1 00:00:01,639 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know, are 2 00:00:04,880 --> 00:00:10,400 Speaker 1: you a Charlotte? Welcome back everybody to are you a Charlotte? 3 00:00:10,640 --> 00:00:13,800 Speaker 1: Part two? Thanks for joining us. Here we go. So 4 00:00:14,000 --> 00:00:16,599 Speaker 1: carries it home and she's, she's, she's, this is what 5 00:00:16,640 --> 00:00:20,720 Speaker 1: I find depressing. So she says, I wondered, were we 6 00:00:20,800 --> 00:00:25,040 Speaker 1: all just victims of conditional conditioned responses, doomed to repeat 7 00:00:25,079 --> 00:00:29,000 Speaker 1: the same unconscious relationship patterns? Were we all, in fact 8 00:00:29,160 --> 00:00:34,599 Speaker 1: just dating the same person over and over again? So depressing? 9 00:00:34,760 --> 00:00:38,800 Speaker 1: So depressing, I mean, but so good also so good, 10 00:00:40,760 --> 00:00:41,400 Speaker 1: so good. 11 00:00:41,520 --> 00:00:47,800 Speaker 2: It's almost like a thought that is pre therapy. Yeah, 12 00:00:47,840 --> 00:00:50,600 Speaker 2: and more brilliant. Yeah, do you know yes? 13 00:00:52,320 --> 00:00:58,080 Speaker 1: And I'm afraid the answer is probably yes. Yes. But 14 00:00:58,200 --> 00:01:01,080 Speaker 1: then and then we show we'll have some people talking 15 00:01:01,080 --> 00:01:04,160 Speaker 1: to the camera, which is also funny. 16 00:01:03,400 --> 00:01:08,760 Speaker 2: Which, right, it's like avant garde, weird theater line but 17 00:01:08,880 --> 00:01:09,720 Speaker 2: in dirty New York. 18 00:01:09,760 --> 00:01:12,160 Speaker 1: So it kind of is cool. Definitely totally and it 19 00:01:12,200 --> 00:01:14,280 Speaker 1: gets better, like compared the first season, I think it's 20 00:01:14,319 --> 00:01:15,600 Speaker 1: really better, so much better. 21 00:01:16,000 --> 00:01:18,320 Speaker 2: And it's a great device used well. But it's funny 22 00:01:18,319 --> 00:01:18,880 Speaker 2: at the beginning. 23 00:01:18,920 --> 00:01:20,520 Speaker 1: It is really funny. Yeah, you're like, oh my god, 24 00:01:20,560 --> 00:01:23,280 Speaker 1: regard to this, okay, And then we see poor Samantha 25 00:01:23,400 --> 00:01:27,080 Speaker 1: who's in her very red bedroom, golden red, hearing the 26 00:01:27,080 --> 00:01:29,399 Speaker 1: people having the sex through the wall, which I was 27 00:01:29,440 --> 00:01:31,520 Speaker 1: just like, oh, this is depressing me, This is depressing me. 28 00:01:31,560 --> 00:01:36,080 Speaker 1: That's how I felt. Then Carrie says that she's feeling 29 00:01:36,160 --> 00:01:40,920 Speaker 1: quote restless, yes, which made me laugh because she pauses 30 00:01:40,920 --> 00:01:44,560 Speaker 1: ever so slightly before she says the word restless. You're like, oh, yes, 31 00:01:44,600 --> 00:01:48,680 Speaker 1: I know what she's saying. And then she calls Dean 32 00:01:48,720 --> 00:01:51,520 Speaker 1: Winter's character. Yeah, we're just gonna call him Dean Winter's Yes, 33 00:01:51,720 --> 00:01:53,840 Speaker 1: his name is John, which is kind of funny, but 34 00:01:53,920 --> 00:01:59,040 Speaker 1: we'll ignore that. And she says something like, you know, 35 00:01:59,280 --> 00:02:03,080 Speaker 1: can you come over or no, We're gonna have drinks 36 00:02:03,120 --> 00:02:06,120 Speaker 1: after work at six thirty, yeah, which is interesting. And 37 00:02:06,160 --> 00:02:08,920 Speaker 1: he's like, seems like a very together Like he said, 38 00:02:08,919 --> 00:02:11,240 Speaker 1: I thought it was a finance guy. Later on we 39 00:02:11,320 --> 00:02:15,919 Speaker 1: find out he's like a phone cell phone salesman, Yeah, 40 00:02:15,960 --> 00:02:18,600 Speaker 1: which that shocking. Yeah, You're like you have to really 41 00:02:18,639 --> 00:02:20,360 Speaker 1: go back in your mind, like what is he actually 42 00:02:20,400 --> 00:02:23,560 Speaker 1: talking about time? You're buying time? But remember back in 43 00:02:23,600 --> 00:02:25,040 Speaker 1: the day where like you didn't want to use your 44 00:02:25,080 --> 00:02:30,000 Speaker 1: minutes oh, always right, No, right, you used your minute 45 00:02:30,080 --> 00:02:33,400 Speaker 1: and fifty dollars a week ago. That's what he did. 46 00:02:33,560 --> 00:02:35,000 Speaker 1: That's what he did. I thought he was like a 47 00:02:35,040 --> 00:02:38,280 Speaker 1: stock stock salesman when you first meet him. Yeah, right, 48 00:02:38,520 --> 00:02:40,480 Speaker 1: And then it comes a bit sad. It becomes a 49 00:02:40,480 --> 00:02:42,920 Speaker 1: bit sadder when he doesn't like sushi too. I remember 50 00:02:42,960 --> 00:02:45,359 Speaker 1: when he walks, am I jumping ahead for the I 51 00:02:45,400 --> 00:02:48,040 Speaker 1: don't care. He walks into the door into her apartment, 52 00:02:48,440 --> 00:02:50,960 Speaker 1: and you know what broke my heart. He was like 53 00:02:51,880 --> 00:02:53,799 Speaker 1: something about, well, I have I have a dinner plans 54 00:02:53,840 --> 00:02:56,600 Speaker 1: at eight and she's like, oh, no, so do I 55 00:02:56,520 --> 00:03:00,359 Speaker 1: I have. And that's when you know how insecure both are. 56 00:03:01,440 --> 00:03:05,480 Speaker 1: Because I think the problem is when you have someone 57 00:03:05,560 --> 00:03:10,960 Speaker 1: you just for sex, you are always checking to see, 58 00:03:11,120 --> 00:03:14,280 Speaker 1: but are they in love with me? I think the 59 00:03:14,440 --> 00:03:18,320 Speaker 1: truth of it is one of you wants a relationship, 60 00:03:18,400 --> 00:03:19,840 Speaker 1: you see. That would be me. And that's why I 61 00:03:19,880 --> 00:03:21,799 Speaker 1: always don't have a fuck buddy me too. 62 00:03:22,240 --> 00:03:25,359 Speaker 2: I don't because I always think, oh, I'm going to 63 00:03:25,400 --> 00:03:27,440 Speaker 2: be like the other girls and pretend it's not. But 64 00:03:27,480 --> 00:03:31,040 Speaker 2: of course I want him to be my boyfriend. My friends, 65 00:03:31,680 --> 00:03:35,040 Speaker 2: you don't, You don't exactly, but it's too hard in 66 00:03:35,080 --> 00:03:38,400 Speaker 2: the moment, like I'm just can't you just can't turn 67 00:03:38,440 --> 00:03:39,360 Speaker 2: off the other things. 