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Speaker 1: Let me tell you. I have hopes.

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Speaker 2: I have hopes of being on es and now one time,

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Speaker 2: and I feel like this is just ruined. Jesus the

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Speaker 2: musical guest.

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Speaker 1: It's gonna be a problem.

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Speaker 3: You're gonna have to at least address it in a bit.

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Speaker 4: It was a podcast, It was a guest.

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Speaker 3: I was young, you're ready, you're.

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Speaker 1: Literally seventy five years old. But I should have Yes.

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Speaker 1: My chips in your faies.

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Speaker 2: Quals a racists.

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Speaker 3: Money turning stuff.

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Speaker 1: I can't tell.

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Speaker 3: Me there's a meeting in my bedroom, and girl, please

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Speaker 3: don't be late. There it is there. It is Gentiles

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Speaker 3: and little Mama's alike. Welcome to another phenomenal episode of

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Speaker 3: My Mama Told Me.

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Speaker 4: The podcast where we dive deep into the pockets of

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Speaker 4: black conspiracy theories.

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Speaker 3: And we finally work to prove that Cam Newton's outfits

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Speaker 3: are just cte but make it fashion. That ain't nothing

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Speaker 3: but a brain damaged man putting on the silliest shit

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Speaker 3: that he can come up with with the few brain

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Speaker 3: cells he has left. Tell me I'm.

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Speaker 1: Wrong, bro, You're not wrong.

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Speaker 3: This is fucks.

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Speaker 4: My whole sense of style in high school is derived

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Speaker 4: on a short that makes sense, Yeah, because because sometimes

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Speaker 4: Cam does some stuff where you're like, remember when he

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Speaker 4: was wearing like those big old lady earrings, like the

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Speaker 4: giant ones. That seems like that could be because you

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Speaker 4: got hit hard.

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Speaker 3: That's to come on, brokey, And I get what you're

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Speaker 3: saying that there were there was a point where you

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Speaker 3: see him dressed and you'd be like, God, damn, this

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Speaker 3: nigga is fly. He looking good. I want to look

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Speaker 3: like Cam Newton, And then the next day he puts

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Speaker 3: on some ship where you're like, that would have been

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Speaker 3: a huge mistake if I would have started to shape

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Speaker 3: my closet based off of this very cartoonishly dressed man.

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Speaker 4: Are you talking about the most recently those little pants?

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Speaker 3: I think we can go down every time, and and

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Speaker 3: that's part of the problem. And you can already hear

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Speaker 3: our guests today and we're so excited that that she's here.

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Speaker 3: I think part of the problem is the number of

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Speaker 3: things that he puts on along with the physical you

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Speaker 3: know what I mean, Like, it's not just that you

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Speaker 3: made a bold choice with an anti sweater, it's that

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Speaker 3: you made a bold choice with an anti sweater and

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Speaker 3: a Grandpa turtleneck and and a fucking belt.

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Speaker 4: That don't really, I do think it's worth noting for

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Speaker 4: the listeners that Langston is currently wearing a pink hoodie

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Speaker 4: with complicated drawstrings. Okay, two camera on favorites.

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Speaker 3: Okay, you mean the new the new face of Kith. Yeah, Cameron,

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Speaker 3: don't do that to Killa.

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Speaker 4: I know, but I don't like the way that you

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Speaker 4: said it.

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Speaker 3: I respect him very much. I'm a big fan and

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Speaker 3: uh and I pray I pray that his homophobia lives

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Speaker 3: on forever, untainted by the changes in society. I pray

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Speaker 3: that nobody ever takes his homophobia away from him, even

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Speaker 3: as we as a society evolve and grow into understanding

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Speaker 3: that that kind of maturity is almost shameful at this point,

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Speaker 3: our guest, Oh yeah, David Bori, I'm Langston Kermey. Who

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Speaker 3: the fuck geers, We're our guest today. We're so excited

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Speaker 3: that she's a talented comedian, a writer, a producer, a

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Speaker 3: creator of all kinds. Most importantly, you know her work

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Speaker 3: from yes Week Cannabis, which is currently You can currently

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Speaker 3: vote for it in the podcast section of the n

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Speaker 3: Double ACP Awards. If you are voting for the n

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Speaker 3: DOUBLEACP Awards and White He's getting on it too, don't

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Speaker 3: you White Devil's you don't you feel at all is

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Speaker 3: shamed to go on the n Double ACP website and

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Speaker 3: vote for the Image Awards. But if you do decide

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Speaker 3: to do that, you should be voting for Yes Week Cannabis,

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Speaker 3: which I had the lovely opportunity to play a part in.

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Speaker 3: It was so fun so funny. She's dope. Please give

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Speaker 3: it up for Rochet Jeffrey.

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Speaker 1: Yes, I need that everywhere I go from that.

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Speaker 2: One accompany my it's yes, Yes, I'm excited to be here.

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Speaker 3: We're so happy you're here. And frankly, you came to

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Speaker 3: us with a conspiracy theory that Bory we talked about.

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Speaker 3: I don't think either of us were very verse.

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Speaker 4: Then, not at all, not at all.

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Speaker 3: Yeah, it wasn't one that we were super aware of.

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Speaker 3: I think I had heard the words, you know what

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Speaker 3: I mean, like I had heard it talked about before,

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Speaker 3: but I had never done any version of a deep

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Speaker 3: dive in so this is really exciting. But you said,

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Speaker 3: my mama told me the Willie Lynch letter is real.

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Speaker 2: Indeed, Yes, I grew up in a very black area

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Speaker 2: and so we would talk about it all the time.

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Speaker 1: And when I went to a.

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Speaker 2: Black college and we were talking all the time about

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Speaker 2: it all the time with confidence. Little did we know

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Speaker 2: it's believed to actually not be real little yeah, believe

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Speaker 2: by who a lot of research of there's a lot

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Speaker 2: of research that says that some of the words using

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Speaker 2: the letter like actually didn't exist at the time that

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Speaker 2: the letter says that it's from.

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Speaker 4: And yeah, it's how they get you every time.

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Speaker 3: All these fact checkers wanting words to be the same

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Speaker 3: since seventeen whatever the fuck.

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Speaker 1: Yeah.

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Speaker 3: Yeah, So before we deep dive into all of this,

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Speaker 3: I guess let's begin right at the start. It tak

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Speaker 3: us through what this Willie Lynch letter is. Let's make

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Speaker 3: sure that our listeners are as versed as you are

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Speaker 3: in terms of what it is, what it represents, and

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Speaker 3: where it comes from for you.

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Speaker 2: Yeah, So, Willie Lunch Letter is a letter that black

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Speaker 2: people will love to cite when we're acting up and

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Speaker 2: it says, you know, because they say that some slave

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Speaker 2: owner taught American slave owners about how to control black

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Speaker 2: people without lynching them, and that was like to separate

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Speaker 2: us based on skin color and age and all sorts

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Speaker 2: of other stuff. But the letter appeared for the first

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Speaker 2: time to anyone's knowledge in the nineteen seventies, and no

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Speaker 2: one can really find like the true origin of this

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Speaker 2: letter that's from this slave owner Willy Lynch.

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Speaker 3: Yeah, so a slave owner named Willie Lynch, apparently in

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Speaker 3: Virginia in seventeen twelve. He's a British slave owner in

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Speaker 3: the West Indies. Apparently like goes in front of a

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Speaker 3: colony on the James on the bank of the James

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Speaker 3: River in seventeen twelve and gives this speech where he

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Speaker 3: explains to all the other slave owners like, Hey, I

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Speaker 3: know y'all have been having all kinds of issues with

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Speaker 3: your slaves. They keep on running away and not listening

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Speaker 3: to you and sucking off your your wives and shit

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Speaker 3: sucking their titties. They suck your wives titties all the time.

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Speaker 3: It's terrible.

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Speaker 4: I don't know.

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Speaker 3: No, I'm not good man.

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Speaker 4: What do you want to sound like?

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Speaker 2: You got forty Yeah he started he started as a

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Speaker 2: joking that it got like, you know.

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Speaker 3: You're freaky, you're freaking freaky. Yeah about talk about listen

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Speaker 3: what else was doing? Listen if y'all read a different

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Speaker 3: letter than me. Just say that, Just say you ain't

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Speaker 3: read the same letter as me. Don't try to embarrass me,

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Speaker 3: Just say, hey, our letters might have been a little different.

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Speaker 3: I cannot but in in this supposed speech, he explains

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Speaker 3: to all of them, hey, despite the problems that you're having,

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Speaker 3: I have insight on how to make it so that

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Speaker 3: your slaves never rebel so that you get the best

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Speaker 3: out of your your specifically black slaves, and then explains

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Speaker 3: in detail, supposedly how to how to fix all the

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Speaker 3: problems with the slaves.

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Speaker 4: Yeah.

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Speaker 2: And the funny thing is we use it now a

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Speaker 2: lot people will throw it out and be like, see,

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Speaker 2: this is what Willy Lynch, that's what he wanted, this

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Speaker 2: Willie Lynch figure.

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Speaker 3: Right. Well, let me ask you this, when you first

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Speaker 3: heard this, because you said you you grew up in

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Speaker 3: a place where it sounds like they were telling you, Yeah,

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Speaker 3: this is a real thing. When you first heard it,

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Speaker 3: were you bought in? Did you believe in the Willie

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Speaker 3: Lynch Lynch letter.

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Speaker 2: Old white men from the past being crazy and saying

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Speaker 2: crazy shit AE hundred.

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Speaker 4: It's not hard to believe.

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Speaker 2: It's easy to believe any conspiracy theory around a white

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Speaker 2: man from the past doing some crazy shit.

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Speaker 4: You should summarize. That's a piece of statement for this

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Speaker 4: entire program.

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Speaker 3: That didn't take much.

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Speaker 1: It doesn't take much.

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Speaker 3: Yeah, it doesn't feel like, oh man, how where'd you

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Speaker 3: come up with this? This feels almost magical what you're suggesting,

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Speaker 3: a white man trying to control other people?

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Speaker 4: Yeah.

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Speaker 2: Yeah, And even if it is fake, I know a

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Speaker 2: white man fake that shit.

