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Speaker 1: Hey guys, Chef Kevin here, Sean and Hayes are releasing

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Speaker 1: an episode of their Stitcher premium show, which is called

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Speaker 1: Hollywood Handbook The pro Version for free. If you're not

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Speaker 1: familiar with it. We release a bonus episode on premium

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Speaker 1: every Wednesday, and if you would like to subscribe, just

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Speaker 1: go to stitcherpremium dot com slash the Boys and use

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Speaker 1: promo code the Boys for your first month free and

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Speaker 1: now please enjoy Cowboy TV.

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Speaker 2: Well you join us for another installment of your favorite

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Speaker 2: favorite podcast, Cowboy TV.

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Speaker 3: The bangroag Man.

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Speaker 2: What are you planning on watching todnight on the old

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Speaker 2: Cowboy TV?

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Speaker 4: Well, I'm hoping they're showing the same program they had

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Speaker 4: on last night, because that one really sucked me in.

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Speaker 2: What is it about Boy TV that I don't ever

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Speaker 2: complain about? None of them repeats they show us.

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Speaker 4: It's just the smoothing drama, watching the cracks, the pops

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Speaker 4: in the thes.

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Speaker 3: No, it's the smoothing drama.

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Speaker 2: You said it best, and I'll steal that phrasing because

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Speaker 2: it is just so well put.

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Speaker 3: It's the smoothing drama.

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Speaker 2: The cracks, the pops, the hisses, the whistles, the hissles,

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Speaker 2: the whisses, the pat and the crocks, the trickles. You

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Speaker 2: ever imagine you're seeing something in them their flames.

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Speaker 3: Maybe like a face.

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Speaker 2: Maybe it's the devil's face and he's blowing you kiss

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Speaker 2: and you say, get out of here, devil and flickers away.

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Speaker 3: Just like that.

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Speaker 4: It happens to me every once in a while. I'll

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Speaker 4: be looking in there and it'll be the face of

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Speaker 4: a flame demon and I'll say, hey, knock that off,

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Speaker 4: and we'll go back to being a crispy little fire there.

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Speaker 3: Mm hmm.

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Speaker 4: Yeah.

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Speaker 2: The FCC broadcast rules probably wouldn't want them flamed demons

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Speaker 2: showing up, But for me, that's all part and parcel

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Speaker 2: of Cowboy TV and the smooth and drama that we

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Speaker 2: do so enjoy.

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Speaker 4: You know, one time I looked in there and I

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Speaker 4: thought I saw a famous stunt man after he put

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Speaker 4: on a you know, flame jel and burned his face

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Speaker 4: to look like he's on fire.

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Speaker 2: Oh sure, No, I mean, I do believe I looked

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Speaker 2: in there and thought I saw machine gun Kelly fighting

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Speaker 2: Jamie Fox. In the preview for the new film they

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Speaker 2: have with the word power in the title, the rest

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Speaker 2: of it which escapes me.

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Speaker 3: But I know exactly what you mean.

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Speaker 4: Well, that's what's great about Cowboy TV. You can just

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Speaker 4: let things escape you.

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Speaker 3: You sure can.

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Speaker 2: And as the light from the fire flickers off my

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Speaker 2: friend Bang's face, it is, of course time to talk

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Speaker 2: about our sponsor, Mershmallows.

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Speaker 4: Now. I've been frying up me some mershmallows ever since

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Speaker 4: I turned on Cowboy TV. Nothing goes better with a

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Speaker 4: little Cowboy TV than a mershmallow.

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Speaker 2: Some people like to burn them all crispy around the outside,

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Speaker 2: and of course others like to get them toasted brown.

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Speaker 2: Just so me myself, I throw them in the fire

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Speaker 2: and let them burn away and never eat a single bite,

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Speaker 2: because mershmallows to me belong to the Cowboy TV.

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Speaker 4: My therapist asked me, how do you like your mershmallow?

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Speaker 4: He said, you you can learn a lot about a

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Speaker 4: guy by how you like your mershmallow. And I said,

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Speaker 4: I like putting mine in a fire, pulling it out

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Speaker 4: and just feel it in my hand.

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Speaker 2: Yeah, therapists will do that, make you think about things

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Speaker 2: all funny that used to seem so simple. Handful of

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Speaker 2: molten mershmellow just blistering up that palm of yours.

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Speaker 3: Why that's a simple pleasure that the.

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Speaker 2: Cowboys like us do enjoy and we don't try to

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Speaker 2: analyze it none.

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Speaker 4: But yeah, I told him, you know what, Doc, I

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Speaker 4: think I got all the therapy I need right here

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Speaker 4: on this Cowboy TV with a nice molten hot mershmallow

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Speaker 4: in my fingers.

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Speaker 3: Mm hmm, flamed attic. Sorry Sorry, sorry, sorry, I don't know.

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Speaker 3: That felt really good over here? Are you?

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Speaker 4: Yeah?

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Speaker 3: I know, I I think I I think everyone was

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Speaker 3: rolling I.

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Speaker 4: The mershmallow Man get did they are?

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Speaker 2: They?

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Speaker 3: Do?

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Speaker 2: They not like that? They want us to talk about

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Speaker 2: eating it. I mean we can address I don't know.

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Speaker 3: I don't know anything about that. Honestly, they'll make more

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Speaker 3: money if people don't get full. I didn't know it

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Speaker 3: was an actual ad that you had arranged with any

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Speaker 3: that there is a.

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Speaker 4: Yes, that's how we're keeping the lights on. There's a

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Speaker 4: mershmallow Man.

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Speaker 3: Well okay, well this was presented to me as a pitch.

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Speaker 3: So the fact that no, it was an opportunity. He

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Speaker 3: was an opportunity. We're doing it.

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Speaker 2: It's if you want to produce it, then we can

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Speaker 2: do you know, then it's happening.

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Speaker 4: We're just opening up like the doors on the ground

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Speaker 4: floor for your ass to get in.

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Speaker 3: So this is I guess sort of a found like

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Speaker 3: my first question. I know it's called Cowboy TV. Yeah,

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Speaker 3: it took a really long title huh for me to

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Speaker 3: understand for the podcast that Cowboy TV is the fire.

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Speaker 3: Neither of you said the word fire for a really

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Speaker 3: long time. You just said you like like you talked

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Speaker 3: about the pops and the cracks and the hisses. But

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Speaker 3: it took a really long time to sort of get

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Speaker 3: out there that Cowboy TV is the fire, which is

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Speaker 3: important I think.

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Speaker 2: Okay, uh so, okay, so that's actually but that's not

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Speaker 2: that's a good note because it's not.

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Speaker 3: But that's not really that's not really my question. Okay,

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Speaker 3: because that one we can handle. My question is what

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Speaker 3: is Is it a podcast? Is it a a TV show?

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Speaker 3: Like what you said, there's a like there needs we

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Speaker 3: have visual aspect.

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Speaker 2: Yes, I mean that's something we really we obviously wanted

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Speaker 2: it to be a podcast. Neither one of us really

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Speaker 2: has a camera but yeah, well.

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Speaker 3: Yeah or wait do you mean a camera? Uh?

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Speaker 2: Both, yeah, but we we do need people to This

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Speaker 2: should be the soundtrack of the Cowboy TV image, which

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Speaker 2: is a roaring, crackling fire that soothes, entertains, draws in

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Speaker 2: humanity and and so I think it could be like

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Speaker 2: not quite like an ASMR thing, because I do want

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Speaker 2: whole families to sit around and watch it, watch.

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Speaker 3: The fire, and I want them to stay awake. I

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Speaker 3: wanted to be awake the whole time because we're going

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Speaker 3: to say some pretty powerful stuff.

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Speaker 2: Like when Ben started talking about is you know, not

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Speaker 2: needing therapy anymore?

