WEBVTT - Questlove Supreme: Deon Cole

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<v Speaker 1>Quest Love Supreme is a production of iHeart Radio. Eight

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<v Speaker 1>Days of.

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<v Speaker 2>Lazy Jones, Eight motherfucking days.

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<v Speaker 3>Welcome to This is our fourth annual U Shaka Khan episode.

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<v Speaker 3>If you're celebrating Hanakah Kwanza.

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<v Speaker 1>Chanaka Chaaka is smoking Robins or China.

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<v Speaker 3>Yeah, I'm about to say smoky Robinson pronounced it.

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<v Speaker 1>Kah. That's all Jams and Steve.

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<v Speaker 4>Who's that?

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<v Speaker 1>Sharon Jones, Sharon Jones and the dad Kings. Oh wow,

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<v Speaker 1>eight days of.

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<v Speaker 2>That only Honakkah was actually that funky and soulful. I'd

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<v Speaker 2>be a happy guy.

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<v Speaker 1>Well, you know, now's now's the now's the time to

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<v Speaker 1>reverse that. Now that's one of my favorites. I like

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<v Speaker 1>that record. Yeah, man, this is uh.

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<v Speaker 3>Oh we we should uh before we get started, give

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<v Speaker 3>a shout out to our good friends Belviani. Got very

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<v Speaker 3>familiar with them this year, extremely familiar. Yeah, and uh,

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<v Speaker 3>you know it's Belviani that's handcrafted to be enjoyed responsibly,

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<v Speaker 3>So you know, give them a shout out. But also

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<v Speaker 3>let people know that they should drink responsibly and uh,

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<v Speaker 3>you know, because we know that this could be you know,

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<v Speaker 3>a celebration for some people can be uh, not too

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<v Speaker 3>celebratory for other people. Yeah, our guest today is a

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<v Speaker 3>friend of the show. I gotta say that one of

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<v Speaker 3>the biggest surprises of twenty twenty was actually how good

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<v Speaker 3>of a DJ?

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<v Speaker 2>This?

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<v Speaker 1>This is real?

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<v Speaker 2>Man?

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<v Speaker 3>YoY yo, Like, dude, I had zero clue that you

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<v Speaker 3>were this serious on turntables.

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<v Speaker 1>Yeah, welcome Dion cole course superior.

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<v Speaker 2>Yeah that's just sha ka Khan.

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<v Speaker 1>Edition.

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<v Speaker 2>Yeah, what's going on, man, king? What's going on? Brother?

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<v Speaker 2>How y'all doing? Everybody doing? Everybody good?

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<v Speaker 1>We're good, brother, We're good.

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<v Speaker 2>Yeah.

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<v Speaker 1>I didn't think I did. I was thinking.

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<v Speaker 5>I was like, man, I didn't think that Dion was

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<v Speaker 5>such a big house head. But then I realized, I'm

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<v Speaker 5>like shitty from Chicago.

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<v Speaker 1>Of course he's out head. Like okay.

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<v Speaker 3>So that's the thing though, Like, if you are, if

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<v Speaker 3>you're of age in Chicago, especially in the eighties and

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<v Speaker 3>the nineties when this is blossoming, I mean, am I

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<v Speaker 3>to assume that that's house Music's almost like a birthright,

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<v Speaker 3>Like everyone is indulged in in house music culture if

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<v Speaker 3>you're from Chicago.

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<v Speaker 6>Yeah, especially back then, Like back then, it was like everybody,

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<v Speaker 6>everybody was engulfed in like it was it was something

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<v Speaker 6>that was our own. It was almost like almost like

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<v Speaker 6>a secret, like it was like our thing that we

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<v Speaker 6>was doing. And then if you really, like like I

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<v Speaker 6>was my age, you wasn't thinking about the world and

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<v Speaker 6>them hearing it. You was just happy that it was

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<v Speaker 6>like like how almost like how hip hop was our

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<v Speaker 6>hip hop just came and it just was something that

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<v Speaker 6>we felt like was ours, even like in Chicago, I

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<v Speaker 6>remember HBK underground hip hop stations.

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<v Speaker 2>It was just something that was just ours and we just,

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<v Speaker 2>I don't know, we just embraced it. But everybody was.

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<v Speaker 6>Everybody was into it, like everybody thugs, gangsters, pimps, everybody.

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<v Speaker 3>Like That's what I'm saying. I would I would have

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<v Speaker 3>thought it was just a niche like kind of a

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<v Speaker 3>select if you were into this as an underground. But

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<v Speaker 3>I slowly realized how damn near every person from Chicago,

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<v Speaker 3>even Common's knowledge of house music history ran deep.

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<v Speaker 1>So I didn't know that.

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<v Speaker 6>Yeah, cam Com always come on the page and be

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<v Speaker 6>requested songs for me to play, like just always playing

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<v Speaker 6>uh put.

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<v Speaker 2>Us under.

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<v Speaker 4>Take request?

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<v Speaker 1>Is it all over my face?

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<v Speaker 2>Is it all over my face?

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<v Speaker 6>Sometime I do, Yeah, like he'll come on there, like

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<v Speaker 6>he'll like text me or something and be like, yo,

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<v Speaker 6>play this, and I'd be like, all right, now, I

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<v Speaker 6>look it up and I'll play it definitely. But yeah, like, man,

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<v Speaker 6>our days go back, even back in the day, Common

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<v Speaker 6>me everybody used to be at this place called the

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<v Speaker 6>Bizmark when we used to get down the music box

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<v Speaker 6>a kas all disco and I'm talking like vice lords,

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<v Speaker 6>disciples folks. Yeah, man, Common Common was a common was

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<v Speaker 6>a mo a vice little and still to this day

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<v Speaker 6>he got a little vice lord on them, you know

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<v Speaker 6>how much of it.

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<v Speaker 7>But that's crazy because no matter how hard you was,

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<v Speaker 7>you still dance.

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<v Speaker 2>To the music still. And that's and that's the point

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<v Speaker 2>I was getting to.

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<v Speaker 6>You're being there with like straight thugs with guns everything

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<v Speaker 6>jamming like jamming the house because it was a spiritual vibe. Man,

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<v Speaker 6>it was. It was almost tribal what it was, and

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<v Speaker 6>it was something that we all got along with. And

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<v Speaker 6>not only gangsters. We're talking like gay people, gangsters, regular people,

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<v Speaker 6>everybody in the same room, politicians, uh prepastors, everybody. Because

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<v Speaker 6>it was the disco era that ended and made it

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<v Speaker 6>underground and it made people gravitate to it because it

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<v Speaker 6>was you couldn't hear it on the radio no more

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<v Speaker 6>once the disco era, and you can't really end on

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<v Speaker 6>radio like that. So it was all these underground places

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<v Speaker 6>that play music. And there was a place called the

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<v Speaker 6>Warehouse where Frankie Knuckles used to be.

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<v Speaker 5>Frank were you around for the were you around for

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<v Speaker 5>like the Ron Hardy? Was that before your time?

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<v Speaker 1>Or was that? Okay, man, let me.

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<v Speaker 2>Tell you about Ron Ron? Yeah, yo, Ron.

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<v Speaker 6>See Frankie Knuckles was like he was the one that

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<v Speaker 6>was like it was like sophisticated house when Frankie would

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<v Speaker 6>do it, and there would be mostly gay too, it

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<v Speaker 6>would be like mostly gay sophisticated scene. But when Ron, yeah,

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<v Speaker 6>all Jamie principal, all them.

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<v Speaker 2>Yeah.

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<v Speaker 6>But then but then when but when when Ron started

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<v Speaker 6>when when they was ending the warehouse, then the music

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<v Speaker 6>box opened up and that's when Ron came in. And

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<v Speaker 6>Ron took the music from being sophisticated to like taking

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<v Speaker 6>chances with it, like you'll hear music that you ain't

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<v Speaker 6>never really heard before, and your hear music looped in.

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<v Speaker 2>A way that you thought it was a whole new

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<v Speaker 2>song that you just didn't hear.

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<v Speaker 6>And he had this thing where he'll play a song

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<v Speaker 6>and then he would have a real to real, real

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<v Speaker 6>to real, and he would blend in the real, the

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<v Speaker 6>real from the turntable, but the real to realid be

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<v Speaker 6>going backwards and.

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<v Speaker 2>He would play and he would play the song backwards

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<v Speaker 2>on the.

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<v Speaker 8>Real the reel, and you will be dancing to it,

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<v Speaker 8>going bserk that he's playing this track backwards and the

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<v Speaker 8>track being played backwards sound.

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<v Speaker 1>Like a whole new track.

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<v Speaker 2>Then used to just like just zone out.

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<v Speaker 6>And the sound system was like no sound system I've

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<v Speaker 6>ever heard still to this day.

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<v Speaker 2>And it came from uh, what's that place? Larry Levigne us.

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<v Speaker 6>Garage, the dude who did the sound system in Paradise

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<v Speaker 6>Garage did the sound system at the warehouse at Chicago,

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<v Speaker 6>and it.

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<v Speaker 2>Was yo, there it is and and never never.

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<v Speaker 6>Heard nothing like that. To this day, I haven't heard

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<v Speaker 6>the sound system like that. And he used to thump

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<v Speaker 6>like through your soul dumb. So yeah, man, that that

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<v Speaker 6>house scene was big. And the music that Rod that

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<v Speaker 6>Frankie and them used to play at the warehouse, you

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<v Speaker 6>couldn't really get it nowhere.

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<v Speaker 2>It was exclusive. So what they would do they would

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<v Speaker 2>make tapes and sell them.

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<v Speaker 6>At the Wear at this this uh at this record

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<v Speaker 6>company in High Park and they and they used to

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<v Speaker 6>sell like the music. The people would go there and

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<v Speaker 6>be like, yo, let me get some of that warehouse music. Yo,

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<v Speaker 6>let me get that warehouse music. And after while they

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<v Speaker 6>took the musica, they took the wearoff of it. It

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<v Speaker 6>was just like, let me get some of the house music.

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<v Speaker 2>Whatever.

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<v Speaker 3>Oh So that's that's the derivation of how uh.

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<v Speaker 7>Chicago get salty When other cities started calling their ship house, I.

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<v Speaker 1>Was gonna say, what's your relationship with Detroit? Because in Jersey, even.

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<v Speaker 6>In Baltimore, No, I think that they always respected that

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<v Speaker 6>it came from Chicago. From that I know of, they

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<v Speaker 6>always respected it, respected that, but they knew that that's

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<v Speaker 6>what that music.

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<v Speaker 2>It came from Chicago, and that's what we called it,

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<v Speaker 2>and that's just what it was.

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<v Speaker 6>And then they started adapting it, adapting the two which

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<v Speaker 6>was always love like I don't want nobody in Chicago

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<v Speaker 6>never was against Baltimore Jersey.

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<v Speaker 2>Or Baltimore had to respect Yeah, yeah, yeah exactly.

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<v Speaker 6>So it was it was it was just love like,

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<v Speaker 6>ain't nobody I've never heard nobody in Chicago tripping over

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<v Speaker 6>it like that, you know, But it's always been a

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<v Speaker 6>part of our culture, man, and especially like then it

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<v Speaker 6>was it was, it was.

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<v Speaker 2>It was a hybrid because hip hop was.

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<v Speaker 6>Like coming there raw and hard too, so it was

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<v Speaker 6>like between.

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<v Speaker 2>Both of them.

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<v Speaker 6>It was just music heaven in Chicago at the time.

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<v Speaker 3>When I go to Chicago, like I always find out,

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<v Speaker 3>like when I go to the cities and figure out,

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<v Speaker 3>like what the national anthem of that particular club culture is.

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<v Speaker 3>So what is the my eyes Don't Cry of Detroit?

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<v Speaker 3>I was about to say, I know the answer is, Baby,

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<v Speaker 3>I'm Scared of You by Woolmack and Womack. But now

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<v Speaker 3>I'm also thinking about stepping culture, like how does stepping

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<v Speaker 3>culture is that different than house culture as well?

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<v Speaker 1>Or did it?

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<v Speaker 6>Yeah, stepping culture is a whole other culture of Chicago.

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<v Speaker 6>Stepping culture is also back in disco era, taking a

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<v Speaker 6>lot of that music and and just the seventies itself. Man,

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<v Speaker 6>it was great music. Curtis Mayfield, all of them. They

0:11:03.080 --> 0:11:06.600
<v Speaker 6>have music that had this certain rhythm and there's certain

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<v Speaker 6>this certain beat pattern that was considered like a music

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<v Speaker 6>that you can dance to with your woman and not

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<v Speaker 6>slow dance, but not fast dance. But it was something

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<v Speaker 6>cool that you could just move to because a lot

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<v Speaker 6>of players, they ain't want to mess their shoes up,

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<v Speaker 6>they ain't want to get all sweaty, and so it

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<v Speaker 6>was a nice way to just be cool and just

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<v Speaker 6>groove seven right, that's kind of yeah yeah, yeah, so

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<v Speaker 6>you were groove and it was able for you to

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<v Speaker 6>not not be sweaty, but groove, be with your lady,

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<v Speaker 6>be tight coas to HRD. And it was just a

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<v Speaker 6>good way of just grooving or whatever. So a lot

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<v Speaker 6>of pimps used to do that, a lot of players,

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<v Speaker 6>and uh that was a good way that they used

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<v Speaker 6>to do it.

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<v Speaker 2>And it was just it was just it just stuck around.

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<v Speaker 6>It just always was a thing, you know, from back

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<v Speaker 6>in the day, like my father, my.

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<v Speaker 2>Mother, everybody used to step. Like to this day, people

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<v Speaker 2>steps like championship level stepping tournaments.

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<v Speaker 6>Yeah, all of that, like tournaments like like practicing all

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<v Speaker 6>year long, going from party to party, practicing and then

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<v Speaker 6>at the end of the year you you get into

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<v Speaker 6>a stepping tournament.

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<v Speaker 4>Like if you listening is the ultimate stepping teacher.

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<v Speaker 5>Uh me and my wife we stepped we Uh I

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<v Speaker 5>got her into it. I've been doing it for a

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<v Speaker 5>couple of years kind of before we got together, but

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<v Speaker 5>then I got her into it, and.

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<v Speaker 1>So Tovid kind of stopped it because you.

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<v Speaker 5>Know, we ain't get to, you know, be doing it

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<v Speaker 5>like we used to. But we'll still we'll be in

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<v Speaker 5>the kitchen.

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<v Speaker 1>We're living.

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<v Speaker 4>Everybody what everybody ain't patient? You trying to.

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<v Speaker 5>You know because from various people, I hear that like

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<v Speaker 5>Woo and Woo, Max Mayby, I'm scared of you.

0:12:51.880 --> 0:12:56.600
<v Speaker 2>And then the that's Jeffrey, uh making love is gonna last.

0:12:56.640 --> 0:13:00.280
<v Speaker 6>That's that's more stepping with this name Jeffrey something God

0:13:00.280 --> 0:13:00.600
<v Speaker 6>his name.

0:13:00.600 --> 0:13:02.000
<v Speaker 2>But yeah, I know you're talking about.

0:13:02.160 --> 0:13:06.720
<v Speaker 3>Right, So like what what are those like Chicago only

0:13:06.840 --> 0:13:11.920
<v Speaker 3>records that like of that era at least.

0:13:11.000 --> 0:13:14.360
<v Speaker 6>Well when it like anything by the moments of the

0:13:14.440 --> 0:13:18.280
<v Speaker 6>shotlights like some some cools, it's like.

0:13:18.240 --> 0:13:21.320
<v Speaker 2>Yo stepping groog. But like I said, it's just a.

0:13:21.240 --> 0:13:31.960
<v Speaker 5>Temples, Nah, come on, sexy mamas, not a fast Yeah,

0:13:32.040 --> 0:13:34.599
<v Speaker 5>it's that tempo if you're in that tempo, because I

0:13:34.720 --> 0:13:37.880
<v Speaker 5>tell you somebody, who's who people get because we we

0:13:37.960 --> 0:13:40.480
<v Speaker 5>stepped to Earth win the Fire like Earth in the

0:13:40.520 --> 0:13:42.480
<v Speaker 5>Fire is like a great great group.

0:13:43.080 --> 0:13:44.640
<v Speaker 6>But I'm gonna tell you. I'm gonna tell you who

0:13:44.679 --> 0:13:48.160
<v Speaker 6>people love. It's Kim like Chicago.

0:13:49.080 --> 0:13:53.320
<v Speaker 1>Yeah yeah, man.

0:13:55.200 --> 0:13:55.600
<v Speaker 4>Look.

0:13:57.120 --> 0:14:00.880
<v Speaker 3>God, no, no, no disrespecting Kim, no different, but just

0:14:00.920 --> 0:14:03.040
<v Speaker 3>the way he pops up on this the way he

0:14:03.160 --> 0:14:06.320
<v Speaker 3>pops up on this podcast.

0:14:06.720 --> 0:14:13.520
<v Speaker 1>I need to want to properly explain the power of Kim.

0:14:12.280 --> 0:14:17.640
<v Speaker 3>I'm gonna tell you, Kim is just cool, Yo, It's

0:14:17.760 --> 0:14:19.280
<v Speaker 3>just it's just a cool.

0:14:19.760 --> 0:14:20.000
<v Speaker 2>Look.

0:14:20.160 --> 0:14:25.760
<v Speaker 3>We don't know him personally, We don't know him personally,

0:14:25.920 --> 0:14:28.120
<v Speaker 3>but the music just gott a.

0:14:28.240 --> 0:14:33.080
<v Speaker 6>Groove, a sophistic like a cool pimp sophistication type thing

0:14:33.200 --> 0:14:34.640
<v Speaker 6>that people love in Chicago.

0:14:34.760 --> 0:14:36.800
<v Speaker 4>Man, everybody, everybody get.

0:14:37.200 --> 0:14:43.240
<v Speaker 2>Maybe everybody I know in's Chicago. Yo, Kim you you.

0:14:43.440 --> 0:14:45.880
<v Speaker 5>Roll listen, Yo, Kim is one of them artists, bro,

0:14:46.000 --> 0:14:47.720
<v Speaker 5>Like for real, Kim is one of them artists that

0:14:47.880 --> 0:14:50.120
<v Speaker 5>like nobody claims to like.

0:14:50.800 --> 0:14:53.880
<v Speaker 1>But this nigga puts up numbers on the board.

0:14:53.920 --> 0:14:56.200
<v Speaker 5>So it's like, listen, some of our niggas is lying

0:14:56.240 --> 0:14:59.360
<v Speaker 5>cuz these records are not buying themselves, you know what

0:14:59.360 --> 0:14:59.720
<v Speaker 5>I mean.

0:15:00.320 --> 0:15:01.440
<v Speaker 1>Niggas fuck with Kim.

0:15:01.400 --> 0:15:08.200
<v Speaker 6>Do this concert and trench coats and.

0:15:06.240 --> 0:15:18.000
<v Speaker 5>Mustache, Like, yeah, I learned I learned the power of

0:15:18.080 --> 0:15:21.240
<v Speaker 5>Kim on a drive to New Orleans. I was driving

0:15:21.320 --> 0:15:24.280
<v Speaker 5>while I was riding with my aunts from New Orleans

0:15:24.520 --> 0:15:26.920
<v Speaker 5>to well, from Atlanta, New Orleans. We're going New Orleans

0:15:26.920 --> 0:15:30.240
<v Speaker 5>from Mardi Gras and Nigga. When I tell you, it

0:15:30.400 --> 0:15:34.360
<v Speaker 5>was a chemthon for six hours. That was when I

0:15:34.400 --> 0:15:36.680
<v Speaker 5>got school. I was like, Okay, I get it. He

0:15:36.680 --> 0:15:38.960
<v Speaker 5>he is the Auntie Whisperer Frankie.

0:15:40.200 --> 0:15:40.520
<v Speaker 1>For real.

0:15:40.800 --> 0:15:42.640
<v Speaker 5>Wait, wait, I gotta I gotta clear something else because

0:15:42.680 --> 0:15:43.840
<v Speaker 5>I ain't trying to get a little showing.

0:15:43.920 --> 0:15:44.320
<v Speaker 1>No more.

0:15:45.640 --> 0:15:53.120
<v Speaker 3>Yeah, no disrespect, disrespect to Kim. I just simply I'm

0:15:53.160 --> 0:15:58.400
<v Speaker 3>not that familiar with Kim's discography. But again, I recognize

0:15:58.400 --> 0:16:00.920
<v Speaker 3>he puts numbers on the boards open up shows for

0:16:01.000 --> 0:16:03.280
<v Speaker 3>him in stadiums at like.

0:16:03.320 --> 0:16:05.400
<v Speaker 1>Eighteen thousand Cedar.

0:16:06.040 --> 0:16:09.560
<v Speaker 3>He Jill Scott opening for Kim, you know, damn near

0:16:09.640 --> 0:16:14.360
<v Speaker 3>sixteen thousand Cedar in Philadelphia, Like he does the numbers.

0:16:14.480 --> 0:16:18.240
<v Speaker 3>I just I've never studied him. And yes, as a

0:16:18.280 --> 0:16:22.840
<v Speaker 3>casual listener, you might dismissively say, oh, okay, that's just

0:16:23.360 --> 0:16:28.600
<v Speaker 3>algio whatever, But now I get so, Yeah, that was it.

0:16:29.160 --> 0:16:31.400
<v Speaker 6>See the whole thing about Kim from I don't. I

0:16:31.440 --> 0:16:33.400
<v Speaker 6>don't know his history and none of that need.

0:16:33.440 --> 0:16:36.240
<v Speaker 2>All I knew was it was homeless.

0:16:36.800 --> 0:16:39.680
<v Speaker 6>He got a deal and he blew up and it

0:16:39.760 --> 0:16:42.160
<v Speaker 6>made people go wow, look at look at that and

0:16:42.200 --> 0:16:43.400
<v Speaker 6>look at this guy's.

0:16:43.120 --> 0:16:46.600
<v Speaker 2>Voice is amazing. He was homeless. Yo, we rock His

0:16:46.680 --> 0:16:49.440
<v Speaker 2>story is crazy. Yeah, we rocking with We rock away.

0:16:49.680 --> 0:16:52.960
<v Speaker 1>So that's okay, let's get Kim on the show.

0:17:00.680 --> 0:17:02.600
<v Speaker 4>We gotta do al black first. But as soon as

0:17:02.600 --> 0:17:02.960
<v Speaker 4>you get.

0:17:06.160 --> 0:17:10.359
<v Speaker 6>A black first, No, but you're some stepping on, some

0:17:10.480 --> 0:17:12.960
<v Speaker 6>stepping you throw some kim on. You could be in

0:17:13.000 --> 0:17:15.399
<v Speaker 6>the middle of a fight you throw some Kimo. Mother's

0:17:15.400 --> 0:17:17.840
<v Speaker 6>gonna be like, I better not see your ass around here.

0:17:17.880 --> 0:17:18.240
<v Speaker 2>No more.

0:17:26.840 --> 0:17:30.879
<v Speaker 1>Man, So, how how long have you been DJing? Just

0:17:30.960 --> 0:17:39.159
<v Speaker 1>all your life? For a new pandemic skill? Like?

0:17:40.680 --> 0:17:41.240
<v Speaker 2>Just no?

0:17:42.000 --> 0:17:44.080
<v Speaker 6>Really, I was just talking about this the other day.

0:17:44.119 --> 0:17:46.000
<v Speaker 6>I sung to a friend and I said.

0:17:46.880 --> 0:17:50.359
<v Speaker 2>Can you believe I have not DJ a year yet?

0:17:52.000 --> 0:17:56.119
<v Speaker 4>What I'm not so congression.

0:17:56.800 --> 0:18:00.399
<v Speaker 6>I don't even know how to DJ on on CDJ.

0:18:01.200 --> 0:18:03.359
<v Speaker 3>Wait, you saw the writing on the wall, got you

0:18:03.400 --> 0:18:05.919
<v Speaker 3>some DJ equipment in March and then.

0:18:07.280 --> 0:18:08.520
<v Speaker 2>DJ. No.

0:18:08.520 --> 0:18:13.159
<v Speaker 6>No, I've had the equipment for three years and I

0:18:13.240 --> 0:18:14.200
<v Speaker 6>had it sitting there.

0:18:14.480 --> 0:18:15.920
<v Speaker 2>I was living in another house.

0:18:16.000 --> 0:18:19.120
<v Speaker 6>I had it sitting there and I tried to use it,

0:18:19.680 --> 0:18:22.800
<v Speaker 6>and I didn't have the time to practice.

0:18:22.840 --> 0:18:24.480
<v Speaker 2>I had a catalog of music.

0:18:24.560 --> 0:18:27.000
<v Speaker 6>I always had a catalog music because I just love

0:18:27.359 --> 0:18:30.280
<v Speaker 6>collective music and especially disco music.

0:18:30.560 --> 0:18:33.119
<v Speaker 2>That's my thing. So I always had music.

0:18:33.160 --> 0:18:36.119
<v Speaker 6>But I had the equipment, and I never had time

0:18:36.160 --> 0:18:39.840
<v Speaker 6>to do it. At the time I was filming Blackish, Grownish,

0:18:40.160 --> 0:18:45.960
<v Speaker 6>Angi Tribeca man Conan, I was. I had no time,

0:18:46.320 --> 0:18:49.760
<v Speaker 6>and so it just sat there, dusty everything, and I

0:18:49.840 --> 0:18:53.240
<v Speaker 6>just never did nothing with it. Moved to my new

0:18:53.280 --> 0:18:56.720
<v Speaker 6>place and still never did nothing with it. It was

0:18:56.760 --> 0:18:59.960
<v Speaker 6>just sitting up in the box. And when the pandemic

0:19:00.960 --> 0:19:04.639
<v Speaker 6>and I saw D Nice. I saw d Nice and

0:19:04.680 --> 0:19:06.760
<v Speaker 6>I was like, and I was on d nice page.

