WEBVTT - Behind the Scenes with Andrew Jarecki

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<v Speaker 1>Pushkin. Hello, Hello revisionist history listeners. As many of you

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<v Speaker 1>will know, we did a seven part series last fall

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<v Speaker 1>called The Alabama Murders, the story of the death of

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<v Speaker 1>a preacher's wife in the shoals in northwestern Alabama thirty

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<v Speaker 1>five years ago and the tragic reverberations of that case.

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<v Speaker 1>I honestly think it's one of the best things we've

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<v Speaker 1>ever done on revisionist history. And almost the exact time

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<v Speaker 1>that our series dropped, HBO aired a brilliant documentary called

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<v Speaker 1>The Alabama Solution. The Revisionist History series was about the

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<v Speaker 1>death penalty in Alabama. The Alabama Solution was about the

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<v Speaker 1>prison system in Alabama.

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<v Speaker 2>We had record numbers of people leaving out of here

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<v Speaker 2>body bays. They don't want to put a biet what's

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<v Speaker 2>really going on?

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<v Speaker 3>Only at that How can a journalists go into a

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<v Speaker 3>war zone but can't go into a prison In the

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<v Speaker 3>United States?

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<v Speaker 1>The state is settling one.

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<v Speaker 4>Lawsuit after another. There's no consequences for their actions.

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<v Speaker 3>There's an argument that there is some systemic problem within

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<v Speaker 3>all of our facilities, and I, whileheartedly.

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<v Speaker 1>Disagree with that, the two projects fit together almost perfectly.

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<v Speaker 1>So I called up the director of the documentary Andrew

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<v Speaker 1>Jireki and said, do you want to sit down for

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<v Speaker 1>a conversation and he said yes, and so we got

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<v Speaker 1>together at on AirFest in Brooklyn for a long talk

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<v Speaker 1>about Alabama and filmmaking and all kinds of other things.

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<v Speaker 1>If the name Andrew Jireki seems familiar to you, it's

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<v Speaker 1>because he's one of the pre eminent documentarians of our time.

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<v Speaker 1>He did Capturing the Freedman's The Jinks. A brilliant, brilliant guy.

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<v Speaker 1>Here's a conversation, Andrew, Welcome to Brooklyn. Thank you, thank

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<v Speaker 1>you for doing this. The reason you and I are

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<v Speaker 1>on stage is that in the fall, we released a

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<v Speaker 1>seven part series on Revision's History called The Alabama Murders,

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<v Speaker 1>and almost at exactly the same time, you released a

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<v Speaker 1>documentary on HBO called The Alabama Solution. Our series was

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<v Speaker 1>about a capital punishment case. Your series was about the

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<v Speaker 1>Alabama prison system. And it was this marvelous instance of

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<v Speaker 1>two works that overlapped but didn't overlap. And I texted

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<v Speaker 1>you and said we should have a conversation, and here

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<v Speaker 1>we are, and I found your documentary extraordinary, and I

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<v Speaker 1>was just telling you backstage, I'm not someone who listens

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<v Speaker 1>to watches love documentaries. But I have seen all of yours,

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<v Speaker 1>Captain of Freedman's JINX. This is the best in my mind.

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<v Speaker 4>Thank you.

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<v Speaker 1>And I was curious, I would like you to start

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<v Speaker 1>tell us how you came to do a story about

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<v Speaker 1>the Alabama prison system, because I suspect it's not a

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<v Speaker 1>straight line. You didn't sit down one day and say

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<v Speaker 1>I want to do a story about the Alabama the system.

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<v Speaker 4>Yeah. I think nothing's a straight line, certainly for me.

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<v Speaker 4>And I was noticing also your podcast around that same

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<v Speaker 4>time and then and I was sort of I was

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<v Speaker 4>kind of holding back because I thought, is this going

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<v Speaker 4>to influence what we're working on? You know, just because

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<v Speaker 4>it's hard, like when you're making one thing and then

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<v Speaker 4>somebody else does something else, and especially if it's a

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<v Speaker 4>smart person, You're like, what if they do this better?

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<v Speaker 4>Or what do they have an idea? And then I'm

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<v Speaker 4>drawn to that idea or something like that. But I

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<v Speaker 4>did get to listen to it, and it's it's really

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<v Speaker 4>superb and and and and extremely familiar to me. So

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<v Speaker 4>I you know, when I was making Capturing the Freedman's

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<v Speaker 4>I had reason to go into Dana Mora correctional facility

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<v Speaker 4>in Upstate New York, and I found that the visit

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<v Speaker 4>was so punishing, just as a visitor, everything about it

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<v Speaker 4>was so difficult and brutal. And then when I saw

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<v Speaker 4>the waiting room and I saw how people were being

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<v Speaker 4>treated there, I just thought, I think I need to

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<v Speaker 4>get deeper into this prison. And I wasn't able to

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<v Speaker 4>do that. But then over the years, I just visited

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<v Speaker 4>a lot of prisons and I was really amazed at

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<v Speaker 4>how poorly we do this. But I never really understood

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<v Speaker 4>the Alabama system because it's so secretive. I mean, I

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<v Speaker 4>would say all prisons in the US are sort of

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<v Speaker 4>treated like black sites. And you know, you drive down

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<v Speaker 4>the highway and you see a little metal sign that

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<v Speaker 4>says XYZ correctional facility in Upstate New York or someplace,

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<v Speaker 4>and you think, well, I probably don't need to drive

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<v Speaker 4>down there. If anything really bad's happening, you know, somebody

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<v Speaker 4>will tell me about it. But that presupposes that you

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<v Speaker 4>will be able to read it in a paper, you

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<v Speaker 4>will be able to see a television show that explains it.

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<v Speaker 4>And that's not the case because the press is really

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<v Speaker 4>not allowed to visit prisons.

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<v Speaker 1>There's a great line from one of your one of

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<v Speaker 1>your character is in your documentary, one of the prisoners

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<v Speaker 1>who says, isn't it crazy that if you're a journalist,

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<v Speaker 1>you can go to a war zone, but you can't

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<v Speaker 1>go to a prison in your own country?

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<v Speaker 4>Yeah? Yeah, yeah, you can visit a war zone and

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<v Speaker 4>you can't go to a prison in the United States

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<v Speaker 4>of America. And so I was always curious and then

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<v Speaker 4>didn't think I would ever get a chance to do it.

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<v Speaker 4>And then oddly, my daughter, who was like fourteen, she

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<v Speaker 4>went to Dalton, and at Dalton they had a really

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<v Speaker 4>good speaker program and they had brought in a guy

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<v Speaker 4>named Anthony ray Hinton who had been wrongfully convicted in

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<v Speaker 4>Alabama and had been in this prison system for like

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<v Speaker 4>thirty years. And she said, you know, I think you

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<v Speaker 4>should read this book with me because I think, you know,

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<v Speaker 4>you're interested in this stuff. And then we read the

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<v Speaker 4>book together and we just sort of spontaneously decided to

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<v Speaker 4>take a road trip to Montgomery. We went to Montgomery,

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<v Speaker 4>we didn't know anybody. We almost accidentally met a man

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<v Speaker 4>who is almost eighty years old who was the first

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<v Speaker 4>black prison chaplain in the state of Alabama, appointed by

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<v Speaker 4>George Wallace. I think he was like George Wallace's one

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<v Speaker 4>black friend, because he had to have one. And so

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<v Speaker 4>I asked him to have dinner with us. So we

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<v Speaker 4>sat and had dinner, and I started asking him questions

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<v Speaker 4>and he was kind of reluctant to tell me too much.

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<v Speaker 4>But I could also tell he had a lot of

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<v Speaker 4>pain because he goes into these prisons all the time,

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<v Speaker 4>so he knows what's happening in the prisons. But he's

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<v Speaker 4>afraid that if he tells me too much, then I'm

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<v Speaker 4>going to get too nosy and then maybe he's going

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<v Speaker 4>to get kicked out of the prisons because we start

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<v Speaker 4>so but I could tell he didn't want to let

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<v Speaker 4>me leave either, and so we had this little standoff

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<v Speaker 4>for a while where I was asking questions and he said, well,

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<v Speaker 4>why don't you just, you know, come back and you

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<v Speaker 4>can see for yourself. And I said, well, I'm a filmmaker.

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<v Speaker 4>They're not going to let me into the Alabama prison system.

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<v Speaker 4>And he said, well, just come in without a camera,

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<v Speaker 4>just come in and volunteer and we'll give about hygiene

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<v Speaker 4>packages and food. And so I said, or maybe I'm

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<v Speaker 4>going to do that. Well, if I do come back,

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<v Speaker 4>what will I see? And I could tell that he

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<v Speaker 4>was sort of thinking about whether he wanted to say

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<v Speaker 4>this thing that he was going to say to me,

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<v Speaker 4>because he knew if he said the right thing, I

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<v Speaker 4>would come back, and if he didn't, maybe I wouldn't.

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<v Speaker 4>And he said, if you come back, I'll take you

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<v Speaker 4>on the death row at Holman Prison and you'll see

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<v Speaker 4>it's a slave ship. And that was a very important

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<v Speaker 4>kind of moment for me. That was seven years ago,

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<v Speaker 4>and I think it's the reason that line was the

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<v Speaker 4>reason I went back, because I just thought, well, whatever

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<v Speaker 4>this is, I have to see. And then I went back.

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<v Speaker 4>And you'll see in the film we sort of get

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<v Speaker 4>access until we don't. But in the course of going

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<v Speaker 4>into Easterling Prison, we start hearing from these men who

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<v Speaker 4>are saying, look this visit you're making here, I'm not

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<v Speaker 4>supposed to be talking to you, but this is a

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<v Speaker 4>curated visit, rightwing. You just what they want you to see.

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<v Speaker 4>But see that building over there, that's where they do

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<v Speaker 4>solitary confinement. There are men that men that have been

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<v Speaker 4>in there for five years or seven years at a time,

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<v Speaker 4>seeing nobody, and see that building over there is the

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<v Speaker 4>wide dorm. That's the behavior modification dorm, and somebody was

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<v Speaker 4>just killed there by guard and we just started to

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<v Speaker 4>understand how bad it was. And then last thing that

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<v Speaker 4>happened is, you know, we get kicked out, and then

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<v Speaker 4>we thought we didn't know how we're going to tell

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<v Speaker 4>the story until we discovered that there was this network

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<v Speaker 4>of people inside who had contraband cell phones and had

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<v Speaker 4>access to a charger, were borrowing a charger from a

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<v Speaker 4>friend and would have to put the cell phones up

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<v Speaker 4>when the guards came. But it was our only window

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<v Speaker 4>into this very secretive system.

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<v Speaker 1>Had anyone I want to pause on that for a

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<v Speaker 1>moment because one of the many remarkable the most remarkable

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<v Speaker 1>thing about the documentary from a technical standpoint, is that

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<v Speaker 1>it is largely shot in FaceTime right or in video calls.

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<v Speaker 1>I don't know what percentage of the movie ends up being.

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<v Speaker 1>Thirty percent of the movie is just the is the

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<v Speaker 1>prisoners facetiming with you and you had this? Has this

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<v Speaker 1>been done before?

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<v Speaker 4>I mean I don't know of it having been done before,

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<v Speaker 4>because it's such an unusual situation, not only because the

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<v Speaker 4>men had access to cell phones, but because they had

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<v Speaker 4>collected all this material over years that showed what was

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<v Speaker 4>really happening in the system and showed episodes of you know,

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<v Speaker 4>really shocking episodes. I mean, when I saw it, I thought,

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<v Speaker 4>you know, this is like watching Titkeke at follies. You're

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<v Speaker 4>looking at a whole segment of the population that's just

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<v Speaker 4>been abandoned, and not just abandoned, but also harmed. And

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<v Speaker 4>then we discovered that there were these men inside who

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<v Speaker 4>were leaders, who were really civil rights leaders, who had

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<v Speaker 4>been managing like a non vibe protest movement for years,

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<v Speaker 4>even before we got there, and so we had the

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<v Speaker 4>benefit of you know, it was like talking to Mandela

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<v Speaker 4>on Robin Island on a cell phone.

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<v Speaker 1>So I would to pause on this because I think

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<v Speaker 1>it's a really important point. And I was naive enough

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<v Speaker 1>about documentaries that it hadn't occurred to me before. But

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<v Speaker 1>with the notion that you were the narrative engine of

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<v Speaker 1>this documentary is the videos being recorded by the prisoners

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<v Speaker 1>themselves in real time and being sent to you, And

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<v Speaker 1>with that you overcome what has always been the biggest

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<v Speaker 1>problem with documentaries, right which is you're telling a story

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<v Speaker 1>after the fact, and any almost always in documentaries, any

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<v Speaker 1>video that you're capturing, unless you get some archival talking

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<v Speaker 1>to people as they reconstruct something that happened far away

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<v Speaker 1>and long ago. This all of that, our artificiality is

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<v Speaker 1>gone from Alabama solution. You're right there to prison with

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<v Speaker 1>these guys.

