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Speaker 1: Quest Love Supreme is a production of iHeart Radio. Eight

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Speaker 1: Days of.

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Speaker 2: Lazy Jones, Eight motherfucking days.

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Speaker 3: Welcome to This is our fourth annual U Shaka Khan episode.

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Speaker 3: If you're celebrating Hanakah Kwanza.

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Speaker 1: Chanaka Chaaka is smoking Robins or China.

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Speaker 3: Yeah, I'm about to say smoky Robinson pronounced it.

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Speaker 1: Kah. That's all Jams and Steve.

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Speaker 4: Who's that?

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Speaker 1: Sharon Jones, Sharon Jones and the dad Kings. Oh wow,

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Speaker 1: eight days of.

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Speaker 2: That only Honakkah was actually that funky and soulful. I'd

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Speaker 2: be a happy guy.

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Speaker 1: Well, you know, now's now's the now's the time to

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Speaker 1: reverse that. Now that's one of my favorites. I like

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Speaker 1: that record. Yeah, man, this is uh.

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Speaker 3: Oh we we should uh before we get started, give

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Speaker 3: a shout out to our good friends Belviani. Got very

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Speaker 3: familiar with them this year, extremely familiar. Yeah, and uh,

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Speaker 3: you know it's Belviani that's handcrafted to be enjoyed responsibly,

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Speaker 3: So you know, give them a shout out. But also

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Speaker 3: let people know that they should drink responsibly and uh,

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Speaker 3: you know, because we know that this could be you know,

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Speaker 3: a celebration for some people can be uh, not too

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Speaker 3: celebratory for other people. Yeah, our guest today is a

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Speaker 3: friend of the show. I gotta say that one of

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Speaker 3: the biggest surprises of twenty twenty was actually how good

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Speaker 3: of a DJ?

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Speaker 2: This?

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Speaker 1: This is real?

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Speaker 2: Man?

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Speaker 3: YoY yo, Like, dude, I had zero clue that you

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Speaker 3: were this serious on turntables.

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Speaker 1: Yeah, welcome Dion cole course superior.

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Speaker 2: Yeah that's just sha ka Khan.

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Speaker 1: Edition.

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Speaker 2: Yeah, what's going on, man, king? What's going on? Brother?

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Speaker 2: How y'all doing? Everybody doing? Everybody good?

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Speaker 1: We're good, brother, We're good.

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Speaker 2: Yeah.

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Speaker 1: I didn't think I did. I was thinking.

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Speaker 5: I was like, man, I didn't think that Dion was

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Speaker 5: such a big house head. But then I realized, I'm

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Speaker 5: like shitty from Chicago.

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Speaker 1: Of course he's out head. Like okay.

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Speaker 3: So that's the thing though, Like, if you are, if

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Speaker 3: you're of age in Chicago, especially in the eighties and

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Speaker 3: the nineties when this is blossoming, I mean, am I

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Speaker 3: to assume that that's house Music's almost like a birthright,

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Speaker 3: Like everyone is indulged in in house music culture if

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Speaker 3: you're from Chicago.

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Speaker 6: Yeah, especially back then, Like back then, it was like everybody,

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Speaker 6: everybody was engulfed in like it was it was something

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Speaker 6: that was our own. It was almost like almost like

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Speaker 6: a secret, like it was like our thing that we

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Speaker 6: was doing. And then if you really, like like I

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Speaker 6: was my age, you wasn't thinking about the world and

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Speaker 6: them hearing it. You was just happy that it was

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Speaker 6: like like how almost like how hip hop was our

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Speaker 6: hip hop just came and it just was something that

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Speaker 6: we felt like was ours, even like in Chicago, I

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Speaker 6: remember HBK underground hip hop stations.

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Speaker 2: It was just something that was just ours and we just,

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Speaker 2: I don't know, we just embraced it. But everybody was.

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Speaker 6: Everybody was into it, like everybody thugs, gangsters, pimps, everybody.

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Speaker 3: Like That's what I'm saying. I would I would have

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Speaker 3: thought it was just a niche like kind of a

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Speaker 3: select if you were into this as an underground. But

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Speaker 3: I slowly realized how damn near every person from Chicago,

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Speaker 3: even Common's knowledge of house music history ran deep.

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Speaker 1: So I didn't know that.

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Speaker 6: Yeah, cam Com always come on the page and be

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Speaker 6: requested songs for me to play, like just always playing

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Speaker 6: uh put.

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Speaker 2: Us under.

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Speaker 4: Take request?

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Speaker 1: Is it all over my face?

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Speaker 2: Is it all over my face?

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Speaker 6: Sometime I do, Yeah, like he'll come on there, like

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Speaker 6: he'll like text me or something and be like, yo,

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Speaker 6: play this, and I'd be like, all right, now, I

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Speaker 6: look it up and I'll play it definitely. But yeah, like, man,

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Speaker 6: our days go back, even back in the day, Common

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Speaker 6: me everybody used to be at this place called the

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Speaker 6: Bizmark when we used to get down the music box

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Speaker 6: a kas all disco and I'm talking like vice lords,

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Speaker 6: disciples folks. Yeah, man, Common Common was a common was

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Speaker 6: a mo a vice little and still to this day

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Speaker 6: he got a little vice lord on them, you know

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Speaker 6: how much of it.

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Speaker 7: But that's crazy because no matter how hard you was,

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Speaker 7: you still dance.

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Speaker 2: To the music still. And that's and that's the point

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Speaker 2: I was getting to.

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Speaker 6: You're being there with like straight thugs with guns everything

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Speaker 6: jamming like jamming the house because it was a spiritual vibe. Man,

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Speaker 6: it was. It was almost tribal what it was, and

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Speaker 6: it was something that we all got along with. And

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Speaker 6: not only gangsters. We're talking like gay people, gangsters, regular people,

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Speaker 6: everybody in the same room, politicians, uh prepastors, everybody. Because

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Speaker 6: it was the disco era that ended and made it

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Speaker 6: underground and it made people gravitate to it because it

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Speaker 6: was you couldn't hear it on the radio no more

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Speaker 6: once the disco era, and you can't really end on

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Speaker 6: radio like that. So it was all these underground places

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Speaker 6: that play music. And there was a place called the

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Speaker 6: Warehouse where Frankie Knuckles used to be.

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Speaker 5: Frank were you around for the were you around for

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Speaker 5: like the Ron Hardy? Was that before your time?

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Speaker 1: Or was that? Okay, man, let me.

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Speaker 2: Tell you about Ron Ron? Yeah, yo, Ron.

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Speaker 6: See Frankie Knuckles was like he was the one that

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Speaker 6: was like it was like sophisticated house when Frankie would

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Speaker 6: do it, and there would be mostly gay too, it

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Speaker 6: would be like mostly gay sophisticated scene. But when Ron, yeah,

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Speaker 6: all Jamie principal, all them.

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Speaker 2: Yeah.

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Speaker 6: But then but then when but when when Ron started

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Speaker 6: when when they was ending the warehouse, then the music

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Speaker 6: box opened up and that's when Ron came in. And

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Speaker 6: Ron took the music from being sophisticated to like taking

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Speaker 6: chances with it, like you'll hear music that you ain't

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Speaker 6: never really heard before, and your hear music looped in.

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Speaker 2: A way that you thought it was a whole new

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Speaker 2: song that you just didn't hear.

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Speaker 6: And he had this thing where he'll play a song

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Speaker 6: and then he would have a real to real, real

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Speaker 6: to real, and he would blend in the real, the

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Speaker 6: real from the turntable, but the real to realid be

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Speaker 6: going backwards and.

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Speaker 2: He would play and he would play the song backwards

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Speaker 2: on the.

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Speaker 8: Real the reel, and you will be dancing to it,

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Speaker 8: going bserk that he's playing this track backwards and the

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Speaker 8: track being played backwards sound.

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Speaker 1: Like a whole new track.

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Speaker 2: Then used to just like just zone out.

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Speaker 6: And the sound system was like no sound system I've

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Speaker 6: ever heard still to this day.

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Speaker 2: And it came from uh, what's that place? Larry Levigne us.

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Speaker 6: Garage, the dude who did the sound system in Paradise

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Speaker 6: Garage did the sound system at the warehouse at Chicago,

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Speaker 6: and it.

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Speaker 2: Was yo, there it is and and never never.

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Speaker 6: Heard nothing like that. To this day, I haven't heard

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Speaker 6: the sound system like that. And he used to thump

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Speaker 6: like through your soul dumb. So yeah, man, that that

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Speaker 6: house scene was big. And the music that Rod that

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Speaker 6: Frankie and them used to play at the warehouse, you

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Speaker 6: couldn't really get it nowhere.

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Speaker 2: It was exclusive. So what they would do they would

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Speaker 2: make tapes and sell them.

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Speaker 6: At the Wear at this this uh at this record

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Speaker 6: company in High Park and they and they used to

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Speaker 6: sell like the music. The people would go there and

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Speaker 6: be like, yo, let me get some of that warehouse music. Yo,

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Speaker 6: let me get that warehouse music. And after while they

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Speaker 6: took the musica, they took the wearoff of it. It

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Speaker 6: was just like, let me get some of the house music.

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Speaker 2: Whatever.

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Speaker 3: Oh So that's that's the derivation of how uh.

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Speaker 7: Chicago get salty When other cities started calling their ship house, I.

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Speaker 1: Was gonna say, what's your relationship with Detroit? Because in Jersey, even.

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Speaker 6: In Baltimore, No, I think that they always respected that

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Speaker 6: it came from Chicago. From that I know of, they

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Speaker 6: always respected it, respected that, but they knew that that's

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Speaker 6: what that music.

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Speaker 2: It came from Chicago, and that's what we called it,

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Speaker 2: and that's just what it was.

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Speaker 6: And then they started adapting it, adapting the two which

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Speaker 6: was always love like I don't want nobody in Chicago

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Speaker 6: never was against Baltimore Jersey.

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Speaker 2: Or Baltimore had to respect Yeah, yeah, yeah exactly.

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Speaker 6: So it was it was it was just love like,

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Speaker 6: ain't nobody I've never heard nobody in Chicago tripping over

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Speaker 6: it like that, you know, But it's always been a

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Speaker 6: part of our culture, man, and especially like then it

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Speaker 6: was it was, it was.

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Speaker 2: It was a hybrid because hip hop was.

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Speaker 6: Like coming there raw and hard too, so it was

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Speaker 6: like between.

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Speaker 2: Both of them.

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Speaker 6: It was just music heaven in Chicago at the time.

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Speaker 3: When I go to Chicago, like I always find out,

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Speaker 3: like when I go to the cities and figure out,

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Speaker 3: like what the national anthem of that particular club culture is.

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Speaker 3: So what is the my eyes Don't Cry of Detroit?

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Speaker 3: I was about to say, I know the answer is, Baby,

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Speaker 3: I'm Scared of You by Woolmack and Womack. But now

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Speaker 3: I'm also thinking about stepping culture, like how does stepping

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Speaker 3: culture is that different than house culture as well?

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Speaker 1: Or did it?

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Speaker 6: Yeah, stepping culture is a whole other culture of Chicago.

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Speaker 6: Stepping culture is also back in disco era, taking a

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Speaker 6: lot of that music and and just the seventies itself. Man,

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Speaker 6: it was great music. Curtis Mayfield, all of them. They

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Speaker 6: have music that had this certain rhythm and there's certain

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Speaker 6: this certain beat pattern that was considered like a music

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Speaker 6: that you can dance to with your woman and not

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Speaker 6: slow dance, but not fast dance. But it was something

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Speaker 6: cool that you could just move to because a lot

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Speaker 6: of players, they ain't want to mess their shoes up,

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Speaker 6: they ain't want to get all sweaty, and so it

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Speaker 6: was a nice way to just be cool and just

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Speaker 6: groove seven right, that's kind of yeah yeah, yeah, so

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Speaker 6: you were groove and it was able for you to

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Speaker 6: not not be sweaty, but groove, be with your lady,

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Speaker 6: be tight coas to HRD. And it was just a

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Speaker 6: good way of just grooving or whatever. So a lot

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Speaker 6: of pimps used to do that, a lot of players,

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Speaker 6: and uh that was a good way that they used

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Speaker 6: to do it.

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Speaker 2: And it was just it was just it just stuck around.

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Speaker 6: It just always was a thing, you know, from back

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Speaker 6: in the day, like my father, my.

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Speaker 2: Mother, everybody used to step. Like to this day, people

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Speaker 2: steps like championship level stepping tournaments.

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Speaker 6: Yeah, all of that, like tournaments like like practicing all

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Speaker 6: year long, going from party to party, practicing and then

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Speaker 6: at the end of the year you you get into

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Speaker 6: a stepping tournament.

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Speaker 4: Like if you listening is the ultimate stepping teacher.

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Speaker 5: Uh me and my wife we stepped we Uh I

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Speaker 5: got her into it. I've been doing it for a

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Speaker 5: couple of years kind of before we got together, but

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Speaker 5: then I got her into it, and.

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Speaker 1: So Tovid kind of stopped it because you.

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Speaker 5: Know, we ain't get to, you know, be doing it

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Speaker 5: like we used to. But we'll still we'll be in

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Speaker 5: the kitchen.

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Speaker 1: We're living.

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Speaker 4: Everybody what everybody ain't patient? You trying to.

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Speaker 5: You know because from various people, I hear that like

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Speaker 5: Woo and Woo, Max Mayby, I'm scared of you.

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Speaker 2: And then the that's Jeffrey, uh making love is gonna last.

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Speaker 6: That's that's more stepping with this name Jeffrey something God

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Speaker 6: his name.

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Speaker 2: But yeah, I know you're talking about.

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Speaker 3: Right, So like what what are those like Chicago only

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Speaker 3: records that like of that era at least.

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Speaker 6: Well when it like anything by the moments of the

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Speaker 6: shotlights like some some cools, it's like.

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Speaker 2: Yo stepping groog. But like I said, it's just a.

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Speaker 5: Temples, Nah, come on, sexy mamas, not a fast Yeah,

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Speaker 5: it's that tempo if you're in that tempo, because I

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Speaker 5: tell you somebody, who's who people get because we we

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Speaker 5: stepped to Earth win the Fire like Earth in the

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Speaker 5: Fire is like a great great group.

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Speaker 6: But I'm gonna tell you. I'm gonna tell you who

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Speaker 6: people love. It's Kim like Chicago.

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Speaker 1: Yeah yeah, man.

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Speaker 4: Look.

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Speaker 3: God, no, no, no disrespecting Kim, no different, but just

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Speaker 3: the way he pops up on this the way he

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Speaker 3: pops up on this podcast.

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Speaker 1: I need to want to properly explain the power of Kim.

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Speaker 3: I'm gonna tell you, Kim is just cool, Yo, It's

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Speaker 3: just it's just a cool.

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Speaker 2: Look.

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Speaker 3: We don't know him personally, We don't know him personally,

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Speaker 3: but the music just gott a.

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Speaker 6: Groove, a sophistic like a cool pimp sophistication type thing

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Speaker 6: that people love in Chicago.

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Speaker 4: Man, everybody, everybody get.

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Speaker 2: Maybe everybody I know in's Chicago. Yo, Kim you you.

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Speaker 5: Roll listen, Yo, Kim is one of them artists, bro,

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Speaker 5: Like for real, Kim is one of them artists that

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Speaker 5: like nobody claims to like.

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Speaker 1: But this nigga puts up numbers on the board.

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Speaker 5: So it's like, listen, some of our niggas is lying

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Speaker 5: cuz these records are not buying themselves, you know what

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Speaker 5: I mean.

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Speaker 1: Niggas fuck with Kim.

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Speaker 6: Do this concert and trench coats and.

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Speaker 5: Mustache, Like, yeah, I learned I learned the power of

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Speaker 5: Kim on a drive to New Orleans. I was driving

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Speaker 5: while I was riding with my aunts from New Orleans

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Speaker 5: to well, from Atlanta, New Orleans. We're going New Orleans

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Speaker 5: from Mardi Gras and Nigga. When I tell you, it

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Speaker 5: was a chemthon for six hours. That was when I

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Speaker 5: got school. I was like, Okay, I get it. He

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Speaker 5: he is the Auntie Whisperer Frankie.

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Speaker 1: For real.

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Speaker 5: Wait, wait, I gotta I gotta clear something else because

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Speaker 5: I ain't trying to get a little showing.

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Speaker 1: No more.

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Speaker 3: Yeah, no disrespect, disrespect to Kim. I just simply I'm

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Speaker 3: not that familiar with Kim's discography. But again, I recognize

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Speaker 3: he puts numbers on the boards open up shows for

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Speaker 3: him in stadiums at like.

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Speaker 1: Eighteen thousand Cedar.

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Speaker 3: He Jill Scott opening for Kim, you know, damn near

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Speaker 3: sixteen thousand Cedar in Philadelphia, Like he does the numbers.

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Speaker 3: I just I've never studied him. And yes, as a

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Speaker 3: casual listener, you might dismissively say, oh, okay, that's just

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Speaker 3: algio whatever, But now I get so, Yeah, that was it.

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Speaker 6: See the whole thing about Kim from I don't. I

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Speaker 6: don't know his history and none of that need.

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Speaker 2: All I knew was it was homeless.

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Speaker 6: He got a deal and he blew up and it

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Speaker 6: made people go wow, look at look at that and

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Speaker 6: look at this guy's.

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Speaker 2: Voice is amazing. He was homeless. Yo, we rock His

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Speaker 2: story is crazy. Yeah, we rocking with We rock away.

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Speaker 1: So that's okay, let's get Kim on the show.

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Speaker 4: We gotta do al black first. But as soon as

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Speaker 4: you get.

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Speaker 6: A black first, No, but you're some stepping on, some

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Speaker 6: stepping you throw some kim on. You could be in

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Speaker 6: the middle of a fight you throw some Kimo. Mother's

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Speaker 6: gonna be like, I better not see your ass around here.

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Speaker 2: No more.

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Speaker 1: Man, So, how how long have you been DJing? Just

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00:17:30,960 --> 00:17:39,159
Speaker 1: all your life? For a new pandemic skill? Like?

315
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Speaker 2: Just no?

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Speaker 6: Really, I was just talking about this the other day.

317
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Speaker 6: I sung to a friend and I said.

318
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Speaker 2: Can you believe I have not DJ a year yet?

319
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Speaker 4: What I'm not so congression.

320
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Speaker 6: I don't even know how to DJ on on CDJ.

321
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Speaker 3: Wait, you saw the writing on the wall, got you

322
00:18:03,400 --> 00:18:05,919
Speaker 3: some DJ equipment in March and then.

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Speaker 2: DJ. No.

324
00:18:08,520 --> 00:18:13,159
Speaker 6: No, I've had the equipment for three years and I

325
00:18:13,240 --> 00:18:14,200
Speaker 6: had it sitting there.

326
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Speaker 2: I was living in another house.

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Speaker 6: I had it sitting there and I tried to use it,

328
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Speaker 6: and I didn't have the time to practice.

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Speaker 2: I had a catalog of music.

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Speaker 6: I always had a catalog music because I just love

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Speaker 6: collective music and especially disco music.

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Speaker 2: That's my thing. So I always had music.

333
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Speaker 6: But I had the equipment, and I never had time

334
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Speaker 6: to do it. At the time I was filming Blackish, Grownish,

335
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Speaker 6: Angi Tribeca man Conan, I was. I had no time,

336
00:18:46,320 --> 00:18:49,760
Speaker 6: and so it just sat there, dusty everything, and I

337
00:18:49,840 --> 00:18:53,240
Speaker 6: just never did nothing with it. Moved to my new

338
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Speaker 6: place and still never did nothing with it. It was

339
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Speaker 6: just sitting up in the box. And when the pandemic

340
00:19:00,960 --> 00:19:04,639
Speaker 6: and I saw D Nice. I saw d Nice and

341
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Speaker 6: I was like, and I was on d nice page.

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Speaker 2: This one.

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Speaker 6: D Nice had like one hundred and twelve people listening

344
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Speaker 6: to him. So we was over there, you know, just

345
00:19:15,960 --> 00:19:18,600
Speaker 6: just checking them out, and I just just like, man,

346
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Speaker 6: it ain't nothing to do.

347
00:19:20,760 --> 00:19:22,679
Speaker 2: I was like, man, I should I should.

348
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Speaker 6: Pull out my equipment and just see if I can

349
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Speaker 6: just try try to do it. And I just did

350
00:19:30,000 --> 00:19:33,200
Speaker 6: it and was playing around and people was like, don't

351
00:19:33,240 --> 00:19:36,760
Speaker 6: quit your day job, and you're horrible and stick.

352
00:19:36,560 --> 00:19:39,840
Speaker 2: To comedy and where's the joke? Said? They just kept

353
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Speaker 2: doing it.

354
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Speaker 6: And I was joking with him too, because I was like, yeah,

355
00:19:43,160 --> 00:19:46,600
Speaker 6: I am horrible. Definitely, my blends are horrible and all

356
00:19:46,640 --> 00:19:49,680
Speaker 6: of that. But I remember Ron Hardy in Chicago. Ron

357
00:19:49,720 --> 00:19:52,320
Speaker 6: Hardy wasn't no great blend dude.

358
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Speaker 1: What he what?

359
00:19:55,040 --> 00:19:57,679
Speaker 2: It's what he played that was amazing.

360
00:19:58,359 --> 00:19:59,320
Speaker 1: He was a selector.

361
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Speaker 6: Yeah, So I just always had that in mind, and

362
00:20:02,320 --> 00:20:04,480
Speaker 6: I was like, you know what, but I got some

363
00:20:04,960 --> 00:20:06,560
Speaker 6: music people don't know about.

364
00:20:06,680 --> 00:20:09,199
Speaker 2: Like, I got some music, and so I just was like,

365
00:20:09,359 --> 00:20:10,440
Speaker 2: let me just try it.

366
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Speaker 6: And then I started thinking, you know what, it'd be

367
00:20:13,640 --> 00:20:15,960
Speaker 6: hilarious if I learned how to DJ right in front

368
00:20:16,000 --> 00:20:18,920
Speaker 6: of everybody's face, and I just I just didn't care

369
00:20:19,000 --> 00:20:21,600
Speaker 6: and just did it and see to see what happened,

370
00:20:21,600 --> 00:20:25,320
Speaker 6: and and plus let this music out that I got

371
00:20:25,520 --> 00:20:28,159
Speaker 6: that people don't know about, that people don't know about.

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Speaker 1: I'm going to tell.

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Speaker 5: You if you you've been like Emir, yeah, man, I've

374
00:20:33,520 --> 00:20:35,639
Speaker 5: been doing this for about seventeen years.

375
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Speaker 1: Eighteen I do a world class digit.

376
00:20:42,080 --> 00:20:43,840
Speaker 2: You now have.

377
00:20:45,160 --> 00:20:45,560
Speaker 1: You?

378
00:20:45,560 --> 00:20:49,600
Speaker 3: You you have an amazing toofer where now like I

379
00:20:49,680 --> 00:20:53,840
Speaker 3: expect you to be your own after party DJ, after

380
00:20:53,920 --> 00:20:54,960
Speaker 3: your comments.

381
00:20:56,800 --> 00:20:59,760
Speaker 2: Two chicks, that's what that's that's what I want to do.

382
00:21:00,160 --> 00:21:00,480
Speaker 4: Sing.

383
00:21:01,480 --> 00:21:02,960
Speaker 2: Yeah, that's why I want.

384
00:21:03,000 --> 00:21:05,840
Speaker 6: That's why I wouldn't call myself and I still don't.

385
00:21:05,880 --> 00:21:08,440
Speaker 6: I don't be calling myself the DJ because I just don't.

386
00:21:09,040 --> 00:21:11,560
Speaker 6: I feel like I feel like that's what I do,

387
00:21:12,080 --> 00:21:14,159
Speaker 6: That's what i'd be doing. But I don't feel like

388
00:21:15,000 --> 00:21:17,800
Speaker 6: I went through the trenches to call myself a DJ

389
00:21:18,280 --> 00:21:20,840
Speaker 6: like that. Like I don't even I bag off of

390
00:21:21,320 --> 00:21:23,879
Speaker 6: anybody even saying that. Sometimes I just be like, I

391
00:21:23,920 --> 00:21:26,360
Speaker 6: don't think. I think I'm not, but I just think

392
00:21:26,400 --> 00:21:27,920
Speaker 6: I play music that.

393
00:21:28,040 --> 00:21:29,639
Speaker 4: But you have got requests for gigs.

394
00:21:29,640 --> 00:21:30,920
Speaker 2: I bet man.

395
00:21:31,080 --> 00:21:35,359
Speaker 6: I did the Chosen Few, which is crazy.

396
00:21:36,080 --> 00:21:39,040
Speaker 2: I did Chosen Few this year. I did Rock the Vote.

397
00:21:39,359 --> 00:21:42,760
Speaker 6: I did Rock the Vote with Louis Vega and DJ Spinner,

398
00:21:42,920 --> 00:21:48,840
Speaker 6: and I did uh uh souling the horn.

399
00:21:49,320 --> 00:21:56,280
Speaker 1: I just did that. That sounds like.

400
00:21:55,240 --> 00:22:00,280
Speaker 3: Forget from one imposter syndrome to an other.