0:19:06.800 --> 0:19:07.040
<v Speaker 2>This one.

0:19:07.119 --> 0:19:10.640
<v Speaker 6>D Nice had like one hundred and twelve people listening

0:19:10.680 --> 0:19:15.960
<v Speaker 6>to him. So we was over there, you know, just

0:19:15.960 --> 0:19:18.600
<v Speaker 6>just checking them out, and I just just like, man,

0:19:18.760 --> 0:19:19.840
<v Speaker 6>it ain't nothing to do.

0:19:20.760 --> 0:19:22.679
<v Speaker 2>I was like, man, I should I should.

0:19:22.440 --> 0:19:25.040
<v Speaker 6>Pull out my equipment and just see if I can

0:19:25.520 --> 0:19:29.920
<v Speaker 6>just try try to do it. And I just did

0:19:30.000 --> 0:19:33.200
<v Speaker 6>it and was playing around and people was like, don't

0:19:33.240 --> 0:19:36.760
<v Speaker 6>quit your day job, and you're horrible and stick.

0:19:36.560 --> 0:19:39.840
<v Speaker 2>To comedy and where's the joke? Said? They just kept

0:19:39.840 --> 0:19:40.119
<v Speaker 2>doing it.

0:19:40.080 --> 0:19:43.119
<v Speaker 6>And I was joking with him too, because I was like, yeah,

0:19:43.160 --> 0:19:46.600
<v Speaker 6>I am horrible. Definitely, my blends are horrible and all

0:19:46.640 --> 0:19:49.680
<v Speaker 6>of that. But I remember Ron Hardy in Chicago. Ron

0:19:49.720 --> 0:19:52.320
<v Speaker 6>Hardy wasn't no great blend dude.

0:19:53.119 --> 0:19:54.880
<v Speaker 1>What he what?

0:19:55.040 --> 0:19:57.679
<v Speaker 2>It's what he played that was amazing.

0:19:58.359 --> 0:19:59.320
<v Speaker 1>He was a selector.

0:19:59.640 --> 0:20:02.239
<v Speaker 6>Yeah, So I just always had that in mind, and

0:20:02.320 --> 0:20:04.480
<v Speaker 6>I was like, you know what, but I got some

0:20:04.960 --> 0:20:06.560
<v Speaker 6>music people don't know about.

0:20:06.680 --> 0:20:09.199
<v Speaker 2>Like, I got some music, and so I just was like,

0:20:09.359 --> 0:20:10.440
<v Speaker 2>let me just try it.

0:20:10.680 --> 0:20:13.560
<v Speaker 6>And then I started thinking, you know what, it'd be

0:20:13.640 --> 0:20:15.960
<v Speaker 6>hilarious if I learned how to DJ right in front

0:20:16.000 --> 0:20:18.920
<v Speaker 6>of everybody's face, and I just I just didn't care

0:20:19.000 --> 0:20:21.600
<v Speaker 6>and just did it and see to see what happened,

0:20:21.600 --> 0:20:25.320
<v Speaker 6>and and plus let this music out that I got

0:20:25.520 --> 0:20:28.159
<v Speaker 6>that people don't know about, that people don't know about.

0:20:28.680 --> 0:20:29.480
<v Speaker 1>I'm going to tell.

0:20:29.359 --> 0:20:33.479
<v Speaker 5>You if you you've been like Emir, yeah, man, I've

0:20:33.520 --> 0:20:35.639
<v Speaker 5>been doing this for about seventeen years.

0:20:35.760 --> 0:20:40.360
<v Speaker 1>Eighteen I do a world class digit.

0:20:42.080 --> 0:20:43.840
<v Speaker 2>You now have.

0:20:45.160 --> 0:20:45.560
<v Speaker 1>You?

0:20:45.560 --> 0:20:49.600
<v Speaker 3>You you have an amazing toofer where now like I

0:20:49.680 --> 0:20:53.840
<v Speaker 3>expect you to be your own after party DJ, after

0:20:53.920 --> 0:20:54.960
<v Speaker 3>your comments.

0:20:56.800 --> 0:20:59.760
<v Speaker 2>Two chicks, that's what that's that's what I want to do.

0:21:00.160 --> 0:21:00.480
<v Speaker 4>Sing.

0:21:01.480 --> 0:21:02.960
<v Speaker 2>Yeah, that's why I want.

0:21:03.000 --> 0:21:05.840
<v Speaker 6>That's why I wouldn't call myself and I still don't.

0:21:05.880 --> 0:21:08.440
<v Speaker 6>I don't be calling myself the DJ because I just don't.

0:21:09.040 --> 0:21:11.560
<v Speaker 6>I feel like I feel like that's what I do,

0:21:12.080 --> 0:21:14.159
<v Speaker 6>That's what i'd be doing. But I don't feel like

0:21:15.000 --> 0:21:17.800
<v Speaker 6>I went through the trenches to call myself a DJ

0:21:18.280 --> 0:21:20.840
<v Speaker 6>like that. Like I don't even I bag off of

0:21:21.320 --> 0:21:23.879
<v Speaker 6>anybody even saying that. Sometimes I just be like, I

0:21:23.920 --> 0:21:26.360
<v Speaker 6>don't think. I think I'm not, but I just think

0:21:26.400 --> 0:21:27.920
<v Speaker 6>I play music that.

0:21:28.040 --> 0:21:29.639
<v Speaker 4>But you have got requests for gigs.

0:21:29.640 --> 0:21:30.920
<v Speaker 2>I bet man.

0:21:31.080 --> 0:21:35.359
<v Speaker 6>I did the Chosen Few, which is crazy.

0:21:36.080 --> 0:21:39.040
<v Speaker 2>I did Chosen Few this year. I did Rock the Vote.

0:21:39.359 --> 0:21:42.760
<v Speaker 6>I did Rock the Vote with Louis Vega and DJ Spinner,

0:21:42.920 --> 0:21:48.840
<v Speaker 6>and I did uh uh souling the horn.

0:21:49.320 --> 0:21:56.280
<v Speaker 1>I just did that. That sounds like.

0:21:55.240 --> 0:22:00.280
<v Speaker 3>Forget from one imposter syndrome to an other.

0:22:01.440 --> 0:22:04.200
<v Speaker 1>Just accept it. Like we think you're a DJ, you're

0:22:04.200 --> 0:22:06.400
<v Speaker 1>a DJ. Trust me on this one.

0:22:06.920 --> 0:22:09.400
<v Speaker 4>When you're sweating while you're DJing, is that still nerves

0:22:09.520 --> 0:22:10.480
<v Speaker 4>or is it hot in there.

0:22:10.840 --> 0:22:16.199
<v Speaker 2>Man, I got air condition, I got I got I

0:22:16.280 --> 0:22:18.960
<v Speaker 2>got air condition. No, I just be I just be

0:22:19.240 --> 0:22:20.640
<v Speaker 2>kind of like losing it.

0:22:21.000 --> 0:22:23.359
<v Speaker 6>This is what I do when I put a playlist together.

0:22:23.960 --> 0:22:29.240
<v Speaker 6>I don't listen to it loud. I listened to it.

0:22:29.240 --> 0:22:33.359
<v Speaker 6>It was very low speakers, and I just I just

0:22:33.480 --> 0:22:36.200
<v Speaker 6>listened to the blends of it. I don't even really

0:22:36.240 --> 0:22:38.160
<v Speaker 6>listen to the whole song because I know the song,

0:22:38.400 --> 0:22:40.000
<v Speaker 6>or if it's a new song that I hear, I

0:22:40.119 --> 0:22:43.159
<v Speaker 6>listen to it, but I won't listen to it loud.

0:22:43.840 --> 0:22:45.800
<v Speaker 2>And I listened to it a couple of times.

0:22:46.280 --> 0:22:49.960
<v Speaker 6>But the experience is when I'm playing it loud for

0:22:50.080 --> 0:22:53.560
<v Speaker 6>the first time, everybody listening to it, and.

0:22:53.480 --> 0:22:56.479
<v Speaker 2>I'm on, I'm on these, I'm on, I'm on these

0:22:56.520 --> 0:22:59.359
<v Speaker 2>boys right here, these speakers, these and.

0:22:59.480 --> 0:23:02.760
<v Speaker 1>Loud you last your music, Yo, I blast.

0:23:02.280 --> 0:23:03.280
<v Speaker 2>Look at this. This is.

0:23:05.720 --> 0:23:09.919
<v Speaker 1>Off my speaker, the size of.

0:23:13.359 --> 0:23:17.720
<v Speaker 2>No, I be rattling, rattling, this whole joint be rap.

0:23:17.920 --> 0:23:19.600
<v Speaker 4>You feel it through the screen when you're watching them.

0:23:19.600 --> 0:23:22.640
<v Speaker 6>That's why I asked, oh yeah, and that joint too

0:23:22.720 --> 0:23:26.320
<v Speaker 6>up there, like I be radling, rattling, and.

0:23:26.359 --> 0:23:28.160
<v Speaker 2>So yo, I be feeling it.

0:23:28.200 --> 0:23:32.720
<v Speaker 6>Man, I just be like, I feel music, man, I

0:23:32.800 --> 0:23:35.880
<v Speaker 6>feel it. Like I always was saying to myself too,

0:23:35.920 --> 0:23:39.080
<v Speaker 6>I was like, if I wasn't a comedian, I'll.

0:23:38.240 --> 0:23:41.080
<v Speaker 2>Probably be an A and R somewhere. Man, Like, I

0:23:41.200 --> 0:23:45.240
<v Speaker 2>just love music. And maybe I'm just maybe I don't

0:23:45.280 --> 0:23:47.199
<v Speaker 2>know the ends and out of an R, but I

0:23:47.359 --> 0:23:50.520
<v Speaker 2>just thought that. But I just love music, man, I

0:23:50.640 --> 0:23:51.919
<v Speaker 2>just love feeling. Now.

0:23:52.119 --> 0:23:53.960
<v Speaker 5>I think that's what comes through in your sets because

0:23:53.960 --> 0:23:56.960
<v Speaker 5>you know the records. And that's the thing now with

0:23:57.240 --> 0:23:59.480
<v Speaker 5>when I tell when I talk, the cats coming up, whatever,

0:23:59.520 --> 0:24:02.960
<v Speaker 5>it's like with DJing like a mirror can give you

0:24:03.400 --> 0:24:06.920
<v Speaker 5>his hard drive right and just you know twenty thousand songs.

0:24:06.960 --> 0:24:10.600
<v Speaker 5>But if you don't know the songs, if you don't know, okay,

0:24:10.640 --> 0:24:12.879
<v Speaker 5>this is the part, that's the break to play do

0:24:12.920 --> 0:24:14.720
<v Speaker 5>with these into this. Yeah, if you don't know what

0:24:14.760 --> 0:24:16.560
<v Speaker 5>to do with it, that shit is just files on

0:24:16.600 --> 0:24:17.160
<v Speaker 5>the laptop.

0:24:17.240 --> 0:24:17.960
<v Speaker 2>It means nothing.

0:24:18.080 --> 0:24:20.680
<v Speaker 5>But if you know the records, that's what makes you

0:24:20.760 --> 0:24:22.880
<v Speaker 5>good DJ because you know how to play them right.

0:24:23.040 --> 0:24:24.360
<v Speaker 2>Like like even like request.

0:24:24.440 --> 0:24:26.760
<v Speaker 6>The thing the thing that like like request is that

0:24:27.640 --> 0:24:33.320
<v Speaker 6>certain like you can hear DJs play music and that's cool,

0:24:33.400 --> 0:24:36.960
<v Speaker 6>But then you got DJs who play music where you

0:24:37.080 --> 0:24:40.119
<v Speaker 6>want to know the origin of this music.

0:24:40.200 --> 0:24:42.600
<v Speaker 2>You want to know who made it. You want to

0:24:42.640 --> 0:24:44.520
<v Speaker 2>know who's selling. You want to know.

0:24:44.440 --> 0:24:47.840
<v Speaker 6>You you want to know history of music just from

0:24:47.840 --> 0:24:49.199
<v Speaker 6>the way somebody play it.

0:24:49.560 --> 0:24:50.280
<v Speaker 2>You know what I mean?

0:24:50.400 --> 0:24:53.800
<v Speaker 6>And Man, as many times many nights haven't been on

0:24:53.840 --> 0:24:54.280
<v Speaker 6>your page.

0:24:54.400 --> 0:24:56.480
<v Speaker 2>Listen to you. Man, I've sat there.

0:24:56.960 --> 0:25:02.800
<v Speaker 6>Like with another computer, Man, just like yo, what is it?

0:25:01.119 --> 0:25:04.040
<v Speaker 1>But that's why I do it. I do it so

0:25:04.160 --> 0:25:05.960
<v Speaker 1>cats can exam it and learn it.

0:25:06.000 --> 0:25:08.760
<v Speaker 3>But that's what I'm saying, Like what you're doing and

0:25:08.800 --> 0:25:13.680
<v Speaker 3>with your nariety and your popularity, Like even I have

0:25:13.760 --> 0:25:19.919
<v Speaker 3>a deeper respect for disco culture and house music culture

0:25:19.960 --> 0:25:25.360
<v Speaker 3>that I thought I had. But with you, I see

0:25:25.440 --> 0:25:29.679
<v Speaker 3>that almost as an education. Like that definitely keep Sunday

0:25:29.720 --> 0:25:33.320
<v Speaker 3>Service even when we quote stop wearing our masks and

0:25:33.520 --> 0:25:34.040
<v Speaker 3>get out.

0:25:33.880 --> 0:25:34.440
<v Speaker 2>Into the water.

0:25:35.240 --> 0:25:38.800
<v Speaker 3>Nah, we need to make Sunday service a thing, Sunday

0:25:38.880 --> 0:25:43.920
<v Speaker 3>afternoon service, you know, from wherever you are in LA

0:25:44.080 --> 0:25:45.400
<v Speaker 3>or that sort of thing.

0:25:45.480 --> 0:25:46.120
<v Speaker 2>Thank you, man.

0:25:46.400 --> 0:25:48.679
<v Speaker 6>And that's the goal, Man, to keep rocking with it,

0:25:48.800 --> 0:25:51.600
<v Speaker 6>going from some different cities, man and coming through and

0:25:51.640 --> 0:25:52.920
<v Speaker 6>get down and get down.

0:25:52.720 --> 0:25:55.399
<v Speaker 2>With some other great cats. Man and we just have

0:25:55.480 --> 0:25:58.600
<v Speaker 2>a night of it. Man. It just just make it happen.

0:25:58.640 --> 0:26:02.720
<v Speaker 6>Man, it just just played good music man, and and uh,

0:26:02.920 --> 0:26:05.640
<v Speaker 6>you know, excite each other, you know, because that's what

0:26:05.680 --> 0:26:09.040
<v Speaker 6>it is. Man, that's exciting each other too. And uh,

0:26:09.800 --> 0:26:13.879
<v Speaker 6>you know, just shining shining light on something because it

0:26:13.880 --> 0:26:16.040
<v Speaker 6>it'd be so many people that come to my page

0:26:16.080 --> 0:26:20.119
<v Speaker 6>and they'd be like, I love this and never heard.

0:26:19.920 --> 0:26:23.680
<v Speaker 2>It, never heard life. They'd be like like, where did

0:26:23.760 --> 0:26:24.440
<v Speaker 2>this come from?

0:26:25.040 --> 0:26:25.399
<v Speaker 1>Existed?

0:26:25.640 --> 0:26:28.400
<v Speaker 6>Never even knew it existed, and be like what is

0:26:28.480 --> 0:26:34.040
<v Speaker 6>this music? It's called black white and they and they,

0:26:34.280 --> 0:26:36.439
<v Speaker 6>and more importantly, they'd be like, I remember this woman

0:26:36.520 --> 0:26:38.679
<v Speaker 6>was like, I don't know why I feel I feel

0:26:38.680 --> 0:26:39.000
<v Speaker 6>this way.

0:26:39.080 --> 0:26:42.840
<v Speaker 2>She said, I feel stupid sometimes like feeling good about this.

0:26:43.040 --> 0:26:45.640
<v Speaker 2>She was like it's weird. And I was like, wow,

0:26:45.720 --> 0:26:48.240
<v Speaker 2>that was important. When she said that, I was like, man,

0:26:48.320 --> 0:26:48.879
<v Speaker 2>that's good.

0:26:48.920 --> 0:26:52.280
<v Speaker 6>And that just drives you to just keep searching for

0:26:52.400 --> 0:26:54.480
<v Speaker 6>music and pulling up music and all.

0:26:54.760 --> 0:26:57.400
<v Speaker 7>People ain't used to music just moving their bodies before

0:26:57.400 --> 0:26:58.480
<v Speaker 7>it even hit their minds.

0:26:58.920 --> 0:27:02.119
<v Speaker 5>Yeah, that's true and a big you know, and a

0:27:02.160 --> 0:27:06.240
<v Speaker 5>big part of it is also, you know, now's the

0:27:06.320 --> 0:27:11.919
<v Speaker 5>time for taste makers to sort of grab the brass

0:27:12.000 --> 0:27:16.800
<v Speaker 5>ring again because you know, previously those who are leading

0:27:16.800 --> 0:27:17.960
<v Speaker 5>in DJs were just.

0:27:17.880 --> 0:27:21.000
<v Speaker 3>Basically doing this pump shit yeah, for the sake of,

0:27:22.000 --> 0:27:24.960
<v Speaker 3>you know, their own popularity and their own but not music.

0:27:25.000 --> 0:27:27.159
<v Speaker 3>They feel like all the times DJs tell me like, yo,

0:27:27.280 --> 0:27:29.399
<v Speaker 3>man I just I wish I could do what you do.

0:27:29.480 --> 0:27:33.840
<v Speaker 3>Like you just do what you want to do. You

0:27:31.880 --> 0:27:32.280
<v Speaker 3>can make.

0:27:33.840 --> 0:27:37.760
<v Speaker 6>You know, so hopefully now somebody told me that they

0:27:37.920 --> 0:27:41.040
<v Speaker 6>was like, man, I wish I could play play the

0:27:41.119 --> 0:27:43.399
<v Speaker 6>music like you play. And I was like, why can't

0:27:43.440 --> 0:27:46.520
<v Speaker 6>you because, like you know, you just got to play

0:27:46.520 --> 0:27:47.080
<v Speaker 6>with the people.

0:27:47.359 --> 0:27:49.960
<v Speaker 2>And I'm like, I don't agree.

0:27:49.680 --> 0:27:55.840
<v Speaker 6>With that because they they they only get It's to me,

0:27:57.160 --> 0:27:58.960
<v Speaker 6>it's kind of odd for you to get out the car,

0:27:59.119 --> 0:28:01.359
<v Speaker 6>listen to the radio, going to a party and then

0:28:01.440 --> 0:28:04.119
<v Speaker 6>hear what you heard on the radio, right, you know what.

0:28:04.160 --> 0:28:06.280
<v Speaker 1>I could have kept my ass in the car.

0:28:06.440 --> 0:28:10.080
<v Speaker 2>I could have got my ass in the car. I

0:28:10.080 --> 0:28:11.200
<v Speaker 2>could have got my ass to the car.

0:28:11.280 --> 0:28:15.040
<v Speaker 6>So no, it's for you to like break new music.

0:28:15.240 --> 0:28:17.760
<v Speaker 6>And yeah, I definitely understand you got to get to

0:28:17.760 --> 0:28:20.280
<v Speaker 6>people what they want. They love to sing some stuff,

0:28:20.320 --> 0:28:22.919
<v Speaker 6>but it's just it's just a mixture. Man, it's just

0:28:23.000 --> 0:28:28.400
<v Speaker 6>a mixture of of new, old and old that's new

0:28:28.480 --> 0:28:30.119
<v Speaker 6>to you. You know, if you ain't never heard it,

0:28:30.119 --> 0:28:30.520
<v Speaker 6>it's new.

0:28:31.600 --> 0:28:31.760
<v Speaker 2>Yeah.

0:28:31.800 --> 0:28:35.000
<v Speaker 5>Okay, you think you with with you doing the like

0:28:35.040 --> 0:28:37.480
<v Speaker 5>your DJ sets, you say you pretty much were learning

0:28:37.480 --> 0:28:40.080
<v Speaker 5>how to DJ live like in front of an audience.

0:28:40.320 --> 0:28:42.120
<v Speaker 5>Do you think was that same kind of mentality as

0:28:42.120 --> 0:28:44.400
<v Speaker 5>that what led you to do your comedy, Like when

0:28:44.440 --> 0:28:46.560
<v Speaker 5>you put out your like I think the one hour

0:28:46.640 --> 0:28:48.440
<v Speaker 5>set you put out of just you working stuff out.

0:28:48.920 --> 0:28:51.600
<v Speaker 6>Yeah, we're working it out. It's it's yeah, it's like

0:28:53.280 --> 0:28:56.560
<v Speaker 6>it's taking chances, man, that's all it is. And it's like,

0:28:56.760 --> 0:28:58.800
<v Speaker 6>you know, you had these thoughts in your head of

0:28:59.000 --> 0:29:01.840
<v Speaker 6>what you think and you don't know until you know.

0:29:02.120 --> 0:29:05.600
<v Speaker 6>You know, Hell, I could probably be the best astronaut

0:29:05.920 --> 0:29:08.040
<v Speaker 6>in the world. I don't know because I ain't never

0:29:08.280 --> 0:29:10.000
<v Speaker 6>go up. But if you send me to the movie,

0:29:10.040 --> 0:29:12.960
<v Speaker 6>I'm like, I might do some cool shit up there.

0:29:13.000 --> 0:29:15.040
<v Speaker 6>I just don't know, you know, until I know.

0:29:15.080 --> 0:29:17.600
<v Speaker 2>And shit, you know. So that's that's how I feel like.

0:29:17.720 --> 0:29:20.680
<v Speaker 6>I was like, man with my with my my working

0:29:20.680 --> 0:29:23.440
<v Speaker 6>it out comedy special thing, I was like, man, it'd

0:29:23.440 --> 0:29:27.959
<v Speaker 6>be cool if I gave people material that I was

0:29:28.440 --> 0:29:32.120
<v Speaker 6>not throwing away but wasn't used, and make a special

0:29:32.120 --> 0:29:34.720
<v Speaker 6>out of material that I wasn't using. Because if people

0:29:34.880 --> 0:29:38.080
<v Speaker 6>like this, wait till they see what I kept.

0:29:38.400 --> 0:29:41.120
<v Speaker 5>So you're seeing your your Stevie Wonders story is a

0:29:41.120 --> 0:29:42.040
<v Speaker 5>throwaway story.

0:29:43.040 --> 0:29:43.400
<v Speaker 2>It was.

0:29:43.600 --> 0:29:46.840
<v Speaker 6>It was a story that I told before, but I

0:29:46.920 --> 0:29:50.480
<v Speaker 6>didn't but I didn't use, but I didn't use in.

0:29:50.320 --> 0:29:51.440
<v Speaker 2>My stand up like that.

0:29:51.560 --> 0:29:54.320
<v Speaker 6>It'd be a story that I would just tell if

0:29:54.320 --> 0:29:56.880
<v Speaker 6>people were talking about stories, I tell the story now

0:29:56.920 --> 0:29:59.720
<v Speaker 6>I had as I had it as a joke before,

0:30:00.040 --> 0:30:02.280
<v Speaker 6>and I did it as a joke before, but I

0:30:02.320 --> 0:30:08.720
<v Speaker 6>think people. The funny thing was people wouldn't believe me,

0:30:09.360 --> 0:30:13.440
<v Speaker 6>and so they thought that it was just fake, and so.

0:30:14.280 --> 0:30:19.520
<v Speaker 5>I instantly believed that.

0:30:19.720 --> 0:30:23.440
<v Speaker 9>Stevie a forty nine paragraph text.

0:30:26.400 --> 0:30:30.080
<v Speaker 6>Anybody watching this right now, if you don't have a

0:30:30.160 --> 0:30:34.320
<v Speaker 6>text from Quest love you, you don't know what texting is.

0:30:38.440 --> 0:30:44.520
<v Speaker 2>Here. It's not about technical use. Quest text got fade

0:30:44.560 --> 0:30:56.080
<v Speaker 2>in in the corners. Like I laughed.

0:30:56.160 --> 0:30:58.160
<v Speaker 3>I've never laughed so hard a routine in my life,

0:30:58.200 --> 0:31:03.520
<v Speaker 3>because yeah, I know that no one wants to believe you.

0:31:03.000 --> 0:31:04.520
<v Speaker 2>And so so I quit doing it.

0:31:04.600 --> 0:31:07.640
<v Speaker 1>But people was legendary.

0:31:08.200 --> 0:31:09.240
<v Speaker 2>People were kind.

0:31:09.000 --> 0:31:12.400
<v Speaker 6>Of like, man, don't talk about Stevie like that. And

0:31:12.480 --> 0:31:14.880
<v Speaker 6>so I did the joke and then I just let

0:31:14.920 --> 0:31:17.680
<v Speaker 6>it die down. And then when I was doing my special,

0:31:17.800 --> 0:31:20.160
<v Speaker 6>I was like, I should bring this back up. And

0:31:20.160 --> 0:31:22.000
<v Speaker 6>then I was like, you know what, I ain't gonna

0:31:22.000 --> 0:31:23.720
<v Speaker 6>bring it back up, but I'm gonna tell people the

0:31:23.800 --> 0:31:28.640
<v Speaker 6>story to fill time in the room because I couldn't

0:31:28.640 --> 0:31:31.800
<v Speaker 6>think of no more new material I wanted to work on,

0:31:31.840 --> 0:31:34.040
<v Speaker 6>so I just told the story at the same time.