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<v Speaker 4>Yeah, I mean, it was, it was. It was an

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<v Speaker 4>enormously eye opening and I would say violent experience to

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<v Speaker 4>be drawn into that and to understand that the only

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<v Speaker 4>way that these people can get away with treating human

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<v Speaker 4>beings this way is if it's in darkness. You know,

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<v Speaker 4>you can't you can't do this if the public knows

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<v Speaker 4>that you're doing it, even even a jaded public in

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<v Speaker 4>Alabama who you know, as you know very well, Alabama

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<v Speaker 4>is sort of inured to certain kinds of indignities, and

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<v Speaker 4>you know, they're very propagandized group. You know, it's sort

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<v Speaker 4>of very tough on crime, and the politicians really like

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<v Speaker 4>weaponize the crime victims to just have this constant narrative.

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<v Speaker 4>It's like watching cops twenty four hours a day. It's

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<v Speaker 4>just an advertisement for poor people are crazy and dangerous

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<v Speaker 4>and so being able to to eliminate that layer. You

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<v Speaker 4>know that propaganda layer. You know, there's a great line.

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<v Speaker 4>I mean, one of the leaders in the film, Robert Earl,

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<v Speaker 4>counsel who goes by Kinetic Justice, says, you know, I'm

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<v Speaker 4>in prison. I'm supposed to lie, I'm supposed to exaggerate.

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<v Speaker 4>I'm supposed to make up excuses. So that narrative is

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<v Speaker 4>so strong that unless we can tell the story directly

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<v Speaker 4>to people, they're just going to assume that it's not true.

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<v Speaker 4>And you know, and I felt like going into the

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<v Speaker 4>prisons there, I was far more you know, they would say, oh, well,

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<v Speaker 4>don't talk to the men because they're very dangerous and

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<v Speaker 4>they're going to tell you lies and so on. And

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<v Speaker 4>I felt so much more comfortable talking to the men

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<v Speaker 4>who are incarcerated than the guards.

0:12:57.676 --> 0:13:00.196
<v Speaker 1>Well, how long did it take for you to realize

0:13:00.196 --> 0:13:02.276
<v Speaker 1>that the movie was going to be constructed out of

0:13:02.316 --> 0:13:06.356
<v Speaker 1>these based on videos and prisoners we're sharing with you.

0:13:07.356 --> 0:13:09.836
<v Speaker 4>Well, you know, my biggest anxiety was that we were

0:13:09.876 --> 0:13:13.356
<v Speaker 4>not going to be able to get enough material talking

0:13:13.356 --> 0:13:16.516
<v Speaker 4>to the men. Obviously this archival material where you can

0:13:16.596 --> 0:13:23.436
<v Speaker 4>see really telling things that happen, there was an embarrassment

0:13:23.716 --> 0:13:27.636
<v Speaker 4>of traumatic events. I mean, it was just that was

0:13:27.756 --> 0:13:33.236
<v Speaker 4>like terror bytes worth of that material, but being able

0:13:33.276 --> 0:13:37.516
<v Speaker 4>to talk directly to the men. Once you do it,

0:13:37.556 --> 0:13:39.556
<v Speaker 4>once you're talking to them for five minutes, you think

0:13:39.676 --> 0:13:41.796
<v Speaker 4>this is the only thing I want to watch. I

0:13:41.836 --> 0:13:43.796
<v Speaker 4>don't want to hear anybody. I don't want to hear experts.

0:13:44.916 --> 0:13:46.916
<v Speaker 4>You know, we had this sex do Or Pontier was

0:13:46.996 --> 0:13:49.796
<v Speaker 4>my partner in making the jinks. Who's sitting here right there.

0:13:51.596 --> 0:13:54.196
<v Speaker 4>He and I talked a lot about experts when we

0:13:54.236 --> 0:13:57.316
<v Speaker 4>were making the jinks. You know, we had access to

0:13:57.356 --> 0:13:59.636
<v Speaker 4>the people that were in Bob Durst's life, and we

0:13:59.756 --> 0:14:03.076
<v Speaker 4>had access to people that were present during crimes and

0:14:03.196 --> 0:14:06.516
<v Speaker 4>helpful in crimes and so on, and so it just

0:14:06.636 --> 0:14:08.756
<v Speaker 4>was every time we'd interview somebody would say, well let

0:14:08.796 --> 0:14:10.676
<v Speaker 4>me tell you how this works or something. It just

0:14:10.716 --> 0:14:14.276
<v Speaker 4>wasn't very effective, and in this case it was. It

0:14:14.556 --> 0:14:17.236
<v Speaker 4>would have been absurd, you know, there was we wanted

0:14:17.236 --> 0:14:19.116
<v Speaker 4>to talk to some of the system actors. So we

0:14:19.196 --> 0:14:22.596
<v Speaker 4>ended up getting access to like the Attorney General, who's

0:14:22.636 --> 0:14:26.516
<v Speaker 4>an incredible cinematic villain, and.

0:14:26.396 --> 0:14:28.196
<v Speaker 1>It is I want to talk to him in more detail.

0:14:28.196 --> 0:14:29.716
<v Speaker 1>I want to come back to him. Just pause on that,

0:14:29.796 --> 0:14:32.396
<v Speaker 1>because anyway, keep going.

0:14:32.596 --> 0:14:36.396
<v Speaker 4>And by the way, I particularly enjoyed and my mind

0:14:36.476 --> 0:14:38.876
<v Speaker 4>was a little bit blown by hearing Steve Marshall, the

0:14:38.876 --> 0:14:44.876
<v Speaker 4>Attorney General in your podcast, you know, speaking as the

0:14:45.916 --> 0:14:49.156
<v Speaker 4>convincingly right as the authority who's explaining how you know,

0:14:49.236 --> 0:14:52.436
<v Speaker 4>he's there for crime victims and they've waited thirty five

0:14:52.516 --> 0:14:54.916
<v Speaker 4>years for justice and all that stuff. And this is

0:14:54.916 --> 0:14:59.236
<v Speaker 4>a guy who's presiding over death camps in an American state.

0:15:00.556 --> 0:15:02.436
<v Speaker 4>But he was something, he was somebody that had to

0:15:02.436 --> 0:15:02.796
<v Speaker 4>be there.

0:15:02.876 --> 0:15:06.956
<v Speaker 1>So to to pause for a moment, the movie is about.

0:15:07.076 --> 0:15:11.396
<v Speaker 1>It's a in general, an investigation of the extraordinary brutality

0:15:11.396 --> 0:15:15.996
<v Speaker 1>inside the Alabama prison system, and in particular about the

0:15:16.036 --> 0:15:17.876
<v Speaker 1>murder of a young man at the hands of a guard,

0:15:18.196 --> 0:15:22.316
<v Speaker 1>of a sadistic guard, and then the cover up that

0:15:22.476 --> 0:15:27.436
<v Speaker 1>ensues that you're able to uncover by virtue of these

0:15:27.476 --> 0:15:30.996
<v Speaker 1>calls with the with the prisoners inside the same institution.

0:15:31.436 --> 0:15:37.036
<v Speaker 1>So it's simultaneously a kind of Upton Sinclair like expose

0:15:37.276 --> 0:15:41.596
<v Speaker 1>of a institution and also a murder mystery and im

0:15:42.276 --> 0:15:45.356
<v Speaker 1>and the murder mystery which I don't know whether we

0:15:45.356 --> 0:15:47.996
<v Speaker 1>should give away the one of the key kind of

0:15:48.036 --> 0:15:51.956
<v Speaker 1>moments in the in the movie, but you get it.

0:15:52.076 --> 0:15:57.876
<v Speaker 1>Takes a surprising and horrifying twist. As you're in the

0:15:57.876 --> 0:16:00.476
<v Speaker 1>middle of it. You think you think you're investigating one

0:16:00.596 --> 0:16:04.076
<v Speaker 1>murder and then you end up investigating too And I'm

0:16:04.236 --> 0:16:09.356
<v Speaker 1>how how far into the film was the twist?

0:16:10.036 --> 0:16:12.596
<v Speaker 4>Well, we didn't know what we were making. We never

0:16:12.636 --> 0:16:16.596
<v Speaker 4>know what we're making, right, And sometimes today I think

0:16:16.636 --> 0:16:20.436
<v Speaker 4>in documentary world, you know, somebody, some streamer or something

0:16:20.476 --> 0:16:24.476
<v Speaker 4>will send you a like a an email saying like,

0:16:24.556 --> 0:16:27.036
<v Speaker 4>you know, you need to make this film, and I

0:16:27.116 --> 0:16:29.956
<v Speaker 4>almost never open them, but when I do open them,

0:16:30.036 --> 0:16:33.196
<v Speaker 4>there's always like a deck, and the deck literally will

0:16:33.236 --> 0:16:35.716
<v Speaker 4>say to you, you know, here are the main characters,

0:16:35.796 --> 0:16:38.276
<v Speaker 4>and we've already made agreements with them, and this is

0:16:38.316 --> 0:16:40.636
<v Speaker 4>what they're going to say, and then you know, here's

0:16:40.676 --> 0:16:44.996
<v Speaker 4>what your plotline is going to be. And I just think,

0:16:45.036 --> 0:16:48.996
<v Speaker 4>like that should be an AI film, like you already

0:16:48.996 --> 0:16:50.516
<v Speaker 4>know what it is and you should just say I

0:16:50.676 --> 0:16:53.756
<v Speaker 4>that thing and some people watch it. But the whole

0:16:53.796 --> 0:16:56.236
<v Speaker 4>idea is the journey, right, The whole idea is that

0:16:56.276 --> 0:16:58.556
<v Speaker 4>we don't know what's going to happen. You know, when

0:16:58.556 --> 0:17:00.636
<v Speaker 4>I was making Capturing the Freedman's I thought I was

0:17:00.676 --> 0:17:04.236
<v Speaker 4>making a film about professional children's birthday party entertainers in

0:17:04.276 --> 0:17:07.116
<v Speaker 4>New York City, and then you know, it turned out

0:17:07.116 --> 0:17:09.796
<v Speaker 4>to be something that was radically different from that because

0:17:10.116 --> 0:17:13.196
<v Speaker 4>you discover something along the way. When we were making

0:17:13.196 --> 0:17:17.996
<v Speaker 4>the jinks, we knew that Bob Durst wanted to talk,

0:17:18.516 --> 0:17:21.596
<v Speaker 4>and that was interesting enough for me and Zach. What

0:17:22.156 --> 0:17:26.596
<v Speaker 4>we found, the fact that he wanted to talk enough

0:17:26.676 --> 0:17:28.436
<v Speaker 4>that it would lead us down enough pass that we

0:17:28.476 --> 0:17:31.956
<v Speaker 4>would discover evidence and he would get arrested for murder

0:17:32.036 --> 0:17:36.116
<v Speaker 4>the day before the last episode, was totally unpredictable. And

0:17:36.116 --> 0:17:40.236
<v Speaker 4>that's why you do it, right. I mean, so in

0:17:40.276 --> 0:17:43.036
<v Speaker 4>this case, we had just gotten a text message from

0:17:43.036 --> 0:17:47.036
<v Speaker 4>one of the men inside and the I guess the

0:17:47.076 --> 0:17:49.996
<v Speaker 4>only precursor of that was that we had been looking

0:17:49.996 --> 0:17:54.116
<v Speaker 4>at all of the pro sae lawsuits filed by prisoners,

0:17:54.716 --> 0:17:57.076
<v Speaker 4>you know, lawsuits that are filed without the benefit of

0:17:57.076 --> 0:18:00.596
<v Speaker 4>a lawyer. But these guys are kind of incredible lawyers.

0:18:00.756 --> 0:18:04.396
<v Speaker 4>Some of them are really extraordinary, sort of jailhouse lawyers,

0:18:04.396 --> 0:18:10.276
<v Speaker 4>but very very sophisticated. And we had been looking at

0:18:10.316 --> 0:18:13.356
<v Speaker 4>all these lawsuits because we wanted to see who are

0:18:13.396 --> 0:18:17.396
<v Speaker 4>the guards that are coming up repeatedly in these lawsuits

0:18:17.636 --> 0:18:20.076
<v Speaker 4>and we had found this one guard named Rod Gadson,

0:18:21.116 --> 0:18:24.396
<v Speaker 4>Rodrick Gadson, and he was named in I think twenty

0:18:24.476 --> 0:18:28.036
<v Speaker 4>four different brutality suits. And you have to understand, like

0:18:28.636 --> 0:18:34.036
<v Speaker 4>bringing one of these lawsuits in prison is it's the

0:18:34.076 --> 0:18:41.156
<v Speaker 4>most optimistic and kind of absurdest thing because there's no

0:18:41.316 --> 0:18:44.956
<v Speaker 4>money in it. They never get an award. Their conversations

0:18:44.956 --> 0:18:47.196
<v Speaker 4>that happened like, Okay, well this guy got his finger

0:18:47.276 --> 0:18:49.956
<v Speaker 4>intentionally cut off in his cell door by a guard.

