53,960
Speaker 3: down once but then we work together. What's the problem

1391
01:00:54,000 --> 01:00:56,040
Speaker 3: with that? Yeah, you shut me down the first time,

1392
01:00:56,080 --> 01:00:57,280
Speaker 3: but we did end up working together.

1393
01:00:57,360 --> 01:00:58,880
Speaker 2: What's the problem with a lot of people in the

1394
01:00:58,920 --> 01:01:01,960
Speaker 2: beginning were like, well, let me hear some shit, like

1395
01:01:02,080 --> 01:01:05,160
Speaker 2: as far as not just here beats when you put

1396
01:01:05,200 --> 01:01:07,040
Speaker 2: records out, I need to see what the reaction of

1397
01:01:07,080 --> 01:01:11,120
Speaker 2: the shit is gonna be like. But before I put

1398
01:01:11,120 --> 01:01:13,760
Speaker 2: the first single out, but you never you're not proven

1399
01:01:13,840 --> 01:01:16,920
Speaker 2: in that space. Shit Like as far as like people's

1400
01:01:16,920 --> 01:01:19,360
Speaker 2: why I wasn't offended, Like nobody was like playing me out.

1401
01:01:19,360 --> 01:01:21,680
Speaker 2: They was just like, I feel like I want to

1402
01:01:21,680 --> 01:01:24,760
Speaker 2: be the first one. I feel like Dave had traction.

1403
01:01:25,240 --> 01:01:28,840
Speaker 2: He just wasn't as popular as he is now today.

1404
01:01:29,440 --> 01:01:30,880
Speaker 2: But I don't think that he went to him when

1405
01:01:30,880 --> 01:01:33,040
Speaker 2: he was just trying to like put his first song out.

1406
01:01:33,040 --> 01:01:34,520
Speaker 2: I don't think that's how it happened. I think it

1407
01:01:34,600 --> 01:01:36,160
Speaker 2: happened he had traction. Emotion.

1408
01:01:36,840 --> 01:01:39,320
Speaker 3: Dude probably didn't feel like his motion was enough and

1409
01:01:39,400 --> 01:01:41,120
Speaker 3: he shut him down. And then now here we are

1410
01:01:41,160 --> 01:01:45,000
Speaker 3: you asking me for nah and I can't do it respectfully.

1411
01:01:45,840 --> 01:01:48,120
Speaker 2: I love that respect Listen, man. The worst part is

1412
01:01:48,120 --> 01:01:50,160
Speaker 2: when you're trying to work with an artist before they're

1413
01:01:50,160 --> 01:01:52,000
Speaker 2: super popular, and then they fucking blow up and now

1414
01:01:52,000 --> 01:01:54,720
Speaker 2: it's like, fuck, you should have got that verse before.

1415
01:01:54,840 --> 01:01:56,400
Speaker 1: Who was it that you wanted to do that with?

1416
01:01:56,520 --> 01:01:57,640
Speaker 1: And then they got huge and you.

1417
01:01:57,600 --> 01:02:01,919
Speaker 2: Were like fuck. Ironically, the the woman that everyone thinks

1418
01:02:01,920 --> 01:02:04,680
Speaker 2: I just like Doto she right, yep, you were Oh

1419
01:02:04,720 --> 01:02:07,439
Speaker 2: my god twenty sixteen stems, I was harassing Reza Yoga.

1420
01:02:07,480 --> 01:02:09,960
Speaker 2: You number of this girl's girl is so fucking good.

1421
01:02:10,000 --> 01:02:14,960
Speaker 2: I want to work with her. Shit. Two beasts on

1422
01:02:15,520 --> 01:02:19,040
Speaker 2: the first album were specifically made for Doci. Yeah, and

1423
01:02:19,080 --> 01:02:21,800
Speaker 2: one on this album was Maper the Dixon Joint.

1424
01:02:22,280 --> 01:02:25,120
Speaker 1: Keep Keep Manifesting.

1425
01:02:25,440 --> 01:02:28,720
Speaker 2: Keep Manifesting was hilarious. No, for all, keep manifesting at

1426
01:02:28,720 --> 01:02:29,240
Speaker 2: it happened.

1427
01:02:30,520 --> 01:02:32,320
Speaker 3: That's like if somebody is starving and he's like, yo,

1428
01:02:32,400 --> 01:02:34,480
Speaker 3: keep manifesting, but.

1429
01:02:34,480 --> 01:02:35,880
Speaker 1: He's not starving. He's fine.

1430
01:02:35,920 --> 01:02:37,200
Speaker 3: No, I know, I know that, but I'm just saying

1431
01:02:37,240 --> 01:02:39,040
Speaker 3: saying times to keep manifesting, like.

1432
01:02:39,240 --> 01:02:41,440
Speaker 1: Yeah, I don't want him to talk about it like

1433
01:02:41,440 --> 01:02:42,160
Speaker 1: it will never happen.

1434
01:02:42,280 --> 01:02:43,120
Speaker 2: It may happen one day.

1435
01:02:43,120 --> 01:02:44,440
Speaker 1: I hope that it happens for you because I know

1436
01:02:44,440 --> 01:02:47,040
Speaker 1: how much you love Doci, So I hope one day

1437
01:02:47,040 --> 01:02:50,280
Speaker 1: you do it the internet, though, Who gives a fuck

1438
01:02:50,280 --> 01:02:53,320
Speaker 1: about the Internet's another thing you. First of all, I

1439
01:02:53,320 --> 01:02:55,480
Speaker 1: don't give a fuck about the Internet. I don't give

1440
01:02:55,600 --> 01:02:58,000
Speaker 1: up twenty twenty about the Internet. It's twenty twenty six.

1441
01:02:58,160 --> 01:03:01,280
Speaker 2: Rory gives about the Internet. Let's start. Let's start twenty

1442
01:03:01,280 --> 01:03:05,040
Speaker 2: twenty six with honesty. I thought I did not care

1443
01:03:05,080 --> 01:03:09,720
Speaker 2: about the Internet. I like that. I affect that. I

1444
01:03:09,800 --> 01:03:12,760
Speaker 2: like that. I thought there was at the time about that.

1445
01:03:12,760 --> 01:03:15,280
Speaker 2: I thought I did not care about the Internet. I

1446
01:03:15,320 --> 01:03:18,080
Speaker 2: am here to tell you, guys, I found out in

1447
01:03:18,160 --> 01:03:20,000
Speaker 2: twenty twenty five that I care about the Internet.

1448
01:03:24,080 --> 01:03:26,800
Speaker 1: That shit ain't affected my money or my motherfucking safety.

1449
01:03:26,840 --> 01:03:29,200
Speaker 2: I don't give a fuck about that ship, my money

1450
01:03:29,200 --> 01:03:30,680
Speaker 2: in my fa we're outside my house.

1451
01:03:30,800 --> 01:03:35,840
Speaker 1: I know that's fine. It's not fine, that's bad, it's horrible, horrible,

1452
01:03:35,840 --> 01:03:37,200
Speaker 1: But that's what I'm saying. If it aint affected my

1453
01:03:37,200 --> 01:03:38,400
Speaker 1: money and my safety, I don't give a fuck.

1454
01:03:38,480 --> 01:03:40,720
Speaker 3: What the everybody want to be the main character until

1455
01:03:40,720 --> 01:03:42,560
Speaker 3: this time, I want.

1456
01:03:42,400 --> 01:03:43,400
Speaker 2: To be the main main character.

1457
01:03:43,480 --> 01:03:44,479
Speaker 1: I don't want me the main character.

1458
01:03:44,560 --> 01:03:47,600
Speaker 2: Everyone. I'm like, y'all want to go viral. Look, y'all

1459
01:03:47,600 --> 01:03:54,120
Speaker 2: want to go viral? On y'all terms. Yeah, yeah, you

1460
01:03:54,360 --> 01:03:57,840
Speaker 2: get that's work. That's not how it works. I want

1461
01:03:57,840 --> 01:04:00,680
Speaker 2: to go viral for positivity? Yeah, for positis. I bet

1462
01:04:00,720 --> 01:04:07,840
Speaker 2: you viral for positivity. That's not how then algorithm works.

1463
01:04:07,920 --> 01:04:12,440
Speaker 2: Holy no, man, people do it and then all the

1464
01:04:12,480 --> 01:04:14,920
Speaker 2: comments are, this person's full of shit, this is this

1465
01:04:15,040 --> 01:04:17,160
Speaker 2: was a set up. This was just yeah, come on,

1466
01:04:17,280 --> 01:04:18,440
Speaker 2: nobody does anything positively.

1467
01:04:18,520 --> 01:04:20,640
Speaker 3: Thing that goes viral positivity is like when you approach

1468
01:04:20,680 --> 01:04:23,840
Speaker 3: a mom of five at a ross parking lot and

1469
01:04:23,880 --> 01:04:25,680
Speaker 3: you ask her she knows how to wrap a gift,

1470
01:04:25,680 --> 01:04:27,720
Speaker 3: and then when she raps it, you didn't hand her

1471
01:04:27,760 --> 01:04:30,480
Speaker 3: like ten thousand dollars. Like, you got to pay ten

1472
01:04:30,480 --> 01:04:32,320
Speaker 3: thousand dollars to go viral. Basically, that's what you And

1473
01:04:32,320 --> 01:04:32,640
Speaker 3: if you.

1474
01:04:32,600 --> 01:04:35,240
Speaker 2: Give somebody ten thousand dollars, they'll say they just did

1475
01:04:35,280 --> 01:04:37,640
Speaker 2: this so they could go viral. Yeah, you pay ten

1476
01:04:37,680 --> 01:04:39,080
Speaker 2: thousand dollars to go viral. That's what.

1477
01:04:39,720 --> 01:04:41,800
Speaker 1: Keith Lee goes viral all the time for positives.

1478
01:04:41,800 --> 01:04:43,040
Speaker 2: Who's Keith Lee? Oh the food guy?

1479
01:04:44,160 --> 01:04:48,200
Speaker 1: And listen, man, I'll slap shit out you about Keith Lee.

1480
01:04:48,800 --> 01:04:52,120
Speaker 2: I fucked with First they knight you, then they good

1481
01:04:52,200 --> 01:04:55,360
Speaker 2: night you. They they turn on him too. You can't

1482
01:04:55,440 --> 01:04:57,480
Speaker 2: name one person on the Internet that has gotten some

1483
01:04:57,600 --> 01:05:01,240
Speaker 2: viral fame on a positive that they didn't eventually try

1484
01:05:01,240 --> 01:05:02,680
Speaker 2: to turn like, no, no way, there's so much good

1485
01:05:02,720 --> 01:05:04,360
Speaker 2: vibes over way. We gotta figure out eventually.

1486
01:05:04,120 --> 01:05:06,480
Speaker 1: There's always gonna be negative people trying to spoil it.

1487
01:05:06,560 --> 01:05:09,000
Speaker 1: Was killing for a while for a little bit. That

1488
01:05:09,040 --> 01:05:13,120
Speaker 1: sh it ain't last, so that ain't. I feeling like

1489
01:05:13,120 --> 01:05:15,640
Speaker 1: the chicken Wings was on yo. I'm because he came

1490
01:05:15,680 --> 01:05:17,600
Speaker 1: to New York and the food that he tried in

1491
01:05:17,600 --> 01:05:20,000
Speaker 1: New York was not authentic, like real New York food,

1492
01:05:20,000 --> 01:05:22,160
Speaker 1: and he didn't give it the greatest ratings like that.

1493
01:05:22,240 --> 01:05:24,280
Speaker 1: He like he was eating like a salmon chop cheese.

1494
01:05:24,360 --> 01:05:26,160
Speaker 1: That's what they were killing him for, like the women

1495
01:05:26,320 --> 01:05:30,240
Speaker 1: chop cheese. I mean, he deserved to be salmon. He

1496
01:05:30,320 --> 01:05:31,040
Speaker 1: put salmon, And.

1497
01:05:31,160 --> 01:05:33,000
Speaker 2: I feel like, as New York's that's our fault for

1498
01:05:33,080 --> 01:05:37,479
Speaker 2: not spamming his inbox with the correct places. Yeah, salmon

1499
01:05:37,560 --> 01:05:38,840
Speaker 2: chop cheese is fucking yeah.

1500
01:05:38,920 --> 01:05:40,880
Speaker 3: I don't even know how he landed on that one.

1501
01:05:41,320 --> 01:05:44,680
Speaker 2: Yeah, come on, Keith, he's he's from He rated it right,

1502
01:05:45,520 --> 01:05:50,320
Speaker 2: This is got it right. This is awful. This is

1503
01:05:50,360 --> 01:05:55,960
Speaker 2: what got he got it?

1504
01:05:56,720 --> 01:05:58,640
Speaker 3: Yeah, if you're still on the winning streets, all the

1505
01:05:58,680 --> 01:06:02,320
Speaker 3: niggas taking nothing different, that's trash.

1506
01:06:02,480 --> 01:06:03,400
Speaker 2: That is hilarious.

1507
01:06:03,480 --> 01:06:05,160
Speaker 1: Which one do y'all? Y'all think it's gonna be the

1508
01:06:05,160 --> 01:06:05,800
Speaker 1: first to go viral?

1509
01:06:06,040 --> 01:06:07,560
Speaker 2: Don't just stop. I don't even like I don't even

1510
01:06:07,640 --> 01:06:12,520
Speaker 2: like this. Look at you. Scared he's still shaking his draws.

1511
01:06:12,800 --> 01:06:14,479
Speaker 2: I'm so scared and gay that I made a vision

1512
01:06:14,480 --> 01:06:18,959
Speaker 2: board with Keith. Y'all put each other on the vision

1513
01:06:19,000 --> 01:06:21,760
Speaker 2: board is gay. We we had all the magazines and

1514
01:06:21,800 --> 01:06:24,880
Speaker 2: like cut out all the things. That's a ransom note.

1515
01:06:24,920 --> 01:06:28,080
Speaker 2: What do you do? That's where you don't want the

1516
01:06:28,120 --> 01:06:31,880
Speaker 2: funds to catch. That's who you don't want the fence

1517
01:06:31,920 --> 01:06:36,120
Speaker 2: to catch. Like a vision board, it could be it

1518
01:06:36,120 --> 01:06:41,040
Speaker 2: could be a ransom note or a suicide.

1519
01:06:39,280 --> 01:06:41,640
Speaker 1: My last board was a suicide note for sure.

1520
01:06:41,720 --> 01:06:43,400
Speaker 2: Oh my god, man.

1521
01:06:43,600 --> 01:06:45,680
Speaker 1: Which one of y'all think's gonna be? Who's gonna be

1522
01:06:45,680 --> 01:06:46,560
Speaker 1: the first one this year?

1523
01:06:47,480 --> 01:06:52,000
Speaker 2: I don't know, man, mall, mall. When that coold album drop, listen, man,

1524
01:06:52,000 --> 01:06:54,640
Speaker 2: they tried to tell you I was wrong. I told him.

1525
01:06:54,640 --> 01:06:57,920
Speaker 3: I told him he was getting something for Christmas. I

1526
01:06:57,960 --> 01:06:59,600
Speaker 3: was just I was just a couple of days early.

1527
01:07:00,320 --> 01:07:02,760
Speaker 3: We're getting some Friday though, Well Thursday night.

1528
01:07:03,720 --> 01:07:05,520
Speaker 1: Don't make me cut that out because you love doing that.

1529
01:07:05,520 --> 01:07:05,760
Speaker 2: Ship.

1530
01:07:05,800 --> 01:07:07,919
Speaker 1: We all home and Thursday night. Cut this out.

1531
01:07:08,120 --> 01:07:11,280
Speaker 2: No Thursday night. So you're saying on record, this is

1532
01:07:11,280 --> 01:07:13,600
Speaker 2: the IG clip. You're saying on record, we are getting

1533
01:07:14,360 --> 01:07:17,240
Speaker 2: your main cold album. I didn't say that. See see

1534
01:07:17,280 --> 01:07:19,640
Speaker 2: how fast, Look how fast they're trying to get you

1535
01:07:19,680 --> 01:07:22,200
Speaker 2: to go viral. We were talking about I said that.

1536
01:07:22,480 --> 01:07:25,080
Speaker 2: I said the album was coming for Christmas, right. I

1537
01:07:25,120 --> 01:07:29,120
Speaker 2: thought I was just a couple couple weeks earlier. I

1538
01:07:29,160 --> 01:07:31,520
Speaker 2: think it's this Thursday, Thursday night.

1539
01:07:31,680 --> 01:07:34,320
Speaker 1: And if you're wrong, can you buy me something?