0:31:34.680 --> 0:31:36.640
<v Speaker 2>So when I was editing the special, I was like,

0:31:36.680 --> 0:31:37.240
<v Speaker 2>I should.

0:31:37.040 --> 0:31:39.440
<v Speaker 6>Throw this story in that, and I just was like,

0:31:39.520 --> 0:31:40.400
<v Speaker 6>let me throw it in there.

0:31:40.280 --> 0:31:41.160
<v Speaker 2>And give it to the people.

0:31:41.200 --> 0:31:45.400
<v Speaker 6>And man, on I think Facebook alone, that story alone,

0:31:45.840 --> 0:31:50.160
<v Speaker 6>just that story alone, that like one point eight million views.

0:31:53.200 --> 0:31:53.840
<v Speaker 1>That's crazy.

0:31:54.160 --> 0:31:57.160
<v Speaker 5>Have you heard anything recently since it's been out, since

0:31:57.200 --> 0:31:58.120
<v Speaker 5>the special has been up?

0:31:58.640 --> 0:32:03.080
<v Speaker 6>Oh no, I've heard nothing from his camp. Like there's

0:32:03.120 --> 0:32:05.120
<v Speaker 6>this one girl from his camp. She used to always

0:32:05.200 --> 0:32:08.840
<v Speaker 6>be like, take that down, don't do this, but she'd

0:32:08.880 --> 0:32:11.400
<v Speaker 6>be cool though it wasn't no dish, she would be cool,

0:32:11.840 --> 0:32:13.000
<v Speaker 6>she would be cool about it.

0:32:13.040 --> 0:32:15.560
<v Speaker 2>But now I haven't heard nothing else from from them

0:32:15.600 --> 0:32:18.680
<v Speaker 2>at all. But I see Stevie.

0:32:18.240 --> 0:32:20.680
<v Speaker 6>Every now and then in La like I'll pop up

0:32:20.720 --> 0:32:23.240
<v Speaker 6>somewhere and I'll be somewhere like that's what happened before.

0:32:23.280 --> 0:32:26.120
<v Speaker 6>I was at this bar chilling and his boy came

0:32:26.200 --> 0:32:28.240
<v Speaker 6>over and tapped me on the shoulder and was like, hey,

0:32:28.440 --> 0:32:32.040
<v Speaker 6>Stevie in the corner, like, come on, you want to

0:32:32.040 --> 0:32:32.480
<v Speaker 6>talk to you.

0:32:32.640 --> 0:32:34.800
<v Speaker 2>And I was like, I ain't going over there.

0:32:39.240 --> 0:32:39.640
<v Speaker 1>This boy.

0:32:40.360 --> 0:32:41.440
<v Speaker 2>Come see what Stevie want.

0:32:41.520 --> 0:32:44.560
<v Speaker 6>I'm like, no, man, I ain't going over there, Like dude,

0:32:44.600 --> 0:32:45.240
<v Speaker 6>get over here.

0:32:45.280 --> 0:32:45.480
<v Speaker 2>Man.

0:32:45.840 --> 0:32:50.400
<v Speaker 3>I won't get into the specifics, but I got one time.

0:32:50.440 --> 0:32:51.600
<v Speaker 1>I got what was.

0:32:51.600 --> 0:32:54.240
<v Speaker 3>It called when you when you're left holding the bag?

0:32:54.680 --> 0:32:57.960
<v Speaker 3>I got scapegoated into having.

0:32:57.760 --> 0:33:01.440
<v Speaker 5>To be a bad guy about a musical decision that

0:33:01.560 --> 0:33:04.440
<v Speaker 5>impacted him and.

0:33:04.320 --> 0:33:07.680
<v Speaker 3>He was kind of left with the impression that that

0:33:07.800 --> 0:33:11.280
<v Speaker 3>was a mirror's call or mir's fault that that happened.

0:33:12.040 --> 0:33:15.840
<v Speaker 3>And this was at another event and I came to

0:33:15.960 --> 0:33:20.000
<v Speaker 3>work to the Tonight Show the next week, the next Monday,

0:33:20.040 --> 0:33:23.960
<v Speaker 3>and he was the guest on the show and instantly

0:33:24.920 --> 0:33:28.040
<v Speaker 3>like to know my production manager, Keith, Like he, Keith,

0:33:28.360 --> 0:33:30.280
<v Speaker 3>you got that one person in your life.

0:33:30.000 --> 0:33:31.920
<v Speaker 1>That lives for telling you bad news.

0:33:33.840 --> 0:33:35.360
<v Speaker 3>You know, like the day I got in trouble with

0:33:35.400 --> 0:33:39.320
<v Speaker 3>Michelle Bachman, it was like, you're wanted in Lauren Lauren

0:33:39.360 --> 0:33:42.280
<v Speaker 3>Michael's office, like which is basically you're about to get

0:33:42.280 --> 0:33:44.760
<v Speaker 3>fired right now, like that sort of like he lives

0:33:44.760 --> 0:33:45.000
<v Speaker 3>with that.

0:33:45.320 --> 0:33:47.960
<v Speaker 1>She's like, it's important, Stevie Wonder wants to talk to

0:33:47.960 --> 0:33:48.520
<v Speaker 1>you right now.

0:33:48.760 --> 0:33:52.440
<v Speaker 5>And I'm like, wait, why you know I guess about

0:33:52.520 --> 0:33:55.760
<v Speaker 5>last Friday, And I was like, that wasn't my fault.

0:33:55.880 --> 0:33:58.400
<v Speaker 1>Well, he won't talk to you, just like he lives

0:33:58.400 --> 0:33:58.640
<v Speaker 1>for that.

0:34:00.120 --> 0:34:04.800
<v Speaker 5>And the whole thing was it was it was like

0:34:04.840 --> 0:34:08.400
<v Speaker 5>somehow the Godfather where The thing I was amazed that

0:34:08.600 --> 0:34:11.239
<v Speaker 5>was that he was sitting at a table and I

0:34:11.320 --> 0:34:13.279
<v Speaker 5>guess he was warming up his voice because we were

0:34:13.280 --> 0:34:16.919
<v Speaker 5>about to sound check, and he had these two scalding

0:34:17.080 --> 0:34:21.680
<v Speaker 5>hot like crafts of tea, but they were sitting on

0:34:21.719 --> 0:34:23.240
<v Speaker 5>the edge of the table.

0:34:24.040 --> 0:34:26.000
<v Speaker 1>And it's only me and him in the group, me

0:34:26.040 --> 0:34:26.759
<v Speaker 1>and him in the room.

0:34:27.360 --> 0:34:30.239
<v Speaker 3>And on top of that, he has like a bag

0:34:30.280 --> 0:34:35.160
<v Speaker 3>of muffins and butter and different jams and jelly, and

0:34:35.200 --> 0:34:37.800
<v Speaker 3>I'm watching him just navigate like it's normal.

0:34:37.880 --> 0:34:41.560
<v Speaker 1>But he's also like reaching his arm over ever so.

0:34:41.640 --> 0:34:44.200
<v Speaker 5>Slightly to that hot craft of hot Tea and I'm

0:34:44.239 --> 0:34:46.760
<v Speaker 5>on the receiving end, so it's like you could almost

0:34:46.880 --> 0:34:50.240
<v Speaker 5>like like that sort of thing. And at one point

0:34:50.320 --> 0:34:52.680
<v Speaker 5>he reached out too, like he was reaching for like

0:34:52.840 --> 0:34:55.760
<v Speaker 5>more butter, and reached his arm out and I grabbed

0:34:55.760 --> 0:34:56.120
<v Speaker 5>the craft.

0:34:56.120 --> 0:34:57.520
<v Speaker 1>He said, no, no, no, no, I know where it is.

0:34:57.560 --> 0:34:57.920
<v Speaker 2>I got it.

0:34:57.960 --> 0:35:01.439
<v Speaker 1>I got it. Oh do you know what I'm doing

0:35:01.520 --> 0:35:09.399
<v Speaker 1>right now? But the whole people knowing, man, yo, man,

0:35:09.760 --> 0:35:10.360
<v Speaker 1>he knows.

0:35:10.600 --> 0:35:18.320
<v Speaker 5>And the whole time he was like, yeah, so uh Friday, uh,

0:35:18.840 --> 0:35:22.879
<v Speaker 5>And I'm like, I try to play it off like yeah, man,

0:35:22.920 --> 0:35:25.239
<v Speaker 5>it was so much fun, Like I really try to.

0:35:26.400 --> 0:35:28.080
<v Speaker 5>She's no man's you know. I just want to make

0:35:28.080 --> 0:35:29.400
<v Speaker 5>sure we cool, you know.

0:35:30.800 --> 0:35:32.279
<v Speaker 3>And then I just had to play dumb like I

0:35:32.280 --> 0:35:34.120
<v Speaker 3>didn't know what happened, like I had to cut this

0:35:34.600 --> 0:35:36.440
<v Speaker 3>song short or some ship you know that sort of

0:35:36.480 --> 0:35:38.520
<v Speaker 3>thing and get him off the stage or whatever.

0:35:39.200 --> 0:35:42.319
<v Speaker 1>Yeah, you know, you know, like when you're doing that

0:35:42.400 --> 0:35:43.320
<v Speaker 1>high Boys ship.

0:35:52.880 --> 0:36:00.000
<v Speaker 2>Problem. But I knew.

0:36:00.640 --> 0:36:02.880
<v Speaker 5>I was like, Yo, he's going to he's going to

0:36:03.040 --> 0:36:09.480
<v Speaker 5>spell this call and hot Tea on your lap. He's well,

0:36:09.520 --> 0:36:11.560
<v Speaker 5>I guess at some point we should say since this

0:36:11.680 --> 0:36:14.040
<v Speaker 5>is the Christmas episode Happy Holidays.

0:36:19.000 --> 0:36:26.840
<v Speaker 7>I was like, I'm happy. I'm celebrating my holiday.

0:36:30.160 --> 0:36:32.000
<v Speaker 1>What you're doing for ally Bro? What you're doing.

0:36:33.880 --> 0:36:36.560
<v Speaker 2>Thaniel? Nothing?

0:36:36.680 --> 0:36:39.480
<v Speaker 1>I know, Like, is it really Christmas?

0:36:38.760 --> 0:36:41.520
<v Speaker 2>Is this is?

0:36:41.640 --> 0:36:44.640
<v Speaker 5>I'm so happy to not have the pressure or the

0:36:44.760 --> 0:36:46.360
<v Speaker 5>just the stress of traveling.

0:36:47.120 --> 0:36:47.480
<v Speaker 2>Nigga.

0:36:48.640 --> 0:36:50.800
<v Speaker 1>You got kids, and I'm certain they want a p

0:36:51.000 --> 0:36:51.399
<v Speaker 1>S five.

0:36:51.520 --> 0:36:51.560
<v Speaker 2>No.

0:36:52.680 --> 0:36:55.560
<v Speaker 1>Yeah, with my son, he want the Xbox.

0:36:55.920 --> 0:37:00.759
<v Speaker 3>And what's the difference because I'm talking to a bunch

0:37:00.760 --> 0:37:03.280
<v Speaker 3>of kids that are like, I want an Xbox?

0:37:03.320 --> 0:37:07.239
<v Speaker 5>Like what, so what is it like? It's like smartphone

0:37:07.320 --> 0:37:11.440
<v Speaker 5>versus Apple, like versus It's not necessarily that. It's more

0:37:11.520 --> 0:37:15.160
<v Speaker 5>sort thing of like with a particularly my son. So

0:37:15.480 --> 0:37:18.000
<v Speaker 5>the way games are now, like gaming is basically just

0:37:18.040 --> 0:37:21.279
<v Speaker 5>a whole another social network. And so if you're if

0:37:21.280 --> 0:37:24.759
<v Speaker 5>you have an Xbox, then you know you can chop

0:37:24.760 --> 0:37:26.080
<v Speaker 5>it up with aut your homies on Xbox.

0:37:26.120 --> 0:37:27.920
<v Speaker 1>If you got PS five, then you know you can

0:37:27.920 --> 0:37:28.479
<v Speaker 1>do it as well.

0:37:28.800 --> 0:37:37.120
<v Speaker 5>And so for my son, he's fifteen, I listen, keep

0:37:37.160 --> 0:37:37.680
<v Speaker 5>on slipping.

0:37:38.239 --> 0:37:39.480
<v Speaker 1>Yeah, so he's fifteen nine.

0:37:39.719 --> 0:37:41.840
<v Speaker 5>So a lot of his homies they like be running

0:37:41.880 --> 0:37:44.279
<v Speaker 5>two K and his kind of social network is all

0:37:44.320 --> 0:37:45.080
<v Speaker 5>on the Xbox.

0:37:45.480 --> 0:37:48.040
<v Speaker 1>So it's really a social thing for them.

0:37:48.360 --> 0:37:52.439
<v Speaker 5>So to me, I'm a PS five guy, but I'm

0:37:52.440 --> 0:37:54.680
<v Speaker 5>not a social gamer. Like my game is just solo.

0:37:54.800 --> 0:37:57.440
<v Speaker 5>I'm not you know, talking to people online. I'm just playing.

0:37:57.760 --> 0:38:01.600
<v Speaker 5>But for the younger kids, it's a social aspects O Xbox.

0:38:01.600 --> 0:38:04.440
<v Speaker 5>From what I see, that seems to be where most

0:38:04.440 --> 0:38:06.600
<v Speaker 5>of the youngest that's what they that's where they get

0:38:06.640 --> 0:38:06.959
<v Speaker 5>it in.

0:38:06.920 --> 0:38:08.319
<v Speaker 2>At God got it? God?

0:38:09.600 --> 0:38:12.400
<v Speaker 5>Is there a world for me, like, you know, a

0:38:12.480 --> 0:38:15.799
<v Speaker 5>world where I can fit in and just play like

0:38:16.920 --> 0:38:22.439
<v Speaker 5>my regular two D games and whatnot, or I think

0:38:22.480 --> 0:38:24.520
<v Speaker 5>you could if you come from the PS five. They

0:38:24.560 --> 0:38:30.080
<v Speaker 5>got games that like you could it's like a yeah,

0:38:30.480 --> 0:38:34.680
<v Speaker 5>ship you might get a man. Well, they do got

0:38:34.719 --> 0:38:37.440
<v Speaker 5>all those simulators. So now they got all the simulators.

0:38:37.440 --> 0:38:41.000
<v Speaker 5>You can get the Nintendo simulators, you can get them.

0:38:41.000 --> 0:38:45.120
<v Speaker 5>And they got like all the game some games and yeah.

0:38:46.080 --> 0:38:48.400
<v Speaker 2>What's a good what's a good virtual game?

0:38:48.560 --> 0:38:51.680
<v Speaker 4>That's a good question like that that they have.

0:38:52.880 --> 0:38:55.840
<v Speaker 5>Yeah, the VR, I mean that's not really something I

0:38:55.880 --> 0:38:58.719
<v Speaker 5>get into, but they but all the systems have them.

0:38:59.400 --> 0:39:01.800
<v Speaker 5>I was running and U I was running Resident Evil

0:39:02.120 --> 0:39:05.239
<v Speaker 5>seven I think like like two years ago, and it's

0:39:05.280 --> 0:39:06.719
<v Speaker 5>like a survival horror joint.

0:39:06.840 --> 0:39:10.600
<v Speaker 2>Oh I used all the time, nigga.

0:39:10.480 --> 0:39:12.640
<v Speaker 5>And with the virtue Nigga. That ship is a whole

0:39:12.719 --> 0:39:14.560
<v Speaker 5>nother spirit. I was like, no, I don't want this smoke.

0:39:17.760 --> 0:39:19.120
<v Speaker 2>Blowing my mind right now.

0:39:19.280 --> 0:39:23.759
<v Speaker 6>You're saying that they got it for virtual Uh yeah, yeah,

0:39:23.800 --> 0:39:24.200
<v Speaker 6>you can.

0:39:24.120 --> 0:39:28.080
<v Speaker 5>Get the like that this headset or whatever like I speak,

0:39:28.160 --> 0:39:31.319
<v Speaker 5>but Resident Evil seven bro, you can have that joint.

0:39:31.440 --> 0:39:36.320
<v Speaker 1>I was like, man, right there, yeah, it's really like,

0:39:36.480 --> 0:39:38.920
<v Speaker 1>oh no, I gotta do that.

0:39:39.680 --> 0:39:42.719
<v Speaker 6>I gotta watch that. I gotta get that. I used

0:39:42.760 --> 0:39:43.799
<v Speaker 6>to always play that.

0:39:45.000 --> 0:39:45.200
<v Speaker 2>Well.

0:39:46.160 --> 0:39:48.879
<v Speaker 3>I don't know, man, it doesn't not that it doesn't

0:39:48.920 --> 0:39:51.680
<v Speaker 3>feel like Christmas, but I don't know it is not.

0:39:52.520 --> 0:39:54.879
<v Speaker 1>It is the most Christmas I feel.

0:39:55.719 --> 0:39:57.440
<v Speaker 2>I've been bought no gifts for nobody.

0:39:57.480 --> 0:40:01.160
<v Speaker 6>I've been bought nothing for nobody, even myself whole entire year,

0:40:01.440 --> 0:40:02.560
<v Speaker 6>like nothing.

0:40:02.360 --> 0:40:07.560
<v Speaker 7>Like on a birthday, not a not a nothing, nothing not.

0:40:07.880 --> 0:40:10.640
<v Speaker 3>I just I bartered DJ gigs. I'll be like, yeah, DJ,

0:40:10.719 --> 0:40:11.600
<v Speaker 3>you're party for an hour.

0:40:11.880 --> 0:40:12.760
<v Speaker 2>So that's.

0:40:15.600 --> 0:40:17.840
<v Speaker 5>Because I think the thing is I think just this year,

0:40:17.920 --> 0:40:20.360
<v Speaker 5>like it really just causts us to slow down and stop.

0:40:20.600 --> 0:40:24.440
<v Speaker 5>And you know, it's like you would give people gifts

0:40:24.760 --> 0:40:27.600
<v Speaker 5>for them to use, you know, outside of their homes,

0:40:27.680 --> 0:40:29.400
<v Speaker 5>Like Yo, I'm gonna sing you on a trip somewhere.

0:40:29.560 --> 0:40:32.319
<v Speaker 5>I'm an and it's just like Nigga, we all in

0:40:32.360 --> 0:40:33.319
<v Speaker 5>the house, Like so I.

0:40:33.320 --> 0:40:35.880
<v Speaker 1>Go to Jordans. I can't do massages.

0:40:35.320 --> 0:40:39.560
<v Speaker 5>And days at the spa ship like that. I would

0:40:39.640 --> 0:40:41.040
<v Speaker 5>give my wife to the spa all the time.

0:40:41.120 --> 0:40:44.040
<v Speaker 4>But that's why Amazon is killing the game.

0:40:44.080 --> 0:40:46.279
<v Speaker 2>I thought, yeah, I mean they killing the game.

0:40:46.360 --> 0:40:48.640
<v Speaker 6>But you know, you buy a gift for somebody, it's

0:40:48.640 --> 0:40:55.879
<v Speaker 6>the wrong size, Like it ain't even worth it. It's like,

0:40:56.360 --> 0:41:01.040
<v Speaker 6>everybody just chill this whole year. When next year come around,

0:41:01.080 --> 0:41:02.759
<v Speaker 6>we're gonna make up for all of this. We're gonna

0:41:02.800 --> 0:41:05.920
<v Speaker 6>make up for all our birthday, all our birthday parties.

0:41:05.920 --> 0:41:10.600
<v Speaker 2>We're gonna make birthday. I know I'm gonna have a.

0:41:10.560 --> 0:41:17.120
<v Speaker 6>Birthday party twice next year. Rt, I'm having two birthday parties.

0:41:17.200 --> 0:41:20.520
<v Speaker 6>I'm going hard. I'm gonna double up on everything. But

0:41:20.640 --> 0:41:22.000
<v Speaker 6>right now, we just gotta chill.

0:41:22.080 --> 0:41:26.400
<v Speaker 4>It's like everybody, it ain't not next year, babe, twenty two.

0:41:27.000 --> 0:41:30.480
<v Speaker 6>Twenty twenty two, twenty twenty two, so we gotta triple up.

0:41:30.520 --> 0:41:32.280
<v Speaker 2>Then let's see.

0:41:32.160 --> 0:41:34.439
<v Speaker 1>July and August of twenty twenty one.

0:41:34.640 --> 0:41:38.600
<v Speaker 5>No, bab, I think it's gonna take at least a

0:41:38.719 --> 0:41:42.319
<v Speaker 5>year for the vaccine everybody to kind of make the

0:41:42.440 --> 0:41:43.440
<v Speaker 5>round take it to.

0:41:43.480 --> 0:41:47.200
<v Speaker 6>Because we gotta find We gotta find out how long

0:41:47.280 --> 0:41:50.200
<v Speaker 6>it lasts. Don't nobody know that. We don't know if

0:41:50.200 --> 0:41:52.080
<v Speaker 6>it's forever or if it's for a year.

0:41:52.280 --> 0:41:54.160
<v Speaker 7>I think it's for you'll there, to be honest, they haven't.

0:41:54.200 --> 0:41:56.360
<v Speaker 7>They haven't decided yet. If it's gonna better, you got

0:41:56.480 --> 0:41:58.759
<v Speaker 7>to keep taking They haven't decided yet. It's just like

0:41:58.800 --> 0:42:00.640
<v Speaker 7>take it and we figure it out. Right now, you

0:42:00.680 --> 0:42:02.960
<v Speaker 7>are on your face, like, my man, you know what

0:42:03.000 --> 0:42:03.560
<v Speaker 7>I'm saying.

0:42:03.560 --> 0:42:08.760
<v Speaker 2>Figure out? Ball player dude.

0:42:09.040 --> 0:42:11.240
<v Speaker 7>Yeah, he fell on his face because he had COVID

0:42:11.280 --> 0:42:14.760
<v Speaker 7>months before. My doctor, my doctor friend was just breaking

0:42:14.760 --> 0:42:16.040
<v Speaker 7>it down to me because he was like with people,

0:42:18.120 --> 0:42:19.719
<v Speaker 7>I think it's yes.

0:42:20.040 --> 0:42:21.000
<v Speaker 4>People don't understand that.

0:42:21.040 --> 0:42:23.560
<v Speaker 7>Like once you have covidus with your heart and the

0:42:23.600 --> 0:42:24.600
<v Speaker 7>shape of your heart.

0:42:24.440 --> 0:42:26.680
<v Speaker 1>And it changes the shape of your heart, you.

0:42:26.680 --> 0:42:28.759
<v Speaker 4>Said, like, yeah, it has something to do with this SI.

0:42:28.960 --> 0:42:29.360
<v Speaker 2>It does.

0:42:29.440 --> 0:42:31.520
<v Speaker 7>After it's over and out of your body, it does.

0:42:31.600 --> 0:42:32.520
<v Speaker 7>It fucks with your heart.

0:42:33.040 --> 0:42:38.000
<v Speaker 6>Yeah, man, Wow, that's my man, Terry Hannah DJ Terry Hannah,

0:42:38.080 --> 0:42:39.600
<v Speaker 6>he got Yeah, that's the home.

0:42:39.680 --> 0:42:44.520
<v Speaker 2>Yeah, Yeah, Terry got it. Terry got it. Wow, Terry

0:42:44.600 --> 0:42:45.040
<v Speaker 2>got it.

0:42:45.520 --> 0:42:48.840
<v Speaker 6>And Deebo when Deebo rest in piece to Deebo, Deebo

0:42:49.000 --> 0:42:52.600
<v Speaker 6>had he had it before he got over COVID.

0:42:52.880 --> 0:42:55.800
<v Speaker 2>That's the ended up catching it again.

0:42:56.120 --> 0:42:58.720
<v Speaker 4>Same thing with the young Wow he had.

0:42:58.600 --> 0:43:01.400
<v Speaker 6>It a minute ago, app and he caught it again

0:43:01.640 --> 0:43:03.000
<v Speaker 6>and that's how Debo died.

0:43:04.360 --> 0:43:04.640
<v Speaker 2>Wow.

0:43:04.800 --> 0:43:06.439
<v Speaker 1>So I didn't know that was his cause of death.

0:43:06.520 --> 0:43:10.720
<v Speaker 6>Of Even so, even so everybody talking about they catching

0:43:10.800 --> 0:43:13.719
<v Speaker 6>it and they cool after they catch.

0:43:13.520 --> 0:43:15.320
<v Speaker 2>It or they are mun Now I ain't.

0:43:16.160 --> 0:43:16.920
<v Speaker 4>I am legend.

0:43:17.040 --> 0:43:19.680
<v Speaker 5>We still don't know the long term We still don't

0:43:19.680 --> 0:43:21.319
<v Speaker 5>know the long term effects of I think they're gonna

0:43:21.320 --> 0:43:23.680
<v Speaker 5>be studying this ship for the next decade. Man, Like,

0:43:23.960 --> 0:43:26.719
<v Speaker 5>we still don't know. Even if you quote unquote get

0:43:26.760 --> 0:43:30.160
<v Speaker 5>over it, we still don't know what getting over it

0:43:30.200 --> 0:43:31.200
<v Speaker 5>completely looks like.

0:43:31.680 --> 0:43:32.080
<v Speaker 1>Yeah.

0:43:32.320 --> 0:43:34.680
<v Speaker 7>What we do know is by by the fall of

0:43:34.719 --> 0:43:38.600
<v Speaker 7>twenty twenty one will probably if we're lucky, we're fifty masks,

0:43:39.239 --> 0:43:41.640
<v Speaker 7>but we're not maskless until twenty twenty two.

0:43:41.840 --> 0:43:45.640
<v Speaker 6>Fall twenty twenty one, people gonna we're gonna have We're

0:43:45.640 --> 0:43:49.120
<v Speaker 6>gonna be able to be like, Okay, we can see

0:43:49.160 --> 0:43:51.040
<v Speaker 6>how long this is going to affect people.