0:18:50.596 --> 0:18:52.796
<v Speaker 4>But how much is a finger really worth? You know,

0:18:52.876 --> 0:18:55.356
<v Speaker 4>maybe it's five thousand dollars. It's very hard to get

0:18:55.396 --> 0:18:57.756
<v Speaker 4>a lawyer to cover that. We have lawyers said that

0:18:57.796 --> 0:18:59.516
<v Speaker 4>would say to us along the way, like find me

0:18:59.596 --> 0:19:02.836
<v Speaker 4>a murder that might be worth it, that might be

0:19:02.876 --> 0:19:05.516
<v Speaker 4>worth my getting into it. So in this particular case,

0:19:05.636 --> 0:19:08.476
<v Speaker 4>rod Gadson's name had kept coming up. And then one

0:19:08.556 --> 0:19:16.116
<v Speaker 4>day Mel texts Charlotte, my co director, and says, hey,

0:19:17.636 --> 0:19:21.436
<v Speaker 4>we understand somebody got beaten very badly at Donaldson Prison

0:19:21.516 --> 0:19:24.116
<v Speaker 4>and he's currently at UAB Hospital. So he was moved

0:19:24.156 --> 0:19:26.956
<v Speaker 4>off the campus to the hospital. So Charlotte, I had

0:19:26.956 --> 0:19:30.356
<v Speaker 4>just got in a car in Birmingham and we just

0:19:30.436 --> 0:19:33.196
<v Speaker 4>drove over to the hospital. We walked in and I

0:19:33.236 --> 0:19:35.156
<v Speaker 4>like took my iPhone and I stuck in my pocket

0:19:35.196 --> 0:19:38.036
<v Speaker 4>and moved it around a little bit, and they said, oh,

0:19:38.036 --> 0:19:40.156
<v Speaker 4>you got to go up to the fourth floor, and

0:19:40.196 --> 0:19:41.836
<v Speaker 4>we went up there, and by the time we got there,

0:19:41.876 --> 0:19:44.316
<v Speaker 4>we found that this young man, Stephen Davis, had died.

0:19:44.796 --> 0:19:47.716
<v Speaker 4>So he had been and we didn't know how that

0:19:47.756 --> 0:19:50.236
<v Speaker 4>had happened, other than that he had been beaten. And

0:19:50.276 --> 0:19:54.316
<v Speaker 4>then we went to find his mother because often the

0:19:54.356 --> 0:19:58.116
<v Speaker 4>prison doesn't tell the family members if somebody has been

0:19:58.196 --> 0:20:01.436
<v Speaker 4>killed in prison, especially if it's done by a guard,

0:20:01.556 --> 0:20:04.596
<v Speaker 4>if the guard is responsible, they immediately scramble all the

0:20:04.596 --> 0:20:06.756
<v Speaker 4>witnesses and they will say, well, let's not tell his

0:20:06.956 --> 0:20:09.916
<v Speaker 4>mother for two weeks. We'll move the these guys around them,

0:20:09.996 --> 0:20:11.676
<v Speaker 4>we'll give this guy an incentive to go to a

0:20:11.716 --> 0:20:14.516
<v Speaker 4>different facility, and we'll help this other guy, because they

0:20:14.556 --> 0:20:17.156
<v Speaker 4>just don't want the evidence. And in that case, we

0:20:17.196 --> 0:20:20.396
<v Speaker 4>went to Sandy Ray's house. She had just been with

0:20:20.476 --> 0:20:22.916
<v Speaker 4>her son hours before that and had taken Mo off

0:20:22.956 --> 0:20:27.996
<v Speaker 4>life support, and she said, you guys are making a

0:20:28.036 --> 0:20:30.756
<v Speaker 4>film and we said yeah. She said, well, I want

0:20:30.796 --> 0:20:33.196
<v Speaker 4>to help you do it. I don't want this to

0:20:33.236 --> 0:20:36.636
<v Speaker 4>happen to any other mother, and so right now they're

0:20:36.716 --> 0:20:39.196
<v Speaker 4>lying to me. I know, the prison's calling me right now,

0:20:39.236 --> 0:20:41.316
<v Speaker 4>and they're lying to me about what happens. So show

0:20:41.396 --> 0:20:44.196
<v Speaker 4>me how to record my phone calls. So we got

0:20:44.196 --> 0:20:45.876
<v Speaker 4>on her phone and we showed her how to record

0:20:45.916 --> 0:20:47.516
<v Speaker 4>a phone call. And then she said, by the way,

0:20:47.516 --> 0:20:51.196
<v Speaker 4>there are no motels here because Uniontown only has four

0:20:51.236 --> 0:20:54.236
<v Speaker 4>hundred people in it, so you know, I have this

0:20:54.316 --> 0:20:57.436
<v Speaker 4>spare room. So Charlotte just like got her duffel back

0:20:57.516 --> 0:20:59.276
<v Speaker 4>and just moved in for a couple of weeks into

0:20:59.276 --> 0:21:00.276
<v Speaker 4>Sandy's house, which is.

0:21:00.236 --> 0:21:02.476
<v Speaker 1>Why, yeah, waiting for the call to come.

0:21:02.556 --> 0:21:06.116
<v Speaker 4>Not just that call, but it's just watching how Sandy

0:21:06.196 --> 0:21:08.596
<v Speaker 4>was discovering what had really happened to her son and

0:21:08.636 --> 0:21:12.236
<v Speaker 4>eventually getting a call from somebody inside the prison who

0:21:12.276 --> 0:21:15.836
<v Speaker 4>was a whistleblower who said doesn't even want to identify himself,

0:21:15.956 --> 0:21:18.396
<v Speaker 4>but says, you know this is not this was not

0:21:18.516 --> 0:21:19.956
<v Speaker 4>a I wonder described it well.

0:21:20.036 --> 0:21:25.436
<v Speaker 1>Watching My first kind of like technical question was you

0:21:25.516 --> 0:21:29.556
<v Speaker 1>had you're there in the room on camera with the

0:21:29.596 --> 0:21:32.116
<v Speaker 1>mom when she gets the call from the state or

0:21:32.156 --> 0:21:34.156
<v Speaker 1>the Department of Corrections. I was like, how on earth

0:21:34.196 --> 0:21:36.116
<v Speaker 1>were they there in the room, like I didn't understand. Technically,

0:21:36.276 --> 0:21:38.636
<v Speaker 1>now I know how it happened. They were victims of

0:21:38.676 --> 0:21:41.876
<v Speaker 1>their own because it's they built a delay in order

0:21:41.876 --> 0:21:43.556
<v Speaker 1>to build a cover up, and in so doing they

0:21:43.556 --> 0:21:46.036
<v Speaker 1>destroyed their cover up weirdly.

0:21:46.116 --> 0:21:48.636
<v Speaker 4>Well yeah, and by the way, in terms of being

0:21:48.636 --> 0:21:52.556
<v Speaker 4>shot with your own gun, the contraband cell phones that

0:21:52.596 --> 0:21:57.156
<v Speaker 4>are in the prison are all sold to the inmates

0:21:57.156 --> 0:22:00.276
<v Speaker 4>in the prison by the guards. Right. As a matter

0:22:00.276 --> 0:22:04.556
<v Speaker 4>of fact, when I started to discover how many, just

0:22:04.636 --> 0:22:09.956
<v Speaker 4>how much drugs were coming into the prison or this

0:22:10.276 --> 0:22:12.956
<v Speaker 4>enormous cash of cell phones that were coming to the prison,

0:22:13.396 --> 0:22:15.036
<v Speaker 4>I was talking to one of the prisoners and I

0:22:15.076 --> 0:22:17.556
<v Speaker 4>said to him, you know, where's all this coming from?

0:22:17.636 --> 0:22:19.116
<v Speaker 4>And he looked at me like I was an idiot,

0:22:19.116 --> 0:22:24.196
<v Speaker 4>and he said, you know, we don't leave, right. So

0:22:24.356 --> 0:22:26.796
<v Speaker 4>clearly the people that come and go every day are

0:22:26.796 --> 0:22:28.916
<v Speaker 4>the ones that are going out and getting drugs and

0:22:28.916 --> 0:22:30.836
<v Speaker 4>going out and buying cell phones and bring him in.

0:22:31.396 --> 0:22:34.756
<v Speaker 4>So it's kind of incredibly ironic that the tool that

0:22:34.796 --> 0:22:38.196
<v Speaker 4>the men are using to identify the crimes that are

0:22:38.236 --> 0:22:42.276
<v Speaker 4>being committed by the ostensible law enforcement officers are sold

0:22:42.276 --> 0:22:45.516
<v Speaker 4>to them by aforementioned law enforcement officers.

0:22:45.676 --> 0:22:47.756
<v Speaker 1>I had a lot of difficulty, even after I had

0:22:47.756 --> 0:22:51.116
<v Speaker 1>spent months and months and months doing my Alabama project,

0:22:51.716 --> 0:22:55.916
<v Speaker 1>I was just aghast. I don't know why was I

0:22:55.916 --> 0:22:59.556
<v Speaker 1>I was just something about seeing it because I only heard.

0:23:00.556 --> 0:23:02.916
<v Speaker 1>My whole thing was just listening to people tell me stories. Right,

0:23:02.916 --> 0:23:05.556
<v Speaker 1>I didn't see anything. Will be the point. I'm doing

0:23:05.556 --> 0:23:09.836
<v Speaker 1>a podcast. I suddenly there's a scene in the doc

0:23:10.116 --> 0:23:13.236
<v Speaker 1>when it's I don't know why the scene has stayed

0:23:13.276 --> 0:23:16.996
<v Speaker 1>with me, but I've forgotten. One of your characters gets

0:23:16.996 --> 0:23:20.316
<v Speaker 1>sent to solitary and he's on the phone and he

0:23:21.036 --> 0:23:25.036
<v Speaker 1>shows you these jars he has that are full of

0:23:25.116 --> 0:23:28.996
<v Speaker 1>He's telling you why he hangs his food up in

0:23:29.036 --> 0:23:32.076
<v Speaker 1>a bag high off the ground on his prison cell.

0:23:32.596 --> 0:23:34.156
<v Speaker 1>And then and then he gets in trouble for it

0:23:34.196 --> 0:23:35.796
<v Speaker 1>every day, but he says, well, the reason I do

0:23:35.876 --> 0:23:38.356
<v Speaker 1>that is because of these guys. And he shows you

0:23:39.036 --> 0:23:41.916
<v Speaker 1>jars that have little live rats inside of it. And

0:23:41.956 --> 0:23:44.076
<v Speaker 1>then he shows you his toilet and you see rats

0:23:44.076 --> 0:23:47.316
<v Speaker 1>swimming in his toilet, and he says, I caught eleven

0:23:47.356 --> 0:23:48.556
<v Speaker 1>of these last.

0:23:48.396 --> 0:23:50.756
<v Speaker 4>Night, Eleven caught in one night, eleven caught in one night.

0:23:51.356 --> 0:23:54.476
<v Speaker 2>They keep my food laundry bead hanging from the bars,

0:23:55.596 --> 0:23:57.836
<v Speaker 2>and they write me different, theres be hanging things from

0:23:57.836 --> 0:24:00.356
<v Speaker 2>the bars, but if I had put it on the floor,

0:24:01.396 --> 0:24:04.316
<v Speaker 2>they'll hit it rats.

0:24:06.956 --> 0:24:07.476
<v Speaker 4>One back.

0:24:08.836 --> 0:24:12.956
<v Speaker 1>And that was the point, was like I was like Jesus,

0:24:14.836 --> 0:24:17.356
<v Speaker 1>why that's not the worst but way not even close

0:24:17.436 --> 0:24:19.876
<v Speaker 1>to being the worst thing that happens. But something about

0:24:19.916 --> 0:24:22.756
<v Speaker 1>the visual of realizing that there are people who will

0:24:23.316 --> 0:24:29.876
<v Speaker 1>happily tolerate conditions like that inside of prison, like the

0:24:29.916 --> 0:24:33.476
<v Speaker 1>administration is fine with that. Somehow, that somehow got me.

0:24:34.596 --> 0:24:36.436
<v Speaker 4>Well, first of all, I can tell from your description

0:24:36.516 --> 0:24:38.676
<v Speaker 4>that everyone's going to run out and immediately go to

0:24:38.836 --> 0:24:43.436
<v Speaker 4>HBO and watch this film so that they can see

0:24:43.716 --> 0:24:48.716
<v Speaker 4>But it is, it is, it is extraordinary that that

0:24:49.796 --> 0:24:53.436
<v Speaker 4>the and I have to say just I think one

0:24:53.476 --> 0:24:58.476
<v Speaker 4>of the things that in your podcast that was so

0:24:59.156 --> 0:25:01.236
<v Speaker 4>telling to me, and I really think it brings these

0:25:01.276 --> 0:25:09.236
<v Speaker 4>stories together, is your postulate of the moral failure cascade.

0:25:09.916 --> 0:25:15.116
<v Speaker 4>You know that you have a series of small or

0:25:15.436 --> 0:25:22.196
<v Speaker 4>larger or growing problems and events that happen, and then

0:25:22.596 --> 0:25:24.476
<v Speaker 4>one thing leads to another and it gets worse and

0:25:24.516 --> 0:25:27.756
<v Speaker 4>worse and worse, and I think, you know, people get

0:25:27.836 --> 0:25:29.756
<v Speaker 4>used to it. You know, they get to the point

0:25:29.796 --> 0:25:31.756
<v Speaker 4>where they say, well, I mean, how many people are

0:25:31.796 --> 0:25:36.276
<v Speaker 4>really you know, I mean some people are going to die? Right? Well,

0:25:36.316 --> 0:25:38.396
<v Speaker 4>I don't know what if we have the deadliest prison

0:25:38.436 --> 0:25:40.596
<v Speaker 4>system in America at some point, are we going to

0:25:40.676 --> 0:25:43.036
<v Speaker 4>look at that and say, like, maybe we're doing something wrong?