1540
01:07:35,280 --> 01:07:37,880
Speaker 2: I owed your shoes from twenty twenty two. I know, No,

1541
01:07:37,920 --> 01:07:38,560
Speaker 2: I don't, Yes, you.

1542
01:07:38,640 --> 01:07:40,400
Speaker 1: Do, because we went shopping to go get shoes and

1543
01:07:40,440 --> 01:07:41,520
Speaker 1: I still don't have shoes.

1544
01:07:41,560 --> 01:07:44,760
Speaker 3: They didn't have your size. Everything you wanted years, they

1545
01:07:44,760 --> 01:07:45,440
Speaker 3: haven't had desires.

1546
01:07:45,600 --> 01:07:46,000
Speaker 2: No, no, no.

1547
01:07:46,360 --> 01:07:49,480
Speaker 3: When we went to Flight Club, everything she wanted.

1548
01:07:49,520 --> 01:07:51,080
Speaker 1: They did not have told me he was gonna text

1549
01:07:51,160 --> 01:07:53,120
Speaker 1: Joe I did.

1550
01:07:52,600 --> 01:07:54,240
Speaker 2: He didn't send me ship.

1551
01:07:55,120 --> 01:07:56,760
Speaker 3: I texted him. He was here that week. He had

1552
01:07:56,760 --> 01:07:59,000
Speaker 3: a whole pop up that week, I texted him.

1553
01:07:58,920 --> 01:08:01,120
Speaker 2: I was going through some things to win. Oh yeah

1554
01:08:01,120 --> 01:08:03,920
Speaker 2: you yeah. Oh that's when it was prime time to

1555
01:08:04,000 --> 01:08:06,280
Speaker 2: keep trying to keep my friends away from me. Yeah.

1556
01:08:06,280 --> 01:08:08,600
Speaker 3: But I do think this Thursday we get an album

1557
01:08:08,600 --> 01:08:11,000
Speaker 3: that I think we've all been collectively waiting.

1558
01:08:11,040 --> 01:08:13,440
Speaker 2: Okay, okay, so you're not just open ended, we just

1559
01:08:13,480 --> 01:08:15,560
Speaker 2: get it. Could be we get it, could be Dochy.

1560
01:08:15,640 --> 01:08:16,040
Speaker 2: I think.

1561
01:08:17,760 --> 01:08:20,200
Speaker 3: Okay, y'all may have been collectively waiting for Dochi. I'm

1562
01:08:20,200 --> 01:08:23,200
Speaker 3: not waiting for a doty I am. I mean, I'm

1563
01:08:23,240 --> 01:08:24,960
Speaker 3: I'm happy when she drops it, but I'm not sitting

1564
01:08:25,000 --> 01:08:25,400
Speaker 3: back like.

1565
01:08:25,479 --> 01:08:28,599
Speaker 2: I think the person you're insinuating now but covering your

1566
01:08:28,600 --> 01:08:31,400
Speaker 2: ass by not saying the name. Yes, I think the

1567
01:08:31,439 --> 01:08:36,360
Speaker 2: whole world is waiting for that project before probably anyone else.

1568
01:08:36,800 --> 01:08:38,240
Speaker 2: So I think we get it this thirty.

1569
01:08:38,280 --> 01:08:39,880
Speaker 3: I was a little earlier. I thought it was Christmas.

1570
01:08:40,640 --> 01:08:42,680
Speaker 3: Maybe some things can get cleared and time. You know,

1571
01:08:42,720 --> 01:08:45,720
Speaker 3: the industry is closed for the holiday, so things had

1572
01:08:45,720 --> 01:08:46,320
Speaker 3: to get pushed.

1573
01:08:46,760 --> 01:08:52,679
Speaker 1: Prepared to be sick of me if it's good, bitch, Sorry,

1574
01:08:52,720 --> 01:08:57,280
Speaker 1: you know what? Sorry my man to twenty six, first

1575
01:08:57,320 --> 01:08:59,439
Speaker 1: time I've been called the bitch in twenty six.

1576
01:09:02,080 --> 01:09:02,240
Speaker 2: Bad.

1577
01:09:02,280 --> 01:09:07,679
Speaker 1: That's so goodful, I'm sorry, sir, Let's be fucking for real.

1578
01:09:08,280 --> 01:09:11,680
Speaker 2: Let's be fucking for real. We don't know, we don't know.

1579
01:09:11,840 --> 01:09:13,200
Speaker 1: See even made me repeat myself.

1580
01:09:13,240 --> 01:09:15,479
Speaker 3: A lot of those songs that was dropped came and went,

1581
01:09:16,200 --> 01:09:18,120
Speaker 3: I ain't heard none of your niggas play port or

1582
01:09:18,160 --> 01:09:20,400
Speaker 3: what was it port Antonio? When the last time you

1583
01:09:20,400 --> 01:09:24,200
Speaker 3: pressed played in Port Antonio this year? Cut it out?

1584
01:09:24,320 --> 01:09:26,920
Speaker 3: He always he always just played a nigga song. He

1585
01:09:27,040 --> 01:09:29,880
Speaker 3: liked lebron on music. Just yo, I'm was just playing that.

1586
01:09:30,479 --> 01:09:33,400
Speaker 1: Rory just played port Antonio Clouds and off season for

1587
01:09:33,479 --> 01:09:34,759
Speaker 1: me when we were on our way to the Monica.

1588
01:09:35,040 --> 01:09:38,920
Speaker 2: Yeah, Brandon Monica and brought back twenty one Savages verse twice.

1589
01:09:39,280 --> 01:09:41,479
Speaker 1: Yeah, he did just play Portos. That was the last

1590
01:09:41,479 --> 01:09:42,080
Speaker 1: time I heard it.

1591
01:09:43,400 --> 01:09:45,599
Speaker 2: I'm excited, man, and that was like two months ago.

1592
01:09:46,280 --> 01:09:48,519
Speaker 2: Speaking of Karen with the Internet says, I do find

1593
01:09:48,560 --> 01:09:51,479
Speaker 2: it funny when all the comments under certain things are

1594
01:09:51,520 --> 01:09:53,799
Speaker 2: like they be trying to go viral. If y'all fucking

1595
01:09:54,040 --> 01:09:56,240
Speaker 2: knew how much we don't know the things that are

1596
01:09:56,240 --> 01:09:59,120
Speaker 2: going to go viral. Nobody, none of this ship, nobody

1597
01:09:59,400 --> 01:10:02,040
Speaker 2: trying something like bro I don't. I don't even know

1598
01:10:02,080 --> 01:10:02,960
Speaker 2: how you would think that.

1599
01:10:03,200 --> 01:10:05,479
Speaker 3: Nobody we were surprised at the ship that goes viral,

1600
01:10:06,320 --> 01:10:08,040
Speaker 3: Like the ship we think is going to go viral,

1601
01:10:08,080 --> 01:10:08,920
Speaker 3: we don't even make it a clip.

1602
01:10:10,320 --> 01:10:10,760
Speaker 2: How don't you?

1603
01:10:10,880 --> 01:10:13,439
Speaker 3: How do you even know what's like? Nobody knows what's

1604
01:10:13,439 --> 01:10:14,080
Speaker 3: gonna go viral?

1605
01:10:14,360 --> 01:10:15,479
Speaker 2: The Pepsi challenge or.

1606
01:10:17,240 --> 01:10:19,080
Speaker 3: From having a rock walk through this door right here,

1607
01:10:19,120 --> 01:10:21,400
Speaker 3: like you know what I'm saying, Like, you know that's

1608
01:10:21,400 --> 01:10:25,440
Speaker 3: going other than that the rock Dwayne.

1609
01:10:25,200 --> 01:10:27,120
Speaker 2: Johnson, Yeah, him walk through the door.

1610
01:10:27,160 --> 01:10:29,280
Speaker 3: I said, if he was to walk through this door, yeah,

1611
01:10:29,280 --> 01:10:30,040
Speaker 3: that's going viral.

1612
01:10:30,240 --> 01:10:30,680
Speaker 2: You know that.

1613
01:10:30,760 --> 01:10:33,200
Speaker 3: We don't have to even other than that. I don't

1614
01:10:33,200 --> 01:10:35,160
Speaker 3: know what the fuck is gonna go viral? He'd come

1615
01:10:35,200 --> 01:10:35,639
Speaker 3: through the wall.

1616
01:10:35,640 --> 01:10:40,599
Speaker 2: I don't even know even then at that point, I mean,

1617
01:10:40,600 --> 01:10:42,760
Speaker 2: he's gonna have to save the Democrats. I'll still beat

1618
01:10:42,920 --> 01:10:46,439
Speaker 2: Rock Verse JD. Vans for years. Who's ready? Too soon?

1619
01:10:46,560 --> 01:10:49,680
Speaker 2: My bad? Anyways. Kyle Sanat says he'll never be in

1620
01:10:49,720 --> 01:10:52,760
Speaker 2: a relationship again. Kyle, listen, man, that's such a twenty

1621
01:10:52,800 --> 01:10:55,320
Speaker 2: two year old fucking thing to say, and which I've

1622
01:10:55,320 --> 01:10:58,000
Speaker 2: been heartbroken before too. It sucks. It's part of life,

1623
01:10:58,000 --> 01:10:59,960
Speaker 2: and anytime someone tries to tell you that, I saw

1624
01:11:00,080 --> 01:11:01,920
Speaker 2: all these people trying to give him all this advice.

1625
01:11:02,240 --> 01:11:04,000
Speaker 2: So when your heart is broken for the first time,

1626
01:11:04,439 --> 01:11:07,639
Speaker 2: all that logic goes out out the door. DDG. Yeah,

1627
01:11:07,640 --> 01:11:11,800
Speaker 2: you're right. Then there was some other streamer UFC Fight

1628
01:11:11,880 --> 01:11:14,200
Speaker 2: or whatever that gave him great advice. You're not trying

1629
01:11:14,240 --> 01:11:16,479
Speaker 2: to hear that when you fucking twenty two and you don't.

1630
01:11:16,280 --> 01:11:18,439
Speaker 3: Give First of all, trying to give a twenty four

1631
01:11:18,479 --> 01:11:22,400
Speaker 3: year old advice about dating is like, bro, they're not

1632
01:11:22,439 --> 01:11:23,439
Speaker 3: retaining that information.

1633
01:11:24,000 --> 01:11:28,320
Speaker 2: Four year old man. Welcome to the gym. Monday chess

1634
01:11:28,400 --> 01:11:33,000
Speaker 2: try as men and Mall is the leader of this

1635
01:11:33,160 --> 01:11:35,679
Speaker 2: entire thing. We are so bad at consoling our friends.

1636
01:11:36,320 --> 01:11:39,080
Speaker 2: He literally just gave him a Monday through Saturday that

1637
01:11:39,160 --> 01:11:42,479
Speaker 2: gym regiment to Kai saying I'm never going to be

1638
01:11:42,520 --> 01:11:44,880
Speaker 2: in a relationship again. He's in his early twenties, so

1639
01:11:45,080 --> 01:11:49,400
Speaker 2: much life to live, God given no dog Friday leg day.

1640
01:11:49,760 --> 01:11:51,760
Speaker 3: I mean to me, that is the best advice he's

1641
01:11:51,760 --> 01:11:53,480
Speaker 3: probably gotten on the internet.

1642
01:11:53,840 --> 01:11:56,360
Speaker 2: Welcome to the gym, go work out. Well, I agree

1643
01:11:56,439 --> 01:11:59,080
Speaker 2: that everyone should do that. Yeah, like you, like you're

1644
01:11:59,160 --> 01:11:59,880
Speaker 2: twenty four.

1645
01:12:00,400 --> 01:12:02,519
Speaker 3: This ain't going to be the last time a girl

1646
01:12:02,560 --> 01:12:05,240
Speaker 3: disappoints you or breaks your heart or this is not

1647
01:12:05,320 --> 01:12:08,200
Speaker 3: the last time, like you know what I mean. So

1648
01:12:08,240 --> 01:12:09,800
Speaker 3: for Kada say he'll never be in a relationship again,

1649
01:12:09,840 --> 01:12:11,479
Speaker 3: I just thought that that was funny because it's like, bro,

1650
01:12:11,600 --> 01:12:13,599
Speaker 3: come on, man, you're never being in a relationship again

1651
01:12:13,640 --> 01:12:15,160
Speaker 3: in your life. At twenty four years old, you're making

1652
01:12:15,160 --> 01:12:17,599
Speaker 3: that statement. I understand he's hurt. You know, he may

1653
01:12:17,600 --> 01:12:19,519
Speaker 3: be a little heartbroken. I'll get that. I respect that,

1654
01:12:20,400 --> 01:12:21,040
Speaker 3: but come on.

1655
01:12:21,040 --> 01:12:24,840
Speaker 2: Ky, when I got my heart broken for the first time, actually,

1656
01:12:24,880 --> 01:12:26,680
Speaker 2: let me rephrase that, when I thought I got my

1657
01:12:26,760 --> 01:12:29,559
Speaker 2: heart broken for the first time, because that's what's fucked up.

1658
01:12:29,560 --> 01:12:31,559
Speaker 2: When you're young. You think your heart is broken and

1659
01:12:31,560 --> 01:12:34,400
Speaker 2: then your heart really gets broken later and you're just like,

1660
01:12:34,520 --> 01:12:37,439
Speaker 2: oh wait, I never even loved that, shiit. I thought

1661
01:12:37,439 --> 01:12:40,080
Speaker 2: that was heartbreak. But all the older people in my

1662
01:12:40,160 --> 01:12:43,320
Speaker 2: life off the first heartbreak. This is why I just

1663
01:12:43,400 --> 01:12:46,519
Speaker 2: hate that I have such a pessimistic brain. They were like, man,

1664
01:12:46,640 --> 01:12:49,880
Speaker 2: same shit, want said, this is gonna happen again. You

1665
01:12:50,160 --> 01:12:51,720
Speaker 2: meet another girl, She's gonna break your heart. This is

1666
01:12:51,760 --> 01:12:54,280
Speaker 2: the cycle of life. My brain took that as this

1667
01:12:54,320 --> 01:12:58,559
Speaker 2: is gonna happen again. Yeah, Now, I really don't want

1668
01:12:58,560 --> 01:12:59,880
Speaker 2: to be in a relationship again.

1669
01:13:00,640 --> 01:13:02,919
Speaker 3: Yeah, it happens, man, it's part of it. Heavy relationship

1670
01:13:02,960 --> 01:13:04,120
Speaker 3: ain't gonna last forever.

1671
01:13:04,200 --> 01:13:08,360
Speaker 2: Of course not. But you don't have twenty four heartbreak, Yeah,

1672
01:13:08,479 --> 01:13:11,719
Speaker 2: not your little high school heartbreak like you get twenty somethings.

1673
01:13:11,720 --> 01:13:15,960
Speaker 3: Oh you got all this notoriety success. Yeah, and then

1674
01:13:16,000 --> 01:13:17,240
Speaker 3: you know what I'm saying, You think you found a

1675
01:13:17,280 --> 01:13:19,000
Speaker 3: good girl, and it's like, yeah, this is gonna work.

1676
01:13:19,040 --> 01:13:21,000
Speaker 3: I can see us. Like he may have had talks

1677
01:13:21,040 --> 01:13:23,800
Speaker 3: about starting a family. You know, you don't know, but

1678
01:13:23,840 --> 01:13:25,400
Speaker 3: that's just part of being a twenty four year old.

1679
01:13:25,439 --> 01:13:28,360
Speaker 3: Like those types of moments and conversations, that's all we've

1680
01:13:28,640 --> 01:13:30,760
Speaker 3: We've all had those conversations at twenty four. You've all

1681
01:13:30,800 --> 01:13:33,240
Speaker 3: had those thoughts about somebody at twenty four, Like when

1682
01:13:33,280 --> 01:13:34,639
Speaker 3: the last time you thought about that person?

1683
01:13:35,479 --> 01:13:38,080
Speaker 2: That'd be the funniest part, Like years later, least I

1684
01:13:38,120 --> 01:13:40,280
Speaker 2: was really tripping over that. Yeah, And I mean, Kyle,

1685
01:13:40,280 --> 01:13:42,800
Speaker 2: I'll find out later that baby, did you stay? You're

1686
01:13:42,800 --> 01:13:43,439
Speaker 2: all right over there?

1687
01:13:43,600 --> 01:13:45,880
Speaker 3: Because you sound like something you're trying to get past.

1688
01:13:47,720 --> 01:13:50,599
Speaker 3: It sounds like your cat was you stepped on your

1689
01:13:50,600 --> 01:13:53,520
Speaker 3: cat's pail or something over good.