0:43:52.160 --> 0:43:53.600
<v Speaker 2>They're gonna know more about it.

0:43:53.600 --> 0:43:56.160
<v Speaker 6>If we should take a shot of the year nah,

0:43:56.640 --> 0:44:00.279
<v Speaker 6>because they they tested people months earlier prior to this.

0:44:00.640 --> 0:44:04.120
<v Speaker 6>So around the fall, that's gonna let us know if

0:44:04.160 --> 0:44:06.240
<v Speaker 6>it wear off, if it doesn't or whatever.

0:44:06.600 --> 0:44:09.160
<v Speaker 7>Dey'all was lucky that y'all got to get blackish out

0:44:09.160 --> 0:44:09.600
<v Speaker 7>a little bit.

0:44:09.719 --> 0:44:11.800
<v Speaker 4>Most people know they getting shut down.

0:44:12.160 --> 0:44:14.640
<v Speaker 6>Hey, we're still shooting and it is I'm gonna tell

0:44:14.680 --> 0:44:15.239
<v Speaker 6>you something, man.

0:44:15.320 --> 0:44:18.799
<v Speaker 3>So yeah, what's the protocol of shooting a television show

0:44:18.880 --> 0:44:19.960
<v Speaker 3>now during this period?

0:44:20.000 --> 0:44:22.480
<v Speaker 5>Like what's take me through your day? Like how early

0:44:22.480 --> 0:44:24.480
<v Speaker 5>do you have to get up? And what's testing?

0:44:24.560 --> 0:44:26.240
<v Speaker 2>Like? Yo, let me tell you.

0:44:26.480 --> 0:44:30.200
<v Speaker 6>So I get tested every day even if I'm not filming,

0:44:30.280 --> 0:44:33.600
<v Speaker 6>because if if they have to they want to know.

0:44:33.840 --> 0:44:37.120
<v Speaker 6>Also if they have to move a scene around, I'll

0:44:37.200 --> 0:44:40.360
<v Speaker 6>be ready. So they make sure they make sure that

0:44:40.480 --> 0:44:43.000
<v Speaker 6>you test like every day our day.

0:44:43.120 --> 0:44:44.920
<v Speaker 2>Now it's way longer.

0:44:45.040 --> 0:44:48.880
<v Speaker 6>So if it take us if it take us six

0:44:49.000 --> 0:44:52.160
<v Speaker 6>hours to shoot the scene, now it take us like nine,

0:44:52.920 --> 0:44:57.120
<v Speaker 6>well eight, After every scene we got to leave out,

0:44:57.360 --> 0:45:00.920
<v Speaker 6>They got to disinfect, then we come back in and

0:45:01.080 --> 0:45:03.520
<v Speaker 6>they got to move the cameras around. Everybody got to

0:45:03.600 --> 0:45:06.839
<v Speaker 6>leave out. It's like a whole whole process, man.

0:45:07.680 --> 0:45:13.520
<v Speaker 5>So question all right, because I don't know how what

0:45:13.600 --> 0:45:17.319
<v Speaker 5>child labor laws are or whatever, and plus children now

0:45:17.320 --> 0:45:18.360
<v Speaker 5>they're teenagers.

0:45:18.560 --> 0:45:23.120
<v Speaker 1>Yeah, but does that does that also change? In Hollywood?

0:45:23.200 --> 0:45:24.280
<v Speaker 1>The uh?

0:45:24.640 --> 0:45:26.720
<v Speaker 3>I know that there's a four to five hour limit

0:45:26.840 --> 0:45:31.200
<v Speaker 3>for like actors under I think fourteen or fifteen or whatever.

0:45:31.239 --> 0:45:33.919
<v Speaker 1>Does that also change? Does this also change that rule

0:45:34.520 --> 0:45:35.080
<v Speaker 1>as well?

0:45:35.239 --> 0:45:37.480
<v Speaker 6>I'm not I'm not sure, but I do know this.

0:45:37.640 --> 0:45:40.239
<v Speaker 6>They get those kids in and out. They get them,

0:45:40.280 --> 0:45:42.840
<v Speaker 6>They get them in and out, like definitely, Like like

0:45:42.920 --> 0:45:45.520
<v Speaker 6>if you got a scene with one of the kids,

0:45:45.680 --> 0:45:48.800
<v Speaker 6>you it's gonna move a little bit. It's still longer,

0:45:48.800 --> 0:45:50.919
<v Speaker 6>but it's gonna move a little bit more faster because

0:45:50.920 --> 0:45:52.920
<v Speaker 6>they're gonna get them in and out. So they do

0:45:53.000 --> 0:45:57.759
<v Speaker 6>everything that they possibly can do in order to make

0:45:57.800 --> 0:46:01.279
<v Speaker 6>sure everybody's cool or whatever. But but it's totally it's

0:46:01.320 --> 0:46:02.359
<v Speaker 6>totally different now.

0:46:02.400 --> 0:46:02.600
<v Speaker 2>Man.

0:46:02.680 --> 0:46:07.960
<v Speaker 6>You you have to mask everywhere where everybody in the

0:46:08.080 --> 0:46:12.080
<v Speaker 6>individual trailers, and it's just nerve wracking because you got

0:46:12.120 --> 0:46:15.920
<v Speaker 6>so many people. Because another thing too, when you do makeup,

0:46:16.000 --> 0:46:16.800
<v Speaker 6>you can't put.

0:46:16.600 --> 0:46:17.279
<v Speaker 2>A mask on.

0:46:18.080 --> 0:46:20.160
<v Speaker 6>You got to put one of the plastic things on

0:46:20.200 --> 0:46:23.080
<v Speaker 6>your face, and hopefully nobody's in six feet there.

0:46:23.120 --> 0:46:24.799
<v Speaker 2>You you stay away.

0:46:24.520 --> 0:46:26.239
<v Speaker 6>From them because if you put a mask on, it's

0:46:26.239 --> 0:46:27.440
<v Speaker 6>gonna mess your makeup up.

0:46:27.560 --> 0:46:29.279
<v Speaker 2>And uh so you.

0:46:29.280 --> 0:46:32.320
<v Speaker 6>Gotta just stay away from everybody as much as possible.

0:46:32.400 --> 0:46:34.160
<v Speaker 2>Man, And you know it.

0:46:34.920 --> 0:46:36.920
<v Speaker 3>And does that give does that give enough time for

0:46:38.280 --> 0:46:40.000
<v Speaker 3>I mean, I don't know what the protocol is, but

0:46:40.040 --> 0:46:43.280
<v Speaker 3>I assume that, like you guys have to like rehearse

0:46:43.360 --> 0:46:44.760
<v Speaker 3>lines and rehearse the rhythm.

0:46:44.800 --> 0:46:48.399
<v Speaker 6>And so we come in and we rehearse and then

0:46:48.440 --> 0:46:50.799
<v Speaker 6>we go back and we change and then we come

0:46:50.840 --> 0:46:51.680
<v Speaker 6>back and we shoot it.

0:46:51.880 --> 0:46:55.680
<v Speaker 2>But we rehearse with our mask on. Yeah, we do that.

0:46:55.800 --> 0:46:58.960
<v Speaker 6>But uh yeah, it's it's it's it's it's so it's

0:46:59.360 --> 0:47:00.680
<v Speaker 6>very tedious.

0:47:00.800 --> 0:47:03.640
<v Speaker 2>It's very tedious. But we at the.

0:47:03.640 --> 0:47:08.000
<v Speaker 6>Same token were working, and uh a lot of people

0:47:08.160 --> 0:47:10.399
<v Speaker 6>wish they could be working, and.

0:47:10.200 --> 0:47:13.200
<v Speaker 2>A lot of people losing their homes, you know.

0:47:13.640 --> 0:47:16.120
<v Speaker 4>With l a right because it's such it's the industry.

0:47:16.200 --> 0:47:17.720
<v Speaker 7>So y'all know, I mean, I don't know if everybody

0:47:17.760 --> 0:47:20.000
<v Speaker 7>knows this but like a lot of these sets and stuff,

0:47:20.000 --> 0:47:22.960
<v Speaker 7>these are essential services, Like the state has now said that,

0:47:23.040 --> 0:47:26.640
<v Speaker 7>like movie sets are essential because this town will die.

0:47:27.080 --> 0:47:31.960
<v Speaker 2>It will die, manole. It was and it was doing that.

0:47:32.080 --> 0:47:35.600
<v Speaker 6>People were losing their ship left and right, and they

0:47:35.680 --> 0:47:36.800
<v Speaker 6>still are and they.

0:47:36.719 --> 0:47:41.000
<v Speaker 2>Still are, Like Hollywood is like, wow, right now you are.

0:47:41.000 --> 0:47:41.560
<v Speaker 4>Tom Cruise.

0:47:42.360 --> 0:47:45.120
<v Speaker 1>I was gonna ask you and when to cruise?

0:47:45.160 --> 0:47:49.279
<v Speaker 2>Ran taking y'all, y'all on my mama. I felt that,

0:47:49.400 --> 0:47:54.360
<v Speaker 2>y'all in real life, in real life.

0:47:54.400 --> 0:47:57.360
<v Speaker 6>I was like, Yo, it's Tom, Like, dude, do you

0:47:57.480 --> 0:47:59.319
<v Speaker 6>know how many people shut.

0:47:59.040 --> 0:48:01.759
<v Speaker 2>The fuck down and y'all got the opportunity to make

0:48:01.840 --> 0:48:02.560
<v Speaker 2>it work.

0:48:03.120 --> 0:48:07.320
<v Speaker 6>Y'all sitting around here bullshitting and walking around and whispering

0:48:07.400 --> 0:48:08.240
<v Speaker 6>to each other.

0:48:08.040 --> 0:48:10.080
<v Speaker 4>And ship already got shut down.

0:48:11.320 --> 0:48:14.839
<v Speaker 2>Yeah, Like, man, what are you doing whispering to a motherfucker?

0:48:15.080 --> 0:48:23.440
<v Speaker 5>Like the worst way to communicate with a nigga during

0:48:23.480 --> 0:48:24.080
<v Speaker 5>the during.

0:48:23.880 --> 0:48:27.760
<v Speaker 6>The pandemic, right, I snacked out of here, you whispering

0:48:27.840 --> 0:48:29.439
<v Speaker 6>through a sound like.

0:48:32.560 --> 0:48:33.400
<v Speaker 1>Just text tomorrow?

0:48:33.560 --> 0:48:33.719
<v Speaker 2>Yo.

0:48:33.960 --> 0:48:38.520
<v Speaker 7>Tom was mad, like I'm a producer, like.

0:48:38.520 --> 0:48:39.319
<v Speaker 6>I thought I thought.

0:48:39.320 --> 0:48:41.640
<v Speaker 2>I heard him say nigga a few times.

0:48:43.480 --> 0:48:45.040
<v Speaker 1>Around with you.

0:48:45.120 --> 0:48:46.320
<v Speaker 2>Niggas, y'all, better.

0:48:49.600 --> 0:48:52.960
<v Speaker 6>Tom, Yeah, Tom, Tom, Tom letting it out the way

0:48:53.000 --> 0:48:54.240
<v Speaker 6>that it was.

0:48:53.840 --> 0:48:56.719
<v Speaker 2>Supposed to be let out. Man, But it is, it's

0:48:56.840 --> 0:48:58.760
<v Speaker 2>it's uh, it's it's tedious stuff.

0:48:59.480 --> 0:49:02.920
<v Speaker 5>So like when y'all shoot, like, I guess I'm not

0:49:02.960 --> 0:49:05.480
<v Speaker 5>a love scene, but like, is it no physical like

0:49:05.520 --> 0:49:08.440
<v Speaker 5>if if Anthony has the kiss Tracy or something like,

0:49:08.520 --> 0:49:09.120
<v Speaker 5>is it none of that?

0:49:09.440 --> 0:49:10.719
<v Speaker 1>You know, none of.

0:49:10.760 --> 0:49:13.759
<v Speaker 6>That if you if you look at this season of Blackish,

0:49:14.040 --> 0:49:18.960
<v Speaker 6>we are especially the office scenes that we do, where

0:49:18.239 --> 0:49:22.480
<v Speaker 6>we we nine times out of ten we are not

0:49:22.600 --> 0:49:25.319
<v Speaker 6>in the office no more. We in a breakroom, but

0:49:25.440 --> 0:49:27.839
<v Speaker 6>we can like spread out and we don't have to.

0:49:28.040 --> 0:49:29.439
<v Speaker 2>Sit right next to each other.

0:49:29.560 --> 0:49:32.400
<v Speaker 6>So we got a couple episodes where we're in the breakroom,

0:49:32.440 --> 0:49:35.600
<v Speaker 6>but the majority of the season we we I mean,

0:49:35.880 --> 0:49:38.040
<v Speaker 6>I mean a couple episodes where were in the office together,

0:49:38.120 --> 0:49:40.960
<v Speaker 6>but the majority of season we're in the breakroom where

0:49:40.960 --> 0:49:42.200
<v Speaker 6>we can stretch.

0:49:41.960 --> 0:49:42.800
<v Speaker 2>Out out or whatever.

0:49:42.880 --> 0:49:47.000
<v Speaker 6>But yeah, everybody kind of spaced out, definitely, definitely mentally.

0:49:47.239 --> 0:49:49.680
<v Speaker 5>So how does that affect when you plan the scene?

0:49:50.080 --> 0:49:53.640
<v Speaker 5>You know, when you know you're in a scene where

0:49:53.640 --> 0:49:57.560
<v Speaker 5>you have to you know, ostensibly assumed it or portrayed it.

0:49:57.600 --> 0:50:00.640
<v Speaker 5>Everything is fine or we're joking, we're laughing, but in

0:50:00.680 --> 0:50:02.640
<v Speaker 5>your mind, you know, like nigga, it's a whole lass

0:50:02.680 --> 0:50:06.600
<v Speaker 5>plague we try not to catch. How do you disassociate

0:50:06.640 --> 0:50:06.960
<v Speaker 5>from that?

0:50:07.160 --> 0:50:09.640
<v Speaker 6>I take a deep breath before I say my lines

0:50:09.680 --> 0:50:10.040
<v Speaker 6>and then.

0:50:10.200 --> 0:50:10.880
<v Speaker 1>Hold your breath.

0:50:13.880 --> 0:50:14.560
<v Speaker 4>Ship.

0:50:14.680 --> 0:50:16.960
<v Speaker 7>I was like, and if you're talking to Laurence Fishburn

0:50:16.960 --> 0:50:18.880
<v Speaker 7>and Jennifer like you really.

0:50:20.480 --> 0:50:25.160
<v Speaker 3>Yeah want boy, I'll be hold my breathna be your

0:50:25.239 --> 0:50:29.240
<v Speaker 3>Navy seal right now, dude, way I know my breath.

0:50:29.400 --> 0:50:35.560
<v Speaker 1>I turn on, I turn around, do my lines, and

0:50:36.200 --> 0:50:37.279
<v Speaker 1>somewhere in the quarner.

0:50:40.760 --> 0:50:44.920
<v Speaker 2>Man I thought I was the only one that did that. Serious.

0:50:44.960 --> 0:50:47.160
<v Speaker 4>Lauren's up in the bubble wrap. Y'all make sure.

0:50:46.960 --> 0:50:52.919
<v Speaker 6>They're good, lad, Lawrence, don't be playing Lawrence. Jennifer, both

0:50:52.960 --> 0:50:56.399
<v Speaker 6>of them, they boy, they serious. They they will get

0:50:56.480 --> 0:50:59.840
<v Speaker 6>on your ass. Laurence fish Burnt laws be like it

0:51:00.120 --> 0:51:02.839
<v Speaker 6>in that calm voice. Mun't be like you must do

0:51:03.120 --> 0:51:07.640
<v Speaker 6>what you're supposed to do in order for everyone to

0:51:07.680 --> 0:51:12.080
<v Speaker 6>get through this. You want to stand, you'd be like this, yes, sir,

0:51:12.600 --> 0:51:16.600
<v Speaker 6>I just stopped just talking my shirt saying for no reason.

0:51:19.680 --> 0:51:22.319
<v Speaker 1>Yeah, I don't think you have to tell older black people.

0:51:22.640 --> 0:51:24.279
<v Speaker 2>No oh no, no, no, no, no.

0:51:24.480 --> 0:51:25.959
<v Speaker 1>You younger people that.

0:51:25.960 --> 0:51:28.439
<v Speaker 2>Are like feel invincible and ship.

0:51:28.560 --> 0:51:31.200
<v Speaker 7>Yeah they yeah, they killing us, young people killing us. Man,

0:51:31.440 --> 0:51:34.240
<v Speaker 7>I like to shorten it. That's what it is, young people.

0:51:34.640 --> 0:51:35.839
<v Speaker 4>Niggas crackers.

0:51:37.560 --> 0:51:38.400
<v Speaker 1>Uh tips.

0:51:39.160 --> 0:51:41.680
<v Speaker 5>No, it's saying, oh the tip board, the tips is

0:51:41.719 --> 0:51:47.360
<v Speaker 5>tipping the tips, the tips is they did you.

0:51:46.440 --> 0:51:50.239
<v Speaker 1>Here today's black contract speech? There was?

0:51:50.800 --> 0:51:52.880
<v Speaker 2>Yeah? Yeah, Q made a speech?

0:51:53.400 --> 0:51:55.520
<v Speaker 1>Oh man, yeah what was?

0:51:55.600 --> 0:51:55.960
<v Speaker 2>What was?

0:51:56.280 --> 0:52:01.080
<v Speaker 5>What was in today's more black? I mean, like, Biden's

0:52:01.120 --> 0:52:03.520
<v Speaker 5>not in office yet, like you can't.

0:52:03.719 --> 0:52:05.760
<v Speaker 4>He's he's demanding, he's giving his demand.

0:52:05.880 --> 0:52:08.120
<v Speaker 1>Yeah, and I'm like, let him get on.

0:52:08.400 --> 0:52:11.279
<v Speaker 7>It's okay, Biden said, let people demand from him that

0:52:11.600 --> 0:52:13.960
<v Speaker 7>feel like they have added to, you know, bringing him

0:52:13.960 --> 0:52:14.399
<v Speaker 7>to that place.

0:52:14.480 --> 0:52:15.680
<v Speaker 4>Biden's okay, don't worry about it.

0:52:15.680 --> 0:52:18.360
<v Speaker 1>A mirror, He's I know, not for that.

0:52:18.520 --> 0:52:18.719
<v Speaker 2>Look.

0:52:18.880 --> 0:52:22.200
<v Speaker 1>I love Cube, man, that's my guy. We all do.

0:52:22.360 --> 0:52:22.839
<v Speaker 2>Man, Like.

0:52:26.040 --> 0:52:30.480
<v Speaker 5>I don't know, I just just just generally from anybody

0:52:30.640 --> 0:52:32.359
<v Speaker 5>like that wants to give a hot take.

0:52:32.520 --> 0:52:34.600
<v Speaker 1>I need them. I need to feel like they really

0:52:34.640 --> 0:52:37.640
<v Speaker 1>know what the political process is first, where you just

0:52:37.680 --> 0:52:38.359
<v Speaker 1>walk in the door.

0:52:38.560 --> 0:52:42.600
<v Speaker 6>My whole thing is this though, I'm like this regardless

0:52:42.600 --> 0:52:46.480
<v Speaker 6>if he knows, if he doesn't know, at least at

0:52:46.560 --> 0:52:50.839
<v Speaker 6>least he's doing something like I don't see nobody else

0:52:50.920 --> 0:52:55.000
<v Speaker 6>doing ship and so and and this is what I'm saying,

0:52:55.120 --> 0:52:58.560
<v Speaker 6>Like I'd rather take something I believe the right place

0:52:58.640 --> 0:53:05.759
<v Speaker 6>than nothing. Yes, I rather got something to nothing, nothing.

0:53:07.200 --> 0:53:08.480
<v Speaker 1>Reading the wrong.

0:53:08.280 --> 0:53:15.919
<v Speaker 9>Thing, something right right? I ran nothing again, Cubert, it's

0:53:16.000 --> 0:53:22.720
<v Speaker 9>like Judo, all your work. Oh you talking about the game, Cuba.

0:53:22.800 --> 0:53:26.960
<v Speaker 9>I was thinking about the actual Cubert. Djqban got the

0:53:27.040 --> 0:53:28.000
<v Speaker 9>all the way funk out of.

0:53:27.960 --> 0:53:34.239
<v Speaker 2>Here, Cuban watching me again. I just I just I

0:53:34.239 --> 0:53:36.840
<v Speaker 2>don't know. I just respect what Cue did. Man, And

0:53:37.920 --> 0:53:38.439
<v Speaker 2>I'm like.

0:53:38.600 --> 0:53:42.720
<v Speaker 1>Just making I acknowledge his heart was in the right place.

0:53:42.880 --> 0:53:44.719
<v Speaker 5>Yes he if he was gonna do that ship to me,

0:53:44.800 --> 0:53:47.080
<v Speaker 5>you should have did that ship in twenty six like

0:53:47.440 --> 0:53:48.839
<v Speaker 5>because it's you know what I'm saying, because it's one

0:53:48.880 --> 0:53:51.600
<v Speaker 5>thing to say, Hey, listen, I didn't vote for this motherfucker,

0:53:51.880 --> 0:53:53.520
<v Speaker 5>but listen, this is what we got.

0:53:53.600 --> 0:53:55.040
<v Speaker 1>Let's try to work with what we got.

0:53:55.640 --> 0:53:57.840
<v Speaker 5>You say that in twenty sixteen, top of twenty seventeen,

0:53:57.960 --> 0:53:58.719
<v Speaker 5>nobody's mad.

0:53:58.840 --> 0:54:00.920
<v Speaker 1>It's like, all right, well, let's let's see.

0:54:01.000 --> 0:54:04.719
<v Speaker 5>But pulling this ship down, you know them three weeks,

0:54:04.719 --> 0:54:05.800
<v Speaker 5>three weeks primary.

0:54:05.880 --> 0:54:08.880
<v Speaker 6>It's like like, nigga, come on, but look, let me

0:54:08.880 --> 0:54:12.040
<v Speaker 6>ask you this though, Like if he if he came

0:54:12.120 --> 0:54:15.680
<v Speaker 6>to the table with no agenda as far as I mean,

0:54:16.000 --> 0:54:18.040
<v Speaker 6>I ain't saying no agenda, but if he came to

0:54:18.080 --> 0:54:21.320
<v Speaker 6>the table and he wasn't biased, and he wasn't towards

0:54:21.880 --> 0:54:28.600
<v Speaker 6>being a Democrat, he wasn't a Republican. He just came

0:54:28.920 --> 0:54:31.560
<v Speaker 6>to the plan going, who's gonna help up black people

0:54:31.600 --> 0:54:34.440
<v Speaker 6>with this? And the Republicans go, man, we want to

0:54:34.480 --> 0:54:36.719
<v Speaker 6>do it or we want to see it, and he

0:54:36.840 --> 0:54:38.200
<v Speaker 6>go all I find cool?

0:54:39.120 --> 0:54:41.839
<v Speaker 2>Like, Like though, is.

0:54:41.800 --> 0:54:47.960
<v Speaker 3>That if I'm paying attention and a leopard, don't change

0:54:47.960 --> 0:54:49.120
<v Speaker 3>the stripes like that.

0:54:49.520 --> 0:54:51.799
<v Speaker 1>And they gonna change that ship three weeks for y'all

0:54:51.840 --> 0:54:53.000
<v Speaker 1>niggas get ready to go vote.

0:54:53.040 --> 0:54:55.560
<v Speaker 3>And the thing is is that I would have already

0:54:55.640 --> 0:55:00.319
<v Speaker 3>known coming in from the door that this this is

0:55:00.360 --> 0:55:04.799
<v Speaker 3>more about a photo opportunity or bragging right opportunity for

0:55:06.200 --> 0:55:08.799
<v Speaker 3>Trump than it is about helping.

0:55:09.600 --> 0:55:12.000
<v Speaker 5>You're not you should negotiate with a fucking scammer dog

0:55:12.520 --> 0:55:14.560
<v Speaker 5>right right?

0:55:13.840 --> 0:55:17.760
<v Speaker 4>I mean, the contract it's very long. I'm curious if niggas.

0:55:17.800 --> 0:55:20.000
<v Speaker 7>I haven't said much because I ain't read the contract

0:55:20.000 --> 0:55:20.480
<v Speaker 7>to comment.

0:55:20.880 --> 0:55:22.560
<v Speaker 4>I do, but I'm just curious.

0:55:22.239 --> 0:55:25.319
<v Speaker 1>That I did. I went through I went through this

0:55:25.400 --> 0:55:26.440
<v Speaker 1>and so what it was.

0:55:26.640 --> 0:55:27.840
<v Speaker 2>I read a little bit of it.

0:55:28.280 --> 0:55:32.000
<v Speaker 6>Absolutely not not enough to not enough to say like

0:55:32.120 --> 0:55:34.120
<v Speaker 6>it's horrible or it's not, but I read.

0:55:34.200 --> 0:55:35.920
<v Speaker 2>I read through a little bit of it. But like

0:55:35.960 --> 0:55:37.440
<v Speaker 2>I said, I've always just gave.

0:55:37.320 --> 0:55:41.520
<v Speaker 6>Him credit for at least bringing the idea up because

0:55:41.560 --> 0:55:44.680
<v Speaker 6>prior to him doing that, I can't recollec I can't

0:55:44.719 --> 0:55:50.120
<v Speaker 6>recall anybody talking about them helping out black areas and

0:55:50.160 --> 0:55:52.759
<v Speaker 6>black people and ship like that.

0:55:52.920 --> 0:55:55.440
<v Speaker 4>I just black lives matter, but not like a celebrity.

