1 00:00:01,040 --> 00:00:03,840 Speaker 1: Hey, y'all, I got some show dates and I want 2 00:00:03,880 --> 00:00:04,960 Speaker 1: you to come and see me. Let me give you 3 00:00:05,000 --> 00:00:07,600 Speaker 1: the details so you can get tickets and make plans. 4 00:00:07,880 --> 00:00:11,239 Speaker 1: On November five, I'll be in Ben Salem, Pennsylvania at 5 00:00:11,280 --> 00:00:16,640 Speaker 1: Parks Casino basically Philly, but like Ben Salem. Then from 6 00:00:16,680 --> 00:00:19,960 Speaker 1: November eleven to thirteen, I'll be in Tacoma, Washington. That's 7 00:00:20,000 --> 00:00:23,279 Speaker 1: Super Funny Comedy Club. That's the name of it. It's 8 00:00:23,400 --> 00:00:26,640 Speaker 1: Super Funny Common Club. Next up, I'll be in Portland, 9 00:00:26,640 --> 00:00:30,920 Speaker 1: Oregon at Helium Comedy Club from November eighteen to for 10 00:00:31,000 --> 00:00:34,360 Speaker 1: one night only. I'll be in Calgary at Southern Alberta 11 00:00:34,479 --> 00:00:38,640 Speaker 1: Jubilee Auditorium on November for a cool night. It's a 12 00:00:38,720 --> 00:00:45,120 Speaker 1: fundraiser for the Owen Heart Foundation, Brett Hart's uh brother 13 00:00:45,159 --> 00:00:48,040 Speaker 1: who passed away. And it's it's gonna be a great 14 00:00:48,080 --> 00:00:50,520 Speaker 1: time and I'm doing my whole new act. You're gonna 15 00:00:50,560 --> 00:00:52,320 Speaker 1: love it. I mean, I'm doing my whole new act everywhere, 16 00:00:52,360 --> 00:00:54,560 Speaker 1: but this is a special thing. And from December nine 17 00:00:54,560 --> 00:00:57,200 Speaker 1: through the twelve, I'll be in Sacramento at the punch 18 00:00:57,240 --> 00:01:00,120 Speaker 1: Line in California. More shows are always being added, so 19 00:01:00,200 --> 00:01:03,600 Speaker 1: just keep checking Russell Peters dot com or my Instagram 20 00:01:03,640 --> 00:01:06,640 Speaker 1: at Russell Peters. Follow me as well because it's free. 21 00:01:06,720 --> 00:01:12,959 Speaker 1: All right, you freaks now enjoy the show. Hey Russell, 22 00:01:13,520 --> 00:01:15,520 Speaker 1: can you tell me about a time in your life 23 00:01:15,520 --> 00:01:18,680 Speaker 1: when a big light bulb click that made you change 24 00:01:18,720 --> 00:01:22,120 Speaker 1: the course of something something big in your life and 25 00:01:22,160 --> 00:01:25,800 Speaker 1: what were your takeaways from that time. I don't know 26 00:01:25,840 --> 00:01:29,440 Speaker 1: if I had any I mean, I'm sure I had 27 00:01:29,480 --> 00:01:32,480 Speaker 1: some light bulb moments. I just you know, there's sometimes 28 00:01:32,480 --> 00:01:34,400 Speaker 1: people will lead you to the light bulb. Like Glenn, 29 00:01:34,440 --> 00:01:37,720 Speaker 1: Patrice and Keith tell me about writing differently and thinking differently. 30 00:01:38,120 --> 00:01:42,200 Speaker 1: That was a lightbulb moment. Um did you see you 31 00:01:42,600 --> 00:01:46,360 Speaker 1: said you felt like COVID Over COVID you got um 32 00:01:46,360 --> 00:01:48,360 Speaker 1: smarter in that way. Well, I didn't get smarter. I 33 00:01:48,400 --> 00:01:51,360 Speaker 1: just became wiser as to where the holes where, what 34 00:01:51,440 --> 00:01:53,600 Speaker 1: I was doing wrong, why I was doing it wrong, 35 00:01:53,640 --> 00:01:56,000 Speaker 1: how I was doing it wrong. And and then you go, 36 00:01:56,000 --> 00:01:57,600 Speaker 1: all right, if I get that second chance, I want 37 00:01:57,600 --> 00:02:02,240 Speaker 1: to fix it. And uh, you know, I was watching 38 00:02:02,280 --> 00:02:05,640 Speaker 1: like these awards shows and I'm like this is fucking horrendous, 39 00:02:06,520 --> 00:02:08,519 Speaker 1: like the things people are getting rewarded for, and I 40 00:02:08,600 --> 00:02:11,800 Speaker 1: are like just get out of here, dude. Think about it. 41 00:02:11,840 --> 00:02:14,280 Speaker 1: Think about movies. Is there any good movies out in 42 00:02:14,320 --> 00:02:17,440 Speaker 1: the theater? I went and saw James Bond. It was good, 43 00:02:18,240 --> 00:02:20,399 Speaker 1: but again, like Clifford's coming out, that'll be great because 44 00:02:20,400 --> 00:02:25,120 Speaker 1: I'm in it. Um, big shout to Clifford Paramount Pictures. 45 00:02:25,600 --> 00:02:30,520 Speaker 1: And but but you know, there's really there's no movies 46 00:02:30,520 --> 00:02:32,600 Speaker 1: where you're like, oh my god, that looks so good. 47 00:02:33,240 --> 00:02:35,640 Speaker 1: Like everything is just like nah, now you want to 48 00:02:35,639 --> 00:02:38,280 Speaker 1: go see this movie about a family in the late 49 00:02:38,280 --> 00:02:42,959 Speaker 1: eighteen hundreds who overcome starvation. No, you know, like, hey, 50 00:02:43,040 --> 00:02:44,760 Speaker 1: there's this movie about World War I don't wanna hear 51 00:02:44,760 --> 00:02:50,680 Speaker 1: anything about no fucking World War. They're boring. I'll look 52 00:02:50,680 --> 00:02:52,639 Speaker 1: at the special effects. I don't give a fuck. Give 53 00:02:52,680 --> 00:02:55,200 Speaker 1: me a good story. Nobody makes like is there ever 54 00:02:55,200 --> 00:02:58,600 Speaker 1: gonna be another super bad? Yeah? I mean that's like 55 00:02:58,760 --> 00:03:00,480 Speaker 1: I just want to see Dune. It was like the 56 00:03:00,520 --> 00:03:03,799 Speaker 1: first time I've been to the at least an Imax 57 00:03:03,880 --> 00:03:08,000 Speaker 1: movie in a minute, and um, all of the trailers 58 00:03:08,440 --> 00:03:11,800 Speaker 1: were all for I would say Marvel or d C movies. 59 00:03:11,880 --> 00:03:15,679 Speaker 1: Almost yeah, because it was Batman, spider Man. There was 60 00:03:15,720 --> 00:03:18,200 Speaker 1: like the New X Men movie, and then I want 61 00:03:18,200 --> 00:03:19,440 Speaker 1: to say, there was another one, and then there was 62 00:03:19,480 --> 00:03:23,800 Speaker 1: like some movie with Liam Neeson Nie and then one 63 00:03:23,800 --> 00:03:26,800 Speaker 1: of his kids getting taken. Yeah, it was it was like, 64 00:03:28,919 --> 00:03:30,720 Speaker 1: I forget what it's called. It like the King's something. 65 00:03:30,760 --> 00:03:32,720 Speaker 1: It's one of those names that sounds it just I 66 00:03:32,760 --> 00:03:34,880 Speaker 1: was like, didn't this movie already happen? Do you know what? 67 00:03:35,080 --> 00:03:38,520 Speaker 1: Every movie has already happened. That's the problem. And then 68 00:03:38,520 --> 00:03:40,680 Speaker 1: when people write these when you look at the Academy 69 00:03:40,680 --> 00:03:43,040 Speaker 1: Awards and movies again win the awards like funk out 70 00:03:43,040 --> 00:03:46,000 Speaker 1: of here. Who's watching? Who goes, Oh my god, I 71 00:03:46,040 --> 00:03:48,400 Speaker 1: can't like get the funk? I know, good movies. I've 72 00:03:48,400 --> 00:03:52,040 Speaker 1: ever really won an Academy Award like sometimes maybe back 73 00:03:52,080 --> 00:03:54,480 Speaker 1: in the day good movies one. But as of late, 74 00:03:54,520 --> 00:03:57,040 Speaker 1: it's always like these art there funk out of here. 75 00:03:57,200 --> 00:03:59,640 Speaker 1: It's always these period pieces that annoy me. Yeah, it's 76 00:03:59,680 --> 00:04:03,200 Speaker 1: like pically motivated. Yeah, and the period always for some reason, 77 00:04:03,280 --> 00:04:06,120 Speaker 1: non white people didn't exist in that period. We're such 78 00:04:06,160 --> 00:04:09,800 Speaker 1: a new species, you know. And then you got like 79 00:04:09,840 --> 00:04:11,720 Speaker 1: the movies that come out now where they have these 80 00:04:11,880 --> 00:04:15,880 Speaker 1: artificial integrations of humans where it's like there's a black guy, 81 00:04:15,960 --> 00:04:19,640 Speaker 1: white guy, an Asian guy, a girl, a transperson, a 82 00:04:19,640 --> 00:04:22,839 Speaker 1: gay guy, you know whatever, and like, yeah, they all 83 00:04:22,880 --> 00:04:25,240 Speaker 1: exist in the world for sure, but they don't all 84 00:04:25,320 --> 00:04:28,320 Speaker 1: hang out with each other. They just don't. It's just 85 00:04:28,480 --> 00:04:31,440 Speaker 1: not the way it goes. It's birds of a fucking feather, 86 00:04:31,960 --> 00:04:34,760 Speaker 1: you know, that's how it works. Yeah, there's plenty of birds, 87 00:04:34,800 --> 00:04:41,640 Speaker 1: but you don't see hawks hanging out with sparrows. There's 88 00:04:41,640 --> 00:04:44,119 Speaker 1: a penguin. You're a bird, right, Yeah, that that eagle 89 00:04:44,200 --> 00:04:49,840 Speaker 1: wants to talk to you, that eagle. That's like Halloween. 