401
00:22:01,440 --> 00:22:04,200
Speaker 1: Just accept it. Like we think you're a DJ, you're

402
00:22:04,200 --> 00:22:06,400
Speaker 1: a DJ. Trust me on this one.

403
00:22:06,920 --> 00:22:09,400
Speaker 4: When you're sweating while you're DJing, is that still nerves

404
00:22:09,520 --> 00:22:10,480
Speaker 4: or is it hot in there.

405
00:22:10,840 --> 00:22:16,199
Speaker 2: Man, I got air condition, I got I got I

406
00:22:16,280 --> 00:22:18,960
Speaker 2: got air condition. No, I just be I just be

407
00:22:19,240 --> 00:22:20,640
Speaker 2: kind of like losing it.

408
00:22:21,000 --> 00:22:23,359
Speaker 6: This is what I do when I put a playlist together.

409
00:22:23,960 --> 00:22:29,240
Speaker 6: I don't listen to it loud. I listened to it.

410
00:22:29,240 --> 00:22:33,359
Speaker 6: It was very low speakers, and I just I just

411
00:22:33,480 --> 00:22:36,200
Speaker 6: listened to the blends of it. I don't even really

412
00:22:36,240 --> 00:22:38,160
Speaker 6: listen to the whole song because I know the song,

413
00:22:38,400 --> 00:22:40,000
Speaker 6: or if it's a new song that I hear, I

414
00:22:40,119 --> 00:22:43,159
Speaker 6: listen to it, but I won't listen to it loud.

415
00:22:43,840 --> 00:22:45,800
Speaker 2: And I listened to it a couple of times.

416
00:22:46,280 --> 00:22:49,960
Speaker 6: But the experience is when I'm playing it loud for

417
00:22:50,080 --> 00:22:53,560
Speaker 6: the first time, everybody listening to it, and.

418
00:22:53,480 --> 00:22:56,479
Speaker 2: I'm on, I'm on these, I'm on, I'm on these

419
00:22:56,520 --> 00:22:59,359
Speaker 2: boys right here, these speakers, these and.

420
00:22:59,480 --> 00:23:02,760
Speaker 1: Loud you last your music, Yo, I blast.

421
00:23:02,280 --> 00:23:03,280
Speaker 2: Look at this. This is.

422
00:23:05,720 --> 00:23:09,919
Speaker 1: Off my speaker, the size of.

423
00:23:13,359 --> 00:23:17,720
Speaker 2: No, I be rattling, rattling, this whole joint be rap.

424
00:23:17,920 --> 00:23:19,600
Speaker 4: You feel it through the screen when you're watching them.

425
00:23:19,600 --> 00:23:22,640
Speaker 6: That's why I asked, oh yeah, and that joint too

426
00:23:22,720 --> 00:23:26,320
Speaker 6: up there, like I be radling, rattling, and.

427
00:23:26,359 --> 00:23:28,160
Speaker 2: So yo, I be feeling it.

428
00:23:28,200 --> 00:23:32,720
Speaker 6: Man, I just be like, I feel music, man, I

429
00:23:32,800 --> 00:23:35,880
Speaker 6: feel it. Like I always was saying to myself too,

430
00:23:35,920 --> 00:23:39,080
Speaker 6: I was like, if I wasn't a comedian, I'll.

431
00:23:38,240 --> 00:23:41,080
Speaker 2: Probably be an A and R somewhere. Man, Like, I

432
00:23:41,200 --> 00:23:45,240
Speaker 2: just love music. And maybe I'm just maybe I don't

433
00:23:45,280 --> 00:23:47,199
Speaker 2: know the ends and out of an R, but I

434
00:23:47,359 --> 00:23:50,520
Speaker 2: just thought that. But I just love music, man, I

435
00:23:50,640 --> 00:23:51,919
Speaker 2: just love feeling. Now.

436
00:23:52,119 --> 00:23:53,960
Speaker 5: I think that's what comes through in your sets because

437
00:23:53,960 --> 00:23:56,960
Speaker 5: you know the records. And that's the thing now with

438
00:23:57,240 --> 00:23:59,480
Speaker 5: when I tell when I talk, the cats coming up, whatever,

439
00:23:59,520 --> 00:24:02,960
Speaker 5: it's like with DJing like a mirror can give you

440
00:24:03,400 --> 00:24:06,920
Speaker 5: his hard drive right and just you know twenty thousand songs.

441
00:24:06,960 --> 00:24:10,600
Speaker 5: But if you don't know the songs, if you don't know, okay,

442
00:24:10,640 --> 00:24:12,879
Speaker 5: this is the part, that's the break to play do

443
00:24:12,920 --> 00:24:14,720
Speaker 5: with these into this. Yeah, if you don't know what

444
00:24:14,760 --> 00:24:16,560
Speaker 5: to do with it, that shit is just files on

445
00:24:16,600 --> 00:24:17,160
Speaker 5: the laptop.

446
00:24:17,240 --> 00:24:17,960
Speaker 2: It means nothing.

447
00:24:18,080 --> 00:24:20,680
Speaker 5: But if you know the records, that's what makes you

448
00:24:20,760 --> 00:24:22,880
Speaker 5: good DJ because you know how to play them right.

449
00:24:23,040 --> 00:24:24,360
Speaker 2: Like like even like request.

450
00:24:24,440 --> 00:24:26,760
Speaker 6: The thing the thing that like like request is that

451
00:24:27,640 --> 00:24:33,320
Speaker 6: certain like you can hear DJs play music and that's cool,

452
00:24:33,400 --> 00:24:36,960
Speaker 6: But then you got DJs who play music where you

453
00:24:37,080 --> 00:24:40,119
Speaker 6: want to know the origin of this music.

454
00:24:40,200 --> 00:24:42,600
Speaker 2: You want to know who made it. You want to

455
00:24:42,640 --> 00:24:44,520
Speaker 2: know who's selling. You want to know.

456
00:24:44,440 --> 00:24:47,840
Speaker 6: You you want to know history of music just from

457
00:24:47,840 --> 00:24:49,199
Speaker 6: the way somebody play it.

458
00:24:49,560 --> 00:24:50,280
Speaker 2: You know what I mean?

459
00:24:50,400 --> 00:24:53,800
Speaker 6: And Man, as many times many nights haven't been on

460
00:24:53,840 --> 00:24:54,280
Speaker 6: your page.

461
00:24:54,400 --> 00:24:56,480
Speaker 2: Listen to you. Man, I've sat there.

462
00:24:56,960 --> 00:25:02,800
Speaker 6: Like with another computer, Man, just like yo, what is it?

463
00:25:01,119 --> 00:25:04,040
Speaker 1: But that's why I do it. I do it so

464
00:25:04,160 --> 00:25:05,960
Speaker 1: cats can exam it and learn it.

465
00:25:06,000 --> 00:25:08,760
Speaker 3: But that's what I'm saying, Like what you're doing and

466
00:25:08,800 --> 00:25:13,680
Speaker 3: with your nariety and your popularity, Like even I have

467
00:25:13,760 --> 00:25:19,919
Speaker 3: a deeper respect for disco culture and house music culture

468
00:25:19,960 --> 00:25:25,360
Speaker 3: that I thought I had. But with you, I see

469
00:25:25,440 --> 00:25:29,679
Speaker 3: that almost as an education. Like that definitely keep Sunday

470
00:25:29,720 --> 00:25:33,320
Speaker 3: Service even when we quote stop wearing our masks and

471
00:25:33,520 --> 00:25:34,040
Speaker 3: get out.

472
00:25:33,880 --> 00:25:34,440
Speaker 2: Into the water.

473
00:25:35,240 --> 00:25:38,800
Speaker 3: Nah, we need to make Sunday service a thing, Sunday

474
00:25:38,880 --> 00:25:43,920
Speaker 3: afternoon service, you know, from wherever you are in LA

475
00:25:44,080 --> 00:25:45,400
Speaker 3: or that sort of thing.

476
00:25:45,480 --> 00:25:46,120
Speaker 2: Thank you, man.

477
00:25:46,400 --> 00:25:48,679
Speaker 6: And that's the goal, Man, to keep rocking with it,

478
00:25:48,800 --> 00:25:51,600
Speaker 6: going from some different cities, man and coming through and

479
00:25:51,640 --> 00:25:52,920
Speaker 6: get down and get down.

480
00:25:52,720 --> 00:25:55,399
Speaker 2: With some other great cats. Man and we just have

481
00:25:55,480 --> 00:25:58,600
Speaker 2: a night of it. Man. It just just make it happen.

482
00:25:58,640 --> 00:26:02,720
Speaker 6: Man, it just just played good music man, and and uh,

483
00:26:02,920 --> 00:26:05,640
Speaker 6: you know, excite each other, you know, because that's what

484
00:26:05,680 --> 00:26:09,040
Speaker 6: it is. Man, that's exciting each other too. And uh,

485
00:26:09,800 --> 00:26:13,879
Speaker 6: you know, just shining shining light on something because it

486
00:26:13,880 --> 00:26:16,040
Speaker 6: it'd be so many people that come to my page

487
00:26:16,080 --> 00:26:20,119
Speaker 6: and they'd be like, I love this and never heard.

488
00:26:19,920 --> 00:26:23,680
Speaker 2: It, never heard life. They'd be like like, where did

489
00:26:23,760 --> 00:26:24,440
Speaker 2: this come from?

490
00:26:25,040 --> 00:26:25,399
Speaker 1: Existed?

491
00:26:25,640 --> 00:26:28,400
Speaker 6: Never even knew it existed, and be like what is

492
00:26:28,480 --> 00:26:34,040
Speaker 6: this music? It's called black white and they and they,

493
00:26:34,280 --> 00:26:36,439
Speaker 6: and more importantly, they'd be like, I remember this woman

494
00:26:36,520 --> 00:26:38,679
Speaker 6: was like, I don't know why I feel I feel

495
00:26:38,680 --> 00:26:39,000
Speaker 6: this way.

496
00:26:39,080 --> 00:26:42,840
Speaker 2: She said, I feel stupid sometimes like feeling good about this.

497
00:26:43,040 --> 00:26:45,640
Speaker 2: She was like it's weird. And I was like, wow,

498
00:26:45,720 --> 00:26:48,240
Speaker 2: that was important. When she said that, I was like, man,

499
00:26:48,320 --> 00:26:48,879
Speaker 2: that's good.

500
00:26:48,920 --> 00:26:52,280
Speaker 6: And that just drives you to just keep searching for

501
00:26:52,400 --> 00:26:54,480
Speaker 6: music and pulling up music and all.

502
00:26:54,760 --> 00:26:57,400
Speaker 7: People ain't used to music just moving their bodies before

503
00:26:57,400 --> 00:26:58,480
Speaker 7: it even hit their minds.

504
00:26:58,920 --> 00:27:02,119
Speaker 5: Yeah, that's true and a big you know, and a

505
00:27:02,160 --> 00:27:06,240
Speaker 5: big part of it is also, you know, now's the

506
00:27:06,320 --> 00:27:11,919
Speaker 5: time for taste makers to sort of grab the brass

507
00:27:12,000 --> 00:27:16,800
Speaker 5: ring again because you know, previously those who are leading

508
00:27:16,800 --> 00:27:17,960
Speaker 5: in DJs were just.

509
00:27:17,880 --> 00:27:21,000
Speaker 3: Basically doing this pump shit yeah, for the sake of,

510
00:27:22,000 --> 00:27:24,960
Speaker 3: you know, their own popularity and their own but not music.

511
00:27:25,000 --> 00:27:27,159
Speaker 3: They feel like all the times DJs tell me like, yo,

512
00:27:27,280 --> 00:27:29,399
Speaker 3: man I just I wish I could do what you do.

513
00:27:29,480 --> 00:27:33,840
Speaker 3: Like you just do what you want to do. You

514
00:27:31,880 --> 00:27:32,280
Speaker 3: can make.

515
00:27:33,840 --> 00:27:37,760
Speaker 6: You know, so hopefully now somebody told me that they

516
00:27:37,920 --> 00:27:41,040
Speaker 6: was like, man, I wish I could play play the

517
00:27:41,119 --> 00:27:43,399
Speaker 6: music like you play. And I was like, why can't

518
00:27:43,440 --> 00:27:46,520
Speaker 6: you because, like you know, you just got to play

519
00:27:46,520 --> 00:27:47,080
Speaker 6: with the people.

520
00:27:47,359 --> 00:27:49,960
Speaker 2: And I'm like, I don't agree.

521
00:27:49,680 --> 00:27:55,840
Speaker 6: With that because they they they only get It's to me,

522
00:27:57,160 --> 00:27:58,960
Speaker 6: it's kind of odd for you to get out the car,

523
00:27:59,119 --> 00:28:01,359
Speaker 6: listen to the radio, going to a party and then

524
00:28:01,440 --> 00:28:04,119
Speaker 6: hear what you heard on the radio, right, you know what.

525
00:28:04,160 --> 00:28:06,280
Speaker 1: I could have kept my ass in the car.

526
00:28:06,440 --> 00:28:10,080
Speaker 2: I could have got my ass in the car. I

527
00:28:10,080 --> 00:28:11,200
Speaker 2: could have got my ass to the car.

528
00:28:11,280 --> 00:28:15,040
Speaker 6: So no, it's for you to like break new music.

529
00:28:15,240 --> 00:28:17,760
Speaker 6: And yeah, I definitely understand you got to get to

530
00:28:17,760 --> 00:28:20,280
Speaker 6: people what they want. They love to sing some stuff,

531
00:28:20,320 --> 00:28:22,919
Speaker 6: but it's just it's just a mixture. Man, it's just

532
00:28:23,000 --> 00:28:28,400
Speaker 6: a mixture of of new, old and old that's new

533
00:28:28,480 --> 00:28:30,119
Speaker 6: to you. You know, if you ain't never heard it,

534
00:28:30,119 --> 00:28:30,520
Speaker 6: it's new.

535
00:28:31,600 --> 00:28:31,760
Speaker 2: Yeah.

536
00:28:31,800 --> 00:28:35,000
Speaker 5: Okay, you think you with with you doing the like

537
00:28:35,040 --> 00:28:37,480
Speaker 5: your DJ sets, you say you pretty much were learning

538
00:28:37,480 --> 00:28:40,080
Speaker 5: how to DJ live like in front of an audience.

539
00:28:40,320 --> 00:28:42,120
Speaker 5: Do you think was that same kind of mentality as

540
00:28:42,120 --> 00:28:44,400
Speaker 5: that what led you to do your comedy, Like when

541
00:28:44,440 --> 00:28:46,560
Speaker 5: you put out your like I think the one hour

542
00:28:46,640 --> 00:28:48,440
Speaker 5: set you put out of just you working stuff out.

543
00:28:48,920 --> 00:28:51,600
Speaker 6: Yeah, we're working it out. It's it's yeah, it's like

544
00:28:53,280 --> 00:28:56,560
Speaker 6: it's taking chances, man, that's all it is. And it's like,

545
00:28:56,760 --> 00:28:58,800
Speaker 6: you know, you had these thoughts in your head of

546
00:28:59,000 --> 00:29:01,840
Speaker 6: what you think and you don't know until you know.

547
00:29:02,120 --> 00:29:05,600
Speaker 6: You know, Hell, I could probably be the best astronaut

548
00:29:05,920 --> 00:29:08,040
Speaker 6: in the world. I don't know because I ain't never

549
00:29:08,280 --> 00:29:10,000
Speaker 6: go up. But if you send me to the movie,

550
00:29:10,040 --> 00:29:12,960
Speaker 6: I'm like, I might do some cool shit up there.

551
00:29:13,000 --> 00:29:15,040
Speaker 6: I just don't know, you know, until I know.

552
00:29:15,080 --> 00:29:17,600
Speaker 2: And shit, you know. So that's that's how I feel like.

553
00:29:17,720 --> 00:29:20,680
Speaker 6: I was like, man with my with my my working

554
00:29:20,680 --> 00:29:23,440
Speaker 6: it out comedy special thing, I was like, man, it'd

555
00:29:23,440 --> 00:29:27,959
Speaker 6: be cool if I gave people material that I was

556
00:29:28,440 --> 00:29:32,120
Speaker 6: not throwing away but wasn't used, and make a special

557
00:29:32,120 --> 00:29:34,720
Speaker 6: out of material that I wasn't using. Because if people

558
00:29:34,880 --> 00:29:38,080
Speaker 6: like this, wait till they see what I kept.

559
00:29:38,400 --> 00:29:41,120
Speaker 5: So you're seeing your your Stevie Wonders story is a

560
00:29:41,120 --> 00:29:42,040
Speaker 5: throwaway story.

561
00:29:43,040 --> 00:29:43,400
Speaker 2: It was.

562
00:29:43,600 --> 00:29:46,840
Speaker 6: It was a story that I told before, but I

563
00:29:46,920 --> 00:29:50,480
Speaker 6: didn't but I didn't use, but I didn't use in.

564
00:29:50,320 --> 00:29:51,440
Speaker 2: My stand up like that.

565
00:29:51,560 --> 00:29:54,320
Speaker 6: It'd be a story that I would just tell if

566
00:29:54,320 --> 00:29:56,880
Speaker 6: people were talking about stories, I tell the story now

567
00:29:56,920 --> 00:29:59,720
Speaker 6: I had as I had it as a joke before,

568
00:30:00,040 --> 00:30:02,280
Speaker 6: and I did it as a joke before, but I

569
00:30:02,320 --> 00:30:08,720
Speaker 6: think people. The funny thing was people wouldn't believe me,

570
00:30:09,360 --> 00:30:13,440
Speaker 6: and so they thought that it was just fake, and so.

571
00:30:14,280 --> 00:30:19,520
Speaker 5: I instantly believed that.

572
00:30:19,720 --> 00:30:23,440
Speaker 9: Stevie a forty nine paragraph text.

573
00:30:26,400 --> 00:30:30,080
Speaker 6: Anybody watching this right now, if you don't have a

574
00:30:30,160 --> 00:30:34,320
Speaker 6: text from Quest love you, you don't know what texting is.

575
00:30:38,440 --> 00:30:44,520
Speaker 2: Here. It's not about technical use. Quest text got fade

576
00:30:44,560 --> 00:30:56,080
Speaker 2: in in the corners. Like I laughed.

577
00:30:56,160 --> 00:30:58,160
Speaker 3: I've never laughed so hard a routine in my life,

578
00:30:58,200 --> 00:31:03,520
Speaker 3: because yeah, I know that no one wants to believe you.

579
00:31:03,000 --> 00:31:04,520
Speaker 2: And so so I quit doing it.

580
00:31:04,600 --> 00:31:07,640
Speaker 1: But people was legendary.

581
00:31:08,200 --> 00:31:09,240
Speaker 2: People were kind.

582
00:31:09,000 --> 00:31:12,400
Speaker 6: Of like, man, don't talk about Stevie like that. And

583
00:31:12,480 --> 00:31:14,880
Speaker 6: so I did the joke and then I just let

584
00:31:14,920 --> 00:31:17,680
Speaker 6: it die down. And then when I was doing my special,

585
00:31:17,800 --> 00:31:20,160
Speaker 6: I was like, I should bring this back up. And

586
00:31:20,160 --> 00:31:22,000
Speaker 6: then I was like, you know what, I ain't gonna

587
00:31:22,000 --> 00:31:23,720
Speaker 6: bring it back up, but I'm gonna tell people the

588
00:31:23,800 --> 00:31:28,640
Speaker 6: story to fill time in the room because I couldn't

589
00:31:28,640 --> 00:31:31,800
Speaker 6: think of no more new material I wanted to work on,

590
00:31:31,840 --> 00:31:34,040
Speaker 6: so I just told the story at the same time.

591
00:31:34,680 --> 00:31:36,640
Speaker 2: So when I was editing the special, I was like,

592
00:31:36,680 --> 00:31:37,240
Speaker 2: I should.

593
00:31:37,040 --> 00:31:39,440
Speaker 6: Throw this story in that, and I just was like,

594
00:31:39,520 --> 00:31:40,400
Speaker 6: let me throw it in there.

595
00:31:40,280 --> 00:31:41,160
Speaker 2: And give it to the people.

596
00:31:41,200 --> 00:31:45,400
Speaker 6: And man, on I think Facebook alone, that story alone,

597
00:31:45,840 --> 00:31:50,160
Speaker 6: just that story alone, that like one point eight million views.

598
00:31:53,200 --> 00:31:53,840
Speaker 1: That's crazy.

599
00:31:54,160 --> 00:31:57,160
Speaker 5: Have you heard anything recently since it's been out, since

600
00:31:57,200 --> 00:31:58,120
Speaker 5: the special has been up?

601
00:31:58,640 --> 00:32:03,080
Speaker 6: Oh no, I've heard nothing from his camp. Like there's

602
00:32:03,120 --> 00:32:05,120
Speaker 6: this one girl from his camp. She used to always

603
00:32:05,200 --> 00:32:08,840
Speaker 6: be like, take that down, don't do this, but she'd

604
00:32:08,880 --> 00:32:11,400
Speaker 6: be cool though it wasn't no dish, she would be cool,

605
00:32:11,840 --> 00:32:13,000
Speaker 6: she would be cool about it.

606
00:32:13,040 --> 00:32:15,560
Speaker 2: But now I haven't heard nothing else from from them

607
00:32:15,600 --> 00:32:18,680
Speaker 2: at all. But I see Stevie.

608
00:32:18,240 --> 00:32:20,680
Speaker 6: Every now and then in La like I'll pop up

609
00:32:20,720 --> 00:32:23,240
Speaker 6: somewhere and I'll be somewhere like that's what happened before.

610
00:32:23,280 --> 00:32:26,120
Speaker 6: I was at this bar chilling and his boy came

611
00:32:26,200 --> 00:32:28,240
Speaker 6: over and tapped me on the shoulder and was like, hey,

612
00:32:28,440 --> 00:32:32,040
Speaker 6: Stevie in the corner, like, come on, you want to

613
00:32:32,040 --> 00:32:32,480
Speaker 6: talk to you.

614
00:32:32,640 --> 00:32:34,800
Speaker 2: And I was like, I ain't going over there.

615
00:32:39,240 --> 00:32:39,640
Speaker 1: This boy.

616
00:32:40,360 --> 00:32:41,440
Speaker 2: Come see what Stevie want.

617
00:32:41,520 --> 00:32:44,560
Speaker 6: I'm like, no, man, I ain't going over there, Like dude,

618
00:32:44,600 --> 00:32:45,240
Speaker 6: get over here.

619
00:32:45,280 --> 00:32:45,480
Speaker 2: Man.

620
00:32:45,840 --> 00:32:50,400
Speaker 3: I won't get into the specifics, but I got one time.

621
00:32:50,440 --> 00:32:51,600
Speaker 1: I got what was.

622
00:32:51,600 --> 00:32:54,240
Speaker 3: It called when you when you're left holding the bag?

623
00:32:54,680 --> 00:32:57,960
Speaker 3: I got scapegoated into having.

624
00:32:57,760 --> 00:33:01,440
Speaker 5: To be a bad guy about a musical decision that

625
00:33:01,560 --> 00:33:04,440
Speaker 5: impacted him and.

626
00:33:04,320 --> 00:33:07,680
Speaker 3: He was kind of left with the impression that that

627
00:33:07,800 --> 00:33:11,280
Speaker 3: was a mirror's call or mir's fault that that happened.

628
00:33:12,040 --> 00:33:15,840
Speaker 3: And this was at another event and I came to

629
00:33:15,960 --> 00:33:20,000
Speaker 3: work to the Tonight Show the next week, the next Monday,

630
00:33:20,040 --> 00:33:23,960
Speaker 3: and he was the guest on the show and instantly

631
00:33:24,920 --> 00:33:28,040
Speaker 3: like to know my production manager, Keith, Like he, Keith,

632
00:33:28,360 --> 00:33:30,280
Speaker 3: you got that one person in your life.

633
00:33:30,000 --> 00:33:31,920
Speaker 1: That lives for telling you bad news.

634
00:33:33,840 --> 00:33:35,360
Speaker 3: You know, like the day I got in trouble with

635
00:33:35,400 --> 00:33:39,320
Speaker 3: Michelle Bachman, it was like, you're wanted in Lauren Lauren

636
00:33:39,360 --> 00:33:42,280
Speaker 3: Michael's office, like which is basically you're about to get

637
00:33:42,280 --> 00:33:44,760
Speaker 3: fired right now, like that sort of like he lives

638
00:33:44,760 --> 00:33:45,000
Speaker 3: with that.

639
00:33:45,320 --> 00:33:47,960
Speaker 1: She's like, it's important, Stevie Wonder wants to talk to

640
00:33:47,960 --> 00:33:48,520
Speaker 1: you right now.

641
00:33:48,760 --> 00:33:52,440
Speaker 5: And I'm like, wait, why you know I guess about

642
00:33:52,520 --> 00:33:55,760
Speaker 5: last Friday, And I was like, that wasn't my fault.

643
00:33:55,880 --> 00:33:58,400
Speaker 1: Well, he won't talk to you, just like he lives

644
00:33:58,400 --> 00:33:58,640
Speaker 1: for that.