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Speaker 4: That's that's where I propose we start with this. Okay,

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Speaker 4: tell me who made it, if it was if it

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Speaker 4: wasn't fake, what is the benefit of faking this? It's

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Speaker 4: something more diabolical than I think I could wrap my

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Speaker 4: head around. But I think, you know, as a group effort,

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Speaker 4: we could really get to get Because that's that's the question, right,

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Speaker 4: if it's been debunked, the question is who put this

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Speaker 4: out and why?

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Speaker 3: Mmmmmm, Well, here's what Here's what I'll say is that

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Speaker 3: for me, the Willie Lynch letter feels like it's meant

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Speaker 3: to represent a bit of an allegory in the way

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Speaker 3: that like, we read like Bible stories and we aren't

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Speaker 3: necessarily supposed to believe that Goliath was like this giant

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Speaker 3: and David, you know, hit him with a sling shot,

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Speaker 3: whatever the fuck.

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Speaker 4: It was just a big factor.

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Speaker 3: It was just the biggest man in town. And frankly,

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Speaker 3: Elias couldn't fight for shit. But no, I think it's

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Speaker 3: meant to be an allegory, like you know that, like, hey,

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Speaker 3: straighten up, do try not to create these sort of

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Speaker 3: like in fights and negative relationships inside of our community.

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Speaker 3: And so I had always interpreted it, or at least

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Speaker 3: in my brief understanding of it, i'd interpreted it as

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Speaker 3: a black invention meant to teach black children and black

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Speaker 3: people to be the better version of themselves because of

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Speaker 3: the sinister work that white people are doing. But I'm

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Speaker 3: deeply fascinated with what y'all are suggesting of this actually

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Speaker 3: being a white invention, and I'd love to hear more

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Speaker 3: about that.

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Speaker 2: I mean, what you're saying makes the most sense, truly,

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Speaker 2: But like the citiful part of me is always like

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Speaker 2: this is so like crafty and sinister in.

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Speaker 4: A way that say it's sneaky weak. Yeah, we say

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Speaker 4: we call them blank eaters.

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Speaker 3: Well one of us calls them that. The other ones

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Speaker 3: never said that out loud before.

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Speaker 5: But yeah, yeah, I definitely feel like it's it's it

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Speaker 5: could go either way, But it just feels it's a

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Speaker 5: strange thing for a black person to craft, in my opinion,

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Speaker 5: because then, like you would they get into the minds

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Speaker 5: of like a Willy Lich.

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Speaker 1: But also, the more I say it, Willy Lynch sounds

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Speaker 1: like an invention of a black person.

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Speaker 4: Even that name, that is the initial thing that I

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Speaker 4: felt when it came to the table. That does not

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Speaker 4: sound like a like if you make me draw Willy

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Speaker 4: Lynch on a piece of paper, it does not look

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Speaker 4: like a bridge man.

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Speaker 3: From the West Indies. Get the funk out of here.

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Speaker 4: Where's some type of work where you.

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Speaker 3: You mean Willy Lynch, the nigga that brought the Black

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Speaker 3: Eyed Peas? Yeah, I know, Willie. You mean you mean

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Speaker 3: Willy Lynch would be yelling at his wife. Nobody's saying

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Speaker 3: nothing because it's crazy. Yeah, you know, we know Willy.

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Speaker 1: That's a fact. That's a fact.

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Speaker 6: Yeah.

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Speaker 1: The more we talk, I'm convinced it's a black black man.

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Speaker 4: Yeah, you know, yeah, that's fair because I think it's

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Speaker 4: like the name is not good. It's like when you

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Speaker 4: hear white people name fake rappers, you know what I mean,

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Speaker 4: It's not even grounded somewhere in any of the truth.

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Speaker 6: No.

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Speaker 3: Yeah, it's like a little peat pop and it's like

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Speaker 3: ice banana. Yeah, you know you hate us so much

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Speaker 3: that you won't even do basic research to learn how

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Speaker 3: to make fun of us.

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Speaker 4: Yeah, that's all that always does hurt, where it's like

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Speaker 4: respect me enough to give me proper.

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Speaker 3: Really be That is my biggest issue with the way

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Speaker 3: that white people make fun of us is like I

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Speaker 3: really study y'all, you know what I mean, Like, I

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00:14:12,360 --> 00:14:14,679
Speaker 3: really put in the work to make sure that, like

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Speaker 3: when I'm making fun of white people, I'm using all

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Speaker 3: of the correct weaponry to make this an effective ass argument.

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Speaker 4: And how many eighties sitcoms I had to watch know

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Speaker 4: that you look like Piercy Ally, Come on, don't do

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Speaker 4: that to me.

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Speaker 1: Well, that's okay. We are fluent in whiteness.

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Speaker 2: Yeah, Like we literally know everything about them and they

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Speaker 2: don't know when nothing anything.

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Speaker 4: It's it blows my mind when they don't notice.

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Speaker 3: I was explaining to a group of white people to

257
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Speaker 3: yesterday who Birdman was, and it's like, come on, that's

258
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Speaker 3: a major figure. That's a ship, that's not a that's

259
00:14:56,720 --> 00:15:00,320
Speaker 3: not a fly by night ass dude, He's He's a

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Speaker 3: big part of the community.

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Speaker 4: They love the big times.

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Speaker 3: Yeah, that's it. They love the fucking big time and

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Speaker 3: they don't even know their name. That's crazy.

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Speaker 4: It's a few who do burden in I bet you

265
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Speaker 4: even less. No many fresh by name.

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Speaker 3: That's nuts.

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Speaker 2: The black famous thing is real, man. There's some people

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Speaker 2: who are black famous that white people do not.

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Speaker 1: They do not know who they are. Like shery Lee.

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Speaker 2: Rolph before she decided to sing when she won that Emmy. Yeah,

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Speaker 2: she was at a Hollywood reporter roundtable about being black

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Speaker 2: famous and how white people didn't recognize her, and half

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Speaker 2: of the white people who were standing up giving a

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Speaker 2: standing ovation had no idea who this older black lady was.

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Speaker 4: No, they didn't know how long it took me to

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Speaker 4: learn her name and stop calling her d Yeah, they

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Speaker 4: did not.

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Speaker 3: They're no fucking clue. But a bunch of black people

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Speaker 3: near them stood up and they didn't want to be

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Speaker 3: a yeah, yeah, she's right, she's right.

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Speaker 4: That works in our favorite like when you get them

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Speaker 4: the clap for like something they wouldn't have, like they

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00:16:05,160 --> 00:16:08,080
Speaker 4: really didn't listen to any three six Mafia music even

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Speaker 4: after they won that Grammy.

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Speaker 3: You know that's true.

286
00:16:10,200 --> 00:16:12,360
Speaker 4: Yeah, And that's like, I'm glad they still got their ship.

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00:16:13,240 --> 00:16:16,080
Speaker 3: People shitting on them for shouting out George Cloney, but

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Speaker 3: I thought that was pretty cool when they wanted to

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Speaker 3: osk her and they were like, Yo, shout out to

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Speaker 3: my man, George Cloney. You know, you know what it was.

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Speaker 3: They had a fun ass time with him in the

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Speaker 3: green room, and he had a fun ass time too,

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Speaker 3: and he didn't expect that to become public knowledge. And

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Speaker 3: they were like, nah, George, you was fucking around with

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Speaker 3: us back there, and we we fucked with you.

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Speaker 4: Yeah.

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Speaker 3: Man, I went to a party and no, hey, hey,

298
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Speaker 3: make sure you fight about it. Make sure you too

299
00:16:47,280 --> 00:16:48,680
Speaker 3: wrestled back and forth.

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Speaker 1: Let's go.

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Speaker 2: No. I was gonna say, there are so many white

302
00:16:52,600 --> 00:16:57,000
Speaker 2: people that black people secretly love. We don't talk about often,

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00:16:57,280 --> 00:17:00,520
Speaker 2: But George on that list, Selei on that whole controversy

304
00:17:00,520 --> 00:17:03,200
Speaker 2: at the grammyes. We love Selene. That's our white aunt

305
00:17:03,280 --> 00:17:07,120
Speaker 2: who's married to our black uncle. We love her, Like yes.

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Speaker 3: That's the amount of the amount of pride of an

307
00:17:10,160 --> 00:17:12,879
Speaker 3: older version of me used to taking R Kelly writing

308
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Speaker 3: a song with Selene Dion. I thought that was so

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00:17:16,160 --> 00:17:18,920
Speaker 3: fucking cool. I was like, yeah, Selene cool, she hang

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Speaker 3: out with R. Kelly and now in retrospect, that's not cool, Selene.

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Speaker 4: You don't take the feeling away, don't take.

312
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Speaker 3: You're right, I should keep that, keep the feeling.

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Speaker 1: Beyond. Jesus.

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Speaker 3: I really liked it. I thought it was really cool.

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00:17:40,560 --> 00:17:42,440
Speaker 3: They made a great song together too. I don't know

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Speaker 3: if y'all have heard it, but.

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Speaker 1: It's I don't want to know that it exists.

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Speaker 3: No, they have a song together and it's gorgeous. I

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Speaker 3: swear it.

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Speaker 4: I want to see documentary about them meeting each other.

321
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Speaker 3: Meeting each other. I don't think Seleene Diona hung out

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Speaker 3: with R.

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Speaker 4: Kelly Man, That's how it went in my head.

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Speaker 3: Yeah, you think that they are.

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00:18:04,480 --> 00:18:05,960
Speaker 4: Then he grew up to Canada.

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Speaker 3: Oh you don't think she came to his turn.

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Speaker 1: She would still be there.

328
00:18:11,560 --> 00:18:14,919
Speaker 4: Yeah, you don't think that there was spider lets her

329
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Speaker 4: fly like that and do his web and lets it go. Yeah.

330
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Speaker 3: I think that there were three little black girls roped

331
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Speaker 3: up in the background while she was sending her ballad.

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Speaker 4: Who I understand bitch too.

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00:18:28,240 --> 00:18:36,320
Speaker 6: But swallow? Have you ever been swallowed up? Have you

334
00:18:36,400 --> 00:18:40,800
Speaker 6: gone through a time of swallowing where everything was overwhelmed me.

335
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Speaker 3: I'm reporting the news. If you cowards are afraid of that,

336
00:18:48,119 --> 00:18:51,359
Speaker 3: well then I suggest you find a new podcast to enjoy.

