WEBVTT - Checking In w/ Raheem DeVaughn

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<v Speaker 1>Welcome to Checking In with Michelle Williams, a production of

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<v Speaker 1>iHeartRadio and The Black Effect. I've been so curious about

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<v Speaker 1>the artist that I'm about to interview today.

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<v Speaker 2>I love that Checking In we have a variety of.

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<v Speaker 1>Guests that check in, whether it's a doctor or an author, entrepreneur, artist.

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<v Speaker 1>I'm really excited about this Grammy nominated artist and writer.

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<v Speaker 1>Truly authentic, truly and original, but with some respectable influences

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<v Speaker 1>that you can hear in his tone and in his style.

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<v Speaker 1>I'm getting ready for this guy right here. Y'all, stay tuned,

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<v Speaker 1>get locked in, come on in. Raheem Devon is up next. Hey, everybody,

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<v Speaker 1>welcome to another fun, awesome episode of Checking In. Now

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<v Speaker 1>this might be a little well, I don't know what

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<v Speaker 1>it's gonna be, but we're gonna let it do what

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<v Speaker 1>it's going to do. I am just really, really thrilled

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<v Speaker 1>to have an amazing artist. I really think in every

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<v Speaker 1>sense of the word artist. He's so intentional with his work.

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<v Speaker 1>He's so intentional with the music, He's so intentional with

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<v Speaker 1>his art. I'm excited that we have four time Grammy

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<v Speaker 1>nominated singer and songwriter. We already know his debut album

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<v Speaker 1>and his album's period continue to do wonders in our

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<v Speaker 1>souls at least mine. Don't be nosy, y'all. Welcome raheen

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<v Speaker 1>devon to checking in.

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<v Speaker 3>Hello, Hello, checking in.

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<v Speaker 4>This is ry for album check in and then officially

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<v Speaker 4>right now listen.

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<v Speaker 2>Thank you for checking in?

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<v Speaker 1>What did you think when they were like, Yo, you're

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<v Speaker 1>gonna check in with Michelle Williams?

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<v Speaker 2>What was your thought?

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<v Speaker 3>Oh?

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<v Speaker 4>You know something you have like you did certain calls

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<v Speaker 4>where you know, some people call and you try to

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<v Speaker 4>figure out, oh, what's my schedule? You got other people

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<v Speaker 4>that call and when you call, you just say okay,

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<v Speaker 4>win and where. So this is like a winning where

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<v Speaker 4>I would love to do it opportunity. So thank you

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<v Speaker 4>again for having me. Congratulations on your you know, all

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<v Speaker 4>your endeavors. Of course things you already accomplishing. You know,

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<v Speaker 4>it's always about I guess what's what's the word. I'm

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<v Speaker 4>looking for the incline and the growth, you know what

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<v Speaker 4>I mean, and doing new things. So I know this

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<v Speaker 4>is one of your new things passion projects, So thank

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<v Speaker 4>you so much for having need be part of that.

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<v Speaker 5>Absolutely absolutely I get a chance to talk to some

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<v Speaker 5>of my favorite voices, And I think you are classic

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<v Speaker 5>and timeless at the same time.

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<v Speaker 1>You evolve and grow, but you still are one of

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<v Speaker 1>the classic voices. And when I say classic, y'all at

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<v Speaker 1>eight because he came out.

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<v Speaker 2>In nineteen eighty two or nineteen seventy.

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<v Speaker 1>Five, he has been around this game. Listen, now, let's

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<v Speaker 1>let's check it. Let's check it now. Now he could

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<v Speaker 1>have some stuff that I'm not privy to, maybe back

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<v Speaker 1>in the MySpace days, but all the way back to

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<v Speaker 1>two thousand and five. Yeah, classic timeless. How are you

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<v Speaker 1>feeling out in the streets to know that you've been

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<v Speaker 1>in this game a long time?

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<v Speaker 3>It's amazing, Like you know, I mean young og mode

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<v Speaker 3>at this point.

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<v Speaker 4>You know, I'm able to get a game two younger

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<v Speaker 4>artists at Amazing Day yesterday, which you know involved connecting

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<v Speaker 4>with the artists that I already have known for some time.

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<v Speaker 4>It's like revamping their thing as an independent artist. And

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<v Speaker 4>then there's a new artist, Jordan. I can't member Georgia's

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<v Speaker 4>last name, but he's going to kind of like viral

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<v Speaker 4>on the internet right now. And we had been communicating

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<v Speaker 4>and happy to be with Jordan's so we got to

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<v Speaker 4>say to have an opportunity to talk, and then I

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<v Speaker 4>spoke to another nd artist.

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<v Speaker 3>Is all like two three o'clock in the morning, is

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<v Speaker 3>all going on? WHI I'm at the studio by the way,

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<v Speaker 3>and I say that can say this is that you know.

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<v Speaker 4>It gives me the opportunity to be able to like

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<v Speaker 4>you know, spit the games younger artists and share my

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<v Speaker 4>experiences and what has been you know, I've been I've

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<v Speaker 4>always operated as an independent you know, my own independent

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<v Speaker 4>artists with my artistry, but uh, you know, to be

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<v Speaker 4>independent over ten years, you know, and to be able

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<v Speaker 4>to put everything and people see I'm now starting to

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<v Speaker 4>understand how it looks from the outside. And I've been

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<v Speaker 4>so focused, like tunnel vision, on what it is, what

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<v Speaker 4>the mission is, what the goal is, you know, reinventing

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<v Speaker 4>myself constantly and just the things that you know, because

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<v Speaker 4>this is a you know, working supporting yourself as an

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<v Speaker 4>independent artist. It's like you become your own passion project.

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<v Speaker 4>So you have to take you have to you have

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<v Speaker 4>to have like tunnel vision focus on it. You have

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<v Speaker 4>to know certain things not not believe, but like no,

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<v Speaker 4>you have to you have to know, you have to

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<v Speaker 4>be borderline I don't know. I mean you have to

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<v Speaker 4>kind of go as artists. I think we are a

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<v Speaker 4>little insane. You know, we're all a little touched in

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<v Speaker 4>the sense of like to be able to you know,

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<v Speaker 4>bear our soul, you know, convey our emotions, uh, heal people,

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<v Speaker 4>you know, whatever the process is through uh, through our.

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<v Speaker 3>Gift of the arts.

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<v Speaker 4>You know, in a room full of strangers, Like it's

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<v Speaker 4>the most one of the most vulnerable things that you

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<v Speaker 4>can do. You know, to go in the studio and

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<v Speaker 4>create a song that you know speaks from your point

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<v Speaker 4>of view or something that you're wearing on your sleeve

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<v Speaker 4>or something vicarious leader that you've experienced, and to share

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<v Speaker 4>that and then to go and give that to the world.

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<v Speaker 4>It's one of the most vulnerable.

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<v Speaker 3>Things you can do.

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<v Speaker 4>So you know, it takes a very tough skin to

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<v Speaker 4>do what we do. And I would just say that,

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<v Speaker 4>you know, sometimes the season happens different. It doesn't happen

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<v Speaker 4>when you pray for it. Sometimes it doesn't happen that

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<v Speaker 4>you're ready for. It doesn't happen because you want it

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<v Speaker 4>right now. You know, everything that that you experienced perpause

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<v Speaker 4>for your season, and everybody hasn't like you know, so

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<v Speaker 4>you have to be able to identify when you win it,

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<v Speaker 4>you know. So for me, I think I think I

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<v Speaker 4>can really say that, you know, uh, you know at

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<v Speaker 4>this point in my career, like I'm in my season,

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<v Speaker 4>you know, uh, and it's a good I'm in a

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<v Speaker 4>good space.

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<v Speaker 3>You know. Music that's so good.

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<v Speaker 1>I love that you say that everybody has a season.

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<v Speaker 1>Now we all know the four seasons winter, spring, summer.

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<v Speaker 2>And fall.

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<v Speaker 1>Then you have where some people say, I'm in my

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<v Speaker 1>winning season. Can you explain heck, maybe you feel like

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<v Speaker 1>you've always been in your winning season.

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<v Speaker 2>Have you ever had a.

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<v Speaker 1>Season of wait, this is my waiting season, or a

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<v Speaker 1>season of transition, a season of uncertainty?

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<v Speaker 4>Yes, all of those things I think I prepared me for,

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<v Speaker 4>like for my winning season, which is all seasons now,

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<v Speaker 4>you know what I mean. Like, that's that's where I'm

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<v Speaker 4>in it. I'm forever in my bag. That's how I feel,

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<v Speaker 4>you know. Like mentally, I'm in that mental space and

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<v Speaker 4>I'm forever in my dad. Like musically, I know that

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<v Speaker 4>I can go in the studio at any given time

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<v Speaker 4>it's something amazing, something timeless can come out.

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<v Speaker 3>I can curate, I can curate something.

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<v Speaker 4>That speaks to you know, not only my one percent

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<v Speaker 4>demo of like eighteen year olds, but also my twenty

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<v Speaker 4>seven percent demo of like that thirty five to forty five,

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<v Speaker 4>you know what I mean that or that twenty eight

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<v Speaker 4>you know to.

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<v Speaker 3>Thirty two, you know, so age group.

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<v Speaker 4>So uh you know, and you know, seeing that the shows,

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<v Speaker 4>it's kind of like the proof of the put In

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<v Speaker 4>because you know, I do the meet and greets and

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<v Speaker 4>it's like a mother and a daughter there somebody the

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<v Speaker 4>mother the daughter, or the mother the daughter and the grandmother,

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<v Speaker 4>the mother, the daughter and the grandfather, you know what

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<v Speaker 4>I mean. So it's interesting, you know, like you know,

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<v Speaker 4>music is not only the heartbeat of about people, you

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<v Speaker 4>know what I mean, but it's the heartbeat of like

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<v Speaker 4>the world. It doesn't you know, I truly believe that,

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<v Speaker 4>you know, music is colorblind. You know great music, you know,

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<v Speaker 4>it's colorblind, it's gingerless, it's all it's all the things

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<v Speaker 4>you know that brings all these people together from different

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<v Speaker 4>walks of life to come here.

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<v Speaker 3>Whatever it is. The messages that you're conveying, you.

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<v Speaker 2>Know, that's so good. Y'all.

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<v Speaker 1>Don't get the pleasure of seeing him on this video

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<v Speaker 1>like I do when I tell y'all, he is suited

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<v Speaker 1>and booted, the glasses are on, the skin is moisturized,

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<v Speaker 1>the hair has been washed and conditioned. I'm so happy

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<v Speaker 1>about that. I'm so excited to.

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<v Speaker 2>Have you here. Now. One thing I know, if rahiem

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<v Speaker 2>Devon don't.

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<v Speaker 1>Do nothing else, he is going to give us music.

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<v Speaker 1>You've got three albums that you've released within the same.

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<v Speaker 2>Year, Am I correct?

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<v Speaker 3>Yeah, that's correct. Yeah, you know I'm gonna I'm on

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<v Speaker 3>a system of like.

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<v Speaker 4>Putting out, putting out, you know, three or four projects

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<v Speaker 4>a year, you know what I mean, you know, tentatively,

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<v Speaker 4>you know, even for twenty for twenty twenty four. Some

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<v Speaker 4>things that you know happen enough that I'm involved in,

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<v Speaker 4>you know. Uh, you know, the business model is spanding

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<v Speaker 4>now like you know, it's not. It doesn't always have

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<v Speaker 4>to be me in the front the center, you know.