645
00:34:00,120 --> 00:34:04,800
Speaker 5: And the whole thing was it was it was like

646
00:34:04,840 --> 00:34:08,400
Speaker 5: somehow the Godfather where The thing I was amazed that

647
00:34:08,600 --> 00:34:11,239
Speaker 5: was that he was sitting at a table and I

648
00:34:11,320 --> 00:34:13,279
Speaker 5: guess he was warming up his voice because we were

649
00:34:13,280 --> 00:34:16,919
Speaker 5: about to sound check, and he had these two scalding

650
00:34:17,080 --> 00:34:21,680
Speaker 5: hot like crafts of tea, but they were sitting on

651
00:34:21,719 --> 00:34:23,240
Speaker 5: the edge of the table.

652
00:34:24,040 --> 00:34:26,000
Speaker 1: And it's only me and him in the group, me

653
00:34:26,040 --> 00:34:26,759
Speaker 1: and him in the room.

654
00:34:27,360 --> 00:34:30,239
Speaker 3: And on top of that, he has like a bag

655
00:34:30,280 --> 00:34:35,160
Speaker 3: of muffins and butter and different jams and jelly, and

656
00:34:35,200 --> 00:34:37,800
Speaker 3: I'm watching him just navigate like it's normal.

657
00:34:37,880 --> 00:34:41,560
Speaker 1: But he's also like reaching his arm over ever so.

658
00:34:41,640 --> 00:34:44,200
Speaker 5: Slightly to that hot craft of hot Tea and I'm

659
00:34:44,239 --> 00:34:46,760
Speaker 5: on the receiving end, so it's like you could almost

660
00:34:46,880 --> 00:34:50,240
Speaker 5: like like that sort of thing. And at one point

661
00:34:50,320 --> 00:34:52,680
Speaker 5: he reached out too, like he was reaching for like

662
00:34:52,840 --> 00:34:55,760
Speaker 5: more butter, and reached his arm out and I grabbed

663
00:34:55,760 --> 00:34:56,120
Speaker 5: the craft.

664
00:34:56,120 --> 00:34:57,520
Speaker 1: He said, no, no, no, no, I know where it is.

665
00:34:57,560 --> 00:34:57,920
Speaker 2: I got it.

666
00:34:57,960 --> 00:35:01,439
Speaker 1: I got it. Oh do you know what I'm doing

667
00:35:01,520 --> 00:35:09,399
Speaker 1: right now? But the whole people knowing, man, yo, man,

668
00:35:09,760 --> 00:35:10,360
Speaker 1: he knows.

669
00:35:10,600 --> 00:35:18,320
Speaker 5: And the whole time he was like, yeah, so uh Friday, uh,

670
00:35:18,840 --> 00:35:22,879
Speaker 5: And I'm like, I try to play it off like yeah, man,

671
00:35:22,920 --> 00:35:25,239
Speaker 5: it was so much fun, Like I really try to.

672
00:35:26,400 --> 00:35:28,080
Speaker 5: She's no man's you know. I just want to make

673
00:35:28,080 --> 00:35:29,400
Speaker 5: sure we cool, you know.

674
00:35:30,800 --> 00:35:32,279
Speaker 3: And then I just had to play dumb like I

675
00:35:32,280 --> 00:35:34,120
Speaker 3: didn't know what happened, like I had to cut this

676
00:35:34,600 --> 00:35:36,440
Speaker 3: song short or some ship you know that sort of

677
00:35:36,480 --> 00:35:38,520
Speaker 3: thing and get him off the stage or whatever.

678
00:35:39,200 --> 00:35:42,319
Speaker 1: Yeah, you know, you know, like when you're doing that

679
00:35:42,400 --> 00:35:43,320
Speaker 1: high Boys ship.

680
00:35:52,880 --> 00:36:00,000
Speaker 2: Problem. But I knew.

681
00:36:00,640 --> 00:36:02,880
Speaker 5: I was like, Yo, he's going to he's going to

682
00:36:03,040 --> 00:36:09,480
Speaker 5: spell this call and hot Tea on your lap. He's well,

683
00:36:09,520 --> 00:36:11,560
Speaker 5: I guess at some point we should say since this

684
00:36:11,680 --> 00:36:14,040
Speaker 5: is the Christmas episode Happy Holidays.

685
00:36:19,000 --> 00:36:26,840
Speaker 7: I was like, I'm happy. I'm celebrating my holiday.

686
00:36:30,160 --> 00:36:32,000
Speaker 1: What you're doing for ally Bro? What you're doing.

687
00:36:33,880 --> 00:36:36,560
Speaker 2: Thaniel? Nothing?

688
00:36:36,680 --> 00:36:39,480
Speaker 1: I know, Like, is it really Christmas?

689
00:36:38,760 --> 00:36:41,520
Speaker 2: Is this is?

690
00:36:41,640 --> 00:36:44,640
Speaker 5: I'm so happy to not have the pressure or the

691
00:36:44,760 --> 00:36:46,360
Speaker 5: just the stress of traveling.

692
00:36:47,120 --> 00:36:47,480
Speaker 2: Nigga.

693
00:36:48,640 --> 00:36:50,800
Speaker 1: You got kids, and I'm certain they want a p

694
00:36:51,000 --> 00:36:51,399
Speaker 1: S five.

695
00:36:51,520 --> 00:36:51,560
Speaker 2: No.

696
00:36:52,680 --> 00:36:55,560
Speaker 1: Yeah, with my son, he want the Xbox.

697
00:36:55,920 --> 00:37:00,759
Speaker 3: And what's the difference because I'm talking to a bunch

698
00:37:00,760 --> 00:37:03,280
Speaker 3: of kids that are like, I want an Xbox?

699
00:37:03,320 --> 00:37:07,239
Speaker 5: Like what, so what is it like? It's like smartphone

700
00:37:07,320 --> 00:37:11,440
Speaker 5: versus Apple, like versus It's not necessarily that. It's more

701
00:37:11,520 --> 00:37:15,160
Speaker 5: sort thing of like with a particularly my son. So

702
00:37:15,480 --> 00:37:18,000
Speaker 5: the way games are now, like gaming is basically just

703
00:37:18,040 --> 00:37:21,279
Speaker 5: a whole another social network. And so if you're if

704
00:37:21,280 --> 00:37:24,759
Speaker 5: you have an Xbox, then you know you can chop

705
00:37:24,760 --> 00:37:26,080
Speaker 5: it up with aut your homies on Xbox.

706
00:37:26,120 --> 00:37:27,920
Speaker 1: If you got PS five, then you know you can

707
00:37:27,920 --> 00:37:28,479
Speaker 1: do it as well.

708
00:37:28,800 --> 00:37:37,120
Speaker 5: And so for my son, he's fifteen, I listen, keep

709
00:37:37,160 --> 00:37:37,680
Speaker 5: on slipping.

710
00:37:38,239 --> 00:37:39,480
Speaker 1: Yeah, so he's fifteen nine.

711
00:37:39,719 --> 00:37:41,840
Speaker 5: So a lot of his homies they like be running

712
00:37:41,880 --> 00:37:44,279
Speaker 5: two K and his kind of social network is all

713
00:37:44,320 --> 00:37:45,080
Speaker 5: on the Xbox.

714
00:37:45,480 --> 00:37:48,040
Speaker 1: So it's really a social thing for them.

715
00:37:48,360 --> 00:37:52,439
Speaker 5: So to me, I'm a PS five guy, but I'm

716
00:37:52,440 --> 00:37:54,680
Speaker 5: not a social gamer. Like my game is just solo.

717
00:37:54,800 --> 00:37:57,440
Speaker 5: I'm not you know, talking to people online. I'm just playing.

718
00:37:57,760 --> 00:38:01,600
Speaker 5: But for the younger kids, it's a social aspects O Xbox.

719
00:38:01,600 --> 00:38:04,440
Speaker 5: From what I see, that seems to be where most

720
00:38:04,440 --> 00:38:06,600
Speaker 5: of the youngest that's what they that's where they get

721
00:38:06,640 --> 00:38:06,959
Speaker 5: it in.

722
00:38:06,920 --> 00:38:08,319
Speaker 2: At God got it? God?

723
00:38:09,600 --> 00:38:12,400
Speaker 5: Is there a world for me, like, you know, a

724
00:38:12,480 --> 00:38:15,799
Speaker 5: world where I can fit in and just play like

725
00:38:16,920 --> 00:38:22,439
Speaker 5: my regular two D games and whatnot, or I think

726
00:38:22,480 --> 00:38:24,520
Speaker 5: you could if you come from the PS five. They

727
00:38:24,560 --> 00:38:30,080
Speaker 5: got games that like you could it's like a yeah,

728
00:38:30,480 --> 00:38:34,680
Speaker 5: ship you might get a man. Well, they do got

729
00:38:34,719 --> 00:38:37,440
Speaker 5: all those simulators. So now they got all the simulators.

730
00:38:37,440 --> 00:38:41,000
Speaker 5: You can get the Nintendo simulators, you can get them.

731
00:38:41,000 --> 00:38:45,120
Speaker 5: And they got like all the game some games and yeah.

732
00:38:46,080 --> 00:38:48,400
Speaker 2: What's a good what's a good virtual game?

733
00:38:48,560 --> 00:38:51,680
Speaker 4: That's a good question like that that they have.

734
00:38:52,880 --> 00:38:55,840
Speaker 5: Yeah, the VR, I mean that's not really something I

735
00:38:55,880 --> 00:38:58,719
Speaker 5: get into, but they but all the systems have them.

736
00:38:59,400 --> 00:39:01,800
Speaker 5: I was running and U I was running Resident Evil

737
00:39:02,120 --> 00:39:05,239
Speaker 5: seven I think like like two years ago, and it's

738
00:39:05,280 --> 00:39:06,719
Speaker 5: like a survival horror joint.

739
00:39:06,840 --> 00:39:10,600
Speaker 2: Oh I used all the time, nigga.

740
00:39:10,480 --> 00:39:12,640
Speaker 5: And with the virtue Nigga. That ship is a whole

741
00:39:12,719 --> 00:39:14,560
Speaker 5: nother spirit. I was like, no, I don't want this smoke.

742
00:39:17,760 --> 00:39:19,120
Speaker 2: Blowing my mind right now.

743
00:39:19,280 --> 00:39:23,759
Speaker 6: You're saying that they got it for virtual Uh yeah, yeah,

744
00:39:23,800 --> 00:39:24,200
Speaker 6: you can.

745
00:39:24,120 --> 00:39:28,080
Speaker 5: Get the like that this headset or whatever like I speak,

746
00:39:28,160 --> 00:39:31,319
Speaker 5: but Resident Evil seven bro, you can have that joint.

747
00:39:31,440 --> 00:39:36,320
Speaker 1: I was like, man, right there, yeah, it's really like,

748
00:39:36,480 --> 00:39:38,920
Speaker 1: oh no, I gotta do that.

749
00:39:39,680 --> 00:39:42,719
Speaker 6: I gotta watch that. I gotta get that. I used

750
00:39:42,760 --> 00:39:43,799
Speaker 6: to always play that.

751
00:39:45,000 --> 00:39:45,200
Speaker 2: Well.

752
00:39:46,160 --> 00:39:48,879
Speaker 3: I don't know, man, it doesn't not that it doesn't

753
00:39:48,920 --> 00:39:51,680
Speaker 3: feel like Christmas, but I don't know it is not.

754
00:39:52,520 --> 00:39:54,879
Speaker 1: It is the most Christmas I feel.

755
00:39:55,719 --> 00:39:57,440
Speaker 2: I've been bought no gifts for nobody.

756
00:39:57,480 --> 00:40:01,160
Speaker 6: I've been bought nothing for nobody, even myself whole entire year,

757
00:40:01,440 --> 00:40:02,560
Speaker 6: like nothing.

758
00:40:02,360 --> 00:40:07,560
Speaker 7: Like on a birthday, not a not a nothing, nothing not.

759
00:40:07,880 --> 00:40:10,640
Speaker 3: I just I bartered DJ gigs. I'll be like, yeah, DJ,

760
00:40:10,719 --> 00:40:11,600
Speaker 3: you're party for an hour.

761
00:40:11,880 --> 00:40:12,760
Speaker 2: So that's.

762
00:40:15,600 --> 00:40:17,840
Speaker 5: Because I think the thing is I think just this year,

763
00:40:17,920 --> 00:40:20,360
Speaker 5: like it really just causts us to slow down and stop.

764
00:40:20,600 --> 00:40:24,440
Speaker 5: And you know, it's like you would give people gifts

765
00:40:24,760 --> 00:40:27,600
Speaker 5: for them to use, you know, outside of their homes,

766
00:40:27,680 --> 00:40:29,400
Speaker 5: Like Yo, I'm gonna sing you on a trip somewhere.

767
00:40:29,560 --> 00:40:32,319
Speaker 5: I'm an and it's just like Nigga, we all in

768
00:40:32,360 --> 00:40:33,319
Speaker 5: the house, Like so I.

769
00:40:33,320 --> 00:40:35,880
Speaker 1: Go to Jordans. I can't do massages.

770
00:40:35,320 --> 00:40:39,560
Speaker 5: And days at the spa ship like that. I would

771
00:40:39,640 --> 00:40:41,040
Speaker 5: give my wife to the spa all the time.

772
00:40:41,120 --> 00:40:44,040
Speaker 4: But that's why Amazon is killing the game.

773
00:40:44,080 --> 00:40:46,279
Speaker 2: I thought, yeah, I mean they killing the game.

774
00:40:46,360 --> 00:40:48,640
Speaker 6: But you know, you buy a gift for somebody, it's

775
00:40:48,640 --> 00:40:55,879
Speaker 6: the wrong size, Like it ain't even worth it. It's like,

776
00:40:56,360 --> 00:41:01,040
Speaker 6: everybody just chill this whole year. When next year come around,

777
00:41:01,080 --> 00:41:02,759
Speaker 6: we're gonna make up for all of this. We're gonna

778
00:41:02,800 --> 00:41:05,920
Speaker 6: make up for all our birthday, all our birthday parties.

779
00:41:05,920 --> 00:41:10,600
Speaker 2: We're gonna make birthday. I know I'm gonna have a.

780
00:41:10,560 --> 00:41:17,120
Speaker 6: Birthday party twice next year. Rt, I'm having two birthday parties.

781
00:41:17,200 --> 00:41:20,520
Speaker 6: I'm going hard. I'm gonna double up on everything. But

782
00:41:20,640 --> 00:41:22,000
Speaker 6: right now, we just gotta chill.

783
00:41:22,080 --> 00:41:26,400
Speaker 4: It's like everybody, it ain't not next year, babe, twenty two.

784
00:41:27,000 --> 00:41:30,480
Speaker 6: Twenty twenty two, twenty twenty two, so we gotta triple up.

785
00:41:30,520 --> 00:41:32,280
Speaker 2: Then let's see.

786
00:41:32,160 --> 00:41:34,439
Speaker 1: July and August of twenty twenty one.

787
00:41:34,640 --> 00:41:38,600
Speaker 5: No, bab, I think it's gonna take at least a

788
00:41:38,719 --> 00:41:42,319
Speaker 5: year for the vaccine everybody to kind of make the

789
00:41:42,440 --> 00:41:43,440
Speaker 5: round take it to.

790
00:41:43,480 --> 00:41:47,200
Speaker 6: Because we gotta find We gotta find out how long

791
00:41:47,280 --> 00:41:50,200
Speaker 6: it lasts. Don't nobody know that. We don't know if

792
00:41:50,200 --> 00:41:52,080
Speaker 6: it's forever or if it's for a year.

793
00:41:52,280 --> 00:41:54,160
Speaker 7: I think it's for you'll there, to be honest, they haven't.

794
00:41:54,200 --> 00:41:56,360
Speaker 7: They haven't decided yet. If it's gonna better, you got

795
00:41:56,480 --> 00:41:58,759
Speaker 7: to keep taking They haven't decided yet. It's just like

796
00:41:58,800 --> 00:42:00,640
Speaker 7: take it and we figure it out. Right now, you

797
00:42:00,680 --> 00:42:02,960
Speaker 7: are on your face, like, my man, you know what

798
00:42:03,000 --> 00:42:03,560
Speaker 7: I'm saying.

799
00:42:03,560 --> 00:42:08,760
Speaker 2: Figure out? Ball player dude.

800
00:42:09,040 --> 00:42:11,240
Speaker 7: Yeah, he fell on his face because he had COVID

801
00:42:11,280 --> 00:42:14,760
Speaker 7: months before. My doctor, my doctor friend was just breaking

802
00:42:14,760 --> 00:42:16,040
Speaker 7: it down to me because he was like with people,

803
00:42:18,120 --> 00:42:19,719
Speaker 7: I think it's yes.

804
00:42:20,040 --> 00:42:21,000
Speaker 4: People don't understand that.

805
00:42:21,040 --> 00:42:23,560
Speaker 7: Like once you have covidus with your heart and the

806
00:42:23,600 --> 00:42:24,600
Speaker 7: shape of your heart.

807
00:42:24,440 --> 00:42:26,680
Speaker 1: And it changes the shape of your heart, you.

808
00:42:26,680 --> 00:42:28,759
Speaker 4: Said, like, yeah, it has something to do with this SI.

809
00:42:28,960 --> 00:42:29,360
Speaker 2: It does.

810
00:42:29,440 --> 00:42:31,520
Speaker 7: After it's over and out of your body, it does.

811
00:42:31,600 --> 00:42:32,520
Speaker 7: It fucks with your heart.

812
00:42:33,040 --> 00:42:38,000
Speaker 6: Yeah, man, Wow, that's my man, Terry Hannah DJ Terry Hannah,

813
00:42:38,080 --> 00:42:39,600
Speaker 6: he got Yeah, that's the home.

814
00:42:39,680 --> 00:42:44,520
Speaker 2: Yeah, Yeah, Terry got it. Terry got it. Wow, Terry

815
00:42:44,600 --> 00:42:45,040
Speaker 2: got it.

816
00:42:45,520 --> 00:42:48,840
Speaker 6: And Deebo when Deebo rest in piece to Deebo, Deebo

817
00:42:49,000 --> 00:42:52,600
Speaker 6: had he had it before he got over COVID.

818
00:42:52,880 --> 00:42:55,800
Speaker 2: That's the ended up catching it again.

819
00:42:56,120 --> 00:42:58,720
Speaker 4: Same thing with the young Wow he had.

820
00:42:58,600 --> 00:43:01,400
Speaker 6: It a minute ago, app and he caught it again

821
00:43:01,640 --> 00:43:03,000
Speaker 6: and that's how Debo died.

822
00:43:04,360 --> 00:43:04,640
Speaker 2: Wow.

823
00:43:04,800 --> 00:43:06,439
Speaker 1: So I didn't know that was his cause of death.

824
00:43:06,520 --> 00:43:10,720
Speaker 6: Of Even so, even so everybody talking about they catching

825
00:43:10,800 --> 00:43:13,719
Speaker 6: it and they cool after they catch.

826
00:43:13,520 --> 00:43:15,320
Speaker 2: It or they are mun Now I ain't.

827
00:43:16,160 --> 00:43:16,920
Speaker 4: I am legend.

828
00:43:17,040 --> 00:43:19,680
Speaker 5: We still don't know the long term We still don't

829
00:43:19,680 --> 00:43:21,319
Speaker 5: know the long term effects of I think they're gonna

830
00:43:21,320 --> 00:43:23,680
Speaker 5: be studying this ship for the next decade. Man, Like,

831
00:43:23,960 --> 00:43:26,719
Speaker 5: we still don't know. Even if you quote unquote get

832
00:43:26,760 --> 00:43:30,160
Speaker 5: over it, we still don't know what getting over it

833
00:43:30,200 --> 00:43:31,200
Speaker 5: completely looks like.

834
00:43:31,680 --> 00:43:32,080
Speaker 1: Yeah.

835
00:43:32,320 --> 00:43:34,680
Speaker 7: What we do know is by by the fall of

836
00:43:34,719 --> 00:43:38,600
Speaker 7: twenty twenty one will probably if we're lucky, we're fifty masks,

837
00:43:39,239 --> 00:43:41,640
Speaker 7: but we're not maskless until twenty twenty two.

838
00:43:41,840 --> 00:43:45,640
Speaker 6: Fall twenty twenty one, people gonna we're gonna have We're

839
00:43:45,640 --> 00:43:49,120
Speaker 6: gonna be able to be like, Okay, we can see

840
00:43:49,160 --> 00:43:51,040
Speaker 6: how long this is going to affect people.

841
00:43:52,160 --> 00:43:53,600
Speaker 2: They're gonna know more about it.

842
00:43:53,600 --> 00:43:56,160
Speaker 6: If we should take a shot of the year nah,

843
00:43:56,640 --> 00:44:00,279
Speaker 6: because they they tested people months earlier prior to this.

844
00:44:00,640 --> 00:44:04,120
Speaker 6: So around the fall, that's gonna let us know if

845
00:44:04,160 --> 00:44:06,240
Speaker 6: it wear off, if it doesn't or whatever.

846
00:44:06,600 --> 00:44:09,160
Speaker 7: Dey'all was lucky that y'all got to get blackish out

847
00:44:09,160 --> 00:44:09,600
Speaker 7: a little bit.

848
00:44:09,719 --> 00:44:11,800
Speaker 4: Most people know they getting shut down.

849
00:44:12,160 --> 00:44:14,640
Speaker 6: Hey, we're still shooting and it is I'm gonna tell

850
00:44:14,680 --> 00:44:15,239
Speaker 6: you something, man.

851
00:44:15,320 --> 00:44:18,799
Speaker 3: So yeah, what's the protocol of shooting a television show

852
00:44:18,880 --> 00:44:19,960
Speaker 3: now during this period?

853
00:44:20,000 --> 00:44:22,480
Speaker 5: Like what's take me through your day? Like how early

854
00:44:22,480 --> 00:44:24,480
Speaker 5: do you have to get up? And what's testing?

855
00:44:24,560 --> 00:44:26,240
Speaker 2: Like? Yo, let me tell you.

856
00:44:26,480 --> 00:44:30,200
Speaker 6: So I get tested every day even if I'm not filming,

857
00:44:30,280 --> 00:44:33,600
Speaker 6: because if if they have to they want to know.

858
00:44:33,840 --> 00:44:37,120
Speaker 6: Also if they have to move a scene around, I'll

859
00:44:37,200 --> 00:44:40,360
Speaker 6: be ready. So they make sure they make sure that

860
00:44:40,480 --> 00:44:43,000
Speaker 6: you test like every day our day.

861
00:44:43,120 --> 00:44:44,920
Speaker 2: Now it's way longer.

862
00:44:45,040 --> 00:44:48,880
Speaker 6: So if it take us if it take us six

863
00:44:49,000 --> 00:44:52,160
Speaker 6: hours to shoot the scene, now it take us like nine,

864
00:44:52,920 --> 00:44:57,120
Speaker 6: well eight, After every scene we got to leave out,

865
00:44:57,360 --> 00:45:00,920
Speaker 6: They got to disinfect, then we come back in and

866
00:45:01,080 --> 00:45:03,520
Speaker 6: they got to move the cameras around. Everybody got to

867
00:45:03,600 --> 00:45:06,839
Speaker 6: leave out. It's like a whole whole process, man.

868
00:45:07,680 --> 00:45:13,520
Speaker 5: So question all right, because I don't know how what

869
00:45:13,600 --> 00:45:17,319
Speaker 5: child labor laws are or whatever, and plus children now

870
00:45:17,320 --> 00:45:18,360
Speaker 5: they're teenagers.

871
00:45:18,560 --> 00:45:23,120
Speaker 1: Yeah, but does that does that also change? In Hollywood?

872
00:45:23,200 --> 00:45:24,280
Speaker 1: The uh?

873
00:45:24,640 --> 00:45:26,720
Speaker 3: I know that there's a four to five hour limit

874
00:45:26,840 --> 00:45:31,200
Speaker 3: for like actors under I think fourteen or fifteen or whatever.

875
00:45:31,239 --> 00:45:33,919
Speaker 1: Does that also change? Does this also change that rule

876
00:45:34,520 --> 00:45:35,080
Speaker 1: as well?

877
00:45:35,239 --> 00:45:37,480
Speaker 6: I'm not I'm not sure, but I do know this.

878
00:45:37,640 --> 00:45:40,239
Speaker 6: They get those kids in and out. They get them,

879
00:45:40,280 --> 00:45:42,840
Speaker 6: They get them in and out, like definitely, Like like

880
00:45:42,920 --> 00:45:45,520
Speaker 6: if you got a scene with one of the kids,

881
00:45:45,680 --> 00:45:48,800
Speaker 6: you it's gonna move a little bit. It's still longer,

882
00:45:48,800 --> 00:45:50,919
Speaker 6: but it's gonna move a little bit more faster because

883
00:45:50,920 --> 00:45:52,920
Speaker 6: they're gonna get them in and out. So they do

884
00:45:53,000 --> 00:45:57,759
Speaker 6: everything that they possibly can do in order to make

885
00:45:57,800 --> 00:46:01,279
Speaker 6: sure everybody's cool or whatever. But but it's totally it's

886
00:46:01,320 --> 00:46:02,359
Speaker 6: totally different now.

887
00:46:02,400 --> 00:46:02,600
Speaker 2: Man.

888
00:46:02,680 --> 00:46:07,960
Speaker 6: You you have to mask everywhere where everybody in the

889
00:46:08,080 --> 00:46:12,080
Speaker 6: individual trailers, and it's just nerve wracking because you got

890
00:46:12,120 --> 00:46:15,920
Speaker 6: so many people. Because another thing too, when you do makeup,

891
00:46:16,000 --> 00:46:16,800
Speaker 6: you can't put.