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Speaker 3: I think that could really well so that Yeah, I

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Speaker 3: do want to get to that, because it sounded like

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Speaker 3: he fired his therapist because well said he or she

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Speaker 3: said that, you.

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Speaker 4: Can know it was Yes, it was a woman, okay.

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Speaker 4: And I didn't so much as fire them as hired

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Speaker 4: Cowboy TV.

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Speaker 3: Okay, which we're hoping a lot of people will do that.

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Speaker 3: I mean, then that is that so they're only they're

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Speaker 3: only seeing the fire. Their only visual is is a fire? Well,

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Speaker 3: this is yes, the visual would be a fire. I

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Speaker 3: don't think we want to see us. Also, we're going

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Speaker 3: to be doing some weird stuff, so it would be distracting.

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Speaker 4: Yeah, and keep in mind we also don't have a camera.

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Speaker 3: What are you? What are you?

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Speaker 2: What are you going to be doing I'm gonna it's

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Speaker 2: like an interrogation, like it doesn't matter, We're not gonna see.

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Speaker 3: But I absolutely would not have beeven that. It's always

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Speaker 3: because you brought up that the reason that you cannot

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Speaker 3: be seen on camera we're doing because of stuff is

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Speaker 3: because of what you're going to be doing.

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Speaker 2: Well, I'm gonna be I mean not the whole time,

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Speaker 2: but sometimes, yeah, we'll be doing some unusual stuff that

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Speaker 2: I think would be distracting. I'll probably be peeling a

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Speaker 2: layer of skin, like a skin mask, off of my face.

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Speaker 2: That is that it will it will appear, would appear

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Speaker 2: to the viewer if we filmed it that I was

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Speaker 2: ripping my entire face off. There's the skin will be

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Speaker 2: okay underneath, but yeah, I just have an extra layer

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Speaker 2: on there that I doing it in front of the

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Speaker 2: Cowboy TV kind of helps it heats it up in

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Speaker 2: a way that I can take it off safely.

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Speaker 4: Every episode, yes, probably every episode, And I'm frequently putting

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Speaker 4: skin on my face.

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Speaker 2: He yes, So when I'm done with it, I'll give

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Speaker 2: it to Ben and and and he will apply it.

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Speaker 4: And then and the heat at TV, it's it sticks

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Speaker 4: it on and it helps my wounds, and so I

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Speaker 4: think there's beautiful ability.

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Speaker 3: But there is no fire. There is no actual fire.

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Speaker 2: Well that's another thing. Was we we don't have one now,

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Speaker 2: but we'd like to get one going. And you know,

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Speaker 2: obviously if this goes to two series or or whatever.

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Speaker 4: If it gets picked up and like gets a full

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Speaker 4: time pick up.

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Speaker 2: That would be one of the contractual demands that we

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Speaker 2: would be enforcing. Uh.

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Speaker 3: And you would prove, you would provide that we.

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Speaker 4: Need the heat. Sean needs that heat to get the

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Speaker 4: skin and off. I need the heat to get this.

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Speaker 4: It's not gonna stick.

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Speaker 3: On him without the heat.

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Speaker 4: Yeah, okay, And I don't want anybody seeing my my

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Speaker 4: tattoos and stuff.

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Speaker 2: I also just don't want to be another Hollywood phony

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Speaker 2: sitting here talking about a cowboy TV talking about a

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Speaker 2: fire and there's no damn log in front of me

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Speaker 2: with great flames licking the air just below my chin

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Speaker 2: allowing you because cgi now, well, all these podcasts people

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Speaker 2: go like I'm doing this and it's like, Noah, have

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Speaker 2: you heard this voyage to the stars bullshit?

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Speaker 4: Because guess what, A fucking little tennis ball on a

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Speaker 4: string isn't going to seal the skin on my face.

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Speaker 2: And that's true too, So I think the authenticity is important.

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Speaker 2: I think that's what people will becoming a cowboy TV

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Speaker 2: for now. You are a little more technical than we are.

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Speaker 2: Can this just be an app that you would download

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Speaker 2: on say you're roku an app, okay, and then you

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Speaker 2: click it and then it's just the fire's flaming and

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Speaker 2: you can hear our voice and we'd we'd like to

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Speaker 2: do you know, a thousand or so episodes.

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Speaker 3: So, I mean, I guess that's another question I have

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Speaker 3: it so far it's only about the fire.

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Speaker 4: Yeah, let me look at the whiteboard. They're mostly about Yeah, yeah,

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Speaker 4: it's fire. It's like for the thousand we got up.

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Speaker 2: That's a lot of what we were recovering. Yeah, you've

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Speaker 2: blocked out some like a sea, not entirely. It's a

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Speaker 2: rough you know, it's sort of a beat sheet like uh,

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Speaker 2: not a full outline. But but we do have an

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Speaker 2: idea of like where we wanted to go and some

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Speaker 2: of the turns.

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Speaker 4: We have gone through. I think we're at nine hundred plus.

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Speaker 4: We're not at the full.

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Speaker 3: Thousand out of a thousand, okay, and we have these.

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Speaker 2: Benchmarks where it's like Okay, you know, episode four hundred

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Speaker 2: and twenty six. We know we want us to we

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Speaker 2: want the fire to be starting to die down a

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Speaker 2: little bit, and we add another log.

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Speaker 4: Okay, and I think that will really fucking break the internet,

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Speaker 4: you know, before.

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Speaker 2: The halfway point, you know, and people are going like, whoa,

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Speaker 2: it's early for that. You know, we're only four hundred

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Speaker 2: or so episodes in.

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Speaker 4: Everybody's gonna think at like nine and ninety they'll throw

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Speaker 4: another log in.

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Speaker 3: No, okay, I was just as like hearing it the

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Speaker 3: first time, it was dragging a little bit for me,

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Speaker 3: the fire stuff when you got into the first ad. Wait,

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Speaker 3: are you saying that's a bad thing something dragging? Yeah, No,

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Speaker 3: I mean look like it. It it's like atmospheric, like nice.

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Speaker 3: I get like the tone that you're trying to establish.

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Speaker 3: But like even by the time the Mershmallows came in,

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Speaker 3: which was only after like a couple minutes, Uh huh,

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Speaker 3: it felt a little like there wasn't too much left

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Speaker 3: to do on the on the fire. And I sort

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Speaker 3: of felt like you were feeling that also. Well, I

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Speaker 3: mean it's a metaphor. We want to go into that

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Speaker 3: a lot. Brett, did you have something.

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Speaker 5: I was just saying, I could I could speed it

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Speaker 5: up a little bit if it had to do with yeah,

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Speaker 5: like what I was playing, or I could.

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Speaker 3: Plays guitar playing being faster.

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Speaker 4: I actually think this is maybe where some reverse psychology

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Speaker 4: might kick in, and I think if you slowed it

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Speaker 4: down it would help us move it forward.

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Speaker 2: I feel the same way if you could slow down

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Speaker 2: the guitar a little bit. It was kind of making

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Speaker 2: me feel, right.

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Speaker 3: I don't know if it's the guitar.

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Speaker 4: I feel like the ad really, the mershmallow ad really

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Speaker 4: threw you off, but like we and maybe we didn't

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Speaker 4: have to get into the ad.

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Speaker 3: So quickly, if that's not really what I'm saying. If

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Speaker 3: that distracted you, it did throw me. I I mean

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Speaker 3: it did worry me.

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Speaker 2: These are good like why don't we get why don't

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Speaker 2: we do another segment?

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Speaker 3: You know, you take another crack at it? Okay, yeah, okay, great, yeah.

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Speaker 4: Yeah, howdy howdy. It was good to use my real voice,

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Speaker 4: you know.

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Speaker 2: Ay now, well if it isn't my old pal bang

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Speaker 2: raje Man and another episode of Cowboy TV, which is

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Speaker 2: of course what we call.