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<v Speaker 4>In some cases, and maybe me presenting a project that

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<v Speaker 4>you know, produced or executively produced. And you know, so

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<v Speaker 4>in some cases, maybe a Rayen Devin presents, you know,

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<v Speaker 4>or it may be a three song pack of something

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<v Speaker 4>that is me, you know, Uh, it may be a

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<v Speaker 4>female artist, say like Tanya Nolan, who's a phenomenal independent

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<v Speaker 4>artists out of the Houston area. He's self made, you know,

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<v Speaker 4>reconnected doing the duet that we did pace Yourself and

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<v Speaker 4>had a relationship from there and it just kind of

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<v Speaker 4>just like group.

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<v Speaker 3>Shout out to Corey Moe who connected us.

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<v Speaker 4>And one of the things that Corey uh initially asked

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<v Speaker 4>me when when he talks to me about time and

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<v Speaker 4>saying like, hey man, I would love to see you

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<v Speaker 4>take her under your wing and kind of just show

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<v Speaker 4>her the tools and you know, the secret sauce, you

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<v Speaker 4>know what I mean. So we've been able to connect

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<v Speaker 4>it and do that, and that's work into me like,

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<v Speaker 4>you know literally like you know, co executive producing her

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<v Speaker 4>first official like project or you know, which would be

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<v Speaker 4>dropping some time this year. So it's been great to

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<v Speaker 4>be able to go from being the clay to allow

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<v Speaker 4>myself to work with artists who like trust me with

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<v Speaker 4>your art, which I feel like is a sacred thing.

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<v Speaker 3>You know.

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<v Speaker 4>I constantly tell artists like Tanya and different individuals I

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<v Speaker 4>work and I'm working with currently, it's like, hey, like,

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<v Speaker 4>thank you for trusting me with your art because it

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<v Speaker 4>means that you know, I know, that's a vulnerable space

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<v Speaker 4>to be in. You know, it's not about it's not

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<v Speaker 4>about your heart earned money, get your investments to yourself.

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<v Speaker 4>It's more about for me, it's about the art and

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<v Speaker 4>not to move about the music and people want something

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<v Speaker 4>to maken here and fielm and that has a nostalgia

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<v Speaker 4>to it and you know what I mean. So yeah,

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<v Speaker 4>so so giving myself to the art in a different way,

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<v Speaker 4>taking time to work with new artists and stuff of

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<v Speaker 4>that nature and features. You know, it gives me an

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<v Speaker 4>opportunity to show myself with a different light, which was

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<v Speaker 4>a space that I grew into because as you know,

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<v Speaker 4>as a as a as a songwriter, a producer.

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<v Speaker 3>And the vocal producer, there is a patience that's required.

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<v Speaker 3>There's a level of patience.

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<v Speaker 4>It's a level of patience and communication you have to

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<v Speaker 4>have with someone that's coming into the studio. You know,

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<v Speaker 4>in some cases a lot of times working with you

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<v Speaker 4>for the first time. In some cases they you know,

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<v Speaker 4>depending on what who they're signed to, with the politics are,

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<v Speaker 4>they might not even want to be there. They kind

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<v Speaker 4>of just like they were either told to be there

0:12:07.840 --> 0:12:10.720
<v Speaker 4>or you know, it's kind of like all right, they're

0:12:10.720 --> 0:12:12.920
<v Speaker 4>stepping out of their comfort zone, so they're looking for

0:12:13.040 --> 0:12:16.000
<v Speaker 4>something new or you know what I mean. And and

0:12:16.800 --> 0:12:19.720
<v Speaker 4>again it's you know, it's the vulnerability that that can create,

0:12:20.200 --> 0:12:24.000
<v Speaker 4>you know. Uh, you know, I wanted to be finding

0:12:24.040 --> 0:12:26.440
<v Speaker 4>for them. I wanted to be a learning experience for them.

0:12:26.880 --> 0:12:29.240
<v Speaker 4>I want to create something that's that's great, that's iconic,

0:12:29.640 --> 0:12:32.760
<v Speaker 4>and it's amazing. But I also I wanted to be

0:12:32.880 --> 0:12:34.559
<v Speaker 4>those things for me as well, you know what I mean.

0:12:34.679 --> 0:12:38.800
<v Speaker 4>So yeah, so it's again it allows me to be

0:12:38.840 --> 0:12:41.520
<v Speaker 4>able to just like put out be part of different

0:12:41.720 --> 0:12:45.319
<v Speaker 4>you know, projects versus doing like one one song, and

0:12:45.400 --> 0:12:46.640
<v Speaker 4>you know what I mean, it's just kind of just

0:12:46.760 --> 0:12:50.319
<v Speaker 4>like chase chasing the single or I don't necessarily even

0:12:50.400 --> 0:12:54.000
<v Speaker 4>want to call them like EPs or or albums now design.

0:12:54.040 --> 0:12:56.200
<v Speaker 4>It's just like projects, you know what I mean. Because

0:12:56.240 --> 0:12:58.720
<v Speaker 4>a project maybe you know, so like I said, two

0:12:58.840 --> 0:13:02.120
<v Speaker 4>or three songs, a project maybe fifteen tunes. The project

0:13:02.240 --> 0:13:08.280
<v Speaker 4>may be five you know songs, you know, or it

0:13:08.360 --> 0:13:11.760
<v Speaker 4>may be a soundtrack for a film or independent film.

0:13:11.840 --> 0:13:12.000
<v Speaker 3>You know.

0:13:12.679 --> 0:13:14.560
<v Speaker 2>I am here for everything.

0:13:14.640 --> 0:13:16.520
<v Speaker 1>That's why I have I've just been sitting here listening

0:13:16.520 --> 0:13:24.400
<v Speaker 1>because I mean, you're answering so many questions. Now the

0:13:24.520 --> 0:13:27.320
<v Speaker 1>latest three albums that you released in the last year,

0:13:27.920 --> 0:13:32.360
<v Speaker 1>Love You, for the Summer of Love, and fall in Love.

0:13:32.800 --> 0:13:34.880
<v Speaker 1>Now would you I'm assuming like, can I call it

0:13:34.960 --> 0:13:35.520
<v Speaker 1>a trilogy?

0:13:36.679 --> 0:13:37.960
<v Speaker 3>H man?

0:13:38.280 --> 0:13:40.640
<v Speaker 4>If it would be a trilogy, it was a trilogy

0:13:40.720 --> 0:13:43.559
<v Speaker 4>long ago, like for the cult following fans, like, you know,

0:13:44.160 --> 0:13:46.280
<v Speaker 4>love has always been you know, the word love has

0:13:46.320 --> 0:13:48.800
<v Speaker 4>always been intertwined in some form of fashion, like in

0:13:48.840 --> 0:13:49.600
<v Speaker 4>all the projects.

0:13:51.559 --> 0:13:54.400
<v Speaker 3>It's something that just kind of just continue to figure

0:13:54.440 --> 0:13:56.920
<v Speaker 3>out and do in real time. You know. That's from

0:13:56.960 --> 0:14:00.079
<v Speaker 3>a love experience, to love behind the Melody, to the

0:14:00.600 --> 0:14:01.760
<v Speaker 3>love of what master.

0:14:01.640 --> 0:14:05.120
<v Speaker 4>Piece, to a place called love Land, love such passion, Yes,

0:14:05.520 --> 0:14:09.240
<v Speaker 4>decade of a Love King, you know, from Luster Dawn,

0:14:09.360 --> 0:14:13.040
<v Speaker 4>which was like a passion project which which I connected

0:14:13.080 --> 0:14:15.360
<v Speaker 4>with a lot of different artists from you know, social

0:14:15.440 --> 0:14:17.679
<v Speaker 4>media at that time, and you know, some of which

0:14:17.720 --> 0:14:20.240
<v Speaker 4>I'm still working with, two of which i'm you know,

0:14:20.280 --> 0:14:23.360
<v Speaker 4>I'm mastering. I'm in the mastering stage of their projects.

0:14:23.800 --> 0:14:27.040
<v Speaker 4>So you know, these things take yeah, the thing, Yeah,

0:14:27.080 --> 0:14:28.200
<v Speaker 4>these things take time. You know.

0:14:29.680 --> 0:14:32.080
<v Speaker 2>So if you've been that busy yeah yeah.

0:14:32.040 --> 0:14:35.680
<v Speaker 1>Yeah, how you be finding time to be doing some

0:14:35.840 --> 0:14:37.440
<v Speaker 1>of the stuff that's in your album.

0:14:38.240 --> 0:14:40.160
<v Speaker 2>If you pick up, if you pick up when I'm

0:14:40.200 --> 0:14:41.000
<v Speaker 2>putting down.

0:14:42.840 --> 0:14:45.200
<v Speaker 3>It's always what they say. We always made time for

0:14:45.280 --> 0:14:46.000
<v Speaker 3>the things we love.

0:14:46.120 --> 0:14:48.840
<v Speaker 4>We may time if you if you're if you're a

0:14:48.840 --> 0:14:51.040
<v Speaker 4>praying woman, you know, praying man, you're gonna you're gonna

0:14:51.040 --> 0:14:54.240
<v Speaker 4>find time make time to pray, you know, just like

0:14:54.320 --> 0:14:55.520
<v Speaker 4>you're gonna make time to lay.

0:14:55.520 --> 0:14:57.000
<v Speaker 3>You know what I mean. You got to you got

0:14:57.080 --> 0:15:01.000
<v Speaker 3>to pray before your name, All right, come on?

0:15:03.120 --> 0:15:07.400
<v Speaker 4>But yeah, I mean I guess I am lyrically a lover,

0:15:08.680 --> 0:15:12.600
<v Speaker 4>not a fighter, you know, But I also understand like

0:15:12.680 --> 0:15:14.240
<v Speaker 4>it's my gift, you know what I mean, Like I've

0:15:14.320 --> 0:15:20.360
<v Speaker 4>coined and carved out a lane for myself that that

0:15:21.560 --> 0:15:24.800
<v Speaker 4>when people get the music and receive it or here

0:15:24.840 --> 0:15:26.200
<v Speaker 4>there's a new project, I know what I know, what

0:15:26.280 --> 0:15:27.200
<v Speaker 4>the expectation is.

0:15:27.240 --> 0:15:27.720
<v Speaker 3>You know what I mean.

0:15:28.320 --> 0:15:31.080
<v Speaker 4>And part of you know, part of my rebranding, part

0:15:31.160 --> 0:15:35.640
<v Speaker 4>of my you know, the secret to my success, you

0:15:35.760 --> 0:15:36.240
<v Speaker 4>know what I mean?

0:15:36.600 --> 0:15:36.720
<v Speaker 3>Uh?

0:15:37.320 --> 0:15:39.080
<v Speaker 4>You know, And part of being in your season is

0:15:39.160 --> 0:15:42.000
<v Speaker 4>knowing that it's knowing and loving who you are and

0:15:42.160 --> 0:15:44.160
<v Speaker 4>knowing who you ain't who you are, you know what

0:15:44.200 --> 0:15:46.600
<v Speaker 4>I mean? As well likes knowing. It's knowing what you

0:15:46.720 --> 0:15:49.320
<v Speaker 4>are and who you are, as well as knowing who

0:15:49.360 --> 0:15:52.400
<v Speaker 4>you're not and what you what you would never be,

0:15:53.040 --> 0:15:55.640
<v Speaker 4>and what you don't desire to need, and you know,

0:15:55.800 --> 0:15:58.040
<v Speaker 4>and then and then and then moving on intention of it,

0:15:58.240 --> 0:16:01.320
<v Speaker 4>like you know. Yeah, So that that you know, for me,

0:16:02.440 --> 0:16:05.120
<v Speaker 4>you know, allows me to be the conscious lover you know,

0:16:05.520 --> 0:16:09.600
<v Speaker 4>or mister Jimmy conscious you know, one of the many

0:16:09.680 --> 0:16:11.240
<v Speaker 4>attributes that I have, you know what I mean?