1690
01:13:56,360 --> 01:13:58,840
Speaker 2: And I mean Kyle will understand that. You know, the

1691
01:13:58,960 --> 01:14:01,599
Speaker 2: things that you tweeted twenty four you don't actually believe. Yeah,

1692
01:14:01,640 --> 01:14:03,880
Speaker 2: he gonna look back at that, actually contact that whenever.

1693
01:14:03,920 --> 01:14:04,640
Speaker 1: You know what.

1694
01:14:07,560 --> 01:14:13,120
Speaker 2: Nobody tells you, how many random little charges hit you

1695
01:14:13,160 --> 01:14:16,040
Speaker 2: every week. One minute you're grabbing coffee, next thing you know,

1696
01:14:16,200 --> 01:14:19,200
Speaker 2: it's a delivery fee, a parking ticket, and somehow you

1697
01:14:19,280 --> 01:14:21,400
Speaker 2: bought a plant that you don't even like exactly.

1698
01:14:21,479 --> 01:14:23,920
Speaker 3: Life doesn't come with the budget app built in, but

1699
01:14:24,120 --> 01:14:26,200
Speaker 3: the Clarina Card kind of feels like you should have.

1700
01:14:26,680 --> 01:14:29,800
Speaker 2: It's basically your debit card upgraded. You use your own money,

1701
01:14:29,840 --> 01:14:32,200
Speaker 2: no credit, no weird fees, and you get to choose

1702
01:14:32,240 --> 01:14:35,160
Speaker 2: how you pay all up front or you plan it

1703
01:14:35,200 --> 01:14:37,080
Speaker 2: out in the Klarna app.

1704
01:14:37,520 --> 01:14:40,240
Speaker 3: Yeah, so you're still being responsible, just smarter. It works

1705
01:14:40,240 --> 01:14:43,679
Speaker 3: anywhere visas accepted, and there's zero credit impact when you apply.

1706
01:14:43,680 --> 01:14:47,559
Speaker 2: Smarter spending, less stress. That's grown man budgeting right there.

1707
01:14:47,720 --> 01:14:50,120
Speaker 3: Sign up for the Clarina car by downloading the Klarna

1708
01:14:50,200 --> 01:14:53,240
Speaker 3: app or learn more at klarna dot com. Forward Slash

1709
01:14:53,360 --> 01:14:56,840
Speaker 3: US four Slash, Clarna Dash Card, Colarna car paylated plans

1710
01:14:56,880 --> 01:14:59,280
Speaker 3: issued by web Bank. Deposits in your balance account are

1711
01:14:59,320 --> 01:15:03,360
Speaker 3: held at web Bank member FDIC. Anywhere Visa is accepted.

1712
01:15:03,680 --> 01:15:07,479
Speaker 3: Certain merchant product, good and service restrictions apply. Some merchants

1713
01:15:07,479 --> 01:15:10,640
Speaker 3: do not accept virtual cards. Physical card only included with

1714
01:15:10,640 --> 01:15:13,960
Speaker 3: a paid Klarna membership plan. Certain merchant product, good and

1715
01:15:14,040 --> 01:15:15,200
Speaker 3: service restrictions apply.

1716
01:15:21,120 --> 01:15:23,360
Speaker 2: Because there's really like two options. You could end up

1717
01:15:24,040 --> 01:15:27,160
Speaker 2: like Kai, heartbroken at twenty four and never thinking you'll

1718
01:15:27,200 --> 01:15:29,240
Speaker 2: be in a relationship again. Or you can be the

1719
01:15:29,280 --> 01:15:32,840
Speaker 2: guy that gets married and walks down the aisle to

1720
01:15:32,960 --> 01:15:36,800
Speaker 2: I'm going in with no reaction like you guys have thought.

1721
01:15:36,840 --> 01:15:41,519
Speaker 2: I bombed on stage at live shows. This was rough.

1722
01:15:42,240 --> 01:15:44,479
Speaker 2: Can we get a little volume here, Josh? They might

1723
01:15:44,479 --> 01:15:46,519
Speaker 2: cut the song off. I just want you to see it.

1724
01:15:48,479 --> 01:15:50,320
Speaker 1: Why is he off beat?

1725
01:15:50,400 --> 01:15:51,160
Speaker 2: He's a white boy.

1726
01:15:51,400 --> 01:15:57,040
Speaker 1: Hey, Hey, I'm so tishual.

1727
01:15:57,200 --> 01:16:03,120
Speaker 2: I need this a whistle. Oh my god, yo, hitting

1728
01:16:03,160 --> 01:16:06,240
Speaker 2: the ray Lewis at the end of it. Here's here's

1729
01:16:06,240 --> 01:16:09,800
Speaker 2: my thing. I can I can empathize with the jump.

1730
01:16:09,800 --> 01:16:12,679
Speaker 2: We've all thought about things in our head that played

1731
01:16:12,680 --> 01:16:17,439
Speaker 2: out way differently once it got to reality. Because you know,

1732
01:16:17,520 --> 01:16:20,160
Speaker 2: he like he's been thinking about this for months, and

1733
01:16:20,200 --> 01:16:22,920
Speaker 2: he thought he was gonna smoke this. He kind of

1734
01:16:22,920 --> 01:16:26,880
Speaker 2: thought everyone probably start rapping along too. Months.

1735
01:16:26,880 --> 01:16:28,719
Speaker 1: He been thinking about that for years. For I'm going

1736
01:16:28,760 --> 01:16:30,800
Speaker 1: into be the song you come out to in your wedding.

1737
01:16:30,880 --> 01:16:32,800
Speaker 1: You've been wanting to do that since that song came out.

1738
01:16:32,840 --> 01:16:33,840
Speaker 1: Fucking fi Why do.

1739
01:16:33,840 --> 01:16:35,559
Speaker 2: You know all the lyrics of that song? I do?

1740
01:16:35,600 --> 01:16:38,679
Speaker 2: I don't know where so do? I not all of them?

1741
01:16:38,800 --> 01:16:41,760
Speaker 2: But just where in that song did you feel like

1742
01:16:42,840 --> 01:16:44,360
Speaker 2: wedding bitch.

1743
01:16:44,240 --> 01:16:46,320
Speaker 1: Named Crystal, let us suck my pistol, shoping up on

1744
01:16:46,360 --> 01:16:47,599
Speaker 1: them off and I blew her brains out?

1745
01:16:47,600 --> 01:16:50,000
Speaker 2: Imagine, Well, if your wife's name is Crystal, that's kind

1746
01:16:50,000 --> 01:16:53,400
Speaker 2: of romantic. No, yeah, that's definitely romantic. It's kind of beautiful,

1747
01:16:53,439 --> 01:16:55,559
Speaker 2: and it's in front of God. So it's okay because

1748
01:16:55,560 --> 01:16:56,080
Speaker 2: you guys are married.

1749
01:16:56,160 --> 01:16:57,759
Speaker 3: This would have been better if it was the reception,

1750
01:16:58,160 --> 01:16:59,920
Speaker 3: maybe if they both came out together.

1751
01:17:00,240 --> 01:17:02,439
Speaker 2: So here's the thing that I never knew.

1752
01:17:02,439 --> 01:17:04,960
Speaker 3: You had an entrance songs like when you walk, it's

1753
01:17:05,000 --> 01:17:10,000
Speaker 3: usually slow, Yeah, but that's what you're usually already standing there.

1754
01:17:11,040 --> 01:17:12,640
Speaker 2: The bride is the only one that comes out.

1755
01:17:12,680 --> 01:17:13,280
Speaker 3: The man.

1756
01:17:13,400 --> 01:17:16,120
Speaker 1: There's the man walks down to music as well. Nobody

1757
01:17:16,120 --> 01:17:17,720
Speaker 1: ever gets that, nobody cares.

1758
01:17:17,760 --> 01:17:18,479
Speaker 2: I've never seen that.

1759
01:17:18,600 --> 01:17:21,479
Speaker 1: I've seen them walk down to music. It's usually like

1760
01:17:20,560 --> 01:17:26,320
Speaker 1: after when they announced the party and you.

1761
01:17:26,400 --> 01:17:28,400
Speaker 2: Standing there, just thought you and your best man already

1762
01:17:28,400 --> 01:17:28,920
Speaker 2: standing there.

1763
01:17:29,080 --> 01:17:32,360
Speaker 1: No, I've seen men walk down. You've seen plenty of

1764
01:17:32,400 --> 01:17:34,519
Speaker 1: videos the men walk Yeah, I have plenty of videos.

1765
01:17:34,600 --> 01:17:36,639
Speaker 2: I've seen this. This is but who was the bride.

1766
01:17:36,920 --> 01:17:38,680
Speaker 1: It don't matter about who was the bride. A lot

1767
01:17:38,720 --> 01:17:41,160
Speaker 1: of black weddings, the man will have an entrance song too.

1768
01:17:41,200 --> 01:17:43,800
Speaker 1: It's usually a slower song though, or a piano solo

1769
01:17:43,960 --> 01:17:46,160
Speaker 1: something like that. But it's not they'll give him his

1770
01:17:46,160 --> 01:17:47,400
Speaker 1: walk I've seen that plenty of times.

1771
01:17:47,479 --> 01:17:50,920
Speaker 2: Or they just walk out and then the best man

1772
01:17:51,000 --> 01:17:53,280
Speaker 2: in the bridesman like, they all just walk out and

1773
01:17:53,280 --> 01:17:55,880
Speaker 2: then they're there. So we focused and we looked that up. Dude.

1774
01:17:55,880 --> 01:17:58,679
Speaker 2: The men traditionally walk out traditionally, I'm sure.

1775
01:17:58,760 --> 01:18:02,519
Speaker 3: No, Yeah, that's what I'm talking about, the tradition of marriage. Like,

1776
01:18:02,600 --> 01:18:04,479
Speaker 3: I'm not talking about what you want to do at

1777
01:18:04,520 --> 01:18:07,320
Speaker 3: your wedding. The tradition is the man is already standing

1778
01:18:07,360 --> 01:18:09,840
Speaker 3: there when a certain when when the ceremony starts.

1779
01:18:09,640 --> 01:18:12,400
Speaker 2: I'll give you guys a little inside scoop uh to whiteness.

1780
01:18:12,439 --> 01:18:16,439
Speaker 2: Peage backed me up here the song reception thing. White

1781
01:18:16,439 --> 01:18:21,720
Speaker 2: people just adopted that. White people just figured that part out,

1782
01:18:21,840 --> 01:18:24,360
Speaker 2: Like we're now just putting that into our wed We wouldn't,

1783
01:18:24,760 --> 01:18:26,519
Speaker 2: you would just go to the reception. I still don't.

1784
01:18:26,960 --> 01:18:27,320
Speaker 2: I don't like.

1785
01:18:27,360 --> 01:18:29,439
Speaker 1: I don't like when anybody does it. I hate it.

1786
01:18:31,880 --> 01:18:34,360
Speaker 2: Yeah, yeah, the brides made it was probably around the

1787
01:18:34,360 --> 01:18:36,799
Speaker 2: time I'd have to say, like when vine started popping,

1788
01:18:36,880 --> 01:18:38,439
Speaker 2: that's when white people were like, wait, you could do

1789
01:18:38,479 --> 01:18:40,720
Speaker 2: this at your reception. You're allowed to, Like, do you

1790
01:18:41,520 --> 01:18:42,400
Speaker 2: mean to have a good time?

1791
01:18:43,479 --> 01:18:45,280
Speaker 3: Look at white people say you mean you could have fun?

1792
01:18:45,280 --> 01:18:53,120
Speaker 2: That they find out about Nigerian weddings and you could

1793
01:18:53,240 --> 01:18:56,400
Speaker 2: just start throwing money that when white people figure that

1794
01:18:56,400 --> 01:18:58,800
Speaker 2: part out, those weddings are going to be nuts. But

1795
01:18:59,439 --> 01:19:02,439
Speaker 2: I don't know. I feel like, as a man, because

1796
01:19:02,479 --> 01:19:05,000
Speaker 2: I believe in double standards, the wedding is for the woman.

1797
01:19:05,280 --> 01:19:07,760
Speaker 2: Just shut the fuck up and make it her day. Yeah,

1798
01:19:08,000 --> 01:19:10,120
Speaker 2: it's her day. It's focused on her. I'm gonna be

1799
01:19:10,120 --> 01:19:12,880
Speaker 2: standing there like this. You if your father is still

1800
01:19:12,880 --> 01:19:14,639
Speaker 2: in your life or alive, walk down with your pops,

1801
01:19:14,680 --> 01:19:16,320
Speaker 2: and I'm gonna be just like this. I'm gonna cry.

1802
01:19:16,720 --> 01:19:18,920
Speaker 2: This is for you. This isn't like yeah, of course

1803
01:19:18,960 --> 01:19:22,400
Speaker 2: it's our day, but the point of this is for you,

1804
01:19:22,479 --> 01:19:24,639
Speaker 2: like you need to. I'm going in as fun. You're

1805
01:19:24,680 --> 01:19:26,360
Speaker 2: my superstar, so you gotta be a super star. I

1806
01:19:26,360 --> 01:19:26,760
Speaker 2: don't like that.

1807
01:19:26,800 --> 01:19:29,599
Speaker 1: I think weddings are for Actually, weddings aren't for anybody

1808
01:19:29,600 --> 01:19:31,400
Speaker 1: but the fucking guests who get the attend. But I

1809
01:19:31,400 --> 01:19:33,759
Speaker 1: think the wedding should be equal for both, for both.

1810
01:19:34,360 --> 01:19:36,920
Speaker 1: This is important to you, important to me, whatever, Like,

1811
01:19:37,000 --> 01:19:39,000
Speaker 1: I think that we both should be the star. But

1812
01:19:39,040 --> 01:19:41,719
Speaker 1: I do not like the men who do. I don't

1813
01:19:41,800 --> 01:19:44,320
Speaker 1: like celebrity basemen like that ship that. I wouldn't have

1814
01:19:44,320 --> 01:19:44,760
Speaker 1: married him.

1815
01:19:45,640 --> 01:19:46,439
Speaker 2: I wouldn't have married it.

1816
01:19:46,479 --> 01:19:50,200
Speaker 1: I wouldn't married that's embarrassing. Fuck like I would have

1817
01:19:50,200 --> 01:19:50,719
Speaker 1: married him.

1818
01:19:50,920 --> 01:19:52,840
Speaker 2: That is no. But what she probably didn't see it,

1819
01:19:52,880 --> 01:19:54,840
Speaker 2: like imagine she gets to the receptions like, yo, he

1820
01:19:54,880 --> 01:19:56,799
Speaker 2: did what wait, let me see that video.

1821
01:19:56,880 --> 01:19:59,240
Speaker 1: Oh my god, the wedding video. Don't fucking put that

1822
01:19:59,280 --> 01:20:00,000
Speaker 1: in my wedding video.

1823
01:20:00,160 --> 01:20:02,599
Speaker 3: That was crazy though, watching that just now was wild.

1824
01:20:02,600 --> 01:20:04,599
Speaker 1: But any nigga I would do that. He corny twenty

1825
01:20:04,600 --> 01:20:06,519
Speaker 1: four seven, So she knew she married a corny nigga.

1826
01:20:06,680 --> 01:20:08,120
Speaker 1: She probably was in the back like he'd be.

1827
01:20:08,040 --> 01:20:10,639
Speaker 2: Cool, corny, like just nice, might be a nice guy.

1828
01:20:11,560 --> 01:20:13,519
Speaker 2: Just save that's like a nice guy saved there for

1829
01:20:13,560 --> 01:20:14,040
Speaker 2: the reception.

1830
01:20:14,160 --> 01:20:17,160
Speaker 3: Bro, you playing rat walking down like you did not

1831
01:20:17,280 --> 01:20:19,280
Speaker 3: even marry yet, Like this is supposed to be when

1832
01:20:19,320 --> 01:20:21,639
Speaker 3: the party's about to start, like we're about to have fun.

1833
01:20:21,760 --> 01:20:24,200
Speaker 3: Let loose a little bit. Bride changes her dress and.

1834
01:20:24,520 --> 01:20:27,160
Speaker 2: Go back to the video. On top of that, like, Bro,

1835
01:20:27,200 --> 01:20:30,519
Speaker 2: people still arriving, Like it's not even full capacity in

1836
01:20:30,560 --> 01:20:32,559
Speaker 2: there yet. It's a lot of empty chair he said,

1837
01:20:32,560 --> 01:20:35,200
Speaker 2: it ain't even there, It's not even this part of

1838
01:20:35,200 --> 01:20:37,719
Speaker 2: the party. He walk there's a lot of spaces between everybody.