0:55:56.280 --> 0:55:59.839
<v Speaker 2>Yes, I always gave you love for that.

0:56:01.200 --> 0:56:02.080
<v Speaker 1>I think it's celebrities.

0:56:02.160 --> 0:56:04.279
<v Speaker 5>You have to use your voice, like if you're want to,

0:56:04.680 --> 0:56:06.439
<v Speaker 5>you know, if you want to, you know, use your.

0:56:06.360 --> 0:56:06.879
<v Speaker 1>Voice and commit.

0:56:07.239 --> 0:56:09.960
<v Speaker 5>I would say, use your voice to like amplify the

0:56:10.000 --> 0:56:12.239
<v Speaker 5>people that actually do the work in the community, you

0:56:12.280 --> 0:56:14.600
<v Speaker 5>know what I'm saying, People that know policy, people that

0:56:14.760 --> 0:56:18.040
<v Speaker 5>like put your money behind that they actually do the

0:56:18.080 --> 0:56:20.400
<v Speaker 5>work right into the political processing.

0:56:20.560 --> 0:56:21.799
<v Speaker 2>But what are those people doing?

0:56:22.760 --> 0:56:25.800
<v Speaker 4>Yeah, but moving with progress? I mean in comparison.

0:56:25.840 --> 0:56:27.920
<v Speaker 3>There are people doing it, but you got to be

0:56:28.080 --> 0:56:31.680
<v Speaker 3>actively you have to be actively active. I'm sorry, you

0:56:31.680 --> 0:56:34.560
<v Speaker 3>have to be actively informed or who's doing the work.

0:56:34.560 --> 0:56:37.520
<v Speaker 3>There are people on the ground doing the work. Of course,

0:56:37.560 --> 0:56:42.200
<v Speaker 3>all news Georgia, the Stacy Abrams or whatever. But it's

0:56:42.280 --> 0:56:45.640
<v Speaker 3>just like, you know, I'm not saying that, I'm not

0:56:45.680 --> 0:56:47.240
<v Speaker 3>saying that Cubans trying to be performed.

0:56:47.360 --> 0:56:48.160
<v Speaker 1>No, no, no, listen.

0:56:49.040 --> 0:56:51.160
<v Speaker 3>And you know he clapped back at me on one post.

0:56:51.600 --> 0:56:54.440
<v Speaker 3>I'm not thinking that Cubans trying to be performative. I

0:56:54.520 --> 0:56:57.560
<v Speaker 3>believe that his heart is in the right place. But

0:56:58.600 --> 0:57:05.680
<v Speaker 3>last I checked, absolutely, this entire administration is not.

0:57:05.760 --> 0:57:08.800
<v Speaker 1>About the advancement of black people at all.

0:57:09.040 --> 0:57:11.400
<v Speaker 5>A matter at all and just by even you taking

0:57:11.400 --> 0:57:14.040
<v Speaker 5>that cont like because the thing is, because here's the thing.

0:57:14.080 --> 0:57:15.520
<v Speaker 5>Let me just be a humpre sent clear, Like we

0:57:15.600 --> 0:57:18.360
<v Speaker 5>love c Cuba's hip hop, Like say what you want

0:57:18.360 --> 0:57:21.720
<v Speaker 5>about this shit he doing now, but Nigga Cube was

0:57:21.760 --> 0:57:24.520
<v Speaker 5>one of my favorite like ever, you know what I'm saying.

0:57:24.560 --> 0:57:25.560
<v Speaker 1>Deaf certificate is one of it.

0:57:25.800 --> 0:57:27.920
<v Speaker 5>But the thing about it, you know that people that

0:57:28.000 --> 0:57:30.280
<v Speaker 5>we were trying to understand is like listen, we're not

0:57:30.600 --> 0:57:35.760
<v Speaker 5>ashamed or disappointed in Cube that he tried. We're disappointed

0:57:35.760 --> 0:57:38.040
<v Speaker 5>that he didn't see the fucking game to begin with.

0:57:38.440 --> 0:57:39.080
<v Speaker 1>You know what I'm saying.

0:57:39.120 --> 0:57:41.880
<v Speaker 5>It's like, nigga, you you got fucking scam, bro, you

0:57:41.960 --> 0:57:43.960
<v Speaker 5>know what I mean. Like they were never gonna give

0:57:43.960 --> 0:57:46.200
<v Speaker 5>you a real shot. You were never gonna have a

0:57:46.240 --> 0:57:48.840
<v Speaker 5>real conversation with Trump or any of them niggas.

0:57:48.880 --> 0:57:50.720
<v Speaker 4>They were just he was above that.

0:57:51.040 --> 0:57:52.800
<v Speaker 7>He might have thought he was the one, just like

0:57:52.840 --> 0:57:55.440
<v Speaker 7>Steve Harvey thought he was the one, Like you know,

0:57:55.560 --> 0:57:56.640
<v Speaker 7>it's a certain level of.

0:57:57.440 --> 0:57:59.880
<v Speaker 3>But that that's the thing, like the thing that I

0:58:00.120 --> 0:58:02.880
<v Speaker 3>knew that it's exhausting. And I brought this up before

0:58:03.000 --> 0:58:05.560
<v Speaker 3>with people like, ah, man, I can't, I can't watch

0:58:05.560 --> 0:58:05.960
<v Speaker 3>the news.

0:58:05.960 --> 0:58:08.160
<v Speaker 1>I can't. And even this year, I stopped watching the.

0:58:08.200 --> 0:58:12.320
<v Speaker 3>News as obsessive as obsessively as I used to. But

0:58:12.440 --> 0:58:17.040
<v Speaker 3>it's like since twenty sixteen, Since January twenty twenty sixteen,

0:58:17.120 --> 0:58:22.520
<v Speaker 3>I've never I've not shut my eyes once. I mean sure,

0:58:22.600 --> 0:58:26.400
<v Speaker 3>I was abreast on everything that was happening. And that's

0:58:26.920 --> 0:58:28.640
<v Speaker 3>forward too. We don't have that luxury no more.

0:58:29.320 --> 0:58:32.800
<v Speaker 6>Yah, Yeah, that's that's definitely true. Man, Like I said, Man,

0:58:32.840 --> 0:58:37.480
<v Speaker 6>we don't. We don't know the blueprint to none of

0:58:37.480 --> 0:58:40.280
<v Speaker 6>this shit. We we sitting up trying to figure this

0:58:40.640 --> 0:58:43.840
<v Speaker 6>out as it goes along, and nobody got the answers

0:58:43.880 --> 0:58:48.160
<v Speaker 6>to nothing. So the way I feel is, if anybody

0:58:48.200 --> 0:58:51.320
<v Speaker 6>come with anything, I'm going that's cool. I'll let you

0:58:51.360 --> 0:58:52.960
<v Speaker 6>know how I feel about it. But I'm glad you

0:58:53.000 --> 0:58:55.680
<v Speaker 6>did something. Now let's keep it moving. Now what we're

0:58:55.680 --> 0:58:56.040
<v Speaker 6>gonna do?

0:58:56.360 --> 0:58:58.640
<v Speaker 2>Okay, So that was so this is what they tried

0:58:58.680 --> 0:59:01.240
<v Speaker 2>to do. Okay, Now just look at the let's look at.

0:59:01.120 --> 0:59:03.520
<v Speaker 6>The black contract, and let's see how we really can

0:59:03.560 --> 0:59:06.440
<v Speaker 6>all come behind this and make it happen and come together.

0:59:06.520 --> 0:59:08.320
<v Speaker 6>But we need we need a place to come together.

0:59:08.600 --> 0:59:10.360
<v Speaker 6>We ain't ain't got no place to come together. But

0:59:10.400 --> 0:59:13.440
<v Speaker 6>we ain't got nobody to talk to. We ain't got

0:59:13.440 --> 0:59:16.920
<v Speaker 6>nobody to power with. Because he get if we if

0:59:16.960 --> 0:59:20.880
<v Speaker 6>we had that kind of organization and that type of togetherness.

0:59:20.240 --> 0:59:23.720
<v Speaker 2>Then he could have could have came to the to the.

0:59:23.720 --> 0:59:26.840
<v Speaker 6>Table with a group of people that's over our kind

0:59:26.920 --> 0:59:29.200
<v Speaker 6>or whatever, you know, just like when when Nick Cannon,

0:59:29.280 --> 0:59:32.080
<v Speaker 6>when Nick Cannon did that ship, they had Nick Cannon

0:59:32.120 --> 0:59:38.920
<v Speaker 6>talk to like the head of the Jewish community.

0:59:37.840 --> 0:59:40.360
<v Speaker 2>Who they talked to. For we ain't got man, We

0:59:40.400 --> 0:59:43.520
<v Speaker 2>ain't got a We ain't got a nigga to talk to.

0:59:43.840 --> 0:59:46.560
<v Speaker 1>Not one had they had, They had talk to Charlamagne,

0:59:46.600 --> 0:59:50.760
<v Speaker 1>you know what I know.

0:59:51.000 --> 0:59:53.640
<v Speaker 6>And that's crazy, but that's what I'm saying, Like we

0:59:53.640 --> 0:59:56.360
<v Speaker 6>we gotta come together and we all gotta stand out

0:59:56.440 --> 0:59:59.000
<v Speaker 6>something and have a place to go to, have a

0:59:59.000 --> 1:00:01.880
<v Speaker 6>place to talk type, a place to pow wow, and

1:00:01.920 --> 1:00:03.160
<v Speaker 6>we and we don't even have that.

1:00:03.320 --> 1:00:05.840
<v Speaker 2>So if he got something and he like, man, let

1:00:05.840 --> 1:00:06.640
<v Speaker 2>me just bring it up.

1:00:08.120 --> 1:00:10.520
<v Speaker 5>Honestly, I think I agree with just Indyan. I just

1:00:10.520 --> 1:00:12.840
<v Speaker 5>think that we have to have those conversations. I think

1:00:12.880 --> 1:00:15.800
<v Speaker 5>we just have to have those conversations privately. Think a

1:00:15.960 --> 1:00:21.760
<v Speaker 5>big problem like social media like Twitter, Instagram, white people

1:00:21.800 --> 1:00:25.960
<v Speaker 5>have never had unfettered access to the thoughts of niggas,

1:00:26.320 --> 1:00:29.400
<v Speaker 5>and that is not necessarily always a good thing, you

1:00:29.400 --> 1:00:30.440
<v Speaker 5>know what I mean, Like they.

1:00:30.360 --> 1:00:32.800
<v Speaker 1>Know too much. Like when you see all these you know,

1:00:32.880 --> 1:00:34.280
<v Speaker 1>all these damn you know.

1:00:34.280 --> 1:00:37.880
<v Speaker 5>People that got caught blackfishing, like the chick from the

1:00:38.000 --> 1:00:41.880
<v Speaker 5>chick that was at that school and Rachel Docal and yeah,

1:00:42.000 --> 1:00:44.160
<v Speaker 5>all the yeah, all the all the all them white

1:00:44.160 --> 1:00:45.400
<v Speaker 5>women that was pretending to be.

1:00:48.400 --> 1:00:49.040
<v Speaker 2>And that was like.

1:00:51.200 --> 1:00:54.080
<v Speaker 5>Jessica whatever, the chick, the Jewish chick that was pretending

1:00:54.080 --> 1:00:57.160
<v Speaker 5>to be black, Like I think much of that.

1:01:00.520 --> 1:01:03.160
<v Speaker 1>Yeah, yeah, man, yeah, the bitch of scamming like a motherfucker.

1:01:03.480 --> 1:01:06.640
<v Speaker 5>But like, yeah, so I just think like we're seeing

1:01:07.840 --> 1:01:10.760
<v Speaker 5>they're they're able to like put on that costume so

1:01:11.040 --> 1:01:15.000
<v Speaker 5>readily easily, because never before in the history of this

1:01:15.080 --> 1:01:18.760
<v Speaker 5>fucking country have you been able to see like our language,

1:01:19.200 --> 1:01:22.480
<v Speaker 5>like our inside jokes, like what they call aa ve

1:01:22.640 --> 1:01:24.600
<v Speaker 5>e whatever, like all the just.

1:01:24.640 --> 1:01:26.400
<v Speaker 1>Our cultural shorthand that we have.

1:01:27.280 --> 1:01:30.040
<v Speaker 5>Nigga, they see that shit, right, they can pick it

1:01:30.120 --> 1:01:32.440
<v Speaker 5>up and you know, learn it and apply it.

1:01:32.720 --> 1:01:35.160
<v Speaker 2>But how but how can they when we don't know

1:01:35.200 --> 1:01:37.880
<v Speaker 2>what we want? We gotta know what we want.

1:01:38.840 --> 1:01:40.240
<v Speaker 1>As much as a cliche it is.

1:01:40.840 --> 1:01:42.680
<v Speaker 5>You know, when I first heard this term on like

1:01:42.920 --> 1:01:44.920
<v Speaker 5>news programs, news pundits saying.

1:01:44.920 --> 1:01:46.840
<v Speaker 1>We are not a mon oflift. We're not a mon oflift.

1:01:47.240 --> 1:01:49.520
<v Speaker 3>I believe that now more than ever because I didn't

1:01:49.560 --> 1:01:54.880
<v Speaker 3>realize one how conservative a lot of us are. I

1:01:54.920 --> 1:01:59.760
<v Speaker 3>didn't realize how, you know, like there's like six to seven.

1:02:00.160 --> 1:02:01.200
<v Speaker 2>We got apartments.

1:02:02.040 --> 1:02:06.480
<v Speaker 3>Yeah, the thoughts of black people that aren't as unified

1:02:06.560 --> 1:02:07.280
<v Speaker 3>as I thought.

1:02:07.320 --> 1:02:10.480
<v Speaker 1>We were not at all, bro y'all.

1:02:10.560 --> 1:02:13.800
<v Speaker 7>We're so not unified that that contract that ice Cube

1:02:13.800 --> 1:02:14.120
<v Speaker 7>put out.

1:02:14.120 --> 1:02:17.200
<v Speaker 4>I briefly ran through it, y'all. Black Lives.

1:02:19.040 --> 1:02:21.800
<v Speaker 7>Matter manifesto from five years ago. And if the nigga

1:02:21.800 --> 1:02:24.040
<v Speaker 7>would have read that ship and God would him sorry,

1:02:24.040 --> 1:02:28.200
<v Speaker 7>no shade, but nigga would attitude that ship, maybe we

1:02:28.240 --> 1:02:29.680
<v Speaker 7>could get at least get together on that.

1:02:30.080 --> 1:02:32.680
<v Speaker 2>But that's what I'm saying. We gotta know what we want.

1:02:32.720 --> 1:02:36.160
<v Speaker 6>Black people don't come together as many shades as it is.

1:02:36.200 --> 1:02:39.400
<v Speaker 6>Of us as it is, there's been many different kind.

1:02:39.240 --> 1:02:42.720
<v Speaker 1>Of different ideologies, ya, So we.

1:02:42.320 --> 1:02:44.840
<v Speaker 2>We gotta come together. We gotta come together on what

1:02:44.880 --> 1:02:49.040
<v Speaker 2>we want to be called. We gotta be we gotta

1:02:49.120 --> 1:02:49.800
<v Speaker 2>come together.

1:02:51.160 --> 1:02:53.920
<v Speaker 6>We don't we some niggas, some niggas school would be

1:02:53.920 --> 1:02:55.360
<v Speaker 6>a nigga some nigga school would be.

1:02:56.560 --> 1:02:58.920
<v Speaker 2>We gotta come together on what we're gonna be called.

1:02:59.520 --> 1:03:01.760
<v Speaker 6>We gotta come together on what we're gonna take a

1:03:01.880 --> 1:03:04.160
<v Speaker 6>stand on. We can't just be taking the stand on

1:03:04.200 --> 1:03:05.960
<v Speaker 6>some ship for a hot man and then that's out.

1:03:06.040 --> 1:03:09.520
<v Speaker 6>I remember everybody was like fuck Starbucks. Three months later,

1:03:09.640 --> 1:03:12.000
<v Speaker 6>niggas was whipped cream the fuck out around us.

1:03:14.480 --> 1:03:18.320
<v Speaker 2>Oh, everybody was muffing latte. They up the ass, that's

1:03:18.320 --> 1:03:22.240
<v Speaker 2>what they was. Mother fucking Gucci. Fuck Gucci. Next thing,

1:03:22.280 --> 1:03:27.800
<v Speaker 2>you know, Wonder War Show. Later, niggas was geez the

1:03:27.880 --> 1:03:30.640
<v Speaker 2>fuck up. We got to know what we want. I'm

1:03:30.720 --> 1:03:31.560
<v Speaker 2>telling you, look, look.

1:03:31.440 --> 1:03:34.680
<v Speaker 1>We we We was with Gucci for a second.

1:03:34.840 --> 1:03:37.959
<v Speaker 2>Yeah, look we so we so fucked up in the head.

1:03:38.080 --> 1:03:38.240
<v Speaker 7>YO.

1:03:38.840 --> 1:03:41.800
<v Speaker 6>As far as black people, that's why we don't have

1:03:41.880 --> 1:03:46.440
<v Speaker 6>no long term black designers. You know why because black people.

1:03:46.760 --> 1:03:50.600
<v Speaker 6>Because black people don't want to support ship. They think

1:03:50.680 --> 1:03:53.160
<v Speaker 6>everything played the fuck out. They don't want to come

1:03:53.200 --> 1:03:55.360
<v Speaker 6>together and be like, this is the brand that we're

1:03:55.400 --> 1:03:58.280
<v Speaker 6>gonna have and now we're gonna rock. Fuck how you

1:03:58.320 --> 1:04:00.680
<v Speaker 6>think it's played out and not we need. That's why

1:04:00.680 --> 1:04:03.200
<v Speaker 6>we don't have long term black designers.

1:04:03.200 --> 1:04:05.560
<v Speaker 2>We don't got no no motherfucking.

1:04:05.400 --> 1:04:09.600
<v Speaker 6>Perry Yellois, no mother Ralph Lauren because niggas feel like

1:04:09.640 --> 1:04:12.160
<v Speaker 6>it's played out and don't want to wear it. Instead

1:04:12.200 --> 1:04:18.880
<v Speaker 6>of instead of motherfucking respecting ship and representing ship like

1:04:18.880 --> 1:04:21.120
<v Speaker 6>like we should, we don't come together on that ship.

1:04:22.040 --> 1:04:24.240
<v Speaker 1>I think I think that ideology is changing.

1:04:24.480 --> 1:04:29.320
<v Speaker 3>I'm supporting like all gear, I'm rock and now and

1:04:29.360 --> 1:04:30.040
<v Speaker 3>that's love.

1:04:30.240 --> 1:04:35.080
<v Speaker 2>And always don't just wear it for the moment.

1:04:36.080 --> 1:04:37.120
<v Speaker 1>Not just February.

1:04:37.880 --> 1:04:41.200
<v Speaker 6>Always wear it because that's what why folks do. White

1:04:41.200 --> 1:04:45.200
<v Speaker 6>folks when they when they when they fuck with Michael Cores, motherfucker,

1:04:45.200 --> 1:04:46.920
<v Speaker 6>they gonna they're gonna wear that ship.

1:04:47.840 --> 1:04:50.440
<v Speaker 1>They're gonna wear that.

1:04:52.280 --> 1:04:52.560
<v Speaker 4>Michael.

1:04:54.720 --> 1:04:57.480
<v Speaker 6>Black people. Black people be like, yeah, Cross Colors was cool.

1:04:57.520 --> 1:04:59.400
<v Speaker 6>We out that ship, fucked us ship.

1:04:59.160 --> 1:05:01.720
<v Speaker 4>Because it didn't keep Yeah, you're gonna go buy some

1:05:01.760 --> 1:05:02.560
<v Speaker 4>footboom right now.

1:05:04.000 --> 1:05:06.560
<v Speaker 2>They have to evolve too, I guess. I guess they

1:05:06.600 --> 1:05:09.320
<v Speaker 2>have to evolve too. You know what I give you

1:05:09.360 --> 1:05:12.960
<v Speaker 2>that they gotta evolve too. But it's up for us

1:05:13.000 --> 1:05:14.360
<v Speaker 2>to let them know that as well.

1:05:14.480 --> 1:05:16.960
<v Speaker 6>Like Yo, but we gotta stick with these companies. We

1:05:17.040 --> 1:05:21.960
<v Speaker 6>gotta some of them try to us. Some I'm gonna

1:05:21.960 --> 1:05:24.480
<v Speaker 6>try to evolve, but people just don't fuck with them

1:05:24.520 --> 1:05:24.800
<v Speaker 6>no more.

1:05:24.880 --> 1:05:26.160
<v Speaker 2>People be like But I think.

1:05:26.120 --> 1:05:27.880
<v Speaker 5>I think a lot of that has to do with

1:05:28.040 --> 1:05:30.240
<v Speaker 5>I mean, I think what there's some truth what you're saying.

1:05:30.560 --> 1:05:32.400
<v Speaker 5>I think that's kind of just the gift in the

1:05:32.480 --> 1:05:36.120
<v Speaker 5>curse of black people is that we because we are

1:05:36.800 --> 1:05:39.960
<v Speaker 5>the most creative, the most kind of forward thinking in terms.

1:05:39.760 --> 1:05:42.680
<v Speaker 1>Of just the stuff we create. We're always thinking forward.

1:05:42.800 --> 1:05:45.040
<v Speaker 5>And so if you even look at music, right, if

1:05:45.080 --> 1:05:49.040
<v Speaker 5>you look at every every art form of music, like

1:05:49.080 --> 1:05:52.120
<v Speaker 5>every class of music black people we have, they have

1:05:52.200 --> 1:05:55.880
<v Speaker 5>the same pattern. We create it, we'll nurture it, we

1:05:56.040 --> 1:06:01.000
<v Speaker 5>elevate it, and then we abandon it. Yeah, gospel, blue's jazz,

1:06:01.680 --> 1:06:04.320
<v Speaker 5>like I mean hip hop to some degree, you know

1:06:04.320 --> 1:06:06.480
<v Speaker 5>what I mean. And so I think that's just kind

1:06:06.480 --> 1:06:09.160
<v Speaker 5>of who we are. It's like we just make these

1:06:09.200 --> 1:06:12.480
<v Speaker 5>things that we think are fantastic and the great, and

1:06:12.520 --> 1:06:14.160
<v Speaker 5>then we're like, all right, I made that, Okay, onto

1:06:14.200 --> 1:06:17.560
<v Speaker 5>the next ship. Meanwhile, white folks are looking at the

1:06:17.560 --> 1:06:20.160
<v Speaker 5>ship that we're done left behind, like, oh my god, nigga,

1:06:20.240 --> 1:06:21.760
<v Speaker 5>Like these niggas left this behind.

1:06:21.800 --> 1:06:26.080
<v Speaker 1>They realize how much they sell it back to us.

1:06:27.760 --> 1:06:30.600
<v Speaker 1>I get it, Like how they niggas selling that ship

1:06:30.680 --> 1:06:31.120
<v Speaker 1>back to us.

1:06:31.400 --> 1:06:35.680
<v Speaker 3>Let's give light to uh limblin, Let's give shots to uh.

1:06:36.400 --> 1:06:40.919
<v Speaker 1>I mean, is is fifty dollars on or off?

1:06:41.080 --> 1:06:41.160
<v Speaker 2>Like?

1:06:41.520 --> 1:06:44.960
<v Speaker 1>Are we still on Virgil Virgin Virgil? Is he back

1:06:45.000 --> 1:06:49.200
<v Speaker 1>in the house or not? Is Virgil back in the

1:06:49.200 --> 1:06:49.640
<v Speaker 1>house off?

1:06:49.720 --> 1:06:58.400
<v Speaker 3>White Virgil was kicked out the house for a seconded

1:06:58.440 --> 1:07:04.400
<v Speaker 3>him out the house for there's I'm Preston uh Victor LeMond.

1:07:04.920 --> 1:07:07.920
<v Speaker 1>I think shout out, shout.

1:07:07.040 --> 1:07:10.880
<v Speaker 2>Out to my man, a collective thoughts in Chicago. Also

1:07:11.040 --> 1:07:13.440
<v Speaker 2>my man, uh dirty.

1:07:13.080 --> 1:07:16.160
<v Speaker 6>Milk, my man, Daniel Daniel, he got dirty milk and

1:07:16.280 --> 1:07:25.360
<v Speaker 6>uh we Yeah, those are some great brands, right, Definitely Gucci.

1:07:25.840 --> 1:07:29.720
<v Speaker 3>All right, there's celebrities. She's coming up in the world

1:07:29.720 --> 1:07:32.960
<v Speaker 3>and Romeo Hunt. So there's But I think.

1:07:33.000 --> 1:07:35.480
<v Speaker 6>I think the gold is not just to wear this stuff,

1:07:35.520 --> 1:07:38.000
<v Speaker 6>but rock with them as long as you can and

1:07:38.240 --> 1:07:41.920
<v Speaker 6>hold them accountable, to evolved and rock with them and

1:07:42.000 --> 1:07:43.520
<v Speaker 6>let these people be the voice.

1:07:43.680 --> 1:07:45.080
<v Speaker 2>Let let them speak.

1:07:44.760 --> 1:07:48.400
<v Speaker 6>For us as long as other clothing designers come along, man,

1:07:48.480 --> 1:07:49.200
<v Speaker 6>because right.

1:07:49.080 --> 1:07:51.480
<v Speaker 2>Now it's just sad to me that we don't have

1:07:51.600 --> 1:07:53.920
<v Speaker 2>no long term black clothes and designer take.

1:07:53.840 --> 1:07:55.320
<v Speaker 4>Doesn't even think of none. I felt bad.

1:07:59.520 --> 1:07:59.760
<v Speaker 1>A lot.