68 00:03:39,440 --> 00:03:41,760 Speaker 1: But I knew she was lying when she's like, oh, yeah, no, 69 00:03:41,840 --> 00:03:43,760 Speaker 1: I have right, there was something in it. 70 00:03:43,840 --> 00:03:47,720 Speaker 2: I was like, oh, that's so tenuous, our little lies 71 00:03:47,800 --> 00:03:50,640 Speaker 2: we tell to protect ourselves in dating. 72 00:03:51,440 --> 00:03:54,360 Speaker 1: Oh god, yeah, I know it was said. But I 73 00:03:54,400 --> 00:03:57,040 Speaker 1: also felt like, well, at least they're on the same page. 74 00:03:57,240 --> 00:04:00,280 Speaker 1: I kind of thought, you're right, right, You're right. We 75 00:04:00,360 --> 00:04:02,640 Speaker 1: know Carrie's not in love with him, even though she's 76 00:04:02,680 --> 00:04:04,920 Speaker 1: gonna give it her her best effort. You know, there's 77 00:04:04,960 --> 00:04:07,640 Speaker 1: something even about it, yeah, which I liked. But then 78 00:04:07,640 --> 00:04:10,040 Speaker 1: of course they mess it up, which was set so anyway, 79 00:04:10,080 --> 00:04:12,640 Speaker 1: then we go. This was the weirdest storyline for me 80 00:04:12,800 --> 00:04:16,960 Speaker 1: for Charlotte, because first of all, I remember nothing, nothing 81 00:04:17,040 --> 00:04:19,680 Speaker 1: of any of this. Sometimes I'm like, I don't know 82 00:04:19,680 --> 00:04:21,480 Speaker 1: what I'm gonna do. When I'm watching, I'm like, I 83 00:04:21,640 --> 00:04:23,359 Speaker 1: don't remember this. I don't know what I'm going to do, 84 00:04:23,480 --> 00:04:24,919 Speaker 1: and I'm going to have sex with these guys. I 85 00:04:24,960 --> 00:04:25,919 Speaker 1: have no idea is it? 86 00:04:25,920 --> 00:04:28,720 Speaker 2: Because it was such long hours every day, and because 87 00:04:28,760 --> 00:04:31,240 Speaker 2: we're shooting twice to at once, as you know, right, 88 00:04:31,320 --> 00:04:33,680 Speaker 2: and I mean, there are certain clothes that I remember, 89 00:04:33,720 --> 00:04:35,520 Speaker 2: like I have there's a cream colored dress. 90 00:04:35,560 --> 00:04:37,760 Speaker 1: I have it still in my closet. Sometimes I look 91 00:04:37,760 --> 00:04:39,159 Speaker 1: at it and I think, like, when did I wear that? 92 00:04:39,240 --> 00:04:41,440 Speaker 1: I don't know I wore it in this episode. And 93 00:04:41,480 --> 00:04:43,479 Speaker 1: there's a green sweater that I recognize. I have a 94 00:04:43,480 --> 00:04:46,680 Speaker 1: picture of Cynthia and I like a continuity type picture 95 00:04:46,680 --> 00:04:51,600 Speaker 1: of cooloroid from that restaurant scene. And I don't look happy. 96 00:04:51,920 --> 00:04:55,400 Speaker 1: I don't look happy. So I think it was some 97 00:04:55,520 --> 00:04:59,360 Speaker 1: stress going on in my life and lack of sleep, 98 00:04:59,680 --> 00:05:01,479 Speaker 1: you know, I'm saying so, so. 99 00:05:01,000 --> 00:05:03,600 Speaker 2: There's like a sleep the hours you guys did back 100 00:05:03,600 --> 00:05:05,560 Speaker 2: then totally bonkers, totally bonkers. 101 00:05:05,600 --> 00:05:08,160 Speaker 1: But I do love the weird storyline of Charlotte trying 102 00:05:08,200 --> 00:05:10,320 Speaker 1: to be like a man and trying to double book 103 00:05:10,320 --> 00:05:11,919 Speaker 1: herself so great. 104 00:05:12,200 --> 00:05:16,760 Speaker 2: It's so funny, and they look so modern. The they 105 00:05:16,800 --> 00:05:19,240 Speaker 2: look kind of like it's not that they could be 106 00:05:19,320 --> 00:05:19,719 Speaker 2: right now. 107 00:05:19,839 --> 00:05:23,640 Speaker 1: Like there's something definitely I love that. I loved it too. 108 00:05:23,920 --> 00:05:25,359 Speaker 1: I was worried that I was going to try to 109 00:05:25,360 --> 00:05:28,360 Speaker 1: have sex with them. I was like a Charlotte lost 110 00:05:28,400 --> 00:05:30,960 Speaker 1: her mind, No I know, but no, she hadn't. She 111 00:05:31,040 --> 00:05:32,440 Speaker 1: was just trying to date them, but then of course 112 00:05:32,440 --> 00:05:34,760 Speaker 1: it blows up in her face immediately, which is so perfect, 113 00:05:34,960 --> 00:05:37,640 Speaker 1: so perfect, And the one guy with the floppy hair 114 00:05:37,680 --> 00:05:39,839 Speaker 1: seems like he could have been a nice guy for Charlotte, 115 00:05:39,839 --> 00:05:43,039 Speaker 1: but she's now ruined it trying to take her girlfriend's advice, 116 00:05:43,440 --> 00:05:45,720 Speaker 1: you know. I mean, so this morning I was thinking 117 00:05:45,720 --> 00:05:46,080 Speaker 1: about that. 118 00:05:46,120 --> 00:05:48,840 Speaker 2: I was like, Wow, she took her girlfriend's advice and 119 00:05:48,920 --> 00:05:51,640 Speaker 2: this happened, And then I was thinking, we need our 120 00:05:51,640 --> 00:05:55,239 Speaker 2: girlfriend's advice, yeah, because it propels us. But the problem 121 00:05:55,320 --> 00:05:58,000 Speaker 2: is we don't need to do the exact advice. I 122 00:05:58,000 --> 00:06:00,760 Speaker 2: think we need to head somewhere. 123 00:06:00,800 --> 00:06:03,120 Speaker 1: I think we need to like like take it in 124 00:06:03,600 --> 00:06:06,920 Speaker 1: and filter in your yoga outfit, like, oh, do you 125 00:06:06,960 --> 00:06:08,680 Speaker 1: want to have dinner? I love that. I would give 126 00:06:08,760 --> 00:06:09,560 Speaker 1: me hope and I. 127 00:06:09,480 --> 00:06:13,159 Speaker 2: Was like, oh, but then when you had to leave, 128 00:06:13,279 --> 00:06:15,200 Speaker 2: and I was like, oh God, that's not Charlotte. 129 00:06:15,240 --> 00:06:18,640 Speaker 1: No, and it's gonna fabulously made a choice to kind 130 00:06:18,640 --> 00:06:21,760 Speaker 1: of it that it wasn't Charlotte. You know what I'm saying. Yes, 131 00:06:22,279 --> 00:06:24,560 Speaker 1: it's funny to watch your acting too. I'm like, oh, yeah, 132 00:06:24,560 --> 00:06:27,400 Speaker 1: that is such a cute, little fake scratchy throat I'm 133 00:06:27,400 --> 00:06:28,640 Speaker 1: doing there, but that's okay. 134 00:06:29,160 --> 00:06:31,600 Speaker 2: But the more I love that kind of action shows, 135 00:06:31,839 --> 00:06:37,800 Speaker 2: I do because because there's something about this show that 136 00:06:37,960 --> 00:06:40,440 Speaker 2: sometimes there's so much you have to do and then 137 00:06:40,800 --> 00:06:43,120 Speaker 2: sometimes you listally they're. 138 00:06:42,960 --> 00:06:43,560 Speaker 1: Losing the light. 