892
00:46:16,600 --> 00:46:17,279
Speaker 2: A mask on.

893
00:46:18,080 --> 00:46:20,160
Speaker 6: You got to put one of the plastic things on

894
00:46:20,200 --> 00:46:23,080
Speaker 6: your face, and hopefully nobody's in six feet there.

895
00:46:23,120 --> 00:46:24,799
Speaker 2: You you stay away.

896
00:46:24,520 --> 00:46:26,239
Speaker 6: From them because if you put a mask on, it's

897
00:46:26,239 --> 00:46:27,440
Speaker 6: gonna mess your makeup up.

898
00:46:27,560 --> 00:46:29,279
Speaker 2: And uh so you.

899
00:46:29,280 --> 00:46:32,320
Speaker 6: Gotta just stay away from everybody as much as possible.

900
00:46:32,400 --> 00:46:34,160
Speaker 2: Man, And you know it.

901
00:46:34,920 --> 00:46:36,920
Speaker 3: And does that give does that give enough time for

902
00:46:38,280 --> 00:46:40,000
Speaker 3: I mean, I don't know what the protocol is, but

903
00:46:40,040 --> 00:46:43,280
Speaker 3: I assume that, like you guys have to like rehearse

904
00:46:43,360 --> 00:46:44,760
Speaker 3: lines and rehearse the rhythm.

905
00:46:44,800 --> 00:46:48,399
Speaker 6: And so we come in and we rehearse and then

906
00:46:48,440 --> 00:46:50,799
Speaker 6: we go back and we change and then we come

907
00:46:50,840 --> 00:46:51,680
Speaker 6: back and we shoot it.

908
00:46:51,880 --> 00:46:55,680
Speaker 2: But we rehearse with our mask on. Yeah, we do that.

909
00:46:55,800 --> 00:46:58,960
Speaker 6: But uh yeah, it's it's it's it's it's so it's

910
00:46:59,360 --> 00:47:00,680
Speaker 6: very tedious.

911
00:47:00,800 --> 00:47:03,640
Speaker 2: It's very tedious. But we at the.

912
00:47:03,640 --> 00:47:08,000
Speaker 6: Same token were working, and uh a lot of people

913
00:47:08,160 --> 00:47:10,399
Speaker 6: wish they could be working, and.

914
00:47:10,200 --> 00:47:13,200
Speaker 2: A lot of people losing their homes, you know.

915
00:47:13,640 --> 00:47:16,120
Speaker 4: With l a right because it's such it's the industry.

916
00:47:16,200 --> 00:47:17,720
Speaker 7: So y'all know, I mean, I don't know if everybody

917
00:47:17,760 --> 00:47:20,000
Speaker 7: knows this but like a lot of these sets and stuff,

918
00:47:20,000 --> 00:47:22,960
Speaker 7: these are essential services, Like the state has now said that,

919
00:47:23,040 --> 00:47:26,640
Speaker 7: like movie sets are essential because this town will die.

920
00:47:27,080 --> 00:47:31,960
Speaker 2: It will die, manole. It was and it was doing that.

921
00:47:32,080 --> 00:47:35,600
Speaker 6: People were losing their ship left and right, and they

922
00:47:35,680 --> 00:47:36,800
Speaker 6: still are and they.

923
00:47:36,719 --> 00:47:41,000
Speaker 2: Still are, Like Hollywood is like, wow, right now you are.

924
00:47:41,000 --> 00:47:41,560
Speaker 4: Tom Cruise.

925
00:47:42,360 --> 00:47:45,120
Speaker 1: I was gonna ask you and when to cruise?

926
00:47:45,160 --> 00:47:49,279
Speaker 2: Ran taking y'all, y'all on my mama. I felt that,

927
00:47:49,400 --> 00:47:54,360
Speaker 2: y'all in real life, in real life.

928
00:47:54,400 --> 00:47:57,360
Speaker 6: I was like, Yo, it's Tom, Like, dude, do you

929
00:47:57,480 --> 00:47:59,319
Speaker 6: know how many people shut.

930
00:47:59,040 --> 00:48:01,759
Speaker 2: The fuck down and y'all got the opportunity to make

931
00:48:01,840 --> 00:48:02,560
Speaker 2: it work.

932
00:48:03,120 --> 00:48:07,320
Speaker 6: Y'all sitting around here bullshitting and walking around and whispering

933
00:48:07,400 --> 00:48:08,240
Speaker 6: to each other.

934
00:48:08,040 --> 00:48:10,080
Speaker 4: And ship already got shut down.

935
00:48:11,320 --> 00:48:14,839
Speaker 2: Yeah, Like, man, what are you doing whispering to a motherfucker?

936
00:48:15,080 --> 00:48:23,440
Speaker 5: Like the worst way to communicate with a nigga during

937
00:48:23,480 --> 00:48:24,080
Speaker 5: the during.

938
00:48:23,880 --> 00:48:27,760
Speaker 6: The pandemic, right, I snacked out of here, you whispering

939
00:48:27,840 --> 00:48:29,439
Speaker 6: through a sound like.

940
00:48:32,560 --> 00:48:33,400
Speaker 1: Just text tomorrow?

941
00:48:33,560 --> 00:48:33,719
Speaker 2: Yo.

942
00:48:33,960 --> 00:48:38,520
Speaker 7: Tom was mad, like I'm a producer, like.

943
00:48:38,520 --> 00:48:39,319
Speaker 6: I thought I thought.

944
00:48:39,320 --> 00:48:41,640
Speaker 2: I heard him say nigga a few times.

945
00:48:43,480 --> 00:48:45,040
Speaker 1: Around with you.

946
00:48:45,120 --> 00:48:46,320
Speaker 2: Niggas, y'all, better.

947
00:48:49,600 --> 00:48:52,960
Speaker 6: Tom, Yeah, Tom, Tom, Tom letting it out the way

948
00:48:53,000 --> 00:48:54,240
Speaker 6: that it was.

949
00:48:53,840 --> 00:48:56,719
Speaker 2: Supposed to be let out. Man, But it is, it's

950
00:48:56,840 --> 00:48:58,760
Speaker 2: it's uh, it's it's tedious stuff.

951
00:48:59,480 --> 00:49:02,920
Speaker 5: So like when y'all shoot, like, I guess I'm not

952
00:49:02,960 --> 00:49:05,480
Speaker 5: a love scene, but like, is it no physical like

953
00:49:05,520 --> 00:49:08,440
Speaker 5: if if Anthony has the kiss Tracy or something like,

954
00:49:08,520 --> 00:49:09,120
Speaker 5: is it none of that?

955
00:49:09,440 --> 00:49:10,719
Speaker 1: You know, none of.

956
00:49:10,760 --> 00:49:13,759
Speaker 6: That if you if you look at this season of Blackish,

957
00:49:14,040 --> 00:49:18,960
Speaker 6: we are especially the office scenes that we do, where

958
00:49:18,239 --> 00:49:22,480
Speaker 6: we we nine times out of ten we are not

959
00:49:22,600 --> 00:49:25,319
Speaker 6: in the office no more. We in a breakroom, but

960
00:49:25,440 --> 00:49:27,839
Speaker 6: we can like spread out and we don't have to.

961
00:49:28,040 --> 00:49:29,439
Speaker 2: Sit right next to each other.

962
00:49:29,560 --> 00:49:32,400
Speaker 6: So we got a couple episodes where we're in the breakroom,

963
00:49:32,440 --> 00:49:35,600
Speaker 6: but the majority of the season we we I mean,

964
00:49:35,880 --> 00:49:38,040
Speaker 6: I mean a couple episodes where were in the office together,

965
00:49:38,120 --> 00:49:40,960
Speaker 6: but the majority of season we're in the breakroom where

966
00:49:40,960 --> 00:49:42,200
Speaker 6: we can stretch.

967
00:49:41,960 --> 00:49:42,800
Speaker 2: Out out or whatever.

968
00:49:42,880 --> 00:49:47,000
Speaker 6: But yeah, everybody kind of spaced out, definitely, definitely mentally.

969
00:49:47,239 --> 00:49:49,680
Speaker 5: So how does that affect when you plan the scene?

970
00:49:50,080 --> 00:49:53,640
Speaker 5: You know, when you know you're in a scene where

971
00:49:53,640 --> 00:49:57,560
Speaker 5: you have to you know, ostensibly assumed it or portrayed it.

972
00:49:57,600 --> 00:50:00,640
Speaker 5: Everything is fine or we're joking, we're laughing, but in

973
00:50:00,680 --> 00:50:02,640
Speaker 5: your mind, you know, like nigga, it's a whole lass

974
00:50:02,680 --> 00:50:06,600
Speaker 5: plague we try not to catch. How do you disassociate

975
00:50:06,640 --> 00:50:06,960
Speaker 5: from that?

976
00:50:07,160 --> 00:50:09,640
Speaker 6: I take a deep breath before I say my lines

977
00:50:09,680 --> 00:50:10,040
Speaker 6: and then.

978
00:50:10,200 --> 00:50:10,880
Speaker 1: Hold your breath.

979
00:50:13,880 --> 00:50:14,560
Speaker 4: Ship.

980
00:50:14,680 --> 00:50:16,960
Speaker 7: I was like, and if you're talking to Laurence Fishburn

981
00:50:16,960 --> 00:50:18,880
Speaker 7: and Jennifer like you really.

982
00:50:20,480 --> 00:50:25,160
Speaker 3: Yeah want boy, I'll be hold my breathna be your

983
00:50:25,239 --> 00:50:29,240
Speaker 3: Navy seal right now, dude, way I know my breath.

984
00:50:29,400 --> 00:50:35,560
Speaker 1: I turn on, I turn around, do my lines, and

985
00:50:36,200 --> 00:50:37,279
Speaker 1: somewhere in the quarner.

986
00:50:40,760 --> 00:50:44,920
Speaker 2: Man I thought I was the only one that did that. Serious.

987
00:50:44,960 --> 00:50:47,160
Speaker 4: Lauren's up in the bubble wrap. Y'all make sure.

988
00:50:46,960 --> 00:50:52,919
Speaker 6: They're good, lad, Lawrence, don't be playing Lawrence. Jennifer, both

989
00:50:52,960 --> 00:50:56,399
Speaker 6: of them, they boy, they serious. They they will get

990
00:50:56,480 --> 00:50:59,840
Speaker 6: on your ass. Laurence fish Burnt laws be like it

991
00:51:00,120 --> 00:51:02,839
Speaker 6: in that calm voice. Mun't be like you must do

992
00:51:03,120 --> 00:51:07,640
Speaker 6: what you're supposed to do in order for everyone to

993
00:51:07,680 --> 00:51:12,080
Speaker 6: get through this. You want to stand, you'd be like this, yes, sir,

994
00:51:12,600 --> 00:51:16,600
Speaker 6: I just stopped just talking my shirt saying for no reason.

995
00:51:19,680 --> 00:51:22,319
Speaker 1: Yeah, I don't think you have to tell older black people.

996
00:51:22,640 --> 00:51:24,279
Speaker 2: No oh no, no, no, no, no.

997
00:51:24,480 --> 00:51:25,959
Speaker 1: You younger people that.

998
00:51:25,960 --> 00:51:28,439
Speaker 2: Are like feel invincible and ship.

999
00:51:28,560 --> 00:51:31,200
Speaker 7: Yeah they yeah, they killing us, young people killing us. Man,

1000
00:51:31,440 --> 00:51:34,240
Speaker 7: I like to shorten it. That's what it is, young people.

1001
00:51:34,640 --> 00:51:35,839
Speaker 4: Niggas crackers.

1002
00:51:37,560 --> 00:51:38,400
Speaker 1: Uh tips.

1003
00:51:39,160 --> 00:51:41,680
Speaker 5: No, it's saying, oh the tip board, the tips is

1004
00:51:41,719 --> 00:51:47,360
Speaker 5: tipping the tips, the tips is they did you.

1005
00:51:46,440 --> 00:51:50,239
Speaker 1: Here today's black contract speech? There was?

1006
00:51:50,800 --> 00:51:52,880
Speaker 2: Yeah? Yeah, Q made a speech?

1007
00:51:53,400 --> 00:51:55,520
Speaker 1: Oh man, yeah what was?

1008
00:51:55,600 --> 00:51:55,960
Speaker 2: What was?

1009
00:51:56,280 --> 00:52:01,080
Speaker 5: What was in today's more black? I mean, like, Biden's

1010
00:52:01,120 --> 00:52:03,520
Speaker 5: not in office yet, like you can't.

1011
00:52:03,719 --> 00:52:05,760
Speaker 4: He's he's demanding, he's giving his demand.

1012
00:52:05,880 --> 00:52:08,120
Speaker 1: Yeah, and I'm like, let him get on.

1013
00:52:08,400 --> 00:52:11,279
Speaker 7: It's okay, Biden said, let people demand from him that

1014
00:52:11,600 --> 00:52:13,960
Speaker 7: feel like they have added to, you know, bringing him

1015
00:52:13,960 --> 00:52:14,399
Speaker 7: to that place.

1016
00:52:14,480 --> 00:52:15,680
Speaker 4: Biden's okay, don't worry about it.

1017
00:52:15,680 --> 00:52:18,360
Speaker 1: A mirror, He's I know, not for that.

1018
00:52:18,520 --> 00:52:18,719
Speaker 2: Look.

1019
00:52:18,880 --> 00:52:22,200
Speaker 1: I love Cube, man, that's my guy. We all do.

1020
00:52:22,360 --> 00:52:22,839
Speaker 2: Man, Like.

1021
00:52:26,040 --> 00:52:30,480
Speaker 5: I don't know, I just just just generally from anybody

1022
00:52:30,640 --> 00:52:32,359
Speaker 5: like that wants to give a hot take.

1023
00:52:32,520 --> 00:52:34,600
Speaker 1: I need them. I need to feel like they really

1024
00:52:34,640 --> 00:52:37,640
Speaker 1: know what the political process is first, where you just

1025
00:52:37,680 --> 00:52:38,359
Speaker 1: walk in the door.

1026
00:52:38,560 --> 00:52:42,600
Speaker 6: My whole thing is this though, I'm like this regardless

1027
00:52:42,600 --> 00:52:46,480
Speaker 6: if he knows, if he doesn't know, at least at

1028
00:52:46,560 --> 00:52:50,839
Speaker 6: least he's doing something like I don't see nobody else

1029
00:52:50,920 --> 00:52:55,000
Speaker 6: doing ship and so and and this is what I'm saying,

1030
00:52:55,120 --> 00:52:58,560
Speaker 6: Like I'd rather take something I believe the right place

1031
00:52:58,640 --> 00:53:05,759
Speaker 6: than nothing. Yes, I rather got something to nothing, nothing.

1032
00:53:07,200 --> 00:53:08,480
Speaker 1: Reading the wrong.

1033
00:53:08,280 --> 00:53:15,919
Speaker 9: Thing, something right right? I ran nothing again, Cubert, it's

1034
00:53:16,000 --> 00:53:22,720
Speaker 9: like Judo, all your work. Oh you talking about the game, Cuba.

1035
00:53:22,800 --> 00:53:26,960
Speaker 9: I was thinking about the actual Cubert. Djqban got the

1036
00:53:27,040 --> 00:53:28,000
Speaker 9: all the way funk out of.

1037
00:53:27,960 --> 00:53:34,239
Speaker 2: Here, Cuban watching me again. I just I just I

1038
00:53:34,239 --> 00:53:36,840
Speaker 2: don't know. I just respect what Cue did. Man, And

1039
00:53:37,920 --> 00:53:38,439
Speaker 2: I'm like.

1040
00:53:38,600 --> 00:53:42,720
Speaker 1: Just making I acknowledge his heart was in the right place.

1041
00:53:42,880 --> 00:53:44,719
Speaker 5: Yes he if he was gonna do that ship to me,

1042
00:53:44,800 --> 00:53:47,080
Speaker 5: you should have did that ship in twenty six like

1043
00:53:47,440 --> 00:53:48,839
Speaker 5: because it's you know what I'm saying, because it's one

1044
00:53:48,880 --> 00:53:51,600
Speaker 5: thing to say, Hey, listen, I didn't vote for this motherfucker,

1045
00:53:51,880 --> 00:53:53,520
Speaker 5: but listen, this is what we got.

1046
00:53:53,600 --> 00:53:55,040
Speaker 1: Let's try to work with what we got.

1047
00:53:55,640 --> 00:53:57,840
Speaker 5: You say that in twenty sixteen, top of twenty seventeen,

1048
00:53:57,960 --> 00:53:58,719
Speaker 5: nobody's mad.

1049
00:53:58,840 --> 00:54:00,920
Speaker 1: It's like, all right, well, let's let's see.

1050
00:54:01,000 --> 00:54:04,719
Speaker 5: But pulling this ship down, you know them three weeks,

1051
00:54:04,719 --> 00:54:05,800
Speaker 5: three weeks primary.

1052
00:54:05,880 --> 00:54:08,880
Speaker 6: It's like like, nigga, come on, but look, let me

1053
00:54:08,880 --> 00:54:12,040
Speaker 6: ask you this though, Like if he if he came

1054
00:54:12,120 --> 00:54:15,680
Speaker 6: to the table with no agenda as far as I mean,

1055
00:54:16,000 --> 00:54:18,040
Speaker 6: I ain't saying no agenda, but if he came to

1056
00:54:18,080 --> 00:54:21,320
Speaker 6: the table and he wasn't biased, and he wasn't towards

1057
00:54:21,880 --> 00:54:28,600
Speaker 6: being a Democrat, he wasn't a Republican. He just came

1058
00:54:28,920 --> 00:54:31,560
Speaker 6: to the plan going, who's gonna help up black people

1059
00:54:31,600 --> 00:54:34,440
Speaker 6: with this? And the Republicans go, man, we want to

1060
00:54:34,480 --> 00:54:36,719
Speaker 6: do it or we want to see it, and he

1061
00:54:36,840 --> 00:54:38,200
Speaker 6: go all I find cool?

1062
00:54:39,120 --> 00:54:41,839
Speaker 2: Like, Like though, is.

1063
00:54:41,800 --> 00:54:47,960
Speaker 3: That if I'm paying attention and a leopard, don't change

1064
00:54:47,960 --> 00:54:49,120
Speaker 3: the stripes like that.

1065
00:54:49,520 --> 00:54:51,799
Speaker 1: And they gonna change that ship three weeks for y'all

1066
00:54:51,840 --> 00:54:53,000
Speaker 1: niggas get ready to go vote.

1067
00:54:53,040 --> 00:54:55,560
Speaker 3: And the thing is is that I would have already

1068
00:54:55,640 --> 00:55:00,319
Speaker 3: known coming in from the door that this this is

1069
00:55:00,360 --> 00:55:04,799
Speaker 3: more about a photo opportunity or bragging right opportunity for

1070
00:55:06,200 --> 00:55:08,799
Speaker 3: Trump than it is about helping.

1071
00:55:09,600 --> 00:55:12,000
Speaker 5: You're not you should negotiate with a fucking scammer dog

1072
00:55:12,520 --> 00:55:14,560
Speaker 5: right right?

1073
00:55:13,840 --> 00:55:17,760
Speaker 4: I mean, the contract it's very long. I'm curious if niggas.

1074
00:55:17,800 --> 00:55:20,000
Speaker 7: I haven't said much because I ain't read the contract

1075
00:55:20,000 --> 00:55:20,480
Speaker 7: to comment.

1076
00:55:20,880 --> 00:55:22,560
Speaker 4: I do, but I'm just curious.

1077
00:55:22,239 --> 00:55:25,319
Speaker 1: That I did. I went through I went through this

1078
00:55:25,400 --> 00:55:26,440
Speaker 1: and so what it was.

1079
00:55:26,640 --> 00:55:27,840
Speaker 2: I read a little bit of it.

1080
00:55:28,280 --> 00:55:32,000
Speaker 6: Absolutely not not enough to not enough to say like

1081
00:55:32,120 --> 00:55:34,120
Speaker 6: it's horrible or it's not, but I read.

1082
00:55:34,200 --> 00:55:35,920
Speaker 2: I read through a little bit of it. But like

1083
00:55:35,960 --> 00:55:37,440
Speaker 2: I said, I've always just gave.

1084
00:55:37,320 --> 00:55:41,520
Speaker 6: Him credit for at least bringing the idea up because

1085
00:55:41,560 --> 00:55:44,680
Speaker 6: prior to him doing that, I can't recollec I can't

1086
00:55:44,719 --> 00:55:50,120
Speaker 6: recall anybody talking about them helping out black areas and

1087
00:55:50,160 --> 00:55:52,759
Speaker 6: black people and ship like that.

1088
00:55:52,920 --> 00:55:55,440
Speaker 4: I just black lives matter, but not like a celebrity.

1089
00:55:56,280 --> 00:55:59,839
Speaker 2: Yes, I always gave you love for that.

1090
00:56:01,200 --> 00:56:02,080
Speaker 1: I think it's celebrities.

1091
00:56:02,160 --> 00:56:04,279
Speaker 5: You have to use your voice, like if you're want to,

1092
00:56:04,680 --> 00:56:06,439
Speaker 5: you know, if you want to, you know, use your.

1093
00:56:06,360 --> 00:56:06,879
Speaker 1: Voice and commit.

1094
00:56:07,239 --> 00:56:09,960
Speaker 5: I would say, use your voice to like amplify the

1095
00:56:10,000 --> 00:56:12,239
Speaker 5: people that actually do the work in the community, you

1096
00:56:12,280 --> 00:56:14,600
Speaker 5: know what I'm saying, People that know policy, people that

1097
00:56:14,760 --> 00:56:18,040
Speaker 5: like put your money behind that they actually do the

1098
00:56:18,080 --> 00:56:20,400
Speaker 5: work right into the political processing.

1099
00:56:20,560 --> 00:56:21,799
Speaker 2: But what are those people doing?

1100
00:56:22,760 --> 00:56:25,800
Speaker 4: Yeah, but moving with progress? I mean in comparison.

1101
00:56:25,840 --> 00:56:27,920
Speaker 3: There are people doing it, but you got to be

1102
00:56:28,080 --> 00:56:31,680
Speaker 3: actively you have to be actively active. I'm sorry, you

1103
00:56:31,680 --> 00:56:34,560
Speaker 3: have to be actively informed or who's doing the work.

1104
00:56:34,560 --> 00:56:37,520
Speaker 3: There are people on the ground doing the work. Of course,

1105
00:56:37,560 --> 00:56:42,200
Speaker 3: all news Georgia, the Stacy Abrams or whatever. But it's

1106
00:56:42,280 --> 00:56:45,640
Speaker 3: just like, you know, I'm not saying that, I'm not

1107
00:56:45,680 --> 00:56:47,240
Speaker 3: saying that Cubans trying to be performed.

1108
00:56:47,360 --> 00:56:48,160
Speaker 1: No, no, no, listen.

1109
00:56:49,040 --> 00:56:51,160
Speaker 3: And you know he clapped back at me on one post.

1110
00:56:51,600 --> 00:56:54,440
Speaker 3: I'm not thinking that Cubans trying to be performative. I

1111
00:56:54,520 --> 00:56:57,560
Speaker 3: believe that his heart is in the right place. But

1112
00:56:58,600 --> 00:57:05,680
Speaker 3: last I checked, absolutely, this entire administration is not.

1113
00:57:05,760 --> 00:57:08,800
Speaker 1: About the advancement of black people at all.

1114
00:57:09,040 --> 00:57:11,400
Speaker 5: A matter at all and just by even you taking

1115
00:57:11,400 --> 00:57:14,040
Speaker 5: that cont like because the thing is, because here's the thing.

1116
00:57:14,080 --> 00:57:15,520
Speaker 5: Let me just be a humpre sent clear, Like we

1117
00:57:15,600 --> 00:57:18,360
Speaker 5: love c Cuba's hip hop, Like say what you want

1118
00:57:18,360 --> 00:57:21,720
Speaker 5: about this shit he doing now, but Nigga Cube was

1119
00:57:21,760 --> 00:57:24,520
Speaker 5: one of my favorite like ever, you know what I'm saying.

1120
00:57:24,560 --> 00:57:25,560
Speaker 1: Deaf certificate is one of it.

1121
00:57:25,800 --> 00:57:27,920
Speaker 5: But the thing about it, you know that people that

1122
00:57:28,000 --> 00:57:30,280
Speaker 5: we were trying to understand is like listen, we're not

1123
00:57:30,600 --> 00:57:35,760
Speaker 5: ashamed or disappointed in Cube that he tried. We're disappointed

1124
00:57:35,760 --> 00:57:38,040
Speaker 5: that he didn't see the fucking game to begin with.

1125
00:57:38,440 --> 00:57:39,080
Speaker 1: You know what I'm saying.

1126
00:57:39,120 --> 00:57:41,880
Speaker 5: It's like, nigga, you you got fucking scam, bro, you

1127
00:57:41,960 --> 00:57:43,960
Speaker 5: know what I mean. Like they were never gonna give

1128
00:57:43,960 --> 00:57:46,200
Speaker 5: you a real shot. You were never gonna have a

1129
00:57:46,240 --> 00:57:48,840
Speaker 5: real conversation with Trump or any of them niggas.