1:07:59.880 --> 1:08:05.720
<v Speaker 5>You No, no, no, you're not old school. No no, no,

1:08:05.760 --> 1:08:09.280
<v Speaker 5>I'm thinking of all the ones that passed like that

1:08:09.400 --> 1:08:09.880
<v Speaker 5>was another one.

1:08:09.880 --> 1:08:10.960
<v Speaker 1>I was thinking of college.

1:08:12.400 --> 1:08:15.760
<v Speaker 2>All of that, you know.

1:08:17.040 --> 1:08:20.800
<v Speaker 6>Not but it's another tracy yeah yeah, no, like no,

1:08:21.800 --> 1:08:24.280
<v Speaker 6>and if it is one, I don't know about it,

1:08:24.360 --> 1:08:25.040
<v Speaker 6>and I should.

1:08:25.280 --> 1:08:27.320
<v Speaker 4>I don't even think we make a good shoe ship.

1:08:28.280 --> 1:08:30.960
<v Speaker 6>Nothing because because like you know what you remember, you

1:08:31.000 --> 1:08:32.200
<v Speaker 6>remember when Timberland.

1:08:32.920 --> 1:08:35.639
<v Speaker 2>Timberland was like, we don't make our shoes from folks.

1:08:36.040 --> 1:08:39.639
<v Speaker 6>Everybody went crazy, like, fuck Timberland, I ain't wearing that ship.

1:08:40.520 --> 1:08:43.840
<v Speaker 2>I was personally, yeah, niggas.

1:08:43.880 --> 1:08:47.799
<v Speaker 6>Like I told you before about the Starbucks, niggas be like, yeah.

1:08:47.600 --> 1:08:49.400
<v Speaker 2>Fuck that ship, but then they go right back to it.

1:08:49.720 --> 1:08:52.720
<v Speaker 6>But at the same token, when Timberland said that not

1:08:53.240 --> 1:08:56.320
<v Speaker 6>hid the same thing, and I mean low key, I

1:08:56.400 --> 1:08:58.400
<v Speaker 6>was like, I kid.

1:08:58.400 --> 1:09:02.439
<v Speaker 2>It because I kind of get it. Because you don't

1:09:02.439 --> 1:09:03.400
<v Speaker 2>want niggas.

1:09:03.040 --> 1:09:06.080
<v Speaker 6>Coming through rock of your ship saying this played out

1:09:06.680 --> 1:09:12.400
<v Speaker 6>and then the case because when niggas say it's played out,

1:09:12.439 --> 1:09:13.240
<v Speaker 6>it's played out.

1:09:13.439 --> 1:09:16.320
<v Speaker 5>Just as just as I'm not Dutch and true religion.

1:09:19.080 --> 1:09:20.040
<v Speaker 1>Okay, so I'm not.

1:09:20.280 --> 1:09:23.960
<v Speaker 3>I'm not I'm not too hip to the shoe game

1:09:24.000 --> 1:09:26.240
<v Speaker 3>as I am the fashion game. But definitely there's there's

1:09:26.240 --> 1:09:30.439
<v Speaker 3>some designers to look out for. J. J. Gray Uh.

1:09:29.840 --> 1:09:31.320
<v Speaker 2>Okay, yev Rauh.

1:09:31.960 --> 1:09:36.559
<v Speaker 1>There's a brother of Ellis and these are like high end.

1:09:37.080 --> 1:09:37.240
<v Speaker 2>Uh.

1:09:37.760 --> 1:09:41.759
<v Speaker 3>There's one l F l S like father like sons shoes,

1:09:42.360 --> 1:09:48.000
<v Speaker 3>uh Keanna Barnes, Stella Hughes and these are like high.

1:09:48.240 --> 1:09:51.200
<v Speaker 1>No, man, there's there's I'm telling you this.

1:09:51.200 --> 1:09:55.080
<v Speaker 3>This could be the paradigm shift where you know, I'm

1:09:55.080 --> 1:10:01.360
<v Speaker 3>definitely more uh you know, aware of black businesses then

1:10:02.640 --> 1:10:07.519
<v Speaker 3>I was not previously or using my dollar for that.

1:10:07.680 --> 1:10:10.000
<v Speaker 7>So that's what everybody's doing for the holiday season too.

1:10:10.240 --> 1:10:12.120
<v Speaker 7>If you notice, it's been a lot of promotion about

1:10:12.240 --> 1:10:15.680
<v Speaker 7>around small businesses, black business, like make sure you you

1:10:15.720 --> 1:10:16.679
<v Speaker 7>know so.

1:10:16.720 --> 1:10:18.160
<v Speaker 4>Ets he got a black business store.

1:10:18.200 --> 1:10:21.240
<v Speaker 7>Everybody, I mean even Steve got a black business Christmas

1:10:21.280 --> 1:10:23.080
<v Speaker 7>sweatshirt on with What.

1:10:22.960 --> 1:10:26.680
<v Speaker 2>About my man, my man, my man Rich Fresh too.

1:10:26.760 --> 1:10:29.800
<v Speaker 4>Rich Fresh Trush in the list we should actually you know.

1:10:30.200 --> 1:10:34.400
<v Speaker 2>Rich Rush, he do clothes for everybody. Man do it

1:10:34.439 --> 1:10:37.479
<v Speaker 2>for like black design? A cool dude.

1:10:38.720 --> 1:10:42.800
<v Speaker 6>You do a lot of stuff for Layla Way that

1:10:42.920 --> 1:10:47.400
<v Speaker 6>stuff she bear with the spring with the strike with

1:10:47.439 --> 1:10:50.720
<v Speaker 6>like the yellow and black stripe, that's that's yeah, that's

1:10:50.840 --> 1:10:53.519
<v Speaker 6>Rich Fresh Rich Fresh black design. And he called too,

1:10:53.800 --> 1:10:58.479
<v Speaker 6>you do the only way uh everybody? Man, So yeah,

1:10:58.479 --> 1:10:59.000
<v Speaker 6>shut out to.

1:10:59.040 --> 1:11:07.439
<v Speaker 1>Rich definitely shut up. Wait a minute, this is weird.

1:11:07.800 --> 1:11:11.000
<v Speaker 3>This is the the one episode where I had so

1:11:11.040 --> 1:11:13.599
<v Speaker 3>many craft questions about your comedy that we didn't talk

1:11:14.120 --> 1:11:20.920
<v Speaker 3>anything about your comedy setup. All right, so wait before

1:11:21.000 --> 1:11:24.519
<v Speaker 3>we wrap, I do want to know how does one

1:11:25.560 --> 1:11:30.559
<v Speaker 3>stay sharp when you don't have an audience to sort

1:11:30.560 --> 1:11:31.240
<v Speaker 3>of work this on.

1:11:31.960 --> 1:11:35.760
<v Speaker 6>So, like Dave Chappelle and a couple other comments, they've

1:11:35.760 --> 1:11:39.720
<v Speaker 6>been doing shows, they've been going on, they've been doing show. Yeah, yeah,

1:11:39.720 --> 1:11:44.040
<v Speaker 6>they've been doing that, and that's cool. You know you

1:11:44.080 --> 1:11:47.800
<v Speaker 6>feel comfortable enough to do that, and that's love. Me personally,

1:11:48.160 --> 1:11:51.599
<v Speaker 6>I'm not sharp. I have not performed since February, and

1:11:51.640 --> 1:11:55.920
<v Speaker 6>that is like a no no. I am terrified to

1:11:56.040 --> 1:11:58.240
<v Speaker 6>get on stay to a lot of people don't know that.

1:11:58.360 --> 1:12:01.519
<v Speaker 6>I am terrified to even perform right now. I've been

1:12:01.640 --> 1:12:05.640
<v Speaker 6>stock stockpile of material left and right. That's why I

1:12:05.720 --> 1:12:09.720
<v Speaker 6>dropped working working it out because I knew I haven't performed,

1:12:09.720 --> 1:12:11.240
<v Speaker 6>and I was like, I want to get a people

1:12:11.320 --> 1:12:14.800
<v Speaker 6>something until you know I can get back out there.

1:12:14.880 --> 1:12:18.360
<v Speaker 6>But me going on stage, when I get back on stage,

1:12:18.360 --> 1:12:22.519
<v Speaker 6>it's going to be something that I must record because

1:12:22.640 --> 1:12:28.040
<v Speaker 6>I'm going to be terrify and I'm going to be unsure,

1:12:28.640 --> 1:12:32.640
<v Speaker 6>no confidence, I'm gonna be scared shitless. All of that

1:12:33.040 --> 1:12:35.840
<v Speaker 6>and so I am very nervous and I think about

1:12:35.840 --> 1:12:37.839
<v Speaker 6>it at least three times a day.

1:12:37.880 --> 1:12:40.880
<v Speaker 2>About me getting back on stage. And I have it

1:12:40.920 --> 1:12:42.839
<v Speaker 2>because I know I'm not sharp, no more.

1:12:43.280 --> 1:12:45.240
<v Speaker 1>So pre pre March twenty twenty.

1:12:46.360 --> 1:12:47.280
<v Speaker 2>What not?

1:12:47.360 --> 1:12:48.799
<v Speaker 1>What was your regiment? Okay?

1:12:49.160 --> 1:12:51.840
<v Speaker 3>I know about the AVI spots like going to uh

1:12:52.520 --> 1:12:59.280
<v Speaker 3>not comedy seller, the comedy store, But where's where's like

1:12:59.360 --> 1:13:02.160
<v Speaker 3>a secret spot where you work shit out? Like is

1:13:02.200 --> 1:13:05.920
<v Speaker 3>the Comedy Act theater still the thing like where Robin

1:13:05.920 --> 1:13:07.840
<v Speaker 3>Harris and all those guys used to work out.

1:13:07.720 --> 1:13:09.960
<v Speaker 2>Like noah, nah, it's not a thing.

1:13:10.040 --> 1:13:13.040
<v Speaker 6>No more, Comedy Act used to be real dope. Shout

1:13:13.040 --> 1:13:16.560
<v Speaker 6>out to Mike Williams on that. But uh, me personally,

1:13:17.360 --> 1:13:21.920
<v Speaker 6>I would perform at the improv called the Lab and

1:13:21.960 --> 1:13:25.040
<v Speaker 6>the lab room only seats forty people.

1:13:25.160 --> 1:13:26.879
<v Speaker 2>That's where I got.

1:13:26.640 --> 1:13:30.400
<v Speaker 6>The material from to put together for working it out. Okay,

1:13:31.040 --> 1:13:34.920
<v Speaker 6>forty people in this room and work out there.

1:13:35.320 --> 1:13:38.360
<v Speaker 2>That's it. That's that was my ideal spot to do. That.

1:13:39.320 --> 1:13:42.960
<v Speaker 6>Do some open mics every now and then, pop in places,

1:13:43.280 --> 1:13:47.880
<v Speaker 6>but that would be it for me personally because a

1:13:47.920 --> 1:13:50.360
<v Speaker 6>lot of times when you perform in LA it's so

1:13:51.520 --> 1:13:54.160
<v Speaker 6>Hollywood and the ain't no telling who in the audience,

1:13:54.240 --> 1:13:56.920
<v Speaker 6>And when you get on stage, your mind is set

1:13:56.960 --> 1:13:59.120
<v Speaker 6>to do one thing, but then it changes up because

1:13:59.120 --> 1:14:00.680
<v Speaker 6>you're about to go and stay, and right before you

1:14:00.720 --> 1:14:03.080
<v Speaker 6>go on, they go, oh, Ray Ramino is gonna do

1:14:03.160 --> 1:14:05.080
<v Speaker 6>five in front of you, and then you gotta wait,

1:14:05.080 --> 1:14:07.519
<v Speaker 6>and then Ray go on and kill it. So now

1:14:07.600 --> 1:14:09.519
<v Speaker 6>what you had in mind to do, you can't do

1:14:09.640 --> 1:14:11.200
<v Speaker 6>no more. And then you go up and you do

1:14:11.280 --> 1:14:14.160
<v Speaker 6>your old shit, your greatest hits, yeah, your greatest his

1:14:14.320 --> 1:14:16.760
<v Speaker 6>because you want to follow Ray Ramondo and it's all

1:14:16.800 --> 1:14:20.920
<v Speaker 6>fucked up. So I personally go to small rooms and

1:14:21.000 --> 1:14:23.120
<v Speaker 6>try to just work it out like that. Oh, I

1:14:23.120 --> 1:14:26.360
<v Speaker 6>don't even tell people I'm coming, so I can keep

1:14:26.400 --> 1:14:30.400
<v Speaker 6>the fan fit, keep people's expectations for people coming to

1:14:30.439 --> 1:14:30.800
<v Speaker 6>see me.

1:14:31.320 --> 1:14:33.519
<v Speaker 2>I don't want them to see me until I'll work

1:14:33.560 --> 1:14:33.880
<v Speaker 2>it out.

1:14:34.240 --> 1:14:36.519
<v Speaker 4>Has it been easier or harder to write the funny

1:14:36.920 --> 1:14:38.080
<v Speaker 4>in these this year?

1:14:39.280 --> 1:14:40.160
<v Speaker 2>You know what's odd?

1:14:40.960 --> 1:14:45.519
<v Speaker 6>It's still comedy, right, I mean yeah, but when it

1:14:45.560 --> 1:14:48.200
<v Speaker 6>comes to writing, you don't want to write with everybody

1:14:48.200 --> 1:14:51.200
<v Speaker 6>else writing that's me, And I think of a joke

1:14:51.240 --> 1:14:53.639
<v Speaker 6>that's too that I'd be like, I know everybody gonna

1:14:53.680 --> 1:14:57.200
<v Speaker 6>do a joke about COVID and mask and this and that,

1:14:57.320 --> 1:14:59.080
<v Speaker 6>and then I try to think about how can I

1:14:59.120 --> 1:15:01.880
<v Speaker 6>say it this different? And then I go, well, I

1:15:01.920 --> 1:15:03.800
<v Speaker 6>don't know, I think somebody gonna think like that.

1:15:03.840 --> 1:15:07.360
<v Speaker 2>And sometimes I overthink myself. But I was talking to.

1:15:09.120 --> 1:15:11.760
<v Speaker 6>I was talking to Chris Rock one day, and Chris

1:15:11.840 --> 1:15:16.400
<v Speaker 6>Rock was like, don't underestimate yourself on how quick you

1:15:16.439 --> 1:15:19.760
<v Speaker 6>write a joke. It was like, because Prince, it took

1:15:19.800 --> 1:15:22.799
<v Speaker 6>Prince three months to write a song and then someday

1:15:23.200 --> 1:15:26.120
<v Speaker 6>it took him an hour to come up with a hit.

1:15:26.720 --> 1:15:29.559
<v Speaker 6>It was like, so if something come to you that easy,

1:15:30.160 --> 1:15:33.639
<v Speaker 6>don't dismiss it like it's just maybe it just came

1:15:33.680 --> 1:15:37.040
<v Speaker 6>to you easy that way, right, And so I'm learning

1:15:37.080 --> 1:15:40.439
<v Speaker 6>to do that because I've thrown away so much material.

1:15:41.120 --> 1:15:43.439
<v Speaker 1>Good Karen jokes that you were like everyone's telling the

1:15:43.479 --> 1:15:44.240
<v Speaker 1>Karen jokes.

1:15:44.160 --> 1:15:46.559
<v Speaker 6>When when nobody thought of it the way that I did,

1:15:47.600 --> 1:15:50.840
<v Speaker 6>but I thought, but I thought that they did. And

1:15:50.880 --> 1:15:54.679
<v Speaker 6>so I keep forgetting that I'm different, and.

1:15:54.640 --> 1:15:57.320
<v Speaker 2>People do that. People think like, you keep forgetting that

1:15:58.479 --> 1:15:59.559
<v Speaker 2>you're something else.

1:16:00.120 --> 1:16:02.240
<v Speaker 1>This is something you're the difference. It's not the joke

1:16:02.280 --> 1:16:05.040
<v Speaker 1>that's you.

1:16:05.040 --> 1:16:07.240
<v Speaker 4>You that people need.

1:16:07.160 --> 1:16:09.200
<v Speaker 6>To say, it's so busy, you're so busy trying to

1:16:09.200 --> 1:16:11.800
<v Speaker 6>write the joke, you leave you out of it. And

1:16:11.800 --> 1:16:14.960
<v Speaker 6>by you leaving you out of it, you dismissed the

1:16:15.080 --> 1:16:15.800
<v Speaker 6>joke because it's.

1:16:16.640 --> 1:16:20.240
<v Speaker 2>Kills the joke. Yeah, so that's what I've been learning.

1:16:20.320 --> 1:16:23.640
<v Speaker 6>I've been learning to just go to trust myself and

1:16:24.040 --> 1:16:26.559
<v Speaker 6>stockpile as much as possible, and then when it's time

1:16:26.600 --> 1:16:28.880
<v Speaker 6>for me to finally get on stage and go rock,

1:16:29.600 --> 1:16:31.960
<v Speaker 6>go rock, and just go do it. But I can't

1:16:31.960 --> 1:16:33.840
<v Speaker 6>wait till that day man where I can get on

1:16:33.880 --> 1:16:35.680
<v Speaker 6>stage and I can just stretch you out and just

1:16:36.360 --> 1:16:38.400
<v Speaker 6>I know wherever I'm going, I'm going somewhere where I

1:16:38.439 --> 1:16:40.400
<v Speaker 6>could do two hours straight no interruption.

1:16:41.560 --> 1:16:44.680
<v Speaker 3>Just do you do you stockpile by like post it

1:16:45.120 --> 1:16:48.640
<v Speaker 3>or just your phone, my phone.

1:16:48.439 --> 1:16:52.200
<v Speaker 2>I voice record or just jotted down or whatever. And

1:16:52.360 --> 1:16:55.519
<v Speaker 2>uh yeah, I just stockpil put it all together and

1:16:55.680 --> 1:16:56.720
<v Speaker 2>put it all together.

1:16:56.479 --> 1:16:59.639
<v Speaker 6>And it's no order, there's no nothing. I just got

1:16:59.680 --> 1:17:03.479
<v Speaker 6>it all written down. So yeah, I can't wait to

1:17:03.520 --> 1:17:06.559
<v Speaker 6>get up to finally go do it, though, But as

1:17:06.600 --> 1:17:09.519
<v Speaker 6>of right now, somebody called me recently was like, Yo,

1:17:10.400 --> 1:17:11.439
<v Speaker 6>we're doing the show.

1:17:11.840 --> 1:17:14.439
<v Speaker 2>It's gonna be a virtual thing. It's gonna be forty

1:17:14.479 --> 1:17:15.200
<v Speaker 2>thousand people.

1:17:15.320 --> 1:17:20.800
<v Speaker 6>I was like, nope, really, somebody offered me some big

1:17:20.840 --> 1:17:22.920
<v Speaker 6>money and I said, nope.

1:17:23.680 --> 1:17:26.840
<v Speaker 1>Really you didn't want to take the risk on.

1:17:30.040 --> 1:17:33.519
<v Speaker 2>I haven't tried it. I have to go buy it.

1:17:34.120 --> 1:17:36.200
<v Speaker 3>Okay, I have This might put you on the spot.

1:17:36.200 --> 1:17:42.200
<v Speaker 3>But I always wanted to know, only because Gerrod produced

1:17:42.200 --> 1:17:47.320
<v Speaker 3>this special and I never got to ask or gage

1:17:47.320 --> 1:17:52.480
<v Speaker 3>a comedian what they thought of Drew Michael's audience list

1:17:52.760 --> 1:17:54.080
<v Speaker 3>comedy show at his joint.

1:17:54.240 --> 1:17:56.920
<v Speaker 1>Yeah, we had Michelle wolf on. She hated it. She

1:17:57.000 --> 1:17:57.400
<v Speaker 1>hated it.

1:17:57.439 --> 1:18:00.439
<v Speaker 5>She was like Michelle wolf I asked Michelle about that

1:18:00.680 --> 1:18:05.160
<v Speaker 5>about it was Drew Michael.

1:18:05.800 --> 1:18:08.320
<v Speaker 3>Drew Michael did an HBO special where he did a

1:18:08.360 --> 1:18:14.959
<v Speaker 3>comedy show with no audience and you know, you're right, Michelle.

1:18:15.000 --> 1:18:17.320
<v Speaker 3>And I asked Dave about it as well, and you know,

1:18:18.560 --> 1:18:20.400
<v Speaker 3>he said, yeah. The first thing I said to him

1:18:20.479 --> 1:18:22.200
<v Speaker 3>was like, I hated it. But it was almost like

1:18:23.320 --> 1:18:27.200
<v Speaker 3>it was almost like watching somebody that grew up on

1:18:27.320 --> 1:18:30.000
<v Speaker 3>like East Coast Illmatic and.

1:18:31.520 --> 1:18:33.559
<v Speaker 1>You know, like try call quests.

1:18:34.200 --> 1:18:36.599
<v Speaker 3>It's like asking them what they think of the new

1:18:36.760 --> 1:18:39.559
<v Speaker 3>like Migos or Little Baby album.

1:18:40.080 --> 1:18:41.639
<v Speaker 1>You know, where.

1:18:43.160 --> 1:18:46.040
<v Speaker 3>You know it's it was definitely weird to watch, like

1:18:46.320 --> 1:18:51.320
<v Speaker 3>to watch somebody do comedy with no audience whatsoever, But.

1:18:51.439 --> 1:18:53.639
<v Speaker 1>Clearly that shit predict itself.

1:18:54.360 --> 1:18:58.880
<v Speaker 3>Yeah, but clearly I think you know, the sign of

1:18:58.920 --> 1:19:03.040
<v Speaker 3>true art is when something that you're not supposed to

1:19:03.080 --> 1:19:05.840
<v Speaker 3>do becomes the norm.

1:19:06.040 --> 1:19:06.560
<v Speaker 2>Yeah.

1:19:06.600 --> 1:19:10.519
<v Speaker 6>So, but I mean, would you I've never I've went

1:19:10.560 --> 1:19:14.519
<v Speaker 6>online and done jokes with no audience just to camera.

1:19:14.760 --> 1:19:18.160
<v Speaker 6>They're like fifteen minutes. I've done that before, but just

1:19:18.640 --> 1:19:20.519
<v Speaker 6>trying out new material stuff.

1:19:20.520 --> 1:19:22.760
<v Speaker 2>But to go up and to film a.

1:19:22.800 --> 1:19:26.559
<v Speaker 6>Special with no audience, to me personally, I get it.

1:19:26.840 --> 1:19:29.400
<v Speaker 6>You want to you want to flip the script, do

1:19:29.520 --> 1:19:33.200
<v Speaker 6>something different, see push if it sticks or whatever.

1:19:33.280 --> 1:19:33.639
<v Speaker 2>I get.

1:19:33.720 --> 1:19:36.240
<v Speaker 6>I commend them on that. I haven't seen it. I

1:19:36.520 --> 1:19:38.479
<v Speaker 6>didn't even know what it was. I haven't seen it,

1:19:38.520 --> 1:19:42.360
<v Speaker 6>but I commend him for trying something. But me personally, man,

1:19:42.640 --> 1:19:46.720
<v Speaker 6>that's like, that's like, that's like masturbation.

1:19:49.040 --> 1:19:49.559
<v Speaker 1>It's like.

1:19:51.400 --> 1:19:54.639
<v Speaker 2>It was like he masturbated, you know.

1:19:55.160 --> 1:19:55.320
<v Speaker 10>Like.

1:19:57.760 --> 1:20:01.920
<v Speaker 2>Everybody you need, you need, you need an audience.

1:20:02.680 --> 1:20:05.519
<v Speaker 1>Yeah, I think because I think specifically for stand up.

1:20:05.439 --> 1:20:06.280
<v Speaker 2>Woman need a man.

1:20:06.360 --> 1:20:08.960
<v Speaker 6>A man need a woman in order to make this

1:20:09.000 --> 1:20:12.200
<v Speaker 6>thing happen to do that, but for stand up, if

1:20:12.200 --> 1:20:15.600
<v Speaker 6>you out there by yourself and no audience. Me personally,

1:20:15.800 --> 1:20:21.160
<v Speaker 6>I thrive off of that. I thrive off of hearing

1:20:21.760 --> 1:20:26.920
<v Speaker 6>an audience. That's why I'd rather a person boo rather

1:20:27.000 --> 1:20:31.599
<v Speaker 6>than don't say nothing at all, because that quietness kills me.

1:20:31.960 --> 1:20:35.240
<v Speaker 2>I can't. I can't take the quiet like that. I rether.

1:20:35.800 --> 1:20:38.360
<v Speaker 6>I gotta have some noise or something. But I can

1:20:38.439 --> 1:20:40.800
<v Speaker 6>play off of that or something. I can play off

1:20:40.840 --> 1:20:43.840
<v Speaker 6>of it something. I mean, I don't want to be

1:20:43.920 --> 1:20:47.479
<v Speaker 6>booed at all. Yeah, because the thing is with silence.

1:20:47.920 --> 1:20:50.520
<v Speaker 5>But silence I think for like a for a comedian

1:20:50.640 --> 1:20:52.640
<v Speaker 5>like I would compare it as an EMC is like

1:20:53.400 --> 1:20:56.280
<v Speaker 5>silence is like a three mic rating in the source,

1:20:56.320 --> 1:20:58.479
<v Speaker 5>like when the source us the source right, It's like

1:20:58.560 --> 1:20:59.440
<v Speaker 5>three mics.

1:20:59.280 --> 1:20:59.759
<v Speaker 1>Is like idio.

1:21:00.720 --> 1:21:04.160
<v Speaker 5>It's kind of inn and like I'd rather either if

1:21:04.280 --> 1:21:07.479
<v Speaker 5>niggas ain't just laughing, you know, out their seats, which

1:21:07.479 --> 1:21:10.160
<v Speaker 5>would be like a five mic, or if they booing you,

1:21:10.200 --> 1:21:12.240
<v Speaker 5>which is a one mic like you kind of I

1:21:12.360 --> 1:21:15.600
<v Speaker 5>enjoy being on those ends because at least that no

1:21:15.720 --> 1:21:19.160
<v Speaker 5>you would listen, you listen to a real reaction, just.