139 00:06:43,640 --> 00:06:46,159 Speaker 2: And like any show, it's not unique in that sense, 140 00:06:46,320 --> 00:06:50,520 Speaker 2: but because it's comedy, sometimes I find myself, even playing Sema, 141 00:06:50,520 --> 00:06:52,440 Speaker 2: there's a bit of egg in my face. I don't 142 00:06:52,480 --> 00:06:55,240 Speaker 2: mind it because I realized, for the pace of this show, 143 00:06:56,080 --> 00:07:00,080 Speaker 2: you can't hit everything perfectly. If not, there's no humanity. 144 00:07:00,320 --> 00:07:02,400 Speaker 2: So I almost like when I see something that you 145 00:07:02,480 --> 00:07:03,080 Speaker 2: just said. 146 00:07:03,000 --> 00:07:06,080 Speaker 1: Yeah, I think the egg on the face is integral, 147 00:07:06,320 --> 00:07:11,280 Speaker 1: integral needed, Yeah, definitely, And sometimes they write it, but 148 00:07:11,320 --> 00:07:14,520 Speaker 1: then sometimes it's just there. No. Sometimes in group scenes 149 00:07:14,560 --> 00:07:18,360 Speaker 1: it's always there because very hard and they're very hard, 150 00:07:18,400 --> 00:07:22,040 Speaker 1: and I'm learning to like them. I'm glad. Yeah, egg, 151 00:07:22,080 --> 00:07:34,800 Speaker 1: I'm fake. Okay. So let's go back to the Carry 152 00:07:34,840 --> 00:07:40,680 Speaker 1: and John Dean Winter's relationship. When they go on the date, 153 00:07:41,400 --> 00:07:44,600 Speaker 1: it's just the saddest thing sad world, and I feel 154 00:07:44,680 --> 00:07:48,440 Speaker 1: so bad for him because clearly they don't know anything 155 00:07:48,440 --> 00:07:51,040 Speaker 1: about each other, no other than that they seem to 156 00:07:51,120 --> 00:07:54,280 Speaker 1: enjoy each other. In bed. Yeah, you know, which is 157 00:07:54,400 --> 00:07:57,600 Speaker 1: something they know how to behave, right, They've got the rules, 158 00:07:57,800 --> 00:08:01,520 Speaker 1: they've got anstructed situation. Then they go out of the 159 00:08:01,560 --> 00:08:03,920 Speaker 1: constructed situation. It falls apart so quick. 160 00:08:03,960 --> 00:08:05,880 Speaker 2: I mean, it almost looks like he's never been to 161 00:08:05,880 --> 00:08:08,080 Speaker 2: a restaurant with I know he was. 162 00:08:08,040 --> 00:08:12,440 Speaker 1: A burger and he doesn't like sushi. I'm like, dude, 163 00:08:12,440 --> 00:08:18,080 Speaker 1: you need to pretend to like sushi with Carrie. It's 164 00:08:18,400 --> 00:08:19,480 Speaker 1: so sad episodes. 165 00:08:19,520 --> 00:08:22,280 Speaker 2: You're right, I don't think any of the episodes had 166 00:08:22,280 --> 00:08:24,080 Speaker 2: that feeling for me where I was like, I don't 167 00:08:24,080 --> 00:08:26,440 Speaker 2: know what to do. I know it could be because 168 00:08:26,480 --> 00:08:29,440 Speaker 2: you and I don't relate as much to this dilemma, 169 00:08:29,640 --> 00:08:31,280 Speaker 2: maybe because people. 170 00:08:31,000 --> 00:08:34,920 Speaker 1: Think I also think. I think it's because I think theoretically, 171 00:08:35,000 --> 00:08:39,680 Speaker 1: like structurally, we know, for instance, that the Big Carry 172 00:08:39,720 --> 00:08:42,000 Speaker 1: relationship is going to have highs and lows and all 173 00:08:42,000 --> 00:08:44,280 Speaker 1: of the different things in sadness, right, yes, and we 174 00:08:44,400 --> 00:08:47,840 Speaker 1: expect that, right, right, But when we're outside of that, 175 00:08:48,520 --> 00:08:51,319 Speaker 1: we are not expecting kind of a one off episode 176 00:08:51,400 --> 00:08:56,120 Speaker 1: called The Fuck Buddy to have such sadness. Yeah. I still, 177 00:08:56,600 --> 00:08:59,880 Speaker 1: you're so right, because we expect that thing with Carrie, 178 00:09:00,080 --> 00:09:04,040 Speaker 1: his character and her art, but it's like she was 179 00:09:04,040 --> 00:09:06,559 Speaker 1: shocked totally. It was like she. 180 00:09:06,600 --> 00:09:09,440 Speaker 2: Thinks it's all gonna work out. Yeah, And also because 181 00:09:09,480 --> 00:09:12,080 Speaker 2: it's not. She's in love with him. It didn't have 182 00:09:12,160 --> 00:09:13,760 Speaker 2: to go that far to work out, and. 183 00:09:13,720 --> 00:09:16,040 Speaker 1: He couldn't even get there. No, I know. That's what's 184 00:09:16,080 --> 00:09:19,360 Speaker 1: so sad. It's not even like we're expecting miracles, just 185 00:09:19,480 --> 00:09:21,240 Speaker 1: expecting a dinner to go well. 186 00:09:21,320 --> 00:09:24,240 Speaker 2: And it's like the law of the universe. Don't don't 187 00:09:24,360 --> 00:09:29,679 Speaker 2: mess with real feelings, don't invent fake feelings. 188 00:09:29,600 --> 00:09:32,800 Speaker 1: Or you just don't try to put like a square 189 00:09:32,840 --> 00:09:34,960 Speaker 1: pagan around hole or whatever that phrase is. It's going 190 00:09:35,000 --> 00:09:38,640 Speaker 1: to go wrong, right, It's so true. It's so true. Yeah. Now, 191 00:09:39,000 --> 00:09:43,040 Speaker 1: the one exciting moment of it all is when Miranda 192 00:09:43,400 --> 00:09:46,040 Speaker 1: leaves the angry guy at the table. Do you remember 193 00:09:46,080 --> 00:09:48,840 Speaker 1: he's like, so he's trying to get he's angry about 194 00:09:48,880 --> 00:09:51,800 Speaker 1: literally everything. Like at one point, she's trying to hail 195 00:09:51,800 --> 00:09:53,240 Speaker 1: a cab and he's like, you can't hail a cab 196 00:09:53,320 --> 00:09:55,040 Speaker 1: on that side of the corner, and she's like, no, no, 197 00:09:55,240 --> 00:09:57,600 Speaker 1: I have and then he hails a cab and then 198 00:09:57,600 --> 00:10:00,600 Speaker 1: he kind of pushes her in the cab and she's like, 199 00:10:00,640 --> 00:10:02,679 Speaker 1: but I like it when he pushes me around in sex, 200 00:10:02,920 --> 00:10:05,280 Speaker 1: which I mean, this is like such a big issue. 