1130
00:57:48,880 --> 00:57:50,720
Speaker 4: They were just he was above that.

1131
00:57:51,040 --> 00:57:52,800
Speaker 7: He might have thought he was the one, just like

1132
00:57:52,840 --> 00:57:55,440
Speaker 7: Steve Harvey thought he was the one, Like you know,

1133
00:57:55,560 --> 00:57:56,640
Speaker 7: it's a certain level of.

1134
00:57:57,440 --> 00:57:59,880
Speaker 3: But that that's the thing, like the thing that I

1135
00:58:00,120 --> 00:58:02,880
Speaker 3: knew that it's exhausting. And I brought this up before

1136
00:58:03,000 --> 00:58:05,560
Speaker 3: with people like, ah, man, I can't, I can't watch

1137
00:58:05,560 --> 00:58:05,960
Speaker 3: the news.

1138
00:58:05,960 --> 00:58:08,160
Speaker 1: I can't. And even this year, I stopped watching the.

1139
00:58:08,200 --> 00:58:12,320
Speaker 3: News as obsessive as obsessively as I used to. But

1140
00:58:12,440 --> 00:58:17,040
Speaker 3: it's like since twenty sixteen, Since January twenty twenty sixteen,

1141
00:58:17,120 --> 00:58:22,520
Speaker 3: I've never I've not shut my eyes once. I mean sure,

1142
00:58:22,600 --> 00:58:26,400
Speaker 3: I was abreast on everything that was happening. And that's

1143
00:58:26,920 --> 00:58:28,640
Speaker 3: forward too. We don't have that luxury no more.

1144
00:58:29,320 --> 00:58:32,800
Speaker 6: Yah, Yeah, that's that's definitely true. Man, Like I said, Man,

1145
00:58:32,840 --> 00:58:37,480
Speaker 6: we don't. We don't know the blueprint to none of

1146
00:58:37,480 --> 00:58:40,280
Speaker 6: this shit. We we sitting up trying to figure this

1147
00:58:40,640 --> 00:58:43,840
Speaker 6: out as it goes along, and nobody got the answers

1148
00:58:43,880 --> 00:58:48,160
Speaker 6: to nothing. So the way I feel is, if anybody

1149
00:58:48,200 --> 00:58:51,320
Speaker 6: come with anything, I'm going that's cool. I'll let you

1150
00:58:51,360 --> 00:58:52,960
Speaker 6: know how I feel about it. But I'm glad you

1151
00:58:53,000 --> 00:58:55,680
Speaker 6: did something. Now let's keep it moving. Now what we're

1152
00:58:55,680 --> 00:58:56,040
Speaker 6: gonna do?

1153
00:58:56,360 --> 00:58:58,640
Speaker 2: Okay, So that was so this is what they tried

1154
00:58:58,680 --> 00:59:01,240
Speaker 2: to do. Okay, Now just look at the let's look at.

1155
00:59:01,120 --> 00:59:03,520
Speaker 6: The black contract, and let's see how we really can

1156
00:59:03,560 --> 00:59:06,440
Speaker 6: all come behind this and make it happen and come together.

1157
00:59:06,520 --> 00:59:08,320
Speaker 6: But we need we need a place to come together.

1158
00:59:08,600 --> 00:59:10,360
Speaker 6: We ain't ain't got no place to come together. But

1159
00:59:10,400 --> 00:59:13,440
Speaker 6: we ain't got nobody to talk to. We ain't got

1160
00:59:13,440 --> 00:59:16,920
Speaker 6: nobody to power with. Because he get if we if

1161
00:59:16,960 --> 00:59:20,880
Speaker 6: we had that kind of organization and that type of togetherness.

1162
00:59:20,240 --> 00:59:23,720
Speaker 2: Then he could have could have came to the to the.

1163
00:59:23,720 --> 00:59:26,840
Speaker 6: Table with a group of people that's over our kind

1164
00:59:26,920 --> 00:59:29,200
Speaker 6: or whatever, you know, just like when when Nick Cannon,

1165
00:59:29,280 --> 00:59:32,080
Speaker 6: when Nick Cannon did that ship, they had Nick Cannon

1166
00:59:32,120 --> 00:59:38,920
Speaker 6: talk to like the head of the Jewish community.

1167
00:59:37,840 --> 00:59:40,360
Speaker 2: Who they talked to. For we ain't got man, We

1168
00:59:40,400 --> 00:59:43,520
Speaker 2: ain't got a We ain't got a nigga to talk to.

1169
00:59:43,840 --> 00:59:46,560
Speaker 1: Not one had they had, They had talk to Charlamagne,

1170
00:59:46,600 --> 00:59:50,760
Speaker 1: you know what I know.

1171
00:59:51,000 --> 00:59:53,640
Speaker 6: And that's crazy, but that's what I'm saying, Like we

1172
00:59:53,640 --> 00:59:56,360
Speaker 6: we gotta come together and we all gotta stand out

1173
00:59:56,440 --> 00:59:59,000
Speaker 6: something and have a place to go to, have a

1174
00:59:59,000 --> 01:00:01,880
Speaker 6: place to talk type, a place to pow wow, and

1175
01:00:01,920 --> 01:00:03,160
Speaker 6: we and we don't even have that.

1176
01:00:03,320 --> 01:00:05,840
Speaker 2: So if he got something and he like, man, let

1177
01:00:05,840 --> 01:00:06,640
Speaker 2: me just bring it up.

1178
01:00:08,120 --> 01:00:10,520
Speaker 5: Honestly, I think I agree with just Indyan. I just

1179
01:00:10,520 --> 01:00:12,840
Speaker 5: think that we have to have those conversations. I think

1180
01:00:12,880 --> 01:00:15,800
Speaker 5: we just have to have those conversations privately. Think a

1181
01:00:15,960 --> 01:00:21,760
Speaker 5: big problem like social media like Twitter, Instagram, white people

1182
01:00:21,800 --> 01:00:25,960
Speaker 5: have never had unfettered access to the thoughts of niggas,

1183
01:00:26,320 --> 01:00:29,400
Speaker 5: and that is not necessarily always a good thing, you

1184
01:00:29,400 --> 01:00:30,440
Speaker 5: know what I mean, Like they.

1185
01:00:30,360 --> 01:00:32,800
Speaker 1: Know too much. Like when you see all these you know,

1186
01:00:32,880 --> 01:00:34,280
Speaker 1: all these damn you know.

1187
01:00:34,280 --> 01:00:37,880
Speaker 5: People that got caught blackfishing, like the chick from the

1188
01:00:38,000 --> 01:00:41,880
Speaker 5: chick that was at that school and Rachel Docal and yeah,

1189
01:00:42,000 --> 01:00:44,160
Speaker 5: all the yeah, all the all the all them white

1190
01:00:44,160 --> 01:00:45,400
Speaker 5: women that was pretending to be.

1191
01:00:48,400 --> 01:00:49,040
Speaker 2: And that was like.

1192
01:00:51,200 --> 01:00:54,080
Speaker 5: Jessica whatever, the chick, the Jewish chick that was pretending

1193
01:00:54,080 --> 01:00:57,160
Speaker 5: to be black, Like I think much of that.

1194
01:01:00,520 --> 01:01:03,160
Speaker 1: Yeah, yeah, man, yeah, the bitch of scamming like a motherfucker.

1195
01:01:03,480 --> 01:01:06,640
Speaker 5: But like, yeah, so I just think like we're seeing

1196
01:01:07,840 --> 01:01:10,760
Speaker 5: they're they're able to like put on that costume so

1197
01:01:11,040 --> 01:01:15,000
Speaker 5: readily easily, because never before in the history of this

1198
01:01:15,080 --> 01:01:18,760
Speaker 5: fucking country have you been able to see like our language,

1199
01:01:19,200 --> 01:01:22,480
Speaker 5: like our inside jokes, like what they call aa ve

1200
01:01:22,640 --> 01:01:24,600
Speaker 5: e whatever, like all the just.

1201
01:01:24,640 --> 01:01:26,400
Speaker 1: Our cultural shorthand that we have.

1202
01:01:27,280 --> 01:01:30,040
Speaker 5: Nigga, they see that shit, right, they can pick it

1203
01:01:30,120 --> 01:01:32,440
Speaker 5: up and you know, learn it and apply it.

1204
01:01:32,720 --> 01:01:35,160
Speaker 2: But how but how can they when we don't know

1205
01:01:35,200 --> 01:01:37,880
Speaker 2: what we want? We gotta know what we want.

1206
01:01:38,840 --> 01:01:40,240
Speaker 1: As much as a cliche it is.

1207
01:01:40,840 --> 01:01:42,680
Speaker 5: You know, when I first heard this term on like

1208
01:01:42,920 --> 01:01:44,920
Speaker 5: news programs, news pundits saying.

1209
01:01:44,920 --> 01:01:46,840
Speaker 1: We are not a mon oflift. We're not a mon oflift.

1210
01:01:47,240 --> 01:01:49,520
Speaker 3: I believe that now more than ever because I didn't

1211
01:01:49,560 --> 01:01:54,880
Speaker 3: realize one how conservative a lot of us are. I

1212
01:01:54,920 --> 01:01:59,760
Speaker 3: didn't realize how, you know, like there's like six to seven.

1213
01:02:00,160 --> 01:02:01,200
Speaker 2: We got apartments.

1214
01:02:02,040 --> 01:02:06,480
Speaker 3: Yeah, the thoughts of black people that aren't as unified

1215
01:02:06,560 --> 01:02:07,280
Speaker 3: as I thought.

1216
01:02:07,320 --> 01:02:10,480
Speaker 1: We were not at all, bro y'all.

1217
01:02:10,560 --> 01:02:13,800
Speaker 7: We're so not unified that that contract that ice Cube

1218
01:02:13,800 --> 01:02:14,120
Speaker 7: put out.

1219
01:02:14,120 --> 01:02:17,200
Speaker 4: I briefly ran through it, y'all. Black Lives.

1220
01:02:19,040 --> 01:02:21,800
Speaker 7: Matter manifesto from five years ago. And if the nigga

1221
01:02:21,800 --> 01:02:24,040
Speaker 7: would have read that ship and God would him sorry,

1222
01:02:24,040 --> 01:02:28,200
Speaker 7: no shade, but nigga would attitude that ship, maybe we

1223
01:02:28,240 --> 01:02:29,680
Speaker 7: could get at least get together on that.

1224
01:02:30,080 --> 01:02:32,680
Speaker 2: But that's what I'm saying. We gotta know what we want.

1225
01:02:32,720 --> 01:02:36,160
Speaker 6: Black people don't come together as many shades as it is.

1226
01:02:36,200 --> 01:02:39,400
Speaker 6: Of us as it is, there's been many different kind.

1227
01:02:39,240 --> 01:02:42,720
Speaker 1: Of different ideologies, ya, So we.

1228
01:02:42,320 --> 01:02:44,840
Speaker 2: We gotta come together. We gotta come together on what

1229
01:02:44,880 --> 01:02:49,040
Speaker 2: we want to be called. We gotta be we gotta

1230
01:02:49,120 --> 01:02:49,800
Speaker 2: come together.

1231
01:02:51,160 --> 01:02:53,920
Speaker 6: We don't we some niggas, some niggas school would be

1232
01:02:53,920 --> 01:02:55,360
Speaker 6: a nigga some nigga school would be.

1233
01:02:56,560 --> 01:02:58,920
Speaker 2: We gotta come together on what we're gonna be called.

1234
01:02:59,520 --> 01:03:01,760
Speaker 6: We gotta come together on what we're gonna take a

1235
01:03:01,880 --> 01:03:04,160
Speaker 6: stand on. We can't just be taking the stand on

1236
01:03:04,200 --> 01:03:05,960
Speaker 6: some ship for a hot man and then that's out.

1237
01:03:06,040 --> 01:03:09,520
Speaker 6: I remember everybody was like fuck Starbucks. Three months later,

1238
01:03:09,640 --> 01:03:12,000
Speaker 6: niggas was whipped cream the fuck out around us.

1239
01:03:14,480 --> 01:03:18,320
Speaker 2: Oh, everybody was muffing latte. They up the ass, that's

1240
01:03:18,320 --> 01:03:22,240
Speaker 2: what they was. Mother fucking Gucci. Fuck Gucci. Next thing,

1241
01:03:22,280 --> 01:03:27,800
Speaker 2: you know, Wonder War Show. Later, niggas was geez the

1242
01:03:27,880 --> 01:03:30,640
Speaker 2: fuck up. We got to know what we want. I'm

1243
01:03:30,720 --> 01:03:31,560
Speaker 2: telling you, look, look.

1244
01:03:31,440 --> 01:03:34,680
Speaker 1: We we We was with Gucci for a second.

1245
01:03:34,840 --> 01:03:37,959
Speaker 2: Yeah, look we so we so fucked up in the head.

1246
01:03:38,080 --> 01:03:38,240
Speaker 7: YO.

1247
01:03:38,840 --> 01:03:41,800
Speaker 6: As far as black people, that's why we don't have

1248
01:03:41,880 --> 01:03:46,440
Speaker 6: no long term black designers. You know why because black people.

1249
01:03:46,760 --> 01:03:50,600
Speaker 6: Because black people don't want to support ship. They think

1250
01:03:50,680 --> 01:03:53,160
Speaker 6: everything played the fuck out. They don't want to come

1251
01:03:53,200 --> 01:03:55,360
Speaker 6: together and be like, this is the brand that we're

1252
01:03:55,400 --> 01:03:58,280
Speaker 6: gonna have and now we're gonna rock. Fuck how you

1253
01:03:58,320 --> 01:04:00,680
Speaker 6: think it's played out and not we need. That's why

1254
01:04:00,680 --> 01:04:03,200
Speaker 6: we don't have long term black designers.

1255
01:04:03,200 --> 01:04:05,560
Speaker 2: We don't got no no motherfucking.

1256
01:04:05,400 --> 01:04:09,600
Speaker 6: Perry Yellois, no mother Ralph Lauren because niggas feel like

1257
01:04:09,640 --> 01:04:12,160
Speaker 6: it's played out and don't want to wear it. Instead

1258
01:04:12,200 --> 01:04:18,880
Speaker 6: of instead of motherfucking respecting ship and representing ship like

1259
01:04:18,880 --> 01:04:21,120
Speaker 6: like we should, we don't come together on that ship.

1260
01:04:22,040 --> 01:04:24,240
Speaker 1: I think I think that ideology is changing.

1261
01:04:24,480 --> 01:04:29,320
Speaker 3: I'm supporting like all gear, I'm rock and now and

1262
01:04:29,360 --> 01:04:30,040
Speaker 3: that's love.

1263
01:04:30,240 --> 01:04:35,080
Speaker 2: And always don't just wear it for the moment.

1264
01:04:36,080 --> 01:04:37,120
Speaker 1: Not just February.

1265
01:04:37,880 --> 01:04:41,200
Speaker 6: Always wear it because that's what why folks do. White

1266
01:04:41,200 --> 01:04:45,200
Speaker 6: folks when they when they when they fuck with Michael Cores, motherfucker,

1267
01:04:45,200 --> 01:04:46,920
Speaker 6: they gonna they're gonna wear that ship.

1268
01:04:47,840 --> 01:04:50,440
Speaker 1: They're gonna wear that.

1269
01:04:52,280 --> 01:04:52,560
Speaker 4: Michael.

1270
01:04:54,720 --> 01:04:57,480
Speaker 6: Black people. Black people be like, yeah, Cross Colors was cool.

1271
01:04:57,520 --> 01:04:59,400
Speaker 6: We out that ship, fucked us ship.

1272
01:04:59,160 --> 01:05:01,720
Speaker 4: Because it didn't keep Yeah, you're gonna go buy some

1273
01:05:01,760 --> 01:05:02,560
Speaker 4: footboom right now.

1274
01:05:04,000 --> 01:05:06,560
Speaker 2: They have to evolve too, I guess. I guess they

1275
01:05:06,600 --> 01:05:09,320
Speaker 2: have to evolve too. You know what I give you

1276
01:05:09,360 --> 01:05:12,960
Speaker 2: that they gotta evolve too. But it's up for us

1277
01:05:13,000 --> 01:05:14,360
Speaker 2: to let them know that as well.

1278
01:05:14,480 --> 01:05:16,960
Speaker 6: Like Yo, but we gotta stick with these companies. We

1279
01:05:17,040 --> 01:05:21,960
Speaker 6: gotta some of them try to us. Some I'm gonna

1280
01:05:21,960 --> 01:05:24,480
Speaker 6: try to evolve, but people just don't fuck with them

1281
01:05:24,520 --> 01:05:24,800
Speaker 6: no more.

1282
01:05:24,880 --> 01:05:26,160
Speaker 2: People be like But I think.

1283
01:05:26,120 --> 01:05:27,880
Speaker 5: I think a lot of that has to do with

1284
01:05:28,040 --> 01:05:30,240
Speaker 5: I mean, I think what there's some truth what you're saying.

1285
01:05:30,560 --> 01:05:32,400
Speaker 5: I think that's kind of just the gift in the

1286
01:05:32,480 --> 01:05:36,120
Speaker 5: curse of black people is that we because we are

1287
01:05:36,800 --> 01:05:39,960
Speaker 5: the most creative, the most kind of forward thinking in terms.

1288
01:05:39,760 --> 01:05:42,680
Speaker 1: Of just the stuff we create. We're always thinking forward.

1289
01:05:42,800 --> 01:05:45,040
Speaker 5: And so if you even look at music, right, if

1290
01:05:45,080 --> 01:05:49,040
Speaker 5: you look at every every art form of music, like

1291
01:05:49,080 --> 01:05:52,120
Speaker 5: every class of music black people we have, they have

1292
01:05:52,200 --> 01:05:55,880
Speaker 5: the same pattern. We create it, we'll nurture it, we

1293
01:05:56,040 --> 01:06:01,000
Speaker 5: elevate it, and then we abandon it. Yeah, gospel, blue's jazz,

1294
01:06:01,680 --> 01:06:04,320
Speaker 5: like I mean hip hop to some degree, you know

1295
01:06:04,320 --> 01:06:06,480
Speaker 5: what I mean. And so I think that's just kind

1296
01:06:06,480 --> 01:06:09,160
Speaker 5: of who we are. It's like we just make these

1297
01:06:09,200 --> 01:06:12,480
Speaker 5: things that we think are fantastic and the great, and

1298
01:06:12,520 --> 01:06:14,160
Speaker 5: then we're like, all right, I made that, Okay, onto

1299
01:06:14,200 --> 01:06:17,560
Speaker 5: the next ship. Meanwhile, white folks are looking at the

1300
01:06:17,560 --> 01:06:20,160
Speaker 5: ship that we're done left behind, like, oh my god, nigga,

1301
01:06:20,240 --> 01:06:21,760
Speaker 5: Like these niggas left this behind.

1302
01:06:21,800 --> 01:06:26,080
Speaker 1: They realize how much they sell it back to us.

1303
01:06:27,760 --> 01:06:30,600
Speaker 1: I get it, Like how they niggas selling that ship

1304
01:06:30,680 --> 01:06:31,120
Speaker 1: back to us.

1305
01:06:31,400 --> 01:06:35,680
Speaker 3: Let's give light to uh limblin, Let's give shots to uh.

1306
01:06:36,400 --> 01:06:40,919
Speaker 1: I mean, is is fifty dollars on or off?

1307
01:06:41,080 --> 01:06:41,160
Speaker 2: Like?

1308
01:06:41,520 --> 01:06:44,960
Speaker 1: Are we still on Virgil Virgin Virgil? Is he back

1309
01:06:45,000 --> 01:06:49,200
Speaker 1: in the house or not? Is Virgil back in the

1310
01:06:49,200 --> 01:06:49,640
Speaker 1: house off?

1311
01:06:49,720 --> 01:06:58,400
Speaker 3: White Virgil was kicked out the house for a seconded

1312
01:06:58,440 --> 01:07:04,400
Speaker 3: him out the house for there's I'm Preston uh Victor LeMond.

1313
01:07:04,920 --> 01:07:07,920
Speaker 1: I think shout out, shout.

1314
01:07:07,040 --> 01:07:10,880
Speaker 2: Out to my man, a collective thoughts in Chicago. Also

1315
01:07:11,040 --> 01:07:13,440
Speaker 2: my man, uh dirty.

1316
01:07:13,080 --> 01:07:16,160
Speaker 6: Milk, my man, Daniel Daniel, he got dirty milk and

1317
01:07:16,280 --> 01:07:25,360
Speaker 6: uh we Yeah, those are some great brands, right, Definitely Gucci.

1318
01:07:25,840 --> 01:07:29,720
Speaker 3: All right, there's celebrities. She's coming up in the world

1319
01:07:29,720 --> 01:07:32,960
Speaker 3: and Romeo Hunt. So there's But I think.

1320
01:07:33,000 --> 01:07:35,480
Speaker 6: I think the gold is not just to wear this stuff,

1321
01:07:35,520 --> 01:07:38,000
Speaker 6: but rock with them as long as you can and

1322
01:07:38,240 --> 01:07:41,920
Speaker 6: hold them accountable, to evolved and rock with them and

1323
01:07:42,000 --> 01:07:43,520
Speaker 6: let these people be the voice.

1324
01:07:43,680 --> 01:07:45,080
Speaker 2: Let let them speak.

1325
01:07:44,760 --> 01:07:48,400
Speaker 6: For us as long as other clothing designers come along, man,

1326
01:07:48,480 --> 01:07:49,200
Speaker 6: because right.

1327
01:07:49,080 --> 01:07:51,480
Speaker 2: Now it's just sad to me that we don't have

1328
01:07:51,600 --> 01:07:53,920
Speaker 2: no long term black clothes and designer take.

1329
01:07:53,840 --> 01:07:55,320
Speaker 4: Doesn't even think of none. I felt bad.

1330
01:07:59,520 --> 01:07:59,760
Speaker 1: A lot.

1331
01:07:59,880 --> 01:08:05,720
Speaker 5: You No, no, no, you're not old school. No no, no,

1332
01:08:05,760 --> 01:08:09,280
Speaker 5: I'm thinking of all the ones that passed like that

1333
01:08:09,400 --> 01:08:09,880
Speaker 5: was another one.

1334
01:08:09,880 --> 01:08:10,960
Speaker 1: I was thinking of college.

1335
01:08:12,400 --> 01:08:15,760
Speaker 2: All of that, you know.

1336
01:08:17,040 --> 01:08:20,800
Speaker 6: Not but it's another tracy yeah yeah, no, like no,

1337
01:08:21,800 --> 01:08:24,280
Speaker 6: and if it is one, I don't know about it,

1338
01:08:24,360 --> 01:08:25,040
Speaker 6: and I should.

1339
01:08:25,280 --> 01:08:27,320
Speaker 4: I don't even think we make a good shoe ship.

1340
01:08:28,280 --> 01:08:30,960
Speaker 6: Nothing because because like you know what you remember, you

1341
01:08:31,000 --> 01:08:32,200
Speaker 6: remember when Timberland.

1342
01:08:32,920 --> 01:08:35,639
Speaker 2: Timberland was like, we don't make our shoes from folks.

1343
01:08:36,040 --> 01:08:39,639
Speaker 6: Everybody went crazy, like, fuck Timberland, I ain't wearing that ship.

1344
01:08:40,520 --> 01:08:43,840
Speaker 2: I was personally, yeah, niggas.

1345
01:08:43,880 --> 01:08:47,799
Speaker 6: Like I told you before about the Starbucks, niggas be like, yeah.

1346
01:08:47,600 --> 01:08:49,400
Speaker 2: Fuck that ship, but then they go right back to it.

1347
01:08:49,720 --> 01:08:52,720
Speaker 6: But at the same token, when Timberland said that not

1348
01:08:53,240 --> 01:08:56,320
Speaker 6: hid the same thing, and I mean low key, I

1349
01:08:56,400 --> 01:08:58,400
Speaker 6: was like, I kid.

1350
01:08:58,400 --> 01:09:02,439
Speaker 2: It because I kind of get it. Because you don't

1351
01:09:02,439 --> 01:09:03,400
Speaker 2: want niggas.

1352
01:09:03,040 --> 01:09:06,080
Speaker 6: Coming through rock of your ship saying this played out

1353
01:09:06,680 --> 01:09:12,400
Speaker 6: and then the case because when niggas say it's played out,

1354
01:09:12,439 --> 01:09:13,240
Speaker 6: it's played out.

1355
01:09:13,439 --> 01:09:16,320
Speaker 5: Just as just as I'm not Dutch and true religion.

1356
01:09:19,080 --> 01:09:20,040
Speaker 1: Okay, so I'm not.

1357
01:09:20,280 --> 01:09:23,960
Speaker 3: I'm not I'm not too hip to the shoe game

1358
01:09:24,000 --> 01:09:26,240
Speaker 3: as I am the fashion game. But definitely there's there's

1359
01:09:26,240 --> 01:09:30,439
Speaker 3: some designers to look out for. J. J. Gray Uh.

1360
01:09:29,840 --> 01:09:31,320
Speaker 2: Okay, yev Rauh.

1361
01:09:31,960 --> 01:09:36,559
Speaker 1: There's a brother of Ellis and these are like high end.

1362
01:09:37,080 --> 01:09:37,240
Speaker 2: Uh.