90 00:04:49,880 --> 00:04:54,920 Speaker 1: Halloween's on what three decades already, the movie or the holiday. Yeah, 91 00:04:56,440 --> 00:05:02,400 Speaker 1: the movie. I mean I've never seen any Halloween movies. Yeah, 92 00:05:02,920 --> 00:05:05,599 Speaker 1: I can't. And then were they just complaining that he 93 00:05:05,839 --> 00:05:08,479 Speaker 1: killed a gay guy on there? And he said Michael 94 00:05:08,480 --> 00:05:13,159 Speaker 1: Myers is homophobic, kills everybody, Like wait, who said that? 95 00:05:13,279 --> 00:05:15,839 Speaker 1: It was on it? It was on something saying that 96 00:05:15,880 --> 00:05:19,560 Speaker 1: he's homophobic, and I'm like, he's not even really, I'm 97 00:05:19,560 --> 00:05:23,000 Speaker 1: like they're reaching now, okay, everything's reaching. Superman as a 98 00:05:23,160 --> 00:05:27,280 Speaker 1: bisexual son they were making him. Yeah, yeah, I think 99 00:05:27,320 --> 00:05:30,160 Speaker 1: so is that that's what it was? Superman? I think 100 00:05:30,160 --> 00:05:35,000 Speaker 1: Superman or something. Now, no Superman, but no no, Superman's 101 00:05:35,000 --> 00:05:39,000 Speaker 1: son is bisexual. Okay, but I'm like, wait, not real, 102 00:05:39,839 --> 00:05:42,200 Speaker 1: why do they even need that? Never mind if they're bisexual, 103 00:05:42,480 --> 00:05:47,360 Speaker 1: homosexual or heterosexual, it's irrelevant. I'm not gonna be fucking 104 00:05:47,360 --> 00:05:49,440 Speaker 1: You're not going to see that. It's about the stories 105 00:05:49,440 --> 00:05:53,920 Speaker 1: of them doing super shit. Nobody cares, That's what nobody 106 00:05:53,960 --> 00:05:56,440 Speaker 1: fucking I'm not reading a comic going, where's the part that, 107 00:05:56,640 --> 00:06:00,719 Speaker 1: uh no, I can't read this, there's no. I don't 108 00:06:00,720 --> 00:06:04,359 Speaker 1: know his preference. He's an X. Yeah. Are you do 109 00:06:04,400 --> 00:06:06,080 Speaker 1: you like comic books a lot? Or even it was 110 00:06:06,120 --> 00:06:10,280 Speaker 1: never my brother loved comic books. I always find people 111 00:06:10,279 --> 00:06:13,640 Speaker 1: that were into comic books or are always a little smarter, Yeah, 112 00:06:14,040 --> 00:06:17,280 Speaker 1: a little smarter, a little bit more creative, and uh, 113 00:06:17,760 --> 00:06:22,440 Speaker 1: I'm just not I'm neither of those. I did like 114 00:06:23,040 --> 00:06:29,839 Speaker 1: I did like that, yes, jug head. Yeah. I used 115 00:06:29,839 --> 00:06:34,080 Speaker 1: to read these like um, like graphic novels. I feel 116 00:06:34,080 --> 00:06:36,000 Speaker 1: like when I was a teenager or it's like it's 117 00:06:36,000 --> 00:06:38,919 Speaker 1: a comic book but it's longer. Oh yeah, and they 118 00:06:38,960 --> 00:06:41,600 Speaker 1: would be like on the glossy paper right, yeah, it 119 00:06:41,680 --> 00:06:44,040 Speaker 1: was like I'm better Miller, Frank Miller would make those 120 00:06:44,040 --> 00:06:47,200 Speaker 1: out his name, Yes, Frank Miller, um, and then there 121 00:06:47,200 --> 00:06:49,000 Speaker 1: were there's just like a lot of artists. I think 122 00:06:49,000 --> 00:06:51,919 Speaker 1: that that's also like Alison Bechdel, like from the Bechdel 123 00:06:52,000 --> 00:06:54,560 Speaker 1: Test and everything. She also is like and all that 124 00:06:54,600 --> 00:06:57,080 Speaker 1: stuff was on there. My daughters into anime now, which 125 00:06:57,080 --> 00:07:01,800 Speaker 1: is very interesting. Alright, last question, Hey Russell, it's your 126 00:07:01,800 --> 00:07:04,479 Speaker 1: girl again. So I called him. Just asked you a 127 00:07:04,520 --> 00:07:08,159 Speaker 1: really serious question about life choices. But the fact of 128 00:07:08,160 --> 00:07:09,960 Speaker 1: the matter is, I just want to know if you're 129 00:07:09,960 --> 00:07:14,239 Speaker 1: a boxer's breeze for free ball and tip guy. Okay, thanks. 130 00:07:15,080 --> 00:07:16,840 Speaker 1: Look at the Alie took offense to that one. Huh, 131 00:07:16,880 --> 00:07:20,040 Speaker 1: No I did. I was like, um, it depends on 132 00:07:20,120 --> 00:07:25,680 Speaker 1: freeball quite a bit, um because I'm free free ball, 133 00:07:25,960 --> 00:07:28,960 Speaker 1: wrecking ball. No, but when I freeball, she yells at 134 00:07:28,960 --> 00:07:30,720 Speaker 1: me like, Babe, your dick, you can see your dick, 135 00:07:30,760 --> 00:07:35,000 Speaker 1: And I'm like, I know. The real question is where 136 00:07:35,040 --> 00:07:38,480 Speaker 1: does what's his name, King Louis? Where does he live there? 137 00:07:38,720 --> 00:07:44,120 Speaker 1: But no, I know, but what's his house? Look like, Oh, 138 00:07:44,160 --> 00:07:47,280 Speaker 1: I see what you're saying. What are my are they 139 00:07:47,360 --> 00:07:50,920 Speaker 1: They're like briefs, but they're not They're not boxer briefs, 140 00:07:50,920 --> 00:07:53,000 Speaker 1: but there are they boxer briefs now because they're too short. 141 00:07:53,040 --> 00:07:56,160 Speaker 1: I think like swim trunk boxer briefs or something. They 142 00:07:56,200 --> 00:08:01,160 Speaker 1: are boxer low rise, like the low rise part, but 143 00:08:01,200 --> 00:08:03,000 Speaker 1: those ones are the ones that are they it's weird 144 00:08:03,080 --> 00:08:06,360 Speaker 1: because I pull them really high, but you're also loosing. Yeah, 145 00:08:06,400 --> 00:08:11,320 Speaker 1: I talk it about my nipples. I liked if my 146 00:08:11,400 --> 00:08:13,200 Speaker 1: underwear was falling, I could just do this so they 147 00:08:13,200 --> 00:08:18,160 Speaker 1: don't fall down. Yeah, he has to get he has 148 00:08:18,200 --> 00:08:20,520 Speaker 1: to hold those things in. And you know what. You 149 00:08:20,520 --> 00:08:23,080 Speaker 1: know what's funny is because I'm a boy, and they 150 00:08:23,120 --> 00:08:25,920 Speaker 1: are very called. Because I'm a boy, I don't like 151 00:08:26,000 --> 00:08:28,080 Speaker 1: throwing out underwear. And I guess the other day I 152 00:08:28,120 --> 00:08:30,840 Speaker 1: came home under read a big hole in it and 153 00:08:30,880 --> 00:08:32,800 Speaker 1: I bent over, and she goes, what the funk? I go, 154 00:08:32,920 --> 00:08:36,040 Speaker 1: I gotta throw these out? Yeah no, that's a whole 155 00:08:36,160 --> 00:08:38,440 Speaker 1: left one was hanging out. I got a whole nut 156 00:08:38,480 --> 00:08:45,600 Speaker 1: hanging out. Oh yeah, because I switched from those kind 157 00:08:45,640 --> 00:08:49,679 Speaker 1: of boxers, the loose boxers, because they just didn't fit 158 00:08:49,679 --> 00:08:52,520 Speaker 1: in the pants properly anymore. You know, as the style 159 00:08:52,559 --> 00:08:58,320 Speaker 1: of clothing got snugger or more snug um, I I 160 00:08:58,320 --> 00:09:02,240 Speaker 1: had to change my underwear. Yeah, that's smart. Yeah, I know, 161 00:09:02,240 --> 00:09:03,760 Speaker 1: it's such a fucking Indian. I didn't want to throw 162 00:09:03,760 --> 00:09:07,000 Speaker 1: out anything. Did we eventually throw them out or did 163 00:09:07,000 --> 00:09:08,760 Speaker 1: we send them to like Central America? Do you have 164 00:09:08,800 --> 00:09:18,520 Speaker 1: a collective? And he wears sand to keep him his 165 00:09:18,559 --> 00:09:22,160 Speaker 1: waves intact. I get on him when he wears the 166 00:09:22,200 --> 00:09:25,360 Speaker 1: boxers of regular boxers because people will come over and like, 167 00:09:25,640 --> 00:09:31,520 Speaker 1: you're hello, it's trying. It's like hey, yeah, hey, right, 168 00:09:31,640 --> 00:09:36,280 Speaker 1: what are you doing? My name is Ben. It's like 169 00:09:36,320 --> 00:09:38,080 Speaker 1: what it is fine? I was like, no, it's not 170 00:09:38,720 --> 00:09:41,079 Speaker 1: like people and I when they staying at the dying table, 171 00:09:42,480 --> 00:09:47,720 Speaker 1: the flap flipping them. Oh that's really funny. Yeah. I 172 00:09:47,760 --> 00:09:50,480 Speaker 1: mean my husband has done the same thing with underwear, 173 00:09:50,600 --> 00:09:53,400 Speaker 1: like just keeps them and my dad I remembered it 174 00:09:53,480 --> 00:09:56,120 Speaker 1: the same thing. It was like, especially as a single 175 00:09:56,120 --> 00:09:58,440 Speaker 1: when he was like a single guy. Yeah, it was 176 00:09:58,480 --> 00:10:00,880 Speaker 1: just like I would see them like in the bathroom 177 00:10:00,880 --> 00:10:02,440 Speaker 1: and he left him in there and I was like, Dad, 178 00:10:02,480 --> 00:10:05,559 Speaker 1: I don't feel comfortable even saying this, but you need 179 00:10:05,600 --> 00:10:11,400 Speaker 1: to underwear. She doesn't wear underwear very often, and when 180 00:10:11,440 --> 00:10:12,720 Speaker 1: she does, I'm I was like, what are you doing? 