201 00:10:05,440 --> 00:10:07,800 Speaker 1: We could have a whole episode totally that. 202 00:10:07,880 --> 00:10:12,400 Speaker 2: The only thank god it's Cynthia doing it, yes, because 203 00:10:12,400 --> 00:10:16,520 Speaker 2: there's something about Cynthia that's just like whatever. And then 204 00:10:16,600 --> 00:10:21,640 Speaker 2: other times she's like no, and both of those qualities 205 00:10:21,640 --> 00:10:22,920 Speaker 2: in her could handle this. 206 00:10:23,920 --> 00:10:25,880 Speaker 1: You're not worried for her at all. You're not worried 207 00:10:25,920 --> 00:10:27,560 Speaker 1: for her at all. And she's kind of like, why 208 00:10:27,640 --> 00:10:30,400 Speaker 1: do I like it so much in sex but nowhere else? 209 00:10:30,520 --> 00:10:32,640 Speaker 1: Which is a good question. It's not really ever answered, 210 00:10:32,679 --> 00:10:34,600 Speaker 1: but it's a good question to just leave out there. 211 00:10:34,800 --> 00:10:37,040 Speaker 1: And so luckily she says, you know, he's going to 212 00:10:37,080 --> 00:10:38,760 Speaker 1: find out if he makes partner, and then I'm sure 213 00:10:38,800 --> 00:10:40,840 Speaker 1: he's going to lighten up. So then he finds out 214 00:10:40,920 --> 00:10:43,640 Speaker 1: he makes partner, and he's just bitching and moaning and 215 00:10:43,679 --> 00:10:48,640 Speaker 1: bitching and moaning about you know ours, She doesn't get 216 00:10:48,640 --> 00:10:50,520 Speaker 1: the pressure on him and whatever, and then she just 217 00:10:50,559 --> 00:10:51,440 Speaker 1: gets up and leaves. 218 00:10:51,440 --> 00:10:54,359 Speaker 2: And it's super exciting. Is that it is super exciting, 219 00:10:54,480 --> 00:10:57,480 Speaker 2: and it would do you know what? It was that 220 00:10:58,200 --> 00:11:02,200 Speaker 2: even that relationship, it was like, wait, how did it 221 00:11:02,240 --> 00:11:06,760 Speaker 2: get to that point. How did how did Miranda think 222 00:11:06,840 --> 00:11:09,320 Speaker 2: that he was going to change getting without seeing it? 223 00:11:09,320 --> 00:11:10,560 Speaker 1: It was a good point. 224 00:11:10,559 --> 00:11:15,640 Speaker 2: It's frustrating. It was frustrating just to go on that journey. 225 00:11:16,040 --> 00:11:18,600 Speaker 1: I agree, And that's why the episode's kind of sad, 226 00:11:18,840 --> 00:11:21,679 Speaker 1: you know what I mean, because really nothing works out 227 00:11:21,679 --> 00:11:24,560 Speaker 1: that great. Poor Samantha try tries to break down the 228 00:11:24,600 --> 00:11:27,240 Speaker 1: wall between her and her neighbors and it doesn't go well. 229 00:11:28,480 --> 00:11:31,320 Speaker 1: Like it's just said, all the way around and not 230 00:11:31,440 --> 00:11:34,800 Speaker 1: even with Samantha, she'll take any sad situation and make 231 00:11:34,840 --> 00:11:37,199 Speaker 1: it still like a bit of a hip thrust and 232 00:11:37,240 --> 00:11:40,680 Speaker 1: she can't know. So that's why it's said. Yeah, this 233 00:11:40,800 --> 00:11:43,720 Speaker 1: reminds me of my mom at the time that we 234 00:11:43,720 --> 00:11:47,680 Speaker 1: were doing the show. In the beginning, she was really 235 00:11:48,559 --> 00:11:53,280 Speaker 1: mixed feelings about the show, and it makes so much 236 00:11:53,320 --> 00:11:55,440 Speaker 1: sense now. I mean at the time I was just like, oh, Mama, 237 00:11:55,480 --> 00:11:58,360 Speaker 1: it's fine, you know, Kristen, But she was like, well, 238 00:11:58,400 --> 00:11:59,800 Speaker 1: I just don't want to think that this is what, 239 00:11:59,880 --> 00:12:02,200 Speaker 1: you know, dating is like for you, And I was like, 240 00:12:02,240 --> 00:12:06,080 Speaker 1: it's not, you know, which in reality it kind of was, 241 00:12:06,120 --> 00:12:08,560 Speaker 1: but I mean not to this level obviously, no. 242 00:12:08,600 --> 00:12:10,840 Speaker 2: And also your mom is watching the show with the 243 00:12:10,960 --> 00:12:14,839 Speaker 2: lighting and with everything. You weren't you were, you were 244 00:12:14,880 --> 00:12:18,200 Speaker 2: doing the show and watching, so she was really seeing 245 00:12:18,240 --> 00:12:19,720 Speaker 2: the whole New York. 246 00:12:19,880 --> 00:12:22,280 Speaker 1: Yes, yes, it was really not her world at all. 247 00:12:22,320 --> 00:12:24,120 Speaker 1: And this reminds me of something that we wanted to 248 00:12:24,160 --> 00:12:29,720 Speaker 1: talk about, which is the difference between the experience of 249 00:12:29,840 --> 00:12:34,120 Speaker 1: making a show, then the experience of watching that same 250 00:12:34,200 --> 00:12:38,040 Speaker 1: show that you made, and then hearing other people who 251 00:12:38,320 --> 00:12:40,880 Speaker 1: were not part of the show discussing it, and how 252 00:12:40,920 --> 00:12:44,000 Speaker 1: completely dissonant it can be. It is. 253 00:12:44,600 --> 00:12:47,880 Speaker 2: You know, I never want to come off as the 254 00:12:48,040 --> 00:12:50,079 Speaker 2: you know, when you're an actress, you think you get 255 00:12:50,120 --> 00:12:52,920 Speaker 2: better at understanding this, right, But I do this show 256 00:12:52,960 --> 00:12:56,920 Speaker 2: because it's such a cultural phenomenon, so people join in 257 00:12:58,160 --> 00:13:02,600 Speaker 2: without you being in a discussion, the discussion begins. So 258 00:13:02,679 --> 00:13:07,880 Speaker 2: I'm learning this only in this show. But I think 259 00:13:07,960 --> 00:13:11,400 Speaker 2: what's wild is the other day I was doing an 260 00:13:11,440 --> 00:13:15,840 Speaker 2: interview and I think that's when it really hit me. 261 00:13:15,960 --> 00:13:19,640 Speaker 2: I was like, Oh, she's watching a show that I'm 262 00:13:19,640 --> 00:13:20,160 Speaker 2: not watching. 263 00:13:20,400 --> 00:13:22,320 Speaker 1: Yep, it just hit me. Finally. 264 00:13:22,679 --> 00:13:26,440 Speaker 2: I've understood variations of that thought, but there's no way 265 00:13:27,040 --> 00:13:29,800 Speaker 2: when you do a read through that's in your head 266 00:13:29,800 --> 00:13:33,200 Speaker 2: when you watch the show. The edits are like, oh, 267 00:13:33,240 --> 00:13:36,800 Speaker 2: they chose that we can't watch the show as it is, 268 00:13:37,200 --> 00:13:42,760 Speaker 2: And because people either love or want to talk about 269 00:13:42,880 --> 00:13:46,880 Speaker 2: or angry at some issue, they want us available. And 270 00:13:47,360 --> 00:13:50,720 Speaker 2: I sometimes don't know what they're saying because I've not 271 00:13:50,880 --> 00:13:52,200 Speaker 2: seen the same thing. 