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Speaker 3: A during good fire m M.

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Speaker 4: It's a fire of my friends, that's what Cowboy TV is. Yeah,

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Speaker 4: there any confusion.

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Speaker 3: If you don't know what Cowboy TV is.

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Speaker 2: And of course if you've downloaded the app, you're looking

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Speaker 2: at a fire right now.

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Speaker 3: It's this what's being presented visually in front of you

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Speaker 3: on your Roku screen.

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Speaker 2: So what what I like to talk about when I

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Speaker 2: talk about fire, of course, is starting one, getting the

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Speaker 2: wood together, lighting the wood on fire.

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Speaker 4: What kind of kindling did I find? Oh?

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Speaker 2: Sure, maybe you you crumpled up an old issue of

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Speaker 2: The Economist. Uh huh, it's one about how the bees

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Speaker 2: are starting to disappear all over the world. A little

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Speaker 2: article about that, and you crumple that up and you go,

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Speaker 2: don't tell me this bee stuff, and you light it

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Speaker 2: on fire and away it goes.

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Speaker 4: Maybe you found an old issue the Financial Times because

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Speaker 4: you don't think papers should be pink, get out of

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Speaker 4: here with that.

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Speaker 2: Maybe you've seen an old issue of Business Insider and

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Speaker 2: you go ahead, shred that the little pieces. Put that

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Speaker 2: at the bottom of that old are kindling tray, and

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Speaker 2: that'll get that wood going good. One of the wood's lit,

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Speaker 2: then you just sit back and you watch the Cowboy.

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Speaker 3: A TV that's just really quick, just like a couple

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Speaker 3: of really quick things. It was. The entire thing was

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Speaker 3: again about watching the fire like it's TV. I did

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Speaker 3: sort of imply that I think it would be good

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Speaker 3: to get into either, like the Cowboy characters are really

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Speaker 3: funny and like them talking about other stuff I think could.

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Speaker 4: Be okay, characters just kind of trying what we're trying

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Speaker 4: to avoid. You know, this is this is the character. Now,

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Speaker 4: this is my professional bullshit itself that I have to

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Speaker 4: like bring out for meetings like this. Yeah, Cowboy TV

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Speaker 4: is where I can actually let my hair down and

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Speaker 4: be myself and that's how like, that's how we talk.

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Speaker 2: And Cowboy TV is where I literally take my mask

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Speaker 2: off because I am peeling my fate which I which

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Speaker 2: I currently have on as I am being this like

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Speaker 2: false version of myself and Ben of course puts on

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Speaker 2: where my true face.

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Speaker 3: That this all that's all. It doesn't This is not

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Speaker 3: really a response to what I was saying at all.

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Speaker 3: What were you saying then? I was say, the only

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Speaker 3: thing that you have talked about so far in the

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Speaker 3: show is watching a fire as if it is TV.

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Speaker 3: You talk about changing the channel and using the remote,

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Speaker 3: and it's like it's a metaphor for television.

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Speaker 2: That's the yeah that I actually like this note, Ben,

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Speaker 2: I'd rather not refer to it as a different channel

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Speaker 2: adjusting the antenna and the reception, Okay, But to me,

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Speaker 2: changing the channels does bring us into sort of more

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Speaker 2: of a high tech modern world.

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Speaker 3: You know.

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Speaker 2: The whole thing for me is, but see that modern

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Speaker 2: television is fair. Modern television has five hundred channels, one thousand.

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Speaker 2: I don't know how many of these things. What's great

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Speaker 2: about Cowboy TV is there's only one channel. Sometimes you

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Speaker 2: got to adjust the reception.

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Speaker 3: No, that's fair, that's fair. But that limit so that

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Speaker 3: actually is moving in the other direction, and it sort

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Speaker 3: of limits what you can talk about even more because

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Speaker 3: now the TV metaphor, you can't even include the idea

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Speaker 3: of channels. So now, yeah, what I'm saying, Yeah, I

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Speaker 3: mean I don't know that.

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Speaker 4: Like, I guess I just got to push back a

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Speaker 4: little bit because it's like, hey, let's get this bartender

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Speaker 4: out of a bar. This show Cheers is really fucking

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Speaker 4: boring in this bar all the time.

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Speaker 3: Right right, But that would be like, I mean, I'm

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Speaker 3: not even sure what a comparison could be with cheers.

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Speaker 3: But that would be like I guess if they only

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Speaker 3: talk about the process of serving drinks.

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Speaker 4: I'll tell you what the comparison is, two great shows.

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Speaker 3: Okay. So I also want to point out I don't

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Speaker 3: think Business Insider is a magazine. Sure I think I'm

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Speaker 3: I'll take that note. I'm almost positive now that it

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Speaker 3: is a website.

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Speaker 4: My brother makes it.

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Speaker 3: He makes the magazine Business Insider. Well, anythink that's a

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Speaker 3: website you can print m So it's a zine. Okay,

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Speaker 3: you prints out the website.

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Speaker 4: And then that is real zine prints out the website

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Speaker 4: and releases it as a zine.

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Speaker 3: But that's a little lessoteric.

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Speaker 2: If it's going over your head, Hayes, that's actually part

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Speaker 2: of why we brought you in is we don't want

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Speaker 2: to alien all that you want in the audience, like

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Speaker 2: we we want it to be inclusive.

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Speaker 4: So no, thank you, Yeah, good, good point, Sewan.

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Speaker 3: I Also, I mean, like, I don't know, I'll be honest,

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Speaker 3: I don't know much about like building fires and stuff,

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Speaker 3: but I don't know if like throwing magazines in there

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Speaker 3: is is that recommended. It seems like possibly dangerous. All

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Speaker 3: the ink and like chemicals like the only thing. The

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Speaker 3: only examples you used as kindling were business magazines like

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Speaker 3: Financial Times, I guess is a newspaper, but like.

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Speaker 4: Well, I mean, don't you kind of see a little

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Speaker 4: bit of a metaphor in there where it's like, hey,

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Speaker 4: let's forget about the business.

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Speaker 2: Yeah, okay, and let's sort of like remove ourselves from

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Speaker 2: that part of culture. And and maybe now the real

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Speaker 2: business is watching this roaring fire. Hey there's fucking like

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Speaker 2: five hundred TVs channel.

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Speaker 3: No, he's right. I mean I was saying that earlier,

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Speaker 3: and I actually like, I don't want to close off

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Speaker 3: this this opportunity, because that was actually the most interesting

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Speaker 3: part to me, because it wasn't that was the least

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Speaker 3: about sort of the TV metaphor.

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Speaker 2: Right, So different kindling for this one. Different kindling would

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Speaker 2: be different kindling.

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Speaker 3: If there's a way just to talk about and I

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Speaker 3: did appreciate setting up the fire so clearly in the beginning,

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Speaker 3: Thank you for taking that note. If there's a way

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Speaker 3: to talk about something else other than this TV metaphor

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Speaker 3: for the fire, or maybe even something other than the

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Speaker 3: fire at all, I think that would be really interesting

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Speaker 3: to explore, and we can hear it. We can always

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Speaker 3: be hearing it, and we'll also be seeing it exclusively

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Speaker 3: the entire time, So nobody is going to be like

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Speaker 3: losing like the idea of the fire. They will always

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Speaker 3: be seeing and hearing it. But maybe we could talk

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Speaker 3: about something else.

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Speaker 4: It's just like, I don't want to alienate the people

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Speaker 4: who don't have the app either. If if you're just

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Speaker 4: listening to it and you maybe don't have the fire

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Speaker 4: on your Roku, because.

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Speaker 3: You release this as a podcast, you have to So

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Speaker 3: why doesn't the okay, would you agree?

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Speaker 2: Heyes, that most podcasts right now that are out there

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Speaker 2: do talk about something else other than the fire.