0:16:11.560 --> 0:16:12.000
<v Speaker 3>Nicknames?

0:16:12.040 --> 0:16:15.120
<v Speaker 1>You know, So what's the nicknames for me? Sitting the

0:16:15.200 --> 0:16:18.440
<v Speaker 1>seat that I'm in? You have to be naturally curious,

0:16:18.600 --> 0:16:19.240
<v Speaker 1>not nosy.

0:16:19.520 --> 0:16:22.160
<v Speaker 4>I have a lot of monikers, you know, because you know,

0:16:22.280 --> 0:16:27.400
<v Speaker 4>so it's uh, it's a let's see, uh, the R

0:16:27.440 --> 0:16:29.760
<v Speaker 4>and B hippie, neo soul rock star a k A.

0:16:29.920 --> 0:16:33.600
<v Speaker 4>Sup Cooler Jones a k A. Smoky Temptations, the Lypt God,

0:16:35.000 --> 0:16:37.000
<v Speaker 4>the who God, the Lipt God.

0:16:41.600 --> 0:16:44.480
<v Speaker 3>Yeah, l I P l l I P.

0:16:45.080 --> 0:16:46.480
<v Speaker 2>I thought he said LIMP.

0:16:46.360 --> 0:16:51.400
<v Speaker 3>God capital capital L capital all caps l I P. Yeah.

0:16:52.080 --> 0:16:56.120
<v Speaker 3>Young Marvin Marley Mayfield. This is one of my fast

0:16:56.160 --> 0:16:57.720
<v Speaker 3>which is one of my favorites, you know.

0:16:58.040 --> 0:16:58.160
<v Speaker 5>Uh.

0:16:58.760 --> 0:17:00.920
<v Speaker 3>Yeah, so in a and the list goes on, I

0:17:00.960 --> 0:17:02.320
<v Speaker 3>mean these days, it's the lesson.

0:17:02.600 --> 0:17:05.920
<v Speaker 1>You should say all of those names because I hear

0:17:06.000 --> 0:17:07.080
<v Speaker 1>all of those influence.

0:17:07.600 --> 0:17:12.560
<v Speaker 2>Okay, Marley Gay Mayfield.

0:17:12.359 --> 0:17:15.160
<v Speaker 3>Yeah, young Robarn Marley Mayfield Yeah.

0:17:15.960 --> 0:17:22.000
<v Speaker 2>And I'll say Isley's as well. Absolutely Isley Brothers.

0:17:22.520 --> 0:17:26.440
<v Speaker 1>And on the latest album there is someone that is

0:17:26.560 --> 0:17:32.880
<v Speaker 1>speaking who is giving me Is it Jamaican Nigerian?

0:17:33.320 --> 0:17:34.879
<v Speaker 2>The woman doing the interludes?

0:17:35.440 --> 0:17:43.880
<v Speaker 3>Rob Brown is half black, half Filipino. Yeah. She grew

0:17:44.000 --> 0:17:45.560
<v Speaker 3>up in Philly, you know what I mean, Like she

0:17:45.680 --> 0:17:49.280
<v Speaker 3>actually went to school with like Jill Jill Scott. She's special.

0:17:49.400 --> 0:17:53.399
<v Speaker 3>She's she's a really dope spoken word artist and a

0:17:53.480 --> 0:17:54.560
<v Speaker 3>phenomenal like a writer.

0:17:54.760 --> 0:17:58.080
<v Speaker 4>Like she does a lot of writing for different different projects,

0:17:58.600 --> 0:18:02.560
<v Speaker 4>you know, outside of like the conventional like making records

0:18:02.640 --> 0:18:04.920
<v Speaker 4>and making albums, you know, work world.

0:18:05.040 --> 0:18:07.840
<v Speaker 3>You know. Uh, she's been part of my journey, whether

0:18:07.920 --> 0:18:08.639
<v Speaker 3>she knows it or not.

0:18:08.800 --> 0:18:10.240
<v Speaker 4>And I went back to like kind of like go

0:18:10.400 --> 0:18:12.040
<v Speaker 4>grab her at the right time, and like, you know,

0:18:12.080 --> 0:18:15.159
<v Speaker 4>I want to start incorporating you know, spoken word artists

0:18:15.200 --> 0:18:18.159
<v Speaker 4>and poetry into what I do. So, you know, the

0:18:18.280 --> 0:18:20.399
<v Speaker 4>first open mic that I ever touched in d C,

0:18:20.680 --> 0:18:22.359
<v Speaker 4>she was she was the host. She's talking you know

0:18:22.359 --> 0:18:24.280
<v Speaker 4>what I'm saying. We're talking over twenty five years ago,

0:18:24.400 --> 0:18:27.399
<v Speaker 4>you know what I mean. Yeah, we talked years you know,

0:18:27.560 --> 0:18:30.240
<v Speaker 4>So taking it back there, like before the world knew

0:18:30.280 --> 0:18:32.520
<v Speaker 4>my name, like you know, uh, there was there was

0:18:32.560 --> 0:18:35.080
<v Speaker 4>a spot I would go to Bar None, which which

0:18:35.200 --> 0:18:37.040
<v Speaker 4>which a lot of people think I was discovered there,

0:18:37.080 --> 0:18:38.760
<v Speaker 4>but that's where I went to kind of just like Shave.

0:18:39.200 --> 0:18:41.440
<v Speaker 4>It definitely had the like the Love Jone. It was

0:18:41.480 --> 0:18:44.240
<v Speaker 4>given like Love Jones vibes, we need to go in there,

0:18:44.280 --> 0:18:46.160
<v Speaker 4>you know. But you had spoken word artists, you had

0:18:46.320 --> 0:18:50.320
<v Speaker 4>you had mcs, you had singers, you had instrumentalists you

0:18:50.400 --> 0:18:52.800
<v Speaker 4>know that would go through there, and uh you know

0:18:52.960 --> 0:18:55.040
<v Speaker 4>that was that became the hub and in my safe

0:18:55.080 --> 0:18:57.000
<v Speaker 4>space to be able to go and be vulnerable and

0:18:57.560 --> 0:18:59.040
<v Speaker 4>you know, and work on my craft, you know, and

0:18:59.119 --> 0:19:02.760
<v Speaker 4>get comfortable form, comfortable beforming in front of people. My

0:19:02.840 --> 0:19:05.800
<v Speaker 4>first CE or mixtape that I sold out of a

0:19:05.880 --> 0:19:08.840
<v Speaker 4>knapsack like out of a book bag was like Apple.

0:19:08.760 --> 0:19:11.320
<v Speaker 2>None so and people got to know that that part

0:19:11.400 --> 0:19:12.000
<v Speaker 2>of the journey.

0:19:12.520 --> 0:19:16.639
<v Speaker 3>Okay, you know, so yeah, it was it was it was,

0:19:16.920 --> 0:19:18.360
<v Speaker 3>it was, it was. It was the knapsack.

0:19:18.359 --> 0:19:20.239
<v Speaker 4>It was broad Now it was the green camera had

0:19:20.280 --> 0:19:23.359
<v Speaker 4>the green had this little beat up green camera toyo,

0:19:23.440 --> 0:19:26.840
<v Speaker 4>thea cameray and I, you know, and and I used

0:19:26.880 --> 0:19:31.800
<v Speaker 4>to basically like hand in hand, you know, sell my music.

0:19:32.880 --> 0:19:34.040
<v Speaker 2>So you knew you were dope.

0:19:34.320 --> 0:19:38.479
<v Speaker 1>You knew and that that confidence that I see now

0:19:38.560 --> 0:19:39.639
<v Speaker 1>in twenty twenty four.

0:19:39.920 --> 0:19:41.920
<v Speaker 3>I knew I had something special. I knew that it

0:19:42.080 --> 0:19:45.320
<v Speaker 3>was that I was still developing it.

0:19:45.720 --> 0:19:48.080
<v Speaker 4>But yeah, I knew back then that I had something

0:19:48.160 --> 0:19:52.080
<v Speaker 4>that was unique and that and more importantly that when

0:19:52.080 --> 0:19:53.560
<v Speaker 4>I would jump off the mic, I would see the

0:19:53.640 --> 0:19:55.320
<v Speaker 4>reaction or like the questions I.

0:19:55.320 --> 0:19:57.800
<v Speaker 3>Would People would be like, yo, where can I get

0:19:57.840 --> 0:19:58.280
<v Speaker 3>that song?

0:19:58.400 --> 0:20:00.639
<v Speaker 4>So I let me know that was create at demand

0:20:00.720 --> 0:20:03.159
<v Speaker 4>and that you know, the hustler of me said, okay,

0:20:03.320 --> 0:20:06.360
<v Speaker 4>well if they're asking for it, then you know then

0:20:06.400 --> 0:20:09.600
<v Speaker 4>I mean I got to get product ye immediate, whether

0:20:09.680 --> 0:20:13.159
<v Speaker 4>that means like buying a CD burner, and you know,

0:20:13.280 --> 0:20:15.920
<v Speaker 4>the quality might not be what what we might think

0:20:16.000 --> 0:20:18.119
<v Speaker 4>it needs to be, you know, but I have to

0:20:18.200 --> 0:20:21.560
<v Speaker 4>start somewhere, you know. And and that's so that's always

0:20:21.600 --> 0:20:24.040
<v Speaker 4>been my you know, that's always been my mentality. That's

0:20:24.080 --> 0:20:27.000
<v Speaker 4>always been my goal and understanding that you know, you

0:20:27.119 --> 0:20:30.120
<v Speaker 4>start somewhere, you know, and then from there you evolve.

0:20:30.359 --> 0:20:32.439
<v Speaker 4>You keep moving, you know, keep moving. I look at

0:20:32.520 --> 0:20:36.200
<v Speaker 4>my career, I look at my life as a as

0:20:36.240 --> 0:20:39.040
<v Speaker 4>a marathon. You know that it's never been to it's

0:20:39.080 --> 0:20:41.080
<v Speaker 4>never been the sprint, you know, it's been there's always

0:20:41.119 --> 0:20:43.080
<v Speaker 4>been that like, Hey, we're gonna I'm gonna I'm gonna

0:20:43.119 --> 0:20:46.119
<v Speaker 4>get on these tracks with these individuals, with my peers,

0:20:46.680 --> 0:20:49.560
<v Speaker 4>you know, pull my b love. But you know, it's

0:20:49.600 --> 0:20:51.600
<v Speaker 4>a very competitive business. So I'm gonna get on this

0:20:51.720 --> 0:20:53.199
<v Speaker 4>track and I'm gonna start to run. And when they

0:20:53.200 --> 0:20:55.640
<v Speaker 4>say all your market said, go I want to start,

0:20:55.680 --> 0:20:57.520
<v Speaker 4>I'm going to start running and I'm going to like

0:20:58.119 --> 0:21:00.600
<v Speaker 4>and if I get tired, want to walk.

0:21:01.000 --> 0:21:03.000
<v Speaker 3>You know, you don't let your feet stop moving, you

0:21:03.040 --> 0:21:03.439
<v Speaker 3>know what I mean.