181 00:10:12,800 --> 00:10:17,679 Speaker 1: She's like she doesn't have like sexy underwear either. It's 182 00:10:17,679 --> 00:10:19,680 Speaker 1: just like it's like whatever. I'm like, what is that 183 00:10:19,880 --> 00:10:22,400 Speaker 1: I do? But he's always like, why are you wearing? 184 00:10:22,559 --> 00:10:24,840 Speaker 1: Why are you wearing any any weight? I'm just like, 185 00:10:25,480 --> 00:10:28,680 Speaker 1: what's the point. Yeah? Then I stopped buying him because 186 00:10:28,679 --> 00:10:32,800 Speaker 1: they're expensive. We're floodballing? Are you loose lipping? Is that mind? 187 00:10:32,800 --> 00:10:41,640 Speaker 1: No drag? Just like peridies. That's why you've seen that 188 00:10:41,760 --> 00:10:44,280 Speaker 1: meme the girl It says I sent him a picture 189 00:10:44,280 --> 00:10:47,160 Speaker 1: of my vagina and he replied, if you're still at Rby's, 190 00:10:47,160 --> 00:11:02,720 Speaker 1: grabbed me a numbers draw or rose be. Yeah, yeah, 191 00:11:02,880 --> 00:11:06,200 Speaker 1: it does. You know there's layers, there's layers, there are 192 00:11:09,440 --> 00:11:19,120 Speaker 1: I got some. I show you some media layers. With 193 00:11:19,240 --> 00:11:22,120 Speaker 1: minimalism on the rise, the pressure to get people gifts 194 00:11:22,200 --> 00:11:25,280 Speaker 1: that they'll actually need and use is greater than ever. 195 00:11:25,840 --> 00:11:28,320 Speaker 1: But one thing everyone can definitely use is a better 196 00:11:28,440 --> 00:11:30,920 Speaker 1: night's sleep. And if you're wondering how you can bless 197 00:11:30,960 --> 00:11:33,760 Speaker 1: your friends and family with rest this year, look no 198 00:11:33,880 --> 00:11:37,719 Speaker 1: further than Bowling Branch. Bowling Branch never disappoints with the 199 00:11:37,800 --> 00:11:41,679 Speaker 1: highest quality sheets, blankets, pillows and throws, Plus their holiday 200 00:11:41,679 --> 00:11:44,880 Speaker 1: packaging makes your gift look and feel special. 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Every week, story Worth emails 236 00:13:47,760 --> 00:13:50,760 Speaker 1: your relative or friend a thought provoking question of your 237 00:13:50,880 --> 00:13:54,480 Speaker 1: choice from their vast pool of possible options. Each unique 238 00:13:54,520 --> 00:13:58,600 Speaker 1: prompt asked questions you've never thought to ask, like what's 239 00:13:58,640 --> 00:14:02,000 Speaker 1: the bravest thing You've ever done in your life? Or 240 00:14:02,440 --> 00:14:04,520 Speaker 1: if you could see in the future, what would you 241 00:14:04,520 --> 00:14:07,200 Speaker 1: want to find out? After one year, story Worth will 242 00:14:07,200 --> 00:14:10,599 Speaker 1: compile all your loved ones stories, including photos, into a 243 00:14:10,640 --> 00:14:13,240 Speaker 1: beautiful keepsake book that you will be able to share 244 00:14:13,280 --> 00:14:15,880 Speaker 1: and revisit for generations to come. I'm pretty sure my 245 00:14:15,920 --> 00:14:18,120 Speaker 1: mom will end each of her stories by saying, oh 246 00:14:18,200 --> 00:14:20,680 Speaker 1: he died, you know, just like she did when she 247 00:14:20,720 --> 00:14:22,760 Speaker 1: was on the show. But seriously, this is the kind 248 00:14:22,760 --> 00:14:26,360 Speaker 1: of gift you give, but you also get to keep yourself, 249 00:14:26,560 --> 00:14:30,000 Speaker 1: so it's a bit of a twofer, and who doesn't 250 00:14:30,040 --> 00:14:34,160 Speaker 1: love a two fer anyway? Reading the weekly stories helps 251 00:14:34,200 --> 00:14:37,520 Speaker 1: connect you with loved ones no matter how near or 252 00:14:37,600 --> 00:14:40,080 Speaker 1: far apart you are. And with my mom and my 253 00:14:40,080 --> 00:14:42,720 Speaker 1: brother living in Canada, story Worth is sure to make 254 00:14:42,760 --> 00:14:45,040 Speaker 1: me and my kids feel like we're closer to them. 255 00:14:45,120 --> 00:14:47,960 Speaker 1: With story Worth, I am giving those I love most 256 00:14:48,000 --> 00:14:51,560 Speaker 1: a thoughtful, personal gift from the heart and preserving their 257 00:14:51,600 --> 00:14:54,520 Speaker 1: memories and stories for years to come. Go to story 258 00:14:54,560 --> 00:14:58,080 Speaker 1: worth dot com slash peters and save ten dollars on 259 00:14:58,160 --> 00:15:03,080 Speaker 1: your first purchase. That's dory worth dot com slash peters 260 00:15:03,120 --> 00:15:11,560 Speaker 1: to save ten dollars on your first purchase. So let's 261 00:15:11,560 --> 00:15:14,800 Speaker 1: talk about this tour real quick. So the actur Age Tour, 262 00:15:15,240 --> 00:15:19,240 Speaker 1: I've posted it on my Instagram and and given some dates, 263 00:15:19,680 --> 00:15:22,440 Speaker 1: yet everybody still goes, hose there's a world tour where 264 00:15:22,440 --> 00:15:24,080 Speaker 1: you're not going to blah blah blah. I'm like, it's 265 00:15:24,240 --> 00:15:27,560 Speaker 1: we haven't announced every fucking date yet. We've got to 266 00:15:27,560 --> 00:15:30,760 Speaker 1: do it in sections, you know, so understand how that works. 267 00:15:31,240 --> 00:15:34,000 Speaker 1: So calm down, calm down. I will be coming to 268 00:15:34,120 --> 00:15:37,240 Speaker 1: your country, and it's literally your country, not your city. 269 00:15:37,280 --> 00:15:39,680 Speaker 1: I'll become into your city in your country. But I 270 00:15:39,680 --> 00:15:43,040 Speaker 1: will be doing an actual world tour. And um, we've 271 00:15:43,040 --> 00:15:45,560 Speaker 1: got something big happening in December, but it's not announced yet, 272 00:15:45,560 --> 00:15:48,120 Speaker 1: so I can't talk about it yet. But don't make 273 00:15:48,160 --> 00:15:50,680 Speaker 1: him spit it out because he will can't hold secrets 274 00:15:50,840 --> 00:15:55,320 Speaker 1: at all. And if that Indiana date ever gets put 275 00:15:55,320 --> 00:15:58,400 Speaker 1: back on the schedule, it's going to be your dates. Yeah, 276 00:15:58,760 --> 00:16:02,280 Speaker 1: I'm gonna take to take um courtneyed open form in 277 00:16:02,280 --> 00:16:05,600 Speaker 1: Indiana because that's her home home state. It's my home state. 278 00:16:05,880 --> 00:16:13,080 Speaker 1: What's your what's your city? Valparaso, home of the Popcorn Fest? 279 00:16:14,000 --> 00:16:20,720 Speaker 1: Is there were that Jered what's that popcorn company? And Chicago? 280 00:16:20,920 --> 00:16:32,520 Speaker 1: Chicago yes, yes, yes, and they have the yes it starts. 