0:25:43.476 --> 0:25:46.676
<v Speaker 4>But you hear you have Steve Marshall, the one person

0:25:46.716 --> 0:25:49.236
<v Speaker 4>that we share in this the podcast and also in

0:25:49.276 --> 0:25:52.396
<v Speaker 4>the film, who says, you know, I've been told that

0:25:52.436 --> 0:25:56.556
<v Speaker 4>there's some kind of systemic problem in all of our facilities. Right,

0:25:56.596 --> 0:26:02.436
<v Speaker 4>We've just been watching an hour of the most punishing material.

0:26:02.516 --> 0:26:07.676
<v Speaker 4>You can't imagine prison after prison after prison, Donaldson Prison,

0:26:07.836 --> 0:26:11.676
<v Speaker 4>Kilby Prison, bib Prison, each one of these places home

0:26:11.716 --> 0:26:13.596
<v Speaker 4>and where they have two hundred and forty people on

0:26:13.636 --> 0:26:19.596
<v Speaker 4>the death row. And your guy was right before he's executed.

0:26:21.916 --> 0:26:23.716
<v Speaker 4>You've been watching that for an hour, and then here's

0:26:23.716 --> 0:26:27.236
<v Speaker 4>Steve Marshall, the chief law enforcement officer of the State

0:26:27.276 --> 0:26:30.516
<v Speaker 4>of Alabama, and he says, I've been told that there's

0:26:30.516 --> 0:26:33.556
<v Speaker 4>some systemic problem in all of our facilities. And I

0:26:33.596 --> 0:26:39.236
<v Speaker 4>wholeheartedly disagree with that. Yeah, and it's not just willful blindness.

0:26:39.316 --> 0:26:43.636
<v Speaker 4>I mean, it's just it's just intentional cruelty. It's a

0:26:43.676 --> 0:26:48.196
<v Speaker 4>willingness to preside over a system of death camps. They

0:26:48.196 --> 0:26:51.156
<v Speaker 4>are death camps. We have to say that's what they are.

0:26:51.236 --> 0:26:53.156
<v Speaker 4>Since we started working in the film, which was seven

0:26:53.276 --> 0:26:57.236
<v Speaker 4>years ago, fifteen hundred people have died in that little

0:26:57.276 --> 0:27:00.516
<v Speaker 4>prison system. You know, they have twenty thousand people in

0:27:00.556 --> 0:27:03.676
<v Speaker 4>the prison system. They have another twenty five thousand in

0:27:03.716 --> 0:27:08.476
<v Speaker 4>the jails in Alabama where people die regularly and somehow

0:27:08.516 --> 0:27:11.876
<v Speaker 4>people are done of, you know, highest level of drug

0:27:11.916 --> 0:27:14.356
<v Speaker 4>overdose of any prison system in the country, not that

0:27:14.396 --> 0:27:18.676
<v Speaker 4>there are not lots of other horrific ones, highest numbers

0:27:18.676 --> 0:27:25.356
<v Speaker 4>of suicide, highest level of sexual assault, and just the

0:27:25.396 --> 0:27:29.076
<v Speaker 4>brutality of the situation. You can't you can't run that

0:27:29.236 --> 0:27:31.556
<v Speaker 4>without knowing it. You can't say, well, I wasn't aware

0:27:31.556 --> 0:27:33.636
<v Speaker 4>of it, because there were enough layers between me and

0:27:33.676 --> 0:27:38.196
<v Speaker 4>the people that were, you know, actually in the in

0:27:38.236 --> 0:27:40.916
<v Speaker 4>the trenches doing the business of killing people.

0:27:43.156 --> 0:27:46.796
<v Speaker 1>After the break, more from my conversation with Andrew Jireki,

0:27:56.516 --> 0:27:59.436
<v Speaker 1>Let's talk a little bit about Alabama, because I'm curious

0:27:59.476 --> 0:28:04.556
<v Speaker 1>about what you what was your level of understanding, knowledge,

0:28:04.596 --> 0:28:06.876
<v Speaker 1>familiarity with Alabama before you did this project.

0:28:08.436 --> 0:28:10.916
<v Speaker 4>It was probably the state I knew the least about

0:28:11.076 --> 0:28:14.116
<v Speaker 4>in the Union. You know, it's just not something if

0:28:14.156 --> 0:28:17.596
<v Speaker 4>you grew up in New York City and you study history,

0:28:17.596 --> 0:28:20.636
<v Speaker 4>you're not spending a ton of time on Alabama. I

0:28:20.716 --> 0:28:23.356
<v Speaker 4>knew a little bit, you know, like there, I don't know,

0:28:23.436 --> 0:28:27.876
<v Speaker 4>like the state motto of you know, a typical American

0:28:28.156 --> 0:28:31.236
<v Speaker 4>state will be like the Sunshine State or the show

0:28:31.276 --> 0:28:31.836
<v Speaker 4>Me State.

0:28:31.916 --> 0:28:32.116
<v Speaker 3>You know.

0:28:32.236 --> 0:28:37.596
<v Speaker 4>Alabama's motto is we dare defend our rights. Yeah, you know,

0:28:37.676 --> 0:28:39.876
<v Speaker 4>which is really like if you want to come and

0:28:39.876 --> 0:28:43.436
<v Speaker 4>have an opinion, you can go fuck yourself. We're not

0:28:43.556 --> 0:28:46.116
<v Speaker 4>interested in your opinion. We're just going to do our thing.

0:28:46.156 --> 0:28:47.876
<v Speaker 4>And certainly we don't want you telling us how to

0:28:47.916 --> 0:28:53.716
<v Speaker 4>deal with our negroes or our population of prisoners, or

0:28:53.916 --> 0:28:56.956
<v Speaker 4>our crime or you know, any of it. It's just

0:28:57.196 --> 0:28:58.636
<v Speaker 4>there's a wall.

0:28:58.756 --> 0:29:01.156
<v Speaker 1>I'm not sure whether that's more or less egregious than

0:29:01.156 --> 0:29:04.556
<v Speaker 1>New Jersey calling itself the garden state. But where are

0:29:04.556 --> 0:29:07.316
<v Speaker 1>these gardens in New Jersey? I get to see anything

0:29:07.356 --> 0:29:13.276
<v Speaker 1>along to it Turnpike. But uh, it's it's a heart.

0:29:13.436 --> 0:29:15.116
<v Speaker 1>You know. I've done I was kind of I think

0:29:15.116 --> 0:29:18.756
<v Speaker 1>that I have done more. Podcast episodes of Rusion's history

0:29:19.036 --> 0:29:21.476
<v Speaker 1>that are situated in Alabama, within in any other state.

0:29:21.956 --> 0:29:26.956
<v Speaker 1>I'm drawn to this place. And for the same reason,

0:29:27.076 --> 0:29:32.436
<v Speaker 1>I feel like it's not the United States. It's something

0:29:33.796 --> 0:29:36.996
<v Speaker 1>an it's it is within the United States, but not

0:29:37.076 --> 0:29:38.956
<v Speaker 1>of the United States, or maybe I'm being too kind

0:29:38.996 --> 0:29:41.876
<v Speaker 1>to the United States. It is clearly in some ways

0:29:41.876 --> 0:29:42.636
<v Speaker 1>a foreign country.

0:29:43.556 --> 0:29:46.516
<v Speaker 4>It's kind of amazing you're saying that because the chaplain

0:29:46.996 --> 0:29:51.796
<v Speaker 4>who I visited and met and encouraged me to come back,

0:29:52.236 --> 0:29:56.996
<v Speaker 4>Chaplain Browder, after I was in it for six months,

0:29:57.036 --> 0:30:00.356
<v Speaker 4>so the first year or two, and I was stayed

0:30:00.356 --> 0:30:03.556
<v Speaker 4>in touch with him constantly. He's quite he's quite a

0:30:03.596 --> 0:30:05.316
<v Speaker 4>bit older now, he's seven years older than when I

0:30:05.316 --> 0:30:09.556
<v Speaker 4>first met him. But he's still very thoughtful guy. And

0:30:09.916 --> 0:30:12.716
<v Speaker 4>he said, I'm telling you, Andrew, Alabama and in these

0:30:12.836 --> 0:30:16.316
<v Speaker 4>United States. Yeah. But you know, then you ask yourself

0:30:16.316 --> 0:30:18.756
<v Speaker 4>whether that's even right. You know. The reality is is

0:30:18.796 --> 0:30:21.916
<v Speaker 4>that you know, upstate New York, Robert Brooks just got

0:30:21.996 --> 0:30:25.036
<v Speaker 4>killed in upstate New York by corrections officers who beat

0:30:25.076 --> 0:30:27.356
<v Speaker 4>him to death. And the only reason we don't think

0:30:27.396 --> 0:30:30.356
<v Speaker 4>it was natural causes or a drug overdose is because

0:30:30.396 --> 0:30:32.996
<v Speaker 4>they were I don't even want to say dumb enough.

0:30:33.156 --> 0:30:37.116
<v Speaker 4>They were entitled enough to just leave their body cameras

0:30:37.156 --> 0:30:39.796
<v Speaker 4>on because they just assumed that nobody was ever really

0:30:39.836 --> 0:30:41.796
<v Speaker 4>going to try to figure out what happened to poor

0:30:41.876 --> 0:30:44.756
<v Speaker 4>Robert Brooks who was handcuffed when they beat him to death.

0:30:45.276 --> 0:30:48.836
<v Speaker 4>So it's happening in New York. You know, if you

0:30:48.876 --> 0:30:51.396
<v Speaker 4>were in it, if you would put your dog in

0:30:51.556 --> 0:30:53.836
<v Speaker 4>upstate New York and at kennel because you were going

0:30:53.876 --> 0:30:57.596
<v Speaker 4>on holiday and you saw this, you would say, I'm

0:30:57.596 --> 0:31:01.396
<v Speaker 4>calling the ASPCA. This is a total disaster. Nobody can

0:31:01.396 --> 0:31:05.116
<v Speaker 4>put their dog in this, So it's not a whole

0:31:05.156 --> 0:31:06.676
<v Speaker 4>lot better in a lot of these places.

0:31:06.956 --> 0:31:09.916
<v Speaker 1>Two things can be true simultane see. One is that

0:31:10.996 --> 0:31:16.756
<v Speaker 1>in general, the prison conditions in the United States are

0:31:16.876 --> 0:31:19.996
<v Speaker 1>appalling compared to our peers around the world. But there

0:31:20.076 --> 0:31:27.036
<v Speaker 1>is something particular and unusual about Alabama that elevates Alabama

0:31:27.076 --> 0:31:30.876
<v Speaker 1>even above its miserable peers. And I wonder whether the

0:31:30.876 --> 0:31:32.756
<v Speaker 1>weekend sort of since we've both been immersed in this,

0:31:33.116 --> 0:31:35.636
<v Speaker 1>we can put our finger on what it is. And

0:31:35.956 --> 0:31:40.836
<v Speaker 1>I'm wondering, I'm thinking about Steve Marshall, which is if

0:31:40.876 --> 0:31:42.436
<v Speaker 1>you I don't know I'm making this up, but if

0:31:42.476 --> 0:31:44.596
<v Speaker 1>you sat down with the Attorney General of New York State,

0:31:45.556 --> 0:31:49.836
<v Speaker 1>they they would have the good grace to be embarrassed

0:31:49.916 --> 0:31:54.276
<v Speaker 1>about what was happening in the prisons. Steve Marshall, And

0:31:54.316 --> 0:31:55.476
<v Speaker 1>I want you to talk a little bit about your

0:31:55.476 --> 0:31:59.996
<v Speaker 1>interview with Steve Marshall. Steve Marshall, when confronted with these questions,

0:32:00.516 --> 0:32:03.756
<v Speaker 1>wasn't even remotely embarrassed. In fact, he had the gall

0:32:04.316 --> 0:32:06.476
<v Speaker 1>when he had to give that one quote from him

0:32:06.516 --> 0:32:09.476
<v Speaker 1>about when you ask him about Christian grace, he says,

0:32:09.516 --> 0:32:11.396
<v Speaker 1>I believe in Christian grace, but that doesn't mean somebody

0:32:11.396 --> 0:32:12.236
<v Speaker 1>should got out of prison.

0:32:12.516 --> 0:32:15.356
<v Speaker 3>I mean, look, I think anybody can have a change

0:32:15.356 --> 0:32:18.076
<v Speaker 3>of heart. Oh I'll say that, I think God can

0:32:18.116 --> 0:32:22.276
<v Speaker 3>invade somebody believe in the concept of grace. But grace

0:32:22.276 --> 0:32:25.876
<v Speaker 3>atself doesn't mean released from prison. Grace means that you're

0:32:25.996 --> 0:32:27.516
<v Speaker 3>relieved from the burden of your sin.

0:32:28.556 --> 0:32:31.436
<v Speaker 1>It's not even that he's defiant, it's that he thinks

0:32:31.436 --> 0:32:36.436
<v Speaker 1>he's on the side of God right now. That is different.

0:32:36.796 --> 0:32:40.796
<v Speaker 1>Can you what are your thoughts on the peculiarity of

0:32:40.796 --> 0:32:42.916
<v Speaker 1>Alabama and can you talk about let's talk about Steve

0:32:42.916 --> 0:32:44.236
<v Speaker 1>Marshall because you spend time with him.