1363
01:09:37,760 --> 01:09:41,759
Speaker 3: There's one l F l S like father like sons shoes,

1364
01:09:42,360 --> 01:09:48,000
Speaker 3: uh Keanna Barnes, Stella Hughes and these are like high.

1365
01:09:48,240 --> 01:09:51,200
Speaker 1: No, man, there's there's I'm telling you this.

1366
01:09:51,200 --> 01:09:55,080
Speaker 3: This could be the paradigm shift where you know, I'm

1367
01:09:55,080 --> 01:10:01,360
Speaker 3: definitely more uh you know, aware of black businesses then

1368
01:10:02,640 --> 01:10:07,519
Speaker 3: I was not previously or using my dollar for that.

1369
01:10:07,680 --> 01:10:10,000
Speaker 7: So that's what everybody's doing for the holiday season too.

1370
01:10:10,240 --> 01:10:12,120
Speaker 7: If you notice, it's been a lot of promotion about

1371
01:10:12,240 --> 01:10:15,680
Speaker 7: around small businesses, black business, like make sure you you

1372
01:10:15,720 --> 01:10:16,679
Speaker 7: know so.

1373
01:10:16,720 --> 01:10:18,160
Speaker 4: Ets he got a black business store.

1374
01:10:18,200 --> 01:10:21,240
Speaker 7: Everybody, I mean even Steve got a black business Christmas

1375
01:10:21,280 --> 01:10:23,080
Speaker 7: sweatshirt on with What.

1376
01:10:22,960 --> 01:10:26,680
Speaker 2: About my man, my man, my man Rich Fresh too.

1377
01:10:26,760 --> 01:10:29,800
Speaker 4: Rich Fresh Trush in the list we should actually you know.

1378
01:10:30,200 --> 01:10:34,400
Speaker 2: Rich Rush, he do clothes for everybody. Man do it

1379
01:10:34,439 --> 01:10:37,479
Speaker 2: for like black design? A cool dude.

1380
01:10:38,720 --> 01:10:42,800
Speaker 6: You do a lot of stuff for Layla Way that

1381
01:10:42,920 --> 01:10:47,400
Speaker 6: stuff she bear with the spring with the strike with

1382
01:10:47,439 --> 01:10:50,720
Speaker 6: like the yellow and black stripe, that's that's yeah, that's

1383
01:10:50,840 --> 01:10:53,519
Speaker 6: Rich Fresh Rich Fresh black design. And he called too,

1384
01:10:53,800 --> 01:10:58,479
Speaker 6: you do the only way uh everybody? Man, So yeah,

1385
01:10:58,479 --> 01:10:59,000
Speaker 6: shut out to.

1386
01:10:59,040 --> 01:11:07,439
Speaker 1: Rich definitely shut up. Wait a minute, this is weird.

1387
01:11:07,800 --> 01:11:11,000
Speaker 3: This is the the one episode where I had so

1388
01:11:11,040 --> 01:11:13,599
Speaker 3: many craft questions about your comedy that we didn't talk

1389
01:11:14,120 --> 01:11:20,920
Speaker 3: anything about your comedy setup. All right, so wait before

1390
01:11:21,000 --> 01:11:24,519
Speaker 3: we wrap, I do want to know how does one

1391
01:11:25,560 --> 01:11:30,559
Speaker 3: stay sharp when you don't have an audience to sort

1392
01:11:30,560 --> 01:11:31,240
Speaker 3: of work this on.

1393
01:11:31,960 --> 01:11:35,760
Speaker 6: So, like Dave Chappelle and a couple other comments, they've

1394
01:11:35,760 --> 01:11:39,720
Speaker 6: been doing shows, they've been going on, they've been doing show. Yeah, yeah,

1395
01:11:39,720 --> 01:11:44,040
Speaker 6: they've been doing that, and that's cool. You know you

1396
01:11:44,080 --> 01:11:47,800
Speaker 6: feel comfortable enough to do that, and that's love. Me personally,

1397
01:11:48,160 --> 01:11:51,599
Speaker 6: I'm not sharp. I have not performed since February, and

1398
01:11:51,640 --> 01:11:55,920
Speaker 6: that is like a no no. I am terrified to

1399
01:11:56,040 --> 01:11:58,240
Speaker 6: get on stay to a lot of people don't know that.

1400
01:11:58,360 --> 01:12:01,519
Speaker 6: I am terrified to even perform right now. I've been

1401
01:12:01,640 --> 01:12:05,640
Speaker 6: stock stockpile of material left and right. That's why I

1402
01:12:05,720 --> 01:12:09,720
Speaker 6: dropped working working it out because I knew I haven't performed,

1403
01:12:09,720 --> 01:12:11,240
Speaker 6: and I was like, I want to get a people

1404
01:12:11,320 --> 01:12:14,800
Speaker 6: something until you know I can get back out there.

1405
01:12:14,880 --> 01:12:18,360
Speaker 6: But me going on stage, when I get back on stage,

1406
01:12:18,360 --> 01:12:22,519
Speaker 6: it's going to be something that I must record because

1407
01:12:22,640 --> 01:12:28,040
Speaker 6: I'm going to be terrify and I'm going to be unsure,

1408
01:12:28,640 --> 01:12:32,640
Speaker 6: no confidence, I'm gonna be scared shitless. All of that

1409
01:12:33,040 --> 01:12:35,840
Speaker 6: and so I am very nervous and I think about

1410
01:12:35,840 --> 01:12:37,839
Speaker 6: it at least three times a day.

1411
01:12:37,880 --> 01:12:40,880
Speaker 2: About me getting back on stage. And I have it

1412
01:12:40,920 --> 01:12:42,839
Speaker 2: because I know I'm not sharp, no more.

1413
01:12:43,280 --> 01:12:45,240
Speaker 1: So pre pre March twenty twenty.

1414
01:12:46,360 --> 01:12:47,280
Speaker 2: What not?

1415
01:12:47,360 --> 01:12:48,799
Speaker 1: What was your regiment? Okay?

1416
01:12:49,160 --> 01:12:51,840
Speaker 3: I know about the AVI spots like going to uh

1417
01:12:52,520 --> 01:12:59,280
Speaker 3: not comedy seller, the comedy store, But where's where's like

1418
01:12:59,360 --> 01:13:02,160
Speaker 3: a secret spot where you work shit out? Like is

1419
01:13:02,200 --> 01:13:05,920
Speaker 3: the Comedy Act theater still the thing like where Robin

1420
01:13:05,920 --> 01:13:07,840
Speaker 3: Harris and all those guys used to work out.

1421
01:13:07,720 --> 01:13:09,960
Speaker 2: Like noah, nah, it's not a thing.

1422
01:13:10,040 --> 01:13:13,040
Speaker 6: No more, Comedy Act used to be real dope. Shout

1423
01:13:13,040 --> 01:13:16,560
Speaker 6: out to Mike Williams on that. But uh, me personally,

1424
01:13:17,360 --> 01:13:21,920
Speaker 6: I would perform at the improv called the Lab and

1425
01:13:21,960 --> 01:13:25,040
Speaker 6: the lab room only seats forty people.

1426
01:13:25,160 --> 01:13:26,879
Speaker 2: That's where I got.

1427
01:13:26,640 --> 01:13:30,400
Speaker 6: The material from to put together for working it out. Okay,

1428
01:13:31,040 --> 01:13:34,920
Speaker 6: forty people in this room and work out there.

1429
01:13:35,320 --> 01:13:38,360
Speaker 2: That's it. That's that was my ideal spot to do. That.

1430
01:13:39,320 --> 01:13:42,960
Speaker 6: Do some open mics every now and then, pop in places,

1431
01:13:43,280 --> 01:13:47,880
Speaker 6: but that would be it for me personally because a

1432
01:13:47,920 --> 01:13:50,360
Speaker 6: lot of times when you perform in LA it's so

1433
01:13:51,520 --> 01:13:54,160
Speaker 6: Hollywood and the ain't no telling who in the audience,

1434
01:13:54,240 --> 01:13:56,920
Speaker 6: And when you get on stage, your mind is set

1435
01:13:56,960 --> 01:13:59,120
Speaker 6: to do one thing, but then it changes up because

1436
01:13:59,120 --> 01:14:00,680
Speaker 6: you're about to go and stay, and right before you

1437
01:14:00,720 --> 01:14:03,080
Speaker 6: go on, they go, oh, Ray Ramino is gonna do

1438
01:14:03,160 --> 01:14:05,080
Speaker 6: five in front of you, and then you gotta wait,

1439
01:14:05,080 --> 01:14:07,519
Speaker 6: and then Ray go on and kill it. So now

1440
01:14:07,600 --> 01:14:09,519
Speaker 6: what you had in mind to do, you can't do

1441
01:14:09,640 --> 01:14:11,200
Speaker 6: no more. And then you go up and you do

1442
01:14:11,280 --> 01:14:14,160
Speaker 6: your old shit, your greatest hits, yeah, your greatest his

1443
01:14:14,320 --> 01:14:16,760
Speaker 6: because you want to follow Ray Ramondo and it's all

1444
01:14:16,800 --> 01:14:20,920
Speaker 6: fucked up. So I personally go to small rooms and

1445
01:14:21,000 --> 01:14:23,120
Speaker 6: try to just work it out like that. Oh, I

1446
01:14:23,120 --> 01:14:26,360
Speaker 6: don't even tell people I'm coming, so I can keep

1447
01:14:26,400 --> 01:14:30,400
Speaker 6: the fan fit, keep people's expectations for people coming to

1448
01:14:30,439 --> 01:14:30,800
Speaker 6: see me.

1449
01:14:31,320 --> 01:14:33,519
Speaker 2: I don't want them to see me until I'll work

1450
01:14:33,560 --> 01:14:33,880
Speaker 2: it out.

1451
01:14:34,240 --> 01:14:36,519
Speaker 4: Has it been easier or harder to write the funny

1452
01:14:36,920 --> 01:14:38,080
Speaker 4: in these this year?

1453
01:14:39,280 --> 01:14:40,160
Speaker 2: You know what's odd?

1454
01:14:40,960 --> 01:14:45,519
Speaker 6: It's still comedy, right, I mean yeah, but when it

1455
01:14:45,560 --> 01:14:48,200
Speaker 6: comes to writing, you don't want to write with everybody

1456
01:14:48,200 --> 01:14:51,200
Speaker 6: else writing that's me, And I think of a joke

1457
01:14:51,240 --> 01:14:53,639
Speaker 6: that's too that I'd be like, I know everybody gonna

1458
01:14:53,680 --> 01:14:57,200
Speaker 6: do a joke about COVID and mask and this and that,

1459
01:14:57,320 --> 01:14:59,080
Speaker 6: and then I try to think about how can I

1460
01:14:59,120 --> 01:15:01,880
Speaker 6: say it this different? And then I go, well, I

1461
01:15:01,920 --> 01:15:03,800
Speaker 6: don't know, I think somebody gonna think like that.

1462
01:15:03,840 --> 01:15:07,360
Speaker 2: And sometimes I overthink myself. But I was talking to.

1463
01:15:09,120 --> 01:15:11,760
Speaker 6: I was talking to Chris Rock one day, and Chris

1464
01:15:11,840 --> 01:15:16,400
Speaker 6: Rock was like, don't underestimate yourself on how quick you

1465
01:15:16,439 --> 01:15:19,760
Speaker 6: write a joke. It was like, because Prince, it took

1466
01:15:19,800 --> 01:15:22,799
Speaker 6: Prince three months to write a song and then someday

1467
01:15:23,200 --> 01:15:26,120
Speaker 6: it took him an hour to come up with a hit.

1468
01:15:26,720 --> 01:15:29,559
Speaker 6: It was like, so if something come to you that easy,

1469
01:15:30,160 --> 01:15:33,639
Speaker 6: don't dismiss it like it's just maybe it just came

1470
01:15:33,680 --> 01:15:37,040
Speaker 6: to you easy that way, right, And so I'm learning

1471
01:15:37,080 --> 01:15:40,439
Speaker 6: to do that because I've thrown away so much material.

1472
01:15:41,120 --> 01:15:43,439
Speaker 1: Good Karen jokes that you were like everyone's telling the

1473
01:15:43,479 --> 01:15:44,240
Speaker 1: Karen jokes.

1474
01:15:44,160 --> 01:15:46,559
Speaker 6: When when nobody thought of it the way that I did,

1475
01:15:47,600 --> 01:15:50,840
Speaker 6: but I thought, but I thought that they did. And

1476
01:15:50,880 --> 01:15:54,679
Speaker 6: so I keep forgetting that I'm different, and.

1477
01:15:54,640 --> 01:15:57,320
Speaker 2: People do that. People think like, you keep forgetting that

1478
01:15:58,479 --> 01:15:59,559
Speaker 2: you're something else.

1479
01:16:00,120 --> 01:16:02,240
Speaker 1: This is something you're the difference. It's not the joke

1480
01:16:02,280 --> 01:16:05,040
Speaker 1: that's you.

1481
01:16:05,040 --> 01:16:07,240
Speaker 4: You that people need.

1482
01:16:07,160 --> 01:16:09,200
Speaker 6: To say, it's so busy, you're so busy trying to

1483
01:16:09,200 --> 01:16:11,800
Speaker 6: write the joke, you leave you out of it. And

1484
01:16:11,800 --> 01:16:14,960
Speaker 6: by you leaving you out of it, you dismissed the

1485
01:16:15,080 --> 01:16:15,800
Speaker 6: joke because it's.

1486
01:16:16,640 --> 01:16:20,240
Speaker 2: Kills the joke. Yeah, so that's what I've been learning.

1487
01:16:20,320 --> 01:16:23,640
Speaker 6: I've been learning to just go to trust myself and

1488
01:16:24,040 --> 01:16:26,559
Speaker 6: stockpile as much as possible, and then when it's time

1489
01:16:26,600 --> 01:16:28,880
Speaker 6: for me to finally get on stage and go rock,

1490
01:16:29,600 --> 01:16:31,960
Speaker 6: go rock, and just go do it. But I can't

1491
01:16:31,960 --> 01:16:33,840
Speaker 6: wait till that day man where I can get on

1492
01:16:33,880 --> 01:16:35,680
Speaker 6: stage and I can just stretch you out and just

1493
01:16:36,360 --> 01:16:38,400
Speaker 6: I know wherever I'm going, I'm going somewhere where I

1494
01:16:38,439 --> 01:16:40,400
Speaker 6: could do two hours straight no interruption.

1495
01:16:41,560 --> 01:16:44,680
Speaker 3: Just do you do you stockpile by like post it

1496
01:16:45,120 --> 01:16:48,640
Speaker 3: or just your phone, my phone.

1497
01:16:48,439 --> 01:16:52,200
Speaker 2: I voice record or just jotted down or whatever. And

1498
01:16:52,360 --> 01:16:55,519
Speaker 2: uh yeah, I just stockpil put it all together and

1499
01:16:55,680 --> 01:16:56,720
Speaker 2: put it all together.

1500
01:16:56,479 --> 01:16:59,639
Speaker 6: And it's no order, there's no nothing. I just got

1501
01:16:59,680 --> 01:17:03,479
Speaker 6: it all written down. So yeah, I can't wait to

1502
01:17:03,520 --> 01:17:06,559
Speaker 6: get up to finally go do it, though, But as

1503
01:17:06,600 --> 01:17:09,519
Speaker 6: of right now, somebody called me recently was like, Yo,

1504
01:17:10,400 --> 01:17:11,439
Speaker 6: we're doing the show.

1505
01:17:11,840 --> 01:17:14,439
Speaker 2: It's gonna be a virtual thing. It's gonna be forty

1506
01:17:14,479 --> 01:17:15,200
Speaker 2: thousand people.

1507
01:17:15,320 --> 01:17:20,800
Speaker 6: I was like, nope, really, somebody offered me some big

1508
01:17:20,840 --> 01:17:22,920
Speaker 6: money and I said, nope.

1509
01:17:23,680 --> 01:17:26,840
Speaker 1: Really you didn't want to take the risk on.

1510
01:17:30,040 --> 01:17:33,519
Speaker 2: I haven't tried it. I have to go buy it.

1511
01:17:34,120 --> 01:17:36,200
Speaker 3: Okay, I have This might put you on the spot.

1512
01:17:36,200 --> 01:17:42,200
Speaker 3: But I always wanted to know, only because Gerrod produced

1513
01:17:42,200 --> 01:17:47,320
Speaker 3: this special and I never got to ask or gage

1514
01:17:47,320 --> 01:17:52,480
Speaker 3: a comedian what they thought of Drew Michael's audience list

1515
01:17:52,760 --> 01:17:54,080
Speaker 3: comedy show at his joint.

1516
01:17:54,240 --> 01:17:56,920
Speaker 1: Yeah, we had Michelle wolf on. She hated it. She

1517
01:17:57,000 --> 01:17:57,400
Speaker 1: hated it.

1518
01:17:57,439 --> 01:18:00,439
Speaker 5: She was like Michelle wolf I asked Michelle about that

1519
01:18:00,680 --> 01:18:05,160
Speaker 5: about it was Drew Michael.

1520
01:18:05,800 --> 01:18:08,320
Speaker 3: Drew Michael did an HBO special where he did a

1521
01:18:08,360 --> 01:18:14,959
Speaker 3: comedy show with no audience and you know, you're right, Michelle.

1522
01:18:15,000 --> 01:18:17,320
Speaker 3: And I asked Dave about it as well, and you know,

1523
01:18:18,560 --> 01:18:20,400
Speaker 3: he said, yeah. The first thing I said to him

1524
01:18:20,479 --> 01:18:22,200
Speaker 3: was like, I hated it. But it was almost like

1525
01:18:23,320 --> 01:18:27,200
Speaker 3: it was almost like watching somebody that grew up on

1526
01:18:27,320 --> 01:18:30,000
Speaker 3: like East Coast Illmatic and.

1527
01:18:31,520 --> 01:18:33,559
Speaker 1: You know, like try call quests.

1528
01:18:34,200 --> 01:18:36,599
Speaker 3: It's like asking them what they think of the new

1529
01:18:36,760 --> 01:18:39,559
Speaker 3: like Migos or Little Baby album.

1530
01:18:40,080 --> 01:18:41,639
Speaker 1: You know, where.

1531
01:18:43,160 --> 01:18:46,040
Speaker 3: You know it's it was definitely weird to watch, like

1532
01:18:46,320 --> 01:18:51,320
Speaker 3: to watch somebody do comedy with no audience whatsoever, But.

1533
01:18:51,439 --> 01:18:53,639
Speaker 1: Clearly that shit predict itself.

1534
01:18:54,360 --> 01:18:58,880
Speaker 3: Yeah, but clearly I think you know, the sign of

1535
01:18:58,920 --> 01:19:03,040
Speaker 3: true art is when something that you're not supposed to

1536
01:19:03,080 --> 01:19:05,840
Speaker 3: do becomes the norm.

1537
01:19:06,040 --> 01:19:06,560
Speaker 2: Yeah.

1538
01:19:06,600 --> 01:19:10,519
Speaker 6: So, but I mean, would you I've never I've went

1539
01:19:10,560 --> 01:19:14,519
Speaker 6: online and done jokes with no audience just to camera.

1540
01:19:14,760 --> 01:19:18,160
Speaker 6: They're like fifteen minutes. I've done that before, but just

1541
01:19:18,640 --> 01:19:20,519
Speaker 6: trying out new material stuff.

1542
01:19:20,520 --> 01:19:22,760
Speaker 2: But to go up and to film a.

1543
01:19:22,800 --> 01:19:26,559
Speaker 6: Special with no audience, to me personally, I get it.

1544
01:19:26,840 --> 01:19:29,400
Speaker 6: You want to you want to flip the script, do

1545
01:19:29,520 --> 01:19:33,200
Speaker 6: something different, see push if it sticks or whatever.

1546
01:19:33,280 --> 01:19:33,639
Speaker 2: I get.

1547
01:19:33,720 --> 01:19:36,240
Speaker 6: I commend them on that. I haven't seen it. I

1548
01:19:36,520 --> 01:19:38,479
Speaker 6: didn't even know what it was. I haven't seen it,

1549
01:19:38,520 --> 01:19:42,360
Speaker 6: but I commend him for trying something. But me personally, man,

1550
01:19:42,640 --> 01:19:46,720
Speaker 6: that's like, that's like, that's like masturbation.

1551
01:19:49,040 --> 01:19:49,559
Speaker 1: It's like.

1552
01:19:51,400 --> 01:19:54,639
Speaker 2: It was like he masturbated, you know.

1553
01:19:55,160 --> 01:19:55,320
Speaker 10: Like.

1554
01:19:57,760 --> 01:20:01,920
Speaker 2: Everybody you need, you need, you need an audience.

1555
01:20:02,680 --> 01:20:05,519
Speaker 1: Yeah, I think because I think specifically for stand up.

1556
01:20:05,439 --> 01:20:06,280
Speaker 2: Woman need a man.

1557
01:20:06,360 --> 01:20:08,960
Speaker 6: A man need a woman in order to make this

1558
01:20:09,000 --> 01:20:12,200
Speaker 6: thing happen to do that, but for stand up, if

1559
01:20:12,200 --> 01:20:15,600
Speaker 6: you out there by yourself and no audience. Me personally,

1560
01:20:15,800 --> 01:20:21,160
Speaker 6: I thrive off of that. I thrive off of hearing

1561
01:20:21,760 --> 01:20:26,920
Speaker 6: an audience. That's why I'd rather a person boo rather

1562
01:20:27,000 --> 01:20:31,599
Speaker 6: than don't say nothing at all, because that quietness kills me.

1563
01:20:31,960 --> 01:20:35,240
Speaker 2: I can't. I can't take the quiet like that. I rether.

1564
01:20:35,800 --> 01:20:38,360
Speaker 6: I gotta have some noise or something. But I can

1565
01:20:38,439 --> 01:20:40,800
Speaker 6: play off of that or something. I can play off

1566
01:20:40,840 --> 01:20:43,840
Speaker 6: of it something. I mean, I don't want to be

1567
01:20:43,920 --> 01:20:47,479
Speaker 6: booed at all. Yeah, because the thing is with silence.

1568
01:20:47,920 --> 01:20:50,520
Speaker 5: But silence I think for like a for a comedian

1569
01:20:50,640 --> 01:20:52,640
Speaker 5: like I would compare it as an EMC is like

1570
01:20:53,400 --> 01:20:56,280
Speaker 5: silence is like a three mic rating in the source,

1571
01:20:56,320 --> 01:20:58,479
Speaker 5: like when the source us the source right, It's like

1572
01:20:58,560 --> 01:20:59,440
Speaker 5: three mics.

1573
01:20:59,280 --> 01:20:59,759
Speaker 1: Is like idio.

1574
01:21:00,720 --> 01:21:04,160
Speaker 5: It's kind of inn and like I'd rather either if

1575
01:21:04,280 --> 01:21:07,479
Speaker 5: niggas ain't just laughing, you know, out their seats, which

1576
01:21:07,479 --> 01:21:10,160
Speaker 5: would be like a five mic, or if they booing you,

1577
01:21:10,200 --> 01:21:12,240
Speaker 5: which is a one mic like you kind of I

1578
01:21:12,360 --> 01:21:15,600
Speaker 5: enjoy being on those ends because at least that no

1579
01:21:15,720 --> 01:21:19,160
Speaker 5: you would listen, you listen to a real reaction, just.

1580
01:21:19,160 --> 01:21:23,240
Speaker 1: That middle of the road ship. She ain't doing nothing.

1581
01:21:23,240 --> 01:21:25,400
Speaker 6: I'll tell you this though to Steve Harvey taught me

1582
01:21:25,439 --> 01:21:27,760
Speaker 6: this as well. Though it all depends on how you

1583
01:21:27,800 --> 01:21:30,800
Speaker 6: play siting. Silence can work good too, like if you

1584
01:21:30,800 --> 01:21:33,479
Speaker 6: can make a whole room, if you can make a

1585
01:21:33,600 --> 01:21:37,599
Speaker 6: whole room silent, that's just as good as a laugh too,

1586
01:21:37,760 --> 01:21:38,880
Speaker 6: because they engaged.

1587
01:21:39,439 --> 01:21:41,519
Speaker 2: So it it all depends on how you play with

1588
01:21:41,560 --> 01:21:44,639
Speaker 2: that silence. And I just thought about that too, Like if.

1589
01:21:44,520 --> 01:21:46,080
Speaker 6: I can go into a room full of people and

1590
01:21:46,120 --> 01:21:49,120
Speaker 6: I can go you know what, I do that on

1591
01:21:49,200 --> 01:21:52,719
Speaker 6: purpose to lie, just to I act like I'm thinking,

1592
01:21:52,880 --> 01:21:55,760
Speaker 6: but I'm actually listening to see how quiet it is,

1593
01:21:55,800 --> 01:21:58,080
Speaker 6: to see if I got everybody, and then I go

1594
01:21:58,160 --> 01:22:01,160
Speaker 6: into a joke or whatever. It's a control the time

1595
01:22:01,200 --> 01:22:03,960
Speaker 6: of life like that, like a timment. But like I

1596
01:22:04,160 --> 01:22:06,720
Speaker 6: do that a lot, just to kind of test the

1597
01:22:06,800 --> 01:22:09,120
Speaker 6: room or whatever, just to see who's engaged and who

1598
01:22:09,240 --> 01:22:11,760
Speaker 6: not or itever. But when it comes to like doing

1599
01:22:11,800 --> 01:22:13,800
Speaker 6: the joke and the joke don't work, you can give

1600
01:22:13,800 --> 01:22:14,960
Speaker 6: me silence at first.