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Speaker 3: Well, I mean, I think that's just to say they

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Speaker 3: talk about different things with that episode.

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Speaker 2: But when obviously when you launch a podcast it is

404
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Speaker 2: a crowded marketplace, you do need to find a way

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Speaker 2: to stand out. What do you have to say that

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Speaker 2: is being left unsad? So for us, I think the

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Speaker 2: fire is a big part of it. Is like if

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Speaker 2: you have a political agenda.

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Speaker 3: So your response to this is no, you will not

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Speaker 3: talk about anything except the fire, and specifically the fire

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Speaker 3: being a metaphor, and I really don't think this is

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Speaker 3: a metaphor. By the way, I'm using You've got me

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Speaker 3: using the word, but I don't think that's what it is.

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Speaker 3: I mean, like a metaphor for watching TV.

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Speaker 4: Something must be working, then, I don't know if there is.

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Speaker 3: I don't think. I'm not sure anyone has bothered to

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Speaker 3: come up with a word for what this is.

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Speaker 4: Okay, well, I don't know what your political agenda is.

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Speaker 3: And I has absolutely nothing to do.

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Speaker 2: What do What would you like us to talk about instead?

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Speaker 2: Because we I I a point taken, and I think

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Speaker 2: there is room to introduce something else to the conversation.

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Speaker 2: But do you have a suggestion for.

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Speaker 4: That or is it literally it feels like you have

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Speaker 4: something in your tiptoeing around I actually do.

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Speaker 3: I do not, and I and this, I did not

427
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Speaker 3: like arrange this meeting that I'm not here to like

428
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Speaker 3: really put too much of my self into this.

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Speaker 2: But what I what I don't want, Hayes, is I

430
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Speaker 2: don't want this to be another like Hornball Show where

431
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Speaker 2: it's all about.

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Speaker 3: Like And that's not what I'm suggesting at all.

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Speaker 4: Because that's I'm sort of with Sean on. I feel

434
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Speaker 4: you gently pushing us over into kind of like pervy.

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Speaker 3: Sexual That's not what I'm that's I didn't say anything

436
00:23:08,800 --> 00:23:10,040
Speaker 3: even close to that.

437
00:23:10,520 --> 00:23:14,119
Speaker 4: I know the eighties are hot right now, but that

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Speaker 4: part of that era I think is is God for good,

439
00:23:19,680 --> 00:23:23,720
Speaker 4: yes and and happily.

440
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Speaker 3: Even like other things related to being a cowboy I

441
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Speaker 3: think would be great, Like the cowboy thing is fun,

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Speaker 3: like it's a and like you said, this is these

443
00:23:35,200 --> 00:23:37,680
Speaker 3: are not even characters for you. This is actually who

444
00:23:37,800 --> 00:23:41,760
Speaker 3: I've got. I've got it. He's gotta let's do it,

445
00:23:41,840 --> 00:23:42,600
Speaker 3: Let's do it, do it?

446
00:23:43,040 --> 00:23:56,720
Speaker 2: Fire, howdy well on someome traveler are your partner. I'm

447
00:23:56,720 --> 00:23:59,000
Speaker 2: glad you just had to stop next to our old

448
00:23:59,040 --> 00:24:01,639
Speaker 2: camp set. He and you picked a good time to

449
00:24:01,720 --> 00:24:05,680
Speaker 2: do it. We were just sitting in for another.

450
00:24:05,200 --> 00:24:07,960
Speaker 3: Episode of Cowboy TV.

451
00:24:10,520 --> 00:24:14,240
Speaker 4: Drop that big old buddiers down, PLoP it in front

452
00:24:14,240 --> 00:24:17,200
Speaker 4: of the Cowboy TV. And when we talk Cowboy TV,

453
00:24:17,440 --> 00:24:20,320
Speaker 4: you know we're looking out of fire, a combustion in

454
00:24:20,400 --> 00:24:22,560
Speaker 4: our little fire pit here.

455
00:24:23,200 --> 00:24:25,960
Speaker 3: Yeah, we got some logs and they are a burning.

456
00:24:26,040 --> 00:24:31,440
Speaker 2: And you know, you know, starting the fires is always

457
00:24:31,560 --> 00:24:32,480
Speaker 2: leave it in, leave it in.

458
00:24:32,920 --> 00:24:35,800
Speaker 3: Starting a fire is always an interesting experience.

459
00:24:39,160 --> 00:24:42,080
Speaker 2: You gotta you gotta pick out some some of them

460
00:24:42,119 --> 00:24:46,960
Speaker 2: there kindling to get it going, don't you bang you do?

461
00:24:47,119 --> 00:24:49,520
Speaker 4: You can't just throw a mash on a log. You

462
00:24:49,640 --> 00:24:52,399
Speaker 4: gotta start small and let it get big.

463
00:24:54,800 --> 00:24:58,320
Speaker 2: One thing I like to get burning when we first

464
00:24:58,359 --> 00:25:01,400
Speaker 2: start out is, uh, the New.

465
00:25:01,280 --> 00:25:08,840
Speaker 4: York Times, m the old Gray Lady, the paper record,

466
00:25:09,600 --> 00:25:10,359
Speaker 4: throw all.

467
00:25:10,240 --> 00:25:14,760
Speaker 2: The news that to set on fire. Just forget about,

468
00:25:14,880 --> 00:25:15,960
Speaker 2: never look at it again.

469
00:25:17,560 --> 00:25:20,520
Speaker 4: I told my lady therapist, I don't need the news.

470
00:25:20,560 --> 00:25:23,320
Speaker 4: I got the news right here on Cowboy TV.

471
00:25:30,119 --> 00:25:32,440
Speaker 3: But you know I also burn.

472
00:25:33,160 --> 00:25:39,879
Speaker 2: Hey boy, I hope my horse doesn't set down of

473
00:25:39,960 --> 00:25:41,600
Speaker 2: the fire birds big butt.

474
00:25:44,240 --> 00:25:49,440
Speaker 4: Oh man, wouldn't that be something, that big old butt

475
00:25:49,520 --> 00:25:51,400
Speaker 4: on fire, the horse.

476
00:25:51,160 --> 00:25:54,560
Speaker 6: Purchase butt setting in the fire? No, thank you, that

477
00:25:54,680 --> 00:25:57,760
Speaker 6: doesn't happen. But being a cowboy, that's one of the

478
00:25:57,880 --> 00:26:00,879
Speaker 6: risks you run. You gotta watch Cowboy TV. And you

479
00:26:00,920 --> 00:26:09,919
Speaker 6: got to leave your horse untied? Is that that's the

480
00:26:10,000 --> 00:26:11,200
Speaker 6: new things?

481
00:26:11,840 --> 00:26:12,040
Speaker 4: What?

482
00:26:12,920 --> 00:26:20,719
Speaker 3: Okay? And that's that's like some of the pauses, some

483
00:26:20,760 --> 00:26:25,160
Speaker 3: of the pauses were so long. Brett stopped playing at

484
00:26:25,160 --> 00:26:27,399
Speaker 3: what point? Uh?

485
00:26:27,480 --> 00:26:30,560
Speaker 4: Yeah, Well, you know you got to stop. Sometimes you

486
00:26:30,640 --> 00:26:33,200
Speaker 4: got to recharge. Sometimes you just got to take it

487
00:26:33,400 --> 00:26:35,680
Speaker 4: got its own pace to You gotta take the fighter

488
00:26:35,760 --> 00:26:38,359
Speaker 4: in that part of it, I thought, I.

489
00:26:38,320 --> 00:26:40,680
Speaker 3: Just was it? Brett said, are we done?

490
00:26:42,040 --> 00:26:44,840
Speaker 4: Yeah? Yeah, that's part of cowboy TV.