272 00:13:52,400 --> 00:13:55,840 Speaker 1: Definitely, Sometimes I don't know what they're saying either. Yeah, 273 00:13:55,920 --> 00:13:59,560 Speaker 1: I'm just like what, yeah, what, Like you know, when 274 00:13:59,600 --> 00:14:01,360 Speaker 1: you think I've used to it after all this time. 275 00:14:01,520 --> 00:14:04,280 Speaker 1: But that's what always tell me about you. 276 00:14:04,280 --> 00:14:07,240 Speaker 2: You've often said something that I'm like, oh, she's not 277 00:14:07,400 --> 00:14:10,480 Speaker 2: used to it yet, which kind of makes me happy 278 00:14:10,559 --> 00:14:15,400 Speaker 2: that it hasn't, that you've kept this human kind of 279 00:14:15,480 --> 00:14:16,560 Speaker 2: like okay, what is this? 280 00:14:16,920 --> 00:14:17,120 Speaker 1: Right? 281 00:14:17,640 --> 00:14:22,480 Speaker 2: But also it just shows maybe we're not supposed to 282 00:14:22,520 --> 00:14:24,640 Speaker 2: be good at it, like right, you know. And sometimes 283 00:14:24,640 --> 00:14:28,640 Speaker 2: I feel bad because like someone will ask me something 284 00:14:28,640 --> 00:14:31,480 Speaker 2: and they have so much excitement, right, and I don't 285 00:14:31,480 --> 00:14:32,240 Speaker 2: know what they're asking. 286 00:14:32,480 --> 00:14:36,240 Speaker 1: Right. Well, Well, I think somehow we're supposed to be 287 00:14:36,440 --> 00:14:41,640 Speaker 1: experts about their experience, but I mean I do feel 288 00:14:41,680 --> 00:14:45,520 Speaker 1: like we're experts about what we've made, which people seem 289 00:14:45,560 --> 00:14:49,280 Speaker 1: to sometimes doubt, which is really interesting, right, because I 290 00:14:49,360 --> 00:14:52,800 Speaker 1: mean you should be easy, right, Yeah, which obviously it's 291 00:14:52,880 --> 00:14:56,600 Speaker 1: not easy at all, but also like we're in it, 292 00:14:56,840 --> 00:15:00,720 Speaker 1: I can't be objective exactly. Also we're in secure. We 293 00:15:01,040 --> 00:15:04,080 Speaker 1: barely pulled it off. So then when we're being asked 294 00:15:04,120 --> 00:15:09,440 Speaker 1: about whether to explaining that thing that was take number seventeen, 295 00:15:09,560 --> 00:15:13,680 Speaker 1: and I, oh, I'm so glad, I'm not embarrassed by it. Like, 296 00:15:14,240 --> 00:15:17,600 Speaker 1: you know, say, thoughts we have that are different. I 297 00:15:17,640 --> 00:15:19,560 Speaker 1: also think I think that I think that we're in 298 00:15:19,600 --> 00:15:23,880 Speaker 1: a crazy time, you know, culturally in terms of the 299 00:15:23,960 --> 00:15:28,120 Speaker 1: dialogue or lack thereof of true dialogue. Maybe like that 300 00:15:28,160 --> 00:15:33,120 Speaker 1: there's like people are very very black and white about things, 301 00:15:33,200 --> 00:15:35,480 Speaker 1: you know, in terms of like I hated that, I 302 00:15:35,560 --> 00:15:37,800 Speaker 1: love that, I hated that. I love that. There's not 303 00:15:38,000 --> 00:15:44,000 Speaker 1: actual conversations sometimes, yeah, and it happens with us, like right, 304 00:15:44,120 --> 00:15:47,160 Speaker 1: sometimes I'm in a conversation, even with a friend, and 305 00:15:47,240 --> 00:15:50,560 Speaker 1: they'll bring up something that they want to talk about 306 00:15:50,920 --> 00:15:52,840 Speaker 1: that isn't even in my scenes. 307 00:15:52,720 --> 00:15:57,400 Speaker 2: Right, and I'm not sure why they're asking me, but 308 00:15:57,480 --> 00:16:01,640 Speaker 2: they care so much, right, And so I'm learning anyway, 309 00:16:01,720 --> 00:16:05,240 Speaker 2: I'm learning because I never want I'm always scared of 310 00:16:05,280 --> 00:16:06,440 Speaker 2: coming off a bit like. 311 00:16:09,080 --> 00:16:09,720 Speaker 1: An asshole. 312 00:16:11,120 --> 00:16:14,160 Speaker 2: No, no, no, because when it happens. I people don't 313 00:16:14,160 --> 00:16:17,720 Speaker 2: realize we get hurt. Yeah, Like I first get hurt. Yes, 314 00:16:18,240 --> 00:16:20,640 Speaker 2: then I go, they don't mean it that way. Suit 315 00:16:20,680 --> 00:16:22,640 Speaker 2: you don't mean so then I try to understand it, 316 00:16:22,680 --> 00:16:25,040 Speaker 2: but that takes time, and they're just like looking at 317 00:16:25,080 --> 00:16:26,600 Speaker 2: me with this weird expression. 318 00:16:26,960 --> 00:16:29,160 Speaker 1: So but this is the thing, This is the thing 319 00:16:29,520 --> 00:16:32,280 Speaker 1: that I that I come back to. I mean, number one, 320 00:16:33,360 --> 00:16:37,840 Speaker 1: we can't control how people perceive things, right, We just can't. 321 00:16:37,840 --> 00:16:40,360 Speaker 1: We just can't. You It's like a twelve step type 322 00:16:40,360 --> 00:16:42,920 Speaker 1: of situation, right, Like, you have to admit like I 323 00:16:42,960 --> 00:16:45,960 Speaker 1: cannot control that. Second of all, we have to be 324 00:16:46,040 --> 00:16:48,760 Speaker 1: able to create, yeah, and we have to stay open 325 00:16:49,040 --> 00:16:52,600 Speaker 1: to be able to create. Yeah. And that's not easy. No. Ever, 326 00:16:53,000 --> 00:16:56,880 Speaker 1: I'm definitely not right now in time in our culture. 327 00:16:57,480 --> 00:17:02,200 Speaker 1: So there's some protection that you need to create for yourself. 328 00:17:02,800 --> 00:17:05,760 Speaker 1: And partly because of the podcast, I'm more out in 329 00:17:05,800 --> 00:17:08,960 Speaker 1: the world of the conversation that I would normally be 330 00:17:09,440 --> 00:17:12,920 Speaker 1: because I'm trying to kind of figure it out more 331 00:17:13,080 --> 00:17:15,480 Speaker 1: and use it. Because I love that you're being. 332 00:17:18,119 --> 00:17:20,879 Speaker 2: How do I say this, You're being very like whatever 333 00:17:20,920 --> 00:17:24,040 Speaker 2: comes up to your brain is. I love that because 334 00:17:24,040 --> 00:17:27,879 Speaker 2: it's one thing you're not allowed to do with the 335 00:17:27,880 --> 00:17:29,280 Speaker 2: show because you don't want to offend people. 