1601
01:22:15,200 --> 01:22:17,559
Speaker 2: But if I do three jokes in the role and

1602
01:22:17,600 --> 01:22:18,880
Speaker 2: they not working, and you.

1603
01:22:19,000 --> 01:22:22,880
Speaker 6: Silent, like I'm gonna need somebody to go bring your

1604
01:22:22,920 --> 01:22:24,719
Speaker 6: nigga something somebody else.

1605
01:22:26,560 --> 01:22:28,719
Speaker 2: Nobody got going I want.

1606
01:22:28,600 --> 01:22:33,560
Speaker 6: My money back or something money something, tell me something, niggas.

1607
01:22:33,640 --> 01:22:37,160
Speaker 3: That's pressure though, Like right now, right now, at the

1608
01:22:37,200 --> 01:22:40,920
Speaker 3: tonight show, we're allowed by the state to have ten

1609
01:22:41,040 --> 01:22:42,160
Speaker 3: people in the audience.

1610
01:22:42,880 --> 01:22:45,320
Speaker 2: Yes, So it's like.

1611
01:22:46,320 --> 01:22:49,280
Speaker 1: Uh, the thing is I liked I liked.

1612
01:22:49,400 --> 01:22:53,720
Speaker 3: Doing the show when it was just us with ourselves.

1613
01:22:54,360 --> 01:22:58,120
Speaker 3: It felt like a public access show. It's like Wayne's World,

1614
01:22:59,000 --> 01:23:03,240
Speaker 3: and when jokes didn't work, then we just laugh at

1615
01:23:03,240 --> 01:23:06,960
Speaker 3: each other and it was actually funnier than if the

1616
01:23:07,040 --> 01:23:09,760
Speaker 3: joke work. But it's a different thing when you have

1617
01:23:09,840 --> 01:23:12,720
Speaker 3: ten people in the audience because it's like we're kind

1618
01:23:12,760 --> 01:23:15,559
Speaker 3: of using the old model of what the show used

1619
01:23:15,560 --> 01:23:19,080
Speaker 3: to be, but only for ten people. And like if

1620
01:23:19,120 --> 01:23:22,800
Speaker 3: something doesn't work and it's a slow laugh, then it's

1621
01:23:22,920 --> 01:23:26,120
Speaker 3: like it's just harder to navigate.

1622
01:23:25,960 --> 01:23:30,120
Speaker 4: When you post that way. Employees like Wendy do we do.

1623
01:23:30,200 --> 01:23:34,680
Speaker 1: Like we oh, it's it's half employees.

1624
01:23:35,200 --> 01:23:37,000
Speaker 5: Well, I mean because thirty Rocks is such a big

1625
01:23:37,000 --> 01:23:40,360
Speaker 5: building that you know, there's other shows, so like like today, uh,

1626
01:23:41,520 --> 01:23:44,439
Speaker 5: Lawrence Scalliot who does traffic in the morning on NBC,

1627
01:23:44,600 --> 01:23:46,840
Speaker 5: like she was part of the audience, so like people

1628
01:23:46,840 --> 01:23:49,960
Speaker 5: will come in on their lunch break from like MSNBC,

1629
01:23:50,000 --> 01:23:51,439
Speaker 5: c NBC like those.

1630
01:23:51,280 --> 01:23:53,519
Speaker 4: Those they're not worried about losing their jobs. You need

1631
01:23:53,560 --> 01:23:54,840
Speaker 4: people's staff.

1632
01:23:57,880 --> 01:23:58,200
Speaker 2: Like.

1633
01:24:00,800 --> 01:24:01,719
Speaker 1: They get it up.

1634
01:24:03,200 --> 01:24:03,559
Speaker 2: Acting.

1635
01:24:03,680 --> 01:24:04,400
Speaker 1: I see what you mean.

1636
01:24:04,400 --> 01:24:05,360
Speaker 4: Now, yes it is.

1637
01:24:06,840 --> 01:24:09,639
Speaker 2: I have a question. No it's Steve.

1638
01:24:13,960 --> 01:24:15,759
Speaker 1: Yeah, Steve, you're no Hanigha stories.

1639
01:24:16,080 --> 01:24:16,280
Speaker 2: Yeah.

1640
01:24:16,800 --> 01:24:19,120
Speaker 4: We ain't talked about the holidays, clear Stee. I'm sorry.

1641
01:24:19,360 --> 01:24:22,120
Speaker 10: So with regards to this like stockpile of jokes that

1642
01:24:22,160 --> 01:24:25,800
Speaker 10: you've been writing, presumably since February or March and haven't

1643
01:24:25,800 --> 01:24:28,800
Speaker 10: been able to are you worried about any of it,

1644
01:24:28,880 --> 01:24:31,360
Speaker 10: like being dated by the time you get to tell

1645
01:24:31,400 --> 01:24:33,640
Speaker 10: it on stage, or like you know, or or you

1646
01:24:33,680 --> 01:24:36,760
Speaker 10: specifically like trying to write stuff that will still make sense,

1647
01:24:37,320 --> 01:24:39,679
Speaker 10: you know, whenever you get to go back on stage.

1648
01:24:40,080 --> 01:24:44,920
Speaker 6: Oh well that's that's that's that's the beauty of how

1649
01:24:44,960 --> 01:24:48,160
Speaker 6: long it takes me to write. I don't you know,

1650
01:24:48,640 --> 01:24:50,840
Speaker 6: I can't just write some ship like that, Like I

1651
01:24:50,880 --> 01:24:53,080
Speaker 6: was just telling you, like, if I think a joke

1652
01:24:53,160 --> 01:24:55,519
Speaker 6: too simple, I ain't fucking with it, like I just

1653
01:24:55,680 --> 01:24:58,080
Speaker 6: I just if I feel like I think people thinking

1654
01:24:58,920 --> 01:25:01,000
Speaker 6: like that that they're gonna come up with something like that.

1655
01:25:01,120 --> 01:25:03,040
Speaker 6: I'm just I'm just not gonna fuck with it. So

1656
01:25:03,479 --> 01:25:06,639
Speaker 6: what I write is evergreen, sure, and I make sure

1657
01:25:07,000 --> 01:25:09,719
Speaker 6: I try to make sure everything I write is ever green.

1658
01:25:09,800 --> 01:25:10,439
Speaker 2: My shit be.

1659
01:25:10,439 --> 01:25:13,840
Speaker 6: Simple, my should be like, my shit be My shit

1660
01:25:13,960 --> 01:25:16,360
Speaker 6: is like I was talking to Jamie Fox one time

1661
01:25:16,400 --> 01:25:19,160
Speaker 6: and Jamie told me he was going to do a special,

1662
01:25:19,240 --> 01:25:21,479
Speaker 6: but after seeing my special, he was like.

1663
01:25:22,160 --> 01:25:25,799
Speaker 2: I threw my shit away. He was like, because damn

1664
01:25:25,920 --> 01:25:26,360
Speaker 2: I don't.

1665
01:25:26,400 --> 01:25:31,080
Speaker 6: He said, I don't want to be Jamie Fox, the celebrity.

1666
01:25:31,760 --> 01:25:35,960
Speaker 6: He said, I want to be the motherfucker that's relatable.

1667
01:25:36,320 --> 01:25:38,519
Speaker 6: And he was like, and that's what cole harted was

1668
01:25:38,600 --> 01:25:41,200
Speaker 6: to me, it was relatable and I was like, I

1669
01:25:41,320 --> 01:25:42,599
Speaker 6: was like, yeah, like.

1670
01:25:42,520 --> 01:25:46,080
Speaker 2: My shit, I was talking about, man, you ever get

1671
01:25:46,240 --> 01:25:48,040
Speaker 2: god glory for a parking space?

1672
01:25:48,520 --> 01:25:49,880
Speaker 1: Like like you know what I mean?

1673
01:25:50,000 --> 01:25:56,920
Speaker 6: Like my shit is like simplistic, like where everybody can get.

1674
01:25:56,960 --> 01:26:00,280
Speaker 2: It wasn't no celebrity shit, but none of it.

1675
01:26:00,280 --> 01:26:05,320
Speaker 6: It was like parking space, do you ever motherfucker don't

1676
01:26:05,320 --> 01:26:08,080
Speaker 6: want to pay the bill? Like it was like like

1677
01:26:08,400 --> 01:26:13,519
Speaker 6: very simple ship that that everybody can relate to. And

1678
01:26:13,920 --> 01:26:17,560
Speaker 6: that was a lane that I knewdn't didn't.

1679
01:26:17,240 --> 01:26:23,280
Speaker 2: Really didn't exist. So that's how I write, and I

1680
01:26:23,320 --> 01:26:26,000
Speaker 2: write like that to this day. Simplicity is key with me,

1681
01:26:26,120 --> 01:26:26,320
Speaker 2: you know.

1682
01:26:26,439 --> 01:26:30,120
Speaker 6: So as far as writing all this COVID shit and

1683
01:26:30,400 --> 01:26:32,680
Speaker 6: Black Lives Matter shit, do I have that?

1684
01:26:32,840 --> 01:26:34,720
Speaker 2: I got? I do have some of that.

1685
01:26:35,080 --> 01:26:37,640
Speaker 6: But my job and what I'm going to do is

1686
01:26:37,680 --> 01:26:39,960
Speaker 6: when I do hit the stage, I'm gonna spend every

1687
01:26:40,080 --> 01:26:43,320
Speaker 6: bit of fucking seven minutes on that ship and I'm

1688
01:26:43,400 --> 01:26:43,960
Speaker 6: off of it.

1689
01:26:44,360 --> 01:26:49,360
Speaker 1: And it's the same way I look at the same

1690
01:26:49,400 --> 01:26:50,320
Speaker 1: way with being an MC.

1691
01:26:50,520 --> 01:26:53,840
Speaker 5: It's like, if you're writing rhymes, yeah, you could go

1692
01:26:53,920 --> 01:26:56,360
Speaker 5: on Twitter and look at the trending topics or whatever

1693
01:26:56,439 --> 01:26:59,639
Speaker 5: and just make that shit rhyme and it'll be hot today,

1694
01:27:00,760 --> 01:27:05,040
Speaker 5: you know what I'm saying. But after that, like, yeah,

1695
01:27:05,080 --> 01:27:07,000
Speaker 5: you have to write stuff this ever green.

1696
01:27:07,400 --> 01:27:08,920
Speaker 2: Yeah, you don't want to do that.

1697
01:27:09,120 --> 01:27:11,400
Speaker 6: So the stuff that I write, man, and that's why

1698
01:27:11,439 --> 01:27:13,960
Speaker 6: I take me so so loan to write. It's like

1699
01:27:14,080 --> 01:27:18,040
Speaker 6: the stuff that I'm doing is like like I got

1700
01:27:18,040 --> 01:27:22,360
Speaker 6: a new bit that I'm working on now about women's

1701
01:27:22,479 --> 01:27:25,640
Speaker 6: needs and ship you know, just how they how I'm

1702
01:27:25,720 --> 01:27:27,559
Speaker 6: quite sure they miss him, But.

1703
01:27:27,600 --> 01:27:33,080
Speaker 11: I ain't gonna go no, first he's okay, yes, like like.

1704
01:27:34,640 --> 01:27:44,080
Speaker 2: D s no, older women needs just that. But but yeah,

1705
01:27:44,120 --> 01:27:46,040
Speaker 2: like I said, topics like.

1706
01:27:46,040 --> 01:27:49,680
Speaker 6: That, I ever agree, a women's need is gonna go

1707
01:27:49,720 --> 01:27:52,559
Speaker 6: out all the time and there's gonna be something that

1708
01:27:52,640 --> 01:27:55,160
Speaker 6: you can always use at all time. I talk about

1709
01:27:55,680 --> 01:27:59,080
Speaker 6: classic bags when when they throw the motherfuckers away?

1710
01:27:59,160 --> 01:28:02,360
Speaker 2: How big you got a closet full of the motherfuckers

1711
01:28:02,479 --> 01:28:05,439
Speaker 2: when you're gonna throw them away? Or how to use them?

1712
01:28:05,520 --> 01:28:11,519
Speaker 6: So it's so so y never right, So no, all

1713
01:28:11,640 --> 01:28:16,720
Speaker 6: right where it's ever green, you know, and it'll be

1714
01:28:16,760 --> 01:28:19,960
Speaker 6: and it'll be around for a while. So yeah, I'm

1715
01:28:20,000 --> 01:28:23,160
Speaker 6: not worried about I'm not worried about that at all.

1716
01:28:23,320 --> 01:28:25,800
Speaker 2: You know, I didn't think you're worried. I just wanted

1717
01:28:25,800 --> 01:28:27,960
Speaker 2: to ask you. Oh no, no, no, no, no, no,

1718
01:28:28,000 --> 01:28:31,320
Speaker 2: not at all. I kid. I'm just saying, yeah, I don't.

1719
01:28:31,920 --> 01:28:35,640
Speaker 6: Anytime I think it's something that's funny, that's like in

1720
01:28:35,680 --> 01:28:40,160
Speaker 6: the moment, I probably try to make a video for

1721
01:28:40,600 --> 01:28:44,000
Speaker 6: the text it, tweet it out or whatever and put

1722
01:28:44,040 --> 01:28:47,040
Speaker 6: it out like that. But as far as materials concerned,

1723
01:28:47,360 --> 01:28:49,200
Speaker 6: I got a few of them jokes that I'm going

1724
01:28:49,280 --> 01:28:53,080
Speaker 6: to do definitely, But After seven minutes of that, I'm

1725
01:28:53,120 --> 01:28:56,839
Speaker 6: off of it. How do you like even with my special,

1726
01:28:56,960 --> 01:28:59,320
Speaker 6: even when my comedy is special, I ain't talk about

1727
01:28:59,320 --> 01:29:02,920
Speaker 6: no politics, I ain't talk about none of that ship.

1728
01:29:03,000 --> 01:29:04,800
Speaker 2: I ain't talking about none, none of it.

1729
01:29:04,880 --> 01:29:07,960
Speaker 6: My ship is like on the whole, it's everything is

1730
01:29:08,040 --> 01:29:10,880
Speaker 6: just really simple, simple and basic. I ain't say one

1731
01:29:10,920 --> 01:29:15,519
Speaker 6: thing about no organizations, no politics.

1732
01:29:15,120 --> 01:29:16,800
Speaker 1: Ain't contracts, no food, no.

1733
01:29:19,280 --> 01:29:19,639
Speaker 2: Nothing.

1734
01:29:19,720 --> 01:29:21,400
Speaker 1: So how do you are you?

1735
01:29:22,200 --> 01:29:26,920
Speaker 3: How leary are you in going to these spots, especially

1736
01:29:27,000 --> 01:29:30,640
Speaker 3: in Hollywood, where I'm almost certain that it's easy for

1737
01:29:30,760 --> 01:29:32,320
Speaker 3: someone like is biting?

1738
01:29:32,400 --> 01:29:32,719
Speaker 2: Still?

1739
01:29:33,680 --> 01:29:37,160
Speaker 1: Is that a thing that comedians have to worry? Indeed?

1740
01:29:37,439 --> 01:29:38,439
Speaker 2: Man, it is.

1741
01:29:38,479 --> 01:29:42,519
Speaker 6: That's that's just so, that's just so terrible in the game, man,

1742
01:29:42,800 --> 01:29:43,960
Speaker 6: they bite that ship.

1743
01:29:44,000 --> 01:29:46,400
Speaker 1: So people are like intentionally biting and joking like.

1744
01:29:46,840 --> 01:29:49,120
Speaker 6: Absolutely, And let me say this too, because I don't

1745
01:29:49,160 --> 01:29:51,800
Speaker 6: want to be missical, screwed or whatever. Those that do

1746
01:29:51,800 --> 01:29:55,719
Speaker 6: do current events stuff like that, man, and the ones

1747
01:29:55,760 --> 01:29:58,840
Speaker 6: that do it great man, love to them, and they

1748
01:29:58,880 --> 01:29:59,719
Speaker 6: do it amazing.

1749
01:29:59,800 --> 01:30:02,320
Speaker 2: I'm not saying that that is the wrong way to

1750
01:30:02,400 --> 01:30:03,000
Speaker 2: do it at all.

1751
01:30:03,080 --> 01:30:05,560
Speaker 6: I'm just saying the way that I write, like I

1752
01:30:05,600 --> 01:30:09,679
Speaker 6: I can't write like that, But I don't, yeah, because

1753
01:30:09,680 --> 01:30:13,960
Speaker 6: it's great, like ship Dave Chappelle. Dave Chappelle should be

1754
01:30:14,120 --> 01:30:16,760
Speaker 6: like top of cool as hell, and that motherfucker be

1755
01:30:17,320 --> 01:30:20,160
Speaker 6: crushing that ship the way that he put it out there,

1756
01:30:20,360 --> 01:30:23,160
Speaker 6: you know. But it's for the moment, it's for the time,

1757
01:30:23,280 --> 01:30:25,519
Speaker 6: and and but you can listen to it forever.

1758
01:30:26,120 --> 01:30:28,519
Speaker 2: That's that's the genius. That's the genius about there.

1759
01:30:28,640 --> 01:30:31,360
Speaker 6: You can listen to that ship forever and remember that

1760
01:30:31,400 --> 01:30:32,120
Speaker 6: moment in time.

1761
01:30:32,760 --> 01:30:36,639
Speaker 2: So I'm never knocking that on people who do that.

1762
01:30:36,760 --> 01:30:36,960
Speaker 2: You know.

1763
01:30:37,000 --> 01:30:38,720
Speaker 6: It's comics that do a lot of ship that I

1764
01:30:38,760 --> 01:30:42,120
Speaker 6: can't do. Corey holcom is one of the most ignorant,

1765
01:30:42,240 --> 01:30:44,800
Speaker 6: ignorant motherfuckers you ever go see do it, but.

1766
01:30:45,640 --> 01:30:50,080
Speaker 3: As hell more ignorant than neighbors.

1767
01:30:49,720 --> 01:30:51,120
Speaker 2: Or I don't know about them.

1768
01:30:51,240 --> 01:30:57,919
Speaker 3: But Cory Cory a wild boy, who's this Cory CORYL

1769
01:30:58,640 --> 01:30:59,720
Speaker 3: Cory holkme.

1770
01:30:59,479 --> 01:31:03,720
Speaker 2: Is the most clever, funny motherfucker you. I can't do

1771
01:31:03,840 --> 01:31:05,160
Speaker 2: what Corey do. Well.

1772
01:31:05,479 --> 01:31:07,360
Speaker 5: Corey had a joke, he had it on his special.

1773
01:31:07,439 --> 01:31:10,880
Speaker 5: He opened up this guy. It wasn't even a joke,

1774
01:31:10,960 --> 01:31:13,160
Speaker 5: it was just he just opened up and his first

1775
01:31:13,200 --> 01:31:15,639
Speaker 5: thing got his mouth. Shout out all the fat bitches

1776
01:31:15,680 --> 01:31:28,920
Speaker 5: riding dick with T shirts like I was like, Yo.

1777
01:31:25,560 --> 01:31:32,559
Speaker 6: Cory, Cory be ignorantly dope, clever, fucking funny ship y'all.

1778
01:31:32,880 --> 01:31:37,160
Speaker 2: I can't do that, but man, what he could do

1779
01:31:37,200 --> 01:31:39,280
Speaker 2: that ship wear with his eyes closed.

1780
01:31:39,320 --> 01:31:41,920
Speaker 6: And that's why he one of the fucking goats in

1781
01:31:42,000 --> 01:31:42,479
Speaker 6: this game.

1782
01:31:42,560 --> 01:31:45,640
Speaker 2: Man. Shout out to Corey too, got a special.

1783
01:31:45,400 --> 01:31:56,200
Speaker 1: Now called COVID. I got one day ago. What the fu? Yeah,

1784
01:31:56,439 --> 01:31:56,800
Speaker 1: my boy?

1785
01:31:56,840 --> 01:31:59,439
Speaker 5: We saw Hookham at at Charlie Good Nights, this club

1786
01:31:59,479 --> 01:32:03,479
Speaker 5: down out here Raley last ye year for the last.

1787
01:32:03,320 --> 01:32:06,720
Speaker 2: Week and Corey started together in Chicago. Shout out to.

1788
01:32:08,920 --> 01:32:10,599
Speaker 4: Is there a way? Not for nothing? Since we talked

1789
01:32:10,600 --> 01:32:12,280
Speaker 4: about this and it is COVID. It's interesting.

1790
01:32:12,360 --> 01:32:15,760
Speaker 7: Everybody ain't at Dion's dad is like, how are the

1791
01:32:16,080 --> 01:32:19,320
Speaker 7: comedians doing as used to? Like touring, and like, how

1792
01:32:19,360 --> 01:32:22,600
Speaker 7: do you support your favorite comedian in these times?

1793
01:32:22,640 --> 01:32:26,120
Speaker 6: Like, man, it's hard, man, it's hard on everybody. Man,

1794
01:32:26,320 --> 01:32:32,000
Speaker 6: it's hard. I don't I don't understand really how it's

1795
01:32:32,080 --> 01:32:36,400
Speaker 6: working for a lot of people. Man, you know I

1796
01:32:36,439 --> 01:32:39,040
Speaker 6: think about that a lot too. I'll be thinking like, man.

1797
01:32:39,400 --> 01:32:41,640
Speaker 4: It ain't no music matters for comedians.

1798
01:32:41,640 --> 01:32:43,360
Speaker 7: It ain't no like what is no R and B

1799
01:32:43,600 --> 01:32:46,960
Speaker 7: foundation like residuals.

1800
01:32:48,200 --> 01:32:49,800
Speaker 4: You ain't been in nothing, you know what I'm saying.

1801
01:32:49,840 --> 01:32:52,720
Speaker 3: The red states that are open though, like Florida is

1802
01:32:52,960 --> 01:32:54,840
Speaker 3: open for business, Atlanta is open.

1803
01:32:55,560 --> 01:32:58,120
Speaker 6: Yeah, in a.

1804
01:32:58,240 --> 01:33:02,000
Speaker 4: Club with people laughing and your face, risk your.

1805
01:33:02,000 --> 01:33:06,639
Speaker 2: Life life like, but what do you to do though? Too?

1806
01:33:06,920 --> 01:33:08,920
Speaker 2: You know you got to make a living. You gotta

1807
01:33:08,960 --> 01:33:11,000
Speaker 2: make money. It's like, you know, you gotta do what

1808
01:33:11,000 --> 01:33:11,960
Speaker 2: you got to do whatever.

1809
01:33:12,000 --> 01:33:14,280
Speaker 6: And now I don't knock nobody doing what they got

1810
01:33:14,320 --> 01:33:15,439
Speaker 6: to do in order to get.

1811
01:33:15,320 --> 01:33:16,680
Speaker 2: It, but it is hard out here.

1812
01:33:16,760 --> 01:33:20,080
Speaker 6: It's hard, man, because I'm quite sure if they had

1813
01:33:20,160 --> 01:33:22,960
Speaker 6: other options they were using, you know, so you know,

1814
01:33:23,000 --> 01:33:25,360
Speaker 6: shut out to all the comics that still grinding and

1815
01:33:25,600 --> 01:33:27,599
Speaker 6: stay safe, man, stay safe.

1816
01:33:28,520 --> 01:33:30,479
Speaker 1: Do you do you miss late night life at all?

1817
01:33:30,880 --> 01:33:35,080
Speaker 3: Or was that just a nice experience you had? You

1818
01:33:35,280 --> 01:33:39,080
Speaker 3: was talking about late late nights as far as writing

1819
01:33:39,120 --> 01:33:40,559
Speaker 3: for television, writing for Cony.

1820
01:33:40,840 --> 01:33:43,800
Speaker 6: You know what, there's moments when I'm missing in this

1821
01:33:44,000 --> 01:33:47,240
Speaker 6: moments that I don't me being the only black writer

1822
01:33:47,360 --> 01:33:51,120
Speaker 6: for Coning and probably the fourth black writer in the

1823
01:33:51,200 --> 01:33:54,000
Speaker 6: history of late night That shit was like, that was

1824
01:33:54,040 --> 01:33:54,960
Speaker 6: the part that I.

1825
01:33:54,920 --> 01:33:58,320
Speaker 2: Really I wasn't. I wasn't feeling that shit at all,

1826
01:33:58,920 --> 01:33:59,200
Speaker 2: you know.

1827
01:33:59,320 --> 01:34:03,120
Speaker 6: But my story was so crazy because those that kind

1828
01:34:03,120 --> 01:34:05,120
Speaker 6: of shitted on me, they ended up happening to write

1829
01:34:05,120 --> 01:34:05,360
Speaker 6: for me.

1830
01:34:06,080 --> 01:34:07,760
Speaker 2: So I flipped that.