491
00:26:45,440 --> 00:26:50,159
Speaker 3: That's part of it. Okay. The huge sneeze that you

492
00:26:50,960 --> 00:26:53,080
Speaker 3: demanded me left in for some reason.

493
00:26:53,240 --> 00:26:57,000
Speaker 4: Of course, it's legit, man, there's no Hollywood magic, all right,

494
00:26:57,119 --> 00:26:58,480
Speaker 4: you got to leave that in there.

495
00:26:58,680 --> 00:27:01,480
Speaker 2: This thing's got its own we you know, we marched

496
00:27:01,480 --> 00:27:03,280
Speaker 2: to the beat of a different drum.

497
00:27:03,840 --> 00:27:07,159
Speaker 4: You ever get a face full of smoke that'll make

498
00:27:07,200 --> 00:27:07,880
Speaker 4: you sneeze?

499
00:27:08,840 --> 00:27:10,040
Speaker 3: So that was on purpose.

500
00:27:10,400 --> 00:27:10,840
Speaker 4: Yeah.

501
00:27:10,960 --> 00:27:14,040
Speaker 2: You ever bite into some can of beans fresh off

502
00:27:14,080 --> 00:27:15,720
Speaker 2: the fire and it's a little too hot for.

503
00:27:15,680 --> 00:27:19,000
Speaker 3: You, makes beans back out?

504
00:27:19,080 --> 00:27:20,480
Speaker 4: Beans? Yeah?

505
00:27:20,760 --> 00:27:24,960
Speaker 3: You ever bite into a hot can of beans? Makes

506
00:27:24,960 --> 00:27:28,119
Speaker 3: you sneeze the beans right back out? So hot? I was.

507
00:27:28,280 --> 00:27:30,960
Speaker 3: So what I was curious about is was you talking

508
00:27:31,000 --> 00:27:34,000
Speaker 3: about the horse burning sitting in the fire and burning

509
00:27:34,000 --> 00:27:37,160
Speaker 3: its butt? Was that the response to my note about.

510
00:27:37,359 --> 00:27:39,639
Speaker 2: When when I said I got it right before we

511
00:27:39,680 --> 00:27:41,639
Speaker 2: went into that, that was what I had?

512
00:27:43,160 --> 00:27:48,200
Speaker 3: That was what I had gotten? Okay, that was so it.

513
00:27:48,480 --> 00:27:50,399
Speaker 2: I like, it's best of both worlds because it ties

514
00:27:50,440 --> 00:27:52,919
Speaker 2: in the fire still, but we are starting to discuss

515
00:27:53,000 --> 00:27:54,119
Speaker 2: other cowboy stuff.

516
00:27:54,320 --> 00:27:55,880
Speaker 3: I thought that was gonna be kind of a bridge

517
00:27:56,400 --> 00:28:01,919
Speaker 3: to like talking about your horse and like riding the range.

518
00:28:01,960 --> 00:28:06,920
Speaker 4: And there's a really strong metaphor for what I mean,

519
00:28:07,760 --> 00:28:11,520
Speaker 4: does a I'm not a Cliff's notes. I mean, I

520
00:28:11,560 --> 00:28:14,399
Speaker 4: don't want to explain the metaphor here because then.

521
00:28:14,320 --> 00:28:17,680
Speaker 3: Well you've done it many times about the TV thing.

522
00:28:18,560 --> 00:28:20,920
Speaker 4: The listener, Well, the listener might have his own shit,

523
00:28:21,000 --> 00:28:22,600
Speaker 4: his or her own shit going on.

524
00:28:23,000 --> 00:28:25,280
Speaker 2: That's one of the things that's cool about Cowboy TV,

525
00:28:25,480 --> 00:28:28,399
Speaker 2: you know, is you bring yourself to it, and we

526
00:28:28,480 --> 00:28:30,760
Speaker 2: do want the audience a little bit to interpret in

527
00:28:30,800 --> 00:28:31,879
Speaker 2: their own way, you know.

528
00:28:31,920 --> 00:28:32,520
Speaker 3: We don't want to.

529
00:28:32,440 --> 00:28:34,720
Speaker 2: Assign them like this is the meaning of the horse

530
00:28:34,840 --> 00:28:36,520
Speaker 2: possibly burning his button the fire.

531
00:28:36,960 --> 00:28:39,800
Speaker 3: We want them to take that journey on their own.

532
00:28:40,320 --> 00:28:43,560
Speaker 3: So my initial instinct when you did first start talking

533
00:28:43,560 --> 00:28:45,360
Speaker 3: about the horse, I was like, oh, I appreciate this,

534
00:28:45,360 --> 00:28:47,560
Speaker 3: this could be like a segue to something else. But

535
00:28:47,600 --> 00:28:50,360
Speaker 3: then it did seem like that was it, and then

536
00:28:50,400 --> 00:28:54,240
Speaker 3: you were going to begin the the mercery. I started

537
00:28:54,240 --> 00:28:56,800
Speaker 3: to miss the fire, you know, I started to miss

538
00:28:56,800 --> 00:29:00,440
Speaker 3: the fire was still being talked about. Actually that, Yeah, honestly,

539
00:29:00,560 --> 00:29:01,440
Speaker 3: thinking about the horse.

540
00:29:01,720 --> 00:29:03,720
Speaker 4: The horse kind of fucked me up a little bit

541
00:29:04,200 --> 00:29:06,760
Speaker 4: distracted me, Like it took me out of it for

542
00:29:06,800 --> 00:29:08,920
Speaker 4: a second, and it took me a second to get back.

543
00:29:09,160 --> 00:29:12,200
Speaker 4: And then when I heard, you know, Sean quing up

544
00:29:12,280 --> 00:29:14,840
Speaker 4: for like to read ads, I.

545
00:29:14,880 --> 00:29:19,920
Speaker 3: Actually there's more than one. Yeah, I guess I would

546
00:29:19,960 --> 00:29:24,680
Speaker 3: love to hear the second ad from our other sponsor.

547
00:29:25,200 --> 00:29:28,120
Speaker 3: That would be I mean, I am curious if you've

548
00:29:28,280 --> 00:29:30,800
Speaker 3: like arranged us already. I'm not really sure what you

549
00:29:30,920 --> 00:29:34,360
Speaker 3: want from me. But okay, well let's I've never produced

550
00:29:34,360 --> 00:29:39,840
Speaker 3: a podcast ever. Okay, and Kevin, But financially, Kevin has

551
00:29:39,840 --> 00:29:42,040
Speaker 3: been here the whole time, and he is a podcast.

552
00:29:43,400 --> 00:29:46,240
Speaker 2: He's not the right fit for this, And frankly, financially,

553
00:29:46,280 --> 00:29:47,480
Speaker 2: what we need is a.

554
00:29:49,200 --> 00:29:51,920
Speaker 3: Lot of support from our producer that I so, I

555
00:29:51,960 --> 00:29:54,520
Speaker 3: saw the sheet that Levin's got a lot of baggage.

556
00:29:54,960 --> 00:29:57,800
Speaker 4: He's in the system. We want to kind of drain

557
00:29:57,840 --> 00:30:00,400
Speaker 4: the swamp with this one a little bit. And okay,

558
00:30:00,480 --> 00:30:01,840
Speaker 4: and kind of get news.

559
00:30:02,000 --> 00:30:04,200
Speaker 3: That was another you talked about like not wanting it

560
00:30:04,240 --> 00:30:06,200
Speaker 3: to be political, but the way you talked about burning

561
00:30:06,200 --> 00:30:10,960
Speaker 3: the New York Times was not just about like escaping

562
00:30:11,000 --> 00:30:13,480
Speaker 3: the news. It seemed like it that that had sort

563
00:30:13,480 --> 00:30:16,680
Speaker 3: of a political tinge to it to me?