336 00:17:29,320 --> 00:17:33,960 Speaker 1: You don't, you don't. I kind of find that very refreshing. 337 00:17:34,160 --> 00:17:36,280 Speaker 1: Thank you. It's scary. I bet it's scary. 338 00:17:36,640 --> 00:17:40,239 Speaker 2: No, I bet it's scary because we mess up with 339 00:17:40,359 --> 00:17:43,840 Speaker 2: people's names, and but look at the love. Even when 340 00:17:43,880 --> 00:17:46,920 Speaker 2: we're talking about something that we're like, whoa, I still 341 00:17:46,960 --> 00:17:49,120 Speaker 2: love it. It's not I'm not going to talk about 342 00:17:49,119 --> 00:17:51,720 Speaker 2: it right right, I mean a British accent just came out. 343 00:17:51,920 --> 00:17:53,880 Speaker 1: I know. I love how your accent comes and goes 344 00:17:53,920 --> 00:17:54,440 Speaker 1: so much. 345 00:17:54,480 --> 00:17:56,920 Speaker 2: When I'm a bit jet lagged, when I'm tired, like 346 00:17:57,040 --> 00:17:59,560 Speaker 2: a full two words will come out and it's like 347 00:17:59,680 --> 00:18:01,640 Speaker 2: a fit coming out of my mouth, and I'm just like. 348 00:18:02,880 --> 00:18:04,760 Speaker 1: No, all of it's good, all of us, because this 349 00:18:04,800 --> 00:18:06,240 Speaker 1: is what I love so much about you, Like you 350 00:18:06,240 --> 00:18:08,520 Speaker 1: could talk to Sarita about so many different countries that 351 00:18:08,560 --> 00:18:11,000 Speaker 1: she's actually lived in, like it is. 352 00:18:11,000 --> 00:18:13,240 Speaker 2: Well, can I say one thing talking about countries? So 353 00:18:13,280 --> 00:18:16,040 Speaker 2: I just came back and my friend Lorena is addicted 354 00:18:16,040 --> 00:18:18,360 Speaker 2: to the show, both the old. 355 00:18:18,240 --> 00:18:18,880 Speaker 1: And the new. 356 00:18:19,440 --> 00:18:24,359 Speaker 2: And it's so sweet because when we're there at Airs 357 00:18:24,400 --> 00:18:28,520 Speaker 2: Friday nights, here Airs Thursday and every Friday we'd be 358 00:18:29,119 --> 00:18:32,800 Speaker 2: at the beach and doing our thing and she'd be like, no, Sarita, 359 00:18:32,960 --> 00:18:36,120 Speaker 2: we'll go, but is dropping. It's dropping now And I 360 00:18:36,160 --> 00:18:40,840 Speaker 2: was like, definitely. And she knows me so well. She goes, 361 00:18:40,880 --> 00:18:43,199 Speaker 2: I know you're not as excited as me. And I 362 00:18:43,240 --> 00:18:45,479 Speaker 2: was like, no, I'm may be more excited than you, 363 00:18:45,720 --> 00:18:47,720 Speaker 2: and she goes, Okay, I know it's drama in head 364 00:18:47,720 --> 00:18:48,240 Speaker 2: with the actors. 365 00:18:48,320 --> 00:18:49,760 Speaker 1: I don't know. Okay, we're gonna go. 366 00:18:50,119 --> 00:18:55,280 Speaker 2: And I watched Lorena watch the show and it's like 367 00:18:55,920 --> 00:19:00,800 Speaker 2: watching Spanish watch our show, getting It, getting It, and 368 00:19:02,119 --> 00:19:04,440 Speaker 2: I don't know, it's an experience to watch this show 369 00:19:04,480 --> 00:19:08,359 Speaker 2: abroad and see the love and see that I was 370 00:19:08,440 --> 00:19:12,000 Speaker 2: kind of and just hearing the comments I loved it. 371 00:19:12,080 --> 00:19:15,040 Speaker 1: That's so nice. Yeah, it's so nice to hear it is. 372 00:19:15,240 --> 00:19:17,160 Speaker 1: I mean, we just have to do it and let 373 00:19:17,200 --> 00:19:18,800 Speaker 1: it go out there, and it's going to do what 374 00:19:18,840 --> 00:19:21,159 Speaker 1: it's going to do, right. And sometimes it's hard to 375 00:19:21,200 --> 00:19:24,320 Speaker 1: remember that because obviously there's a lot coming at us, 376 00:19:24,400 --> 00:19:26,840 Speaker 1: you know, But then I think that's also why, you know, 377 00:19:27,040 --> 00:19:30,160 Speaker 1: work together and we can be together in it all. Yeah. 378 00:19:30,280 --> 00:19:34,160 Speaker 2: Right, That's how I felt coming here today. I was like, oh, 379 00:19:34,880 --> 00:19:37,600 Speaker 2: I needed this and I haven't had this. We've done 380 00:19:37,600 --> 00:19:41,960 Speaker 2: a lot of press, and I was like, even I 381 00:19:42,000 --> 00:19:45,600 Speaker 2: can feel it now, like I don't even know. Usually 382 00:19:45,600 --> 00:19:48,720 Speaker 2: I'm aware of my hair or my face or my 383 00:19:49,400 --> 00:19:51,160 Speaker 2: I don't I'm not really aware. 384 00:19:50,960 --> 00:19:51,680 Speaker 1: Like part of the things. 385 00:19:51,720 --> 00:19:54,000 Speaker 2: When I watch it, it's going to be like but 386 00:19:54,000 --> 00:19:57,320 Speaker 2: but that's so rare, right, when you're in conversation on camera, right, Well, 387 00:19:57,320 --> 00:19:58,360 Speaker 2: because this is. 388 00:19:58,280 --> 00:20:00,960 Speaker 1: What I love about podcasting is I wanted to have 389 00:20:01,000 --> 00:20:03,119 Speaker 1: the flow, yeah, right, and the only way to have 390 00:20:03,160 --> 00:20:05,320 Speaker 1: the flow is to just go where it goes. So 391 00:20:05,480 --> 00:20:09,440 Speaker 1: sometimes I apologize sweet listeners if I did not recap 392 00:20:09,560 --> 00:20:12,160 Speaker 1: enough for you. Some people want more recaps, some people 393 00:20:12,200 --> 00:20:14,920 Speaker 1: want less recap, right, But like for me, the joy 394 00:20:14,960 --> 00:20:17,800 Speaker 1: of this is being in it, yeah, with whomever has 395 00:20:17,840 --> 00:20:18,679 Speaker 1: come to be with me. 396 00:20:18,840 --> 00:20:21,560 Speaker 2: No, I can't even remember what I thought we might 397 00:20:21,600 --> 00:20:25,280 Speaker 2: talk about because I'm literally just following you. 398 00:20:25,359 --> 00:20:28,040 Speaker 1: Which is great. It's a joy. I love it me too. 399 00:20:28,160 --> 00:20:29,840 Speaker 1: I love it too, and I love having you. I 400 00:20:29,880 --> 00:20:31,760 Speaker 1: love having it and I need it. I love having you. 401 00:20:31,840 --> 00:20:34,600 Speaker 1: I'm not having you, You're having me, yes, but both 402 00:20:34,840 --> 00:20:47,439 Speaker 1: being here. It's a two way street. Baby, I'm just 403 00:20:47,480 --> 00:20:51,200 Speaker 1: going to briefly touch on the fact that unfortunately, as 404 00:20:51,240 --> 00:20:53,680 Speaker 1: far as we know, we do not get to go 405 