337
00:18:52,320 --> 00:18:57,439
Speaker 3: My god, so so roche. You are. You are a

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00:18:57,480 --> 00:19:00,480
Speaker 3: young young person. You are, You are here during this

339
00:19:00,880 --> 00:19:03,479
Speaker 3: You are bought in. It sounds like, to some extent

340
00:19:03,600 --> 00:19:07,000
Speaker 3: at least beat by these older people telling you that

341
00:19:07,080 --> 00:19:10,280
Speaker 3: this is a real thing. How much are you sharing

342
00:19:10,359 --> 00:19:14,399
Speaker 3: this with another audience? How much are you being like, Hey, y'all,

343
00:19:14,440 --> 00:19:17,399
Speaker 3: have y'all heard the good news? Can I tell you

344
00:19:17,480 --> 00:19:19,000
Speaker 3: more about the Willie Lynch letter?

345
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Speaker 2: Of course, I feel like there was especially a college

346
00:19:22,359 --> 00:19:24,560
Speaker 2: because I went to Howard and so at Howard, you're

347
00:19:24,600 --> 00:19:26,360
Speaker 2: talking about slavery at the.

348
00:19:26,320 --> 00:19:29,920
Speaker 1: Club, at lunch out the yard before.

349
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Speaker 2: I threw it out many times as a way to

350
00:19:34,280 --> 00:19:38,080
Speaker 2: have win the conversation, win the debate, until I realized,

351
00:19:38,160 --> 00:19:40,360
Speaker 2: like somebody was like, girl, you know that's not real, right?

352
00:19:40,400 --> 00:19:43,560
Speaker 1: And I was like, oh, it's like when you find

353
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Speaker 1: out like Steve Harvey's hair, was it real?

354
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Speaker 2: It just it takes away like your childhood and it

355
00:19:51,119 --> 00:19:53,440
Speaker 2: makes you rethink everything.

356
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Speaker 4: Yeah. No, I was.

357
00:19:55,840 --> 00:19:58,720
Speaker 3: I was a firm believer in that airline and now

358
00:19:59,480 --> 00:20:01,119
Speaker 3: now nothing had to take.

359
00:20:01,000 --> 00:20:02,000
Speaker 4: His picture off the wall.

360
00:20:04,080 --> 00:20:07,680
Speaker 3: You had a Steve high Tower picture on the wall.

361
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Speaker 4: Just like is what you could have his hair As

362
00:20:09,800 --> 00:20:12,440
Speaker 4: an older man, I thought it was. Yeah, it was.

363
00:20:15,240 --> 00:20:19,400
Speaker 2: That was an aspirational hairline, like the lens. The way

364
00:20:19,440 --> 00:20:23,720
Speaker 2: that it just sat like it defied gravity. It was

365
00:20:23,760 --> 00:20:25,240
Speaker 2: it gave me hope.

366
00:20:25,800 --> 00:20:29,399
Speaker 3: It was for me, not even the precision of the

367
00:20:29,480 --> 00:20:35,080
Speaker 3: hairline itself, but it was the frequency, or rather the

368
00:20:35,200 --> 00:20:38,359
Speaker 3: lack of any evidence that it ever was out of

369
00:20:38,440 --> 00:20:41,400
Speaker 3: place that made me excited. Where it was like, damn,

370
00:20:41,480 --> 00:20:45,879
Speaker 3: my man, don't never get caught slipping once, like you

371
00:20:45,960 --> 00:20:49,719
Speaker 3: never caught Steve slipping even for a second, And that

372
00:20:49,880 --> 00:20:52,320
Speaker 3: should have been the biggest tell for all of us.

373
00:20:52,400 --> 00:20:55,840
Speaker 3: It wasn't the the actual hairline. It was that like, oh,

374
00:20:55,880 --> 00:20:59,240
Speaker 3: he don't have one off day. There's never there's never

375
00:20:59,280 --> 00:21:02,200
Speaker 3: even a moment where it's not exactly where it was before.

376
00:21:02,160 --> 00:21:04,239
Speaker 2: One hundred percent. And honestly, you know, after watching Kat

377
00:21:04,280 --> 00:21:06,520
Speaker 2: Williams interview, he said a lot of things. Some of

378
00:21:06,560 --> 00:21:10,440
Speaker 2: it was true, it was a lot, but the Steve

379
00:21:10,480 --> 00:21:12,520
Speaker 2: Harvey think I knew was a fact, and so it

380
00:21:12,520 --> 00:21:15,800
Speaker 2: gave a lot of credibility to everything else he said in.

381
00:21:15,760 --> 00:21:18,040
Speaker 3: My yah, I think that's true.

382
00:21:18,160 --> 00:21:21,080
Speaker 2: He said Steve was fake, and I was like, that's true.

383
00:21:21,119 --> 00:21:24,480
Speaker 3: So yeah, And I don't want to speak out of turn, boy,

384
00:21:24,560 --> 00:21:28,040
Speaker 3: but I think we're firm believers in everything that Kat

385
00:21:28,040 --> 00:21:34,119
Speaker 3: Williams put out into the world. I think I believe it,

386
00:21:34,400 --> 00:21:37,199
Speaker 3: even in uh, even the things that I know to

387
00:21:37,240 --> 00:21:40,399
Speaker 3: be outright lies. I believe in the the emotional truth

388
00:21:40,440 --> 00:21:43,399
Speaker 3: of them in a way that I won't refute it.

389
00:21:44,640 --> 00:21:45,800
Speaker 3: What am I going to do? What am I going

390
00:21:45,880 --> 00:21:48,120
Speaker 3: to do? Argue with him? No, he's right, that man,

391
00:21:48,280 --> 00:21:49,160
Speaker 3: that man was right.

392
00:21:49,520 --> 00:21:51,040
Speaker 4: He's right, and he's fast.

393
00:21:52,880 --> 00:21:55,679
Speaker 2: He read three thousand books at eight years old in

394
00:21:55,680 --> 00:21:58,200
Speaker 2: his heart, and that's what matters.

395
00:21:58,720 --> 00:22:02,480
Speaker 3: Prove him wrong, is what I say, prove my mannron

396
00:22:03,000 --> 00:22:07,280
Speaker 3: exactly so roche. You believe it. You are spreading this

397
00:22:07,359 --> 00:22:09,879
Speaker 3: to others, and then somebody comes into your world and

398
00:22:09,920 --> 00:22:13,000
Speaker 3: sort of pops this bubble and says it isn't real.

399
00:22:13,640 --> 00:22:16,440
Speaker 3: How much of that have you then carried forth? Are

400
00:22:16,480 --> 00:22:19,359
Speaker 3: you now a person? Sort of like when the Willie

401
00:22:19,400 --> 00:22:21,960
Speaker 3: Lynch letter still gets brought up, because I imagine people

402
00:22:22,040 --> 00:22:24,639
Speaker 3: in your life are still occasionally being like, you know,

403
00:22:24,720 --> 00:22:26,600
Speaker 3: that's like the Willie Lynch letter or you know they

404
00:22:26,720 --> 00:22:29,320
Speaker 3: talked about that in the Willie Lynch Letter. How much

405
00:22:29,320 --> 00:22:33,600
Speaker 3: of that are you going, actually, y'all wake up that

406
00:22:33,640 --> 00:22:36,320
Speaker 3: shit ain't real? Or are you letting people continue to

407
00:22:36,400 --> 00:22:39,200
Speaker 3: live under this sort of allegorical umbrella.

408
00:22:39,680 --> 00:22:42,800
Speaker 2: The last one, I don't believe in correcting black people.

409
00:22:43,200 --> 00:22:44,000
Speaker 1: I don't want to do it.

410
00:22:44,080 --> 00:22:46,560
Speaker 3: Okay, I don't want to debate it.

411
00:22:46,840 --> 00:22:49,240
Speaker 2: I'm not I don't want to have to prove it.

412
00:22:49,480 --> 00:22:53,600
Speaker 2: I just keep believing this. This is my service to people.

413
00:22:53,720 --> 00:22:55,359
Speaker 2: Is having this doing this episode?

414
00:22:55,840 --> 00:22:59,040
Speaker 3: Yeah it does. I think that was beautifully put. There's

415
00:22:59,160 --> 00:23:03,919
Speaker 3: no reason to correct black people on some ship that

416
00:23:04,119 --> 00:23:07,119
Speaker 3: like they feel that passionately about. You just got to

417
00:23:07,200 --> 00:23:10,359
Speaker 3: kind of let that be. And to the cat Williams point,

418
00:23:10,400 --> 00:23:14,080
Speaker 3: an emotional truth even if it isn't a literal.

419
00:23:13,760 --> 00:23:18,239
Speaker 2: One, and there's all this, like there's an article about it,

420
00:23:18,240 --> 00:23:19,959
Speaker 2: like they were like, yeah, it's probably not true, but

421
00:23:20,359 --> 00:23:23,399
Speaker 2: I mean there's a point there, right, and so like

422
00:23:23,800 --> 00:23:27,280
Speaker 2: a lot of the stuff is valid, So why argue

423
00:23:27,280 --> 00:23:28,560
Speaker 2: with your cousin about it?

424
00:23:29,160 --> 00:23:32,720
Speaker 3: Like get the peace, keep the peace, Bory, where before

425
00:23:32,720 --> 00:23:35,080
Speaker 3: we go to break? Where do you fall in this?

426
00:23:35,920 --> 00:23:38,600
Speaker 3: Are you a secret believer in the Willie Lynch letter.

427
00:23:38,680 --> 00:23:41,199
Speaker 3: Are you do you believe it to have still have

428
00:23:41,280 --> 00:23:44,480
Speaker 3: been written by a white person? What? What are you?

429
00:23:44,560 --> 00:23:46,280
Speaker 3: What are you feeling right this second?