1839
01:20:38,120 --> 01:20:40,600
Speaker 2: Josh to do this at the peak of the party.

1840
01:20:40,479 --> 01:20:42,240
Speaker 3: And why not to the beginning of Josh he walked

1841
01:20:42,280 --> 01:20:44,080
Speaker 3: out like this is summer slam like.

1842
01:20:45,439 --> 01:20:48,120
Speaker 2: And mismanaged it. There's a full staircase. Go back to

1843
01:20:48,240 --> 01:20:50,759
Speaker 2: zero zero again. Look at that staircase he could have utilized.

1844
01:20:50,800 --> 01:20:52,080
Speaker 2: He could have came down those steps.

1845
01:20:52,240 --> 01:20:53,800
Speaker 3: Now he wanted to come out like stone cold. He

1846
01:20:53,880 --> 01:20:56,439
Speaker 3: came out like stone cold. That's how stone cold walk.

1847
01:20:58,479 --> 01:20:59,879
Speaker 3: That's the Steve Austin walk.

1848
01:20:59,720 --> 01:21:03,720
Speaker 2: Right him out like Erica Kirk stop, that's the thing

1849
01:21:03,760 --> 01:21:07,320
Speaker 2: on Twitter. I didn't do it. Oh this is that's

1850
01:21:07,360 --> 01:21:10,280
Speaker 2: so bad? Yeah, that's wild.

1851
01:21:10,600 --> 01:21:13,120
Speaker 1: Maybe maybe he's special needs.

1852
01:21:14,840 --> 01:21:17,160
Speaker 2: Yeah, I would think that this would be the official

1853
01:21:17,160 --> 01:21:19,160
Speaker 2: do that to people with special needs. I'm not doing

1854
01:21:19,200 --> 01:21:21,760
Speaker 2: it to put that on them. Yeah, some of them

1855
01:21:21,800 --> 01:21:23,880
Speaker 2: would never do that. They'd be looking at this like,

1856
01:21:24,400 --> 01:21:27,439
Speaker 2: what's wrong with you radio? What's wrong with this guy?

1857
01:21:27,840 --> 01:21:28,599
Speaker 2: Doing way too much?

1858
01:21:28,760 --> 01:21:32,120
Speaker 1: He ended it with, Ah, I'm like, maybe this is

1859
01:21:32,120 --> 01:21:35,559
Speaker 1: a parody. Maybe it's a parody. Maybe somebody's filming a sketch.

1860
01:21:36,400 --> 01:21:38,280
Speaker 2: Yo, look at your man looking back like.

1861
01:21:39,880 --> 01:21:42,040
Speaker 3: That's a nasty That might be the nastiest wedding interest

1862
01:21:42,040 --> 01:21:42,559
Speaker 3: of all time.

1863
01:21:43,000 --> 01:21:45,800
Speaker 1: Yeah, that was disgusting. What's your How y'all gonna walk

1864
01:21:45,800 --> 01:21:46,800
Speaker 1: into y'all ship if.

1865
01:21:46,800 --> 01:21:50,519
Speaker 3: Y'all ever with you, I'm not going I'm not walking out.

1866
01:21:51,320 --> 01:21:53,840
Speaker 3: Everybody doesn't rise like I'm the judge and where.

1867
01:21:53,680 --> 01:21:54,519
Speaker 2: You're gonna have to walk there?

1868
01:21:54,640 --> 01:21:56,479
Speaker 1: You have to walk like like you're gonna have to

1869
01:21:56,520 --> 01:21:57,479
Speaker 1: walk there eventually you have to.

1870
01:21:57,680 --> 01:21:59,040
Speaker 3: Yeah, but I'm just saying it's not going to be

1871
01:21:59,080 --> 01:22:02,960
Speaker 3: like that. It's not gonna be an trench like not

1872
01:22:03,920 --> 01:22:06,360
Speaker 3: come from the ceiling like the ball girls when they

1873
01:22:06,439 --> 01:22:08,360
Speaker 3: sitting on the thing and they just hold them to

1874
01:22:08,400 --> 01:22:09,240
Speaker 3: that big ass bottle.

1875
01:22:09,240 --> 01:22:11,080
Speaker 2: As I definitely want to come from under the stage

1876
01:22:11,080 --> 01:22:14,320
Speaker 2: for sure, like from the pull bit no, like like

1877
01:22:14,360 --> 01:22:16,840
Speaker 2: when Mike came up under the stage like smoke and everything. Yeah,

1878
01:22:17,120 --> 01:22:19,600
Speaker 2: or Chris Brown went like all the way around the

1879
01:22:19,600 --> 01:22:22,040
Speaker 2: stadium on that thing. I just want to do that

1880
01:22:22,080 --> 01:22:23,000
Speaker 2: in Catholic church.

1881
01:22:24,200 --> 01:22:27,200
Speaker 3: Like Jesus like he was like in the play around Christmas.

1882
01:22:27,280 --> 01:22:28,880
Speaker 2: Have you ever imagined y'all wedding?

1883
01:22:29,040 --> 01:22:30,320
Speaker 1: I know women do it like I do it every

1884
01:22:30,360 --> 01:22:32,000
Speaker 1: time just to put my like when I can't sleep

1885
01:22:32,000 --> 01:22:32,320
Speaker 1: at night.

1886
01:22:32,360 --> 01:22:37,200
Speaker 2: I just yes. But we know that it's that's not

1887
01:22:37,280 --> 01:22:40,240
Speaker 2: our call like we could have as Chris Rocks. There's

1888
01:22:40,240 --> 01:22:43,640
Speaker 2: no Men's Bridle magazine like we can't even if we

1889
01:22:43,680 --> 01:22:44,320
Speaker 2: have ideas.

1890
01:22:44,360 --> 01:22:47,280
Speaker 3: It's for the woman to decide what she wants for

1891
01:22:47,320 --> 01:22:49,000
Speaker 3: her wedding. She's been thinking about this since she was

1892
01:22:49,040 --> 01:22:49,639
Speaker 3: two years old.

1893
01:22:50,920 --> 01:22:56,479
Speaker 2: I subscribe to Slam magazine and East Bay, Like if

1894
01:22:56,479 --> 01:22:58,920
Speaker 2: this hasn't been my dream my whole life, the furthest thought.

1895
01:22:58,800 --> 01:23:01,519
Speaker 3: I've ever had about my weddingess, me and all all

1896
01:23:01,520 --> 01:23:04,840
Speaker 3: of my groomsmen will be wearing the Jordan elevens.

1897
01:23:06,120 --> 01:23:10,479
Speaker 2: Jesus, you're you're such an eighties baby ship.

1898
01:23:10,720 --> 01:23:12,960
Speaker 3: That's as far as I got. Everybody gonna have one

1899
01:23:12,960 --> 01:23:15,679
Speaker 3: O Jordan black and white Jordan elevens. That's it, okay,

1900
01:23:17,000 --> 01:23:18,080
Speaker 3: haven't given it no other thought?

1901
01:23:19,200 --> 01:23:23,160
Speaker 2: Ma fire, is this gonna be sponsored by stock X?

1902
01:23:25,040 --> 01:23:29,080
Speaker 2: I know some people. No one's gonna get his license

1903
01:23:29,120 --> 01:23:31,840
Speaker 2: to marry you. I know some people. Man, we can

1904
01:23:31,880 --> 01:23:33,600
Speaker 2: make it happen. So does she have to wear the

1905
01:23:33,680 --> 01:23:36,120
Speaker 2: Jordans as well or no?

1906
01:23:36,600 --> 01:23:37,800
Speaker 3: She could wear whatever she wants.

1907
01:23:38,000 --> 01:23:39,720
Speaker 2: But me and my that's nice to you to elect

1908
01:23:39,720 --> 01:23:41,160
Speaker 2: your wife wear whatever she wants for her wedding.

1909
01:23:41,240 --> 01:23:44,320
Speaker 3: I mean, just just for that day. That's it. That

1910
01:23:44,560 --> 01:23:46,920
Speaker 3: after we get married. So what I say, what I

1911
01:23:47,000 --> 01:23:49,680
Speaker 3: say goes. Yeah, that's the most part I got is like,

1912
01:23:49,720 --> 01:23:52,840
Speaker 3: we're gonna all wear Jordan elevens because all of my

1913
01:23:53,040 --> 01:23:55,759
Speaker 3: that's like our anybody that I think will be my groomsman.

1914
01:23:55,800 --> 01:23:57,360
Speaker 3: That's definitely our favorite sneak of all time.

1915
01:23:59,160 --> 01:23:59,560
Speaker 2: So why not?

1916
01:24:01,240 --> 01:24:05,240
Speaker 1: It's so fucking tacky? How is that tacky?

1917
01:24:05,320 --> 01:24:06,880
Speaker 3: It's better if we have a hold from the Bronx.

1918
01:24:07,320 --> 01:24:09,120
Speaker 3: It's better if we have on like all the same.

1919
01:24:08,920 --> 01:24:11,800
Speaker 1: Shoes, Like, yeah, y'all are having all the same shoes.

1920
01:24:11,840 --> 01:24:14,599
Speaker 1: If you fucking wear the Jordan's, put some hard bottoms

1921
01:24:14,640 --> 01:24:16,519
Speaker 1: on like a fucking adult for what?

1922
01:24:17,840 --> 01:24:18,080
Speaker 2: For what?

1923
01:24:18,280 --> 01:24:19,840
Speaker 3: Just tell me for what? Niggas get married on the

1924
01:24:19,880 --> 01:24:24,720
Speaker 3: beasts barefoot for what? I'm just saying for what?

1925
01:24:24,920 --> 01:24:26,760
Speaker 2: Like? Tell me what? Why do we Why do we

1926
01:24:26,800 --> 01:24:28,600
Speaker 2: have to do that just because that's what they traditionally do?

1927
01:24:28,720 --> 01:24:31,160
Speaker 1: Like why can't the man have a walkout song just

1928
01:24:31,160 --> 01:24:34,640
Speaker 1: because that ain't what they traditionally do. You're gonna bring

1929
01:24:34,680 --> 01:24:37,200
Speaker 1: it out tradition. That's nasty And I think that wearing

1930
01:24:37,200 --> 01:24:38,280
Speaker 1: them Jordan's is nasty.

1931
01:24:38,439 --> 01:24:38,880
Speaker 2: No, it's not.

1932
01:24:40,280 --> 01:24:43,760
Speaker 1: Y'all want to do that in the reception cool the

1933
01:24:43,840 --> 01:24:47,960
Speaker 1: actual wedding, Yeah, why not make sure you take a

1934
01:24:48,000 --> 01:24:49,439
Speaker 1: future wife that at date three?

1935
01:24:50,120 --> 01:24:51,720
Speaker 2: Oh, I should know that. I would say, this is

1936
01:24:51,800 --> 01:24:57,240
Speaker 2: like the Irish Bronx version of what Maul is saying.

1937
01:24:57,240 --> 01:24:59,160
Speaker 2: With a wedding party. It's my pop's wedding party and

1938
01:24:59,200 --> 01:25:02,040
Speaker 2: everyone had to wear the Irish caps. This is their

1939
01:25:02,120 --> 01:25:06,759
Speaker 2: Jordan Elevens gangster. This is uh, this is that Terminal

1940
01:25:06,800 --> 01:25:11,760
Speaker 2: bar on Broadway in Riverdale, right right right across from

1941
01:25:11,840 --> 01:25:14,599
Speaker 2: Van Cortland. Yeah, I got married at Mount Saint Vincent.

1942
01:25:15,479 --> 01:25:18,120
Speaker 2: But yeah, this, this, this is what the Irish Bronx

1943
01:25:18,160 --> 01:25:21,639
Speaker 2: wedding party looks like. Come on, man, he Pops got

1944
01:25:21,640 --> 01:25:24,360
Speaker 2: it right. You figured it out. Him and the guys.

1945
01:25:24,400 --> 01:25:27,679
Speaker 2: There's criminals in this. No, let me let me show

1946
01:25:27,680 --> 01:25:31,960
Speaker 2: you one through. I had no no that two of

1947
01:25:32,000 --> 01:25:36,000
Speaker 2: these gentlemen are one of the fus. Right, there's no

1948
01:25:36,040 --> 01:25:38,679
Speaker 2: doubt in my mind. Here's the thing, all right. That's

1949
01:25:38,960 --> 01:25:40,800
Speaker 2: all the way to left. That's my uncle Paul. To

1950
01:25:40,840 --> 01:25:43,040
Speaker 2: the right, that's my uncle Kevin. That's my uncle Faye.

1951
01:25:43,080 --> 01:25:46,120
Speaker 2: That's my other uncle Kevin. The other two guys, I

1952
01:25:46,160 --> 01:25:47,680
Speaker 2: have no idea who the fuck that is?

1953
01:25:47,960 --> 01:25:54,400
Speaker 3: The help the muscles, the muscle gentlemen was just to

1954
01:25:54,400 --> 01:25:57,800
Speaker 3: make sure ship went right down. That's what they was

1955
01:25:57,800 --> 01:25:58,080
Speaker 3: there for.

1956
01:25:58,120 --> 01:26:01,120
Speaker 2: The muscle. You know. Man, My my uncle Faye is

1957
01:26:01,120 --> 01:26:02,280
Speaker 2: all the way in the back. That's how I found

1958
01:26:02,280 --> 01:26:05,280
Speaker 2: out I was related to Colin Quinn. At the funeral,

1959
01:26:06,160 --> 01:26:07,639
Speaker 2: I was like, damn, I didn't know we was related.

1960
01:26:07,800 --> 01:26:10,320
Speaker 3: Look at the guys, man, No, just another day.

1961
01:26:11,120 --> 01:26:12,960
Speaker 2: So you gotta treat your wedding and this is this

1962
01:26:13,000 --> 01:26:18,679
Speaker 2: is how crazy like the late eighties was all these

1963
01:26:18,720 --> 01:26:26,639
Speaker 2: guys are young. Yeah they look fifty. Yeah.

1964
01:26:27,040 --> 01:26:29,400
Speaker 3: How was it that when you got married he's in

1965
01:26:29,400 --> 01:26:29,920
Speaker 3: his thirties?

1966
01:26:30,400 --> 01:26:34,160
Speaker 2: Nah? No, definitely not. I don't know the exact age,

1967
01:26:34,160 --> 01:26:36,200
Speaker 2: but yeah, I just this is this is a bunch

1968
01:26:36,240 --> 01:26:37,880
Speaker 2: of young guys in their twenties in the Bronx.

1969
01:26:39,479 --> 01:26:42,080
Speaker 3: This is how white people aged it. And that's what

1970
01:26:42,120 --> 01:26:43,800
Speaker 3: the Wayans used to look like the marriage. That's the

1971
01:26:43,840 --> 01:26:47,000
Speaker 3: Wayans right there. Those hats those are in Nike texts

1972
01:26:47,080 --> 01:26:47,360
Speaker 3: right there.

1973
01:26:47,600 --> 01:26:49,760
Speaker 2: Oh for sure when you saw that, like you know

1974
01:26:50,720 --> 01:26:53,360
Speaker 2: that that's the shisty mask. Was that the peaky blonde

1975
01:26:53,360 --> 01:26:54,600
Speaker 2: hatches they have the blades.

1976
01:26:54,280 --> 01:26:57,760
Speaker 3: In the in the brim, Oh for sure it did. Okay, yeah,

1977
01:26:57,800 --> 01:26:59,680
Speaker 3: see gotta put the raised blazes right there. Smack the

1978
01:26:59,680 --> 01:27:03,320
Speaker 3: ship up somebody when they say something stupid. Some I'm

1979
01:27:03,320 --> 01:27:05,759
Speaker 3: gonna do the baby d she keep calling me a bitch.

1980
01:27:05,800 --> 01:27:10,240
Speaker 2: Apparently apparently this uh, this exact day at the Terminal bar.

1981
01:27:10,280 --> 01:27:13,600
Speaker 2: This was I think the day before their wedding. My

1982
01:27:13,680 --> 01:27:17,640
Speaker 2: grandfather god Rest is so beat this ship out of

1983
01:27:17,640 --> 01:27:19,599
Speaker 2: somebody in the bar that was talking to my what's

1984
01:27:19,640 --> 01:27:23,200
Speaker 2: what's the best man for women? The maid of honor?