281 00:16:33,440 --> 00:16:35,480 Speaker 1: Is it from Chicago or is it from I think 282 00:16:35,480 --> 00:16:37,880 Speaker 1: it's from Chicago. And I only I say that because 283 00:16:37,880 --> 00:16:40,320 Speaker 1: it's like every time. You know, Valporus is not that 284 00:16:40,360 --> 00:16:43,200 Speaker 1: far from Chicago. So when we would go in to 285 00:16:43,320 --> 00:16:45,120 Speaker 1: see shows and stuff when I was a kid, that 286 00:16:45,200 --> 00:16:49,040 Speaker 1: was always the whole ritual was like go to Garrett's 287 00:16:49,040 --> 00:16:51,440 Speaker 1: and get the popcorn and go to the body shop 288 00:16:51,480 --> 00:16:54,080 Speaker 1: because we're we're from Indiana and that was really exciting 289 00:16:54,160 --> 00:16:56,640 Speaker 1: to us for some reason, like things that smell nice, 290 00:16:57,240 --> 00:17:01,560 Speaker 1: body shop, like the store. The I was like, that's 291 00:17:01,600 --> 00:17:06,120 Speaker 1: like an every club out here, So you still were 292 00:17:06,160 --> 00:17:09,520 Speaker 1: my woman's at with this, She's thinking strip club. Well 293 00:17:09,560 --> 00:17:12,440 Speaker 1: I wasn't even thinking strip club. I feel like that's yeah, 294 00:17:12,720 --> 00:17:14,640 Speaker 1: plenty of people from Indiana. That's probably why they walk 295 00:17:14,640 --> 00:17:17,159 Speaker 1: in the store in the first place. But you're like 296 00:17:17,200 --> 00:17:20,080 Speaker 1: the body shed okay, yeah, the little jars. Yeah. But 297 00:17:20,119 --> 00:17:22,320 Speaker 1: I was like, no, this because to me, I don't know. 298 00:17:22,359 --> 00:17:24,280 Speaker 1: I was just like this is where you like that store? 299 00:17:24,359 --> 00:17:26,760 Speaker 1: Lush burns my nose when I walk into Oh yeah, 300 00:17:26,960 --> 00:17:28,600 Speaker 1: because there's a lot of baking soda. I feel like 301 00:17:28,640 --> 00:17:31,880 Speaker 1: in the soap store. Yeah, like I have a big nose. 302 00:17:32,080 --> 00:17:34,440 Speaker 1: I got a rash from it. The lush stuff. It 303 00:17:34,480 --> 00:17:36,800 Speaker 1: smells good, but I got a lot. I think it's 304 00:17:36,800 --> 00:17:38,680 Speaker 1: because they put so much baking soda and all the 305 00:17:38,720 --> 00:17:40,439 Speaker 1: stuff that was in it. I think in all the 306 00:17:40,480 --> 00:17:42,959 Speaker 1: bathroom the bath bombs they do right, yeah, and then 307 00:17:43,000 --> 00:17:44,640 Speaker 1: I think in some of the soaps do anything that's 308 00:17:44,680 --> 00:17:47,800 Speaker 1: like exfoliating. I kind of feel like my daughter still 309 00:17:47,880 --> 00:17:49,720 Speaker 1: used to buy my daughter bath bombs all the time, 310 00:17:50,119 --> 00:17:52,760 Speaker 1: and she just I can't get my daughter's too old. 311 00:17:52,760 --> 00:17:54,960 Speaker 1: If you want a bathroom, you're gonna have to get 312 00:17:54,960 --> 00:17:56,960 Speaker 1: in there yourself because I can't set you up anymore. 313 00:17:57,040 --> 00:18:01,199 Speaker 1: Like she's a little woman now, and I'm like, I 314 00:18:01,240 --> 00:18:03,520 Speaker 1: can't know this, doesn't get it. I'm like, no, no, baby, 315 00:18:03,560 --> 00:18:06,200 Speaker 1: just I'm gonna walk out. You're gonna get dressed, okay, wait, 316 00:18:06,280 --> 00:18:08,280 Speaker 1: just wait, and I'm gonna stand outside. You call me 317 00:18:08,280 --> 00:18:10,000 Speaker 1: when you're ready. I can't. I can't stand there. And 318 00:18:11,119 --> 00:18:14,680 Speaker 1: it's creepy, it's weird. But she's like, I'm not ashamed. Yeah, 319 00:18:14,760 --> 00:18:16,680 Speaker 1: She's like, no, you're my daddy. I know who I am. 320 00:18:16,720 --> 00:18:18,200 Speaker 1: But let me stand outside because I don't need to 321 00:18:18,200 --> 00:18:21,560 Speaker 1: be here. Being a father of a son is very 322 00:18:21,560 --> 00:18:26,000 Speaker 1: different too, because the boys are so crazy, Like girls 323 00:18:26,000 --> 00:18:28,840 Speaker 1: are so chill and boys are insane. And I realized 324 00:18:28,880 --> 00:18:30,320 Speaker 1: I must have been just a whack job when I 325 00:18:30,359 --> 00:18:32,159 Speaker 1: know I was a whack a doodle, but I realized 326 00:18:32,240 --> 00:18:33,879 Speaker 1: by looking at my son, he's a nut job too, 327 00:18:33,800 --> 00:18:36,880 Speaker 1: like me. Yeah, what depends on the girl. I feel 328 00:18:36,920 --> 00:18:38,919 Speaker 1: like I was once a camp counselor and I was 329 00:18:39,200 --> 00:18:42,520 Speaker 1: like shocked by how and I will I mean when 330 00:18:42,560 --> 00:18:44,840 Speaker 1: I use this word how evil the ten year olds 331 00:18:44,840 --> 00:18:47,240 Speaker 1: were like I felt like they were. They were like 332 00:18:47,400 --> 00:18:51,080 Speaker 1: plotting they yeah, like I mean, but on a level 333 00:18:51,119 --> 00:18:54,840 Speaker 1: where I was like, there's so much premeditation it's creeping 334 00:18:54,840 --> 00:18:58,360 Speaker 1: me out here. We heard my daughter say something premeditating 335 00:18:58,400 --> 00:19:00,720 Speaker 1: the other day. We won't say what it is, but 336 00:19:00,800 --> 00:19:04,280 Speaker 1: it was pretty funny. It was like holding it back. 337 00:19:05,600 --> 00:19:07,120 Speaker 1: She was like, and then I'm going to do this 338 00:19:07,200 --> 00:19:09,320 Speaker 1: because this makes that person sick, and I'm gonna do 339 00:19:09,359 --> 00:19:18,120 Speaker 1: it extra hard, my baby. It's like, wow, yeah, pretty funny. Yeah. 340 00:19:18,240 --> 00:19:21,600 Speaker 1: I remember them just like pretending that they lost a 341 00:19:21,680 --> 00:19:24,440 Speaker 1: necklace that was like an expensive necklace or something because 342 00:19:24,440 --> 00:19:26,919 Speaker 1: they didn't like the other counselor. Of course, they liked me, 343 00:19:27,640 --> 00:19:30,040 Speaker 1: liked me, but they didn't like the other counselor that 344 00:19:30,160 --> 00:19:32,840 Speaker 1: was in the cabin, so they like they plotted to 345 00:19:32,880 --> 00:19:36,399 Speaker 1: make it seem like she stole their jewelry. And I 346 00:19:36,440 --> 00:19:38,640 Speaker 1: remember I was like twenty one years old and still 347 00:19:38,720 --> 00:19:40,520 Speaker 1: just like getting in this little girl's face, being like 348 00:19:40,600 --> 00:19:43,760 Speaker 1: you're lying. I know that you're lying, because it was 349 00:19:43,840 --> 00:19:46,920 Speaker 1: just like I'm like, I can't believe. It was shocking, shocking, 350 00:19:47,040 --> 00:19:50,360 Speaker 1: and they were committed to yeah, and then and then 351 00:19:50,359 --> 00:19:52,520 Speaker 1: they and then they still it's premeditated. How they're going 352 00:19:52,560 --> 00:19:54,280 Speaker 1: to fix it. So then later they're like, oh, I 353 00:19:54,359 --> 00:19:57,520 Speaker 1: found it. It was just it must have fallen under 354 00:19:57,560 --> 00:20:00,239 Speaker 1: the bed. Okay, well so they just wan to give 355 00:20:00,280 --> 00:20:03,560 Speaker 1: you grief. Yeah, and then but then it's like, my 356 00:20:03,560 --> 00:20:05,800 Speaker 1: my little sister is awesome. And I mean she's older now, 357 00:20:05,840 --> 00:20:07,560 Speaker 1: but when she was a kid, I was like always 358 00:20:07,560 --> 00:20:10,359 Speaker 1: looking for the angle, like, well, you can't be both sweet, 359 00:20:10,400 --> 00:20:13,680 Speaker 1: but she really is right. Some of them are really good. 360 00:20:14,359 --> 00:20:17,720 Speaker 1: Some of the kids. Yeah, some of those kids them, 361 00:20:17,840 --> 00:20:24,360 Speaker 1: they're damn kids, damn kids. Children. Yeah. Yeah, So there 362 00:20:24,359 --> 00:20:28,359 Speaker 1: were me and girls when I was in junior high elementary, 363 00:20:28,880 --> 00:20:34,480 Speaker 1: was a girl you weren't. I was the bullied boy. 364 00:20:34,560 --> 00:20:37,359 Speaker 1: I was not the mean girl there. I feel like 365 00:20:37,400 --> 00:20:39,920 Speaker 1: there's less mean girls maybe right now, like it doesn't 366 00:20:39,960 --> 00:20:41,840 Speaker 1: seem asn't no, you know what it is now now 367 00:20:41,880 --> 00:20:44,960 Speaker 1: it's done more slyly. It could be done online, it 368 00:20:44,960 --> 00:20:48,320 Speaker 1: could be done more anonymously. So, yeah, you could bully 369 00:20:48,400 --> 00:20:50,240 Speaker 1: somebody and hang out with them at the same time. 370 00:20:50,640 --> 00:21:03,680 Speaker 1: It seems are passive aggressive passive aggressive ter middle school. Yeah, wow, yeah, 371 00:21:04,320 --> 00:21:12,720 Speaker 1: girls are mean. They are mean, like oh yeah right right, 372 00:21:14,520 --> 00:21:18,800 