430
00:23:46,600 --> 00:23:50,000
Speaker 4: I believe if maybe the specificity of Willy Lynch is

431
00:23:50,080 --> 00:23:53,480
Speaker 4: not if that is not real, I believe in the

432
00:23:53,600 --> 00:23:59,600
Speaker 4: possibility of something like this, like the idea of someone

433
00:23:59,680 --> 00:24:05,640
Speaker 4: giving maybe more sinister slave tactics to help owners with

434
00:24:05,640 --> 00:24:09,399
Speaker 4: with difficult that to me, like the specificity is maybe, like,

435
00:24:09,920 --> 00:24:13,679
Speaker 4: but that type of thing seems very realistic to me,

436
00:24:13,800 --> 00:24:16,640
Speaker 4: that you know what I mean. So maybe it wasn't

437
00:24:16,640 --> 00:24:19,760
Speaker 4: this one specific day, but yeah, I could see white

438
00:24:19,800 --> 00:24:24,960
Speaker 4: people trading nasty tactics to keep the subjugate people.

439
00:24:25,119 --> 00:24:29,520
Speaker 3: Okay, that this is more about, uh, like.

440
00:24:29,480 --> 00:24:32,679
Speaker 4: A sharing of information in that way, right, because that's

441
00:24:32,720 --> 00:24:35,120
Speaker 4: the idea of this, right, is that he did that

442
00:24:35,119 --> 00:24:37,440
Speaker 4: that one time and then they were all like, oh wow,

443
00:24:37,480 --> 00:24:39,959
Speaker 4: did you hear what Willie Lynch did? And they implemented

444
00:24:40,000 --> 00:24:44,000
Speaker 4: all these ideas. So maybe not like I said, like,

445
00:24:44,080 --> 00:24:47,199
Speaker 4: not that specific, but I think that idea. Yeah, I

446
00:24:47,200 --> 00:24:47,919
Speaker 4: do believe in that.

447
00:24:48,359 --> 00:24:49,520
Speaker 3: I like that he.

448
00:24:49,480 --> 00:24:52,160
Speaker 2: Did like a ted talk to them, right, and they

449
00:24:52,160 --> 00:24:54,240
Speaker 2: were like this this is the thing.

450
00:24:54,520 --> 00:24:56,160
Speaker 1: We gotta go spread the word.

451
00:24:56,520 --> 00:24:58,879
Speaker 4: And maybe if it wasn't one ted talk though it

452
00:24:59,160 --> 00:25:05,119
Speaker 4: was like some nasty, nasty man found out ways you

453
00:25:05,160 --> 00:25:05,880
Speaker 4: know what I mean.

454
00:25:06,400 --> 00:25:09,680
Speaker 3: Yeah, a nasty man man.

455
00:25:09,920 --> 00:25:12,040
Speaker 4: I was. It was weird when I said it. I

456
00:25:12,080 --> 00:25:14,000
Speaker 4: thought if I said it more times, it would get

457
00:25:14,040 --> 00:25:14,680
Speaker 4: me out of it.

458
00:25:14,880 --> 00:25:22,520
Speaker 3: Nasty put some clothes on, I told you, Yeah, nasty

459
00:25:22,359 --> 00:25:29,640
Speaker 3: second cities, white titties. Yeah, I do.

460
00:25:29,560 --> 00:25:32,439
Speaker 4: Think I wish I did to say it so many times.

461
00:25:32,640 --> 00:25:34,440
Speaker 4: I three was a lot. I know that.

462
00:25:35,960 --> 00:25:39,800
Speaker 3: I do think to that point. One of the things

463
00:25:39,800 --> 00:25:42,400
Speaker 3: that does make me start to to if I were

464
00:25:42,440 --> 00:25:46,080
Speaker 3: to be swayed towards this being a white conception, it

465
00:25:46,600 --> 00:25:51,240
Speaker 3: does feel a little like proud that this man stood

466
00:25:51,280 --> 00:25:55,080
Speaker 3: on the river bank and he addressed the the various

467
00:25:55,119 --> 00:25:58,720
Speaker 3: slave owners who all gathered together, when in fact, if

468
00:25:58,720 --> 00:26:01,320
Speaker 3: we're really talking about what this shit probably was, well,

469
00:26:01,359 --> 00:26:03,760
Speaker 3: it was a drunk motherfucker at the bar being like

470
00:26:04,160 --> 00:26:06,639
Speaker 3: y'all gonna get y'all slaves to hate each other or

471
00:26:06,680 --> 00:26:10,119
Speaker 3: whatever it was. And it's not this glamorous sort of

472
00:26:10,200 --> 00:26:13,880
Speaker 3: like proud moment, but more just a sloppy alcoholic who

473
00:26:14,000 --> 00:26:17,720
Speaker 3: then planted a seed for a bunch of other evil

474
00:26:17,760 --> 00:26:19,600
Speaker 3: motherfuckers to go do some other shit.

475
00:26:20,600 --> 00:26:21,960
Speaker 1: That sounds about accurate.

476
00:26:22,440 --> 00:26:23,359
Speaker 4: Yeah, that feels good.

477
00:26:23,720 --> 00:26:27,520
Speaker 3: Yeah, so maybe we'll find out. We're gonna take a break,

478
00:26:27,920 --> 00:26:30,240
Speaker 3: We're gonna come back with more roche, Jeffrey more my

479
00:26:30,280 --> 00:26:32,040
Speaker 3: mama told me, and we're gonna keep talking about the

480
00:26:32,080 --> 00:26:37,080
Speaker 3: possibility that the Willie Lynch letter is is real. All right,

481
00:26:43,680 --> 00:26:48,320
Speaker 3: we're calling upon you because we have we have new merch.

482
00:26:48,520 --> 00:26:52,160
Speaker 3: We have very exciting merch that we are now selling

483
00:26:52,640 --> 00:26:55,359
Speaker 3: and it's it's fucking great. We love it so much.

484
00:26:55,480 --> 00:26:57,800
Speaker 4: Just sleek, it's sexy.

485
00:26:58,040 --> 00:26:59,720
Speaker 3: Come on, you want to tell them what we have?

486
00:27:00,080 --> 00:27:02,760
Speaker 4: Yeah, we have three different types of hats, which is

487
00:27:02,800 --> 00:27:07,000
Speaker 4: really fun. We have a two tone hat alien Dad hat,

488
00:27:07,080 --> 00:27:10,159
Speaker 4: the traditional logo in black and khaki. Then we have

489
00:27:10,240 --> 00:27:12,840
Speaker 4: the enamel pin with the alien who has a cooofie

490
00:27:12,880 --> 00:27:14,879
Speaker 4: on it since my mama told me. And then we

491
00:27:14,920 --> 00:27:17,840
Speaker 4: have t shirts that say proud little Mama, which is

492
00:27:17,880 --> 00:27:18,480
Speaker 4: who you are.

493
00:27:19,000 --> 00:27:21,560
Speaker 3: Yeah, you can buy the merch now, go to my

494
00:27:21,640 --> 00:27:25,760
Speaker 3: mama told me dot Merchcentral dot com and we want

495
00:27:25,800 --> 00:27:27,960
Speaker 3: you to have all the sweet stuff, So get it.

496
00:27:31,320 --> 00:27:32,600
Speaker 1: Would you say that you're racist?

497
00:27:32,800 --> 00:27:36,280
Speaker 4: Not at all no, Look, I'm a dog. He's as

498
00:27:36,320 --> 00:27:39,840
Speaker 4: black as can be, and so are we. We are

499
00:27:40,080 --> 00:27:42,159
Speaker 4: back discussing.

500
00:27:44,680 --> 00:27:49,359
Speaker 3: Oh my god, seamless transition.

501
00:27:50,280 --> 00:27:51,960
Speaker 4: I've been working on it. Can you tell that.

502
00:27:52,160 --> 00:27:54,240
Speaker 2: It's gonna be a part of my outro, my intro

503
00:27:54,320 --> 00:27:56,640
Speaker 2: to that audio wherever I go?

504
00:27:57,400 --> 00:28:01,840
Speaker 4: All right, I'm trying to put you in a position.

505
00:28:05,320 --> 00:28:08,960
Speaker 3: Oh man, We've talked a little bit about this, the

506
00:28:09,000 --> 00:28:11,080
Speaker 3: Willie Lynch of it all. One of the things that

507
00:28:11,800 --> 00:28:15,280
Speaker 3: sort of becomes an important part of all of this.

508
00:28:16,760 --> 00:28:17,159
Speaker 4: Is that this.

509
00:28:18,640 --> 00:28:23,320
Speaker 3: Slave owner, William Lynch again was said to have given

510
00:28:23,320 --> 00:28:26,040
Speaker 3: this speech in seventeen twelve, But there isn't a lot

511
00:28:26,080 --> 00:28:32,480
Speaker 3: of evidence of the individual actually being a person or

512
00:28:32,600 --> 00:28:38,080
Speaker 3: certainly like the individual is not traced anywhere specific there's

513
00:28:38,240 --> 00:28:41,920
Speaker 3: William Lynch of Lynch Law, or is at least a

514
00:28:41,960 --> 00:28:46,800
Speaker 3: person that is connected to the Lynch the terms of

515
00:28:46,840 --> 00:28:50,200
Speaker 3: the Lynch Law in Lynching who was born in seventeen

516
00:28:50,280 --> 00:28:52,600
Speaker 3: forty two and died in eighteen twenty who died or

517
00:28:52,640 --> 00:28:55,240
Speaker 3: he was basically seventy seven to seventy eight years old,

518
00:28:55,240 --> 00:28:59,320
Speaker 3: according to Wikipedia, But there isn't a lot of evidence

519
00:28:59,400 --> 00:29:02,760
Speaker 3: in his Wiikipedia or in his breakdown of him having

520
00:29:02,880 --> 00:29:05,560
Speaker 3: given this speech as much as he is just famous

521
00:29:05,600 --> 00:29:09,680
Speaker 3: for being a guy that they've connected.

522
00:29:09,040 --> 00:29:12,360
Speaker 2: To that, Yeah, there's a guy with the last named

523
00:29:12,480 --> 00:29:14,600
Speaker 2: Lynch who was doing some shit.

524
00:29:15,160 --> 00:29:17,760
Speaker 1: But yeah, that's where it ends.

525
00:29:18,600 --> 00:29:18,760
Speaker 6: YEA.

526
00:29:20,200 --> 00:29:23,200
Speaker 3: Not a lot after that they just kind of go, yeah, William,

527
00:29:23,560 --> 00:29:26,440
Speaker 3: that seems like a guy who probably did some wild shit.