1:21:19.160 --> 1:21:23.240
<v Speaker 1>That middle of the road ship. She ain't doing nothing.

1:21:23.240 --> 1:21:25.400
<v Speaker 6>I'll tell you this though to Steve Harvey taught me

1:21:25.439 --> 1:21:27.760
<v Speaker 6>this as well. Though it all depends on how you

1:21:27.800 --> 1:21:30.800
<v Speaker 6>play siting. Silence can work good too, like if you

1:21:30.800 --> 1:21:33.479
<v Speaker 6>can make a whole room, if you can make a

1:21:33.600 --> 1:21:37.599
<v Speaker 6>whole room silent, that's just as good as a laugh too,

1:21:37.760 --> 1:21:38.880
<v Speaker 6>because they engaged.

1:21:39.439 --> 1:21:41.519
<v Speaker 2>So it it all depends on how you play with

1:21:41.560 --> 1:21:44.639
<v Speaker 2>that silence. And I just thought about that too, Like if.

1:21:44.520 --> 1:21:46.080
<v Speaker 6>I can go into a room full of people and

1:21:46.120 --> 1:21:49.120
<v Speaker 6>I can go you know what, I do that on

1:21:49.200 --> 1:21:52.719
<v Speaker 6>purpose to lie, just to I act like I'm thinking,

1:21:52.880 --> 1:21:55.760
<v Speaker 6>but I'm actually listening to see how quiet it is,

1:21:55.800 --> 1:21:58.080
<v Speaker 6>to see if I got everybody, and then I go

1:21:58.160 --> 1:22:01.160
<v Speaker 6>into a joke or whatever. It's a control the time

1:22:01.200 --> 1:22:03.960
<v Speaker 6>of life like that, like a timment. But like I

1:22:04.160 --> 1:22:06.720
<v Speaker 6>do that a lot, just to kind of test the

1:22:06.800 --> 1:22:09.120
<v Speaker 6>room or whatever, just to see who's engaged and who

1:22:09.240 --> 1:22:11.760
<v Speaker 6>not or itever. But when it comes to like doing

1:22:11.800 --> 1:22:13.800
<v Speaker 6>the joke and the joke don't work, you can give

1:22:13.800 --> 1:22:14.960
<v Speaker 6>me silence at first.

1:22:15.200 --> 1:22:17.559
<v Speaker 2>But if I do three jokes in the role and

1:22:17.600 --> 1:22:18.880
<v Speaker 2>they not working, and you.

1:22:19.000 --> 1:22:22.880
<v Speaker 6>Silent, like I'm gonna need somebody to go bring your

1:22:22.920 --> 1:22:24.719
<v Speaker 6>nigga something somebody else.

1:22:26.560 --> 1:22:28.719
<v Speaker 2>Nobody got going I want.

1:22:28.600 --> 1:22:33.560
<v Speaker 6>My money back or something money something, tell me something, niggas.

1:22:33.640 --> 1:22:37.160
<v Speaker 3>That's pressure though, Like right now, right now, at the

1:22:37.200 --> 1:22:40.920
<v Speaker 3>tonight show, we're allowed by the state to have ten

1:22:41.040 --> 1:22:42.160
<v Speaker 3>people in the audience.

1:22:42.880 --> 1:22:45.320
<v Speaker 2>Yes, So it's like.

1:22:46.320 --> 1:22:49.280
<v Speaker 1>Uh, the thing is I liked I liked.

1:22:49.400 --> 1:22:53.720
<v Speaker 3>Doing the show when it was just us with ourselves.

1:22:54.360 --> 1:22:58.120
<v Speaker 3>It felt like a public access show. It's like Wayne's World,

1:22:59.000 --> 1:23:03.240
<v Speaker 3>and when jokes didn't work, then we just laugh at

1:23:03.240 --> 1:23:06.960
<v Speaker 3>each other and it was actually funnier than if the

1:23:07.040 --> 1:23:09.760
<v Speaker 3>joke work. But it's a different thing when you have

1:23:09.840 --> 1:23:12.720
<v Speaker 3>ten people in the audience because it's like we're kind

1:23:12.760 --> 1:23:15.559
<v Speaker 3>of using the old model of what the show used

1:23:15.560 --> 1:23:19.080
<v Speaker 3>to be, but only for ten people. And like if

1:23:19.120 --> 1:23:22.800
<v Speaker 3>something doesn't work and it's a slow laugh, then it's

1:23:22.920 --> 1:23:26.120
<v Speaker 3>like it's just harder to navigate.

1:23:25.960 --> 1:23:30.120
<v Speaker 4>When you post that way. Employees like Wendy do we do.

1:23:30.200 --> 1:23:34.680
<v Speaker 1>Like we oh, it's it's half employees.

1:23:35.200 --> 1:23:37.000
<v Speaker 5>Well, I mean because thirty Rocks is such a big

1:23:37.000 --> 1:23:40.360
<v Speaker 5>building that you know, there's other shows, so like like today, uh,

1:23:41.520 --> 1:23:44.439
<v Speaker 5>Lawrence Scalliot who does traffic in the morning on NBC,

1:23:44.600 --> 1:23:46.840
<v Speaker 5>like she was part of the audience, so like people

1:23:46.840 --> 1:23:49.960
<v Speaker 5>will come in on their lunch break from like MSNBC,

1:23:50.000 --> 1:23:51.439
<v Speaker 5>c NBC like those.

1:23:51.280 --> 1:23:53.519
<v Speaker 4>Those they're not worried about losing their jobs. You need

1:23:53.560 --> 1:23:54.840
<v Speaker 4>people's staff.

1:23:57.880 --> 1:23:58.200
<v Speaker 2>Like.

1:24:00.800 --> 1:24:01.719
<v Speaker 1>They get it up.

1:24:03.200 --> 1:24:03.559
<v Speaker 2>Acting.

1:24:03.680 --> 1:24:04.400
<v Speaker 1>I see what you mean.

1:24:04.400 --> 1:24:05.360
<v Speaker 4>Now, yes it is.

1:24:06.840 --> 1:24:09.639
<v Speaker 2>I have a question. No it's Steve.

1:24:13.960 --> 1:24:15.759
<v Speaker 1>Yeah, Steve, you're no Hanigha stories.

1:24:16.080 --> 1:24:16.280
<v Speaker 2>Yeah.

1:24:16.800 --> 1:24:19.120
<v Speaker 4>We ain't talked about the holidays, clear Stee. I'm sorry.

1:24:19.360 --> 1:24:22.120
<v Speaker 10>So with regards to this like stockpile of jokes that

1:24:22.160 --> 1:24:25.800
<v Speaker 10>you've been writing, presumably since February or March and haven't

1:24:25.800 --> 1:24:28.800
<v Speaker 10>been able to are you worried about any of it,

1:24:28.880 --> 1:24:31.360
<v Speaker 10>like being dated by the time you get to tell

1:24:31.400 --> 1:24:33.640
<v Speaker 10>it on stage, or like you know, or or you

1:24:33.680 --> 1:24:36.760
<v Speaker 10>specifically like trying to write stuff that will still make sense,

1:24:37.320 --> 1:24:39.679
<v Speaker 10>you know, whenever you get to go back on stage.

1:24:40.080 --> 1:24:44.920
<v Speaker 6>Oh well that's that's that's that's the beauty of how

1:24:44.960 --> 1:24:48.160
<v Speaker 6>long it takes me to write. I don't you know,

1:24:48.640 --> 1:24:50.840
<v Speaker 6>I can't just write some ship like that, Like I

1:24:50.880 --> 1:24:53.080
<v Speaker 6>was just telling you, like, if I think a joke

1:24:53.160 --> 1:24:55.519
<v Speaker 6>too simple, I ain't fucking with it, like I just

1:24:55.680 --> 1:24:58.080
<v Speaker 6>I just if I feel like I think people thinking

1:24:58.920 --> 1:25:01.000
<v Speaker 6>like that that they're gonna come up with something like that.

1:25:01.120 --> 1:25:03.040
<v Speaker 6>I'm just I'm just not gonna fuck with it. So

1:25:03.479 --> 1:25:06.639
<v Speaker 6>what I write is evergreen, sure, and I make sure

1:25:07.000 --> 1:25:09.719
<v Speaker 6>I try to make sure everything I write is ever green.

1:25:09.800 --> 1:25:10.439
<v Speaker 2>My shit be.

1:25:10.439 --> 1:25:13.840
<v Speaker 6>Simple, my should be like, my shit be My shit

1:25:13.960 --> 1:25:16.360
<v Speaker 6>is like I was talking to Jamie Fox one time

1:25:16.400 --> 1:25:19.160
<v Speaker 6>and Jamie told me he was going to do a special,

1:25:19.240 --> 1:25:21.479
<v Speaker 6>but after seeing my special, he was like.

1:25:22.160 --> 1:25:25.799
<v Speaker 2>I threw my shit away. He was like, because damn

1:25:25.920 --> 1:25:26.360
<v Speaker 2>I don't.

1:25:26.400 --> 1:25:31.080
<v Speaker 6>He said, I don't want to be Jamie Fox, the celebrity.

1:25:31.760 --> 1:25:35.960
<v Speaker 6>He said, I want to be the motherfucker that's relatable.

1:25:36.320 --> 1:25:38.519
<v Speaker 6>And he was like, and that's what cole harted was

1:25:38.600 --> 1:25:41.200
<v Speaker 6>to me, it was relatable and I was like, I

1:25:41.320 --> 1:25:42.599
<v Speaker 6>was like, yeah, like.

1:25:42.520 --> 1:25:46.080
<v Speaker 2>My shit, I was talking about, man, you ever get

1:25:46.240 --> 1:25:48.040
<v Speaker 2>god glory for a parking space?

1:25:48.520 --> 1:25:49.880
<v Speaker 1>Like like you know what I mean?

1:25:50.000 --> 1:25:56.920
<v Speaker 6>Like my shit is like simplistic, like where everybody can get.

1:25:56.960 --> 1:26:00.280
<v Speaker 2>It wasn't no celebrity shit, but none of it.

1:26:00.280 --> 1:26:05.320
<v Speaker 6>It was like parking space, do you ever motherfucker don't

1:26:05.320 --> 1:26:08.080
<v Speaker 6>want to pay the bill? Like it was like like

1:26:08.400 --> 1:26:13.519
<v Speaker 6>very simple ship that that everybody can relate to. And

1:26:13.920 --> 1:26:17.560
<v Speaker 6>that was a lane that I knewdn't didn't.

1:26:17.240 --> 1:26:23.280
<v Speaker 2>Really didn't exist. So that's how I write, and I

1:26:23.320 --> 1:26:26.000
<v Speaker 2>write like that to this day. Simplicity is key with me,

1:26:26.120 --> 1:26:26.320
<v Speaker 2>you know.

1:26:26.439 --> 1:26:30.120
<v Speaker 6>So as far as writing all this COVID shit and

1:26:30.400 --> 1:26:32.680
<v Speaker 6>Black Lives Matter shit, do I have that?

1:26:32.840 --> 1:26:34.720
<v Speaker 2>I got? I do have some of that.

1:26:35.080 --> 1:26:37.640
<v Speaker 6>But my job and what I'm going to do is

1:26:37.680 --> 1:26:39.960
<v Speaker 6>when I do hit the stage, I'm gonna spend every

1:26:40.080 --> 1:26:43.320
<v Speaker 6>bit of fucking seven minutes on that ship and I'm

1:26:43.400 --> 1:26:43.960
<v Speaker 6>off of it.

1:26:44.360 --> 1:26:49.360
<v Speaker 1>And it's the same way I look at the same

1:26:49.400 --> 1:26:50.320
<v Speaker 1>way with being an MC.

1:26:50.520 --> 1:26:53.840
<v Speaker 5>It's like, if you're writing rhymes, yeah, you could go

1:26:53.920 --> 1:26:56.360
<v Speaker 5>on Twitter and look at the trending topics or whatever

1:26:56.439 --> 1:26:59.639
<v Speaker 5>and just make that shit rhyme and it'll be hot today,

1:27:00.760 --> 1:27:05.040
<v Speaker 5>you know what I'm saying. But after that, like, yeah,

1:27:05.080 --> 1:27:07.000
<v Speaker 5>you have to write stuff this ever green.

1:27:07.400 --> 1:27:08.920
<v Speaker 2>Yeah, you don't want to do that.

1:27:09.120 --> 1:27:11.400
<v Speaker 6>So the stuff that I write, man, and that's why

1:27:11.439 --> 1:27:13.960
<v Speaker 6>I take me so so loan to write. It's like

1:27:14.080 --> 1:27:18.040
<v Speaker 6>the stuff that I'm doing is like like I got

1:27:18.040 --> 1:27:22.360
<v Speaker 6>a new bit that I'm working on now about women's

1:27:22.479 --> 1:27:25.640
<v Speaker 6>needs and ship you know, just how they how I'm

1:27:25.720 --> 1:27:27.559
<v Speaker 6>quite sure they miss him, But.

1:27:27.600 --> 1:27:33.080
<v Speaker 11>I ain't gonna go no, first he's okay, yes, like like.

1:27:34.640 --> 1:27:44.080
<v Speaker 2>D s no, older women needs just that. But but yeah,

1:27:44.120 --> 1:27:46.040
<v Speaker 2>like I said, topics like.

1:27:46.040 --> 1:27:49.680
<v Speaker 6>That, I ever agree, a women's need is gonna go

1:27:49.720 --> 1:27:52.559
<v Speaker 6>out all the time and there's gonna be something that

1:27:52.640 --> 1:27:55.160
<v Speaker 6>you can always use at all time. I talk about

1:27:55.680 --> 1:27:59.080
<v Speaker 6>classic bags when when they throw the motherfuckers away?

1:27:59.160 --> 1:28:02.360
<v Speaker 2>How big you got a closet full of the motherfuckers

1:28:02.479 --> 1:28:05.439
<v Speaker 2>when you're gonna throw them away? Or how to use them?

1:28:05.520 --> 1:28:11.519
<v Speaker 6>So it's so so y never right, So no, all

1:28:11.640 --> 1:28:16.720
<v Speaker 6>right where it's ever green, you know, and it'll be

1:28:16.760 --> 1:28:19.960
<v Speaker 6>and it'll be around for a while. So yeah, I'm

1:28:20.000 --> 1:28:23.160
<v Speaker 6>not worried about I'm not worried about that at all.

1:28:23.320 --> 1:28:25.800
<v Speaker 2>You know, I didn't think you're worried. I just wanted

1:28:25.800 --> 1:28:27.960
<v Speaker 2>to ask you. Oh no, no, no, no, no, no,

1:28:28.000 --> 1:28:31.320
<v Speaker 2>not at all. I kid. I'm just saying, yeah, I don't.

1:28:31.920 --> 1:28:35.640
<v Speaker 6>Anytime I think it's something that's funny, that's like in

1:28:35.680 --> 1:28:40.160
<v Speaker 6>the moment, I probably try to make a video for

1:28:40.600 --> 1:28:44.000
<v Speaker 6>the text it, tweet it out or whatever and put

1:28:44.040 --> 1:28:47.040
<v Speaker 6>it out like that. But as far as materials concerned,

1:28:47.360 --> 1:28:49.200
<v Speaker 6>I got a few of them jokes that I'm going

1:28:49.280 --> 1:28:53.080
<v Speaker 6>to do definitely, But After seven minutes of that, I'm

1:28:53.120 --> 1:28:56.839
<v Speaker 6>off of it. How do you like even with my special,

1:28:56.960 --> 1:28:59.320
<v Speaker 6>even when my comedy is special, I ain't talk about

1:28:59.320 --> 1:29:02.920
<v Speaker 6>no politics, I ain't talk about none of that ship.

1:29:03.000 --> 1:29:04.800
<v Speaker 2>I ain't talking about none, none of it.

1:29:04.880 --> 1:29:07.960
<v Speaker 6>My ship is like on the whole, it's everything is

1:29:08.040 --> 1:29:10.880
<v Speaker 6>just really simple, simple and basic. I ain't say one

1:29:10.920 --> 1:29:15.519
<v Speaker 6>thing about no organizations, no politics.

1:29:15.120 --> 1:29:16.800
<v Speaker 1>Ain't contracts, no food, no.

1:29:19.280 --> 1:29:19.639
<v Speaker 2>Nothing.

1:29:19.720 --> 1:29:21.400
<v Speaker 1>So how do you are you?

1:29:22.200 --> 1:29:26.920
<v Speaker 3>How leary are you in going to these spots, especially

1:29:27.000 --> 1:29:30.640
<v Speaker 3>in Hollywood, where I'm almost certain that it's easy for

1:29:30.760 --> 1:29:32.320
<v Speaker 3>someone like is biting?

1:29:32.400 --> 1:29:32.719
<v Speaker 2>Still?

1:29:33.680 --> 1:29:37.160
<v Speaker 1>Is that a thing that comedians have to worry? Indeed?

1:29:37.439 --> 1:29:38.439
<v Speaker 2>Man, it is.

1:29:38.479 --> 1:29:42.519
<v Speaker 6>That's that's just so, that's just so terrible in the game, man,

1:29:42.800 --> 1:29:43.960
<v Speaker 6>they bite that ship.

1:29:44.000 --> 1:29:46.400
<v Speaker 1>So people are like intentionally biting and joking like.

1:29:46.840 --> 1:29:49.120
<v Speaker 6>Absolutely, And let me say this too, because I don't

1:29:49.160 --> 1:29:51.800
<v Speaker 6>want to be missical, screwed or whatever. Those that do

1:29:51.800 --> 1:29:55.719
<v Speaker 6>do current events stuff like that, man, and the ones

1:29:55.760 --> 1:29:58.840
<v Speaker 6>that do it great man, love to them, and they

1:29:58.880 --> 1:29:59.719
<v Speaker 6>do it amazing.

1:29:59.800 --> 1:30:02.320
<v Speaker 2>I'm not saying that that is the wrong way to

1:30:02.400 --> 1:30:03.000
<v Speaker 2>do it at all.

1:30:03.080 --> 1:30:05.560
<v Speaker 6>I'm just saying the way that I write, like I

1:30:05.600 --> 1:30:09.679
<v Speaker 6>I can't write like that, But I don't, yeah, because

1:30:09.680 --> 1:30:13.960
<v Speaker 6>it's great, like ship Dave Chappelle. Dave Chappelle should be

1:30:14.120 --> 1:30:16.760
<v Speaker 6>like top of cool as hell, and that motherfucker be

1:30:17.320 --> 1:30:20.160
<v Speaker 6>crushing that ship the way that he put it out there,

1:30:20.360 --> 1:30:23.160
<v Speaker 6>you know. But it's for the moment, it's for the time,

1:30:23.280 --> 1:30:25.519
<v Speaker 6>and and but you can listen to it forever.

1:30:26.120 --> 1:30:28.519
<v Speaker 2>That's that's the genius. That's the genius about there.

1:30:28.640 --> 1:30:31.360
<v Speaker 6>You can listen to that ship forever and remember that

1:30:31.400 --> 1:30:32.120
<v Speaker 6>moment in time.

1:30:32.760 --> 1:30:36.639
<v Speaker 2>So I'm never knocking that on people who do that.

1:30:36.760 --> 1:30:36.960
<v Speaker 2>You know.

1:30:37.000 --> 1:30:38.720
<v Speaker 6>It's comics that do a lot of ship that I

1:30:38.760 --> 1:30:42.120
<v Speaker 6>can't do. Corey holcom is one of the most ignorant,

1:30:42.240 --> 1:30:44.800
<v Speaker 6>ignorant motherfuckers you ever go see do it, but.

1:30:45.640 --> 1:30:50.080
<v Speaker 3>As hell more ignorant than neighbors.

1:30:49.720 --> 1:30:51.120
<v Speaker 2>Or I don't know about them.

1:30:51.240 --> 1:30:57.919
<v Speaker 3>But Cory Cory a wild boy, who's this Cory CORYL

1:30:58.640 --> 1:30:59.720
<v Speaker 3>Cory holkme.

1:30:59.479 --> 1:31:03.720
<v Speaker 2>Is the most clever, funny motherfucker you. I can't do

1:31:03.840 --> 1:31:05.160
<v Speaker 2>what Corey do. Well.

1:31:05.479 --> 1:31:07.360
<v Speaker 5>Corey had a joke, he had it on his special.

1:31:07.439 --> 1:31:10.880
<v Speaker 5>He opened up this guy. It wasn't even a joke,

1:31:10.960 --> 1:31:13.160
<v Speaker 5>it was just he just opened up and his first

1:31:13.200 --> 1:31:15.639
<v Speaker 5>thing got his mouth. Shout out all the fat bitches

1:31:15.680 --> 1:31:28.920
<v Speaker 5>riding dick with T shirts like I was like, Yo.

1:31:25.560 --> 1:31:32.559
<v Speaker 6>Cory, Cory be ignorantly dope, clever, fucking funny ship y'all.

1:31:32.880 --> 1:31:37.160
<v Speaker 2>I can't do that, but man, what he could do

1:31:37.200 --> 1:31:39.280
<v Speaker 2>that ship wear with his eyes closed.

1:31:39.320 --> 1:31:41.920
<v Speaker 6>And that's why he one of the fucking goats in

1:31:42.000 --> 1:31:42.479
<v Speaker 6>this game.

1:31:42.560 --> 1:31:45.640
<v Speaker 2>Man. Shout out to Corey too, got a special.

1:31:45.400 --> 1:31:56.200
<v Speaker 1>Now called COVID. I got one day ago. What the fu? Yeah,

1:31:56.439 --> 1:31:56.800
<v Speaker 1>my boy?

1:31:56.840 --> 1:31:59.439
<v Speaker 5>We saw Hookham at at Charlie Good Nights, this club

1:31:59.479 --> 1:32:03.479
<v Speaker 5>down out here Raley last ye year for the last.

1:32:03.320 --> 1:32:06.720
<v Speaker 2>Week and Corey started together in Chicago. Shout out to.

1:32:08.920 --> 1:32:10.599
<v Speaker 4>Is there a way? Not for nothing? Since we talked

1:32:10.600 --> 1:32:12.280
<v Speaker 4>about this and it is COVID. It's interesting.

1:32:12.360 --> 1:32:15.760
<v Speaker 7>Everybody ain't at Dion's dad is like, how are the

1:32:16.080 --> 1:32:19.320
<v Speaker 7>comedians doing as used to? Like touring, and like, how

1:32:19.360 --> 1:32:22.600
<v Speaker 7>do you support your favorite comedian in these times?

1:32:22.640 --> 1:32:26.120
<v Speaker 6>Like, man, it's hard, man, it's hard on everybody. Man,

1:32:26.320 --> 1:32:32.000
<v Speaker 6>it's hard. I don't I don't understand really how it's

1:32:32.080 --> 1:32:36.400
<v Speaker 6>working for a lot of people. Man, you know I

1:32:36.439 --> 1:32:39.040
<v Speaker 6>think about that a lot too. I'll be thinking like, man.

1:32:39.400 --> 1:32:41.640
<v Speaker 4>It ain't no music matters for comedians.

1:32:41.640 --> 1:32:43.360
<v Speaker 7>It ain't no like what is no R and B

1:32:43.600 --> 1:32:46.960
<v Speaker 7>foundation like residuals.

1:32:48.200 --> 1:32:49.800
<v Speaker 4>You ain't been in nothing, you know what I'm saying.

1:32:49.840 --> 1:32:52.720
<v Speaker 3>The red states that are open though, like Florida is

1:32:52.960 --> 1:32:54.840
<v Speaker 3>open for business, Atlanta is open.

1:32:55.560 --> 1:32:58.120
<v Speaker 6>Yeah, in a.

1:32:58.240 --> 1:33:02.000
<v Speaker 4>Club with people laughing and your face, risk your.

1:33:02.000 --> 1:33:06.639
<v Speaker 2>Life life like, but what do you to do though? Too?

1:33:06.920 --> 1:33:08.920
<v Speaker 2>You know you got to make a living. You gotta

1:33:08.960 --> 1:33:11.000
<v Speaker 2>make money. It's like, you know, you gotta do what

1:33:11.000 --> 1:33:11.960
<v Speaker 2>you got to do whatever.

1:33:12.000 --> 1:33:14.280
<v Speaker 6>And now I don't knock nobody doing what they got

1:33:14.320 --> 1:33:15.439
<v Speaker 6>to do in order to get.

1:33:15.320 --> 1:33:16.680
<v Speaker 2>It, but it is hard out here.

1:33:16.760 --> 1:33:20.080
<v Speaker 6>It's hard, man, because I'm quite sure if they had

1:33:20.160 --> 1:33:22.960
<v Speaker 6>other options they were using, you know, so you know,

1:33:23.000 --> 1:33:25.360
<v Speaker 6>shut out to all the comics that still grinding and

1:33:25.600 --> 1:33:27.599
<v Speaker 6>stay safe, man, stay safe.

1:33:28.520 --> 1:33:30.479
<v Speaker 1>Do you do you miss late night life at all?

1:33:30.880 --> 1:33:35.080
<v Speaker 3>Or was that just a nice experience you had? You

1:33:35.280 --> 1:33:39.080
<v Speaker 3>was talking about late late nights as far as writing

1:33:39.120 --> 1:33:40.559
<v Speaker 3>for television, writing for Cony.