1985
01:27:23,320 --> 01:27:26,439
Speaker 2: Made of honor. Some guy was harassing the maid of honor,

1986
01:27:26,600 --> 01:27:30,200
Speaker 2: and my grandfather beat the fucking breaks off to the

1987
01:27:30,240 --> 01:27:32,519
Speaker 2: point that it kind of ruined. Like this was their

1988
01:27:32,640 --> 01:27:34,720
Speaker 2: version of like the the pre dinner thing, like the

1989
01:27:34,800 --> 01:27:36,640
Speaker 2: day before they just went to the terminal bar and

1990
01:27:36,800 --> 01:27:38,720
Speaker 2: in the Bronx, just the bachelor party right there, like

1991
01:27:38,760 --> 01:27:41,280
Speaker 2: to the point that we didn't know, like they didn't

1992
01:27:41,280 --> 01:27:43,800
Speaker 2: know if my grandfather was gonna make the wedding. Yeah,

1993
01:27:43,880 --> 01:27:50,439
Speaker 2: like he may be sitting down from That's hilarious. Yeah,

1994
01:27:50,439 --> 01:27:51,800
Speaker 2: I wish I could have seen this. Shout out to

1995
01:27:51,840 --> 01:27:53,800
Speaker 2: the guys man and shout out to Riverdale and and

1996
01:27:53,880 --> 01:27:56,720
Speaker 2: Josh and his family. I'm sure. I'm sure Josh's parents

1997
01:27:56,760 --> 01:28:01,160
Speaker 2: are somewhere somewhere in the back over there, right next

1998
01:28:01,160 --> 01:28:03,920
Speaker 2: to Joe's pizza ship. PEG's family too, is from Riverdale.

1999
01:28:04,479 --> 01:28:08,439
Speaker 2: For Reuch was born in the Bronx. He'd be trying

2000
01:28:08,439 --> 01:28:10,280
Speaker 2: to do this Kansas ship. And I like Bronx legend.

2001
01:28:10,600 --> 01:28:12,599
Speaker 2: He's just definitely a bronxedg Bronx ledgends everywhere.

2002
01:28:12,680 --> 01:28:15,599
Speaker 1: Yeah, see that fucking mustache that is a Kansas legend.

2003
01:28:16,040 --> 01:28:18,639
Speaker 2: Nah, that's Bronx. Wait, go back to my dad's photo.

2004
01:28:18,720 --> 01:28:20,880
Speaker 2: Somebody got that same but they're from the Bronx, the

2005
01:28:20,920 --> 01:28:24,280
Speaker 2: same bar, the same same part. He's still there. She

2006
01:28:24,439 --> 01:28:27,519
Speaker 2: only offers one. Yeah. Yeah, that's my godfather Kevin all

2007
01:28:27,560 --> 01:28:29,599
Speaker 2: the way to the right middle. He has that same

2008
01:28:29,640 --> 01:28:36,120
Speaker 2: porn musta right now, Uncle Paul is full qing on.

2009
01:28:36,240 --> 01:28:41,800
Speaker 2: Now I gotta talk to from an Irish Democrat in

2010
01:28:41,840 --> 01:28:45,080
Speaker 2: the Bronx to that, Like, how did this formation happen

2011
01:28:45,120 --> 01:28:50,240
Speaker 2: on Facebook system? Man? It happens evolution? Yeah, what what

2012
01:28:50,320 --> 01:28:52,240
Speaker 2: do we think our first voicemail of the year, Like,

2013
01:28:52,439 --> 01:28:53,880
Speaker 2: do we think someone's gonna set the tone?

2014
01:28:54,560 --> 01:28:55,800
Speaker 3: I hope so for the year.

2015
01:28:56,280 --> 01:29:00,439
Speaker 2: Nah, this sets the tone that this does? It? Is

2016
01:29:00,479 --> 01:29:02,040
Speaker 2: it a good one? I see Taylor at the top.

2017
01:29:02,840 --> 01:29:07,519
Speaker 2: I was on I was on Discord Live with Tailor Dog.

2018
01:29:07,800 --> 01:29:10,679
Speaker 2: I was talking to Taylor on Discord Live over the break.

2019
01:29:10,920 --> 01:29:14,519
Speaker 2: Oh yeah yeah and doing great. I was a hanging.

2020
01:29:15,439 --> 01:29:17,439
Speaker 2: She don't even I don't even like that. I don't

2021
01:29:17,439 --> 01:29:20,920
Speaker 2: even like that you said that, Tailor No, I love her?

2022
01:29:21,280 --> 01:29:23,120
Speaker 2: Does Tailor no all love her? You know, I'm just

2023
01:29:23,120 --> 01:29:28,920
Speaker 2: fucking whatever's hanging. She's boiled. She definitely sanitized. If only

2024
01:29:28,960 --> 01:29:32,599
Speaker 2: Discord will understand, she's boy, it's hanging to the left

2025
01:29:32,640 --> 01:29:34,040
Speaker 2: and it's being bored. Yeah yeah, all right.

2026
01:29:34,120 --> 01:29:37,760
Speaker 3: Shout out to Taylor sold from Taylor all Right, sponsorbyut

2027
01:29:37,800 --> 01:29:40,080
Speaker 3: Boost Mobile Unlimited talk texting data.

2028
01:29:39,920 --> 01:29:41,679
Speaker 2: Here Taylor Taylor is sponsored by Boots.

2029
01:29:41,960 --> 01:29:44,400
Speaker 4: Happy New Year and all that good stuff. Being that

2030
01:29:44,439 --> 01:29:46,800
Speaker 4: it's the new year, triggering a memory, I wanted to

2031
01:29:46,800 --> 01:29:49,640
Speaker 4: get your take on it. So many moons ago, at

2032
01:29:49,760 --> 01:29:53,120
Speaker 4: least seven years at least seven years ago, right, Me

2033
01:29:53,200 --> 01:29:55,240
Speaker 4: and my girl, if that's what you want to call her.

2034
01:29:55,479 --> 01:29:57,559
Speaker 4: We go to my friend's house for a New Year's party,

2035
01:29:58,040 --> 01:30:01,280
Speaker 4: a very close friend of mine. But she's deal with

2036
01:30:01,320 --> 01:30:04,160
Speaker 4: her man and her friends and then just me and

2037
01:30:04,160 --> 01:30:04,479
Speaker 4: my girl.

2038
01:30:04,479 --> 01:30:06,120
Speaker 2: We kicking in, having a good time as we do.

2039
01:30:07,240 --> 01:30:09,320
Speaker 4: End of the night, she said that me and my

2040
01:30:09,400 --> 01:30:12,040
Speaker 4: girl or whoever you wanna call her, that we can.

2041
01:30:11,960 --> 01:30:14,760
Speaker 2: Stay, and we did. So. We laying up on a

2042
01:30:14,800 --> 01:30:15,280
Speaker 2: food time.

2043
01:30:16,160 --> 01:30:19,439
Speaker 4: Middle of the night, I'm hearing cheese getting clapped, like

2044
01:30:20,240 --> 01:30:23,439
Speaker 4: my friend is fucking her man. They're going in, so

2045
01:30:23,920 --> 01:30:28,120
Speaker 4: I naturally, knowing me, I'm like, I'm like aroused, like

2046
01:30:28,200 --> 01:30:30,559
Speaker 4: so I talked to my friend girl whatever you want

2047
01:30:30,560 --> 01:30:31,720
Speaker 4: to call her, was like yo, Like what's up?

2048
01:30:31,760 --> 01:30:32,439
Speaker 2: What you're trying to do?

2049
01:30:33,160 --> 01:30:36,640
Speaker 4: She got offended that I was aroused because it was

2050
01:30:36,680 --> 01:30:40,160
Speaker 4: my friend having sex in the other room, so she

2051
01:30:40,200 --> 01:30:41,280
Speaker 4: didn't want to do anything with me.

2052
01:30:42,080 --> 01:30:45,439
Speaker 2: I took care of myself. But that's not the question.

2053
01:30:45,680 --> 01:30:48,640
Speaker 4: Is is that weird? Like, I'm sure we've all been

2054
01:30:48,680 --> 01:30:51,160
Speaker 4: in situations where our friends have had read in the

2055
01:30:51,200 --> 01:30:52,800
Speaker 4: same room or adjacent.

2056
01:30:53,560 --> 01:30:55,400
Speaker 2: We're all grown. I'm sure it's happened.

2057
01:30:55,840 --> 01:31:00,000
Speaker 4: Like, does it change how you should feel about listen

2058
01:31:00,000 --> 01:31:03,120
Speaker 4: listening to sex just because you know them? Like, what

2059
01:31:03,160 --> 01:31:05,360
Speaker 4: would you guys do in this situation? Would you be upset?

2060
01:31:05,400 --> 01:31:06,240
Speaker 4: Would you be with it?

2061
01:31:06,640 --> 01:31:06,760
Speaker 1: Like?

2062
01:31:06,960 --> 01:31:11,000
Speaker 3: Let me know? So wait, So the girl that Taylor

2063
01:31:11,120 --> 01:31:13,920
Speaker 3: was with, that's her girlfriend. It was her little boot

2064
01:31:13,960 --> 01:31:14,679
Speaker 3: at the time.

2065
01:31:14,520 --> 01:31:17,040
Speaker 2: Her boy, and they are very clear that that's not

2066
01:31:17,040 --> 01:31:18,000
Speaker 2: her girl. But that's her girl.

2067
01:31:18,080 --> 01:31:19,920
Speaker 3: And the girl Taylor, the girl that was in the

2068
01:31:20,000 --> 01:31:21,519
Speaker 3: room having sex, is her homegirl too.

2069
01:31:21,680 --> 01:31:25,240
Speaker 2: It's her homegirl. Yeah, not somebody she's fucking. She brought.

2070
01:31:25,479 --> 01:31:28,680
Speaker 2: She brought her no mean to her friend's crib for

2071
01:31:28,720 --> 01:31:31,240
Speaker 2: a New Year's party. They ended up staying there and

2072
01:31:31,280 --> 01:31:33,360
Speaker 2: then her her homegirl was with her boyfriend and it

2073
01:31:33,400 --> 01:31:35,360
Speaker 2: was New Year's Eve, so she got her her cheeks clapped.

2074
01:31:35,640 --> 01:31:39,240
Speaker 2: They was in the other room. She heard them making

2075
01:31:39,280 --> 01:31:42,400
Speaker 2: sex noises and it turned her on. And usually I

2076
01:31:42,479 --> 01:31:45,760
Speaker 2: always want to be on Taylor's side here, but yeah,

2077
01:31:45,800 --> 01:31:46,639
Speaker 2: you're fucking wrong.

2078
01:31:46,960 --> 01:31:49,120
Speaker 1: No, I don't think Taylor's wrong all. I'm on the

2079
01:31:49,200 --> 01:31:50,400
Speaker 1: complete opposite side of that.

2080
01:31:50,960 --> 01:31:53,240
Speaker 3: What else, because you're a freak code, I mean the

2081
01:31:53,320 --> 01:31:54,640
Speaker 3: non freaking I'm a.

2082
01:31:54,640 --> 01:31:57,200
Speaker 1: Bit why would we be in a respectful the non

2083
01:31:57,280 --> 01:31:59,960
Speaker 1: free CODs, the non free codes. That's well, let's go

2084
01:32:00,160 --> 01:32:03,400
Speaker 1: my friends who are different. Freak is more of a compliment.

2085
01:32:03,439 --> 01:32:08,160
Speaker 1: Who is it insult? But like to stop putting that

2086
01:32:08,200 --> 01:32:09,040
Speaker 1: on me. You don't know that.

2087
01:32:09,120 --> 01:32:11,599
Speaker 2: Don't put free co is not necessarily a whole. No,

2088
01:32:11,680 --> 01:32:12,440
Speaker 2: she's a freaking.

2089
01:32:12,240 --> 01:32:15,160
Speaker 1: I'm also not any This the point of the conversation,

2090
01:32:15,439 --> 01:32:16,720
Speaker 1: the point of the conversation.

2091
01:32:17,320 --> 01:32:18,960
Speaker 3: No, if you if you get a roused here, like

2092
01:32:19,000 --> 01:32:21,400
Speaker 3: if my homeboys in the room smashing his girl and

2093
01:32:21,439 --> 01:32:23,200
Speaker 3: I'm like in the living room with my you know,

2094
01:32:23,280 --> 01:32:24,920
Speaker 3: like a girl that I date and we have said

2095
01:32:25,040 --> 01:32:26,200
Speaker 3: and I get like horny off.

2096
01:32:26,439 --> 01:32:28,920
Speaker 2: That is a little weird. That's weird. I think it's

2097
01:32:29,040 --> 01:32:32,240
Speaker 2: my job. I think that's a little weird. An that's weird.

2098
01:32:32,439 --> 01:32:35,120
Speaker 3: It's like my homie in this smashing his girl and

2099
01:32:35,120 --> 01:32:38,000
Speaker 3: I'm like, let's do what they doing, Like that's a

2100
01:32:38,000 --> 01:32:39,400
Speaker 3: little that's that's kind of crazy.

2101
01:32:39,479 --> 01:32:41,640
Speaker 2: It's hard, yeah, because it's hard to speak from this.

2102
01:32:41,920 --> 01:32:46,320
Speaker 3: It's crazy that she masturbated and got off like Ship said, fuck,

2103
01:32:46,360 --> 01:32:48,640
Speaker 3: you want to do nothing, I'm gonna pop off on

2104
01:32:48,640 --> 01:32:52,799
Speaker 3: on a couch and other band Like that's the if.

2105
01:32:52,680 --> 01:32:55,160
Speaker 1: You snuck if you snuck off into the bathroom and

2106
01:32:55,200 --> 01:32:57,519
Speaker 1: got one out, you were really freaked out, you real

2107
01:32:57,560 --> 01:33:00,360
Speaker 1: freaking out. But as long as you didn't let her know, Okay,

2108
01:33:00,479 --> 01:33:02,080
Speaker 1: I don't feel like that's wrong, like it is.

2109
01:33:02,160 --> 01:33:03,680
Speaker 3: Let me, let me, let me show you one thing.

2110
01:33:03,680 --> 01:33:05,519
Speaker 3: Tailor did not go in the bathroom and rolling out.

2111
01:33:05,800 --> 01:33:08,320
Speaker 3: She rubbing out right on that fuuton.

2112
01:33:08,040 --> 01:33:13,439
Speaker 2: And right before she started said you're not even my girl. Yeah,

2113
01:33:13,439 --> 01:33:15,960
Speaker 2: that's that's that's that's too much. Now, there's no scenario

2114
01:33:16,240 --> 01:33:18,639
Speaker 2: your friend having sex and you ain't a ride day

2115
01:33:18,680 --> 01:33:20,920
Speaker 2: whatever in this situation. That makes sense because even if

2116
01:33:21,000 --> 01:33:25,920
Speaker 2: like even if your homie is fucking his girl in

2117
01:33:25,960 --> 01:33:28,280
Speaker 2: the room next to you, he's not making any noise,

2118
01:33:28,320 --> 01:33:30,800
Speaker 2: she's making noise. It's weird that you're getting turned on

2119
01:33:31,000 --> 01:33:34,759
Speaker 2: by your homies girlfriend sex voice.

2120
01:33:34,920 --> 01:33:36,680
Speaker 1: But that's why I said, I think that's odd. I

2121
01:33:36,760 --> 01:33:38,920
Speaker 1: think it's different for men. I think because I'm here,

2122
01:33:38,920 --> 01:33:40,800
Speaker 1: I'm listening to y'all and y'all right, like when y'all

2123
01:33:40,800 --> 01:33:43,000
Speaker 1: are talking about it, it feels weird. But I feel like

2124
01:33:43,160 --> 01:33:46,200
Speaker 1: for women, like, I don't think that it's weird. I

2125
01:33:46,200 --> 01:33:48,639
Speaker 1: don't think that the sound of hearing someone have sex

2126
01:33:49,200 --> 01:33:50,559
Speaker 1: and that you're getting turned on by that.

2127
01:33:50,600 --> 01:33:52,360
Speaker 2: I don't think you was a stranger, that's door in

2128
01:33:52,400 --> 01:33:55,280
Speaker 2: the hotel or whatever. Cool, that's your friend.

2129
01:33:55,640 --> 01:33:58,840
Speaker 3: Like I've had I've been in this situation right and

2130
01:33:58,880 --> 01:34:02,800
Speaker 3: my homeboys having sex with his girl and like you know,

2131
01:34:02,840 --> 01:34:06,479
Speaker 3: they was in there going crazy whatever. She's making mad noise, yelling.