528
00:29:27,200 --> 00:29:27,880
Speaker 3: And there it is.

529
00:29:28,280 --> 00:29:31,640
Speaker 4: I mean to speak to the conspiracy theory, though, how

530
00:29:31,720 --> 00:29:34,640
Speaker 4: important is it that this guy was real or was not?

531
00:29:35,440 --> 00:29:38,360
Speaker 4: Mm hmm. That's a good question, like if we're taking

532
00:29:38,360 --> 00:29:40,960
Speaker 4: the lessons from it that like like like does it matter?

533
00:29:42,040 --> 00:29:42,680
Speaker 4: You know, I don't know.

534
00:29:43,920 --> 00:29:45,560
Speaker 3: I will say when I.

535
00:29:45,920 --> 00:29:49,440
Speaker 4: Maybe God didn't flood the earth for however long, but

536
00:29:49,600 --> 00:29:51,800
Speaker 4: I still don't want to covet my neighbor's wife, Like

537
00:29:51,840 --> 00:29:52,800
Speaker 4: does it need to be real?

538
00:29:55,160 --> 00:29:55,840
Speaker 1: That's a word.

539
00:29:56,600 --> 00:29:58,440
Speaker 2: I actually think that a lot of what's in the

540
00:29:58,440 --> 00:30:02,560
Speaker 2: Willie Lynch letters, I think there is some relevance today.

541
00:30:02,800 --> 00:30:06,320
Speaker 2: For sure, we do do a lot of things. The

542
00:30:06,440 --> 00:30:10,520
Speaker 2: letter says that we do. There's all sorts of stuff.

543
00:30:11,000 --> 00:30:15,640
Speaker 2: So whether it's it's true, maybe it's a fable maybe.

544
00:30:16,840 --> 00:30:18,000
Speaker 1: We could learn from.

545
00:30:18,080 --> 00:30:20,840
Speaker 2: And I do think it holds a lot of weight

546
00:30:20,920 --> 00:30:23,760
Speaker 2: to its very applicable to what's going on right now.

547
00:30:23,680 --> 00:30:26,920
Speaker 3: And I will call them what the fucking boy complete No,

548
00:30:27,040 --> 00:30:31,520
Speaker 3: nothing about that, I will say to that point. One

549
00:30:31,560 --> 00:30:34,000
Speaker 3: of the things that it reminds me of, and we've

550
00:30:34,000 --> 00:30:37,640
Speaker 3: talked about this before Borio on the podcast, it reminds

551
00:30:37,680 --> 00:30:42,240
Speaker 3: me of that supposed secret meeting that happened between all

552
00:30:42,280 --> 00:30:46,160
Speaker 3: the record executives in the nineties or the late eighties,

553
00:30:46,200 --> 00:30:49,840
Speaker 3: early nineties, whatever it was, where the supposed white record

554
00:30:49,880 --> 00:30:53,440
Speaker 3: executives all get together and they decide that gangster rap

555
00:30:53,560 --> 00:30:55,760
Speaker 3: is going to be the preferred music of choice so

556
00:30:55,800 --> 00:31:00,240
Speaker 3: that they can sort of like introduce larger rise is

557
00:31:00,240 --> 00:31:04,320
Speaker 3: a violence and drug use in the black community. And

558
00:31:04,400 --> 00:31:07,600
Speaker 3: I think that it's not we and we talked about

559
00:31:07,640 --> 00:31:10,800
Speaker 3: it on the episode. It's not not true that like

560
00:31:10,880 --> 00:31:15,640
Speaker 3: record executives made that choice. They just didn't make necessarily

561
00:31:15,680 --> 00:31:19,440
Speaker 3: have like some big formal meeting where Sony sat down

562
00:31:19,520 --> 00:31:22,920
Speaker 3: with Arista, sat down with whoever the fuck to make

563
00:31:23,000 --> 00:31:23,600
Speaker 3: it happen.

564
00:31:24,000 --> 00:31:27,640
Speaker 4: The unconscious mind is a powerful tool, right, Like maybe

565
00:31:27,640 --> 00:31:30,400
Speaker 4: these things weren't at the forefront, but it's like because

566
00:31:30,440 --> 00:31:34,080
Speaker 4: they felt these things about these people, they it moved

567
00:31:34,080 --> 00:31:34,760
Speaker 4: in that direction.

568
00:31:34,960 --> 00:31:38,600
Speaker 3: Right, Yeah, that's one hundred percent true. And I remember

569
00:31:39,320 --> 00:31:44,040
Speaker 3: weirdly watching a documentary years ago. It was actually a

570
00:31:44,080 --> 00:31:47,760
Speaker 3: documentary I used to teach with that was narrated by

571
00:31:47,960 --> 00:31:51,640
Speaker 3: Esther Role. You guys remember Estrole from Good Times. Esther

572
00:31:51,800 --> 00:31:54,480
Speaker 3: Role was a part of this documentary where it was

573
00:31:54,520 --> 00:31:58,600
Speaker 3: sort of talking about the specifically the propaganda around how

574
00:31:58,680 --> 00:32:02,520
Speaker 3: much of our history in America is just rooted in

575
00:32:02,600 --> 00:32:07,400
Speaker 3: white propaganda that like, basically in reconstruction, right, slavery ends

576
00:32:07,600 --> 00:32:10,600
Speaker 3: and they have to suddenly employ black people, or at

577
00:32:10,680 --> 00:32:13,920
Speaker 3: least in theory, black people have options to free themselves

578
00:32:13,960 --> 00:32:17,680
Speaker 3: or be free and employ themselves and like live inside

579
00:32:17,720 --> 00:32:21,200
Speaker 3: of society, and white people aren't figuring out quickly enough

580
00:32:21,240 --> 00:32:23,360
Speaker 3: how to make money off of that shit or how

581
00:32:23,400 --> 00:32:25,560
Speaker 3: to take advantage of it. And one of the things

582
00:32:25,560 --> 00:32:28,960
Speaker 3: that they talked about is that like they started introducing

583
00:32:29,600 --> 00:32:33,080
Speaker 3: imagery relating to black people as a way of depressing

584
00:32:33,640 --> 00:32:37,520
Speaker 3: our successes. That the image of a black man who

585
00:32:37,640 --> 00:32:40,760
Speaker 3: loves watermelon and is lazy and all of that shit

586
00:32:41,240 --> 00:32:44,760
Speaker 3: was just them trying to use propaganda to make it

587
00:32:44,800 --> 00:32:47,640
Speaker 3: so that we couldn't get jobs. That they were basically

588
00:32:47,640 --> 00:32:49,520
Speaker 3: being like, oh, the black man is lazy and he

589
00:32:49,600 --> 00:32:52,360
Speaker 3: don't do no work, So that's why you shouldn't employ him,

590
00:32:52,680 --> 00:32:55,680
Speaker 3: because he's not really he actually really wishes he could

591
00:32:55,720 --> 00:32:58,320
Speaker 3: just be a slave again, because with his free mind,

592
00:32:58,360 --> 00:33:01,040
Speaker 3: he'll just be lazy and won't do nothing. And the

593
00:33:01,080 --> 00:33:04,480
Speaker 3: watermelon became an image just because they wanted something that

594
00:33:04,600 --> 00:33:09,240
Speaker 3: was shaped like our smiles, like big fucking watermelon smiles.

595
00:33:09,600 --> 00:33:11,760
Speaker 3: So they picked that as a way of selling it,

596
00:33:11,840 --> 00:33:15,480
Speaker 3: and then that becomes our relationship to watermelon for another

597
00:33:15,520 --> 00:33:17,959
Speaker 3: one hundred and fifty years or whatever it is.

598
00:33:18,280 --> 00:33:20,440
Speaker 2: So what you're saying is white people are really great

599
00:33:20,520 --> 00:33:22,640
Speaker 2: at branding, and people are.

600
00:33:23,680 --> 00:33:24,960
Speaker 1: And they are.

601
00:33:25,120 --> 00:33:27,840
Speaker 2: And also the thing too about like black folks and

602
00:33:27,920 --> 00:33:31,560
Speaker 2: our conspiracy theories is that a lot of them are

603
00:33:31,640 --> 00:33:37,160
Speaker 2: really about helping us overcome issues.

604
00:33:36,800 --> 00:33:37,800
Speaker 1: Or deal with stuff.

605
00:33:37,960 --> 00:33:40,520
Speaker 2: I mean, we also had some stupid things floating around,

606
00:33:40,760 --> 00:33:43,520
Speaker 2: but usually these kinds of like this Willie Lynch letter

607
00:33:43,840 --> 00:33:47,640
Speaker 2: is an example of like black people saying, hey, like

608
00:33:48,200 --> 00:33:51,360
Speaker 2: this is how we come together. The Tommy He'll Figure

609
00:33:51,640 --> 00:33:53,600
Speaker 2: thing that was made up, like you know that he

610
00:33:53,680 --> 00:33:55,360
Speaker 2: said that he didn't want to sell to black people.

611
00:33:55,800 --> 00:33:58,040
Speaker 2: If anything, to me, that was black people being like

612
00:33:58,120 --> 00:34:02,520
Speaker 2: we need to invest in our own clothing brand. You know,

613
00:34:02,800 --> 00:34:04,920
Speaker 2: I think that a lot of our conspiracy theories are

614
00:34:04,920 --> 00:34:09,520
Speaker 2: actually meant to help us as opposed to harmus.

615
00:34:10,200 --> 00:34:13,560
Speaker 3: I like that that that has an optimism to it

616
00:34:13,680 --> 00:34:19,839
Speaker 3: that that maybe no, yeah, it certainly isn't in my heart,

617
00:34:20,160 --> 00:34:22,080
Speaker 3: but I didn't think about it that way, you know

618
00:34:22,080 --> 00:34:24,239
Speaker 3: what I mean. Like I think when I heard the

619
00:34:24,280 --> 00:34:26,560
Speaker 3: Tommy Hill figure thing, I was just like, damn, that

620
00:34:26,719 --> 00:34:30,200
Speaker 3: was real mean to Tommy Hunt. But but no, there

621
00:34:30,280 --> 00:34:32,960
Speaker 3: is there is maybe an optimism to it where it's like,

622
00:34:33,040 --> 00:34:35,840
Speaker 3: maybe this is just reminding black people that we don't

623
00:34:35,880 --> 00:34:41,200
Speaker 3: have to invest our entire community into this brand, that

624
00:34:41,400 --> 00:34:45,480
Speaker 3: even if he's not outwardly saying it, is not truly

625
00:34:45,560 --> 00:34:52,520
Speaker 3: invested in the growth of the black people. Yeah, that's

626
00:34:52,560 --> 00:34:58,279
Speaker 3: that's beautiful. I really like it.