0:21:04.520 --> 0:21:05.000
<v Speaker 2>That's great.

0:21:05.440 --> 0:21:07.399
<v Speaker 4>Get thirsty, you know what I mean. You have you know,

0:21:07.800 --> 0:21:09.720
<v Speaker 4>there's no there's no eye in the world team. So

0:21:09.800 --> 0:21:11.399
<v Speaker 4>you might have a team member that runs up and

0:21:11.480 --> 0:21:15.720
<v Speaker 4>gives you, you know, something to drink. But if the

0:21:15.840 --> 0:21:18.200
<v Speaker 4>game and the rules of the game are hey, when

0:21:18.240 --> 0:21:21.680
<v Speaker 4>this race starts, the last person that whose feet are

0:21:21.720 --> 0:21:26.320
<v Speaker 4>still moving will be declared the winner. Then you know,

0:21:26.440 --> 0:21:29.200
<v Speaker 4>my mindset is that Okay. I'm just going to just

0:21:29.400 --> 0:21:32.119
<v Speaker 4>like but you can do whatever you need to do necessarily.

0:21:32.240 --> 0:21:33.719
<v Speaker 4>You can do whatever you need to do in the process.

0:21:33.720 --> 0:21:35.720
<v Speaker 4>If you need somebody to hand you a sandwich because

0:21:35.720 --> 0:21:39.680
<v Speaker 4>you're hungry on your feet, don't stop moving, you know

0:21:39.680 --> 0:21:40.040
<v Speaker 4>what I mean?

0:21:40.440 --> 0:21:40.760
<v Speaker 3>Whatever?

0:21:41.320 --> 0:21:45.960
<v Speaker 2>I love that because you run your race.

0:21:46.560 --> 0:21:49.640
<v Speaker 1>You're quiet about it, but you still have results. You're

0:21:49.720 --> 0:21:53.440
<v Speaker 1>not like the loud arrogant. It don't seem like you

0:21:53.520 --> 0:21:56.040
<v Speaker 1>have beefs with anybody in these R and B streets

0:21:56.359 --> 0:21:59.840
<v Speaker 1>that I know of. You seem to know your niche

0:22:00.720 --> 0:22:04.000
<v Speaker 1>like and I don't want to say because some people

0:22:04.080 --> 0:22:06.120
<v Speaker 1>like you know your lane because that means what you say,

0:22:06.200 --> 0:22:08.280
<v Speaker 1>I can't I can't go to the middle lane if

0:22:08.280 --> 0:22:09.880
<v Speaker 1>I want to, I can't go to the left lane.

0:22:10.119 --> 0:22:12.520
<v Speaker 1>But your niche or your sound? Did that take a

0:22:12.640 --> 0:22:14.680
<v Speaker 1>while for you to discover.

0:22:16.600 --> 0:22:17.119
<v Speaker 3>My sound?

0:22:17.359 --> 0:22:20.200
<v Speaker 4>I think that happened organically, you know, like you know,

0:22:20.520 --> 0:22:24.879
<v Speaker 4>being able to have mentors like DJ Jazzy Jeff like

0:22:24.960 --> 0:22:29.119
<v Speaker 4>that nature average you know, I have an access to

0:22:29.200 --> 0:22:31.879
<v Speaker 4>somebody like that. Let me just start there. If you know,

0:22:32.040 --> 0:22:35.280
<v Speaker 4>you know, Jeff has always created an environment for artists.

0:22:35.680 --> 0:22:39.399
<v Speaker 4>I would describe it as like X men, Mmm, you

0:22:39.440 --> 0:22:44.080
<v Speaker 4>would be uh, what's that, professor X Yeah, and like

0:22:44.200 --> 0:22:46.440
<v Speaker 4>you would be the equivalent of like that for me

0:22:46.800 --> 0:22:50.119
<v Speaker 4>or for us. You know, the rooms I've been in

0:22:50.880 --> 0:22:54.000
<v Speaker 4>with the level of talent, like the caliber of talent,

0:22:54.119 --> 0:22:56.240
<v Speaker 4>like like not just in here in the US, but

0:22:56.359 --> 0:22:59.159
<v Speaker 4>like globally, like the meetups I've been in, and what

0:22:59.280 --> 0:23:02.359
<v Speaker 4>I've experienced being under under his watch you know what

0:23:02.400 --> 0:23:06.399
<v Speaker 4>I mean. He was at a very important time, Like

0:23:07.000 --> 0:23:08.879
<v Speaker 4>he was there. You know, he took me under his

0:23:09.000 --> 0:23:13.280
<v Speaker 4>wing and learning from him. You know, the relationships that

0:23:13.720 --> 0:23:15.560
<v Speaker 4>people that I that I met as a result from

0:23:15.680 --> 0:23:17.879
<v Speaker 4>kicking it with him and being around him in this

0:23:18.040 --> 0:23:21.560
<v Speaker 4>cool musical environment, you know Ken Dope and Louis Vanger

0:23:21.720 --> 0:23:26.119
<v Speaker 4>and DJ Terry Hunter, you know who are like worldwarnow

0:23:26.440 --> 0:23:30.040
<v Speaker 4>like DJs and producers and seeing the world and going

0:23:30.119 --> 0:23:33.240
<v Speaker 4>you know, Jeff taking myself and uh and other artists

0:23:33.320 --> 0:23:35.520
<v Speaker 4>like around the world at the time where you know,

0:23:35.840 --> 0:23:39.720
<v Speaker 4>my brand was still building, Yah, and being being able

0:23:39.800 --> 0:23:44.399
<v Speaker 4>to just understand that like music or R and B

0:23:44.640 --> 0:23:46.840
<v Speaker 4>and like soul music is just one gearure in music

0:23:46.960 --> 0:23:48.080
<v Speaker 4>that's just listen to start.

0:23:47.920 --> 0:23:51.960
<v Speaker 3>There, and and that it's a very big world and

0:23:52.240 --> 0:23:54.280
<v Speaker 3>a lot of people love.

0:23:54.520 --> 0:23:56.960
<v Speaker 4>You know, there are people that love what we do

0:23:57.119 --> 0:24:00.320
<v Speaker 4>and what we create that don't even speak English in

0:24:00.440 --> 0:24:01.520
<v Speaker 4>some places, you know what I mean.

0:24:01.720 --> 0:24:04.000
<v Speaker 1>I mean, we think it's corny, but I used to

0:24:04.119 --> 0:24:06.919
<v Speaker 1>see it when I was growing up as a child,

0:24:07.200 --> 0:24:10.640
<v Speaker 1>when music was actually in the schools, they would see

0:24:10.760 --> 0:24:13.200
<v Speaker 1>the sign music is a universal language.

0:24:13.640 --> 0:24:16.760
<v Speaker 4>Yeah, yeah, yeah it is, you know, And those things

0:24:17.000 --> 0:24:20.119
<v Speaker 4>help is developing your growing in real time if you

0:24:20.200 --> 0:24:22.040
<v Speaker 4>allow yourself to be you know, it's easy to kind

0:24:22.080 --> 0:24:24.080
<v Speaker 4>of put yourself in a box though too, you know,

0:24:24.280 --> 0:24:27.280
<v Speaker 4>depending upon like you know, listening to the labeled or

0:24:27.320 --> 0:24:29.919
<v Speaker 4>listening to the A N R. Sometimes, in some cases,

0:24:29.960 --> 0:24:31.440
<v Speaker 4>you know what I mean, it could be one of

0:24:31.520 --> 0:24:34.080
<v Speaker 4>the most toxic things for an artist, you know. But

0:24:35.119 --> 0:24:38.159
<v Speaker 4>it's about knowing and trusting that gut you know, the

0:24:38.280 --> 0:24:40.840
<v Speaker 4>voice of intuition is God whishper in your ear, you

0:24:40.880 --> 0:24:42.840
<v Speaker 4>know what I mean. So that gut feeling, that's the

0:24:42.920 --> 0:24:44.520
<v Speaker 4>voice of God like telling you. That's you know, as

0:24:44.640 --> 0:24:46.680
<v Speaker 4>universe saying like, hey, this is what you need to

0:24:46.760 --> 0:24:50.399
<v Speaker 4>be doing. Get It morphs into like knowing I'm in

0:24:50.480 --> 0:24:52.080
<v Speaker 4>a space where I know what I wanted to feel

0:24:52.200 --> 0:24:54.199
<v Speaker 4>like tastes like smell like.

0:24:55.640 --> 0:24:58.560
<v Speaker 3>You know what I mean, like okay, like you look

0:24:58.680 --> 0:25:02.879
<v Speaker 3>like yeah, you know, so you know has a greeing

0:25:03.720 --> 0:25:04.400
<v Speaker 3>and the cologne.

0:25:04.800 --> 0:25:05.720
<v Speaker 2>I'm here for it.

0:25:06.080 --> 0:25:08.919
<v Speaker 3>I cam here for it. Can you smell it, Colonne

0:25:08.920 --> 0:25:10.680
<v Speaker 3>through the speaker's baby, I can smell it.

0:25:10.840 --> 0:25:17.600
<v Speaker 1>It's given amber, sandalwood. It's given a little bit of

0:25:18.240 --> 0:25:21.360
<v Speaker 1>well you said it in your song. It's given backwoods.

0:25:21.720 --> 0:25:24.720
<v Speaker 1>It's given although I'm like, now, wait a minute, don't

0:25:24.760 --> 0:25:29.720
<v Speaker 1>mess up your vocal cords. It's given brown sweet liquor, y'all.

0:25:29.800 --> 0:25:32.520
<v Speaker 1>If you know what I'm saying, is given honey butter,

0:25:32.680 --> 0:25:33.440
<v Speaker 1>I'm hungry.

0:25:36.480 --> 0:25:37.080
<v Speaker 2>It's giving.

0:25:37.680 --> 0:25:41.800
<v Speaker 1>It's giving everything sophisticated. I think it could because of

0:25:41.880 --> 0:25:44.120
<v Speaker 1>the season we're in, But if we're in the spring

0:25:44.240 --> 0:25:46.160
<v Speaker 1>or somehow, I would have said, it's given juniper.

0:25:46.320 --> 0:25:47.000
<v Speaker 2>It's giving.

0:25:48.920 --> 0:25:52.320
<v Speaker 1>I'm trying to stick to the smells because you probably

0:25:52.320 --> 0:25:54.760
<v Speaker 1>don't want bath and body work types since.

0:25:56.840 --> 0:25:58.440
<v Speaker 3>That's for the lady.

0:25:58.480 --> 0:26:01.480
<v Speaker 4>I'm not like biased, know to a woman that you

0:26:01.560 --> 0:26:04.320
<v Speaker 4>know uses back in the bodyworks, you know I'm not

0:26:04.520 --> 0:26:07.320
<v Speaker 4>biased me personally, you know what I mean? Go, you

0:26:07.400 --> 0:26:10.200
<v Speaker 4>know I'm there's so many like dope, black owned businesses

0:26:11.359 --> 0:26:12.760
<v Speaker 4>there are their eyes.

0:26:13.440 --> 0:26:14.000
<v Speaker 3>You know what I mean?

0:26:14.320 --> 0:26:18.159
<v Speaker 2>Like, you know, what are your favorite sense what are

0:26:18.200 --> 0:26:19.000
<v Speaker 2>some of your favorites.