0:32:44.596 --> 0:32:45.356
<v Speaker 4>Yeah, how much?

0:32:45.476 --> 0:32:46.436
<v Speaker 1>How long was that interview?

0:32:48.156 --> 0:32:51.116
<v Speaker 4>I think that interview was shorter than most. Maybe it

0:32:51.156 --> 0:32:52.796
<v Speaker 4>was two hours.

0:32:53.156 --> 0:32:56.276
<v Speaker 1>This is why I love documentarians. Your idea of shorter

0:32:56.276 --> 0:32:57.236
<v Speaker 1>than most is two hours.

0:32:57.476 --> 0:32:57.676
<v Speaker 4>Yeah.

0:32:57.756 --> 0:32:59.476
<v Speaker 1>My idea of shorter than most is ten minutes.

0:33:01.116 --> 0:33:05.756
<v Speaker 4>We do some sevens and some nines, you know Jesus. Yeah, yeah,

0:33:05.756 --> 0:33:08.956
<v Speaker 4>they're kick. Usually the wife is like standing and the

0:33:09.156 --> 0:33:11.356
<v Speaker 4>corner and being like looking at the watch.

0:33:11.636 --> 0:33:13.676
<v Speaker 1>But Steve Marshall gave you two hours.

0:33:15.876 --> 0:33:18.756
<v Speaker 4>Yeah. I mean, you know, the great thing about somebody

0:33:18.836 --> 0:33:22.596
<v Speaker 4>like this is that they say the quiet part out loud.

0:33:23.396 --> 0:33:27.596
<v Speaker 4>There's no there's no shame in it. And I don't

0:33:27.716 --> 0:33:31.836
<v Speaker 4>really know how he manages it, you know, as a

0:33:31.876 --> 0:33:35.676
<v Speaker 4>self proclaimed Christian, I don't know how he goes and

0:33:36.396 --> 0:33:40.396
<v Speaker 4>kisses his kids and says like daddy's upholding the law

0:33:40.476 --> 0:33:45.116
<v Speaker 4>and so on, because he knows what the statistics are. Right,

0:33:45.156 --> 0:33:47.596
<v Speaker 4>Let's say he just doesn't he forces himself or he

0:33:47.956 --> 0:33:51.716
<v Speaker 4>prevents himself from from having access to the prisons. You know,

0:33:51.756 --> 0:33:55.236
<v Speaker 4>you can always put some kind of operachic in between

0:33:55.276 --> 0:33:57.116
<v Speaker 4>you and the prisons. And then you say, I don't

0:33:57.156 --> 0:33:58.876
<v Speaker 4>know I saw the reports, and it doesn't look like

0:33:58.916 --> 0:34:01.516
<v Speaker 4>it's all that bad. So I don't know how he

0:34:01.796 --> 0:34:05.476
<v Speaker 4>describes it to himself, but and I think, you know,

0:34:05.556 --> 0:34:07.956
<v Speaker 4>politicians are kind of will of the wisp. And you know,

0:34:07.956 --> 0:34:09.956
<v Speaker 4>he used to be a Democrat, and then now he's

0:34:09.956 --> 0:34:13.916
<v Speaker 4>a Republican, and then he was recently so Republican that

0:34:13.956 --> 0:34:16.476
<v Speaker 4>he was one of the guys who one of the

0:34:16.556 --> 0:34:19.156
<v Speaker 4>local state officials who came to New York and put

0:34:19.196 --> 0:34:21.916
<v Speaker 4>on the red tie and the Trump outfit and went

0:34:21.996 --> 0:34:25.996
<v Speaker 4>down to Lower Manhattan and start talking about how Trump

0:34:26.116 --> 0:34:28.956
<v Speaker 4>was being railroaded by the justice system and so on.

0:34:29.236 --> 0:34:31.756
<v Speaker 4>So he's always auditioning. And by the way, right now,

0:34:31.796 --> 0:34:35.076
<v Speaker 4>Steve Marshall's trying to run for Senate. He's trying to

0:34:35.116 --> 0:34:39.356
<v Speaker 4>run for Tommy Tubberville's seat in the Senate. So the

0:34:39.396 --> 0:34:43.396
<v Speaker 4>football coach, Tommy Tubberville became a US senator from Alabama.

0:34:44.516 --> 0:34:46.396
<v Speaker 4>He's the one that did not know that there were

0:34:46.396 --> 0:34:49.756
<v Speaker 4>three branches of government, right, He did not have a

0:34:49.756 --> 0:34:50.516
<v Speaker 4>lot of training.

0:34:50.996 --> 0:34:52.676
<v Speaker 1>He just thought it was offense and defense.

0:34:54.276 --> 0:34:57.596
<v Speaker 4>Exactly what would you do with this third branch? Especially,

0:34:57.636 --> 0:35:00.796
<v Speaker 4>that's what's happening in the federal government too. They're getting

0:35:00.876 --> 0:35:03.476
<v Speaker 4>rid of some of the branches out here. We have

0:35:03.516 --> 0:35:05.196
<v Speaker 4>too many branches that we're going to We're going to

0:35:05.276 --> 0:35:09.476
<v Speaker 4>doze those branches right out. But you know, I think

0:35:09.476 --> 0:35:16.356
<v Speaker 4>he just imagines. First of all, I think he's very

0:35:16.396 --> 0:35:20.556
<v Speaker 4>politically expeditious. You know, he wants to become a US senator.

0:35:20.596 --> 0:35:22.236
<v Speaker 4>He wants to be the guy that's the tough on

0:35:22.356 --> 0:35:28.396
<v Speaker 4>crime guy. He's sort of made book with this organization

0:35:28.556 --> 0:35:32.436
<v Speaker 4>called Vocal in Alabama, which is Victims of Crime and Leniency,

0:35:33.036 --> 0:35:36.436
<v Speaker 4>which is literally like a group of women who are

0:35:36.516 --> 0:35:40.436
<v Speaker 4>crime who you know, had a crime happen in their family,

0:35:41.156 --> 0:35:45.916
<v Speaker 4>and they go to every parole hearing and they don't

0:35:45.956 --> 0:35:48.316
<v Speaker 4>know the people. They get a little card before they

0:35:48.356 --> 0:35:50.636
<v Speaker 4>go there. We sort of embedded with them and maybe

0:35:50.836 --> 0:35:53.276
<v Speaker 4>should make a film about them. And they go to

0:35:53.316 --> 0:35:54.956
<v Speaker 4>a parole hearing where you have a guy who's been

0:35:54.956 --> 0:35:58.196
<v Speaker 4>locked up for twenty five years. He's an ordained minister,

0:35:58.436 --> 0:36:03.236
<v Speaker 4>he's taken every conceivable class, he's like mentored five hundred

0:36:03.276 --> 0:36:06.556
<v Speaker 4>young men that have been in there. And this a

0:36:06.596 --> 0:36:09.516
<v Speaker 4>woman will get up and say, you know, I'm here

0:36:09.636 --> 0:36:15.476
<v Speaker 4>to protest the parole of Kevin Johnson, And you know

0:36:15.596 --> 0:36:19.516
<v Speaker 4>he committed a crime in nineteen seventy three. They have

0:36:19.596 --> 0:36:21.716
<v Speaker 4>no idea what it is. They just know he committed

0:36:21.716 --> 0:36:23.556
<v Speaker 4>a crime and he should not be parled. And then

0:36:23.596 --> 0:36:25.956
<v Speaker 4>they stand in front of the parole board and they

0:36:25.996 --> 0:36:28.996
<v Speaker 4>say to the three members the parle board, if you

0:36:29.396 --> 0:36:34.156
<v Speaker 4>let this man out and he re offends, it will

0:36:34.156 --> 0:36:36.956
<v Speaker 4>be on your neck and everyone will know that you

0:36:37.116 --> 0:36:38.756
<v Speaker 4>did that. And you know, that's one of the things

0:36:38.796 --> 0:36:42.196
<v Speaker 4>that drove Alabama's parole rate to eight percent.

0:36:42.396 --> 0:36:44.876
<v Speaker 1>Which is that the last lowest in the country.

0:36:45.156 --> 0:36:47.596
<v Speaker 4>Yeah, it was at that time. It was. It's improved

0:36:47.596 --> 0:36:49.596
<v Speaker 4>a little bit, and I think it's improved in part,

0:36:50.036 --> 0:36:53.996
<v Speaker 4>you know, because of the work in and around the film,

0:36:54.476 --> 0:36:57.356
<v Speaker 4>because you know, among other things, it was a lawsuit

0:36:58.156 --> 0:37:01.996
<v Speaker 4>that was sparked by the film, this class action lawsuit

0:37:02.436 --> 0:37:05.556
<v Speaker 4>in which Kinetic Justice Robert rol Council is the lead plaintiff,

0:37:06.036 --> 0:37:09.876
<v Speaker 4>that really calls out Alabama for having a system of leasing.

0:37:10.476 --> 0:37:13.356
<v Speaker 4>And you know, because a lot of people don't realize

0:37:13.436 --> 0:37:18.436
<v Speaker 4>a that Alabama and many states like it benefit from

0:37:18.596 --> 0:37:20.796
<v Speaker 4>let's say, just in the case of Alabama, four hundred

0:37:21.036 --> 0:37:25.156
<v Speaker 4>and fifty million dollars a year in unpaid labor and

0:37:25.196 --> 0:37:29.116
<v Speaker 4>the men inside are forced to provide this labor. And

0:37:29.196 --> 0:37:34.436
<v Speaker 4>by forced, you know, maybe there's not a man with

0:37:34.516 --> 0:37:38.036
<v Speaker 4>a bull whip that's standing over them, but it's in

0:37:38.116 --> 0:37:41.316
<v Speaker 4>some ways, you know, every bit is bad because if

0:37:41.356 --> 0:37:45.756
<v Speaker 4>you refuse to work, then you can be you can

0:37:45.796 --> 0:37:48.996
<v Speaker 4>be given a disciplinary which can extend your sentence. You

0:37:49.156 --> 0:37:53.276
<v Speaker 4>can be placed in solitary, which happens a lot in Alabama.

0:37:53.436 --> 0:37:57.036
<v Speaker 4>So basically, the you know, un says solitary confinement for

0:37:57.076 --> 0:37:59.636
<v Speaker 4>more than fifteen days as torture. They're putting people in

0:37:59.676 --> 0:38:03.516
<v Speaker 4>for years at a time, and you could be moved

0:38:03.516 --> 0:38:05.996
<v Speaker 4>to an even more violent facility than the one that

0:38:06.036 --> 0:38:10.276
<v Speaker 4>you're in. So so it is a coerced forced labor.

0:38:10.316 --> 0:38:13.036
<v Speaker 4>You can't be sick one day, you can't do anything.

0:38:13.236 --> 0:38:16.236
<v Speaker 4>But I think what people don't understand is the prisoner's

0:38:16.276 --> 0:38:20.636
<v Speaker 4>Alabama and some other states, it's not that they're being

0:38:20.676 --> 0:38:24.316
<v Speaker 4>forced to work in the prison. Maybe reasonable people could say, oh,

0:38:24.396 --> 0:38:26.436
<v Speaker 4>maybe you should be sweeping the floor in the prison

0:38:26.476 --> 0:38:29.156
<v Speaker 4>if you're working in the prison, But they also get

0:38:29.236 --> 0:38:32.036
<v Speaker 4>leased out to the governor's mansion where they clean the

0:38:32.076 --> 0:38:36.156
<v Speaker 4>floors and they polish the tiles, and they did the landscaping.

0:38:36.476 --> 0:38:40.276
<v Speaker 4>They also get leased out to road crews, construction crews.

0:38:40.716 --> 0:38:43.316
<v Speaker 4>The state makes money from all of that. They issue

0:38:43.316 --> 0:38:45.116
<v Speaker 4>invoices which you can see in the film. You know,

0:38:45.196 --> 0:38:47.716
<v Speaker 4>this is for X dollars an hour, and then they

0:38:47.756 --> 0:38:50.716
<v Speaker 4>pay them in two dollars a day to do sanitation

0:38:50.836 --> 0:38:53.436
<v Speaker 4>work or something like that, and then they send them

0:38:53.436 --> 0:38:56.756
<v Speaker 4>out to work at McDonald's. They lease them to McDonald's,

0:38:57.036 --> 0:38:59.036
<v Speaker 4>they lease them to Burger King, they lease them to

0:38:59.076 --> 0:39:04.716
<v Speaker 4>the Hyundai Parts Company, they lease them to the Budweiser distributorship. So,

0:39:05.036 --> 0:39:07.076
<v Speaker 4>you know, you go to the state Fair in Alabama,

0:39:07.556 --> 0:39:09.476
<v Speaker 4>you know, we have this kind of amazing show of

0:39:09.476 --> 0:39:13.236
<v Speaker 4>a guy in a corrections uniform who's standing with a

0:39:13.316 --> 0:39:17.156
<v Speaker 4>little girl and he is reaching into the duck pond

0:39:17.196 --> 0:39:19.836
<v Speaker 4>and he takes a little duck out, a little baby duckling,

0:39:19.836 --> 0:39:22.876
<v Speaker 4>and he hands it and the mother's clapping and is

0:39:23.036 --> 0:39:29.596
<v Speaker 4>taking photographs. And the chilling statistic behind that Alabama DOS

0:39:29.596 --> 0:39:32.956
<v Speaker 4>not tracked this, but we tracked it is that if

0:39:32.996 --> 0:39:36.516
<v Speaker 4>you're considered safe enough to go out into the community

0:39:36.796 --> 0:39:39.156
<v Speaker 4>to work at McDonald's or to work at the state fair,

0:39:41.276 --> 0:39:45.876
<v Speaker 4>you have a statistically lower chance of being paroled than

0:39:45.916 --> 0:39:47.876
<v Speaker 4>if you're somebody at a higher custody level.