627
00:34:59,000 --> 00:35:01,440
Speaker 1: I mean, I've al making that, but I.

628
00:35:01,360 --> 00:35:04,200
Speaker 4: Mean no, no, no, no, no, no no, no, we are

629
00:35:04,280 --> 00:35:05,680
Speaker 4: not gonna correct you.

630
00:35:05,719 --> 00:35:08,239
Speaker 1: No what I would like to think, that's what I now.

631
00:35:08,400 --> 00:35:12,480
Speaker 3: Let that marinate for a yeah, to the point of

632
00:35:12,520 --> 00:35:15,600
Speaker 3: making things up. In that same documentary, one of the

633
00:35:15,640 --> 00:35:19,120
Speaker 3: things that they pointed out is that, you know, reconstruction happens.

634
00:35:19,120 --> 00:35:22,120
Speaker 3: They try to make black people lazy. That doesn't stick

635
00:35:22,200 --> 00:35:24,799
Speaker 3: well enough because Black people continue to sort of like

636
00:35:24,880 --> 00:35:28,640
Speaker 3: build and create and Harlem Renaissance, all the cool things

637
00:35:28,640 --> 00:35:31,800
Speaker 3: are sort of like happening for us in the world,

638
00:35:31,920 --> 00:35:36,000
Speaker 3: despite the massive propaganda efforts to make us look like

639
00:35:36,040 --> 00:35:38,680
Speaker 3: fucking idiots. And one of the things that they intentionally

640
00:35:38,719 --> 00:35:41,600
Speaker 3: do then is they go, Okay, black people aren't lazy,

641
00:35:41,920 --> 00:35:45,000
Speaker 3: they're violent, and they start introducing all these images of

642
00:35:45,080 --> 00:35:48,759
Speaker 3: us with razor blades, so they every fucking picture of

643
00:35:48,760 --> 00:35:52,200
Speaker 3: black people suddenly is no longer We're lazy, big old watermelon,

644
00:35:52,280 --> 00:35:55,440
Speaker 3: smiley motherfuckers. We have razor blades in every picture, and

645
00:35:55,480 --> 00:35:57,879
Speaker 3: we'll cut you, and we're violent, we're old, we're sick

646
00:35:57,920 --> 00:36:00,920
Speaker 3: with our violence, and that becomes the image that they

647
00:36:01,000 --> 00:36:04,520
Speaker 3: start to circulate because now it's, oh, we can't be

648
00:36:04,640 --> 00:36:07,200
Speaker 3: near them because of the dangers that they represent.

649
00:36:07,760 --> 00:36:10,839
Speaker 2: Isn't it crazy how black people are everything? Like, there's

650
00:36:10,840 --> 00:36:13,120
Speaker 2: so many stereotypes about black people that at some point

651
00:36:13,120 --> 00:36:17,320
Speaker 2: it's like what it's like the contradictory is like they're stupid,

652
00:36:17,360 --> 00:36:21,720
Speaker 2: they're docile, they're cunning, they're violent. Like the men aren't

653
00:36:21,800 --> 00:36:23,760
Speaker 2: masculine and violent, they're feminine.

654
00:36:23,840 --> 00:36:24,800
Speaker 1: There's like, it's.

655
00:36:24,719 --> 00:36:28,800
Speaker 2: All the women are this, They're slutty, they're undesirable, they're this.

656
00:36:28,960 --> 00:36:30,320
Speaker 1: There's like, what is it?

657
00:36:30,360 --> 00:36:34,279
Speaker 2: What? Yeah, pick a pick a lane for us, give

658
00:36:34,360 --> 00:36:35,799
Speaker 2: us one thing to stick to.

659
00:36:36,680 --> 00:36:39,239
Speaker 3: Yeah, and that would be nice. I would like it

660
00:36:39,280 --> 00:36:42,239
Speaker 3: if they just picked one lane.

661
00:36:42,280 --> 00:36:45,319
Speaker 2: Just give us one thing violent. Okay, we can work

662
00:36:45,320 --> 00:36:48,279
Speaker 2: with that. It's just it's everything, it's chaotic.

663
00:36:49,239 --> 00:36:55,560
Speaker 3: Yeah, what what stereotype? You choose them for us? Which

664
00:36:55,560 --> 00:36:57,799
Speaker 3: one do you want to be? We get to make

665
00:36:57,800 --> 00:36:58,280
Speaker 3: a choice.

666
00:36:58,320 --> 00:37:03,120
Speaker 4: Now it's obvious front runners, right uh.

667
00:37:02,440 --> 00:37:05,839
Speaker 3: And and none of the easy obviously big dick. That's

668
00:37:05,920 --> 00:37:07,759
Speaker 3: just a fact. Okay.

669
00:37:08,280 --> 00:37:11,080
Speaker 4: Well uh then I'll go back to the drying.

670
00:37:14,719 --> 00:37:14,919
Speaker 6: Yeah.

671
00:37:21,080 --> 00:37:22,640
Speaker 4: I think I think we could do a lot with

672
00:37:22,760 --> 00:37:25,799
Speaker 4: the sneaky one. That's how they got on.

673
00:37:26,360 --> 00:37:28,560
Speaker 3: Yeah, yeah, you're sneaking, Louis.

674
00:37:28,600 --> 00:37:30,799
Speaker 4: He had a purchase sneaky as fuck?

675
00:37:31,080 --> 00:37:34,360
Speaker 3: Was sneaky? You crafty motherfuckers sneak.

676
00:37:36,080 --> 00:37:36,800
Speaker 4: I'll take sneaky.

677
00:37:36,880 --> 00:37:40,520
Speaker 3: That's Nigga's not bad, a good one. And I'm not

678
00:37:40,520 --> 00:37:42,279
Speaker 3: gonna name which specific groups, but.

679
00:37:42,239 --> 00:37:44,759
Speaker 4: We so I thought you weren going to do one.

680
00:37:44,800 --> 00:37:46,400
Speaker 3: I was like, no, no, no, I'm not gonna do it.

681
00:37:46,440 --> 00:37:48,160
Speaker 3: But but we can name a few groups who have

682
00:37:49,160 --> 00:37:54,120
Speaker 3: really thrived under the sneaky stereotype, Dave, they can we

683
00:37:54,560 --> 00:37:57,239
Speaker 3: they've been called sneaky and they've been fine with it

684
00:37:57,360 --> 00:37:59,680
Speaker 3: and they continue to fucking thrive.

685
00:38:00,160 --> 00:38:03,759
Speaker 4: Oh weird legs just hit the chat, it says Armenian.

686
00:38:04,239 --> 00:38:07,919
Speaker 4: That's crazy. I don't even. I don't even. I didn't

687
00:38:07,960 --> 00:38:12,719
Speaker 4: even know we had a chat feature. No, I just

688
00:38:12,760 --> 00:38:17,200
Speaker 4: kidd say anything, throw everyone here, Please give us money.

689
00:38:17,320 --> 00:38:21,520
Speaker 3: Please give us money. Uh but no, I do think

690
00:38:21,560 --> 00:38:23,440
Speaker 3: snicky is in a bad room, Brochet. If you had

691
00:38:23,440 --> 00:38:25,439
Speaker 3: to pick one, you where where what would you pick?

692
00:38:26,360 --> 00:38:27,319
Speaker 3: I mean, I.

693
00:38:27,280 --> 00:38:32,680
Speaker 2: Would say sexy.

694
00:38:30,040 --> 00:38:36,759
Speaker 3: Oh okay, I'll be honest. I didn't know that was.

695
00:38:37,160 --> 00:38:38,600
Speaker 3: I didn't know that was on the table.

696
00:38:39,000 --> 00:38:39,799
Speaker 4: I think it is.

697
00:38:40,239 --> 00:38:41,560
Speaker 1: I'm just gonna say we sexy.

698
00:38:42,320 --> 00:38:45,800
Speaker 3: I I I don't think it's not on the table.

699
00:38:45,840 --> 00:38:48,600
Speaker 3: I just didn't think that that was like what the

700
00:38:48,680 --> 00:38:52,840
Speaker 3: slave owners were walking around sort of struggling with. Damn it,

701
00:38:52,920 --> 00:38:54,399
Speaker 3: they're sexy.

702
00:38:55,360 --> 00:39:02,680
Speaker 4: He's in the field glistening just to city and masterpiece.

703
00:39:03,400 --> 00:39:06,640
Speaker 2: A lot of almost twenty three and me's look interesting

704
00:39:06,800 --> 00:39:12,759
Speaker 2: because they got master in their fucked up minds. Yeah,

705
00:39:13,200 --> 00:39:15,000
Speaker 2: thought that so I'm just saying.

706
00:39:15,400 --> 00:39:18,359
Speaker 3: No, that's fair. Sex is pretty good.

707
00:39:19,000 --> 00:39:24,960
Speaker 4: Which did you take so stupid? Either, we're power ranking

708
00:39:25,000 --> 00:39:26,560
Speaker 4: our favorite stereotypes.

709
00:39:28,360 --> 00:39:29,080
Speaker 1: Oh my god.

710
00:39:30,360 --> 00:39:34,120
Speaker 3: I I like, If I'm being completely honest, I do

711
00:39:34,360 --> 00:39:37,560
Speaker 3: like that white people are nervous around us, and I

712
00:39:37,600 --> 00:39:40,040
Speaker 3: don't want that. I don't want to lose that. So

713
00:39:40,040 --> 00:39:43,800
Speaker 3: so unapproachable I think is it's still one that I

714
00:39:44,120 --> 00:39:47,120
Speaker 3: I enjoy enough that that I I don't want to

715
00:39:47,160 --> 00:39:49,560
Speaker 3: lose that, and I wish that it was unapproachable. But

716
00:39:49,600 --> 00:39:52,600
Speaker 3: they still thought of us as very intelligent and very capable,

717
00:39:52,960 --> 00:39:55,239
Speaker 3: so that they knew not to come near us. But

718
00:39:55,320 --> 00:39:57,759
Speaker 3: we still benefited from all the respect that you would

719
00:39:57,760 --> 00:40:02,520
Speaker 3: gain from somebody knowing that you're smart, capable. Person that said,

720
00:40:02,880 --> 00:40:05,359
Speaker 3: they mixed the metaphors and it becomes the ugly thing.