2132
01:34:06,920 --> 01:34:08,880
Speaker 3: I'm not I told him the next day. I was like, yo, dog,

2133
01:34:09,000 --> 01:34:11,840
Speaker 3: like I get it, y'all having sex. I was like that,

2134
01:34:11,960 --> 01:34:14,720
Speaker 3: y'all dragged it. But your girl making up. She she

2135
01:34:14,880 --> 01:34:17,120
Speaker 3: know she know we in the in the living room, bro,

2136
01:34:17,240 --> 01:34:22,519
Speaker 3: like she performing. That's a performance, Like you know you

2137
01:34:22,560 --> 01:34:24,439
Speaker 3: know we can hear you. This house thing was so big,

2138
01:34:25,160 --> 01:34:27,680
Speaker 3: like you making all of them, Like y'all can sneak one,

2139
01:34:27,720 --> 01:34:29,840
Speaker 3: you know, get the quiet little lay on the side

2140
01:34:29,920 --> 01:34:30,200
Speaker 3: like you know.

2141
01:34:30,360 --> 01:34:31,679
Speaker 2: I'm not saying y'all can't have sex.

2142
01:34:31,479 --> 01:34:33,439
Speaker 3: In your bedroom, but like for your girl to be

2143
01:34:33,520 --> 01:34:36,280
Speaker 3: making that noise and she know your homies is downstairs.

2144
01:34:35,800 --> 01:34:39,720
Speaker 1: That also be a nigga thing because I've I've unfortunately

2145
01:34:39,920 --> 01:34:42,720
Speaker 1: seen I've been privy to it, whether it was me

2146
01:34:42,840 --> 01:34:44,920
Speaker 1: or somebody else. A man will know his friends are

2147
01:34:44,920 --> 01:34:47,679
Speaker 1: there and he'll go he'll do things that make you scream,

2148
01:34:47,760 --> 01:34:50,160
Speaker 1: not even things that are like inherently he's doing it

2149
01:34:50,200 --> 01:34:52,640
Speaker 1: for your pleasure. Niggas don't go hard to make you

2150
01:34:52,720 --> 01:34:54,599
Speaker 1: scream so that their homeboys can hear you. Niggas are

2151
01:34:54,840 --> 01:34:57,280
Speaker 1: the weird shit. They do what they do. They're gay,

2152
01:34:57,680 --> 01:34:58,920
Speaker 1: that's gay men are home.

2153
01:34:58,760 --> 01:34:59,920
Speaker 2: Ironic, y'all. Like y'all don't know.

2154
01:35:00,040 --> 01:35:01,599
Speaker 1: I said, all the time they say, oh, the Marisol

2155
01:35:01,680 --> 01:35:03,960
Speaker 1: is calling something gay men do homoerotic ash all the

2156
01:35:04,000 --> 01:35:04,519
Speaker 1: time to try.

2157
01:35:04,439 --> 01:35:06,439
Speaker 3: To impress Oh no, I'm I'm on your side with that.

2158
01:35:06,680 --> 01:35:08,280
Speaker 3: First of all, I think hip hop is one of

2159
01:35:08,320 --> 01:35:11,000
Speaker 3: the most homo erotic coaches in the world. We can

2160
01:35:11,040 --> 01:35:12,360
Speaker 3: have that on the Patreon if y'all want to.

2161
01:35:12,720 --> 01:35:15,439
Speaker 2: I mean, we did it in a sketch sit down

2162
01:35:15,479 --> 01:35:19,280
Speaker 2: with a gay man to read lyrics, so we know that.

2163
01:35:19,360 --> 01:35:22,080
Speaker 3: But like, yeah, like I look at it started it.

2164
01:35:22,240 --> 01:35:24,439
Speaker 3: I look at I look at people. When you're having

2165
01:35:24,479 --> 01:35:26,559
Speaker 3: sex with your girl and your girl is too loud

2166
01:35:26,960 --> 01:35:29,200
Speaker 3: and she know your homies can hear her.

2167
01:35:30,080 --> 01:35:32,920
Speaker 2: Come on, bro, Like, what's up? Man? What you why?

2168
01:35:33,120 --> 01:35:35,040
Speaker 3: Why your girl that loud? Like I get it, but

2169
01:35:35,720 --> 01:35:37,400
Speaker 3: she know we right here in the other room. Like

2170
01:35:38,040 --> 01:35:38,479
Speaker 3: that's not.

2171
01:35:40,000 --> 01:35:41,439
Speaker 2: Then to get a rouse and want to have sex

2172
01:35:41,479 --> 01:35:42,160
Speaker 2: with the girl I'm with.

2173
01:35:42,280 --> 01:35:44,600
Speaker 3: Off of that, that's crazy. At that point, we might

2174
01:35:44,640 --> 01:35:45,160
Speaker 3: as well be in.

2175
01:35:45,080 --> 01:35:48,840
Speaker 2: The same room. Yes, you dragged so bad. No, I

2176
01:35:48,840 --> 01:35:49,080
Speaker 2: don't know.

2177
01:35:49,080 --> 01:35:53,000
Speaker 3: If that's the next thing. I'm like, that's such a demarriage.

2178
01:35:53,000 --> 01:35:54,920
Speaker 3: If I'm in the next room and you and your

2179
01:35:54,960 --> 01:35:58,880
Speaker 3: boyfriend is please, oh my god, look how fast?

2180
01:35:58,920 --> 01:36:01,160
Speaker 2: Look how fast? Instead make it what I'm saying.

2181
01:36:01,400 --> 01:36:04,200
Speaker 1: But I'm my home boy, it's different, Like it's different.

2182
01:36:04,680 --> 01:36:07,679
Speaker 3: Just you think my homeboy's girlfriend is not my homegirl,

2183
01:36:07,680 --> 01:36:08,960
Speaker 3: Like that's my that's sense at this.

2184
01:36:08,920 --> 01:36:09,640
Speaker 2: Point, that's my own.

2185
01:36:09,720 --> 01:36:12,000
Speaker 1: That would make my stomach. That's girl but y'all are'd

2186
01:36:12,040 --> 01:36:13,519
Speaker 1: be so weird. Y'all are men.

2187
01:36:13,640 --> 01:36:16,439
Speaker 2: Here's the thing. I'm it's still weird to me if

2188
01:36:16,479 --> 01:36:19,080
Speaker 2: you do that period, but I can see that more

2189
01:36:19,120 --> 01:36:22,240
Speaker 2: if like y'all are on vacation sharing a hotel suite

2190
01:36:22,280 --> 01:36:25,240
Speaker 2: and it's just some random chick and that happens your

2191
01:36:25,360 --> 01:36:29,240
Speaker 2: girl at your house. No, Like, that's fucking nuts to me.

2192
01:36:29,520 --> 01:36:32,160
Speaker 2: That's crazy. That's nuts, that's crazy. I still think the

2193
01:36:32,240 --> 01:36:34,519
Speaker 2: latter hotel sheet is weird too, but I guess I

2194
01:36:34,520 --> 01:36:38,519
Speaker 2: can kind of understand that your your queen if you

2195
01:36:38,720 --> 01:36:40,080
Speaker 2: slamming sheets like that.

2196
01:36:40,840 --> 01:36:44,240
Speaker 3: Fam just it's a it's a gangster party at this part,

2197
01:36:44,439 --> 01:36:45,320
Speaker 3: Like just open the.

2198
01:36:45,280 --> 01:36:47,800
Speaker 2: Door and we all naked and fucking because at that point,

2199
01:36:47,840 --> 01:36:50,040
Speaker 2: when I'm walking down the aisle to I'm going in

2200
01:36:50,280 --> 01:36:52,519
Speaker 2: all the wedding parties and me thinking about my girl

2201
01:36:52,600 --> 01:36:54,599
Speaker 2: sex sounds because it's.

2202
01:36:54,439 --> 01:36:56,640
Speaker 3: Not that's your friend getting aroused and would to have

2203
01:36:56,720 --> 01:36:57,840
Speaker 3: sex with your girls.

2204
01:36:57,880 --> 01:36:58,599
Speaker 2: That's crazy.

2205
01:36:58,800 --> 01:37:01,439
Speaker 1: Again, Like I said, I think this. I think taylor

2206
01:37:01,479 --> 01:37:03,479
Speaker 1: situation is different because I have the four people in

2207
01:37:03,520 --> 01:37:05,280
Speaker 1: the house, three of them are women. I think it's

2208
01:37:05,320 --> 01:37:06,920
Speaker 1: a completely different scenario than.

2209
01:37:06,840 --> 01:37:09,200
Speaker 2: What y'all are. You do you think it would be weird?

2210
01:37:09,840 --> 01:37:14,080
Speaker 2: Completely hypothetical? You and Maul are in the same house,

2211
01:37:14,320 --> 01:37:17,680
Speaker 2: you are with your boyfriend? Please stop and Maul, here's that?

2212
01:37:17,720 --> 01:37:19,519
Speaker 2: And Mall gets turned on, like do you think that

2213
01:37:19,560 --> 01:37:20,719
Speaker 2: would be okay? Please?

2214
01:37:20,920 --> 01:37:23,439
Speaker 1: You're again bringing up men. It's like I've already agreed

2215
01:37:23,439 --> 01:37:24,000
Speaker 1: with ask you.

2216
01:37:24,040 --> 01:37:24,519
Speaker 2: Yes we're men.

2217
01:37:24,640 --> 01:37:26,960
Speaker 1: Yes, I understand that. But what I'm saying is, y'all

2218
01:37:27,040 --> 01:37:28,640
Speaker 1: keep arguing with me on my point. I agree with

2219
01:37:28,720 --> 01:37:30,479
Speaker 1: y'all when it comes to men. I think that that's weird.

2220
01:37:30,479 --> 01:37:32,559
Speaker 1: I don't think it's weird for Taylor and two other

2221
01:37:32,600 --> 01:37:35,479
Speaker 1: girls to be turned on. Like two, it's two of

2222
01:37:35,520 --> 01:37:38,679
Speaker 1: y'all is gay already, that's number one, and then there's

2223
01:37:38,720 --> 01:37:40,799
Speaker 1: another woman in there. There's only one male in the house.

2224
01:37:42,000 --> 01:37:44,920
Speaker 2: Gayto Well, we don't know about Taylor's.

2225
01:37:44,960 --> 01:37:52,519
Speaker 3: Nah mean, because Taylor's been with men before, allegedly, we

2226
01:37:52,560 --> 01:37:54,960
Speaker 3: can't say shit in twenty twenty six, Bro, she said

2227
01:37:55,000 --> 01:37:58,880
Speaker 3: that out loud on fide, I mean, take it out whatever.

2228
01:37:59,160 --> 01:38:01,360
Speaker 2: No, it's not joking. He was joking.

2229
01:38:01,560 --> 01:38:04,479
Speaker 1: But yeah, Taylor, I think that if you beat off

2230
01:38:04,520 --> 01:38:06,040
Speaker 1: in front of that girl, you're wrong. But I don't

2231
01:38:06,080 --> 01:38:08,920
Speaker 1: think you're weird or your body's weird, or like it's

2232
01:38:08,960 --> 01:38:11,160
Speaker 1: weird that you got turned on by the sound of

2233
01:38:11,200 --> 01:38:14,840
Speaker 1: hearing people have sex, especially if you find the friend attractive.

2234
01:38:14,960 --> 01:38:16,800
Speaker 1: If you find a friend attractive, I also don't think

2235
01:38:16,800 --> 01:38:17,400
Speaker 1: that that's weird.

2236
01:38:17,479 --> 01:38:21,400
Speaker 2: So yeah, here's my thing. All right, we've addressed Taylor

2237
01:38:21,520 --> 01:38:25,000
Speaker 2: and her not mean. If your tailor's friend is getting

2238
01:38:25,000 --> 01:38:26,680
Speaker 2: her back blown in and then find out that you

2239
01:38:26,760 --> 01:38:30,200
Speaker 2: was popping off to me, her friend may not be gay,

2240
01:38:30,280 --> 01:38:32,320
Speaker 2: she's in a relation. She could just be I want

2241
01:38:32,320 --> 01:38:35,559
Speaker 2: to get back find out your friend is popping her

2242
01:38:35,600 --> 01:38:38,120
Speaker 2: pussy to you having sex and you're just a straight

2243
01:38:38,120 --> 01:38:39,400
Speaker 2: woman that just wants to be friends.

2244
01:38:40,200 --> 01:38:41,920
Speaker 3: Oh, I feel like the friend would feel a fuck

2245
01:38:42,040 --> 01:38:45,479
Speaker 3: like big deal that easily though. But why you say

2246
01:38:45,479 --> 01:38:46,439
Speaker 3: it's different from men.

2247
01:38:47,040 --> 01:38:50,760
Speaker 1: Because I don't think it's. I don't I don't know how.

2248
01:38:50,680 --> 01:38:53,160
Speaker 2: To everyone likes women, not everyone.

2249
01:38:53,360 --> 01:38:55,920
Speaker 1: That's that's kind of what I'm what I'm saying. Girls

2250
01:38:55,960 --> 01:38:58,120
Speaker 1: do get it's the same way how you won't sit

2251
01:38:58,160 --> 01:38:59,960
Speaker 1: up there and be naked on the phone with your homeboy,

2252
01:39:00,120 --> 01:39:02,240
Speaker 1: but girls who aren't fucking each other will be naked

2253
01:39:02,280 --> 01:39:04,040
Speaker 1: on the phone with each other all the time. It's

2254
01:39:04,080 --> 01:39:06,400
Speaker 1: just a different level when it comes to women in

2255
01:39:06,400 --> 01:39:08,040
Speaker 1: the way that our relationships are.

2256
01:39:08,120 --> 01:39:10,840
Speaker 2: Because I even know women that are completely completely straight

2257
01:39:10,920 --> 01:39:14,680
Speaker 2: but only watch lesbian port like for example, I don't

2258
01:39:14,720 --> 01:39:16,640
Speaker 2: know any man that is straight and just why he

2259
01:39:16,680 --> 01:39:19,400
Speaker 2: skate porn for example, And it's just it's different.

2260
01:39:19,479 --> 01:39:22,040
Speaker 1: I also think it's different for like, just the type

2261
01:39:22,080 --> 01:39:24,400
Speaker 1: of relationships that men and women have. I just think

2262
01:39:24,439 --> 01:39:27,439
Speaker 1: it's different. For example, I might get turned on by

2263
01:39:27,520 --> 01:39:30,800
Speaker 1: hearing one of my homegirls have sex with a dude.

2264
01:39:31,400 --> 01:39:33,080
Speaker 1: If I hear Rory have sex with a woman, I'm

2265
01:39:33,120 --> 01:39:35,720
Speaker 1: gonna throw up. But that's equally my homeboy, the same

2266
01:39:35,760 --> 01:39:38,160
Speaker 1: way that she's equally my homegirl. But it's complete. The

2267
01:39:38,200 --> 01:39:40,200
Speaker 1: relationship dynamics are completely different.

2268
01:39:40,240 --> 01:39:43,200
Speaker 3: I don't understand that. I'm sorry, I'm not that vocal.

2269
01:39:43,240 --> 01:39:45,960
Speaker 3: I don't understand that. Oh God, I don't understand that.

2270
01:39:46,320 --> 01:39:48,800
Speaker 3: All right, So it's because you're not sexually attracted to Rory.

2271
01:39:49,000 --> 01:39:51,040
Speaker 3: But if he was sexually attracted, I'm asking.

2272
01:39:50,840 --> 01:39:55,000
Speaker 2: A serious question. I'm sure if I don't even think, no, no, no, not,

2273
01:39:55,040 --> 01:39:55,639
Speaker 2: it's sexually.

2274
01:39:55,400 --> 01:39:57,280
Speaker 3: Attracted see your friend, it's sexually attracted to see your

2275
01:39:57,320 --> 01:39:58,000
Speaker 3: friend's boyfriend.

2276
01:39:58,640 --> 01:40:00,280
Speaker 2: No, No, not that.

2277
01:40:00,400 --> 01:40:02,080
Speaker 3: Why is that ill? I'm trying to figure out what

2278
01:40:02,120 --> 01:40:04,080
Speaker 3: the difference is that because.

2279
01:40:03,840 --> 01:40:06,720
Speaker 1: The sound, because the sound of the man, like the

2280
01:40:06,840 --> 01:40:08,840
Speaker 1: sound of the man having sex, is not the turn

2281
01:40:08,880 --> 01:40:11,599
Speaker 1: on part. The sound of the attractive part is the woman.