Speaker 1: oh yeah, they do that just to create chaos in 373 00:21:18,800 --> 00:21:22,000 Speaker 1: the school. Let's call it what it is. The ladies, 374 00:21:22,000 --> 00:21:26,119 Speaker 1: you are a little crazy. Like the way women react 375 00:21:26,119 --> 00:21:28,560 Speaker 1: to other women is very different than the way men 376 00:21:28,640 --> 00:21:30,880 Speaker 1: react to other men. Yeah, but I feel like that's 377 00:21:30,960 --> 00:21:34,240 Speaker 1: because they don't see. They don't they don't see. They 378 00:21:34,240 --> 00:21:36,480 Speaker 1: don't see what we see, right, well, they don't see 379 00:21:36,480 --> 00:21:39,080 Speaker 1: what we see. And I also feel like, yeah, you can, 380 00:21:39,359 --> 00:21:42,960 Speaker 1: you can, you have we have. There's instincts there and 381 00:21:43,000 --> 00:21:44,679 Speaker 1: you can tell when somebody is genuine or not. But 382 00:21:44,720 --> 00:21:48,439 Speaker 1: I mean, I always had really close girlfriends, um you know, 383 00:21:48,680 --> 00:21:51,280 Speaker 1: growing up, so I had that trust. But I also 384 00:21:51,320 --> 00:21:55,480 Speaker 1: can tell when somebody's they're not ship. Well, yeah, because 385 00:21:55,480 --> 00:21:57,480 Speaker 1: they're not Like I'm just like a very like open 386 00:21:57,600 --> 00:22:00,119 Speaker 1: interceptive person and I don't really try that hard to 387 00:22:00,200 --> 00:22:03,720 Speaker 1: like win people over, Like if you're going to have 388 00:22:03,800 --> 00:22:05,760 Speaker 1: a bunch of walls up, I'm like, okay, well you're 389 00:22:05,760 --> 00:22:08,280 Speaker 1: not really interested in getting to know me. And I 390 00:22:08,280 --> 00:22:11,119 Speaker 1: feel like women like that, you know end guys, but 391 00:22:11,160 --> 00:22:13,400 Speaker 1: like it happens more with women. I will will say that, 392 00:22:13,560 --> 00:22:16,399 Speaker 1: like I just don't usually try to get close to 393 00:22:16,440 --> 00:22:18,840 Speaker 1: them because I'm like, you don't there's something going on 394 00:22:18,960 --> 00:22:20,720 Speaker 1: here where you have some sort of issue that doesn't 395 00:22:20,720 --> 00:22:23,160 Speaker 1: have anything to do with me, but you might make 396 00:22:23,280 --> 00:22:26,200 Speaker 1: immediately put it as your problem. Now that's their problem 397 00:22:26,200 --> 00:22:28,640 Speaker 1: with you, right, Yeah, it's a lot of projection. Yeah, 398 00:22:28,640 --> 00:22:32,600 Speaker 1: that's a that's a very womanly thing to do. Women 399 00:22:32,640 --> 00:22:36,280 Speaker 1: are also the creatures that will get mad if a 400 00:22:36,320 --> 00:22:40,520 Speaker 1: girl gets something that they have, like, oh my god, 401 00:22:40,640 --> 00:22:42,160 Speaker 1: she got the same car as me? Can you believe 402 00:22:42,160 --> 00:22:43,920 Speaker 1: this bitch wants to be me? And I'm like, what 403 00:22:44,520 --> 00:22:48,200 Speaker 1: that make these cars? And that is very true because 404 00:22:48,240 --> 00:22:50,359 Speaker 1: guys will never go like I had, like, hey, Paul, 405 00:22:50,480 --> 00:22:52,320 Speaker 1: I like your new car because I got that such 406 00:22:52,359 --> 00:22:54,280 Speaker 1: and such, And then you can get me a deal. Yeah, 407 00:22:54,320 --> 00:22:56,359 Speaker 1: no problem, he's not gonna walk away. Go and fucking 408 00:22:56,400 --> 00:23:00,480 Speaker 1: guy wants to be me. I remember like, hey, isn't 409 00:23:00,480 --> 00:23:05,760 Speaker 1: that cool We're gonna have the same car. Dumb. I 410 00:23:05,800 --> 00:23:09,240 Speaker 1: remember getting this like little pink jumper, like like a 411 00:23:09,240 --> 00:23:12,040 Speaker 1: little dress when I was in elementary school, and then 412 00:23:12,040 --> 00:23:13,560 Speaker 1: one of my friends was like, where'd you get it? 413 00:23:13,760 --> 00:23:16,239 Speaker 1: And then she came to school wearing the exact same thing, 414 00:23:16,280 --> 00:23:18,240 Speaker 1: and then she would call me and ask what day 415 00:23:18,280 --> 00:23:20,080 Speaker 1: I was wearing it so we could wear it together. 416 00:23:20,520 --> 00:23:22,119 Speaker 1: And I did feel like she wanted to beat me. 417 00:23:22,119 --> 00:23:25,360 Speaker 1: I'm not gonna let that felt. But there are there 418 00:23:25,440 --> 00:23:28,560 Speaker 1: are some that like it's okay with certain people, like okay, 419 00:23:28,600 --> 00:23:30,040 Speaker 1: yeah here, I got it from here, go get it. 420 00:23:30,840 --> 00:23:32,439 Speaker 1: But then there's some that are like I want that 421 00:23:32,520 --> 00:23:37,000 Speaker 1: and I want to be better than her. Yeah, but 422 00:23:37,080 --> 00:23:41,720 Speaker 1: that's what they do, like that make it look better 423 00:23:41,720 --> 00:23:44,159 Speaker 1: than it does on her, because it's like it's the 424 00:23:44,280 --> 00:23:46,800 Speaker 1: person that you're asking like they're secure, They're like, yeah, 425 00:23:46,840 --> 00:23:49,200 Speaker 1: I'm like here, we'll get it over over here, right, 426 00:23:49,520 --> 00:23:51,680 Speaker 1: And then but someone that I'm like not as visu 427 00:23:51,760 --> 00:23:55,320 Speaker 1: over here, trying to be yeah, vindictive about ship. And 428 00:23:55,320 --> 00:23:57,960 Speaker 1: then sometimes sometimes I'll be like, oh, I like that, 429 00:23:58,119 --> 00:24:00,760 Speaker 1: but you're like, oh, I got it here, and all 430 00:24:00,800 --> 00:24:04,800 Speaker 1: of this can't fit in that. No, it doesn't need 431 00:24:04,840 --> 00:24:06,879 Speaker 1: to be covered up. That's so funny. I mean I 432 00:24:07,320 --> 00:24:09,680 Speaker 1: have clothing swaps with my friends and we're all within 433 00:24:09,760 --> 00:24:11,600 Speaker 1: like the sides of each other, and they will always 434 00:24:11,640 --> 00:24:13,800 Speaker 1: be you know, it's it's all. It works out really 435 00:24:13,840 --> 00:24:16,600 Speaker 1: well because it's like sometimes it's like those pants look 436 00:24:16,760 --> 00:24:19,119 Speaker 1: better on you than they ever looked at me, and 437 00:24:19,160 --> 00:24:22,800 Speaker 1: you guys can't do that because we're stinky. Like women 438 00:24:22,800 --> 00:24:24,880 Speaker 1: can share clothes guys like, hey, you want to borrow 439 00:24:24,920 --> 00:24:28,399 Speaker 1: that swatch? Yeah, I want it back. No neck is 440 00:24:28,440 --> 00:24:31,399 Speaker 1: dirty in your armpits st howcome that looks better on you? 441 00:24:31,600 --> 00:24:34,360 Speaker 1: Keep that? Yeah? Exactly good on me. Yeah. Now, I'm 442 00:24:35,080 --> 00:24:37,040 Speaker 1: certain women you could do that with some you know, 443 00:24:37,160 --> 00:24:42,200 Speaker 1: you know, they're like, I'm prettier than you. I get this. Yeah, 444 00:24:42,280 --> 00:24:51,120 Speaker 1: go fund yourself, bus we go ahead, knock yourself out. 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Bet q 471 00:26:26,119 --> 00:26:29,200 Speaker 1: L Daily, sponsored by fan Duel, is the must listen 472 00:26:29,240 --> 00:26:33,240 Speaker 1: to show for sports betters and sports fans alike. You 473 00:26:33,240 --> 00:26:36,119 Speaker 1: can understand where the market is moving, which smart bets 474 00:26:36,119 --> 00:26:38,800 Speaker 1: are out there, and have some fun listening while you're 475 00:26:38,800 --> 00:26:42,399 Speaker 1: at it. If you like the episodes of this show 476 00:26:43,320 --> 00:26:45,680 Speaker 1: that get deep into boxing and sports, you will love 477 00:26:45,800 --> 00:26:52,520 Speaker 1: listening to bet q L Daily. Host Joe Ostrowski, Joe Giglio, 478 00:26:52,840 --> 00:26:57,040 Speaker 1: and Aaron Hawksworth serve up wager a tainment the sports 479 00:26:57,119 --> 00:26:59,840 Speaker 1: talk you love with betting insights you need each week. 480 00:27:00,920 --> 00:27:02,760 Speaker 1: I love it because I don't always have time to 481 00:27:02,760 --> 00:27:05,960 Speaker 1: watch the boxing matches I love. Sometimes I have shows 482 00:27:06,000 --> 00:27:07,840 Speaker 1: at the exact same time, and that, trust me, that 483 00:27:07,880 --> 00:27:10,760 Speaker 1: happens more often than not. And even if I start 484 00:27:10,760 --> 00:27:12,399 Speaker 1: watching them in the green room, I don't always have 485 00:27:12,440 --> 00:27:14,320 Speaker 1: a chance to finish them before I go on stage. 