564
00:30:16,840 --> 00:30:19,280
Speaker 2: But did you see I added a as well, So it

565
00:30:19,320 --> 00:30:22,880
Speaker 2: wasn't just like you added what hey, I said, I

566
00:30:22,920 --> 00:30:26,240
Speaker 2: burned Hey, which is like sort of a cowboy thing.

567
00:30:27,840 --> 00:30:29,200
Speaker 3: I didn't have any problem with that.

568
00:30:29,640 --> 00:30:34,080
Speaker 2: Okay, well let's do let's let's I mean the ad.

569
00:30:34,640 --> 00:30:36,800
Speaker 2: Let's do a quick one. Let's get right into the

570
00:30:36,840 --> 00:30:38,600
Speaker 2: ad like well, yeah, well.

571
00:30:39,040 --> 00:30:40,800
Speaker 3: You can start from the beginning and then I can

572
00:30:40,840 --> 00:30:42,880
Speaker 3: hear what the what the ad is? Sure?

573
00:30:43,320 --> 00:30:45,320
Speaker 4: All right, yeah, we'll give you one where you get

574
00:30:45,320 --> 00:30:46,960
Speaker 4: what you want.

575
00:30:47,280 --> 00:30:59,600
Speaker 3: We try it fire sound please? Great? Oops? Spotted? Yeah,

576
00:30:59,600 --> 00:31:00,520
Speaker 3: I see trying to.

577
00:31:00,600 --> 00:31:04,320
Speaker 2: Hide behind their tumbleweed. Why don't you pull up a

578
00:31:04,360 --> 00:31:08,960
Speaker 2: stump and sit down with two old cowpokes next to

579
00:31:09,080 --> 00:31:13,240
Speaker 2: their favorite show only one channel, not them five hundred

580
00:31:13,320 --> 00:31:17,280
Speaker 2: thousand channels they got over there. But this is Cowboy

581
00:31:17,400 --> 00:31:19,600
Speaker 2: TV and it is watching a fire. Just to be

582
00:31:19,680 --> 00:31:21,080
Speaker 2: super explicit.

583
00:31:20,600 --> 00:31:24,400
Speaker 4: About that, it's stuff burning in the fire pit. That's

584
00:31:24,400 --> 00:31:25,760
Speaker 4: what Cowboy TV is.

585
00:31:26,640 --> 00:31:31,520
Speaker 2: And we're burning to you know, all types of sacred

586
00:31:31,600 --> 00:31:34,960
Speaker 2: artifacts of the liberal media to get it going. And

587
00:31:34,960 --> 00:31:36,960
Speaker 2: and we also are of course.

588
00:31:38,440 --> 00:31:39,080
Speaker 4: Y buthered.

589
00:31:41,200 --> 00:31:43,959
Speaker 2: I gotta say a lot of you are familiar with

590
00:31:44,040 --> 00:31:48,000
Speaker 2: our primary sponsor, mershmallows, But of course they can't be

591
00:31:48,160 --> 00:31:52,640
Speaker 2: eating and fried alone. That's why our second sponsor, the

592
00:31:52,720 --> 00:31:55,360
Speaker 2: pointy stick, is so damn important.

593
00:31:56,440 --> 00:32:00,960
Speaker 4: Now, a pointy stick has gotta be sharp enough to

594
00:32:01,240 --> 00:32:11,160
Speaker 4: pierce a marshmallow right through is liberal heart. It's soft,

595
00:32:11,880 --> 00:32:13,360
Speaker 4: soft liberal chest.

596
00:32:14,640 --> 00:32:17,120
Speaker 3: Yeah, marshmallows are white like snow filling.

597
00:32:17,160 --> 00:32:19,680
Speaker 4: It kind of makes me a little bit of horny bud.

598
00:32:20,960 --> 00:32:24,120
Speaker 2: I'll tell you, I do get excited what I'm doing

599
00:32:24,200 --> 00:32:33,080
Speaker 2: that part? All right, all right, okay, all right, you

600
00:32:33,160 --> 00:32:37,160
Speaker 2: are ending it. No, we're still going. We wanted one

601
00:32:37,200 --> 00:32:38,160
Speaker 2: that you were happy with.

602
00:32:38,400 --> 00:32:41,480
Speaker 4: Yeah, we took all that that was that was you,

603
00:32:41,680 --> 00:32:42,560
Speaker 4: that was for you.

604
00:32:44,080 --> 00:32:47,880
Speaker 3: I was like, yet, I am concerned about the longevity

605
00:32:49,280 --> 00:32:56,280
Speaker 3: of this overall. But the pointy stick as a sponsor.

606
00:32:56,320 --> 00:33:01,600
Speaker 3: You you have arranged this deal, and I deal with

607
00:33:01,600 --> 00:33:06,320
Speaker 3: with a with one stick or like, uh it's uh,

608
00:33:06,360 --> 00:33:13,160
Speaker 3: it's yeah, it's yes, basically yes, one essentially with an

609
00:33:13,160 --> 00:33:18,320
Speaker 3: opportunity to use more sticks later. So this makes sense

610
00:33:18,360 --> 00:33:21,160
Speaker 3: for based on the other ad I I heard about

611
00:33:21,200 --> 00:33:25,680
Speaker 3: mershmallows for bang. But for you, Sean, you don't you

612
00:33:25,760 --> 00:33:27,280
Speaker 3: just said that you I just throw them in.

613
00:33:27,440 --> 00:33:30,520
Speaker 2: I just throw them in wh I kind of so

614
00:33:30,760 --> 00:33:34,120
Speaker 2: I have bang do the like personal testimonial part of this.

615
00:33:34,640 --> 00:33:36,240
Speaker 3: Okay, that didn't I didn't hear that.

616
00:33:36,880 --> 00:33:40,320
Speaker 2: I know, I know, and it's it's still a little

617
00:33:40,360 --> 00:33:41,480
Speaker 2: rough around the edges where working.

618
00:33:41,480 --> 00:33:46,560
Speaker 3: We're gonna probably uh huh yes, which we're happy to do. Obviously.

619
00:33:46,600 --> 00:33:51,560
Speaker 2: We have I think time to squeeze in another another

620
00:33:51,600 --> 00:33:53,840
Speaker 2: ad for the pointy stick, and I'll just have to

621
00:33:53,880 --> 00:33:55,920
Speaker 2: remember to throw the bang and really go like, hey,

622
00:33:56,000 --> 00:33:58,080
Speaker 2: talk about like what you like about the pointy stick

623
00:33:58,120 --> 00:33:58,840
Speaker 2: or your experience.

624
00:33:59,120 --> 00:34:00,880
Speaker 3: And he did a little bit. I mean he talked

625
00:34:00,880 --> 00:34:02,600
Speaker 3: about piercing it through the heart.

626
00:34:03,760 --> 00:34:05,840
Speaker 4: I talked about it making me horny, which is kind

627
00:34:05,840 --> 00:34:07,680
Speaker 4: of for you to You talked about that a couple

628
00:34:07,760 --> 00:34:10,680
Speaker 4: of times, like because like it seemed like you wanted

629
00:34:10,680 --> 00:34:11,839
Speaker 4: to be a little sexier.

630
00:34:11,960 --> 00:34:14,440
Speaker 2: And and we and we incorporated some of the political

631
00:34:14,440 --> 00:34:16,399
Speaker 2: agenda stuff that actually said extly that.