2282
01:40:11,840 --> 01:40:14,400
Speaker 1: The attractive part is the way the woman sounds. And

2283
01:40:14,520 --> 01:40:16,840
Speaker 1: also some people are sound people when it comes to sex,

2284
01:40:16,840 --> 01:40:19,120
Speaker 1: and some people are visual people. Like there's some people

2285
01:40:19,120 --> 01:40:22,519
Speaker 1: who can't watch sex on TV because the like watching

2286
01:40:22,600 --> 01:40:24,920
Speaker 1: sex turns them off, but they like the audio. Some

2287
01:40:24,960 --> 01:40:26,840
Speaker 1: people get turned on by audio. Some people get turned

2288
01:40:26,880 --> 01:40:28,479
Speaker 1: on by visual. That's another thing.

2289
01:40:28,680 --> 01:40:30,439
Speaker 2: This is coming from my straight bias, but I could

2290
01:40:30,520 --> 01:40:33,240
Speaker 2: never imagine anyone being turned on by a man's groans

2291
01:40:33,280 --> 01:40:33,879
Speaker 2: like That's.

2292
01:40:34,360 --> 01:40:36,519
Speaker 1: There's a lot of women who are We called them

2293
01:40:36,520 --> 01:40:38,479
Speaker 1: the super straights, the super straights. They love the sound

2294
01:40:38,520 --> 01:40:40,479
Speaker 1: of a man moaning.

2295
01:40:40,920 --> 01:40:41,519
Speaker 2: Super straight.

2296
01:40:41,640 --> 01:40:43,640
Speaker 1: The super straights them girls that wouldn't think about they

2297
01:40:43,640 --> 01:40:47,080
Speaker 1: can't even look at women like that, superstraights. Okay, Taylor

2298
01:40:47,120 --> 01:40:49,320
Speaker 1: was wrong, man, and I feel like she was wrong

2299
01:40:49,360 --> 01:40:50,000
Speaker 1: for beating off.

2300
01:40:50,720 --> 01:40:51,920
Speaker 2: How did you what she was wrong for them?

2301
01:40:51,960 --> 01:40:52,120
Speaker 1: Yeah?

2302
01:40:52,120 --> 01:40:53,599
Speaker 2: I don't think she was wrong for getting around.

2303
01:40:53,640 --> 01:40:56,200
Speaker 1: You can't turn you can't choose when you're aroused or not.

2304
01:40:56,360 --> 01:40:59,920
Speaker 1: You can't choose that just you can. You cannot choose

2305
01:41:00,160 --> 01:41:01,200
Speaker 1: when you're aroused.

2306
01:41:01,320 --> 01:41:02,960
Speaker 2: Mall. You cannot choose that.

2307
01:41:03,120 --> 01:41:05,879
Speaker 1: You can choose to act on your arousal, but arousal

2308
01:41:05,960 --> 01:41:08,760
Speaker 1: is a natural body thing. You can't choose to be aroused.

2309
01:41:09,200 --> 01:41:11,280
Speaker 1: You've never your dick never got hard before. You had

2310
01:41:11,280 --> 01:41:13,519
Speaker 1: to be like, oh, chill out and calm it down.

2311
01:41:13,680 --> 01:41:15,200
Speaker 1: But there's been plenty of times where your dick has

2312
01:41:15,200 --> 01:41:16,360
Speaker 1: got hard and you ain't expecting the.

2313
01:41:16,320 --> 01:41:20,720
Speaker 2: Getyard fucking all of high school in math class.

2314
01:41:19,720 --> 01:41:22,240
Speaker 1: Like you like arousal was a natural thing.

2315
01:41:23,400 --> 01:41:28,080
Speaker 3: M I don't know about that. I think you choose

2316
01:41:28,080 --> 01:41:30,880
Speaker 3: to get aroused in that moment. Like if my friend

2317
01:41:30,880 --> 01:41:32,759
Speaker 3: is having sex and I get aroused, it's not because

2318
01:41:33,360 --> 01:41:35,720
Speaker 3: sex is happening. I'm choosing, like damn, I hain't lie.

2319
01:41:35,720 --> 01:41:37,720
Speaker 3: I'm trying to do it and I got a girl

2320
01:41:37,800 --> 01:41:39,600
Speaker 3: with me. I'm choosing to get aroused. Like if you

2321
01:41:39,680 --> 01:41:41,040
Speaker 3: sitting on the couch and your friends, and.

2322
01:41:40,960 --> 01:41:42,880
Speaker 2: When you be aroused of the girl that you're next to,

2323
01:41:42,920 --> 01:41:44,760
Speaker 2: if you wanted to fuck her. I don't think my

2324
01:41:44,880 --> 01:41:48,120
Speaker 2: man's moans is gonna make me I should fuck this

2325
01:41:48,160 --> 01:41:50,040
Speaker 2: girl your man's moment.

2326
01:41:50,080 --> 01:41:53,240
Speaker 3: Just the fact that somebody's having sex right here in

2327
01:41:53,280 --> 01:41:55,160
Speaker 3: the next room, and you, like we're all in the

2328
01:41:55,160 --> 01:41:57,600
Speaker 3: same house together, like you might just get aroused in

2329
01:41:57,600 --> 01:41:59,120
Speaker 3: that moment. We might have been just chilling on the couch.

2330
01:41:59,120 --> 01:42:01,960
Speaker 3: I'm not aroused. I hear y'all start having sex now,

2331
01:42:02,000 --> 01:42:04,760
Speaker 3: I want to have sex. That's a choice.

2332
01:42:04,800 --> 01:42:07,160
Speaker 1: Nigoadn't even think about sex forere you heard that nigga clapping.

2333
01:42:07,280 --> 01:42:10,120
Speaker 3: That's what I'm saying that to me, that you're choosing that, Like,

2334
01:42:10,160 --> 01:42:13,120
Speaker 3: I just I don't I don't know. That's just friends.

2335
01:42:13,160 --> 01:42:14,920
Speaker 3: I don't care if a friends my homeboys having sex

2336
01:42:14,920 --> 01:42:16,559
Speaker 3: with this girl is no way I'm getting a rose

2337
01:42:16,600 --> 01:42:17,479
Speaker 3: off of that. It's not happening.

2338
01:42:18,200 --> 01:42:19,840
Speaker 2: You think Taylor dapt homie when he came out of

2339
01:42:19,840 --> 01:42:27,000
Speaker 2: the room. I don't think so. No, I don't think so.

2340
01:42:27,280 --> 01:42:29,160
Speaker 2: I feel like she would owe him that at least.

2341
01:42:30,320 --> 01:42:35,280
Speaker 3: Yeah, he inspider inspired rub one out and brother went

2342
01:42:35,320 --> 01:42:36,880
Speaker 3: out as crazy wild.

2343
01:42:37,360 --> 01:42:42,280
Speaker 2: Also, like did she leave the room? You imagine if

2344
01:42:42,320 --> 01:42:45,639
Speaker 2: you don't want to fuck and you're hearing two people

2345
01:42:45,680 --> 01:42:47,120
Speaker 2: that you don't really know like that, because you were

2346
01:42:47,120 --> 01:42:49,760
Speaker 2: brought here as the plus one fucking over there. Then

2347
01:42:49,920 --> 01:42:54,040
Speaker 2: your girl starts touching her pussy like you just sitting

2348
01:42:54,080 --> 01:42:57,479
Speaker 2: here around a bunch of horney muffy, like you're just

2349
01:42:57,520 --> 01:42:58,840
Speaker 2: sitting there, like, yo, what the fuck?

2350
01:42:59,040 --> 01:43:01,479
Speaker 3: Yeah, that's crazy. That gotta be a crazy situation.

2351
01:43:01,720 --> 01:43:04,200
Speaker 1: Yeah, she was, She was wrong for everyone out, but

2352
01:43:04,479 --> 01:43:06,880
Speaker 1: I'm not. I'm not blaming you for getting aroused by

2353
01:43:06,920 --> 01:43:09,160
Speaker 1: hearing people have sex. A lot of people get aroused

2354
01:43:09,160 --> 01:43:10,880
Speaker 1: by hearing people have sex. Like, I don't think you're

2355
01:43:11,000 --> 01:43:13,400
Speaker 1: worried about that. No, I think that's fine.

2356
01:43:13,560 --> 01:43:16,720
Speaker 3: Just not my friend, not my friends, and that's my

2357
01:43:16,800 --> 01:43:17,799
Speaker 3: friend's crazy.

2358
01:43:17,840 --> 01:43:19,040
Speaker 2: Like nah, I think I'm cool.

2359
01:43:19,120 --> 01:43:21,240
Speaker 3: Yeah, like my friend's girl, like they y'all in having

2360
01:43:21,280 --> 01:43:22,240
Speaker 3: sex and I get aroused.

2361
01:43:22,280 --> 01:43:25,280
Speaker 2: That's wold. I don't even like to hear when people

2362
01:43:25,400 --> 01:43:29,240
Speaker 2: are telling me that they're trying for kids, like that's

2363
01:43:29,240 --> 01:43:31,720
Speaker 2: an awkward conversation, like, yeah, we're trying right now, Like

2364
01:43:31,880 --> 01:43:35,040
Speaker 2: I don't need to know how much y'all fuck? Yeah,

2365
01:43:35,840 --> 01:43:39,280
Speaker 2: you know, because I'm the same.

2366
01:43:39,280 --> 01:43:42,160
Speaker 3: I don't want to hear that ship man, I don't

2367
01:43:42,160 --> 01:43:43,920
Speaker 3: want to hear my homemner's good. Yeah, y'all in it

2368
01:43:44,000 --> 01:43:45,559
Speaker 3: trying to have a bit, I don't. I don't want

2369
01:43:45,560 --> 01:43:45,960
Speaker 3: to hear that.

2370
01:43:46,280 --> 01:43:48,120
Speaker 1: And I'm sure Taylor said it was her homegirl. I

2371
01:43:48,160 --> 01:43:50,479
Speaker 1: doubt it's a super super close friend because hearing your

2372
01:43:50,520 --> 01:43:53,679
Speaker 1: super super close friend get banged, it's like it probably

2373
01:43:53,720 --> 01:43:55,439
Speaker 1: was like an associate that she thinks is attractive.

2374
01:43:56,400 --> 01:43:57,880
Speaker 2: You would let Taylor come in the room and watch.

2375
01:43:58,680 --> 01:44:01,400
Speaker 1: No, the thought somebody watched me have sex makes me

2376
01:44:01,439 --> 01:44:02,080
Speaker 1: fucking cringe.

2377
01:44:02,120 --> 01:44:04,000
Speaker 2: I'm not one of those people. Yeah, I turned that

2378
01:44:04,040 --> 01:44:07,880
Speaker 2: down once. We know I would have felt weird. Taylor

2379
01:44:07,920 --> 01:44:10,920
Speaker 2: wanted to watch you have sex? No? Oh, I'm about

2380
01:44:10,920 --> 01:44:17,479
Speaker 2: to say, wouldn't have What show was this? I want

2381
01:44:17,520 --> 01:44:20,719
Speaker 2: to say, wait, what happened after the Dallas show?

2382
01:44:22,040 --> 01:44:23,679
Speaker 1: Taylor, I've never seen a mask?

2383
01:44:23,960 --> 01:44:27,200
Speaker 2: A man asked if she could watch me and somebody

2384
01:44:27,280 --> 01:44:29,360
Speaker 2: I was dealing with. Again, I'm really serious. This was

2385
01:44:29,439 --> 01:44:32,439
Speaker 2: like seven eight years ago. Asked if she could watch us,

2386
01:44:32,520 --> 01:44:35,560
Speaker 2: and I was like, No, that's fucking weird.

2387
01:44:36,360 --> 01:44:39,280
Speaker 3: Like you watch it your hands. That's what I will say.

2388
01:44:40,400 --> 01:44:42,559
Speaker 3: You watch naked, you gotta get naked, though, you can

2389
01:44:42,600 --> 01:44:44,200
Speaker 3: watch what you gotta be naked other than if not,

2390
01:44:44,280 --> 01:44:46,600
Speaker 3: it's just weird, Like we have a sex and we

2391
01:44:46,600 --> 01:44:49,000
Speaker 3: look over and it's a girl with like a jacket on.

2392
01:44:52,120 --> 01:44:55,200
Speaker 2: If it was like a stranger, cool, But this person

2393
01:44:55,320 --> 01:44:57,120
Speaker 2: like is a friend of mine to this day, and

2394
01:44:57,160 --> 01:44:59,479
Speaker 2: I feel like that just would have been weird. I

2395
01:44:59,520 --> 01:45:01,840
Speaker 2: mean she wanted to fuck. No, I don't think she

2396
01:45:01,880 --> 01:45:02,120
Speaker 2: wanted to.

2397
01:45:04,000 --> 01:45:06,280
Speaker 3: Yeah, he fumbled to Tracy. He fumbled to Tracy. You

2398
01:45:06,280 --> 01:45:08,080
Speaker 3: didn't even know you had the Tracy sitting right there

2399
01:45:08,080 --> 01:45:08,400
Speaker 3: for you.

2400
01:45:09,080 --> 01:45:12,400
Speaker 2: I talked, I talked Israel Palestin at my Tracy talking

2401
01:45:12,439 --> 01:45:13,240
Speaker 2: to the god right now.

2402
01:45:15,520 --> 01:45:17,800
Speaker 3: Y know, you funckled with the Tracy man. Come on,

2403
01:45:17,920 --> 01:45:19,760
Speaker 3: she wanted to join, you know that she but she

2404
01:45:19,760 --> 01:45:20,519
Speaker 3: ain't know how to ask her.

2405
01:45:20,560 --> 01:45:23,280
Speaker 2: But I didn't. No, that's a friend. I don't want

2406
01:45:23,280 --> 01:45:26,679
Speaker 2: to Like, I didn't want to fuck my friend. I understand.

2407
01:45:26,720 --> 01:45:29,560
Speaker 1: That's not piece over here, pieces over with a wos.

2408
01:45:29,920 --> 01:45:35,800
Speaker 2: Yeah, yeah, I know he wasn't. He wasn't. He wasn't

2409
01:45:35,800 --> 01:45:39,000
Speaker 2: sexually attracted to her. Because friends. So it's not like

2410
01:45:39,040 --> 01:45:40,800
Speaker 2: I've never even had I got those friends too.

2411
01:45:40,880 --> 01:45:44,160
Speaker 3: That's my homegirls that I never ever did anything. And

2412
01:45:44,200 --> 01:45:45,880
Speaker 3: if I had a girl and I was about to

2413
01:45:45,920 --> 01:45:47,240
Speaker 3: go and say, she was like, I want to watch you.

2414
01:45:48,120 --> 01:45:50,080
Speaker 3: I got a few old girls, I'm like, hell yeah,

2415
01:45:50,880 --> 01:45:52,679
Speaker 3: and I don't know exist you're.

2416
01:45:52,520 --> 01:45:54,320
Speaker 1: The reason why they think that women and men can't

2417
01:45:54,320 --> 01:45:54,799
Speaker 1: be friends.

2418
01:45:55,240 --> 01:45:57,080
Speaker 3: No, that's not true. I got a whole bunch of homegirls.

2419
01:45:57,120 --> 01:46:00,600
Speaker 3: That's like fine, at fuck, that's literally my homegirl. But

2420
01:46:00,760 --> 01:46:02,720
Speaker 3: if I'm about to have sex and one of my

2421
01:46:02,800 --> 01:46:05,080
Speaker 3: own girls that's gorgeous, tell me they want to come

2422
01:46:05,120 --> 01:46:07,599
Speaker 3: watch me and the girl have sex. I'm not gonna

2423
01:46:07,600 --> 01:46:09,360
Speaker 3: be like, nah, you know what I'm saying. I want

2424
01:46:09,400 --> 01:46:13,519
Speaker 3: home friends. Hurry up, take your ship off, hurry up.

2425
01:46:13,840 --> 01:46:16,400
Speaker 2: Also, the woman I was dealing with was I know,

2426
01:46:16,880 --> 01:46:20,840
Speaker 2: super straight, like she wasn't. It wouldn't have been. It

2427
01:46:20,880 --> 01:46:23,640
Speaker 2: wouldn't have added up to a threesome. I know that

2428
01:46:23,680 --> 01:46:26,320
Speaker 2: it just would have been weird. Oh so that she

2429
01:46:26,360 --> 01:46:30,200
Speaker 2: wants to fuck you, No, I think she's bisexual and

2430
01:46:30,240 --> 01:46:32,479
Speaker 2: wanted to watch the girl I was. I think she

2431
01:46:32,600 --> 01:46:33,800
Speaker 2: just wanted to see the girl.

2432
01:46:33,800 --> 01:46:37,679
Speaker 1: When you said the she wanted to see, you said

2433
01:46:37,680 --> 01:46:39,200
Speaker 1: the girl you were dealing with was super straight.