0:39:49.756 --> 0:39:51.916
<v Speaker 1>Why because you're not economically valuable to them?

0:39:52.116 --> 0:39:55.956
<v Speaker 4>Absolutely, yeah, And they don't track that statistic. And I

0:39:55.996 --> 0:39:58.116
<v Speaker 4>think Steve Marshall might be surprised if I said that,

0:39:58.196 --> 0:39:59.956
<v Speaker 4>or he would say, oh, it doesn't sound right, and

0:40:00.036 --> 0:40:03.076
<v Speaker 4>then we would say, well, you know, there's a reason

0:40:03.116 --> 0:40:05.516
<v Speaker 4>why you don't track that statistic. But it kind of

0:40:05.516 --> 0:40:07.476
<v Speaker 4>makes sense, right the people that are out there, and

0:40:07.476 --> 0:40:09.916
<v Speaker 4>people are all these anecdotal stories of people saying, well,

0:40:09.956 --> 0:40:11.796
<v Speaker 4>I was sick and I woke up in the morning

0:40:11.796 --> 0:40:13.556
<v Speaker 4>and that guy came in and said, you need to

0:40:13.556 --> 0:40:15.076
<v Speaker 4>go out there and make me some money.

0:40:15.436 --> 0:40:17.836
<v Speaker 1>Yeah. How I want to talk a little bit about

0:40:17.876 --> 0:40:21.276
<v Speaker 1>the difference in the way that you and I both

0:40:22.196 --> 0:40:27.116
<v Speaker 1>or your team and my team both began with a

0:40:27.156 --> 0:40:31.916
<v Speaker 1>similar kind of question, which was how can we shed

0:40:31.996 --> 0:40:38.756
<v Speaker 1>light on the practices of this very strange state. And

0:40:39.756 --> 0:40:42.716
<v Speaker 1>I was working in the podcast genre, you're working in

0:40:42.756 --> 0:40:46.436
<v Speaker 1>the documentary genre, and we both of us made very

0:40:46.476 --> 0:40:49.396
<v Speaker 1>very different choices, And I wanted to reflect on one

0:40:49.396 --> 0:40:54.596
<v Speaker 1>of the biggest differences, which is in our Alabama murders,

0:40:55.676 --> 0:40:58.876
<v Speaker 1>we spend an enormous amount of time on the backstory

0:40:58.996 --> 0:41:03.476
<v Speaker 1>of our characters, our protagonists. We really want you to

0:41:03.516 --> 0:41:07.636
<v Speaker 1>know we're telling the story of these two guys on

0:41:07.676 --> 0:41:11.036
<v Speaker 1>death Row. We really want you to know about those guys.

0:41:11.236 --> 0:41:14.556
<v Speaker 1>We talked to them and who they were and what happened,

0:41:14.596 --> 0:41:20.796
<v Speaker 1>you know, et cetera. In your movie documentary, we only

0:41:20.916 --> 0:41:26.236
<v Speaker 1>learn we get that kind of backstory in passing Right.

0:41:27.476 --> 0:41:30.716
<v Speaker 1>There's a moment, for example, where you're talking about James Syles,

0:41:30.796 --> 0:41:34.596
<v Speaker 1>one of the principal characters in the documentary, and we

0:41:34.716 --> 0:41:37.916
<v Speaker 1>learned why was he in one of the highest security

0:41:38.916 --> 0:41:42.276
<v Speaker 1>prisons in Alabama because he got fifteen years for breaking

0:41:42.316 --> 0:41:47.996
<v Speaker 1>into a unoccupied building. It just happens in like ten seconds.

0:41:48.036 --> 0:41:49.836
<v Speaker 1>We learned peace of permission, and then you move on

0:41:50.036 --> 0:41:53.516
<v Speaker 1>right now. It's incredibly powerful in that little form. But

0:41:53.596 --> 0:42:01.116
<v Speaker 1>I'm curious, why do you do things that way? Why

0:42:01.196 --> 0:42:06.116
<v Speaker 1>is it that the form that you've chosen encourages you

0:42:06.276 --> 0:42:09.796
<v Speaker 1>or directs you away from kind of luxury r curiating in

0:42:09.876 --> 0:42:13.236
<v Speaker 1>the backstory the way that we do in the podcast world.

0:42:14.396 --> 0:42:16.956
<v Speaker 4>I mean, you know, if you look at Capturing the

0:42:16.956 --> 0:42:21.436
<v Speaker 4>Freedman's there's just an enormous amount of archival material of

0:42:21.476 --> 0:42:25.996
<v Speaker 4>that family, including going back you know, seventy five years

0:42:25.676 --> 0:42:29.076
<v Speaker 4>to the you know, family members that kind of came

0:42:29.156 --> 0:42:33.836
<v Speaker 4>to this country. And then in the jinks we have

0:42:35.396 --> 0:42:38.836
<v Speaker 4>lots of photographs, but we also have moving pictures of

0:42:38.996 --> 0:42:41.236
<v Speaker 4>Robert Durst when he was a kid, and you get

0:42:41.276 --> 0:42:44.236
<v Speaker 4>to see the awkwardness, You get to see the feeling

0:42:44.276 --> 0:42:47.436
<v Speaker 4>that this is a person who didn't particularly fit in

0:42:47.476 --> 0:42:50.836
<v Speaker 4>and you see him, you know, in modern day, you

0:42:50.876 --> 0:42:53.436
<v Speaker 4>see him twitching. Robert Durst has a lot of twitches.

0:42:54.356 --> 0:42:56.636
<v Speaker 4>And then you see a little you know, film of

0:42:56.716 --> 0:42:58.836
<v Speaker 4>him getting up on the diving board as a kid,

0:42:58.996 --> 0:43:01.796
<v Speaker 4>or you know, somebody doing a movie of him like

0:43:01.836 --> 0:43:04.516
<v Speaker 4>his mother, and you see the same kind of twitches.

0:43:04.556 --> 0:43:07.236
<v Speaker 4>You see the early phases of what his So I

0:43:07.236 --> 0:43:13.476
<v Speaker 4>think that stuff is extremely valuable in this film. I

0:43:13.516 --> 0:43:17.596
<v Speaker 4>think that we had so many you know, there was

0:43:18.036 --> 0:43:21.036
<v Speaker 4>ten pounds of flour in a two pound bag. Always

0:43:21.276 --> 0:43:25.596
<v Speaker 4>it was always so hard to convey the tapestry of

0:43:26.236 --> 0:43:30.156
<v Speaker 4>how we got here and try to incorporate everything from

0:43:30.196 --> 0:43:33.836
<v Speaker 4>the slave labor to the parole to that why they

0:43:33.876 --> 0:43:36.036
<v Speaker 4>weren't letting people out of the system, how they put

0:43:36.036 --> 0:43:38.156
<v Speaker 4>people in the system, how people are when they're in

0:43:38.156 --> 0:43:41.356
<v Speaker 4>the system, and then also try to have a narrative

0:43:41.356 --> 0:43:43.796
<v Speaker 4>thread that was going to bring people along, you know,

0:43:43.876 --> 0:43:46.236
<v Speaker 4>because we used to have this expression just in the

0:43:46.236 --> 0:43:50.876
<v Speaker 4>storytelling process. I always have a blackboard in my office

0:43:50.916 --> 0:43:53.276
<v Speaker 4>and I at the very beginning of this, when we

0:43:53.356 --> 0:43:55.276
<v Speaker 4>started to see what we had, I wrote this like

0:43:55.356 --> 0:44:01.316
<v Speaker 4>mnemonic device. I said, smitwit knows, And that stood for

0:44:01.436 --> 0:44:03.756
<v Speaker 4>how do we not make the saddest movie in the

0:44:03.796 --> 0:44:06.956
<v Speaker 4>world that no one ever sees? And it was a

0:44:06.956 --> 0:44:09.476
<v Speaker 4>real concern because you know, you're dealing with this very

0:44:09.556 --> 0:44:12.036
<v Speaker 4>dark material. So we knew it had to have a

0:44:12.156 --> 0:44:15.556
<v Speaker 4>very compelling narrative. It needed to have you know, we

0:44:15.636 --> 0:44:17.756
<v Speaker 4>need to have a story. And that's like, you know,

0:44:17.756 --> 0:44:19.916
<v Speaker 4>you got to keep telling yourself, what is the story?

0:44:20.476 --> 0:44:25.156
<v Speaker 4>So you only have enough room for this archival material, Yeah,

0:44:25.236 --> 0:44:26.876
<v Speaker 4>you do as much as you can. And also some

0:44:26.916 --> 0:44:30.516
<v Speaker 4>of those people, you know, it's kind of a deprived economy,

0:44:30.796 --> 0:44:32.996
<v Speaker 4>and a lot of these families of people who are

0:44:32.996 --> 0:44:36.556
<v Speaker 4>incarcerated just you know, they don't have like an extra

0:44:36.636 --> 0:44:38.396
<v Speaker 4>room in their house where they have all the photo

0:44:38.476 --> 0:44:41.556
<v Speaker 4>albums or they have a milimeter video or whatever.

0:44:41.756 --> 0:44:44.596
<v Speaker 1>Yeah, I was thinking, and it's not a critesis of

0:44:44.596 --> 0:44:47.076
<v Speaker 1>it all. I'm marveling about how you made a compelling

0:44:47.156 --> 0:44:51.076
<v Speaker 1>story where I cared about the protagonists even though I

0:44:51.156 --> 0:44:54.236
<v Speaker 1>knew so little about them. That's the puzzle, So I

0:44:54.316 --> 0:44:58.996
<v Speaker 1>came away. So your main character is Stephen Davis, white guy.

0:45:00.436 --> 0:45:03.116
<v Speaker 1>Seems like a very poor family, and we briefly learned

0:45:03.156 --> 0:45:06.196
<v Speaker 1>what his mom tells us in one sentence, why is

0:45:06.276 --> 0:45:11.436
<v Speaker 1>in prison? That's all we get. We don't know when

0:45:11.476 --> 0:45:14.156
<v Speaker 1>has offense occurred. We don't know what his sentence was.

0:45:14.356 --> 0:45:16.356
<v Speaker 1>We don't know what his personality was, we don't know

0:45:16.396 --> 0:45:19.396
<v Speaker 1>anything about him. We barely see him because he's he's

0:45:19.436 --> 0:45:24.556
<v Speaker 1>dead ten minutes in right, whatever it is, and yet

0:45:25.436 --> 0:45:29.436
<v Speaker 1>my concern over him and feelings for him sustain me

0:45:29.516 --> 0:45:32.676
<v Speaker 1>through the entire movie. This is what I'm in. A

0:45:32.716 --> 0:45:34.756
<v Speaker 1>million years, I would never have thought I could tell

0:45:34.796 --> 0:45:38.476
<v Speaker 1>a story like that where my main character is someone

0:45:38.556 --> 0:45:43.316
<v Speaker 1>the audience knows almost nothing about and who exits, and

0:45:43.396 --> 0:45:46.036
<v Speaker 1>yet I still care an hour later. That's what I'm

0:45:46.076 --> 0:45:49.036
<v Speaker 1>trying to get at. How did you do that? Well?

0:45:49.076 --> 0:45:50.956
<v Speaker 4>I mean, you know, as a young storyteller, I think

0:45:50.956 --> 0:45:52.756
<v Speaker 4>you're going to evolve. You know, you're going to learn

0:45:53.556 --> 0:45:56.196
<v Speaker 4>more about how to tell these stories, and I'm looking

0:45:56.196 --> 0:45:59.036
<v Speaker 4>forward to that. But I think, you know, a little

0:45:59.076 --> 0:46:01.916
<v Speaker 4>goes a long way. We do see pictures of him

0:46:02.436 --> 0:46:06.316
<v Speaker 4>as child, and I think that's extremely powerful, you know,

0:46:06.356 --> 0:46:09.916
<v Speaker 4>when you see somebody who you've been trained to believe

0:46:10.076 --> 0:46:13.756
<v Speaker 4>is going to be a hardened, terrible criminal, but we

0:46:13.876 --> 0:46:16.116
<v Speaker 4>sort of know really what he was was a drug addict.