632
00:34:16,360 --> 00:34:19,560
Speaker 3: I didn't want that or say that. So both of

633
00:34:19,600 --> 00:34:23,480
Speaker 3: those things. So we do we have to record another,

634
00:34:23,800 --> 00:34:26,719
Speaker 3: like an actual episode of the show. I think what

635
00:34:27,600 --> 00:34:29,640
Speaker 3: would help me make my decision is I guess if

636
00:34:29,760 --> 00:34:38,359
Speaker 3: listeners decided they want to hear more Cowboy TV, they

637
00:34:38,360 --> 00:34:43,200
Speaker 3: should probably post like a hashtag like hashtag I want

638
00:34:43,200 --> 00:34:48,600
Speaker 3: my Cowboy TV yeah, or something like. Normally I don't

639
00:34:48,640 --> 00:34:51,759
Speaker 3: like to like encourage that kind of engagement, but I

640
00:34:51,800 --> 00:34:55,359
Speaker 3: think that would just like a pulse taking thing. If

641
00:34:55,360 --> 00:34:57,640
Speaker 3: people want to hear more Cowboy TV. This could be

642
00:34:57,680 --> 00:35:00,920
Speaker 3: something that we do, like not every week, but like

643
00:35:01,000 --> 00:35:02,480
Speaker 3: every other week. Maybe.

644
00:35:02,920 --> 00:35:07,200
Speaker 4: Yeah, so you have I mean, all right, I feel

645
00:35:07,239 --> 00:35:09,279
Speaker 4: like it's kind of every week or bus.

646
00:35:09,000 --> 00:35:11,719
Speaker 3: That's not enough for you. Doing this every other week is.

647
00:35:12,040 --> 00:35:15,400
Speaker 2: In the in the Cowboy world, they would actually be

648
00:35:15,440 --> 00:35:19,040
Speaker 2: doing it every night. So yeah, okay, So I think

649
00:35:19,200 --> 00:35:21,319
Speaker 2: I think every week is a pretty big compromise on

650
00:35:21,360 --> 00:35:21,680
Speaker 2: our part.

651
00:35:21,760 --> 00:35:23,680
Speaker 3: You want this to be a podcast that comes out

652
00:35:23,719 --> 00:35:27,360
Speaker 3: at night every night, every night and a perfect world?

653
00:35:27,440 --> 00:35:30,000
Speaker 4: Yes, And I don't know, like I know Spielberg was

654
00:35:30,040 --> 00:35:32,600
Speaker 4: working on some like quibi stuff that like only came

655
00:35:32,600 --> 00:35:33,200
Speaker 4: out at night.

656
00:35:34,920 --> 00:35:35,840
Speaker 3: Is that true?

657
00:35:36,320 --> 00:35:40,000
Speaker 4: If we could get the freaky stuff, it is true,

658
00:35:40,320 --> 00:35:42,160
Speaker 4: that's the true thing you can look up. And I

659
00:35:42,239 --> 00:35:45,160
Speaker 4: do want to like get in on that tech and

660
00:35:45,280 --> 00:35:47,840
Speaker 4: have this be like depending on what time zone you're listening,

661
00:35:48,040 --> 00:35:49,719
Speaker 4: you can only listen to it at night.

662
00:35:50,120 --> 00:35:54,200
Speaker 3: You cannot listen to it during the day until night.

663
00:35:54,480 --> 00:35:57,560
Speaker 2: Okay, I did have one other idea, as you do

664
00:35:58,040 --> 00:35:59,640
Speaker 2: bring up kind of the idea of how it'll be

665
00:35:59,680 --> 00:36:03,319
Speaker 2: released and like marketing, And I think we have two

666
00:36:04,560 --> 00:36:10,680
Speaker 2: pretty healthy potential rivals that a feud with them could

667
00:36:10,680 --> 00:36:14,680
Speaker 2: get us some press coverage for free. One is the

668
00:36:14,840 --> 00:36:17,480
Speaker 2: Yule log that comes out on Netflix at Christmas time

669
00:36:17,560 --> 00:36:19,560
Speaker 2: that is just a burning log on the TV.

670
00:36:21,400 --> 00:36:24,439
Speaker 3: I think we could really target them them.

671
00:36:24,640 --> 00:36:27,560
Speaker 4: Give them a run for their money. I mean, they

672
00:36:27,719 --> 00:36:30,520
Speaker 4: we just got to step up our game around the holidays.

673
00:36:30,560 --> 00:36:33,120
Speaker 4: But like we'll have the build up of every night

674
00:36:33,360 --> 00:36:35,719
Speaker 4: for the whole year before then.

675
00:36:35,760 --> 00:36:38,359
Speaker 2: That you're gonna watch, Oh, you're gonna watch that fire like,

676
00:36:38,880 --> 00:36:40,640
Speaker 2: so the on different channel isn't our whole thing.

677
00:36:40,680 --> 00:36:43,640
Speaker 3: There's only one channel. And then and I guess after

678
00:36:43,800 --> 00:36:46,400
Speaker 3: Christmas you could do a thing where like you guys

679
00:36:47,320 --> 00:36:49,920
Speaker 3: chase them away or something like you ran them out

680
00:36:49,960 --> 00:36:50,239
Speaker 3: of town.

681
00:36:50,520 --> 00:36:52,399
Speaker 2: Maybe I would, Yes, I mean you wouldn't be able

682
00:36:52,440 --> 00:36:53,680
Speaker 2: to see us because we'll.

683
00:36:53,520 --> 00:36:56,239
Speaker 3: Be doing things. I'm just saying you would say that

684
00:36:57,080 --> 00:36:59,879
Speaker 3: we would. We would absolutely say that we we.

685
00:37:01,440 --> 00:37:01,760
Speaker 2: Fire.

686
00:37:02,040 --> 00:37:02,360
Speaker 4: Yeah.

687
00:37:02,440 --> 00:37:04,200
Speaker 3: Yeah.

688
00:37:04,239 --> 00:37:07,200
Speaker 2: But I also did want to pitch sort of a tagline,

689
00:37:07,360 --> 00:37:11,920
Speaker 2: which is Friday Night's Lit. So it's, you know, when

690
00:37:11,960 --> 00:37:14,560
Speaker 2: our big Friday episode is coming up, which we'll try

691
00:37:14,600 --> 00:37:18,200
Speaker 2: to always make extra special, We'll say Friday Night's Lit.

692
00:37:18,239 --> 00:37:21,000
Speaker 2: And my hope is that the TV show Friday Night

693
00:37:21,080 --> 00:37:25,640
Speaker 2: Lights will sue our ass, and that the lawsuit will

694
00:37:25,680 --> 00:37:28,719
Speaker 2: get a lot of coverage in the press, and that

695
00:37:28,800 --> 00:37:30,919
Speaker 2: the liberal media will eat that shit up and play

696
00:37:30,960 --> 00:37:31,800
Speaker 2: right into our hairs.

697
00:37:33,680 --> 00:37:36,759
Speaker 3: So but it still comes out every night.

698
00:37:37,480 --> 00:37:40,480
Speaker 4: Yeah, that's right, and it leads up to Friday Big

699
00:37:40,520 --> 00:37:43,160
Speaker 4: one Friday Night, and then we come back Saturday night,

700
00:37:43,960 --> 00:37:46,040
Speaker 4: and then we go on for the whole rest of

701
00:37:46,080 --> 00:37:46,399
Speaker 4: the week.

702
00:37:46,640 --> 00:37:49,840
Speaker 3: What's the big one? What is a big one for

703
00:37:50,000 --> 00:37:51,760
Speaker 3: this show? Bigger fire?

704
00:37:51,920 --> 00:37:54,160
Speaker 2: I mean, I don't want to get to behind the scener,

705
00:37:54,280 --> 00:37:58,359
Speaker 2: but we might actually like throw some gunpowder in there

706
00:37:58,440 --> 00:38:01,680
Speaker 2: or something something dangerous.