2434
01:46:40,439 --> 01:46:43,640
Speaker 2: Oh no, the friend was is super bisexual, And I

2435
01:46:43,680 --> 01:46:45,120
Speaker 2: don't think she wanted to fuck me. I think she

2436
01:46:45,240 --> 01:46:46,559
Speaker 2: just wanted to see that girl get fucked.

2437
01:46:46,840 --> 01:46:50,120
Speaker 1: Ah, that's some people's kink, which I don't judge. That's

2438
01:46:50,120 --> 01:46:51,240
Speaker 1: why tailors.

2439
01:46:51,880 --> 01:46:54,640
Speaker 2: I would probably allow somebody, a woman that's attractive to

2440
01:46:55,000 --> 01:46:58,679
Speaker 2: do that, just not a friend, because now it's weird. Taylor.

2441
01:46:58,680 --> 01:47:00,720
Speaker 1: You're not wrong for your voyeurism, but you need to

2442
01:47:00,720 --> 01:47:02,960
Speaker 1: be more. You've got to get somebody who's in the

2443
01:47:03,000 --> 01:47:03,400
Speaker 1: same way.

2444
01:47:03,439 --> 01:47:07,200
Speaker 2: That soundarism. That's not even like, that's not boyards. They

2445
01:47:07,200 --> 01:47:10,720
Speaker 2: couldn't watch. She was just listening. We're kind of part

2446
01:47:11,280 --> 01:47:13,080
Speaker 2: I guess rubbing.

2447
01:47:12,800 --> 01:47:14,320
Speaker 3: One night while your girl is just sitting there and

2448
01:47:14,360 --> 01:47:17,720
Speaker 3: not wanting to have sex. It's crazy because like what

2449
01:47:17,760 --> 01:47:20,840
Speaker 3: if I do that? What if I'm with my sex

2450
01:47:20,880 --> 01:47:22,679
Speaker 3: and I just thought, like, you know what I'm.

2451
01:47:22,520 --> 01:47:25,719
Speaker 2: Saying, thank you for leaving me alone. That's not crazy.

2452
01:47:25,840 --> 01:47:27,160
Speaker 1: No, thank you for leaving me alone.

2453
01:47:27,360 --> 01:47:28,240
Speaker 2: No, that's why.

2454
01:47:28,320 --> 01:47:30,320
Speaker 1: Thank you for if you asked me and I'm like, no,

2455
01:47:30,400 --> 01:47:32,000
Speaker 1: I'm not to mood. Let me alone and you rub

2456
01:47:32,000 --> 01:47:34,240
Speaker 1: one out, I don't give a fuck. I will wrap

2457
01:47:34,280 --> 01:47:36,960
Speaker 1: my little pinky too around yours for some extra stimulation.

2458
01:47:37,120 --> 01:47:38,080
Speaker 2: Just leave me the fuck alone.

2459
01:47:38,400 --> 01:47:42,600
Speaker 3: I think yo, Mas is crazy. I always knew she

2460
01:47:42,680 --> 01:47:44,840
Speaker 3: was crazy with that right there to solidify it. You

2461
01:47:45,000 --> 01:47:46,760
Speaker 3: not mad if he started jergging off. But you're gonna

2462
01:47:46,760 --> 01:47:48,840
Speaker 3: play footies with him while he's doing it, Yeah, because

2463
01:47:48,880 --> 01:47:50,040
Speaker 3: I could do that half asleep.

2464
01:47:51,240 --> 01:47:52,400
Speaker 2: Oh, she don't like that, niggas.

2465
01:47:52,520 --> 01:47:54,599
Speaker 1: No, I've just been in relationships for a very love

2466
01:47:54,680 --> 01:47:56,200
Speaker 1: I've been in long term relationships.

2467
01:47:56,240 --> 01:48:00,000
Speaker 2: Sometimes you don't want to have sex for sure that much.

2468
01:48:00,040 --> 01:48:01,320
Speaker 2: It's because you horny.

2469
01:48:01,400 --> 01:48:03,320
Speaker 1: You want to know and I'm not in the mood

2470
01:48:03,400 --> 01:48:05,880
Speaker 1: do your thing because when it's my turn and you

2471
01:48:05,880 --> 01:48:09,479
Speaker 1: don't want to have sex, baby a one monkey ain't

2472
01:48:09,479 --> 01:48:10,400
Speaker 1: stopping on nail show.

2473
01:48:10,760 --> 01:48:12,840
Speaker 2: So no man is ever like.

2474
01:48:13,000 --> 01:48:15,040
Speaker 1: Yes, that happens off the time. We've had this conversation

2475
01:48:15,120 --> 01:48:17,720
Speaker 1: on this exact podcast, you've been horny and nigga, what

2476
01:48:17,760 --> 01:48:19,920
Speaker 1: happens all the time when you're in a long relation

2477
01:48:20,360 --> 01:48:21,679
Speaker 1: of relationship from all time.

2478
01:48:21,960 --> 01:48:23,599
Speaker 2: She believes that in twenty twenty five.

2479
01:48:23,439 --> 01:48:26,800
Speaker 1: Niggas have flus. Niggas don't feel like like niggas got

2480
01:48:26,800 --> 01:48:29,080
Speaker 1: the flu. Niggas got you know what I'm saying, RSV

2481
01:48:29,240 --> 01:48:29,960
Speaker 1: shit going on.

2482
01:48:30,120 --> 01:48:33,559
Speaker 3: I didn't have the flu all kind of shit stomach ache.

2483
01:48:33,800 --> 01:48:35,680
Speaker 3: One thing, I ain't never been too sick to do

2484
01:48:37,840 --> 01:48:39,679
Speaker 3: one dig I ain't never been too under the weather

2485
01:48:39,760 --> 01:48:42,080
Speaker 3: floor y'all tripping.

2486
01:48:42,200 --> 01:48:45,000
Speaker 2: Remember when Larrydavid try to fuck Cheryl on curb?

2487
01:48:46,800 --> 01:48:49,320
Speaker 3: What are you doing? He's like, I didn't know. You know,

2488
01:48:50,960 --> 01:48:55,720
Speaker 3: she has the flu. You just let her rest? No, Like, wait,

2489
01:48:56,040 --> 01:48:58,080
Speaker 3: I'm just I'm letting any woman know that I'm dating

2490
01:48:58,080 --> 01:49:00,240
Speaker 3: if I have the flu and you want to come it,

2491
01:49:00,360 --> 01:49:03,200
Speaker 3: suck me up, please do. I'm not stopping it. Don't

2492
01:49:03,280 --> 01:49:06,120
Speaker 3: leave me alone. I need all the nourishment, please.

2493
01:49:05,960 --> 01:49:08,200
Speaker 2: And I gotta get this out of me. Yeah, this

2494
01:49:08,240 --> 01:49:10,240
Speaker 2: is probably why I'm sick. I need to flush. Yeah,

2495
01:49:10,280 --> 01:49:12,000
Speaker 2: it's not just the poores that I need to know. Yeah,

2496
01:49:12,040 --> 01:49:13,840
Speaker 2: it's a whole thing. It's a whole head to toe.

2497
01:49:14,000 --> 01:49:17,400
Speaker 2: There's and we can close. Of course, the Horny cast

2498
01:49:17,400 --> 01:49:20,320
Speaker 2: out in twenty twenty six, starting to realize that I

2499
01:49:20,320 --> 01:49:22,479
Speaker 2: think there's way too many levels to the voyeurism thing,

2500
01:49:23,520 --> 01:49:25,320
Speaker 2: because I used to think we're all kind of voyers

2501
01:49:25,320 --> 01:49:29,639
Speaker 2: because we watch porn. But I've been across the street

2502
01:49:29,640 --> 01:49:32,000
Speaker 2: from this hotel, from a building I've been staying in,

2503
01:49:32,720 --> 01:49:35,280
Speaker 2: and it's a lot of people that fuck, and it's gross.

2504
01:49:35,320 --> 01:49:38,120
Speaker 2: I don't want to watch. I think people think voyeurs

2505
01:49:39,320 --> 01:49:41,719
Speaker 2: are that way because they watch attractive people have sex.

2506
01:49:42,280 --> 01:49:44,360
Speaker 2: That's like one percent of the population on porn.

2507
01:49:44,400 --> 01:49:45,679
Speaker 3: That's the one people want to go to New Beach.

2508
01:49:45,680 --> 01:49:47,360
Speaker 3: They think it's gonna be like the prettiest women.

2509
01:49:47,479 --> 01:49:49,040
Speaker 2: You think a bunch of bad bitches is going to

2510
01:49:49,080 --> 01:49:51,920
Speaker 2: the nude beach. No, it's everybody that's that's like. I

2511
01:49:52,000 --> 01:49:54,400
Speaker 2: wish they would turn the lights off across the street.

2512
01:49:54,479 --> 01:49:57,559
Speaker 2: Anytime I go to fucking clothes, I'm like, oh, y'all

2513
01:49:57,600 --> 01:50:01,679
Speaker 2: are fucking gross. Anybody fat bodies just rubbing against it.

2514
01:50:02,000 --> 01:50:02,880
Speaker 2: I would still.

2515
01:50:02,680 --> 01:50:05,719
Speaker 1: Watch with binoculars, even fat, ugly old people.

2516
01:50:06,680 --> 01:50:07,840
Speaker 2: Then you're aware for sure.

2517
01:50:08,840 --> 01:50:10,639
Speaker 1: I'm nosy. That's why I thought it was just nosy.

2518
01:50:10,640 --> 01:50:13,519
Speaker 2: I wouldn't even be turned out. I was like, oh, nosy,

2519
01:50:13,600 --> 01:50:16,160
Speaker 2: And everyone's not a porn star just clapping cheeks. Some

2520
01:50:16,160 --> 01:50:20,840
Speaker 2: people are just laying belly to belly. That's the best.

2521
01:50:21,160 --> 01:50:23,120
Speaker 2: That's my you get to know. I don't think anyone

2522
01:50:23,120 --> 01:50:24,920
Speaker 2: should watch it. That's how you get to know them.

2523
01:50:25,360 --> 01:50:27,200
Speaker 3: You gotta make your belly buttons connect. That's how you

2524
01:50:27,200 --> 01:50:27,479
Speaker 3: get to know.

2525
01:50:27,720 --> 01:50:30,599
Speaker 1: Thank you so much, everybody.

2526
01:50:32,439 --> 01:50:35,280
Speaker 2: That's the third hour, right, you don't even see me.

2527
01:50:35,360 --> 01:50:38,000
Speaker 2: You don't see me. Know that I don't even know

2528
01:50:38,040 --> 01:50:38,400
Speaker 2: the maths.

2529
01:50:38,520 --> 01:50:40,559
Speaker 3: You've seen the avatar when they put the tail inside.

2530
01:50:41,040 --> 01:50:43,920
Speaker 3: What you think that is? Let me put my tail

2531
01:50:43,960 --> 01:50:46,280
Speaker 3: inside Jacobs your mind?

2532
01:50:46,320 --> 01:50:52,479
Speaker 1: Now, thank you everybody for listening to us for our

2533
01:50:52,520 --> 01:50:53,240
Speaker 1: first episode.

2534
01:50:53,800 --> 01:50:57,559
Speaker 2: Was the last time y'all saw an AUTI belly button? Audi?

2535
01:50:57,680 --> 01:50:59,680
Speaker 2: They don't make those, We still got them, you were all.

2536
01:51:00,479 --> 01:51:02,519
Speaker 2: There's the whole generation of kids that never saw an

2537
01:51:02,439 --> 01:51:05,240
Speaker 2: Audi belly who got an Audi? Women don't even barely

2538
01:51:05,240 --> 01:51:07,679
Speaker 2: have belly buttons. No more to Audi. The belly buttons

2539
01:51:07,760 --> 01:51:08,280
Speaker 2: just be moving.

2540
01:51:08,439 --> 01:51:11,000
Speaker 3: Yeah, you know, nobody got an Audi. You got a

2541
01:51:11,240 --> 01:51:13,920
Speaker 3: You're still walking around with an Audi? Come on, what

2542
01:51:13,960 --> 01:51:14,439
Speaker 3: you doing?

2543
01:51:14,800 --> 01:51:16,479
Speaker 2: When did When did audis go away?

2544
01:51:17,560 --> 01:51:21,480
Speaker 3: I want to say at least early two thousands, two thousands.

2545
01:51:21,200 --> 01:51:23,320
Speaker 1: Yea, when the doctors stopped fucking people.

2546
01:51:23,120 --> 01:51:25,880
Speaker 3: Up the Audi? Having the Audi is crazy. I remember

2547
01:51:25,920 --> 01:51:29,200
Speaker 3: the first time a girls showed yep, we'll talk to you,

2548
01:51:29,560 --> 01:51:30,880
Speaker 3: We'll It.

2549
01:51:30,920 --> 01:51:34,200
Speaker 2: Was kind of on the line. One thing. I grew

2550
01:51:34,240 --> 01:51:35,840
Speaker 2: up around a lot of kids that were adopted. All

2551
01:51:35,840 --> 01:51:38,080
Speaker 2: the kids that were adopted or in group homes had

2552
01:51:37,920 --> 01:51:40,880
Speaker 2: Audi belly buttons, probably a hernia like then, we need

2553
01:51:40,920 --> 01:51:43,040
Speaker 2: to look into that. It's a Hernia. Yeah, so that

2554
01:51:43,120 --> 01:51:45,479
Speaker 2: does what she means a Hernia. I thought they just

2555
01:51:45,479 --> 01:51:47,840
Speaker 2: pulled the big cord too fast.

2556
01:51:47,600 --> 01:51:50,880
Speaker 3: And stayed out. That's what you thowt happened. Yeah, no,

2557
01:51:53,160 --> 01:51:53,360
Speaker 3: kind of.

2558
01:51:53,400 --> 01:51:59,120
Speaker 1: In this episode for seventeen minutes, Yo pressed the.

2559
01:51:59,040 --> 01:52:01,479
Speaker 3: Whisky leaf for the My man whar is locked up

2560
01:52:01,920 --> 01:52:04,960
Speaker 3: in Romania on that little bullshit charge? Your wi what's

2561
01:52:05,000 --> 01:52:07,200
Speaker 3: the charge? He probably had weed drug possession?

2562
01:52:08,200 --> 01:52:11,599
Speaker 2: All right? So are we gonna trade the Venezuelan president

2563
01:52:11,640 --> 01:52:15,920
Speaker 2: for nothing? That's what happened. I think that's what tell

2564
01:52:16,320 --> 01:52:20,120
Speaker 2: I love you, Let's not trade any fucking arms dealers.

2565
01:52:20,280 --> 01:52:23,320
Speaker 2: Where you had you go sit down for not much?

2566
01:52:23,520 --> 01:52:26,439
Speaker 2: Was We're not trading commisary for the world's most dangerous

2567
01:52:26,479 --> 01:52:29,559
Speaker 2: niggas for y'all for weed. Y'all keep going to these

2568
01:52:29,560 --> 01:52:31,559
Speaker 2: wig countries with these wed drug lords.

2569
01:52:31,680 --> 01:52:34,599
Speaker 3: Leave the vape at home, leave the oil pins, leave

2570
01:52:34,680 --> 01:52:35,160
Speaker 3: the weed.

2571
01:52:35,360 --> 01:52:35,960
Speaker 2: You niggas.

2572
01:52:36,000 --> 01:52:37,760
Speaker 3: Just relax for a couple of days and then get

2573
01:52:37,800 --> 01:52:39,760
Speaker 3: back to Cali and smoke all you want. But nah,

2574
01:52:39,840 --> 01:52:42,000
Speaker 3: hopefully you know, Whiz get through this nine months and

2575
01:52:42,080 --> 01:52:46,000
Speaker 3: he's good. Yeah, I mean, at that point you know

2576
01:52:46,040 --> 01:52:49,360
Speaker 3: how to do no time. He just can't go back

2577
01:52:49,360 --> 01:52:52,320
Speaker 3: to Romania. If he goes back, who your winds don't

2578
01:52:52,320 --> 01:52:53,360
Speaker 3: need to go to Romania.

2579
01:52:54,000 --> 01:52:56,479
Speaker 2: I mean, if everyone starts following suit with the United States,

2580
01:52:56,600 --> 01:52:59,280
Speaker 2: the Romaniu might just fly over here and Scooper, Mom,

2581
01:53:00,400 --> 01:53:04,800
Speaker 2: imagine that come coming with us. You almost not months

2582
01:53:04,840 --> 01:53:07,240
Speaker 2: fil all right, we'll talk to y'all soon. Be safe,

2583
01:53:07,320 --> 01:53:10,400
Speaker 2: be blessed, Happy New Year. Yet