1831
01:34:08,240 --> 01:34:10,479
Speaker 6: I flipped the game on them, Like I went from

1832
01:34:10,479 --> 01:34:13,920
Speaker 6: trying to write like them to them writing for me

1833
01:34:14,120 --> 01:34:16,840
Speaker 6: for Coning, and so that's what I was saying, for

1834
01:34:17,280 --> 01:34:20,320
Speaker 6: like Coning and shit like they had to write bits

1835
01:34:20,320 --> 01:34:22,160
Speaker 6: for me and shit, you know, and they had to

1836
01:34:22,160 --> 01:34:24,519
Speaker 6: write it in my voice, which is the same voice

1837
01:34:24,560 --> 01:34:26,880
Speaker 6: that I was trying to write. And the get go

1838
01:34:27,080 --> 01:34:29,200
Speaker 6: that they was shitting on me about when I was

1839
01:34:29,200 --> 01:34:30,240
Speaker 6: trying to get it to Coning.

1840
01:34:30,400 --> 01:34:33,599
Speaker 2: So I don't miss that kind of shit, you know.

1841
01:34:33,720 --> 01:34:37,439
Speaker 6: But I do miss I do miss the excitement of

1842
01:34:37,680 --> 01:34:41,240
Speaker 6: having a great show and certain guests come through. You'd

1843
01:34:41,280 --> 01:34:44,040
Speaker 6: be excited to see him and hang out and shit

1844
01:34:44,240 --> 01:34:44,479
Speaker 6: like that.

1845
01:34:44,520 --> 01:34:45,760
Speaker 2: Shit was cool too, you know.

1846
01:34:45,880 --> 01:34:49,559
Speaker 6: But Late Night was rigorous, man as far as coming

1847
01:34:49,640 --> 01:34:54,840
Speaker 6: up with material. Every night, new material, and then it

1848
01:34:54,960 --> 01:34:57,680
Speaker 6: was almost like a competition with other writers. You had

1849
01:34:57,720 --> 01:35:00,760
Speaker 6: to see if your shit get on TV and come

1850
01:35:00,840 --> 01:35:04,200
Speaker 6: up with a bit that was repetitious enough for him

1851
01:35:04,240 --> 01:35:10,160
Speaker 6: to use it every every week, every month or whatever. Yeah,

1852
01:35:10,200 --> 01:35:14,200
Speaker 6: that was that was grueling, but it made me. It

1853
01:35:14,320 --> 01:35:17,080
Speaker 6: helped me to this day to be like just sharp

1854
01:35:17,240 --> 01:35:19,559
Speaker 6: like that in order to like come up with something

1855
01:35:19,640 --> 01:35:22,000
Speaker 6: quickly because we had to do that for like, I

1856
01:35:22,040 --> 01:35:22,960
Speaker 6: wrote for ConA.

1857
01:35:22,720 --> 01:35:27,519
Speaker 2: For eight years. So yeah, uh, it definitely sharpened my sword.

1858
01:35:28,560 --> 01:35:29,840
Speaker 1: I wanted to ask you to man.

1859
01:35:29,960 --> 01:35:36,800
Speaker 5: You you produced the one woman show for my Girlftari. Yeah, yeah,

1860
01:35:36,840 --> 01:35:39,960
Speaker 5: man maor we work on the Sherman showcase together and

1861
01:35:40,160 --> 01:35:41,840
Speaker 5: we worked and all that.

1862
01:35:42,840 --> 01:35:43,080
Speaker 2: Yeah.

1863
01:35:43,120 --> 01:35:45,040
Speaker 5: Man, So I was curious, though, is that something you

1864
01:35:45,080 --> 01:35:47,200
Speaker 5: look to do more of, maybe like producing more.

1865
01:35:48,840 --> 01:35:49,320
Speaker 1: Artists.

1866
01:35:49,360 --> 01:35:56,280
Speaker 6: Well, I am switching gears and I would definitely come

1867
01:35:56,320 --> 01:35:58,360
Speaker 6: back on here and talk to y'all. And I hate

1868
01:35:58,400 --> 01:36:00,680
Speaker 6: I hate niggas. That'd be like, I tell you what

1869
01:36:00,760 --> 01:36:01,160
Speaker 6: it is.

1870
01:36:01,800 --> 01:36:05,960
Speaker 5: Listen, you walk up your bang, do not up the

1871
01:36:06,040 --> 01:36:07,920
Speaker 5: bat big ship like that.

1872
01:36:07,920 --> 01:36:08,479
Speaker 4: That's what it's real.

1873
01:36:08,560 --> 01:36:08,800
Speaker 2: Bad.

1874
01:36:14,439 --> 01:36:19,040
Speaker 6: Yeah I'm doing man, I just dove into something. I

1875
01:36:19,160 --> 01:36:25,000
Speaker 6: just produced this film. Executive produced this film and my

1876
01:36:25,080 --> 01:36:29,639
Speaker 6: partner Kelly Kelly Kelly, who's a fantastic director, director, and writer.

1877
01:36:30,240 --> 01:36:33,240
Speaker 6: We collabed on a couple of scripts that we're doing. Man,

1878
01:36:33,640 --> 01:36:37,920
Speaker 6: and uh, it's been amazing journey. Uh we got a

1879
01:36:38,000 --> 01:36:41,719
Speaker 6: lot of good stuff coming out. And uh man, that's

1880
01:36:41,800 --> 01:36:43,960
Speaker 6: all I can say about that.

1881
01:36:43,960 --> 01:36:46,280
Speaker 1: That's all you need to say. Bro, say no.

1882
01:36:47,040 --> 01:36:50,240
Speaker 2: I ran. I ran into Marlon Wayne's in the club Man,

1883
01:36:50,360 --> 01:36:53,400
Speaker 2: and he changed my whole.

1884
01:36:53,640 --> 01:36:59,880
Speaker 6: Thought process as far as like writing content, because people too,

1885
01:37:00,120 --> 01:37:02,559
Speaker 6: is he complaining about what they not getting?

1886
01:37:03,120 --> 01:37:04,320
Speaker 2: But you're not writing.

1887
01:37:04,000 --> 01:37:06,960
Speaker 6: Nothing for yourself. You're not even writing nothing for for

1888
01:37:07,160 --> 01:37:09,519
Speaker 6: who you are. Like, you gotta at least write something

1889
01:37:09,760 --> 01:37:12,519
Speaker 6: and show people what you what you what you buy.

1890
01:37:12,600 --> 01:37:15,120
Speaker 6: I don't care if it's a TV show, talk show, movie,

1891
01:37:15,200 --> 01:37:17,960
Speaker 6: whatever it is. If you can't just sit back going,

1892
01:37:18,040 --> 01:37:20,280
Speaker 6: I hope they give me something. You gotta show them

1893
01:37:20,280 --> 01:37:23,400
Speaker 6: what they gotta give you. So therefore, if you write

1894
01:37:23,439 --> 01:37:25,400
Speaker 6: that down and you give it to them, then yo,

1895
01:37:25,439 --> 01:37:26,439
Speaker 6: it's gonna be our love.

1896
01:37:27,000 --> 01:37:27,880
Speaker 2: I'm in New York.

1897
01:37:28,000 --> 01:37:30,200
Speaker 6: I'm at this club right and I'm doing a movie

1898
01:37:30,240 --> 01:37:32,680
Speaker 6: for Netflix, this Christmas movie, and I'm out there in

1899
01:37:32,720 --> 01:37:35,519
Speaker 6: the club Marlon Wayne's walking crew.

1900
01:37:35,760 --> 01:37:38,679
Speaker 2: They all sitting up in this section. I see Marlin.

1901
01:37:38,760 --> 01:37:39,280
Speaker 2: I go over there.

1902
01:37:39,320 --> 01:37:41,200
Speaker 6: I'm like, Marlon, we hugging it out and all this

1903
01:37:41,280 --> 01:37:43,040
Speaker 6: shit Marlin like, yo, what you're doing it?

1904
01:37:43,080 --> 01:37:43,479
Speaker 2: And why?

1905
01:37:43,560 --> 01:37:47,320
Speaker 12: I'm like, man, doing this movie. And he was like, oh, man, congratulations,

1906
01:37:47,320 --> 01:37:49,960
Speaker 12: man your movie. And I said no, no, I'm just

1907
01:37:50,000 --> 01:37:52,839
Speaker 12: doing this movie for Netflix. And he was like, okay,

1908
01:37:52,920 --> 01:37:56,439
Speaker 12: you produced it. I was like, nah, no, I'm just

1909
01:37:56,760 --> 01:38:00,080
Speaker 12: I'm just you know, I'm just starting it. He was like,

1910
01:38:00,120 --> 01:38:01,880
Speaker 12: oh you started. It's all you starting.

1911
01:38:01,880 --> 01:38:03,720
Speaker 6: And he was like, but you showed it to him, right,

1912
01:38:04,560 --> 01:38:06,640
Speaker 6: And I'm like, no, nigga.

1913
01:38:06,479 --> 01:38:11,920
Speaker 2: No, I'm just the movie.

1914
01:38:12,640 --> 01:38:18,519
Speaker 6: He was like this, Oh okay, he said, but it

1915
01:38:18,560 --> 01:38:19,240
Speaker 6: ain't shrure us.

1916
01:38:20,160 --> 01:38:25,240
Speaker 2: I'm like, I'm like na. He was like why. He

1917
01:38:25,400 --> 01:38:31,920
Speaker 2: was like, so he said, he said, so you just

1918
01:38:31,920 --> 01:38:35,280
Speaker 2: gonna keep doing movies for everybody. You're gonna keep being

1919
01:38:35,320 --> 01:38:38,759
Speaker 2: funny for everybody and and not and not for you.

1920
01:38:39,200 --> 01:38:43,160
Speaker 6: And so I was like, I mean, ship man, I

1921
01:38:43,160 --> 01:38:45,200
Speaker 6: mean I hear what you're saying. But he was like, no,

1922
01:38:45,360 --> 01:38:47,040
Speaker 6: I don't think you do. He was like, dude, you

1923
01:38:47,120 --> 01:38:48,880
Speaker 6: one of the funniest motherfuckers.

1924
01:38:48,439 --> 01:38:51,040
Speaker 2: In the game. And he was like, are you still

1925
01:38:51,400 --> 01:38:53,200
Speaker 2: making other people funny?

1926
01:38:53,760 --> 01:38:56,200
Speaker 6: It was like he was like, dude, if you don't

1927
01:38:56,200 --> 01:38:59,960
Speaker 6: write you a movie or a show or something for yourself. Man,

1928
01:39:00,040 --> 01:39:01,840
Speaker 6: and he was like, they don't know. You said, they

1929
01:39:01,840 --> 01:39:04,080
Speaker 6: can say whatever they want to say about me. He

1930
01:39:04,200 --> 01:39:06,000
Speaker 6: was like, they just say my movie is horrible.

1931
01:39:06,160 --> 01:39:06,679
Speaker 2: They great.

1932
01:39:06,800 --> 01:39:10,760
Speaker 6: He was like, as long as they my movie, I

1933
01:39:10,920 --> 01:39:13,960
Speaker 6: rolled on. I produced them a hard that. He was like,

1934
01:39:14,080 --> 01:39:16,880
Speaker 6: they mind And he was like, and my budget steadily

1935
01:39:16,960 --> 01:39:21,120
Speaker 6: going up constant and I just froze and he was like,

1936
01:39:21,200 --> 01:39:23,360
Speaker 6: but yo, man, next time I see you.

1937
01:39:23,439 --> 01:39:23,639
Speaker 2: Man.

1938
01:39:23,840 --> 01:39:25,880
Speaker 6: He was like, man, I hope I hope you write

1939
01:39:25,920 --> 01:39:28,719
Speaker 6: you something. And I said, man, thank you very much.

1940
01:39:28,880 --> 01:39:32,400
Speaker 6: Left left his section, went back over to the to

1941
01:39:32,439 --> 01:39:35,960
Speaker 6: the to the chicks and and my boy, and was like,

1942
01:39:36,600 --> 01:39:41,880
Speaker 6: I'll talk to y'all. Letter hopped in the cab, went

1943
01:39:41,920 --> 01:39:44,839
Speaker 6: to my hotel room and just laid there and stared

1944
01:39:44,840 --> 01:39:49,960
Speaker 6: at the wall. Yo, and was just like andbarrassed. I

1945
01:39:50,040 --> 01:39:52,800
Speaker 6: was a barrassed. I just I didn't even want to

1946
01:39:52,800 --> 01:39:56,479
Speaker 6: be out no more. I was embarrassed because motivated what

1947
01:39:57,560 --> 01:40:00,360
Speaker 6: from that day I've been writing And.

1948
01:40:00,320 --> 01:40:05,719
Speaker 7: So you did that right in this moment, in this moment,

1949
01:40:05,760 --> 01:40:07,280
Speaker 7: I mean it for me, but I don't matter.

1950
01:40:07,280 --> 01:40:10,680
Speaker 1: But I'm just I don't say that.

1951
01:40:10,920 --> 01:40:13,160
Speaker 6: I'm telling you like like when Marlin hit me with

1952
01:40:13,200 --> 01:40:14,799
Speaker 6: that Marlon He couldn't.

1953
01:40:15,200 --> 01:40:19,200
Speaker 2: He couldn't even fathom. He just kept going, it's yours, right,

1954
01:40:19,439 --> 01:40:23,280
Speaker 2: I'm like, no, oh, so you wrote it? No, okay,

1955
01:40:23,280 --> 01:40:27,040
Speaker 2: so you produced it. I'm like no, motherfucking no. He

1956
01:40:27,280 --> 01:40:31,720
Speaker 2: like like what do you mean? Like what do you mean?

1957
01:40:33,360 --> 01:40:35,560
Speaker 4: And some ship and you don't.

1958
01:40:35,560 --> 01:40:38,080
Speaker 2: And when and when and when I left Marlin.

1959
01:40:38,200 --> 01:40:41,360
Speaker 6: From that day on, I've been right and write write

1960
01:40:41,439 --> 01:40:45,200
Speaker 6: these scripts and like right now, we just finished one

1961
01:40:45,240 --> 01:40:48,120
Speaker 6: of the movies that we wrote, wet.

1962
01:40:48,160 --> 01:40:51,240
Speaker 2: We wrote another one. We got another one on the

1963
01:40:51,240 --> 01:40:53,840
Speaker 2: way that we write and get it and we just

1964
01:40:53,880 --> 01:40:55,920
Speaker 2: shot one of the movies. We just finished it.

1965
01:40:56,800 --> 01:40:59,920
Speaker 6: And that's why I was looking at your page too,

1966
01:41:00,080 --> 01:41:04,879
Speaker 6: and I want to congratulate you on your film opening

1967
01:41:04,960 --> 01:41:07,880
Speaker 6: up Sundance boy, y'all that's how you got.

1968
01:41:08,160 --> 01:41:19,120
Speaker 11: Thanks class, yo, that's how that's how you got to

1969
01:41:19,240 --> 01:41:20,160
Speaker 11: do that, dude.

1970
01:41:20,160 --> 01:41:22,320
Speaker 6: I'm telling you, Like, when I seen your page, I

1971
01:41:22,439 --> 01:41:25,240
Speaker 6: was like, I'm right behind man, I'm right behind you.

1972
01:41:25,360 --> 01:41:27,880
Speaker 2: Quest like you got to do it, and you got

1973
01:41:27,920 --> 01:41:29,840
Speaker 2: to do it from your point of view and how

1974
01:41:29,880 --> 01:41:31,760
Speaker 2: you want to do that? Ship done? You know what

1975
01:41:31,760 --> 01:41:33,000
Speaker 2: I mean? Yo?

1976
01:41:33,360 --> 01:41:38,360
Speaker 7: Man, this is the greatest subconscious masterclass that I've ever

1977
01:41:38,400 --> 01:41:38,920
Speaker 7: been apart.

1978
01:41:42,120 --> 01:41:45,240
Speaker 3: I was going to say, like with the way that

1979
01:41:45,800 --> 01:41:51,439
Speaker 3: Kenya's popping off all these issues, like surely there's has

1980
01:41:51,439 --> 01:41:54,280
Speaker 3: the conversation ever happened with you having your own vehicle

1981
01:41:54,360 --> 01:41:58,880
Speaker 3: for a show, So no, no, no, I'm just saying

1982
01:41:58,920 --> 01:42:02,559
Speaker 3: that I feel like you're the next You're the fourth

1983
01:42:02,600 --> 01:42:03,920
Speaker 3: issue that should be coming.

1984
01:42:04,200 --> 01:42:07,880
Speaker 6: So so so Lawrence and Jennifer. They have their spin off,

1985
01:42:07,960 --> 01:42:14,479
Speaker 6: Grownish that they shooting right now. Oldest old I'm sorry,

1986
01:42:15,080 --> 01:42:17,200
Speaker 6: Oldest Grownish.

1987
01:42:17,360 --> 01:42:17,920
Speaker 2: They had me.

1988
01:42:18,600 --> 01:42:21,160
Speaker 6: We agreed that I would go to Grownish and we

1989
01:42:21,320 --> 01:42:24,800
Speaker 6: kicked the show off and like work with them until

1990
01:42:24,840 --> 01:42:28,720
Speaker 6: the show kicked off and then you know, we go

1991
01:42:28,800 --> 01:42:29,240
Speaker 6: from there.

1992
01:42:29,320 --> 01:42:30,320
Speaker 2: So I was great.

1993
01:42:30,400 --> 01:42:32,439
Speaker 6: I was you know, it was great for me to

1994
01:42:32,479 --> 01:42:34,599
Speaker 6: work on that show for like three years. But then

1995
01:42:34,600 --> 01:42:36,719
Speaker 6: when they hit the fourth year, the kids was graduate,

1996
01:42:37,360 --> 01:42:38,599
Speaker 6: so they're not going to be.

1997
01:42:38,520 --> 01:42:41,799
Speaker 2: In the school. Me being a dean at the school,

1998
01:42:42,360 --> 01:42:45,400
Speaker 2: wasn't that makes sense too much? Some more like that.

1999
01:42:45,560 --> 01:42:48,280
Speaker 6: So then I was like, you know what, you know,

2000
01:42:48,320 --> 01:42:52,000
Speaker 6: we we I'm an exit or whatever and we're still

2001
01:42:52,120 --> 01:42:54,880
Speaker 6: cool or whatever. But as far as my own show

2002
01:42:55,000 --> 01:42:59,160
Speaker 6: with Kenya producing, it never never, it never was brought

2003
01:42:59,240 --> 01:43:00,720
Speaker 6: up Damn.

2004
01:43:00,680 --> 01:43:02,880
Speaker 1: I feel like that's the's a layup.

2005
01:43:03,000 --> 01:43:08,120
Speaker 2: Yeah, yeah, no, it was never never brought up.

2006
01:43:08,200 --> 01:43:11,280
Speaker 6: It was it was just always like I said, he

2007
01:43:11,360 --> 01:43:13,800
Speaker 6: sent me over the Growners to kick Growner shop, and

2008
01:43:13,840 --> 01:43:16,559
Speaker 6: then when Gronish stopped flourishing with the kids, was getting

2009
01:43:16,600 --> 01:43:19,840
Speaker 6: down on the own, then I departed from there. And

2010
01:43:19,920 --> 01:43:31,160
Speaker 6: then yeah, I just all right, well then.

2011
01:43:27,040 --> 01:43:29,360
Speaker 7: Interesting because you popped off grown Its like there was

2012
01:43:29,360 --> 01:43:32,520
Speaker 7: a reason that Charlie needed to be on campus.

2013
01:43:33,040 --> 01:43:35,080
Speaker 6: Yeah, it was a reason why I had to be there,

2014
01:43:35,240 --> 01:43:37,200
Speaker 6: you know, so so so it was all good.

2015
01:43:37,240 --> 01:43:39,480
Speaker 2: But then once once the chemistry and the kids.

2016
01:43:39,560 --> 01:43:41,920
Speaker 6: It's amazing, they got it. Think, yeah, it was you know,

2017
01:43:41,960 --> 01:43:44,080
Speaker 6: it was time for me to step off. But uh,

2018
01:43:44,240 --> 01:43:47,679
Speaker 6: it was great. It was a great opportunity and all

2019
01:43:47,720 --> 01:43:50,479
Speaker 6: of that. And as far as like yeah, but as

2020
01:43:50,479 --> 01:43:53,479
Speaker 6: far as like him coming to me going, yo, you

2021
01:43:53,600 --> 01:43:56,640
Speaker 6: a spin off show, we never had that conversation.

2022
01:43:57,920 --> 01:44:01,040
Speaker 1: All right, well, I'm putting out there he needs his own.

2023
01:44:01,000 --> 01:44:12,240
Speaker 7: Marlon, his own don't want to come back here.

2024
01:44:09,600 --> 01:44:10,000
Speaker 6: We doing it.

2025
01:44:12,400 --> 01:44:15,240
Speaker 1: Yeah, but thank you, Dion, thank you so much. Man.

2026
01:44:15,360 --> 01:44:19,600
Speaker 1: This this is his EPISO Educate Edumacational.

2027
01:44:19,520 --> 01:44:22,120
Speaker 4: Questions, Episode A mirror. He's family.

2028
01:44:23,840 --> 01:44:25,440
Speaker 1: Second, go round and remember.

2029
01:44:25,160 --> 01:44:25,840
Speaker 4: And not but nothing.

2030
01:44:25,840 --> 01:44:27,559
Speaker 7: I'm trying to remember, but it was nothing one that

2031
01:44:27,600 --> 01:44:29,960
Speaker 7: helped us book Dion on the first episode in l.

2032
01:44:30,000 --> 01:44:31,639
Speaker 1: A she might have been.

2033
01:44:32,000 --> 01:44:35,679
Speaker 6: I think she might have been nothing monster to people

2034
01:44:35,720 --> 01:44:36,320
Speaker 6: don't know about.

2035
01:44:37,240 --> 01:44:41,200
Speaker 3: Thank you for doing the show. Uh. Oh by the way, Uh,

2036
01:44:41,840 --> 01:44:44,200
Speaker 3: this will be on for the holidays. Correct, Yes, the

2037
01:44:44,280 --> 01:44:46,920
Speaker 3: holidays show. It's just okay.

2038
01:44:47,000 --> 01:44:52,200
Speaker 1: It's the most on holiday holiday show. Send yeah.

2039
01:44:52,200 --> 01:44:56,000
Speaker 3: Speaking of holidays, let me remind people that I'm actually

2040
01:44:56,000 --> 01:44:58,280
Speaker 3: involved with three movies with the title Soul in it

2041
01:44:58,560 --> 01:45:03,240
Speaker 3: and one opens on Christmas Disney plus Soul. I am

2042
01:45:03,240 --> 01:45:07,760
Speaker 3: a Pixar character, a real Pixar character, Jamie Fox and

2043
01:45:07,800 --> 01:45:12,479
Speaker 3: Tina Fey and dav Diggs and Angela Bassett and Felicia Sad.

2044
01:45:13,160 --> 01:45:16,400
Speaker 1: It's it's amazing. I hope you guys enjoyed this show.

2045
01:45:16,439 --> 01:45:20,040
Speaker 5: I'm sorry, Go ahead, I'm sorry.

2046
01:45:22,080 --> 01:45:22,320
Speaker 2: Yeah.

2047
01:45:22,520 --> 01:45:26,559
Speaker 3: And and also shout out to Belvini for a for

2048
01:45:26,720 --> 01:45:28,520
Speaker 3: our spirits.

2049
01:45:28,560 --> 01:45:30,920
Speaker 4: I drink half of you tonight and I know Steve did.

2050
01:45:31,280 --> 01:45:32,480
Speaker 2: Thank you.

2051
01:45:34,280 --> 01:45:37,320
Speaker 7: PS big up to Dion who does not who does

2052
01:45:37,400 --> 01:45:39,560
Speaker 7: drink responsibly and does not drink. I just wanted to

2053
01:45:39,560 --> 01:45:43,560
Speaker 7: pick you up at that funny because there's some little spirits.

2054
01:45:43,160 --> 01:45:50,639
Speaker 2: And sober no.

2055
01:45:50,760 --> 01:45:54,120
Speaker 3: But you know, let's have a prosperous uh twenty one

2056
01:45:54,320 --> 01:45:57,800
Speaker 3: and uh you know and and put we're gonna will

2057
01:45:58,080 --> 01:46:00,200
Speaker 3: Dion's empire.

2058
01:46:00,320 --> 01:46:16,200
Speaker 2: To the universe appreciate exactly. All right, thank you all many. Hey,

2059
01:46:16,280 --> 01:46:19,320
Speaker 2: this is Sugar Steve. Make sure you keep up with

2060
01:46:19,400 --> 01:46:20,680
Speaker 2: us on Instagram.

2061
01:46:20,280 --> 01:46:21,559
Speaker 11: At q l s.

2062
01:46:22,320 --> 01:46:24,840
Speaker 2: Let us know what you think. Who should be next

2063
01:46:24,840 --> 01:46:28,439
Speaker 2: to sit down with us? Don't forget to subscribe to

2064
01:46:28,560 --> 01:46:30,200
Speaker 2: our podcast.

2065
01:46:33,840 --> 01:46:36,679
Speaker 1: What's Love Supreme is a production of iHeart Radio.

2066
01:46:40,200 --> 01:46:43,519
Speaker 3: For more podcasts from iHeart Radio, visit the iHeart Radio app,

2067
01:46:43,720 --> 01:46:46,759
Speaker 3: Apple Podcasts, or wherever you listen to your favorite shows.