486 00:27:14,880 --> 00:27:18,159 Speaker 1: But listening to bet ql Daily keeps me updated on 487 00:27:18,200 --> 00:27:21,159 Speaker 1: where the market is moving across all the week's biggest 488 00:27:21,160 --> 00:27:24,119 Speaker 1: sporting events, and they'll even recap some of the biggest 489 00:27:24,160 --> 00:27:27,119 Speaker 1: moments in sports, just in case I missed them. If 490 00:27:27,119 --> 00:27:29,800 Speaker 1: you're not sure where to start with sports betting, start 491 00:27:29,840 --> 00:27:34,359 Speaker 1: with bet q L Daily, presented by fan Duel. Listen 492 00:27:34,400 --> 00:27:38,720 Speaker 1: weekdays nine am at noon Eastern on Odyssey, Spotify or 493 00:27:38,800 --> 00:27:47,000 Speaker 1: your favorite podcast app. Do you have friends that are 494 00:27:47,160 --> 00:27:50,080 Speaker 1: like that that you keep around? Yeah, That's what I'm saying, Like, 495 00:27:50,160 --> 00:27:52,320 Speaker 1: I don't. I don't really have any patience for that 496 00:27:52,359 --> 00:27:53,960 Speaker 1: because the thing is like the older you get, the 497 00:27:54,040 --> 00:27:57,040 Speaker 1: less time you have for temple in general. And it's like, 498 00:27:57,080 --> 00:27:58,720 Speaker 1: if they are going to be that kind of person, 499 00:27:59,200 --> 00:28:01,639 Speaker 1: I will be I will be passive aggressive about it. 500 00:28:01,640 --> 00:28:04,040 Speaker 1: I'm like, I'll answer calls. Oh like I'm busy, I 501 00:28:04,080 --> 00:28:05,960 Speaker 1: can't you know what I mean. I will do some 502 00:28:06,080 --> 00:28:08,640 Speaker 1: of that. Yeah, I'm from Indie, I'm from the Midwest. 503 00:28:09,160 --> 00:28:11,399 Speaker 1: We just like, if there's something about somebody that I 504 00:28:11,400 --> 00:28:13,480 Speaker 1: don't like, I'll call him out on it or I'll 505 00:28:14,280 --> 00:28:16,320 Speaker 1: check it out, like you know, check them on it, 506 00:28:16,359 --> 00:28:21,200 Speaker 1: and then if it's consistent, then it becomes a problem. 507 00:28:21,440 --> 00:28:24,800 Speaker 1: No no, no, no, because she's not good at hiding 508 00:28:25,600 --> 00:28:29,920 Speaker 1: how she feels. Ever, like one day a girl came 509 00:28:30,119 --> 00:28:32,040 Speaker 1: like my friend came over when his girlfriend was here, 510 00:28:33,080 --> 00:28:35,240 Speaker 1: and this is her face the whole time, like you're 511 00:28:35,280 --> 00:28:40,280 Speaker 1: the girl she's like, guess because I knew her, I 512 00:28:40,320 --> 00:28:44,240 Speaker 1: know her intent. We all know she's not here, just like, 513 00:28:44,280 --> 00:28:48,400 Speaker 1: what are you doing? Nothing like white? Fix your face? 514 00:28:50,360 --> 00:28:52,240 Speaker 1: She's what you're talking about. It go, you're looking at 515 00:28:52,240 --> 00:28:57,440 Speaker 1: it like this. I didn't have my tongue out, my 516 00:28:57,520 --> 00:29:01,040 Speaker 1: nose probably just flair crinkled a little bit. But I 517 00:29:01,080 --> 00:29:03,360 Speaker 1: know her intent. She'll be in a mood and I'm like, 518 00:29:03,400 --> 00:29:06,720 Speaker 1: what's wrong? Nothing's wrong. I'm good. Because you keep asking 519 00:29:06,720 --> 00:29:09,440 Speaker 1: me what's wrong, I go, no, you're sucking. If someone 520 00:29:09,520 --> 00:29:11,120 Speaker 1: keeps saying you're in a bad mood, you're in a 521 00:29:11,120 --> 00:29:13,200 Speaker 1: bed and I'm telling you I'm not in a bad mood. 522 00:29:13,240 --> 00:29:16,920 Speaker 1: But you continue to tell that. Now that works. That's 523 00:29:16,960 --> 00:29:18,880 Speaker 1: a that's a real theory for that's a real thing. 524 00:29:19,400 --> 00:29:21,920 Speaker 1: It works with Sometimes you're being au mo and I'm like, 525 00:29:21,960 --> 00:29:24,000 Speaker 1: what's wrong. It's like nothing, And I'm like, spread the 526 00:29:24,000 --> 00:29:27,080 Speaker 1: way you said nothing. You tell me something something that 527 00:29:27,920 --> 00:29:30,920 Speaker 1: had already been spoken about and hasn't been fixed. So 528 00:29:30,960 --> 00:29:33,080 Speaker 1: I don't want to bring it right because you don't 529 00:29:33,080 --> 00:29:34,959 Speaker 1: want to. It's another problem. And then you also have 530 00:29:35,040 --> 00:29:37,040 Speaker 1: to decide in that moment to get into it or not. 531 00:29:37,200 --> 00:29:39,040 Speaker 1: I feel like that's a lot of times when I'm like, no, 532 00:29:39,120 --> 00:29:41,760 Speaker 1: it's fine, nothing nothing, nothing, nothing, And then it's like 533 00:29:41,800 --> 00:29:43,800 Speaker 1: I know, I'm I know, I'm not dealing with it, 534 00:29:43,800 --> 00:29:45,560 Speaker 1: but it's because I don't want to deal with it yet, right. 535 00:29:47,400 --> 00:29:49,520 Speaker 1: But then I also look at things like this is 536 00:29:50,760 --> 00:29:55,880 Speaker 1: this worth this? No, this is, but let's lose this 537 00:29:56,000 --> 00:30:01,240 Speaker 1: coming into this, then this needs to be again. Sometimes 538 00:30:01,600 --> 00:30:05,600 Speaker 1: this is only in one person's head and the other 539 00:30:05,640 --> 00:30:08,000 Speaker 1: person is going, what is this this you're talking about? 540 00:30:09,440 --> 00:30:11,960 Speaker 1: That's when you have to be like, your feelings are 541 00:30:12,080 --> 00:30:17,680 Speaker 1: valid and that is all I can say. He doesn't 542 00:30:17,680 --> 00:30:21,800 Speaker 1: do that all the time. I just just listens to it, 543 00:30:24,000 --> 00:30:27,400 Speaker 1: get it out because I'm like yeah, and I was like, 544 00:30:27,440 --> 00:30:29,400 Speaker 1: that's it. We're not speaking on it anymore. I don't 545 00:30:29,400 --> 00:30:32,640 Speaker 1: want it's done. Fix it or you know, if it 546 00:30:32,640 --> 00:30:37,600 Speaker 1: comes back up again, then you'll know what I'm bad about. Right, Yeah, 547 00:30:37,960 --> 00:30:41,360 Speaker 1: it just has to be resolved. Well, it has to 548 00:30:41,360 --> 00:30:43,960 Speaker 1: be resolved. Here's the thing. Here's what I find with women, 549 00:30:44,560 --> 00:30:50,040 Speaker 1: and this is this let us know well more in 550 00:30:50,120 --> 00:30:53,320 Speaker 1: past relationships, especially um like i'd be out there fucking 551 00:30:53,320 --> 00:30:55,680 Speaker 1: around doing whatever I'm doing right, and the woman would 552 00:30:55,680 --> 00:30:58,840 Speaker 1: have no clue about that, but she will be completely 553 00:30:58,880 --> 00:31:01,960 Speaker 1: off on something that I'm doing. I know you're doing. 554 00:31:02,000 --> 00:31:04,120 Speaker 1: I'm like, why not, clearly I'm not, That's not what 555 00:31:04,120 --> 00:31:06,040 Speaker 1: the fuss is going on. I'm like, how are you? 556 00:31:06,200 --> 00:31:07,880 Speaker 1: How is your radar? This funcked up? I was like, 557 00:31:07,920 --> 00:31:09,680 Speaker 1: you know, I'm out there sleeping around like a lunatic, 558 00:31:10,000 --> 00:31:11,520 Speaker 1: and you're not picking up on any of that. But 559 00:31:11,720 --> 00:31:14,040 Speaker 1: they're like, you did, and I'm like, no, I didn't, 560 00:31:14,200 --> 00:31:16,480 Speaker 1: and I'm like in my head, I'm like laughing. I'm like, wow, 561 00:31:16,520 --> 00:31:19,600 Speaker 1: she's so wrong. This is great. She's never going to 562 00:31:19,720 --> 00:31:25,800 Speaker 1: find me out. These are your past relationships relationship I 563 00:31:25,800 --> 00:31:29,720 Speaker 1: said when I was because I was, yes, well, you know, 564 00:31:29,960 --> 00:31:35,520 Speaker 1: I feel like that's just lightbulbling up. That was a 565 00:31:35,600 --> 00:31:38,040 Speaker 1: light bulb. That's yes, that's right. You were the light 566 00:31:38,080 --> 00:31:40,600 Speaker 1: bulb moment. But yeah, she's my light bulb moment. And 567 00:31:40,680 --> 00:31:45,480 Speaker 1: since you're asking about my bulbs, my light bulbous moment, 568 00:31:46,280 --> 00:31:49,480 Speaker 1: now he gets confused. I'm like, no, women see what 569 00:31:49,520 --> 00:31:51,920 Speaker 1: other women are doing versus what men see what women 570 00:31:52,160 --> 00:31:55,080 Speaker 1: We could see it, but guys ignore it. We do 571 00:31:55,160 --> 00:31:58,080 Speaker 1: because we're like, what were you gonna do? Just guys 572 00:31:58,120 --> 00:32:00,320 Speaker 1: and guys they see what they're doing with us and 573 00:32:00,320 --> 00:32:02,600 Speaker 1: we're like, no, he was just being nice. No, no, no, 574 00:32:02,640 --> 00:32:06,720 Speaker 1: that motherfucker wanted this from you. But see, and that's see. 575 00:32:06,720 --> 00:32:08,280 Speaker 1: And then women are the same thing, like we know 576 00:32:08,360 --> 00:32:11,040 Speaker 1: what they're intent is and we can see it. And 577 00:32:11,080 --> 00:32:12,840 Speaker 1: then when we try to point out to the guy, 578 00:32:12,840 --> 00:32:15,280 Speaker 1: they're like, that's not what I was even fucking thinking. No, 579 00:32:15,440 --> 00:32:17,600 Speaker 1: but that's what that be, just thinking right right, and 580 00:32:17,640 --> 00:32:21,680 Speaker 1: I'm trying to If that's not ever gonna happen, then 581 00:32:21,720 --> 00:32:24,280 Speaker 1: you gotta worry about it. You should worry about it. 582 00:32:24,360 --> 00:32:27,560 Speaker 1: If like, okay, say girl comes in shooting ship and 583 00:32:27,600 --> 00:32:30,120 Speaker 1: then I'm like, yeah, I'm receptive, then you'd be like, 584 00:32:30,480 --> 00:32:33,400 Speaker 1: that's a problem. She's shooting it. I'm not picking it up. 585 00:32:33,440 --> 00:32:36,840 Speaker 1: You should be like, oh, it's a respect. It does 586 00:32:36,880 --> 00:32:41,200 Speaker 1: show a lot about somebody's character because I would you know, yeah, 587 00:32:41,240 --> 00:32:43,240 Speaker 1: I would never do that to somebody else that I 588 00:32:43,320 --> 00:32:45,960 Speaker 1: was like trying to make a good impression with, or 589 00:32:46,040 --> 00:32:49,160 Speaker 1: that I wanted to like or respect me. Like that 590 00:32:49,240 --> 00:32:51,280 Speaker 1: just shows you don't give a funk about me, Like 591 00:32:51,360 --> 00:32:53,920 Speaker 1: I would know that if that woman was there. She 592 00:32:53,960 --> 00:32:56,560 Speaker 1: doesn't she doesn't want me there, she can't wait for 593 00:32:56,600 --> 00:32:58,880 Speaker 1: me to leave like she you know, she doesn't respect 594 00:32:58,920 --> 00:33:00,880 Speaker 1: me at all, And then that it's gonna you know. Yeah. 595 00:33:00,880 --> 00:33:02,920 Speaker 1: And then if let's say he's there and he's not 596 00:33:02,920 --> 00:33:05,240 Speaker 1: doing anything about it, knowing that I'm being disrespected by her, 597 00:33:05,360 --> 00:33:07,400 Speaker 1: and he's like, well, I'm not paying attention. I'm just 598 00:33:07,440 --> 00:33:11,640 Speaker 1: like fucking pay attention because I'm feeling disrespected, and then 599 00:33:11,720 --> 00:33:15,120 Speaker 1: you don't fix it. I'm a bitch's ass, So this 600 00:33:15,240 --> 00:33:17,280 Speaker 1: is just how it goes. A little long beach comes 601 00:33:17,280 --> 00:33:20,360 Speaker 1: out of her, guys. But that's why I'm like fucking 602 00:33:20,360 --> 00:33:22,960 Speaker 1: pay attention to some ship, because it becomes a problem 603 00:33:23,000 --> 00:33:25,440 Speaker 1: because I know I'm getting disrespected or whatever if you 604 00:33:25,480 --> 00:33:27,960 Speaker 1: don't fix it. But sometimes people go they use that 605 00:33:28,040 --> 00:33:32,240 Speaker 1: disrespect thing too easily, like feel disrespect? Do you feel little? 606 00:33:32,280 --> 00:33:35,360 Speaker 1: Were you? Because there's a difference between being disrespected and 607 00:33:35,360 --> 00:33:39,400 Speaker 1: feeling disrespected? Is there? I feel like there is because 608 00:33:39,440 --> 00:33:43,400 Speaker 1: I could feel disrespected by certain things, But I think 609 00:33:43,440 --> 00:33:46,760 Speaker 1: I'm just feeling disrespected as opposed to actually being disrespected, 610 00:33:46,760 --> 00:33:51,160 Speaker 1: And I don't think sometimes things are actually actively disrespecting 611 00:33:51,240 --> 00:33:53,680 Speaker 1: you and I'm talking about in general. It has nothing 612 00:33:53,680 --> 00:33:56,760 Speaker 1: to do with like other Just like in life, sometimes 613 00:33:56,760 --> 00:33:59,840 Speaker 1: you'll feel disrespected, but that's could could it be your ego? 614 00:34:00,520 --> 00:34:03,400 Speaker 1: Could it be you're feeling email at that moment, I mean, 615 00:34:04,040 --> 00:34:08,120 Speaker 1: or was it actually disrespect or was it in incidental disrespect? 616 00:34:08,120 --> 00:34:09,680 Speaker 1: You know what I mean? There's you got to take 617 00:34:09,680 --> 00:34:12,120 Speaker 1: all these variables into place. You should pay attention to 618 00:34:12,160 --> 00:34:15,640 Speaker 1: them all so much other ship to worry about. I 619 00:34:15,719 --> 00:34:18,319 Speaker 1: can't worry about somebody else's Well. No, I'm saying if 620 00:34:18,360 --> 00:34:20,000 Speaker 1: there was a guy and he was just you were 621 00:34:20,000 --> 00:34:21,879 Speaker 1: standing next to me and he was over here having 622 00:34:21,880 --> 00:34:25,320 Speaker 1: a conversation with me, and you're feeling like, okay, well whatever, 623 00:34:25,960 --> 00:34:29,160 Speaker 1: that's disrespectful to my husband. Yeah, but I'm not like 624 00:34:29,200 --> 00:34:32,319 Speaker 1: that if he was hitting on, like hey, hold on 625 00:34:32,320 --> 00:34:35,400 Speaker 1: the second here, or secures the fact that you're disrespecting 626 00:34:35,440 --> 00:34:38,680 Speaker 1: someone's union and while this person is over here being 627 00:34:38,760 --> 00:34:41,960 Speaker 1: like fucking you know what I mean? Yeah, but I'm 628 00:34:41,960 --> 00:34:44,560 Speaker 1: good at checking that ship. I mean, that's fine. I'm like, yeah, 629 00:34:44,640 --> 00:34:48,320 Speaker 1: sometimes I can't. I'm like, I got your pal and relax. 630 00:34:50,160 --> 00:34:53,520 Speaker 1: She didn't want to go to sleep right now. But 631 00:34:53,600 --> 00:34:55,839 Speaker 1: I get yelled at if that's what I want to do. Yeah, 632 00:34:55,840 --> 00:34:57,800 Speaker 1: but I know how to do it nice and quietly. 633 00:34:58,640 --> 00:35:02,040 Speaker 1: Well I don't. I can't too. No, I know you 634 00:35:02,040 --> 00:35:08,879 Speaker 1: you're gonna know, you'll just come in. I won't even 635 00:35:08,880 --> 00:35:13,560 Speaker 1: say shit like and do you feel like it needs 636 00:35:13,600 --> 00:35:18,399 Speaker 1: to be a scene or I want to talk back 637 00:35:18,520 --> 00:35:20,800 Speaker 1: this and that ship. We're not going to talk it 638 00:35:20,800 --> 00:35:24,839 Speaker 1: out and do any of that ship long Beach, she's 639 00:35:24,880 --> 00:35:30,120 Speaker 1: my east side partner. Take snoopy deal. Well, let's end. 640 00:35:30,120 --> 00:35:40,600 Speaker 1: This is getting weird alright. January is Chicago, Illinois at 641 00:35:40,600 --> 00:35:43,719 Speaker 1: the Chicago Theater. Then the next night, on the fift 642 00:35:44,080 --> 00:35:46,760 Speaker 1: I will be in Atlanta, Georgia at the Fox Theater 643 00:35:47,000 --> 00:35:51,120 Speaker 1: at the Fox Theater in Atlanta. Then a week later 644 00:35:51,560 --> 00:35:53,200 Speaker 1: I will be in New York, New York and New 645 00:35:53,280 --> 00:35:58,440 Speaker 1: York City at Beacon the Bacon Theater. A week later, 646 00:35:58,480 --> 00:36:01,480 Speaker 1: I will be in Washington, you see, at the at 647 00:36:01,480 --> 00:36:03,759 Speaker 1: the Capitol One Theater. So that'll be the d m 648 00:36:03,800 --> 00:36:07,640 Speaker 1: V area of the DC, Maryland Virginia area. February fourth, 649 00:36:07,719 --> 00:36:10,279 Speaker 1: I'll be at the Microsoft Theater in downtown l A. 650 00:36:10,920 --> 00:36:14,719 Speaker 1: February ninth, I'll be in Sugarland, Texas. It's Smart Financial 651 00:36:14,800 --> 00:36:18,960 Speaker 1: Center at the Smart Financial Center. UH February tenth and excellent. 