0:26:19.359 --> 0:26:22.280
<v Speaker 4>I'm you know, I'm a sucker for a woman as

0:26:22.400 --> 0:26:25.520
<v Speaker 4>you know that has that Carol's daughter, you know, you know,

0:26:25.680 --> 0:26:29.880
<v Speaker 4>but that but look brown sugar, but look, but look,

0:26:29.960 --> 0:26:31.680
<v Speaker 4>but you got to have like the source. You gotta

0:26:31.680 --> 0:26:33.399
<v Speaker 4>get that you know, word on the streeter. And she

0:26:33.480 --> 0:26:36.320
<v Speaker 4>does like a you know, if you know, you know

0:26:36.480 --> 0:26:38.359
<v Speaker 4>she'll do she does like a bat. She still she

0:26:38.400 --> 0:26:39.359
<v Speaker 4>still whips it up in the.

0:26:39.400 --> 0:26:43.320
<v Speaker 2>Kidnap for some of those of her. By the way,

0:26:44.280 --> 0:26:46.280
<v Speaker 2>I know which bats you're talking about.

0:26:46.560 --> 0:26:49.640
<v Speaker 1>I know which bat you're talking about because I'll never

0:26:49.800 --> 0:26:52.200
<v Speaker 1>forget back in the day in the early two thousands,

0:26:52.280 --> 0:26:54.360
<v Speaker 1>walking down it just takes me back.

0:26:54.400 --> 0:26:57.879
<v Speaker 2>To the Brownstones of New York. I know exactly what

0:26:58.080 --> 0:26:59.080
<v Speaker 2>bat you're talking about.

0:26:59.560 --> 0:27:02.280
<v Speaker 1>I'm not no, I'm not going to ask nothing like

0:27:02.359 --> 0:27:05.760
<v Speaker 1>specific as far as dating business. But what I do

0:27:05.920 --> 0:27:09.359
<v Speaker 1>want to ask, because you are the love king you

0:27:09.520 --> 0:27:11.840
<v Speaker 1>say you people have called you the lip God.

0:27:12.160 --> 0:27:17.560
<v Speaker 2>Do you find it pressure to be that or to

0:27:17.720 --> 0:27:19.240
<v Speaker 2>be who you are as an artist?

0:27:19.440 --> 0:27:19.600
<v Speaker 3>Is that?

0:27:19.720 --> 0:27:22.000
<v Speaker 1>Who you are as a man in relationships? Is or

0:27:22.000 --> 0:27:24.040
<v Speaker 1>are you like, wait a minute, I don't feel like

0:27:24.119 --> 0:27:26.200
<v Speaker 1>all that today. Yes, if you want me to just

0:27:26.320 --> 0:27:28.879
<v Speaker 1>listen to track twelve, but I can't be that right now.

0:27:29.400 --> 0:27:32.280
<v Speaker 1>Have they expected you to be that in a day

0:27:32.320 --> 0:27:33.440
<v Speaker 1>to day relationship?

0:27:33.600 --> 0:27:36.600
<v Speaker 3>Well, in transparency, like you know, I'm not married, engaged

0:27:36.600 --> 0:27:38.640
<v Speaker 3>and I am dating. You know what I mean having

0:27:38.840 --> 0:27:40.080
<v Speaker 3>that dating like that? You know?

0:27:40.200 --> 0:27:43.639
<v Speaker 4>Okay, and just like you know, I think that not

0:27:43.760 --> 0:27:46.040
<v Speaker 4>to be cliche, but I would probably have to say,

0:27:46.119 --> 0:27:49.160
<v Speaker 4>like my wife, girlfriend and mistress is like my music

0:27:49.480 --> 0:27:50.040
<v Speaker 4>their career.

0:27:51.320 --> 0:27:55.280
<v Speaker 1>Yeah, he told you, he told you on checking in

0:27:55.400 --> 0:27:59.640
<v Speaker 1>with Michelle Williams. His wife, his girlfriend, and his mistress

0:27:59.760 --> 0:28:02.159
<v Speaker 1>is music. So don't have no expectations.

0:28:02.520 --> 0:28:05.680
<v Speaker 4>Just but I understand that like outside of that, like

0:28:05.840 --> 0:28:07.879
<v Speaker 4>you have to have experiences, you have to you know,

0:28:08.880 --> 0:28:12.320
<v Speaker 4>I understand the point is of like love and plutonic

0:28:12.440 --> 0:28:16.440
<v Speaker 4>friendship and growth in allowing yourself to have experiences that

0:28:17.240 --> 0:28:19.920
<v Speaker 4>you want to feel something. So with that, with that

0:28:20.119 --> 0:28:22.720
<v Speaker 4>being said, I want to make sure I'm to ask

0:28:22.800 --> 0:28:23.640
<v Speaker 4>you a question one more time.

0:28:23.720 --> 0:28:26.840
<v Speaker 1>I want to make sure I like, if I were

0:28:27.000 --> 0:28:33.040
<v Speaker 1>dating a therapist, don't make him feel like the pressure

0:28:33.280 --> 0:28:34.359
<v Speaker 1>to be the therapist.

0:28:34.760 --> 0:28:37.800
<v Speaker 3>I got you here, Rahim Devon the.

0:28:38.000 --> 0:28:39.320
<v Speaker 2>Artist you know.

0:28:39.600 --> 0:28:41.800
<v Speaker 4>So yes, there have been times where I feel like pressure,

0:28:41.840 --> 0:28:43.800
<v Speaker 4>but I think it has nothing to do with necessarily

0:28:43.880 --> 0:28:45.960
<v Speaker 4>like even the content. It's just the fact that, like

0:28:46.040 --> 0:28:48.000
<v Speaker 4>who I am and just being a public figure, I

0:28:48.080 --> 0:28:50.240
<v Speaker 4>was having this discussion every day, and I feel like sometimes,

0:28:50.480 --> 0:28:52.800
<v Speaker 4>you know, sometimes a woman may feel the need to

0:28:52.880 --> 0:28:56.160
<v Speaker 4>be like, give me an extra hard time because I

0:28:56.280 --> 0:28:59.080
<v Speaker 4>am because of who I am, and because he.

0:28:59.160 --> 0:29:01.760
<v Speaker 2>Wants to know that you are who what you sing about.

0:29:02.240 --> 0:29:05.200
<v Speaker 2>You ain't romantic enough what you're talking about. You didn't

0:29:05.200 --> 0:29:09.360
<v Speaker 2>grab my torso like you said in the music or you.

0:29:11.480 --> 0:29:13.600
<v Speaker 3>I don't really have that problem. I don't have that problem.

0:29:13.920 --> 0:29:15.120
<v Speaker 3>And I think I don't have that problem.

0:29:15.160 --> 0:29:17.120
<v Speaker 4>I think because to love me is to really know me,

0:29:17.200 --> 0:29:18.960
<v Speaker 4>and to really know me is to know that like

0:29:20.240 --> 0:29:22.280
<v Speaker 4>they're very there's a lot of different shades and tones

0:29:22.360 --> 0:29:22.560
<v Speaker 4>to me.

0:29:23.120 --> 0:29:27.120
<v Speaker 2>And that and that you know, that's that like that

0:29:27.360 --> 0:29:30.440
<v Speaker 2>you know that's where I'm going to yea, you know.

0:29:30.520 --> 0:29:33.960
<v Speaker 4>There's you know that's that that can be very you know,

0:29:34.120 --> 0:29:36.080
<v Speaker 4>it kind of would tell me a lot about the person,

0:29:36.320 --> 0:29:38.880
<v Speaker 4>you know what I mean, if the expectations it because

0:29:38.920 --> 0:29:41.320
<v Speaker 4>it can be kind of like superficial, you know what

0:29:41.360 --> 0:29:44.040
<v Speaker 4>I mean. Or it can be like it's like, hey,

0:29:44.040 --> 0:29:47.520
<v Speaker 4>do you want Raheen divine? The entertainer or the singer

0:29:47.640 --> 0:29:50.280
<v Speaker 4>or the you know, the writer, are you here? You know,

0:29:50.480 --> 0:29:54.400
<v Speaker 4>are you here for Raheem divine? Like the human beings

0:29:54.600 --> 0:29:57.040
<v Speaker 4>like you know what I mean, the person you know,

0:29:57.160 --> 0:30:00.600
<v Speaker 4>the person who who lost his father or a year ago,

0:30:00.840 --> 0:30:02.920
<v Speaker 4>or the or the person who still figures out how

0:30:02.960 --> 0:30:06.440
<v Speaker 4>to still be you know, uh just still you know,

0:30:07.160 --> 0:30:09.120
<v Speaker 4>you never stop figuring out how to be a parent,

0:30:09.360 --> 0:30:11.080
<v Speaker 4>you know what I mean when you have children or

0:30:11.520 --> 0:30:14.240
<v Speaker 4>could just be like the you know, the amount of

0:30:15.360 --> 0:30:18.280
<v Speaker 4>what I'm providing in terms of you know, being self

0:30:18.320 --> 0:30:21.360
<v Speaker 4>independent and being self made. You know, I'm still providing

0:30:21.520 --> 0:30:24.360
<v Speaker 4>jobs for people you know, down to like my musicians

0:30:24.480 --> 0:30:28.440
<v Speaker 4>and you know, uh and what have you know, an

0:30:28.640 --> 0:30:31.800
<v Speaker 4>economy and in a space that where like people come

0:30:31.840 --> 0:30:35.200
<v Speaker 4>out to buy a ticket for something it's election. Regardless

0:30:35.240 --> 0:30:37.520
<v Speaker 4>of what level you are in this business. You know,

0:30:37.600 --> 0:30:40.320
<v Speaker 4>if you can fill seats during this time, like that's

0:30:40.360 --> 0:30:41.920
<v Speaker 4>a unique gift to be able to be able to

0:30:41.960 --> 0:30:43.640
<v Speaker 4>fill seats or to know that you can go and

0:30:43.720 --> 0:30:46.160
<v Speaker 4>do the MGM and it's sold out already before you

0:30:46.280 --> 0:30:49.200
<v Speaker 4>go to touch it, and you know, and and and

0:30:49.320 --> 0:30:52.920
<v Speaker 4>people are there because you provide a very unique service,

0:30:53.000 --> 0:30:54.400
<v Speaker 4>you know what I mean. So it's like to know

0:30:54.520 --> 0:30:56.840
<v Speaker 4>the men and to know the music and then know

0:30:56.880 --> 0:30:59.000
<v Speaker 4>the lyrics, to really know the man behind the music

0:30:59.080 --> 0:31:02.360
<v Speaker 4>and the you know I means so yes, which means

0:31:02.440 --> 0:31:05.360
<v Speaker 4>like you got to come correct too, you know, as

0:31:05.440 --> 0:31:08.280
<v Speaker 4>the woman who is you know, pursuing you know what

0:31:08.280 --> 0:31:11.160
<v Speaker 4>I mean? I think in dating that the pursuit should

0:31:11.200 --> 0:31:14.640
<v Speaker 4>be equally ooked, you know what I mean. I realized that,

0:31:14.720 --> 0:31:16.360
<v Speaker 4>I realized it. I realized as a man that I

0:31:16.480 --> 0:31:20.120
<v Speaker 4>like to be pursued. And that's not to be misunderstood as.

0:31:20.920 --> 0:31:22.800
<v Speaker 2>You want to feel that they want you.