721
00:40:05,400 --> 00:40:07,280
Speaker 3: But I don't I don't like when they just feel

722
00:40:07,280 --> 00:40:09,759
Speaker 3: super comfortable with me. So I'm sticking with unapproachable.

723
00:40:11,600 --> 00:40:13,840
Speaker 4: Yeah, I think these were three really good picks.

724
00:40:14,200 --> 00:40:17,160
Speaker 3: Yeah, So if you're out there and you're thinking about

725
00:40:17,200 --> 00:40:22,640
Speaker 3: spreading stereotypes about black people, we're sexy. Hey, hey we're sexy,

726
00:40:22,920 --> 00:40:26,640
Speaker 3: We're unapproachable, and god damn it, we're sneaky in the motherfuckers.

727
00:40:26,640 --> 00:40:34,240
Speaker 4: So that's the quip for this episode.

728
00:40:34,400 --> 00:40:44,439
Speaker 3: That's crazy, sexy cool. No, you got one of them right,

729
00:40:44,760 --> 00:40:46,319
Speaker 3: one is correct, the other two.

730
00:40:47,880 --> 00:40:51,800
Speaker 2: That's our album Man.

731
00:40:50,800 --> 00:40:57,440
Speaker 4: Sexy, sneaky, unapproachable. It sounds like a tank album.

732
00:40:58,400 --> 00:41:01,040
Speaker 1: That feels like real to be honest.

733
00:41:03,080 --> 00:41:08,080
Speaker 3: Yeah, And who's a better black person than Rihanna. I'll

734
00:41:08,160 --> 00:41:12,600
Speaker 3: wait for you to name.

735
00:41:13,760 --> 00:41:14,680
Speaker 4: Is a top tier.

736
00:41:15,000 --> 00:41:25,279
Speaker 3: That's that's cream of deck crop. We're calling upon you

737
00:41:25,719 --> 00:41:29,560
Speaker 3: because we have we have new merch. We have very

738
00:41:29,600 --> 00:41:33,680
Speaker 3: exciting merch that we are now selling and it's it's

739
00:41:33,760 --> 00:41:35,560
Speaker 3: fucking great. We love it so much.

740
00:41:35,719 --> 00:41:38,040
Speaker 4: Just sleek, it's sexy.

741
00:41:38,280 --> 00:41:39,960
Speaker 3: Come on, you want to tell them what we have?

742
00:41:40,160 --> 00:41:42,960
Speaker 4: Yeah, we have three different types of hats, which is

743
00:41:43,000 --> 00:41:47,200
Speaker 4: really fun. We have a two tone hat Alien Dad hat,

744
00:41:47,280 --> 00:41:50,400
Speaker 4: the traditional logo in black and khaki. Then we have

745
00:41:50,480 --> 00:41:53,080
Speaker 4: the enamel pin with an alien who has a coofie

746
00:41:53,120 --> 00:41:55,080
Speaker 4: on it since my Mama told me. And then we

747
00:41:55,120 --> 00:41:58,040
Speaker 4: have t shirts that say proud little Mama, which is

748
00:41:58,080 --> 00:41:58,680
Speaker 4: who you are.

749
00:41:59,200 --> 00:42:01,759
Speaker 3: Yeah, you can buy the merch now, go to my

750
00:42:01,880 --> 00:42:05,960
Speaker 3: Mama told me dot Merchcentral dot com, and we want

751
00:42:06,000 --> 00:42:11,360
Speaker 3: you to have all the sweet stuff, so get it.

752
00:42:11,680 --> 00:42:15,520
Speaker 3: I do think at its core, the Willie Lynch letter

753
00:42:16,120 --> 00:42:18,960
Speaker 3: is probably not real. I think we can we can

754
00:42:19,000 --> 00:42:22,560
Speaker 3: maybe agree on it on its existence not being true,

755
00:42:22,920 --> 00:42:26,920
Speaker 3: but maybe it's value to our community still being something

756
00:42:27,120 --> 00:42:31,440
Speaker 3: worth holding on to. It's it seems like it still

757
00:42:31,640 --> 00:42:34,040
Speaker 3: has a value for us to cherish, and we shouldn't

758
00:42:34,120 --> 00:42:36,680
Speaker 3: just throw that away simply because we made up a

759
00:42:36,719 --> 00:42:39,440
Speaker 3: white man and decided to tell people about it.

760
00:42:40,000 --> 00:42:42,799
Speaker 2: I don't disagree. I think there's value in it. When

761
00:42:42,840 --> 00:42:44,879
Speaker 2: I read it, I'm like, Yeah, this feels about right,

762
00:42:45,440 --> 00:42:48,160
Speaker 2: and I think we should continue to teach kids that

763
00:42:48,200 --> 00:42:48,640
Speaker 2: it's real.

764
00:42:49,640 --> 00:42:50,160
Speaker 3: Yeah.

765
00:42:50,440 --> 00:42:52,319
Speaker 4: And one of the things, if they can push a

766
00:42:52,360 --> 00:42:54,800
Speaker 4: white Jesus, you can damn sure.

767
00:42:57,480 --> 00:42:58,600
Speaker 1: Yeah.

768
00:42:58,680 --> 00:43:01,240
Speaker 3: If there's a white Jesus, there's also a white devil.

769
00:43:01,480 --> 00:43:03,880
Speaker 3: And and y'all have to make peace with that. You

770
00:43:04,080 --> 00:43:07,000
Speaker 3: have to make peace with the fact that this is

771
00:43:07,239 --> 00:43:10,200
Speaker 3: he represents the white devil for us and we need him.

772
00:43:10,520 --> 00:43:12,640
Speaker 1: It's like, I want this episode to do well. I

773
00:43:12,640 --> 00:43:14,959
Speaker 1: also don't want anybody to hear it because I don't

774
00:43:14,960 --> 00:43:15,680
Speaker 1: want him to know.

775
00:43:15,800 --> 00:43:18,000
Speaker 3: I don't want to ruin Santa clause.

776
00:43:18,160 --> 00:43:19,759
Speaker 1: You know what I'm saying. I want to ruin it

777
00:43:19,800 --> 00:43:20,280
Speaker 1: for people.

778
00:43:20,760 --> 00:43:23,560
Speaker 4: That's how I feel every week.

779
00:43:25,200 --> 00:43:28,040
Speaker 3: And I and I do leave cookies out for Willie

780
00:43:28,080 --> 00:43:37,080
Speaker 3: Lynch once the year, a little dry ass cookies.

781
00:43:38,719 --> 00:43:41,799
Speaker 1: I gotta get your kid to write a letter to yeh.

782
00:43:43,480 --> 00:43:46,000
Speaker 3: I say to my daughter, I say, baby girl, we

783
00:43:46,000 --> 00:43:48,439
Speaker 3: we gotta write our letters. You gotta go to bed early.

784
00:43:48,520 --> 00:43:51,360
Speaker 3: Willie Lynch is coming. Willie Lynch is gonna come, and

785
00:43:51,400 --> 00:43:53,759
Speaker 3: he's gonna.

786
00:43:52,880 --> 00:43:54,800
Speaker 4: And you don't want to see him because he's drunk.

787
00:43:55,440 --> 00:43:59,919
Speaker 3: He's drunk, terrified. He's gonna. He's gonna make you hate

788
00:44:00,080 --> 00:44:04,480
Speaker 3: your daddy. But but he's coming. Parts of him, parts

789
00:44:04,520 --> 00:44:07,640
Speaker 3: of him, parts of parts of them. Your respect more

790
00:44:07,680 --> 00:44:24,440
Speaker 3: than you realize your your respect him really really Santa Claus, Uh,

791
00:44:24,800 --> 00:44:25,719
Speaker 3: I think we did it.

792
00:44:26,440 --> 00:44:29,239
Speaker 4: That feels like a good that was because this was

793
00:44:29,280 --> 00:44:30,640
Speaker 4: this is an important episode.

794
00:44:30,719 --> 00:44:35,040
Speaker 3: This was an important episode. We're really roch, We're honored

795
00:44:35,080 --> 00:44:36,840
Speaker 3: you joined us. Could you tell the people where they

796
00:44:36,880 --> 00:44:39,000
Speaker 3: could bind you on? What cool ship you have going on?

797
00:44:39,239 --> 00:44:39,479
Speaker 2: Yeah?

798
00:44:39,719 --> 00:44:42,040
Speaker 1: Find me roche r O C H E E.

799
00:44:42,800 --> 00:44:47,560
Speaker 2: Jeffrey on Instagram and yeah, the nw A C P

800
00:44:47,640 --> 00:44:51,080
Speaker 2: image rewards vote for not for uh, what's.

801
00:44:50,880 --> 00:44:54,719
Speaker 1: The goddamn name? Yes, we campus. Uh, support us. I'm

802
00:44:54,760 --> 00:44:55,239
Speaker 1: blacking out.

803
00:44:55,320 --> 00:44:56,800
Speaker 3: You made it.

804
00:44:56,800 --> 00:44:59,759
Speaker 2: It's really mad that what just happened. Uh yeah, and

805
00:44:59,800 --> 00:45:04,279
Speaker 2: you performing stand up everywhere. And it's been such a

806
00:45:04,360 --> 00:45:06,000
Speaker 2: joy to join you guys today.

807
00:45:06,840 --> 00:45:07,839
Speaker 3: We're glad you were here.

808
00:45:07,880 --> 00:45:08,120
Speaker 4: Bory.

809
00:45:08,160 --> 00:45:10,359
Speaker 3: You want to tell the people where they commind you?

810
00:45:10,400 --> 00:45:11,719
Speaker 4: No, all right?

811
00:45:13,320 --> 00:45:13,920
Speaker 6: Uh.