652 00:36:18,960 --> 00:36:22,439 Speaker 1: I'll be in Grand Prairie, Texas at Texas Trust See 653 00:36:22,520 --> 00:36:26,000 Speaker 1: Youth Theater at the Texas Trust. See Youth Theater. See 654 00:36:26,080 --> 00:36:28,960 Speaker 1: you in that theater. Then the night after that, on 655 00:36:29,560 --> 00:36:32,319 Speaker 1: February eleventh, I'll be in San Antonio, Texas at the 656 00:36:32,360 --> 00:36:35,320 Speaker 1: Majestic Theater. At the Majestic. It's a very majestic theater. 657 00:36:36,120 --> 00:36:38,520 Speaker 1: Then on the twelve, I will be in Austin, Texas 658 00:36:38,560 --> 00:36:41,439 Speaker 1: at the Basque Concert Hall. It's either bass or base. 659 00:36:41,520 --> 00:36:44,040 Speaker 1: We don't know, we don't know. Yeah, a little two 660 00:36:44,040 --> 00:36:49,640 Speaker 1: week break there, and I'm in Boston, Massachusetts. Is it Medford, Medford, 661 00:36:50,200 --> 00:36:56,759 Speaker 1: Boston area Chevalier Theater. I think I've done that. One's 662 00:36:56,760 --> 00:36:58,279 Speaker 1: a good that's a good venue, good gig, I remember 663 00:36:58,320 --> 00:37:01,400 Speaker 1: that one. Yeah, that's a feb every Febry twenty five. 664 00:37:02,400 --> 00:37:06,120 Speaker 1: The next night I'm in Ledyard, Connecticut at Grand Theater 665 00:37:06,160 --> 00:37:09,879 Speaker 1: at Foxwoods Resort Casino, Grand Theater at Foxwoods Resort. More 666 00:37:09,960 --> 00:37:11,959 Speaker 1: dates to be announced because obviously if you see holes 667 00:37:11,960 --> 00:37:14,680 Speaker 1: in the schedule, that means we're just we're just ironing 668 00:37:14,680 --> 00:37:18,640 Speaker 1: out the details. So yeah, April two, plenty of dates 669 00:37:18,719 --> 00:37:21,880 Speaker 1: to be announced and also coming up, I have the 670 00:37:22,480 --> 00:37:27,399 Speaker 1: Owen Heart Foundation Show in Calgary, Alberta on November at 671 00:37:27,440 --> 00:37:30,960 Speaker 1: the Jubilee Southern Jubilee Theater and the Calgary I played 672 00:37:30,960 --> 00:37:33,400 Speaker 1: that many many years ago, so I'm looking forward to 673 00:37:33,440 --> 00:37:35,520 Speaker 1: going back out there. And I'm actually bringing Alley with me. 674 00:37:37,600 --> 00:37:40,680 Speaker 1: It's our first time in Canada. Really. Yeah. Well that's exciting, 675 00:37:41,160 --> 00:37:44,280 Speaker 1: and I'm taking out to real Canada first, like Calgary, 676 00:37:44,600 --> 00:37:47,799 Speaker 1: and then we're gonna go to Toronto, Toronto, New York. 677 00:37:48,640 --> 00:37:52,880 Speaker 1: MoMA's birthdays around that time. O yeah, yeah, So we're 678 00:37:52,920 --> 00:37:56,280 Speaker 1: gonna go from Calgary to Toronto for a few days 679 00:37:56,320 --> 00:37:58,800 Speaker 1: and then my gigs are in Rochester that first that weekend, 680 00:37:58,840 --> 00:38:02,320 Speaker 1: first week seven, and Rochester is only an hour and 681 00:38:02,320 --> 00:38:05,080 Speaker 1: a half dry from Toronto. I wouldn't realize that. So 682 00:38:05,080 --> 00:38:08,239 Speaker 1: we're gonna fly in to Toronto, drive from Rochester to 683 00:38:08,440 --> 00:38:10,959 Speaker 1: from Toronto to Rochester, stay in Rochester for the three days, 684 00:38:11,280 --> 00:38:13,400 Speaker 1: then drive back to Toronto and then my mom's eightieth 685 00:38:13,400 --> 00:38:16,839 Speaker 1: birthday is on the six and I will be there 686 00:38:16,880 --> 00:38:18,560 Speaker 1: to hang out with Mama. We will we will be 687 00:38:18,600 --> 00:38:20,880 Speaker 1: with my mom for her eightieth birthday. That's sweet and 688 00:38:20,960 --> 00:38:25,919 Speaker 1: she's still the most requested podcast. Guests like the problem. 689 00:38:26,000 --> 00:38:30,320 Speaker 1: She likes to be paid in uh uh coke and 690 00:38:31,480 --> 00:38:37,040 Speaker 1: I can't afford that. Yeah, it's totally different, like Network 691 00:38:37,080 --> 00:38:42,239 Speaker 1: in Canada. Two Yeah, hard to find. Covid Horse will 692 00:38:42,280 --> 00:38:45,600 Speaker 1: be right back after these. That's going to be the 693 00:38:45,600 --> 00:38:51,000 Speaker 1: new name, Covid Horse Horse with Russell Peters. Well, I 694 00:38:51,000 --> 00:38:56,200 Speaker 1: want to thank you two horse for being here. Yeah, 695 00:38:57,400 --> 00:39:02,120 Speaker 1: we're all vaxed. We're good. Um, thank you baby. Ali 696 00:39:02,280 --> 00:39:05,320 Speaker 1: my love of my life, my life partner, my woman, 697 00:39:06,080 --> 00:39:08,799 Speaker 1: my soul mate, my person who makes me angry and 698 00:39:08,840 --> 00:39:14,840 Speaker 1: happy all at one one shot beautiful, never angry and direct. 699 00:39:15,200 --> 00:39:21,000 Speaker 1: And Courtney my producer, my friend, my comedian homie who 700 00:39:21,040 --> 00:39:23,319 Speaker 1: has no effect on my penis at all. That's all right. 701 00:39:23,400 --> 00:39:26,560 Speaker 1: It wasn't you know what I did. It wasn't on 702 00:39:26,640 --> 00:39:28,520 Speaker 1: my goals for the year, and I don't think it 703 00:39:28,520 --> 00:39:32,879 Speaker 1: was ever on your goal. I was never on courts goals. 704 00:39:32,960 --> 00:39:35,520 Speaker 1: So we're going to be good here. The good news 705 00:39:35,600 --> 00:39:40,560 Speaker 1: is no sexual tension here. She's in a safe space. Well, 706 00:39:40,600 --> 00:39:43,560 Speaker 1: because I'm not a shady bitch. Like we talked about, 707 00:39:44,000 --> 00:39:47,040 Speaker 1: who's going to be coming in with weird motives? I 708 00:39:47,120 --> 00:39:51,239 Speaker 1: have weird motives. Ally, however, is that's why him, That's 709 00:39:51,239 --> 00:39:55,240 Speaker 1: why he's not on camera. That's why he's over there 710 00:39:57,000 --> 00:39:58,920 Speaker 1: sitting on the couch over here. And I want to 711 00:39:58,920 --> 00:40:02,919 Speaker 1: thank Paully for his phone not going off train special. However, 712 00:40:02,960 --> 00:40:04,440 Speaker 1: he did walk in front of the cameras once, so 713 00:40:04,520 --> 00:40:06,440 Speaker 1: that was a good deal. Ok. Yeah, we've got the 714 00:40:06,440 --> 00:40:16,280 Speaker 1: other angle. Yeah, perfect, all right, thank you, Hey, thanks 715 00:40:16,320 --> 00:40:19,560 Speaker 1: for listening. I hope you enjoyed this conversation. If you 716 00:40:19,600 --> 00:40:22,080 Speaker 1: like the podcast, please be sure to rate and review 717 00:40:22,120 --> 00:40:24,520 Speaker 1: it on Apple Podcasts so more people can find out 718 00:40:24,560 --> 00:40:26,279 Speaker 1: about it. And if you didn't like it, go fuck 719 00:40:26,320 --> 00:40:29,600 Speaker 1: yourself and follow us on Instagram and culturally canceled and 720 00:40:29,640 --> 00:40:32,480 Speaker 1: culturally RP on Twitter. We're also on YouTube. If you 721 00:40:32,480 --> 00:40:34,160 Speaker 1: want to see what the backyard kind of looks like. 722 00:40:34,239 --> 00:40:36,040 Speaker 1: You don't really see the backyard looks like. You just 723 00:40:36,080 --> 00:40:38,799 Speaker 1: see where my smoking section looks like. And you can 724 00:40:38,840 --> 00:40:41,720 Speaker 1: probably sneak a peek in the house. You're a weirdo. Also, 725 00:40:41,800 --> 00:40:43,960 Speaker 1: we have a phone line now, so call and leave 726 00:40:43,960 --> 00:40:46,319 Speaker 1: a message. You can ask me about whatever you want 727 00:40:46,320 --> 00:40:50,400 Speaker 1: to ask me about, hip hop, parenting, food boxing, mm A, relationships, comedy, sex, 728 00:40:50,520 --> 00:40:52,200 Speaker 1: I don't give a ship. Ask me whatever you want, 729 00:40:52,880 --> 00:40:55,520 Speaker 1: and I'll do my best to answer your question. If 730 00:40:55,560 --> 00:40:57,319 Speaker 1: you want to leave a message, the phone number is 731 00:40:57,880 --> 00:41:02,319 Speaker 1: four to four six six six nineteen eighty three. That's 732 00:41:02,360 --> 00:41:06,959 Speaker 1: four to four six six six three. Until next week. 733 00:41:07,080 --> 00:41:12,239 Speaker 1: I'm murder. Rest of the petz Um