0:31:24.760 --> 0:31:26.360
<v Speaker 4>If you the woman that's waiting by the phone for

0:31:26.440 --> 0:31:29.400
<v Speaker 4>me to call you or like you know, daily and

0:31:29.720 --> 0:31:33.200
<v Speaker 4>you know whatever, the like, yeah you're not because you know,

0:31:33.400 --> 0:31:35.600
<v Speaker 4>I believe like if you think, you know, if you

0:31:35.680 --> 0:31:40.560
<v Speaker 4>think about me, then or show reach out, you know.

0:31:40.560 --> 0:31:42.000
<v Speaker 3>What I mean? So like you know what I mean?

0:31:42.080 --> 0:31:44.640
<v Speaker 3>So like yeah, so it's you know, hopefully I've answered

0:31:44.680 --> 0:31:45.080
<v Speaker 3>good question.

0:31:45.760 --> 0:31:48.239
<v Speaker 1>No, it has been amazing And I was like, man,

0:31:48.320 --> 0:31:52.160
<v Speaker 1>I want to make great use of our time together.

0:31:53.680 --> 0:31:57.360
<v Speaker 2>You've given me so much. You've given us so much.

0:31:57.800 --> 0:31:59.960
<v Speaker 1>I told I was telling some folks that I was

0:32:00.080 --> 0:32:03.959
<v Speaker 1>interviewing the other day, they poured, you literally are pouring.

0:32:04.560 --> 0:32:08.080
<v Speaker 1>And I really think I'm thankful for that. And I

0:32:08.160 --> 0:32:10.720
<v Speaker 1>don't want to didn't want to come across offensive because

0:32:10.720 --> 0:32:14.120
<v Speaker 1>I was like, Man, I'm sitting here and just wondering

0:32:14.640 --> 0:32:17.320
<v Speaker 1>as I'm listening to music as a fan of like,

0:32:17.800 --> 0:32:20.400
<v Speaker 1>does he have pressure in that area?

0:32:20.680 --> 0:32:21.960
<v Speaker 3>I don't feel the pressure.

0:32:21.960 --> 0:32:23.720
<v Speaker 4>I mean, not that I mean in the day about

0:32:23.720 --> 0:32:25.840
<v Speaker 4>that life, like I talked, like I talked with I

0:32:25.920 --> 0:32:27.280
<v Speaker 4>talked that talk about.

0:32:27.040 --> 0:32:28.000
<v Speaker 3>That that life.

0:32:28.360 --> 0:32:32.200
<v Speaker 2>So he's not a hypocrite, Like you're not gonna everything.

0:32:32.040 --> 0:32:33.920
<v Speaker 3>You know, but everything for everybody.

0:32:33.960 --> 0:32:37.400
<v Speaker 4>You know, you're doing in moderation and you know, even

0:32:37.480 --> 0:32:40.160
<v Speaker 4>in real time, you know, learning a lot about myself

0:32:40.240 --> 0:32:43.160
<v Speaker 4>and and uh, you know, and dating and you know

0:32:43.320 --> 0:32:46.160
<v Speaker 4>from my previous relationship not to make the same states.

0:32:46.280 --> 0:32:48.600
<v Speaker 4>And it's like all the all of those things, you

0:32:48.640 --> 0:32:50.640
<v Speaker 4>know what I mean, Like, you know, it's cool being

0:32:50.680 --> 0:32:52.920
<v Speaker 4>an artist, you know, That's I think that's the cool

0:32:53.000 --> 0:32:55.080
<v Speaker 4>part is that you can go through things and then

0:32:55.160 --> 0:32:58.640
<v Speaker 4>you can be your own news for them and go

0:32:58.840 --> 0:33:01.960
<v Speaker 4>in and you know, use your music.

0:33:02.640 --> 0:33:06.840
<v Speaker 3>To not only hill yourself, but to also heal. You know,

0:33:06.960 --> 0:33:09.000
<v Speaker 3>music is healing for the for the listener, you know,

0:33:09.400 --> 0:33:12.560
<v Speaker 3>therapeutic in some cases. It's a doc connector to.

0:33:12.720 --> 0:33:18.760
<v Speaker 4>Love and fatherhood and motherhood and just like all the things,

0:33:19.440 --> 0:33:21.720
<v Speaker 4>depending on you know, what you're listening to, you know,

0:33:23.480 --> 0:33:25.040
<v Speaker 4>and what you get, what you get from it, you.

0:33:25.040 --> 0:33:31.200
<v Speaker 2>Know, Yeah, you mentioned your father. I just wanted to

0:33:31.360 --> 0:33:34.360
<v Speaker 2>ask you. He was a jazz musician.

0:33:34.680 --> 0:33:38.120
<v Speaker 3>Yes, yes ahead, I'm sorry, yes, yes, I do, I'll do.

0:33:38.640 --> 0:33:43.120
<v Speaker 1>He was a jazz musician and so were you the

0:33:43.360 --> 0:33:46.640
<v Speaker 1>son that wanted to make sure that he loved your music?

0:33:46.840 --> 0:33:50.040
<v Speaker 1>Was he excited or please? Had Did he ever participate

0:33:50.400 --> 0:33:51.800
<v Speaker 1>creatively with you music?

0:33:52.040 --> 0:33:54.360
<v Speaker 3>Yeah, you know, he would hang out.

0:33:54.800 --> 0:33:56.800
<v Speaker 4>Not many studio sessions he came to with me, but

0:33:56.840 --> 0:33:58.400
<v Speaker 4>there's one it sticks out, and it was the night

0:33:58.440 --> 0:34:01.360
<v Speaker 4>that I was recording the song just right. And he

0:34:01.440 --> 0:34:03.400
<v Speaker 4>didn't make many suggestions that night, but one of the

0:34:03.480 --> 0:34:06.040
<v Speaker 4>suggestions that he did make on the record is like

0:34:06.200 --> 0:34:08.880
<v Speaker 4>it's it's literally the way it is because it's something

0:34:08.960 --> 0:34:12.799
<v Speaker 4>that he suggested that I do, which was like there's

0:34:12.840 --> 0:34:15.400
<v Speaker 4>a bridge that happens like a pre hook that happens

0:34:15.440 --> 0:34:18.080
<v Speaker 4>in that in that record, in that song, and to

0:34:18.320 --> 0:34:21.200
<v Speaker 4>kind of make a different between the two, it was

0:34:21.480 --> 0:34:23.359
<v Speaker 4>there's this one line where he was just like, yeah,

0:34:23.480 --> 0:34:26.279
<v Speaker 4>just leave out the one word right there, and and

0:34:26.400 --> 0:34:30.120
<v Speaker 4>I'm like okay, and I'm me and the student anybody knows,

0:34:30.160 --> 0:34:31.960
<v Speaker 4>like I'm very kind of like as far as like

0:34:32.520 --> 0:34:34.000
<v Speaker 4>suggestions and stuff or.

0:34:34.000 --> 0:34:36.960
<v Speaker 3>People like, hey, you should do like I hate that,

0:34:37.239 --> 0:34:37.920
<v Speaker 3>like you know what I mean.

0:34:38.080 --> 0:34:41.319
<v Speaker 4>So sometimes I just need the space to get out

0:34:41.360 --> 0:34:43.000
<v Speaker 4>what I need to get in my head before, like

0:34:43.160 --> 0:34:46.000
<v Speaker 4>you know, and and and if I really, like, you know,

0:34:46.040 --> 0:34:47.600
<v Speaker 4>I'll ask an opinion, you know what I mean. But

0:34:48.160 --> 0:34:51.719
<v Speaker 4>it was just like Dad, and he made us right.

0:34:52.760 --> 0:34:55.680
<v Speaker 4>He was he was right, and the records just right

0:34:55.719 --> 0:34:58.600
<v Speaker 4>and it came out just right, you know what I mean.

0:34:58.680 --> 0:35:01.759
<v Speaker 4>But but yeah, like you know, I think probably the

0:35:01.800 --> 0:35:04.640
<v Speaker 4>part I missed the most is like, uh, we would talk,

0:35:04.760 --> 0:35:07.000
<v Speaker 4>you know, maybe two three times a day, but even

0:35:07.040 --> 0:35:08.680
<v Speaker 4>if it wasn't two three times a day, he would

0:35:08.680 --> 0:35:11.920
<v Speaker 4>always kind of like tap in after the show, like

0:35:12.080 --> 0:35:13.960
<v Speaker 4>you know, whether two three o'clock in the morning, you

0:35:14.000 --> 0:35:18.960
<v Speaker 4>know something about musicians who just up and up at night, right,

0:35:20.040 --> 0:35:23.000
<v Speaker 4>and uh, nocturnal and he and he would, he would, yeah,

0:35:23.040 --> 0:35:25.239
<v Speaker 4>he would, just like tap Man. And you know, it's

0:35:25.480 --> 0:35:27.200
<v Speaker 4>you can have people, you know, you can have different

0:35:27.400 --> 0:35:29.800
<v Speaker 4>there's a different conversation that you can have, say with

0:35:30.520 --> 0:35:32.200
<v Speaker 4>a parent who is in the.

0:35:32.280 --> 0:35:35.479
<v Speaker 3>Music business versus one that's not it's just a level.

0:35:35.800 --> 0:35:36.680
<v Speaker 3>They just understand.

0:35:36.800 --> 0:35:39.320
<v Speaker 4>We talk a different language, we talk, We talk a

0:35:39.360 --> 0:35:42.320
<v Speaker 4>different language than most you know what I mean, you know,

0:35:42.360 --> 0:35:46.640
<v Speaker 4>whether we're talking business or on a you know, personal level.

0:35:46.719 --> 0:35:49.400
<v Speaker 3>You know. But yeah, my dad, you know, for the

0:35:49.520 --> 0:35:51.160
<v Speaker 3>listeners out there, you know, check out his work.

0:35:52.040 --> 0:35:55.920
<v Speaker 4>He was a child prodigy cellist and went on to

0:35:56.080 --> 0:35:58.600
<v Speaker 4>teach like some of his amazing students who are.

0:35:58.560 --> 0:36:03.040
<v Speaker 3>Now doing phenomenal things around the world. Wow, and yeah,

0:36:03.200 --> 0:36:07.320
<v Speaker 3>so yeah that's good. But I understand that, you know,

0:36:07.440 --> 0:36:09.120
<v Speaker 3>it's the progression of life, you know what I mean.

0:36:09.239 --> 0:36:11.840
<v Speaker 4>So I'm thankful to be able to say that that

0:36:12.200 --> 0:36:14.440
<v Speaker 4>I had the experiences that I've had that I had

0:36:14.480 --> 0:36:17.120
<v Speaker 4>with him, you know, and to know that also you know,

0:36:17.480 --> 0:36:20.520
<v Speaker 4>they they definitely were in spirit, you know what I'm saying.

0:36:20.560 --> 0:36:23.520
<v Speaker 4>Our ancestors are in spirit, you know, calling the plays,

0:36:23.719 --> 0:36:26.120
<v Speaker 4>calling the plays that you will, thank you.

0:36:26.400 --> 0:36:27.960
<v Speaker 2>So much for sharing.

0:36:28.480 --> 0:36:31.360
<v Speaker 1>I understand, my I lost my father in twenty twenty,

0:36:31.640 --> 0:36:35.360
<v Speaker 1>but I rejoice in the fact that he was ready.

0:36:35.360 --> 0:36:37.839
<v Speaker 2>It was time, It was his time, It was his time.