812
00:45:14,080 --> 00:45:17,279
Speaker 4: February twenty ninth, watch Royal Crackers on Adult Swimming in

813
00:45:17,320 --> 00:45:20,440
Speaker 4: the next day on HBO Max. You gotta watch it.

814
00:45:20,600 --> 00:45:22,920
Speaker 4: My I need I need money.

815
00:45:23,160 --> 00:45:25,920
Speaker 3: It's very funny. Let's not short change it.

816
00:45:25,960 --> 00:45:28,240
Speaker 4: So it's a very funny show. I'm on every episode.

817
00:45:28,440 --> 00:45:31,399
Speaker 3: You're very funny in it. I enjoy your character maybe

818
00:45:31,440 --> 00:45:33,440
Speaker 3: the most of all the characters in it. And I

819
00:45:33,440 --> 00:45:36,600
Speaker 3: don't just say that as your your your partner in

820
00:45:36,640 --> 00:45:37,080
Speaker 3: this ship.

821
00:45:37,280 --> 00:45:38,240
Speaker 4: Wow, that's really sweet.

822
00:45:38,520 --> 00:45:40,000
Speaker 1: That was a really beautiful moment.

823
00:45:40,719 --> 00:45:42,600
Speaker 4: Yeah, that's really really nice. I'm sorry I said that

824
00:45:42,719 --> 00:45:43,439
Speaker 4: stuff about your.

825
00:45:43,960 --> 00:45:46,600
Speaker 3: Yeah no, you you really fucked me back there, but.

826
00:45:46,520 --> 00:45:49,720
Speaker 4: I was lashing out. Man, it's been a weird day.

827
00:45:49,160 --> 00:45:51,799
Speaker 4: I'll tell and I'll tell the audience. I got my

828
00:45:51,800 --> 00:45:56,200
Speaker 4: ship pushed back today. Yeah, and it's everything's been on.

829
00:45:56,680 --> 00:45:59,480
Speaker 3: Yeah. No, your hairline is is Uh, it's not what

830
00:45:59,520 --> 00:46:12,640
Speaker 3: it was previously. It's safe to say.

831
00:46:07,800 --> 00:46:12,040
Speaker 4: My I mean, my confidence is We've had some hair

832
00:46:12,080 --> 00:46:15,920
Speaker 4: issues on this podcast, so I feel like it's just

833
00:46:17,200 --> 00:46:19,400
Speaker 4: it's not so bad. But no, it's not.

834
00:46:19,800 --> 00:46:22,480
Speaker 3: It's not as bad as you feel about it.

835
00:46:22,680 --> 00:46:25,000
Speaker 4: But you compare that to how I usually feel leaving

836
00:46:25,080 --> 00:46:27,960
Speaker 4: the barbershop, and I'll be honest, my confidence isn't an

837
00:46:27,960 --> 00:46:28,600
Speaker 4: all time low.

838
00:46:28,880 --> 00:46:29,000
Speaker 2: You.

839
00:46:29,640 --> 00:46:31,719
Speaker 4: Yeah, I'll say that that's the hoodie thing. It's just

840
00:46:31,800 --> 00:46:34,360
Speaker 4: you were doing something daring with fashion and I was

841
00:46:34,600 --> 00:46:36,480
Speaker 4: old fashioned and that's not cool. Man.

842
00:46:36,840 --> 00:46:40,600
Speaker 3: You you are a man who, for for as long

843
00:46:40,640 --> 00:46:43,000
Speaker 3: as we've been doing this, I think, has really believed

844
00:46:43,000 --> 00:46:45,240
Speaker 3: in that young man who's been cutting your hair. You've

845
00:46:45,719 --> 00:46:46,799
Speaker 3: you've stood behind him.

846
00:46:46,840 --> 00:46:49,799
Speaker 4: I still do. I still players fuck up.

847
00:46:49,840 --> 00:46:54,480
Speaker 3: But yeah, no, you you really stood. You really had

848
00:46:54,520 --> 00:46:57,400
Speaker 3: his back, and he hurt you in a way that

849
00:46:57,719 --> 00:47:00,640
Speaker 3: I think I think you got to confront him. Yeah,

850
00:47:01,280 --> 00:47:04,839
Speaker 3: you gotta say, like a bro, not for nothing. Last

851
00:47:04,880 --> 00:47:08,120
Speaker 3: week wasn't your best work and we gotta get back on.

852
00:47:08,239 --> 00:47:10,440
Speaker 4: What if you did this before I got to Miami.

853
00:47:10,719 --> 00:47:13,399
Speaker 4: Come on, I go in before trips like, yeah, I'm

854
00:47:13,400 --> 00:47:16,240
Speaker 4: home this week, But what if this was before Miami Weekend.

855
00:47:16,440 --> 00:47:20,920
Speaker 3: We we gotta, we gotta treat everything like this. Every

856
00:47:21,000 --> 00:47:22,000
Speaker 3: day is game day.

857
00:47:22,360 --> 00:47:24,720
Speaker 4: Everybody thinks on my Hillbilly, I live in the mountain.

858
00:47:25,680 --> 00:47:29,120
Speaker 4: You can't come on, bro, And he's like, twenty six,

859
00:47:29,239 --> 00:47:32,480
Speaker 4: you're too young for this. NOA, maybe quit telling me

860
00:47:32,760 --> 00:47:35,440
Speaker 4: how your dad puts you on living single and more

861
00:47:35,560 --> 00:47:37,839
Speaker 4: focused on my hairline not getting pushed back.

862
00:47:38,440 --> 00:47:40,680
Speaker 2: I'm gonna say right now, I'm concerned about when you

863
00:47:40,719 --> 00:47:43,040
Speaker 2: go back the next time. If you listen to this,

864
00:47:43,880 --> 00:47:45,880
Speaker 2: he might deliberately fuck up your hairlining.

865
00:47:46,160 --> 00:47:48,360
Speaker 4: He listens to this in the way that a barber

866
00:47:48,400 --> 00:47:53,480
Speaker 4: consumes your content. Yeah, any deeper than five minutes, I promise.

867
00:47:53,239 --> 00:47:56,480
Speaker 3: My Barbara listened, quote unquote listen to some episodes. But

868
00:47:56,680 --> 00:47:58,520
Speaker 3: I don't think that Nigga's making it to the end.

869
00:47:58,600 --> 00:48:03,000
Speaker 4: I don't know that's he's.

870
00:48:02,840 --> 00:48:05,080
Speaker 3: Making it to the credits. You know what I mean? Like,

871
00:48:05,719 --> 00:48:06,480
Speaker 3: we're good.

872
00:48:08,400 --> 00:48:11,680
Speaker 4: And I'm going back, so you know who the fault

873
00:48:11,800 --> 00:48:14,000
Speaker 4: is that right now? You guys don't know him like

874
00:48:14,040 --> 00:48:15,560
Speaker 4: God do. Though he loves me, Ye.

875
00:48:17,480 --> 00:48:19,080
Speaker 3: This is just a one time there. He would never

876
00:48:19,160 --> 00:48:19,719
Speaker 3: hit me again.

877
00:48:19,840 --> 00:48:25,919
Speaker 4: No, sometimes love hurts, that's a dark end. The point

878
00:48:26,000 --> 00:48:28,319
Speaker 4: is watch that television pots.

879
00:48:29,040 --> 00:48:33,200
Speaker 3: As always and subscribe. Yeah, like subscribe to the things

880
00:48:33,160 --> 00:48:35,759
Speaker 3: that's always. You can follow me at Langston Kerman on

881
00:48:35,800 --> 00:48:39,160
Speaker 3: all social media platforms if you were in the Chicago area.

882
00:48:39,480 --> 00:48:42,320
Speaker 3: I believe there are still just a few tickets left

883
00:48:42,960 --> 00:48:46,120
Speaker 3: for our special taping February nineteenth at the Green Mill.

884
00:48:46,239 --> 00:48:48,319
Speaker 3: You can buy those tickets. I would love for y'all

885
00:48:48,360 --> 00:48:50,759
Speaker 3: to be there. Go to my mama told me dot

886
00:48:50,800 --> 00:48:54,920
Speaker 3: merchcentral dot com. There are hats, there are pins, there

887
00:48:54,920 --> 00:48:57,640
Speaker 3: are all court sorts of cool things that you should

888
00:48:58,080 --> 00:48:58,560
Speaker 3: check out.

889
00:48:58,680 --> 00:48:59,120
Speaker 4: Shirts.

890
00:49:00,040 --> 00:49:02,120
Speaker 3: I think I covered all the stuff that you can buy.

891
00:49:03,560 --> 00:49:06,600
Speaker 3: Hatspin shirts, That's pretty much it, and they're they're all

892
00:49:06,600 --> 00:49:08,480
Speaker 3: great and we would love for you to be wearing

893
00:49:08,480 --> 00:49:12,120
Speaker 3: the merch and very exciting. We are planning some more

894
00:49:12,280 --> 00:49:15,680
Speaker 3: live dates, uh in the near future. We we are

895
00:49:15,719 --> 00:49:18,040
Speaker 3: not going to announce them just yet, but there's gonna

896
00:49:18,080 --> 00:49:21,200
Speaker 3: be a little more live ship for y'all to be

897
00:49:21,239 --> 00:49:22,880
Speaker 3: able to check out that will tell you about in

898
00:49:22,960 --> 00:49:23,680
Speaker 3: the near future.

899
00:49:23,920 --> 00:49:26,239
Speaker 4: Let's just say, keep my birthday open.

900
00:49:26,280 --> 00:49:35,360
Speaker 3: Keep Bory's birthday open. Sinko Spanish, the boys Spanish deeply

901
00:49:35,480 --> 00:49:46,000
Speaker 3: demard yes, and that's the that's the whole shebang. Bye bitch,

902
00:49:53,120 --> 00:49:53,839
Speaker 3: Chips in your.

903
00:49:56,080 --> 00:49:58,120
Speaker 4: Kalis, A racist.

904
00:50:00,320 --> 00:50:04,200
Speaker 3: The oas a players owls and money h.

905
00:50:04,400 --> 00:50:05,760
Speaker 2: A man of turkey stuffering.

906
00:50:06,800 --> 00:50:08,200
Speaker 4: I can't help me that