0:46:16.716 --> 0:46:20.596
<v Speaker 4>And now you see a picture of this of this

0:46:21.116 --> 0:46:24.476
<v Speaker 4>young man, you know, with his hair shorn and his

0:46:24.596 --> 0:46:31.236
<v Speaker 4>face pale, and wearing a jumpsuit that's exactly what everybody

0:46:31.236 --> 0:46:35.356
<v Speaker 4>else in the prison wears, and he becomes totally homogenized

0:46:35.396 --> 0:46:38.716
<v Speaker 4>and dehumanized. And then you get to see a photograph

0:46:38.796 --> 0:46:43.076
<v Speaker 4>of him as a child, you know, with a smile

0:46:43.236 --> 0:46:46.596
<v Speaker 4>and just seeing pride on his face, or him starting

0:46:46.596 --> 0:46:49.476
<v Speaker 4>to play little League or something like that, and then

0:46:49.516 --> 0:46:52.836
<v Speaker 4>you're just reminded that I have somebody in my family

0:46:52.836 --> 0:46:55.516
<v Speaker 4>who is playing little league and then ten years later

0:46:55.596 --> 0:46:58.236
<v Speaker 4>was a drug addict, you know, was playing little league,

0:46:58.276 --> 0:47:00.756
<v Speaker 4>and ten years later was an alcoholic and his life

0:47:00.836 --> 0:47:03.316
<v Speaker 4>is falling apart. So you make a connection to those

0:47:03.356 --> 0:47:08.076
<v Speaker 4>people that goes beyond whatever their you know, their crime was.

0:47:08.316 --> 0:47:10.756
<v Speaker 4>But it's you bring up an interesting point that I've

0:47:10.796 --> 0:47:16.676
<v Speaker 4>not talked about regarding this film, which was that there

0:47:16.676 --> 0:47:19.436
<v Speaker 4>were people who came to test screenings of the film

0:47:19.516 --> 0:47:26.036
<v Speaker 4>and literally said the following, I'm uncomfortable if I don't

0:47:26.076 --> 0:47:29.636
<v Speaker 4>know what crime they committed. So could you have some

0:47:29.796 --> 0:47:31.996
<v Speaker 4>kind of a device where as soon as I see

0:47:32.036 --> 0:47:36.156
<v Speaker 4>somebody on screen, there's some kind of a chiron or

0:47:36.196 --> 0:47:39.836
<v Speaker 4>a little designator on the bottom that says murder one,

0:47:40.076 --> 0:47:44.116
<v Speaker 4>or that says burglary, or that says you know. And

0:47:44.196 --> 0:47:47.556
<v Speaker 4>I was so instructive to hear somebody say that, right,

0:47:48.076 --> 0:47:50.356
<v Speaker 4>And of course you could have the debate with them,

0:47:50.396 --> 0:47:52.876
<v Speaker 4>or you could say, so you're saying that it's okay

0:47:53.196 --> 0:47:56.356
<v Speaker 4>for prison guard to beat somebody to death, you're going

0:47:56.436 --> 0:47:58.916
<v Speaker 4>to make the evaluation of whether that's reasonable or not

0:47:59.116 --> 0:48:01.836
<v Speaker 4>based on whether they had a burglary charge or an

0:48:01.876 --> 0:48:05.196
<v Speaker 4>aggravated burglary charge. And then they always said, well, no, no,

0:48:05.076 --> 0:48:07.036
<v Speaker 4>of course, of course, of course, of course. But they're

0:48:07.076 --> 0:48:12.476
<v Speaker 4>revealing that they're begandized. They're revealing that like nobody, everybody

0:48:12.516 --> 0:48:15.876
<v Speaker 4>wants safety. Everybody wants their family to be safe. Everybody doesn't,

0:48:15.916 --> 0:48:18.796
<v Speaker 4>you know, people don't want people to rob their store

0:48:18.916 --> 0:48:24.956
<v Speaker 4>or whatever. But this idea that anything goes if somebody

0:48:25.036 --> 0:48:31.356
<v Speaker 4>is a criminal. We're just going to suspend our humanity.

0:48:31.396 --> 0:48:33.876
<v Speaker 4>We're going to suspend right. And that's the basic idea

0:48:33.876 --> 0:48:36.996
<v Speaker 4>of sort of the constitution is you have this absolutely

0:48:37.076 --> 0:48:42.236
<v Speaker 4>minimal level. You're not supposed to be treated to a

0:48:42.596 --> 0:48:45.956
<v Speaker 4>cruel and unusual punishment, which is already kind of a

0:48:45.996 --> 0:48:47.836
<v Speaker 4>you know, I know it when I see it kind

0:48:47.836 --> 0:48:52.956
<v Speaker 4>of situation. You know, but well, if they committed a crime,

0:48:53.916 --> 0:48:56.756
<v Speaker 4>then maybe they should just be locked up forever. You know,

0:48:56.876 --> 0:48:58.916
<v Speaker 4>doesn't make sense for you know, there are plenty of

0:48:58.916 --> 0:49:01.476
<v Speaker 4>countries where the maximum sentence for any crime is ten years,

0:49:01.476 --> 0:49:03.836
<v Speaker 4>because you say, somebody commits a crime wh they're nineteen

0:49:03.916 --> 0:49:08.636
<v Speaker 4>years old, completely different human being. Eleven years, twelve years later,

0:49:09.636 --> 0:49:14.156
<v Speaker 4>you know, maybe ten years is enough to reset that

0:49:14.236 --> 0:49:16.876
<v Speaker 4>person and try to bring them back into civilization. And

0:49:16.956 --> 0:49:19.756
<v Speaker 4>yet Alabama has these three strikes laws that are put

0:49:19.876 --> 0:49:22.436
<v Speaker 4>locking people up for life without parole.

0:49:23.276 --> 0:49:25.916
<v Speaker 1>But this is a really interesting point which I think

0:49:26.036 --> 0:49:27.716
<v Speaker 1>is worth dwelling on a little bit, which is that

0:49:29.476 --> 0:49:33.876
<v Speaker 1>as storytellers, so the urge when the people in the

0:49:33.876 --> 0:49:35.836
<v Speaker 1>screening said I want to know what crime they committed?

0:49:37.036 --> 0:49:41.476
<v Speaker 1>That that was my urge when I watched it. It's

0:49:41.516 --> 0:49:43.316
<v Speaker 1>a natural human urge to want to know as much

0:49:43.356 --> 0:49:49.196
<v Speaker 1>as possible about the person whose world you're And what

0:49:49.236 --> 0:49:51.476
<v Speaker 1>we don't think about is what are we using that

0:49:51.556 --> 0:49:55.436
<v Speaker 1>information for? And how will that kind of information at

0:49:55.476 --> 0:49:58.676
<v Speaker 1>the margin affect the quality of our moral judgments? And

0:49:58.716 --> 0:50:02.196
<v Speaker 1>what you're saying is the value of that incremental information

0:50:02.236 --> 0:50:07.436
<v Speaker 1>about these characters reduces the quality of our moral judgment.

0:50:07.516 --> 0:50:10.236
<v Speaker 1>It actually contributes to pros. I see the phenomenon you

0:50:10.236 --> 0:50:15.196
<v Speaker 1>were trying to confront, which is, people, regardless of who

0:50:15.196 --> 0:50:20.956
<v Speaker 1>they are, deserve a certain level of respect and decency

0:50:20.956 --> 0:50:23.516
<v Speaker 1>in the way we treat them. Right, there was there

0:50:23.596 --> 0:50:25.796
<v Speaker 1>was an obligation here on the part of the The

0:50:26.196 --> 0:50:30.156
<v Speaker 1>titration and the limitation of information given by the storyteller

0:50:30.516 --> 0:50:34.356
<v Speaker 1>is a hugely consequential question. It's not just a storytelling question.

0:50:34.396 --> 0:50:37.236
<v Speaker 1>It's a moral question. It's what do you want people

0:50:37.716 --> 0:50:41.036
<v Speaker 1>to take home from this story? Right in a profound way,

0:50:41.116 --> 0:50:44.316
<v Speaker 1>and like, so you shouldn't now, I agree with you.

0:50:45.076 --> 0:50:46.676
<v Speaker 1>I had that impulse, and then I thought about it

0:50:46.676 --> 0:50:50.516
<v Speaker 1>and I was like, no, I don't need to know.

0:50:50.636 --> 0:50:52.956
<v Speaker 1>It is not relevant what Stephen Davis was in for.

0:50:53.716 --> 0:50:58.036
<v Speaker 1>It's like it shouldn't matter, or it shouldn't matter with.

0:50:58.116 --> 0:50:59.316
<v Speaker 4>Robert Robert Earl.

0:50:59.476 --> 0:51:01.756
<v Speaker 1>Robert Earl or who is the one who had the

0:51:01.836 --> 0:51:02.876
<v Speaker 1>rat swimming in the toilet?

0:51:03.116 --> 0:51:05.676
<v Speaker 4>Robert Robert Earl. Yeah, like Robert Earl's crime, I mean

0:51:05.796 --> 0:51:08.876
<v Speaker 4>Robert Earl's crime. Yeah, there's a guy and sort of

0:51:09.156 --> 0:51:10.876
<v Speaker 4>speeder that there was a guy trying to run him

0:51:10.876 --> 0:51:13.996
<v Speaker 4>over with a car and he was nineteen and he

0:51:14.076 --> 0:51:16.596
<v Speaker 4>had a gun, which everybody in Alabama has a gun,

0:51:16.956 --> 0:51:19.556
<v Speaker 4>and he shot the guy and he prevented him from

0:51:19.596 --> 0:51:22.356
<v Speaker 4>running him over. In today's world, you know, that's like.

0:51:22.636 --> 0:51:23.436
<v Speaker 1>Stand your ground.

0:51:23.596 --> 0:51:26.836
<v Speaker 4>Yeah, right, So there's no question that would have been

0:51:26.836 --> 0:51:29.556
<v Speaker 4>a self defense case, but for the fact that the

0:51:29.596 --> 0:51:33.716
<v Speaker 4>police went to incredible lengths to try to tie him

0:51:33.716 --> 0:51:39.716
<v Speaker 4>into an earlier altercation that night because nobody died in

0:51:39.796 --> 0:51:41.476
<v Speaker 4>but they were sort of trying to say, well, he

0:51:41.516 --> 0:51:44.076
<v Speaker 4>was involved in a robbery, which he actually wasn't involved in,

0:51:45.116 --> 0:51:48.596
<v Speaker 4>because that enables you to give him a life sentence

0:51:48.716 --> 0:51:52.556
<v Speaker 4>because you can say it's capital murder. So I guess

0:51:52.556 --> 0:51:59.516
<v Speaker 4>our you know, kind of theory going in was maybe

0:51:59.556 --> 0:52:01.156
<v Speaker 4>we don't need to talk about the crimes at all,

0:52:01.356 --> 0:52:05.876
<v Speaker 4>and then we realized that there are certain crimes, right

0:52:05.956 --> 0:52:08.276
<v Speaker 4>and Steve Marshall of the world will want you to

0:52:08.316 --> 0:52:10.756
<v Speaker 4>assume that everybody in there for this right. They say, oh,

0:52:11.316 --> 0:52:13.956
<v Speaker 4>but we've already let out all the non violent criminals.

0:52:14.276 --> 0:52:16.956
<v Speaker 4>That sounds like totally reasonable. Well, yeah, I guess people

0:52:16.956 --> 0:52:19.636
<v Speaker 4>that are non violent should be led out, right. But

0:52:19.916 --> 0:52:21.916
<v Speaker 4>in Alabama, I think in the rest of the country,

0:52:22.356 --> 0:52:24.436
<v Speaker 4>maybe we have like maybe in the federal system, we

0:52:24.476 --> 0:52:27.236
<v Speaker 4>have like four crimes that are considered violent, and in

0:52:27.316 --> 0:52:29.916
<v Speaker 4>Alabama it used to be you know, ten, and then

0:52:29.916 --> 0:52:31.796
<v Speaker 4>it was twenty, and then it was thirty, and now

0:52:31.796 --> 0:52:36.636
<v Speaker 4>it's forty four crimes and they include entering an unoccupied

0:52:36.636 --> 0:52:40.796
<v Speaker 4>building that's considered a violent crime. So by redefining what

0:52:40.876 --> 0:52:42.716
<v Speaker 4>a violent crime is, you get more and more and

0:52:42.756 --> 0:52:44.276
<v Speaker 4>more people, and then you get to stand in front

0:52:44.276 --> 0:52:45.796
<v Speaker 4>of a crowd and say, we've let out all the

0:52:46.956 --> 0:52:50.356
<v Speaker 4>good ones. But Robert Earl, I guess we concluded that

0:52:50.436 --> 0:52:53.916
<v Speaker 4>we had to tell something about some of the crimes

0:52:53.956 --> 0:52:56.356
<v Speaker 4>because we didn't want We've felt like if the audience

0:52:56.436 --> 0:52:58.876
<v Speaker 4>was going to really have to fall in love with

0:52:59.796 --> 0:53:02.116
<v Speaker 4>Robert Earl, which is not hard to do because man's

0:53:02.156 --> 0:53:10.036
<v Speaker 4>a genius and he's an unbelievable human being. Then we

0:53:10.076 --> 0:53:13.236
<v Speaker 4>would have to let people know that he's not Jeffrey Dahmer.

0:53:14.236 --> 0:53:16.636
<v Speaker 4>You know that he's not somebody who's like a serial

0:53:16.796 --> 0:53:20.156
<v Speaker 4>killer or a child killer. And the percentage of people

0:53:20.196 --> 0:53:21.876
<v Speaker 4>that are in prison who are a serial killers or

0:53:21.956 --> 0:53:25.796
<v Speaker 4>child kill is minuscule. But you if you're gonna give

0:53:25.796 --> 0:53:29.396
<v Speaker 4>the audience the desire to fall in love with somebody,

0:53:29.636 --> 0:53:34.316
<v Speaker 4>they're gonna hold back their empathy unless you can just

0:53:34.356 --> 0:53:38.076
<v Speaker 4>give them a little bit of a pass, a little

0:53:38.116 --> 0:53:40.916
<v Speaker 4>bit of a feeling like this is this is not

0:53:41.036 --> 0:53:43.596
<v Speaker 4>one of those people that's just going to be released

0:53:43.596 --> 0:53:46.756
<v Speaker 4>and then immediately go and murder somebody or put somebody

0:53:46.796 --> 0:53:47.796
<v Speaker 4>in front of a bus.