0:36:38.600 --> 0:36:41.800
<v Speaker 1>Still miss him, still miss him dearly. He is a

0:36:41.920 --> 0:36:44.680
<v Speaker 1>huge musical influence. He was a DJ, and he had

0:36:44.800 --> 0:36:50.840
<v Speaker 1>like Milk Crates, Vinyl just from everything to the to

0:36:51.000 --> 0:36:55.160
<v Speaker 1>Marvin Gaye to Aerosmith. So I feel like that's why

0:36:55.280 --> 0:36:57.960
<v Speaker 1>sometimes I had a hard time kind of figuring out

0:36:58.239 --> 0:37:01.120
<v Speaker 1>I think what my sound was gonna be. But I'm

0:37:01.160 --> 0:37:05.000
<v Speaker 1>still a consumer to this day of just all things,

0:37:05.320 --> 0:37:08.120
<v Speaker 1>so many genres. Two more questions for you. Are there

0:37:08.160 --> 0:37:11.280
<v Speaker 1>any sounds that you still have yet to explore sonically?

0:37:13.640 --> 0:37:17.440
<v Speaker 4>Yeah, definitely, there probably a lot of things. Like I'm

0:37:17.480 --> 0:37:20.640
<v Speaker 4>in a space. I let that happen organically, you know.

0:37:21.680 --> 0:37:24.560
<v Speaker 2>You don't force it like I'm going to do Yeah.

0:37:24.640 --> 0:37:26.279
<v Speaker 3>Yeah, yeah, I like that. I like that I let

0:37:26.320 --> 0:37:27.759
<v Speaker 3>the music dode. That tells me.

0:37:27.840 --> 0:37:31.479
<v Speaker 4>I think probably the most eclectic record I have about

0:37:31.520 --> 0:37:33.480
<v Speaker 4>right now, it's a record called Favorite Things to Do,

0:37:34.080 --> 0:37:37.400
<v Speaker 4>which is which it has a It has a vintage

0:37:38.680 --> 0:37:42.160
<v Speaker 4>failire vibe to it, you know what I'm saying.

0:37:42.440 --> 0:37:43.520
<v Speaker 2>I love him.

0:37:44.120 --> 0:37:44.279
<v Speaker 3>Yeah.

0:37:44.360 --> 0:37:47.440
<v Speaker 4>Shout out to DJ Terry Hunter, who produced that out

0:37:47.440 --> 0:37:49.719
<v Speaker 4>of Chicago, you know, but to kind of like show

0:37:49.760 --> 0:37:52.640
<v Speaker 4>the diversity like Terry also produced you you know.

0:37:52.760 --> 0:37:55.000
<v Speaker 3>For me, you know, many moons ago.

0:37:55.200 --> 0:37:58.520
<v Speaker 4>So uh you know, but again, you know when you

0:37:58.600 --> 0:38:00.919
<v Speaker 4>start when I started getting my back and thinking about

0:38:01.040 --> 0:38:03.239
<v Speaker 4>like the work that I that I've already done with

0:38:03.360 --> 0:38:05.640
<v Speaker 4>like King Doapro in particular.

0:38:06.080 --> 0:38:09.239
<v Speaker 2>Right, I'm gonna find it. I'm gonna find it.

0:38:09.640 --> 0:38:13.399
<v Speaker 1>See me looking down because I was able to play

0:38:13.520 --> 0:38:17.560
<v Speaker 1>Sondra Isador. I was the original Sondra Isidor in the

0:38:17.640 --> 0:38:18.919
<v Speaker 1>Fela touring.

0:38:18.719 --> 0:38:21.280
<v Speaker 3>Production that was on Broadway.

0:38:21.760 --> 0:38:23.000
<v Speaker 2>Yeah, it was on Broadway.

0:38:23.080 --> 0:38:24.759
<v Speaker 3>Okay. I came to see that in New York.

0:38:25.080 --> 0:38:28.239
<v Speaker 1>Yeah, so it was on Broadway, but I was in

0:38:28.920 --> 0:38:33.120
<v Speaker 1>the Broadway producers took it on the road and I

0:38:33.440 --> 0:38:36.960
<v Speaker 1>was in. I was the original Sondra Isador on the road.

0:38:37.200 --> 0:38:38.200
<v Speaker 3>Man. That was incredible.

0:38:38.320 --> 0:38:41.239
<v Speaker 1>Like, yeah, I was introduced to his music in two

0:38:41.280 --> 0:38:44.759
<v Speaker 1>thousand and eight, and I'm like, I wish I knew

0:38:44.840 --> 0:38:46.600
<v Speaker 1>of him in nineteen ninety eight.

0:38:46.800 --> 0:38:49.360
<v Speaker 4>I just shout out to his son, to his kids

0:38:49.480 --> 0:38:52.520
<v Speaker 4>and FAMMI you know, you know he is like that. Yes,

0:38:52.840 --> 0:38:55.520
<v Speaker 4>he's like the split version of his dad. It is

0:38:56.280 --> 0:38:58.160
<v Speaker 4>at the heart of this got the heart of a lion,

0:38:58.280 --> 0:39:01.080
<v Speaker 4>you know what I mean, Like, you know, so okay.

0:39:01.040 --> 0:39:04.360
<v Speaker 2>I'm okay, I'm excited. I'm excited. Okay, thank you for

0:39:04.480 --> 0:39:05.040
<v Speaker 2>sharing that.

0:39:05.840 --> 0:39:09.800
<v Speaker 1>Last, but not least, the foundation of my podcast is

0:39:09.920 --> 0:39:11.360
<v Speaker 1>regarding mental health.

0:39:12.200 --> 0:39:15.040
<v Speaker 2>We know that we know, or I know, everybody has

0:39:15.120 --> 0:39:16.680
<v Speaker 2>mental health, but everybody does.

0:39:16.640 --> 0:39:21.640
<v Speaker 1>Not have mental illness. Even you, righting you have mental health,

0:39:22.400 --> 0:39:26.839
<v Speaker 1>you seem to be very grounded. You shared so much.

0:39:27.520 --> 0:39:29.560
<v Speaker 1>But to the heart of that creative who might be

0:39:29.640 --> 0:39:34.800
<v Speaker 1>struggling with their confidence, to the creative who is just

0:39:35.400 --> 0:39:36.720
<v Speaker 1>maybe they're.

0:39:36.640 --> 0:39:38.680
<v Speaker 2>Just struggling in the area of their mental health. They're

0:39:38.760 --> 0:39:40.400
<v Speaker 2>dealing with depression or anxiety.

0:39:40.880 --> 0:39:44.120
<v Speaker 1>Have you ever walked that road where you were like, yeah,

0:39:44.120 --> 0:39:45.920
<v Speaker 1>I've been down a little too long.

0:39:46.080 --> 0:39:47.879
<v Speaker 2>Or absolutely that's some fear.

0:39:48.120 --> 0:39:52.279
<v Speaker 4>For the first time in my life, I willingly intentionally

0:39:52.880 --> 0:39:55.080
<v Speaker 4>started doing therapy, and it was like when I lost

0:39:55.120 --> 0:39:58.680
<v Speaker 4>my dad, Black King, Come on now. Prior to that,

0:39:58.840 --> 0:40:01.800
<v Speaker 4>I definitely probably was one of the people that I

0:40:01.880 --> 0:40:05.320
<v Speaker 4>thought I didn't need or didn't get or like you know,

0:40:05.520 --> 0:40:07.600
<v Speaker 4>or thought that you know, there had to be something

0:40:07.719 --> 0:40:12.160
<v Speaker 4>like really going wrong to you know, ironically, you know,

0:40:12.320 --> 0:40:13.080
<v Speaker 4>mental health.

0:40:13.040 --> 0:40:16.080
<v Speaker 3>Is like one degree separation. For me, it's like very close,

0:40:16.239 --> 0:40:17.720
<v Speaker 3>like so much so close.

0:40:17.800 --> 0:40:20.320
<v Speaker 4>That like which I've never spoken about is public for

0:40:20.360 --> 0:40:25.879
<v Speaker 4>me until now, right, is that my my dad has caisophrenia. Wow,

0:40:26.280 --> 0:40:30.440
<v Speaker 4>And I've always been you know, for whatever reason, as

0:40:30.480 --> 0:40:33.640
<v Speaker 4>he got older and I got older, for whatever reason,

0:40:33.760 --> 0:40:36.680
<v Speaker 4>I was I was probably the one person out of

0:40:36.719 --> 0:40:39.279
<v Speaker 4>the family that could kind of like get him back

0:40:39.320 --> 0:40:40.400
<v Speaker 4>on traps, you know.

0:40:41.160 --> 0:40:43.840
<v Speaker 3>So that became a thing for me, you know.

0:40:44.000 --> 0:40:46.960
<v Speaker 4>So when I say, like it's one degree separation, I'm

0:40:47.000 --> 0:40:49.439
<v Speaker 4>looking to go down the rabbit hole and and now

0:40:49.719 --> 0:40:52.319
<v Speaker 4>and so so that's something that's like, you know, very

0:40:52.719 --> 0:40:55.560
<v Speaker 4>you know, having my foundation, doing the work that I've

0:40:55.600 --> 0:41:00.160
<v Speaker 4>done community wise, revamping the foundation and and and with

0:41:00.280 --> 0:41:03.040
<v Speaker 4>new initiatives, that is something like mental health is like

0:41:03.160 --> 0:41:05.239
<v Speaker 4>something that's very important to me.

0:41:05.360 --> 0:41:07.800
<v Speaker 3>And I understand it like in a way.

0:41:07.760 --> 0:41:09.839
<v Speaker 4>That most probably be wouldn't you know what I mean,

0:41:09.920 --> 0:41:12.840
<v Speaker 4>because again on both sides of my family, like you know,

0:41:13.440 --> 0:41:15.719
<v Speaker 4>it's one degree literally one degree.

0:41:17.160 --> 0:41:18.440
<v Speaker 3>Degree separation.

0:41:18.640 --> 0:41:20.680
<v Speaker 4>So I understand that, like you know, and I didn't

0:41:20.760 --> 0:41:24.320
<v Speaker 4>understand until I started doing therapy how important therapy is.

0:41:24.840 --> 0:41:26.680
<v Speaker 3>You know, the tools and things that you can be

0:41:26.800 --> 0:41:29.600
<v Speaker 3>given the healing that can happen from it, and how

0:41:29.680 --> 0:41:32.239
<v Speaker 3>you can identify the source of trauma, you know what

0:41:32.280 --> 0:41:34.600
<v Speaker 3>I mean, like like because sometimes the source of your

0:41:34.680 --> 0:41:37.359
<v Speaker 3>source of trauma may be like all roads may lead

0:41:37.400 --> 0:41:40.960
<v Speaker 3>back to one person yep, and and the series of

0:41:41.000 --> 0:41:44.200
<v Speaker 3>a vist that it's transpired and then you know whether

0:41:44.200 --> 0:41:45.520
<v Speaker 3>it's say, hurt people, hurt people.

0:41:46.920 --> 0:41:49.680
<v Speaker 4>So it's so it's so important to get in tune

0:41:49.719 --> 0:41:52.040
<v Speaker 4>with y'all, like your trauma and your hurt and your pain,

0:41:52.160 --> 0:41:53.839
<v Speaker 4>because you don't want to be one of those hurt people.

0:41:53.880 --> 0:41:57.440
<v Speaker 4>This is out here hurting people intentionally or unintentionally, you

0:41:57.520 --> 0:41:59.759
<v Speaker 4>know what I mean. So, yeah, mental health is like

0:42:00.440 --> 0:42:03.680
<v Speaker 4>and everything for me, you know, for anybody out there

0:42:03.719 --> 0:42:04.760
<v Speaker 4>that's going through anything.