00:20:53,720 --> 00:20:56,040 Speaker 1: and be together for eighteen hours a day. I know, 406 00:20:56,359 --> 00:20:59,400 Speaker 1: still sinking in, still sinking in, not one hundred percent there, 407 00:20:59,680 --> 00:21:01,760 Speaker 1: totally so sad, so. 408 00:21:01,640 --> 00:21:05,320 Speaker 2: Sad and so beautiful. You're almost saying it in the 409 00:21:05,359 --> 00:21:08,000 Speaker 2: way I feel it like not real words are coming 410 00:21:08,000 --> 00:21:08,440 Speaker 2: out yet. 411 00:21:08,480 --> 00:21:10,920 Speaker 1: It's true, it's true. But also I have been through 412 00:21:10,920 --> 00:21:12,960 Speaker 1: this before where we're saying goodbye, but then we don't 413 00:21:13,000 --> 00:21:17,040 Speaker 1: ever really say goodbye. And for me, we all are 414 00:21:17,080 --> 00:21:19,800 Speaker 1: so alive in me, you know what I'm saying, Like, 415 00:21:19,880 --> 00:21:22,280 Speaker 1: that's so beautiful. Christ do you feel I feel like 416 00:21:22,400 --> 00:21:25,080 Speaker 1: also this is. 417 00:21:26,440 --> 00:21:29,040 Speaker 2: It's so different from my feelings are one and then 418 00:21:29,080 --> 00:21:33,280 Speaker 2: there's yours, which is the first, and then a different iteration, 419 00:21:33,520 --> 00:21:36,240 Speaker 2: and it's a lot. But I love what you've just said, 420 00:21:36,320 --> 00:21:39,800 Speaker 2: which is often when you think it's nand it's not 421 00:21:40,440 --> 00:21:43,920 Speaker 2: whatever that means right, And that just made me understand 422 00:21:44,040 --> 00:21:48,040 Speaker 2: something right now. But but I'm glad when you left 423 00:21:48,040 --> 00:21:51,359 Speaker 2: that message for Nicole that didn't go that it allowed 424 00:21:51,400 --> 00:21:53,840 Speaker 2: you to cry, Yeah, because sometimes don't you find it's 425 00:21:53,880 --> 00:21:57,200 Speaker 2: when someone answers the phone that that's when you cry. Yes, 426 00:21:57,359 --> 00:22:00,440 Speaker 2: So maybe there's some kind of a trigger or some thing. 427 00:22:00,480 --> 00:22:02,680 Speaker 2: And I think also because Nicole and I, you know, 428 00:22:02,720 --> 00:22:04,800 Speaker 2: when she began the show was like when I had 429 00:22:04,800 --> 00:22:08,199 Speaker 2: to cry for weeks with her. Oh you know so 430 00:22:08,240 --> 00:22:10,800 Speaker 2: that because of Beig's death, right do you remember that 431 00:22:11,480 --> 00:22:13,640 Speaker 2: that was how we began our relationship. 432 00:22:13,960 --> 00:22:16,919 Speaker 1: So I think there's also like this established freedom that 433 00:22:17,000 --> 00:22:21,760 Speaker 1: I have with her to share those kind of deeper things, right. 434 00:22:23,160 --> 00:22:24,840 Speaker 1: And also I was just trying to check in on her, 435 00:22:24,880 --> 00:22:26,320 Speaker 1: so then I was sad that she didn't get the 436 00:22:26,359 --> 00:22:28,119 Speaker 1: message because I was trying to check in on her. 437 00:22:28,160 --> 00:22:31,080 Speaker 1: Though my feelings like poured out. I mean, well she 438 00:22:31,240 --> 00:22:35,280 Speaker 1: knows it fully Nicole, yes, yes, yes, But I think 439 00:22:35,280 --> 00:22:39,760 Speaker 1: also it's interesting because you had left me something and 440 00:22:39,760 --> 00:22:43,480 Speaker 1: that just like just seeing your name and then Cynthia 441 00:22:43,520 --> 00:22:49,320 Speaker 1: did and then Sarah Jessica, And it was interesting because 442 00:22:51,880 --> 00:22:52,720 Speaker 1: it allowed me. 443 00:22:52,760 --> 00:22:57,320 Speaker 2: When I heard Sarah Jessica's I was, I was, It 444 00:22:57,840 --> 00:23:02,040 Speaker 2: just allowed me to let it go. And also just 445 00:23:02,119 --> 00:23:06,760 Speaker 2: think of you guys, because you I don't even know 446 00:23:06,840 --> 00:23:10,400 Speaker 2: how this was able to happen and how amazing it is, 447 00:23:11,480 --> 00:23:15,320 Speaker 2: and you brought us on, which is so beautiful. But yeah, 448 00:23:15,400 --> 00:23:17,800 Speaker 2: I keep thinking of you guys, and I keep thinking, oh, 449 00:23:17,840 --> 00:23:21,400 Speaker 2: they must have so many different emotions different days, and 450 00:23:21,440 --> 00:23:23,720 Speaker 2: it's going to take a long time for you to 451 00:23:23,760 --> 00:23:26,280 Speaker 2: form a sentence for sure, for sure, for sure. 452 00:23:26,320 --> 00:23:26,840 Speaker 1: But it's nice. 453 00:23:26,880 --> 00:23:30,960 Speaker 2: This is my first public you're doing great sentence, which, yeah, 454 00:23:30,960 --> 00:23:33,240 Speaker 2: which is what a great place to do it. I 455 00:23:33,280 --> 00:23:34,760 Speaker 2: know it's a great place to do it because we're 456 00:23:34,800 --> 00:23:37,159 Speaker 2: free and we're just ourselves and there's no lens of 457 00:23:37,280 --> 00:23:39,160 Speaker 2: any other you know, journalist or whatever here. 458 00:23:39,200 --> 00:23:41,760 Speaker 1: Obviously it's just us. And I also think it's going 459 00:23:41,800 --> 00:23:45,080 Speaker 1: to continue to evolve, and I mean, I'm just so 460 00:23:45,240 --> 00:23:49,439 Speaker 1: grateful that we were able to do the show we 461 00:23:49,520 --> 00:23:52,439 Speaker 1: wanted to do, oh ch and to bring you guys 462 00:23:52,480 --> 00:23:59,520 Speaker 1: on such incredible bright lights for us, like inspiration for us, 463 00:24:00,359 --> 00:24:03,560 Speaker 1: grounding for us. It was I mean, obviously we love 464 00:24:03,600 --> 00:24:05,880 Speaker 1: each other, but we love you guys too, so much. 465 00:24:06,119 --> 00:24:08,720 Speaker 1: But you know, and that's not a given, right. 466 00:24:09,560 --> 00:24:12,280 Speaker 2: I think when people don't when people ask me about 467 00:24:12,440 --> 00:24:15,720 Speaker 2: you or and obviously I'm not gonna I don't talk 468 00:24:15,840 --> 00:24:18,480 Speaker 2: much about it, but the one thing I think that 469 00:24:18,520 --> 00:24:22,920 Speaker 2: shocks them is when I'm like, they're really regular gals 470 00:24:23,320 --> 00:24:29,280 Speaker 2: who are hard working actresses. They're actors and really regular regular. 