1:33:40.840 --> 1:33:43.800
<v Speaker 6>You know what, there's moments when I'm missing in this

1:33:44.000 --> 1:33:47.240
<v Speaker 6>moments that I don't me being the only black writer

1:33:47.360 --> 1:33:51.120
<v Speaker 6>for Coning and probably the fourth black writer in the

1:33:51.200 --> 1:33:54.000
<v Speaker 6>history of late night That shit was like, that was

1:33:54.040 --> 1:33:54.960
<v Speaker 6>the part that I.

1:33:54.920 --> 1:33:58.320
<v Speaker 2>Really I wasn't. I wasn't feeling that shit at all,

1:33:58.920 --> 1:33:59.200
<v Speaker 2>you know.

1:33:59.320 --> 1:34:03.120
<v Speaker 6>But my story was so crazy because those that kind

1:34:03.120 --> 1:34:05.120
<v Speaker 6>of shitted on me, they ended up happening to write

1:34:05.120 --> 1:34:05.360
<v Speaker 6>for me.

1:34:06.080 --> 1:34:07.760
<v Speaker 2>So I flipped that.

1:34:08.240 --> 1:34:10.479
<v Speaker 6>I flipped the game on them, Like I went from

1:34:10.479 --> 1:34:13.920
<v Speaker 6>trying to write like them to them writing for me

1:34:14.120 --> 1:34:16.840
<v Speaker 6>for Coning, and so that's what I was saying, for

1:34:17.280 --> 1:34:20.320
<v Speaker 6>like Coning and shit like they had to write bits

1:34:20.320 --> 1:34:22.160
<v Speaker 6>for me and shit, you know, and they had to

1:34:22.160 --> 1:34:24.519
<v Speaker 6>write it in my voice, which is the same voice

1:34:24.560 --> 1:34:26.880
<v Speaker 6>that I was trying to write. And the get go

1:34:27.080 --> 1:34:29.200
<v Speaker 6>that they was shitting on me about when I was

1:34:29.200 --> 1:34:30.240
<v Speaker 6>trying to get it to Coning.

1:34:30.400 --> 1:34:33.599
<v Speaker 2>So I don't miss that kind of shit, you know.

1:34:33.720 --> 1:34:37.439
<v Speaker 6>But I do miss I do miss the excitement of

1:34:37.680 --> 1:34:41.240
<v Speaker 6>having a great show and certain guests come through. You'd

1:34:41.280 --> 1:34:44.040
<v Speaker 6>be excited to see him and hang out and shit

1:34:44.240 --> 1:34:44.479
<v Speaker 6>like that.

1:34:44.520 --> 1:34:45.760
<v Speaker 2>Shit was cool too, you know.

1:34:45.880 --> 1:34:49.559
<v Speaker 6>But Late Night was rigorous, man as far as coming

1:34:49.640 --> 1:34:54.840
<v Speaker 6>up with material. Every night, new material, and then it

1:34:54.960 --> 1:34:57.680
<v Speaker 6>was almost like a competition with other writers. You had

1:34:57.720 --> 1:35:00.760
<v Speaker 6>to see if your shit get on TV and come

1:35:00.840 --> 1:35:04.200
<v Speaker 6>up with a bit that was repetitious enough for him

1:35:04.240 --> 1:35:10.160
<v Speaker 6>to use it every every week, every month or whatever. Yeah,

1:35:10.200 --> 1:35:14.200
<v Speaker 6>that was that was grueling, but it made me. It

1:35:14.320 --> 1:35:17.080
<v Speaker 6>helped me to this day to be like just sharp

1:35:17.240 --> 1:35:19.559
<v Speaker 6>like that in order to like come up with something

1:35:19.640 --> 1:35:22.000
<v Speaker 6>quickly because we had to do that for like, I

1:35:22.040 --> 1:35:22.960
<v Speaker 6>wrote for ConA.

1:35:22.720 --> 1:35:27.519
<v Speaker 2>For eight years. So yeah, uh, it definitely sharpened my sword.

1:35:28.560 --> 1:35:29.840
<v Speaker 1>I wanted to ask you to man.

1:35:29.960 --> 1:35:36.800
<v Speaker 5>You you produced the one woman show for my Girlftari. Yeah, yeah,

1:35:36.840 --> 1:35:39.960
<v Speaker 5>man maor we work on the Sherman showcase together and

1:35:40.160 --> 1:35:41.840
<v Speaker 5>we worked and all that.

1:35:42.840 --> 1:35:43.080
<v Speaker 2>Yeah.

1:35:43.120 --> 1:35:45.040
<v Speaker 5>Man, So I was curious, though, is that something you

1:35:45.080 --> 1:35:47.200
<v Speaker 5>look to do more of, maybe like producing more.

1:35:48.840 --> 1:35:49.320
<v Speaker 1>Artists.

1:35:49.360 --> 1:35:56.280
<v Speaker 6>Well, I am switching gears and I would definitely come

1:35:56.320 --> 1:35:58.360
<v Speaker 6>back on here and talk to y'all. And I hate

1:35:58.400 --> 1:36:00.680
<v Speaker 6>I hate niggas. That'd be like, I tell you what

1:36:00.760 --> 1:36:01.160
<v Speaker 6>it is.

1:36:01.800 --> 1:36:05.960
<v Speaker 5>Listen, you walk up your bang, do not up the

1:36:06.040 --> 1:36:07.920
<v Speaker 5>bat big ship like that.

1:36:07.920 --> 1:36:08.479
<v Speaker 4>That's what it's real.

1:36:08.560 --> 1:36:08.800
<v Speaker 2>Bad.

1:36:14.439 --> 1:36:19.040
<v Speaker 6>Yeah I'm doing man, I just dove into something. I

1:36:19.160 --> 1:36:25.000
<v Speaker 6>just produced this film. Executive produced this film and my

1:36:25.080 --> 1:36:29.639
<v Speaker 6>partner Kelly Kelly Kelly, who's a fantastic director, director, and writer.

1:36:30.240 --> 1:36:33.240
<v Speaker 6>We collabed on a couple of scripts that we're doing. Man,

1:36:33.640 --> 1:36:37.920
<v Speaker 6>and uh, it's been amazing journey. Uh we got a

1:36:38.000 --> 1:36:41.719
<v Speaker 6>lot of good stuff coming out. And uh man, that's

1:36:41.800 --> 1:36:43.960
<v Speaker 6>all I can say about that.

1:36:43.960 --> 1:36:46.280
<v Speaker 1>That's all you need to say. Bro, say no.

1:36:47.040 --> 1:36:50.240
<v Speaker 2>I ran. I ran into Marlon Wayne's in the club Man,

1:36:50.360 --> 1:36:53.400
<v Speaker 2>and he changed my whole.

1:36:53.640 --> 1:36:59.880
<v Speaker 6>Thought process as far as like writing content, because people too,

1:37:00.120 --> 1:37:02.559
<v Speaker 6>is he complaining about what they not getting?

1:37:03.120 --> 1:37:04.320
<v Speaker 2>But you're not writing.

1:37:04.000 --> 1:37:06.960
<v Speaker 6>Nothing for yourself. You're not even writing nothing for for

1:37:07.160 --> 1:37:09.519
<v Speaker 6>who you are. Like, you gotta at least write something

1:37:09.760 --> 1:37:12.519
<v Speaker 6>and show people what you what you what you buy.

1:37:12.600 --> 1:37:15.120
<v Speaker 6>I don't care if it's a TV show, talk show, movie,

1:37:15.200 --> 1:37:17.960
<v Speaker 6>whatever it is. If you can't just sit back going,

1:37:18.040 --> 1:37:20.280
<v Speaker 6>I hope they give me something. You gotta show them

1:37:20.280 --> 1:37:23.400
<v Speaker 6>what they gotta give you. So therefore, if you write

1:37:23.439 --> 1:37:25.400
<v Speaker 6>that down and you give it to them, then yo,

1:37:25.439 --> 1:37:26.439
<v Speaker 6>it's gonna be our love.

1:37:27.000 --> 1:37:27.880
<v Speaker 2>I'm in New York.

1:37:28.000 --> 1:37:30.200
<v Speaker 6>I'm at this club right and I'm doing a movie

1:37:30.240 --> 1:37:32.680
<v Speaker 6>for Netflix, this Christmas movie, and I'm out there in

1:37:32.720 --> 1:37:35.519
<v Speaker 6>the club Marlon Wayne's walking crew.

1:37:35.760 --> 1:37:38.679
<v Speaker 2>They all sitting up in this section. I see Marlin.

1:37:38.760 --> 1:37:39.280
<v Speaker 2>I go over there.

1:37:39.320 --> 1:37:41.200
<v Speaker 6>I'm like, Marlon, we hugging it out and all this

1:37:41.280 --> 1:37:43.040
<v Speaker 6>shit Marlin like, yo, what you're doing it?

1:37:43.080 --> 1:37:43.479
<v Speaker 2>And why?

1:37:43.560 --> 1:37:47.320
<v Speaker 12>I'm like, man, doing this movie. And he was like, oh, man, congratulations,

1:37:47.320 --> 1:37:49.960
<v Speaker 12>man your movie. And I said no, no, I'm just

1:37:50.000 --> 1:37:52.839
<v Speaker 12>doing this movie for Netflix. And he was like, okay,

1:37:52.920 --> 1:37:56.439
<v Speaker 12>you produced it. I was like, nah, no, I'm just

1:37:56.760 --> 1:38:00.080
<v Speaker 12>I'm just you know, I'm just starting it. He was like,

1:38:00.120 --> 1:38:01.880
<v Speaker 12>oh you started. It's all you starting.

1:38:01.880 --> 1:38:03.720
<v Speaker 6>And he was like, but you showed it to him, right,

1:38:04.560 --> 1:38:06.640
<v Speaker 6>And I'm like, no, nigga.

1:38:06.479 --> 1:38:11.920
<v Speaker 2>No, I'm just the movie.

1:38:12.640 --> 1:38:18.519
<v Speaker 6>He was like this, Oh okay, he said, but it

1:38:18.560 --> 1:38:19.240
<v Speaker 6>ain't shrure us.

1:38:20.160 --> 1:38:25.240
<v Speaker 2>I'm like, I'm like na. He was like why. He

1:38:25.400 --> 1:38:31.920
<v Speaker 2>was like, so he said, he said, so you just

1:38:31.920 --> 1:38:35.280
<v Speaker 2>gonna keep doing movies for everybody. You're gonna keep being

1:38:35.320 --> 1:38:38.759
<v Speaker 2>funny for everybody and and not and not for you.

1:38:39.200 --> 1:38:43.160
<v Speaker 6>And so I was like, I mean, ship man, I

1:38:43.160 --> 1:38:45.200
<v Speaker 6>mean I hear what you're saying. But he was like, no,

1:38:45.360 --> 1:38:47.040
<v Speaker 6>I don't think you do. He was like, dude, you

1:38:47.120 --> 1:38:48.880
<v Speaker 6>one of the funniest motherfuckers.

1:38:48.439 --> 1:38:51.040
<v Speaker 2>In the game. And he was like, are you still

1:38:51.400 --> 1:38:53.200
<v Speaker 2>making other people funny?

1:38:53.760 --> 1:38:56.200
<v Speaker 6>It was like he was like, dude, if you don't

1:38:56.200 --> 1:38:59.960
<v Speaker 6>write you a movie or a show or something for yourself. Man,

1:39:00.040 --> 1:39:01.840
<v Speaker 6>and he was like, they don't know. You said, they

1:39:01.840 --> 1:39:04.080
<v Speaker 6>can say whatever they want to say about me. He

1:39:04.200 --> 1:39:06.000
<v Speaker 6>was like, they just say my movie is horrible.

1:39:06.160 --> 1:39:06.679
<v Speaker 2>They great.

1:39:06.800 --> 1:39:10.760
<v Speaker 6>He was like, as long as they my movie, I

1:39:10.920 --> 1:39:13.960
<v Speaker 6>rolled on. I produced them a hard that. He was like,

1:39:14.080 --> 1:39:16.880
<v Speaker 6>they mind And he was like, and my budget steadily

1:39:16.960 --> 1:39:21.120
<v Speaker 6>going up constant and I just froze and he was like,

1:39:21.200 --> 1:39:23.360
<v Speaker 6>but yo, man, next time I see you.

1:39:23.439 --> 1:39:23.639
<v Speaker 2>Man.

1:39:23.840 --> 1:39:25.880
<v Speaker 6>He was like, man, I hope I hope you write

1:39:25.920 --> 1:39:28.719
<v Speaker 6>you something. And I said, man, thank you very much.

1:39:28.880 --> 1:39:32.400
<v Speaker 6>Left left his section, went back over to the to

1:39:32.439 --> 1:39:35.960
<v Speaker 6>the to the chicks and and my boy, and was like,

1:39:36.600 --> 1:39:41.880
<v Speaker 6>I'll talk to y'all. Letter hopped in the cab, went

1:39:41.920 --> 1:39:44.839
<v Speaker 6>to my hotel room and just laid there and stared

1:39:44.840 --> 1:39:49.960
<v Speaker 6>at the wall. Yo, and was just like andbarrassed. I

1:39:50.040 --> 1:39:52.800
<v Speaker 6>was a barrassed. I just I didn't even want to

1:39:52.800 --> 1:39:56.479
<v Speaker 6>be out no more. I was embarrassed because motivated what

1:39:57.560 --> 1:40:00.360
<v Speaker 6>from that day I've been writing And.

1:40:00.320 --> 1:40:05.719
<v Speaker 7>So you did that right in this moment, in this moment,

1:40:05.760 --> 1:40:07.280
<v Speaker 7>I mean it for me, but I don't matter.

1:40:07.280 --> 1:40:10.680
<v Speaker 1>But I'm just I don't say that.

1:40:10.920 --> 1:40:13.160
<v Speaker 6>I'm telling you like like when Marlin hit me with

1:40:13.200 --> 1:40:14.799
<v Speaker 6>that Marlon He couldn't.

1:40:15.200 --> 1:40:19.200
<v Speaker 2>He couldn't even fathom. He just kept going, it's yours, right,

1:40:19.439 --> 1:40:23.280
<v Speaker 2>I'm like, no, oh, so you wrote it? No, okay,

1:40:23.280 --> 1:40:27.040
<v Speaker 2>so you produced it. I'm like no, motherfucking no. He

1:40:27.280 --> 1:40:31.720
<v Speaker 2>like like what do you mean? Like what do you mean?

1:40:33.360 --> 1:40:35.560
<v Speaker 4>And some ship and you don't.

1:40:35.560 --> 1:40:38.080
<v Speaker 2>And when and when and when I left Marlin.

1:40:38.200 --> 1:40:41.360
<v Speaker 6>From that day on, I've been right and write write

1:40:41.439 --> 1:40:45.200
<v Speaker 6>these scripts and like right now, we just finished one

1:40:45.240 --> 1:40:48.120
<v Speaker 6>of the movies that we wrote, wet.

1:40:48.160 --> 1:40:51.240
<v Speaker 2>We wrote another one. We got another one on the

1:40:51.240 --> 1:40:53.840
<v Speaker 2>way that we write and get it and we just

1:40:53.880 --> 1:40:55.920
<v Speaker 2>shot one of the movies. We just finished it.

1:40:56.800 --> 1:40:59.920
<v Speaker 6>And that's why I was looking at your page too,

1:41:00.080 --> 1:41:04.879
<v Speaker 6>and I want to congratulate you on your film opening

1:41:04.960 --> 1:41:07.880
<v Speaker 6>up Sundance boy, y'all that's how you got.

1:41:08.160 --> 1:41:19.120
<v Speaker 11>Thanks class, yo, that's how that's how you got to

1:41:19.240 --> 1:41:20.160
<v Speaker 11>do that, dude.

1:41:20.160 --> 1:41:22.320
<v Speaker 6>I'm telling you, Like, when I seen your page, I

1:41:22.439 --> 1:41:25.240
<v Speaker 6>was like, I'm right behind man, I'm right behind you.

1:41:25.360 --> 1:41:27.880
<v Speaker 2>Quest like you got to do it, and you got

1:41:27.920 --> 1:41:29.840
<v Speaker 2>to do it from your point of view and how

1:41:29.880 --> 1:41:31.760
<v Speaker 2>you want to do that? Ship done? You know what

1:41:31.760 --> 1:41:33.000
<v Speaker 2>I mean? Yo?

1:41:33.360 --> 1:41:38.360
<v Speaker 7>Man, this is the greatest subconscious masterclass that I've ever

1:41:38.400 --> 1:41:38.920
<v Speaker 7>been apart.

1:41:42.120 --> 1:41:45.240
<v Speaker 3>I was going to say, like with the way that

1:41:45.800 --> 1:41:51.439
<v Speaker 3>Kenya's popping off all these issues, like surely there's has

1:41:51.439 --> 1:41:54.280
<v Speaker 3>the conversation ever happened with you having your own vehicle

1:41:54.360 --> 1:41:58.880
<v Speaker 3>for a show, So no, no, no, I'm just saying

1:41:58.920 --> 1:42:02.559
<v Speaker 3>that I feel like you're the next You're the fourth

1:42:02.600 --> 1:42:03.920
<v Speaker 3>issue that should be coming.

1:42:04.200 --> 1:42:07.880
<v Speaker 6>So so so Lawrence and Jennifer. They have their spin off,

1:42:07.960 --> 1:42:14.479
<v Speaker 6>Grownish that they shooting right now. Oldest old I'm sorry,

1:42:15.080 --> 1:42:17.200
<v Speaker 6>Oldest Grownish.

1:42:17.360 --> 1:42:17.920
<v Speaker 2>They had me.

1:42:18.600 --> 1:42:21.160
<v Speaker 6>We agreed that I would go to Grownish and we

1:42:21.320 --> 1:42:24.800
<v Speaker 6>kicked the show off and like work with them until

1:42:24.840 --> 1:42:28.720
<v Speaker 6>the show kicked off and then you know, we go

1:42:28.800 --> 1:42:29.240
<v Speaker 6>from there.

1:42:29.320 --> 1:42:30.320
<v Speaker 2>So I was great.

1:42:30.400 --> 1:42:32.439
<v Speaker 6>I was you know, it was great for me to

1:42:32.479 --> 1:42:34.599
<v Speaker 6>work on that show for like three years. But then

1:42:34.600 --> 1:42:36.719
<v Speaker 6>when they hit the fourth year, the kids was graduate,

1:42:37.360 --> 1:42:38.599
<v Speaker 6>so they're not going to be.

1:42:38.520 --> 1:42:41.799
<v Speaker 2>In the school. Me being a dean at the school,

1:42:42.360 --> 1:42:45.400
<v Speaker 2>wasn't that makes sense too much? Some more like that.

1:42:45.560 --> 1:42:48.280
<v Speaker 6>So then I was like, you know what, you know,

1:42:48.320 --> 1:42:52.000
<v Speaker 6>we we I'm an exit or whatever and we're still

1:42:52.120 --> 1:42:54.880
<v Speaker 6>cool or whatever. But as far as my own show

1:42:55.000 --> 1:42:59.160
<v Speaker 6>with Kenya producing, it never never, it never was brought

1:42:59.240 --> 1:43:00.720
<v Speaker 6>up Damn.

1:43:00.680 --> 1:43:02.880
<v Speaker 1>I feel like that's the's a layup.

1:43:03.000 --> 1:43:08.120
<v Speaker 2>Yeah, yeah, no, it was never never brought up.

1:43:08.200 --> 1:43:11.280
<v Speaker 6>It was it was just always like I said, he

1:43:11.360 --> 1:43:13.800
<v Speaker 6>sent me over the Growners to kick Growner shop, and

1:43:13.840 --> 1:43:16.559
<v Speaker 6>then when Gronish stopped flourishing with the kids, was getting

1:43:16.600 --> 1:43:19.840
<v Speaker 6>down on the own, then I departed from there. And

1:43:19.920 --> 1:43:31.160
<v Speaker 6>then yeah, I just all right, well then.

1:43:27.040 --> 1:43:29.360
<v Speaker 7>Interesting because you popped off grown Its like there was

1:43:29.360 --> 1:43:32.520
<v Speaker 7>a reason that Charlie needed to be on campus.

1:43:33.040 --> 1:43:35.080
<v Speaker 6>Yeah, it was a reason why I had to be there,

1:43:35.240 --> 1:43:37.200
<v Speaker 6>you know, so so so it was all good.

1:43:37.240 --> 1:43:39.480
<v Speaker 2>But then once once the chemistry and the kids.

1:43:39.560 --> 1:43:41.920
<v Speaker 6>It's amazing, they got it. Think, yeah, it was you know,

1:43:41.960 --> 1:43:44.080
<v Speaker 6>it was time for me to step off. But uh,

1:43:44.240 --> 1:43:47.679
<v Speaker 6>it was great. It was a great opportunity and all

1:43:47.720 --> 1:43:50.479
<v Speaker 6>of that. And as far as like yeah, but as

1:43:50.479 --> 1:43:53.479
<v Speaker 6>far as like him coming to me going, yo, you

1:43:53.600 --> 1:43:56.640
<v Speaker 6>a spin off show, we never had that conversation.

1:43:57.920 --> 1:44:01.040
<v Speaker 1>All right, well, I'm putting out there he needs his own.

1:44:01.000 --> 1:44:12.240
<v Speaker 7>Marlon, his own don't want to come back here.

1:44:09.600 --> 1:44:10.000
<v Speaker 6>We doing it.

1:44:12.400 --> 1:44:15.240
<v Speaker 1>Yeah, but thank you, Dion, thank you so much. Man.

1:44:15.360 --> 1:44:19.600
<v Speaker 1>This this is his EPISO Educate Edumacational.

1:44:19.520 --> 1:44:22.120
<v Speaker 4>Questions, Episode A mirror. He's family.

1:44:23.840 --> 1:44:25.440
<v Speaker 1>Second, go round and remember.

1:44:25.160 --> 1:44:25.840
<v Speaker 4>And not but nothing.

1:44:25.840 --> 1:44:27.559
<v Speaker 7>I'm trying to remember, but it was nothing one that

1:44:27.600 --> 1:44:29.960
<v Speaker 7>helped us book Dion on the first episode in l.

1:44:30.000 --> 1:44:31.639
<v Speaker 1>A she might have been.

1:44:32.000 --> 1:44:35.679
<v Speaker 6>I think she might have been nothing monster to people

1:44:35.720 --> 1:44:36.320
<v Speaker 6>don't know about.

1:44:37.240 --> 1:44:41.200
<v Speaker 3>Thank you for doing the show. Uh. Oh by the way, Uh,

1:44:41.840 --> 1:44:44.200
<v Speaker 3>this will be on for the holidays. Correct, Yes, the

1:44:44.280 --> 1:44:46.920
<v Speaker 3>holidays show. It's just okay.

1:44:47.000 --> 1:44:52.200
<v Speaker 1>It's the most on holiday holiday show. Send yeah.

1:44:52.200 --> 1:44:56.000
<v Speaker 3>Speaking of holidays, let me remind people that I'm actually

1:44:56.000 --> 1:44:58.280
<v Speaker 3>involved with three movies with the title Soul in it

1:44:58.560 --> 1:45:03.240
<v Speaker 3>and one opens on Christmas Disney plus Soul. I am

1:45:03.240 --> 1:45:07.760
<v Speaker 3>a Pixar character, a real Pixar character, Jamie Fox and

1:45:07.800 --> 1:45:12.479
<v Speaker 3>Tina Fey and dav Diggs and Angela Bassett and Felicia Sad.

1:45:13.160 --> 1:45:16.400
<v Speaker 1>It's it's amazing. I hope you guys enjoyed this show.

1:45:16.439 --> 1:45:20.040
<v Speaker 5>I'm sorry, Go ahead, I'm sorry.

1:45:22.080 --> 1:45:22.320
<v Speaker 2>Yeah.

1:45:22.520 --> 1:45:26.559
<v Speaker 3>And and also shout out to Belvini for a for

1:45:26.720 --> 1:45:28.520
<v Speaker 3>our spirits.

1:45:28.560 --> 1:45:30.920
<v Speaker 4>I drink half of you tonight and I know Steve did.

1:45:31.280 --> 1:45:32.480
<v Speaker 2>Thank you.

1:45:34.280 --> 1:45:37.320
<v Speaker 7>PS big up to Dion who does not who does

1:45:37.400 --> 1:45:39.560
<v Speaker 7>drink responsibly and does not drink. I just wanted to

1:45:39.560 --> 1:45:43.560
<v Speaker 7>pick you up at that funny because there's some little spirits.

1:45:43.160 --> 1:45:50.639
<v Speaker 2>And sober no.

1:45:50.760 --> 1:45:54.120
<v Speaker 3>But you know, let's have a prosperous uh twenty one

1:45:54.320 --> 1:45:57.800
<v Speaker 3>and uh you know and and put we're gonna will

1:45:58.080 --> 1:46:00.200
<v Speaker 3>Dion's empire.

1:46:00.320 --> 1:46:16.200
<v Speaker 2>To the universe appreciate exactly. All right, thank you all many. Hey,

1:46:16.280 --> 1:46:19.320
<v Speaker 2>this is Sugar Steve. Make sure you keep up with

1:46:19.400 --> 1:46:20.680
<v Speaker 2>us on Instagram.

1:46:20.280 --> 1:46:21.559
<v Speaker 11>At q l s.

1:46:22.320 --> 1:46:24.840
<v Speaker 2>Let us know what you think. Who should be next

1:46:24.840 --> 1:46:28.439
<v Speaker 2>to sit down with us? Don't forget to subscribe to

1:46:28.560 --> 1:46:30.200
<v Speaker 2>our podcast.

1:46:33.840 --> 1:46:36.679
<v Speaker 1>What's Love Supreme is a production of iHeart Radio.

1:46:40.200 --> 1:46:43.519
<v Speaker 3>For more podcasts from iHeart Radio, visit the iHeart Radio app,

1:46:43.720 --> 1:46:46.759
<v Speaker 3>Apple Podcasts, or wherever you listen to your favorite shows.