0:42:04.880 --> 0:42:05.960
<v Speaker 3>Is that I would just say, like in.

0:42:06.000 --> 0:42:09.160
<v Speaker 4>Transparency and like again, as artists, like you know, we

0:42:09.560 --> 0:42:13.239
<v Speaker 4>remember that it's something about the TV or the Netflix

0:42:13.480 --> 0:42:16.680
<v Speaker 4>or the radio or these you know, or social media.

0:42:16.760 --> 0:42:19.960
<v Speaker 4>It just makes us look bigger than life that sometimes

0:42:20.000 --> 0:42:22.160
<v Speaker 4>people forget that we're human beings and we believe the

0:42:22.200 --> 0:42:24.479
<v Speaker 4>same way you do. You know, we have the same

0:42:24.560 --> 0:42:27.640
<v Speaker 4>losses that you do, we have the same anxieties, we

0:42:27.760 --> 0:42:32.239
<v Speaker 4>have the same in some cases prayers. You know, I

0:42:32.360 --> 0:42:35.239
<v Speaker 4>never try to claim the spirit of depression, you know

0:42:35.280 --> 0:42:38.600
<v Speaker 4>what I'm saying, Like, you know, I feel like depression

0:42:38.719 --> 0:42:39.560
<v Speaker 4>is a word.

0:42:39.880 --> 0:42:42.760
<v Speaker 2>It kind of it'sat it's just data.

0:42:42.920 --> 0:42:45.400
<v Speaker 3>Yeah. Yeah, I saw somebody say that.

0:42:45.760 --> 0:42:47.800
<v Speaker 4>I can't remember when I saw this, but depression it

0:42:47.920 --> 0:42:50.560
<v Speaker 4>really stands for decompression, like you need to It just

0:42:50.680 --> 0:42:54.440
<v Speaker 4>means that your avatar is tired and that you just

0:42:54.520 --> 0:42:57.440
<v Speaker 4>need to let your avatar like decompress, you know what

0:42:57.480 --> 0:43:00.000
<v Speaker 4>I'm saying. And whatever that process is. Maybe that process

0:43:00.440 --> 0:43:02.600
<v Speaker 4>is you know, taking a quick trip for going like

0:43:03.120 --> 0:43:05.640
<v Speaker 4>going somewhere and just like standing in the water, or

0:43:06.280 --> 0:43:10.239
<v Speaker 4>you know, meditating or you know, you know, for some

0:43:10.320 --> 0:43:12.880
<v Speaker 4>people it's like back with you know what I mean.

0:43:13.320 --> 0:43:17.279
<v Speaker 4>But I would suggest finding good ways to you want

0:43:17.320 --> 0:43:20.280
<v Speaker 4>to make sure that you're not running to like the bad.

0:43:20.160 --> 0:43:25.800
<v Speaker 2>Habits, the bad habits, bad you know what. We Sometimes

0:43:25.840 --> 0:43:27.600
<v Speaker 2>people feel like what is what's a solution?

0:43:27.840 --> 0:43:30.840
<v Speaker 1>It's really a distraction and they're not getting to the

0:43:31.000 --> 0:43:35.600
<v Speaker 1>root of that pain, you know, They're they're substituting it.

0:43:36.200 --> 0:43:39.120
<v Speaker 2>Yeah, first of all, let me let you know that.

0:43:39.239 --> 0:43:41.680
<v Speaker 1>Michelle Williams and I'm sure folks.

0:43:41.440 --> 0:43:43.400
<v Speaker 2>That are with the Black Effect.

0:43:44.080 --> 0:43:47.160
<v Speaker 1>Who my podcast is you know under Charlemagne, who has

0:43:47.239 --> 0:43:52.719
<v Speaker 1>the Mental Wealth Alliance? Like whatever, however we can and

0:43:52.840 --> 0:43:56.480
<v Speaker 1>I guess Charlemagne, I signed you up. Yeah, however, I

0:43:56.680 --> 0:44:00.480
<v Speaker 1>let me speak for me. However I can get behind you. Yeah,

0:44:00.920 --> 0:44:04.879
<v Speaker 1>in whatever it is in that mental health space, I'm

0:44:04.880 --> 0:44:07.560
<v Speaker 1>gonna be following up because that's really big. And thank

0:44:07.640 --> 0:44:12.680
<v Speaker 1>you for trusting my platform to share what you shared.

0:44:13.400 --> 0:44:13.600
<v Speaker 3>Y'all.

0:44:13.640 --> 0:44:16.560
<v Speaker 1>There are so many things about the artists that we

0:44:16.800 --> 0:44:20.320
<v Speaker 1>know and love, like he said, go through the same

0:44:20.440 --> 0:44:24.240
<v Speaker 1>things that we have. And maybe he just didn't feel

0:44:25.239 --> 0:44:27.800
<v Speaker 1>or there is a safe enough space to share what

0:44:27.960 --> 0:44:33.960
<v Speaker 1>he shared. Again, therapy is not always about It doesn't

0:44:33.960 --> 0:44:35.960
<v Speaker 1>always have to be about trauma. It can be how

0:44:36.040 --> 0:44:40.600
<v Speaker 1>can I unpack transition? How can I get an unbiased

0:44:40.640 --> 0:44:43.319
<v Speaker 1>opinion about how to deal with a loss? And guess

0:44:43.400 --> 0:44:46.480
<v Speaker 1>what therapy is about trauma too if you want to

0:44:46.560 --> 0:44:51.560
<v Speaker 1>go there. Okay, so you have made yourself even more

0:44:51.680 --> 0:44:57.439
<v Speaker 1>lovable by being vulnerable. That took some vulnerability to share,

0:44:57.560 --> 0:44:58.239
<v Speaker 1>but that's what you know.

0:44:58.400 --> 0:45:00.840
<v Speaker 4>But again, that all kind it goes back to like,

0:45:01.719 --> 0:45:04.920
<v Speaker 4>it goes back to the art, like you know, ass right,

0:45:04.960 --> 0:45:07.279
<v Speaker 4>And it's why you know, it's part of these These

0:45:07.320 --> 0:45:09.640
<v Speaker 4>are part of the things that like our challenges, our

0:45:09.680 --> 0:45:11.680
<v Speaker 4>things that we deal with that we don't speak on earth.

0:45:11.719 --> 0:45:14.160
<v Speaker 4>You know, they shape us, state, mold us, you know

0:45:14.239 --> 0:45:17.320
<v Speaker 4>what I mean. And you know, so you know, it

0:45:17.440 --> 0:45:19.640
<v Speaker 4>kind of gives people kind of wonder why I move

0:45:19.719 --> 0:45:22.320
<v Speaker 4>the way I moved, or like people wouldn't believe some

0:45:22.440 --> 0:45:24.680
<v Speaker 4>of the things unless they saw it, you know what

0:45:24.680 --> 0:45:27.360
<v Speaker 4>I mean, I heard it or you know, or you know,

0:45:27.520 --> 0:45:29.879
<v Speaker 4>we had a conversation piece about it. So like, yeah,

0:45:29.920 --> 0:45:33.800
<v Speaker 4>I'm looking forward to being more verbal. And you know, again,

0:45:34.040 --> 0:45:38.080
<v Speaker 4>mental health is just it's it holds a very hold space.

0:45:38.719 --> 0:45:42.200
<v Speaker 4>A lot of it purposely and intentional because of like

0:45:42.360 --> 0:45:44.719
<v Speaker 4>you know, it being a one degree separation thing for me.

0:45:45.200 --> 0:45:54.000
<v Speaker 1>Listen, thank you, y'all. His foundation is called love Life Foundation.

0:45:54.320 --> 0:45:55.560
<v Speaker 3>Yeah, the Love Life Foundation.

0:45:55.719 --> 0:45:55.879
<v Speaker 4>Yeah.

0:45:56.080 --> 0:45:56.279
<v Speaker 3>Yeah.

0:45:56.960 --> 0:46:02.040
<v Speaker 1>It's committed to raising awareness and funds for domestic island education, homeless,

0:46:02.800 --> 0:46:05.160
<v Speaker 1>mental illness, if I is that correct.

0:46:06.440 --> 0:46:10.640
<v Speaker 2>Mental health, autism, cancer, Listen.

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<v Speaker 1>It's so well rounded for music and arts, HIV and

0:46:15.000 --> 0:46:17.960
<v Speaker 1>AIDS if we can. Matter of fact, I'm gonna follow

0:46:18.160 --> 0:46:22.160
<v Speaker 1>right now love Life DMV And as he said on

0:46:22.239 --> 0:46:23.240
<v Speaker 1>one of his interludes.

0:46:23.280 --> 0:46:29.920
<v Speaker 2>You can find him at Raheem Underscover Devon on Facebook

0:46:30.480 --> 0:46:31.800
<v Speaker 2>as Raheem Divine.

0:46:31.920 --> 0:46:35.719
<v Speaker 1>You can find him there. I think you poured so much.

0:46:35.960 --> 0:46:38.680
<v Speaker 4>Thank you for checking in, Oh, thank you for having me,

0:46:39.200 --> 0:46:41.040
<v Speaker 4>Thank you for having me. We gotta do it again

0:46:41.200 --> 0:46:41.720
<v Speaker 4>for sure.

0:46:41.960 --> 0:46:44.160
<v Speaker 1>Anytime, anytime, anytime.

0:46:47.880 --> 0:46:52.080
<v Speaker 2>Okay, I did not expect I did not expect.

0:46:51.920 --> 0:46:55.680
<v Speaker 1>This, and I'm so glad that he was just willing

0:46:55.760 --> 0:46:58.400
<v Speaker 1>to share, because sometimes, you know, artists can be, you know,

0:46:58.760 --> 0:47:02.520
<v Speaker 1>be wanting to be all and whatnot and not share,

0:47:03.200 --> 0:47:08.719
<v Speaker 1>you know, but he was just absolutely a jewel. And

0:47:09.320 --> 0:47:15.240
<v Speaker 1>we are dedicating this episode to his father, Abdul Dude.

0:47:15.960 --> 0:47:19.120
<v Speaker 1>And I'm grateful that Checking In is a safe space

0:47:19.719 --> 0:47:23.160
<v Speaker 1>where people begin to share things that they probably normally

0:47:23.200 --> 0:47:28.960
<v Speaker 1>wouldn't share. And he's got my full support. And continue

0:47:29.080 --> 0:47:32.840
<v Speaker 1>prayers and blessings into anybody out there. You've lost a

0:47:33.000 --> 0:47:36.279
<v Speaker 1>loved one recently, just know that my heart goes out

0:47:36.360 --> 0:47:40.160
<v Speaker 1>to you and I'm wrapping my arms around your body

0:47:41.800 --> 0:47:45.520
<v Speaker 1>as best as i can and just praying for you

0:47:45.680 --> 0:47:47.680
<v Speaker 1>and just wanting to send you some love as well.

0:48:05.200 --> 0:48:08.320
<v Speaker 1>Checking In with Michelle Williams is a production of iHeartRadio

0:48:08.560 --> 0:48:12.560
<v Speaker 1>and the black effect. For more podcasts from iHeartRadio, visit

0:48:12.640 --> 0:48:16.520
<v Speaker 1>the iHeartRadio app, Apple podcast, or wherever you listen to

0:48:16.600 --> 0:48:17.560
<v Speaker 1>your favorite shows.