707
00:38:02,080 --> 00:38:05,759
Speaker 3: Okay, I again, I I've thought I was being very

708
00:38:05,800 --> 00:38:10,440
Speaker 3: generous proposing we do this show instead of our normal

709
00:38:10,440 --> 00:38:14,640
Speaker 3: show every other week, But I guess again, I would

710
00:38:14,680 --> 00:38:18,279
Speaker 3: like to hear from the listeners on this. I can

711
00:38:18,360 --> 00:38:22,120
Speaker 3: be convinced if we like get together enough of like

712
00:38:22,160 --> 00:38:28,160
Speaker 3: a petition, maybe like a change petition or something to

713
00:38:28,160 --> 00:38:33,920
Speaker 3: to have Cowboy TV be like a other every other

714
00:38:33,920 --> 00:38:37,360
Speaker 3: week or every week or possibly every night, like I

715
00:38:37,400 --> 00:38:40,479
Speaker 3: guess they should post hashtag I want my Cowboy TV.

716
00:38:40,600 --> 00:38:42,440
Speaker 3: Or is that an okay hashtag? I don't want to like.

717
00:38:43,200 --> 00:38:44,280
Speaker 4: No, I think that's great.

718
00:38:44,480 --> 00:38:47,719
Speaker 3: That's really good I do. Okay. So one other thing,

719
00:38:47,760 --> 00:38:50,000
Speaker 3: thank you for reminding me, Brett. A lot of the

720
00:38:50,080 --> 00:38:55,560
Speaker 3: music was not really Cowboy music. Yeah, I felt that

721
00:38:55,680 --> 00:38:58,480
Speaker 3: as well. One that had kind of an island vibe.

722
00:38:58,640 --> 00:39:05,640
Speaker 3: One was a little more like grungy like. That concerns

723
00:39:05,680 --> 00:39:07,879
Speaker 3: me a little bit that out of the four things

724
00:39:07,920 --> 00:39:11,720
Speaker 3: I heard, maybe have to not remind me of Cowboy

725
00:39:11,800 --> 00:39:12,399
Speaker 3: music at all.

726
00:39:13,040 --> 00:39:16,480
Speaker 4: Good note, Yeah, that's a good note. I mean, we

727
00:39:16,520 --> 00:39:21,200
Speaker 4: did get some of the surviving members of Dire Straits

728
00:39:21,239 --> 00:39:25,840
Speaker 4: to record like I Want My and like they looped

729
00:39:25,880 --> 00:39:31,320
Speaker 4: in Sting to get and I I Want my Cowboy TV.

730
00:39:31,640 --> 00:39:34,240
Speaker 4: Technically that's not Cowboy music. But what am I gonna

731
00:39:34,239 --> 00:39:35,840
Speaker 4: say no to Sting Hayes.

732
00:39:36,320 --> 00:39:41,440
Speaker 3: Yeah, they looped in Sting just to say just what.

733
00:39:41,400 --> 00:39:43,839
Speaker 5: Brett, Mark Knopfler from Dire Straits.

734
00:39:44,120 --> 00:39:50,319
Speaker 4: We got Mark Knopfler, Okay, so just to say we

735
00:39:50,400 --> 00:39:52,239
Speaker 4: got Knopfler, Man.

736
00:39:52,440 --> 00:39:55,040
Speaker 3: You got that that all of them just to say,

737
00:39:55,239 --> 00:39:58,680
Speaker 3: like the beginning of money for Nothing when they say

738
00:39:58,719 --> 00:39:59,680
Speaker 3: I want my MTV.

739
00:39:59,800 --> 00:40:02,200
Speaker 4: But the lyrics, I think that's the end.

740
00:40:02,200 --> 00:40:05,520
Speaker 3: Actually, yeah, it's the end of the song.

741
00:40:06,040 --> 00:40:09,320
Speaker 4: Yeah yeah, it's a bunch of city guys complaining about

742
00:40:09,360 --> 00:40:11,960
Speaker 4: like how how good these cowboys have it?

743
00:40:12,760 --> 00:40:15,359
Speaker 3: M hm okay, I'll check if that's the end.

744
00:40:15,360 --> 00:40:19,000
Speaker 4: They're like city rock stars. They're these big rock stars

745
00:40:19,719 --> 00:40:22,359
Speaker 4: and they're they walk by these cowboys.

746
00:40:21,760 --> 00:40:23,600
Speaker 3: And they're like, you think it's the middle of the song.

747
00:40:23,920 --> 00:40:25,600
Speaker 3: I also, aren't they all the end.

748
00:40:25,560 --> 00:40:27,160
Speaker 5: And they're talking about microL wave ovens.

749
00:40:27,840 --> 00:40:33,880
Speaker 3: At least Sting is not from America. Maybe that doesn't matter,

750
00:40:34,120 --> 00:40:36,439
Speaker 3: is not flir? I think he might be British too.

751
00:40:37,320 --> 00:40:40,839
Speaker 4: Yeah, I mean the thing is Cowboy TV's international, and

752
00:40:40,920 --> 00:40:47,880
Speaker 4: like you know, it's like the end of Kokomo, Like, is.

753
00:40:47,880 --> 00:40:51,800
Speaker 2: Your concern, sorry if I could interrupt, is your concern

754
00:40:51,920 --> 00:40:56,400
Speaker 2: that if we do it, do just the end of

755
00:40:56,440 --> 00:40:58,120
Speaker 2: the song and let it fade out, that it won't

756
00:40:58,120 --> 00:41:00,600
Speaker 2: then go into the body of the song, which includes

757
00:41:01,000 --> 00:41:04,680
Speaker 2: a homophobic slur set multiple times and like one of

758
00:41:04,680 --> 00:41:07,600
Speaker 2: the most popular pop songs of the era.

759
00:41:08,239 --> 00:41:11,200
Speaker 3: I well, I don't, Oh that's right. I actually know,

760
00:41:11,280 --> 00:41:16,000
Speaker 3: I'm just looking at the lyrics. That is incredibly problematic.

761
00:41:17,280 --> 00:41:19,560
Speaker 3: I had never I agree, but you would pitch the hashtag,

762
00:41:19,680 --> 00:41:23,120
Speaker 3: so then I thought, like you no, I so I

763
00:41:23,160 --> 00:41:26,000
Speaker 3: wasn't wanted that to the song. And in fact, the

764
00:41:26,200 --> 00:41:32,200
Speaker 3: song references a pre existing phrase. It just like like

765
00:41:32,280 --> 00:41:34,920
Speaker 3: it's as if I had mentioned microwave ovens. Like that

766
00:41:35,080 --> 00:41:37,560
Speaker 3: is not a reference to the song money for nothing.

767
00:41:37,600 --> 00:41:39,360
Speaker 4: Where are we going to say no to a Knopfler.

768
00:41:40,040 --> 00:41:43,200
Speaker 3: Please don't play it after Please don't play that Brett.

769
00:41:42,880 --> 00:41:45,920
Speaker 5: To me, that means launch into the song anytime if

770
00:41:45,960 --> 00:41:48,880
Speaker 5: you say microwave ovens, So you don't want me to

771
00:41:48,880 --> 00:41:49,239
Speaker 5: play it?

772
00:41:50,560 --> 00:41:54,439
Speaker 3: So it does that actually appears that the that does

773
00:41:54,480 --> 00:41:57,399
Speaker 3: happen at the beginning of the song, But I want

774
00:41:57,440 --> 00:41:59,480
Speaker 3: my MTV it's not at the end at all, or

775
00:41:59,520 --> 00:42:00,120
Speaker 3: it might be an.

776
00:42:00,160 --> 00:42:05,439
Speaker 2: End also, but how to avoid but if you want

777
00:42:05,520 --> 00:42:09,799
Speaker 2: the whole thing, I mean, so no, I'm just saying to.

778
00:42:09,800 --> 00:42:13,200
Speaker 3: Me, that's a marketing mistake. We do we really have

779
00:42:13,280 --> 00:42:17,040
Speaker 3: to record another episode? Okay, great, Okay bye.

780
00:42:19,280 --> 00:42:20,480
Speaker 6: It's the pro version