0:53:49.796 --> 0:54:03.996
<v Speaker 1>We'll be right back. What's the stage in the process

0:54:03.996 --> 0:54:06.636
<v Speaker 1>where you're happiest.

0:54:06.996 --> 0:54:12.956
<v Speaker 4>It's a really good question, and I think it it's

0:54:12.956 --> 0:54:15.796
<v Speaker 4>a question you have to ask in a kind of

0:54:16.836 --> 0:54:22.876
<v Speaker 4>longitudinal way because you're having the most fun in the

0:54:22.996 --> 0:54:27.596
<v Speaker 4>very beginning because it's all new, and then you're halfway

0:54:27.636 --> 0:54:29.396
<v Speaker 4>through it and it's like the dark Knight of the

0:54:29.396 --> 0:54:31.996
<v Speaker 4>soul and you think it's a disaster, and then you

0:54:32.036 --> 0:54:34.236
<v Speaker 4>look back and you think, oh my god, you know

0:54:34.356 --> 0:54:37.236
<v Speaker 4>that was the time. And then you get further along

0:54:37.276 --> 0:54:39.516
<v Speaker 4>and you solve a problem, and then that's the time.

0:54:39.876 --> 0:54:41.116
<v Speaker 4>And then you get to the end of the whole

0:54:41.116 --> 0:54:42.756
<v Speaker 4>thing you look back and that's a difference. So I

0:54:42.756 --> 0:54:44.836
<v Speaker 4>guess it's the question, you know, if you ask the

0:54:44.916 --> 0:54:46.316
<v Speaker 4>question over time, did you.

0:54:46.236 --> 0:54:49.116
<v Speaker 1>Have a dark Knight of the soul moment with this documentary?

0:54:49.476 --> 0:54:53.396
<v Speaker 1>It lasted like seven years, so you get by definition,

0:54:53.676 --> 0:54:54.956
<v Speaker 1>But it wasn't so much.

0:54:54.996 --> 0:54:57.196
<v Speaker 4>I mean, there were plenty of timeshe we thought, I

0:54:57.316 --> 0:55:00.236
<v Speaker 4>don't know whether this is going to work, and you

0:55:00.276 --> 0:55:04.436
<v Speaker 4>go to the best advisors you have and you show

0:55:04.516 --> 0:55:07.396
<v Speaker 4>material and you just watch and see how people react,

0:55:08.076 --> 0:55:10.996
<v Speaker 4>and then you do we do these other things, like

0:55:11.076 --> 0:55:14.676
<v Speaker 4>we'll do like a session with a whiteboard, and the

0:55:14.756 --> 0:55:17.076
<v Speaker 4>whole team of people that are working on the film

0:55:18.476 --> 0:55:24.116
<v Speaker 4>will say, Okay, what are the five things that that

0:55:24.236 --> 0:55:26.876
<v Speaker 4>I feel like if I if these aren't in the movie,

0:55:27.196 --> 0:55:30.276
<v Speaker 4>we've made a terrible mistake. And then you end up

0:55:30.316 --> 0:55:33.636
<v Speaker 4>with thirty five things on the board and then you think,

0:55:33.676 --> 0:55:35.236
<v Speaker 4>all right, well, what is this telling me? You just

0:55:35.236 --> 0:55:37.076
<v Speaker 4>try to look at it a million different ways. You know,

0:55:37.116 --> 0:55:39.596
<v Speaker 4>you kind of like, you know, moving around.

0:55:39.356 --> 0:55:43.316
<v Speaker 1>You're deep dark depression on something. You just call me

0:55:43.356 --> 0:55:45.956
<v Speaker 1>because if you just you. I'd never show me if

0:55:45.956 --> 0:55:48.836
<v Speaker 1>you just called me and said, Malcolm, I have cell

0:55:48.836 --> 0:55:51.796
<v Speaker 1>phone video footage from inside Alabama, the Alabama prison system.

0:55:51.796 --> 0:55:53.636
<v Speaker 1>I have a lot of it. But I don't think

0:55:53.636 --> 0:55:56.076
<v Speaker 1>it's going to work. I would have said it's going

0:55:56.156 --> 0:55:56.476
<v Speaker 1>to work.

0:55:56.716 --> 0:55:56.916
<v Speaker 4>Good.

0:55:56.996 --> 0:55:59.396
<v Speaker 1>It's like there's no way for it not to work.

0:56:00.756 --> 0:56:05.356
<v Speaker 1>I think the correct answer. It really is a I mean,

0:56:05.396 --> 0:56:09.676
<v Speaker 1>I really I realized I had been gushing, but it's

0:56:09.716 --> 0:56:13.196
<v Speaker 1>it is. It is an extraordinary piece of work. And

0:56:13.316 --> 0:56:18.316
<v Speaker 1>I'm both complimenting you but also complimenting the prisoners who

0:56:18.836 --> 0:56:21.996
<v Speaker 1>who found a way to get their story out in

0:56:22.036 --> 0:56:26.116
<v Speaker 1>the world. Right there. You're collaborators on this and the

0:56:26.196 --> 0:56:31.516
<v Speaker 1>result is something that is quite unlike any other. Like

0:56:31.556 --> 0:56:34.316
<v Speaker 1>I said, it solves the documentary problem for me. You

0:56:34.716 --> 0:56:39.076
<v Speaker 1>solved it like there's no you're not reconstructing anything.

0:56:39.556 --> 0:56:43.836
<v Speaker 4>It's there's this great moment in Ibsen, you know, in

0:56:44.276 --> 0:56:49.396
<v Speaker 4>a Master Builder, and there's this character named Hilda who

0:56:49.476 --> 0:56:52.636
<v Speaker 4>works with this architect, and the architect is this very

0:56:52.676 --> 0:56:56.316
<v Speaker 4>grand fellow that is building big buildings and all that stuff,

0:56:56.676 --> 0:57:00.996
<v Speaker 4>and the and then you see her saying at the

0:57:01.076 --> 0:57:03.916
<v Speaker 4>end of it, her last line as she says the

0:57:03.916 --> 0:57:07.876
<v Speaker 4>master builder, my master builder, and a lot of people

0:57:07.956 --> 0:57:11.716
<v Speaker 4>have have have comment about that over the years and

0:57:11.756 --> 0:57:14.196
<v Speaker 4>written about it that it's really that Hilda at that

0:57:14.316 --> 0:57:21.236
<v Speaker 4>time in history, like a young brilliant woman, needed another

0:57:21.356 --> 0:57:23.996
<v Speaker 4>person who thought that they were a great builder. But

0:57:24.156 --> 0:57:26.876
<v Speaker 4>really it was her ideas that were coming through. And

0:57:26.956 --> 0:57:30.956
<v Speaker 4>I do feel that way here that they're that the

0:57:31.036 --> 0:57:35.196
<v Speaker 4>men knew what they needed. It's not I don't want

0:57:35.196 --> 0:57:37.556
<v Speaker 4>to act like it's working. I mean, Alabama is still

0:57:37.596 --> 0:57:41.916
<v Speaker 4>this is still an urgent problem. Alabama is still killing

0:57:41.956 --> 0:57:45.156
<v Speaker 4>people in its custody all the time. I think people

0:57:45.396 --> 0:57:47.396
<v Speaker 4>right now are dying at the rate of around one

0:57:47.436 --> 0:57:50.316
<v Speaker 4>a day, and that's just in one system. We have

0:57:50.356 --> 0:57:54.436
<v Speaker 4>two million people incarcerated around the country. But I do

0:57:54.516 --> 0:57:57.156
<v Speaker 4>get the feeling that, you know, while we're walking around

0:57:57.156 --> 0:58:02.996
<v Speaker 4>thinking we're making a film, the men inside are driven

0:58:03.156 --> 0:58:07.036
<v Speaker 4>by their own brilliance, their own survival instinct, are saying,

0:58:07.076 --> 0:58:10.516
<v Speaker 4>we need to get this material in front of the public.

0:58:11.036 --> 0:58:13.876
<v Speaker 4>We're not a position to do it. Let's let's see

0:58:13.876 --> 0:58:16.316
<v Speaker 4>if this collaboration can work. And that I think is

0:58:16.316 --> 0:58:20.236
<v Speaker 4>the thing I feel the most grateful for is that

0:58:20.356 --> 0:58:23.356
<v Speaker 4>we were able to deliver that and the men in

0:58:23.396 --> 0:58:26.556
<v Speaker 4>the film have seen the film, you know, because we

0:58:26.636 --> 0:58:30.236
<v Speaker 4>showed it to them on cell phones, and when we

0:58:30.236 --> 0:58:33.756
<v Speaker 4>were done, I think they were very emotional seeing it.

0:58:33.836 --> 0:58:35.876
<v Speaker 4>I think we you know, we spent so much time

0:58:35.916 --> 0:58:38.716
<v Speaker 4>and showed it to them talk to them about what

0:58:38.756 --> 0:58:41.476
<v Speaker 4>we were making. Because it's such a responsibility to say,

0:58:41.916 --> 0:58:45.396
<v Speaker 4>you know, hey, you guys, you've been running a non violent,

0:58:46.716 --> 0:58:50.876
<v Speaker 4>organized protest movement that includes work stoppages and hunger strikes,

0:58:51.316 --> 0:58:53.676
<v Speaker 4>and somehow we're going to characterize that, and we're going

0:58:53.676 --> 0:58:55.316
<v Speaker 4>to put that on television or we're going to put

0:58:55.356 --> 0:58:59.876
<v Speaker 4>that in movie theaters. But it's really their story. So

0:59:00.676 --> 0:59:02.796
<v Speaker 4>you have to be in constant dialogue with them about

0:59:02.796 --> 0:59:05.756
<v Speaker 4>what that is, including now, you know, telling them what

0:59:05.796 --> 0:59:07.996
<v Speaker 4>we're doing and what we're thinking and trying to you know,

0:59:08.036 --> 0:59:12.236
<v Speaker 4>we created this sort of whistleblower defense committee of really

0:59:12.356 --> 0:59:15.596
<v Speaker 4>smart lawyers because we knew that these men have been

0:59:15.636 --> 0:59:19.716
<v Speaker 4>retaliated against time after time after time, and so they

0:59:19.836 --> 0:59:21.916
<v Speaker 4>jump in and they'll go and do wellness checks on

0:59:21.956 --> 0:59:24.956
<v Speaker 4>the men. You're in a relationship with them forever. You know.

0:59:24.996 --> 0:59:27.156
<v Speaker 4>It's a little different, right because you're I mean, maybe

0:59:27.156 --> 0:59:29.716
<v Speaker 4>you'll choose to go and have coffee with Steve Marshall

0:59:29.716 --> 0:59:32.196
<v Speaker 4>once a week if you really enjoy his company. But

0:59:32.516 --> 0:59:33.836
<v Speaker 4>you know, most of the people that are in your

0:59:33.876 --> 0:59:37.756
<v Speaker 4>film are kind of already you know, you're not going

0:59:37.796 --> 0:59:40.996
<v Speaker 4>back to Alabama much and you're not going to go

0:59:41.076 --> 0:59:44.076
<v Speaker 4>talk to the to the people that are in the story.

0:59:44.116 --> 0:59:46.916
<v Speaker 4>But these guys are like they're in my life. Happily,

0:59:46.956 --> 0:59:48.996
<v Speaker 4>I feel very lucky that they're in my life, in

0:59:49.076 --> 0:59:49.796
<v Speaker 4>Charlotte's life.

0:59:50.196 --> 0:59:54.236
<v Speaker 1>Yeah, yeah, Andrew, we are we are out of time.

0:59:54.916 --> 0:59:57.196
<v Speaker 1>I want to thank you very much both for coming

0:59:57.236 --> 1:00:00.676
<v Speaker 1>to on AirFest and singing with me, and also for

1:00:00.756 --> 1:00:04.076
<v Speaker 1>the movie which has you know, as the best art does,

1:00:04.116 --> 1:00:06.756
<v Speaker 1>has left America at a little better off than it

1:00:06.796 --> 1:00:07.276
<v Speaker 1>was before.

1:00:07.956 --> 1:00:09.796
<v Speaker 4>Thank you so much, really, appre Shadow.

1:00:22.116 --> 1:00:25.596
<v Speaker 1>Revision's History is produced by Lucy Sullivan, Bend, daph Haffrey,

1:00:25.796 --> 1:00:29.556
<v Speaker 1>and Nina Bird Lawrence. Our editor is Karen Chakerji. Our

1:00:29.636 --> 1:00:33.356
<v Speaker 1>executive producer is Jacob Smith. Engineering by Nina Bird Lawrence.

1:00:33.636 --> 1:00:37.916
<v Speaker 1>Original music by Luis Kira, Mixing and mastering by Jake Krsky.

1:00:38.796 --> 1:00:39.716
<v Speaker 1>I'm Malcolm Glabla.