471 00:24:29,320 --> 00:24:32,880 Speaker 2: Now it's funny you have real friendships between you three, 472 00:24:33,200 --> 00:24:36,080 Speaker 2: and I think that just sounds like I'm lying. 473 00:24:37,000 --> 00:24:42,879 Speaker 1: So when I say and wouldn't it be fun the 474 00:24:42,920 --> 00:24:47,080 Speaker 1: story was the opposite. So then when I say, when 475 00:24:47,080 --> 00:24:49,520 Speaker 1: they're like, how is it for you? And for Nicole 476 00:24:50,119 --> 00:24:52,720 Speaker 1: and I say a similar thing, they must just be like, ah, 477 00:24:52,800 --> 00:24:56,200 Speaker 1: she's a fir, she's a lie. And I'm like, I. 478 00:24:56,119 --> 00:24:58,800 Speaker 2: Know you think I'm like, but it really is true, 479 00:24:59,280 --> 00:25:01,400 Speaker 2: and it it's shockingly beautiful. 480 00:25:01,640 --> 00:25:06,360 Speaker 1: I just want to say one thing. The eyepatch. I mean, 481 00:25:06,480 --> 00:25:09,000 Speaker 1: it was funny in person, but like when I watched 482 00:25:09,040 --> 00:25:12,639 Speaker 1: my birthday episode and Logan singing and your reaction to 483 00:25:12,720 --> 00:25:17,240 Speaker 1: Logan singing in the eye patch was so incredibly satisfying. 484 00:25:18,560 --> 00:25:20,600 Speaker 1: And then to watch you guys make out in the cab, 485 00:25:20,800 --> 00:25:24,679 Speaker 1: I was thrilled with the eyepatch thrilled and the shot 486 00:25:24,800 --> 00:25:26,680 Speaker 1: through the window, heay, that shot. Do you know how 487 00:25:26,720 --> 00:25:29,680 Speaker 1: long I spent in that cab, I can imagine. 488 00:25:29,760 --> 00:25:33,000 Speaker 2: But you know what comforted me the next day because 489 00:25:33,560 --> 00:25:36,680 Speaker 2: like I had the eye patch and the angle. It 490 00:25:36,760 --> 00:25:38,639 Speaker 2: was cool and it was over and over. But do 491 00:25:38,680 --> 00:25:42,200 Speaker 2: you know what was interesting Gary from the Crab. Gary said, 492 00:25:42,320 --> 00:25:43,400 Speaker 2: we got to get shot of. 493 00:25:43,359 --> 00:25:46,880 Speaker 1: You for that, and I go, did you? Because the 494 00:25:47,320 --> 00:25:49,960 Speaker 1: when I saw that angle it was great. 495 00:25:50,200 --> 00:25:53,919 Speaker 2: It made me give in to whenever I whatever I 496 00:25:53,920 --> 00:25:56,960 Speaker 2: do next is just to accept when they say it, yeah, 497 00:25:57,000 --> 00:25:59,879 Speaker 2: because when you're doing it, you don't feel I agree, 498 00:26:00,160 --> 00:26:01,760 Speaker 2: caught like stuff totally. 499 00:26:02,040 --> 00:26:03,280 Speaker 1: Yeah, You're trying to hold in your. 500 00:26:03,200 --> 00:26:06,600 Speaker 2: Stomach totally barely, and then you see it and you're like, 501 00:26:06,760 --> 00:26:07,560 Speaker 2: they got your back. 502 00:26:07,600 --> 00:26:09,959 Speaker 1: It was fantastic, and I mean Gary always has our 503 00:26:10,000 --> 00:26:13,520 Speaker 1: back number one, number two. It was so reminiscent of 504 00:26:13,560 --> 00:26:20,000 Speaker 1: the old show it right, So you're so right big 505 00:26:20,160 --> 00:26:22,960 Speaker 1: time baby. It was awesome. I mean, so many of 506 00:26:22,960 --> 00:26:25,159 Speaker 1: your things are awesome. It just it just came to 507 00:26:25,200 --> 00:26:27,480 Speaker 1: my mind because at the time, of course, we shot 508 00:26:27,520 --> 00:26:30,720 Speaker 1: the birthday for like three weeks, three weeks, four weeks. 509 00:26:30,760 --> 00:26:33,200 Speaker 1: I don't I never even saw you there half because 510 00:26:33,200 --> 00:26:36,120 Speaker 1: we shot individually. I know, I know what a great episode. 511 00:26:36,280 --> 00:26:38,639 Speaker 1: I know, right, that was a great episode on you 512 00:26:38,720 --> 00:26:41,399 Speaker 1: about it like your stuff was hard. It was hard. 513 00:26:41,640 --> 00:26:45,040 Speaker 2: It was made easier because Logan's actually very present. He's 514 00:26:45,640 --> 00:26:47,320 Speaker 2: a great, so good one. 515 00:26:47,400 --> 00:26:49,200 Speaker 1: He sings that song people thought he was fake thing, 516 00:26:49,320 --> 00:26:52,959 Speaker 1: that that was someone else singing like, no, that's he's incredible. 517 00:26:52,960 --> 00:26:55,280 Speaker 1: He's incredible. I know. I want him to be on 518 00:26:55,320 --> 00:26:57,840 Speaker 1: the show too. He can be catching up with friends. 519 00:26:58,160 --> 00:27:03,280 Speaker 1: Logan calling Logan Marshall Green. We need you all right, 520 00:27:03,440 --> 00:27:05,760 Speaker 1: we could keep going. You can come back, babe. I 521 00:27:05,760 --> 00:27:10,399 Speaker 1: love you, please, I love you too, she remembered. 522 00:27:10,520 --> 00:27:15,600 Speaker 2: Thank God, So, Sorita, are you a Charlotte. I never 523 00:27:15,640 --> 00:27:18,000 Speaker 2: thought I was, but I feel like I might be. 524 00:27:19,040 --> 00:27:21,080 Speaker 1: I think you are. I think I am. I think 525 00:27:21,119 --> 00:27:23,960 Speaker 1: you are, But you can be part Charlotte, part others, 526 00:27:24,200 --> 00:27:29,800 Speaker 1: which I think you are probably definitely, But I just 527 00:27:29,800 --> 00:27:32,440 Speaker 1: want to say I am. I love it. I love it. 528 00:27:32,520 --> 00:27:34,359 Speaker 1: I love it. And I think you are because like 529 00:27:34,760 --> 00:27:38,640 Speaker 1: as worldly and kind of sophisticated as you are, you're 530 00:27:38,760 --> 00:27:45,520 Speaker 1: such like heart. You know, you're so open and leading 531 00:27:45,560 --> 00:27:47,800 Speaker 1: with the heart in terms of like your actual life. 532 00:27:48,080 --> 00:27:52,439 Speaker 2: And I think there are certain like rules and what 533 00:27:52,600 --> 00:27:56,000 Speaker 2: made look like prudish behavior that just come from protecting yourself, 534 00:27:56,000 --> 00:28:02,720 Speaker 2: and also religion and countries and nature that make you 535 00:28:02,920 --> 00:28:06,600 Speaker 2: feel you're not as wild as people think you are. 536 00:28:06,960 --> 00:28:11,840 Speaker 1: Right, And you know, I do know, I really really know. 537 00:28:13,200 --> 00:28:14,800 Speaker 1: I love you so much. I love you so much, 538 00:28:14,920 --> 00:28:17,480 Speaker 1: so much, thank you, thank you for being with us.